An Incident on Route 12
Date: 2007-06-21T00:00:00+00:00
Keywords: Science fiction; Short stories; Criminals -- Fiction; Human-alien encounters -- Fiction

The Project Gutenberg eBook of An Incident on Route 12

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: An Incident on Route 12

Author: James H. Schmitz

Release date: June 21, 2007 [eBook #21897]

Language: English

Other information and formats: www.gutenberg.org/ebooks/21897

Credits: E-text prepared by Robert Cicconetti, Susan Carr, and the Project Gutenberg Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK AN INCIDENT ON ROUTE 12 ***

E-text prepared by Robert Cicconetti, Susan Carr,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net)

An Incident On Route 12

By James H. Schmitz

He was already a thief, prepared to steal again. He didn't know that he himself was only booty!

Phil Garfield was thirty miles south of the little town of Redmon on Route Twelve when he was startled by a series of sharp, clanking noises. They came from under the Packard's hood.

The car immediately began to lose speed. Garfield jammed down the accelerator, had a sense of sick helplessness at the complete lack of response from the motor. The Packard rolled on, getting rid of its momentum, and came to a stop.

Phil Garfield swore shakily. He checked his watch, switched off the headlights and climbed out into the dark road. A delay of even half an hour here might be disastrous. It was past midnight, and he had another hundred and ten miles to cover to reach the small private airfield where Madge waited for him and the thirty thousand dollars in the suitcase on the Packard's front seat.

If he didn't make it before daylight....

He thought of the bank guard. The man had made a clumsy play at being a hero, and that had set off the fool woman who'd run screaming into their line of fire. One dead. Perhaps two. Garfield hadn't stopped to look at an evening paper.

But he knew they were hunting for him.

He glanced up and down the road. No other headlights in sight at the moment, no light from a building showing on the forested hills. He reached back into the car and brought out the suitcase, his gun, a big flashlight and the box of shells which had been standing beside the suitcase. He broke the box open, shoved a handful of shells and the .38 into his coat pocket, then took suitcase and flashlight over to the shoulder of the road and set them down.

There was no point in groping about under the Packard's hood. When it came to mechanics, Phil Garfield was a moron and well aware of it. The car was useless to him now ... except as bait.

But as bait it might be very useful.

Should he leave it standing where it was? No, Garfield decided. To anybody driving past it would merely suggest a necking party, or a drunk sleeping off his load before continuing home. He might have to wait an hour or more before someone decided to stop. He didn't have the time. He reached in through the window, hauled the top of the steering wheel towards him and put his weight against the rear window frame.

The Packard began to move slowly backwards at a slant across the road. In a minute or two he had it in position. Not blocking the road entirely, which would arouse immediate suspicion, but angled across it, lights out, empty, both front doors open and inviting a passerby's investigation.

Garfield carried the suitcase and flashlight across the right-hand shoulder of the road and moved up among the trees and undergrowth of the slope above the shoulder. Placing the suitcase between the bushes, he brought out the .38, clicked the safety off and stood waiting.

Some ten minutes later, a set of headlights appeared speeding up Route Twelve from the direction of Redmon. Phil Garfield went down on one knee before he came within range of the lights. Now he was completely concealed by the vegetation.

The car slowed as it approached, braking nearly to a stop sixty feet from the stalled Packard. There were several people inside it; Garfield heard voices, then a woman's loud laugh. The driver tapped his horn inquiringly twice, moved the car slowly forward. As the headlights went past him, Garfield got to his feet among the bushes, took a step down towards the road, raising the gun.

Then he caught the distant gleam of a second set of headlights approaching from Redmon. He swore under his breath and dropped back out of sight. The car below him reached the Packard, edged cautiously around it, rolled on with a sudden roar of acceleration.

The second car stopped when still a hundred yards away, the Packard caught in the motionless glare of its lights. Garfield heard the steady purring of a powerful motor.

For almost a minute, nothing else happened. Then the car came gliding smoothly on, stopped again no more than thirty feet to Garfield's left. He could see it now through the screening bushes—a big job, a long, low four-door sedan. The motor continued to purr. After a moment, a door on the far side of the car opened and slammed shut.

A man walked quickly out into the beam of the headlights and started towards the Packard.

Phil Garfield rose from his crouching position, the .38 in his right hand, flashlight in his left. If the driver was alone, the thing was now cinched! But if there was somebody else in the car, somebody capable of fast, decisive action, a slip in the next ten seconds might cost him the sedan, and quite probably his freedom and life. Garfield lined up the .38's sights steadily on the center of the approaching man's head. He let his breath out slowly as the fellow came level with him in the road and squeezed off one shot.

Instantly he went bounding down the slope to the road. The bullet had flung the man sideways to the pavement. Garfield darted past him to the left, crossed the beam of the headlights, and was in darkness again on the far side of the road, snapping on his flashlight as he sprinted up to the car.

The motor hummed quietly on. The flashlight showed the seats empty. Garfield dropped the light, jerked both doors open in turn, gun pointing into the car's interior. Then he stood still for a moment, weak and almost dizzy with relief.

There was no one inside. The sedan was his.

The man he had shot through the head lay face down on the road, his hat flung a dozen feet away from him. Route Twelve still stretched out in dark silence to east and west. There should be time enough to clean up the job before anyone else came along. Garfield brought the suitcase down and put it on the front seat of the sedan, then started back to get his victim off the road and out of sight. He scaled the man's hat into the bushes, bent down, grasped the ankles and started to haul him towards the left side of the road where the ground dropped off sharply beyond the shoulder.

The body made a high, squealing sound and began to writhe violently.

Shocked, Garfield dropped the legs and hurriedly took the gun from his pocket, moving back a step. The squealing noise rose in intensity as the wounded man quickly flopped over twice like a struggling fish, arms and legs sawing about with startling energy. Garfield clicked off the safety, pumped three shots into his victim's back.

The grisly squeals ended abruptly. The body continued to jerk for another second or two, then lay still.

Garfield shoved the gun back into his pocket. The unexpected interruption had unnerved him; his hands shook as he reached down again for the stranger's ankles. Then he jerked his hands back, and straightened up, staring.

From the side of the man's chest, a few inches below the right arm, something like a thick black stick, three feet long, protruded now through the material of the coat.

It shone, gleaming wetly, in the light from the car. Even in that first uncomprehending instant, something in its appearance brought a surge of sick disgust to Garfield's throat. Then the stick bent slowly halfway down its length, forming a sharp angle, and its tip opened into what could have been three blunt, black claws which scrabbled clumsily against the pavement. Very faintly, the squealing began again, and the body's back arched up as if another sticklike arm were pushing desperately against the ground beneath it.

Garfield acted in a blur of horror. He emptied the .38 into the thing at his feet almost without realizing he was doing it. Then, dropping the gun, he seized one of the ankles, ran backwards to the shoulder of the road, dragging the body behind him.

In the darkness at the edge of the shoulder, he let go of it, stepped around to the other side and with two frantically savage kicks sent the body plunging over the shoulder and down the steep slope beyond. He heard it crash through the bushes for some seconds, then stop. He turned, and ran back to the sedan, scooping up his gun as he went past. He scrambled into the driver's seat and slammed the door shut behind him.

His hands shook violently on the steering wheel as he pressed down the accelerator. The motor roared into life and the big car surged forward. He edged it past the Packard, cursing aloud in horrified shock, jammed down the accelerator and went flashing up Route Twelve, darkness racing beside and behind him.

What had it been? Something that wore what seemed to be a man's body like a suit of clothes, moving the body as a man moves, driving a man's car ... roach-armed, roach-legged itself!

Garfield drew a long, shuddering breath. Then, as he slowed for a curve, there was a spark of reddish light in the rear-view mirror.

He stared at the spark for an instant, braked the car to a stop, rolled down the window and looked back.

Far behind him along Route Twelve, a fire burned. Approximately at the point where the Packard had stalled out, where something had gone rolling off the road into the bushes....

Something, Garfield added mentally, that found fiery automatic destruction when death came to it, so that its secrets would remain unrevealed.

But for him the fire meant the end of a nightmare. He rolled the window up, took out a cigarette, lit it, and pressed the accelerator....

In incredulous fright, he felt the nose of the car tilt upwards, headlights sweeping up from the road into the trees.

Then the headlights winked out. Beyond the windshield, dark tree branches floated down towards him, the night sky beyond. He reached frantically for the door handle.

A steel wrench clamped silently about each of his arms, drawing them in against his sides, immobilizing them there. Garfield gasped, looked up at the mirror and saw a pair of faintly gleaming red eyes watching him from the rear of the car. Two of the things ... the second one stood behind him out of sight, holding him. They'd been in what had seemed to be the trunk compartment. And they had come out.

The eyes in the mirror vanished. A moist, black roach-arm reached over the back of the seat beside Garfield, picked up the cigarette he had dropped, extinguished it with rather horribly human motions, then took up Garfield's gun and drew back out of sight.

He expected a shot, but none came.

One doesn't fire a bullet through the suit one intends to wear....

It wasn't until that thought occurred to him that tough Phil Garfield began to scream. He was still screaming minutes later when, beyond the windshield, the spaceship floated into view among the stars.

End

Transcriber's Note

This etext was produced from Worlds of If January 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

*** END OF THE PROJECT GUTENBERG EBOOK AN INCIDENT ON ROUTE 12 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- An Incident On Route 12
- End
- THE FULL PROJECT GUTENBERG™ LICENSE