The Project Gutenberg eBook of Poems — Volume 1, by George Meredith

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: Poems — Volume 1

Author: George Meredith

Release Date: July 1, 1998 [EBook #1381]

Language: English

Credits:

*** START OF THIS PROJECT GUTENBERG EBOOK ***

Transcribed from the 1912 Times Book Club “Surrey Edition” by David Price, email ccx074@pglaf.org

POEMS

VOL. I

BY

GEORGE MEREDITH

SURREY EDITION

LONDON

THE TIMES BOOK CLUB

376–384 OXFORD STREET, W.

1912

Edinburgh: T. and A. Constable, Printers to his Majesty

CONTENTS

PAGE

CHILLIANWALLAH,

Chillianwallah, Chillianwallah!

1

THE DOE: A FRAGMENT,

And—‘Yonder look! yoho! yoho!

3

BEAUTY ROHTRAUT,

What is the name of King Ringang’s daughter?

9

THE OLIVE BRANCH,

A dove flew with an Olive Branch;

11

SONG,

Love within the lover’s breast

16

THE WILD ROSE AND THE SNOWDROP,

The Snowdrop is the prophet of the flowers;

17

THE DEATH OF WINTER,

When April with her wild blue eye

19

SONG,

The moon is alone in the sky

21

JOHN LACKLAND,

A wicked man is bad enough on earth;

21

THE SLEEPING CITY,

A Princess in the eastern tale

22

THE POETRY OF CHAUCER,

Grey with all honours of age! but fresh-featured and ruddy

27

THE POETRY OF SPENSER,

Lakes where the sunsheen is mystic with splendour and softness;

27

THE POETRY OF SHAKESPEARE,

Picture some Isle smiling green ’mid the white-foaming ocean;—

28

THE POETRY OF MILTON,

Like to some deep-chested organ whose grand inspiration,

28

THE POETRY OF SOUTHEY,

Keen as an eagle whose flight towards the dim empyréan

29

THE POETRY OF COLERIDGE,

A brook glancing under green leaves, self-delighting, exulting,

29

THE POETRY OF SHELLEY,

See’st thou a Skylark whose glistening winglets ascending

30

THE POETRY OF WORDSWORTH,

A breath of the mountains, fresh born in the regions majestic,

30

THE POETRY OF KEATS,

The song of a nightingale sent thro’ a slumbrous valley,

31

VIOLETS,

Violets, shy violets!

31

ANGELIC LOVE,

Angelic love that stoops with heavenly lips

32

TWILIGHT MUSIC,

Know you the low pervading breeze

34

REQUIEM,

Where faces are hueless, where eyelids are dewless,

36

THE FLOWER OF THE RUINS,

Take thy lute and sing

37

THE RAPE OF AURORA,

Never, O never,

40

SOUTH-WEST WIND IN THE WOODLAND,

The silence of preluded song—

42

WILL O’ THE WISP,

Follow me, follow me,

46

SONG,

Fair and false!  No dawn will greet

49

SONG,

Two wedded lovers watched the rising moon,

50

SONG,

I cannot lose thee for a day,

51

DAPHNE,

Musing on the fate of Daphne,

52

LONDON BY LAMPLIGHT,

There stands a singer in the street,

68

SONG,

Under boughs of breathing May,

73

PASTORALS,

How sweet on sunny afternoons,

74

TO A SKYLARK,

O skylark! I see thee and call thee joy!

74

SONG—SPRING,

When buds of palm do burst and spread

85

SONG—AUTUMN,

When nuts behind the hazel-leaf

85

SORROWS AND JOYS,

Bury thy sorrows, and they shall rise

86

SONG,

The Flower unfolds its dawning cup,

88

SONG,

Thou to me art such a spring

89

ANTIGONE,

The buried voice bespake Antigone.

90

‘SWATHED ROUND IN MIST AND CROWN’D WITH CLOUD,’

92

SONG,

No, no, the falling blossom is no sign

93

THE TWO BLACKBIRDS,

A Blackbird in a wicker cage,

94

JULY,

Blue July, bright July,

96

SONG,

I would I were the drop of rain

98

SONG,

Come to me in any shape!

99

THE SHIPWRECK OF IDOMENEUS,

Swept from his fleet upon that fatal night

100

THE LONGEST DAY,

On yonder hills soft twilight dwells

112

TO ROBIN REDBREAST,

Merrily ’mid the faded leaves,

114

SONG,

The daisy now is out upon the green;

115

SUNRISE,

The clouds are withdrawn

117

PICTURES OF THE RHINE,

The spirit of Romance dies not to those

120

TO A NIGHTINGALE,

O nightingale! how hast thou learnt

123

INVITATION TO THE COUNTRY,

Now ’tis Spring on wood and wold,

124

THE SWEET O’ THE YEAR,

Now the frog, all lean and weak,

126

AUTUMN EVEN-SONG,

The long cloud edged with streaming grey

128

THE SONG OF COURTESY,

When Sir Gawain was led to his bridal-bed,

129

THE THREE MAIDENS,

There were three maidens met on the highway;

131

OVER THE HILLS,

The old hound wags his shaggy tail,

132

JUGGLING JERRY,

Pitch here the tent, while the old horse grazes:

134

THE CROWN OF LOVE,

O might I load my arms with thee,

139

THE HEAD OF BRAN THE BLEST,

When the Head of Bran

141

THE MEETING,

The old coach-road through a common of furze,

145

THE BEGGAR’S SOLILOQUY,

Now, this, to my notion, is pleasant cheer,

146

BY THE ROSANNA TO F. M.,

The old grey Alp has caught the cloud,

151

PHANTASY,

Within a Temple of the Toes,

152

THE OLD CHARTIST,

Whate’er I be, old England is my dam!

158

SONG,

Should thy love die;

163

TO ALEX. SMITH, THE ‘GLASGOW POET,’

Not vainly doth the earnest voice of man

164

GRANDFATHER BRIDGEMAN,

‘Heigh, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’

165

THE PROMISE IN DISTURBANCE,

How low when angels fall their black descent,

180

MODERN LOVE,

181

I.

By this he knew she wept with waking eyes:

II.

It ended, and the morrow brought the task.

III.

This was the woman; what now of the man?

IV.

All other joys of life he strove to warm,

V.

A message from her set his brain aflame.

VI.

It chanced his lips did meet her forehead cool.

VII.

She issues radiant from her dressing-room,

VIII.

Yet it was plain she struggled, and that salt

IX.

He felt the wild beast in him betweenwhiles

X.

But where began the change; and what’s my crime?

XI.

Out in the yellow meadows, where the bee

XII.

Not solely that the Future she destroys,

XIII.

‘I play for Seasons; not Eternities!’

XIV.

What soul would bargain for a cure that brings

XV.

I think she sleeps: it must be sleep, when low

XVI.

In our old shipwrecked days there was an hour,

XVII.

At dinner, she is hostess, I am host.

XVIII.

Here Jack and Tom are paired with Moll and Meg.

XIX.

No state is enviable.  To the luck alone

XX.

I am not of those miserable males

XXI.

We three are on the cedar-shadowed lawn;

XXII.

What may the woman labour to confess?

XXIII.

’Tis Christmas weather, and a country house

XXIV.

The misery is greater, as I live!

XXV.

You like not that French novel?  Tell me why.

XXVI.

Love ere he bleeds, an eagle in high skies,

XXVII.

Distraction is the panacea, Sir!

XXVIII.

I must be flattered.  The imperious

XXIX.

Am I failing?  For no longer can I cast

XXX.

What are we first?  First, animals; and next

XXXI.

This golden head has wit in it.  I live

XXXII.

Full faith I have she holds that rarest gift

XXXIII.

‘In Paris, at the Louvre, there have I seen

XXXIV.

Madam would speak with me.  So, now it comes:

XXXV.

It is no vulgar nature I have wived.

XXXVI.

My Lady unto Madam makes her bow.

XXXVII.

Along the garden terrace, under which

XXXVIII.

Give to imagination some pure light

XXXIX.

She yields: my Lady in her noblest mood

XL.

I bade my Lady think what she might mean.

XLI.

How many a thing which we cast to the ground,

XLII.

I am to follow her.  There is much grace

XLIII.

Mark where the pressing wind shoots javelin-like

XLIV.

They say, that Pity in Love’s service dwells,

XLV.

It is the season of the sweet wild rose,

XLVI.

At last we parley: we so strangely dumb

XLVII.

We saw the swallows gathering in the sky,

XLVIII.

Their sense is with their senses all mixed in,

XLIX.

He found her by the ocean’s moaning verge,

L.

Thus piteously Love closed what he begat:

THE PATRIOT ENGINEER,

‘Sirs! may I shake your hands?

231

CASSANDRA,

Captive on a foreign shore,

236

THE YOUNG USURPER,

On my darling’s bosom

240

MARGARET’S BRIDAL EVE,

The old grey mother she thrummed on her knee:

241

MARIAN,

She can be as wise as we,

248

BY MORNING TWILIGHT,

Night, like a dying mother,

249

UNKNOWN FAIR FACES,

Though I am faithful to my loves lived through,

249

SHEMSELNIHAR,

O my lover! the night like a broad smooth wave

250

A ROAR THROUGH THE TALL TWIN ELM-TREES,

A roar thro’ the tall twin elm-trees

252

WHEN I WOULD IMAGE,

When I would image her features,

252

THE SPIRIT OF SHAKESPEARE,

Thy greatest knew thee, Mother Earth; unsoured

253

CONTINUED,

How smiles he at a generation ranked

253

ODE TO THE SPIRIT OF EARTH IN AUTUMN,

Fair Mother Earth lay on her back last night,

254

MARTIN’S PUZZLE,

There she goes up the street with her book in her hand,

261

CHILLIANWALLAH [1]

CHILLANWALLAH, Chillanwallah!

Where our brothers fought and bled,

O thy name is natural music

And a dirge above the dead!

Though we have not been defeated,

Though we can’t be overcome,

Still, whene’er thou art repeated,

I would fain that grief were dumb.

Chillianwallah, Chillianwallah!

’Tis a name so sad and strange,

Like a breeze through midnight harpstrings

Ringing many a mournful change;

But the wildness and the sorrow

Have a meaning of their own—

Oh, whereof no glad to-morrow

Can relieve the dismal tone!

Chillianwallah, Chillianwallah!

’Tis a village dark and low,

By the bloody Jhelum river

Bridged by the foreboding foe;

And across the wintry water

He is ready to retreat,

When the carnage and the slaughter

Shall have paid for his defeat.

Chillianwallah, Chillianwallah!

’Tis a wild and dreary plain,

Strewn with plots of thickest jungle,

Matted with the gory stain.

There the murder-mouthed artillery,

In the deadly ambuscade,

Wrought the thunder of its treachery

On the skeleton brigade.

Chillianwallah, Chillianwallah!

When the night set in with rain,

Came the savage plundering devils

To their work among the slain;

And the wounded and the dying

In cold blood did share the doom

Of their comrades round them lying,

Stiff in the dead skyless gloom.

Chillianwallah, Chillianwallah!

Thou wilt be a doleful chord,

And a mystic note of mourning

That will need no chiming word;

And that heart will leap with anguish

Who may understand thee best;

But the hopes of all will languish

Till thy memory is at rest.

THE DOE: A FRAGMENT

(FROM ‘WANDERING WILLIE’)

AND—‘Yonder look! yoho! yoho!

Nancy is off!’ the farmer cried,

Advancing by the river side,

Red-kerchieft and brown-coated;—‘So,

My girl, who else could leap like that?

So neatly! like a lady!  ‘Zounds!

Look at her how she leads the hounds!’

And waving his dusty beaver hat,

He cheered across the chase-filled water,

And clapt his arm about his daughter,

And gave to Joan a courteous hug,

And kiss that, like a stubborn plug

From generous vats in vastness rounded,

The inner wealth and spirit sounded:

Eagerly pointing South, where, lo,

The daintiest, fleetest-footed doe

Led o’er the fields and thro’ the furze

Beyond: her lively delicate ears

Prickt up erect, and in her track

A dappled lengthy-striding pack.

Scarce had they cast eyes upon her,

When every heart was wagered on her,

And half in dread, and half delight,

They watched her lovely bounding flight;

As now across the flashing green,

And now beneath the stately trees,

And now far distant in the dene,

She headed on with graceful ease:

Hanging aloft with doubled knees,

At times athwart some hedge or gate;

And slackening pace by slow degrees,

As for the foremost foe to wait.

Renewing her outstripping rate

Whene’er the hot pursuers neared,

By garden wall and paled estate,

Where clambering gazers whooped and cheered.

Here winding under elm and oak,

And slanting up the sunny hill:

Splashing the water here like smoke

Among the mill-holms round the mill.

And—‘Let her go; she shows her game,

My Nancy girl, my pet and treasure!’

The farmer sighed: his eyes with pleasure

Brimming: ‘’Tis my daughter’s name,

My second daughter lying yonder.’

And Willie’s eye in search did wander,

And caught at once, with moist regard,

The white gleams of a grey churchyard.

‘Three weeks before my girl had gone,

And while upon her pillows propped,

She lay at eve; the weakling fawn—

For still it seems a fawn just dropt

A se’nnight—to my Nancy’s bed

I brought to make my girl a gift:

The mothers of them both were dead:

And both to bless it was my drift,

By giving each a friend; not thinking

How rapidly my girl was sinking.

And I remember how, to pat

Its neck, she stretched her hand so weak,

And its cold nose against her cheek

Pressed fondly: and I fetched the mat

To make it up a couch just by her,

Where in the lone dark hours to lie:

For neither dear old nurse nor I

Would any single wish deny her.

And there unto the last it lay;

And in the pastures cared to play

Little or nothing: there its meals

And milk I brought: and even now

The creature such affection feels

For that old room that, when and how,

’Tis strange to mark, it slinks and steals

To get there, and all day conceals.

And once when nurse who, since that time,

Keeps house for me, was very sick,

Waking upon the midnight chime,

And listening to the stair-clock’s click,

I heard a rustling, half uncertain,

Close against the dark bed-curtain:

And while I thrust my leg to kick,

And feel the phantom with my feet,

A loving tongue began to lick

My left hand lying on the sheet;

And warm sweet breath upon me blew,

And that ’twas Nancy then I knew.

So, for her love, I had good cause

To have the creature “Nancy” christened.’

He paused, and in the moment’s pause,

His eyes and Willie’s strangely glistened.

Nearer came Joan, and Bessy hung

With face averted, near enough

To hear, and sob unheard; the young

And careless ones had scampered off

Meantime, and sought the loftiest place

To beacon the approaching chase.

‘Daily upon the meads to browse,

Goes Nancy with those dairy cows

You see behind the clematis:

And such a favourite she is,

That when fatigued, and helter skelter,

Among them from her foes to shelter,

She dashes when the chase is over,

They’ll close her in and give her cover,

And bend their horns against the hounds,

And low, and keep them out of bounds!

From the house dogs she dreads no harm,

And is good friends with all the farm,

Man, and bird, and beast, howbeit

Their natures seem so opposite.

And she is known for many a mile,

And noted for her splendid style,

For her clear leap and quick slight hoof;

Welcome she is in many a roof.

And if I say, I love her, man!

I say but little: her fine eyes full

Of memories of my girl, at Yule

And May-time, make her dearer than

Dumb brute to men has been, I think.

So dear I do not find her dumb.

I know her ways, her slightest wink,

So well; and to my hand she’ll come,

Sidelong, for food or a caress,

Just like a loving human thing.

Nor can I help, I do confess,

Some touch of human sorrowing

To think there may be such a doubt

That from the next world she’ll be shut out,

And parted from me!  And well I mind

How, when my girl’s last moments came,

Her soft eyes very soft and kind,

She joined her hands and prayed the same,

That she “might meet her father, mother,

Sister Bess, and each dear brother,

And with them, if it might be, one

Who was her last companion.”

Meaning the fawn—the doe you mark—

For my bay mare was then a foal,

And time has passed since then:—but hark!’

For like the shrieking of a soul

Shut in a tomb, a darkened cry

Of inward-wailing agony

Surprised them, and all eyes on each

Fixed in the mute-appealing speech

Of self-reproachful apprehension:

Knowing not what to think or do:

But Joan, recovering first, broke through

The instantaneous suspension,

And knelt upon the ground, and guessed

The bitterness at a glance, and pressed

Into the comfort of her breast

The deep-throed quaking shape that drooped

In misery’s wilful aggravation,

Before the farmer as he stooped,

Touched with accusing consternation:

Soothing her as she sobbed aloud:—

‘Not me! not me!  Oh, no, no, no!

Not me!  God will not take me in!

Nothing can wipe away my sin!

I shall not see her: you will go;

You and all that she loves so:

Not me! not me!  Oh, no, no, no!’

Colourless, her long black hair,

Like seaweed in a tempest tossed

Tangling astray, to Joan’s care

She yielded like a creature lost:

Yielded, drooping toward the ground,

As doth a shape one half-hour drowned,

And heaved from sea with mast and spar,

All dark of its immortal star.

And on that tender heart, inured

To flatter basest grief, and fight

Despair upon the brink of night,

She suffered herself to sink, assured

Of refuge; and her ear inclined

To comfort; and her thoughts resigned

To counsel; her wild hair let brush

From off her weeping brows; and shook

With many little sobs that took

Deeper-drawn breaths, till into sighs,

Long sighs, they sank; and to the ‘hush!’

Of Joan’s gentle chide, she sought

Childlike to check them as she ought,

Looking up at her infantwise.

And Willie, gazing on them both,

Shivered with bliss through blood and brain,

To see the darling of his troth

Like a maternal angel strain

The sinful and the sinless child

At once on either breast, and there

In peace and promise reconciled

Unite them: nor could Nature’s care

With subtler sweet beneficence

Have fed the springs of penitence,

Still keeping true, though harshly tried,

The vital prop of human pride.

BEAUTY ROHTRAUT

(FROM MÖRICKE)

WHAT is the name of King Ringang’s daughter?

Rohtraut, Beauty Rohtraut!

And what does she do the livelong day,

Since she dare not knit and spin alway?

O hunting and fishing is ever her play!

And, heigh! that her huntsman I might be!

I’d hunt and fish right merrily!

Be silent, heart!

And it chanced that, after this some time,—

Rohtraut, Beauty Rohtraut,—

The boy in the Castle has gained access,

And a horse he has got and a huntsman’s dress,

To hunt and to fish with the merry Princess;

And, O! that a king’s son I might be!

Beauty Rohtraut I love so tenderly.

Hush! hush! my heart.

Under a grey old oak they sat,

Beauty, Beauty Rohtraut!

She laughs: ‘Why look you so slyly at me?

If you have heart enough, come, kiss me.’

Cried the breathless boy, ‘kiss thee?’

But he thinks, kind fortune has favoured my youth;

And thrice he has kissed Beauty Rohtraut’s mouth.

Down! down! mad heart.

Then slowly and silently they rode home,—

Rohtraut, Beauty Rohtraut!

The boy was lost in his delight:

‘And, wert thou Empress this very night,

I would not heed or feel the blight;

Ye thousand leaves of the wild wood wist

How Beauty Rohtraut’s mouth I kiss’d.

Hush! hush! wild heart.’

THE OLIVE BRANCH

A DOVE flew with an Olive Branch;

It crossed the sea and reached the shore,

And on a ship about to launch

Dropped down the happy sign it bore.

‘An omen’ rang the glad acclaim!

The Captain stooped and picked it up,

‘Be then the Olive Branch her name,’

Cried she who flung the christening cup.

The vessel took the laughing tides;

It was a joyous revelry

To see her dashing from her sides

The rough, salt kisses of the sea.

And forth into the bursting foam

She spread her sail and sped away,

The rolling surge her restless home,

Her incense wreaths the showering spray.

Far out, and where the riot waves

Run mingling in tumultuous throngs,

She danced above a thousand graves,

And heard a thousand briny songs.

Her mission with her manly crew,

Her flag unfurl’d, her title told,

She took the Old World to the New,

And brought the New World to the Old.

Secure of friendliest welcomings,

She swam the havens sheening fair;

Secure upon her glad white wings,

She fluttered on the ocean air.

To her no more the bastioned fort

Shot out its swarthy tongue of fire;

From bay to bay, from port to port,

Her coming was the world’s desire.

And tho’ the tempest lashed her oft,

And tho’ the rocks had hungry teeth,

And lightnings split the masts aloft,

And thunders shook the planks beneath,

And tho’ the storm, self-willed and blind,

Made tatters of her dauntless sail,

And all the wildness of the wind

Was loosed on her, she did not fail;

But gallantly she ploughed the main,

And gloriously her welcome pealed,

And grandly shone to sky and plain

The goodly bales her decks revealed;

Brought from the fruitful eastern glebes

Where blow the gusts of balm and spice,

Or where the black blockaded ribs

Are jammed ’mongst ghostly fleets of ice,

Or where upon the curling hills

Glow clusters of the bright-eyed grape,

Or where the hand of labour drills

The stubbornness of earth to shape;

Rich harvestings and wealthy germs,

And handicrafts and shapely wares,

And spinnings of the hermit worms,

And fruits that bloom by lions’ lairs.

Come, read the meaning of the deep!

The use of winds and waters learn!

’Tis not to make the mother weep

For sons that never will return;

’Tis not to make the nations show

Contempt for all whom seas divide;

’Tis not to pamper war and woe,

Nor feed traditionary pride;

’Tis not to make the floating bulk

Mask death upon its slippery deck,

Itself in turn a shattered hulk,

A ghastly raft, a bleeding wreck.

It is to knit with loving lip

The interests of land to land;

To join in far-seen fellowship

The tropic and the polar strand.

It is to make that foaming Strength

Whose rebel forces wrestle still

Thro’ all his boundaried breadth and length

Become a vassal to our will.

It is to make the various skies,

And all the various fruits they vaunt,

And all the dowers of earth we prize,

Subservient to our household want.

And more, for knowledge crowns the gain

Of intercourse with other souls,

And Wisdom travels not in vain

The plunging spaces of the poles.

The wild Atlantic’s weltering gloom,

Earth-clasping seas of North and South,

The Baltic with its amber spume,

The Caspian with its frozen mouth;

The broad Pacific, basking bright,

And girdling lands of lustrous growth,

Vast continents and isles of light,

Dumb tracts of undiscovered sloth;

She visits these, traversing each;

They ripen to the common sun;

Thro’ diverse forms and different speech,

The world’s humanity is one.

O may her voice have power to say

How soon the wrecking discords cease,

When every wandering wave is gay

With golden argosies of peace!

Now when the ark of human fate,

Long baffled by the wayward wind,

Is drifting with its peopled freight,

Safe haven on the heights to find;

Safe haven from the drowning slime

Of evil deeds and Deluge wrath;—

To plant again the foot of Time

Upon a purer, firmer path;

’Tis now the hour to probe the ground,

To watch the Heavens, to speak the word,

The fathoms of the deep to sound,

And send abroad the missioned bird,

On strengthened wing for evermore,

Let Science, swiftly as she can,

Fly seaward on from shore to shore,

And bind the links of man to man;

And like that fair propitious Dove

Bless future fleets about to launch;

Make every freight a freight of love,

And every ship an Olive Branch.

SONG

LOVE within the lover’s breast

Burns like Hesper in the west,

O’er the ashes of the sun,

Till the day and night are done;

Then when dawn drives up her car—

Lo! it is the morning star.

Love! thy love pours down on mine

As the sunlight on the vine,

As the snow-rill on the vale,

As the salt breeze in the sail;

As the song unto the bird,

On my lips thy name is heard.

As a dewdrop on the rose

In thy heart my passion glows,

As a skylark to the sky

Up into thy breast I fly;

As a sea-shell of the sea

Ever shall I sing of thee.

THE WILD ROSE AND THE SNOWDROP

THE Snowdrop is the prophet of the flowers;

It lives and dies upon its bed of snows;

And like a thought of spring it comes and goes,

Hanging its head beside our leafless bowers.

The sun’s betrothing kiss it never knows,

Nor all the glowing joy of golden showers;

But ever in a placid, pure repose,

More like a spirit with its look serene,

Droops its pale cheek veined thro’ with infant green.

Queen of her sisters is the sweet Wild Rose,

Sprung from the earnest sun and ripe young June;

The year’s own darling and the Summer’s Queen!

Lustrous as the new-throned crescent moon.

Much of that early prophet look she shows,

Mixed with her fair espoused blush which glows,

As if the ethereal fairy blood were seen;

Like a soft evening over sunset snows,

Half twilight violet shade, half crimson sheen.

Twin-born are both in beauteousness, most fair

In all that glads the eye and charms the air;

In all that wakes emotions in the mind

And sows sweet sympathies for human kind.

Twin-born, albeit their seasons are apart,

They bloom together in the thoughtful heart;

Fair symbols of the marvels of our state,

Mute speakers of the oracles of fate!

For each, fulfilling nature’s law, fulfils

Itself and its own aspirations pure;

Living and dying; letting faith ensure

New life when deathless Spring shall touch the hills.

Each perfect in its place; and each content

With that perfection which its being meant:

Divided not by months that intervene,

But linked by all the flowers that bud between.

Forever smiling thro’ its season brief,

The one in glory and the one in grief:

Forever painting to our museful sight,

How lowlihead and loveliness unite.

Born from the first blind yearning of the earth

To be a mother and give happy birth,

Ere yet the northern sun such rapture brings,

Lo, from her virgin breast the Snowdrop springs;

And ere the snows have melted from the grass,

And not a strip of greensward doth appear,

Save the faint prophecy its cheeks declare,

Alone, unkissed, unloved, behold it pass!

While in the ripe enthronement of the year,

Whispering the breeze, and wedding the rich air

With her so sweet, delicious bridal breath,—

Odorous and exquisite beyond compare,

And starr’d with dews upon her forehead clear,

Fresh-hearted as a Maiden Queen should be

Who takes the land’s devotion as her fee,—

The Wild Rose blooms, all summer for her dower,

Nature’s most beautiful and perfect flower.

THE DEATH OF WINTER

WHEN April with her wild blue eye

Comes dancing over the grass,

And all the crimson buds so shy

Peep out to see her pass;

As lightly she loosens her showery locks

And flutters her rainy wings;

Laughingly stoops

To the glass of the stream,

And loosens and loops

Her hair by the gleam,

While all the young villagers blithe as the flocks

Go frolicking round in rings;—

Then Winter, he who tamed the fly,

Turns on his back and prepares to die,

For he cannot live longer under the sky.

Down the valleys glittering green,

Down from the hills in snowy rills,

He melts between the border sheen

And leaps the flowery verges!

He cannot choose but brighten their hues,

And tho’ he would creep, he fain must leap,

For the quick Spring spirit urges.

Down the vale and down the dale

He leaps and lights, till his moments fail,

Buried in blossoms red and pale,

While the sweet birds sing his dirges!

O Winter!  I’d live that life of thine,

With a frosty brow and an icicle tongue,

And never a song my whole life long,—

Were such delicious burial mine!

To die and be buried, and so remain

A wandering brook in April’s train,

Fixing my dying eyes for aye

On the dawning brows of maiden May.

SONG

THE moon is alone in the sky

As thou in my soul;

The sea takes her image to lie

Where the white ripples roll

All night in a dream,

With the light of her beam,

Hushedly, mournfully, mistily up to the shore.

The pebbles speak low

In the ebb and the flow,

As I when thy voice came at intervals, tuned to adore:

Nought other stirred

Save my heart all unheard

Beating to bliss that is past evermore.

JOHN LACKLAND

A WICKED man is bad enough on earth;

But O the baleful lustre of a chief

Once pledged in tyranny!  O star of dearth

Darkly illumining a nation’s grief!

How many men have worn thee on their brows!

Alas for them and us!  God’s precious gift

Of gracious dispensation got by theft—

The damning form of false unholy vows!

The thief of God and man must have his fee:

And thou, John Lackland, despicable prince—

Basest of England’s banes before or since!

Thrice traitor, coward, thief!  O thou shalt be

The historic warning, trampled and abhorr’d

Who dared to steal and stain the symbols of the Lord!

THE SLEEPING CITY

A PRINCESS in the eastern tale

Paced thro’ a marble city pale,

And saw in ghastly shapes of stone

The sculptured life she breathed alone;

Saw, where’er her eye might range,

Herself the only child of change;

And heard her echoed footfall chime

Between Oblivion and Time;

And in the squares where fountains played,

And up the spiral balustrade,

Along the drowsy corridors,

Even to the inmost sleeping floors,

Surveyed in wonder chilled with dread

The seemingness of Death, not dead;

Life’s semblance but without its storm,

And silence frosting every form;

Crowned figures, cold and grouping slaves,

Like suddenly arrested waves

About to sink, about to rise,—

Strange meaning in their stricken eyes;

And cloths and couches live with flame

Of leopards fierce and lions tame,

And hunters in the jungle reed,

Thrown out by sombre glowing brede;

Dumb chambers hushed with fold on fold,

And cumbrous gorgeousness of gold;

White casements o’er embroidered seats,

Looking on solitudes of streets,—

On palaces and column’d towers,

Unconscious of the stony hours;

Harsh gateways startled at a sound,

With burning lamps all burnish’d round;—

Surveyed in awe this wealth and state,

Touched by the finger of a Fate,

And drew with slow-awakening fear

The sternness of the atmosphere;—

And gradually, with stealthier foot,

Became herself a thing as mute,

And listened,—while with swift alarm

Her alien heart shrank from the charm;

Yet as her thoughts dilating rose,

Took glory in the great repose,

And over every postured form

Spread lava-like and brooded warm,—

And fixed on every frozen face

Beheld the record of its race,

And in each chiselled feature knew

The stormy life that once blushed thro’;—

The ever-present of the past

There written; all that lightened last,

Love, anguish, hope, disease, despair,

Beauty and rage, all written there;—

Enchanted Passions! whose pale doom

Is never flushed by blight or bloom,

But sentinelled by silent orbs,

Whose light the pallid scene absorbs.—

Like such a one I pace along

This City with its sleeping throng;

Like her with dread and awe, that turns

To rapture, and sublimely yearns;—

For now the quiet stars look down

On lights as quiet as their own;

The streets that groaned with traffic show

As if with silence paved below;

The latest revellers are at peace,

The signs of in-door tumult cease,

From gay saloon and low resort,

Comes not one murmur or report:

The clattering chariot rolls not by,

The windows show no waking eye,

The houses smoke not, and the air

Is clear, and all the midnight fair.

The centre of the striving world,

Round which the human fate is curled,

To which the future crieth wild,—

Is pillowed like a cradled child.

The palace roof that guards a crown,

The mansion swathed in dreamy down,

Hovel, court, and alley-shed,

Sleep in the calmness of the dead.

Now while the many-motived heart

Lies hushed—fireside and busy mart,

And mortal pulses beat the tune

That charms the calm cold ear o’ the moon

Whose yellowing crescent down the West

Leans listening, now when every breast

Its basest or its purest heaves,

The soul that joys, the soul that grieves;—

While Fame is crowning happy brows

That day will blindly scorn, while vows

Of anguished love, long hidden, speak

From faltering tongue and flushing cheek

The language only known to dreams,

Rich eloquence of rosy themes!

While on the Beauty’s folded mouth

Disdain just wrinkles baby youth;

While Poverty dispenses alms

To outcasts, bread, and healing balms;

While old Mammon knows himself

The greatest beggar for his pelf;

While noble things in darkness grope,

The Statesman’s aim, the Poet’s hope;

The Patriot’s impulse gathers fire,

And germs of future fruits aspire;—

Now while dumb nature owns its links,

And from one common fountain drinks,

Methinks in all around I see

This Picture in Eternity;—

A marbled City planted there

With all its pageants and despair;

A peopled hush, a Death not dead,

But stricken with Medusa’s head;—

And in the Gorgon’s glance for aye

The lifeless immortality

Reveals in sculptured calmness all

Its latest life beyond recall.

THE POETRY OF CHAUCER

GREY with all honours of age! but fresh-featured and ruddy

As dawn when the drowsy farm-yard has thrice heard Chaunticlere.

Tender to tearfulness—childlike, and manly, and motherly;

Here beats true English blood richest joyance on sweet English ground.

THE POETRY OF SPENSER

LAKES where the sunsheen is mystic with splendour and softness;

Vales where sweet life is all Summer with golden romance:

Forests that glimmer with twilight round revel-bright palaces;

Here in our May-blood we wander, careering ’mongst ladies and knights.

THE POETRY OF SHAKESPEARE

PICTURE some Isle smiling green ’mid the white-foaming ocean;—

Full of old woods, leafy wisdoms, and frolicsome fays;

Passions and pageants; sweet love singing bird-like above it;

Life in all shapes, aims, and fates, is there warm’d by one great human heart.

THE POETRY OF MILTON

LIKE to some deep-chested organ whose grand inspiration,

Serenely majestic in utterance, lofty and calm,

Interprets to mortals with melody great as its burthen

The mystical harmonies chiming for ever throughout the bright spheres.

THE POETRY OF SOUTHEY

KEEN as an eagle whose flight towards the dim empyréan

Fearless of toil or fatigue ever royally wends!

Vast in the cloud-coloured robes of the balm-breathing Orient

Lo! the grand Epic advances, unfolding the humanest truth.

THE POETRY OF COLERIDGE

A BROOK glancing under green leaves, self-delighting, exulting,

And full of a gurgling melody ever renewed—

Renewed thro’ all changes of Heaven, unceasing in sunlight,

Unceasing in moonlight, but hushed in the beams of the holier orb.

THE POETRY OF SHELLEY

SEE’ST thou a Skylark whose glistening winglets ascending

Quiver like pulses beneath the melodious dawn?

Deep in the heart-yearning distance of heaven it flutters—

Wisdom and beauty and love are the treasures it brings down at eve.

THE POETRY OF WORDSWORTH

A BREATH of the mountains, fresh born in the regions majestic,

That look with their eye-daring summits deep into the sky.

The voice of great Nature; sublime with her lofty conceptions,

Yet earnest and simple as any sweet child of the green lowly vale.

THE POETRY OF KEATS

THE song of a nightingale sent thro’ a slumbrous valley,

Low-lidded with twilight, and tranced with the dolorous sound,

Tranced with a tender enchantment; the yearning of passion

That wins immortality even while panting delirious with death.

VIOLETS

VIOLETS, shy violets!

How many hearts with you compare!

Who hide themselves in thickest green,

And thence, unseen,

Ravish the enraptured air

With sweetness, dewy fresh and rare!

Violets, shy violets!

Human hearts to me shall be

Viewless violets in the grass,

And as I pass,

Odours and sweet imagery

Will wait on mine and gladden me!

ANGELIC LOVE

ANGELIC love that stoops with heavenly lips

To meet its earthly mate;

Heroic love that to its sphere’s eclipse

Can dare to join its fate

With one beloved devoted human heart,

And share with it the passion and the smart,

The undying bliss

Of its most fleeting kiss;

The fading grace

Of its most sweet embrace:—

Angelic love, heroic love!

Whose birth can only be above,

Whose wandering must be on earth,

Whose haven where it first had birth!

Love that can part with all but its own worth,

And joy in every sacrifice

That beautifies its Paradise!

And gently, like a golden-fruited vine,

With earnest tenderness itself consign,

And creeping up deliriously entwine

Its dear delicious arms

Round the beloved being!

With fair unfolded charms,

All-trusting, and all-seeing,—

Grape-laden with full bunches of young wine!

While to the panting heart’s dry yearning drouth

Buds the rich dewy mouth—

Tenderly uplifted,

Like two rose-leaves drifted

Down in a long warm sigh of the sweet South!

Such love, such love is thine,

Such heart is mine,

O thou of mortal visions most divine!

TWILIGHT MUSIC

KNOW you the low pervading breeze

That softly sings

In the trembling leaves of twilight trees,

As if the wind were dreaming on its wings?

And have you marked their still degrees

Of ebbing melody, like the strings

Of a silver harp swept by a spirit’s hand

In some strange glimmering land,

’Mid gushing springs,

And glistenings

Of waters and of planets, wild and grand!

And have you marked in that still time

The chariots of those shining cars

Brighten upon the hushing dark,

And bent to hark

That Voice, amid the poplar and the lime,

Pause in the dilating lustre

Of the spheral cluster;

Pause but to renew its sweetness, deep

As dreams of heaven to souls that sleep!

And felt, despite earth’s jarring wars,

When day is done

And dead the sun,

Still a voice divine can sing,

Still is there sympathy can bring

A whisper from the stars!

Ah, with this sentience quickly will you know

How like a tree I tremble to the tones

Of your sweet voice!

How keenly I rejoice

When in me with sweet motions slow

The spiritual music ebbs and moans—

Lives in the lustre of those heavenly eyes,

Dies in the light of its own paradise,—

Dies, and relives eternal from its death,

Immortal melodies in each deep breath;

Sweeps thro’ my being, bearing up to thee

Myself, the weight of its eternity;

Till, nerved to life from its ordeal fire,

It marries music with the human lyre,

Blending divine delight with loveliest desire.

REQUIEM

WHERE faces are hueless, where eyelids are dewless,

Where passion is silent and hearts never crave;

Where thought hath no theme, and where sleep hath no dream,

In patience and peace thou art gone—to thy grave!

Gone where no warning can wake thee to morning,

Dead tho’ a thousand hands stretch’d out to save.

Thou cam’st to us sighing, and singing and dying,

How could it be otherwise, fair as thou wert?

Placidly fading, and sinking and shading

At last to that shadow, the latest desert;

Wasting and waning, but still, still remaining.

Alas for the hand that could deal the death-hurt!

The Summer that brightens, the Winter that whitens,

The world and its voices, the sea and the sky,

The bloom of creation, the tie of relation,

All—all is a blank to thine ear and thine eye;

The ear may not listen, the eye may not glisten,

Nevermore waked by a smile or a sigh.

The tree that is rootless must ever be fruitless;

And thou art alone in thy death and thy birth;

No last loving token of wedded love broken,

No sign of thy singleness, sweetness and worth;

Lost as the flower that is drowned in the shower,

Fall’n like a snowflake to melt in the earth.

THE FLOWER OF THE RUINS

TAKE thy lute and sing

By the ruined castle walls,

Where the torrent-foam falls,

And long weeds wave:

Take thy lute and sing,

O’er the grey ancestral grave!

Daughter of a King,

Tune thy string.

Sing of happy hours,

In the roar of rushing time;

Till all the echoes chime

To the days gone by;

Sing of passing hours

To the ever-present sky;—

Weep—and let the showers

Wake thy flowers.

Sing of glories gone:—

No more the blazoned fold

From the banner is unrolled;

The gold sun is set.

Sing his glory gone,

For thy voice may charm him yet;

Daughter of the dawn,

He is gone!

Pour forth all thy grief!

Passionately sweep the chords,

Wed them quivering to thy words;

Wild words of wail!

Shed thy withered grief—

But hold not Autumn to thy bale;

The eddy of the leaf

Must be brief!

Sing up to the night:

Hard it is for streaming tears

To read the calmness of the spheres;

Coldly they shine;

Sing up to their light;

They have views thou may’st divine—

Gain prophetic sight

From their light!

On the windy hills

Lo, the little harebell leans

On the spire-grass that it queens,

With bonnet blue;

Trusting love instils

Love and subject reverence true;

Learn what love instils

On the hills!

By the bare wayside

Placid snowdrops hang their cheeks,

Softly touch’d with pale green streaks,

Soon, soon, to die;

On the clothed hedgeside

Bands of rosy beauties vie,

In their prophesied

Summer pride.

From the snowdrop learn;

Not in her pale life lives she,

But in her blushing prophecy.

Thus be thy hopes,

Living but to yearn

Upwards to the hidden scopes;—

Even within the urn

Let them burn!

Heroes of thy race—

Warriors with golden crowns,

Ghostly shapes with marbled frowns

Stare thee to stone;

Matrons of thy race

Pass before thee making moan;

Full of solemn grace

Is their pace.

Piteous their despair!

Piteous their looks forlorn!

Terrible their ghostly scorn!

Still hold thou fast;—

Heed not their despair!—

Thou art thy future, not thy past;

Let them glance and glare

Thro’ the air.

Thou the ruin’s bud,

Be not that moist rich-smelling weed

With its arras-sembled brede,

And ruin-haunting stalk;

Thou the ruin’s bud,

Be still the rose that lights the walk,

Mix thy fragrant blood

With the flood!

THE RAPE OF AURORA

NEVER, O never,

Since dewy sweet Flora

Was ravished by Zephyr,

Was such a thing heard

In the valleys so hollow!

Till rosy Aurora,

Uprising as ever,

Bright Phosphor to follow,

Pale Phoebe to sever,

Was caught like a bird

To the breast of Apollo!

Wildly she flutters,

And flushes all over

With passionate mutters

Of shame to the hush

Of his amorous whispers:

But O such a lover

Must win when he utters,

Thro’ rosy red lispers,

The pains that discover

The wishes that gush

From the torches of Hesperus.

One finger just touching

The Orient chamber,

Unflooded the gushing

Of light that illumed

All her lustrous unveiling.

On clouds of glow amber,

Her limbs richly blushing,

She lay sweetly wailing,

In odours that gloomed

On the God as he bloomed

O’er her loveliness paling.

Great Pan in his covert

Beheld the rare glistening,

The cry of the love-hurt,

The sigh and the kiss

Of the latest close mingling;

But love, thought he, listening,

Will not do a dove hurt,

I know,—and a tingling,

Latent with bliss,

Prickt thro’ him, I wis,

For the Nymph he was singling.

SOUTH-WEST WIND IN THE WOODLAND

THE silence of preluded song—

Æolian silence charms the woods;

Each tree a harp, whose foliaged strings

Are waiting for the master’s touch

To sweep them into storms of joy,

Stands mute and whispers not; the birds

Brood dumb in their foreboding nests,

Save here and there a chirp or tweet,

That utters fear or anxious love,

Or when the ouzel sends a swift

Half warble, shrinking back again

His golden bill, or when aloud

The storm-cock warns the dusking hills

And villages and valleys round:

For lo, beneath those ragged clouds

That skirt the opening west, a stream

Of yellow light and windy flame

Spreads lengthening southward, and the sky

Begins to gloom, and o’er the ground

A moan of coming blasts creeps low

And rustles in the crisping grass;

Till suddenly with mighty arms

Outspread, that reach the horizon round,

The great South-West drives o’er the earth,

And loosens all his roaring robes

Behind him, over heath and moor.

He comes upon the neck of night,

Like one that leaps a fiery steed

Whose keen black haunches quivering shine

With eagerness and haste, that needs

No spur to make the dark leagues fly!

Whose eyes are meteors of speed;

Whose mane is as a flashing foam;

Whose hoofs are travelling thunder-shocks;—

He comes, and while his growing gusts,

Wild couriers of his reckless course,

Are whistling from the daggered gorse,

And hurrying over fern and broom,

Midway, far off, he feigns to halt

And gather in his streaming train.

Now, whirring like an eagle’s wing

Preparing for a wide blue flight;

Now, flapping like a sail that tacks

And chides the wet bewildered mast;

Now, screaming like an anguish’d thing

Chased close by some down-breathing beak;

Now, wailing like a breaking heart,

That will not wholly break, but hopes

With hope that knows itself in vain;

Now, threatening like a storm-charged cloud;

Now, cooing like a woodland dove;

Now, up again in roar and wrath

High soaring and wide sweeping; now,

With sudden fury dashing down

Full-force on the awaiting woods.

Long waited there, for aspens frail

That tinkle with a silver bell,

To warn the Zephyr of their love,

When danger is at hand, and wake

The neighbouring boughs, surrendering all

Their prophet harmony of leaves,

Had caught his earliest windward thought,

And told it trembling; naked birk

Down showering her dishevelled hair,

And like a beauty yielding up

Her fate to all the elements,

Had swayed in answer; hazels close,

Thick brambles and dark brushwood tufts,

And briared brakes that line the dells

With shaggy beetling brows, had sung

Shrill music, while the tattered flaws

Tore over them, and now the whole

Tumultuous concords, seized at once

With savage inspiration,—pine,

And larch, and beech, and fir, and thorn,

And ash, and oak, and oakling, rave

And shriek, and shout, and whirl, and toss,

And stretch their arms, and split, and crack,

And bend their stems, and bow their heads,

And grind, and groan, and lion-like

Roar to the echo-peopled hills

And ravenous wilds, and crake-like cry

With harsh delight, and cave-like call

With hollow mouth, and harp-like thrill

With mighty melodies, sublime,

From clumps of column’d pines that wave

A lofty anthem to the sky,

Fit music for a prophet’s soul—

And like an ocean gathering power,

And murmuring deep, while down below

Reigns calm profound;—not trembling now

The aspens, but like freshening waves

That fall upon a shingly beach;—

And round the oak a solemn roll

Of organ harmony ascends,

And in the upper foliage sounds

A symphony of distant seas.

The voice of nature is abroad

This night; she fills the air with balm;

Her mystery is o’er the land;

And who that hears her now and yields

His being to her yearning tones,

And seats his soul upon her wings,

And broadens o’er the wind-swept world

With her, will gather in the flight

More knowledge of her secret, more

Delight in her beneficence,

Than hours of musing, or the lore

That lives with men could ever give!

Nor will it pass away when morn

Shall look upon the lulling leaves,

And woodland sunshine, Eden-sweet,

Dreams o’er the paths of peaceful shade;—

For every elemental power

Is kindred to our hearts, and once

Acknowledged, wedded, once embraced,

Once taken to the unfettered sense,

Once claspt into the naked life,

The union is eternal.

WILL O’ THE WISP

FOLLOW me, follow me,

Over brake and under tree,

Thro’ the bosky tanglery,

Brushwood and bramble!

Follow me, follow me,

Laugh and leap and scramble!

Follow, follow,

Hill and hollow,

Fosse and burrow,

Fen and furrow,

Down into the bulrush beds,

’Midst the reeds and osier heads,

In the rushy soaking damps,

Where the vapours pitch their camps,

Follow me, follow me,

For a midnight ramble!

O! what a mighty fog,

What a merry night O ho!

Follow, follow, nigher, nigher—

Over bank, and pond, and briar,

Down into the croaking ditches,

Rotten log,

Spotted frog,

Beetle bright

With crawling light,

What a joy O ho!

Deep into the purple bog—

What a joy O ho!

Where like hosts of puckered witches

All the shivering agues sit

Warming hands and chafing feet,

By the blue marsh-hovering oils:

O the fools for all their moans!

Not a forest mad with fire

Could still their teeth, or warm their bones,

Or loose them from their chilly coils.

What a clatter,

How they chatter!

Shrink and huddle,

All a muddle!

What a joy O ho!

Down we go, down we go,

What a joy O ho!

Soon shall I be down below,

Plunging with a grey fat friar,

Hither, thither, to and fro,

Breathing mists and whisking lamps,

Plashing in the shiny swamps;

While my cousin Lantern Jack,

With cook ears and cunning eyes,

Turns him round upon his back,

Daubs him oozy green and black,

Sits upon his rolling size,

Where he lies, where he lies,

Groaning full of sack—

Staring with his great round eyes!

What a joy O ho!

Sits upon him in the swamps

Breathing mists and whisking lamps!

What a joy O ho!

Such a lad is Lantern Jack,

When he rides the black nightmare

Through the fens, and puts a glare

In the friar’s track.

Such a frolic lad, good lack!

To turn a friar on his back,

Trip him, clip him, whip him, nip him.

Lay him sprawling, smack!

Such a lad is Lantern Jack!

Such a tricksy lad, good lack!

What a joy O ho!

Follow me, follow me,

Where he sits, and you shall see!

SONG

FAIR and false!  No dawn will greet

Thy waking beauty as of old;

The little flower beneath thy feet

Is alien to thy smile so cold;

The merry bird flown up to meet

Young morning from his nest i’ the wheat

Scatters his joy to wood and wold,

But scorns the arrogance of gold.

False and fair!  I scarce know why,

But standing in the lonely air,

And underneath the blessed sky,

I plead for thee in my despair;—

For thee cut off, both heart and eye

From living truth; thy spring quite dry;

For thee, that heaven my thought may share,

Forget—how false! and think—how fair!

SONG

TWO wedded lovers watched the rising moon,

That with her strange mysterious beauty glowing,

Over misty hills and waters flowing,

Crowned the long twilight loveliness of June:

And thus in me, and thus in me, they spake,

The solemn secret of fist love did wake.

Above the hills the blushing orb arose;

Her shape encircled by a radiant bower,

In which the nightingale with charméd power

Poured forth enchantment o’er the dark repose:

And thus in me, and thus in me, they said,

Earth’s mists did with the sweet new spirit wed.

Far up the sky with ever purer beam,

Upon the throne of night the moon was seated,

And down the valley glens the shades retreated,

And silver light was on the open stream.

And thus in me, and thus in me, they sighed,

Aspiring Love has hallowed Passion’s tide.

SONG

I CANNOT lose thee for a day,

But like a bird with restless wing

My heart will find thee far away,

And on thy bosom fall and sing,

My nest is here, my rest is here;—

And in the lull of wind and rain,

Fresh voices make a sweet refrain,

‘His rest is there, his nest is there.’

With thee the wind and sky are fair,

But parted, both are strange and dark;

And treacherous the quiet air

That holds me singing like a lark,

O shield my love, strong arm above!

Till in the hush of wind and rain,

Fresh voices make a rich refrain,

‘The arm above will shield thy love.’

DAPHNE

MUSING on the fate of Daphne,

Many feelings urged my breast,

For the God so keen desiring,

And the Nymph so deep distrest.

Never flashed thro’ sylvan valley

Visions so divinely fair!

He with early ardour glowing,

She with rosy anguish rare.

Only still more sweet and lovely

For those terrors on her brows,

Those swift glances wild and brilliant,

Those delicious panting vows.

Timidly the timid shoulders

Shrinking from the fervid hand!

Dark the tide of hair back-flowing

From the blue-veined temples bland!

Lovely, too, divine Apollo

In the speed of his pursuit;

With his eye an azure lustre,

And his voice a summer lute!

Looking like some burnished eagle

Hovering o’er a fluttered bird;

Not unseen of silver Naiad,

And of wistful Dryad heard!

Many a morn the naked beauty

Saw her bright reflection drown

In the flowing smooth-faced river,

While the god came sheening down.

Down from Pindus bright Peneus

Tells its muse-melodious source;

Sacred is its fountained birthplace,

And the Orient floods its course.

Many a morn the sunny darling

Saw the rising chariot-rays,

From the winding river-reaches,

Mellowing in amber haze.

Thro’ the flaming mountain gorges

Lo, the River leaps the plain;

Like a wild god-stridden courser,

Tossing high its foamy mane.

Then he swims thro’ laurelled sunlight,

Full of all sensations sweet,

Misty with his morning incense,

To the mirrored maiden’s feet!

Wet and bright the dinting pebbles

Shine where oft she paused and stood;

All her dreamy warmth revolving,

While the chilly waters wooed.

Like to rosy-born Aurora,

Glowing freshly into view,

When her doubtful foot she ventures

On the first cold morning blue.

White as that Thessalian lily,

Fairest Tempe’s fairest flower,

Lo, the tall Peneïan virgin

Stands beneath her bathing bower.

There the laurell’d wreaths o’erarching

Crown’d the dainty shuddering maid;

There the dark prophetic laurel

Kiss’d her with its sister shade.

There the young green glistening leaflets

Hush’d with love their breezy peal;

There the little opening flowerets

Blush’d beneath her vermeil heel!

There among the conscious arbours

Sounds of soft tumultuous wail,

Mysteries of love, melodious,

Came upon the lyric gale!

Breathings of a deep enchantment,

Effluence of immortal grace,

Flitted round her faltering footstep,

Spread a balm about her face!

Witless of the enamour’d presence,

Like a dreamy lotus bud

From its drowsy stem down-drooping,

Gazed she in the glowing flood.

Softly sweet with fluttering presage,

Felt she that ethereal sense,

Drinking charms of love delirious,

Reaping bliss of love intense!

All the air was thrill’d with sunrise,

Birds made music of her name,

And the god-impregnate water

Claspt her image ere she came.

Richer for that glance unconscious!

Dearer for that soft dismay!

And the sudden self-possession!

And the smile as bright as day!

Plunging ’mid her scattered tresses,

With her blue invoking eyes;

See her like a star descending!

Like a rosebud see her rise!

Like a rosebud in the morning

Dashing off its jewell’d dews,

Ere unfolding all its fragrance

It is gathered by the muse!

Beauteous in the foamy laughter

Bubbling round her shrinking waist,

Lo! from locks and lips and eyelids

Rain the glittering pearl-drops chaste!

And about the maiden rapture

Still the ruddy ripples play’d,

Ebbing round in startled circlets

When her arms began to wade;

Flowing in like tides attracted

To the glowing crescent shine!

Clasping her ambrosial whiteness

Like an Autumn-tinted vine!

Sinking low with love’s emotion!

Levying with look and tone

All love’s rosy arts to mimic

Cytherea’s magic zone!

Trembling up with adoration

To the crimson daisy tip

Budding from the snowy bosom—

Fainter than the rose-red lip!

Rising in a storm of wavelets,

That for shelter, feigning fright,

Prest to those twin-heaving havens,

Harbour’d there beneath her light;

Gleaming in a whirl of eddies

Round her lucid throat and neck;

Eddying in a gleam of dimples

Up against her bloomy cheek;

Bribing all the breezy water

With rich warmth, the nymph to keep

In a self-imprison’d plaisance,

Tempting her from deep to deep.

Till at last delirious passion

Thrill’d the god to wild excess,

And the fervour of a moment

Made divinity confess;

And he stood in all his glory!

But so radiant, being near,

That her eyes were frozen on him

In a fascinated fear!

All with orient splendour shining,

All with roseate birth aglow,

Gleam’d the golden god before her,

With his golden crescent bow.

Soon the dazzled light subsided,

And he seem’d a beauteous youth,

Form’d to gain the maiden’s murmurs,

And to pledge the vows of truth.

Ah! that thus he had continued!

O, that such for her had been!

Graceful with all godlike beauty,

But so humanly serene!

Cheeks, and mouth, and mellow ringlets,

Bounteous as the mid-day beam;

Pleading looks and wistful tremour,

Tender as a maiden’s dream!

Palms that like a bird’s throbb’d bosom

Palpitate with eagerness,

Lips, the bridals of the roses,

Dewy sweet from the caress!

Lips and limbs, and eyes and ringlets,

Swaying, praying to one prayer,

Like a lyre, swept by a spirit,

In the still, enraptur’d air.

Like a lyre in some far valley,

Uttering ravishments divine!

All its strings to viewless fingers

Yearning, modulations fine!

Yearning with melodious fervour!

Like a beauteous maiden flower,

When the young beloved three paces

Hovers from the bridal bower.

Throbbing thro’ the dawning stillness!

As a heart within a breast,

When the young beloved is stepping

Radiant to the nuptial nest.

O for Daphne! gentle Daphne

Ever warmer by degrees

Whispers full of hopes and visions

Throng her ears like honey bees!

Never yet was lonely blossom

Woo’d with such delicious voice!

Never since hath mortal maiden

Dwelt on such celestial choice!

Love-suffused she quivers, falters—

Falters, sighs, but never speaks,

All her rosy blood up-gushing

Overflows her ripe young cheeks.

Blushing, sweet with virgin blushes,

All her loveliness a-flame,

Stands she in the orient waters,

Stricken o’er with speechless shame!

Ah! but lovelier, ever lovelier,

As more deep the colour glows,

And the honey-laden lily

Changes to the fragrant rose.

While the god with meek embraces,

Whispering all his sacred charms,

Softly folds her, gently holds her,

In his white encircling arms!

But, O Dian! veil not wholly

Thy pale crescent from the morn!

Vanish not, O virgin goddess,

With that look of pallid scorn!

Still thy pure protecting influence

Shed from those fair watchful eyes!—

Lo! her angry orb has vanished,

And the bright sun thrones the skies!

Voicelessly the forest Virgin

Vanished! but one look she gave—

Keen as Niobean arrow

Thro’ the maiden’s heart it drave.

Thus toward that throning bosom

Where all earth is warmed,—each spot

Nourished with autumnal blessings—

Icy chill was Daphne caught.

Icy chill! but swift revulsion

All her gentler self renewed,

Even as icy Winter quickens

With bud-opening warmth imbued.

Even as a torpid brooklet,

That to the night-gleaming moon

Flashed in turn the frozen glances,

Melts upon the breast of noon.

But no more—O never, never,

Turns she to that bosom bright,

Swiftly all her senses counsel,

All her nerves are strung to flight.

O’er the brows of radiant Pindus

Rolls a shadow dark and cold,

And a sound of lamentation

Issues from its mournful fold.

Voice of the far-sighted Muses!

Cry of keen foreboding song!

Every cleft of startled Tempe

Tingles with it sharp and long.

Over bourn and bosk and dingle,

Over rivers, over rills,

Runs the sad subservient Echo

Toward the dim blue distant hills!

And another and another!

’Tis a cry more wild than all;

And the hills with muffled voices

Answer ‘Daphne!’ to the call.

And another and another!

’Tis a cry so wildly sweet,

That her charmed heart turns rebel

To the instinct of her feet;

And she pauses for an instant;

But his arms have scarcely slid

Round her waist in cestian girdles,

And his low voluptuous lid

Lifted pleading, and the honey

Of his mouth for hers athirst,

Ruby glistening, raised for moisture—

Like a bud that waits to burst

In the sweet espousing showers—

And his tongue has scarce begun

With its inarticulate burthen,

And the clouds scarce show the sun

As it pierces thro’ a crevice

Of the mass that closed it o’er,

When again the horror flashes—

And she turns to flight once more!

And again o’er radiant Pindus

Rolls the shadow dark and cold,

And the sound of lamentation

Issues from its sable fold!

And again the light winds chide her

As she darts from his embrace—

And again the far-voiced echoes

Speak their tidings of the chase.

Loudly now as swiftly, swiftly,

O’er the glimmering sands she speeds;

Wildly now as in the furzes

From the piercing spikes she bleeds.

Deeply and with direful anguish,

As above each crimson drop

Passion checks the god Apollo,

And love bids him weep and stop.—

He above each drop of crimson

Shadowing—like the laurel leaf

That above himself will shadow—

Sheds a fadeless look of grief.

Then with love’s remorseful discord,

With its own desire at war,

Sighing turns, while dimly fleeting

Daphne flies the chase afar.

But all nature is against her!

Pan, with all his sylvan troop,

Thro’ the vista’d woodland valleys

Blocks her course with cry and whoop!

In the twilights of the thickets

Trees bend down their gnarled boughs,

Wild green leaves and low curved branches

Hold her hair and beat her brows.

Many a brake of brushwood covert,

Where cold darkness slumbers mute,

Slips a shrub to thwart her passage,

Slides a hand to clutch her foot.

Glens and glades of lushest verdure

Toil her in their tawny mesh,

Wilder-woofed ways and alleys

Lock her struggling limbs in leash.

Feathery grasses, flowery mosses,

Knot themselves to make her trip;

Sprays and stubborn sprigs outstretching

Put a bridle on her lip;

Many a winding lane betrays her,

Many a sudden bosky shoot,

And her knee makes many a stumble

O’er some hidden damp old root,

Whose quaint face peers green and dusky

’Mongst the matted growth of plants,

While she rises wild and weltering,

Speeding on with many pants.

Tangles of the wild red strawberry

Spread their freckled trammels frail;

In the pathway creeping brambles

Catch her in their thorny trail.

All the widely sweeping greensward

Shifts and swims from knoll to knoll;

Grey rough-fingered oak and elm wood

Push her by from bole to bole.

Groves of lemon, groves of citron,

Tall high-foliaged plane and palm,

Bloomy myrtle, light-blue olive,

Wave her back with gusts of balm.

Languid jasmine, scrambling briony,

Walls of close-festooning braid,

Fling themselves about her, mingling

With her wafted looks, waylaid.

Twisting bindweed, honey’d woodbine,

Cling to her, while, red and blue,

On her rounded form ripe berries

Dash and die in gory dew.

Running ivies dark and lingering

Round her light limbs drag and twine;

Round her waist with languorous tendrils

Reels and wreathes the juicy vine;

Reining in the flying creature

With its arms about her mouth;

Bursting all its mellowing bunches

To seduce her husky drouth;

Crowning her with amorous clusters;

Pouring down her sloping back

Fresh-born wines in glittering rillets,

Following her in crimson track.

Buried, drenched in dewy foliage,

Thus she glimmers from the dawn,

Watched by every forest creature,

Fleet-foot Oread, frolic Faun.

Silver-sandalled Arethusa

Not more swiftly fled the sands,

Fled the plains and fled the sunlights,

Fled the murmuring ocean strands.

O, that now the earth would open!

O, that now the shades would hide!

O, that now the gods would shelter!

Caverns lead and seas divide!

Not more faint soft-lowing Io

Panted in those starry eyes,

When the sleepless midnight meadows

Piteously implored the skies!

Still her breathless flight she urges

By the sanctuary stream,

And the god with golden swiftness

Follows like an eastern beam.

Her the close bewildering greenery

Darkens with its duskiest green,—

Him each little leaflet welcomes,

Flushing with an orient sheen.

Thus he nears, and now all Tempe

Rings with his melodious cry,

Avenues and blue expanses

Beam in his large lustrous eye!

All the branches start to music!

As if from a secret spring

Thousands of sweet bills are bubbling

In the nest and on the wing.

Gleams and shines the glassy river

And rich valleys every one;

But of all the throbbing beauty

Brightest! singled by the sun!

Ivy round her glimmering ancle,

Vine about her glowing brow,

Never sure was bride so beauteous,

Daphne, chosen nymph, as thou!

Thus he nears! and now she feels him

Breathing hot on every limb;

And he hears her own quick pantings—

Ah! that they might be for him.

O, that like the flower he tramples,

Bending from his golden tread,

Full of fair celestial ardours,

She would bow her bridal head.

O, that like the flower she presses,

Nodding from her lily touch,

Light as in the harmless breezes,

She would know the god for such!

See! the golden arms are round her—

To the air she grasps and clings!

See! his glowing arms have wound her—

To the sky she shrieks and springs!

See! the flushing chace of Tempe

Trembles with Olympian air—

See! green sprigs and buds are shooting

From those white raised arms of prayer!

In the earth her feet are rooting!—

Breasts and limbs and lifted eyes,

Hair and lips and stretching fingers,

Fade away—and fadeless rise.

And the god whose fervent rapture

Clasps her finds his close embrace

Full of palpitating branches,

And new leaves that bud apace,

Bound his wonder-stricken forehead;—

While in ebbing measures slow

Sounds of softly dying pulses

Pause and quiver, pause and go;

Go, and come again, and flutter

On the verge of life,—then flee!

All the white ambrosial beauty

Is a lustrous Laurel Tree!

Still with the great panting love-chase

All its running sap is warmed;—

But from head to foot the virgin

Is transfigured and transformed.

Changed!—yet the green Dryad nature

Is instinct with human ties,

And above its anguish’d lover

Breathes pathetic sympathies;

Sympathies of love and sorrow;

Joy in her divine escape;

Breathing through her bursting foliage

Comfort to his bending shape.

Vainly now the floating Naiads

Seek to pierce the laurel maze,

Nought but laurel meets their glances,

Laurel glistens as they gaze.

Nought but bright prophetic laurel!

Laurel over eyes and brows,

Over limbs and over bosom,

Laurel leaves and laurel boughs!

And in vain the listening Dryad

Shells her hand against her ear!—

All is silence—save the echo

Travelling in the distance drear.

LONDON BY LAMPLIGHT

THERE stands a singer in the street,

He has an audience motley and meet;

Above him lowers the London night,

And around the lamps are flaring bright.

His minstrelsy may be unchaste—

’Tis much unto that motley taste,

And loud the laughter he provokes

From those sad slaves of obscene jokes.

But woe is many a passer by

Who as he goes turns half an eye,

To see the human form divine

Thus Circe-wise changed into swine!

Make up the sum of either sex

That all our human hopes perplex,

With those unhappy shapes that know

The silent streets and pale cock-crow.

And can I trace in such dull eyes

Of fireside peace or country skies?

And could those haggard cheeks presume

To memories of a May-tide bloom?

Those violated forms have been

The pride of many a flowering green;

And still the virgin bosom heaves

With daisy meads and dewy leaves.

But stygian darkness reigns within

The river of death from the founts of sin;

And one prophetic water rolls

Its gas-lit surface for their souls.

I will not hide the tragic sight—

Those drown’d black locks, those dead lips white,

Will rise from out the slimy flood,

And cry before God’s throne for blood!

Those stiffened limbs, that swollen face,—

Pollution’s last and best embrace,

Will call, as such a picture can,

For retribution upon man.

Hark! how their feeble laughter rings,

While still the ballad-monger sings,

And flatters their unhappy breasts

With poisonous words and pungent jests.

O how would every daisy blush

To see them ’mid that earthy crush!

O dumb would be the evening thrush,

And hoary look the hawthorn bush!

The meadows of their infancy

Would shrink from them, and every tree,

And every little laughing spot,

Would hush itself and know them not.

Precursor to what black despairs

Was that child’s face which once was theirs!

And O to what a world of guile

Was herald that young angel smile!

That face which to a father’s eye

Was balm for all anxiety;

That smile which to a mother’s heart

Went swifter than the swallow’s dart!

O happy homes! that still they know

At intervals, with what a woe

Would ye look on them, dim and strange,

Suffering worse than winter change!

And yet could I transplant them there,

To breathe again the innocent air

Of youth, and once more reconcile

Their outcast looks with nature’s smile;

Could I but give them one clear day

Of this delicious loving May,

Release their souls from anguish dark,

And stand them underneath the lark;—

I think that Nature would have power

To graft again her blighted flower

Upon the broken stem, renew

Some portion of its early hue;—

The heavy flood of tears unlock,

More precious than the Scriptured rock;

At least instil a happier mood,

And bring them back to womanhood.

Alas! how many lost ones claim

This refuge from despair and shame!

How many, longing for the light,

Sink deeper in the abyss this night!

O, crying sin!  O, blushing thought!

Not only unto those that wrought

The misery and deadly blight;

But those that outcast them this night!

O, agony of grief! for who

Less dainty than his race, will do

Such battle for their human right,

As shall awake this startled night?

Proclaim this evil human page

Will ever blot the Golden Age

That poets dream and saints invite,

If it be unredeemed this night?

This night of deep solemnity,

And verdurous serenity,

While over every fleecy field

The dews descend and odours yield.

This night of gleaming floods and falls,

Of forest glooms and sylvan calls,

Of starlight on the pebbly rills,

And twilight on the circling hills.

This night! when from the paths of men

Grey error steams as from a fen;

As o’er this flaring City wreathes

The black cloud-vapour that it breathes!

This night from which a morn will spring

Blooming on its orient wing;

A morn to roll with many more

Its ghostly foam on the twilight shore.

Morn! when the fate of all mankind

Hangs poised in doubt, and man is blind.

His duties of the day will seem

The fact of life, and mine the dream:

The destinies that bards have sung,

Regeneration to the young,

Reverberation of the truth,

And virtuous culture unto youth!

Youth! in whose season let abound

All flowers and fruits that strew the ground,

Voluptuous joy where love consents,

And health and pleasure pitch their tents:

All rapture and all pure delight;

A garden all unknown to blight;

But never the unnatural sight

That throngs the shameless song this night!

SONG

UNDER boughs of breathing May,

In the mild spring-time I lay,

Lonely, for I had no love;

And the sweet birds all sang for pity,

Cuckoo, lark, and dove.

Tell me, cuckoo, then I cried,

Dare I woo and wed a bride?

I, like thee, have no home-nest;

And the twin notes thus tuned their ditty,—

‘Love can answer best.’

Nor, warm dove with tender coo,

Have I thy soft voice to woo,

Even were a damsel by;

And the deep woodland crooned its ditty,—

‘Love her first and try.’

Nor have I, wild lark, thy wing,

That from bluest heaven can bring

Bliss, whatever fate befall;

And the sky-lyrist trilled this ditty,—

‘Love will give thee all.’

So it chanced while June was young,

Wooing well with fervent song,

I had won a damsel coy;

And the sweet birds that sang for pity,

Jubileed for joy.

PASTORALS

I

HOW sweet on sunny afternoons,

For those who journey light and well,

To loiter up a hilly rise

Which hides the prospect far beyond,

And fancy all the landscape lying

Beautiful and still;

Beneath a sky of summer blue,

Whose rounded cloudlets, folded soft,

Gaze on the scene which we await

And picture from their peacefulness;

So calmly to the earth inclining

Float those loving shapes!

Like airy brides, each singling out

A spot to love and bless with love,

Their creamy bosoms glowing warm,

Till distance weds them to the hills,

And with its latest gleam the river

Sinks in their embrace.

And silverly the river runs,

And many a graceful wind he makes,

By fields where feed the happy flocks,

And hedge-rows hushing pleasant lanes,

The charms of English home reflected

In his shining eye:

Ancestral oak, broad-foliaged elm,

Rich meadows sunned and starred with flowers,

The cottage breathing tender smoke

Against the brooding golden air,

With glimpses of a stately mansion

On a woodland sward;

And circling round, as with a ring,

The distance spreading amber haze,

Enclosing hills and pastures sweet;

A depth of soft and mellow light

Which fills the heart with sudden yearning

Aimless and serene!

No disenchantment follows here,

For nature’s inspiration moves

The dream which she herself fulfils;

And he whose heart, like valley warmth,

Steams up with joy at scenes like this

Shall never be forlorn.

And O for any human soul

The rapture of a wide survey—

A valley sweeping to the West,

With all its wealth of loveliness,

Is more than recompense for days

That taught us to endure.

II

YON upland slope which hides the sun

Ascending from his eastern deeps,

And now against the hues of dawn

One level line of tillage rears;

The furrowed brow of toil and time;

To many it is but a sweep of land!

To others ’tis an Autumn trust,

But unto me a mystery;—

An influence strange and swift as dreams;

A whispering of old romance;

A temple naked to the clouds;

Or one of nature’s bosoms fresh revealed,

Heaving with adoration! there

The work of husbandry is done,

And daily bread is daily earned;

Nor seems there ought to indicate

The springs which move in me such thoughts,

But from my soul a spirit calls them up.

All day into the open sky,

All night to the eternal stars,

For ever both at morn and eve

Men mellow distances draw near,

And shadows lengthen in the dusk,

Athwart the heavens it rolls its glimmering line!

When twilight from the dream-hued West

Sighs hush! and all the land is still;

When, from the lush empurpling East,

The twilight of the crowing cock

Peers on the drowsy village roofs,

Athwart the heavens that glimmering line is seen.

And now beneath the rising sun,

Whose shining chariot overpeers

The irradiate ridge, while fetlock deep

In the rich soil his coursers plunge—

How grand in robes of light it looks!

How glorious with rare suggestive grace!

The ploughman mounting up the height

Becomes a glowing shape, as though

’Twere young Triptolemus, plough in hand,

While Ceres in her amber scarf

With gentle love directs him how

To wed the willing earth and hope for fruits!

The furrows running up are fraught

With meanings; there the goddess walks,

While Proserpine is young, and there—

’Mid the late autumn sheaves, her voice

Sobbing and choked with dumb despair—

The nights will hear her wailing for her child!

Whatever dim tradition tells,

Whatever history may reveal,

Or fancy, from her starry brows,

Of light or dreamful lustre shed,

Could not at this sweet time increase

The quiet consecration of the spot.

Blest with the sweat of labour, blest

With the young sun’s first vigorous beams,

Village hope and harvest prayer,—

The heart that throbs beneath it holds

A bliss so perfect in itself

Men’s thoughts must borrow rather than bestow.

III

NOW standing on this hedgeside path,

Up which the evening winds are blowing

Wildly from the lingering lines

Of sunset o’er the hills;

Unaided by one motive thought,

My spirit with a strange impulsion

Rises, like a fledgling,

Whose wings are not mature, but still

Supported by its strong desire

Beats up its native air and leaves

The tender mother’s nest.

Great music under heaven is made,

And in the track of rushing darkness

Comes the solemn shape of night,

And broods above the earth.

A thing of Nature am I now,

Abroad, without a sense or feeling

Born not of her bosom;

Content with all her truths and fates;

Ev’n as yon strip of grass that bows

Above the new-born violet bloom,

And sings with wood and field.

IV

LO, as a tree, whose wintry twigs

Drink in the sun with fibrous joy,

And down into its dampest roots

Thrills quickened with the draught of life,

I wake unto the dawn, and leave my griefs to drowse.

I rise and drink the fresh sweet air:

Each draught a future bud of Spring;

Each glance of blue a birth of green;

I will not mimic yonder oak

That dallies with dead leaves ev’n while the primrose peeps.

But full of these warm-whispering beams,

Like Memnon in his mother’s eye,—

Aurora! when the statue stone

Moaned soft to her pathetic touch,—

My soul shall own its parent in the founts of day!

And ever in the recurring light,

True to the primal joy of dawn,

Forget its barren griefs; and aye

Like aspens in the faintest breeze

Turn all its silver sides and tremble into song.

V

NOW from the meadow floods the wild duck clamours,

Now the wood pigeon wings a rapid flight,

Now the homeward rookery follows up its vanguard,

And the valley mists are curling up the hills.

Three short songs gives the clear-voiced throstle,

Sweetening the twilight ere he fills the nest;

While the little bird upon the leafless branches

Tweets to its mate a tiny loving note.

Deeper the stillness hangs on every motion;

Calmer the silence follows every call;

Now all is quiet save the roosting pheasant,

The bell-wether’s tinkle and the watch-dog’s bark.

Softly shine the lights from the silent kindling homestead,

Stars of the hearth to the shepherd in the fold;

Springs of desire to the traveller on the roadway;

Ever breathing incense to the ever-blessing sky!

VI

How barren would this valley be,

Without the golden orb that gazes

On it, broadening to hues

Of rose, and spreading wings of amber;

Blessing it before it falls asleep.

How barren would this valley be,

Without the human lives now beating

In it, or the throbbing hearts

Far distant, who their flower of childhood

Cherish here, and water it with tears!

How barren should I be, were I

Without above that loving splendour,

Shedding light and warmth! without

Some kindred natures of my kind

To joy in me, or yearn towards me now!

VII

SUMMER glows warm on the meadows, and speedwell, and gold-cups, and daisies

Darken ’mid deepening masses of sorrel, and shadowy grasses

Show the ripe hue to the farmer, and summon the scythe and the hay-makers

Down from the village; and now, even now, the air smells of the mowing,

And the sharp song of the scythe whistles daily; from dawn, till the gloaming

Wears its cool star, sweet and welcome to all flaming faces afield now;

Heavily weighs the hot season, and drowses the darkening foliage,

Drooping with languor; the white cloud floats, but sails not, for windless

Heaven’s blue tents it; no lark singing up in its fleecy white valleys;

Up in its fairy white valleys, once feathered with minstrels, melodious

With the invisible joy that wakes dawn o’er the green fields of England.

Summer glows warm on the meadows; then come, let us roam thro’ them gaily,

Heedless of heat, and the hot-kissing sun, and the fear of dark freckles.

Never one kiss will he give on a neck, or a lily-white forehead,

Chin, hand, or bosom uncovered, all panting, to take the chance coolness,

But full sure the fiery pressure leaves seal of espousal.

Heed him not; come, tho’ he kiss till the soft little upper-lip loses

Half its pure whiteness; just speck’d where the curve of the rosy mouth reddens.

Come, let him kiss, let him kiss, and his kisses shall make thee the sweeter.

Thou art no nun, veiled and vowed; doomed to nourish a withering pallor!

City exotics beside thee would show like bleached linen at mid-day,

Hung upon hedges of eglantine!  Thou in the freedom of nature,

Full of her beauty and wisdom, gentleness, joyance, and kindness!

Come, and like bees will we gather the rich golden honey of noontide;

Deep in the sweet summer meadows, border’d by hillside and river,

Lined with long trenches half-hidden, where smell of white meadow-sweet, sweetest,

Blissfully hovers—O sweetest! but pluck it not! even in the tenderest

Grasp it will lose breath and wither; like many, not made for a posy.

See, the sun slopes down the meadows, where all the flowers are falling!

Falling unhymned; for the nightingale scarce ever charms the long twilight:

Mute with the cares of the nest; only known by a ‘chuck, chuck,’ and dovelike

Call of content, but the finch and the linnet and blackcap pipe loudly.

Round on the western hill-side warbles the rich-billed ouzel;

And the shrill throstle is filling the tangled thickening copses;

Singing o’er hyacinths hid, and most honey’d of flowers, white field-rose.

Joy thus to revel all day in the grass of our own beloved country;

Revel all day, till the lark mounts at eve with his sweet ‘tirra-lirra’:

Trilling delightfully.  See, on the river the slow-rippled surface

Shining; the slow ripple broadens in circles; the bright surface smoothens;

Now it is flat as the leaves of the yet unseen water-lily.

There dart the lives of a day, ever-varying tactics fantastic.

There, by the wet-mirrored osiers, the emerald wing of the kingfisher

Flashes, the fish in his beak! there the dab-chick dived, and the motion

Lazily undulates all thro’ the tall standing army of rushes.

Joy thus to revel all day, till the twilight turns us homeward!

Till all the lingering deep-blooming splendour of sunset is over,

And the one star shines mildly in mellowing hues, like a spirit

Sent to assure us that light never dieth, tho’ day is now buried.

Saying: to-morrow, to-morrow, few hours intervening, that interval

Tuned by the woodlark in heaven, to-morrow my semblance, far eastward,

Heralds the day ’tis my mission eternal to seal and to prophecy.

Come then, and homeward; passing down the close path of the meadows.

Home like the bees stored with sweetness; each with a lark in the bosom,

Trilling for ever, and oh! will yon lark ever cease to sing up there?

TO A SKYLARK

O SKYLARK! I see thee and call thee joy!

Thy wings bear thee up to the breast of the dawn;

I see thee no more, but thy song is still

The tongue of the heavens to me!

Thus are the days when I was a boy;

Sweet while I lived in them, dear now they’re gone:

I feel them no longer, but still, O still

They tell of the heavens to me.

SONG

SPRING

WHEN buds of palm do burst and spread

Their downy feathers in the lane,

And orchard blossoms, white and red,

Breathe Spring delight for Autumn gain;

And the skylark shakes his wings in the rain;

O then is the season to look for a bride!

Choose her warily, woo her unseen;

For the choicest maids are those that hide

Like dewy violets under the green.

SONG

AUTUMN

WHEN nuts behind the hazel-leaf

Are brown as the squirrel that hunts them free,

And the fields are rich with the sun-burnt sheaf,

’Mid the blue cornflower and the yellowing tree;

And the farmer glows and beams in his glee;

O then is the season to wed thee a bride!

Ere the garners are filled and the ale-cups foam;

For a smiling hostess is the pride

And flower of every Harvest Home.

SORROWS AND JOYS

BURY thy sorrows, and they shall rise

As souls to the immortal skies,

And there look down like mothers’ eyes.

But let thy joys be fresh as flowers,

That suck the honey of the showers,

And bloom alike on huts and towers.

So shall thy days be sweet and bright;

Solemn and sweet thy starry night,

Conscious of love each change of light.

The stars will watch the flowers asleep,

The flowers will feel the soft stars weep,

And both will mix sensations deep.

With these below, with those above,

Sits evermore the brooding dove,

Uniting both in bonds of love.

For both by nature are akin;

Sorrow, the ashen fruit of sin,

And joy, the juice of life within.

Children of earth are these; and those

The spirits of divine repose—

Death radiant o’er all human woes.

O, think what then had been thy doom,

If homeless and without a tomb

They had been left to haunt the gloom!

O, think again what now they are—

Motherly love, tho’ dim and far,

Imaged in every lustrous star.

For they, in their salvation, know

No vestige of their former woe,

While thro’ them all the heavens do flow.

Thus art thou wedded to the skies,

And watched by ever-loving eyes,

And warned by yearning sympathies.

SONG

THE flower unfolds its dawning cup,

And the young sun drinks the star-dews up,

At eve it droops with the bliss of day,

And dreams in the midnight far away.

So am I in thy sole, sweet glance

Pressed with a weight of utterance;

Lovingly all my leaves unfold,

And gleam to the beams of thirsty gold.

At eve I droop, for then the swell

Of feeling falters forth farewell;—

At midnight I am dreaming deep,

Of what has been, in blissful sleep.

When—ah! when will love’s own fight

Wed me alike thro’ day and night,

When will the stars with their linking charms

Wake us in each other’s arms?

SONG

THOU to me art such a spring

As the Arab seeks at eve,

Thirsty from the shining sands;

There to bathe his face and hands,

While the sun is taking leave,

And dewy sleep is a delicious thing.

Thou to me art such a dream

As he dreams upon the grass,

While the bubbling coolness near

Makes sweet music in his ear;

And the stars that slowly pass

In solitary grandeur o’er him gleam.

Thou to me art such a dawn

As the dawn whose ruddy kiss

Wakes him to his darling steed;

And again the desert speed,

And again the desert bliss,

Lightens thro’ his veins, and he is gone!

ANTIGONE

The buried voice bespake Antigone.

‘O SISTER! couldst thou know, as thou wilt know,

The bliss above, the reverence below,

Enkindled by thy sacrifice for me;

Thou wouldst at once with holy ecstasy

Give thy warm limbs into the yearning earth.

Sleep, Sister! for Elysium’s dawning birth,—

And faith will fill thee with what is to be!

Sleep, for the Gods are watching over thee!

Thy dream will steer thee to perform their will,

As silently their influence they instil.

O Sister! in the sweetness of thy prime,

Thy hand has plucked the bitter flower of death;

But this will dower thee with Elysian breath,

That fade into a never-fading clime.

Dear to the Gods are those that do like thee

A solemn duty! for the tyranny

Of kings is feeble to the soul that dares

Defy them to fulfil its sacred cares:

And weak against a mighty will are men.

O, Torch between two brothers! in whose gleam

Our slaughtered House doth shine as one again,

Tho’ severed by the sword; now may thy dream

Kindle desire in thee for us, and thou,

Forgetting not thy lover and his vow,

Leaving no human memory forgot,

Shalt cross, not unattended, the dark stream

Which runs by thee in sleep and ripples not.

The large stars glitter thro’ the anxious night,

And the deep sky broods low to look at thee:

The air is hush’d and dark o’er land and sea,

And all is waiting for the morrow light:

So do thy kindred spirits wait for thee.

O Sister! soft as on the downward rill,

Will those first daybeams from the distant hill

Fall on the smoothness of thy placid brow,

Like this calm sweetness breathing thro’ me now:

And when the fated sounds shall wake thine eyes,

Wilt thou, confiding in the supreme will,

In all thy maiden steadfastness arise,

Firm to obey and earnest to fulfil;

Remembering the night thou didst not sleep,

And this same brooding sky beheld thee creep,

Defiant of unnatural decree,

To where I lay upon the outcast land;

Before the iron gates upon the plain;

A wretched, graveless ghost, whose wailing chill

Came to thy darkened door imploring thee;

Yearning for burial like my brother slain;—

And all was dared for love and piety!

This thought will nerve again thy virgin hand

To serve its purpose and its destiny.’

She woke, they led her forth, and all was still.

SWATHED round in mist and crown’d with cloud,

O Mountain! hid from peak to base—

Caught up into the heavens and clasped

In white ethereal arms that make

Thy mystery of size sublime!

What eye or thought can measure now

Thy grand dilating loftiness!

What giant crest dispute with thee

Supremacy of air and sky!

What fabled height with thee compare!

Not those vine-terraced hills that seethe

The lava in their fiery cusps;

Nor that high-climbing robe of snow,

Whose summits touch the morning star,

And breathe the thinnest air of life;

Nor crocus-couching Ida, warm

With Juno’s latest nuptial lure;

Nor Tenedos whose dreamy eye

Still looks upon beleaguered Troy;

Nor yet Olympus crown’d with gods

Can boast a majesty like thine,

O Mountain! hid from peak to base,

And image of the awful power

With which the secret of all things,

That stoops from heaven to garment earth,

Can speak to any human soul,

When once the earthly limits lose

Their pointed heights and sharpened lines,

And measureless immensity

Is palpable to sense and sight.

SONG

NO, no, the falling blossom is no sign

Of loveliness destroy’d and sorrow mute;

The blossom sheds its loveliness divine;—

Its mission is to prophecy the fruit.

Nor is the day of love for ever dead,

When young enchantment and romance are gone;

The veil is drawn, but all the future dread

Is lightened by the finger of the dawn.

Love moves with life along a darker way,

They cast a shadow and they call it death:

But rich is the fulfilment of their day;

The purer passion and the firmer faith.

THE TWO BLACKBIRDS

A BLACKBIRD in a wicker cage,

That hung and swung ’mid fruits and flowers,

Had learnt the song-charm, to assuage

The drearness of its wingless hours.

And ever when the song was heard,

From trees that shade the grassy plot

Warbled another glossy bird,

Whose mate not long ago was shot.

Strange anguish in that creature’s breast,

Unwept like human grief, unsaid,

Has quickened in its lonely nest

A living impulse from the dead.

Not to console its own wild smart,—

But with a kindling instinct strong,

The novel feeling of its heart

Beats for the captive bird of song.

And when those mellow notes are still,

It hops from off its choral perch,

O’er path and sward, with busy bill,

All grateful gifts to peck and search.

Store of ouzel dainties choice

To those white swinging bars it brings;

And with a low consoling voice

It talks between its fluttering wings.

Deeply in their bitter grief

Those sufferers reciprocate,

The one sings for its woodland life,

The other for its murdered mate.

But deeper doth the secret prove,

Uniting those sad creatures so;

Humanity’s great link of love,

The common sympathy of woe.

Well divined from day to day

Is the swift speech between them twain;

For when the bird is scared away,

The captive bursts to song again.

Yet daily with its flattering voice,

Talking amid its fluttering wings,

Store of ouzel dainties choice

With busy bill the poor bird brings.

And shall I say, till weak with age

Down from its drowsy branch it drops,

It will not leave that captive cage,

Nor cease those busy searching hops?

Ah, no! the moral will not strain;

Another sense will make it range,

Another mate will soothe its pain,

Another season work a change.

But thro’ the live-long summer, tried,

A pure devotion we may see;

The ebb and flow of Nature’s tide;

A self-forgetful sympathy.

JULY

I

BLUE July, bright July,

Month of storms and gorgeous blue;

Violet lightnings o’er thy sky,

Heavy falls of drenching dew;

Summer crown! o’er glen and glade

Shrinking hyacinths in their shade;

I welcome thee with all thy pride,

I love thee like an Eastern bride.

Though all the singing days are done

As in those climes that clasp the sun;

Though the cuckoo in his throat

Leaves to the dove his last twin note;

Come to me with thy lustrous eye,

Golden-dawning oriently,

Come with all thy shining blooms,

Thy rich red rose and rolling glooms.

Though the cuckoo doth but sing ‘cuk, cuk,’

And the dove alone doth coo;

Though the cushat spins her coo-r-roo, r-r-roo—

To the cuckoo’s halting ‘cuk.’

II

Sweet July, warm July!

Month when mosses near the stream,

Soft green mosses thick and shy,

Are a rapture and a dream.

Summer Queen! whose foot the fern

Fades beneath while chestnuts burn;

I welcome thee with thy fierce love,

Gloom below and gleam above.

Though all the forest trees hang dumb,

With dense leafiness o’ercome;

Though the nightingale and thrush,

Pipe not from the bough or bush;

Come to me with thy lustrous eye,

Azure-melting westerly,

The raptures of thy face unfold,

And welcome in thy robes of gold!

Tho’ the nightingale broods—‘sweet-chuck-sweet’—

And the ouzel flutes so chill,

Tho’ the throstle gives but one shrilly trill

To the nightingale’s ‘sweet-sweet.’

SONG

I WOULD I were the drop of rain

That falls into the dancing rill,

For I should seek the river then,

And roll below the wooded hill,

Until I reached the sea.

And O, to be the river swift

That wrestles with the wilful tide,

And fling the briny weeds aside

That o’er the foamy billows drift,

Until I came to thee!

I would that after weary strife,

And storm beneath the piping wind,

The current of my true fresh life

Might come unmingled, unimbrined,

To where thou floatest free.

Might find thee in some amber clime,

Where sunlight dazzles on the sail,

And dreaming of our plighted vale

Might seal the dream, and bless the time,

With maiden kisses three.

SONG

COME to me in any shape!

As a victor crown’d with vine,

In thy curls the clustering grape,—

Or a vanquished slave:

’Tis thy coming that I crave,

And thy folding serpent twine,

Close and dumb;

Ne’er from that would I escape;

Come to me in any shape!

Only come!

Only come, and in my breast

Hide thy shame or show thy pride;

In my bosom be caressed,

Never more to part;

Come into my yearning heart;

I, the serpent, golden-eyed,

Twine round thee;

Twine thee with no venomed test;

Absence makes the venomed nest;

Come to me!

Come to me, my lover, come!

Violets on the tender stem

Die and wither in their bloom,

Under dewy grass;

Come, my lover, or, alas!

I shall die, shall die like them,

Frail and lone;

Come to me, my lover, come!

Let thy bosom be my tomb:

Come, my own!

THE SHIPWRECK OF IDOMENEUS

SWEPT from his fleet upon that fatal night

When great Poseidon’s sudden-veering wrath

Scattered the happy homeward-floating Greeks

Like foam-flakes off the waves, the King of Crete

Held lofty commune with the dark Sea-god.

His brows were crowned with victory, his cheeks

Were flushed with triumph, but the mighty joy

Of Troy’s destruction and his own great deeds

Passed, for the thoughts of home were dearer now,

And sweet the memory of wife and child,

And weary now the ten long, foreign years,

And terrible the doubt of short delay—

More terrible, O Gods! he cried, but stopped;

Then raised his voice upon the storm and prayed.

O thou, if injured, injured not by me,

Poseidon! whom sea-deities obey

And mortals worship, hear me! for indeed

It was our oath to aid the cause of Greece,

Not unespoused by Gods, and most of all

By thee, if gentle currents, havens calm,

Fair winds and prosperous voyage, and the Shape

Impersonate in many a perilous hour,

Both in the stately councils of the Kings,

And when the husky battle murmured thick,

May testify of services performed!

But now the seas are haggard with thy wrath,

Thy breath is tempest! never at the shores

Of hostile Ilium did thy stormful brows

Betray such fierce magnificence! not even

On that wild day when, mad with torch and glare,

The frantic crowds with eyes like starving wolves

Burst from their ports impregnable, a stream

Of headlong fury toward the hissing deep;

Where then full-armed I stood in guard, compact

Beside thee, and alone, with brand and spear,

We held at bay the swarming brood, and poured

Blood of choice warriors on the foot-ploughed sands!

Thou, meantime, dark with conflict, as a cloud

That thickens in the bosom of the West

Over quenched sunset, circled round with flame,

Huge as a billow running from the winds

Long distances, till with black shipwreck swoln,

It flings its angry mane about the sky.

And like that billow heaving ere it burst;

And like that cloud urged by impulsive storm

With charge of thunder, lightning, and the drench

Of torrents, thou in all thy majesty

Of mightiness didst fall upon the war!

Remember that great moment!  Nor forget

The aid I gave thee; how my ready spear

Flew swiftly seconding thy mortal stroke,

Where’er the press was hottest; never slacked

My arm its duty, nor mine eye its aim,

Though terribly they compassed us, and stood

Thick as an Autumn forest, whose brown hair,

Lustrous with sunlight, by the still increase

Of heat to glowing heat conceives like zeal

Of radiance, till at the pitch of noon

’Tis seized with conflagration and distends

Horridly over leagues of doom’d domain;

Mingling the screams of birds, the cries of brutes,

The wail of creatures in the covert pent,

Howls, yells, and shrieks of agony, the hiss

Of seething sap, and crash of falling boughs

Together in its dull voracious roar.

So closely and so fearfully they throng’d,

Savage with phantasies of victory,

A sea of dusky shapes; for day had passed

And night fell on their darkened faces, red

With fight and torchflare; shrill the resonant air

With eager shouts, and hoarse with angry groans;

While over all the dense and sullen boom,

The din and murmur of the myriads,

Rolled with its awful intervals, as though

The battle breathed, or as against the shore

Waves gather back to heave themselves anew.

That night sleep dropped not from the dreary skies,

Nor could the prowess of our chiefs oppose

That sea of raging men.  But what were they?

Or what is man opposed to thee?  Its hopes

Are wrecks, himself the drowning, drifting weed

That wanders on thy waters; such as I

Who see the scattered remnants of my fleet,

Remembering the day when first we sailed,

Each glad ship shining like the morning star

With promise for the world.  Oh! such as I

Thus darkly drifting on the drowning waves.

O God of waters! ’tis a dreadful thing

To suffer for an evil unrevealed;

Dreadful it is to hear the perishing cry

Of those we love; the silence that succeeds

How dreadful!  Still my trust is fixed on thee

For those that still remain and for myself.

And if I hear thy swift foam-snorting steeds

Drawing thy dusky chariot, as in

The pauses of the wind I seem to hear,

Deaf thou art not to my entreating prayer!

Haste then to give us help, for closely now

Crete whispers in my ears, and all my blood

Runs keen and warm for home, and I have yearning,

Such yearning as I never felt before,

To see again my wife, my little son,

My Queen, my pretty nursling of five years,

The darling of my hopes, our dearest pledge

Of marriage, and our brightest prize of love,

Whose parting cry rings clearest in my heart.

O lay this horror, much-offended God!

And making all as fair and firm as when

We trusted to thy mighty depths of old,—

I vow to sacrifice the first whom Zeus

Shall prompt to hail us from the white seashore

And welcome our return to royal Crete,

An offering, Poseidon, unto thee!

Amid the din of elemental strife,

No voice may pierce but Deity supreme:

And Deity supreme alone can hear,

Above the hurricane’s discordant shrieks,

The cry of agonized humanity.

Not unappeased was He who smites the waves,

When to his stormy ears the warrior’s vow

Entered, and from his foamy pinnacle

Tumultuous he beheld the prostrate form,

And knew the mighty heart.  Awhile he gazed,

As doubtful of his purpose, and the storm,

Conscious of that divine debate, withheld

Its fierce emotion, in the luminous gloom

Of those so dark irradiating eyes!

Beneath whose wavering lustre shone revealed

The tumult of the purpling deeps, and all

The throbbing of the tempest, as it paused,

Slowly subsiding, seeming to await

The sudden signal, as a faithful hound

Pants with the forepaws stretched before its nose,

Athwart the greensward, after an eager chase;

Its hot tongue thrust to cool, its foamy jaws

Open to let the swift breath come and go,

Its quick interrogating eyes fixed keen

Upon the huntsman’s countenance, and ever

Lashing its sharp impatient tail with haste:

Prompt at the slightest sign to scour away,

And hang itself afresh by the bleeding fangs,

Upon the neck of some death-singled stag,

Whose royal antlers, eyes, and stumbling knees

Will supplicate the Gods in mute despair.

This time not mute, nor yet in vain this time!

For still the burden of the earnest voice

And all the vivid glories it revoked

Sank in the God, with that absorbed suspense

Felt only by the Olympians, whose minds

Unbounded like our mortal brain, perceive

All things complete, the end, the aim of all;

To whom the crown and consequence of deeds

Are ever present with the deed itself.

And now the pouring surges, vast and smooth,

Grew weary of restraint, and heaved themselves

Headlong beneath him, breaking at his feet

With wild importunate cries and angry wail;

Like crowds that shout for bread and hunger more.

And now the surface of their rolling backs

Was ridged with foam-topt furrows, rising high

And dashing wildly, like to fiery steeds,

Fresh from the Thracian or Thessalian plains,

High-blooded mares just tempering to the bit,

Whose manes at full-speed stream upon the winds,

And in whose delicate nostrils when the gust

Breathes of their native plains, they ramp and rear,

Frothing the curb, and bounding from the earth,

As though the Sun-god’s chariot alone

Were fit to follow in their flashing track.

Anon with gathering stature to the height

Of those colossal giants, doomed long since

To torturous grief and penance, that assailed

The sky-throned courts of Zeus, and climbing, dared

For once in a world the Olympic wrath, and braved

The electric spirit which from his clenching hand

Pierces the dark-veined earth, and with a touch

Is death to mortals, fearfully they grew!

And with like purpose of audacity

Threatened Titanic fury to the God.

Such was the agitation of the sea

Beneath Poseidon’s thought-revolving brows,

Storming for signal.  But no signal came.

And as when men, who congregate to hear

Some proclamation from the regal fount,

With eager questioning and anxious phrase

Betray the expectation of their hearts,

Till after many hours of fretful sloth,

Weary with much delay, they hold discourse

In sullen groups and cloudy masses, stirred

With rage irresolute and whispering plot,

Known more by indication than by word,

And understood alone by those whose minds

Participate;—even so the restless waves

Began to lose all sense of servitude,

And worked with rebel passions, bursting, now

To right, and now to left, but evermore

Subdued with influence, and controlled with dread

Of that inviolate Authority.

Then, swiftly as he mused, the impetuous God

Seized on the pausing reins, his coursers plunged,

His brows resumed the grandeur of their ire;

Throughout his vast divinity the deeps

Concurrent thrilled with action, and away,

As sweeps a thunder-cloud across the sky

In harvest-time, preluded by dull blasts;

Or some black-visaged whirlwind, whose wide folds

Rush, wrestling on with all ’twixt heaven and earth,

Darkling he hurried, and his distant voice,

Not softened by delay, was heard in tones

Distinctly terrible, still following up

Its rapid utterance of tremendous wrath

With hoarse reverberations; like the roar

Of lions when they hunger, and awake

The sullen echoes from their forest sleep,

To speed the ravenous noise from hill to hill

And startle victims; but more awful, He,

Scudding across the hills that rise and sink,

With foam, and splash, and cataracts of spray,

Clothed in majestic splendour; girt about

With Sea-gods and swift creatures of the sea;

Their briny eyes blind with the showering drops;

Their stormy locks, salt tongues, and scaly backs,

Quivering in harmony with the tempest, fierce

And eager with tempestuous delight;—

He like a moving rock above them all

Solemnly towering while fitful gleams

Brake from his dense black forehead, which display’d

The enduring chiefs as their distracted fleets

Tossed, toiling with the waters, climbing high,

And plunging downward with determined beaks,

In lurid anguish; but the Cretan king

And all his crew were ’ware of under-tides,

That for the groaning vessel made a path,

On which the impending and precipitous waves

Fell not, nor suck’d to their abysmal gorge.

O, happy they to feel the mighty God,

Without his whelming presence near: to feel

Safety and sweet relief from such despair,

And gushing of their weary hopes once more

Within their fond warm hearts, tired limbs, and eyes

Heavy with much fatigue and want of sleep!

Prayers did not lack; like mountain springs they came,

After the earth has drunk the drenching rains,

And throws her fresh-born jets into the sun

With joyous sparkles;—for there needed not

Evidence more serene of instant grace,

Immortal mercy! and the sense which follows

Divine interposition, when the shock

Of danger hath been thwarted by the Gods,

Visibly, and through supplication deep,—

Rose in them, chiefly in the royal mind

Of him whose interceding vow had saved.

Tears from that great heroic soul sprang up;

Not painful as in grief, nor smarting keen

With shame of weeping; but calm, fresh, and sweet;

Such as in lofty spirits rise, and wed

The nature of the woman to the man;

A sight most lovely to the Gods!  They fell

Like showers of starlight from his steadfast eyes,

As ever towards the prow he gazed, nor moved

One muscle, with firm lips and level lids,

Motionless; while the winds sang in his ears,

And took the length of his brown hair in streams

Behind him.  Thus the hours passed, and the oars

Plied without pause, and nothing but the sound

Of the dull rowlocks and still watery sough,

Far off, the carnage of the storm, was heard.

For nothing spake the mariners in their toil,

And all the captains of the war were dumb:

Too much oppressed with wonder, too much thrilled

By their great chieftain’s silence, to disturb

Such meditation with poor human speech.

Meantime the moon through slips of driving cloud

Came forth, and glanced athwart the seas a path

Of dusky splendour, like the Hadean brows,

When with Elysian passion they behold

Persephone’s complacent hueless cheeks.

Soon gathering strength and lustre, as a ship

That swims into some blue and open bay

With bright full-bosomed sails, the radiant car

Of Artemis advanced, and on the waves

Sparkled like arrows from her silver bow

The keenness of her pure and tender gaze.

Then, slowly, one by one the chiefs sought rest;

The watches being set, and men to relieve

The rowers at midseason.  Fair it was

To see them as they lay!  Some up the prow,

Some round the helm, in open-handed sleep;

With casques unloosed, and bucklers put aside;

The ten years’ tale of war upon their cheeks,

Where clung the salt wet locks, and on their breasts

Beards, the thick growth of many a proud campaign;

And on their brows the bright invisible crown

Victory sheds from her own radiant form,

As o’er her favourites’ heads she sings and soars.

But dreams came not so calmly; as around

Turbulent shores wild waves and swamping surf

Prevail, while seaward, on the tranquil deeps,

Reign placid surfaces and solemn peace,

So, from the troubled strands of memory, they

Launched and were tossed, long ere they found the tides

That lead to the gentle bosoms of pure rest.

And like to one who from a ghostly watch

In a lone house where murder hath been done,

And secret violations, pale with stealth

Emerges, staggering on the first chill gust

Wherewith the morning greets him, feeling not

Its balmy freshness on his bloodless cheek,—

But swift to hide his midnight face afar,

’Mongst the old woods and timid-glancing flowers

Hastens, till on the fresh reviving breasts

Of tender Dryads folded he forgets

The pallid witness of those nameless things,

In renovated senses lapt, and joins

The full, keen joyance of the day, so they

From sights and sounds of battle smeared with blood,

And shrieking souls on Acheron’s bleak tides,

And wail of execrating kindred, slid

Into oblivious slumber and a sense

Of satiate deliciousness complete.

Leave them, O Muse, in that so happy sleep!

Leave them to reap the harvest of their toil,

While fast in moonlight the glad vessel glides,

As if instinctive to its forest home.

O Muse, that in all sorrows and all joys,

Rapturous bliss and suffering divine,

Dwellest with equal fervour, in the calm

Of thy serene philosophy, albeit

Thy gentle nature is of joy alone,

And loves the pipings of the happy fields,

Better than all the great parade and pomp

Which forms the train of heroes and of kings,

And sows, too frequently, the tragic seeds

That choke with sobs thy singing,—turn away

Thy lustrous eyes back to the oath-bound man!

For as a shepherd stands above his flock,

The lofty figure of the king is seen,

Standing above his warriors as they sleep:

And still as from a rock grey waters gush,

While still the rock is passionless and dark,

Nor moves one feature of its giant face,

The tears fall from his eyes, and he stirs not.

And O, bright Muse! forget not thou to fold

In thy prophetic sympathy the thought

Of him whose destiny has heard its doom:

The Sacrifice thro’ whom the ship is saved.

Haply that Sacrifice is sleeping now,

And dreams of glad tomorrows.  Haply now,

His hopes are keenest, and his fervent blood

Richest with youth, and love, and fond regard!

Round him the circle of affections blooms,

And in some happy nest of home he lives,

One name oft uttering in delighted ears,

Mother! at which the heart of men are kin

With reverence and yearning.  Haply, too,

That other name, twin holy, twin revered,

He whispers often to the passing winds

That blow toward the Asiatic coasts;

For Crete has sent her bravest to the war,

And multitudes pressed forward to that rank,

Men with sad weeping wives and little ones.

That other name—O Father! who art thou,

Thus doomed to lose the star of thy last days?

It may be the sole flower of thy life,

And that of all who now look up to thee!

O Father, Father! unto thee even now

Fate cries; the future with imploring voice

Cries ‘Save me,’ ‘Save me,’ though thou hearest not.

And O thou Sacrifice, foredoomed by Zeus;

Even now the dark inexorable deed

Is dealing its relentless stroke, and vain

Are prayers, and tears, and struggles, and despair!

The mother’s tears, the nation’s stormful grief,

The people’s indignation and revenge!

Vain the last childlike pleading voice for life,

The quick resolve, the young heroic brow,

So like, so like, and vainly beautiful!

Oh! whosoe’er ye are the Muse says not,

And sees not, but the Gods look down on both.

THE LONGEST DAY

ON yonder hills soft twilight dwells

And Hesper burns where sunset dies,

Moist and chill the woodland smells

From the fern-covered hollows uprise;

Darkness drops not from the skies,

But shadows of darkness are flung o’er the vale

From the boughs of the chestnut, the oak, and the elm,

While night in yon lines of eastern pines

Preserves alone her inviolate realm

Against the twilight pale.

Say, then say, what is this day,

That it lingers thus with half-closed eyes,

When the sunset is quenched and the orient ray

Of the roseate moon doth rise,

Like a midnight sun o’er the skies!

’Tis the longest, the longest of all the glad year,

The longest in life and the fairest in hue,

When day and night, in bridal light,

Mingle their beings beneath the sweet blue,

And bless the balmy air!

Upward to this starry height

The culminating seasons rolled;

On one slope green with spring delight,

The other with harvest gold,

And treasures of Autumn untold:

And on this highest throne of the midsummer now

The waning but deathless day doth dream,

With a rapturous grace, as tho’ from the face

Of the unveiled infinity, lo, a far beam

Had fall’n on her dim-flushed brow!

Prolong, prolong that tide of song,

O leafy nightingale and thrush!

Still, earnest-throated blackcap, throng

The woods with that emulous gush

Of notes in tumultuous rush.

Ye summer souls, raise up one voice!

A charm is afloat all over the land;

The ripe year doth fall to the Spirit of all,

Who blesses it with outstretched hand;

Ye summer souls, rejoice!

TO ROBIN REDBREAST

MERRILY ’mid the faded leaves,

O Robin of the bright red breast!

Cheerily over the Autumn eaves,

Thy note is heard, bonny bird;

Sent to cheer us, and kindly endear us

To what would be a sorrowful time

Without thee in the weltering clime:

Merry art thou in the boughs of the lime,

While thy fadeless waistcoat glows on thy breast,

In Autumn’s reddest livery drest.

A merry song, a cheery song!

In the boughs above, on the sward below,

Chirping and singing the live day long,

While the maple in grief sheds its fiery leaf,

And all the trees waning, with bitter complaining,

Chestnut, and elm, and sycamore,

Catch the wild gust in their arms, and roar

Like the sea on a stormy shore,

Till wailfully they let it go,

And weep themselves naked and weary with woe.

Merrily, cheerily, joyously still

Pours out the crimson-crested tide.

The set of the season burns bright on the hill,

Where the foliage dead falls yellow and red,

Picturing vainly, but foretelling plainly

The wealth of cottage warmth that comes

When the frost gleams and the blood numbs,

And then, bonny Robin, I’ll spread thee out crumbs

In my garden porch for thy redbreast pride,

The song and the ensign of dear fireside.

SONG

THE daisy now is out upon the green;

And in the grassy lanes

The child of April rains,

The sweet fresh-hearted violet, is smelt and loved unseen.

Along the brooks and meads, the daffodil

Its yellow richness spreads,

And by the fountain-heads

Of rivers, cowslips cluster round, and over every hill.

The crocus and the primrose may have gone,

The snowdrop may be low,

But soon the purple glow

Of hyacinths will fill the copse, and lilies watch the dawn.

And in the sweetness of the budding year,

The cuckoo’s woodland call,

The skylark over all,

And then at eve, the nightingale, is doubly sweet and dear.

My soul is singing with the happy birds,

And all my human powers

Are blooming with the flowers,

My foot is on the fields and downs, among the flocks and herds.

Deep in the forest where the foliage droops,

I wander, fill’d with joy.

Again as when a boy,

The sunny vistas tempt me on with dim delicious hopes.

The sunny vistas, dim with hurrying shade,

And old romantic haze:—

Again as in past days,

The spirit of immortal Spring doth every sense pervade.

Oh! do not say that this will ever cease;—

This joy of woods and fields,

This youth that nature yields,

Will never speak to me in vain, tho’ soundly rapt in peace.

SUNRISE

THE clouds are withdrawn

And their thin-rippled mist,

That stream’d o’er the lawn

To the drowsy-eyed west.

Cold and grey

They slept in the way,

And shrank from the ray

Of the chariot East:

But now they are gone,

And the bounding light

Leaps thro’ the bars

Of doubtful dawn;

Blinding the stars,

And blessing the sight;

Shedding delight

On all below;

Glimmering fields,

And wakening wealds,

And rising lark,

And meadows dark,

And idle rills,

And labouring mills,

And far-distant hills

Of the fawn and the doe.

The sun is cheered

And his path is cleared,

As he steps to the air

From his emerald cave,

His heel in the wave,

Most bright and bare;

In the tide of the sky

His radiant hair

From his temples fair

Blown back on high;

As forward he bends,

And upward ascends,

Timely and true,

To the breast of the blue;

His warm red lips

Kissing the dew,

Which sweetened drips

On his flower cupholders;

Every hue

From his gleaming shoulders

Shining anew

With colour sky-born,

As it washes and dips

In the pride of the morn.

Robes of azure,

Fringed with amber,

Fold upon fold

Of purple and gold,

Vine-leaf bloom,

And the grape’s ripe gloom,

When season deep

In noontide leisure,

With clustering heap

The tendrils clamber

Full in the face

Of his hot embrace,

Fill’d with the gleams

Of his firmest beams.

Autumn flushes,

Roseate blushes,

Vermeil tinges,

Violet fringes,

Every hue

Of his flower cupholders,

O’er the clear ether

Mingled together,

Shining anew

From his gleaming shoulders!

Circling about

In a coronal rout,

And floating behind,

The way of the wind,

As forward he bends,

And upward ascends,

Timely and true,

To the breast of the blue.

His bright neck curved,

His clear limbs nerved,

Diamond keen

On his front serene,

While each white arm strains

To the racing reins,

As plunging, eyes flashing,

Dripping, and dashing,

His steeds triple grown

Rear up to his throne,

Ruffling the rest

Of the sea’s blue breast,

From his flooding, flaming crimson crest!

PICTURES OF THE RHINE

I

THE spirit of Romance dies not to those

Who hold a kindred spirit in their souls:

Even as the odorous life within the rose

Lives in the scattered leaflets and controls

Mysterious adoration, so there glows

Above dead things a thing that cannot die;

Faint as the glimmer of a tearful eye,

Ere the orb fills and all the sorrow flows.

Beauty renews itself in many ways;

The flower is fading while the new bud blows;

And this dear land as true a symbol shows,

While o’er it like a mellow sunset strays

The legendary splendour of old days,

In visible, inviolate repose.

II

About a mile behind the viny banks,

How sweet it was, upon a sloping green,

Sunspread, and shaded with a branching screen,

To lie in peace half-murmuring words of thanks!

To see the mountains on each other climb,

With spaces for rich meadows flowery bright;

The winding river freshening the sight

At intervals, the trees in leafy prime;

The distant village-roofs of blue and white,

With intersections of quaint-fashioned beams

All slanting crosswise, and the feudal gleams

Of ruined turrets, barren in the light;—

To watch the changing clouds, like clime in clime;

Oh sweet to lie and bless the luxury of time.

III

Fresh blows the early breeze, our sail is full;

A merry morning and a mighty tide.

Cheerily O! and past St. Goar we glide,

Half hid in misty dawn and mountain cool.

The river is our own! and now the sun

In saffron clothes the warming atmosphere;

The sky lifts up her white veil like a nun,

And looks upon the landscape blue and clear;—

The lark is up; the hills, the vines in sight;

The river broadens with his waking bliss

And throws up islands to behold the light;

Voices begin to rise, all hues to kiss;—

Was ever such a happy morn as this!

Birds sing, we shout, flowers breathe, trees shine with one delight!

IV

Between the two white breasts of her we love,

A dewy blushing rose will sometimes spring;

Thus Nonnenwerth like an enchanted thing

Rises mid-stream the crystal depths above.

On either side the waters heave and swell,

But all is calm within the little Isle;

Content it is to give its holy smile,

And bless with peace the lives that in it dwell.

Most dear on the dark grass beneath its bower

Of kindred trees embracing branch and bough,

To dream of fairy foot and sudden flower;

Or haply with a twilight on the brow,

To muse upon the legendary hour,

And Roland’s lonely love and Hildegard’s sad vow.

V

Hark! how the bitter winter breezes blow

Round the sharp rocks and o’er the half-lifted wave,

While all the rocky woodland branches rave

Shrill with the piercing cold, and every cave,

Along the icy water-margin low,

Rings bubbling with the whirling overflow;

And sharp the echoes answer distant cries

Of dawning daylight and the dim sunrise,

And the gloom-coloured clouds that stain the skies

With pictures of a warmth, and frozen glow

Spread over endless fields of sheeted snow;

And white untrodden mountains shining cold,

And muffled footpaths winding thro’ the wold,

O’er which those wintry gusts cease not to howl and blow.

VI

Rare is the loveliness of slow decay!

With youth and beauty all must be desired,

But ’tis the charm of things long past away,

They leave, alone, the light they have inspired:

The calmness of a picture; Memory now

Is the sole life among the ruins grey,

And like a phantom in fantastic play

She wanders with rank weeds stuck on her brow,

Over grass-hidden caves and turret-tops,

Herself almost as tottering as they;

While, to the steps of Time, her latest props

Fall stone by stone, and in the Sun’s hot ray

All that remains stands up in rugged pride,

And bridal vines drink in his juices on each side.

TO A NIGHTINGALE

O NIGHTINGALE! how hast thou learnt

The note of the nested dove?

While under thy bower the fern hangs burnt

And no cloud hovers above!

Rich July has many a sky

With splendour dim, that thou mightst hymn,

And make rejoice with thy wondrous voice,

And the thrill of thy wild pervading tone!

But instead of to woo, thou hast learnt to coo:

Thy song is mute at the mellowing fruit,

And the dirge of the flowers is sung by the hours

In silence and twilight alone.

O nightingale! ’tis this, ’tis this

That makes thee mock the dove!

That thou hast past thy marriage bliss,

To know a parent’s love.

The waves of fern may fade and burn,

The grasses may fall, the flowers and all,

And the pine-smells o’er the oak dells

Float on their drowsy and odorous wings,

But thou wilt do nothing but coo,

Brimming the nest with thy brooding breast,

’Midst that young throng of future song,

Round whom the Future sings!

INVITATION TO THE COUNTRY

NOW ’tis Spring on wood and wold,

Early Spring that shivers with cold,

But gladdens, and gathers, day by day,

A lovelier hue, a warmer ray,

A sweeter song, a dearer ditty;

Ouzel and throstle, new-mated and gay,

Singing their bridals on every spray—

Oh, hear them, deep in the songless City!

Cast off the yoke of toil and smoke,

As Spring is casting winter’s grey,

As serpents cast their skins away:

And come, for the Country awaits thee with pity

And longs to bathe thee in her delight,

And take a new joy in thy kindling sight;

And I no less, by day and night,

Long for thy coming, and watch for, and wait thee,

And wonder what duties can thus berate thee.

Dry-fruited firs are dropping their cones,

And vista’d avenues of pines

Take richer green, give fresher tones,

As morn after morn the glad sun shines.

Primrose tufts peep over the brooks,

Fair faces amid moist decay!

The rivulets run with the dead leaves at play,

The leafless elms are alive with the rooks.

Over the meadows the cowslips are springing,

The marshes are thick with king-cup gold,

Clear is the cry of the lambs in the fold,

The skylark is singing, and singing, and singing.

Soon comes the cuckoo when April is fair,

And her blue eye the brighter the more it may weep:

The frog and the butterfly wake from their sleep,

Each to its element, water and air.

Mist hangs still on every hill,

And curls up the valleys at eve; but noon

Is fullest of Spring; and at midnight the moon

Gives her westering throne to Orion’s bright zone,

As he slopes o’er the darkened world’s repose;

And a lustre in eastern Sirius glows.

Come, in the season of opening buds;

Come, and molest not the otter that whistles

Unlit by the moon, ’mid the wet winter bristles

Of willow, half-drowned in the fattening floods.

Let him catch his cold fish without fear of a gun,

And the stars shall shield him, and thou wilt shun!

And every little bird under the sun

Shall know that the bounty of Spring doth dwell

In the winds that blow, in the waters that run,

And in the breast of man as well.

THE SWEET O’ THE YEAR

NOW the frog, all lean and weak,

Yawning from his famished sleep,

Water in the ditch doth seek,

Fast as he can stretch and leap:

Marshy king-cups burning near

Tell him ’tis the sweet o’ the year.

Now the ant works up his mound

In the mouldered piny soil,

And above the busy ground

Takes the joy of earnest toil:

Dropping pine-cones, dry and sere,

Warn him ’tis the sweet o’ the year.

Now the chrysalis on the wall

Cracks, and out the creature springs,

Raptures in his body small,

Wonders on his dusty wings:

Bells and cups, all shining clear,

Show him ’tis the sweet o’ the year.

Now the brown bee, wild and wise,

Hums abroad, and roves and roams,

Storing in his wealthy thighs

Treasure for the golden combs:

Dewy buds and blossoms dear

Whisper ’tis the sweet o’ the year.

Now the merry maids so fair

Weave the wreaths and choose the queen,

Blooming in the open air,

Like fresh flowers upon the green;

Spring, in every thought sincere,

Thrills them with the sweet o’ the year.

Now the lads, all quick and gay,

Whistle to the browsing herds,

Or in the twilight pastures grey

Learn the use of whispered words:

First a blush, and then a tear,

And then a smile, i’ the sweet o’ the year.

Now the May-fly and the fish

Play again from noon to night;

Every breeze begets a wish,

Every motion means delight:

Heaven high over heath and mere

Crowns with blue the sweet o’ the year.

Now all Nature is alive,

Bird and beetle, man and mole;

Bee-like goes the human hive,

Lark-like sings the soaring soul:

Hearty faith and honest cheer

Welcome in the sweet o’ the year.

AUTUMN EVEN-SONG

THE long cloud edged with streaming grey

Soars from the West;

The red leaf mounts with it away,

Showing the nest

A blot among the branches bare:

There is a cry of outcasts in the air.

Swift little breezes, darting chill,

Pant down the lake;

A crow flies from the yellow hill,

And in its wake

A baffled line of labouring rooks:

Steel-surfaced to the light the river looks.

Pale on the panes of the old hall

Gleams the lone space

Between the sunset and the squall;

And on its face

Mournfully glimmers to the last:

Great oaks grow mighty minstrels in the blast.

Pale the rain-rutted roadways shine

In the green light

Behind the cedar and the pine:

Come, thundering night!

Blacken broad earth with hoards of storm:

For me yon valley-cottage beckons warm.

THE SONG OF COURTESY

I

WHEN Sir Gawain was led to his bridal-bed,

By Arthur’s knights in scorn God-sped:—

How think you he felt?

O the bride within

Was yellow and dry as a snake’s old skin;

Loathly as sin!

Scarcely faceable,

Quite unembraceable;

With a hog’s bristle on a hag’s chin!—

Gentle Gawain felt as should we,

Little of Love’s soft fire knew he:

But he was the Knight of Courtesy.

II

When that evil lady he lay beside

Bade him turn to greet his bride,

What think you he did?

O, to spare her pain,

And let not his loathing her loathliness vain

Mirror too plain,

Sadly, sighingly,

Almost dyingly,

Turned he and kissed her once and again.

Like Sir Gawain, gentles, should we?

Silent, all!  But for pattern agree

There’s none like the Knight of Courtesy.

III

Sir Gawain sprang up amid laces and curls:

Kisses are not wasted pearls:—

What clung in his arms?

O, a maiden flower,

Burning with blushes the sweet bride-bower,

Beauty her dower!

Breathing perfumingly;

Shall I live bloomingly,

Said she, by day, or the bridal hour?

Thereat he clasped her, and whispered he,

Thine, rare bride, the choice shall be.

Said she, Twice blest is Courtesy!

IV

Of gentle Sir Gawain they had no sport,

When it was morning in Arthur’s court;

What think you they cried?

Now, life and eyes!

This bride is the very Saint’s dream of a prize,

Fresh from the skies!

See ye not, Courtesy

Is the true Alchemy,

Turning to gold all it touches and tries?

Like the true knight, so may we

Make the basest that there be

Beautiful by Courtesy!

THE THREE MAIDENS

THERE were three maidens met on the highway;

The sun was down, the night was late:

And two sang loud with the birds of May,

O the nightingale is merry with its mate.

Said they to the youngest, Why walk you there so still?

The land is dark, the night is late:

O, but the heart in my side is ill,

And the nightingale will languish for its mate.

Said they to the youngest, Of lovers there is store;

The moon mounts up, the night is late:

O, I shall look on man no more,

And the nightingale is dumb without its mate.

Said they to the youngest, Uncross your arms and sing;

The moon mounts high, the night is late:

O my dear lover can hear no thing,

And the nightingale sings only to its mate.

They slew him in revenge, and his true-love was his lure;

The moon is pale, the night is late:

His grave is shallow on the moor;

O the nightingale is dying for its mate.

His blood is on his breast, and the moss-roots at his hair;

The moon is chill, the night is late:

But I will lie beside him there:

O the nightingale is dying for its mate.

OVER THE HILLS

THE old hound wags his shaggy tail,

And I know what he would say:

It’s over the hills we’ll bound, old hound,

Over the hills, and away.

There’s nought for us here save to count the clock,

And hang the head all day:

But over the hills we’ll bound, old hound,

Over the hills and away.

Here among men we’re like the deer

That yonder is our prey:

So, over the hills we’ll bound, old hound,

Over the hills and away.

The hypocrite is master here,

But he’s the cock of clay:

So, over the hills we’ll bound, old hound,

Over the hills and away.

The women, they shall sigh and smile,

And madden whom they may:

It’s over the hills we’ll bound, old hound,

Over the hills and away.

Let silly lads in couples run

To pleasure, a wicked fay:

’Tis ours on the heather to bound, old hound,

Over the hills and away.

The torrent glints under the rowan red,

And shakes the bracken spray:

What joy on the heather to bound, old hound,

Over the hills and away.

The sun bursts broad, and the heathery bed

Is purple, and orange, and gray:

Away, and away, we’ll bound, old hound,

Over the hills and away.

JUGGLING JERRY

I

PITCH here the tent, while the old horse grazes:

By the old hedge-side we’ll halt a stage.

It’s nigh my last above the daisies:

My next leaf ’ll be man’s blank page.

Yes, my old girl! and it’s no use crying:

Juggler, constable, king, must bow.

One that outjuggles all’s been spying

Long to have me, and he has me now.

II

We’ve travelled times to this old common:

Often we’ve hung our pots in the gorse.

We’ve had a stirring life, old woman!

You, and I, and the old grey horse.

Races, and fairs, and royal occasions,

Found us coming to their call:

Now they’ll miss us at our stations:

There’s a Juggler outjuggles all!

III

Up goes the lark, as if all were jolly!

Over the duck-pond the willow shakes.

Easy to think that grieving’s folly,

When the hand’s firm as driven stakes!

Ay, when we’re strong, and braced, and manful,

Life’s a sweet fiddle: but we’re a batch

Born to become the Great Juggler’s han’ful:

Balls he shies up, and is safe to catch.

IV

Here’s where the lads of the village cricket:

I was a lad not wide from here:

Couldn’t I whip off the bail from the wicket?

Like an old world those days appear!

Donkey, sheep, geese, and thatched ale-house—I know them!

They are old friends of my halts, and seem,

Somehow, as if kind thanks I owe them:

Juggling don’t hinder the heart’s esteem.

V

Juggling’s no sin, for we must have victual:

Nature allows us to bait for the fool.

Holding one’s own makes us juggle no little;

But, to increase it, hard juggling’s the rule.

You that are sneering at my profession,

Haven’t you juggled a vast amount?

There’s the Prime Minister, in one Session,

Juggles more games than my sins ’ll count.

VI

I’ve murdered insects with mock thunder:

Conscience, for that, in men don’t quail.

I’ve made bread from the bump of wonder:

That’s my business, and there’s my tale.

Fashion and rank all praised the professor:

Ay! and I’ve had my smile from the Queen:

Bravo, Jerry! she meant: God bless her!

Ain’t this a sermon on that scene?

VII

I’ve studied men from my topsy-turvy

Close, and, I reckon, rather true.

Some are fine fellows: some, right scurvy:

Most, a dash between the two.

But it’s a woman, old girl, that makes me

Think more kindly of the race:

And it’s a woman, old girl, that shakes me

When the Great Juggler I must face.

VIII

We two were married, due and legal:

Honest we’ve lived since we’ve been one.

Lord!  I could then jump like an eagle:

You danced bright as a bit o’ the sun.

Birds in a May-bush we were! right merry!

All night we kiss’d, we juggled all day.

Joy was the heart of Juggling Jerry!

Now from his old girl he’s juggled away.

IX

It’s past parsons to console us:

No, nor no doctor fetch for me:

I can die without my bolus;

Two of a trade, lass, never agree!

Parson and Doctor!—don’t they love rarely,

Fighting the devil in other men’s fields!

Stand up yourself and match him fairly:

Then see how the rascal yields!

X

I, lass, have lived no gipsy, flaunting

Finery while his poor helpmate grubs:

Coin I’ve stored, and you won’t be wanting:

You shan’t beg from the troughs and tubs.

Nobly you’ve stuck to me, though in his kitchen

Many a Marquis would hail you Cook!

Palaces you could have ruled and grown rich in,

But our old Jerry you never forsook.

XI

Hand up the chirper! ripe ale winks in it;

Let’s have comfort and be at peace.

Once a stout draught made me light as a linnet.

Cheer up! the Lord must have his lease.

May be—for none see in that black hollow—

It’s just a place where we’re held in pawn,

And, when the Great Juggler makes as to swallow,

It’s just the sword-trick—I ain’t quite gone!

XII

Yonder came smells of the gorse, so nutty,

Gold-like and warm: it’s the prime of May.

Better than mortar, brick and putty,

Is God’s house on a blowing day.

Lean me more up the mound; now I feel it:

All the old heath-smells!  Ain’t it strange?

There’s the world laughing, as if to conceal it,

But He’s by us, juggling the change.

XIII

I mind it well, by the sea-beach lying,

Once—it’s long gone—when two gulls we beheld,

Which, as the moon got up, were flying

Down a big wave that sparked and swelled.

Crack, went a gun: one fell: the second

Wheeled round him twice, and was off for new luck:

There in the dark her white wing beckon’d:—

Drop me a kiss—I’m the bird dead-struck!

THE CROWN OF LOVE

O MIGHT I load my arms with thee,

Like that young lover of Romance

Who loved and gained so gloriously

The fair Princess of France!

Because he dared to love so high,

He, bearing her dear weight, shall speed

To where the mountain touched on sky:

So the proud king decreed.

Unhalting he must bear her on,

Nor pause a space to gather breath,

And on the height she will be won;

And she was won in death!

Red the far summit flames with morn,

While in the plain a glistening Court

Surrounds the king who practised scorn

Through such a mask of sport.

She leans into his arms; she lets

Her lovely shape be clasped: he fares.

God speed him whole!  The knights make bets:

The ladies lift soft prayers.

O have you seen the deer at chase?

O have you seen the wounded kite?

So boundingly he runs the race,

So wavering grows his flight.

—My lover! linger here, and slake

Thy thirst, or me thou wilt not win.

—See’st thou the tumbled heavens? they break!

They beckon us up and in.

—Ah, hero-love! unloose thy hold:

O drop me like a curséd thing.

—See’st thou the crowded swards of gold?

They wave to us Rose and Ring.

—O death-white mouth!  O cast me down!

Thou diest?  Then with thee I die.

—See’st thou the angels with their Crown?

We twain have reached the sky.

THE HEAD OF BRAN THE BLEST

I

WHEN the Head of Bran

Was firm on British shoulders,

God made a man!

Cried all beholders.

Steel could not resist

The weight his arm would rattle;

He, with naked fist,

Has brain’d a knight in battle.

He marched on the foe,

And never counted numbers;

Foreign widows know

The hosts he sent to slumbers.

As a street you scan,

That’s towered by the steeple,

So the Head of Bran

Rose o’er his people.

II

‘Death’s my neighbour,’

Quoth Bran the Blest;

‘Christian labour

Brings Christian rest.

From the trunk sever

The Head of Bran,

That which never

Has bent to man!

‘That which never

To men has bowed

Shall live ever

To shame the shroud:

Shall live ever

To face the foe;

Sever it, sever,

And with one blow.

‘Be it written,

That all I wrought

Was for Britain,

In deed and thought:

Be it written,

That while I die,

Glory to Britain!

Is my last cry.

‘Glory to Britain!

Death echoes me round.

Glory to Britain!

The world shall resound.

Glory to Britain!

In ruin and fall,

Glory to Britain!

Is heard over all.’

III

Burn, Sun, down the sea!

Bran lies low with thee.

Burst, Morn, from the main!

Bran so shall rise again.

Blow, Wind, from the field!

Bran’s Head is the Briton’s shield.

Beam, Star, in the West!

Bright burns the Head of Bran the Blest.

IV

Crimson-footed, like the stork,

From great ruts of slaughter,

Warriors of the Golden Torque

Cross the lifting water.

Princes seven, enchaining hands,

Bear the live head homeward.

Lo! it speaks, and still commands:

Gazing out far foamward.

Fiery words of lightning sense

Down the hollows thunder;

Forest hostels know not whence

Comes the speech, and wonder.

City-Castles, on the steep,

Where the faithful Seven

House at midnight, hear, in sleep,

Laughter under heaven.

Lilies, swimming on the mere,

In the castle shadow,

Under draw their heads, and Fear

Walks the misty meadow.

Tremble not! it is not Death

Pledging dark espousal:

’Tis the Head of endless breath,

Challenging carousal!

Brim the horn! a health is drunk,

Now, that shall keep going:

Life is but the pebble sunk;

Deeds, the circle growing!

Fill, and pledge the Head of Bran!

While his lead they follow,

Long shall heads in Britain plan

Speech Death cannot swallow!

THE MEETING

THE old coach-road through a common of furze,

With knolls of pine, ran white;

Berries of autumn, with thistles, and burrs,

And spider-threads, droop’d in the light.

The light in a thin blue veil peered sick;

The sheep grazed close and still;

The smoke of a farm by a yellow rick

Curled lazily under a hill.

No fly shook the round of the silver net;

No insect the swift bird chased;

Only two travellers moved and met

Across that hazy waste.

One was a girl with a babe that throve,

Her ruin and her bliss;

One was a youth with a lawless love,

Who clasped it the more for this.

The girl for her babe hummed prayerful speech;

The youth for his love did pray;

Each cast a wistful look on each,

And either went their way.

THE BEGGAR’S SOLILOQUY

I

NOW, this, to my notion, is pleasant cheer,

To lie all alone on a ragged heath,

Where your nose isn’t sniffing for bones or beer,

But a peat-fire smells like a garden beneath.

The cottagers bustle about the door,

And the girl at the window ties her strings.

She’s a dish for a man who’s a mind to be poor;

Lord! women are such expensive things.

II

We don’t marry beggars, says she: why, no:

It seems that to make ’em is what you do;

And as I can cook, and scour, and sew,

I needn’t pay half my victuals for you.

A man for himself should be able to scratch,

But tickling’s a luxury:—love, indeed!

Love burns as long as the lucifer match,

Wedlock’s the candle!  Now, that’s my creed.

III

The church-bells sound water-like over the wheat;

And up the long path troop pair after pair.

The man’s well-brushed, and the woman looks neat:

It’s man and woman everywhere!

Unless, like me, you lie here flat,

With a donkey for friend, you must have a wife:

She pulls out your hair, but she brushes your hat.

Appearances make the best half of life.

IV

You nice little madam! you know you’re nice.

I remember hearing a parson say

You’re a plateful of vanity pepper’d with vice;

You chap at the gate thinks t’ other way.

On his waistcoat you read both his head and his heart:

There’s a whole week’s wages there figured in gold!

Yes! when you turn round you may well give a start:

It’s fun to a fellow who’s getting old.

V

Now, that’s a good craft, weaving waistcoats and flowers,

And selling of ribbons, and scenting of lard:

It gives you a house to get in from the showers,

And food when your appetite jockeys you hard.

You live a respectable man; but I ask

If it’s worth the trouble?  You use your tools,

And spend your time, and what’s your task?

Why, to make a slide for a couple of fools.

VI

You can’t match the colour o’ these heath mounds,

Nor better that peat-fire’s agreeable smell.

I’m clothed-like with natural sights and sounds;

To myself I’m in tune: I hope you’re as well.

You jolly old cot! though you don’t own coal:

It’s a generous pot that’s boiled with peat.

Let the Lord Mayor o’ London roast oxen whole:

His smoke, at least, don’t smell so sweet.

VII

I’m not a low Radical, hating the laws,

Who’d the aristocracy rebuke.

I talk o’ the Lord Mayor o’ London because

I once was on intimate terms with his cook.

I served him a turn, and got pensioned on scraps,

And, Lord, Sir! didn’t I envy his place,

Till Death knock’d him down with the softest of taps,

And I knew what was meant by a tallowy face!

VIII

On the contrary, I’m Conservative quite;

There’s beggars in Scripture ’mongst Gentiles and Jews:

It’s nonsense, trying to set things right,

For if people will give, why, who’ll refuse?

That stopping old custom wakes my spleen:

The poor and the rich both in giving agree:

Your tight-fisted shopman’s the Radical mean:

There’s nothing in common ’twixt him and me.

IX

He says I’m no use! but I won’t reply.

You’re lucky not being of use to him!

On week-days he’s playing at Spider and Fly,

And on Sundays he sings about Cherubim!

Nailing shillings to counters is his chief work:

He nods now and then at the name on his door:

But judge of us two, at a bow and a smirk,

I think I’m his match: and I’m honest—that’s more.

X

No use! well, I mayn’t be.  You ring a pig’s snout,

And then call the animal glutton!  Now, he,

Mr. Shopman, he’s nought but a pipe and a spout

Who won’t let the goods o’ this world pass free.

This blazing blue weather all round the brown crop,

He can’t enjoy! all but cash he hates.

He’s only a snail that crawls under his shop;

Though he has got the ear o’ the magistrates.

XI

Now, giving and taking’s a proper exchange,

Like question and answer: you’re both content.

But buying and selling seems always strange;

You’re hostile, and that’s the thing that’s meant.

It’s man against man—you’re almost brutes;

There’s here no thanks, and there’s there no pride.

If Charity’s Christian, don’t blame my pursuits,

I carry a touchstone by which you’re tried.

XII

—‘Take it,’ says she, ‘it’s all I’ve got’:

I remember a girl in London streets:

She stood by a coffee-stall, nice and hot,

My belly was like a lamb that bleats.

Says I to myself, as her shilling I seized,

You haven’t a character here, my dear!

But for making a rascal like me so pleased,

I’ll give you one, in a better sphere!

XIII

And that’s where it is—she made me feel

I was a rascal: but people who scorn,

And tell a poor patch-breech he isn’t genteel,

Why, they make him kick up—and he treads on a corn.

It isn’t liking, it’s curst ill-luck,

Drives half of us into the begging-trade:

If for taking to water you praise a duck,

For taking to beer why a man upbraid?

XIV

The sermon’s over: they’re out of the porch,

And it’s time for me to move a leg;

But in general people who come from church,

And have called themselves sinners, hate chaps to beg.

I’ll wager they’ll all of ’em dine to-day!

I was easy half a minute ago.

If that isn’t pig that’s baking away,

May I perish!—we’re never contented—heigho!

BY THE ROSANNA

TO F. M.

STANZER THAL, TYROL

THE old grey Alp has caught the cloud,

And the torrent river sings aloud;

The glacier-green Rosanna sings

An organ song of its upper springs.

Foaming under the tiers of pine,

I see it dash down the dark ravine,

And it tumbles the rocks in boisterous play,

With an earnest will to find its way.

Sharp it throws out an emerald shoulder,

And, thundering ever of the mountain,

Slaps in sport some giant boulder,

And tops it in a silver fountain.

A chain of foam from end to end,

And a solitude so deep, my friend,

You may forget that man abides

Beyond the great mute mountain-sides.

Yet to me, in this high-walled solitude

Of river and rock and forest rude,

The roaring voice through the long white chain

Is the voice of the world of bubble and brain.

PHANTASY

I

WITHIN a Temple of the Toes,

Where twirled the passionate Wili,

I saw full many a market rose,

And sighed for my village lily.

II

With cynical Adrian then I took flight

To that old dead city whose carol

Bursts out like a reveller’s loud in the night,

As he sits astride his barrel.

III

We two were bound the Alps to scale,

Up the rock-reflecting river;

Old times blew thro’ me like a gale,

And kept my thoughts in a quiver.

IV

Hawking ruin, wood-slope, and vine

Reeled silver-laced under my vision,

And into me passed, with the green-eyed wine

Knocking hard at my head for admission.

V

I held the village lily cheap,

And the dream around her idle:

Lo, quietly as I lay to sleep,

The bells led me off to a bridal.

VI

My bride wore the hood of a Béguine,

And mine was the foot to falter;

Three cowled monks, rat-eyed, were seen;

The Cross was of bones o’er the altar.

VII

The Cross was of bones; the priest that read,

A spectacled necromancer:

But at the fourth word, the bride I led

Changed to an Opera dancer.

VIII

A young ballet-beauty, who perked in her place,

A darling of pink and spangles;

One fair foot level with her face,

And the hearts of men at her ankles.

IX

She whirled, she twirled, the mock-priest grinned,

And quickly his mask unriddled;

’Twas Adrian! loud his old laughter dinned;

Then he seized a fiddle, and fiddled.

X

He fiddled, he glowed with the bottomless fire,

Like Sathanas in feature:

All through me he fiddled a wolfish desire

To dance with that bright creature.

XI

And gathering courage I said to my soul,

Throttle the thing that hinders!

When the three cowled monks, from black as coal,

Waxed hot as furnace-cinders.

XII

They caught her up, twirling: they leapt between-whiles:

The fiddler flickered with laughter:

Profanely they flew down the awful aisles,

Where I went sliding after.

XIII

Down the awful aisles, by the fretted walls,

Beneath the Gothic arches:—

King Skull in the black confessionals

Sat rub-a-dub-dubbing his marches.

XIV

Then the silent cold stone warriors frowned,

The pictured saints strode forward:

A whirlwind swept them from holy ground;

A tempest puffed them nor’ward.

XV

They shot through the great cathedral door;

Like mallards they traversed ocean:

And gazing below, on its boiling floor,

I marked a horrid commotion.

XVI

Down a forest’s long alleys they spun like tops:

It seemed that for ages and ages,

Thro’ the Book of Life bereft of stops,

They waltzed continuous pages.

XVII

And ages after, scarce awake,

And my blood with the fever fretting,

I stood alone by a forest-lake,

Whose shadows the moon were netting.

XVIII

Lilies, golden and white, by the curls

Of their broad flat leaves hung swaying.

A wreath of languid twining girls

Streamed upward, long locks disarraying.

XIX

Their cheeks had the satin frost-glow of the moon;

Their eyes the fire of Sirius.

They circled, and droned a monotonous tune,

Abandoned to love delirious.

XX

Like lengths of convolvulus torn from the hedge,

And trailing the highway over,

The dreamy-eyed mistresses circled the sedge,

And called for a lover, a lover!

XXI

I sank, I rose through seas of eyes,

In odorous swathes delicious:

They fanned me with impetuous sighs,

They hit me with kisses vicious.

XXII

My ears were spelled, my neck was coiled,

And I with their fury was glowing,

When the marbly waters bubbled and boiled

At a watery noise of crowing.

XXIII

They dragged me low and low to the lake:

Their kisses more stormily showered;

On the emerald brink, in the white moon’s wake,

An earthly damsel cowered.

XXIV

Fresh heart-sobs shook her knitted hands

Beneath a tiny suckling,

As one by one of the doleful bands

Dived like a fairy duckling.

XXV

And now my turn had come—O me!

What wisdom was mine that second!

I dropped on the adorer’s knee;

To that sweet figure I beckoned.

XXVI

Save me! save me! for now I know

The powers that Nature gave me,

And the value of honest love I know:—

My village lily! save me!

XXVII

Come ’twixt me and the sisterhood,

While the passion-born phantoms are fleeing!

Oh, he that is true to flesh and blood

Is true to his own being!

XXVIII

And he that is false to flesh and blood

Is false to the star within him:

And the mad and hungry sisterhood

All under the tides shall win him!

XXIX

My village lily! save me! save!

For strength is with the holy:—

Already I shuddered to feel the wave,

As I kept sinking slowly:—

XXX

I felt the cold wave and the under-tug

Of the Brides, when—starting and shrinking—

Lo, Adrian tilts the water-jug!

And Bruges with morn is blinking.

XXXI

Merrily sparkles sunny prime

On gabled peak and arbour:

Merrily rattles belfry-chime

The song of Sevilla’s Barber.

THE OLD CHARTIST

I

WHATE’ER I be, old England is my dam!

So there’s my answer to the judges, clear.

I’m nothing of a fox, nor of a lamb;

I don’t know how to bleat nor how to leer:

I’m for the nation!

That’s why you see me by the wayside here,

Returning home from transportation.

II

It’s Summer in her bath this morn, I think.

I’m fresh as dew, and chirpy as the birds:

And just for joy to see old England wink

Thro’ leaves again, I could harangue the herds:

Isn’t it something

To speak out like a man when you’ve got words,

And prove you’re not a stupid dumb thing?

III

They shipp’d me of for it; I’m here again.

Old England is my dam, whate’er I be!

Says I, I’ll tramp it home, and see the grain:

If you see well, you’re king of what you see:

Eyesight is having,

If you’re not given, I said, to gluttony.

Such talk to ignorance sounds as raving.

IV

You dear old brook, that from his Grace’s park

Come bounding! on you run near my old town:

My lord can’t lock the water; nor the lark,

Unless he kills him, can my lord keep down.

Up, is the song-note!

I’ve tried it, too:—for comfort and renown,

I rather pitch’d upon the wrong note.

V

I’m not ashamed: Not beaten’s still my boast:

Again I’ll rouse the people up to strike.

But home’s where different politics jar most.

Respectability the women like.

This form, or that form,—

The Government may be hungry pike,

But don’t you mount a Chartist platform!

VI

Well, well!  Not beaten—spite of them, I shout;

And my estate is suffering for the Cause.—

No,—what is yon brown water-rat about,

Who washes his old poll with busy paws?

What does he mean by’t?

It’s like defying all our natural laws,

For him to hope that he’ll get clean by’t.

VII

His seat is on a mud-bank, and his trade

Is dirt:—he’s quite contemptible; and yet

The fellow’s all as anxious as a maid

To show a decent dress, and dry the wet.

Now it’s his whisker,

And now his nose, and ear: he seems to get

Each moment at the motion brisker!

VIII

To see him squat like little chaps at school,

I could let fly a laugh with all my might.

He peers, hangs both his fore-paws:—bless that fool,

He’s bobbing at his frill now!—what a sight!

Licking the dish up,

As if he thought to pass from black to white,

Like parson into lawny bishop.

IX

The elms and yellow reed-flags in the sun,

Look on quite grave:—the sunlight flecks his side;

And links of bindweed-flowers round him run,

And shine up doubled with him in the tide.

I’m nearly splitting,

But nature seems like seconding his pride,

And thinks that his behaviour’s fitting.

X

That isle o’ mud looks baking dry with gold.

His needle-muzzle still works out and in.

It really is a wonder to behold,

And makes me feel the bristles of my chin.

Judged by appearance,

I fancy of the two I’m nearer Sin,

And might as well commence a clearance.

XI

And that’s what my fine daughter said:—she meant:

Pray, hold your tongue, and wear a Sunday face.

Her husband, the young linendraper, spent

Much argument thereon:—I’m their disgrace.

Bother the couple!

I feel superior to a chap whose place

Commands him to be neat and supple.

XII

But if I go and say to my old hen:

I’ll mend the gentry’s boots, and keep discreet,

Until they grow too violent,—why, then,

A warmer welcome I might chance to meet:

Warmer and better.

And if she fancies her old cock is beat,

And drops upon her knees—so let her!

XIII

She suffered for me:—women, you’ll observe,

Don’t suffer for a Cause, but for a man.

When I was in the dock she show’d her nerve:

I saw beneath her shawl my old tea-can

Trembling . . . she brought it

To screw me for my work: she loath’d my plan,

And therefore doubly kind I thought it.

XIV

I’ve never lost the taste of that same tea:

That liquor on my logic floats like oil,

When I state facts, and fellows disagree.

For human creatures all are in a coil;

All may want pardon.

I see a day when every pot will boil

Harmonious in one great Tea-garden!

XV

We wait the setting of the Dandy’s day,

Before that time!—He’s furbishing his dress,—

He will be ready for it!—and I say,

That yon old dandy rat amid the cress,—

Thanks to hard labour!—

If cleanliness is next to godliness,

The old fat fellow’s heaven’s neighbour!

XVI

You teach me a fine lesson, my old boy!

I’ve looked on my superiors far too long,

And small has been my profit as my joy.

You’ve done the right while I’ve denounced the wrong.

Prosper me later!

Like you I will despise the sniggering throng,

And please myself and my Creator.

XVII

I’ll bring the linendraper and his wife

Some day to see you; taking off my hat.

Should they ask why, I’ll answer: in my life

I never found so true a democrat.

Base occupation

Can’t rob you of your own esteem, old rat!

I’ll preach you to the British nation.

SONG [163]

SHOULD thy love die;

O bury it not under ice-blue eyes!

And lips that deny,

With a scornful surprise,

The life it once lived in thy breast when it wore no disguise.

Should thy love die;

O bury it where the sweet wild-flowers blow!

And breezes go by,

With no whisper of woe;

And strange feet cannot guess of the anguish that slumbers below.

Should thy love die;

O wander once more to the haunt of the bee!

Where the foliaged sky

Is most sacred to see,

And thy being first felt its wild birth like a wind-wakened tree.

Should thy love die;

O dissemble it! smile! let the rose hide the thorn!

While the lark sings on high,

And no thing looks forlorn,

Bury it, bury it, bury it where it was born.

TO ALEX. SMITH, THE ‘GLASGOW POET,’ [164]

ON HIS SONNET TO ‘FAME’

NOT vainly doth the earnest voice of man

Call for the thing that is his pure desire!

Fame is the birthright of the living lyre!

To noble impulse Nature puts no ban.

Nor vainly to the Sphinx thy voice was raised!

Tho’ all thy great emotions like a sea,

Against her stony immortality,

Shatter themselves unheeded and amazed.

Time moves behind her in a blind eclipse:

Yet if in her cold eyes the end of all

Be visible, as on her large closed lips

Hangs dumb the awful riddle of the earth;—

She sees, and she might speak, since that wild call,

The mighty warning of a Poet’s birth.

GRANDFATHER BRIDGEMAN

I

‘HEIGH, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’

He lifted the crumpled letter, and thumped a surprising ‘Hurrah!’

Up jumped all the echoing young ones, but John, with the starch in his throat,

Said, ‘Father, before we make noises, let’s see the contents of the note.’

The old man glared at him harshly, and twinkling made answer: ‘Too bad!

John Bridgeman, I’m always the whisky, and you are the water, my lad!’

II

But soon it was known thro’ the house, and the house ran over for joy,

That news, good news, great marvels, had come from the soldier boy;

Young Tom, the luckless scapegrace, offshoot of Methodist John;

His grandfather’s evening tale, whom the old man hailed as his son.

And the old man’s shout of pride was a shout of his victory, too;

For he called his affection a method: the neighbours’ opinions he knew.

III

Meantime, from the morning table removing the stout breakfast cheer,

The drink of the three generations, the milk, the tea, and the beer

(Alone in its generous reading of pints stood the Grandfather’s jug),

The women for sight of the missive came pressing to coax and to hug.

He scattered them quick, with a buss and a smack; thereupon he began

Diversions with John’s little Sarah: on Sunday, the naughty old man!

IV

Then messengers sped to the maltster, the auctioneer, miller, and all

The seven sons of the farmer who housed in the range of his call.

Likewise the married daughters, three plentiful ladies, prime cooks,

Who bowed to him while they condemned, in meek hope to stand high in his books.

‘John’s wife is a fool at a pudding,’ they said, and the light carts up hill

Went merrily, flouting the Sabbath: for puddings well made mend a will.

V

The day was a van-bird of summer: the robin still piped, but the blue,

As a warm and dreamy palace with voices of larks ringing thro’,

Looked down as if wistfully eyeing the blossoms that fell from its lap:

A day to sweeten the juices: a day to quicken the sap.

All round the shadowy orchard sloped meadows in gold, and the dear

Shy violets breathed their hearts out: the maiden breath of the year!

VI

Full time there was before dinner to bring fifteen of his blood,

To sit at the old man’s table: they found that the dinner was good.

But who was she by the lilacs and pouring laburnums concealed,

When under the blossoming apple the chair of the Grandfather wheeled?

She heard one little child crying, ‘Dear brave Cousin Tom!’ as it leapt;

Then murmured she: ‘Let me spare them!’ and passed round the walnuts, and wept.

VII

Yet not from sight had she slipped ere feminine eyes could detect

The figure of Mary Charlworth.  ‘It’s just what we all might expect,’

Was uttered: and: ‘Didn’t I tell you?’  Of Mary the rumour resounds,

That she is now her own mistress, and mistress of five thousand pounds.

’Twas she, they say, who cruelly sent young Tom to the war.

Miss Mary, we thank you now!  If you knew what we’re thanking you for!

VIII

But, ‘Have her in: let her hear it,’ called Grandfather Bridgeman, elate,

While Mary’s black-gloved fingers hung trembling with flight on the gate.

Despite the women’s remonstrance, two little ones, lighter than deer,

Were loosed, and Mary, imprisoned, her whole face white as a tear,

Came forward with culprit footsteps.  Her punishment was to commence:

The pity in her pale visage they read in a different sense.

IX

‘You perhaps may remember a fellow, Miss Charlworth, a sort of black sheep,’

The old man turned his tongue to ironical utterance deep:

‘He came of a Methodist dad, so it wasn’t his fault if he kicked.

He earned a sad reputation, but Methodists are mortal strict.

His name was Tom, and, dash me! but Bridgeman! I think you might add:

Whatever he was, bear in mind that he came of a Methodist dad.’

X

This prelude dismally lengthened, till Mary, starting, exclaimed,

‘A letter, Sir, from your grandson?’  ‘Tom Bridgeman that rascal is named,’

The old man answered, and further, the words that sent Tom to the ranks

Repeated as words of a person to whom they all owed mighty thanks.

But Mary never blushed: with her eyes on the letter, she sate,

And twice interrupting him faltered, ‘The date, may I ask, Sir, the date?’

XI

‘Why, that’s what I never look at in a letter,’ the farmer replied:

‘Facts first! and now I’ll be parson.’  The Bridgeman women descried

A quiver on Mary’s eyebrows.  One turned, and while shifting her comb,

Said low to a sister: ‘I’m certain she knows more than we about Tom.

She wants him now he’s a hero!’  The same, resuming her place,

Begged Mary to check them the moment she found it a tedious case.

XII

Then as a mastiff swallows the snarling noises of cats,

The voice of the farmer opened.  ‘“Three cheers, and off with your hats!”

—That’s Tom.  “We’ve beaten them, Daddy, and tough work it was, to be sure!

A regular stand-up combat: eight hours smelling powder and gore.

I entered it Serjeant-Major,”—and now he commands a salute,

And carries the flag of old England!  Heigh! see him lift foes on his foot!

XIII

‘—An officer! ay, Miss Charlworth, he is, or he is so to be;

You’ll own war isn’t such humbug: and Glory means something, you see.

“But don’t say a word,” he continues, “against the brave French any more.”

—That stopt me: we’ll now march together.  I couldn’t read further before.

That “brave French” I couldn’t stomach.  He can’t see their cunning to get

Us Britons to fight their battles, while best half the winnings they net!’

XIV

The old man sneered, and read forward.  It was of that desperate fight;—

The Muscovite stole thro’ the mist-wreaths that wrapped the chill Inkermann height,

Where stood our silent outposts: old England was in them that day!

O sharp worked his ruddy wrinkles, as if to the breath of the fray

They moved!  He sat bareheaded: his long hair over him slow

Swung white as the silky bog-flowers in purple heath-hollows that grow.

XV

And louder at Tom’s first person: acute and in thunder the ‘I’

Invaded the ear with a whinny of triumph, that seem’d to defy

The hosts of the world.  All heated, what wonder he little could brook

To catch the sight of Mary’s demure puritanical look?

And still as he led the onslaught, his treacherous side-shots he sent

At her who was fighting a battle as fierce, and who sat there unbent.

XVI

‘“We stood in line, and like hedgehogs the Russians rolled under us thick.

They frightened me there.”—He’s no coward; for when, Miss, they came at the quick,

The sight, he swears, was a breakfast.—“My stomach felt tight: in a glimpse

I saw you snoring at home with the dear cuddled-up little imps.

And then like the winter brickfields at midnight, hot fire lengthened out.

Our fellows were just leashed bloodhounds: no heart of the lot faced about.

XVII

‘“And only that grumbler, Bob Harris, remarked that we stood one to ten:

‘Ye fool,’ says Mick Grady, ‘just tell ’em they know to compliment men!’

And I sang out your old words: ‘If the opposite side isn’t God’s,

Heigh! after you’ve counted a dozen, the pluckiest lads have the odds.’

Ping-ping flew the enemies’ pepper: the Colonel roared, Forward, and we

Went at them.  ’Twas first like a blanket: and then a long plunge in the sea.

XVIII

‘“Well, now about me and the Frenchman: it happened I can’t tell you how:

And, Grandfather, hear, if you love me, and put aside prejudice now”:

He never says “Grandfather”—Tom don’t—save it’s a serious thing.

“Well, there were some pits for the rifles, just dug on our French-leaning wing:

And backwards, and forwards, and backwards we went, and at last I was vexed,

And swore I would never surrender a foot when the Russians charged next.

XIX

‘“I know that life’s worth keeping.”—Ay, so it is, lad; so it is!—

“But my life belongs to a woman.”—Does that mean Her Majesty, Miss?—

“These Russians came lumping and grinning: they’re fierce at it, though they are blocks.

Our fellows were pretty well pumped, and looked sharp for the little French cocks.

Lord, didn’t we pray for their crowing! when over us, on the hill-top,

Behold the first line of them skipping, like kangaroos seen on the hop.

XX

‘“That sent me into a passion, to think of them spying our flight!”

Heigh, Tom! you’ve Bridgeman blood, boy!  And, “‘Face them!’ I shouted: ‘All right;

Sure, Serjeant, we’ll take their shot dacent, like gentlemen,’ Grady replied.

A ball in his mouth, and the noble old Irishman dropped by my side.

Then there was just an instant to save myself, when a short wheeze

Of bloody lungs under the smoke, and a red-coat crawled up on his knees.

XXI

‘“’Twas Ensign Baynes of our parish.”—Ah, ah, Miss Charlworth, the one

Our Tom fought for a young lady?  Come, now we’ve got into the fun!—

“I shouldered him: he primed his pistol, and I trailed my musket, prepared.”

Why, that’s a fine pick-a-back for ye, to make twenty Russians look scared!

“They came—never mind how many: we couldn’t have run very well,

We fought back to back: ‘face to face, our last time!’ he said, smiling, and fell.

XXII

‘“Then I strove wild for his body: the beggars saw glittering rings,

Which I vowed to send to his mother.  I got some hard knocks and sharp stings,

But felt them no more than angel, or devil, except in the wind.

I know that I swore at a Russian for showing his teeth, and he grinned

The harder: quick, as from heaven, a man on a horse rode between,

And fired, and swung his bright sabre: I can’t write you more of the scene.

XXIII

‘“But half in his arms, and half at his stirrup, he bore me right forth,

And pitched me among my old comrades: before I could tell south from north,

He caught my hand up, and kissed it!  Don’t ever let any man speak

A word against Frenchmen, I near him!  I can’t find his name, tho’ I seek.

But French, and a General, surely he was, and, God bless him! thro’ him

I’ve learnt to love a whole nation.”’  The ancient man paused, winking dim.

XXIV

A curious look, half woeful, was seen on his face as he turned

His eyes upon each of his children, like one who but faintly discerned

His old self in an old mirror.  Then gathering sense in his fist,

He sounded it hard on his knee-cap.  ‘Your hand, Tom, the French fellow kissed!

He kissed my boy’s old pounder!  I say he’s a gentleman!’  Straight

The letter he tossed to one daughter; bade her the remainder relate.

XXV

Tom properly stated his praises in facts, but the lady preferred

To deck the narration with brackets, and drop her additional word.

What nobler Christian natures these women could boast, who, ’twas known,

Once spat at the name of their nephew, and now made his praises their own!

The letter at last was finished, the hearers breathed freely, and sign

Was given, ‘Tom’s health!’—Quoth the farmer: ‘Eh, Miss? are you weak in the spine?’

XXVI

For Mary had sunk, and her body was shaking, as if in a fit.

Tom’s letter she held, and her thumb-nail the month when the letter was writ

Fast-dinted, while she hung sobbing: ‘O, see, Sir, the letter is old!

O, do not be too happy!’—‘If I understand you, I’m bowled!’

Said Grandfather Bridgeman, ‘and down go my wickets!—not happy! when here,

Here’s Tom like to marry his General’s daughter—or widow—I’ll swear!

XXVII

‘I wager he knows how to strut, too!  It’s all on the cards that the Queen

Will ask him to Buckingham Palace, to say what he’s done and he’s seen.

Victoria’s fond of her soldiers: and she’s got a nose for a fight.

If Tom tells a cleverish story—there is such a thing as a knight!

And don’t he look roguish and handsome!—To see a girl snivelling there—

By George, Miss, it’s clear that you’re jealous’—‘I love him!’ she answered his stare.

XXVIII

‘Yes! now!’ breathed the voice of a woman.—‘Ah! now!’ quiver’d low the reply.

‘And “now”’s just a bit too late, so it’s no use your piping your eye,’

The farmer added bluffly: ‘Old Lawyer Charlworth was rich;

You followed his instructions in kicking Tom into the ditch.

If you’re such a dutiful daughter, that doesn’t prove Tom is a fool.

Forgive and forget’s my motto! and here’s my grog growing cool!’

XXIX

‘But, Sir,’ Mary faintly repeated: ‘for four long weeks I have failed

To come and cast on you my burden; such grief for you always prevailed!

My heart has so bled for you!’  The old man burst on her speech:

‘You’ve chosen a likely time, Miss! a pretty occasion to preach!’

And was it not outrageous, that now, of all times, one should come

With incomprehensible pity!  Far better had Mary been dumb.

XXX

But when again she stammered in this bewildering way,

The farmer no longer could bear it, and begged her to go, or to stay,

But not to be whimpering nonsense at such a time.  Pricked by a goad,

’Twas you who sent him to glory:—you’ve come here to reap what you sowed.

Is that it?’ he asked; and the silence the elders preserved plainly said,

On Mary’s heaving bosom this begging-petition was read.

XXXI

And that it was scarcely a bargain that she who had driven him wild

Should share now the fruits of his valour, the women expressed, as they smiled.

The family pride of the Bridgemans was comforted; still, with contempt,

They looked on a monied damsel of modesty quite so exempt.

‘O give me force to tell them!’ cried Mary, and even as she spoke,

A shout and a hush of the children: a vision on all of them broke.

XXXII

Wheeled, pale, in a chair, and shattered, the wreck of their hero was seen;

The ghost of Tom drawn slow o’er the orchard’s shadowy green.

Could this be the martial darling they joyed in a moment ago?

‘He knows it?’ to Mary Tom murmured, and closed his weak lids at her ‘No.’

‘Beloved!’ she said, falling by him, ‘I have been a coward: I thought

You lay in the foreign country, and some strange good might be wrought.

XXXIII

‘Each day I have come to tell him, and failed, with my hand on the gate.

I bore the dreadful knowledge, and crushed my heart with its weight.

The letter brought by your comrade—he has but just read it aloud!

It only reached him this morning!’  Her head on his shoulder she bowed.

Then Tom with pity’s tenderest lordliness patted her arm,

And eyed the old white-head fondly, with something of doubt and alarm.

XXXIV

O, take to your fancy a sculptor whose fresh marble offspring appears

Before him, shiningly perfect, the laurel-crown’d issue of years:

Is heaven offended? for lightning behold from its bosom escape,

And those are mocking fragments that made the harmonious shape!

He cannot love the ruins, till, feeling that ruins alone

Are left, he loves them threefold.  So passed the old grandfather’s moan.

XXXV

John’s text for a sermon on Slaughter he heard, and he did not protest.

All rigid as April snowdrifts, he stood, hard and feeble; his chest

Just showing the swell of the fire as it melted him.  Smiting a rib,

‘Heigh! what have we been about, Tom!  Was this all a terrible fib?’

He cried, and the letter forth-trembled.  Tom told what the cannon had done.

Few present but ached to see falling those aged tears on his heart’s son!

XXXVI

Up lanes of the quiet village, and where the mill-waters rush red

Thro’ browning summer meadows to catch the sun’s crimsoning head,

You meet an old man and a maiden who has the soft ways of a wife

With one whom they wheel, alternate; whose delicate flush of new life

Is prized like the early primrose.  Then shake his right hand, in the chair—

The old man fails never to tell you: ‘You’ve got the French General’s there!’

THE PROMISE IN DISTURBANCE

HOW low when angels fall their black descent,

Our primal thunder tells: known is the pain

Of music, that nigh throning wisdom went,

And one false note cast wailful to the insane.

Now seems the language heard of Love as rain

To make a mire where fruitfulness was meant.

The golden harp gives out a jangled strain,

Too like revolt from heaven’s Omnipotent.

But listen in the thought; so may there come

Conception of a newly-added chord,

Commanding space beyond where ear has home.

In labour of the trouble at its fount,

Leads Life to an intelligible Lord

The rebel discords up the sacred mount.

MODERN LOVE

I

BY this he knew she wept with waking eyes:

That, at his hand’s light quiver by her head,

The strange low sobs that shook their common bed

Were called into her with a sharp surprise,

And strangled mute, like little gaping snakes,

Dreadfully venomous to him.  She lay

Stone-still, and the long darkness flowed away

With muffled pulses.  Then, as midnight makes

Her giant heart of Memory and Tears

Drink the pale drug of silence, and so beat

Sleep’s heavy measure, they from head to feet

Were moveless, looking through their dead black years,

By vain regret scrawled over the blank wall.

Like sculptured effigies they might be seen

Upon their marriage-tomb, the sword between;

Each wishing for the sword that severs all.

II

It ended, and the morrow brought the task.

Her eyes were guilty gates, that let him in

By shutting all too zealous for their sin:

Each sucked a secret, and each wore a mask.

But, oh, the bitter taste her beauty had!

He sickened as at breath of poison-flowers:

A languid humour stole among the hours,

And if their smiles encountered, he went mad,

And raged deep inward, till the light was brown

Before his vision, and the world, forgot,

Looked wicked as some old dull murder-spot.

A star with lurid beams, she seemed to crown

The pit of infamy: and then again

He fainted on his vengefulness, and strove

To ape the magnanimity of love,

And smote himself, a shuddering heap of pain.

III

This was the woman; what now of the man?

But pass him.  If he comes beneath a heel,

He shall be crushed until he cannot feel,

Or, being callous, haply till he can.

But he is nothing:—nothing?  Only mark

The rich light striking out from her on him!

Ha! what a sense it is when her eyes swim

Across the man she singles, leaving dark

All else!  Lord God, who mad’st the thing so fair,

See that I am drawn to her even now!

It cannot be such harm on her cool brow

To put a kiss?  Yet if I meet him there!

But she is mine!  Ah, no!  I know too well

I claim a star whose light is overcast:

I claim a phantom-woman in the Past.

The hour has struck, though I heard not the bell!

IV

All other joys of life he strove to warm,

And magnify, and catch them to his lip:

But they had suffered shipwreck with the ship,

And gazed upon him sallow from the storm.

Or if Delusion came, ’twas but to show

The coming minute mock the one that went.

Cold as a mountain in its star-pitched tent,

Stood high Philosophy, less friend than foe:

Whom self-caged Passion, from its prison-bars,

Is always watching with a wondering hate.

Not till the fire is dying in the grate,

Look we for any kinship with the stars.

Oh, wisdom never comes when it is gold,

And the great price we pay for it full worth:

We have it only when we are half earth.

Little avails that coinage to the old!

V

A message from her set his brain aflame.

A world of household matters filled her mind,

Wherein he saw hypocrisy designed:

She treated him as something that is tame,

And but at other provocation bites.

Familiar was her shoulder in the glass,

Through that dark rain: yet it may come to pass

That a changed eye finds such familiar sights

More keenly tempting than new loveliness.

The ‘What has been’ a moment seemed his own:

The splendours, mysteries, dearer because known,

Nor less divine: Love’s inmost sacredness

Called to him, ‘Come!’—In his restraining start,

Eyes nurtured to be looked at scarce could see

A wave of the great waves of Destiny

Convulsed at a checked impulse of the heart.

VI

It chanced his lips did meet her forehead cool.

She had no blush, but slanted down her eye.

Shamed nature, then, confesses love can die:

And most she punishes the tender fool

Who will believe what honours her the most!

Dead! is it dead?  She has a pulse, and flow

Of tears, the price of blood-drops, as I know,

For whom the midnight sobs around Love’s ghost,

Since then I heard her, and so will sob on.

The love is here; it has but changed its aim.

O bitter barren woman! what’s the name?

The name, the name, the new name thou hast won?

Behold me striking the world’s coward stroke!

That will I not do, though the sting is dire.

—Beneath the surface this, while by the fire

They sat, she laughing at a quiet joke.

VII

She issues radiant from her dressing-room,

Like one prepared to scale an upper sphere:

—By stirring up a lower, much I fear!

How deftly that oiled barber lays his bloom!

That long-shanked dapper Cupid with frisked curls

Can make known women torturingly fair;

The gold-eyed serpent dwelling in rich hair

Awakes beneath his magic whisks and twirls.

His art can take the eyes from out my head,

Until I see with eyes of other men;

While deeper knowledge crouches in its den,

And sends a spark up:—is it true we are wed?

Yea! filthiness of body is most vile,

But faithlessness of heart I do hold worse.

The former, it were not so great a curse

To read on the steel-mirror of her smile.

VIII

Yet it was plain she struggled, and that salt

Of righteous feeling made her pitiful.

Poor twisting worm, so queenly beautiful!

Where came the cleft between us? whose the fault?

My tears are on thee, that have rarely dropped

As balm for any bitter wound of mine:

My breast will open for thee at a sign!

But, no: we are two reed-pipes, coarsely stopped:

The God once filled them with his mellow breath;

And they were music till he flung them down,

Used! used!  Hear now the discord-loving clown

Puff his gross spirit in them, worse than death!

I do not know myself without thee more:

In this unholy battle I grow base:

If the same soul be under the same face,

Speak, and a taste of that old time restore!

IX

He felt the wild beast in him betweenwhiles

So masterfully rude, that he would grieve

To see the helpless delicate thing receive

His guardianship through certain dark defiles.

Had he not teeth to rend, and hunger too?

But still he spared her.  Once: ‘Have you no fear?’

He said: ’twas dusk; she in his grasp; none near.

She laughed: ‘No, surely; am I not with you?’

And uttering that soft starry ‘you,’ she leaned

Her gentle body near him, looking up;

And from her eyes, as from a poison-cup,

He drank until the flittering eyelids screened.

Devilish malignant witch! and oh, young beam

Of heaven’s circle-glory!  Here thy shape

To squeeze like an intoxicating grape—

I might, and yet thou goest safe, supreme.

X

But where began the change; and what’s my crime?

The wretch condemned, who has not been arraigned,

Chafes at his sentence.  Shall I, unsustained,

Drag on Love’s nerveless body thro’ all time?

I must have slept, since now I wake.  Prepare,

You lovers, to know Love a thing of moods:

Not, like hard life, of laws.  In Love’s deep woods,

I dreamt of loyal Life:—the offence is there!

Love’s jealous woods about the sun are curled;

At least, the sun far brighter there did beam.—

My crime is, that the puppet of a dream,

I plotted to be worthy of the world.

Oh, had I with my darling helped to mince

The facts of life, you still had seen me go

With hindward feather and with forward toe,

Her much-adored delightful Fairy Prince!

XI

Out in the yellow meadows, where the bee

Hums by us with the honey of the Spring,

And showers of sweet notes from the larks on wing

Are dropping like a noon-dew, wander we.

Or is it now? or was it then? for now,

As then, the larks from running rings pour showers:

The golden foot of May is on the flowers,

And friendly shadows dance upon her brow.

What’s this, when Nature swears there is no change

To challenge eyesight?  Now, as then, the grace

Of heaven seems holding earth in its embrace.

Nor eyes, nor heart, has she to feel it strange?

Look, woman, in the West.  There wilt thou see

An amber cradle near the sun’s decline:

Within it, featured even in death divine,

Is lying a dead infant, slain by thee.

XII

Not solely that the Future she destroys,

And the fair life which in the distance lies

For all men, beckoning out from dim rich skies:

Nor that the passing hour’s supporting joys

Have lost the keen-edged flavour, which begat

Distinction in old times, and still should breed

Sweet Memory, and Hope,—earth’s modest seed,

And heaven’s high-prompting: not that the world is flat

Since that soft-luring creature I embraced

Among the children of Illusion went:

Methinks with all this loss I were content,

If the mad Past, on which my foot is based,

Were firm, or might be blotted: but the whole

Of life is mixed: the mocking Past will stay:

And if I drink oblivion of a day,

So shorten I the stature of my soul.

XIII

‘I play for Seasons; not Eternities!’

Says Nature, laughing on her way.  ‘So must

All those whose stake is nothing more than dust!’

And lo, she wins, and of her harmonies

She is full sure!  Upon her dying rose

She drops a look of fondness, and goes by,

Scarce any retrospection in her eye;

For she the laws of growth most deeply knows,

Whose hands bear, here, a seed-bag—there, an urn.

Pledged she herself to aught, ’twould mark her end!

This lesson of our only visible friend

Can we not teach our foolish hearts to learn?

Yes! yes!—but, oh, our human rose is fair

Surpassingly!  Lose calmly Love’s great bliss,

When the renewed for ever of a kiss

Whirls life within the shower of loosened hair!

XIV

What soul would bargain for a cure that brings

Contempt the nobler agony to kill?

Rather let me bear on the bitter ill,

And strike this rusty bosom with new stings!

It seems there is another veering fit,

Since on a gold-haired lady’s eyeballs pure

I looked with little prospect of a cure,

The while her mouth’s red bow loosed shafts of wit.

Just heaven! can it be true that jealousy

Has decked the woman thus? and does her head

Swim somewhat for possessions forfeited?

Madam, you teach me many things that be.

I open an old book, and there I find

That ‘Women still may love whom they deceive.’

Such love I prize not, madam: by your leave,

The game you play at is not to my mind.

XV

I think she sleeps: it must be sleep, when low

Hangs that abandoned arm toward the floor;

The face turned with it.  Now make fast the door.

Sleep on: it is your husband, not your foe.

The Poet’s black stage-lion of wronged love

Frights not our modern dames:—well if he did!

Now will I pour new light upon that lid,

Full-sloping like the breasts beneath.  ‘Sweet dove,

Your sleep is pure.  Nay, pardon: I disturb.

I do not? good!’  Her waking infant-stare

Grows woman to the burden my hands bear:

Her own handwriting to me when no curb

Was left on Passion’s tongue.  She trembles through;

A woman’s tremble—the whole instrument:—

I show another letter lately sent.

The words are very like: the name is new.

XVI

In our old shipwrecked days there was an hour,

When in the firelight steadily aglow,

Joined slackly, we beheld the red chasm grow

Among the clicking coals.  Our library-bower

That eve was left to us: and hushed we sat

As lovers to whom Time is whispering.

From sudden-opened doors we heard them sing:

The nodding elders mixed good wine with chat.

Well knew we that Life’s greatest treasure lay

With us, and of it was our talk.  ‘Ah, yes!

Love dies!’ I said: I never thought it less.

She yearned to me that sentence to unsay.

Then when the fire domed blackening, I found

Her cheek was salt against my kiss, and swift

Up the sharp scale of sobs her breast did lift:—

Now am I haunted by that taste! that sound!

XVII

At dinner, she is hostess, I am host.

Went the feast ever cheerfuller?  She keeps

The Topic over intellectual deeps

In buoyancy afloat.  They see no ghost.

With sparkling surface-eyes we ply the ball:

It is in truth a most contagious game:

HIDING THE SKELETON, shall be its name.

Such play as this the devils might appal!

But here’s the greater wonder; in that we,

Enamoured of an acting nought can tire,

Each other, like true hypocrites, admire;

Warm-lighted looks, Love’s ephemerioe,

Shoot gaily o’er the dishes and the wine.

We waken envy of our happy lot.

Fast, sweet, and golden, shows the marriage-knot.

Dear guests, you now have seen Love’s corpse-light shine.

XVIII

Here Jack and Tom are paired with Moll and Meg.

Curved open to the river-reach is seen

A country merry-making on the green.

Fair space for signal shakings of the leg.

That little screwy fiddler from his booth,

Whence flows one nut-brown stream, commands the joints

Of all who caper here at various points.

I have known rustic revels in my youth:

The May-fly pleasures of a mind at ease.

An early goddess was a country lass:

A charmed Amphion-oak she tripped the grass.

What life was that I lived?  The life of these?

Heaven keep them happy!  Nature they seem near.

They must, I think, be wiser than I am;

They have the secret of the bull and lamb.

’Tis true that when we trace its source, ’tis beer.

XIX

No state is enviable.  To the luck alone

Of some few favoured men I would put claim.

I bleed, but her who wounds I will not blame.

Have I not felt her heart as ’twere my own

Beat thro’ me? could I hurt her? heaven and hell!

But I could hurt her cruelly!  Can I let

My Love’s old time-piece to another set,

Swear it can’t stop, and must for ever swell?

Sure, that’s one way Love drifts into the mart

Where goat-legged buyers throng.  I see not plain:—

My meaning is, it must not be again.

Great God! the maddest gambler throws his heart.

If any state be enviable on earth,

’Tis yon born idiot’s, who, as days go by,

Still rubs his hands before him, like a fly,

In a queer sort of meditative mirth.

XX

I am not of those miserable males

Who sniff at vice and, daring not to snap,

Do therefore hope for heaven.  I take the hap

Of all my deeds.  The wind that fills my sails

Propels; but I am helmsman.  Am I wrecked,

I know the devil has sufficient weight

To bear: I lay it not on him, or fate.

Besides, he’s damned.  That man I do suspect

A coward, who would burden the poor deuce

With what ensues from his own slipperiness.

I have just found a wanton-scented tress

In an old desk, dusty for lack of use.

Of days and nights it is demonstrative,

That, like some aged star, gleam luridly.

If for those times I must ask charity,

Have I not any charity to give?

XXI

We three are on the cedar-shadowed lawn;

My friend being third.  He who at love once laughed

Is in the weak rib by a fatal shaft

Struck through, and tells his passion’s bashful dawn

And radiant culmination, glorious crown,

When ‘this’ she said: went ‘thus’: most wondrous she.

Our eyes grow white, encountering: that we are three,

Forgetful; then together we look down.

But he demands our blessing; is convinced

That words of wedded lovers must bring good.

We question; if we dare! or if we should!

And pat him, with light laugh.  We have not winced.

Next, she has fallen.  Fainting points the sign

To happy things in wedlock.  When she wakes,

She looks the star that thro’ the cedar shakes:

Her lost moist hand clings mortally to mine.

XXII

What may the woman labour to confess?

There is about her mouth a nervous twitch.

’Tis something to be told, or hidden:—which?

I get a glimpse of hell in this mild guess.

She has desires of touch, as if to feel

That all the household things are things she knew.

She stops before the glass.  What sight in view?

A face that seems the latest to reveal!

For she turns from it hastily, and tossed

Irresolute steals shadow-like to where

I stand; and wavering pale before me there,

Her tears fall still as oak-leaves after frost.

She will not speak.  I will not ask.  We are

League-sundered by the silent gulf between.

You burly lovers on the village green,

Yours is a lower, and a happier star!

XXIII

’Tis Christmas weather, and a country house

Receives us: rooms are full: we can but get

An attic-crib.  Such lovers will not fret

At that, it is half-said.  The great carouse

Knocks hard upon the midnight’s hollow door,

But when I knock at hers, I see the pit.

Why did I come here in that dullard fit?

I enter, and lie couched upon the floor.

Passing, I caught the coverlet’s quick beat:—

Come, Shame, burn to my soul! and Pride, and Pain—

Foul demons that have tortured me, enchain!

Out in the freezing darkness the lambs bleat.

The small bird stiffens in the low starlight.

I know not how, but shuddering as I slept,

I dreamed a banished angel to me crept:

My feet were nourished on her breasts all night.

XXIV

The misery is greater, as I live!

To know her flesh so pure, so keen her sense,

That she does penance now for no offence,

Save against Love.  The less can I forgive!

The less can I forgive, though I adore

That cruel lovely pallor which surrounds

Her footsteps; and the low vibrating sounds

That come on me, as from a magic shore.

Low are they, but most subtle to find out

The shrinking soul.  Madam, ’tis understood

When women play upon their womanhood,

It means, a Season gone.  And yet I doubt

But I am duped.  That nun-like look waylays

My fancy.  Oh!  I do but wait a sign!

Pluck out the eyes of pride! thy mouth to mine!

Never! though I die thirsting.  Go thy ways!

XXV

You like not that French novel?  Tell me why.

You think it quite unnatural.  Let us see.

The actors are, it seems, the usual three:

Husband, and wife, and lover.  She—but fie!

In England we’ll not hear of it.  Edmond,

The lover, her devout chagrin doth share;

Blanc-mange and absinthe are his penitent fare,

Till his pale aspect makes her over-fond:

So, to preclude fresh sin, he tries rosbif.

Meantime the husband is no more abused:

Auguste forgives her ere the tear is used.

Then hangeth all on one tremendous IF:—

If she will choose between them.  She does choose;

And takes her husband, like a proper wife.

Unnatural?  My dear, these things are life:

And life, some think, is worthy of the Muse.

XXVI

Love ere he bleeds, an eagle in high skies,

Has earth beneath his wings: from reddened eve

He views the rosy dawn.  In vain they weave

The fatal web below while far he flies.

But when the arrow strikes him, there’s a change.

He moves but in the track of his spent pain,

Whose red drops are the links of a harsh chain,

Binding him to the ground, with narrow range.

A subtle serpent then has Love become.

I had the eagle in my bosom erst:

Henceforward with the serpent I am cursed.

I can interpret where the mouth is dumb.

Speak, and I see the side-lie of a truth.

Perchance my heart may pardon you this deed:

But be no coward:—you that made Love bleed,

You must bear all the venom of his tooth!

XXVII

Distraction is the panacea, Sir!

I hear my oracle of Medicine say.

Doctor! that same specific yesterday

I tried, and the result will not deter

A second trial.  Is the devil’s line

Of golden hair, or raven black, composed?

And does a cheek, like any sea-shell rosed,

Or clear as widowed sky, seem most divine?

No matter, so I taste forgetfulness.

And if the devil snare me, body and mind,

Here gratefully I score:—he seemëd kind,

When not a soul would comfort my distress!

O sweet new world, in which I rise new made!

O Lady, once I gave love: now I take!

Lady, I must be flattered.  Shouldst thou wake

The passion of a demon, be not afraid.

XXVIII

I must be flattered.  The imperious

Desire speaks out.  Lady, I am content

To play with you the game of Sentiment,

And with you enter on paths perilous;

But if across your beauty I throw light,

To make it threefold, it must be all mine.

First secret; then avowed.  For I must shine

Envied,—I, lessened in my proper sight!

Be watchful of your beauty, Lady dear!

How much hangs on that lamp you cannot tell.

Most earnestly I pray you, tend it well:

And men shall see me as a burning sphere;

And men shall mark you eyeing me, and groan

To be the God of such a grand sunflower!

I feel the promptings of Satanic power,

While you do homage unto me alone.

XXIX

Am I failing?  For no longer can I cast

A glory round about this head of gold.

Glory she wears, but springing from the mould;

Not like the consecration of the Past!

Is my soul beggared?  Something more than earth

I cry for still: I cannot be at peace

In having Love upon a mortal lease.

I cannot take the woman at her worth!

Where is the ancient wealth wherewith I clothed

Our human nakedness, and could endow

With spiritual splendour a white brow

That else had grinned at me the fact I loathed?

A kiss is but a kiss now! and no wave

Of a great flood that whirls me to the sea.

But, as you will! we’ll sit contentedly,

And eat our pot of honey on the grave.

XXX

What are we first?  First, animals; and next

Intelligences at a leap; on whom

Pale lies the distant shadow of the tomb,

And all that draweth on the tomb for text.

Into which state comes Love, the crowning sun:

Beneath whose light the shadow loses form.

We are the lords of life, and life is warm.

Intelligence and instinct now are one.

But nature says: ‘My children most they seem

When they least know me: therefore I decree

That they shall suffer.’  Swift doth young Love flee,

And we stand wakened, shivering from our dream.

Then if we study Nature we are wise.

Thus do the few who live but with the day:

The scientific animals are they.—

Lady, this is my sonnet to your eyes.

XXXI

This golden head has wit in it.  I live

Again, and a far higher life, near her.

Some women like a young philosopher;

Perchance because he is diminutive.

For woman’s manly god must not exceed

Proportions of the natural nursing size.

Great poets and great sages draw no prize

With women: but the little lap-dog breed,

Who can be hugged, or on a mantel-piece

Perched up for adoration, these obtain

Her homage.  And of this we men are vain?

Of this!  ’Tis ordered for the world’s increase!

Small flattery!  Yet she has that rare gift

To beauty, Common Sense.  I am approved.

It is not half so nice as being loved,

And yet I do prefer it.  What’s my drift?

XXXII

Full faith I have she holds that rarest gift

To beauty, Common Sense.  To see her lie

With her fair visage an inverted sky

Bloom-covered, while the underlids uplift,

Would almost wreck the faith; but when her mouth

(Can it kiss sweetly? sweetly!) would address

The inner me that thirsts for her no less,

And has so long been languishing in drouth,

I feel that I am matched; that I am man!

One restless corner of my heart or head,

That holds a dying something never dead,

Still frets, though Nature giveth all she can.

It means, that woman is not, I opine,

Her sex’s antidote.  Who seeks the asp

For serpent’s bites?  ’Twould calm me could I clasp

Shrieking Bacchantes with their souls of wine!

XXXIII

‘In Paris, at the Louvre, there have I seen

The sumptuously-feathered angel pierce

Prone Lucifer, descending.  Looked he fierce,

Showing the fight a fair one?  Too serene!

The young Pharsalians did not disarray

Less willingly their locks of floating silk:

That suckling mouth of his upon the milk

Of heaven might still be feasting through the fray.

Oh, Raphael! when men the Fiend do fight,

They conquer not upon such easy terms.

Half serpent in the struggle grow these worms.

And does he grow half human, all is right.’

This to my Lady in a distant spot,

Upon the theme: While mind is mastering clay,

Gross clay invades it.  If the spy you play,

My wife, read this!  Strange love talk, is it not?

XXXIV

Madam would speak with me.  So, now it comes:

The Deluge or else Fire!  She’s well; she thanks

My husbandship.  Our chain on silence clanks.

Time leers between, above his twiddling thumbs.

Am I quite well?  Most excellent in health!

The journals, too, I diligently peruse.

Vesuvius is expected to give news:

Niagara is no noisier.  By stealth

Our eyes dart scrutinizing snakes.  She’s glad

I’m happy, says her quivering under-lip.

‘And are not you?’  ‘How can I be?’  ‘Take ship!

For happiness is somewhere to be had.’

‘Nowhere for me!’  Her voice is barely heard.

I am not melted, and make no pretence.

With commonplace I freeze her, tongue and sense.

Niagara or Vesuvius is deferred.

XXXV

It is no vulgar nature I have wived.

Secretive, sensitive, she takes a wound

Deep to her soul, as if the sense had swooned,

And not a thought of vengeance had survived.

No confidences has she: but relief

Must come to one whose suffering is acute.

O have a care of natures that are mute!

They punish you in acts: their steps are brief.

What is she doing?  What does she demand

From Providence or me?  She is not one

Long to endure this torpidly, and shun

The drugs that crowd about a woman’s hand.

At Forfeits during snow we played, and I

Must kiss her.  ‘Well performed!’ I said: then she:

‘’Tis hardly worth the money, you agree?’

Save her?  What for?  To act this wedded lie!

XXXVI

My Lady unto Madam makes her bow.

The charm of women is, that even while

You’re probed by them for tears, you yet may smile,

Nay, laugh outright, as I have done just now.

The interview was gracious: they anoint

(To me aside) each other with fine praise:

Discriminating compliments they raise,

That hit with wondrous aim on the weak point:

My Lady’s nose of Nature might complain.

It is not fashioned aptly to express

Her character of large-browed steadfastness.

But Madam says: Thereof she may be vain!

Now, Madam’s faulty feature is a glazed

And inaccessible eye, that has soft fires,

Wide gates, at love-time, only.  This admires

My Lady.  At the two I stand amazed.

XXXVII

Along the garden terrace, under which

A purple valley (lighted at its edge

By smoky torch-flame on the long cloud-ledge

Whereunder dropped the chariot) glimmers rich,

A quiet company we pace, and wait

The dinner-bell in prae-digestive calm.

So sweet up violet banks the Southern balm

Breathes round, we care not if the bell be late:

Though here and there grey seniors question Time

In irritable coughings.  With slow foot

The low rosed moon, the face of Music mute,

Begins among her silent bars to climb.

As in and out, in silvery dusk, we thread,

I hear the laugh of Madam, and discern

My Lady’s heel before me at each turn.

Our tragedy, is it alive or dead?

XXXVIII

Give to imagination some pure light

In human form to fix it, or you shame

The devils with that hideous human game:—

Imagination urging appetite!

Thus fallen have earth’s greatest Gogmagogs,

Who dazzle us, whom we can not revere:

Imagination is the charioteer

That, in default of better, drives the hogs.

So, therefore, my dear Lady, let me love!

My soul is arrowy to the light in you.

You know me that I never can renew

The bond that woman broke: what would you have?

’Tis Love, or Vileness! not a choice between,

Save petrifaction!  What does Pity here?

She killed a thing, and now it’s dead, ’tis dear.

Oh, when you counsel me, think what you mean!

XXXIX

She yields: my Lady in her noblest mood

Has yielded: she, my golden-crownëd rose!

The bride of every sense! more sweet than those

Who breathe the violet breath of maidenhood.

O visage of still music in the sky!

Soft moon!  I feel thy song, my fairest friend!

True harmony within can apprehend

Dumb harmony without.  And hark! ’tis nigh!

Belief has struck the note of sound: a gleam

Of living silver shows me where she shook

Her long white fingers down the shadowy brook,

That sings her song, half waking, half in dream.

What two come here to mar this heavenly tune?

A man is one: the woman bears my name,

And honour.  Their hands touch!  Am I still tame?

God, what a dancing spectre seems the moon!

XL

I bade my Lady think what she might mean.

Know I my meaning, I?  Can I love one,

And yet be jealous of another?  None

Commits such folly.  Terrible Love, I ween,

Has might, even dead, half sighing to upheave

The lightless seas of selfishness amain:

Seas that in a man’s heart have no rain

To fall and still them.  Peace can I achieve,

By turning to this fountain-source of woe,

This woman, who’s to Love as fire to wood?

She breathed the violet breath of maidenhood

Against my kisses once! but I say, No!

The thing is mocked at!  Helplessly afloat,

I know not what I do, whereto I strive.

The dread that my old love may be alive

Has seized my nursling new love by the throat.

XLI

How many a thing which we cast to the ground,

When others pick it up becomes a gem!

We grasp at all the wealth it is to them;

And by reflected light its worth is found.

Yet for us still ’tis nothing! and that zeal

Of false appreciation quickly fades.

This truth is little known to human shades,

How rare from their own instinct ’tis to feel!

They waste the soul with spurious desire,

That is not the ripe flame upon the bough.

We two have taken up a lifeless vow

To rob a living passion: dust for fire!

Madam is grave, and eyes the clock that tells

Approaching midnight.  We have struck despair

Into two hearts.  O, look we like a pair

Who for fresh nuptials joyfully yield all else?

XLII

I am to follow her.  There is much grace

In woman when thus bent on martyrdom.

They think that dignity of soul may come,

Perchance, with dignity of body.  Base!

But I was taken by that air of cold

And statuesque sedateness, when she said

‘I’m going’; lit a taper, bowed her head,

And went, as with the stride of Pallas bold.

Fleshly indifference horrible!  The hands

Of Time now signal: O, she’s safe from me!

Within those secret walls what do I see?

Where first she set the taper down she stands:

Not Pallas: Hebe shamed!  Thoughts black as death

Like a stirred pool in sunshine break.  Her wrists

I catch: she faltering, as she half resists,

‘You love . . .? love . . .? love . . .?’ all on an indrawn breath.

XLIII

Mark where the pressing wind shoots javelin-like

Its skeleton shadow on the broad-backed wave!

Here is a fitting spot to dig Love’s grave;

Here where the ponderous breakers plunge and strike,

And dart their hissing tongues high up the sand:

In hearing of the ocean, and in sight

Of those ribbed wind-streaks running into white.

If I the death of Love had deeply planned,

I never could have made it half so sure,

As by the unblest kisses which upbraid

The full-waked sense; or failing that, degrade!

’Tis morning: but no morning can restore

What we have forfeited.  I see no sin:

The wrong is mixed.  In tragic life, God wot,

No villain need be!  Passions spin the plot:

We are betrayed by what is false within.

XLIV

They say, that Pity in Love’s service dwells,

A porter at the rosy temple’s gate.

I missed him going: but it is my fate

To come upon him now beside his wells;

Whereby I know that I Love’s temple leave,

And that the purple doors have closed behind.

Poor soul! if, in those early days unkind,

Thy power to sting had been but power to grieve,

We now might with an equal spirit meet,

And not be matched like innocence and vice.

She for the Temple’s worship has paid price,

And takes the coin of Pity as a cheat.

She sees through simulation to the bone:

What’s best in her impels her to the worst:

Never, she cries, shall Pity soothe Love’s thirst,

Or foul hypocrisy for truth atone!

XLV

It is the season of the sweet wild rose,

My Lady’s emblem in the heart of me!

So golden-crownëd shines she gloriously,

And with that softest dream of blood she glows;

Mild as an evening heaven round Hesper bright!

I pluck the flower, and smell it, and revive

The time when in her eyes I stood alive.

I seem to look upon it out of Night.

Here’s Madam, stepping hastily.  Her whims

Bid her demand the flower, which I let drop.

As I proceed, I feel her sharply stop,

And crush it under heel with trembling limbs.

She joins me in a cat-like way, and talks

Of company, and even condescends

To utter laughing scandal of old friends.

These are the summer days, and these our walks.

XLVI

At last we parley: we so strangely dumb

In such a close communion!  It befell

About the sounding of the Matin-bell,

And lo! her place was vacant, and the hum

Of loneliness was round me.  Then I rose,

And my disordered brain did guide my foot

To that old wood where our first love-salute

Was interchanged: the source of many throes!

There did I see her, not alone.  I moved

Toward her, and made proffer of my arm.

She took it simply, with no rude alarm;

And that disturbing shadow passed reproved.

I felt the pained speech coming, and declared

My firm belief in her, ere she could speak.

A ghastly morning came into her cheek,

While with a widening soul on me she stared.

XLVII

We saw the swallows gathering in the sky,

And in the osier-isle we heard them noise.

We had not to look back on summer joys,

Or forward to a summer of bright dye:

But in the largeness of the evening earth

Our spirits grew as we went side by side.

The hour became her husband and my bride.

Love, that had robbed us so, thus blessed our dearth!

The pilgrims of the year waxed very loud

In multitudinous chatterings, as the flood

Full brown came from the West, and like pale blood

Expanded to the upper crimson cloud.

Love, that had robbed us of immortal things,

This little moment mercifully gave,

Where I have seen across the twilight wave

The swan sail with her young beneath her wings.

XLVIII

Their sense is with their senses all mixed in,

Destroyed by subtleties these women are!

More brain, O Lord, more brain! or we shall mar

Utterly this fair garden we might win.

Behold!  I looked for peace, and thought it near.

Our inmost hearts had opened, each to each.

We drank the pure daylight of honest speech.

Alas! that was the fatal draught, I fear.

For when of my lost Lady came the word,

This woman, O this agony of flesh!

Jealous devotion bade her break the mesh,

That I might seek that other like a bird.

I do adore the nobleness! despise

The act!  She has gone forth, I know not where.

Will the hard world my sentience of her share

I feel the truth; so let the world surmise.

XLIX

He found her by the ocean’s moaning verge,

Nor any wicked change in her discerned;

And she believed his old love had returned,

Which was her exultation, and her scourge.

She took his hand, and walked with him, and seemed

The wife he sought, though shadow-like and dry.

She had one terror, lest her heart should sigh,

And tell her loudly she no longer dreamed.

She dared not say, ‘This is my breast: look in.’

But there’s a strength to help the desperate weak.

That night he learned how silence best can speak

The awful things when Pity pleads for Sin.

About the middle of the night her call

Was heard, and he came wondering to the bed.

‘Now kiss me, dear! it may be, now!’ she said.

Lethe had passed those lips, and he knew all.

L

Thus piteously Love closed what he begat:

The union of this ever-diverse pair!

These two were rapid falcons in a snare,

Condemned to do the flitting of the bat.

Lovers beneath the singing sky of May,

They wandered once; clear as the dew on flowers:

But they fed not on the advancing hours:

Their hearts held cravings for the buried day.

Then each applied to each that fatal knife,

Deep questioning, which probes to endless dole.

Ah, what a dusty answer gets the soul

When hot for certainties in this our life!—

In tragic hints here see what evermore

Moves dark as yonder midnight ocean’s force,

Thundering like ramping hosts of warrior horse,

To throw that faint thin fine upon the shore!

THE PATRIOT ENGINEER

‘SIRS! may I shake your hands?

My countrymen, I see!

I’ve lived in foreign lands

Till England’s Heaven to me.

A hearty shake will do me good,

And freshen up my sluggish blood.’

Into his hard right hand we struck,

Gave the shake, and wish’d him luck.

‘—From Austria I come,

An English wife to win,

And find an English home,

And live and die therein.

Great Lord! how many a year I’ve pined

To drink old ale and speak my mind!’

Loud rang our laughter, and the shout

Hills round the Meuse-boat echoed about.

‘—Ay, no offence: laugh on,

Young gentlemen: I’ll join.

Had you to exile gone,

Where free speech is base coin,

You’d sigh to see the jolly nose

Where Freedom’s native liquor flows!’

He this time the laughter led,

Dabbling his oily bullet head.

‘—Give me, to suit my moods,

An ale-house on a heath,

I’ll hand the crags and woods

To B’elzebub beneath.

A fig for scenery! what scene

Can beat a Jackass on a green?’

Gravely he seem’d, with gaze intense,

Putting the question to common sense.

‘—Why, there’s the ale-house bench:

The furze-flower shining round:

And there’s my waiting-wench,

As lissome as a hound.

With “hail Britannia!” ere I drink,

I’ll kiss her with an artful wink.’

Fair flash’d the foreign landscape while

We breath’d again our native Isle.

‘—The geese may swim hard-by;

They gabble, and you talk:

You’re sure there’s not a spy

To mark your name with chalk.

My heart’s an oak, and it won’t grow

In flower-pots, foreigners must know.’

Pensive he stood: then shook his head

Sadly; held out his fist, and said:

‘—You’ve heard that Hungary’s floor’d?

They’ve got her on the ground.

A traitor broke her sword:

Two despots held her bound.

I’ve seen her gasping her last hope:

I’ve seen her sons strung up b’ the rope.

‘Nine gallant gentlemen

In Arad they strung up!

I work’d in peace till then:—

That poison’d all my cup.

A smell of corpses haunted me:

My nostril sniff’d like life for sea.

‘Take money for my hire

From butchers?—not the man!

I’ve got some natural fire,

And don’t flash in the pan;—

A few ideas I reveal’d:—

’Twas well old England stood my shield!

‘Said I, “The Lord of Hosts

Have mercy on your land!

I see those dangling ghosts,—

And you may keep command,

And hang, and shoot, and have your day:

They hold your bill, and you must pay.

‘“You’ve sent them where they’re strong,

You carrion Double-Head!

I hear them sound a gong

In Heaven above!”—I said.

“My God, what feathers won’t you moult

For this!” says I: and then I bolt.

‘The Bird’s a beastly Bird,

And what is more, a fool.

I shake hands with the herd

That flock beneath his rule.

They’re kindly; and their land is fine.

I thought it rarer once than mine.

‘And rare would be its lot,

But that he baulks its powers:

It’s just an earthen pot

For hearts of oak like ours.

Think!  Think!—four days from those frontiers,

And I’m a-head full fifty years.

‘It tingles to your scalps,

To think of it, my boys!

Confusion on their Alps,

And all their baby toys!

The mountains Britain boasts are men:

And scale you them, my brethren!’

Cluck, went his tongue; his fingers, snap.

Britons were proved all heights to cap.

And we who worshipp’d crags,

Where purple splendours burn’d,

Our idol saw in rags,

And right about were turn’d.

Horizons rich with trembling spires

On violet twilights lost their fires.

And heights where morning wakes

With one cheek over snow;—

And iron-wallèd lakes

Where sits the white moon low;—

For us on youthful travel bent,

The robing picturesque was rent.

Wherever Beauty show’d

The wonders of her face,

This man his Jackass rode,

High despot of the place.

Fair dreams of our enchanted life

Fled fast from his shrill island fife.

And yet we liked him well;

We laugh’d with honest hearts:—

He shock’d some inner spell,

And rous’d discordant parts.

We echoed what we half abjured:

And hating, smilingly endured.

Moreover, could we be

To our dear land disloyal?

And were not also we

Of History’s blood-Royal?

We glow’d to think how donkeys graze

In England, thrilling at their brays.

For there a man may view

An aspect more sublime

Than Alps against the blue:—

The morning eyes of Time!

The very Ass participates

The glory Freedom radiates!

CASSANDRA

I

CAPTIVE on a foreign shore,

Far from Ilion’s hoary wave,

Agamemnon’s bridal slave

Speaks Futurity no more:

Death is busy with her grave.

II

Thick as water, bursts remote

Round her ears the alien din,

While her little sullen chin

Fills the hollows of her throat:

Silent lie her slaughter’d kin.

III

Once to many a pealing shriek,

Lo, from Ilion’s topmost tower,

Ilion’s fierce prophetic flower

Cried the coming of the Greek!

Black in Hades sits the hour.

IV

Eyeing phantoms of the Past,

Folded like a prophet’s scroll,

In the deep’s long shoreward roll

Here she sees the anchor cast:

Backward moves her sunless soul.

V

Chieftains, brethren of her joy,

Shades, the white light in their eyes

Slanting to her lips, arise,

Crowding quick the plains of Troy:

Now they tell her not she lies.

VI

O the bliss upon the plains,

Where the joining heroes clashed

Shield and spear, and, unabashed,

Challenged with hot chariot-reins

Gods!—they glimmer ocean-washed.

VII

Alien voices round the ships,

Thick as water, shouting Home.

Argives, pale as midnight foam,

Wax before her awful lips:

White as stars that front the gloom.

VIII

Like a torch-flame that by day

Up the daylight twists, and, pale,

Catches air in leaps that fail,

Crushed by the inveterate ray,

Through her shines the Ten-Years’ Tale.

IX

Once to many a pealing shriek,

Lo, from Ilion’s topmost tower,

Ilion’s fierce prophetic flower

Cried the coming of the Greek!

Black in Hades sits the hour.

X

Still upon her sunless soul

Gleams the narrow hidden space

Forward, where her fiery race

Falters on its ashen goal:

Still the Future strikes her face.

XI

See toward the conqueror’s car

Step the purple Queen whose hate

Wraps red-armed her royal mate

With his Asian tempest-star:

Now Cassandra views her Fate.

XII

King of men! the blinded host

Shout:—she lifts her brooding chin:

Glad along the joyous din

Smiles the grand majestic ghost:

Clytemnestra leads him in.

XIII

Lo, their smoky limbs aloof,

Shadowing heaven and the seas,

Fates and Furies, tangling Threes,

Tear and mix above the roof:

Fates and fierce Eumenides.

XIV

Is the prophetess with rods

Beaten, that she writhes in air?

With the Gods who never spare,

Wrestling with the unsparing Gods,

Lone, her body struggles there.

XV

Like the snaky torch-flame white,

Levelled as aloft it twists,

She, her soaring arms, and wrists

Drooping, struggles with the light,

Helios, bright above all mists!

XVI

In his orb she sees the tower,

Dusk against its flaming rims,

Where of old her wretched limbs

Twisted with the stolen power:

Ilium all the lustre dims!

XVII

O the bliss upon the plains,

Where the joining heroes clashed

Shield and spear, and, unabashed,

Challenged with hot chariot-reins

Gods!—they glimmer ocean-washed.

XVIII

Thrice the Sun-god’s name she calls;

Shrieks the deed that shames the sky;

Like a fountain leaping high,

Falling as a fountain falls:

Lo, the blazing wheels go by!

XIX

Captive on a foreign shore,

Far from Ilion’s hoary wave,

Agamemnon’s bridal slave

Speaks Futurity no more:

Death is busy with her grave.

THE YOUNG USURPER

ON my darling’s bosom

Has dropped a living rosy bud,

Fair as brilliant Hesper

Against the brimming flood.

She handles him,

She dandles him,

She fondles him and eyes him:

And if upon a tear he wakes,

With many a kiss she dries him:

She covets every move he makes,

And never enough can prize him.

Ah, the young Usurper!

I yield my golden throne:

Such angel bands attend his hands

To claim it for his own.

MARGARET’S BRIDAL EVE

I

THE old grey mother she thrummed on her knee:

There is a rose that’s ready;

And which of the handsome young men shall it be?

There’s a rose that’s ready for clipping.

My daughter, come hither, come hither to me:

There is a rose that’s ready;

Come, point me your finger on him that you see:

There’s a rose that’s ready for clipping.

O mother, my mother, it never can be:

There is a rose that’s ready;

For I shall bring shame on the man marries me:

There’s a rose that’s ready for clipping.

Now let your tongue be deep as the sea:

There is a rose that’s ready;

And the man’ll jump for you, right briskly will he:

There’s a rose that’s ready for clipping.

Tall Margaret wept bitterly:

There is a rose that’s ready;

And as her parent bade did she:

There’s a rose that’s ready for clipping.

O the handsome young man dropped down on his knee:

There is a rose that’s ready;

Pale Margaret gave him her hand, woe’s me!

There’s a rose that’s ready for clipping.

II

O mother, my mother, this thing I must say:

There is a rose in the garden;

Ere he lies on the breast where that other lay:

And the bird sings over the roses.

Now, folly, my daughter, for men are men:

There is a rose in the garden;

You marry them blindfold, I tell you again:

And the bird sings over the roses.

O mother, but when he kisses me!

There is a rose in the garden;

My child, ’tis which shall sweetest be!

And the bird sings over the roses.

O mother, but when I awake in the morn!

There is a rose in the garden;

My child, you are his, and the ring is worn:

And the bird sings over the roses.

Tall Margaret sighed and loosened a tress:

There is a rose in the garden;

Poor comfort she had of her comeliness

And the bird sings over the roses.

My mother will sink if this thing be said:

There is a rose in the garden;

That my first betrothed came thrice to my bed;

And the bird sings over the roses.

He died on my shoulder the third cold night:

There is a rose in the garden;

I dragged his body all through the moonlight:

And the bird sings over the roses.

But when I came by my father’s door:

There is a rose in the garden;

I fell in a lump on the stiff dead floor:

And the bird sings over the roses.

O neither to heaven, nor yet to hell:

There is a rose in the garden;

Could I follow the lover I loved so well!

And the bird sings over the roses.

III

The bridesmaids slept in their chambers apart:

There is a rose that’s ready;

Tall Margaret walked with her thumping heart:

There’s a rose that’s ready for clipping.

The frill of her nightgown below the left breast:

There is a rose that’s ready;

Had fall’n like a cloud of the moonlighted West:

There’s a rose that’s ready for clipping.

But where the West-cloud breaks to a star:

There is a rose that’s ready;

Pale Margaret’s breast showed a winding scar:

There’s a rose that’s ready for clipping.

O few are the brides with such a sign!

There is a rose that’s ready;

Though I went mad the fault was mine:

There’s a rose that’s ready for clipping.

I must speak to him under this roof to-night:

There is a rose that’s ready;

I shall burn to death if I speak in the light:

There’s a rose that’s ready for clipping.

O my breast!  I must strike you a bloodier wound:

There is a rose that’s ready;

Than when I scored you red and swooned:

There’s a rose that’s ready for clipping.

I will stab my honour under his eye:

There is a rose that’s ready;

Though I bleed to the death, I shall let out the lie:

There’s a rose that’s ready for clipping.

O happy my bridesmaids! white sleep is with you!

There is a rose that’s ready;

Had he chosen among you he might sleep too!

There’s a rose that’s ready for clipping.

O happy my bridesmaids! your breasts are clean:

There is a rose that’s ready;

You carry no mark of what has been!

There’s a rose that’s ready for clipping.

IV

An hour before the chilly beam:

Red rose and white in the garden;

The bridegroom started out of a dream:

And the bird sings over the roses.

He went to the door, and there espied:

Red rose and white in the garden;

The figure of his silent bride:

And the bird sings over the roses.

He went to the door, and let her in:

Red rose and white in the garden;

Whiter looked she than a child of sin:

And the bird sings over the roses.

She looked so white, she looked so sweet:

Red rose and white in the garden;

She looked so pure he fell at her feet:

And the bird sings over the roses.

He fell at her feet with love and awe:

Red rose and white in the garden;

A stainless body of light he saw:

And the bird sings over the roses.

O Margaret, say you are not of the dead!

Red rose and white in the garden;

My bride! by the angels at night are you led?

And the bird sings over the roses.

I am not led by the angels about:

Red rose and white in the garden;

But I have a devil within to let out:

And the bird sings over the roses.

O Margaret! my bride and saint!

Red rose and white in the garden;

There is on you no earthly taint:

And the bird sings over the roses.

I am no saint, and no bride can I be:

Red rose and while in the garden;

Until I have opened my bosom to thee:

And the bird sings over the roses.

To catch at her heart she laid one hand:

Red rose and white in the garden;

She told the tale where she did stand:

And the bird sings over the roses.

She stood before him pale and tall:

Red rose and white in the garden;

Her eyes between his, she told him all:

And the bird sings over the roses.

She saw how her body grow freckled and foul:

Red rose and white in the garden;

She heard from the woods the hooting owl:

And the bird sings over the roses.

With never a quiver her mouth did speak:

Red rose and white in the garden;

O when she had done she stood so meek!

And the bird sings over the roses.

The bridegroom stamped and called her vile:

Red rose and white in the garden;

He did but waken a little smile:

And the bird sings over the roses.

The bridegroom raged and called her foul:

Red rose and white in the garden;

She heard from the woods the hooting owl:

And the bird sings over the roses.

He muttered a name full bitter and sore:

Red rose and white in the garden;

She fell in a lump on the still dead floor:

And the bird sings over the roses.

O great was the wonder, and loud the wail:

Red rose and white in the garden;

When through the household flew the tale:

And the bird sings over the roses.

The old grey mother she dressed the bier:

Red rose and white in the garden;

With a shivering chin and never a tear:

And the bird sings over the roses.

O had you but done as I bade you, my child!

Red rose and white in the garden;

You would not have died and been reviled:

And the bird sings over the roses.

The bridegroom he hung at midnight by the bier:

Red rose and white in the garden;

He eyed the white girl thro’ a dazzling tear:

And the bird sings over the roses.

O had you been false as the women who stray:

Red rose and white in the garden;

You would not be now with the Angels of Day!

And the bird sings over the roses.

MARIAN

I

SHE can be as wise as we,

And wiser when she wishes;

She can knit with cunning wit,

And dress the homely dishes.

She can flourish staff or pen,

And deal a wound that lingers;

She can talk the talk of men,

And touch with thrilling fingers.

II

Match her ye across the sea,

Natures fond and fiery;

Ye who zest the turtle’s nest

With the eagle’s eyrie.

Soft and loving is her soul,

Swift and lofty soaring;

Mixing with its dove-like dole

Passionate adoring.

III

Such a she who’ll match with me?

In flying or pursuing,

Subtle wiles are in her smiles

To set the world a-wooing.

She is steadfast as a star,

And yet the maddest maiden:

She can wage a gallant war,

And give the peace of Eden.

BY MORNING TWILIGHT

NIGHT, like a dying mother,

Eyes her young offspring, Day.

The birds are dreamily piping.

And O, my love, my darling!

The night is life ebb’d away:

Away beyond our reach!

A sea that has cast us pale on the beach;

Weeds with the weeds and the pebbles

That hear the lone tamarisk rooted in sand

Sway

With the song of the sea to the land.

UNKNOWN FAIR FACES

THOUGH I am faithful to my loves lived through,

And place them among Memory’s great stars,

Where burns a face like Hesper: one like Mars:

Of visages I get a moment’s view,

Sweet eyes that in the heaven of me, too,

Ascend, tho’ virgin to my life they passed.

Lo, these within my destiny seem glassed

At times so bright, I wish that Hope were new.

A gracious freckled lady, tall and grave,

Went, in a shawl voluminous and white,

Last sunset by; and going sow’d a glance.

Earth is too poor to hold a second chance;

I will not ask for more than Fortune gave:

My heart she goes from—never from my sight!

SHEMSELNIHAR

O MY lover! the night like a broad smooth wave

Bears us onward, and morn, a black rock, shines wet.

How I shuddered—I knew not that I was a slave,

Till I looked on thy face:—then I writhed in the net.

Then I felt like a thing caught by fire, that her star

Glowed dark on the bosom of Shemselnihar.

And he came, whose I am: O my lover! he came:

And his slave, still so envied of women, was I:

And I turned as a hissing leaf spits from the flame,

Yes, I shrivelled to dust from him, haggard and dry.

O forgive her:—she was but as dead lilies are:

The life of her heart fled from Shemselnihar.

Yet with thee like a full throbbing rose how I bloom!

Like a rose by the fountain whose showering we hear,

As we lie, O my lover! in this rich gloom,

Smelling faint the cool breath of the lemon-groves near.

As we lie gazing out on that glowing great star—

Ah! dark on the bosom of Shemselnihar.

Yet with thee am I not as an arm of the vine,

Firm to bind thee, to cherish thee, feed thee sweet?

Swear an oath on my lip to let none disentwine

The life that here fawns to give warmth to thy feet.

I on thine, thus! no more shall that jewelled Head jar

The music thou breathest on Shemselnihar.

Far away, far away, where the wandering scents

Of all flowers are sweetest, white mountains among,

There my kindred abide in their green and blue tents:

Bear me to them, my lover! they lost me so young.

Let us slip down the stream and leap steed till afar

None question thy claim upon Shemselnihar.

O that long note the bulbul gave out—meaning love!

O my lover, hark to him and think it my voice!

The blue night like a great bell-flower from above

Drooping low and gold-eyed: O, but hear him rejoice!

Can it be?  ’twas a flash! that accurst scimitàr

In thought even cuts thee from Shemselnihar.

Yes, I would that, less generous, he would oppress,

He would chain me, upbraid me, burn deep brands for hate,

Than with this mask of freedom and gorgeousness

Bespangle my slavery, mock my strange fate.

Would, would, would, O my lover, he knew—dared debar

Thy coming, and earn curse of Shemselnihar!

A ROAR THROUGH THE TALL TWIN ELM-TREES

A ROAR thro’ the tall twin elm-trees

The mustering storm betrayed:

The South-wind seized the willow

That over the water swayed.

Then fell the steady deluge

In which I strove to doze,

Hearing all night at my window

The knock of the winter rose.

The rainy rose of winter!

An outcast it must pine.

And from thy bosom outcast

Am I, dear lady mine.

WHEN I WOULD IMAGE

WHEN I would image her features,

Comes up a shrouded head:

I touch the outlines, shrinking;

She seems of the wandering dead.

But when love asks for nothing,

And lies on his bed of snow,

The face slips under my eyelids,

All in its living glow.

Like a dark cathedral city,

Whose spires, and domes, and towers

Quiver in violet lightnings,

My soul basks on for hours.

THE SPIRIT OF SHAKESPEARE

THY greatest knew thee, Mother Earth; unsoured

He knew thy sons.  He probed from hell to hell

Of human passions, but of love deflowered

His wisdom was not, for he knew thee well.

Thence came the honeyed corner at his lips,

The conquering smile wherein his spirit sails

Calm as the God who the white sea-wave whips,

Yet full of speech and intershifting tales,

Close mirrors of us: thence had he the laugh

We feel is thine: broad as ten thousand beeves

At pasture! thence thy songs, that winnow chaff

From grain, bid sick Philosophy’s last leaves

Whirl, if they have no response—they enforced

To fatten Earth when from her soul divorced.

CONTINUED

HOW smiles he at a generation ranked

In gloomy noddings over life!  They pass.

Not he to feed upon a breast unthanked,

Or eye a beauteous face in a cracked glass.

But he can spy that little twist of brain

Which moved some weighty leader of the blind,

Unwitting ’twas the goad of personal pain,

To view in curst eclipse our Mother’s mind,

And show us of some rigid harridan

The wretched bondmen till the end of time.

O lived the Master now to paint us Man,

That little twist of brain would ring a chime

Of whence it came and what it caused, to start

Thunders of laughter, clearing air and heart.

ODE TO THE SPIRIT OF EARTH IN AUTUMN

FAIR Mother Earth lay on her back last night,

To gaze her fill on Autumn’s sunset skies,

When at a waving of the fallen light

Sprang realms of rosy fruitage o’er her eyes.

A lustrous heavenly orchard hung the West,

Wherein the blood of Eden bloomed again:

Red were the myriad cherub-mouths that pressed,

Among the clusters, rich with song, full fain,

But dumb, because that overmastering spell

Of rapture held them dumb: then, here and there,

A golden harp lost strings; a crimson shell

Burnt grey; and sheaves of lustre fell to air.

The illimitable eagerness of hue

Bronzed, and the beamy winged bloom that flew

’Mid those bunched fruits and thronging figures failed.

A green-edged lake of saffron touched the blue,

With isles of fireless purple lying through:

And Fancy on that lake to seek lost treasures sailed.

Not long the silence followed:

The voice that issues from thy breast,

O glorious South-west,

Along the gloom-horizon holloa’d;

Warning the valleys with a mellow roar

Through flapping wings; then sharp the woodland bore

A shudder and a noise of hands:

A thousand horns from some far vale

In ambush sounding on the gale.

Forth from the cloven sky came bands

Of revel-gathering spirits; trooping down,

Some rode the tree-tops; some on torn cloud-strips

Burst screaming thro’ the lighted town:

And scudding seaward, some fell on big ships:

Or mounting the sea-horses blew

Bright foam-flakes on the black review

Of heaving hulls and burying beaks.

Still on the farthest line, with outpuffed cheeks,

’Twixt dark and utter dark, the great wind drew

From heaven that disenchanted harmony

To join earth’s laughter in the midnight blind:

Booming a distant chorus to the shrieks

Preluding him: then he,

His mantle streaming thunderingly behind,

Across the yellow realm of stiffened Day,

Shot thro’ the woodland alleys signals three;

And with the pressure of a sea

Plunged broad upon the vale that under lay.

Night on the rolling foliage fell:

But I, who love old hymning night,

And know the Dryad voices well,

Discerned them as their leaves took flight,

Like souls to wander after death:

Great armies in imperial dyes,

And mad to tread the air and rise,

The savage freedom of the skies

To taste before they rot.  And here,

Like frail white-bodied girls in fear,

The birches swung from shrieks to sighs;

The aspens, laughers at a breath,

In showering spray-falls mixed their cries,

Or raked a savage ocean-strand

With one incessant drowning screech.

Here stood a solitary beech,

That gave its gold with open hand,

And all its branches, toning chill,

Did seem to shut their teeth right fast,

To shriek more mercilessly shrill,

And match the fierceness of the blast.

But heard I a low swell that noised

Of far-off ocean, I was ’ware

Of pines upon their wide roots poised,

Whom never madness in the air

Can draw to more than loftier stress

Of mournfulness, not mournfulness

For melancholy, but Joy’s excess,

That singing on the lap of sorrow faints:

And Peace, as in the hearts of saints

Who chant unto the Lord their God;

Deep Peace below upon the muffled sod,

The stillness of the sea’s unswaying floor,

Could I be sole there not to see

The life within the life awake;

The spirit bursting from the tree,

And rising from the troubled lake?

Pour, let the wines of Heaven pour!

The Golden Harp is struck once more,

And all its music is for me!

Pour, let the wines of Heaven pour!

And, ho, for a night of Pagan glee!

There is a curtain o’er us.

For once, good souls, we’ll not pretend

To be aught better than her who bore us,

And is our only visible friend.

Hark to her laughter! who laughs like this,

Can she be dead, or rooted in pain?

She has been slain by the narrow brain,

But for us who love her she lives again.

Can she die?  O, take her kiss!

The crimson-footed nymph is panting up the glade,

With the wine-jar at her arm-pit, and the drunken ivy-braid

Round her forehead, breasts, and thighs: starts a Satyr, and they speed:

Hear the crushing of the leaves: hear the cracking of the bough!

And the whistling of the bramble, the piping of the weed!

But the bull-voiced oak is battling now:

The storm has seized him half-asleep,

And round him the wild woodland throngs

To hear the fury of his songs,

The uproar of an outraged deep.

He wakes to find a wrestling giant

Trunk to trunk and limb to limb,

And on his rooted force reliant

He laughs and grasps the broadened giant,

And twist and roll the Anakim;

And multitudes, acclaiming to the cloud,

Cry which is breaking, which is bowed.

Away, for the cymbals clash aloft

In the circles of pine, on the moss-floor soft.

The nymphs of the woodland are gathering there.

They huddle the leaves, and trample, and toss;

They swing in the branches, they roll in the moss,

They blow the seed on the air.

Back to back they stand and blow

The winged seed on the cradling air,

A fountain of leaves over bosom and back.

The pipe of the Faun comes on their track

And the weltering alleys overflow

With musical shrieks and wind-wedded hair.

The riotous companies melt to a pair.

Bless them, mother of kindness!

A star has nodded through

The depths of the flying blue.

Time only to plant the light

Of a memory in the blindness.

But time to show me the sight

Of my life thro’ the curtain of night;

Shining a moment, and mixed

With the onward-hurrying stream,

Whose pressure is darkness to me;

Behind the curtain, fixed,

Beams with endless beam

That star on the changing sea.

Great Mother Nature! teach me, like thee,

To kiss the season and shun regrets.

And am I more than the mother who bore,

Mock me not with thy harmony!

Teach me to blot regrets,

Great Mother! me inspire

With faith that forward sets

But feeds the living fire,

Faith that never frets

For vagueness in the form.

In life, O keep me warm!

For, what is human grief?

And what do men desire?

Teach me to feel myself the tree,

And not the withered leaf.

Fixed am I and await the dark to-be

And O, green bounteous Earth!

Bacchante Mother! stern to those

Who live not in thy heart of mirth;

Death shall I shrink from, loving thee?

Into the breast that gives the rose,

Shall I with shuddering fall?

Earth, the mother of all,

Moves on her stedfast way,

Gathering, flinging, sowing.

Mortals, we live in her day,

She in her children is growing.

She can lead us, only she,

Unto God’s footstool, whither she reaches:

Loved, enjoyed, her gifts must be,

Reverenced the truths she teaches,

Ere a man may hope that he

Ever can attain the glee

Of things without a destiny!

She knows not loss:

She feels but her need,

Who the winged seed

With the leaf doth toss.

And may not men to this attain?

That the joy of motion, the rapture of being,

Shall throw strong light when our season is fleeing,

Nor quicken aged blood in vain,

At the gates of the vault, on the verge of the plain?

Life thoroughly lived is a fact in the brain,

While eyes are left for seeing.

Behold, in yon stripped Autumn, shivering grey,

Earth knows no desolation.

She smells regeneration

In the moist breath of decay.

Prophetic of the coming joy and strife,

Like the wild western war-chief sinking

Calm to the end he eyes unblinking,

Her voice is jubilant in ebbing life.

He for his happy hunting-fields

Forgets the droning chant, and yields

His numbered breaths to exultation

In the proud anticipation:

Shouting the glories of his nation,

Shouting the grandeur of his race,

Shouting his own great deeds of daring:

And when at last death grasps his face,

And stiffened on the ground in peace

He lies with all his painted terrors glaring;

Hushed are the tribe to hear a threading cry:

Not from the dead man;

Not from the standers-by:

The spirit of the red man

Is welcomed by his fathers up on high.

MARTIN’S PUZZLE

I

THERE she goes up the street with her book in her hand,

And her Good morning, Martin!  Ay, lass, how d’ye do?

Very well, thank you, Martin!—I can’t understand!

I might just as well never have cobbled a shoe!

I can’t understand it.  She talks like a song;

Her voice takes your ear like the ring of a glass;

She seems to give gladness while limping along,

Yet sinner ne’er suffer’d like that little lass.

II

First, a fool of a boy ran her down with a cart.

Then, her fool of a father—a blacksmith by trade—

Why the deuce does he tell us it half broke his heart?

His heart!—where’s the leg of the poor little maid!

Well, that’s not enough; they must push her downstairs,

To make her go crooked: but why count the list?

If it’s right to suppose that our human affairs

Are all order’d by heaven—there, bang goes my fist!

III

For if angels can look on such sights—never mind!

When you’re next to blaspheming, it’s best to be mum.

The parson declares that her woes weren’t designed;

But, then, with the parson it’s all kingdom-come.

Lose a leg, save a soul—a convenient text;

I call it Tea doctrine, not savouring of God.

When poor little Molly wants ‘chastening,’ why, next

The Archangel Michael might taste of the rod.

IV

But, to see the poor darling go limping for miles

To read books to sick people!—and just of an age

When girls learn the meaning of ribands and smiles!

Makes me feel like a squirrel that turns in a cage.

The more I push thinking the more I revolve:

I never get farther:—and as to her face,

It starts up when near on my puzzle I solve,

And says, ‘This crush’d body seems such a sad case.’

V

Not that she’s for complaining: she reads to earn pence;

And from those who can’t pay, simple thanks are enough.

Does she leave lamentation for chaps without sense?

Howsoever, she’s made up of wonderful stuff.

Ay, the soul in her body must be a stout cord;

She sings little hymns at the close of the day,

Though she has but three fingers to lift to the Lord,

And only one leg to kneel down with to pray.

VI

What I ask is, Why persecute such a poor dear,

If there’s Law above all?  Answer that if you can!

Irreligious I’m not; but I look on this sphere

As a place where a man should just think like a man.

It isn’t fair dealing!  But, contrariwise,

Do bullets in battle the wicked select?

Why, then it’s all chance-work!  And yet, in her eyes,

She holds a fixed something by which I am checked.

VII

Yonder riband of sunshine aslope on the wall,

If you eye it a minute ’ll have the same look:

So kind! and so merciful!  God of us all!

It’s the very same lesson we get from the Book.

Then, is Life but a trial?  Is that what is meant?

Some must toil, and some perish, for others below:

The injustice to each spreads a common content;

Ay!  I’ve lost it again, for it can’t be quite so.

VIII

She’s the victim of fools: that seems nearer the mark.

On earth there are engines and numerous fools.

Why the Lord can permit them, we’re still in the dark;

He does, and in some sort of way they’re His tools.

It’s a roundabout way, with respect let me add,

If Molly goes crippled that we may be taught:

But, perhaps, it’s the only way, though it’s so bad;

In that case we’ll bow down our heads,—as we ought.

IX

But the worst of me is, that when I bow my head,

I perceive a thought wriggling away in the dust,

And I follow its tracks, quite forgetful, instead

Of humble acceptance: for, question I must!

Here’s a creature made carefully—carefully made!

Put together with craft, and then stamped on, and why?

The answer seems nowhere: it’s discord that’s played.

The sky’s a blue dish!—an implacable sky!

X

Stop a moment.  I seize an idea from the pit.

They tell us that discord, though discord, alone,

Can be harmony when the notes properly fit:

Am I judging all things from a single false tone?

Is the Universe one immense Organ, that rolls

From devils to angels?  I’m blind with the sight.

It pours such a splendour on heaps of poor souls!

I might try at kneeling with Molly to-night.

FOOTNOTES

[1]  First contributed to a MS. magazine, ‘The Monthly Observer,’ in the year 1849; first printed in Chambers’ Edinburgh Journal, July 7, 1849.

[163]  Originally printed in ‘Poems,’ 1851.

[164]  ‘The Leader,’ December 20, 1851.

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Project Gutenberg eBook of Poems — Volume 1, by George Meredith

POEMS VOL. I

CONTENTS

CHILLIANWALLAH [1]

THE DOE: A FRAGMENT (FROM ‘WANDERING WILLIE’)

BEAUTY ROHTRAUT (FROM MÖRICKE)

THE OLIVE BRANCH

SONG

THE WILD ROSE AND THE SNOWDROP

THE DEATH OF WINTER

SONG

JOHN LACKLAND

THE SLEEPING CITY

THE POETRY OF CHAUCER

THE POETRY OF SPENSER

THE POETRY OF SHAKESPEARE

THE POETRY OF MILTON

THE POETRY OF SOUTHEY

THE POETRY OF COLERIDGE

THE POETRY OF SHELLEY

THE POETRY OF WORDSWORTH

THE POETRY OF KEATS

VIOLETS

ANGELIC LOVE

TWILIGHT MUSIC

REQUIEM

THE FLOWER OF THE RUINS

THE RAPE OF AURORA

SOUTH-WEST WIND IN THE WOODLAND

WILL O’ THE WISP

SONG

SONG

SONG

DAPHNE

LONDON BY LAMPLIGHT

SONG

PASTORALS

I

II

III

IV

V

VI

VII

TO A SKYLARK

SONG SPRING

SONG AUTUMN

SORROWS AND JOYS

SONG

SONG

ANTIGONE

SONG

THE TWO BLACKBIRDS

JULY

I

II

SONG

SONG

THE SHIPWRECK OF IDOMENEUS

THE LONGEST DAY

TO ROBIN REDBREAST

SONG

SUNRISE

PICTURES OF THE RHINE

I

II

III

IV

V

VI

TO A NIGHTINGALE

INVITATION TO THE COUNTRY

THE SWEET O’ THE YEAR

AUTUMN EVEN-SONG

THE SONG OF COURTESY

I

II

III

IV

THE THREE MAIDENS

OVER THE HILLS

JUGGLING JERRY

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

THE CROWN OF LOVE

THE HEAD OF BRAN THE BLEST

I

II

III

IV

THE MEETING

THE BEGGAR’S SOLILOQUY

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

PHANTASY

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

THE OLD CHARTIST

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

SONG [163]

TO ALEX. SMITH, THE ‘GLASGOW POET,’ [164] ON HIS SONNET TO ‘FAME’

GRANDFATHER BRIDGEMAN

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

THE PROMISE IN DISTURBANCE

MODERN LOVE

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

XLI

XLII

XLIII

XLIV

XLV

XLVI

XLVII

XLVIII

XLIX

L

THE PATRIOT ENGINEER

CASSANDRA

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

THE YOUNG USURPER

MARGARET’S BRIDAL EVE

I

II

III

IV

MARIAN

I

II

III

UNKNOWN FAIR FACES

SHEMSELNIHAR

A ROAR THROUGH THE TALL TWIN ELM-TREES

WHEN I WOULD IMAGE

THE SPIRIT OF SHAKESPEARE

CONTINUED

ODE TO THE SPIRIT OF EARTH IN AUTUMN

MARTIN’S PUZZLE

I

II

III

IV

V

VI

VII

VIII

IX

X

FOOTNOTES

THE FULL PROJECT GUTENBERG LICENSE