The Project Gutenberg eBook of Poems, by Sir Henry John Newbolt

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: Poems

Subtitle: New and Old

Author: Sir Henry John Newbolt

Release Date: January 22, 2008 [EBook #24405]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK ***

Produced by Al Haines

[Transcriber's note: Page numbers in this book are indicated by numbers enclosed in curly braces, e.g. {99}. They have been located where page breaks occurred in the original book, in accordance with Project Gutenberg's FAQ-V-99.]

POEMS: NEW AND OLD

BY HENRY NEWBOLT

LONDON

JOHN MURRAY, ALBEMARLE STREET, W.

1912

TO

ADMIRAL SIR REGINALD CUSTANCE

{vi}

AUTHOR'S NOTE

This volume forms a complete collection of all my published work in verse from 1897 to 1912. It includes the contents of four previous volumes: Admirals All (1897), The Island Race (1898), The Sailing of the Long-Ships (1902), and Songs of Memory and Hope (1909), together with a number of pieces added to the later editions of the first two of these, and ten poems which have not hitherto appeared in book form—namely, Sailing at Dawn, The Song of the Sou' Wester, The Middle Watch, The Little Admiral, The Song of the Guns at Sea, Farewell, Mors Janua, Gold, The Faun, and Rilloby-Rill.

The volumes above mentioned were dedicated respectively to ANDREW LANG, to ROBERT BRIDGES, to SIR EDWARD GREY, and to LAURENCE BINYON; and I delight to repeat these names once more, in a volume which commemorates also the inspiration of a later friendship.

H. N.

{vii}

CONTENTS

PAGE

SONGS OF THE FLEET: I. SAILING AT DAWN . . . . . . . . . . . . . 1 II. THE SONG OF THE SOU' WESTER . . . . . . . 3 III. THE MIDDLE WATCH . . . . . . . . . . . . . 5 IV. THE LITTLE ADMIRAL . . . . . . . . . . . . 7 V. THE SONG OF THE GUNS AT SEA . . . . . . . 9 VI. FAREWELL . . . . . . . . . . . . . . . . . 11 ODE FOR TRAFALGAR DAY, 1905 . . . . . . . . . . 12 THE HUNDREDTH YEAR . . . . . . . . . . . . . . . 14 DRAKE'S DRUM . . . . . . . . . . . . . . . . . . 16 THE FIGHTING TÉMÉRAIRE . . . . . . . . . . . . . 18 ADMIRALS ALL . . . . . . . . . . . . . . . . . . 20 SAN STEFANO . . . . . . . . . . . . . . . . . . 23 HAWKE . . . . . . . . . . . . . . . . . . . . . 26 THE BRIGHT "MEDUSA" . . . . . . . . . . . . . . 28 THE OLD "SUPERB" . . . . . . . . . . . . . . . . 30 THE QUARTER-GUNNER'S YARN . . . . . . . . . . . 32 NORTHUMBERLAND . . . . . . . . . . . . . . . . . 35 FOR A TRAFALGAR CENOTAPH . . . . . . . . . . . . 37 CRAVEN . . . . . . . . . . . . . . . . . . . . . 38 MESSMATES . . . . . . . . . . . . . . . . . . . 40 THE DEATH OF ADMIRAL BLAKE . . . . . . . . . . . 42

{viii}

PAGE

VAE VICTIS . . . . . . . . . . . . . . . . . . . 45 MINORA SIDERA . . . . . . . . . . . . . . . . . 48 LAUDABUNT ALII . . . . . . . . . . . . . . . . . 50 ADMIRAL DEATH . . . . . . . . . . . . . . . . . 52 HOMEWARD BOUND . . . . . . . . . . . . . . . . . 54 GILLESPIE . . . . . . . . . . . . . . . . . . . 55 SERINGAPATAM . . . . . . . . . . . . . . . . . . 58 A BALLAD OF JOHN NICHOLSON . . . . . . . . . . . 61 THE GUIDES AT CABUL, 1879 . . . . . . . . . . . 65 THE GAY GORDONS . . . . . . . . . . . . . . . . 67 HE FELL AMONG THIEVES . . . . . . . . . . . . . 69 IONICUS . . . . . . . . . . . . . . . . . . . . 72 THE NON-COMBATANT . . . . . . . . . . . . . . . 74 SACRAMENTUM SUPREMUM . . . . . . . . . . . . . . 75 CLIFTON CHAPEL . . . . . . . . . . . . . . . . . 76 VITAÏ LAMPADA . . . . . . . . . . . . . . . . . 78 THE VIGIL . . . . . . . . . . . . . . . . . . . 80 THE SAILING OF THE LONG-SHIPS . . . . . . . . . 82 WAGGON HILL . . . . . . . . . . . . . . . . . . 84 THE VOLUNTEER . . . . . . . . . . . . . . . . . 86 THE ONLY SON . . . . . . . . . . . . . . . . . . 87 THE GRENADIER'S GOOD-BYE . . . . . . . . . . . . 88 THE SCHOOLFELLOW . . . . . . . . . . . . . . . . 89 ON SPION KOP . . . . . . . . . . . . . . . . . . 90 THE SCHOOL AT WAR . . . . . . . . . . . . . . . 91 BY THE HEARTH-STONE . . . . . . . . . . . . . . 93 PEACE . . . . . . . . . . . . . . . . . . . . . 94 APRIL ON WAGGON HILL . . . . . . . . . . . . . . 95 COMMEMORATION . . . . . . . . . . . . . . . . . 97

{ix}

PAGE

THE ECHO . . . . . . . . . . . . . . . . . . . . 99 THE BEST SCHOOL OF ALL . . . . . . . . . . . . . 101 ENGLAND . . . . . . . . . . . . . . . . . . . . 103 VICTORIA REGINA . . . . . . . . . . . . . . . . 104 THE KING OF ENGLAND . . . . . . . . . . . . . . 105 THE NILE . . . . . . . . . . . . . . . . . . . . 107 SRÁHMANDÁZI . . . . . . . . . . . . . . . . . . 110 OUTWARD BOUND . . . . . . . . . . . . . . . . . 113 HOPE THE HORNBLOWER . . . . . . . . . . . . . . 114 O PULCHRITUDO . . . . . . . . . . . . . . . . . 116 THE FINAL MYSTERY . . . . . . . . . . . . . . . 117 IL SANTO . . . . . . . . . . . . . . . . . . . . 121 IN JULY . . . . . . . . . . . . . . . . . . . . 122 FROM GENERATION TO GENERATION . . . . . . . . . 123 WHEN I REMEMBER . . . . . . . . . . . . . . . . 124 MORS JANUA . . . . . . . . . . . . . . . . . . . 125 RONDEL . . . . . . . . . . . . . . . . . . . . . 126 RONDEL . . . . . . . . . . . . . . . . . . . . . 127 BALADE . . . . . . . . . . . . . . . . . . . . . 128 THE LAST WORD . . . . . . . . . . . . . . . . . 131 THE VIKING'S SONG . . . . . . . . . . . . . . . 132 THE SUFI IN THE CITY . . . . . . . . . . . . . . 134 TO EDWARD FITZGERALD . . . . . . . . . . . . . . 135 YATTENDON . . . . . . . . . . . . . . . . . . . 136 DEVON . . . . . . . . . . . . . . . . . . . . . 137 AMONG THE TOMBS . . . . . . . . . . . . . . . . 138 GOLD . . . . . . . . . . . . . . . . . . . . . . 139 A SOWER . . . . . . . . . . . . . . . . . . . . 140 THE MOSSROSE . . . . . . . . . . . . . . . . . . 141

{x}

PAGE

AVE, SOROR . . . . . . . . . . . . . . . . . . . 143 TO A RIVER IN THE SOUTH . . . . . . . . . . . . 144 ON THE DEATH OF A NOBLE LADY . . . . . . . . . . 145 MIDWAY . . . . . . . . . . . . . . . . . . . . . 146 AD MATREM DOLOROSAM . . . . . . . . . . . . . . 147 VRAIS AMANTS . . . . . . . . . . . . . . . . . . 148 THE SANGREAL . . . . . . . . . . . . . . . . . . 149 SIR HUGH THE PALMER . . . . . . . . . . . . . . 150 THE PRESENTATION . . . . . . . . . . . . . . . . 153 THE INHERITANCE . . . . . . . . . . . . . . . . 154 AMORE ALTIERO . . . . . . . . . . . . . . . . . 156 THE PEDLAR'S SONG . . . . . . . . . . . . . . . 158 BENEDICK'S SONG . . . . . . . . . . . . . . . . 159 LOVE AND GRIEF . . . . . . . . . . . . . . . . . 160 EGERIA'S SILENCE . . . . . . . . . . . . . . . . 161 AGAINST OBLIVION . . . . . . . . . . . . . . . . 162 FOND COUNSEL . . . . . . . . . . . . . . . . . . 163 YOUTH . . . . . . . . . . . . . . . . . . . . . 164 THE WANDERER . . . . . . . . . . . . . . . . . . 165 THE ADVENTURERS . . . . . . . . . . . . . . . . 166 TO CLARE . . . . . . . . . . . . . . . . . . . . 168 THE RETURN OF SUMMER: AN ECLOGUE . . . . . . . . 169 DREAM-MARKET . . . . . . . . . . . . . . . . . . 173 THE CICALAS: AN IDYLL . . . . . . . . . . . . . 180 THE FAUN . . . . . . . . . . . . . . . . . . . . 186 FIDELE'S GRASSY TOMB . . . . . . . . . . . . . . 189 MOONSET . . . . . . . . . . . . . . . . . . . . 192 A SONG OF EXMOOR . . . . . . . . . . . . . . . . 194 MASTER AND MAN . . . . . . . . . . . . . . . . . 196

{xi}

PAGE

GAVOTTE . . . . . . . . . . . . . . . . . . . 198 IMOGEN . . . . . . . . . . . . . . . . . . . . 199 NEL MEZZO DEL CAMMÌN . . . . . . . . . . . . . 201 THE INVASION . . . . . . . . . . . . . . . . . 202 RILLOBY-RILL . . . . . . . . . . . . . . . . . 204 PEREUNT ET IMPUTANTUR . . . . . . . . . . . . 206 FELIX ANTONIUS . . . . . . . . . . . . . . . . 208 IRELAND, IRELAND . . . . . . . . . . . . . . . 209 HYMN . . . . . . . . . . . . . . . . . . . . . 210 THE BUILDING OF THE TEMPLE . . . . . . . . . . 212 EPISTLE . . . . . . . . . . . . . . . . . . . 216 AN ESSAY ON CRITICISM . . . . . . . . . . . . 220 LE BYRON DE NOS JOURS . . . . . . . . . . . . 225 NOTES . . . . . . . . . . . . . . . . . . . . 231

O strength divine of Roman days,

O spirit of the age of faith,

Go with our sons on all their ways,

When we long since are dust and wraith.

{1}

POEMS: NEW AND OLD

Songs of the Fleet

I

Sailing at Dawn

One by one the pale stars die before the day now,

One by one the great ships are stirring from their sleep,

Cables all are rumbling, anchors all a-weigh now,

Now the fleet's a fleet again, gliding towards the deep.

Now the fleet's a fleet again, bound upon the old ways,

Splendour of the past comes shining in the spray;

Admirals of old time, bring us on the bold ways!

Souls of all the sea-dogs, lead the line to-day!

Far away behind us town and tower are dwindling,

Home becomes a fair dream faded long ago;

Infinitely glorious the height of heaven is kindling,

Infinitely desolate the shoreless sea below.

Now the fleet's a fleet again, bound upon the old ways,

Splendour of the past comes shining in the spray;

Admirals of old time, bring us on the bold ways!

Souls of all the sea-dogs, lead the line to-day!

{2}

Once again with proud hearts we make the old surrender,

Once again with high hearts serve the age to be,

Not for us the warm life of Earth, secure and tender,

Ours the eternal wandering and warfare of the sea.

Now the fleet's a fleet again, bound upon the old ways,

Splendour of the past comes shining in the spray;

Admirals of old time, bring us on the bold ways!

Souls of all the sea-dogs, lead the line to-day!

{3}

II

The Song of the Sou' Wester

The sun was lost in a leaden sky,

And the shore lay under our lee;

When a great Sou' Wester hurricane high

Came rollicking up the sea.

He played with the fleet as a boy with boats

Till out for the Downs we ran,

And he laugh'd with the roar of a thousand throats

At the militant ways of man:

Oh! I am the enemy most of might,

The other be who you please!

Gunner and guns may all be right,

Flags a-flying and armour tight,

But I am the fellow you've first to fight—

The giant that swings the seas.

A dozen of middies were down below

Chasing the X they love,

While the table curtseyed long and slow

And the lamps were giddy above.

{4}

The lesson was all of a ship and a shot,

And some of it may have been true,

But the word they heard and never forgot

Was the word of the wind that blew:

Oh! I am the enemy most of might,

The other be who you please!

Gunner and guns may all be right,

Flags a-flying and armour tight,

But I am the fellow you've first to fight—

The giant that swings the seas.

The Middy with luck is a Captain soon,

With luck he may hear one day

His own big guns a-humming the tune

"'Twas in Trafalgar's Bay."

But wherever he goes, with friends or foes,

And whatever may there befall,

He'll hear for ever a voice he knows

For ever defying them all:

Oh! I am the enemy most of might,

The other be who you please!

Gunner and guns may all be right,

Flags a-flying and armour tight,

But I am the fellow you've first to fight—

The giant that swings the seas.

{5}

III

The Middle Watch

In a blue dusk the ship astern

Uplifts her slender spars,

With golden lights that seem to burn

Among the silver stars.

Like fleets along a cloudy shore

The constellations creep,

Like planets on the ocean floor

Our silent course we keep.

And over the endless plain,

Out of the night forlorn

Rises a faint refrain,

A song of the day to be born—

Watch, oh watch till ye find again

Life and the land of morn.

From a dim West to a dark East

Our lines unwavering head,

As if their motion long had ceased

And Time itself were dead.

{6}

Vainly we watch the deep below,

Vainly the void above,

They died a thousand years ago—

Life and the land we love.

But over the endless plain,

Out of the night forlorn

Rises a faint refrain,

A song of the day to be born—

Watch, oh watch till ye find again

Life and the land of morn.

{7}

IV

The Little Admiral

Stand by to reckon up your battleships

Ten, twenty, thirty, there they go.

Brag about your cruisers like Leviathans—

A thousand men a-piece down below.

But here's just one little Admiral

We're all of us his brothers and his sons,

And he's worth, O he's worth at the very least

Double all your tons and all your guns.

Stand by, etc.

See them on the forebridge signalling—

A score of men a-hauling hand to hand,

And the whole fleet flying like the wild geese

Moved by some mysterious command.

Where's the mighty will that shows the way to them,

The mind that sees ahead so quick and clear?

He's there, Sir, walking all alone there—

The little man whose voice you never hear.

Stand by, etc.

{8}

There are queer things that only come to sailormen;

They're true, but they're never understood;

And I know one thing about the Admiral,

That I can't tell rightly as I should.

I've been with him when hope sank under us—

He hardly seemed a mortal like the rest,

I could swear that he had stars upon his uniform,

And one sleeve pinned across his breast.

Stand by, etc.

Some day we're bound to sight the enemy,

He's coming, tho' he hasn't yet a name.

Keel to keel and gun to gun he'll challenge us

To meet him at the Great Armada game.

None knows what may be the end of it,

But we'll all give our bodies and our souls

To see the little Admiral a-playing him

A rubber of the old Long Bowls!

Stand by, etc.

{9}

V

The Song of the Guns at Sea

Oh hear! Oh hear!

Across the sullen tide

Across the echoing dome horizon-wide

What pulse of fear

Beats with tremendous boom!

What call of instant doom,

With thunderstroke of terror and of pride,

With urgency that may not be denied,

Reverberates upon the heart's own drum

Come! . . . Come! . . . for thou must come!

Come forth, O Soul!

This is thy day of power.

This is the day and this the glorious hour

That was the goal

Of thy self-conquering strife.

The love of child and wife,

The fields of Earth and the wide ways of Thought—

Did not thy purpose count them all as nought

That in this moment thou thyself mayst give

And in thy country's life for ever live?

{10}

Therefore rejoice

That in thy passionate prime

Youth's nobler hope disdained the spoils of Time

And thine own choice

Fore-earned for thee this day.

Rejoice! rejoice to obey

In the great hour of life that men call Death

The beat that bids thee draw heroic breath,

Deep-throbbing till thy mortal heart be dumb

Come! . . . Come! . . . the time is come!

{11}

VI

Farewell

Mother, with unbowed head

Hear thou across the sea

The farewell of the dead,

The dead who died for thee.

Greet them again with tender words and grave,

For, saving thee, themselves they could not save.

To keep the house unharmed

Their fathers built so fair,

Deeming endurance armed

Better than brute despair,

They found the secret of the word that saith,

"Service is sweet, for all true life is death."

So greet thou well thy dead

Across the homeless sea,

And be thou comforted

Because they died for thee.

Far off they served, but now their deed is done

For evermore their life and thine are one.

{12}

Ode for Trafalgar Day, 1905

"Partial firing continued until 4.30, when a victory having been

reported to the Right Honourable Lord Viscount Nelson, K.B., and

Commander-in-Chief, he then died of his wound."—Log of the Victory,

October 21, 1805.

England! to-day let fire be in thine eyes

And in thy heart the throb of leaping guns;

Crown in thy streets the deed that never dies,

And tell their fathers' fame to all thy sons!

Behold! behold! on that unchanging sea

Where day behind Trafalgar rises pale,

How dread the storm to be

Drifts up with ominous breath

Cloud after towering cloud of billowy sail

Full charged with thunder and the bolts of death.

Yet when the noon is past, and thy delight,

More delicate for these good hundred years,

Has drunk the splendour and the sound of fight

And the sweet sting of long-since vanished fears,

Then, England, come thou down with sterner lips

From the bright world of thy substantial power,

Forget thy seas, thy ships,

And that wide echoing dome

To watch the soul of man in his dark hour

Redeeming yet his dear lost land of home.

{13}

What place is this? What under-world of pain

All shadow-barred with glare of swinging fires?

What writhing phantoms of the newly slain?

What cries? What thirst consuming all desires?

This is the field of battle: not for life,

Not for the deeper life that dwells in love,

Not for the savour of strife

Or the far call of fame,

Not for all these the fight: all these above

The soul of this man cherished Duty's name.

His steadfast hope from self has turned away,

For the Cause only must he still contend:

"How goes the day with us? How goes the day?"

He craves not victory, but to make an end.

Therefore not yet thine hour, O Death: but when

The weapons forged against his country's peace

Lie broken round him—then

Give him the kiss supreme;

Then let the tumult of his warfare cease

And the last dawn dispel his anguished dream.

{14}

The Hundredth Year

"Drake, and Blake, and Nelson's mighty name."

The stars were faint in heaven

That saw the Old Year die,

The dream-white mist of Devon

Shut in the seaward sky:

Before the dawn's unveiling

I heard three voices hailing,

I saw three ships come sailing

With lanterns gleaming high.

The first he cried defiance—

A full-mouthed voice and bold—

"On God be our reliance,

Our hope the Spaniard's gold!

With a still, stern ambuscado,

With a roaring escalado,

We'll sack their Eldorado

And storm their dungeon hold!"

Then slowly spake the second—

A great sad voice and deep—

"When all your gold is reckoned,

There is but this to keep:

{15}

To stay the foe from fooling,

To learn the heathen schooling,

To live and die sea-ruling,

And home at last to sleep."

But the third matched in beauty

The dawn that flushed afar;

"O sons of England, Duty

Is England's morning star:

Then Fame's eternal splendour

Be theirs who well defend her,

And theirs who fain would bend her

The night of Trafalgar!"

{16}

Drake's Drum

Drake he's in his hammock an' a thousand mile away,

(Capten, art tha sleepin' there below?),

Slung atween the round shot in Nombre Dios Bay,

An' dreamin' arl the time o' Plymouth Hoe.

Yarnder lumes the Island, yarnder lie the ships,

Wi' sailor lads a dancin' heel-an'-toe,

An' the shore-lights flashin', an' the night-tide dashin',

He sees et arl so plainly as he saw et long ago.

Drake he was a Devon man, an' ruled the Devon seas,

(Capten, art tha sleepin' there below?),

Rovin' tho' his death fell, he went wi' heart at ease,

An' dreamin' arl the time o' Plymouth Hoe.

"Take my drum to England, hang et by the shore,

Strike et when your powder's runnin' low;

If the Dons sight Devon, I'll quit the port o' Heaven,

An' drum them up the Channel as we drummed them long ago."

Drake he's in his hammock till the great Armadas come,

(Capten, art tha sleepin' there below?),

Slung atween the round shot, listenin' for the drum,

An' dreamin' arl the time o' Plymouth Hoe.

{17}

Call him on the deep sea, call him up the Sound,

Call him when ye sail to meet the foe;

Where the old trade's plyin' an' the old flag flyin'

They shall find him ware an' wakin', as they found him long ago!

{18}

The Fighting Téméraire

It was eight bells ringing,

For the morning watch was done,

And the gunner's lads were singing

As they polished every gun.

It was eight bells ringing,

And the gunner's lads were singing,

For the ship she rode a-swinging

As they polished every gun.

Oh! til see the linstock lighting,

Téméraire! Téméraire!

Oh! to hear the round shot biting,

Téméraire! Téméraire!

Oh! to see the linstock lighting,

And to hear the round shot biting,

For we're all in love with fighting

On the Fighting Téméraire.

It was noontide ringing,

And the battle just begun,

When the ship her way was winging

As they loaded every gun.

{19}

It was noontide ringing,

When the ship her way was winging,

And the gunner's lads were singing

As they loaded every gun.

There'll be many grim and gory,

Téméraire! Téméraire!

There'll be few to tell the story,

Téméraire! Téméraire!

There'll be many grim and gory,

There'll be few to tell the story,

But we'll all be one in glory

With the fighting Téméraire.

There's a far bell ringing

At the setting of the sun,

And a phantom voice is singing

Of the great days done.

There's a far bell ringing,

And a phantom voice is singing

Of renown for ever clinging

To the great days done.

Now the sunset breezes shiver,

Téméraire! Téméraire!

And she's fading down the river,

Téméraire! Téméraire!

Now the sunset breezes shiver,

And she's fading down the river,

But in England's song for ever

She's the Fighting Téméraire.

{20}

Admirals All

Effingham, Grenville, Raleigh, Drake,

Here's to the bold and free!

Benbow, Collingwood, Byron, Blake,

Hail to the Kings of the Sea!

Admirals all, for England's sake,

Honour be yours and fame!

And honour, as long as waves shall break,

To Nelson's peerless name!

Admirals all, for England's sake,

Honour be yours and fame!

And honour, as long as waves shall break,

To Nelson's peerless name!

Essex was fretting in Cadiz Bay

With the galleons fair in sight;

Howard at last must give him his way,

And the word was passed to fight.

Never was schoolboy gayer than he,

Since holidays first began:

He tossed his bonnet to wind and sea,

And under the guns he ran.

{21}

Drake nor devil nor Spaniard feared,

Their cities he put to the sack;

He singed his Catholic Majesty's beard,

And harried his ships to wrack.

He was playing at Plymouth a rubber of bowls

When the great Armada came;

But he said, "They must wait their turn, good souls,"

And he stooped, and finished the game.

Fifteen sail were the Dutchmen bold,

Duncan he had but two;

But he anchored them fast where the Texel shoaled

And his colours aloft he flew.

"I've taken the depth to a fathom," he cried,

"And I'll sink with a right good will,

For I know when we're all of us under the tide,

My flag will be fluttering still."

Splinters were flying above, below,

When Nelson sailed the Sound:

"Mark you, I wouldn't be elsewhere now,"

Said he, "for a thousand pound!"

The Admiral's signal bade him fly,

But he wickedly wagged his head,

He clapped the glass to his sightless eye

And "I'm damned if I see it," he said.

Admirals all, they said their say

(The echoes are ringing still),

Admirals all, they went their way

To the haven under the hill.

{22}

But they left us a kingdom none can take,

The realm of the circling sea,

To be ruled by the rightful sons of Blake

And the Rodneys yet to be.

Admirals all, for England's sake,

Honour be yours and fame!

And honour, as long as waves shall break,

To Nelson's peerless name!

{23}

San Stefano

(A BALLAD OF THE BOLD MENELAUS)

It was morning at St. Helen's, in the great and gallant days,

And the sea beneath the sun glittered wide,

When the frigate set her courses, all a-shimmer in the haze,

And she hauled her cable home and took the tide.

She'd a right fighting company, three hundred men and more,

Nine and forty guns in tackle running free;

And they cheered her from the shore for her colours at the fore,

When the bold Menelaus put to sea.

_She'd a right fighting company, three hundred men and more

Nine and forty guns in tackle running free;

And they cheered her from the shore for her colours at the fire,

When the bold Menelaus put to sea._

She was clear of Monte Cristo, she was heading for the land,

When she spied a pennant red and white and blue;

They were foemen, and they knew it, and they'd half a league in hand,

But she flung aloft her royals and she flew.

{24}

She was nearer, nearer, nearer, they were caught beyond a doubt,

But they slipped her, into Orbetello Bay,

And the lubbers gave a shout as they paid their cables out,

With the guns grinning round them where they lay.

Now Sir Peter was a captain of a famous fighting race,

Son and grandson of an admiral was he;

And he looked upon the batteries, he looked upon the chase,

And he heard the shout that echoed out to sea.

And he called across the decks, "Ay! the cheering might be late

If they kept it till the Menelaus runs;

Bid the master and his mate heave the lead and lay her straight

For the prize lying yonder by the guns."

When the summer moon was setting, into Orbetello Bay

Came the Menelaus gliding like a ghost;

And her boats were manned in silence, and in silence pulled away,

And in silence every gunner took his post.

With a volley from her broadside the citadel she woke,

And they hammered back like heroes all the night;

But before the morning broke she had vanished through the smoke

With her prize upon her quarter grappled tight.

{25}

It was evening at St. Helen's, in the great and gallant time,

And the sky behind the down was flushing far;

And the flags were all a-flutter, and the bells were all a-chime,

When the frigate cast her anchor off the bar.

She'd a right fighting company, three hundred men and more,

Nine and forty guns in tackle running free;

And they cheered her from the shore for her colours at the fore,

When the bold Menelaus came from sea.

_She'd a right fighting company, three hundred men and more,

Nine and forty guns in tackle running free;

And they cheered her from the shore for her colours at the fore,

When the bold Menelaus came from sea._

{26}

Hawke

In seventeen hundred and fifty nine,

When Hawke came swooping from the West,

The French King's Admiral with twenty of the line,

Was sailing forth, to sack us, out of Brest.

The ports of France were crowded, the quays of France a-hum

With thirty thousand soldiers marching to the drum,

For bragging time was over and fighting time was come

When Hawke came swooping from the West.

'Twas long past noon of a wild November day

When Hawke came swooping from the West;

He heard the breakers thundering in Quiberon Bay

But he flew the flag for battle, line abreast.

Down upon the quicksands roaring out of sight

Fiercely beat the storm-wind, darkly fell the night,

But they took the foe for pilot and the cannon's glare for light

When Hawke came swooping from the West.

The Frenchmen turned like a covey down the wind

When Hawke came swooping from the West;

One he sank with all hands, one he caught and pinned,

And the shallows and the storm took the rest.

{27}

The guns that should have conquered us they rusted on the shore,

The men that would have mastered us they drummed and marched no more,

For England was England, and a mighty brood she bore

When Hawke came swooping from the West.

{28}

The Bright Medusa

(1807)

She's the daughter of the breeze,

She's the darling of the seas,

And we call her, if you please, the bright Medu—sa;

From beneath her bosom bare

To the snakes among her hair

She's a flash o' golden light, the bright Medu—sa.

When the ensign dips above

And the guns are all for love,

She's as gentle as a dove, the bright Medu—sa;

But when the shot's in rack

And her forestay flies the Jack,

He's a merry man would slight the bright Medu—sa.

When she got the word to go

Up to Monte Video,

There she found the river low, the bright Medu—sa;

So she tumbled out her guns

And a hundred of her sons,

And she taught the Dons to fight the bright Medu—sa.

{29}

When the foeman can be found

With the pluck to cross her ground,

First she walks him round and round, the bright Medu—sa;

Then she rakes him fore and aft

Till he's just a jolly raft,

And she grabs him like a kite, the bright Medu—sa.

She's the daughter of the breeze,

She's the darling of the seas,

And you'll call her, if you please, the bright Medu—sa;

For till England's sun be set—

And it's not for setting yet—

She shall bear her name by right, the bright Medu—sa.

{30}

_The Old _Suberb__

The wind was rising easterly, the morning sky was blue,

The Straits before us opened wide and free;

We looked towards the Admiral, where high the Peter flew,

And all our hearts were dancing like the sea.

"The French are gone to Martinique with four-and-twenty sail!

The Old Suberb is old and foul and slow,

But the French are gone to Martinique, and Nelson's on the trail,

And where he goes the Old Suberb must go!"

So Westward ho! for Trinidad and Eastward ho! for Spain,

And "Ship ahoy!" a hundred times a day;

Round the world if need be, and round the world again,

With a lame duck lagging all the way!

The Old Suberb was barnacled and green as grass below,

Her sticks were only fit for stirring grog;

The pride of all her midshipmen was silent long ago,

And long ago they ceased to heave the log.

{31}

Four year out from home she was, and ne'er a week in port,

And nothing save the guns aboard her bright;

But Captain Keats he knew the game, and swore to share the sport,

For he never yet came in too late to fight.

So Westward ho! for Trinidad and Eastward ho! for Spain,

And "Ship ahoy!" a hundred times a day;

Round the world if need be, and round the world again,

With a lame duck lagging all the way!

"Now up, my lads!" the Captain cried, "for sure the case were hard

If longest out were first to fall behind.

Aloft, aloft with studding sails, and lash them on the yard,

For night and day the Trades are driving blind!"

So all day long and all day long behind the fleet we crept,

And how we fretted none but Nelson guessed;

But every night the Old Superb she sailed when others slept,

Till we ran the French to earth with all the rest!

Oh, 'twas Westward ho! for Trinidad and Eastward ho! for Spain,

And "Ship ahoy!" a hundred times a day;

Round the world if need be, and round the world again,

With a lame duck lagging all the way!

{32}

The Quarter-Gunner's Yarn

We lay at St. Helen's, and easy she rode

With one anchor catted and fresh-water stowed;

When the barge came alongside like bullocks we roared,

For we knew what we carried with Nelson aboard.

Our Captain was Hardy, the pride of us all,

I'll ask for none better when danger shall call;

He was hardy by nature and Hardy by name,

And soon by his conduct to honour he came.

The third day the Lizard was under our lee,

Where the Ajax and Thunderer joined us at sea,

But what with foul weather and tacking about,

When we sighted the Fleet we were thirteen days out.

The Captains they all came aboard quick enough,

But the news that they brought was as heavy as duff;

So backward an enemy never was seen,

They were harder to come at than Cheeks the Marine.

The lubbers had hare's lugs where seamen have ears,

So we stowed all saluting and smothered our cheers,

And to humour their stomachs and tempt them to dine,

In the offing we showed them but six of the line.

{33}

One morning the topmen reported below

The old Agamemnon escaped from the foe.

Says Nelson: "My lads, there'll be honour for some,

For we're sure of a battle now Berry has come."

"Up hammocks!" at last cried the bo'sun at dawn;

The guns were cast loose and the tompions drawn;

The gunner was bustling the shot racks to fill,

And "All hands to quarters!" was piped with a will.

We now saw the enemy bearing ahead,

And to East of them Cape Trafalgar it was said,

'Tis a name we remember from father to son,

That the days of old England may never be done.

The Victory led, to her flag it was due,

Tho' the Téméraires thought themselves Admirals too;

But Lord Nelson he hailed them with masterful grace:

"Cap'n Harvey, I'll thank you to keep in your place."

To begin with we closed the Bucentaure alone,

An eighty-gun ship and their Admiral's own;

We raked her but once, and the rest of the day

Like a hospital hulk on the water she lay.

To our battering next the Redoutable struck,

But her sharpshooters gave us the worst of the luck:

Lord Nelson was wounded, most cruel to tell.

"They've done for me, Hardy!" he cried as he fell.

{34}

To the cockpit in silence they carried him past,

And sad were the looks that were after him cast;

His face with a kerchief he tried to conceal,

But we knew him too well from the truck to the keel.

When the Captain reported a victory won,

"Thank God!" he kept saying, "my duty I've done."

At last came the moment to kiss him good-bye,

And the Captain for once had the salt in his eye.

"Now anchor, dear Hardy," the Admiral cried;

But before we could make it he fainted and died.

All night in the trough of the sea we were tossed,

And for want of ground-tackle good prizes were lost.

Then we hauled down the Hag, at the fore it was red,

And blue at the mizzen was hoisted instead

By Nelson's famed Captain, the pride of each tar,

Who fought in the Victory off Cape Trafalgar.

{35}

Northumberland

"The Old and Bold."

When England sets her banner forth

And bids her armour shine,

She'll not forget the famous North,

The lads of moor and Tyne;

And when the loving-cup's in hand,

And Honour leads the cry,

They know not old Northumberland

Who'll pass her memory by.

When Nelson sailed for Trafalgar

With all his country's best,

He held them dear as brothers are,

But one beyond the rest.

For when the fleet with heroes manned

To clear the decks began,

The boast of old Northumberland

He sent to lead the van.

Himself by Victory's bulwarks stood

And cheered to see the sight;

"That noble fellow Collingwood,

How bold he goes to fight!"

{36}

Love, that the league of Ocean spanned;

Heard him as face to face;

"What would he give, Northumberland;

To share our pride of place?"

The flag that goes the world around

And flaps on every breeze

Has never gladdened fairer ground

Or kinder hearts than these.

So when the loving-cup's in hand

And Honour leads the cry,

They know not old Northumberland

Who'll pass her memory by.

{37}

For a Trafalgar Cenotaph

Lover of England, stand awhile and gaze

With thankful heart, and lips refrained from praise;

They rest beyond the speech of human pride

Who served with Nelson and with Nelson died.

{38}

Craven

(MOBILE BAY, 1864)

Over the turret, shut in his iron-clad tower,

Craven was conning his ship through smoke and flame;

Gun to gun he had battered the fort for an hour,

Now was the time for a charge to end the game.

There lay the narrowing channel, smooth and grim,

A hundred deaths beneath it, and never a sign;

There lay the enemy's ships, and sink or swim

The flag was flying, and he was head of the line.

The fleet behind was jamming; the monitor hung

Beating the stream; the roar for a moment hushed,

Craven spoke to the pilot; slow she swung;

Again he spoke, and right for the foe she rushed.

Into the narrowing channel, between the shore

And the sunk torpedoes lying in treacherous rank;

She turned but a yard too short, a muffled roar,

A mountainous wave, and she rolled, righted, and sank.

{39}

Over the manhole, up in the iron-clad tower,

Pilot and Captain met as they turned to fly:

The hundredth part of a moment seemed an hour,

For one could pass to be saved, and one must die.

They stood like men in a dream: Craven spoke,

Spoke as he lived and fought, with a Captain's pride,

"After you, Pilot:" the pilot woke,

Down the ladder he went, and Craven died.

All men praise the deed and the manner, but we—

We set it apart from the pride that stoops to the proud,

The strength that is supple to serve the strong and free,

The grace of the empty hands and promises loud:

Sidney thirsting a humbler need to slake,

Nelson waiting his turn for the surgeon's hand,

Lucas crushed with chains for a comrade's sake,

Outram coveting right before command,

These were paladins, these were Craven's peers,

These with him shall be crowned in story and song,

Crowned with the glitter of steel and the glimmer of tears,

Princes of courtesy, merciful, proud and strong.

{40}

Messmates

He gave us all a good-bye cheerily

At the first dawn of day;

We dropped him down the side full drearily

When the light died away.

It's a dead dark watch that he's a-keeping there,

And a long, long night that lags a-creeping there,

Where the Trades and the tides roll over him

And the great ships go by.

He's there alone with green seas rocking him

For a thousand miles round;

He's there alone with dumb things mocking him,

And we're homeward bound.

It's a long, lone watch that he's a-keeping there,

And a dead cold night that lags a-creeping there,

While the months and the years roll over him

And the great ships go by.

I wonder if the tramps come near enough

As they thrash to and fro,

And the battle-ships' bells ring clear enough

To be heard down below;

{41}

If through all the lone watch that he's a-keeping there,

And the long, cold night that lags a-creeping there,

The voices of the sailor-men shall comfort him

When the great ships go by.

{42}

The Death of Admiral Blake

(AUGUST 7TH, 1657)

Laden with spoil of the South, fulfilled with the glory

of achievement,

And freshly crowned with never-dying fame,

Sweeping by shores where the names are the names of the

victories of England,

Across the Bay the squadron homeward came.

Proudly they came, but their pride was the pomp of a

funeral at midnight,

When dreader yet the lonely morrow looms;

Few are the words that are spoken, and faces are gaunt

beneath the torchlight

That does but darken more the nodding plumes.

Low on the field of his fame, past hope lay the Admiral

triumphant,

And fain to rest him after all his pain;

Yet for the love that he bore to his own land, ever

unforgotten,

He prayed to see the western hills again.

{43}

Fainter than stars in a sky long gray with the coming of

the daybreak,

Or sounds of night that fade when night is done,

So in the death-dawn faded the splendour and loud

renown of warfare,

And life of all its longings kept but one.

"Oh! to be there for an hour when the shade draws in

beside the hedgerows,

And falling apples wake the drowsy noon:

Oh! for the hour when the elms grow sombre and

human in the twilight,

And gardens dream beneath the rising moon.

"Only to look once more on the land of the memories of childhood,

Forgetting weary winds and barren foam:

Only to bid farewell to the combe and the orchard and

the moorland,

And sleep at last among the fields of home!"

So he was silently praying, till now, when his strength

was ebbing faster,

The Lizard lay before them faintly blue;

Now on the gleaming horizon the white cliffs laughed

along the coast-line,

And now the forelands took the shapes they knew.

{44}

There lay the Sound and the Island with green leaves

down beside the water,

The town, the Hoe, the masts with sunset fired—

Dreams! ay, dreams of the dead! for the great heart

faltered on the threshold,

And darkness took the land his soul desired.

{45}

Vae Victis

Beside the placid sea that mirrored her

With the old glory of dawn that cannot die,

The sleeping city began to moan and stir,

As one that fain from an ill dream would fly;

Yet more she feared the daylight bringing nigh

Such dreams as know not sunrise, soon or late,—

Visions of honour lost and power gone by,

Of loyal valour betrayed by factious hate,

And craven sloth that shrank from the labour of forging fate.

They knew and knew not, this bewildered crowd

That up her streets in silence hurrying passed,

What manner of death should make their anguish loud,

What corpse across the funeral pyre be cast,

For none had spoken it; only, gathering fast

As darkness gathers at noon in the sun's eclipse,

A shadow of doom enfolded them, vague and vast,

And a cry was heard, unfathered of earthly lips,

What of the ships, O Carthage! Carthage, what of the ships?"

{46}

They reached the wall, and nowise strange it seemed

To find the gates unguarded and open wide;

They climbed the shoulder, and meet enough they deemed

The black that shrouded the seaward rampart's side

And veiled in drooping gloom the turrets' pride;

But this was nought, for suddenly down the slope

They saw the harbour, and sense within them died;

Keel nor mast was there, rudder nor rope;

It lay like a sea-hawk's eyry spoiled of life and hope.

Beyond, where dawn was a glittering carpet, rolled

From sky to shore on level and endless seas,

Hardly their eyes discerned in a dazzle of gold

That here in fifties, yonder in twos and threes,

The ships they sought, like a swarm of drowning bees

By a wanton gust on the pool of a mill-dam hurled,

Floated forsaken of life-giving tide and breeze,

Their oars broken, their sails for ever furled,

For ever deserted the bulwarks that guarded the wealth

of the world.

A moment yet, with breathing quickly drawn

And hands agrip, the Carthaginian folk

Stared in the bright untroubled face of dawn,

And strove with vehement heaped denial to choke

Their sure surmise of fate's impending stroke;

{47}

Vainly—for even now beneath their gaze

A thousand delicate spires of distant smoke

Reddened the disc of the sun with a stealthy haze,

And the smouldering grief of a nation burst with the

kindling blaze.

"O dying Carthage!" so their passion raved,

"Would nought but these the conqueror's hate assuage?

If these be taken, how may the land be saved

Whose meat and drink was empire, age by age?"

And bitter memory cursed with idle rage

The greed that coveted gold above renown,

The feeble hearts that feared their heritage,

The hands that cast the sea-kings' sceptre down

And left to alien brows their famed ancestral crown.

The endless noon, the endless evening through,

All other needs forgetting, great or small,

They drank despair with thirst whose torment grew

As the hours died beneath that stifling pall.

At last they saw the fires to blackness fall

One after one, and slowly turned them home,

A little longer yet their own to call

A city enslaved, and wear the bonds of Rome,

With weary hearts foreboding all the woe to come.

{48}

Minora Sidera

(THE DICTIONARY OF NATIONAL BIOGRAPHY)

Sitting at times over a hearth that burns

With dull domestic glow,

My thought, leaving the book, gratefully turns

To you who planned it so.

Not of the great only you deigned to tell—

The stars by which we steer—

But lights out of the night that flashed, and fell

To-night again, are here.

Such as were those, dogs of an elder day,

Who sacked the golden ports,

And those later who dared grapple their prey

Beneath the harbour forts:

Some with flag at the fore, sweeping the world

To find an equal fight,

And some who joined war to their trade, and hurled

Ships of the line in flight.

{49}

Whether their fame centuries long should ring

They cared not over-much,

But cared greatly to serve God and the king,

And keep the Nelson touch;

And fought to build Britain above the tide

Of wars and windy fate;

And passed content, leaving to us the pride

Of lives obscurely great.

{50}

Laudabunt Alii

(AFTER HORACE)

Let others praise, as fancy wills,

Berlin beneath her trees,

Or Rome upon her seven hills,

Or Venice by her seas;

Stamboul by double tides embraced,

Or green Damascus in the waste.

For me there's nought I would not leave

For the good Devon land,

Whose orchards down the echoing cleeve

Bedewed with spray-drift stand,

And hardly bear the red fruit up

That shall be next year's cider-cup.

You too, my friend, may wisely mark

How clear skies follow rain,

And lingering in your own green park

Or drilled on Lafian's Plain,

Forget not with the festal bowl

To soothe at times your weary soul.

{51}

When Drake must bid to Plymouth Hoe

Good-bye for many a day,

And some were sad that feared to go,

And some that dared not stay,

Be sure he bade them broach the best

And raised his tankard with the rest.

"Drake's luck to all that sail with Drake

For promised lands of gold!

Brave lads, whatever storms may break,

We've weathered worse of old!

To-night the loving-cup we'll drain,

To-morrow for the Spanish Main!"

{52}

Admiral Death

Boys, are ye calling a toast to-night?

(Hear what the sea-wind saith)

Fill for a bumper strong and bright,

And here's to Admiral Death!

He's sailed in a hundred builds o' boat,

He's fought in a thousand kinds o' coat,

He's the senior flag of all that float,

And his name's Admiral Death!

Which of you looks for a service free?

(Hear what the sea-wind saith)

The rules o' the service are but three

When ye sail with Admiral Death.

Steady your hand in time o' squalls,

Stand to the last by him that falls,

And answer clear to the voice that calls,

"Ay, ay! Admiral Death!"

How will ye know him among the rest?

(Hear what the sea-wind saith)

By the glint o' the stars that cover his breast

Ye may find Admiral Death.

{53}

By the forehead grim with an ancient scar,

By the voice that rolls like thunder far,

By the tenderest eyes of all that are,

Ye may know Admiral Death.

Where are the lads that sailed before?

(Hear what the sea-wind saith)

Their bones are white by many a shore,

They sleep with Admiral Death.

Oh! but they loved him, young and old,

For he left the laggard, and took the bold,

And the fight was fought, and the story's told,

And they sleep with Admiral Death.

{54}

Homeward Bound

After long labouring in the windy ways,

On smooth and shining tides

Swiftly the great ship glides,

Her storms forgot, her weary watches past;

Northward she glides, and through the enchanted haze

Faint on the verge her far hope dawns at last.

The phantom sky-line of a shadowy down,

Whose pale white cliffs below

Through sunny mist aglow

Like noon-day ghosts of summer moonshine gleam—

Soft as old sorrow, bright as old renown,

There lies the home of all our mortal dream.

{55}

Gillespie

Riding at dawn, riding alone,

Gillespie left the town behind;

Before he turned by the Westward road

A horseman crossed him, staggering blind.

"The Devil's abroad in false Vellore,

The Devil that stabs by night," he said,

"Women and children, rank and file,

Dying and dead, dying and dead."

Without a word, without a groan,

Sudden and swift Gillespie turned,

The blood roared in his ears like fire,

Like fire the road beneath him burned.

He thundered back to Arcot gate,

He thundered up through Arcot town,

Before he thought a second thought

In the barrack yard he lighted down.

"Trumpeter, sound for the Light Dragoons,

Sound to saddle and spur," he said;

"He that is ready may ride with me,

And he that can may ride ahead."

{56}

Fierce and fain, fierce and fain,

Behind him went the troopers grim,

They rode as ride the Light Dragoons

But never a man could ride with him.

Their rowels ripped their horses' sides,

Their hearts were red with a deeper goad,

But ever alone before them all

Gillespie rode, Gillespie rode.

Alone he came to false Vellore,

The walls were lined, the gates were barred;

Alone he walked where the bullets hit,

And called above to the Sergeant's Guard.

"Sergeant, Sergeant, over the gate,

Where are your officers all?" he said;

Heavily came the Sergeant's voice,

"There are two living and forty dead."

"A rope, a rope," Gillespie cried:

They bound their belts to serve his need;

There was not a rebel behind the wall

But laid his barrel and drew his bead.

There was not a rebel among them all

But pulled his trigger and cursed his aim,

For lightly swung and rightly swung

Over the gate Gillespie came.

{57}

He dressed the line, he led the charge,

They swept the wall like a stream in spate,

And roaring over the roar they heard

The galloper guns that burst the gate.

Fierce and fain, fierce and fain,

The troopers rode the reeking flight:

The very stones remember still

The end of them that stab by night.

They've kept the tale a hundred years,

They'll keep the tale a hundred more:

Riding at dawn, riding alone,

Gillespie came to false Vellore.

{58}

Seringapatam

"The sleep that Tippoo Sahib sleeps

Heeds not the cry of man;

The faith that Tippoo Sahib keeps

No judge on earth may scan;

He is the lord of whom ye hold

Spirit and sense and limb,

Fetter and chain are all ye gain

Who dared to plead with him."

Baird was bonny and Baird was young,

His heart was strong as steel,

But life and death in the balance hung,

For his wounds were ill to heal.

"Of fifty chains the Sultan gave

We have filled but forty-nine:

We dare not fail of the perfect tale

For all Golconda's mine."

That was the hour when Lucas first

Leapt to his long renown;

Like summer rains his anger burst,

And swept their scruples down.

{59}

"Tell ye the lord to whom ye crouch,

His fetters bite their fill:

To save your oath I'll wear them both,

And step the lighter still."

The seasons came, the seasons passed,

They watched their fellows die;

But still their thought was forward cast,

Their courage still was high.

Through tortured days and fevered nights

Their limbs alone were weak,

And year by year they kept their cheer,

And spoke as freemen speak.

But once a year, on the fourth of June,

Their speech to silence died,

And the silence beat to a soundless tune

And sang with a wordless pride;

Till when the Indian stars were bright,

And bells at home would ring,

To the fetters clank they rose and drank

"England! God save the King!"

The years came, and the years went,

The wheel full-circle rolled;

The tyrant's neck must yet be bent,

The price of blood be told:

The city yet must hear the roar

Of Baird's avenging guns,

And see him stand with lifted hand

By Tippoo Sahib's sons.

{60}

The lads were bonny, the lads were young,

But he claimed a pitiless debt;

Life and death in the balance hung.

They watched it swing and set.

They saw him search with sombre eyes,

They knew the place he sought;

They saw him feel for the hilted steel,

They bowed before his thought.

But he—he saw the prison there

In the old quivering heat,

Where merry hearts had met despair

And died without defeat;

Where feeble hands had raised the cup

For feebler lips to drain,

And one had worn with smiling scorn

His double load of pain.

"The sleep that Tippoo Sahib sleeps

Hears not the voice of man;

The faith that Tippoo Sahib keeps

No earthly judge may scan;

For all the wrong your father wrought

Your father's sons are free;

Where Lucas lay no tongue shall say

That Mercy bound not me."

{61}

A Ballad of John Nicholson

It fell in the year of Mutiny,

At darkest of the night,

John Nicholson by Jalándhar came,

On his way to Delhi fight.

And as he by Jaláandhar came

He thought what he must do,

And he sent to the Rajah fair greeting,

To try if he were true.

"God grant your Highness length of days,

And friends when need shall be;

And I pray you send your Captains hither,

That they may speak with me."

On the morrow through Jalándhar town

The Captains rode in state;

They came to the house of John Nicholson

And stood before the gate.

The chief of them was Mehtab Singh,

He was both proud and sly;

His turban gleamed with rubies red,

He held his chin full high.

{62}

He marked his fellows how they put

Their shoes from off their feet;

"Now wherefore make ye such ado

These fallen lords to greet?

"They have ruled us for a hundred years,

In truth I know not how,

But though they be fain of mastery,

They dare not claim it now."

Right haughtily before them all

The durbar hall he trod,

With rubies red his turban gleamed,

His feet with pride were shod.

They had not been an hour together,

A scanty hour or so,

When Mehtab Singh rose in his place

And turned about to go.

Then swiftly came John Nicholson

Between the door and him,

With anger smouldering in his eyes

That made the rubies dim.

"You are overhasty, Mehtab Singh,"—

Oh, but his voice was low!

He held his wrath with a curb of iron,

That furrowed cheek and brow.

{63}

"You are overhasty, Mehtab Singh,

When that the rest are gone,

I have a word that may not wait

To speak with you alone."

The Captains passed in silence forth

And stood the door behind;

To go before the game was played

Be sure they had no mind.

But there within John Nicholson

Turned him on Mehtab Singh,

"So long as the soul is in my body

You shall not do this thing.

"Have ye served us for a hundred years

And yet ye know not why?

We brook no doubt of our mastery,

We rule until we die.

"Were I the one last Englishman

Drawing the breath of life,

And you the master-rebel of all

That stir this land to strife—

"Were I," he said, "but a Corporal,

And you a Rajput King,

So long as the soul was in my body

You should not do this thing.

{64}

"Take off, take off those shoes of pride,

Carry them whence they came;

Your Captains saw your insolence

And they shall see your shame."

When Mehtab Singh came to the door

His shoes they burned his hand,

For there in long and silent lines

He saw the Captains stand.

When Mehtab Singh rode from the gate

His chin was on his breast:

The Captains said, "When the strong command

Obedience is best."

{65}

The Guides at Cabul

(1879)

Sons of the Island Race, wherever ye dwell,

Who speak of your fathers' battles with lips that burn,

The deed of an alien legion hear me tell,

And think not shame from the hearts ye tamed to learn,

When succour shall fail and the tide for a season turn,

To fight with a joyful courage, a passionate pride,

To die at the last as the Guides at Cabul died.

For a handful of seventy men in a barrack of mud,

Foodless, waterless, dwindling one by one,

Answered a thousand yelling for English blood

With stormy volleys that swept them gunner from gun,

And charge on charge in the glare of the Afghan sun,

Till the walls were shattered wherein they crouched at bay,

And dead or dying half of the seventy lay.

Twice they had taken the cannon that wrecked their hold,

Twice toiled in vain to drag it back,

Thrice they toiled, and alone, wary and bold,

Whirling a hurricane sword to scatter the rack,

Hamilton, last of the English, covered their track.

"Never give in!" he cried, and he heard them shout,

And grappled with death as a man that knows not doubt.

{66}

And the Guides looked down from their smouldering barrack again,

And behold, a banner of truce, and a voice that spoke:

"Come, for we know that the English all are slain,

We keep no feud with men of a kindred folk;

Rejoice with us to be free of the conqueror's yoke,"

Silence fell for a moment, then was heard

A sound of laughter and scorn, and an answering word.

"Is it we or the lords we serve who have earned this wrong,

That ye call us to flinch from the battle they bade us fight?

We that live—do ye doubt that our hands are strong?

They that have fallen—ye know that their blood was bright!

Think ye the Guides will barter for lust of the light

The pride of an ancient people in warfare bred,

Honour or comrades living, and faith to the dead?"

Then the joy that spurs the warrior's heart

To the last thundering gallop and sheer leap

Came on the men of the Guides; they flung apart

The doors not all their valour could longer keep;

They dressed their slender line; they breathed deep,

And with never a foot lagging or head bent,

To the clash and clamour and dust of death they went.

{67}

The Gay Gordons

(DARGAI, OCTOBER 20TH, 1897)

Who's for the Gathering, who's for the Fair?

(Gay goes the Gordon to a fight)

The bravest of the brave are at dead-lock there,

(Highlanders! march! by the right!)

There are bullets by the hundred buzzing in the air;

There are bonny lads lying on the hillside bare;

But the Gordons know what the Gordons dare

When they hear the pipers playing!

The happiest English heart to-day

(Gay goes the Gordon to a fight)

Is the heart of the Colonel, hide it as he may

(Steady there! steady on the right!)

He sees his work and he sees the way,

He knows his time and the word to say,

And he's thinking of the tune that the Gordons play

When he sets the pipers playing!

Rising, roaring, rushing like the tide,

(Gay goes the Gordon to a fight)

They're up through the fire-zone, not to be denied;

(Bayonets! and charge! by the right!)

{68}

Thirty bullets straight where the rest went wide,

And thirty lads are lying on the bare hillside;

But they passed in the hour of the Gordons' pride,

To the skirl of the pipers' playing.

{69}

He Fell Among Thieves

"Ye have robbed," said he, "ye have slaughtered and made an end,

Take your ill-got plunder, and bury the dead:

What will ye more of your guest and sometime friend?"

"Blood for our blood," they said.

He laughed: "If one may settle the score for five,

I am ready; but let the reckoning stand till day:

I have loved the sunlight as dearly as any alive."

"You shall die at dawn," said they.

He flung his empty revolver down the slope,

He climbed alone to the Eastward edge of the trees;

All night long in a dream untroubled of hope

He brooded, clasping his knees.

He did not hear the monotonous roar that fills

The ravine where the Yassin river sullenly flows;

He did not see the starlight on the Laspur hills,

Or the far Afghan snows.

{70}

He saw the April noon on his books aglow,

The wistaria trailing in at the window wide;

He heard his father's voice from the terrace below

Calling him down to ride.

He saw the gray little church across the park,

The mounds that hide the loved and honoured dead;

The Norman arch, the chancel softly dark,

The brasses black and red.

He saw the School Close, sunny and green,

The runner beside him, the stand by the parapet wall,

The distant tape, and the crowd roaring between

His own name over all.

He saw the dark wainscot and timbered roof,

The long tables, and the faces merry and keen;

The College Eight and their trainer dining aloof,

The Dons on the daïs serene.

He watched the liner's stem ploughing the foam,

He felt her trembling speed and the thrash of her screw;

He heard her passengers' voices talking of home,

He saw the flag she flew.

And now it was dawn. He rose strong on his feet,

And strode to his ruined camp below the wood;

He drank the breath of the morning cool and sweet;

His murderers round him stood.

{71}

Light on the Laspur hills was broadening fast,

The blood-red snow-peaks chilled to a dazzling white:

He turned, and saw the golden circle at last,

Cut by the Eastern height.

"O glorious Life, Who dwellest in earth and sun,

I have lived, I praise and adore Thee."

A sword swept.

Over the pass the voices one by one

Faded, and the hill slept.

{72}

Ionicus

I live—I am old—I return to the ground—

Blow trumpets! and still I can dream to the sound.

WILLIAM CORY.

With failing feet and shoulders bowed

Beneath the weight of happier days,

He lagged among the heedless crowd,

Or crept along suburban ways.

But still through all his heart was young,

His mood a joy that nought could mar,

A courage, a pride, a rapture, sprung

Of the strength and splendour of England's war.

From ill-requited toil he turned

To ride with Picton and with Pack,

Among his grammars inly burned

To storm the Afghan mountain-track.

When midnight chimed, before Quebec

He watched with Wolfe till the morning star;

At noon he saw from Victory's deck

The sweep and splendour of England's war.

{73}

Beyond the book his teaching sped,

He left on whom he taught the trace

Of kinship with the deathless dead,

And faith in all the Island Race.

He passed: his life a tangle seemed,

His age from fame and power was far;

But his heart was high to the end, and dreamed

Of the sound and splendour of England's war.

{74}

The Non-Combatant

Among a race high-handed, strong of heart,

Sea-rovers, conquerors, builders in the waste,

He had his birth; a nature too complete,

Eager and doubtful, no man's soldier sworn

And no man's chosen captain; born to fail,

A name without an echo: yet he too

Within the cloister of his narrow days

Fulfilled the ancestral rites, and kept alive

The eternal fire; it may be, not in vain;

For out of those who dropped a downward glance

Upon the weakling huddled at his prayers,

Perchance some looked beyond him, and then first

Beheld the glory, and what shrine it filled,

And to what Spirit sacred: or perchance

Some heard him chanting, though but to himself,

The old heroic names: and went their way:

And hummed his music on the march to death.

{75}

Sacramentum Supremum

MUKDEN, MARCH 6TH, 1905

Ye that with me have fought and failed and fought

To the last desperate trench of battle's crest,

Not yet to sleep, not yet; our work is nought;

On that last trench the fate of all may rest,

Draw near, my friends; and let your thoughts be high;

Great hearts are glad when it is time to give;

Life is no life to him that dares not die,

And death no death to him that dares to live.

Draw near together; none be last or first;

We are no longer names, but one desire;

With the same burning of the soul we thirst,

And the same wine to-night shall quench our fire.

Drink! to our fathers who begot us men,

To the dead voices that are never dumb;

Then to the land of all our loves, and then

To the long parting, and the age to come.

{76}

Clifton Chapel

This is the Chapel: here, my son,

Your father thought the thoughts of youth,

And heard the words that one by one

The touch of Life has turned to truth.

Here in a day that is not far,

You too may speak with noble ghosts

Of manhood and the vows of war

You made before the Lord of Hosts.

To set the cause above renown,

To love the game beyond the prize,

To honour, while you strike him down,

The foe that comes with fearless eyes;

To count the life of battle good,

And dear the land that gave you birth,

And dearer yet the brotherhood

That binds the brave of all the earth—

My son, the oath is yours; the end

Is His, Who built the world of strife,

Who gave His children Pain for friend,

And Death for surest hope of life.

{77}

To-day and here the fight's begun,

Of the great fellowship you're free;

Henceforth the School and you are one,

And what You are, the race shall be.

God send you fortune: yet be sure,

Among the lights that gleam and pass,

You'll live to follow none more pure

Than that which glows on yonder brass.

"Que procul hinc," the legend's writ,—

The frontier-grave is far away—

"Qui ante diem periit:

Sed miles, sed pro patriâ."

{78}

Vitaï Lampada

There's a breathless hush in the Close to-night—

Ten to make and the match to win—

A bumping pitch and a blinding light,

An hour to play and the last man in.

And it's not for the sake of a ribboned coat,

Or the selfish hope of a season's fame,

But his Captain's hand on his shoulder smote—

"Play up! play up! and play the game!"

The sand of the desert is sodden red,—

Red with the wreck of a square that broke;—

The Gatling's jammed and the Colonel dead,

And the regiment blind with dust and smoke.

The river of death has brimmed his banks,

And England's far, and Honour a name,

But the voice of a schoolboy rallies the ranks:

"Play up! play up! and play the game!"

This is the word that year by year,

While in her place the School is set,

Every one of her sons must hear,

And none that hears it dare forget.

{79}

This they all with a joyful mind

Bear through life like a torch in flame,

And falling fling to the host behind—

"Play up! play up! and play the game!"

{80}

The Vigil

England! where the sacred flame

Burns before the inmost shrine,

Where the lips that love thy name

Consecrate their hopes and thine,

Where the banners of thy dead

Weave their shadows overhead,

Watch beside thine arms to-night,

Pray that God defend the Right.

Think that when to-morrow comes

War shall claim command of all,

Thou must hear the roll of drums,

Thou must hear the trumpet's call.

Now before they silence ruth,

Commune with the voice of truth;

England! on thy knees to-night

Pray that God defend the Right.

Hast thou counted up the cost,

What to foeman, what to friend?

Glory sought is Honour lost,

How should this be knighthood's end?

{81}

Know'st thou what is Hatred's meed?

What the surest gain of Greed?

England! wilt thou dare to-night

Pray that God defend the Right?

Single-hearted, unafraid,

Hither all thy heroes came,

On this altar's steps were laid

Gordon's life and Outram's fame.

England! if thy will be yet

By their great example set,

Here beside thine arms to-night

Pray that God defend the Right.

So shalt thou when morning comes

Rise to conquer or to fall,

Joyful hear the rolling drums,

Joyful hear the trumpets call.

Then let Memory tell thy heart;

"England! what thou wert, thou art!"

Gird thee with thine ancient might,

Forth! and God defend the Right!

{82}

The Sailing of the Long-ships

(OCTOBER, 1899)

They saw the cables loosened, they saw the gangways cleared,

They heard the women weeping, they heard the men that cheered;

Far off, far off, the tumult faded and died away,

And all alone the sea-wind came singing up the Bay.

"I came by Cape St. Vincent, I came by Trafalgar,

I swept from Torres Vedras to golden Vigo Bar,

I saw the beacons blazing that fired the world with light

When down their ancient highway your fathers passed to fight.

"O race of tireless fighters, flushed with a youth renewed,

Right well the wars of Freedom befit the Sea-kings' brood;

Yet as ye go forget not the fame of yonder shore,

The fame ye owe your fathers and the old time before.

"Long-suffering were the Sea-kings, they were not swift to kill,

But when the sands had fallen they waited no man's will;

{83}

Though all the world forbade them, they counted not nor cared,

They weighed not help or hindrance, they did the thing they dared.

"The Sea-kings loved not boasting, they cursed not him that cursed,

They honoured all men duly, and him that faced them, first;

They strove and knew not hatred, they smote and toiled to save,

They tended whom they vanquished, they praised the fallen brave.

"Their fame's on Torres Vedras, their fame's on Vigo Bar,

Far-flashed to Cape St. Vincent it burns from Trafalgar;

Mark as ye go the beacons that woke the world with light

When down their ancient highway your fathers passed to fight."

{84}

Waggon Hill

Drake in the North Sea grimly prowling,

Treading his dear Revenge's deck,

Watched, with the sea-dogs round him growling,

Galleons drifting wreck by wreck.

"Fetter and Faith for England's neck,

Faggot and Father, Saint and chain,—

Yonder the Devil and all go howling,

Devon, O Devon, in wind and rain!"

Drake at the last off Nombre lying,

Knowing the night that toward him crept,

Gave to the sea-dogs round him crying

This for a sign before he slept:—

"Pride of the West! What Devon hath kept

Devon shall keep on tide or main;

Call to the storm and drive them flying,

Devon, O Devon, in wind and rain!"

Valour of England gaunt and whitening,

Far in a South land brought to bay,

{85}

Locked in a death-grip all day tightening,

Waited the end in twilight gray.

Battle and storm and the sea-dog's way

Drake from his long rest turned again,

Victory lit thy steel with lightning,

Devon, O Devon, in wind and rain!

{86}

The Volunteer

"He leapt to arms unbidden,

Unneeded, over-bold;

His face by earth is hidden,

His heart in earth is cold.

"Curse on the reckless daring

That could not wait the call,

The proud fantastic bearing

That would be first to fall!"

O tears of human passion,

Blur not the image true;

This was not folly's fashion,

This was the man we knew.

{87}

The Only Son

O bitter wind toward the sunset blowing,

What of the dales to-night?

In yonder gray old hall what fires are glowing,

What ring of festal light?

"In the great window as the day was dwindling

I saw an old man stand;

His head was proudly held and his eyes kindling,

But the list shook in his hand."

O wind of twilight, was there no word uttered,

No sound of joy or wail?

"'A great fight and a good death,' he muttered;

'Trust him, he would not fail.'"

What of the chamber dark where she was lying

For whom all life is done?

"Within her heart she rocks a dead child, crying

'My son, my little son.'"

{88}

The Grenadier's Good-Bye

"When Lieutenant Murray fell, the only words he spoke were, Forward,

Grenadiers!'"—Press Telegram.

Here they halted, here once more

Hand from hand was rent;

Here his voice above the roar

Rang, and on they went.

Yonder out of sight they crossed,

Yonder died the cheers;

One word lives where all is lost—

"Forward, Grenadiers!"

This alone he asked of fame,

This alone of pride;

Still with this he faced the flame,

Answered Death, and died.

Crest of battle sunward tossed,

Song of the marching years,

This shall live though all be lost—

"Forward, Grenadiers!"

{89}

The Schoolfellow

Our game was his but yesteryear;

We wished him back; we could not know

The selfsame hour we missed him here

He led the line that broke the foe.

Blood-red behind our guarded posts

Sank as of old the dying day;

The battle ceased; the mingled hosts

Weary and cheery went their way:

"To-morrow well may bring," we said,

"As fair a fight, as clear a sun."

Dear lad, before the word was sped,

For evermore thy goal was won.

{90}

On Spion Kop

Foremost of all on battle's fiery steep

Here VERTUE fell, and here he sleeps his sleep.*

A fairer name no Roman ever gave

To stand sole monument on Valour's grave.

* Major N. H. Vertue, of the Buffs, Brigade-Major to General Woodgate, was buried where he fell, on the edge of Spion Kop, in front of the British position.

{91}

The School at War

All night before the brink of death

In fitful sleep the army lay,

For through the dream that stilled their breath

Too gauntly glared the coming day.

But we, within whose blood there leaps

The fulness of a life as wide

As Avon's water where he sweeps

Seaward at last with Severn's tide,

We heard beyond the desert night

The murmur of the fields we knew,

And our swift souls with one delight

Like homing swallows Northward flew.

We played again the immortal games,

And grappled with the fierce old friends,

And cheered the dead undying names,

And sang the song that never ends;

Till, when the hard, familiar bell

Told that the summer night was late,

Where long ago we said farewell

We said farewell by the old gate.

{92}

"O Captains unforgot," they cried,

"Come you again or come no more,

Across the world you keep the pride,

Across the world we mark the score."

{93}

By the Hearth-Stone

By the hearth-stone

She sits alone,

The long night bearing:

With eyes that gleam

Into the dream

Of the firelight staring.

Low and more low

The dying glow

Burns in the embers;

She nothing heeds

And nothing needs—

Only remembers.

{94}

Peace

(1902)

No more to watch by Night's eternal shore,

With England's chivalry at dawn to ride;

No more defeat, faith, victory—O! no more

A cause on earth for which we might have died.

{95}

April on Waggon Hill

Lad, and can you rest now,

There beneath your hill?

Your hands are on your breast now,

But is your heart so still?

'Twas the right death to die, lad,

A gift without regret,

But unless truth's a lie, lad,

You dream of Devon yet.

Ay, ay, the year's awaking,

The fire's among the ling,

The beechen hedge is breaking,

The curlew's on the wing;

Primroses are out, lad,

On the high banks of Lee,

And the sun stirs the trout, lad,

From Brendon to the sea.

I know what's in your heart, lad,—

The mare he used to hunt—

And her blue market-cart, lad,

With posies tied in front—

{96}

We miss them from the moor road,

They're getting old to roam,

The road they're on's a sure road

And nearer, lad, to home.

Your name, the name they cherish?

'Twill fade, lad, 'tis true:

But stone and all may perish

With little loss to you.

While fame's fame you're Devon, lad,

The Glory of the West;

Till the roll's called in heaven, lad,

You may well take your rest.

{97}

Commemoration

I sat by the granite pillar, and sunlight fell

Where the sunlight fell of old,

And the hour was the hour my heart remembered well,

And the sermon rolled and rolled

As it used to roll when the place was still unhaunted,

And the strangest tale in the world was still untold.

And I knew that of all this rushing of urgent sound

That I so clearly heard,

The green young forest of saplings clustered round

Was heeding not one word:

Their heads were bowed in a still serried patience

Such as an angel's breath could never have stirred.

For some were already away to the hazardous pitch,

Or lining the parapet wall,

And some were in glorious battle, or great and rich,

Or throned in a college hall:

And among the rest was one like my own young phantom,

Dreaming for ever beyond my utmost call.

{98}

"O Youth," the preacher was crying, "deem not thou

Thy life is thine alone;

Thou bearest the will of the ages, seeing how

They built thee bone by bone,

And within thy blood the Great Age sleeps sepulchred

Till thou and thine shall roll away the stone.

"Therefore the days are coming when thou shalt burn

With passion whitely hot;

Rest shall be rest no more; thy feet shall spurn

All that thy hand hath got;

And One that is stronger shall gird thee, and lead thee swiftly

Whither, O heart of Youth, thou wouldest not."

And the School passed; and I saw the living and dead

Set in their seats again,

And I longed to hear them speak of the word that was said,

But I knew that I longed in vain.

And they stretched forth their hands, and the wind of the

spirit took them

Lightly as drifted leaves on an endless plain.

{99}

The Echo

OF A BALLAD SUNG BY H. PLUNKET GREENE TO HIS OLD SCHOOL

Twice three hundred boys were we,

Long ago, long ago,

Where the Downs look out to the Severn Sea.

Clifton for aye!

We held by the game and hailed the team,

For many could play where few could dream.

City of Song shall stand alway.

Some were for profit and some for pride,

Long ago, long ago,

Some for the flag they lived and died.

Clifton for aye!

The work of the world must still be done,

And minds are many though truth be one.

City of Song shall stand alway.

But a lad there was to his fellows sang,

Long ago, long ago,

And soon the world to his music rang.

Clifton for aye!

{100}

Follow your Captains, crown your Kings,

But what will ye give to the lad that sings?

City of Song shall stand alway.

For the voice ye hear is the voice of home,

Long ago, long ago,

And the voice of Youth with the world to roam.

Clifton for aye!

The voice of passion and human tears,

And the voice of the vision that lights the years.

City of Song shall stand alway.

{101}

The Best School of All

It's good to see the School we knew,

The land of youth and dream,

To greet again the rule we knew

Before we took the stream:

Though long we've missed the sight of her,

Our hearts may not forget;

We've lost the old delight of her,

We keep her honour yet.

We'll honour yet the School we knew,

The best School of all:

We'll honour yet the rule we knew,

Till the last bell call.

For, working days or holidays,

And glad or melancholy days,

They were great days and jolly days

At the best School of all.

The stars and sounding vanities

That half the crowd bewitch,

What are they but inanities

To him that treads the pitch?

{102}

And where's the wealth, I'm wondering,

Could buy the cheers that roll

When the last charge goes thundering

Beneath the twilight goal?

The men that tanned the hide of us,

Our daily foes and friends,

They shall not lose their pride of us,

Howe'er the journey ends.

Their voice, to us who sing of it,

No more its message bears,

But the round world shall ring of it

And all we are be theirs.

To speak of Fame a venture is,

There's little here can bide,

But we may face the centuries,

And dare the deepening tide:

For though the dust that's part of us

To dust again be gone,

Yet here shall beat the heart of us—

The School we handed on!

We'll honour yet the School we knew,

The best School of all:

We'll honour yet the rule we knew.

Till the last bell call.

For, working days or holidays,

And glad or melancholy days,

They were great days and jolly days

At the best School of all.

{103}

England

Praise thou with praise unending

The Master of the Wine;

To all their portions sending

Himself he mingled thine:

The sea-born flush of morning,

The sea-born hush of night,

The East wind comfort scorning,

And the North wind driving right:

The world for gain and giving,

The game for man and boy,

The life that joys in living,

The faith that lives in joy.

{104}

Victoria Regina

(JUNE 21ST, 1897*)

A thousand years by sea and land

Our race hath served the island kings,

But not by custom's dull command

To-day with song her Empire rings:

Not all the glories of her birth,

Her armed renown and ancient throne,

Could make her less the child of earth

Or give her hopes beyond our own:

But stayed on faith more sternly proved

And pride than ours more pure and deep,

She loves the land our fathers loved

And keeps the fame our sons shall keep.

* These lines, with music by Dr. Lloyd, formed part of the Cycle of Song offered to Queen Victoria, of blessed and glorious memory, in celebration of her second Jubilee.

{105}

The King of England

(JUNE 24TH, 1902)

In that eclipse of noon when joy was hushed

Like the bird's song beneath unnatural night,

And Terror's footfall in the darkness crushed

The rose imperial of our delight,

Then, even then, though no man cried "He comes,"

And no man turned to greet him passing there,

With phantom heralds challenging renown

And silent-throbbing drums

I saw the King of England, hale and fair,

Ride out with a great train through London town.

Unarmed he rode, but in his ruddy shield

The lions bore the dint of many a lance,

And up and down his mantle's azure field

Were strewn the lilies plucked in famous France.

Before him went with banner floating wide

The yeoman breed that served his honour best,

And mixed with these his knights of noble blood;

But in the place of pride

His admirals in billowy lines abreast

Convoyed him close like galleons on the flood.

{106}

Full of a strength unbroken showed his face

And his brow calm with youth's unclouded dawn,

But round his lips were lines of tenderer grace

Such as no hand but Time's hath ever drawn.

Surely he knew his glory had no part

In dull decay, nor unto Death must bend,

Yet surely too of lengthening shadows dreamed

With sunset in his heart,

So brief his beauty now, so near the end,

And now so old and so immortal seemed.

O King among the living, these shall hail

Sons of thy dust that shall inherit thee:

O King of men that die, though we must fail

Thy life is breathed from thy triumphant sea.

O man that servest men by right of birth,

Our hearts' content thy heart shall also keep,

Thou too with us shalt one day lay thee down

In our dear native earth,

Full sure the King of England, while we sleep,

For ever rides abroad through London town.

{107}

The Nile

Out of the unknown South,

Through the dark lands of drouth,

Far wanders ancient Nile in slumber gliding:

Clear-mirrored in his dream

The deeds that haunt his stream

Flash out and fade like stars in midnight sliding.

Long since, before the life of man

Rose from among the lives that creep,

With Time's own tide began

That still mysterious sleep,

Only to cease when Time shall reach the eternal deep.

From out his vision vast

The early gods have passed,

They waned and perished with the faith that made them;

The long phantasmal line

Of Pharaohs crowned divine

Are dust among the dust that once obeyed them.

Their land is one mute burial mound,

Save when across the drifted years

Some chant of hollow sound,

Some triumph blent with tears,

From Memnon's lips at dawn wakens the desert meres.

{108}

O Nile, and can it be

No memory dwells with thee

Of Grecian lore and the sweet Grecian singer?

The legions' iron tramp,

The Goths' wide-wandering camp,

Had these no fame that by thy shore might linger?

Nay, then must all be lost indeed,

Lost too the swift pursuing might

That cleft with passionate speed

Aboukir's tranquil night,

And shattered in mid-swoop the great world-eagle's flight.

Yet have there been on earth

Spirits of starry birth,

Whose splendour rushed to no eternal setting:

They over all endure,

Their course through all is sure,

The dark world's light is still of their begetting.

Though the long past forgotten lies,

Nile! in thy dream remember him,

Whose like no more shall rise

Above our twilight's rim,

Until the immortal dawn shall make all glories dim.

For this man was not great

By gold or kingly state,

Or the bright sword, or knowledge of earth's wonder;

But more than all his race

He saw life face to face,

And heard the still small voice above the thunder.

{109}

O river, while thy waters roll

By yonder vast deserted tomb,

There, where so clear a soul

So shone through gathering doom,

Thou and thy land shall keep the tale of lost Khartoum.

{110}

Sráhmandázi

Deep embowered beside the forest river,

Where the flame of sunset only falls,

Lapped in silence lies the House of Dying,

House of them to whom the twilight calls.

There within when day was near to ending,

By her lord a woman young and strong,

By his chief a songman old and stricken

Watched together till the hour of song.

"O my songman, now the bow is broken,

Now the arrows one by one are sped,

Sing to me the song of Sráhmandázi,

Sráhmandázi, home of all the dead."

Then the songman, flinging wide his songnet,

On the last token laid his master's hand,

While he sang the song of Sráhmandázi,

None but dying men can understand.

"Yonder sun that fierce and fiery-hearted

Marches down the sky to vanish soon,

At the self-same hour in Sráhmandázi

Rises pallid like the rainy moon.

{111}

"There he sees the heroes by their river,

Where the great fish daily upward swim;

Yet they are but shadows hunting shadows,

Phantom fish in waters drear and dim.

"There he sees the kings among their headmen,

Women weaving, children playing games;

Yet they are but shadows ruling shadows,

Phantom folk with dim forgotten names.

"Bid farewell to all that most thou lovest,

Tell thy heart thy living life is done;

All the days and deeds of Sráhmandázi

Are not worth an hour of yonder sun."

Dreamily the chief from out the songnet

Drew his hand and touched the woman's head;

"Know they not, then, love in Sráhmandázi?

Has a king no bride among the dead?"

Then the songman answered, "O my master,

Love they know, but none may learn it there;

Only souls that reach that land together

Keep their troth and find the twilight fair.

"Thou art still a king, and at thy passing

By thy latest word must all abide:

If thou willest, here am I, thy songman;

If thou lovest, here is she, thy bride."

{112}

Hushed and dreamy lay the House of Dying,

Dreamily the sunlight upward failed,

Dreamily the chief on eyes that loved him

Looked with eyes the coming twilight veiled.

Then he cried, "My songman, I am passing;

Let her live, her life is but begun;

All the days and nights of Sráhmandázi

Are not worth an hour of yonder sun."

Yet, when there within the House of Dying

The last silence held the sunset air,

Not alone he came to Sráhmandázi,

Not alone she found the twilight fair:

While the songman, far beneath the forest

Sang of Srahmandazi all night through,

"Lovely be thy name, O Land of shadows,

Land of meeting, Land of all the true!"

{113}

Outward Bound

Dear Earth, near Earth, the clay that made us men,

The land we sowed,

The hearth that glowed—

O Mother, must we bid farewell to thee?

Fast dawns the last dawn, and what shall comfort then

The lonely hearts that roam the outer sea?

Gray wakes the daybreak, the shivering sails are set,

To misty deeps

The channel sweeps—

O Mother, think on us who think on thee!

Earth-home, birth-home, with love remember yet

The sons in exile on the eternal sea.

{114}

Hope the Hornblower

"Hark ye, hark to the winding horn;

Sluggards, awake, and front the morn!

Hark ye, hark to the winding horn;

The sun's on meadow and mill.

Follow me, hearts that love the chase;

Follow me, feet that keep the pace:

Stirrup to stirrup we ride, we ride,

We ride by moor and hill."

Huntsman, huntsman, whither away?

What is the quarry afoot to-day?

Huntsman, huntsman, whither away,

And what the game ye kill?

Is it the deer, that men may dine?

Is it the wolf that tears the kine?

What is the race ye ride, ye ride,

Ye ride by moor and hill?

"Ask not yet till the day be dead

What is the game that's forward fled,

Ask not yet till the day be dead

The game we follow still.

{115}

An echo it may be, floating past;

A shadow it may be, fading fast:

Shadow or echo, we ride, we ride,

We ride by moor and hill."

{116}

O Pulchritudo

O saint whose thousand shrines our feet have trod

And our eyes loved thy lamp's eternal beam,

Dim earthly radiance of the Unknown God,

Hope of the darkness, light of them that dream,

Far off, far off and faint, O glimmer on

Till we thy pilgrims from the road are gone.

O Word whose meaning every sense hath sought,

Voice of the teeming field and grassy mound,

Deep-whispering fountain of the wells of thought,

Will of the wind and soul of all sweet sound,

Far off, far off and faint, O murmur on

Till we thy pilgrims from the road are gone.

{117}

The Final Mystery

This myth, of Egyptian origin, formed part of the instruction given to those initiated in the Orphic mysteries, and written versions of it were buried with the dead.

Hear now, O Soul, the last command of all—

When thou hast left thine every mortal mark,

And by the road that lies beyond recall

Won through the desert of the Burning Dark,

Thou shalt behold within a garden bright

A well, beside a cypress ivory-white.

Still is that well, and in its waters cool

White, white and windless, sleeps that cypress tree:

Who drinks but once from out her shadowy pool

Shall thirst no more to all eternity.

Forgetting all, by all forgotten clean,

His soul shall be with that which hath not been.

But thou, though thou be trembling with thy dread,

And parched with thy desire more fierce than flame,

Think on the stream wherefrom thy life was fed,

And that diviner fountain whence it came.

Turn thee and cry—behold, it is not far—

Unto the hills where living waters are.

{118}

"Lord, though I lived on earth, the child of earth,

Yet was I fathered by the starry sky:

Thou knowest I came not of the shadows' birth,

Let me not die the death that shadows die.

Give me to drink of the sweet spring that leaps

From Memory's fount, wherein no cypress sleeps."

Then shalt thou drink, O Soul, and therewith slake

The immortal longing of thy mortal thirst,

So of thy Father's life shalt thou partake,

And be for ever that thou wert at first.

Lost in remembered loves, yet thou more thou

With them shalt reign in never-ending Now.

{119}

Il Santo

Alas! alas! what impious hands are these?

They have cut down my dark mysterious trees,

Defied the brooding spell

That sealed my sacred well,

Broken my fathers' fixed and ancient bars,

And on the mouldering shade

Wherein my dead were laid

Let in the cold clear aspect of the stars.

Slumber hath held the grove for years untold:

Is there no reverence for a peace so old?

Is there no seemly awe

For bronze-engraven law,

For dust beatified and saintly name?

When they shall see the shrine

Princes have held divine,

Will they not bow before the eternal flame?

Vain! vain! the wind of heaven for ages long

Hath whispered manhood, "Let thine arm be strong!

Hew down and fling away

The growth that veils decay,

{120}

Shatter the shrine that chokes the living spring.

Scorn hatred, scorn regret,

Dig deep and deeper yet,

Leave not the quest for word of saint or king.

"Dig deeper yet! though the world brand thee now,

The faithful labour of an impious brow

May for thy race redeem

The source of that lost stream

Once given the thirst of all the earth to slake.

Nay, thou too ere the end

Thy weary knee mayst bend

And in thy trembling hands that water take."

{121}

In July

His beauty bore no token,

No sign our gladness shook;

With tender strength unbroken

The hand of Life he took:

But the summer flowers were falling,

Falling and fading away,

And mother birds were calling,

Crying and calling

For their loves that would not stay.

He knew not Autumn's chillness,

Nor Winter's wind nor Spring's;

He lived with Summer's stillness

And sun and sunlit things:

But when the dusk was falling

He went the shadowy way,

And one more heart is calling,

Crying and calling

For the love that would not stay.

{122}

From Generation to Generation

O son of mine, when dusk shall find thee bending

Between a gravestone and a cradle's head—

Between the love whose name is loss unending

And the young love whose thoughts are liker dread,—

Thou too shalt groan at heart that all thy spending

Cannot repay the dead, the hungry dead.

{123}

When I Remember

When I remember that the day will come

For this our love to quit his land of birth,

And bid farewell to all the ways of earth

With lips that must for evermore be dumb,

Then creep I silent from the stirring hum,

And shut away the music and the mirth,

And reckon up what may be left of worth

When hearts are cold and love's own body numb.

Something there must be that I know not here,

Or know too dimly through the symbol dear;

Some touch, some beauty, only guessed by this—

If He that made us loves, it shall replace,

Beloved, even the vision of thy face

And deep communion of thine inmost kiss.

{124}

Mors Janua

Pilgrim, no shrine is here, no prison, no inn:

Thy fear and thy belief alike are fond:

Death is a gate, and holds no room within:

Pass—to the road beyond.

{125}

Rondel*

Though I wander far-off ways,

Dearest, never doubt thou me:

Mine is not the love that strays,

Though I wander far-off ways:

Faithfully for all my days

I have vowed myself to thee:

Though I wander far-off ways,

Dearest, never doubt thou me.

* This and the two following pieces are from the French of Wenceslas,

Duke of Brabant and Luxembourg, who died in 1384.

{126}

Rondel

Long ago to thee I gave

Body, soul, and all I have—

Nothing in the world I keep:

All that in return I crave

Is that thou accept the slave

Long ago to thee I gave—

Body, soul, and all I have.

Had I more to share or save,

I would give as give the brave,

Stooping not to part the heap;

Long ago to thee I gave

Body, soul, and all I have—

Nothing in the world I keep.

{127}

Balade

I cannot tell, of twain beneath this bond,

Which one in grief the other goes beyond,—

Narcissus, who to end the pain he bore

Died of the love that could not help him more;

Or I, that pine because I cannot see

The lady who is queen and love to me.

Nay—for Narcissus, in the forest pond

Seeing his image, made entreaty fond,

"Beloved, comfort on my longing pour":

So for a while he soothed his passion sore;

So cannot I, for all too far is she—

The lady who is queen and love to me.

But since that I have Love's true colours donned,

I in his service will not now despond,

For in extremes Love yet can all restore:

So till her beauty walks the world no more

All day remembered in my hope shall be

The lady who is queen and love to me.

{128}

The Last Word

Before the April night was late

A rider came to the castle gate;

A rider breathing human breath,

But the words he spoke were the words of Death.

"Greet you well from the King our lord,

He marches hot for the eastward ford;

Living or dying, all or one,

Ye must keep the ford till the race be run."

Sir Alain rose with lips that smiled,

He kissed his wife, he kissed his child:

Before the April night was late

Sir Alain rode from the castle gate.

He called his men-at-arms by name,

But one there was uncalled that came:

He bade his troop behind him ride,

But there was one that rode beside.

"Why will you spur so fast to die?

Be wiser ere the night go by.

A message late is a message lost;

For all your haste the foe had crossed."

{129}

"Are men such small unmeaning things

To strew the board of smiling Kings?

With life and death they play their game,

And life or death, the end's the same."

Softly the April air above

Rustled the woodland homes of love:

Softly the April air below

Carried the dream of buds that blow.

"Is he that bears a warrior's fame

To shun the pointless stroke of shame?

Will he that propped a trembling throne

Not stand for right when right's his own?

"Your oath on the four gospels sworn?

What oath can bind resolves unborn?

You lose that far eternal life?

Is it yours to lose? Is it child and wife?

But now beyond the pathway's bend,

Sir Alain saw the forest end,

And winding wide beneath the hill,

The glassy river lone and still.

And now he saw with lifted eyes

The East like a great chancel rise,

And deep through all his senses drawn,

Received the sacred wine of dawn.

{130}

He set his face to the stream below,

He drew his axe from the saddle bow:

"Farewell, Messire, the night is sped;

There lies the ford, when all is said."

{131}

The Viking's Song

When I thy lover first

Shook out my canvas free

And like a pirate burst

Into that dreaming sea,

The land knew no such thirst

As then tormented me.

Now when at eve returned

I near that shore divine,

Where once but watch-fires burned

I see thy beacon shine,

And know the land hath learned

Desire that welcomes mine.

{132}

The Sufi in the City

I.

When late I watched the arrows of the sleet

Against the windows of the Tavern beat,

I heard a Rose that murmured from her Pot:

"Why trudge thy fellows yonder in the Street?

II.

"Before the phantom of False Morning dies,

Choked in the bitter Net that binds the skies,

Their feet, bemired with Yesterday, set out

For the dark alleys where To-morrow lies.

III.

"Think you, when all their petals they have bruised,

And all the fragrances of Life confused,

That Night with sweeter rest will comfort these

Than us, who still within the Garden mused?

{133}

IV.

"Think you the Gold they fight for all day long

Is worth the frugal Peace their clamours wrong?

Their Titles, and the Name they toil to build—

Will they outlast the echoes of our Song?"

V.

O Sons of Omar, what shall be the close

Seek not to know, for no man living knows:

But while within your hands the Wine is set

Drink ye—to Omar and the Dreaming Rose!

{134}

To Edward Fitzgerald

(MARCH 31ST, 1909)

'Tis a sad fate

To watch the world fighting,

All that is most fair

Ruthlessly blighting,

Blighting, ah! blighting.

When such a thought cometh

Let us not pine,

But gather old friends

Round the red wine—

Oh! pour the red wine!

And there we'll talk

And warm our wits

With Eastern fallacies

Out of old Fitz!

British old Fitz!

See him, half statesman—

Philosopher too—

Half ancient mariner

In baggy blue—

Such baggy blue!

{135}

Whimsical, wistful,

Haughty, forsooth:

Indolent always, yet

Ardent in truth,

But indolent, indolent!

There at the table

With us sits he,

Charming us subtly

To reverie,

Magic reverie.

"How sweet is summer's breath,

How sure and swift is death;

Nought wise on earth, save

What the wine whispereth,

Dreamily whispereth.

"At Naíshapúr beneath the sun,

Or here in misty Babylon,

Drink! for the rose leaves while you linger

Are falling, ever falling, one by one."

Ah! poet's soul, once more with us conspire

To grasp this sorry scheme of things entire,

Once more with us to-night, old Fitz, once more

Remould it nearer to the heart's desire!

{136}

Yattendon

Among the woods and tillage

That fringe the topmost downs,

All lonely lies the village,

Far off from seas and towns.

Yet when her own folk slumbered

I heard within her street

Murmur of men unnumbered

And march of myriad feet.

For all she lies so lonely,

Far off from towns and seas,

The village holds not only

The roofs beneath her trees:

While Life is sweet and tragic

And Death is veiled and dumb,

Hither, by singer's magic,

The pilgrim world must come.

{137}

Devon

Deep-wooded combes, clear-mounded hills of morn,

Red sunset tides against a red sea-wall,

High lonely barrows where the curlews call,

Far moors that echo to the ringing horn,—

Devon! thou spirit of all these beauties born,

All these are thine, but thou art more than all:

Speech can but tell thy name, praise can but fall

Beneath the cold white sea-mist of thy scorn.

Yet, yet, O noble land, forbid us not

Even now to join our faint memorial chime

To the fierce chant wherewith their hearts were hot

Who took the tide in thy Imperial prime;

Whose glory's thine till Glory sleeps forgot

With her ancestral phantoms, Pride and Time.

{138}

Among the Tombs

She is a lady fair and wise,

Her heart her counsel keeps,

And well she knows of time that flies

And tide that onward sweeps;

But still she sits with restless eyes

Where Memory sleeps—

Where Memory sleeps.

Ye that have heard the whispering dead

In every wind that creeps,

Or felt the stir that strains the lead

Beneath the mounded heaps,

Tread softly, ah! more softly tread

Where Memory sleeps—

Where Memory sleeps.

{139}

Gold

(AFTER GIOVANNI PASCOLI)

At bedtime, when the sunset fire was red

One cypress turned to gold beneath its touch.

"Sleep now, my little son," the mother said;

"In God's high garden all the trees are such."

Then did the child in his bright dream behold

Branches of gold, trees, forests all of gold.

{140}

A Sower

With sanguine looks

And rolling walk

Among the rooks

He loved to stalk,

While on the land

With gusty laugh

From a full hand

He scattered chaff.

Now that within

His spirit sleeps

A harvest thin

The sickle reaps;

But the dumb fields

Desire his tread,

And no earth yields

A wheat more red.

{141}

The Mossrose

Walking to-day in your garden, O gracious lady,

Little you thought as you turned in that alley remote and shady,

And gave me a rose and asked if I knew its savour—

The old-world scent of the mossrose, flower of a bygone favour—

Little you thought as you waited the word of appraisement,

Laughing at first and then amazed at my amazement,

That the rose you gave was a gift already cherished,

And the garden whence you plucked it a garden long perished.

But I—I saw that garden, with its one treasure

The tiny mossrose, tiny even by childhood's measure,

And the long morning shadow of the dusty laurel,

And a boy and a girl beneath it, flushed with a childish quarrel.

She wept for her one little bud: but he, outreaching

The hand of brotherly right, would take it for all her beseeching:

{142}

And she flung her arms about him, and gave like a sister,

And laughed at her own tears, and wept again when he kissed her.

So the rose is mine long since, and whenever I find it

And drink again the sharp sweet scent of the moss behind it,

I remember the tears of a child, and her love and her laughter,

And the morning shadows of youth and the night that fell thereafter.

{143}

Ave, Soror

I left behind the ways of care,

The crowded hurrying hours,

I breathed again the woodland air,

I plucked the woodland flowers:

Bluebells as yet but half awake,

Primroses pale and cool,

Anemones like stars that shake

In a green twilight pool—

On these still lay the enchanted shade,

The magic April sun;

With my own child a child I strayed

And thought the years were one.

As through the copse she went and came

My senses lost their truth;

I called her by the dear dead name

That sweetened all my youth.

{144}

To a River in the South

Call me no more, O gentle stream,

To wander through thy sunny dream,

No more to lean at twilight cool

Above thy weir and glimmering pool.

Surely I know thy hoary dawns,

The silver crisp on all thy lawns,

The softly swirling undersong

That rocks thy reeds the winter long.

Surely I know the joys that ring

Through the green deeps of leafy spring;

I know the elfin cups and domes

That are their small and secret homes.

Yet is the light for ever lost

That daily once thy meadows crossed,

The voice no more by thee is heard

That matched the song of stream and bird.

Call me no more!—thy waters roll

Here, in the world that is my soul,

And here, though Earth be drowned in night,

Old love shall dwell with old delight.

{145}

On the Death of a Noble Lady

Time, when thou shalt bring again

Pallas from the Trojan plain,

Portia from the Roman's hall,

Brynhild from the fiery wall,

Eleanor, whose fearless breath

Drew the venom'd fangs of Death,

And Philippa doubly brave

Or to conquer or to save—

When thou shalt on one bestow

All their grace and all their glow,

All their strength and all their state,

All their passion pure and great,

Some far age may honour then

Such another queen of men.

{146}

Midway

Turn back, my Soul, no longer set

Thy peace upon the years to come

Turn back, the land of thy regret

Holds nothing doubtful, nothing dumb.

There are the voices, there the scenes

That make thy life in living truth

A tale of heroes and of queens,

Fairer than all the hopes of youth.

{147}

Ad Matrem Dolorosam

Think not thy little fountain's rain

That in the sunlight rose and flashed,

From the bright sky has fallen again,

To cold and shadowy silence dashed.

The Joy that in her radiance leapt

From everlasting hath not slept.

The hand that to thy hand was dear,

The untroubled eyes that mirrored thine,

The voice that gave thy soul to hear

A whisper of the Love Divine—

What though the gold was mixed with dust?

The gold is thine and cannot rust.

Nor fear, because thy darling's heart

No longer beats with mortal life,

That she has missed the ennobling part

Of human growth and human strife.

Only she has the eternal peace

Wherein to reap the soul's increase.

{148}

Vrais Amants

(FOURTEENTH CENTURY)

"Time mocks thy opening music with a close;

What now he gives long since he gave away.

Thou deemst thy sun hath risen, but ere it rose

It was eclipsed, and dusk shall be thy day."

Yet has the Dawn gone up: in loveliest light

She walks high heaven beyond the shadow there:

Whom I too veiled from all men's envious sight

With inward eyes adore and silent prayer.

{149}

The Sangreal

Once, when beside me in that sacred place

I saw my lady lift her lovely head,

And saw the Chalice gleam above her face

And her dear lips with life immortal red,

Then, born again beyond the mist of years,

I knelt in Heaven, and drank the wine of tears.

{150}

Sir Hugh the Palmer

I

He kneeled among a waste of sands

Before the Mother-Maid,

But on the far green forest-lands

His steadfast eyes were stayed,

And like a knight of stone his hands

He straightened while he prayed.

"Lady, beyond all women fair,

Beyond all saints benign,

Whose living heart through life I bear

In mystery divine,

Hear thou and grant me this my prayer,

Or grant no prayer of mine.

"The fever of my spirit's pain

Heal thou with heavenly scorn;

The dust that but of dust is fain

Leave thou in dust forlorn;

Yea! bury love to rise again

Meet for eternal morn.

{151}

"So by thy grace my inward eyes

Thy beauty still shall see,

And while our life in shadow lies

High dawn shall image thee,

Till with thy soul in Paradise

Thy servant's soul shall be."

Before the immortal Mother-Maid

Low on the sands he kneeled;

But even while the words he prayed

His lips to patience sealed,

Joy in his eyes a radiance made

Like stars in dusk revealed.

II

It was an idle company—

Ladies and lordings fine—

Idly under the wild-wood tree

Their laughter ran like wine.

Yet as they laughed a voice they heard—

A voice where none was seen,—

Singing blithe as a hidden bird

Among the forest green.

"Mark ye, mark ye, a lonely knight

Riding the green forest:

Pardì! for one so poorly dight

He lifts a haughty crest!

{152}

Azure and white is all his wear,

He hath no gold, I trow!

Wanderer, thou in the wild-wood there,

Tell us why sing ye so!"

"Noble ladies and lordings gay,

God have you all in guard:

Since ye are pleased with me to play,

My riddle it is not hard.

I sing because, of all that ride,

I am the least of worth:

I sing because, to match my pride,

Never was pride on earth.

"But, an ye ask what that may mean,

Thus do I answer then:

I bear with me the heart of a Queen—

I that am least of men:—

I bear her heart till the end of all,

Yea! by her own command

I bear the heart of a Queen royal

Unto the Holy Land."

Humbly there his crest he bent,—

Azure it waved and white,—

Haughtily there he turned and went

Singing, out of their sight.

Long, long but his voice they heard,—

A voice where none was seen,—

Singing blithe as a hidden bird,

Among the forest green.

{153}

The Presentation

When in the womb of Time our souls' own son

Dear Love lay sleeping till his natal hour,

Long months I knew not that sweet life begun,

Too dimly treasuring thy touch of power;

And wandering all those days

By far-off ways,

Forgot immortal seed must have immortal flower.

Only, beloved, since my beloved thou art

I do remember, now that memory's vain,

How twice or thrice beneath my beating heart

Life quickened suddenly with proudest pain.

Then dreamed I Love's increase,

Yet held my peace

Till I might render thee thy own great gift again.

For as with bodies, so with souls it is,

The greater gives, the lesser doth conceive:

That thou hast fathered Love, I tell thee this,

And by my pangs beseech thee to believe.

Look on his hope divine—

Thy hope and mine—

Pity his outstretched hands, tenderly him receive!

{154}

The Inheritance

While I within her secret garden walked,

The flowers, that in her presence must be dumb,

With me, their fellow-servant, softly talked,

Attending till the Flower of flowers should come.

Then, since at Court I had arrived but late,

I was by love made bold

To ask that of my lady's high estate

I might be told,

And glories of her blood, perpetuate

In histories old.

Then they, who know the chronicle of Earth,

Spoke of her loveliness, that like a flame

Far-handed down from noble birth to birth,

Gladdened the world for ages ere she came.

"Yea, yea," they said, "from Summer's royal sun

Comes that immortal line,

And was create not for this age alone

Nor wholly thine,

Being indeed a flower whose root is one

With Life Divine.

{155}

"To the sweet buds that of herself are part

Already she this portion hath bequeathed,

As, not less surely, into thy proud heart

Her nobleness, O poet, she hath breathed,

That her inheritance by them and thee

The world may keep alway,

When the still sunlight of her eyes shall be

Lost to the day,

And even the fragrance of her memory

Fading away."

{156}

Amore Altiero

Since thou and I have wandered from the highway

And found with hearts reborn

This swift and unimaginable byway

Unto the hills of morn,

Shall not our love disdain the unworthy uses

Of the old time outworn?

I'll not entreat thy half unwilling graces

With humbly folded palms,

Nor seek to shake thy proud defended places

With noise of vague alarms,

Nor ask against my fortune's grim pursuing

The refuge of thy arms.

Thou'lt not withhold for pleasure vain and cruel

That which has long been mine,

Nor overheap with briefly burning fuel

A fire of flame divine,

Nor yield the key for life's profaner voices

To brawl within the shrine.

{157}

But thou shalt tell me of thy queenly pleasure

All that I must fulfil,

And I'll receive from out my royal treasure

What golden gifts I will,

So that two realms supreme and undisputed

Shall be one kingdom still.

And our high hearts shall praise the beauty hidden

In starry-minded scorn

By the same Lord who hath His servants bidden

To seek with eyes new-born

This swift and unimaginable byway

Unto the hills of morn.

{158}

The Pedlar's Song

I tramped among the townward throng

A sultry summer's morn:

They mocked me loud, they mocked me long,

They laughed my pack to scorn.

But a likely pedlar holds his peace

Until the reckoning's told:—

Merrily I to market went, tho' songs were all my gold.

At weary noon I left the town,

I left the highway straight,

I climbed the silent, sunlit down

And stood by a castle gate.

Never yet was a house too high

When the pedlar's heart was bold:—

Merrily I to market went, tho' songs were all my gold.

A lady leaned from her window there

And asked my wares to see;

Her voice made rich the summer air,

Richer my soul in me.

She gave me only four little words,

Words of a language old:—

Merrily I from market came, for all my songs were sold.

{159}

Benedick's Song

Though I see within thine eyes

Sudden frown of cloudy skies,

Yet I bid them "merry morn"

For they tell me Love is born.

So ha-há! with há-ha-há!

For they tell me Love is born.

Storms of mocking from thy lips

Lash me still like airy whips;

But to-day thy scorn I scorn

For I know that Love is born.

So ha-há! with há-ha-há!

For I know that Love is born.

O the hail that rattles fierce

Through my hodden cloak to pierce!

What care I if rags be torn?

Love and I are beggars born!

So ha-há! with há-ha-há!

Love and I are beggars born.

{160}

Love and Grief.

One day, when Love and Summer both were young,

Love in a garden found my lady weeping;

Whereat, when he to kiss her would have sprung,

I stayed his childish leaping.

"Forbear," said I, "she is not thine to-day;

Subdue thyself in silence to await her;

If thou dare call her from Death's side away

Thou art no Love, but traitor.

Yet did he run, and she his kiss received,

"She is twice mine," he cried, "since she is troubled;

I knew but half, and now I see her grieved

My part in her is doubled."

{161}

Egeria's Silence

Her thought that, like a brook beside the way,

Sang to my steps through all the wandering year,

Has ceased from melody—O Love, allay

My sudden fear!

She cannot fail—the beauty of that brow

Could never flower above a desert heart—

Somewhere beneath, the well-spring even now

Lives, though apart.

Some day, when winter has renewed her fount

With cold, white-folded snows and quiet rain,

O Love, O Love, her stream again will mount

And sing again!

{162}

Against Oblivion

Cities drowned in olden time

Keep, they say, a magic chime

Rolling up from far below

When the moon-led waters flow.

So within me, ocean deep,

Lies a sunken world asleep.

Lest its bells forget to ring,

Memory! set the tide a-swing!

{163}

Fond Counsel

O youth, beside thy silver-springing fountain,

In sight and hearing of thy father's cot,

These and the morning woods, the lonely mountain,

These are thy peace, although thou know'st it not.

Wander not yet where noon's unpitying glare

Beats down the toilers in the city bare;

Forsake not yet, not yet, the homely plot,

O Youth, beside thy silver-springing fountain.

{164}

Youth

His song of dawn outsoars the joyful bird,

Swift on the weary road his footfall comes;

The dusty air that by his stride is stirred

Beats with a buoyant march of fairy drums.

"Awake, O Earth! thine ancient slumber break;

To the new day, O slumbrous Earth, awake!"

Yet long ago that merry march began,

His feet are older than the path they tread;

His music is the morning-song of man,

His stride the stride of all the valiant dead;

His youngest hopes are memories, and his eyes

Deep with the old, old dream that never dies.

{165}

The Wanderer

To Youth there comes a whisper out of the west:

"O loiterer, hasten where there waits for thee

A life to build, a love therein to nest,

And a man's work, serving the age to be."

Peace, peace awhile! Before his tireless feet

Hill beyond hill the road in sunlight goes;

He breathes the breath of morning, clear and sweet,

And his eyes love the high eternal snows.

{166}

The Adventurers

Over the downs in sunlight clear

Forth we went in the spring of the year:

Plunder of April's gold we sought,

Little of April's anger thought.

Caught in a copse without defence

Low we crouched to the rain-squall dense:

Sure, if misery man can vex,

There it beat on our bended necks.

Yet when again we wander on

Suddenly all that gloom is gone:

Under and over through the wood,

Life is astir, and life is good.

Violets purple, violets white,

Delicate windflowers dancing light,

Primrose, mercury, moscatel,

Shimmer in diamonds round the dell.

Squirrel is climbing swift and lithe,

Chiff-chaff whetting his airy scythe,

Woodpecker whirrs his rattling rap,

Ringdove flies with a sudden clap.

{167}

Rook is summoning rook to build,

Dunnock his beak with moss has filled,

Robin is bowing in coat-tails brown,

Tomtit chattering upside down.

Well is it seen that every one

Laughs at the rain and loves the sun;

We too laughed with the wildwood crew,

Laughed till the sky once more was blue.

Homeward over the downs we went

Soaked to the heart with sweet content;

April's anger is swift to fall,

April's wonder is worth it all.

{168}

To Clare

(WITH A VOLUME OF STORIES FROM FROISSART)

My Clare,—

These tales were told, you know,

In French, five hundred years ago,

By old Sir John, whose heart's delight

Was lady sweet and valiant knight.

A hundred years went by, and then

A great lord told the tales again,

When bluff King Hal desired his folk

To read them in the tongue they spoke.

Last, I myself among them took

What I loved best and made this book.

Great, lesser, less—these writers three

Worked for the days they could not see,

And certes, in their work they knew

Nothing at all, dear child, of you.

Yet is this book your own in truth,

Because 'tis made for noble youth,

And every word that's living there

Must die when Clares are no more Clare.

{169}

The Return of Summer: An Eclogue

Scene: ASHDOWN FOREST IN MAY

Persons: H.—A POET; C.—HIS DAUGHTER

H. Here then, if you insist, my daughter: still,

I must confess that I preferred the hill.

The warm scent of the pinewood seemed to me

The first true breath of summer; did you see

The waxen hurt-bells with their promised fruit

Already purple at the blossom's root,

And thick among the rusty bracken strown

Sunburnt anemones long overblown?

Summer is come at last!

C. And that is why

Mine is a better place than yours to lie.

This dark old yew tree casts a fuller shade

Than any pine; the stream is simply made

For keeping bottles cool; and when we've dined

I could just wade a bit while you . . . reclined.

H. Empty the basket then, without more words . . .

But I still wish we had not left the birds.

{170}

C. Father! you are perverse! Since when, I beg,

Have forest birds been tethered by the leg?

They're everywhere! What more can you desire?

The cuckoo shouts as though he'd never tire,

The nuthatch, knowing that of noise you're fond,

Keeps chucking stones along a frozen pond,

And busy gold-crest, somewhere out of sight,

Works at his saw with all his tiny might.

I do not count the ring-doves or the rooks,

We hear so much about them in the books

They're hardly real; but from where I sit

I see two chaffinches, a long-tailed tit,

A missel-thrush, a yaffle——

H. That will do:

I may have overlooked a bird or two.

Where are the biscuits? Are you getting cramp

Down by the water there—it must be damp?

C. I'm only watching till your bottle's cool:

It lies so snug beneath this glassy pool,

Like a sunk battleship; and overhead

The water-boatmen get their daily bread

By rowing all day long, and far below

Two little eels go winding, winding slow . . .

Oh! there's a shark!

H. A what?

C. A miller's thumb.

Don't move, I'll tempt him with a tiny crumb.

H. Be quick about it, please, and don't forget

I am at least as dry as he is wet.

C. Oh, very well then, here's your drink.

{171}

H. That's good!

I feel much better now.

C. I thought you would (exit quietly).

H. How beautiful the world is when it breathes

The news of summer!—when the bronzy sheathes

Still hang about the beech-leaf, and the oaks

Are wearing still their dainty tasselled cloaks,

While on the hillside every hawthorn pale

Has taken now her balmy bridal veil,

And, down below, the drowsy murmuring stream

Lulls the warm noonday in an endless dream.

O little brook, far more thou art to me

Than all the pageantry of field and tree:

Es singen wohl die Nixen—ah! 'tis truth—

Tief unten ihren Reih'n—but only Youth

Can hear them joyfully, as once I lay

And heard them singing of the world's highway,

Of wandering ended, and the maiden found,

And golden bread by magic mill-wheel ground.

Lost is the magic now, the wheel is still,

And long ago the maiden left the mill:

Yet once a year, one day, when summer dawns,

The old, old murmur haunts the river-lawns,

The fairies wake, the fairy song is sung,

And for an hour the wanderer's feet are young (he dozes).

C. (returning) Father! I called you twice.

H. I did not know:

Where have you been?

C. Oh, down the stream.

{172}

H. Just so:

Well, I went up.

C. I wish you'd been with me.

H. When East is West, my daughter, that may be.

{173}

Dream-Market

A MASQUE PRESENTED AT WILTON HOUSE,

JULY 28, 1909

Scene. A LAWN IN THE COUNTESS OF PEMBROKE'S ARCADIA

Enter FLORA, Lady of Summer, with her maidens, PHYLLIS and AMARYLLIS. She takes her seat upon a bank, playing with a basket of freshly gathered flowers, one of which she presently holds up in her hand.

FLORA. Ah! how I love a rose! But come, my girls,

Here's for your task: to-day you, Amaryllis,

Shall take the white, and, Phyllis, you the red.

Hold out your kirtles for them. White, red, white,

Red, red, and white again. . . .

Wonder you not

How the same sun can breed such different beauties?

[She divides all her roses between them.

Well, take them all, and go—scatter them wide

In gardens where men love me, and be sure

{174}

Where even one flower falls, or one soft petal,

Next year shall see a hundred.

[As they turn to go, enter LUCIA in hunting dress,

with bow in hand and a hound by her side. FLORA

rises to meet her, and recalls her maidens.]

Stay! attend me.

LUCIA. Greeting, fair ladies; you, I think, must be

Daughters of this green Earth, and one of you

The sweet Dame Flora.

FLORA. Your true servant, madam.

But if my memory be not newly withered

I have not known the pleasure. . . .

LUCIA. Yes, you have seen me—

At least, you might have seen me; I am Lucia,

Lady of Moonlight, and I often hunt

These downs of yours with all my nightly pack

Of questing beams and velvet-footed shadows.

FLORA. I fear at night. . . .

LUCIA. Oh, yes! at night you are sleeping!

And I by day am always rather faint;

So we don't meet; but sometimes your good folk

Have torn my nets by raking in the water;

And though their neighbours laughed, there are worse ways

Of spending time, and far worse things to rake for

Than silver lights upon a crystal stream.

But come! My royal Sire, the Man in the Moon—

He has been here?

FLORA. So many kings come here,

I can't be sure; I've heard the Man in the Moon

{175}

Did once come down and ask his way to Norwich.

But that was years agone—hundreds of years—

It may not be the same—I do not know

You royal father's age. . . .

LUCIA. His age? Oh surely!

He never can be more than one month old.

FLORA. Yet he's your father!

LUCIA. Well, he is and is not;

[Proudly] I am the daughter of a million moons.

They month by month and year by circling year,

From their celestial palace looking down

On your day-wearied Earth, have soothed her sleep,

And rocked her tides, and made a magic world

For all her lovers and her nightingales.

You owe them much, my ancestors. No doubt,

At times they suffered under clouds; at times

They were eclipsed; yet in their brighter hours

They were illustrious!

FLORA. And may I hope

Your present Sire, his present Serene Highness,

Is in his brighter hours to-day?

LUCIA. Ah! no.

Be sure he is not—else I had not left

My cool, sweet garden of unfading stars

For the rank meadows of this sun-worn mould.

FLORA. What is your trouble, then?

LUCIA. Although my father

Has been but ten days reigning, he is sad

With all the sadness of a phantom realm,

And all the sorrows of ten thousand years.

{176}

We in our Moonland have no life like yours,

No birth, no death: we live but in our dreams:

And when they are grown old—these mortal visions

Of an immortal sleep—we seem to lose them.

They are too strong for us, too self-sufficient

To live for us; they go their ways and leave us,

Like shadows grown substantial.

FLORA. I have heard

Something on earth not unlike this complaint,

But can I help you?

LUCIA. Lady, if you cannot,

No one can help. In Moonland there is famine,

We are losing all our dreams, and I come hither

To buy a new one for my father's house.

FLORA. To buy a dream?

LUCIA. Some little darling dream

That will be always with us, night and day,

Loving and teasing, sailing light of heart

Over our darkest deeps, reminding us

Of our lost childhood, playing our old games,

Singing our old songs, asking our old riddles,

Building our old hopes, and with our old gusto

Rehearsing for us in one endless act

The world past and the world to be.

FLORA. Oh! now

I see your meaning. Yes, I have indeed

Plenty of such sweet dreams: we call them children.

They are our dreams too, and though they are born of us,

Truly in them we live. But, dearest lady,

We do not sell them.

{177}

LUCIA. Do you mean you will not?

Not one? Could you not lend me one—just one?

FLORA. Ah! but to lend what cannot be returned

Is merely giving—who can bring again

Into the empty nest those wingèd years?

Still, there are children here well worth your hopes,

And you shall venture: if there be among them

One that your heart desires, and she consent,

Take her and welcome—for the will of Love

Is the wind's will, and none may guess his going.

LUCIA. O dearest Lady Flora!

FLORA. Stay! they are here,

Mad as a dance of May-flies.

[The children run in dancing and singing.

Shall we sit

And watch these children?

Phyllis, bid them play,

And let them heed us no more than the trees

That girdle this green lawn with whispering beauty.

[The children play and sing at their games, till at a

convenient moment the LADY FLORA holds up her hand.]

FLORA. Now, Amaryllis, stay the rushing stream,

The meadows for this time have drunk enough.

[To LUCIA.] And you, what think you, lady, of these maids?

Has their sweet foolish singing moved your heart

To choose among them?

LUCIA. I have heard them gladly,

And if I could, would turn them all to elves,

That if they cannot live with me, at least

{178}

I might look down when our great galleon sails

Close over earth, and see them always here

Dancing upon the moonlit shores of night.

But how to choose!—and though they are young and fair

Their every grace foretells the fatal change,

The swift short bloom of girlhood, like a flower

Passing away, for ever passing away.

Have you not one with petals tenderer yet,

More deeply folded, further from the hour

When the bud dies into the mortal rose?

FLORA [pointing.] There is my youngest blossom and my fairest,

But my most wilful too—you'll pluck her not

Without some aid of magic.

LUCIA. Time has been

When I have known even your forest trees

Sway to a song of moonland. I will try it.

[She sings and dances a witching measure.]

SONG

(To an air by HENRY LAWES, published in 1652)

The flowers that in thy garden rise,

Fade and are gone when Summer flies,

And as their sweets by time decay,

So shall thy hopes be cast away.

The Sun that gilds the creeping moss

Stayeth not Earth's eternal loss:

He is the lord of all that live,

Yet there is life he cannot give.

{179}

The stir of Morning's eager breath—

Beautiful Eve's impassioned death—

Thou lovest these, thou lovest well,

Yet of the Night thou canst not tell.

In every land thy feet may tread,

Time like a veil is round thy head:

Only the land thou seek'st with me

Never hath been nor yet shall be.

It is not far, it is not near,

Name it hath none that Earth can hear;

But there thy Soul shall build again

Memories long destroyed of men,

And Joy thereby shall like a river

Wander from deep to deep for ever.

[When she has finished the child runs into her arms.]

FLORA. Your spell has won her, and I marvel not:

She was but half our own.

[To the Child] Farewell, dear child,

'Tis time to part, you with this lovely lady

To dance in silver halls, and gather stars

And be the dream you are: while we return

To the old toil and harvest of the Earth.

Farewell! and farewell all!

ALL. Farewell! farewell!

[Exeunt omnes.

{180}

The Cicalas: An Idyll

Scene: AN ENGLISH GARDEN BY STARLIGHT

Persons: A LADY AND A POET

THE POET

Dimly I see your face: I hear your breath

Sigh faintly, as a flower might sigh in death

And when you whisper, you but stir the air

With a soft hush like summer's own despair.

THE LADY (aloud)

O Night divine, O Darkness ever blest,

Give to our old sad Earth eternal rest.

Since from her heart all beauty ebbs away,

Let her no more endure the shame of day.

THE POET

A thousand ages have not made less bright

The stars that in this fountain shine to-night:

Your eyes in shadow still betray the gleam

That every son of man desires in dream.

{181}

THE LADY

Yes, hearts will burn when all the stars are cold;

And Beauty lingers—but her tale is told:

Mankind has left her for a game of toys,

And fleets the golden hour with speed and noise.

THE POET

Think you the human heart no longer feels

Because it loves the swift delight of wheels?

And is not Change our one true guide on earth,

The surest hand that leads us from our birth?

THE LADY

Change were not always loss, if we could keep

Beneath all change a clear and windless deep:

But more and more the tides that through us roll

Disturb the very sea-bed of the soul.

THE POET

The foam of transient passions cannot fret

The sea-bed of the race, profounder yet:

And there, where Greece and her foundations are,

Lies Beauty, built below the tide of war.

THE LADY

So—to the desert, once in fifty years—

Some poor mad poet sings, and no one hears:

But what belated race, in what far clime,

Keeps even a legend of Arcadian time?

{182}

THE POET

Not ours perhaps: a nation still so young,

So late in Rome's deserted orchard sprung,

Bears not as yet, but strikes a hopeful root

Till the soil yield its old Hesperian fruit.

THE LADY

Is not the hour gone by? The mystic strain,

Degenerate once, may never spring again.

What long-forsaken gods shall we invoke

To grant such increase to our common oak?

THE POET

Yet may the ilex, of more ancient birth,

More deeply planted in that genial earth,

From her Italian wildwood even now

Revert, and bear once more the golden bough.

THE LADY

A poet's dream was never yet less great

Because it issued through the ivory gate!

Show me one leaf from that old wood divine,

And all your ardour, all your hopes are mine.

THE POET

May Venus bend me to no harder task!

For—Pan be praised!—I hold the gift you ask.

The leaf, the legend, that your wish fulfils,

To-day he brought me from the Umbrian hills.

{183}

THE LADY

Your young Italian—yes! I saw you stand

And point his path across our well-walled land:

A sculptor's model, but alas! no god:

These narrow fields the goat-foot never trod!

THE POET

Yet from his eyes the mirth a moment glanced

To which the streams of old Arcadia danced;

And on his tongue still lay the childish lore

Of that lost world for which you hope no more.

THE LADY

Tell me!—from where I watched I saw his face,

And his hands moving with a rustic grace,

Caught too the alien sweetness of his speech,

But sound alone, not sense, my ears could reach.

THE POET

He asked if we in England ever heard

The tiny beasts, half insect and half bird,

That neither eat nor sleep, but die content

When they in endless song their strength have spent.

THE LADY

Cicalas! how the name enchants me back

To the grey olives and the dust-white track!

Was there a story then?—I have forgot,

Or else by chance my Umbrians told it not.

{184}

THE POET

Lover of music, you at least should know

That these were men in ages long ago,—

Ere music was,—and then the Muses came,

And love of song took hold on them like flame.

THE LADY

Yes, I remember now the voice that speaks—

Most living still of all the deathless Greeks—

Yet tell me—how they died divinely mad,

And of the Muses what reward they had.

THE POET

They are reborn on earth, and from the first

They know not sleep, they hunger not nor thirst

Summer with glad Cicala's song they fill,

Then die, and go to haunt the Muses' Hill.

THE LADY

They are reborn indeed! and rightly you

The far-heard echo of their music knew!

Pray now to Pan, since you too, it would seem,

Were there with Phaedrus, by Ilissus' stream.

THE POET

Beloved Pan, and all ye gods whose grace

For ever haunts our short life's resting-place,

Outward and inward make me one true whole,

And grant me beauty in the inmost soul!

{185}

THE LADY

And thou, O Night, O starry Queen of Air,

Remember not my blind and faithless prayer!

Let me too live, let me too sing again,

Since Beauty wanders still the ways of men.

{186}

The Faun

Yesterday I thought to roam

Idly through the fields of home,

And I came at morning's end

To our brook's familiar bend.

There I raised my eyes, and there,

Shining through an ampler air,

Folded in by hills of blue

Such as Wessex never knew,

Changed as in a waking dream

Flowed the well-remembered stream.

Now a line of wattled pale

Fenced the downland from the vale,

Now the sedge was set with reeds

Fitter for Arcadian meads,

And where I was wont to find

Only things of timid kind,

Now the Genius of the pool

Mocked me from his corner cool.

Eyes he had with malice quick,

Tufted hair and ears a-prick,

And, above a tiny chin,

Lips with laughter wide a-grin.

{187}

Therewithal a shaggy flank

In the crystal clear he sank,

And beneath the unruffled tide

A little pair of hooves I spied.

Yet though plainly there he stood,

Creature of the wave and wood,

Under his satyric grace

Something manlike I could trace,

And the eyes that mocked me there

Like a gleam of memory were.

"So," said I at last to him,

Frowning from the river's brim,

"This is where you come to play,

Heedless of the time of day."

"Nay," replied the youthful god,

Leaning on the flowery sod,

"Here there are no clocks, and so

Time can neither come nor go."

"Little goat," said I, "you're late,

And your dinner will not wait:

If to-day you wish to eat,

Trust me, you must find your feet."

"Father," said the little goat,

"Do you know that I can float?

{188}

Do you know that I can dive

As deep as any duck alive?

Would you like to see me drop

Out of yonder willow's top?"

Sternly I replied again,

"You may spare your boasting vain;

All that you can do I did

When I was myself a kid."

Laughter followed such as pealed

Through the first unfurrowed field.

"Then what mother says is true,

And your hoof is cloven too!"

Ah!—but that irreverent mirth,

Learnt of the primeval earth,

Surely was with magic fraught

That upon my pulses wrought:

I too felt the air of June

Humming with a merry tune,

I too reckoned, like a boy,

Less of Time and more of Joy:

Till, as homeward I was wending,

I perceived my back unbending,

And before the mile was done

Ran beside my truant son.

{189}

Fidele's Grassy Tomb

The Squire sat propped in a pillowed chair,

His eyes were alive and clear of care,

But well he knew that the hour was come

To bid good-bye to his ancient home.

He looked on garden, wood, and hill,

He looked on the lake, sunny and still:

The last of earth that his eyes could see

Was the island church of Orchardleigh.

The last that his heart could understand

Was the touch of the tongue that licked his hand

"Bury the dog at my feet," he said,

And his voice dropped, and the Squire was dead.

Now the dog was a hound of the Danish breed,

Staunch to love and strong at need:

He had dragged his master safe to shore

When the tide was ebbing at Elsinore.

From that day forth, as reason would,

He was named "Fidele," and made it good:

When the last of the mourners left the door

Fidele was dead on the chantry floor.

{190}

They buried him there at his master's feet,

And all that heard of it deemed it meet:

The story went the round for years,

Till it came at last to the Bishop's ears.

Bishop of Bath and Wells was he,

Lord of the lords of Orchardleigh;

And he wrote to the Parson the strongest screed

That Bishop may write or Parson read.

The sum of it was that a soulless hound

Was known to be buried in hallowed ground:

From scandal sore the Church to save

They must take the dog from his master's grave.

The heir was far in a foreign land,

The Parson was wax to my Lord's command:

He sent for the Sexton and bade him make

A lonely grave by the shore of the lake.

The Sexton sat by the water's brink

Where he used to sit when he used to think:

He reasoned slow, but he reasoned it out,

And his argument left him free from doubt.

"A Bishop," he said, "is the top of his trade;

But there's others can give him a start with the spade:

Yon dog, he carried the Squire ashore,

And a Christian couldn't ha' done no more."

{191}

The grave was dug; the mason came

And carved on stone Fidele's name;

But the dog that the Sexton laid inside

Was a dog that never had lived or died.

So the Parson was praised, and the scandal stayed,

Till, a long time after, the church decayed,

And, laying the floor anew, they found

In the tomb of the Squire the bones of a hound.

As for the Bishop of Bath and Wells

No more of him the story tells;

Doubtless he lived as a Prelate and Prince,

And died and was buried a century since.

And whether his view was right or wrong

Has little to do with this my song;

Something we owe him, you must allow;

And perhaps he has changed his mind by now.

The Squire in the family chantry sleeps,

The marble still his memory keeps:

Remember, when the name you spell,

There rest Fidele's bones as well.

For the Sexton's grave you need not search,

'Tis a nameless mound by the island church:

An ignorant fellow, of humble lot—

But he knew one thing that a Bishop did not.

{192}

Moonset

Past seven o'clock: time to be gone;

Twelfth-night's over and dawn shivering up:

A hasty cut of the loaf, a steaming cup,

Down to the door, and there is Coachman John.

Ruddy of cheek is John and bright of eye;

But John it appears has none of your grins and winks;

Civil enough, but short: perhaps he thinks:

Words come once in a mile, and always dry.

Has he a mind or not? I wonder; but soon

We turn through a leafless wood, and there to the right,

Like a sun bewitched in alien realms of night,

Mellow and yellow and rounded hangs the moon.

Strangely near she seems, and terribly great:

The world is dead: why are we travelling still?

Nightmare silence grips my struggling will;

We are driving for ever and ever to find a gate.

{193}

"When you come to consider the moon," says John at last,

And stops, to feel his footing and take his stand;

"And then there's some will say there's never a hand

That made the world!"

A flick, and the gates are passed.

Out of the dim magical moonlit park,

Out to the workday road and wider skies:

There's a warm flush in the East where day's to rise,

And I'm feeling the better for Coachman John's remark.

{194}

A Song of Exmoor

The Forest above and the Combe below,

On a bright September morn!

He's the soul of a clod who thanks not God

That ever his body was born!

So hurry along, the stag's afoot,

The Master's up and away!

Halloo! Halloo! we'll follow it through

From Bratton to Porlock Bay!

So hurry along, the stag's afoot,

The Master's up and away!

Halloo! Halloo! we'll follow it through

From Bratton to Porlock Bay!

Hark to the tufters' challenge true,

'Tis a note that the red-deer knows!

His courage awakes, his covert he breaks,

And up for the moor he goes!

He's all his rights and seven on top,

His eye's the eye of a king,

And he'll beggar the pride of some that ride

Before he leaves the ling!

{195}

Here comes Antony bringing the pack,

Steady! he's laying them on!

By the sound of their chime you may tell that it's time

To harden your heart and be gone.

Nightacott, Narracott, Hunnacott's passed,

Right for the North they race:

He's leading them straight for Blackmoor Gate,

And he's setting a pounding pace!

We're running him now on a breast-high scent,

But he leaves us standing still;

When we swing round by Westland Pound

He's far up Challacombe Hill.

The pack are a string of struggling ants,

The quarry's a dancing midge,

They're trying their reins on the edge of the Chains

While he's on Cheriton Ridge.

He's gone by Kittuck and Lucott Moor,

He's gone by Woodcock's Ley;

By the little white town he's turned him down,

And he's soiling in open sea.

So hurry along, we'll both be in,

The crowd are a parish away!

We're a field of two, and we've followed it through

From Bratton to Porlock Bay!

So hurry along, we'll both be in,

The crowd are a parish away!

We're a field of two, and we've followed it through

From Bratton to Porlock Bay!

{196}

Master and Man

Do ye ken hoo to fush for the salmon?

If ye'll listen I'll tell ye.

Dinna trust to the books and their gammon,

They're but trying to sell ye.

Leave professors to read their ain cackle

And fush their ain style;

Come awa', sir, we'll oot wi' oor tackle

And be busy the while.

'Tis a wee bit ower bright, ye were thinkin'?

Aw, ye'll no be the loser;

'Tis better ten baskin' and blinkin'

Than ane that's a cruiser.

If ye're bent, as I tak it, on slatter,

Ye should pray for the droot,

For the salmon's her ain when there's watter,

But she's oors when it's oot.

Ye may just put your flee-book behind ye,

Ane hook wull be plenty;

If they'll no come for this, my man, mind ye,

They'll no come for twenty.

{197}

Ay, a rod; but the shorter the stranger

And the nearer to strike;

For myself I prefare it nae langer

Than a yard or the like.

Noo, ye'll stand awa' back while I'm creepin'

Wi' my snoot i' the gowans;

There's a bonny twalve-poonder a-sleepin'

I' the shade o' yon rowans.

Man, man! I was fearin' I'd stirred her,

But I've got her the noo!

Hoot! fushin's as easy as murrder

When ye ken what to do.

Na, na, sir, I doot na ye're willin'

But I canna permit ye,

For I'm thinkin' that yon kind o' killin'

Wad hardly befit ye.

And some work is deefficult hushin',

There'd be havers and chaff:

'Twull be best, sir, for you to be fushin'

And me wi' the gaff.

{198}

Gavotte

(OLD FRENCH)

Memories long in music sleeping,

No more sleeping,

No more dumb:

Delicate phantoms softly creeping

Softly back from the old-world come.

Faintest odours around them straying,

Suddenly straying

In chambers dim;

Whispering silks in order swaying,

Glimmering gems on shoulders slim:

Courage advancing strong and tender,

Grace untender

Fanning desire;

Suppliant conquest, proud surrender,

Courtesy cold of hearts on fire—

Willowy billowy now they're bending,

Low they're bending

Down-dropt eyes;

Stately measure and stately ending,

Music sobbing, and a dream that dies.

{199}

Imogien

(A LADY OF TENDER AGE)

Ladies, where were your bright eyes glancing,

Where were they glancing yesternight?

Saw ye Imogen dancing, dancing,

Imogen dancing all in white?

Laughed she not with a pure delight,

Laughed she not with a joy serene,

Stepped she not with a grace entrancing,

Slenderly girt in silken sheen?

All through the night from dusk to daytime

Under her feet the hours were swift,

Under her feet the hours of playtime

Rose and fell with a rhythmic lift:

Music set her adrift, adrift,

Music eddying towards the day

Swept her along as brooks in Maytime

Carry the freshly falling May.

Ladies, life is a changing measure,

Youth is a lilt that endeth soon;

{200}

Pluck ye never so fast at pleasure,

Twilight follows the longest noon.

Nay, but here is a lasting boon,

Life for hearts that are old and chill,

Youth undying for hearts that treasure

Imogen dancing, dancing still.

{201}

Nel Mezzo Del Cammin

Whisper it not that late in years

Sorrow shall fade and the world be brighter,

Life be freed of tremor and tears,

Heads be wiser and hearts be lighter.

Ah! but the dream that all endears,

The dream we sell for your pottage of truth—

Give us again the passion of youth,

Sorrow shall fade and the world be brighter.

{202}

The Invasion

Spring, they say, with his greenery

Northward marches at last,

Mustering thorn and elm;

Breezes rumour him conquering,

Tell how Victory sits

High on his glancing helm.

Smit with sting of his archery,

Hardest ashes and oaks

Burn at the root below:

Primrose, violet, daffodil,

Start like blood where the shafts

Light from his golden bow.

Here where winter oppresses us

Still we listen and doubt,

Dreading a hope betrayed:

Sore we long to be greeting him,

Still we linger and doubt

"What if his march be stayed?"

{203}

Folk in thrall to the enemy,

Vanquished, tilling a soil

Hateful and hostile grown;

Always wearily, warily,

Feeding deep in the heart

Passion they dare not own—

So we wait the deliverer;

Surely soon shall he come,

Soon shall his hour be due:

Spring shall come with his greenery,

Life be lovely again,

Earth be the home we knew.

{204}

Rilloby-Rill

Grasshoppers four a-fiddling went,

Heigh-ho! never be still!

They earned but little towards their rent

But all day long with their elbows bent

They fiddled a tune called Rilloby-rilloby,

Fiddled a tune called Rilloby-rill.

Grasshoppers soon on Fairies came,

Heigh-ho! never be still!

Fairies asked with a manner of blame,

"Where do you come from, what is your name?

What do you want with your Rilloby-rilloby,

What do you want with your Rilloby-rill?"

"Madam, you see before you stand,

Heigh-ho! never be still!

The Old Original Favourite Grand

Grasshopper's Green Herbarian Band,

And the tune we play is Rilloby-rilloby,

Madam, the tune is Rilloby-rill."

{205}

Fairies hadn't a word to say,

Heigh-ho! never be still!

Fairies seldom are sweet by day,

But the Grasshoppers merrily fiddled away,

O but they played with a willoby-rilloby,

O but they played with a willoby-will!

Fairies slumber and sulk at noon,

Heigh-ho! never be still!

But at last the kind old motherly moon

Brought them dew in a silver spoon,

And they turned to ask for Rilloby-rilloby,

One more round of Rilloby-rill.

Ah! but nobody now replied,

Heigh-ho! never be still!

When day went down the music died,

Grasshoppers four lay side by side,

And there was an end of their Rilloby-rilloby,

There was an end of their Rilloby-rill.

{206}

Pereunt Et Imputantur

(AFTER MARTIAL)

Bernard, if to you and me

Fortune all at once should give

Years to spend secure and free,

With the choice of how to live,

Tell me, what should we proclaim

Life deserving of the name?

Winning some one else's case?

Saving some one else's seat?

Hearing with a solemn face

People of importance bleat?

No, I think we should not still

Waste our time at others' will.

Summer noons beneath the limes,

Summer rides at evening cool,

Winter's tales and home-made rhymes,

Figures on the frozen pool—

These would we for labours take,

And of these our business make.

{207}

Ah! but neither you nor I

Dare in earnest venture so;

Still we let the good days die

And to swell the reckoning go.

What are those that know the way,

Yet to walk therein delay?

{208}

Felix Antonius

(AFTER MARTIAL)

To-day, my friend is seventy-five;

He tells his tale with no regret,

His brave old eyes are steadfast yet,

His heart the lightest heart alive.

He sees behind him green and wide

The pathway of his pilgrim years;

He sees the shore, and dreadless hears

The whisper of the creeping tide.

For out of all his days, not one

Has passed and left its unlaid ghost

To seek a light for ever lost,

Or wail a deed for ever done.

So for reward of life-long truth

He lives again, as good men can,

Redoubling his allotted span

With memories of a stainless youth.

{209}

Ireland, Ireland

Down thy valleys, Ireland, Ireland,

Down thy valleys green and sad,

Still thy spirit wanders wailing,

Wanders wailing, wanders mad.

Long ago that anguish took thee,

Ireland, Ireland, green and fair,

Spoilers strong in darkness took thee,

Broke thy heart and left thee there.

Down thy valleys, Ireland, Ireland,

Still thy spirit wanders mad;

All too late they love that wronged thee,

Ireland, Ireland, green and sad.

{210}

Hymn

IN THE TIME OF WAR AND TUMULTS

O Lord Almighty, Thou whose hands

Despair and victory give;

In whom, though tyrants tread their lands,

The souls of nations live;

Thou wilt not turn Thy face away

From those who work Thy will,

But send Thy peace on hearts that pray,

And guard Thy people still.

Remember not the days of shame,

The hands with rapine dyed,

The wavering will, the baser aim,

The brute material pride:

Remember, Lord, the years of faith,

The spirits humbly brave,

The strength that died defying death,

The love that loved the slave;

{211}

The race that strove to rule Thine earth

With equal laws unbought:

Who bore for Truth the pangs of birth,

And brake the bonds of Thought.

Remember how, since time began,

Thy dark eternal mind

Through lives of men that fear not man

Is light for all mankind.

Thou wilt not turn Thy face away

From those who work Thy will,

But send Thy strength on hearts that pray

For strength to serve Thee still.

{212}

The Building of the Temple

(AN ANTHEM HEARD IN CANTERBURY CATHEDRAL)

The Organ.

O Lord our God, we are strangers before Thee, and sojourners, as were all our fathers: our days on the earth are as a shadow, and there is none abiding.

O Lord God of our fathers, keep this for ever in the imagination of the thoughts of Thy people, and prepare their heart unto Thee.

And give unto Solomon my son a perfect heart to keep Thy commandments, and to build the palace for the which I have made provision.

Boys' voices.

O come to the Palace of Life,

Let us build it again.

It was founded on terror and strife,

It was laid in the curse of the womb,

And pillared on toil and pain,

And hung with veils of doom,

And vaulted with the darkness of the tomb.

{213}

Men's voices.

O Lord our God, we are sojourners here for a day,

Strangers and sojourners, as all our fathers were:

Our years on the earth are a shadow that fadeth away;

Grant us light for our labour, and a time for prayer.

Boys.

But now with endless song,

And joy fulfilling the Law;

Of passion as pure as strong

And pleasure undimmed of awe;

With garners of wine and grain

Laid up for the ages long,

Let us build the Palace again

And enter with endless song,

Enter and dwell secure, forgetting the years of wrong.

Men.

O Lord our God, we are strangers and sojourners here,

Our beginning was night, and our end is hid in Thee:

Our labour on the earth is hope redeeming fear,

In sorrow we build for the days we shall not see.

Boys.

Great is the name

Of the strong and skilled,

Lasting the fame

Of them that build:

{214}

The tongues of many nations

Shall speak of our praise,

And far generations

Be glad for our days.

Men.

We are sojourners here as all our fathers were,

As all our children shall be, forgetting and forgot:

The fame of man is a murmur that passeth on the air,

We perish indeed if Thou remember not.

We are sojourners here as all our fathers were,

Strangers travelling down to the land of death:

There is neither work nor device nor knowledge there,

O grant us might for our labour, and to rest in faith.

Boys.

In joy, in the joy of the light to be,

Men.

O Father of Lights, unvarying and true,

Boys.

Let us build the Palace of Life anew.

Men.

Let us build for the years we shall not see.

Boys.

Lofty of line and glorious of hue,

With gold and pearl and with the cedar tree,

{215}

Men.

With silence due

And with service free,

Boys.

Let us build it for ever in splendour new.

Men.

Let us build in hope and in sorrow, and rest in Thee.

{216}

Epistle

TO COLONEL FRANCIS EDWARD YOUNGHUSBAND

Across the Western World, the Arabian Sea,

The Hundred Kingdoms and the Rivers Three,

Beyond the rampart of Himalayan snows,

And up the road that only Rumour knows,

Unchecked, old friend, from Devon to Thibet,

Friendship and Memory dog your footsteps yet.

Let not the scornful ask me what avails

So small a pack to follow mighty trails:

Long since I saw what difference must be

Between a stream like you, a ditch like me.

This drains a garden and a homely field

Which scarce at times a living current yield;

The other from the high lands of his birth

Plunges through rocks and spurns the pastoral earth,

Then settling silent to his deeper course

Draws in his fellows to augment his force,

Becomes a name, and broadening as he goes,

Gives power and purity where'er he flows,

Till, great enough for any commerce grown,

He links all nations while he serves his own.

{217}

Soldier, explorer, statesman, what in truth

Have you in common with homekeeping youth?

"Youth" comes your answer like an echo faint;

And youth it was that made us first acquaint.

Do you remember when the Downs were white

With the March dust from highways glaring bright,

How you and I, like yachts that toss the foam,

From Penpole Fields came stride and stride for home?

One grimly leading, one intent to pass,

Mile after mile we measured road and grass,

Twin silent shadows, till the hour was done,

The shadows parted and the stouter won.

Since then I know one thing beyond appeal—

How runs from stem to stern a trimbuilt keel.

Another day—but that's not mine to tell,

The man in front does not observe so well;

Though, spite of all these five-and-twenty years,

As clear as life our schoolday scene appears.

The guarded course, the barriers and the rope;

The runners, stripped of all but shivering hope;

The starter's good grey head; the sudden hush;

The stern white line; the half-unconscious rush;

The deadly bend, the pivot of our fate;

The rope again; the long green level straight;

The lane of heads, the cheering half unheard;

The dying spurt, the tape, the judge's word.

You, too, I doubt not, from your Lama's hall

Can see the Stand above the worn old wall,

{218}

Where then they clamoured as our race we sped,

Where now they number our heroic dead.*

As clear as life you, too, can hear the sound

Of voices once for all by "lock-up" bound,

And see the flash of eyes still nobly bright

But in the "Bigside scrimmage" lost to sight.

Old loves, old rivalries, old happy times,

These well may move your memory and my rhymes;

These are the Past; but there is that, my friend,

Between us two, that has nor time nor end.

Though wide apart the lines our fate has traced

Since those far shadows of our boyhood raced,

In the dim region all men must explore—

The mind's Thibet, where none has gone before—

Rounding some shoulder of the lonely trail

We met once more, and raised a lusty hail.

"Forward!" cried one, "for us no beaten track,

No city continuing, no turning back:

The past we love not for its being past,

But for its hope and ardour forward cast:

The victories of our youth we count for gain

Only because they steeled our hearts to pain,

And hold no longer even Clifton great

Save as she schooled our wills to serve the State.

{219}

Nay, England's self, whose thousand-year-old name

Burns in our blood like ever-smouldering flame,

Whose Titan shoulders as the world are wide

And her great pulses like the Ocean tide,

Lives but to bear the hopes we shall not see—

Dear mortal Mother of the race to be."

Thereto you answered, "Forward! in God's name;

I own no lesser law, no narrower claim.

A freeman's Reason well might think it scorn

To toil for those who may be never born,

But for some Cause not wholly out of ken,

Some all-directing Will that works with men,

Some Universal under which may fall

The minor premiss of our effort small;

In Whose unending purpose, though we cease,

We find our impulse and our only peace."

So passed our greeting, till we turned once more,

I to my desk and you to rule Indore.

To meet again—ah! when? Yet once we met,

And to one dawn our faces still are set.

EXETER,

September 10, 1904.

* In the school quadrangle at Clifton, the site from which, upon occasion, the grand stand used to overlook the Close, is now occupied by the Memorial to those Cliftonians who fell in the South African War.

{220}

An Essay on Criticism

'Tis hard to say if greater waste of time

Is seen in writing or in reading rhyme;

But, of the two, less dangerous it appears

To tire our own than poison others' ears.

Time was, the owner of a peevish tongue,

The pebble of his wrath unheeding flung,

Saw the faint ripples touch the shore and cease,

And in the duckpond all again was peace.

But since that Science on our eyes hath laid

The wondrous clay from her own spittle made,

We see the widening ripples pass beyond,

The pond becomes the world, the world a pond,

All ether trembles when the pebble falls,

And a light word may ring in starry halls.

When first on earth the swift iambic ran

Men here and there were found but nowhere Man.

From whencesoe'er their origin they drew,

Each on its separate soil the species grew,

And by selection, natural or not,

Evolved a fond belief in one small spot.

The Greek himself, with all his wisdom, took

For the wide world his bright Aegean nook,

{221}

For fatherland, a town, for public, all

Who at one time could hear the herald bawl:

For him barbarians beyond his gate

Were lower beings, of a different date;

He never thought on such to spend his rhymes,

And if he did, they never read the Times.

Now all is changed, on this side and on that,

The Herald's learned to print and pass the hat;

His tone is so much raised that, far or near,

All with a sou to spend his news may hear,—

And who but, far or near, the sou affords

To learn the worst of foreigners and lords!

So comes the Pressman's heaven on earth, wherein

One touch of hatred proves the whole world kin—

"Our rulers are the best, and theirs the worst,

Our cause is always just and theirs accurst,

Our troops are heroes, hirelings theirs or slaves,

Our diplomats but children, theirs but knaves,

Our Press for independence justly prized,

Theirs bought or blind, inspired or subsidized.

For the world's progress what was ever made

Like to our tongue, our Empire and our trade?"

So chant the nations, till at last you'd think

Men could no nearer howl to folly's brink;

Yet some in England lately won renown

By howling word for word, but upside down.

But where, you cry, could poets find a place

(If poets we possessed) in this disgrace?

{222}

Mails will be mails, Reviews must be reviews,

But why the Critic with the Bard confuse?

Alas! Apollo, it must be confessed

Has lately gone the way of all the rest.

No more alone upon the far-off hills

With song serene the wilderness he fills,

But in the forum now his art employs

And what he lacks in knowledge gives in noise.

At first, ere he began to feel his feet,

He begged a corner in the hindmost sheet,

Concealed with Answers and Acrostics lay,

And held aloof from Questions of the Day.

But now, grown bold, he dashes to the front,

Among the leaders bears the battle's brunt,

Takes steel in hand, and cheaply unafraid

Spurs a lame Pegasus on Jameson's Raid,

Or pipes the fleet in melodrama's tones

To ram the Damned on their Infernal Thrones.

Sure, Scriblerus himself could scarce have guessed

The Art of Sinking might be further pressed:

But while these errors almost tragic loom

The Indian Drummer has but raised a boom.

"So well I love my country that the man

Who serves her can but serve her on my plan;

Be slim, be stalky, leave your Public Schools

To muffs like Bobs and other flannelled fools;

The lordliest life (since Buller made such hay)

Is killing men two thousand yards away;

{223}

You shoot the pheasant, but it costs too much

And does not tend to decimate the Dutch;

Your duty plainly then before you stands,

Conscription is the law for seagirt lands;

Prate not of freedom! Since I learned to shoot

I itch to use my ammunition boot."

An odd way this, we thought, to criticize—

This barrackyard "Attention! d—— your eyes!"

But England smiled and lightly pardoned him,

For was he not her Mowgli and her Kim?

But now the neighbourhood remonstrance roars,

He's naughty still, and naughty out of doors.

'Tis well enough that he should tell Mamma

Her sons are tired of being what they are,

But to give friendly bears, expecting buns,

A paper full of stale unwholesome Huns—

One might be led to think, from all this work,

That little master's growing quite a Turk.

O Rudyard, Rudyard, in our hours of ease

(Before the war) you were not hard to please:

You loved a regiment whether fore or aft,

You loved a subaltern, however daft,

You loved the very dregs of barrack life,

The amorous colonel and the sergeant's wife.

You sang the land where dawn across the Bay

Comes up to waken queens in Mandalay,

The land where comrades sleep by Cabul ford,

And Valour, brown or white, is Borderlord,

{224}

The secret Jungle-life of child and beast,

And all the magic of the dreaming East.

These, these we loved with you, and loved still more

The Seven Seas that break on Britain's shore,

The winds that know her labour and her pride,

And the Long Trail whereon our fathers died.

In that Day's Work be sure you gained, my friend,

If not the critic's name, at least his end;

Your song and story might have roused a slave

To see life bodily and see it brave.

With voice so genial and so long of reach

To your Own People you the Law could preach,

And even now and then without offence

To Lesser Breeds expose their lack of sense.

Return, return! and let us hear again

The ringing engines and the deep-sea rain,

The roaring chanty of the shore-wind's verse,

Too bluff to bicker and too strong to curse.

Let us again with hearts serene behold

The coastwise beacons that we knew of old;

So shall you guide us when the stars are veiled,

And stand among the Lights that never Failed.

{225}

Le Byron de Nos Jours; or, The

English Bar and Cross Reviewers.

Still must I hear?—while Austin prints his verse

And Satan's sorrows fill Corelli's purse,

Must I not write lest haply some K.C.

To flatter Tennyson should sneer at me?

Or must the Angels of the Darker Ink

No longer tell the public what to think—

Must lectures and reviewing all be stayed

Until they're licensed by the Board of Trade?

Prepare for rhyme—I'll risk it—bite or bark

I'll stop the press for neither Gosse nor Clarke.

O sport most noble, when two cocks engage

With equal blindness and with equal rage!

When each, intent to pick the other's eye,

Sees not the feathers from himself that fly,

And, fired to scorch his rival's every bone,

Ignores the inward heat that grills his own;

Until self-plucked, self-spitted and self-roast,

Each to the other serves himself on toast.

But stay, but stay, you've pitched the key, my Muse,

A semi-tone too low for great Reviews;

{226}

Such penny whistling suits the cockpit's hum,

But here's a scene deserves the biggest drum.

Behold where high above the clamorous town

The vast Cathedral-towers in peace look down:

Hark to the entering crowd's incessant tread—

They bring their homage to the mighty dead.

Who in silk gown and fullest-bottomed wig

Approaches yonder, with emotion big?

Room for Sir Edward! now we shall be told

Which shrines are tin, which silver and which gold.

'Tis done! and now by life-long habit bound

He turns to prosecute the crowd around;

Indicts and pleads, sums up the pro and con,

The verdict finds and puts the black cap on.

"Prisoners, attend! of Queen Victoria's day

I am the Glory, you are the Decay.

You cannot think like Tennyson deceased,

You do not sing like Browning in the least.

Of Tennyson I sanction every word,

Browning I cut to something like one-third:

Though, mind you this, immoral he is not,

Still quite two-thirds I hope will be forgot.

He was to poetry a Tom Carlyle—

And that reminds me, Thomas too was vile.

He wrote a life or two, but parts, I'm sure,

Compared with other parts are very poor.

{227}

Now Dickens—most extraordinary—dealt

In fiction with what people really felt.

That proves his genius. Thackeray again

Is so unequal as to cause me pain.

And last of all, with History to conclude,

I've read Macaulay and I've heard of Froude.

That list, with all deductions, Gentlemen,

Will show that 'now' is not the same as 'then'.

If you believe the plaintiff you'll declare

That English writers are not what they were."

Down sits Sir Edward with a glowing breast,

And some applause is instantly suppressed.

Now up the nave of that majestic church

A quick uncertain step is heard to lurch.

Who is it? no one knows; but by his mien

He's the head verger, if he's not the Dean.

"What fellow's this that dares to treat us so?

This is no place for lawyers, out you go!

He is a brawler, Sir, who here presumes

To move our laurels and arrange our tombs.

Suppose that Meredith or Stephen said

(Or do you think those gentlemen are dead?)

This age has borne no advocates of rank,

Would not your face in turn be rather blank?

Come now, I beg you, go without a fuss,

And leave these high and heavenly things to us;

You may perhaps be some one, at the Bar,

But you are not in Orders, and we are."

{228}

Sir Edward turns to go, but as he wends,

One swift irrelevant retort he sends.

"Your logic and your taste I both disdain,

You've quoted wrong from Jonson and Montaigne."

The shaft goes home, and somewhere in the rear

Birrell in smallest print is heard to cheer.

And yet—and yet—conviction's not complete:

There was a time when Milton walked the street,

And Shakespeare singing in a tavern dark

Would not have much impressed Sir Edward Clarke.

To be alive—ay! there's the damning thing,

For who will buy a bird that's on the wing?

Catch, kill and stuff the creature, once for all,

And he may yet adorn Sir Edward's hall;

But while he's free to go his own wild way

He's not so safe as birds of yesterday.

In fine, if I must choose—although I see

That both are wrong—Great Gosse! I'd rather be

A critic suckled in an age outworn

Than a blind horse that starves knee-deep in corn.

NOTE.—The foregoing parody, which first appeared in The Monthly Review some years ago, was an attempt to sum up and commemorate a literary discussion of the day. On Saturday night, November 15, 1902, at the Working Men's College, Great Ormond Street, Sir Edward Clarke, K.C., delivered an address on "The Glory and Decay of English Literature in the Reign of Victoria." 'Sir Edward Clarke, who mentioned incidentally that he lectured at the college forty years ago, said that there was a rise from the {229} beginning of that reign to the period 1850-60, and that from the latter date there had been a very strange and lamentable decline to the end of the reign, would he thought, be amply demonstrated. A glorious galaxy of talent adorned the years 1850-60. There were two great poets, two great novelists, and two great historians. The two great poets were Alfred Tennyson and Robert Browning. The first named would always stand at the head of the literature of the Victorian period. There was no poet in the whole course of our history whose works were more likely to live as a complete whole than he, and there was not a line which his friends would wish to see blotted out. Robert Browning was a poet of strange inequality and of extraordinary and fantastic methods in his composition. However much one could enjoy some of his works, one could only hope that two-thirds of them would be as promptly as possible forgotten—not, however, from any moral objection to what he wrote. He was the Carlyle of poetry. By his Lives of Schiller and Sterling, Carlyle showed that he could write beautiful and pure English, but that he should descend to the style of some of his later works was a melancholy example of misdirected energy. . . . Charles Dickens was perhaps the most extraordinary genius of those who had endeavoured to deal with fiction as illustrative of the actual experiences of life. With Dickens there stood the great figure of Thackeray, who had left a great collection of books, very unequal in their quality, but containing amongst them some of the finest things ever written in the English tongue. The two great historians were Macaulay and Froude. To-day we had no great novelist. Would anyone suggest we had a poet? (Laughter.) After the year 1860 there were two great names in poetry—the two Rossettis. There had been no book produced in the last ten years which could compete with any one of the books produced from 1850 to 1860.'

To this Mr. Edmund Gosse replied a week later at the Dinner of the Encyclopaedia Britannica. He reminded his audience that even the most perspicuous people in past times had made the grossest blunders when they judged their own age. Let them remember the insensibility of Montaigne to the merits of all his contemporaries. In the next age, and in their own country, Ben Jonson took occasion at the very moment when Shakespeare was producing his masterpieces, to lament the total decay of poetry in England. We could not see the trees for the wood behind them, but we ought to be confident they were growing all the time.

{230}

Mr. Gosse also wrote to the Times on behalf of "the Profession" of Letters, reminding Sir Edward of the names of Swinburne and William Morris, Hardy and Stevenson, Creighton and Gardiner, and asking what would be the feelings of the learned gentleman if Meredith or Leslie Stephen (of whose existence he was perhaps unaware) should put the question in public, "Would anyone suggest we have an Advocate?"

Sir Edward, in his rejoinder, had no difficulty in showing that Mr.

Gosse's citation of Montaigne and Jonson was not verbally exact. Mr.

Birrell added some comments which were distinguished by being printed

in type of a markedly different size.

To the author of these lines, the controversy appears so typical and so likely to arise again, that he desires to record, in however slight a form, his recollection of it, and his own personal bias, which is in no degree lessened by reconsideration after ten years.

{231}

NOTES

Drake's Drum.—A State drum, painted with the arms of Sir Francis Drake, is preserved among other relics at Buckland Abbey, the seat of the Drake family in Devon.

The fighting Téméraire.—The last two stanzas have been misunderstood. It seems, therefore, necessary to state that they are intended to refer to Turner's picture in the National Gallery of "The Fighting Téméraire tugged to her Last Berth."

San Stefano.—Sir Peter Parker was the son of Admiral Christopher Parker, grandson of Admiral Sir Peter Parker (the life-long friend and chief mourner of Nelson), and great-grandson of Admiral Sir William Parker. On his mother's side he was grandson of Admiral Byron, and first cousin of Lord Byron, the poet. He was killed in action near Baltimore in 1814, and buried in St. Margaret's, Westminster, where may be seen the monument erected to his memory by the officers of the Menelaus.

The Quarter-Gunner's Yarn.—This ballad is founded on fragmentary lines communicated to the author by Admiral Sir Windham Hornby, K.C.B., who served under Sir Thomas Hardy in 1827. For an account of Cheeks the Marine see Marryat's Peter Simple.

Vae Victis.—See Livy, xxx., 43; Diodorus Siculus, xix., 106.

Seringapatam.—In 1780, while attempting to relieve Arcot, a British force of three thousand men was cut to pieces by Hyder Ali. Baird, then a young captain in the 73rd, was left for dead on the field. He was afterwards, with forty-nine other officers, kept in prison at Seringapatam, and treated with Oriental barbarity and treachery by Hyder Ali and his son Tippoo Sahib, Sultans of Mysore. Twenty-three of the prisoners died by poison, torture, and fever; the rest were surrendered in 1784. In 1799, at the Siege of Seringapatam, Major-General Baird commanded the first European brigade, and volunteered to lead the storming column. {232} Tippoo Sahib, with eight thousand of his men, fell in the assault, but the victor spared the lives of his sons, and forbade a general sack of the city.

Clifton Chapel.—Thirty-five Old Cliftonian officers served in the campaign of 1897 on the Indian Frontier, of whom twenty-two were mentioned in despatches, and six recommended for the Distinguished Service Order. Of the three hundred Cliftonians who served in the war in South Africa, thirty were killed in action and fourteen died of wounds or fever.

"Clifton, remember these thy sons who fell

Fighting far over sea;

For they in a dark hour remembered well

Their warfare learned of thee."

The Echo.—The ballad was "The Twa Sisters of Binnorie," as set by Arthur Somervell.

Sráhmandázi.—This ballad is founded on materials given to the author by the late Miss Mary Kingsley on her return from her last visit to the Bantu peoples of West Africa. The song-net, as described by her, resembles a long piece of fishing-net folded, and is carried by the Songman over his shoulder. When opened and laid before an audience, it is seen to contain "tokens"—such as a leopard's paw, a child's hair, a necklet, or a dried fish—sewn firmly to the meshes of the net. These form a kind of symbolical index to the Songman's repertory: the audience make their choice by laying a hand upon any token which appears desirable. The last of the tokens is that which represents the Song of Dying or Song of Sráhmandázi. It is a shapeless piece of any substance, and is recognized only by its position in the net. The song, being unintelligible to the living, is never asked for until the moment of death.

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

POEMS: NEW AND OLD

LONDON

TO

PAGE

II.

III.

V.

II

SONG

THE POET

THE POET

THE POET

THE LADY

THE POET

THE LADY

THE LADY

THE POET

THE LADY

THE POET

THE POET

THE LADY

THE POET

THE LADY

THE LADY

THE POET

THE LADY

THE POET

THE FULL PROJECT GUTENBERG LICENSE