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Title: The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)

Author: Samuel Taylor Coleridge and Ernest Hartley Coleridge

Release Date: June 11, 2009 [EBook #29091]

Language: English

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THE

COMPLETE POETICAL WORKS

OF

SAMUEL TAYLOR COLERIDGE

INCLUDING

POEMS AND VERSIONS OF POEMS NOW

PUBLISHED FOR THE FIRST TIME

EDITED

WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES

BY

ERNEST HARTLEY COLERIDGE

M.A., HON. F.R.S.L.

IN TWO VOLUMES

VOL. I: POEMS

OXFORD

AT THE CLARENDON PRESS

1912

HENRY FROWDE, M.A.

PUBLISHER TO THE UNIVERSITY OF OXFORD

LONDON, EDINBURGH, NEW YORK

TORONTO AND MELBOURNE

PREFACE

The aim and purport of this edition of the Poetical Works of Samuel Taylor Coleridge is to provide the general reader with an authoritative list of the poems and dramas hitherto published, and at the same time to furnish the student with an exhaustive summary of various readings derived from published and unpublished sources, viz. (1) the successive editions issued by the author, (2) holograph MSS., or (3) contemporary transcriptions. Occasion has been taken to include in the Text and Appendices a considerable number of poems, fragments, metrical experiments and first drafts of poems now published for the first time from MSS. in the British Museum, from Coleridge's Notebooks, and from MSS. in the possession of private collectors.

The text of the poems and dramas follows that of the last edition of the Poetical Works published in the author's lifetime—the three-volume edition issued by Pickering in the spring and summer of 1834.

I have adopted the text of 1834 in preference to that of 1829, which was selected by James Dykes Campbell for his monumental edition of 1893. I should have deferred to his authority but for the existence of conclusive proof that, here and there, Coleridge altered and emended the text of 1829, with a view to the forthcoming edition of 1834. In the Preface to the 'new edition' of 1852, the editors maintain that the three-volume edition of 1828 (a mistake for 1829) was the last upon which Coleridge was 'able to bestow personal care and attention', while that of 1834 was 'arranged mainly if not entirely at the discretion of his latest editor, H. N. Coleridge'. This, no doubt, was perfectly true with regard to the choice and arrangement of the poems, and the labour of seeing the three volumes through the press; but the fact remains that the text of 1829 differs from that of 1834, and that Coleridge himself, and not his 'latest editor', was responsible for that difference.

I have in my possession the proof of the first page of the 'Destiny of Nations' as it appeared in 1828 and 1829. Line 5 ran thus: 'The Will, the Word, the Breath, the Living God.' This line is erased and line 5 of 1834 substituted: 'To the Will Absolute, the One, the Good' and line 6, 'The I AM, the Word, the Life, the Living God,' is added, and, in 1834, appeared for the first time. Moreover, in the 'Songs of the Pixies', lines 9, 11, 12, 15, 16, as printed in 1834, differ from the readings of 1829 and all previous editions. Again, in 'Christabel' lines 6, 7 as printed in 1834 differ from the versions of 1828, 1829, and revert to the original reading of the MSS. and the First Edition. It is inconceivable that in Coleridge's lifetime and while his pen was still busy, his nephew should have meddled with, or remodelled, the master's handiwork.

The poems have been printed, as far as possible, in chronological order, but when no MS. is extant, or when the MS. authority is a first draft embodied in a notebook, the exact date can only be arrived at by a balance of probabilities. The present edition includes all poems and fragments published for the first time in 1893. Many of these were excerpts from the Notebooks, collected, transcribed, and dated by myself. Some of the fragments (vide post, p. 996, n. 1) I have since discovered are not original compositions, but were selected passages from elder poets—amongst them Cartwright's lines, entitled 'The Second Birth', which are printed on p. 362 of the text; but for their insertion in the edition of 1893, for a few misreadings of the MSS., and for their approximate date, I was mainly responsible.

In preparing the textual and bibliographical notes which are now printed as footnotes to the poems I was constantly indebted for information and suggestions to the Notes to the Poems (pp. 561-654) in the edition of 1893. I have taken nothing for granted, but I have followed, for the most part, where Dykes Campbell led, and if I differ from his conclusions or have been able to supply fresh information, it is because fresh information based on fresh material was at my disposal.

No apology is needed for publishing a collation of the text of Coleridge's Poems with that of earlier editions or with the MSS. of first drafts and alternative versions. The first to attempt anything of the kind was Richard Herne Shepherd, the learned and accurate editor of the Poetical Works in four volumes, issued by Basil Montagu Pickering in 1877. Important variants are recorded by Mr. Campbell in his Notes to the edition of 1893; and in a posthumous volume, edited by Mr. Hale White in 1899 (Coleridge's Poems, &c.), the corrected parts of 'Religious Musings', the MSS. of 'Lewti', the 'Introduction to the Dark Ladié', and other poems are reproduced in facsimile. Few poets have altered the text of their poems so often, and so often for the better, as Coleridge. He has been blamed for 'writing so little', for deserting poetry for metaphysics and theology; he has been upbraided for winning only to lose the 'prize of his high calling'. Sir Walter Scott, one of his kindlier censors, rebukes him for 'the caprice and indolence with which he has thrown from him, as if in mere wantonness, those unfinished scraps of poetry, which like the Torso of antiquity defy the skill of his poetical brethren to complete them'. But whatever may be said for or against Coleridge as an 'inventor of harmonies', neither the fineness of his self-criticism nor the laborious diligence which he expended on perfecting his inventions can be gainsaid. His erasures and emendations are not only a lesson in the art of poetry, not only a record of poetical growth and development, but they discover and reveal the hidden springs, the thoughts and passions of the artificer.

But if this be true of a stanza, a line, a word here or there, inserted as an afterthought, is there use or sense in printing a number of trifling or, apparently, accidental variants? Might not a choice have been made, and the jots and tittles ignored or suppressed?

My plea is that it is difficult if not impossible to draw a line above which a variant is important and below which it is negligible; that, to use a word of the poet's own coining, his emendations are rarely if ever 'lightheartednesses'; and that if a collation of the printed text with MSS. is worth studying at all the one must be as decipherable as the other. Facsimiles are rare and costly productions, and an exhaustive table of variants is the nearest approach to a substitute. Many, I know, are the shortcomings, too many, I fear, are the errors in the footnotes to this volume, but now, for the first time, the MSS. of Coleridge's poems which are known to be extant are in a manner reproduced and made available for study and research.

Six poems of some length are now printed and included in the text of the poems for the first time.

The first, 'Easter Holidays' (p. 1), is unquestionably a 'School-boy Poem', and was written some months before the author had completed his fifteenth year. It tends to throw doubt on the alleged date of 'Time, Real and Imaginary'.

The second,'An Inscription for a Seat,' &c. (p. 349), was first published in the Morning Post, on October 21, 1800, Coleridge's twenty-eighth birthday. It remains an open question whether it was written by Coleridge or by Wordsworth. Both were contributors to the Morning Post. Both wrote 'Inscriptions'. Both had a hand in making the 'seat'. Neither claimed or republished the poem. It favours or, rather, parodies the style and sentiments now of one and now of the other.

The third, 'The Rash Conjurer' (p. 399), must have been read by H. N. Coleridge, who included the last seven lines, the 'Epilogue', in the first volume of Literary Remains, published in 1836. I presume that, even as a fantasia, the subject was regarded as too extravagant, and, it may be, too coarsely worded for publication. It was no doubt in the first instance a 'metrical experiment', but it is to be interpreted allegorically. The 'Rash Conjurer', the âme damnée, is the adept in the black magic of metaphysics. But for that he might have been like his brothers, a 'Devonshire Christian'.

The fourth, 'The Madman and the Lethargist' (p. 414), is an expansion of an epigram in the Greek Anthology. It is possible that it was written in Germany in 1799, and is contemporary with the epigrams published in the Morning Post in 1802, for the Greek original is quoted by Lessing in a critical excursus on the nature of an epigram.

The fifth, 'Faith, Hope, and Charity' (p. 427), was translated from the Italian of Guarini at Calne, in 1815.

Of the sixth, 'The Delinquent Travellers' (p. 443), I know nothing save that the MS., a first copy, is in Coleridge's handwriting. It was probably written for and may have been published in a newspaper or periodical. It was certainly written at Highgate.

Of the epigrams and jeux d'esprit eight are now published for the first time, and of the fragments from various sources twenty-seven have been added to those published in 1893.

Of the first drafts and alternative versions of well-known poems thirteen are now printed for the first time. Two versions of 'The Eolian Harp', preserved in the Library of Rugby School, and the dramatic fragment entitled 'The Triumph of Loyalty', are of especial interest and importance.

An exact reproduction of the text of the 'Ancyent Marinere' as printed in an early copy of the Lyrical Ballads of 1798 which belonged to S. T. Coleridge, and a collation of the text of the 'Introduction to the Tale of the Dark Ladié', as published in the Morning Post, Dec. 21, 1799, with two MSS. preserved in the British Museum, are included in Appendix No. I.

The text of the 'Allegoric Vision' has been collated with the original MS. and with the texts of 1817 and 1829.

A section has been devoted to 'Metrical Experiments'; eleven out of thirteen are now published for the first time. A few critical notes by Professor Saintsbury are, with his kind permission, appended to the text.

Numerous poems and fragments of poems first saw the light in 1893; and now again, in 1912, a second batch of newly-discovered, forgotten, or purposely omitted MSS. has been collected for publication. It may reasonably be asked if the tale is told, or if any MSS. have been retained for publication at a future date. I cannot answer for fresh discoveries of poems already published in newspapers and periodicals, or of MSS. in private collections, but I can vouch for a final issue of all poems and fragments of poems included in the collection of Notebooks and unassorted MSS. which belonged to Coleridge at his death and were bequeathed by him to his literary executor, Joseph Henry Green. Nothing remains which if published in days to come could leave the present issue incomplete.

A bibliography of the successive editions of poems and dramas published by Coleridge himself and of the principal collected and selected editions which have been published since 1834 follows the Appendices to this volume. The actual record is long and intricate, but the history of the gradual accretions may be summed up in a few sentences. 'The Fall of Robespierre' was published in 1795. A first edition, entitled 'Poems on Various Subjects', was published in 1796. Second and third editions, with additions and subtractions, followed in 1797 and 1803. Two poems, 'The Rime of the Ancyent Marinere' and 'The Nightingale, a Conversation Poem', and two extracts from an unpublished drama ('Osorio') were included in the Lyrical Ballads of 1798. A quarto pamphlet containing three poems, 'Fears in Solitude,' 'France: An Ode,' 'Frost at Midnight,' was issued in the same year. 'Love' was first published in the second edition of the Lyrical Ballads, 1800. 'The Three Graves,' 'A Hymn before Sunrise, &c.,' and 'Idoloclastes Satyrane', were included in the Friend (Sept.-Nov., 1809). 'Christabel,' 'Kubla Khan,' and 'The Pains of Sleep' were published by themselves in 1816. Sibylline Leaves, which appeared in 1817 and was described as 'A Collection of Poems', included the contents of the editions of 1797 and 1803, the poems published in the Lyrical Ballads of 1798, 1800, and the quarto pamphlet of 1798, but excluded the contents of the first edition (except the 'Eolian Harp'), 'Christabel', 'Kubla Khan', and 'The Pains of Sleep'. The first collected edition of the Poetical Works (which included a selection of the poems published in the three first editions, a reissue of Sibylline Leaves, the 'Wanderings of Cain', a few poems recently contributed to periodicals, and the following dramas—the translation of Schiller's 'Piccolomini', published in 1800, 'Remorse'—a revised version of 'Osorio'—published in 1813, and 'Zapolya', published in 1817) was issued in three volumes in 1828. A second collected edition in three volumes, a reissue of 1828, with an amended text and the addition of 'The Improvisatore' and 'The Garden of Boccaccio', followed in 1829.

Finally, in 1834, there was a reissue in three volumes of the contents of 1829 with numerous additional poems then published or collected for the first time. The first volume contained twenty-six juvenilia printed from letters and MS. copybooks which had been preserved by the poet's family, and the second volume some forty 'Miscellaneous Poems', extracted from the Notebooks or reprinted from newspapers. The most important additions were 'Alice du Clos', then first published from MS., 'The Knight's Tomb' and the 'Epitaph'. 'Love, Hope, and Patience in Education', which had appeared in the Keepsake of 1830, was printed on the last page of the third volume.

After Coleridge's death the first attempt to gather up the fragments of his poetry was made by his 'latest editor' H. N. Coleridge in 1836. The first volume of Literary Remains contains the first reprint of 'The Fall of Robespierre', some thirty-six poems collected from the Watchman, the Morning Post, &c., and a selection of fragments then first printed from a MS. Notebook, now known as 'the Gutch Memorandum Book'.

H. N. Coleridge died in 1843, and in 1844 his widow prepared a one-volume edition of the Poems, which was published by Pickering. Eleven juvenilia which had first appeared in 1834 were omitted and the poems first collected in Literary Remains were for the first time included in the text. In 1850 Mrs. H. N. Coleridge included in the third volume of the Essays on His Own Times six poems and numerous epigrams and jeux d'esprit which had appeared in the Morning Post and Courier. This was the first reprint of the Epigrams as a whole. A 'new edition' of the Poems which she had prepared in the last year of her life was published immediately after her death (May, 1852) by Edward Moxon. It was based on the one-volume edition of 1844, with unimportant omissions and additions; only one poem, 'The Hymn', was published for the first time from MS.

In the same year (1852) the Dramatic Works (not including 'The Fall of Robespierre'), edited by Derwent Coleridge, were published in a separate volume.

In 1863 and 1870 the 'new edition' of 1852 was reissued by Derwent Coleridge with an appendix containing thirteen poems collected for the first time in 1863. The reissue of 1870 contained a reprint of the first edition of the 'Ancient Mariner'.

The first edition of the Poetical Works, based on all previous editions, and including the contents of Literary Remains (vol. i) and of Essays on His Own Times (vol. iii), was issued by Basil Montagu Pickering in four volumes in 1877. Many poems (including 'Remorse') were collated for the first time with the text of previous editions and newspaper versions by the editor, Richard Herne Shepherd. The four volumes (with a Supplement to vol. ii) were reissued by Messrs. Macmillan in 1880.

Finally, in the one-volume edition of the Poetical Works issued by Messrs. Macmillan in 1893, J. D. Campbell included in the text some twenty poems and in the Appendix a large number of poetical fragments and first drafts then printed for the first time from MS.

The frontispiece of this edition is a photogravure by Mr. Emery Walker, from a pencil sketch (circ. 1818) by C. R. Leslie, R.A., in the possession of the Editor. An engraving of the sketch, by Henry Meyer, is dated April, 1819.

The vignette on the title-page is taken from the impression of a seal, stamped on the fly-leaf of one of Coleridge's Notebooks.

I desire to express my thanks to my kinsman Lord Coleridge for opportunity kindly afforded me of collating the text of the fragments first published in 1893 with the original MSS. in his possession, and of making further extracts; to Mr. Gordon Wordsworth for permitting me to print a first draft of the poem addressed to his ancestor on the 'Growth of an Individual Mind'; and to Miss Arnold of Fox How for a copy of the first draft of the lines 'On Revisiting the Sea-shore'.

I have also to acknowledge the kindness and courtesy of the Authorities of Rugby School, who permitted me to inspect and to make use of an annotated copy of Coleridge's translation of Schiller's 'Piccolomini', and to publish first drafts of 'The Eolian Harp' and other poems which had formerly belonged to Joseph Cottle and were presented by Mr. Shadworth Hodgson to the School Library.

I am indebted to my friend Mr. Thomas Hutchinson for valuable information with regard to the authorship of some of the fragments, and for advice and assistance in settling the text of the 'Metrical Experiments' and other points of difficulty.

I have acknowledged in a prefatory note to the epigrams my obligation to Dr. Hermann Georg Fiedler, Taylorian Professor of the German Language and Literature at Oxford, in respect of his verifications of the German originals of many of the epigrams published by Coleridge in the Morning Post and elsewhere.

Lastly, I wish to thank Mr. H. S. Milford for the invaluable assistance which he afforded me in revising my collation of the 'Songs of the Pixies' and the 'Introduction to the Tale of the Dark Ladié', and some of the earlier poems, and the Reader of the Oxford University Press for numerous hints and suggestions, and for the infinite care which he has bestowed on the correction of slips of my own or errors of the press.

ERNEST HARTLEY COLERIDGE.

CONTENTS OF THE TWO VOLUMES

VOLUME I

PAGE

PREFACE

iii

1787

Easter Holidays. [MS. Letter, May 12, 1787.]

1

Dura Navis. [B. M. Add. MSS. 34,225]

2

Nil Pejus est Caelibe Vitâ. [Boyer's Liber Aureus.]

4

1788

Sonnet: To the Autumnal Moon

5

1789

Anthem for the Children of Christ's Hospital. [MS. O.]

5

Julia. [Boyer's Liber Aureus.]

6

Quae Nocent Docent. [Boyer's Liber Aureus.]

7

The Nose. [MS. O.]

8

To the Muse. [MS. O.]

9

Destruction of the Bastile. [MS. O.]

10

Life. [MS. O.]

11

1790

Progress of Vice. [MS. O.: Boyer's Liber Aureus.]

12

Monody on the Death of Chatterton. (First version.) [MS. O.: Boyer's Liber Aureus.]

13

An Invocation. [J. D. C.]

16

Anna and Harland. [MS. J. D. C.]

16

To the Evening Star. [MS. O.]

16

Pain. [MS. O.]

17

On a Lady Weeping. [MS. O. (c).]

17

Monody on a Tea-kettle. [MSS. O., S. T. C.]

18

Genevieve. [MSS. O., E.]

19

1791

On receiving an Account that his Only Sister's Death was Inevitable. [MS. O.]

20

On seeing a Youth Affectionately Welcomed by a Sister

21

A Mathematical Problem. [MS. Letter, March 31, 1791: MS. O. (c).]

21

Honour. [MS. O.]

24

On Imitation. [MS. O.]

26

Inside the Coach. [MS. O.]

26

Devonshire Roads. [MS. O.]

27

Music. [MS. O.]

28

Sonnet: On quitting School for College. [MS. O.]

29

Absence. A Farewell Ode on quitting School for Jesus College, Cambridge. [MS. E.]

29

Happiness. [MS. Letter, June 22, 1791: MS. O. (c).]

30

1792

A Wish. Written in Jesus Wood, Feb. 10, 1792. [MS. Letter, Feb. 13, [1792].]

33

An Ode in the Manner of Anacreon. [MS. Letter, Feb. 13, [1792].]

33

To Disappointment. [MS. Letter, Feb. 13, [1792].]

34

A Fragment found in a Lecture-room. [MS. Letter, April [1792], MS. E.]

35

Ode. ('Ye Gales,' &c.) [MS. E.]

35

A Lover's Complaint to his Mistress. [MS. Letter, Feb. 13, [1792].]

36

With Fielding's 'Amelia.' [MS. O.]

37

Written after a Walk before Supper. [MS. Letter, Aug. 9, [1792].]

37

1793

Imitated from Ossian. [MS. E.]

38

The Complaint of Ninathóma. [MS. Letter, Feb. 7, 1793.]

39

Songs of the Pixies. [MS. 4o: MS. E.]

40

The Rose. [MS. Letter, July 28, 1793: MS. (pencil) in Langhorne's Collins: MS. E.]

45

Kisses. [MS. Letter, Aug. 5, 1793: MS. (pencil) in Langhorne's Collins: MS. E.]

46

The Gentle Look. [MS. Letter, Dec. 11. 1794: MS. E.]

47

Sonnet: To the River Otter

48

An Effusion at Evening. Written in August 1792. (First Draft.) [MS. E.]

49

Lines: On an Autumnal Evening

51

To Fortune

54

1794

Perspiration. A Travelling Eclogue. [MS. Letter, July 6, 1794.]

56

[Ave, atque Vale!] ('Vivit sed mihi,' &c.) [MS. Letter, July 13, [1794].]

56

On Bala Hill. [Morrison MSS.]

56

Lines: Written at the King's Arms, Ross, formerly the House of the 'Man of Ross'. [MS. Letter, July 13, 1794: MS. E: Morrison MSS: MS. 4o.]

57

Imitated from the Welsh. [MS. Letter, Dec. 11, 1794: MS. E.]

58

Lines: To a Beautiful Spring in a Village. [MS. E.]

58

Imitations: Ad Lyram. (Casimir, Book II, Ode 3.) [MS. E.]

59

To Lesbia. [Add. MSS. 27,702]

60

The Death of the Starling. [ibid.]

61

Moriens Superstiti. [ibid.]

61

Morienti Superstes. [ibid.]

62

The Sigh. [MS. Letter, Nov. 1794: Morrison MSS: MS. E.]

62

The Kiss. [MS. 4o: MS. E.]

63

To a Young Lady with a Poem on the French Revolution. [MS. Letter, Oct. 21, 1794: MS. 4o: MS. E.]

64

Translation of Wrangham's 'Hendecasyllabi ad Bruntonam e Granta Exituram' [Kal. Oct. MDCCXC]

66

To Miss Brunton with the preceding Translation

67

Epitaph on an Infant. ('Ere Sin could blight.') [MS. E.]

68

Pantisocracy. [MSS. Letters, Sept. 18, Oct. 19, 1794: MS. E.]

68

On the Prospect of establishing a Pantisocracy in America

69

Elegy: Imitated from one of Akenside's Blank-verse Inscriptions. [(No.) III.]

69

The Faded Flower

70

The Outcast

71

Domestic Peace. (From 'The Fall of Robespierre,' Act I, l. 210.)

71

On a Discovery made too late. [MS. Letter, Oct. 21, 1794.]

72

To the Author of 'The Robbers'

72

Melancholy. A Fragment. [MS. Letter, Aug. 26,1802.]

73

To a Young Ass: Its Mother being tethered near it. [MS. Oct. 24, 1794: MS. Letter, Dec. 17, 1794.]

74

Lines on a Friend who Died of a Frenzy Fever induced by Calumnious Reports. [MS. Letter, Nov. 6, 1794: MS. 4o: MS. E.]

76

To a Friend [Charles Lamb] together with an Unfinished Poem. [MS. Letter, Dec. 1794]

78

Sonnets on Eminent Characters: Contributed to the Morning Chronicle, in Dec. 1794 and Jan. 1795:—

I.

To the Honourable Mr. Erskine

79

II.

Burke. [MS. Letter, Dec. 11, 1794.]

80

III.

Priestley. [MS. Letter, Dec. 17, 1794.]

81

IV.

La Fayette

82

V.

Koskiusko. [MS. Letter, Dec. 17, 1794.]

82

VI.

Pitt

83

VII.

To the Rev. W. L. Bowles. (First Version, printed in Morning Chronicle, Dec. 26, 1794.) [MS. Letter, Dec. 11, 1794.]

84

(Second Version.)

85

VIII.

Mrs. Siddons

85

1795.

IX.

To William Godwin, Author of 'Political Justice.' [Lines 9-14, MS. Letter, Dec. 17, 1794.]

86

X.

To Robert Southey of Baliol College, Oxford, Author of the 'Retrospect' and other Poems. [MS. Letter, Dec. 17, 1794.]

87

XI.

To Richard Brinsley Sheridan, Esq. [MS. Letter, Dec. 9, 1794: MS. E.]

87

XII.

To Lord Stanhope on reading his Late Protest in the House of Lords. [Morning Chronicle, Jan. 31, 1795.]

89

To Earl Stanhope

89

Lines: To a Friend in Answer to a Melancholy Letter

90

To an Infant. [MS. E.]

91

To the Rev. W. J. Hort while teaching a Young Lady some Song-tunes on his Flute

92

Pity. [MS. E.]

93

To the Nightingale

93

Lines: Composed while climbing the Left Ascent of Brockley Coomb, Somersetshire, May 1795

94

Lines in the Manner of Spenser

94

The Hour when we shall meet again. (Composed during Illness and in Absence.)

96

Lines written at Shurton Bars, near Bridgewater, September 1795, in Answer to a Letter from Bristol

96

The Eolian Harp. Composed at Clevedon, Somersetshire. [MS. R.]

100

To the Author of Poems [Joseph Cottle] published anonymously at Bristol in September 1795

102

The Silver Thimble. The Production of a Young Lady, addressed      to the Author of the Poems alluded to in the preceding Epistle. [MS. R.]

104

Reflections on having left a Place of Retirement

106

Religious Musings. [1794-1796.]

108

Monody on the Death of Chatterton. [1790-1834.]

125

1796

The Destiny of Nations. A Vision

131

Ver Perpetuum. Fragment from an Unpublished Poem

148

On observing a Blossom on the First of February 1796

148

To a Primrose. The First seen in the Season

149

Verses: Addressed to J. Horne Tooke and the Company who met on June 28, 1796, to celebrate his Poll at the Westminster Election

150

On a Late Connubial Rupture in High Life [Prince and Princess of Wales]. [MS Letter, July 4, 1796]

152

Sonnet: On receiving a Letter informing me of the Birth of a Son. [MS. Letter, Nov. 1, 1796.]

152

Sonnet: Composed on a Journey Homeward; the Author having received Intelligence of the Birth of a Son, Sept. 20, 1796. [MS. Letter, Nov. 1, 1796.]

153

Sonnet: To a Friend who asked how I felt when the Nurse first presented my Infant to me. [MS. Letter, Nov. 1, 1796]

154

Sonnet: [To Charles Lloyd]

155

To a Young Friend on his proposing to domesticate with the Author. Composed in 1796

155

Addressed to a Young Man of Fortune [C. Lloyd]

157

To a Friend [Charles Lamb] who had declared his intention of writing no more Poetry

158

Ode to the Departing Year

160

1797

The Raven. [MS. S. T. C.]

169

To an Unfortunate Woman at the Theatre

171

To an Unfortunate Woman whom the Author had known in the days of her Innocence

172

To the Rev. George Coleridge

173

On the Christening of a Friend's Child

176

Translation of a Latin Inscription by the Rev. W. L. Bowles in Nether-Stowey Church

177

This Lime-tree Bower my Prison

178

The Foster-mother's Tale

182

The Dungeon

185

The Rime of the Ancient Mariner

186

Sonnets attempted in the Manner of Contemporary Writers

209

Parliamentary Oscillators

211

Christabel. [For MSS. vide p. 214]

213

Lines to W. L. while he sang a Song to Purcell's Music

236

1798

Fire, Famine, and Slaughter

237

Frost at Midnight

240

France: An Ode.

243

The Old Man of the Alps

248

To a Young Lady on her Recovery from a Fever

252

Lewti, or the Circassian Love-chaunt. [For MSS. vide pp. 1049-62]

253

Fears in Solitude. [MS. W.]

256

The Nightingale. A Conversation Poem

264

The Three Graves. [Parts I, II. MS. S. T. C.]

267

The Wanderings of Cain. [MS. S. T. C.]

285

To ——

292

The Ballad of the Dark Ladié

293

Kubla Khan

295

Recantation: Illustrated in the Story of the Mad Ox

299

1799

Hexameters. ('William my teacher,' &c.)

304

Translation of a Passage in Ottfried's Metrical Paraphrase of the Gospel

306

Catullian Hendecasyllables

307

The Homeric Hexameter described and exemplified

307

The Ovidian Elegiac Metre described and exemplified

308

On a Cataract. [MS. S. T. C.]

308

Tell's Birth-Place

309

The Visit of the Gods

310

From the German. ('Know'st thou the land,' &c.)

311

Water Ballad. [From the French.]

311

On an Infant which died before Baptism. ('Be rather,' &c.) [MS. Letter, Apr. 8, 1799]

312

Something Childish, but very Natural. Written in Germany. [MS. Letter, April 23, 1799.]

313

Home-Sick. Written in Germany. [MS. Letter, May 6, 1799.]

314

Lines written in the Album at Elbingerode in the Hartz Forest. [MS. Letter, May 17, 1799.]

315

The British Stripling's War-Song. [Add. MSS. 27,902]

317

Names. [From Lessing.]

318

The Devil's Thoughts. [MS. copy by Derwent Coleridge.]

319

Lines composed in a Concert-room

324

Westphalian Song

326

Hexameters. Paraphrase of Psalm xlvi. [MS. Letter, Sept. 29, 1799.]

326

Hymn to the Earth. [Imitated from Stolberg's Hymne an die Erde.] Hexameters

327

Mahomet

329

Love. [British Museum Add. MSS. No. 27,902: Wordsworth and Coleridge MSS.]

330

Ode to Georgiana, Duchess of Devonshire, on the Twenty-fourth Stanza in her 'Passage over Mount Gothard'

335

A Christmas Carol

338

1800

Talleyrand to Lord Grenville. A Metrical Epistle

340

Apologia pro Vita sua. ('The poet in his lone,' &c.) [MS. Notebook.]

345

The Keepsake

345

A Thought suggested by a View of Saddleback in Cumberland. [MS. Notebook.]

347

The Mad Monk

347

Inscription for a Seat by the Road Side half-way up a Steep Hill facing South

349

A Stranger Minstrel

350

Alcaeus to Sappho. [MS. Letter, Oct. 7, 1800.]

353

The Two Round Spaces on the Tombstone. [MS. Letter, Oct. 9, 1800: Add. MSS. 28,322]

353

The Snow-drop. [MS. S. T. C.]

356

1801

On Revisiting the Sea-shore. [MS. Letter, Aug. 15, 1801: MS. A.]

359

Ode to Tranquillity

360

To Asra. [MS. (of Christabel) S. T. C. (c).]

361

The Second Birth. [MS. Notebook.]

362

Love's Sanctuary. [MS. Notebook.]

362

1802

Dejection: An Ode. [Written April 4, 1802.] [MS. Letter, July 19, 1802: Coleorton MSS.]

362

The Picture, or the Lover's Resolution

369

To Matilda Betham from a Stranger

374

Hymn before Sun-rise, in the Vale of Chamouni. [MS. A. (1803): MS. B. (1809): MS. C. (1815).]

376

The Good, Great Man

381

Inscription for a Fountain on a Heath

381

An Ode to the Rain

382

A Day-dream. ('My eyes make pictures,' &c.)

385

Answer to a Child's Question

386

The Day-dream. From an Emigrant to his Absent Wife

386

The Happy Husband. A Fragment

388

1803

The Pains of Sleep. [MS. Letters, Sept. 11, Oct 3, 1803.]

389

1804

The Exchange

391

1805

Ad Vilmum Axiologum. [To William Wordsworth.] [MS. Notebook.]

391

An Exile. [MS. Notebook.]

392

Sonnet. [Translated from Marini.] [MS. Notebook.]

392

Phantom. [MS. Notebook.]

393

A Sunset. [MS. Notebook.]

393

What is Life? [MS. Notebook.]

394

The Blossoming of the Solitary Date-tree

395

Separation. [MS. Notebook.]

397

The Rash Conjurer. [MS. Notebook.]

399

1806

A Child's Evening Prayer. [MS. Mrs. S. T. C.]

401

Metrical Feet. Lesson for a Boy. [Lines 1-7, MS. Notebook.]

401

Farewell to Love

402

To William Wordsworth. [Coleorton MS: MS. W.]

403

An Angel Visitant. [? 1801.] [MS. Notebook.]

409

1807

Recollections of Love. [MS. Notebook.]

409

To Two Sisters. [Mary Morgan and Charlotte Brent]

410

1808

Psyche. [MS. S. T. C.]

412

1809

A Tombless Epitaph

413

For a Market-clock. (Impromptu.) [MS. Letter, Oct. 9, 1809: MS. Notebook.]

414

The Madman and the Lethargist. [MS. Notebook.]

414

1810

The Visionary Hope

416

1811

Epitaph on an Infant. ('Its balmy lips,' &c.)

417

The Virgin's Cradle-hymn

417

To a Lady offended by a Sportive Observation that Women have no Souls

418

Reason for Love's Blindness

418

The Suicide's Argument. [MS. Notebook.]

419

1812

Time, Real and Imaginary

419

An Invocation. From Remorse [Act III, Scene I, ll. 69-82]

420

1813

The Night-scene. [Add. MSS. 34,225]

421

1814

A Hymn

423

To a Lady, with Falconer's Shipwreck

424

1815

Human Life. On the Denial of Immortality

425

Song. From Zapolya (Act II, Sc. i, ll. 65-80.)

426

Hunting Song. From Zapolya (Act IV, Sc. ii, ll. 56-71)

427

Faith, Hope, and Charity. From the Italian of Guarini

427

To Nature [? 1820]

429

1817

Limbo. [MS. Notebook: MS. S. T. C.]

429

Ne Plus Ultra [? 1826]. [MS. Notebook.]

431

The Knight's Tomb

432

On Donne's Poetry [? 1818]

433

Israel's Lament

433

Fancy in Nubibus, or the Poet in the Clouds. [MS. S. T. C.]

435

1820

The Tears of a Grateful People

436

1823

Youth and Age. [MS. S. T. C.: MSS. (1, 2) Notebook.]

439

The Reproof and Reply

441

1824

First Advent of Love. [MS. Notebook.]

443

The Delinquent Travellers

443

1825

Work without Hope. Lines composed 21st February, 1825

447

Sancti Dominici Pallium. A Dialogue between Poet and Friend. [MS. S. T. C.]

448

Song. ('Though veiled,' &c.) [MS. Notebook.]

450

A Character. [Add. MSS. 34,225]

451

The Two Founts. [MS. S. T. C.]

454

Constancy to an Ideal Object

455

The Pang more Sharp than All. An Allegory

457

1826

Duty surviving Self-love. The only sure Friend of declining Life.

459

Homeless

460

Lines suggested by the last Words of Berengarius; ob. Anno Dom. 1088

460

Epitaphium Testamentarium

462

Ἔρως ἀεὶ λάληθρος ἑταῖρος

462

1827

The Improvisatore; or, 'John Anderson, My Jo, John'

462

To Mary Pridham [afterwards Mrs. Derwent Coleridge]. [MS. S. T. C.]

468

1828

Alice du Clos; or, The Forked Tongue. A Ballad. [MS. S. T. C.]

469

Love's Burial-place

475

Lines: To a Comic Author, on an Abusive Review [? 1825]. [Add. MSS. 34,225]

476

Cologne

477

On my Joyful Departure from the same City

477

The Garden of Boccaccio

478

1829

Love, Hope, and Patience in Education. [MS. Letter, July 1, 1829: MS. S. T. C.]

481

To Miss A. T.

482

Lines written in Commonplace Book of Miss Barbour, Daughter of the Minister of the U. S. A. to England

483

1830

Song, ex improviso, on hearing a Song in praise of a Lady's Beauty

483

Love and Friendship Opposite

484

Not at Home

484

Phantom or Fact. A Dialogue in Verse

484

Desire. [MS. S. T. C.]

485

Charity in Thought

486

Humility the Mother of Charity

486

[Coeli Enarrant.] [MS. S. T. C.]

486

Reason

487

1832

Self-knowledge

487

Forbearance

488

1833

Love's Apparition and Evanishment

488

To the Young Artist Kayser of Kaserwerth

490

My Baptismal Birth-day

490

Epitaph. [For six MS. versions vide Note, p. 491].

491

END OF THE POEMS

VOLUME II

DRAMATIC WORKS

1794

THE FALL OF ROBESPIERRE. An Historic Drama

495

1797

OSORIO. A Tragedy

518

1800

THE PICCOLOMINI; or, THE FIRST PART OF WALLENSTEIN. A Drama translated from the German of Schiller.

Preface to the First Edition

598

The Piccolomini

600

THE DEATH OF WALLENSTEIN. A Tragedy in Five Acts.

Preface of the Translator to the First Edition

724

The Death of Wallenstein

726

1812

REMORSE.

Preface

812

Prologue

816

Epilogue

817

Remorse. A Tragedy in Five Acts

819

1815

ZAPOLYA. A Christmas Tale in Two Parts.

Advertisement

883

Part I. The Prelude, entitled 'The Usurper's Fortune'

884

Part II. The Sequel, entitled 'The Usurper's Fate'

901

EPIGRAMS

An Apology for Spencers

951

On a Late Marriage between an Old Maid and French Petit Maître

952

On an Amorous Doctor

952

'Of smart pretty Fellows,' &c.

952

On Deputy ——

953

'To be ruled like a Frenchman,' &c.

953

On Mr. Ross, usually Cognominated Nosy

953

'Bob now resolves,' &c.

953

'Say what you will, Ingenious Youth'

954

'If the guilt of all lying,' &c.

954

On an Insignificant

954

'There comes from old Avaro's grave'

954

On a Slanderer

955

Lines in a German Student's Album

955

[Hippona]

955

On a Reader of His Own Verses

955

On a Report of a Minister's Death

956

[Dear Brother Jem]

956

Job's Luck

957

On the Sickness of a Great Minister

957

[To a Virtuous Oeconomist]

958

[L'Enfant Prodigue]

958

On Sir Rubicund Naso

958

To Mr. Pye

959

[Ninety-Eight]

959

Occasioned by the Former

959

[A Liar by Profession]

960

To a Proud Parent

960

Rufa

960

On a Volunteer Singer

960

Occasioned by the Last

961

Epitaph on Major Dieman

961

On the Above

961

Epitaph on a Bad Man (Three Versions)

961

To a Certain Modern Narcissus

962

To a Critic

962

Always Audible

963

Pondere non Numero

963

The Compliment Qualified

963

'What is an Epigram,' &c.

963

'Charles, grave or merry,' &c.

964

'An evil spirit's on thee, friend,' &c.

964

'Here lies the Devil,' &c.

964

To One Who Published in Print, &c.

964

'Scarce any scandal,' &c.

965

'Old Harpy,' &c.

965

To a Vain Young Lady

965

A Hint to Premiers and First Consuls

966

'From me, Aurelia,' &c.

966

For a House-Dog's Collar

966

'In vain I praise thee, Zoilus'

966

Epitaph on a Mercenary Miser

967

A Dialogue between an Author and his Friend

967

Μωροσοφία, or Wisdom in Folly

967

'Each Bond-street buck,' &c.

968

From an Old German Poet

968

On the Curious Circumstance, That in the German, &c.

968

Spots in the Sun

969

'When Surface talks,' &c.

969

To my Candle

969

Epitaph on Himself

970

The Taste of the Times

970

On Pitt and Fox

970

'An excellent adage,' &c.

971

Comparative Brevity of Greek and English

971

On the Secrecy of a Certain Lady

971

Motto for a Transparency, &c. (Two Versions)

972

'Money, I've heard,' &c.

972

Modern Critics

972

Written in an Album

972

To a Lady who requested me to Write a Poem upon Nothing

973

Sentimental

973

'So Mr. Baker,' &c.

973

Authors and Publishers

973

The Alternative

974

'In Spain, that land,' &c.

974

Inscription for a Time-piece

974

On the Most Veracious Anecdotist, &c.

974

'Nothing speaks our mind,' &c.

975

Epitaph of the Present Year on the Monument of Thomas Fuller

975

JEUX D'ESPRIT

976

My Godmother's Beard

976

Lines to Thomas Poole

976

To a Well-known Musical Critic, &c.

977

To T. Poole: An Invitation

978

Song, To be Sung by the Lovers of all the noble liquors, &c.

978

Drinking versus Thinking

979

The Wills of the Wisp

979

To Captain Findlay

980

On Donne's Poem 'To a Flea'

980

[Ex Libris S. T. C.]

981

ΕΓΩΕΝΚΑΙΠΑΝ

981

The Bridge Street Committee

982

Nonsense Sapphics

983

To Susan Steele, &c.

984

Association of Ideas

984

Verses Trivocular

985

Cholera Cured Before-hand

985

To Baby Bates

987

To a Child

987

FRAGMENTS FROM A NOTEBOOK. (circa 1796-1798)

988

FRAGMENTS. (For unnamed Fragments see Index of First Lines.)

996

Over my Cottage

997

[The Night-Mare Death in Life]

998

A Beck in Winter

998

[Not a Critic—But a Judge]

1000

[De Profundis Clamavi]

1001

Fragment of an Ode on Napoleon

1003

Epigram on Kepler

1004

[Ars Poetica]

1006

Translation of the First Strophe of Pindar's Second Olympic

1006

Translation of a Fragment of Heraclitus

1007

Imitated from Aristophanes

1008

To Edward Irving

1008

[Luther—De Dæmonibus]

1009

The Netherlands

1009

Elisa: Translated from Claudian

1009

Profuse Kindness

1010

Napoleon

1010

The Three Sorts of Friends

1012

Bo-Peep and I Spy—

1012

A Simile

1013

Baron Guelph of Adelstan. A Fragment

1013

METRICAL EXPERIMENTS

1014

An Experiment for a Metre ('I heard a Voice,' &c.)

1014

Trochaics

1015

The Proper Unmodified Dochmius

1015

Iambics

1015

Nonsense ('Sing, impassionate Soul,' &c.)

1015

A Plaintive Movement

1016

An Experiment for a Metre ('When thy Beauty appears')

1016

Nonsense Verses ('Ye fowls of ill presage')

1017

Nonsense ('I wish on earth to sing')

1017

'There in some darksome shade'

1018

'Once again, sweet Willow, wave thee'

1018

'Songs of Shepherds, and rustical Roundelays'

1018

A Metrical Accident

1019

Notes by Professor Saintsbury

1019

APPENDIX I

FIRST DRAFTS, EARLY VERSIONS, ETC.

A. Effusion 35, August 20th, 1795. (First Draft.) [MS. R.]

1021

Effusion, p. 96 [1797]. (Second Draft.) [MS. R.]

1021

B. Recollection

1023

C. The Destiny of Nations. (Draft I.) [Add. MSS. 34,225]

1024

The Destiny of Nations. (Draft II.) [ibid.]

1026

The Destiny of Nations. (Draft III.) [ibid.]

1027

D. Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge

1027

E. The Rime of the Ancyent Marinere [1798]

1030

F. The Raven. [M. P. March 10, 1798.]

1048

G. Lewti; or, The Circassian's Love-Chant. (1.) [B. M. Add. MSS. 27,902.]

1049

The Circassian's Love-Chaunt. (2.) [Add. MSS. 35,343.]

1050

Lewti; or, The Circassian's Love-Chant. (3.) [Add. MSS. 35,343.]

1051

H. Introduction to the Tale of the Dark Ladie. [M. P. Dec. 21, 1799.]

1052

I. The Triumph of Loyalty. An Historic Drama. [Add. MSS. 34,225.]

1060

J. Chamouny; The Hour before Sunrise. A Hymn. [M. P. Sept. 11, 1802.]

1074

K. Dejection: An Ode. [M. P. Oct. 4, 1802.]

1076

L. To W. Wordsworth. January 1807

1081

M. Youth and Age. (MS. I, Sept. 10, 1823.)

1084

Youth and Age. (MS. II. 1.)

1085

Youth and Age. (MS. II. 2.)

1086

N. Love's Apparition and Evanishment. (First Draft.)

1087

O. Two Versions of the Epitaph. ('Stop, Christian,' &c.)

1088

P. [Habent sua Fata—Poetae.] ('The Fox, and Statesman,' &c.)

1089

Q. To John Thelwall

1090

R. [Lines to T. Poole.] [1807.]

1090

APPENDIX II

ALLEGORIC VISION

1091

APPENDIX III

APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'

1097

APPENDIX IV

PROSE VERSIONS OF POEMS, ETC.

A. Questions and Answers in the Court of Love

1109

B. Prose Version of Glycine's Song in Zapolya

1109

C. Work without Hope. (First Draft.)

1110

D. Note to Line 34 of the Joan of Arc Book II. [4o 1796.]

1112

E. Dedication. Ode on the Departing Year. [4o 1796.]

1113

F. Preface to the MS. of Osorio

1114

APPENDIX V

ADAPTATIONS

From Fulke Greville, Lord Brooke:

God and the World we worship still together

1115

The Augurs we of all the world admir'd

1116

Of Humane Learning

1116

From Sir John Davies: On the Immortality of the Soul

1116

From Donne: Eclogue. 'On Unworthy Wisdom'

1117

Letter to Sir Henry Goodyere.

1117

From Ben Jonson: A Nymph's Passion (Mutual Passion)

1118

Underwoods, No. VI. The Hour-glass

1119

The Poetaster, Act I, Scene i.

1120

From Samuel Daniel: Epistle to Sir Thomas Egerton, Knight

1120

Musophilus, Stanza CXLVII

1121

Musophilus, Stanzas XXVII, XXIX, XXX

1122

From Christopher Harvey: The Synagogue (The Nativity, or Christmas Day.)

1122

From Mark Akenside: Blank Verse Inscriptions

1123

From W. L. Bowles:—'I yet remain'

1124

From an old Play: Napoleon

1124

APPENDIX VI

ORIGINALS OF TRANSLATIONS

F. von Matthison: Ein milesisches Mährchen, Adonide

1125

Schiller: Schwindelnd trägt er dich fort auf rastlos strömenden Wogen

1125

Im Hexameter steigt des Springquells flüssige Säule

1125

Stolberg: Unsterblicher Jüngling!

1126

Seht diese heilige Kapell!

1126

Schiller: Nimmer, das glaubt mir

1127

Goethe: Kennst du das Land, wo die Citronen blühn

1128

François-Antoine-Eugène de Planard: 'Batelier, dit Lisette'

1128

German Folk Song: Wenn ich ein Vöglein wär

1129

Stolberg: Mein Arm wird stark und gross mein Muth

1129

Lessing: Ich fragte meine Schöne

1130

Stolberg: Erde, du Mutter zahlloser Kinder, Mutter und Amme!

1130

Friederike Brun: Aus tiefem Schatten des schweigenden Tannenhains

1131

Giambattista Marino: Donna, siam rei di morte. Errasti, errai

1131

MS. Notebook: In diesem Wald, in diesen Gründen

1132

Anthologia Graeca: Κοινῇ πὰρ κλισίῃ ληθαργικὸς ἠδὲ φρενοπλὴξ

1132

Battista Guarini: Canti terreni amori

1132

Stolberg: Der blinde Sänger stand am Meer

1134

BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE

1135

BIBLIOGRAPHICAL APPENDIX

No. I. Poems first published in Newspapers or Periodicals

1178

No. II. Epigrams and Jeux d'Esprit first published in Newspapers and Periodicals

1182

No. III. Poems included in Anthologies and other Works

1183

No. IV. Poems first printed or reprinted in Literary Remains, 1836, &c.

1187

Poems first printed or reprinted in Essays on His Own Times, 1850

1188

INDEX OF FIRST LINES

1189

ABBREVIATIONS

MS. B. M.

=

MS. preserved in the British Museum.

MS. O.

=

MS. Ottery: i. e. a collection of juvenile poems in the handwriting of S. T. Coleridge (circ. 1793).

MS. O. (c.)

=

MS. Ottery, No. 3: a transcript (circ. 1823) of a collection of juvenile poems by S. T. Coleridge.

MS. S. T. C.

=

A single MS. poem in the handwriting of S. T. Coleridge.

MS. E.

=

MS. Estlin: i. e. a collection of juvenile poems in the handwriting of S. T. Coleridge presented to Mrs. Estlin of Bristol circ. 1795.

MS. 4o

=

A collection of early poems in the handwriting of S. T. Coleridge (circ. 1796).

MS. W.

=

An MS. in the handwriting of S. T. Coleridge, now in the possession of Mr. Gordon Wordsworth.

MS. R.

=

MS. Rugby: i. e. in the possession of the Governors of Rugby School.

An. Anth.

=

Annual Anthology of 1800.

B. L.

=

Biographia Literaria.

C. I.

=

Cambridge Intelligencer.

E. M.

=

English Minstrelsy.

F. F.

=

Felix Farley's Bristol Journal, 1818.

F. O.

=

Friendship's Offering, 1834.

L. A.

=

Liber Aureus.

L. B.

=

Lyrical Ballads.

L. R.

=

Literary Remains.

M. C.

=

Morning Chronicle.

M. M.

=

Monthly Magazine.

M. P.

=

Morning Post.

P. R.

=

Poetical Register, 1802.

P. & D. W.

=

Poetical and Dramatic Works.

P. W.

=

Poetical Works.

S. L.

=

Sibylline Leaves (1817).

S. S.

=

Selection of Sonnets.

ERRATA

On p. 16, n. 2, line 1, for Oct. 15, read Oct. 25.

On p. 68, line 6, for 1795 read 1794, and n. 1, line 1, for September 24, read September 23.

On p. 69, lines 11 and 28, for 1795 read 1794.

On p. 96, n. 1, line 1, for March 9, read March 17.

On p. 148, n. 1, line 2, for March 28, read March 25.

On p. 314, line 17, for May 26 read May 6.

On p. 1179, line 7, for Sept. 27, read Sept. 23.

On p. 1181, line 33, for Oct. 9 read Oct. 29.

POETICAL WORKS

POEMS

EASTER HOLIDAYS[1:1]

VERSE 1ST

Hail! festal Easter that dost bring

Approach of sweetly-smiling spring,

When Nature's clad in green:

When feather'd songsters through the grove

With beasts confess the power of love          5

And brighten all the scene.

VERSE 2ND

Now youths the breaking stages load

That swiftly rattling o'er the road

To Greenwich haste away:

While some with sounding oars divide          10

Of smoothly-flowing Thames the tide

All sing the festive lay.

VERSE 3RD

With mirthful dance they beat the ground,

Their shouts of joy the hills resound

And catch the jocund noise:          15

Without a tear, without a sigh

Their moments all in transports fly

Till evening ends their joys.

VERSE 4TH

But little think their joyous hearts

Of dire Misfortune's varied smarts          20

Which youthful years conceal:

Thoughtless of bitter-smiling Woe

Which all mankind are born to know

And they themselves must feel.

VERSE 5TH

Yet he who Wisdom's paths shall keep          25

And Virtue firm that scorns to weep

At ills in Fortune's power,

Through this life's variegated scene

In raging storms or calm serene

Shall cheerful spend the hour.          30

VERSE 6TH

While steady Virtue guides his mind

Heav'n-born Content he still shall find

That never sheds a tear:

Without respect to any tide

His hours away in bliss shall glide          35

Like Easter all the year.

1787.

FOOTNOTES:

[1:1] From a hitherto unpublished MS. The lines were sent in a letter to Luke Coleridge, dated May 12, 1787.

DURA NAVIS[2:1]

To tempt the dangerous deep, too venturous youth,

Why does thy breast with fondest wishes glow?

No tender parent there thy cares shall sooth,

No much-lov'd Friend shall share thy every woe.

Why does thy mind with hopes delusive burn?          5

Vain are thy Schemes by heated Fancy plann'd:

Thy promis'd joy thou'lt see to Sorrow turn

Exil'd from Bliss, and from thy native land.

Hast thou foreseen the Storm's impending rage,

When to the Clouds the Waves ambitious rise,          10

And seem with Heaven a doubtful war to wage,

Whilst total darkness overspreads the skies;

Save when the lightnings darting wingéd Fate

Quick bursting from the pitchy clouds between

In forkéd Terror, and destructive state[2:2]          15

Shall shew with double gloom the horrid scene?

Shalt thou be at this hour from danger free?

Perhaps with fearful force some falling Wave

Shall wash thee in the wild tempestuous Sea,

And in some monster's belly fix thy grave;          20

Or (woful hap!) against some wave-worn rock

Which long a Terror to each Bark had stood

Shall dash thy mangled limbs with furious shock

And stain its craggy sides with human blood.

Yet not the Tempest, or the Whirlwind's roar          25

Equal the horrors of a Naval Fight,

When thundering Cannons spread a sea of Gore

And varied deaths now fire and now affright:

The impatient shout, that longs for closer war,

Reaches from either side the distant shores;          30

Whilst frighten'd at His streams ensanguin'd far

Loud on his troubled bed huge Ocean roars.[3:1]

What dreadful scenes appear before my eyes!

Ah! see how each with frequent slaughter red,

Regardless of his dying fellows' cries          35

O'er their fresh wounds with impious order tread!

From the dread place does soft Compassion fly!

The Furies fell each alter'd breast command;

Whilst Vengeance drunk with human blood stands by

And smiling fires each heart and arms each hand.          40

Should'st thou escape the fury of that day

A fate more cruel still, unhappy, view.

Opposing winds may stop thy luckless way,

And spread fell famine through the suffering crew,

Canst thou endure th' extreme of raging Thirst          45

Which soon may scorch thy throat, ah! thoughtless Youth!

Or ravening hunger canst thou bear which erst

On its own flesh hath fix'd the deadly tooth?

Dubious and fluttering 'twixt hope and fear

With trembling hands the lot I see thee draw,          50

Which shall, or sentence thee a victim drear,

To that ghaunt Plague which savage knows no law:

Or, deep thy dagger in the friendly heart,

Whilst each strong passion agitates thy breast,

Though oft with Horror back I see thee start,          55

Lo! Hunger drives thee to th' inhuman feast.

These are the ills, that may the course attend—

Then with the joys of home contented rest—

Here, meek-eyed Peace with humble Plenty lend

Their aid united still, to make thee blest.          60

To ease each pain, and to increase each joy—

Here mutual Love shall fix thy tender wife,

Whose offspring shall thy youthful care employ

And gild with brightest rays the evening of thy Life.

1787.

FOOTNOTES:

[2:1] First published in 1893. The autograph MS. is in the British Museum.

[2:2] State, Grandeur [1792]. This school exercise, written in the 15th year of my age, does not contain a line that any clever schoolboy might not have written, and like most school poetry is a Putting of Thought into Verse; for such Verses as strivings of mind and struggles after the Intense and Vivid are a fair Promise of better things.—S. T. C. aetat. suae 51. [1823.]

[3:1] I well remember old Jemmy Bowyer, the plagose Orbilius of Christ's Hospital, but an admirable educer no less than Educator of the Intellect, bade me leave out as many epithets as would turn the whole into eight-syllable lines, and then ask myself if the exercise would not be greatly improved. How often have I thought of the proposal since then, and how many thousand bloated and puffing lines have I read, that, by this process, would have tripped over the tongue excellently. Likewise, I remember that he told me on the same occasion—'Coleridge! the connections of a Declamation are not the transitions of Poetry—bad, however, as they are, they are better than "Apostrophes" and "O thou's", for at the worst they are something like common sense. The others are the grimaces of Lunacy.'—S. T. COLERIDGE.

NIL PEJUS EST CAELIBE VITÂ[4:1]

[IN CHRIST'S HOSPITAL BOOK]

I

What pleasures shall he ever find?

What joys shall ever glad his heart?

Or who shall heal his wounded mind,

If tortur'd by Misfortune's smart?

Who Hymeneal bliss will never prove,          5

That more than friendship, friendship mix'd with love.

II

Then without child or tender wife,

To drive away each care, each sigh,

Lonely he treads the paths of life

A stranger to Affection's tye:          10

And when from Death he meets his final doom

No mourning wife with tears of love shall wet his tomb.

III

Tho' Fortune, Riches, Honours, Pow'r,

Had giv'n with every other toy,

Those gilded trifles of the hour,          15

Those painted nothings sure to cloy:

He dies forgot, his name no son shall bear

To shew the man so blest once breath'd the vital air.

1787.

FOOTNOTES:

[4:1] First published in 1893.

SONNET[5:1]

TO THE AUTUMNAL MOON

Mild Splendour of the various-vested Night!

Mother of wildly-working visions! hail!

I watch thy gliding, while with watery light

Thy weak eye glimmers through a fleecy veil;

And when thou lovest thy pale orb to shroud          5

Behind the gather'd blackness lost on high;

And when thou dartest from the wind-rent cloud

Thy placid lightning o'er the awaken'd sky.

Ah such is Hope! as changeful and as fair!

Now dimly peering on the wistful sight;          10

Now hid behind the dragon-wing'd Despair:

But soon emerging in her radiant might

She o'er the sorrow-clouded breast of Care

Sails, like a meteor kindling in its flight.

1788.

FOOTNOTES:

[5:1] First published in 1796: included in 1803, 1829, 1834. No changes were made in the text.

LINENOTES:

Title] Effusion xviii, To the, &c.: Sonnet xviii, To the, &c., 1803.

ANTHEM[5:2]

FOR THE CHILDREN OF CHRIST'S HOSPITAL

Seraphs! around th' Eternal's seat who throng

With tuneful ecstasies of praise:

O! teach our feeble tongues like yours the song

Of fervent gratitude to raise—

Like you, inspired with holy flame          5

To dwell on that Almighty name

Who bade the child of Woe no longer sigh,

And Joy in tears o'erspread the widow's eye.

Th' all-gracious Parent hears the wretch's prayer;

The meek tear strongly pleads on high;          10

Wan Resignation struggling with despair

The Lord beholds with pitying eye;

Sees cheerless Want unpitied pine,

Disease on earth its head recline,

And bids Compassion seek the realms of woe          15

To heal the wounded, and to raise the low.

She comes! she comes! the meek-eyed Power I see

With liberal hand that loves to bless;

The clouds of Sorrow at her presence flee;

Rejoice! rejoice! ye Children of Distress!          20

The beams that play around her head

Thro' Want's dark vale their radiance spread:

The young uncultur'd mind imbibes the ray,

And Vice reluctant quits th' expected prey.

Cease, thou lorn mother! cease thy wailings drear;          25

Ye babes! the unconscious sob forego;

Or let full Gratitude now prompt the tear

Which erst did Sorrow force to flow.

Unkindly cold and tempest shrill

In Life's morn oft the traveller chill,          30

But soon his path the sun of Love shall warm;

And each glad scene look brighter for the storm!

1789.

FOOTNOTES:

[5:2] First published in 1834.

LINENOTES:

This Anthem was written as if intended to have been sung by the Children of Christ's Hospital. MS. O.

[3]

yours] you MS. O.

[14]

its head on earth MS. O.

JULIA[6:1]

[IN CHRIST'S HOSPITAL BOOK]

Medio de fonte leporum

Surgit amari aliquid.

Julia was blest with beauty, wit, and grace:

Small poets lov'd to sing her blooming face.

Before her altars, lo! a numerous train

Preferr'd their vows; yet all preferr'd in vain,

Till charming Florio, born to conquer, came          5

And touch'd the fair one with an equal flame.

The flame she felt, and ill could she conceal

What every look and action would reveal.

With boldness then, which seldom fails to move,

He pleads the cause of Marriage and of Love:          10

The course of Hymeneal joys he rounds,

The fair one's eyes danc'd pleasure at the sounds.

Nought now remain'd but 'Noes'—how little meant!

And the sweet coyness that endears consent.

The youth upon his knees enraptur'd fell:          15

The strange misfortune, oh! what words can tell?

Tell! ye neglected sylphs! who lap-dogs guard,

Why snatch'd ye not away your precious ward?

Why suffer'd ye the lover's weight to fall

On the ill-fated neck of much-lov'd Ball?          20

The favourite on his mistress casts his eyes,

Gives a short melancholy howl, and—dies.

Sacred his ashes lie, and long his rest!

Anger and grief divide poor Julia's breast.

Her eyes she fixt on guilty Florio first:          25

On him the storm of angry grief must burst.

That storm he fled: he wooes a kinder fair,

Whose fond affections no dear puppies share.

'Twere vain to tell, how Julia pin'd away:

Unhappy Fair! that in one luckless day—          30

From future Almanacks the day be crost!—

At once her Lover and her Lap-dog lost.

1789.

FOOTNOTES:

[6:1] First published in the History of . . . Christ's Hospital. By the Rev. W. Trollope, 1834, p. 192. Included in Literary Remains, 1836, i. 33, 34. First collected P. and D. W., 1877-80.

LINENOTES:

Medio, &c.] De medio fonte leporum. Trollope.

[12]

danc'd] dance (T. Lit. Rem.)

QUAE NOCENT DOCENT[7:1]

[IN CHRIST'S HOSPITAL BOOK]

O! mihi praeteritos referat si Jupiter annos!

Oh! might my ill-past hours return again!

No more, as then, should Sloth around me throw

Her soul-enslaving, leaden chain!

No more the precious time would I employ

In giddy revels, or in thoughtless joy,          5

A present joy producing future woe.

But o'er the midnight Lamp I'd love to pore,

I'd seek with care fair Learning's depths to sound,

And gather scientific Lore:

Or to mature the embryo thoughts inclin'd,          10

That half-conceiv'd lay struggling in my mind,

The cloisters' solitary gloom I'd round.

'Tis vain to wish, for Time has ta'en his flight—

For follies past be ceas'd the fruitless tears:

Let follies past to future care incite.          15

Averse maturer judgements to obey

Youth owns, with pleasure owns, the Passions' sway,

But sage Experience only comes with years.

1789.

FOOTNOTES:

[7:1] First published in 1893.

THE NOSE[8:1]

Ye souls unus'd to lofty verse

Who sweep the earth with lowly wing,

Like sand before the blast disperse—

A Nose! a mighty Nose I sing!

As erst Prometheus stole from heaven the fire          5

To animate the wonder of his hand;

Thus with unhallow'd hands, O Muse, aspire,

And from my subject snatch a burning brand!

So like the Nose I sing—my verse shall glow—

Like Phlegethon my verse in waves of fire shall flow!          10

Light of this once all darksome spot

Where now their glad course mortals run,

First-born of Sirius begot

Upon the focus of the Sun—

I'll call thee ——! for such thy earthly name—          15

What name so high, but what too low must be?

Comets, when most they drink the solar flame

Are but faint types and images of thee!

Burn madly, Fire! o'er earth in ravage run,

Then blush for shame more red by fiercer —— outdone!          20

I saw when from the turtle feast

The thick dark smoke in volumes rose!

I saw the darkness of the mist

Encircle thee, O Nose!

Shorn of thy rays thou shott'st a fearful gleam          25

(The turtle quiver'd with prophetic fright)

Gloomy and sullen thro' the night of steam:—

So Satan's Nose when Dunstan urg'd to flight,

Glowing from gripe of red-hot pincers dread

Athwart the smokes of Hell disastrous twilight shed!          30

The Furies to madness my brain devote—

In robes of ice my body wrap!

On billowy flames of fire I float,

Hear ye my entrails how they snap?

Some power unseen forbids my lungs to breathe!          35

What fire-clad meteors round me whizzing fly!

I vitrify thy torrid zone beneath,

Proboscis fierce! I am calcined! I die!

Thus, like great Pliny, in Vesuvius' fire,

I perish in the blaze while I the blaze admire.          40

1789.

FOOTNOTES:

[8:1] First published in 1834. The third stanza was published in the Morning Post, Jan. 2, 1798, entitled 'To the Lord Mayor's Nose'. William Gill (see ll. 15, 20) was Lord Mayor in 1788.

LINENOTES:

Title] Rhapsody MS. O: The Nose.—An Odaic Rhapsody MS. O (c).

[5]

As erst from Heaven Prometheus stole the fire MS. O (c).

[7]

hands] hand MS. O (c).

[10]

waves of fire] fiery waves MS. O (c).

[15]

I'll call thee Gill MS. O. G—ll MS. O (c).

[16]

high] great MS. O (c).

[20]

by fiercer Gill outdone MS. O.: more red for shame by fiercer G—ll MS. O (c).

[22]

dark] dank MS. O, MS. O (c).

[25]

rays] beams MS. O (c).

[30]

MS. O (c) ends with the third stanza.

TO THE MUSE[9:1]

Tho' no bold flights to thee belong;

And tho' thy lays with conscious fear,

Shrink from Judgement's eye severe,

Yet much I thank thee, Spirit of my song!

For, lovely Muse! thy sweet employ          5

Exalts my soul, refines my breast,

Gives each pure pleasure keener zest,

And softens sorrow into pensive Joy.

From thee I learn'd the wish to bless,

From thee to commune with my heart;          10

From thee, dear Muse! the gayer part,

To laugh with pity at the crowds that press

Where Fashion flaunts her robes by Folly spun,

Whose hues gay-varying wanton in the sun.

1789.

FOOTNOTES:

[9:1] First published in 1834.

LINENOTES:

Title] Sonnet I. To my Muse MS. O.

DESTRUCTION OF THE BASTILE[10:1]

I

Heard'st thou yon universal cry,

And dost thou linger still on Gallia's shore?

Go, Tyranny! beneath some barbarous sky

Thy terrors lost and ruin'd power deplore!

What tho' through many a groaning age          5

Was felt thy keen suspicious rage,

Yet Freedom rous'd by fierce Disdain

Has wildly broke thy triple chain,

And like the storm which Earth's deep entrails hide,

At length has burst its way and spread the ruins wide.          10

*       *       *       *       *

IV

In sighs their sickly breath was spent; each gleam

Of Hope had ceas'd the long long day to cheer;

Or if delusive, in some flitting dream,

It gave them to their friends and children dear—

Awaked by lordly Insult's sound          15

To all the doubled horrors round,

Oft shrunk they from Oppression's band

While Anguish rais'd the desperate hand

For silent death; or lost the mind's controll,

Thro' every burning vein would tides of Frenzy roll.          20

V

But cease, ye pitying bosoms, cease to bleed!

Such scenes no more demand the tear humane;

I see, I see! glad Liberty succeed

With every patriot virtue in her train!

And mark yon peasant's raptur'd eyes;          25

Secure he views his harvests rise;

No fetter vile the mind shall know,

And Eloquence shall fearless glow.

Yes! Liberty the soul of Life shall reign,

Shall throb in every pulse, shall flow thro' every vein!          30

VI

Shall France alone a Despot spurn?

Shall she alone, O Freedom, boast thy care?

Lo, round thy standard Belgia's heroes burn,

Tho' Power's blood-stain'd streamers fire the air,

And wider yet thy influence spread,          35

Nor e'er recline thy weary head,

Till every land from pole to pole

Shall boast one independent soul!

And still, as erst, let favour'd Britain be

First ever of the first and freest of the free!          40

? 1789.

FOOTNOTES:

[10:1] First published in 1834. Note. The Bastile was destroyed July 14, 1789.

LINENOTES:

Title] An ode on the Destruction of the Bastile MS. O.

[11]

In MS. O stanza iv follows stanza i, part of the leaf being torn out. In another MS. copy in place of the asterisks the following note is inserted: 'Stanzas second and third are lost. We may gather from the context that they alluded to the Bastile and its inhabitants.'

[12]

long long] live-long MS. O.

[32]

Shall She, O Freedom, all thy blessings share MS. O erased.

LIFE[11:1]

As late I journey'd o'er the extensive plain

Where native Otter sports his scanty stream,

Musing in torpid woe a Sister's pain,

The glorious prospect woke me from the dream.

At every step it widen'd to my sight—          5

Wood, Meadow, verdant Hill, and dreary Steep,

Following in quick succession of delight,—

Till all—at once—did my eye ravish'd sweep!

May this (I cried) my course through Life portray!

New scenes of Wisdom may each step display,          10

And Knowledge open as my days advance!

Till what time Death shall pour the undarken'd ray,

My eye shall dart thro' infinite expanse,

And thought suspended lie in Rapture's blissful trance.

1789.

FOOTNOTES:

[11:1] First published in 1834.

LINENOTES:

Title] Sonnet II. Written September, 1789 MS. O: Sonnet written just after the writer left the Country in Sept. 1789, aetat. 15 MS. O (c).

[6]

dreary] barren MS. O, MS. O (c).

[8]

my ravish'd eye did sweep. MS. O, MS. O (c).

[12]

Till when death pours at length MS. O (c).

[14]

While thought suspended lies MS. O: While thought suspended lies in Transport's blissful trance MS. O (c).

PROGRESS OF VICE[12:1]

[Nemo repente turpissimus]

Deep in the gulph of Vice and Woe

Leaps Man at once with headlong throw?

Him inborn Truth and Virtue guide,

Whose guards are Shame and conscious Pride.

In some gay hour Vice steals into the breast;          5

Perchance she wears some softer Virtue's vest.

By unperceiv'd degrees she tempts to stray,

Till far from Virtue's path she leads the feet away.

Then swift the soul to disenthrall

Will Memory the past recall,          10

And Fear before the Victim's eyes

Bid future ills and dangers rise.

But hark! the Voice, the Lyre, their charms combine—

Gay sparkles in the cup the generous Wine—

Th' inebriate dance, the fair frail Nymph inspires,          15

And Virtue vanquish'd—scorn'd—with hasty flight retires.

But soon to tempt the Pleasures cease;

Yet Shame forbids return to peace,

And stern Necessity will force

Still to urge on the desperate course.          20

The drear black paths of Vice the wretch must try,

Where Conscience flashes horror on each eye,

Where Hate—where Murder scowl—where starts Affright!

Ah! close the scene—ah! close—for dreadful is the sight.

1790.

FOOTNOTES:

[12:1] First published in 1834, from MS. O.

LINENOTES:

Title] Progress of Vice. An Ode MS. O. The motto first appears in Boyer's Liber Aureus.

[1]

Vice] Guilt L. A.

[3]

inborn] innate L. A.

[9]

Yet still the heart to disenthrall L. A.

[12]

Bid] Bids MS. O. ills] woes L. A.

[13]

But hark! their charms the voice L. A.

[15]

The mazy dance and frail young Beauty fires L. A.

[20]

Still on to urge MS. O.

[24]

Ah! close the scene, for dreadful MS. O.

MONODY ON THE DEATH OF CHATTERTON[13:1]

[FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]

Cold penury repress'd his noble rage,

And froze the genial current of his soul.

Now prompts the Muse poetic lays,

And high my bosom beats with love of Praise!

But, Chatterton! methinks I hear thy name,

For cold my Fancy grows, and dead each Hope of Fame.

When Want and cold Neglect had chill'd thy soul,          5

Athirst for Death I see thee drench the bowl!

Thy corpse of many a livid hue

On the bare ground I view,

Whilst various passions all my mind engage;

Now is my breast distended with a sigh,          10

And now a flash of Rage

Darts through the tear, that glistens in my eye.

Is this the land of liberal Hearts!

Is this the land, where Genius ne'er in vain

Pour'd forth her soul-enchanting strain?          15

Ah me! yet Butler 'gainst the bigot foe

Well-skill'd to aim keen Humour's dart,

Yet Butler felt Want's poignant sting;

And Otway, Master of the Tragic art,

Whom Pity's self had taught to sing,          20

Sank beneath a load of Woe;

This ever can the generous Briton hear,

And starts not in his eye th' indignant Tear?

Elate of Heart and confident of Fame,

From vales where Avon sports, the Minstrel came,          25

Gay as the Poet hastes along

He meditates the future song,

How Ælla battled with his country's foes,

And whilst Fancy in the air

Paints him many a vision fair          30

His eyes dance rapture and his bosom glows.

With generous joy he views th' ideal gold:

He listens to many a Widow's prayers,

And many an Orphan's thanks he hears;

He soothes to peace the care-worn breast,          35

He bids the Debtor's eyes know rest,

And Liberty and Bliss behold:

And now he punishes the heart of steel,

And her own iron rod he makes Oppression feel.

Fated to heave sad Disappointment's sigh,          40

To feel the Hope now rais'd, and now deprest,

To feel the burnings of an injur'd breast,

From all thy Fate's deep sorrow keen

In vain, O Youth, I turn th' affrighted eye;

For powerful Fancy evernigh          45

The hateful picture forces on my sight.

There, Death of every dear delight,

Frowns Poverty of Giant mien!

In vain I seek the charms of youthful grace,

Thy sunken eye, thy haggard cheeks it shews,          50

The quick emotions struggling in the Face

Faint index of thy mental Throes,

When each strong Passion spurn'd controll,

And not a Friend was nigh to calm thy stormy soul.

Such was the sad and gloomy hour          55

When anguish'd Care of sullen brow

Prepared the Poison's death-cold power.

Already to thy lips was rais'd the bowl,

When filial Pity stood thee by,

Thy fixéd eyes she bade thee roll          60

On scenes that well might melt thy soul—

Thy native cot she held to view,

Thy native cot, where Peace ere long

Had listen'd to thy evening song;

Thy sister's shrieks she bade thee hear,          65

And mark thy mother's thrilling tear,

She made thee feel her deep-drawn sigh,

And all her silent agony of Woe.

And from thy Fate shall such distress ensue?

Ah! dash the poison'd chalice from thy hand!          70

And thou had'st dash'd it at her soft command;

But that Despair and Indignation rose,

And told again the story of thy Woes,

Told the keen insult of th' unfeeling Heart,

The dread dependence on the low-born mind,          75

Told every Woe, for which thy breast might smart,

Neglect and grinning scorn and Want combin'd—

Recoiling back, thou sent'st the friend of Pain

To roll a tide of Death thro' every freezing vein.

O Spirit blest!          80

Whether th' eternal Throne around,

Amidst the blaze of Cherubim,

Thou pourest forth the grateful hymn,

Or, soaring through the blest Domain,

Enraptur'st Angels with thy strain,—          85

Grant me, like thee, the lyre to sound,

Like thee, with fire divine to glow—

But ah! when rage the Waves of Woe,

Grant me with firmer breast t'oppose their hate,

And soar beyond the storms with upright eye elate![15:1]          90

1790

FOOTNOTES:

[13:1] First published in 1898. The version in the Ottery Copy-book MS. O was first published in P. and D. W., 1880, ii. 355*-8*. Three MSS. of the Monody, &c. are extant: (1) the Ottery Copy-book [MS. O]; (2) Boyer's Liber Aureus = the text as printed; (3) the transcription of S. T. C.'s early poems made in 1823 [MS. O (c)]. Variants in 1 and 3 are given below.

[15:1] [Note to ll. 88-90.] 'Altho' this latter reflection savours of suicide, it will easily meet with the indulgence of the considerate reader when he reflects that the Author's imagination was at that time inflam'd with the idea of his beloved Poet, and perhaps uttered a sentiment which in his cooler moments he would have abhor'd the thought of.' [Signed] J. M. MS. O (c).

LINENOTES:

Title] A Monody on Chatterton, who poisoned himself at the age of eighteen—written by the author at the age of sixteen. MS. O (c).

The motto does not appear in MS. O, but a note is prefixed: 'This poem has since appeared in print, much altered, whether for the better I doubt. This was, I believe, written before the Author went to College' (J. T. C.).

[6]

drench] drain MS. O, MS. O (c).

[7]

corpse] corse MS. O, MS. O (c).

[13]

Hearts] Heart MS. O, MS. O (c).

[20]

taught] bade MS. O, MS. O (c).

[21]

Sank] Sunk MS. O, MS. O (c).

[22]

This ever] Which can the . . . ever hear MS. O, MS. O (c).

[29]

whilst] while MS. O.

[32]

ideal] rising MS. O.

[36]

eyes] too MS. O (c).

[42]

To feel] With all MS. O.

[43]

Lo! from thy dark Fate's sorrow keen MS. O.

[45]

powerful] busy MS. O.

[50]

cheeks it] cheek she MS. O: looks she MS. O (c).

[51]

the] thy MS. O.

[60]

eyes] eye MS. O.

[61]

On scenes which MS. O. On] To MS. O (c).

[64]

evening] Evening's MS. O (c).

[66]

thrilling] frequent MS. O (c).

[67]

made] bade MS. O, MS. O (c).

[78]

sent'st] badest MS. O.

[79]

To] Quick. freezing] icening MS. O, MS. O (c).

[81]

eternal] Eternal's MS. O: endless MS. O (c).

[82]

Cherubim] Seraphim MS. O.

[88]

But ah!] Like thee MS. O, MS. O (c).

[89]

To leave behind Contempt, and Want, and State, MS. O.

To leave behind Contempt and Want and Hate MS. O (c).

And seek in other worlds an happier Fate MS. O, MS. O (c).

AN INVOCATION[16:1]

Sweet Muse! companion of my every hour!

Voice of my Joy! Sure soother of the sigh!

Now plume thy pinions, now exert each power,

And fly to him who owns the candid eye.

And if a smile of Praise thy labour hail          5

(Well shall thy labours then my mind employ)

Fly fleetly back, sweet Muse! and with the tale

O'erspread my Features with a flush of Joy!

1790.

FOOTNOTES:

[16:1] First published in 1893, from an autograph MS.

ANNA AND HARLAND[16:2]

Within these wilds was Anna wont to rove

While Harland told his love in many a sigh,

But stern on Harland roll'd her brother's eye,

They fought, they fell—her brother and her love!

To Death's dark house did grief-worn Anna haste,          5

Yet here her pensive ghost delights to stay;

Oft pouring on the winds the broken lay—

And hark, I hear her—'twas the passing blast.

I love to sit upon her tomb's dark grass,

Then Memory backward rolls Time's shadowy tide;          10

The tales of other days before me glide:

With eager thought I seize them as they pass;

For fair, tho' faint, the forms of Memory gleam,

Like Heaven's bright beauteous bow reflected in the stream.

? 1790.

FOOTNOTES:

[16:2] First printed in the Cambridge Intelligencer, Oct. 25, 1794. First collected P. and D. W., 1880, Supplement, ii. 359. The text is that of 1880 and 1893, which follow a MS. version.

LINENOTES:

Title] Anna and Henry C. I.

[1]

Along this glade C. I.

[2]

Henry C. I.

[3]

stern] dark C. I. Harland] Henry C. I.

[5]

To her cold grave did woe-worn C. I.

[6]

stay] stray C. I.

[7]

the] a C. I.

[9]

dark] dank C. I.

[10]

Then] There C. I.

[11]

tales] forms C. I.

[14]

Like Heaven's bright bow reflected on the stream. C. I.

TO THE EVENING STAR[16:3]

O meek attendant of Sol's setting blaze,

I hail, sweet star, thy chaste effulgent glow;

On thee full oft with fixéd eye I gaze

Till I, methinks, all spirit seem to grow.

O first and fairest of the starry choir,          5

O loveliest 'mid the daughters of the night,

Must not the maid I love like thee inspire

Pure joy and calm Delight?

Must she not be, as is thy placid sphere

Serenely brilliant? Whilst to gaze a while          10

Be all my wish 'mid Fancy's high career

E'en till she quit this scene of earthly toil;

Then Hope perchance might fondly sigh to join

Her spirit in thy kindred orb, O Star benign!

? 1790.

FOOTNOTES:

[16:3] First published in P. and D. W., 1880, Supplement, ii. 359, from MS. O.

PAIN[17:1]

Once could the Morn's first beams, the healthful breeze,

All Nature charm, and gay was every hour:—

But ah! not Music's self, nor fragrant bower

Can glad the trembling sense of wan Disease.

Now that the frequent pangs my frame assail,          5

Now that my sleepless eyes are sunk and dim,

And seas of Pain seem waving through each limb—

Ah what can all Life's gilded scenes avail?

I view the crowd, whom Youth and Health inspire,

Hear the loud laugh, and catch the sportive lay,          10

Then sigh and think—I too could laugh and play

And gaily sport it on the Muse's lyre,

Ere Tyrant Pain had chas'd away delight,

Ere the wild pulse throbb'd anguish thro' the night!

? 1790.

FOOTNOTES:

[17:1] First published in 1834.

LINENOTES:

Title] Pain, a Sonnet MS. O: Sonnet Composed in Sickness MS.

[3]

But ah! nor splendid feasts MS. O (c).

[12]

Muse's] festive MS. O, MS. O (c).

ON A LADY WEEPING[17:2]

IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS

Lovely gems of radiance meek

Trembling down my Laura's cheek,

As the streamlets silent glide

Thro' the Mead's enamell'd pride,

Pledges sweet of pious woe,          5

Tears which Friendship taught to flow,

Sparkling in yon humid light

Love embathes his pinions bright:

There amid the glitt'ring show'r

Smiling sits th' insidious Power;          10

As some wingéd Warbler oft

When Spring-clouds shed their treasures soft

Joyous tricks his plumes anew,

And flutters in the fost'ring dew.

? 1790.

[17:2] First published in 1893. From MS. O (c).

MONODY ON A TEA-KETTLE[18:1]

O Muse who sangest late another's pain,

To griefs domestic turn thy coal-black steed!

With slowest steps thy funeral steed must go,

Nodding his head in all the pomp of woe:

Wide scatter round each dark and deadly weed,          5

And let the melancholy dirge complain,

(Whilst Bats shall shriek and Dogs shall howling run)

The tea-kettle is spoilt and Coleridge is undone!

Your cheerful songs, ye unseen crickets, cease!

Let songs of grief your alter'd minds engage!          10

For he who sang responsive to your lay,

What time the joyous bubbles 'gan to play,

The sooty swain has felt the fire's fierce rage;—

Yes, he is gone, and all my woes increase;

I heard the water issuing from the wound—          15

No more the Tea shall pour its fragrant steams around!

O Goddess best belov'd! Delightful Tea!

With thee compar'd what yields the madd'ning Vine?

Sweet power! who know'st to spread the calm delight,

And the pure joy prolong to midmost night!          20

Ah! must I all thy varied sweets resign?

Enfolded close in grief thy form I see;

No more wilt thou extend thy willing arms,

Receive the fervent Jove, and yield him all thy charms!

How sink the mighty low by Fate opprest!—          25

Perhaps, O Kettle! thou by scornful toe

Rude urg'd t' ignoble place with plaintive din.

May'st rust obscure midst heaps of vulgar tin;—

As if no joy had ever seiz'd my breast

When from thy spout the streams did arching fly,—          30

As if, infus'd, thou ne'er hadst known t' inspire

All the warm raptures of poetic fire!

But hark! or do I fancy the glad voice—

'What tho' the swain did wondrous charms disclose—

(Not such did Memnon's sister sable drest)          35

Take these bright arms with royal face imprest,

A better Kettle shall thy soul rejoice,

And with Oblivion's wings o'erspread thy woes!'

Thus Fairy Hope can soothe distress and toil;

On empty Trivets she bids fancied Kettles boil!          40

1790.

FOOTNOTES:

[18:1] First published in 1834, from MS. O. The text of 1893 follows an autograph MS. in the Editor's possession.

LINENOTES:

[1]

Muse that late sang another's poignant pain MS. S. T. C.

[3]

In slowest steps the funeral steeds shall go MS. S. T. C.

[4]

Nodding their heads MS. S. T. C.

[5]

each deadly weed MS. S. T. C.

[8]

The] His MS. S. T. C.

[9]

songs] song MS. S. T. C.

[15]

issuing] hissing MS. S. T. C.

[16]

pour] throw MS. S. T. C. steams] steam MS. S. T. C.

[18]

thee] whom MS. S. T. C. Vine] Wine MS. S. T. C.

[19]

who] that MS. S. T. C.

[21]

various charms MS. S. T. C.

[23]

extend] expand MS. S. T. C.

[25]

How low the mighty sink MS. S. T. C.

[29]

seiz'd] chear'd MS. S. T. C.

[30-1]

When from thy spout the stream did arching flow

As if, inspir'd

MS. S. T. C.

[33]

the glad] Georgian MS. S. T. C.

[34]

the swain] its form MS. S. T. C.

[35]

Note. A parenthetical reflection of the Author's. MS. O.

[38]

wings] wing MS. S. T. C.

GENEVIEVE[19:1]

Maid of my Love, sweet Genevieve!

In Beauty's light you glide along:

Your eye is like the Star of Eve,

And sweet your voice, as Seraph's song

Yet not your heavenly beauty gives          5

This heart with Passion soft to glow:

Within your soul a voice there lives!

It bids you hear the tale of Woe.

When sinking low the sufferer wan

Beholds no hand outstretch'd to save,          10

Fair, as the bosom of the Swan

That rises graceful o'er the wave,

I've seen your breast with pity heave,

And therefore love I you, sweet Genevieve!

1789-90.

FOOTNOTES:

[19:1] First published in the Cambridge Intelligencer for Nov. 1, 1794: included in the editions of 1796, 1803, 1828, 1829, and 1834. Three MSS. are extant; (1) an autograph in a copy-book made for the family [MS. O]; (2) an autograph in a copy-book presented to Mrs. Estlin [MS. E]; and (3) a transcript included in a copy-book presented to Sara Coleridge in 1823 [MS. O (c)]. In an unpublished letter dated Dec. 18, 1807, Coleridge invokes the aid of Richard ['Conservation'] Sharp on behalf of a 'Mrs. Brewman, who was elected a nurse to one of the wards of Christ's Hospital at the time that I was a boy there'. He says elsewhere that he spent full half the time from seventeen to eighteen in the sick ward of Christ's Hospital. It is doubtless to this period, 1789-90, that Pain and Genevieve, which, according to a Christ's Hospital tradition, were inspired by his 'Nurse's Daughter', must be assigned.

'This little poem was written when the Author was a boy'—Note 1796, 1803.

LINENOTES:

Title] Sonnet iii. MS. O: Ode MS. E: A Sonnet MS. O (c): Effusion xvii. 1796. The heading, Genevieve, first appears in 1803.

[2]

Thou glid'st along [so, too, in ll. 3, 4, 5, 7, 8, 13, 14] MS. O, MS. E, MS. O (c), C. I.

[4]

Thy voice is lovely as the MS. E: Thy voice is soft, &c. MS. O (c), C. I.

[8]

It bids thee hear the tearful plaint of woe MS. E.

[10]

no . . . save] no friendly hand that saves MS. E. outstretch'd] stretcht out MS. O, MS. O (c), C. I.

[12]

the wave] quick-rolling waves MS. E.

ON RECEIVING AN ACCOUNT THAT HIS ONLY

SISTER'S DEATH WAS INEVITABLE[20:1]

The tear which mourn'd a brother's fate scarce dry—

Pain after pain, and woe succeeding woe—

Is my heart destin'd for another blow?

O my sweet sister! and must thou too die?

Ah! how has Disappointment pour'd the tear          5

O'er infant Hope destroy'd by early frost!

How are ye gone, whom most my soul held dear!

Scarce had I lov'd you ere I mourn'd you lost;

Say, is this hollow eye, this heartless pain,

Fated to rove thro' Life's wide cheerless plain—          10

Nor father, brother, sister meet its ken—

My woes, my joys unshared! Ah! long ere then

On me thy icy dart, stern Death, be prov'd;—

Better to die, than live and not be lov'd!

1791.

FOOTNOTES:

[20:1] First published in 1834. The 'brother' (line 1) was Luke Herman Coleridge who died at Thorverton in 1790. Anne Coleridge, the poet's sister (the only daughter of his father's second marriage), died in March 1791.

LINENOTES:

Title] Sonnet v. MS. O.

[1]

tear] tears MS. O.

[4]

O my sweet sister must thou die MS. O.

[7]

gone] flown MS. O.

[10]

Fated] Destin'd MS. O.

[11]

father] Mother MS. O.

ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]

I too a sister had! too cruel Death!

How sad Remembrance bids my bosom heave!

Tranquil her soul, as sleeping Infant's breath;

Meek were her manners as a vernal Eve.

Knowledge, that frequent lifts the bloated mind,          5

Gave her the treasure of a lowly breast,

And Wit to venom'd Malice oft assign'd,

Dwelt in her bosom in a Turtle's nest.

Cease, busy Memory! cease to urge the dart;

Nor on my soul her love to me impress!          10

For oh I mourn in anguish—and my heart

Feels the keen pang, th' unutterable distress.

Yet wherefore grieve I that her sorrows cease,

For Life was misery, and the Grave is Peace!

1791.

FOOTNOTES:

[21:1] First published in 1834.

A MATHEMATICAL PROBLEM[21:2]

If Pegasus will let thee only ride him,

Spurning my clumsy efforts to o'erstride him,

Some fresh expedient the Muse will try,

And walk on stilts, although she cannot fly.

TO THE REV. GEORGE COLERIDGE

DEAR BROTHER,

I have often been surprised that Mathematics, the quintessence of Truth, should have found admirers so few and so languid. Frequent consideration and minute scrutiny have at length unravelled the cause; viz. that though Reason is feasted, Imagination is starved; whilst Reason is luxuriating in its proper Paradise, Imagination is wearily travelling on a dreary desert. To assist Reason by the stimulus of Imagination is the design of the following production. In the execution of it much may be objectionable. The verse (particularly in the introduction of the ode) may be accused of unwarrantable liberties, but they are liberties equally homogeneal with the exactness of Mathematical disquisition, and the boldness of Pindaric daring. I have three strong champions to defend me against the attacks of Criticism: the Novelty, the Difficulty, and the Utility of the work. I may justly plume myself that I first have drawn the nymph Mathesis from the visionary caves of abstracted idea, and caused her to unite with Harmony. The first-born of this Union I now present to you; with interested motives indeed—as I expect to receive in return the more valuable offspring of your Muse.

Thine ever,

S. T. C.

[CHRIST'S HOSPITAL], March 31, 1791.

This is now—this was erst,

Proposition the first—and Problem the first.

I

On a given finite line

Which must no way incline;

To describe an equi—

—lateral Tri—

—A, N, G, L, E.[22:1]          5

Now let A. B.

Be the given line

Which must no way incline;

The great Mathematician

Makes this Requisition,          10

That we describe an Equi—

—lateral Tri—

—angle on it:

Aid us, Reason—aid us, Wit!

II

From the centre A. at the distance A. B.          15

Describe the circle B. C. D.

At the distance B. A. from B. the centre

The round A. C. E. to describe boldly venture.[22:2]

(Third postulate see.)

And from the point C.          20

In which the circles make a pother

Cutting and slashing one another,

Bid the straight lines a journeying go.

C. A. C. B. those lines will show.

To the points, which by A. B. are reckon'd,          25

And postulate the second

For Authority ye know.

A. B. C.

Triumphant shall be

An Equilateral Triangle,          30

Not Peter Pindar carp, nor Zoilus can wrangle.

III

Because the point A. is the centre

Of the circular B. C. D.

And because the point B. is the centre

Of the circular A. C. E.          35

A. C. to A. B. and B. C. to B. A.

Harmoniously equal for ever must stay;

Then C. A. and B. C.

Both extend the kind hand

To the basis, A. B.          40

Unambitiously join'd in Equality's Band.

But to the same powers, when two powers are equal,

My mind forbodes the sequel;

My mind does some celestial impulse teach,

And equalises each to each.          45

Thus C. A. with B. C. strikes the same sure alliance,

That C. A. and B. C. had with A. B. before;

And in mutual affiance

None attempting to soar

Above another,          50

The unanimous three

C. A. and B. C. and A. B.

All are equal, each to his brother,

Preserving the balance of power so true:

Ah! the like would the proud Autocratrix[23:1] do!          55

At taxes impending not Britain would tremble,

Nor Prussia struggle her fear to dissemble;

Nor the Mah'met-sprung Wight

The great Mussulman

Would stain his Divan          60

With Urine the soft-flowing daughter of Fright.

IV

But rein your stallion in, too daring Nine!

Should Empires bloat the scientific line?

Or with dishevell'd hair all madly do ye run

For transport that your task is done?          65

For done it is—the cause is tried!

And Proposition, gentle Maid,

Who soothly ask'd stern Demonstration's aid,

Has proved her right, and A. B. C.

Of Angles three          70

Is shown to be of equal side;

And now our weary steed to rest in fine,

'Tis rais'd upon A. B. the straight, the given line.

1791.

FOOTNOTES:

[21:2] First published in 1834 without a title, but tabulated as 'Mathematical Problem' in 'Contents' 1 [p. xi].

[22:1] Poetice for Angle. Letter, 1791.

[22:2] Delendus 'fere'. Letter, 1791.

[23:1] Empress of Russia.

LINENOTES:

Title] Prospectus and Specimen of a Translation of Euclid in a series of Pindaric Odes, communicated in a letter of the author to his Brother Rev. G. Coleridge [March 17, 1791]. MS. O (c).

[5]

A E N G E E E L E. Letter, 1791.

[36]

A C to C B and C B to C A. Letter, 1791, MS. O (c).

[48]

affiance] alliance Letter, 1791.

[55]

Autocratrix] Autocratorix MS. O (c).

HONOUR[24:1]

O, curas hominum! O, quantum est in rebus inane!

The fervid Sun had more than halv'd the day,

When gloomy on his couch Philedon lay;

His feeble frame consumptive as his purse,

His aching head did wine and women curse;

His fortune ruin'd and his wealth decay'd,          5

Clamorous his duns, his gaming debts unpaid,

The youth indignant seiz'd his tailor's bill,

And on its back thus wrote with moral quill:

'Various as colours in the rainbow shown,

Or similar in emptiness alone,          10

How false, how vain are Man's pursuits below!

Wealth, Honour, Pleasure—what can ye bestow?

Yet see, how high and low, and young and old

Pursue the all-delusive power of Gold.

Fond man! should all Peru thy empire own,          15

For thee tho' all Golconda's jewels shone,

What greater bliss could all this wealth supply?

What, but to eat and drink and sleep and die?

Go, tempt the stormy sea, the burning soil—

Go, waste the night in thought, the day in toil,          20

Dark frowns the rock, and fierce the tempests rave—

Thy ingots go the unconscious deep to pave!

Or thunder at thy door the midnight train,

Or Death shall knock that never knocks in vain.

Next Honour's sons come bustling on amain;          25

I laugh with pity at the idle train.

Infirm of soul! who think'st to lift thy name

Upon the waxen wings of human fame,—

Who for a sound, articulated breath—

Gazest undaunted in the face of death!          30

What art thou but a Meteor's glaring light—

Blazing a moment and then sunk in night?

Caprice which rais'd thee high shall hurl thee low,

Or Envy blast the laurels on thy brow.

To such poor joys could ancient Honour lead          35

When empty fame was toiling Merit's meed;

To Modern Honour other lays belong;

Profuse of joy and Lord of right and wrong,

Honour can game, drink, riot in the stew,

Cut a friend's throat;—what cannot Honour do?          40

Ah me!—the storm within can Honour still

For Julio's death, whom Honour made me kill?

Or will this lordly Honour tell the way

To pay those debts, which Honour makes me pay?

Or if with pistol and terrific threats          45

I make some traveller pay my Honour's debts,

A medicine for this wound can Honour give?

Ah, no! my Honour dies to make my Honour live.

But see! young Pleasure, and her train advance,

And joy and laughter wake the inebriate dance;          50

Around my neck she throws her fair white arms,

I meet her loves, and madden at her charms.

For the gay grape can joys celestial move,

And what so sweet below as Woman's love?

With such high transport every moment flies,          55

I curse Experience that he makes me wise;

For at his frown the dear deliriums flew,

And the changed scene now wears a gloomy hue.

A hideous hag th' Enchantress Pleasure seems,

And all her joys appear but feverous dreams.          60

The vain resolve still broken and still made,

Disease and loathing and remorse invade;

The charm is vanish'd and the bubble's broke,—

A slave to pleasure is a slave to smoke!'

Such lays repentant did the Muse supply;          65

When as the Sun was hastening down the sky,

In glittering state twice fifty guineas come,—

His Mother's plate antique had rais'd the sum.

Forth leap'd Philedon of new life possest:—

'Twas Brookes's all till two,—'twas Hackett's all the rest!          70

1791.

FOOTNOTES:

[24:1] First published in 1834: included in P. and D. W., 1877-80, and in 1893.

LINENOTES:

No title, but motto as above MS. O.: Philedon, Eds. 1877, 1893.

[34]

Or] And MS. O.

[43-4]

Or will my Honour kindly tell the way

To pay the debts

MS. O.

[60]

feverous] feverish MS. O.

[70]

Brookes's, a famous gaming-house in Fleet Street. Hackett's, a brothel under the Covent Garden Piazza. Note MS. O.

ON IMITATION[26:1]

All are not born to soar—and ah! how few

In tracks where Wisdom leads their paths pursue!

Contagious when to wit or wealth allied,

Folly and Vice diffuse their venom wide.

On Folly every fool his talent tries;          5

It asks some toil to imitate the wise;

Tho' few like Fox can speak—like Pitt can think—

Yet all like Fox can game—like Pitt can drink.

? 1791

FOOTNOTES:

[26:1] First published in 1834. In MS. O lines 3, 4 follow lines 7, 8 of the text.

INSIDE THE COACH[26:2]

'Tis hard on Bagshot Heath to try

Unclos'd to keep the weary eye;

But ah! Oblivion's nod to get

In rattling coach is harder yet.

Slumbrous God of half-shut eye!          5

Who lovest with limbs supine to lie;

Soother sweet of toil and care

Listen, listen to my prayer;

And to thy votary dispense

Thy soporific influence!          10

What tho' around thy drowsy head

The seven-fold cap of night be spread,

Yet lift that drowsy head awhile

And yawn propitiously a smile;

In drizzly rains poppean dews          15

O'er the tired inmates of the Coach diffuse;

And when thou'st charm'd our eyes to rest,

Pillowing the chin upon the breast,

Bid many a dream from thy dominions

Wave its various-painted pinions,          20

Till ere the splendid visions close

We snore quartettes in ecstasy of nose.

While thus we urge our airy course,

O may no jolt's electric force

Our fancies from their steeds unhorse,          25

And call us from thy fairy reign

To dreary Bagshot Heath again!

1791.

FOOTNOTES:

[26:2] First published in 1834.

LINENOTES:

Title] Ode to sleep. Travelling in the Exeter Coach with three other passengers over Bagshot Heath, after some vain endeavours to compose myself I composed this Ode—August 17, 1791. MS. O.

[12]

Vulgo yclept night-cap MS. O.

[13]

that] thy MS. O.

DEVONSHIRE ROADS[27:1]

The indignant Bard composed this furious ode,

As tired he dragg'd his way thro' Plimtree road![27:2]

Crusted with filth and stuck in mire

Dull sounds the Bard's bemudded lyre;

Nathless Revenge and Ire the Poet goad          5

To pour his imprecations on the road.

Curst road! whose execrable way

Was darkly shadow'd out in Milton's lay,

When the sad fiends thro' Hell's sulphureous roads

Took the first survey of their new abodes;          10

Or when the fall'n Archangel fierce

Dar'd through the realms of Night to pierce,

What time the Bloodhound lur'd by Human scent

Thro' all Confusion's quagmires floundering went.

Nor cheering pipe, nor Bird's shrill note          15

Around thy dreary paths shall float;

Their boding songs shall scritch-owls pour

To fright the guilty shepherds sore,

Led by the wandering fires astray

Thro' the dank horrors of thy way!          20

While they their mud-lost sandals hunt

May all the curses, which they grunt

In raging moan like goaded hog,

Alight upon thee, damnéd Bog!

1791.

FOOTNOTES:

[27:1] First published in 1834.

[27:2] Plymtree Road, August 18, 1791. Note, MS. O. [Plimtree is about 8 miles N. of Ottery St. Mary. S. T. C. must have left the mail coach at Cullompton to make his way home on foot.]

LINENOTES:

No title MS. O.

MUSIC[28:1]

Hence, soul-dissolving Harmony

That lead'st th' oblivious soul astray—

Though thou sphere-descended be—

Hence away!—

Thou mightier Goddess, thou demand'st my lay,          5

Born when earth was seiz'd with cholic;

Or as more sapient sages say,

What time the Legion diabolic

Compell'd their beings to enshrine

In bodies vile of herded swine,          10

Precipitate adown the steep

With hideous rout were plunging in the deep,

And hog and devil mingling grunt and yell

Seiz'd on the ear with horrible obtrusion;—

Then if aright old legendaries tell,          15

Wert thou begot by Discord on Confusion!

What though no name's sonorous power

Was given thee at thy natal hour!—

Yet oft I feel thy sacred might,

While concords wing their distant flight.          20

Such Power inspires thy holy son

Sable clerk of Tiverton!

And oft where Otter sports his stream,

I hear thy banded offspring scream.

Thou Goddess! thou inspir'st each throat;          25

'Tis thou who pour'st the scritch-owl note!

Transported hear'st thy children all

Scrape and blow and squeak and squall;

And while old Otter's steeple rings,

Clappest hoarse thy raven wings!          30

1791.

FOOTNOTES:

[28:1] First published in 1834.

LINENOTES:

Title] Ode on the Ottery and Tiverton Church Music MS. O.

SONNET[29:1]

ON QUITTING SCHOOL FOR COLLEGE

Farewell parental scenes! a sad farewell!

To you my grateful heart still fondly clings,

Tho' fluttering round on Fancy's burnish'd wings

Her tales of future Joy Hope loves to tell.

Adieu, adieu! ye much-lov'd cloisters pale!          5

Ah! would those happy days return again,

When 'neath your arches, free from every stain,

I heard of guilt and wonder'd at the tale!

Dear haunts! where oft my simple lays I sang,

Listening meanwhile the echoings of my feet,          10

Lingering I quit you, with as great a pang,

As when erewhile, my weeping childhood, torn

By early sorrow from my native seat,

Mingled its tears with hers—my widow'd Parent lorn.

1791.

FOOTNOTES:

[29:1] First published in 1834.

LINENOTES:

Title] Sonnet on the Same (i. e. 'Absence, A Farewell Ode,' &c.) 1834.

ABSENCE[29:2]

A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS

COLLEGE, CAMBRIDGE

Where graced with many a classic spoil

CAM rolls his reverend stream along,

I haste to urge the learnéd toil

That sternly chides my love-lorn song:

Ah me! too mindful of the days          5

Illumed by Passion's orient rays,

When Peace, and Cheerfulness and Health

Enriched me with the best of wealth.

Ah fair Delights! that o'er my soul

On Memory's wing, like shadows fly!          10

Ah Flowers! which Joy from Eden stole

While Innocence stood smiling by!—

But cease, fond Heart! this bootless moan:

Those Hours on rapid Pinions flown

Shall yet return, by Absence crown'd,          15

And scatter livelier roses round.

The Sun who ne'er remits his fires

On heedless eyes may pour the day:

The Moon, that oft from Heaven retires,

Endears her renovated ray.          20

What though she leave the sky unblest

To mourn awhile in murky vest?

When she relumes her lovely light,

We bless the Wanderer of the Night.

1791.

FOOTNOTES:

[29:2] First published in Cambridge Intelligencer, October 11, 1794: included in 1796, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Sonnet on Quitting Christ's Hospital MS. O. Absence, A Farewell Ode 1796, 1803.

HAPPINESS[30:1]

On wide or narrow scale shall Man

Most happily describe Life's plan?

Say shall he bloom and wither there,

Where first his infant buds appear;

Or upwards dart with soaring force,          5

And tempt some more ambitious course?

Obedient now to Hope's command,

I bid each humble wish expand,

And fair and bright Life's prospects seem.

While Hope displays her cheering beam,          10

And Fancy's vivid colourings stream,

While Emulation stands me nigh

The Goddess of the eager eye.

With foot advanc'd and anxious heart

Now for the fancied goal I start:—          15

Ah! why will Reason intervene

Me and my promis'd joys between!

She stops my course, she chains my speed,

While thus her forceful words proceed:—

Ah! listen, Youth, ere yet too late,          20

What evils on thy course may wait!

To bow the head, to bend the knee,

A minion of Servility,

At low Pride's frequent frowns to sigh,

And watch the glance in Folly's eye;          25

To toil intense, yet toil in vain,

And feel with what a hollow pain

Pale Disappointment hangs her head

O'er darling Expectation dead!

'The scene is changed and Fortune's gale          30

Shall belly out each prosperous sail.

Yet sudden wealth full well I know

Did never happiness bestow.

That wealth to which we were not born

Dooms us to sorrow or to scorn.          35

Behold yon flock which long had trod

O'er the short grass of Devon's sod,

To Lincoln's rank rich meads transferr'd,

And in their fate thy own be fear'd;

Through every limb contagions fly,          40

Deform'd and choked they burst and die.

'When Luxury opens wide her arms,

And smiling wooes thee to those charms,

Whose fascination thousands own,

Shall thy brows wear the stoic frown?          45

And when her goblet she extends

Which maddening myriads press around,

What power divine thy soul befriends

That thou should'st dash it to the ground?—

No, thou shalt drink, and thou shalt know          50

Her transient bliss, her lasting woe,

Her maniac joys, that know no measure,

And Riot rude and painted Pleasure;—

Till (sad reverse!) the Enchantress vile

To frowns converts her magic smile;          55

Her train impatient to destroy,

Observe her frown with gloomy joy;

On thee with harpy fangs they seize

The hideous offspring of Disease,

Swoln Dropsy ignorant of Rest,          60

And Fever garb'd in scarlet vest,

Consumption driving the quick hearse,

And Gout that howls the frequent curse,

With Apoplex of heavy head

That surely aims his dart of lead.          65

'But say Life's joys unmix'd were given

To thee some favourite of Heaven:

Within, without, tho' all were health—

Yet what e'en thus are Fame, Power, Wealth,

But sounds that variously express,          70

What's thine already—Happiness!

'Tis thine the converse deep to hold

With all the famous sons of old;

And thine the happy waking dream

While Hope pursues some favourite theme,          75

As oft when Night o'er Heaven is spread,

Round this maternal seat you tread,

Where far from splendour, far from riot,

In silence wrapt sleeps careless Quiet.

'Tis thine with Fancy oft to talk,          80

And thine the peaceful evening walk;

And what to thee the sweetest are—

The setting sun, the Evening Star—

The tints, which live along the sky,

And Moon that meets thy raptur'd eye,          85

Where oft the tear shall grateful start,

Dear silent pleasures of the Heart!

Ah! Being blest, for Heaven shall lend

To share thy simple joys a friend!

Ah! doubly blest, if Love supply          90

His influence to complete thy joy,

If chance some lovely maid thou find

To read thy visage in thy mind.

'One blessing more demands thy care:—

Once more to Heaven address the prayer:          95

For humble independence pray

The guardian genius of thy way;

Whom (sages say) in days of yore

Meek Competence to Wisdom bore,

So shall thy little vessel glide          100

With a fair breeze adown the tide,

And Hope, if e'er thou 'ginst to sorrow,

Remind thee of some fair to-morrow,

Till Death shall close thy tranquil eye

While Faith proclaims "Thou shalt not die!"'          105

1791.

FOOTNOTES:

[30:1] First published in 1834. The poem was sent to George Coleridge in a letter dated June 22, 1791. An adapted version of ll. 80-105 was sent to Southey, July 13, 1794.

LINENOTES:

Title] Upon the Author's leaving school and entering into Life. MS. O (c).

[6]

tempt] dare MS. O, MS. O (c).

[10]

While] When MS. O, MS. O (c).

Between 11-13

How pants my breast before my eyes

While Honour WAVES her radiant prize.

And Emulation, &c.

MS. O, MS. O (c).

[22]

To bend the head, to bow MS. O (c).

[24]

frowns] frown MS. O, MS. O (c).

[25]

in] of MS. O (c).

[41]

Deformed, choaked MS. O, MS. O (c).

[45]

brows] brow MS. O, MS. O (c).

[55]

magic] wonted MS. O, MS. O (c).

[57]

her frown] the fiend MS. O, MS. O (c).

[68]

Without, within MS. O, MS. O (c).

[76]

is] has MS O, MS. O (c).

[77]

Note—Christ's Hospital MS. O: Ottery S. Mary in Devonshire MS. O (c).

[80-1]

'Tis thine with faery forms to talk

And thine the philosophic walk.

Letter to Southey, 1794.

[84]

which] that MS. O, MS. O (c), Letter, 1794.

[85]

And] The Letter, 1794.

[86]

Where grateful oft the big drops start. Letter, 1794. shall] does MS. O (c).

[90-3]

Ah! doubly blest, if Love supply

Lustre to this now heavy eye,

And with unwonted Spirit grace

That fat[32:A] vacuity of face.

Or if e'en Love, the mighty Love

Shall find this change his power above;

Some lovely maid perchance thou'lt find

To read thy visage in thy mind.

MS. O, MS. O (c).

[32:A] The Author was at this time, aetat. 17, remarkable for a plump face. MS. O (c).

[96-7]

But if thou pour one votive lay

For humble, &c.

Letter, 1794.

[96]

Not in Letter.

[101]

adown Life's tide MS. O, MS. O (c).

[102-3]

Not in Letter, 1794.

A WISH[33:1]

WRITTEN IN JESUS WOOD, FEB. 10, 1792

Lo! through the dusky silence of the groves,

Thro' vales irriguous, and thro' green retreats,

With languid murmur creeps the placid stream

And works its secret way.

Awhile meand'ring round its native fields          5

It rolls the playful wave and winds its flight:

Then downward flowing with awaken'd speed

Embosoms in the Deep!

Thus thro' its silent tenor may my Life

Smooth its meek stream by sordid wealth unclogg'd,          10

Alike unconscious of forensic storms,

And Glory's blood-stain'd palm!

And when dark Age shall close Life's little day,

Satiate of sport, and weary of its toils,

E'en thus may slumbrous Death my decent limbs          15

Compose with icy hand!

1792.

FOOTNOTES:

[33:1] First published in 1893, from MS. Letter to Mary Evans, Feb. 13 [1792].

AN ODE IN THE MANNER OF ANACREON[33:2]

As late, in wreaths, gay flowers I bound,

Beneath some roses Love I found;

And by his little frolic pinion

As quick as thought I seiz'd the minion,

Then in my cup the prisoner threw,          5

And drank him in its sparkling dew:

And sure I feel my angry guest

Fluttering his wings within my breast!

1792.

FOOTNOTES:

[33:2] First published in 1893, from MS. Letter, Feb. 13 [1792].

TO DISAPPOINTMENT[34:1]

Hence! thou fiend of gloomy sway,

That lov'st on withering blast to ride

O'er fond Illusion's air-built pride.

Sullen Spirit! Hence! Away!

Where Avarice lurks in sordid cell,          5

Or mad Ambition builds the dream,

Or Pleasure plots th' unholy scheme

There with Guilt and Folly dwell!

But oh! when Hope on Wisdom's wing

Prophetic whispers pure delight,          10

Be distant far thy cank'rous blight,

Demon of envenom'd sting.

Then haste thee, Nymph of balmy gales!

Thy poet's prayer, sweet May! attend!

Oh! place my parent and my friend          15

'Mid her lovely native vales.

Peace, that lists the woodlark's strains,

Health, that breathes divinest treasures,

Laughing Hours, and Social Pleasures

Wait my friend in Cambria's plains.          20

Affection there with mingled ray

Shall pour at once the raptures high

Of filial and maternal Joy;

Haste thee then, delightful May!

And oh! may Spring's fair flowerets fade,          25

May Summer cease her limbs to lave

In cooling stream, may Autumn grave

Yellow o'er the corn-cloath'd glade;

Ere, from sweet retirement torn,

She seek again the crowded mart:          30

Nor thou, my selfish, selfish heart

Dare her slow return to mourn!

1792.

FOOTNOTES:

[34:1] First published in Letters of Samuel Taylor Coleridge, 1895, i. 28, 29. The lines were included in a letter to Mrs. Evans, dated February 13, 1792.

A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]

Where deep in mud Cam rolls his slumbrous stream,

And bog and desolation reign supreme;

Where all Boeotia clouds the misty brain,

The owl Mathesis pipes her loathsome strain.

Far, far aloof the frighted Muses fly,          5

Indignant Genius scowls and passes by:

The frolic Pleasures start amid their dance,

And Wit congeal'd stands fix'd in wintry trance.

But to the sounds with duteous haste repair

Cold Industry, and wary-footed Care;          10

And Dulness, dosing on a couch of lead,

Pleas'd with the song uplifts her heavy head,

The sympathetic numbers lists awhile,

Then yawns propitiously a frosty smile. . . .

[Caetera desunt.]

1792.

FOOTNOTES:

[35:1] First published in Letters of Samuel Taylor Coleridge, 1895, i. 44. The lines were sent in a letter to the Rev. G. Coleridge, dated April [1792].

LINENOTES:

[1]

slumbrous] reverend MS. E.

[5]

frighted] affrighted MS. E.

[9]

to] at MS. E.

[12]

Sooth'd with the song uprears MS. E.

[13]

The] Its MS. E.

ODE[35:2]

Ye Gales, that of the Lark's repose

The impatient Silence break,

To yon poor Pilgrim's wearying Woes

Your gentle Comfort speak!

He heard the midnight whirlwind die,          5

He saw the sun-awaken'd Sky

Resume its slowly-purpling Blue:

And ah! he sigh'd—that I might find

The cloudless Azure of the Mind

And Fortune's brightning Hue!          10

Where'er in waving Foliage hid

The Bird's gay Charm ascends,

Or by the fretful current chid

Some giant Rock impends—

There let the lonely Cares respire          15

As small airs thrill the mourning Lyre

And teach the Soul her native Calm;

While Passion with a languid Eye

Hangs o'er the fall of Harmony

And drinks the sacred Balm.          20

Slow as the fragrant whisper creeps

Along the lilied Vale,

The alter'd Eye of Conquest weeps,

And ruthless War grows pale

Relenting that his Heart forsook          25

Soft Concord of auspicious Look,

And Love, and social Poverty;

The Family of tender Fears,

The Sigh, that saddens and endears,

And Cares, that sweeten Joy.          30

Then cease, thy frantic Tumults cease,

Ambition, Sire of War!

Nor o'er the mangled Corse of Peace

Urge on thy scythéd Car.

And oh! that Reason's voice might swell          35

With whisper'd Airs and holy Spell

To rouse thy gentler Sense,

As bending o'er the chilly bloom

The Morning wakes its soft Perfume

With breezy Influence.          40

1792.

FOOTNOTES:

[35:2] These lines, first published in the Watchman (No. IV, March 25, 1796, signed G. A. U. N. T.), were included in the volume of MS. Poems presented to Mrs. Estlin in April, 1795. They were never claimed by Coleridge or assigned to him, and are now collected for the first time.

LINENOTES:

Title] A Morning Effusion Watchman.

[4]

Comfort] solace W.

[13]

fretful] fretting MS. E.

[16]

mourning] lonely W.

[17]

her] its W.

[18]

languid] waning W.

[19]

Hangs] Bends W.

[21-2]

As slow the whisper'd measure creeps

Along the steaming Vale.

W.

[24]

grows] turns W.

[31]

Tumults] outrage W.

[32]

Thou scepter'd Demon, WAR W.

[35]

oh] ah W.

[38]

chilly] flowrets' W.

A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]

WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND

IN THE EAST INDIES

The dubious light sad glimmers o'er the sky:

'Tis silence all. By lonely anguish torn,

With wandering feet to gloomy groves I fly,

And wakeful Love still tracks my course forlorn.

And will you, cruel Julia! will you go?          5

And trust you to the Ocean's dark dismay?

Shall the wide wat'ry world between us flow?

And winds unpitying snatch my Hopes away?

Thus could you sport with my too easy heart?

Yet tremble, lest not unaveng'd I grieve!          10

The winds may learn your own delusive art,

And faithless Ocean smile—but to deceive!

1792.

FOOTNOTES:

[36:1] First published in 1893, from MS. Letter, Feb. 13 [1792].

WITH FIELDING'S 'AMELIA'[37:1]

Virtues and Woes alike too great for man

In the soft tale oft claim the useless sigh;

For vain the attempt to realise the plan,

On Folly's wings must Imitation fly.

With other aim has Fielding here display'd          5

Each social duty and each social care;

With just yet vivid colouring portray'd

What every wife should be, what many are.

And sure the Parent[37:2] of a race so sweet

With double pleasure on the page shall dwell,          10

Each scene with sympathizing breast shall meet,

While Reason still with smiles delights to tell

Maternal hope, that her loved progeny

In all but sorrows shall Amelias be!

? 1792.

FOOTNOTES:

[37:1] First published in 1834.

[37:2] It is probable that the recipient of the Amelia was the mother of Coleridge's first love, Mary Evans.

LINENOTES:

Title] Sent to Mrs. —— with an Amelia. MS. O.

[10]

double] doubled MS. O.

WRITTEN AFTER A WALK BEFORE SUPPER[37:3]

Tho' much averse, dear Jack, to flicker,

To find a likeness for friend V—ker,

I've made thro' Earth, and Air, and Sea,

A Voyage of Discovery!

And let me add (to ward off strife)          5

For V—ker and for V—ker's Wife—

She large and round beyond belief,

A superfluity of beef!

Her mind and body of a piece,

And both composed of kitchen-grease.          10

In short, Dame Truth might safely dub her

Vulgarity enshrin'd in blubber!

He, meagre bit of littleness,

All snuff, and musk, and politesse;

So thin, that strip him of his clothing,          15

He'd totter on the edge of Nothing!

In case of foe, he well might hide

Snug in the collops of her side.

Ah then, what simile will suit?

Spindle-leg in great jack-boot?          20

Pismire crawling in a rut?

Or a spigot in a butt?

Thus I humm'd and ha'd awhile,

When Madam Memory with a smile

Thus twitch'd my ear—'Why sure, I ween,          25

In London streets thou oft hast seen

The very image of this pair:

A little Ape with huge She-Bear

Link'd by hapless chain together:

An unlick'd mass the one—the other          30

An antic small with nimble crupper——'

But stop, my Muse! for here comes supper.

1792.

FOOTNOTES:

[37:3] First published in 1796, and secondly in P. and D. W., 1877-80. These lines, described as 'A Simile', were sent in a letter to the Rev. George Coleridge, dated August 9 [1792]. The Rev. Fulwood Smerdon, the 'Vicar' of the original MS., succeeded the Rev. John Coleridge as vicar of Ottery St. Mary in 1781. He was the 'Edmund' of 'Lines to a Friend', &c., vide post, pp. 74, 75.

LINENOTES:

Title] Epistle iii. Written, &c., 1796.

[1]

dear Jack] at folk Letter, 1792.

[2]

A simile for Vicar Letter, 1792.

[6]

For Vicar and for Vicar's wife Letter, 1792.

[7]

large] gross Letter, 1792.

[12]

enshrin'd] enclos'd

[19]

will] can Letter, 1792.

[23]

I ha'd and hem'd Letter, 1792.

[24]

Madam] Mrs. Letter, 1792.

[28]

huge] large Letter, 1792.

[29]

Link'd] Tied Letter, 1792.

[31]

small] lean Letter, 1792: huge 1796, 1877, 1888, 1893. For Antic huge read antic small 'Errata', 1796 p. [189].

IMITATED FROM OSSIAN[38:1]

The stream with languid murmur creeps,

In Lumin's flowery vale:

Beneath the dew the Lily weeps

Slow-waving to the gale.

'Cease, restless gale!' it seems to say,          5

'Nor wake me with thy sighing!

The honours of my vernal day

On rapid wing are flying.

'To-morrow shall the Traveller come

Who late beheld me blooming:          10

His searching eye shall vainly roam

The dreary vale of Lumin.'

With eager gaze and wetted cheek

My wonted haunts along,

Thus, faithful Maiden! thou shalt seek          15

The Youth of simplest song.

But I along the breeze shall roll

The voice of feeble power;

And dwell, the Moon-beam of thy soul,

In Slumber's nightly hour.          20

1793.

FOOTNOTES:

[38:1] First published in 1796: included in 1803, 1828, 1829, and 1834. The following note was attached in 1796 and 1803:—The flower hangs its [heavy] head waving at times to the gale. 'Why dost thou awake me, O Gale?' it seems to say, 'I am covered with the drops of Heaven. The time of my fading is near, the blast that shall scatter my leaves. Tomorrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, [but] they will not find me. So shall they search in vain for the voice of Cona, after it has failed in the field.'—Berrathon, see Ossian's Poems, vol. ii. [ed. 1819, p. 481].

LINENOTES:

Title] Ode MS. E.

[10]

That erst, &c. MS. E.

[15]

faithful] lovely MS. E.

[16]

simplest] gentle MS. E.

THE COMPLAINT OF NINATHÓMA[39:1]

FROM THE SAME

How long will ye round me be swelling,

O ye blue-tumbling waves of the sea?

Not always in caves was my dwelling,

Nor beneath the cold blast of the tree.

Through the high-sounding halls of Cathlóma          5

In the steps of my beauty I strayed;

The warriors beheld Ninathóma,

And they blesséd the white-bosom'd Maid!

A Ghost! by my cavern it darted!

In moon-beams the Spirit was drest—          10

For lovely appear the Departed

When they visit the dreams of my rest!

But disturb'd by the tempest's commotion

Fleet the shadowy forms of delight—

Ah cease, thou shrill blast of the Ocean!          15

To howl through my cavern by night.

1793.

FOOTNOTES:

[39:1] First published in 1796: included in 1803, 1828, 1829, and 1834. These lines were included in a letter from Coleridge to Mary Evans, dated Feb. 7, 1793. In 1796 and 1803 the following note was attached:—'How long will ye roll around me, blue-tumbling waters of Ocean. My dwelling is not always in caves; nor beneath the whistling tree. My [The] feast is spread in Torthoma's Hall. [My father delighted in my voice.] The youths beheld me in [the steps of] my loveliness. They blessed the dark-haired Nina-thomà.'—Berrathon [Ossian's Poems, 1819, ii. 484].

LINENOTES:

Title] Effusion xxx. The Complaint, &c., 1796.

[5]

halls] Hall Letter, 1793.

[8]

white-bosom'd] dark-tressed Letter, 1793.

[8-9]

By my friends, by my Lovers discarded,

Like the flower of the Rock now I waste,

That lifts her fair head unregarded,

And scatters its leaves on the blast.

Letter, 1793.

[13]

disturb'd] dispers'd Letter, 1793.

SONGS OF THE PIXIES[40:1]

The Pixies, in the superstition of Devonshire, are a race of beings invisibly small, and harmless or friendly to man. At a small distance from a village in that county, half-way up a wood-covered hill, is an excavation called the Pixies' Parlour. The roots of old trees form its ceiling; and on its sides are innumerable cyphers, among which the author discovered his own cypher and those of his brothers, cut by the hand of their childhood. At the foot of the hill flows the river Otter.

To this place the Author, during the summer months of the year 1793, conducted a party of young ladies; one of whom, of stature elegantly small, and of complexion colourless yet clear, was proclaimed the Faery Queen. On which occasion the following Irregular Ode was written.

I

Whom the untaught Shepherds call

Pixies in their madrigal,

Fancy's children, here we dwell:

Welcome, Ladies! to our cell.

Here the wren of softest note          5

Builds its nest and warbles well;

Here the blackbird strains his throat;

Welcome, Ladies! to our cell.

II

When fades the moon to shadowy-pale,

And scuds the cloud before the gale,          10

Ere the Morn all gem-bedight

Hath streak'd the East with rosy light,

We sip the furze-flower's fragrant dews

Clad in robes of rainbow hues;

Or sport amid the shooting gleams          15

To the tune of distant-tinkling teams,

While lusty Labour scouting sorrow

Bids the Dame a glad good-morrow,

Who jogs the accustom'd road along,

And paces cheery to her cheering song.          20

III

But not our filmy pinion

We scorch amid the blaze of day,

When Noontide's fiery-tresséd minion

Flashes the fervid ray.

Aye from the sultry heat          25

We to the cave retreat

O'ercanopied by huge roots intertwin'd

With wildest texture, blacken'd o'er with age:

Round them their mantle green the ivies bind,

Beneath whose foliage pale          30

Fann'd by the unfrequent gale

We shield us from the Tyrant's mid-day rage.

IV

Thither, while the murmuring throng

Of wild-bees hum their drowsy song,

By Indolence and Fancy brought,          35

A youthful Bard, 'unknown to Fame,'

Wooes the Queen of Solemn Thought,

And heaves the gentle misery of a sigh

Gazing with tearful eye,

As round our sandy grot appear          40

Many a rudely-sculptur'd name

To pensive Memory dear!

Weaving gay dreams of sunny-tinctur'd hue,

We glance before his view:

O'er his hush'd soul our soothing witcheries shed          45

And twine the future garland round his head.

V

When Evening's dusky car

Crown'd with her dewy star

Steals o'er the fading sky in shadowy flight;

On leaves of aspen trees          50

We tremble to the breeze

Veil'd from the grosser ken of mortal sight.

Or, haply, at the visionary hour,

Along our wildly-bower'd sequester'd walk,

We listen to the enamour'd rustic's talk;          55

Heave with the heavings of the maiden's breast,

Where young-eyed Loves have hid their turtle nest;

Or guide of soul-subduing power

The glance that from the half-confessing eye

Darts the fond question or the soft reply.          60

VI

Or through the mystic ringlets of the vale

We flash our faery feet in gamesome prank;

Or, silent-sandal'd, pay our defter court,

Circling the Spirit of the Western Gale,

Where wearied with his flower-caressing sport,          65

Supine he slumbers on a violet bank;

Then with quaint music hymn the parting gleam

By lonely Otter's sleep-persuading stream;

Or where his wave with loud unquiet song

Dash'd o'er the rocky channel froths along;          70

Or where, his silver waters smooth'd to rest,

The tall tree's shadow sleeps upon his breast.

VII

Hence thou lingerer, Light!

Eve saddens into Night.

Mother of wildly-working dreams! we view          75

The sombre hours, that round thee stand

With down-cast eyes (a duteous band!)

Their dark robes dripping with the heavy dew.

Sorceress of the ebon throne!

Thy power the Pixies own,          80

When round thy raven brow

Heaven's lucent roses glow,

And clouds in watery colours drest

Float in light drapery o'er thy sable vest:

What time the pale moon sheds a softer day          85

Mellowing the woods beneath its pensive beam:

For mid the quivering light 'tis ours to play,

Aye dancing to the cadence of the stream.

VIII

Welcome, Ladies! to the cell

Where the blameless Pixies dwell:          90

But thou, Sweet Nymph! proclaim'd our Faery Queen,

With what obeisance meet

Thy presence shall we greet?

For lo! attendant on thy steps are seen

Graceful Ease in artless stole,          95

And white-robed Purity of soul,

With Honour's softer mien;

Mirth of the loosely-flowing hair,

And meek-eyed Pity eloquently fair,

Whose tearful cheeks are lovely to the view,          100

As snow-drop wet with dew.

IX

Unboastful Maid! though now the Lily pale

Transparent grace thy beauties meek;

Yet ere again along the impurpling vale,

The purpling vale and elfin-haunted grove,          105

Young Zephyr his fresh flowers profusely throws,

We'll tinge with livelier hues thy cheek;

And, haply, from the nectar-breathing Rose

Extract a Blush for Love!

1793.

FOOTNOTES:

[40:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834. The Songs of the Pixies forms part of the volume of MS. Poems presented to Mrs. Estlin, and of a quarto MS. volume which the poet retained for his own use.

LINENOTES:

This preface appears in all editions. Previous to 1834 the second paragraph read:—To this place the Author conducted a party of young Ladies, during the Summer months of the year 1793, &c.

The Songs of the Pixies, an irregular Ode. The lower orders of the people in Devonshire have a superstition concerning the existence of 'Pixies', a race of beings supposed to be invisibly small, and harmless or friendly to man. At a small village in the county, half-way up a Hill, is a large excavation called the 'Pixies'' Parlour. The roots of the trees growing above it form the ceiling—and on its sides are engraved innumerable cyphers, among which the author descried his own and those of his Brothers, cut by the rude hand of their childhood. At the foot of the Hill flows the River Otter. To this place the Author had the Honour of conducting a party of Young Ladies during the Summer months, on which occasion the following Poem was written. MS. E.

Note. The emendations in ll. 9, 11, 12, 15, 16 are peculiar to the edition of 1834, and are, certainly, Coleridge's own handiwork.

[9]

to] all MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[11]

Ere Morn with living gems bedight MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[12]

Hath streak'd] Purples MS. 4o, MS. E, 1796, 1828, 1829: Streaks 1797, 1803. rosy] streaky MS. E, 1796, 1828, 1829: purple 1797, 1803.

After l. 14 the following lines appear in MS. 4o, MS. E, 1796, 1797, 1803, 1828:

Richer than the deepen'd bloom

That glows on Summer's lily-scented (scented 1797, 1803) plume.

[15]

shooting] rosy MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[15-16]

gleam . . . team MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[16]

To the tune of] Sooth'd by the MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[20]

Timing to Dobbin's foot her cheery song. MS. E, MS. 4o erased.

[21]

our] the MS. E.

[35]

By rapture-beaming Fancy brought MS. E, MS. 4o erased.

[37]

Oft wooes MS. E: our faery garlands MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[53-5]

Or at the silent visionary hour

Along our rude sequester'd walk

We list th' enamour'd Shepherd's talk.

MS. E.

Or at the silent

MS. 4o erased.

[54]

wildly-bower'd] wild 1797, 1803.

[57]

hid] built MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[58]

of] with MS. E.

[59]

The Electric Flash that from the melting eye,

MS. 4o, MS. E, 1796, 1797, 1803, 1828, 1829.

[60]

or] and MS. E, 1796, 1797, 1803, 1828, 1829.

[61-5]

Or haply in the flower-embroider'd vale

We ply our faery feet in gamesome prank;

Or pay our wonted court

Circling the Spirits of the Western Gale,

Where tir'd with vernal sport

MS. E.

[63]

Or in deft homage pay our silent court

MS. 4o erased.

[68-70]

By lonely Otter's 'peace-persuading' stream

Or where his frothing wave with merry song

'Dash'd o'er the rough rock lightly leaps along'

MS. E.

[68]

peace-persuading stream MS. 4o erased.

[69-70]

Or where his waves with loud unquiet song

Dash'd o'er the rocky channel froth along

MS. 4o, 1796 ('froths' in text, 'froth' errata).

[70]

froths] froth 1828, 1829.

[75-7]

Mother of wild'ring dreams thy course pursue.

With downcast eyes around thee stand

The sombre Hours, a duteous band.

MS. E.

[92]

obedience MS. 4o, 1796: Correction made in Errata.

[94]

For lo! around thy MS. E.

[97]

softer] gentler MS. E.

[99]

meek-eyed] meekest MS. E.

[100]

cheeks are] cheek is MS. E.

[104-5]

Yet ere again the impurpled vale

And elfin-haunted grove

MS. 4o.

[104-6]

Yet ere again the purpling vale

And elfin-haunted Grove

Young Zephyr with fresh flowrets strews.

MS. 4o, MS. E.

[108]

nectar-breathing] nectar-dropping MS. E.

[109]

for] of MS. E.

THE ROSE[45:1]

As late each flower that sweetest blows

I pluck'd, the Garden's pride!

Within the petals of a Rose

A sleeping Love I spied.

Around his brows a beamy wreath          5

Of many a lucent hue;

All purple glow'd his cheek, beneath,

Inebriate with dew.

I softly seiz'd the unguarded Power,

Nor scared his balmy rest:          10

And placed him, caged within the flower,

On spotless Sara's breast.

But when unweeting of the guile

Awoke the prisoner sweet,

He struggled to escape awhile          15

And stamp'd his faery feet.

Ah! soon the soul-entrancing sight

Subdued the impatient boy!

He gazed! he thrill'd with deep delight!

Then clapp'd his wings for joy.          20

'And O!' he cried—'Of magic kind

What charms this Throne endear!

Some other Love let Venus find—

I'll fix my empire here.'[46:1]

1793.

FOOTNOTES:

[45:1] First published in 1796, included in 1797, 1803, 1828, 1829, and 1834. A copy of this poem is written in pencil on the blank page of Langhorne's Collins; a note adds, 'This "Effusion" and "Kisses" were addressed to a Miss F. Nesbitt at Plymouth, whither the author accompanied his eldest brother, to whom he was paying a visit, when he was twenty-one years of age.' In a letter to his brother George, dated July 28, 1793, Coleridge writes, 'presented a moss rose to a lady. Dick Hart [George Coleridge's brother-in-law] asked if she was not afraid to put it in her bosom, as, perhaps, there might be love in it. I immediately wrote the following little ode or song or what you please to call it. [The Rose.] It is of the namby-pamby genus.' Letters of S. T. C., 1895, i. 54.

[46:1] Letters of S. T. C., 1895, i. p. 55.

LINENOTES:

Title] On presenting a moss rose to Miss F. Nesbitt. MS. (pencil). Effusion xxvi. 1796.

[5]

beamy] lucent MS. E: lucid Letter, 1793.

[6]

lucent] changing MS. E: mingled Letter, 1793.

[12]

On lovely Nesbitt's breast. MS. (pencil).

On Angelina's breast. Letter, 1793.

On spotless Anna's breast. MS. E.

[Probably Anna Buclé, afterwards Mrs. Cruikshank.]

[13]

But when all reckless Letter, 1793.

[14]

prisoner] slumberer Letter, 1793.

[16]

faery] angry Letter, 1793.

[21-2]

'And, O', he cried, 'What charms refined

This magic throne endear

Letter, 1793, MS. E.

[23]

Another Love may Letter, 1793.

KISSES[46:2]

Cupid, if storying Legends tell aright,

Once fram'd a rich Elixir of Delight.

A Chalice o'er love-kindled flames he fix'd,

And in it Nectar and Ambrosia mix'd:

With these the magic dews which Evening brings,          5

Brush'd from the Idalian star by faery wings:

Each tender pledge of sacred Faith he join'd,

Each gentler Pleasure of th' unspotted mind—

Day-dreams, whose tints with sportive brightness glow,

And Hope, the blameless parasite of Woe.          10

The eyeless Chemist heard the process rise,

The steamy Chalice bubbled up in sighs;

Sweet sounds transpired, as when the enamour'd Dove

Pours the soft murmuring of responsive Love.

The finish'd work might Envy vainly blame,          15

And 'Kisses' was the precious Compound's name.

With half the God his Cyprian Mother blest,

And breath'd on Sara's lovelier lips the rest.

1793.

FOOTNOTES:

[46:2] First published in 1796: included in 1797 (Supplement), 1803, and 1844. Three MSS. are extant, (1) as included in a letter to George Coleridge, Aug. 5, 1793; (2) as written in pencil in a copy of Langhorne's Collins in 1793; (3) MS. E. Poems, 1796 (Note 7, p. 181), and footnotes in 1797 and 1803, supply the original Latin:

Effinxit quondam blandum meditata laborem

Basia lascivâ Cypria Diva manu.

Ambrosiae succos occultâ temperat arte,

Fragransque infuso nectare tingit opus.

Sufficit et partem mellis, quod subdolus olim

Non impune favis surripuisset Amor.

Decussos violae foliis admiscet odores

Et spolia aestivis plurima rapta rosis.

Addit et illecebras et mille et mille lepores,

Et quot Acidalius gaudia Cestus habet.

Ex his composuit Dea basia; et omnia libens

Invenias nitidae sparsa per ora Cloës.

Carm[ina] Quad[ragesimalia], vol. ii.

LINENOTES:

Title] Cupid turn'd Chymist Letter, 1793, Pencil. The Compound MS. E: Effusion xxvi. 1796: The Composition of a Kiss 1797: Kisses 1803, 1844, 1852.

[1]

storying] ancient Pencil.

[3]

Chalice] cauldron Letter, 1793.

[[8]

gentler] gentle Pencil.

[9]

Gay Dreams whose tints with beamy brightness glow.

Letter, 1793, MS. E.

[9-10]

And

Hopes the blameless parasites of Woe

Fond

Bristol MS.

And Dreams whose tints with beamy brightness glow.

Pencil, Bristol MS.

[11-12]

With joy he view'd his chymic process rise,

The steaming cauldron bubbled up in sighs.

Letter, 1793.

[11-12]

the chymic process rise,

The steaming chalice

Pencil, MS. E.

[11-12]

the chymic process rise,

The charming cauldron

Bristol MS.

[14]

Murmuring] murmurs Letter, 1793.

Cooes the soft murmurs Pencil.

[15]

not Envy's self could blame Letter, 1793, Pencil.

might blame. MS. E.

[17]

With part Letter, 1793, MS. E.

[18]

on Nesbitt's lovely lips the rest. Letter, 1793, Pencil.

on Mary's lovelier lips the rest. MS. E.

on lovely Nesbitt's lovely lips the rest. Bristol MS.

THE GENTLE LOOK[47:1]

Thou gentle Look, that didst my soul beguile,

Why hast thou left me? Still in some fond dream

Revisit my sad heart, auspicious Smile!

As falls on closing flowers the lunar beam:

What time, in sickly mood, at parting day          5

I lay me down and think of happier years;

Of joys, that glimmer'd in Hope's twilight ray,

Then left me darkling in a vale of tears.

O pleasant days of Hope—for ever gone!

Could I recall you!—But that thought is vain.          10

Availeth not Persuasion's sweetest tone

To lure the fleet-wing'd Travellers back again:

Yet fair, though faint, their images shall gleam

Like the bright Rainbow on a willowy stream.[48:1]

? 1793.

FOOTNOTES:

[47:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834. The 'four last lines' of the Sonnet as sent to Southey, on Dec. 11, 1794, were written by Lamb. Letters of S. T. C., 1895, i. 111, 112.

[48:1] Compare ll. 13, 14 with ll. 13, 14 of Anna and Harland and ll. 17, 18 of Recollection. Vide Appendix.

LINENOTES:

Title] Irregular Sonnet MS. E: Effusion xiv. 1796: Sonnet III. 1797, 1803: Sonnet viii. 1828, 1829, 1834: The Smile P. W. 1885: The Gentle Look P. W. 1893.

[1]

Thou] O Letter, 1794.

[9]

gone] flown MS. E.

[10]

you] one Letter, 1794.

[13-14]

Anon they haste to everlasting Night,

Nor can a Giant's arm arrest them in their flight Letter, 1794.

On on, &c., MS. E.

SONNET[48:2]

TO THE RIVER OTTER

Dear native Brook! wild Streamlet of the West!

How many various-fated years have past,

What happy and what mournful hours, since last

I skimm'd the smooth thin stone along thy breast,

Numbering its light leaps! yet so deep imprest          5

Sink the sweet scenes of childhood, that mine eyes

I never shut amid the sunny ray,

But straight with all their tints thy waters rise,

Thy crossing plank, thy marge with willows grey,

And bedded sand that vein'd with various dyes          10

Gleam'd through thy bright transparence! On my way,

Visions of Childhood! oft have ye beguil'd

Lone manhood's cares, yet waking fondest sighs:

Ah! that once more I were a careless Child!

? 1793.

FOOTNOTES:

[48:2] Lines 2-11 were first published in the Watchman, No. V, April 2, 1796, as lines 17-26 of Recollection. First published, as a whole, in Selection of Sonnets, 1796, included in 1797, 1803, Sibylline Leaves, 1828, 1829, and 1834.

LINENOTES:

Title] Sonnet No. IV. To the, &c., 1797, 1803.

[3]

What blissful and what anguish'd hours Watchman, S. S., 1797, 1803.

[7]

ray] blaze Watchman, S. S., 1797, 1803.

[8]

thy] their S. L. Corrected in Errata, p. [xii].

[9]

The crossing plank, and margin's willowy maze Watchman.

Thy crossing plank, thy margin's willowy maze S. S., 1797, 1803.

[11]

On my way] to the gaze Watchman, S. S., 1797, 1803.

[14]

Ah! that I were once more, &c. S. L. Corrected in Errata, p. [xii].

FIRST DRAFT

AN EFFUSION AT EVENING

WRITTEN IN AUGUST, 1792

Imagination, Mistress of my Love!

Where shall mine Eye thy elfin haunt explore?

Dost thou on yon rich Cloud thy pinions bright

Embathe in amber-glowing Floods of Light?

Or, wild of speed, pursue the track of Day          5

In other worlds to hail the morning Ray?

'Tis time to bid the faded shadowy Pleasures move

On shadowy Memory's wings across the Soul of Love;

And thine o'er Winter's icy plains to fling

Each flower, that binds the breathing Locks of Spring,          10

When blushing, like a bride, from primrose Bower

She starts, awaken'd by the pattering Shower!

Now sheds the setting Sun a purple gleam,

Aid, lovely Sorc'ress! aid the Poet's dream.

With faery wand O bid my Love arise,          15

The dewy brilliance dancing in her Eyes;

As erst she woke with soul-entrancing Mien

The thrill of Joy extatic yet serene,

When link'd with Peace I bounded o'er the Plain

And Hope itself was all I knew of Pain!          20

Propitious Fancy hears the votive sigh—

The absent Maiden flashes on mine Eye!

When first the matin Bird with startling Song

Salutes the Sun his veiling Clouds among,

I trace her footsteps on the

accustom'd

steaming Lawn,          25

I view her glancing in the gleams of Dawn!

When the bent Flower beneath the night-dew weeps

And on the Lake the silver Lustre sleeps,

Amid the paly Radiance soft and sad

She meets my lonely path in moonbeams clad.          30

With her along the streamlet's brink I rove;

With her I list the warblings of the Grove;

And seems in each low wind her voice to float,

Lone-whispering Pity in each soothing Note!

As oft in climes beyond the western Main          35

Where boundless spreads the wildly-silent Plain,

The savage Hunter, who his drowsy frame

Had bask'd beneath the Sun's unclouded Flame,

Awakes amid the tempest-troubled air,

The Thunder's Peal and Lightning's lurid glare—          40

Aghast he hears the rushing Whirlwind's Sweep,

And sad recalls the sunny hour of Sleep!

So lost by storms along Life's wild'ring Way

Mine Eye reverted views that cloudless Day,

When, ——! on thy banks I joy'd to rove          45

While Hope with kisses nurs'd the infant Love!

Sweet ——! where Pleasure's streamlet glides

Fann'd by soft winds to curl in mimic tides;

Where Mirth and Peace beguile the blameless Day;

And where Friendship's fixt star beams a mellow'd Ray;          50

Where Love a crown of thornless Roses wears;

Where soften'd Sorrow smiles within her tears;

And Memory, with a Vestal's meek employ,

Unceasing feeds the lambent flame of Joy!

No more thy Sky Larks less'ning from my sight          55

Shall thrill th' attunéd Heartstring with delight;

No more shall deck thy pensive Pleasures sweet

With wreaths of sober hue my evening seat!

Yet dear to [My] Fancy's Eye thy varied scene

Of Wood, Hill, Dale and sparkling Brook between:          60

Yet sweet to [My] Fancy's Ear the warbled song,

That soars on Morning's wing thy fields among!

Scenes of my Hope! the aching Eye ye leave,

Like those rich Hues that paint the clouds of Eve!

Tearful and saddening with the sadden'd Blaze          65

Mine Eye the gleam pursues with wistful Gaze—

Sees Shades on Shades with deeper tint impend,

Till chill and damp the moonless Night descend!

1792.

LINES[51:1]

ON AN AUTUMNAL EVENING

O thou wild Fancy, check thy wing! No more

Those thin white flakes, those purple clouds explore!

Nor there with happy spirits speed thy flight

Bath'd in rich amber-glowing floods of light;

Nor in yon gleam, where slow descends the day,          5

With western peasants hail the morning ray!

Ah! rather bid the perish'd pleasures move,

A shadowy train, across the soul of Love!

O'er Disappointment's wintry desert fling

Each flower that wreath'd the dewy locks of Spring,          10

When blushing, like a bride, from Hope's trim bower

She leapt, awaken'd by the pattering shower.

Now sheds the sinking Sun a deeper gleam,

Aid, lovely Sorceress! aid thy Poet's dream!

With faery wand O bid the Maid arise,          15

Chaste Joyance dancing in her bright-blue eyes;

As erst when from the Muses' calm abode

I came, with Learning's meed not unbestowed;

When as she twin'd a laurel round my brow,

And met my kiss, and half return'd my vow,          20

O'er all my frame shot rapid my thrill'd heart,

And every nerve confess'd the electric dart.

O dear Deceit! I see the Maiden rise,

Chaste Joyance dancing in her bright-blue eyes!

When first the lark high-soaring swells his throat,          25

Mocks the tir'd eye, and scatters the loud note,

I trace her footsteps on the accustom'd lawn,

I mark her glancing mid the gleam of dawn.

When the bent flower beneath the night-dew weeps

And on the lake the silver lustre sleeps,          30

Amid the paly radiance soft and sad,

She meets my lonely path in moon-beams clad.

With her along the streamlet's brink I rove;

With her I list the warblings of the grove;

And seems in each low wind her voice to float          35

Lone-whispering Pity in each soothing note!

Spirits of Love! ye heard her name! Obey

The powerful spell, and to my haunt repair.

Whether on clust'ring pinions ye are there,

Where rich snows blossom on the Myrtle-trees,          40

Or with fond languishment around my fair

Sigh in the loose luxuriance of her hair;

O heed the spell, and hither wing your way,

Like far-off music, voyaging the breeze!

Spirits! to you the infant Maid was given          45

Form'd by the wond'rous Alchemy of Heaven!

No fairer Maid does Love's wide empire know,

No fairer Maid e'er heav'd the bosom's snow.

A thousand Loves around her forehead fly;

A thousand Loves sit melting in her eye;          50

Love lights her smile—in Joy's red nectar dips

His myrtle flower, and plants it on her lips.

She speaks! and hark that passion-warbled song—

Still, Fancy! still that voice, those notes prolong.

As sweet as when that voice with rapturous falls          55

Shall wake the soften'd echoes of Heaven's Halls!

[52:1]O (have I sigh'd) were mine the wizard's rod,

Or mine the power of Proteus, changeful God!

A flower-entangled Arbour I would seem

To shield my Love from Noontide's sultry beam:          60

Or bloom a Myrtle, from whose od'rous boughs

My Love might weave gay garlands for her brows.

When Twilight stole across the fading vale,

To fan my Love I'd be the Evening Gale;

Mourn in the soft folds of her swelling vest,          65

And flutter my faint pinions on her breast!

On Seraph wing I'd float a Dream by night,

To soothe my Love with shadows of delight:—

Or soar aloft to be the Spangled Skies,

And gaze upon her with a thousand eyes!          70

As when the Savage, who his drowsy frame

Had bask'd beneath the Sun's unclouded flame,

Awakes amid the troubles of the air,

The skiey deluge, and white lightning's glare—

Aghast he scours before the tempest's sweep,          75

And sad recalls the sunny hour of sleep:—

So tossed by storms along Life's wild'ring way,

Mine eye reverted views that cloudless day,

When by my native brook I wont to rove,

While Hope with kisses nurs'd the Infant Love.          80

Dear native brook! like Peace, so placidly

Smoothing through fertile fields thy current meek!

Dear native brook! where first young Poesy

Stared wildly-eager in her noontide dream!

Where blameless pleasures dimple Quiet's cheek,          85

As water-lilies ripple thy slow stream!

Dear native haunts! where Virtue still is gay,

Where Friendship's fix'd star sheds a mellow'd ray,

Where Love a crown of thornless Roses wears,

Where soften'd Sorrow smiles within her tears;          90

And Memory, with a Vestal's chaste employ,

Unceasing feeds the lambent flame of joy!

No more your sky-larks melting from the sight

Shall thrill the attunéd heart-string with delight—

No more shall deck your pensive Pleasures sweet          95

With wreaths of sober hue my evening seat.

Yet dear to Fancy's eye your varied scene

Of wood, hill, dale, and sparkling brook between!

Yet sweet to Fancy's ear the warbled song,

That soars on Morning's wing your vales among.          100

Scenes of my Hope! the aching eye ye leave

Like yon bright hues that paint the clouds of eve!

Tearful and saddening with the sadden'd blaze

Mine eye the gleam pursues with wistful gaze:

Sees shades on shades with deeper tint impend,          105

Till chill and damp the moonless night descend

1793.

FOOTNOTES:

[51:1] First published in 1796: included in 1797, 1803, 1828, 1829 and 1834. In Social Life at the English Universities, by Christopher Wordsworth, M.A., 1874, it is recorded that this poem was read by Coleridge to a party of college friends on November 7, 1793.

[52:1] Note to line 57. Poems, 1796, pp. 183-5:—I entreat the Public's pardon for having carelessly suffered to be printed such intolerable stuff as this and the thirteen following lines. They have not the merit even of originality: as every thought is to be found in the Greek Epigrams. The lines in this poem from the 27th to the 36th, I have been told are a palpable imitation of the passage from the 355th to the 370th line of the Pleasures of Memory Part 3. I do not perceive so striking a similarity between the two passages; at all events I had written the Effusion several years before I had seen Mr Rogers' Poem.—It may be proper to remark that the tale of Florio in the 'Pleasures of Memory' is to be found in Lochleven, a poem of great merit by Michael Bruce.—In Mr Rogers' Poem[52:A] the names are Florio and Julia; in the Lochleven Lomond and Levina—and this is all the difference. We seize the opportunity of transcribing from the Lochleven of Bruce the following exquisite passage, expressing the effects of a fine day on the human heart.

Fat on the plain, and mountain's sunny side

Large droves of oxen and the fleecy flocks

Feed undisturb'd; and fill the echoing air

With Music grateful to their [the] Master's ear.

The Traveller stops and gazes round and round

O'er all the plains [scenes] that animate his heart

With mirth and music. Even the mendicant

Bow-bent with age, that on the old gray stone

Sole-sitting suns him in the public way,

Feels his heart leap, and to himself he sings.

[Poems by Michael Bruce, 1796, p. 94.]

[52:A] For Coleridge's retractation of the charge of plagiarism and apology to Rogers see 'Advertisement to Supplement of 1797', pp. 244, 245.

LINENOTES:

Title] Effusion xxxvi. Written in Early Youth, The Time, An Autumnal Evening 1796: Written in etc. 1803: An Effusion on an Autumnal Evening. Written in Early Youth 1797 (Supplement).

A first draft, headed 'An Effusion at Evening, Written in August, 1792' is included in the MS. volume presented to Mrs. Estlin in April, 1795 (vide ante, pp. 49, 50).

[28]

gleam] gleams 1796, 1797, 1803, 1893.

[51-3]

in Joy's bright nectar dips

The flamy rose, and plants it on her lips!

Tender, serene, and all devoid of guile,

Soft is her soul, as sleeping infants' smile.

She speaks, &c.

1796, 1803.

[54]

still those mazy notes 1796, 1803.

[55-6]

Sweet as th' angelic harps, whose rapturous falls

Awake the soften'd echoes of Heaven's Halls.

1796, 1803.

[86]

thy] a 1796, 1803.

TO FORTUNE[54:1]

TO THE EDITOR OF THE 'MORNING CHRONICLE'

SIR,—The following poem you may perhaps deem admissible into your journal—if not, you will commit it εἰς ἱερὸν μένος Ἡφαίστοιο.—I am, with more respect and gratitude than I ordinarily feel for Editors of Papers, your obliged, &c.,

CANTAB.—S. T. C.

TO FORTUNE

On buying a Ticket in the Irish Lottery

Composed during a walk to and from the Queen's Head, Gray's Inn Lane, Holborn, and Hornsby's and Co., Cornhill.

Promptress of unnumber'd sighs,

O snatch that circling bandage from thine eyes!

O look, and smile! No common prayer

Solicits, Fortune! thy propitious care!

For, not a silken son of dress,          5

I clink the gilded chains of politesse,

Nor ask thy boon what time I scheme

Unholy Pleasure's frail and feverish dream;

Nor yet my view life's dazzle blinds—

Pomp!—Grandeur! Power!—I give you to the winds!          10

Let the little bosom cold

Melt only at the sunbeam ray of gold—

My pale cheeks glow—the big drops start—

The rebel Feeling riots at my heart!

And if in lonely durance pent,          15

Thy poor mite mourn a brief imprisonment—

That mite at Sorrow's faintest sound

Leaps from its scrip with an elastic bound!

But oh! if ever song thine ear

Might soothe, O haste with fost'ring hand to rear          20

One Flower of Hope! At Love's behest,

Trembling, I plac'd it in my secret breast:

And thrice I've view'd the vernal gleam,

Since oft mine eye, with Joy's electric beam,

Illum'd it—and its sadder hue          25

Oft moisten'd with the Tear's ambrosial dew!

Poor wither'd floweret! on its head

Has dark Despair his sickly mildew shed!

But thou, O Fortune! canst relume

Its deaden'd tints—and thou with hardier bloom          30

May'st haply tinge its beauties pale,

And yield the unsunn'd stranger to the western gale!

1793.

FOOTNOTES:

[54:1] First published, Morning Chronicle, Nov. 7, 1793. First collected 1893.

PERSPIRATION. A TRAVELLING ECLOGUE[56:1]

The dust flies smothering, as on clatt'ring wheel

Loath'd Aristocracy careers along;

The distant track quick vibrates to the eye,

And white and dazzling undulates with heat,

Where scorching to the unwary traveller's touch,          5

The stone fence flings its narrow slip of shade;

Or, where the worn sides of the chalky road

Yield their scant excavations (sultry grots!),

Emblem of languid patience, we behold

The fleecy files faint-ruminating lie.          10

1794.

FOOTNOTES:

[56:1] First published, Letters of Samuel Taylor Coleridge, 1895, i. 73, 74. The lines were sent in a letter to Southey, dated July 6, 1794.

[AVE, ATQUE VALE!][56:2]

Vivit sed mihi non vivit—nova forte marita,

Ah dolor! alterius carâ a cervice pependit.

Vos, malefida valete accensae insomnia mentis,

Littora amata valete! Vale, ah! formosa Maria!

1794.

FOOTNOTES:

[56:2] First published, Biog. Lit. 1847, Biog. Supplement, ii. 340. This Latin quatrain was sent in a letter to Southey, dated July 13, 1794.

ON BALA HILL[56:3]

With many a weary step at length I gain

Thy summit, Bala! and the cool breeze plays

Cheerily round my brow—as hence the gaze

Returns to dwell upon the journey'd plain.

'Twas a long way and tedious!—to the eye          5

Tho' fair th' extended Vale, and fair to view

The falling leaves of many a faded hue

That eddy in the wild gust moaning by!

Ev'n so it far'd with Life! in discontent

Restless thro' Fortune's mingled scenes I went,          10

Yet wept to think they would return no more!

O cease fond heart! in such sad thoughts to roam,

For surely thou ere long shalt reach thy home,

And pleasant is the way that lies before.

1794.

FOOTNOTES:

[56:3] First published (as Coleridge's) in 1893, from an unsigned autograph MS. found among the Evans Papers. The lines are all but identical with Southey's Sonnet to Lansdown Hill (Sonnet viii), dated 1794, and first published in 1797, and were, probably, his composition. See Athenaeum, January 11, 1896.

LINENOTES:

[2]

Bala] Lansdown Poems, 1797.

[3]

Cheerily] Gratefully Poems, 1797.

[12]

O] But Poems, 1797.

LINES[57:1]

WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE

OF THE 'MAN OF ROSS'

Richer than Miser o'er his countless hoards,

Nobler than Kings, or king-polluted Lords,

Here dwelt the MAN OF ROSS! O Traveller, hear!

Departed Merit claims a reverent tear.

Friend to the friendless, to the sick man health,          5

With generous joy he view'd his modest wealth;

He heard the widow's heaven-breath'd prayer of praise,

He mark'd the shelter'd orphan's tearful gaze,

Or where the sorrow-shrivell'd captive lay,

Pour'd the bright blaze of Freedom's noon-tide ray.          10

Beneath this roof if thy cheer'd moments pass,

Fill to the good man's name one grateful glass:

To higher zest shall Memory wake thy soul,

And Virtue mingle in the ennobled bowl.

But if, like me, through Life's distressful scene          15

Lonely and sad thy pilgrimage hath been;

And if thy breast with heart-sick anguish fraught,

Thou journeyest onward tempest-tossed in thought;

Here cheat thy cares! in generous visions melt,

And dream of Goodness, thou hast never felt!          20

1794.

FOOTNOTES:

[57:1] First published in the Cambridge Intelligencer, September 27, 1794: included in A Pedestrian Tour through North Wales. By J. Hucks, 1795, p. 15: 1796, 1797, 1803, 1828, 1829, and 1834.

In a letter to Southey dated July 13, 1794, Coleridge writes:—'At Ross . . . we took up our quarters at the King's Arms, once the house of Kyrle, the Man of Ross. I gave the window-shutter the following effusion—"Richer than Misers" etc.' J. Hucks, in his Tour, 1795, p. 15, writes to the same effect. There are but slight variations in the text as printed in the Cambridge Intelligencer and in Hucks' Tour. In 1796 lines 5-10 of the text, which were included in A Monody on the Death of Chatterton (1796), are omitted, and the poem numbered only fourteen lines. In 1797 lines 5-10 were restored to the Man of Ross and omitted from the Monody. The poem numbered twenty lines. In 1803 lines 5-10 were again omitted from the Man of Ross, but not included in the Monody. The poem numbered fourteen lines. The text of 1828, 1829 is almost identical with that of 1834.

Four MS. versions are extant, (1) the Letter to Southey, July 13, 1794; (2) the Estlin Copy-book; (3) the Morrison MSS.; (4) the MS. 4o Copy-book.

LINENOTES:

Title] Written . . . Mr. Kyrle, 'the Man of Ross'. MS. E.

[1]

Misers o'er their Letter, 1794, J. H., MS. E, 1808.

[4]

the glistening tear Letter, 1794: a] the J. H., MS. E. Lines 5-10 are not in MS. 4o, 1796, 1803: in 1797 they follow l. 14 of the text.

[5]

to the poor man wealth, Morrison MSS.

[7]

heard] hears 1797, 1828, 1829.

[8]

mark'd] marks 1797, 1828.

[9]

And o'er the dowried maiden's glowing cheek, Letter, 1794, Morrison MSS.: virgin's snowy cheek, J. H., MS. E.

[10]

Bade bridal love suffuse its blushes meek. Letter, 1794, MS. E, Morrison MSS. Pour'd] Pours 1797, 1828, 1829.

[11]

If 'neath this roof thy wine cheer'd moments pass Letter, J. H., MS. E, MS. 4o, 1803.

[14]

ennobled] sparkling Letter, 1794.

[15]

me] mine 1803.

IMITATED FROM THE WELSH[58:1]

If while my passion I impart,

You deem my words untrue,

O place your hand upon my heart—

Feel how it throbs for you!

Ah no! reject the thoughtless claim          5

In pity to your Lover!

That thrilling touch would aid the flame

It wishes to discover.

? 1794.

FOOTNOTES:

[58:1] First published in 1796: included in 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Song MS. E: Effusion xxxi. Imitated &c., 1796.

LINES[58:2]

TO A BEAUTIFUL SPRING IN A VILLAGE

Once more! sweet Stream! with slow foot wandering near,

I bless thy milky waters cold and clear.

Escap'd the flashing of the noontide hours,

With one fresh garland of Pierian flowers

(Ere from thy zephyr-haunted brink I turn)          5

My languid hand shall wreath thy mossy urn.

For not through pathless grove with murmur rude

Thou soothest the sad wood-nymph, Solitude;

Nor thine unseen in cavern depths to well,

The Hermit-fountain of some dripping cell!          10

Pride of the Vale! thy useful streams supply

The scatter'd cots and peaceful hamlet nigh.

The elfin tribe around thy friendly banks

With infant uproar and soul-soothing pranks,

Releas'd from school, their little hearts at rest,          15

Launch paper navies on thy waveless breast.

The rustic here at eve with pensive look

Whistling lorn ditties leans upon his crook,

Or, starting, pauses with hope-mingled dread

To list the much-lov'd maid's accustom'd tread:          20

She, vainly mindful of her dame's command,

Loiters, the long-fill'd pitcher in her hand.

Unboastful Stream! thy fount with pebbled falls

The faded form of past delight recalls,

What time the morning sun of Hope arose,          25

And all was joy; save when another's woes

A transient gloom upon my soul imprest,

Like passing clouds impictur'd on thy breast.

Life's current then ran sparkling to the noon,

Or silvery stole beneath the pensive Moon:          30

Ah! now it works rude brakes and thorns among,

Or o'er the rough rock bursts and foams along!

1794.

FOOTNOTES:

[58:2] First published in 1796: included in Annual Register, 1796: 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Lines addressed to a Spring in Village of Kirkhampton near Bath MS. E.

[7]

groves in murmurs MS. E.

[21-2]

And now essays his simple Faith to prove

By all the soft solicitudes of Love.

MS. E.

For ll. 29-32

But ah! too brief in Youths' enchanting reign,

Ere Manhood wakes th' unweeting heart to pain,

Silent and soft thy silver waters glide:

So glided Life, a smooth and equal Tide.

Sad Change! for now by choking Cares withstood

It hardly bursts its way, a turbid, boist'rous Flood!

MS. E.

[30]

Or silver'd its smooth course beneath the Moon. MS. 4o.

[31]

rude] the thorny MS. 4o erased.

IMITATIONS

AD LYRAM[59:1]

(CASIMIR, BOOK II. ODE 3)

The solemn-breathing air is ended—

Cease, O Lyre! thy kindred lay!

From the poplar-branch suspended

Glitter to the eye of Day!

On thy wires hov'ring, dying,          5

Softly sighs the summer wind:

I will slumber, careless lying,

By yon waterfall reclin'd.

In the forest hollow-roaring

Hark! I hear a deep'ning sound—          10

Clouds rise thick with heavy low'ring!

See! th' horizon blackens round!

Parent of the soothing measure,

Let me seize thy wetted string!

Swiftly flies the flatterer, Pleasure,          15

Headlong, ever on the wing.[60:1]

1794.

FOOTNOTES:

[59:1] First published in the Watchman, No. II, March 9, 1796: included in Literary Remains, 1836, I. 41-3. First collected in 1844.

[60:1] If we except Lucretius and Statius, I know not of any Latin poet, ancient or modern, who has equalled Casimir in boldness of conception, opulence of fancy, or beauty of versification. The Odes of this illustrious Jesuit were translated into English about 150 years ago, by a Thomas Hill, I think, [—by G. H. [G. Hils.] London, 1646. 12mo. Ed. L. R. 1836. I never saw the translation. A few of the Odes have been translated in a very animated manner by Watts. I have subjoined the third ode of the second book, which, with the exception of the first line, is an effusion of exquisite elegance. In the imitation attempted, I am sensible that I have destroyed the effect of suddenness, by translating into two stanzas what is one in the original.

AD LYRAM.

Sonori buxi Filia sutilis,

Pendebis alta, Barbite, populo,

Dum ridet aer, et supinas

Solicitat levis aura frondes:

Te sibilantis lenior halitus

Perflabit Euri: me iuvet interim

Collum reclinasse, et virenti

Sic temere iacuisse ripa.

Eheu! serenum quae nebulae tegunt

Repente caelum! quis sonus imbrium!

Surgamus—heu semper fugaci

Gaudia praeteritura passu!

'Advertisement' to Ad Lyram, in Watchman, II, March 9, 1796.

LINENOTES:

Title] Song. [Note. Imitated from Casimir.] MS. E.

TO LESBIA[60:2]

Vivamus, mea Lesbia, atque amemus.

CATULLUS.

My Lesbia, let us love and live,

And to the winds, my Lesbia, give

Each cold restraint, each boding fear

Of age and all her saws severe.

Yon sun now posting to the main          5

Will set,—but 'tis to rise again;—

But we, when once our mortal light

Is set, must sleep in endless night.

Then come, with whom alone I'll live,

A thousand kisses take and give!          10

Another thousand!—to the store

Add hundreds—then a thousand more!

And when they to a million mount,

Let confusion take the account,—

That you, the number never knowing,          15

May continue still bestowing—

That I for joys may never pine,

Which never can again be mine!

? 1794.

FOOTNOTES:

[60:2] First published in the Morning Post, April 11, 1798: included in Literary Remains, 1836, i. 274. First collected in P. W., 1893.

LINENOTES:

Title] Lines imitated from Catullus. M. P.

[4]

her] its L. R.

[7]

mortal] little L. R.

[18]

signed Mortimer M. P.

THE DEATH OF THE STARLING[61:1]

Lugete, O Veneres, Cupidinesque.—CATULLUS.

Pity! mourn in plaintive tone

The lovely starling dead and gone!

Pity mourns in plaintive tone

The lovely starling dead and gone.

Weep, ye Loves! and Venus! weep          5

The lovely starling fall'n asleep!

Venus sees with tearful eyes—

In her lap the starling lies!

While the Loves all in a ring

Softly stroke the stiffen'd wing.          10

? 1794.

FOOTNOTES:

[61:1] First published, Literary Remains, 1836, i. 274. First collected, P. W., 1893. The titles 'Lesbia' and 'The Death of the Starling' first appear in 1893.

LINENOTES:

[7]

sees] see L. R.

MORIENS SUPERSTITI[61:2]

The hour-bell sounds, and I must go;

Death waits—again I hear him calling;—

No cowardly desires have I,

Nor will I shun his face appalling.

I die in faith and honour rich—          5

But ah! I leave behind my treasure

In widowhood and lonely pain;—

To live were surely then a pleasure!

My lifeless eyes upon thy face

Shall never open more to-morrow;          10

To-morrow shall thy beauteous eyes

Be closed to Love, and drown'd in Sorrow;

To-morrow Death shall freeze this hand,

And on thy breast, my wedded treasure,

I never, never more shall live;—          15

Alas! I quit a life of pleasure.

FOOTNOTES:

[61:2] First published in the Morning Post, May 10, 1798, with a prefatory note:—'The two following verses from the French, never before published, were written by a French Prisoner as he was preparing to go to the Guillotine': included in Literary Remains, 1836, i. 275. First collected P. W., 1893.

MORIENTI SUPERSTES

Yet art thou happier far than she

Who feels the widow's love for thee!

For while her days are days of weeping,

Thou, in peace, in silence sleeping,

In some still world, unknown, remote,          5

The mighty parent's care hast found,

Without whose tender guardian thought

No sparrow falleth to the ground.

? 1794.

THE SIGH[62:1]

When Youth his faery reign began

Ere Sorrow had proclaim'd me man;

While Peace the present hour beguil'd,

And all the lovely Prospect smil'd;

Then Mary! 'mid my lightsome glee          5

I heav'd the painless Sigh for thee.

And when, along the waves of woe,

My harass'd Heart was doom'd to know

The frantic burst of Outrage keen,

And the slow Pang that gnaws unseen;          10

Then shipwreck'd on Life's stormy sea

I heaved an anguish'd Sigh for thee!

But soon Reflection's power imprest

A stiller sadness on my breast;

And sickly Hope with waning eye          15

Was well content to droop and die:

I yielded to the stern decree,

Yet heav'd a languid Sigh for thee!

And though in distant climes to roam,

A wanderer from my native home,          20

I fain would soothe the sense of Care,

And lull to sleep the Joys that were!

Thy Image may not banish'd be—

Still, Mary! still I sigh for thee.

1794.

FOOTNOTES:

[62:1] First published in 1796: included in 1797, 1803, 1828, 1829. Coleridge dated the poem, June 1794, but the verses as sent to Southey, in a letter dated November, 1794 (Letters of S. T. C., 1895, i. 100, 101), could not have taken shape before the August of that year, after the inception of Pantisocracy and his engagement to Sarah Fricker.

LINENOTES:

Title] Ode MS. E: Song Letter, Nov. 1794, Morrison MSS.: Effusion xxxii: The Sigh 1796.

[7]

along th'] as tossed on 1803. waves] wilds Letter, 1794, MS. E.

[9]

of] the 1803.

[13]

power] hand Letter, Nov. 1794, MS. E.

[18]

a] the Letter, 1794.

[21-2]

I fain would woo a gentle Fair

To soothe the aching sense of Care

Letter, Nov. 1794.

[21]

sense of] aching MS. E.

Below l. 24 June 1794 Poems, 1796.

THE KISS[63:1]

One kiss, dear Maid! I said and sigh'd—

Your scorn the little boon denied.

Ah why refuse the blameless bliss?

Can danger lurk within a kiss?

Yon viewless wanderer of the vale,          5

The Spirit of the Western Gale,

At Morning's break, at Evening's close

Inhales the sweetness of the Rose,

And hovers o'er the uninjur'd bloom

Sighing back the soft perfume.          10

Vigour to the Zephyr's wing

Her nectar-breathing kisses fling;

And He the glitter of the Dew

Scatters on the Rose's hue.

Bashful lo! she bends her head,          15

And darts a blush of deeper Red!

Too well those lovely lips disclose

The triumphs of the opening Rose;

O fair! O graceful! bid them prove

As passive to the breath of Love.          20

In tender accents, faint and low,

Well-pleas'd I hear the whisper'd 'No!'

The whispered 'No'—how little meant!

Sweet Falsehood that endears Consent!

For on those lovely lips the while          25

Dawns the soft relenting smile,

And tempts with feign'd dissuasion coy

The gentle violence of Joy.

? 1794.

FOOTNOTES:

[63:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Ode MS. E: Effusion xxviii 1796: The Kiss 1797, 1828, 1829, 1834: To Sara 1803. MSS. of The Kiss are included in the Estlin volume and in S. T. C.'s quarto copy-book.

[11-15]

Vigor to his languid wing

The Rose's fragrant kisses bring,

And He o'er all her brighten'd hue

Flings the glitter of the dew.

See she bends her bashful head.

MS. E.

[13-14]

And He o'er all her brighten'd hue

Sheds the glitter of the dew.

MS. 4o erased.

[18]

The fragrant triumphs of the Rose. MS. E.

[26]

Dawns] Dawn'd MS. E.

[27]

And] That MS. E.

TO A YOUNG LADY[64:1]

WITH A POEM ON THE FRENCH REVOLUTION

Much on my early youth I love to dwell,

Ere yet I bade that friendly dome farewell,

Where first, beneath the echoing cloisters pale,

I heard of guilt and wonder'd at the tale!

Yet though the hours flew by on careless wing,          5

Full heavily of Sorrow would I sing.

Aye as the Star of Evening flung its beam

In broken radiance on the wavy stream,

My soul amid the pensive twilight gloom

Mourn'd with the breeze, O Lee Boo![64:2] o'er thy tomb.          10

Where'er I wander'd, Pity still was near,

Breath'd from the heart and glisten'd in the tear:

No knell that toll'd but fill'd my anxious eye,

And suffering Nature wept that one should die![65:1]

Thus to sad sympathies I sooth'd my breast,          15

Calm, as the rainbow in the weeping West:

When slumbering Freedom roused by high Disdain

With giant Fury burst her triple chain!

Fierce on her front the blasting Dog-star glow'd;

Her banners, like a midnight meteor, flow'd;          20

Amid the yelling of the storm-rent skies!

She came, and scatter'd battles from her eyes!

Then Exultation waked the patriot fire

And swept with wild hand the Tyrtaean lyre:

Red from the Tyrant's wound I shook the lance,          25

And strode in joy the reeking plains of France!

Fallen is the Oppressor, friendless, ghastly, low,

And my heart aches, though Mercy struck the blow.

With wearied thought once more I seek the shade,

Where peaceful Virtue weaves the Myrtle braid.          30

And O! if Eyes whose holy glances roll,

Swift messengers, and eloquent of soul;

If Smiles more winning, and a gentler Mien

Than the love-wilder'd Maniac's brain hath seen

Shaping celestial forms in vacant air,          35

If these demand the empassion'd Poet's care—

If Mirth and soften'd Sense and Wit refined,

The blameless features of a lovely mind;

Then haply shall my trembling hand assign

No fading wreath to Beauty's saintly shrine.          40

Nor, Sara! thou these early flowers refuse—

Ne'er lurk'd the snake beneath their simple hues;

No purple bloom the Child of Nature brings

From Flattery's night-shade: as he feels he sings.

September 1794.

FOOTNOTES:

[64:1] First published in The Watchman, No. I, March 1, 1796: included in 1796, 1797, 1803, 1828, 1829, and 1834. Three MSS. are extant: (1) the poem as sent to Southey in a letter dated Oct. 21, 1794 (see Letters of S. T. C., 1855, i. 94, 95); (2) the Estlin volume; (3) the MS. 4o copy-book.

[64:2] Lee Boo, the son of Abba Thule, Prince of the Pelew Islands, came over to England with Captain Wilson, died of the small-pox, and is buried in Greenwich churchyard. See Keate's Account of the Pelew Islands. 1788.

[65:1] And suffering Nature, &c. Southey's Retrospect.

'When eager patriots fly the news to spread

Of glorious conquest, and of thousands dead;

All feel the mighty glow of victor joy—

*       *       *       *       *

But if extended on the gory plain,

And, snatch'd in conquest, some lov'd friend be slain,

Affection's tears will dim the sorrowing eye,

And suffering Nature grieve that one should die.'

From the Retrospect by Robert Southey, published by Dilly [1795, pp. 9, 10]. MS. 4o.

LINENOTES:

Title] Verses addressed to a Lady with a poem relative to a recent event in the French Revolution MS. E.

[2]

friendly] guardian MS. Letter, 1794, MS. E.

[3]

cloisters] cloister MS. E.

[5]

careless] rosy MS. E.

[9]

My pensive soul amid the twilight gloom MS. Letter, 1794.

[10]

Boo] Bo MS. E.

[12]

glisten'd] glitter'd MS. Letter, 1794.

[13]

anxious] anguish'd MS. Letter, 1794.

[16]

Calm] Bright MS. E.

[17]

by] with 1829.

[23]

waked] woke MS. Letter, 1794, MS. E.

[24]

with wilder hand th' empassion'd lyre MS. Letter, 1794: with wilder hand th' Alcaean lyre MS. 4o, MS. E, Watchman, 1796, 1797, 1803, 1828, 1829.

[25]

wound] wounds MS. Letter, 1794.

[27]

In ghastly horror lie th' Oppressors low MS. Letter, 1794, MS. E, MS. 4o, 1796, Watchman.

[29]

With sad and wearied thought I seek the shade MS. E: With wearied thought I seek the amaranth shade MS. Letter, 1794.

[30]

the] her MS. Letter, 1794, MS. E.

[32]

The eloquent messengers of the pure soul MS. Letter, 1794, MS. E, MS. 4o, Watchman, 1796.

[33]

winning] cunning MS. Letter, 1794.

[36]

empassion'd] wond'ring MS. Letter, 1794.

[40]

wreath] flowers MS. Letter, 1794, MS. E.

[41-4]

Nor, Brunton! thou the blushing-wreath refuse,

Though harsh her notes, yet guileless is my Muse.

Unwont at Flattery's Voice to plume her wings,

A Child of Nature, as she feels she sings.

MS. Letter, 1794.

Nor——! thou the blushing wreath refuse

Tho' harsh her song, yet guileless is the Muse.

Unwont &c.

MS. E.

[42-4]

No Serpent lurks beneath their simple hues.

No purple blooms from Flattery's nightshade brings,

The Child of Nature—as he feels he sings.

MS. 4o erased.

[43-4]

Nature's pure Child from Flatt'ry's night-shade brings

No blooms rich-purpling: as he feels he sings.

MS. 4o.

Below l. 44 September, 1794 1797, 1803: September 1792 1828, 1829, 1834.

TRANSLATION[66:1]

OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM

E GRANTA EXITURAM' [KAL. OCT. MDCCXC]

Maid of unboastful charms! whom white-robed Truth

Right onward guiding through the maze of youth,

Forbade the Circe Praise to witch thy soul,

And dash'd to earth th' intoxicating bowl:

Thee meek-eyed Pity, eloquently fair,          5

Clasp'd to her bosom with a mother's care;

And, as she lov'd thy kindred form to trace,

The slow smile wander'd o'er her pallid face.

For never yet did mortal voice impart

Tones more congenial to the sadden'd heart:          10

Whether, to rouse the sympathetic glow,

Thou pourest lone Monimia's tale of woe;

Or haply clothest with funereal vest

The bridal loves that wept in Juliet's breast.

O'er our chill limbs the thrilling Terrors creep,          15

Th' entrancéd Passions their still vigil keep;

While the deep sighs, responsive to the song,

Sound through the silence of the trembling throng.

But purer raptures lighten'd from thy face,

And spread o'er all thy form an holier grace,          20

When from the daughter's breasts the father drew

The life he gave, and mix'd the big tear's dew.

Nor was it thine th' heroic strain to roll

With mimic feelings foreign from the soul:

Bright in thy parent's eye we mark'd the tear;          25

Methought he said, 'Thou art no Actress here!

A semblance of thyself the Grecian dame,

And Brunton and Euphrasia still the same!'

O soon to seek the city's busier scene,

Pause thee awhile, thou chaste-eyed maid serene,          30

Till Granta's sons from all her sacred bowers

With grateful hand shall weave Pierian flowers

To twine a fragrant chaplet round thy brow,

Enchanting ministress of virtuous woe!

1794.

FOOTNOTES:

[66:1] First published in Poems, by Francis Wrangham, London, 1795, pp. 79-83. First collected in P. and D. W., 1880, ii. 360* (Supplement).

TO MISS BRUNTON[67:1]

WITH THE PRECEDING TRANSLATION

That darling of the Tragic Muse,

When Wrangham sung her praise,

Thalia lost her rosy hues,

And sicken'd at her lays:

But transient was th' unwonted sigh;          5

For soon the Goddess spied

A sister-form of mirthful eye,

And danc'd for joy and cried:

'Meek Pity's sweetest child, proud dame,

The fates have given to you!          10

Still bid your Poet boast her name;

I have my Brunton too.'

1794.

FOOTNOTES:

[67:1] First published in Poems, by Francis Wrangham, 1795, p. 83. First collected in P. and D. W., 1880, ii. 362* (Supplement).

EPITAPH ON AN INFANT[68:1]

Ere Sin could blight or Sorrow fade,

Death came with friendly care:

The opening Bud to Heaven convey'd,

And bade it blossom there.

1794.

FOOTNOTES:

[68:1] First published in the Morning Chronicle, September 23, 1794: included in The Watchman, No. IX, May 5, 1796, Poems 1796, 1797, 1803, 1828, 1829, and 1834. These well-known lines, which vexed the soul of Charles Lamb, were probably adapted from 'An Epitaph on an Infant' in the churchyard of Birchington, Kent (A Collection of Epitaphs, 1806, i. 219):—

Ah! why so soon, just as the bloom appears,

Drops the fair blossom in the vale of tears?

Death view'd the treasure in the desart given

And claim'd the right of planting it in Heav'n.

In MS. E a Greek version (possibly a rejected prize epigram) is prefixed with the accompanying footnote.

Ηλυες εἰς αιδην, καὶ δή τυ ποθεῦσι τοκηες:

Ηλυες αδυ βρεφος! τοι βραχυ δυνε φαος.

Ομμα μεν εις σεο σῆμα Πατηρ πικρον ποτιβαλλει

Ευσεβεης δε Θεῳ δωρα διδωσιν ἑα![68:A]

[68:A] Translation of the Greek Epitaph. 'Thou art gone down into the Grave, and heavily do thy Parents feel the Loss. Thou art gone down into the Grave, sweet Baby! Thy short Light is set! Thy Father casts an Eye of Anguish towards thy Tomb—yet with uncomplaining Piety resigns to God his own Gift!'

Equal or Greater simplicity marks all the writings of the Greek Poets.—The above [i. e. the Greek] Epitaph was written in Imitation of them. [S. T. C.]

PANTISOCRACY[68:2]

No more my visionary soul shall dwell

On joys that were; no more endure to weigh

The shame and anguish of the evil day,

Wisely forgetful! O'er the ocean swell

Sublime of Hope, I seek the cottag'd dell          5

Where Virtue calm with careless step may stray,

And dancing to the moonlight roundelay,

The wizard Passions weave an holy spell.

Eyes that have ach'd with Sorrow! Ye shall weep

Tears of doubt-mingled joy, like theirs who start          10

From Precipices of distemper'd sleep,

On which the fierce-eyed Fiends their revels keep,

And see the rising Sun, and feel it dart

New rays of pleasance trembling to the heart.

1794.

FOOTNOTES:

[68:2] First published in the Life and Correspondence of R. Southey, 1849, i. 224. First collected 1852 (Notes). Southey includes the sonnet in a letter to his brother Thomas dated Oct. 19, 1794, and attributes the authorship to Coleridge's friend S. Favell, with whom he had been in correspondence. He had already received the sonnet in a letter from Coleridge (dated Sept. 18, 1794), who claims it for his own and apologizes for the badness of the poetry. The octave was included (ll. 129-36) in the second version of the Monody on the Death of Chatterton, first printed in Lancelot Sharpe's edition of the Poems of Chatterton published at Cambridge in 1794. Mrs. H. N. Coleridge (Poems, 1852, p. 382) prints the sonnet and apologizes for the alleged plagiarism. It is difficult to believe that either the first eight or last six lines of the sonnet were not written by Coleridge. It is included in the MS. volume of Poems which Coleridge presented to Mrs. Estlin in 1795. The text is that of Letter Sept. 18, 1794.

LINENOTES:

Title] Sonnet MS. E.

[1]

my] the MS. E.

[8]

Passions weave] Passion wears Letter, Oct. 19 1794, 1852.

[9]

Sorrow] anguish Letter, Oct. 19 1794, 1852.

[10]

like theirs] as those Letter, Oct. 19 1794, 1852: as they, MS. E.

[12]

feel] find Letter, Oct. 19 1794, 1852.

[14]

pleasance] pleasure Letter, Oct. 19 1794, 1852.

ON THE PROSPECT OF ESTABLISHING

A PANTISOCRACY IN AMERICA[69:1]

Whilst pale Anxiety, corrosive Care,

The tear of Woe, the gloom of sad Despair,

And deepen'd Anguish generous bosoms rend;—

Whilst patriot souls their country's fate lament;

Whilst mad with rage demoniac, foul intent,          5

Embattled legions Despots vainly send

To arrest the immortal mind's expanding ray

Of everlasting Truth;—I other climes

Where dawns, with hope serene, a brighter day

Than e'er saw Albion in her happiest times,          10

With mental eye exulting now explore,

And soon with kindred minds shall haste to enjoy

(Free from the ills which here our peace destroy)

Content and Bliss on Transatlantic shore.

1795.

FOOTNOTES:

[69:1] First published in the Co-operative Magazine and Monthly Herald, March 6, 1826, and reprinted in the Athenæum, Nov. 5, 1904. First collected in 1907. It has been conjectured, but proof is wanting, that the sonnet was written by Coleridge.

ELEGY[69:2]

IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE

INSCRIPTIONS [(No.) III.]

Near the lone pile with ivy overspread,

Fast by the rivulet's sleep-persuading sound,

Where 'sleeps the moonlight' on yon verdant bed—

O humbly press that consecrated ground!

For there does Edmund rest, the learnéd swain!          5

And there his spirit most delights to rove:

Young Edmund! fam'd for each harmonious strain,

And the sore wounds of ill-requited Love.

Like some tall tree that spreads its branches wide,

And loads the West-wind with its soft perfume,          10

His manhood blossom'd; till the faithless pride

Of fair Matilda sank him to the tomb.

But soon did righteous Heaven her Guilt pursue!

Where'er with wilder'd step she wander'd pale,

Still Edmund's image rose to blast her view,          15

Still Edmund's voice accus'd her in each gale.

With keen regret, and conscious Guilt's alarms,

Amid the pomp of Affluence she pined;

Nor all that lur'd her faith from Edmund's arms

Could lull the wakeful horror of her mind.          20

Go, Traveller! tell the tale with sorrow fraught:

Some tearful Maid perchance, or blooming Youth,

May hold it in remembrance; and be taught

That Riches cannot pay for Love or Truth.

? 1794.

FOOTNOTES:

[69:2] First published in the Morning Chronicle, September 23, 1794: included in The Watchman, No. III, March 17, 1794: in Sibylline Leaves, 1817: 1828, 1829, and 1834, but omitted in 1852 as of doubtful origin. The elegy as printed in the Morning Chronicle is unsigned. In The Watchman it is signed T.

LINENOTES:

Title] An Elegy Morning Chronicle, Watchman.

[1]

the] yon M. C.

[6]

And there his pale-eyed phantom loves to rove M. C.

[10]

West-wind] Zephyr M. C.

[11]

till] ere M. C.

[12]

Lucinda sunk M. C.

[13]

Guilt] crime M. C.

[14]

step] steps M. C.

[17]

remorse and tortur'd Guilt's M. C.

[20]

Could soothe the conscious horrors of her mind M. C. horror] horrors The Watchman.

[22]

tearful] lovely M. C.

THE FADED FLOWER[70:1]

Ungrateful he, who pluck'd thee from thy stalk,

Poor faded flow'ret! on his careless way;

Inhal'd awhile thy odours on his walk,

Then onward pass'd and left thee to decay.

Ah! melancholy emblem! had I seen          5

Thy modest beauties dew'd with Evening's gem,

I had not rudely cropp'd thy parent stem,

But left thee, blushing, 'mid the enliven'd green

And now I bend me o'er thy wither'd bloom,

And drop the tear—as Fancy, at my side,          10

Deep-sighing, points the fair frail Abra's tomb—

'Like thine, sad Flower, was that poor wanderer's pride!

Oh! lost to Love and Truth, whose selfish joy

Tasted her vernal sweets, but tasted to destroy!'

1794.

FOOTNOTES:

[70:1] First published in the Monthly Magazine, August, 1836. First collected in P. W., 1893.

THE OUTCAST[71:1]

Pale Roamer through the night! thou poor Forlorn!

Remorse that man on his death-bed possess,

Who in the credulous hour of tenderness

Betrayed, then cast thee forth to Want and Scorn!

The world is pitiless: the chaste one's pride          5

Mimic of Virtue scowls on thy distress:

Thy Loves and they that envied thee deride:

And Vice alone will shelter Wretchedness!

O! I could weep to think that there should be

Cold-bosom'd lewd ones, who endure to place          10

Foul offerings on the shrine of Misery,

And force from Famine the caress of Love;

May He shed healing on the sore disgrace,

He, the great Comforter that rules above!

? 1794.

FOOTNOTES:

[71:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834. 'The first half of Effusion xv was written by the Author of "Joan of Arc", an Epic Poem.' Preface to Poems, 1796, p. xi.

LINENOTES:

Title] Effusion xv. 1796: Sonnet vii. 1797: Sonnet vi. 1803: Sonnet ix. 1828, 1829, and 1834: An Unfortunate 1893.

[7]

Thy kindred, when they see thee, turn aside 1803.

[9]

O I am sad 1796, 1797, 1803, 1828, 1829.

[10]

Men, born of woman 1803.

[13-14]

Man has no feeling for thy sore Disgrace:

Keen blows the Blast upon the moulting Dove.

1803.

[13]

the] thy 1796, 1797, 1828.

DOMESTIC PEACE[71:2]

[FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]

Tell me, on what holy ground

May Domestic Peace be found?

Halcyon daughter of the skies,

Far on fearful wings she flies,

From the pomp of Sceptered State,          5

From the Rebel's noisy hate.

In a cottag'd vale She dwells,

Listening to the Sabbath bells!

Still around her steps are seen

Spotless Honour's meeker mien,          10

Love, the sire of pleasing fears,

Sorrow smiling through her tears,

And conscious of the past employ

Memory, bosom-spring of joy.

1794.

FOOTNOTES:

[71:2] First published in the Fall of Robespierre, 1795: included (as 'Song', p. 13) in 1796, 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Effusion xxv. 1796.

ON A DISCOVERY MADE TOO LATE[72:1]

Thou bleedest, my poor Heart! and thy distress

Reasoning I ponder with a scornful smile

And probe thy sore wound sternly, though the while

Swoln be mine eye and dim with heaviness.

Why didst thou listen to Hope's whisper bland?          5

Or, listening, why forget the healing tale,

When Jealousy with feverous fancies pale

Jarr'd thy fine fibres with a maniac's hand?

Faint was that Hope, and rayless!—Yet 'twas fair

And sooth'd with many a dream the hour of rest:          10

Thou should'st have lov'd it most, when most opprest,

And nurs'd it with an agony of care,

Even as a mother her sweet infant heir

That wan and sickly droops upon her breast!

1794.

FOOTNOTES:

[72:1] First published in 1796: Selection of Sonnets, Poems 1796: in 1797, 1803, 1828, 1829, and 1834. It was sent in a letter to Southey, dated October 21, 1794. (Letters of S. T. C., 1895, i. 92.)

LINENOTES:

Title] Effusion xix. 1796 (in 'Contents' To my Heart): Sonnet II. On a Discovery made too late 1797, 1803, and again in P. and D. W., 1877-80: Sonnet xi. 1828, 1829, 1834.

[2-4]

Doth Reason ponder with an anguish'd smile

Probing thy sore wound sternly, tho' the while

Her eye be swollen and dim with heaviness.

Letter, 1794.

[6]

the] its Letter, 1794.

[7]

feverous] feverish 1796, 1797, 1803, 1828, 1829.

[14]

wan] pale Letter, 1794.

TO THE AUTHOR OF 'THE ROBBERS'[72:2]

Schiller! that hour I would have wish'd to die,

If thro' the shuddering midnight I had sent

From the dark dungeon of the Tower time-rent

That fearful voice, a famish'd Father's cry—

Lest in some after moment aught more mean          5

Might stamp me mortal! A triumphant shout

Black Horror scream'd, and all her goblin rout

Diminish'd shrunk from the more withering scene!

Ah! Bard tremendous in sublimity!

Could I behold thee in thy loftier mood          10

Wandering at eve with finely-frenzied eye

Beneath some vast old tempest-swinging wood!

Awhile with mute awe gazing I would brood:

Then weep aloud in a wild ecstasy!

? 1794.

FOOTNOTES:

[72:2] First published in 1796: included in Selection of Sonnets, 1796: in 1797, 1803, 1828, 1829, and 1834. The following 'Note' (Note 6, pp. 180, 181) was printed in 1796, and appears again in 1797 as a footnote, p. 83:—'One night in Winter, on leaving a College-friend's room, with whom I had supped, I carelessly took away with me "The Robbers", a drama, the very name of which I had never before heard of:—A Winter midnight—the wind high—and "The Robbers" for the first time!—The readers of Schiller will conceive what I felt. Schiller introduces no supernatural beings; yet his human beings agitate and astonish more than all the goblin rout—even of Shakespeare.' See for another account of the midnight reading of 'The Robbers', Letter to Southey, November [6], 1794, Letters of S. T. C., 1895, i. 96, 97.

In the Selection of Sonnets, 1796, this note was reduced to one sentence. 'Schiller introduces no Supernatural Beings.' In 1803 the note is omitted, but a footnote to line 4 is appended: 'The Father of Moor in the Play of the Robbers.'

LINENOTES:

Title] Effusion xx. To the Author, &c. [To 'Schiller', Contents] 1796: Sonnet viii. To the Author of 'The Robbers' 1797: Sonnet xv. 1803: Sonnet xii. To the Author of the Robbers 1828, 1829, 1834.

Lines 1-4 are printed in the reverse order (4, 3, 2, 1). Selections.

[5-6]

That in no after moment aught, less vast

Might stamp me human!

Selections.

That in no after moment aught less vast

Might stamp me mortal!

1797, 1803.

[8]

From the more with'ring scene diminish'd past. Selections, 1797, 1803.

MELANCHOLY[73:1]

A FRAGMENT

Stretch'd on a moulder'd Abbey's broadest wall,

Where ruining ivies propp'd the ruins steep—

Her folded arms wrapping her tatter'd pall,

[73:2]Had Melancholy mus'd herself to sleep.

The fern was press'd beneath her hair,          5

The dark green Adder's Tongue[74:1] was there;

And still as pass'd the flagging sea-gale weak,

The long lank leaf bow'd fluttering o'er her cheek.

That pallid cheek was flush'd: her eager look

Beam'd eloquent in slumber! Inly wrought,          10

Imperfect sounds her moving lips forsook,

And her bent forehead work'd with troubled thought.

Strange was the dream——

? 1794.

FOOTNOTES:

[73:1] First published in the Morning Post, December 12, 1797 (not, as Coleridge says, the Morning Chronicle); included in Sibylline Leaves, 1817 (with an addition), and, again, in P. and D. W., 1877-80, and (in its first shape) in 1828, 1829, 1834, 1852, and 1893. Sent in Letter to Sotheby, Aug. 26, 1802.

[73:2] Bowles borrowed these lines unconsciously, I doubt not. I had repeated the poem on my first visit [Sept. 1797]. MS. Note, S. T. C. See, too, Letter, Aug. 26, 1802. [Here Melancholy on the pale crags laid, Might muse herself to sleep—Coomb Ellen, written September, 1798.]

[74:1] A Plant found on old walls and in wells and mois[t] [h]edges.—It is often called the Hart's Tongue. M. C. Asplenium Scolopendrium, more commonly called Hart's Tongue. Letter, 1802. A botanical mistake. The plant I meant is called the Hart's Tongue, but this would unluckily spoil the poetical effect. Cedat ergo Botanice. Sibylline Leaves, 1817. A botanical mistake. The plant which the poet here describes is called the Hart's Tongue, 1828, 1829, 1852.

LINENOTES:

[1]

Upon a mouldering Letter, Aug. 26, 1802.

[2]

Where ruining] Whose running M. C. propp'd] prop Letter, Aug. 26, 1802.

[7]

pass'd] came Letter, 1802. sea-gale] sea-gales M. C., Letter, 1802.

[8]

The] Her Letter, 1802.

[9]

That] Her Letter, 1802.

[13]

Not in Letter 1802.

[13]

Strange was the dream that fill'd her soul,

Nor did not whisp'ring spirits roll

A mystic tumult, and a fateful rhyme,

Mix'd with wild shapings of the unborn time!

M. C., Sibylline Leaves, 1817.

TO A YOUNG ASS[74:2]

ITS MOTHER BEING TETHERED NEAR IT

Poor little Foal of an oppresséd race!

I love the languid patience of thy face:

And oft with gentle hand I give thee bread,

And clap thy ragged coat, and pat thy head.

But what thy dulled spirits hath dismay'd,          5

That never thou dost sport along the glade?

And (most unlike the nature of things young)

That earthward still thy moveless head is hung?

Do thy prophetic fears anticipate,

Meek Child of Misery! thy future fate?          10

The starving meal, and all the thousand aches

'Which patient Merit of the Unworthy takes'?

Or is thy sad heart thrill'd with filial pain

To see thy wretched mother's shorten'd chain?

And truly, very piteous is her lot—          15

Chain'd to a log within a narrow spot,

Where the close-eaten grass is scarcely seen,

While sweet around her waves the tempting green!

Poor Ass! thy master should have learnt to show

Pity—best taught by fellowship of Woe!          20

For much I fear me that He lives like thee,

Half famish'd in a land of Luxury!

How askingly its footsteps hither bend?

It seems to say, 'And have I then one friend?'

Innocent foal! thou poor despis'd forlorn!          25

I hail thee Brother—spite of the fool's scorn!

And fain would take thee with me, in the Dell

Of Peace and mild Equality to dwell,

Where Toil shall call the charmer Health his bride,

And Laughter tickle Plenty's ribless side!          30

How thou wouldst toss thy heels in gamesome play,

And frisk about, as lamb or kitten gay!

Yea! and more musically sweet to me

Thy dissonant harsh bray of joy would be,

Than warbled melodies that soothe to rest          35

The aching of pale Fashion's vacant breast!

1794.

FOOTNOTES:

[74:2] First published in the Morning Chronicle, December 30, 1794: included in 1796, 1797, 1803, 1828, 1829, and 1834. A MS. version, dated October 24, 1794 (see P. W., 1893, pp. 477, 488), was presented by Coleridge to Professor William Smyth, Professor of Modern History at Cambridge, 1807-49; a second version was included in a letter to Southey, dated December 17, 1794 (Letters of S. T. C., 1895, i. 119, 120).

LINENOTES:

Title] Monologue to a Young Jack Ass in Jesus Piece. Its mother near it chained to a log MS. Oct. 24, 1794: Address to a Young Jack-Ass and its Tether'd mother MS. Dec. 17, 1794: Address, &c. In familiar verse Morning Chronicle, Dec. 30, 1794: Effusion xxxiii. To a Young Ass, &c. 1796.

[3]

gentle] friendly MS. Dec. 1794, M. C.

[4]

pat] scratch MS. Oct. 1794, M. C.

[5]

spirits] spirit MSS. Oct. Dec. 1794, M. C.

[6]

along] upon MS. Dec. 1794, M. C.

[8]

That still to earth thy moping head is hung MSS. Oct. Dec. 1794, M. C.

[9]

Doth thy prophetic soul MS. Oct. 1794.

[12]

Which] That MSS. Oct. Dec. 1794.

[14]

shorten'd] lengthen'd MS. Dec. 1794, M. C.

[16]

within] upon MSS. Oct. Dec. 1794, M. C.

[19]

thy] her 1796.

[21]

For much I fear, that He lives e'en as she, 1796.

[23]

footsteps hither bend] steps toward me tend MS. Oct. 1794: steps towards me bend MS. Dec. 1794, M. C.: footsteps t'ward me bend 1796.

[25]

despised and forlorn MS. Oct. 1794.

[27]

would] I'd MSS. Oct. Dec. 1794. in] to MS. Oct. 1794.

[28]

Of high-soul'd Pantisocracy to dwell MS. Dec. 1794, M. C.

28 foll.

Where high-soul'd Pantisocracy shall dwell!

Where Mirth shall tickle Plenty's ribless side,[75:A]

And smiles from Beauty's Lip on sunbeams glide,

Where Toil shall wed young Health that charming Lass!

And use his sleek cows for a looking-glass—

Where Rats shall mess with Terriers hand-in-glove

And Mice with Pussy's Whiskers sport in Love

MS. Oct. 1794.

[75:A] This is a truly poetical line of which the author has assured us that he did not mean it to have any meaning. Note by Ed. of MS. Oct. 1794.

[35-6]

Than Handel's softest airs that soothe to rest

The tumult of a scoundrel Monarch's Breast.

MS. Oct. 1794.

Than Banti's warbled airs that sooth to rest

The tumult &c.

MS. Dec. 1794.

[36]

The tumult of some SCOUNDREL Monarch's breast.

M. C. 1796.

LINES ON A FRIEND[76:1]

WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS

Edmund! thy grave with aching eye I scan,

And inly groan for Heaven's poor outcast—Man!

'Tis tempest all or gloom: in early youth

If gifted with th' Ithuriel lance of Truth

We force to start amid her feign'd caress          5

Vice, siren-hag! in native ugliness;

A Brother's fate will haply rouse the tear,

And on we go in heaviness and fear!

But if our fond hearts call to Pleasure's bower

Some pigmy Folly in a careless hour,          10

The faithless guest shall stamp the enchanted ground,

And mingled forms of Misery rise around:

Heart-fretting Fear, with pallid look aghast,

That courts the future woe to hide the past;

Remorse, the poison'd arrow in his side,          15

And loud lewd Mirth, to Anguish close allied:

Till Frenzy, fierce-eyed child of moping Pain,

Darts her hot lightning-flash athwart the brain.

Rest, injur'd shade! Shall Slander squatting near

Spit her cold venom in a dead man's ear?          20

'Twas thine to feel the sympathetic glow

In Merit's joy, and Poverty's meek woe;

Thine all, that cheer the moment as it flies,

The zoneless Cares, and smiling Courtesies.

Nurs'd in thy heart the firmer Virtues grew,          25

And in thy heart they wither'd! Such chill dew

Wan Indolence on each young blossom shed;

And Vanity her filmy net-work spread,

With eye that roll'd around in asking gaze,

And tongue that traffick'd in the trade of praise.          30

Thy follies such! the hard world mark'd them well!

Were they more wise, the Proud who never fell?

Rest, injur'd shade! the poor man's grateful prayer

On heaven-ward wing thy wounded soul shall bear.

As oft at twilight gloom thy grave I pass,          35

And sit me down upon its recent grass,

With introverted eye I contemplate

Similitude of soul, perhaps of—Fate!

To me hath Heaven with bounteous hand assign'd

Energic Reason and a shaping mind,          40

The daring ken of Truth, the Patriot's part,

And Pity's sigh, that breathes the gentle heart—

Sloth-jaundic'd all! and from my graspless hand

Drop Friendship's precious pearls, like hour-glass sand.

I weep, yet stoop not! the faint anguish flows,          45

A dreamy pang in Morning's feverous doze.

Is this piled earth our Being's passless mound?

Tell me, cold grave! is Death with poppies crown'd?

Tired Sentinel! mid fitful starts I nod,

And fain would sleep, though pillowed on a clod!          50

1794.

FOOTNOTES:

[76:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834. Four MS. versions are extant, (1) in Letter to Southey, Nov. [6], 1794 (Letters of S. T. C., 1895, i. 98, 99): (2) in letter to George Coleridge, Nov. 6, 1794: (3) in the Estlin copy-book: (4) in the MS. 4o. The Friend was the Rev. Fulwood Smerdon, vicar of Ottery St. Mary, who died in August 1794.

LINENOTES:

Title] On the Death of a Friend who died of a Frenzy Fever brought on by anxiety MS. E.

[1]

——! thy grave MS. Letter to R. S.: Smerdon! thy grave MS. Letter to G. C.

[3]

early] earliest MS. Letters to R. S. and G. C., MS. E.

[5]

We] He MS. Letters to R. S. and G. C., MS. E, MS. 4o, 1796.

[7]

will] shall MS. Letters to R. S. and G. C., MS. E.

[8]

And on he goes MS. Letters to R. S. and G. C., MS. E, 1796: Onward we move 1803.

[9]

his fond heart MS. Letters to R. S. and G. C., MS. E, 1796.

[11]

quick stamps MS. Letters to R. S. and G. C., MS. E, MS. 4o.

[12]

threaten round MS. Letters to R. S. and G. C.

[17]

fierce-eyed] frantic MS. Letters to R. S. and G. C., MS. E erased [See Lamb's Letter to Coleridge, June 10, 1796].

[19]

squatting] couching MS Letter to G. C., MS. E [See Lamb's Letter, June 10, 1796].

[23]

cheer] cheers MS. E.

[25]

firmer] generous MS. Letters to R. S. and G. C.: manly MS. E.

[29]

roll'd] prowl'd MS. Letters to R. S. and G. C., MS. E.

[33-4]

the poor man's prayer of praise

On heavenward wing thy wounded soul shall raise.

1796.

[35]

As oft in Fancy's thought MS. Letters to R. S. and G. C.

[39]

bounteous] liberal MS. Letters to R. S. and G. C., MS. E.

[41]

ken] soul MS. Letter to R. S.

[46]

feverous] feverish all MSS. and Eds. 1796-1829.

[47]

this] that MS. Letters to R. S. and G. C., MS. E. passless] hapless Letter to G. C.

[49]

Sentinel] Centinel all MSS. and Eds. 1796-1829. mid] with Letters to R. S. and G. C.

Below l. 50 the date (November 1794) is affixed in 1796, 1797, and 1803.

TO A FRIEND[78:1]

[CHARLES LAMB]

TOGETHER WITH AN UNFINISHED POEM

Thus far my scanty brain hath built the rhyme

Elaborate and swelling: yet the heart

Not owns it. From thy spirit-breathing powers

I ask not now, my friend! the aiding verse,

Tedious to thee, and from thy anxious thought          5

Of dissonant mood. In fancy (well I know)

From business wandering far and local cares,

Thou creepest round a dear-lov'd Sister's bed

With noiseless step, and watchest the faint look,

Soothing each pang with fond solicitude,          10

And tenderest tones medicinal of love.

I too a Sister had, an only Sister—

She lov'd me dearly, and I doted on her!

To her I pour'd forth all my puny sorrows

(As a sick Patient in a Nurse's arms)          15

And of the heart those hidden maladies

That e'en from Friendship's eye will shrink asham'd.

O! I have wak'd at midnight, and have wept,

Because she was not!—Cheerily, dear Charles!

Thou thy best friend shalt cherish many a year:          20

Such warm presages feel I of high Hope.

For not uninterested the dear Maid

I've view'd—her soul affectionate yet wise,

Her polish'd wit as mild as lambent glories

That play around a sainted infant's head.          25

He knows (the Spirit that in secret sees,

Of whose omniscient and all-spreading Love

Aught to implore[79:1] were impotence of mind)

That my mute thoughts are sad before his throne,

Prepar'd, when he his healing ray vouchsafes,          30

Thanksgiving to pour forth with lifted heart,

And praise Him Gracious with a Brother's Joy!

1794.

FOOTNOTES:

[78:1] First published in 1796: included in 1797, 1803, and, again, in 1844. Lines 12-19 ('I too a sister . . . Because she was not') are published in 1834 (i. 35) under the heading 'The Same', i. e. the same as the preceding poem, 'On seeing a Youth affectionately welcomed by a Sister.' The date, December 1794, affixed in 1797 and 1803, is correct. The poem was sent in a letter from Coleridge to Southey, dated December 1794. (Letters of S. T. C., 1895, i. 128.) The 'Unfinished Poem' was, certainly, Religious Musings, begun on Christmas Eve, 1794. The text is that of 1844.

[79:1] I utterly recant the sentiment contained in the lines—

'Of whose omniscient and all-spreading Love

Aught to implore were impotence of mind,'

it being written in Scripture, 'Ask, and it shall be given you,' and my human reason being moreover convinced of the propriety of offering petitions as well as thanksgivings to Deity. [Note of S. T. C., in Poems, 1797 and 1803.]

LINENOTES:

Title] To C. Lamb MS. Letter, Dec. 1794: Effusion xxii. To a Friend, &c. 1796: To Charles Lamb with an unfinished Poem 1844.

[1-3]

Thus far my sterile brain hath fram'd the song

Elaborate and swelling: but the heart

Not owns it. From thy spirit-breathing power

MS. Letter, Dec. 1794.

[7]

Not in MS. Letter, Dec. 1794.

Between 13 and 14

On her soft bosom I reposed my cares

And gain'd for every wound a healing tear.

MS. Letter, 1794.

[15]

a] his MS. Letter, 1794, 1796, 1797, 1803.

[17]

That shrink asham'd from even Friendship's eye. MS. Letter, 1794, 1796, 1797.

[18]

wak'd] woke MS. Letter, 1794, 1796, 1797, 1803.

[21]

warm] high: high] warm MS. Letter, 1794. presages] presagings 1803.

[25]

sainted] holy MS. Letter, 1794.

[26]

that] who MS. Letter, 1794.

[31]

To pour forth thanksgiving MS. Letter, 1794, 1796, 1797, 1803.

SONNETS ON EMINENT CHARACTERS

CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794

AND JANUARY 1795

[The Sonnets were introduced by the following letter:—

'MR. EDITOR—If, Sir, the following Poems will not disgrace your poetical department, I will transmit you a series of Sonnets (as it is the fashion to call them) addressed like these to eminent Contemporaries.

'JESUS COLLEGE, CAMBRIDGE.'

S. T. C.]

I[79:2]

TO THE HONOURABLE MR. ERSKINE

When British Freedom for an happier land

Spread her broad wings, that flutter'd with affright,

ERSKINE! thy voice she heard, and paus'd her flight

Sublime of hope, for dreadless thou didst stand

(Thy censer glowing with the hallow'd flame)          5

A hireless Priest before the insulted shrine,

And at her altar pour the stream divine

Of unmatch'd eloquence. Therefore thy name

Her sons shall venerate, and cheer thy breast

With blessings heaven-ward breath'd. And when the doom          10

Of Nature bids thee die, beyond the tomb

Thy light shall shine: as sunk beneath the West

Though the great Summer Sun eludes our gaze,

Still burns wide Heaven with his distended blaze.[80:A]

December 1, 1794.

FOOTNOTES:

[79:2] First published in the Morning Chronicle, Dec. 1, 1794: included in 1796, 1803, 1828, 1829, and 1834.

[80:A] 'Our elegant correspondent will highly gratify every reader of taste by the continuance of his exquisitely beautiful productions. No. II. shall appear on an early day.'

LINENOTES:

Title] Effusion v. 1796: Sonnet x. 1803: Sonnet iv. 1828, 1829, 1834.

[4]

for dreadless] where fearless M. C. Dec. 1, 1794.

[6]

A] An M. C., 1796-1803, 1828, 1829. the insulted] her injur'd M. C.

[7]

pour] pour'dst M. C., 1796, 1803.

[8]

unmatch'd] matchless M. C.

[10]

With heav'n-breath'd blessings; and, when late the doom M. C.

[11]

die] rise 1803.

[13-14]

Though the great Sun not meets our wistful gaze

Still glows wide Heaven

M. C.

Below l. 14 Jesus College Cambridge M. C.

II[80:1]

BURKE

As late I lay in Slumber's shadowy vale,

With wetted cheek and in a mourner's guise,

I saw the sainted form of FREEDOM rise:

She spake! not sadder moans the autumnal gale—

'Great Son of Genius! sweet to me thy name,          5

Ere in an evil hour with alter'd voice

Thou bad'st Oppression's hireling crew rejoice

Blasting with wizard spell my laurell'd fame.

'Yet never, BURKE! thou drank'st Corruption's bowl![80:2]

Thee stormy Pity and the cherish'd lure          10

Of Pomp, and proud Precipitance of soul

Wilder'd with meteor fires. Ah Spirit pure!

'That Error's mist had left thy purgéd eye:

So might I clasp thee with a Mother's joy!'

December 9, 1794.

FOOTNOTES:

[80:1] First published in the Morning Chronicle, Dec. 9, 1794: included in 1796, 1803, 1828, 1829, and 1834. This Sonnet was sent in a letter to Southey, dated December 11, 1794. Letters of S. T. C., 1895, i. 118.

[80:2]

Yet never, BURKE! thou dran'kst Corruption's bowl!

When I composed this line, I had not read the following paragraph in the Cambridge Intelligencer (of Saturday, November 21, 1795):—

'When Mr. Burke first crossed over the House of Commons from the Opposition to the Ministry, he received a pension of £1200 a year charged on the Kings Privy Purse. When he had completed his labours, it was then a question what recompense his service deserved. Mr. Burke wanting a present supply of money, it was thought that a pension of £2000 per annum for forty years certain, would sell for eighteen years' purchase, and bring him of course £36,000. But this pension must, by the very unfortunate act, of which Mr. Burke was himself the author, have come before Parliament. Instead of this Mr. Pitt suggested the idea of a pension of £2000 a year for three lives, to be charged on the King's Revenue of the West India 4-1/2 per cents. This was tried at the market, but it was found that it would not produce the £36,000 which were wanted. In consequence of this a pension of £2500 per annum, for three lives on the 4-1/2 West India Fund, the lives to be nominated by Mr. Burke, that he may accommodate the purchasers is finally granted to this disinterested patriot. He has thus retir'd from the trade of politics, with pensions to the amount of £3700 a year.' 1796, Note, pp. 177-9.

LINENOTES:

Title] Effusion ii. 1796: Sonnet vii. 1803: Sonnet ii. 1828, 1829, 1834.

[1]

As late I roam'd through Fancy's shadowy vale MS. Letter, Dec. 11, 1794.

[4]

She] He MS. Letter, 1794.

[12]

Urg'd on with wild'ring fires MS. Letter, Dec. 17, 1794, M. C.

Below l. 14 Jesus College M. C.

III[81:1]

PRIESTLEY

Though rous'd by that dark Vizir Riot rude

Have driven our PRIESTLEY o'er the Ocean swell;

Though Superstition and her wolfish brood

Bay his mild radiance, impotent and fell;

Calm in his halls of brightness he shall dwell!          5

For lo! RELIGION at his strong behest

Starts with mild anger from the Papal spell,

And flings to Earth her tinsel-glittering vest,

Her mitred State and cumbrous Pomp unholy;

And JUSTICE wakes to bid th' Oppressor wail          10

Insulting aye the wrongs of patient Folly;

And from her dark retreat by Wisdom won

Meek NATURE slowly lifts her matron veil

To smile with fondness on her gazing Son!

December 11, 1794.

FOOTNOTES:

[81:1] First published in the Morning Chronicle, December 11, 1794: included in 1796, 1803, 1828, 1829, and 1834. In all editions prior to 1852, 'Priestley' is spelled 'Priestly'. The Sonnet was sent to Southey in a letter dated December 17, 1794.

LINENOTES:

Title] Effusion iv. 1796: Sonnet ix. 1803: Sonnet iii. 1828, 1829, 1834.

[1-2]

Tho' king-bred rage with lawless uproar rude

Hath driv'n

M. C.

Tho' king-bred rage with lawless tumult rude

Have driv'n

MS. Letter, Dec. 17, 1794.

[7]

Disdainful rouses from the Papal spell, M. C., MS. Letter, 1794.

[11]

That ground th' ensnared soul of patient Folly. M. C., MS. Letter, 1794.

IV[82:1]

LA FAYETTE

As when far off the warbled strains are heard

That soar on Morning's wing the vales among;

Within his cage the imprison'd Matin Bird

Swells the full chorus with a generous song:

He bathes no pinion in the dewy light,          5

No Father's joy, no Lover's bliss he shares,

Yet still the rising radiance cheers his sight—

His fellows' Freedom soothes the Captive's cares!

Thou, FAYETTE! who didst wake with startling voice

Life's better Sun from that long wintry night,          10

Thus in thy Country's triumphs shalt rejoice

And mock with raptures high the Dungeon's might:

For lo! the Morning struggles into Day,

And Slavery's spectres shriek and vanish from the ray![82:2]

December 15, 1794.

FOOTNOTES:

[82:1] First published in the Morning Chronicle, December 15, 1794: included in 1796, 1803, 1828, 1829, and 1834.

[82:2] The above beautiful sonnet was written antecedently to the joyful account of the Patriot's escape from the Tyrant's Dungeon. [Note in M. C.]

LINENOTES:

Title] Effusion ix. 1796: Sonnet xiii. 1803: Sonnet vii. 1828, 1829, 1834.

V[82:3]

KOSKIUSKO

O what a loud and fearful shriek was there,

As though a thousand souls one death-groan pour'd!

Ah me! they saw beneath a Hireling's sword

Their KOSKIUSKO fall! Through the swart air

(As pauses the tir'd Cossac's barbarous yell          5

Of Triumph) on the chill and midnight gale

Rises with frantic burst or sadder swell

The dirge of murder'd Hope! while Freedom pale

Bends in such anguish o'er her destin'd bier,

As if from eldest time some Spirit meek          10

Had gather'd in a mystic urn each tear

That ever on a Patriot's furrow'd cheek

Fit channel found; and she had drain'd the bowl

In the mere wilfulness, and sick despair of soul!

December 16, 1794.

FOOTNOTES:

[82:3] First published in the Morning Chronicle, December 16, 1794: included in 1796, 1828, 1829, 1834. The Sonnet was sent to Southey in a letter dated December 17, 1794. Letters of S. T. C., 1895, i. 117.

LINENOTES:

Title] Effusion viii. 1796: Sonnet vi. 1828, 1829, 1834.

[3-4]

Great Kosciusko 'neath an hireling's sword

The warriors view'd! Hark! through the list'ning air

MS. Letter, Dec. 17, 1794.

Great KOSCIUSKO 'neath an Hireling's sword

His country view'd. Hark through the list'ning air

M. C.

Ah me! they view'd beneath an hireling's sword

Fall'n Kosciusko! Thro' the burthened air

1796, 1828, 1829.

[5]

As] When M. C., MS. Letter, Dec. 17, 1794.

[8]

The 'dirge of Murder'd Hope' MS. Letter, Dec. 17, 1794.

[12]

That ever furrow'd a sad Patriot's cheek MS. Letter, 1794, M. C., 1796.

[13-14]

And she had drench'd the sorrows of the bowl

E'en till she reel'd intoxicate of soul

MS. Letter, 1794, M. C.

And she had drain'd the sorrows of the bowl

E'en till she reel'd, &c.

1796.

VI[83:1]

PITT

Not always should the Tear's ambrosial dew

Roll its soft anguish down thy furrow'd cheek!

Not always heaven-breath'd tones of Suppliance meek

Beseem thee, Mercy! Yon dark Scowler view,

Who with proud words of dear-lov'd Freedom came—          5

More blasting than the mildew from the South!

And kiss'd his country with Iscariot mouth

(Ah! foul apostate from his Father's fame!)[83:2]

Then fix'd her on the Cross of deep distress,

And at safe distance marks the thirsty Lance          10

Pierce her big side! But O! if some strange trance

The eye-lids of thy stern-brow'd Sister[83:3] press,

Seize, Mercy! thou more terrible the brand,

And hurl her thunderbolts with fiercer hand!

December 23, 1794.

FOOTNOTES:

[83:1] First published in the Morning Chronicle, December 23, 1794, and, secondly, in The Watchman, No. V, April 2, 1796; included in 1796, 1803, and in 1852, with the following note:—'This Sonnet, and the ninth, to Stanhope, were among the pieces withdrawn from the second edition of 1797. They reappeared in the edition of 1803, and were again withdrawn in 1828, solely, it may be presumed, on account of their political vehemence. They will excite no angry feelings, and lead to no misapprehensions now, and as they are fully equal to their companions in poetical merit, the Editors have not scrupled to reproduce them. These Sonnets were originally entitled "Effusions".'

[83:2] Earl of Chatham.

[83:3] Justice.

LINENOTES:

Title] Effusion iii. 1796: To Mercy Watchman: Sonnet viii. 1803: Sonnet iii. 1852.

[8]

Staining most foul a Godlike Father's name M. C., Watchman.

[13]

Seize thou more terrible th' avenging brand M. C.

VII[84:1]

TO THE REV. W. L. BOWLES[84:2]

[FIRST VERSION, PRINTED IN 'MORNING CHRONICLE',

DECEMBER 26, 1794]

My heart has thank'd thee, BOWLES! for those soft strains,

That, on the still air floating, tremblingly

Wak'd in me Fancy, Love, and Sympathy!

For hence, not callous to a Brother's pains

Thro' Youth's gay prime and thornless paths I went;          5

And, when the darker day of life began,

And I did roam, a thought-bewilder'd man!

Thy kindred Lays an healing solace lent,

Each lonely pang with dreamy joys combin'd,

And stole from vain REGRET her scorpion stings;          10

While shadowy PLEASURE, with mysterious wings,

Brooded the wavy and tumultuous mind,

Like that great Spirit, who with plastic sweep

Mov'd on the darkness of the formless Deep!

FOOTNOTES:

[84:1] First published in the Morning Chronicle, December 26, 1794. First collected, P. and D. W., 1877, i. 138. The sonnet was sent in a letter to Southey, dated December 11, 1794. Letters of S. T. C., 1895, i. 111.

[84:2] Author of Sonnets and other Poems, published by Dilly. To Mr. Bowles's poetry I have always thought the following remarks from Maximus Tyrius peculiarly applicable:—'I am not now treating of that poetry which is estimated by the pleasure it affords to the ear—the ear having been corrupted, and the judgment-seat of the perceptions; but of that which proceeds from the intellectual Helicon, that which is dignified, and appertaining to human feelings, and entering into the soul.'—The 13th Sonnet for exquisite delicacy of painting; the 19th for tender simplicity; and the 25th for manly pathos, are compositions of, perhaps, unrivalled merit. Yet while I am selecting these, I almost accuse myself of causeless partiality; for surely never was a writer so equal in excellence!—S. T. C. [In this note as it first appeared in the Morning Chronicle a Greek sentence preceded the supposed English translation. It is not to be found in the Dissertations of Maximus Tyrius, but the following passage which, for verbal similitudes, may be compared with others (e. g. 20, 8, p. 243: 21, 3, p. 247; 28, 3, p. 336) is to be found in Davies and Markland's edition (Lips. 1725), vol. ii, p. 203:—Οὔ τί τοι λέγω τὴν δἰ' αὐλῶν καὶ ᾠδῶν καὶ χορῶν καὶ ψαλμάτων, ἄνευ λόγου ἐπὶ τῇ ψυχῇ ἰοῦσαν, τῷ τερπνῷ τῆς ἀκοῆς τιμηθεῖσαν . . . τὴν ἀληθῆ καὶ ἐκ τοῦ Ἑλικῶνος μοῦσαν. . . .]

LINENOTES:

[3]

Wak'd] Woke MS. Letter, Dec. 11, 1794.

[SECOND VERSION][85:1]

My heart has thank'd thee, BOWLES! for those soft strains

Whose sadness soothes me, like the murmuring

Of wild-bees in the sunny showers of spring!

For hence not callous to the mourner's pains

Through Youth's gay prime and thornless paths I went:          5

And when the mightier Throes of mind began,

And drove me forth, a thought-bewilder'd man,

Their mild and manliest melancholy lent

A mingled charm, such as the pang consign'd

To slumber, though the big tear it renew'd;          10

Bidding a strange mysterious PLEASURE brood

Over the wavy and tumultuous mind,

As the great SPIRIT erst with plastic sweep

Mov'd on the darkness of the unform'd deep.

FOOTNOTES:

[85:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Effusion i. 1796: Sonnet i. 1797, 1803, 1828, 1829, 1834.

[6-7]

And when the darker day of life began

And I did roam, &c.

1796, 1797, 1803.

[9]

such as] which oft 1797, 1803.

[11]

a] such 1797, 1803.

[13-14]

As made the soul enamour'd of her woe:

No common praise, dear Bard! to thee I owe.

1797, 1803.

VIII[85:2]

MRS. SIDDONS

As when a child on some long Winter's night

Affrighted clinging to its Grandam's knees

With eager wond'ring and perturb'd delight

Listens strange tales of fearful dark decrees

Muttered to wretch by necromantic spell;          5

Or of those hags, who at the witching time

Of murky Midnight ride the air sublime,

And mingle foul embrace with fiends of Hell:

Cold Horror drinks its blood! Anon the tear

More gentle starts, to hear the Beldame tell          10

Of pretty Babes, that lov'd each other dear.

Murder'd by cruel Uncle's mandate fell:

Even such the shiv'ring joys thy tones impart,

Even so thou, SIDDONS! meltest my sad heart!

December 29, 1794.

FOOTNOTES:

[85:2] First published in the Morning Chronicle, December 29, 1794, under the signature, S. T. C.: included in 1796 (as C. L.'s) and in 1797 as Charles Lamb's, but reassigned to Coleridge in 1803. First collected, P. and D. W., 1877, i. 140, 141. This sonnet may have been altered by Coleridge, but was no doubt written by Lamb and given by him to Coleridge to make up his tale of sonnets for the Morning Chronicle. In 1796 and 1797 Coleridge acknowledged the sonnet to be Lamb's; but in 1803, Lamb, who was seeing that volume through the press, once more handed it over to Coleridge.

LINENOTES:

Title] Effusion vii. 1796: Sonnet viii. 1797, p. 224: Sonnet xii. 1803.

[4]

dark tales of fearful strange decrees M. C.

[6]

Of Warlock Hags that M. C.

IX

TO WILLIAM GODWIN[86:1]

AUTHOR OF 'POLITICAL JUSTICE'

O form'd t' illume a sunless world forlorn,

As o'er the chill and dusky brow of Night,

In Finland's wintry skies the Mimic Morn[86:2]

Electric pours a stream of rosy light,

Pleas'd I have mark'd OPPRESSION, terror-pale,          5

Since, thro' the windings of her dark machine,

Thy steady eye has shot its glances keen—

And bade th' All-lovely 'scenes at distance hail'.

Nor will I not thy holy guidance bless,

And hymn thee, GODWIN! with an ardent lay;          10

For that thy voice, in Passion's stormy day,

When wild I roam'd the bleak Heath of Distress,

Bade the bright form of Justice meet my way—

And told me that her name was HAPPINESS.

January 10, 1795.

FOOTNOTES:

[86:1] First published in the Morning Chronicle, January 10, 1795. First collected, P. and D. W., 1877, i. 143. The last six lines were sent in a letter to Southey, dated December 17, 1794. Letters of S. T. C., 1895, i. 117.

[86:2] Aurora Borealis.

X[87:1]

TO ROBERT SOUTHEY

OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT',

AND OTHER POEMS

SOUTHEY! thy melodies steal o'er mine ear

Like far-off joyance, or the murmuring

Of wild bees in the sunny showers of Spring—

Sounds of such mingled import as may cheer

The lonely breast, yet rouse a mindful tear:          5

Wak'd by the Song doth Hope-born FANCY fling

Rich showers of dewy fragrance from her wing,

Till sickly PASSION'S drooping Myrtles sear

Blossom anew! But O! more thrill'd, I prize

Thy sadder strains, that bid in MEMORY'S Dream          10

The faded forms of past Delight arise;

Then soft, on Love's pale cheek, the tearful gleam

Of Pleasure smiles—as faint yet beauteous lies

The imag'd Rainbow on a willowy stream.

January 14, 1795.

FOOTNOTES:

[87:1] First published in the Morning Chronicle, January 14, 1795. First collected, P. and D. W., 1877, i. 142. This sonnet was sent in a letter to Southey, dated December 17, 1794. Letters of S. T. C., 1895, i. 120.

XI[87:2]

TO RICHARD BRINSLEY SHERIDAN, ESQ.

It was some Spirit, SHERIDAN! that breath'd

O'er thy young mind such wildly-various power!

My soul hath mark'd thee in her shaping hour,

Thy temples with Hymettian[88:1] flow'rets wreath'd:

And sweet thy voice, as when o'er LAURA'S bier          5

Sad Music trembled thro' Vauclusa's glade;

Sweet, as at dawn the love-lorn Serenade

That wafts soft dreams to SLUMBER'S listening ear.

Now patriot Rage and Indignation high

Swell the full tones! And now thine eye-beams dance          10

Meanings of Scorn and Wit's quaint revelry!

Writhes inly from the bosom-probing glance

The Apostate by the brainless rout ador'd,

As erst that elder Fiend beneath great Michael's sword.

January 29, 1795.

FOOTNOTES:

[87:2] First published in the Morning Chronicle, January 29, 1795: included in 1796, 1803, 1828, 1829, and 1834. Two MS. versions are extant; one in a letter to Southey, dated December 9, 1794 (Letters of S. T. C., 1895, i. 118), and a second in the Estlin copy-book. In 1796 a note to line 4 was included in Notes, p. 179, and in 1797 and 1803 affixed as a footnote, p. 95:—'Hymettian Flowrets. Hymettus, a mountain near Athens, celebrated for its honey. This alludes to Mr. Sheridan's classical attainments, and the following four lines to the exquisite sweetness and almost Italian delicacy of his poetry. In Shakespeare's Lover's Complaint there is a fine stanza almost prophetically characteristic of Mr. Sheridan.

So on the tip of his subduing tongue

All kind of argument and question deep,

All replication prompt and reason strong

For his advantage still did wake and sleep,

To make the weeper laugh, the laugher weep:

He had the dialect and different skill

Catching all passions in his craft of will;

That he did in the general bosom reign

Of young and old.'

[88:1] Hymettus, a mountain of Attica famous for honey. M. C.

LINENOTES:

Title] To Sheridan MS. E: Effusion vi. 1796: Sonnet xi. 1803: Sonnet v. 1828, 1829, 1834.

[1-5]

Some winged Genius, Sheridan! imbreath'd

His various influence on thy natal hour:

My fancy bodies forth the Guardian power,

His temples with Hymettian flowrets wreath'd

And sweet his voice

MS. Letter, Dec. 9, 1794.

[1-2]

Was it some Spirit, SHERIDAN! that breath'd

His various &c.

M. C.

[1-3]

Some winged Genius, Sheridan! imbreath'd

O'er thy young Soul a wildly-various power!

My Fancy meets thee in her shaping hour

MS. E.

[8]

wafts] bears MS. Letter, 1794, M. C., MS. E.

[9]

Rage] Zeal MS. Letter, 1794, MS. E, M. C.

[10]

thine] his Letter, 1794, M. C.

[12]

While inly writhes from the Soul-probing glance

M. C.

[12-14]

Th' Apostate by the brainless rout ador'd

Writhes inly from the bosom-probing glance

As erst that nobler Fiend

MS. Letter, 1794, MS. E.

[14]

elder] other M. C.

TO LORD STANHOPE[89:1]

ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS

['MORNING CHRONICLE,' JAN. 31, 1795]

STANHOPE! I hail, with ardent Hymn, thy name!

Thou shalt be bless'd and lov'd, when in the dust

Thy corse shall moulder—Patriot pure and just!

And o'er thy tomb the grateful hand of FAME

Shall grave:—'Here sleeps the Friend of Humankind!'          5

For thou, untainted by CORRUPTION'S bowl,

Or foul AMBITION, with undaunted soul

Hast spoke the language of a Free-born mind

Pleading the cause of Nature! Still pursue

Thy path of Honour!—To thy Country true,          10

Still watch th' expiring flame of Liberty!

O Patriot! still pursue thy virtuous way,

As holds his course the splendid Orb of Day,

Or thro' the stormy or the tranquil sky!

ONE OF THE PEOPLE.

1795.

FOOTNOTES:

[89:1] First collected in 1893. Mr. Campbell assigned the authorship of the Sonnet to Coleridge, taking it to be 'the original of the one to Stanhope printed in the Poems of 1796 and 1803'. For 'Corruption's bowl' (l. 6) see Sonnet to Burke, line 9 (ante, p. 80).

TO EARL STANHOPE[89:2]

Not, STANHOPE! with the Patriot's doubtful name

I mock thy worth—Friend of the Human Race!

Since scorning Faction's low and partial aim

Aloof thou wendest in thy stately pace,

Thyself redeeming from that leprous stain,          5

Nobility: and aye unterrify'd

Pourest thine Abdiel warnings on the train

That sit complotting with rebellious pride

'Gainst Her[90:1] who from the Almighty's bosom leapt

With whirlwind arm, fierce Minister of Love!          10

Wherefore, ere Virtue o'er thy tomb hath wept,

Angels shall lead thee to the Throne above:

And thou from forth its clouds shalt hear the voice,

Champion of Freedom and her God! rejoice!

1795.

FOOTNOTES:

[89:2] First published in 1796: included in 1803, in Cottle's Early Rec. i. 203, and in Rem. 1848, p. 111. First collected in 1852.

[90:1] Gallic Liberty.

LINENOTES:

Title] Effusion x. 1796 (To Earl Stanhope Contents): Sonnet xvi. 1803: Sonnet ix. 1852.

LINES[90:2]

TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER

Away, those cloudy looks, that labouring sigh,

The peevish offspring of a sickly hour!

Nor meanly thus complain of Fortune's power,

When the blind Gamester throws a luckless die.

Yon setting Sun flashes a mournful gleam          5

Behind those broken clouds, his stormy train:

To-morrow shall the many-colour'd main

In brightness roll beneath his orient beam!

Wild, as the autumnal gust, the hand of Time

Flies o'er his mystic lyre: in shadowy dance          10

The alternate groups of Joy and Grief advance

Responsive to his varying strains sublime!

Bears on its wing each hour a load of Fate;

The swain, who, lull'd by Seine's mild murmurs, led

His weary oxen to their nightly shed,          15

To-day may rule a tempest-troubled State.

Nor shall not Fortune with a vengeful smile

Survey the sanguinary Despot's might,

And haply hurl the Pageant from his height

Unwept to wander in some savage isle.          20

There shiv'ring sad beneath the tempest's frown

Round his tir'd limbs to wrap the purple vest;

And mix'd with nails and beads, an equal jest!

Barter for food, the jewels of his crown.

? 1795.

FOOTNOTES:

[90:2] First published in 1796: included in 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Epistle II. To a Friend, &c. 1796: To a Friend, &c. 1803.

TO AN INFANT[91:1]

Ah! cease thy tears and sobs, my little Life!

I did but snatch away the unclasp'd knife:

Some safer toy will soon arrest thine eye,

And to quick laughter change this peevish cry!

Poor stumbler on the rocky coast of Woe,          5

Tutor'd by Pain each source of pain to know!

Alike the foodful fruit and scorching fire

Awake thy eager grasp and young desire;

Alike the Good, the Ill offend thy sight,

And rouse the stormy sense of shrill Affright!          10

Untaught, yet wise! mid all thy brief alarms

Thou closely clingest to thy Mother's arms,

Nestling thy little face in that fond breast

Whose anxious heavings lull thee to thy rest!

Man's breathing Miniature! thou mak'st me sigh—          15

A Babe art thou—and such a Thing am I!

To anger rapid and as soon appeas'd,

For trifles mourning and by trifles pleas'd,

Break Friendship's mirror with a tetchy blow,

Yet snatch what coals of fire on Pleasure's altar glow!          20

O thou that rearest with celestial aim

The future Seraph in my mortal frame,

Thrice holy Faith! whatever thorns I meet

As on I totter with unpractis'd feet,

Still let me stretch my arms and cling to thee,          25

Meek nurse of souls through their long Infancy!

1795.

FOOTNOTES:

[91:1] First published in 1796: included in 1797 (Supplement), 1803, 1828, 1829, and 1834. A MS. version numbering 16 lines is included in the Estlin volume.

LINENOTES:

Title] Effusion xxxiv. To an Infant 1796.

[1-10]

How yon sweet Child my Bosom's grief beguiles

With soul-subduing Eloquence of smiles!

Ah lovely Babe! in thee myself I scan—

Thou weepest! sure those Tears proclaim thee Man!

And now some glitt'ring Toy arrests thine eye,

And to quick laughter turns the peevish cry.

Poor Stumbler on the rocky coast of Woe,

Tutor'd by Pain the source of Pain to know!

Alike the foodful Fruit and scorching Fire

Awake thy eager grasp and young desire;

Alike the Good, the Ill thy aching sight

Scare with the keen Emotions of Affright!

MS. E.

[8-11]

Or rouse thy screams, or wake thy young desire:

Yet art thou wise, for mid thy brief alarms

1797.

[9-10]

om. 1797.

[14]

Whose kindly Heavings lull thy cares to Rest MS. E.

[19]

tetchy] fretful 1797.

TO THE REV. W. J. HORT[92:1]

WHILE TEACHING A YOUNG LADY SOME SONG-TUNES

ON HIS FLUTE

I

Hush! ye clamorous Cares! be mute!

Again, dear Harmonist! again

Thro' the hollow of thy flute

Breathe that passion-warbled strain:

Till Memory each form shall bring          5

The loveliest of her shadowy throng;

And Hope, that soars on sky-lark wing,

Carol wild her gladdest song!

II

O skill'd with magic spell to roll

The thrilling tones, that concentrate the soul!          10

Breathe thro' thy flute those tender notes again,

While near thee sits the chaste-eyed Maiden mild;

And bid her raise the Poet's kindred strain

In soft impassion'd voice, correctly wild.

III

In Freedom's UNDIVIDED dell,          15

Where Toil and Health with mellow'd Love shall dwell,

Far from folly, far from men,

In the rude romantic glen,

Up the cliff, and thro' the glade,

Wandering with the dear-lov'd maid,          20

I shall listen to the lay,

And ponder on thee far away

Still, as she bids those thrilling notes aspire

('Making my fond attuned heart her lyre'),

Thy honour'd form, my Friend! shall reappear,          25

And I will thank thee with a raptur'd tear.

1795.

FOOTNOTES:

[92:1] First published in 1796, and again in 1863.

LINENOTES:

Title] To the Rev. W. J. H. while Teaching, &c. 1796, 1863.

[24]

her] his 1863.

PITY[93:1]

Sweet Mercy! how my very heart has bled

To see thee, poor Old Man! and thy grey hairs

Hoar with the snowy blast: while no one cares

To clothe thy shrivell'd limbs and palsied head.

My Father! throw away this tatter'd vest          5

That mocks thy shivering! take my garment—use

A young man's arm! I'll melt these frozen dews

That hang from thy white beard and numb thy breast.

My Sara too shall tend thee, like a child:

And thou shalt talk, in our fireside's recess,          10

Of purple Pride, that scowls on Wretchedness—

He did not so, the Galilaean mild,

Who met the Lazars turn'd from rich men's doors

And call'd them Friends, and heal'd their noisome sores!

? 1795.

FOOTNOTES:

[93:1] First published in 1796: included in Selection of Sonnets, Poems 1796, in 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Effusion xvi. 1796 (Contents—To an Old Man): Sonnet vi. 1797: Sonnet v. 1803: Sonnet x. 1828, 1829, 1834: Charity 1893.

[7]

arm] arms 1796, 1828.

[12-14]

He did not scowl, the Galilaean mild,

Who met the Lazar turn'd from rich man's doors,

And call'd him Friend, and wept upon his sores.

1797, 1803.

[13]

men's] man's 1796, Selection of Sonnets, 1797, 1803, 1828, 1829.

TO THE NIGHTINGALE[93:2]

Sister of love-lorn Poets, Philomel!

How many Bards in city garret pent,

While at their window they with downward eye

Mark the faint lamp-beam on the kennell'd mud,

And listen to the drowsy cry of Watchmen          5

(Those hoarse unfeather'd Nightingales of Time!),

How many wretched Bards address thy name,

And hers, the full-orb'd Queen that shines above.

But I do hear thee, and the high bough mark,

Within whose mild moon-mellow'd foliage hid          10

Thou warblest sad thy pity-pleading strains.

O! I have listened, till my working soul,

Waked by those strains to thousand phantasies,

Absorb'd hath ceas'd to listen! Therefore oft,

I hymn thy name: and with a proud delight          15

Oft will I tell thee, Minstrel of the Moon!

'Most musical, most melancholy' Bird!

That all thy soft diversities of tone,

Tho' sweeter far than the delicious airs

That vibrate from a white-arm'd Lady's harp,          20

What time the languishment of lonely love

Melts in her eye, and heaves her breast of snow,

Are not so sweet as is the voice of her,

My Sara—best beloved of human kind!

When breathing the pure soul of tenderness,          25

She thrills me with the Husband's promis'd name!

1795.

FOOTNOTES:

[93:2] First published in 1796: included in 1803 and in Lit. Rem., i. 38. First collected in 1844.

LINENOTES:

Title] Effusion xxiii. To the, &c. 1796.

[12]

O have I 1796.

LINES[94:1]

COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB,

SOMERSETSHIRE, MAY 1795

With many a pause and oft reverted eye

I climb the Coomb's ascent: sweet songsters near

Warble in shade their wild-wood melody:

Far off the unvarying Cuckoo soothes my ear.

Up scour the startling stragglers of the flock          5

That on green plots o'er precipices browze:

From the deep fissures of the naked rock

The Yew-tree bursts! Beneath its dark green boughs

(Mid which the May-thorn blends its blossoms white)

Where broad smooth stones jut out in mossy seats,          10

I rest:—and now have gain'd the topmost site.

Ah! what a luxury of landscape meets

My gaze! Proud towers, and Cots more dear to me,

Elm-shadow'd Fields, and prospect-bounding Sea!

Deep sighs my lonely heart: I drop the tear:          15

Enchanting spot! O were my Sara here!

FOOTNOTES:

[94:1] First published in 1796: included in 1797 (Supplement), 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Effusion xxi. Composed while climbing the Left Ascent of Brockley Coomb, in the County of Somerset, May 1795 1796: Sonnet v. Composed, &c. 1797: Sonnet xiv. Composed, &c. 1803.

[7]

deep] forc'd 1796, 1797, 1803, 1828, 1829.

LINES IN THE MANNER OF SPENSER[94:2]

O Peace, that on a lilied bank dost love

To rest thine head beneath an Olive-Tree,

I would that from the pinions of thy Dove

One quill withouten pain ypluck'd might be!

For O! I wish my Sara's frowns to flee,          5

And fain to her some soothing song would write,

Lest she resent my rude discourtesy,

Who vow'd to meet her ere the morning light,

But broke my plighted word—ah! false and recreant wight!

Last night as I my weary head did pillow          10

With thoughts of my dissever'd Fair engross'd,

Chill Fancy droop'd wreathing herself with willow,

As though my breast entomb'd a pining ghost.

'From some blest couch, young Rapture's bridal boast,

Rejected Slumber! hither wing thy way;          15

But leave me with the matin hour, at most!

As night-clos'd floweret to the orient ray,

My sad heart will expand, when I the Maid survey.'

But Love, who heard the silence of my thought,

Contriv'd a too successful wile, I ween:          20

And whisper'd to himself, with malice fraught—

'Too long our Slave the Damsel's smiles hath seen:

To-morrow shall he ken her alter'd mien!'

He spake, and ambush'd lay, till on my bed

The morning shot her dewy glances keen,          25

When as I 'gan to lift my drowsy head—

'Now, Bard! I'll work thee woe!' the laughing Elfin said.

Sleep, softly-breathing God! his downy wing

Was fluttering now, as quickly to depart;

When twang'd an arrow from Love's mystic string,          30

With pathless wound it pierc'd him to the heart.

Was there some magic in the Elfin's dart?

Or did he strike my couch with wizard lance?

For straight so fair a Form did upwards start

(No fairer deck'd the bowers of old Romance)          35

That Sleep enamour'd grew, nor mov'd from his sweet trance!

My Sara came, with gentlest look divine;

Bright shone her eye, yet tender was its beam:

I felt the pressure of her lip to mine!

Whispering we went, and Love was all our theme—          40

Love pure and spotless, as at first, I deem,

He sprang from Heaven! Such joys with Sleep did 'bide,

That I the living Image of my Dream

Fondly forgot. Too late I woke, and sigh'd—

'O! how shall I behold my Love at eventide!'          45

1795.

FOOTNOTES:

[94:2] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834.

LINENOTES:

Title] Effusion xxiv. In the, &c. 1796: In the, &c. 1797.

[17]

Like snowdrop opening to the solar ray, 1796.

[19]

'heard the silence of my thought' 1797, 1803.

[26]

to lift] uplift 1797, 1803.

Below l. 45 July 1795 1797, 1803.

THE HOUR WHEN WE SHALL MEET AGAIN[96:1]

(Composed during Illness, and in Absence.)

Dim Hour! that sleep'st on pillowing clouds afar,

O rise and yoke the Turtles to thy car!

Bend o'er the traces, blame each lingering Dove,

And give me to the bosom of my Love!

My gentle Love, caressing and carest,          5

With heaving heart shall cradle me to rest!

Shed the warm tear-drop from her smiling eyes,

Lull with fond woe, and medicine me with sighs!

While finely-flushing float her kisses meek,

Like melted rubies, o'er my pallid cheek.          10

Chill'd by the night, the drooping Rose of May

Mourns the long absence of the lovely Day;

Young Day returning at her promis'd hour

Weeps o'er the sorrows of her favourite Flower;

Weeps the soft dew, the balmy gale she sighs,          15

And darts a trembling lustre from her eyes.

New life and joy th' expanding flow'ret feels:

His pitying Mistress mourns, and mourning heals!

? 1795.

FOOTNOTES:

[96:1] First published in The Watchman, No. III, March 17, 1796 (signed C.): included in 1797, 1803, 1844, and 1852. It was first reprinted, after 1803, in Literary Remains, 1836, i. 43, under 'the sportive title "Darwiniana", on the supposition that it was written' in half-mockery of Darwin's style with its dulcia vitia. (See 1852, Notes, p. 885.)

LINENOTES:

Title] Darwiniana. The Hour, &c. L. R., 1844: Composed during illness and absence 1852.

[9-10]

om. 1803.

[14]

her] the Lit. Rem., 1844, 1852.

[17]

New] Now Watchman.

LINES[96:2]

WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER

1795, IN ANSWER TO A LETTER FROM BRISTOL

Good verse most good, and bad verse then seems better

Receiv'd from absent friend by way of Letter.

For what so sweet can labour'd lays impart

As one rude rhyme warm from a friendly heart?—ANON.

Nor travels my meandering eye

The starry wilderness on high;

Nor now with curious sight

I mark the glow-worm, as I pass,

Move with 'green radiance'[97:1] through the grass,          5

An emerald of light.

O ever present to my view!

My wafted spirit is with you,

And soothes your boding fears:

I see you all oppressed with gloom          10

Sit lonely in that cheerless room—

Ah me! You are in tears!

Belovéd Woman! did you fly

Chill'd Friendship's dark disliking eye,

Or Mirth's untimely din?          15

With cruel weight these trifles press

A temper sore with tenderness,

When aches the void within.

But why with sable wand unblessed

Should Fancy rouse within my breast          20

Dim-visag'd shapes of Dread?

Untenanting its beauteous clay

My Sara's soul has wing'd its way,

And hovers round my head!

I felt it prompt the tender Dream,          25

When slowly sank the day's last gleam;

You rous'd each gentler sense,

As sighing o'er the Blossom's bloom

Meek Evening wakes its soft perfume

With viewless influence.          30

And hark, my Love! The sea-breeze moans

Through yon reft house! O'er rolling stones

In bold ambitious sweep

The onward-surging tides supply

The silence of the cloudless sky          35

With mimic thunders deep.

Dark reddening from the channell'd Isle[98:1]

(Where stands one solitary pile

Unslated by the blast)

The Watchfire, like a sullen star          40

Twinkles to many a dozing Tar

Rude cradled on the mast.

Even there—beneath that light-house tower—

In the tumultuous evil hour

Ere Peace with Sara came,          45

Time was, I should have thought it sweet

To count the echoings of my feet,

And watch the storm-vex'd flame.

And there in black soul-jaundic'd fit

A sad gloom-pamper'd Man to sit,          50

And listen to the roar:

When mountain surges bellowing deep

With an uncouth monster-leap

Plung'd foaming on the shore.

Then by the lightning's blaze to mark          55

Some toiling tempest-shatter'd bark;

Her vain distress-guns hear;

And when a second sheet of light

Flash'd o'er the blackness of the night—

To see no vessel there!          60

But Fancy now more gaily sings;

Or if awhile she droop her wings,

As skylarks 'mid the corn,

On summer fields she grounds her breast:

The oblivious poppy o'er her nest          65

Nods, till returning morn.

O mark those smiling tears, that swell

The open'd rose! From heaven they fell,

And with the sun-beam blend.

Blest visitations from above,          70

Such are the tender woes of Love

Fostering the heart they bend!

When stormy Midnight howling round

Beats on our roof with clattering sound,

To me your arms you'll stretch:          75

Great God! you'll say—To us so kind,

O shelter from this loud bleak wind

The houseless, friendless wretch!

The tears that tremble down your cheek,

Shall bathe my kisses chaste and meek          80

In Pity's dew divine;

And from your heart the sighs that steal

Shall make your rising bosom feel

The answering swell of mine!

How oft, my Love! with shapings sweet          85

I paint the moment, we shall meet!

With eager speed I dart—

I seize you in the vacant air,

And fancy, with a husband's care

I press you to my heart!          90

'Tis said, in Summer's evening hour

Flashes the golden-colour'd flower

A fair electric flame:[99:1]

And so shall flash my love-charg'd eye

When all the heart's big ecstasy          95

Shoots rapid through the frame!

1795.

FOOTNOTES:

[96:2] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834.

[97:1] The expression 'green radiance' is borrowed from Mr. Wordsworth, a Poet whose versification is occasionally harsh and his diction too frequently obscure; but whom I deem unrivalled among the writers of the present day in manly sentiment, novel imagery, and vivid colouring. Note, 1796, p. 185: Footnote, 1797, p. 88.

[The phrase 'green radiance' occurs in An Evening Walk, ll. 264-8, first published in 1793, and reprinted in 1820. In 1836 the lines were omitted.

Oft has she taught them on her lap to play

Delighted with the glow-worm's harmless ray,

Toss'd light from hand to hand; while on the ground

Small circles of green radiance gleam around.]

[98:1] The Holmes, in the Bristol Channel.

[99:1] LIGHT from plants. In Sweden a very curious phenomenon has been observed on certain flowers, by M. Haggern, lecturer in natural history. One evening he perceived a faint flash of light repeatedly dart from a marigold. Surprised at such an uncommon appearance, he resolved to examine it with attention; and, to be assured it was no deception of the eye, he placed a man near him, with orders to make a signal at the moment when he observed the light. They both saw it constantly at the same moment.

The light was most brilliant on marigolds of an orange or flame colour; but scarcely visible on pale ones. The flash was frequently seen on the same flower two or three times in quick succession; but more commonly at intervals of several minutes; and when several flowers in the same place emitted their light together, it could be observed at a considerable distance.

This phenomenon was remarked in the months of July and August at sun-set, and for half an hour when the atmosphere was clear; but after a rainy day, or when the air was loaded with vapours nothing of it was seen.

The following flowers emitted flashes, more or less vivid, in this order:—

1. The marigold, galendula [sic] officinalis.

2. Monk's-hood, tropaelum [sic] majus.

3. The orange-lily, lilium bulbiferum.

4. The Indian pink, tagetes patula et erecta.

From the rapidity of the flash, and other circumstances, it may be conjectured that there is something of electricity in this phenomenon. Notes to Poems, 1796. Note 13, pp. 186, 188.

In 1797 the above was printed as a footnote on pp. 93, 94. In 1803 the last stanza, lines 91-96, was omitted, and, of course, the note disappeared. In 1828, 1829, and 1834 the last stanza was replaced but the note was not reprinted.

LINENOTES:

Title] Epistle I. Lines written, &c. The motto is printed on the reverse of the half-title 'Poetical Epistles' [pp. 109, 110]. 1796: Ode to Sara, written at Shurton Bars, &c. 1797, 1803. The motto is omitted in 1797, 1803: The motto is prefixed to the poem in 1828, 1829, and 1834. In 1797 and 1803 a note is appended to the title:—Note. The first stanza alludes to a Passage in the Letter. [The allusions to a 'Passage in the Letter' must surely be contained not in the first but in the second and third stanzas. The reference is, no doubt, to the alienation from Southey, which must have led to a difference of feeling between the two sisters Sarah and Edith Fricker.]

[26]

sank] sunk 1796-1829.

[33]

With broad impetuous 1797, 1803.

[34]

fast-encroaching 1797, 1803.

[48]

storm-vex'd] troubled 1797, 1803.

[49]

black and jaundic'd fit 1797.

THE EOLIAN HARP[100:1]

COMPOSED AT CLEVEDON, SOMERSETSHIRE

My pensive Sara! thy soft cheek reclined

Thus on mine arm, most soothing sweet it is

To sit beside our Cot, our Cot o'ergrown

With white-flower'd Jasmin, and the broad-leav'd Myrtle,

(Meet emblems they of Innocence and Love!)          5

And watch the clouds, that late were rich with light,

Slow saddening round, and mark the star of eve

Serenely brilliant (such should Wisdom be)

Shine opposite! How exquisite the scents

Snatch'd from yon bean-field! and the world so hush'd!          10

The stilly murmur of the distant Sea

Tells us of silence.

And that simplest Lute,

Placed length-ways in the clasping casement, hark!

How by the desultory breeze caress'd,

Like some coy maid half yielding to her lover,          15

It pours such sweet upbraiding, as must needs

Tempt to repeat the wrong! And now, its strings

Boldlier swept, the long sequacious notes

Over delicious surges sink and rise,

Such a soft floating witchery of sound          20

As twilight Elfins make, when they at eve

Voyage on gentle gales from Fairy-Land,

Where Melodies round honey-dropping flowers,

Footless and wild, like birds of Paradise,

Nor pause, nor perch, hovering on untam'd wing!          25

O! the one Life within us and abroad,

Which meets all motion and becomes its soul,

A light in sound, a sound-like power in light,

Rhythm in all thought, and joyance every where—

Methinks, it should have been impossible          30

Not to love all things in a world so fill'd;

Where the breeze warbles, and the mute still air

Is Music slumbering on her instrument.

And thus, my Love! as on the midway slope

Of yonder hill I stretch my limbs at noon,          35

Whilst through my half-closed eye-lids I behold

The sunbeams dance, like diamonds, on the main,

And tranquil muse upon tranquillity;

Full many a thought uncall'd and undetain'd,

And many idle flitting phantasies,          40

Traverse my indolent and passive brain,

As wild and various as the random gales

That swell and flutter on this subject Lute!

And what if all of animated nature

Be but organic Harps diversely fram'd,          45

That tremble into thought, as o'er them sweeps

Plastic and vast, one intellectual breeze,

At once the Soul of each, and God of all?

But thy more serious eye a mild reproof

Darts, O belovéd Woman! nor such thoughts          50

Dim and unhallow'd dost thou not reject,

And biddest me walk humbly with my God.

Meek Daughter in the family of Christ!

Well hast thou said and holily disprais'd

These shapings of the unregenerate mind;          55

Bubbles that glitter as they rise and break

On vain Philosophy's aye-babbling spring.

For never guiltless may I speak of him,

The Incomprehensible! save when with awe

I praise him, and with Faith that inly feels;[102:1]          60

Who with his saving mercies healéd me,

A sinful and most miserable man,

Wilder'd and dark, and gave me to possess

Peace, and this Cot, and thee, heart-honour'd Maid!

1795.

FOOTNOTES:

[100:1] First published in 1796: included in 1797, 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834.

[102:1] L'athée n'est point à mes yeux un faux esprit; je puis vivre avec lui aussi bien et mieux qu'avec le dévot, car il raisonne davantage, mais il lui manque un sens, et mon ame ne se fond point entièrement avec la sienne: il est froid au spectacle le plus ravissant, et il cherche un syllogisme lorsque je rends une [un 1797, 1803] action de grace. 'Appel a l'impartiale postérité', par la Citoyenne Roland, troisième partie, p. 67. Notes to Poems. Note 10, 1796, p. 183. The above was printed as a footnote to p. 99, 1797, and to p. 132, 1803.

LINENOTES:

Title] Effusion xxxv. Composed August 20th, 1795, At Clevedon, Somersetshire 1796. Composed at Clevedon Somersetshire 1797, 1803: The Eolian Harp. Composed, &c. S. L. 1817, 1828, 1829, 1834.

[5]

om. 1803.

[8]

om. 1803.

[11]

Hark! the still murmur 1803.

[12]

And th' Eolian Lute, 1803.

[13]

om. 1803.

[16]

upbraiding] upbraidings 1796, 1797, 1803, Sibylline Leaves, 1817.

Lines 21-33 are om. in 1803, and the text reads:

Such a soft floating witchery of sound—

Methinks, it should have been impossible

Not to love all things in a World like this,

Where e'en the Breezes of the simple Air

Possess the power and Spirit of Melody!

And thus, my Love, &c.

26-33 are not in 1796, 1797. In Sibylline Leaves, for lines 26-33 of the text, four lines are inserted:

Methinks it should have been impossible

Not to love all things in a world like this,

Where even the breezes, and the common air,

Contain the power and spirit of Harmony.

Lines 26-33 were first included in the text in 1828, and reappeared in 1829 and 1834. They are supplied in the Errata, pp. [xi, xii], of Sibylline Leaves, with a single variant (l. 33): Is Music slumbering on its instrument.

[44]

And] Or 1796, 1797, 1803.

[64]

dear honoured Maid 1893.

TO THE AUTHOR OF POEMS[102:2]

[JOSEPH COTTLE]

PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795

Unboastful Bard! whose verse concise yet clear

Tunes to smooth melody unconquer'd sense,

May your fame fadeless live, as 'never-sere'

The Ivy wreathes yon Oak, whose broad defence

Embowers me from Noon's sultry influence!          5

For, like that nameless Rivulet stealing by,

Your modest verse to musing Quiet dear

Is rich with tints heaven-borrow'd: the charm'd eye

Shall gaze undazzled there, and love the soften'd sky.

Circling the base of the Poetic mount          10

A stream there is, which rolls in lazy flow

Its coal-black waters from Oblivion's fount:

The vapour-poison'd Birds, that fly too low,

Fall with dead swoop, and to the bottom go.

Escaped that heavy stream on pinion fleet          15

Beneath the Mountain's lofty-frowning brow,

Ere aught of perilous ascent you meet,

A mead of mildest charm delays th' unlabouring feet.

Not there the cloud-climb'd rock, sublime and vast,

That like some giant king, o'er-glooms the hill;          20

Nor there the Pine-grove to the midnight blast

Makes solemn music! But th' unceasing rill

To the soft Wren or Lark's descending trill

Murmurs sweet undersong 'mid jasmin bowers.

In this same pleasant meadow, at your will          25

I ween, you wander'd—there collecting flowers

Of sober tint, and herbs of med'cinable powers!

There for the monarch-murder'd Soldier's tomb

You wove th' unfinish'd[103:1] wreath of saddest hues;

And to that holier[103:2] chaplet added bloom          30

Besprinkling it with Jordan's cleansing dews.

But lo your Henderson[103:3] awakes the Muse——

His Spirit beckon'd from the mountain's height!

You left the plain and soar'd mid richer views!

So Nature mourn'd when sunk the First Day's light,          35

With stars, unseen before, spangling her robe of night!

Still soar, my Friend, those richer views among,

Strong, rapid, fervent, flashing Fancy's beam!

Virtue and Truth shall love your gentler song;

But Poesy demands th' impassion'd theme:          40

Waked by Heaven's silent dews at Eve's mild gleam

What balmy sweets Pomona breathes around!

But if the vext air rush a stormy stream

Or Autumn's shrill gust moan in plaintive sound,

With fruits and flowers she loads the tempest-honor'd ground.

1795.

FOOTNOTES:

[102:2] First published in 1796: included in 1797 (Supplement), 1803, and 1852.

'The first in order of the verses which I have thus endeavoured to reprieve from immediate oblivion was originally addressed "To the Author of Poems published anonymously at Bristol". A second edition of these poems has lately appeared with the Author's name prefixed: and I could not refuse myself the gratification of seeing the name of that man among my poems without whose kindness they would probably have remained unpublished; and to whom I know myself greatly and variously obliged, as a Poet, a man, and a Christian.' 'Advertisement' to Supplement, 1797, pp. 243, 244.

[103:1] 'War,' a Fragment.

[103:2] 'John Baptist,' a poem.

[103:3] 'Monody on John Henderson.'

LINENOTES:

Title] Epistle iv. To the Author, &c. 1796: Lines to Joseph Cottle 1797: To the Author, &c., with footnote, 'Mr. Joseph Cottle' 1803.

[1]

Unboastful Bard] My honor'd friend 1797.

[35]

sunk] sank 1797.

THE SILVER THIMBLE[104:1]

THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE

AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE

She had lost her Silver Thimble, and her complaint being accidentally overheard by him, her Friend, he immediately sent her four others to take her choice of.

As oft mine eye with careless glance

Has gallop'd thro' some old romance,

Of speaking Birds and Steeds with wings,

Giants and Dwarfs, and Fiends and Kings;

Beyond the rest with more attentive care          5

I've lov'd to read of elfin-favour'd Fair——

How if she long'd for aught beneath the sky

And suffer'd to escape one votive sigh,

Wafted along on viewless pinions aery

It laid itself obsequious at her feet:          10

Such things, I thought, one might not hope to meet

Save in the dear delicious land of Faery!

But now (by proof I know it well)

There's still some peril in free wishing——

Politeness is a licensed spell,          15

And you, dear Sir! the Arch-magician.

You much perplex'd me by the various set:

They were indeed an elegant quartette!

My mind went to and fro, and waver'd long;

At length I've chosen (Samuel thinks me wrong)          20

That, around whose azure rim

Silver figures seem to swim,

Like fleece-white clouds, that on the skiey Blue,

Waked by no breeze, the self-same shapes retain;

Or ocean-Nymphs with limbs of snowy hue          25

Slow-floating o'er the calm cerulean plain.

Just such a one, mon cher ami,

(The finger shield of industry)

Th' inventive Gods, I deem, to Pallas gave

What time the vain Arachne, madly brave,          30

Challeng'd the blue-eyed Virgin of the sky

A duel in embroider'd work to try.

And hence the thimbled Finger of grave Pallas

To th' erring Needle's point was more than callous.

But ah the poor Arachne! She unarm'd          35

Blundering thro' hasty eagerness, alarm'd

With all a Rival's hopes, a Mortal's fears,

Still miss'd the stitch, and stain'd the web with tears.

Unnumber'd punctures small yet sore

Full fretfully the maiden bore,          40

Till she her lily finger found

Crimson'd with many a tiny wound;

And to her eyes, suffus'd with watery woe,

Her flower-embroider'd web danc'd dim, I wist,

Like blossom'd shrubs in a quick-moving mist:          45

Till vanquish'd the despairing Maid sunk low.

O Bard! whom sure no common Muse inspires,

I heard your Verse that glows with vestal fires!

And I from unwatch'd needle's erring point

Had surely suffer'd on each finger-joint          50

Those wounds, which erst did poor Arachne meet;

While he, the much-lov'd Object of my choice

(My bosom thrilling with enthusiast heat),

Pour'd on mine ear with deep impressive voice,

How the great Prophet of the Desart stood          55

And preach'd of Penitence by Jordan's Flood;

On War; or else the legendary lays

In simplest measures hymn'd to Alla's praise;

Or what the Bard from his heart's inmost stores

O'er his Friend's grave in loftier numbers pours:          60

Yes, Bard polite! you but obey'd the laws

Of Justice, when the thimble you had sent;

What wounds your thought-bewildering Muse might cause

'Tis well your finger-shielding gifts prevent.

SARA.

1795.

FOOTNOTES:

[104:1] First published in 1796: included for the first time in Appendix to 1863. Mrs. Coleridge told her daughter (Biog. Lit., 1847, ii. 411) that she wrote but little of these verses.

LINENOTES:

Title] Epistle v. The Production of a Young Lady, &c. 1796: From a Young Lady Appendix, 1863.

REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]

Sermoni propriora.—HOR.

Low was our pretty Cot: our tallest Rose

Peep'd at the chamber-window. We could hear

At silent noon, and eve, and early morn,

The Sea's faint murmur. In the open air

Our Myrtles blossom'd; and across the porch          5

Thick Jasmins twined: the little landscape round

Was green and woody, and refresh'd the eye.

It was a spot which you might aptly call

The Valley of Seclusion! Once I saw

(Hallowing his Sabbath-day by quietness)          10

A wealthy son of Commerce saunter by,

Bristowa's citizen: methought, it calm'd

His thirst of idle gold, and made him muse

With wiser feelings: for he paus'd, and look'd

With a pleas'd sadness, and gaz'd all around,          15

Then eyed our Cottage, and gaz'd round again,

And sigh'd, and said, it was a Blesséd Place.

And we were bless'd. Oft with patient ear

Long-listening to the viewless sky-lark's note

(Viewless, or haply for a moment seen          20

Gleaming on sunny wings) in whisper'd tones

I've said to my Belovéd, 'Such, sweet Girl!

The inobtrusive song of Happiness,

Unearthly minstrelsy! then only heard

When the Soul seeks to hear; when all is hush'd,          25

And the Heart listens!'

But the time, when first

From that low Dell, steep up the stony Mount

I climb'd with perilous toil and reach'd the top,

Oh! what a goodly scene! Here the bleak mount,

The bare bleak mountain speckled thin with sheep;          30

Grey clouds, that shadowing spot the sunny fields;

And river, now with bushy rocks o'er-brow'd,

Now winding bright and full, with naked banks;

And seats, and lawns, the Abbey and the wood,

And cots, and hamlets, and faint city-spire;          35

The Channel there, the Islands and white sails,

Dim coasts, and cloud-like hills, and shoreless Ocean—

It seem'd like Omnipresence! God, methought,

Had built him there a Temple: the whole World

Seem'd imag'd in its vast circumference:          40

No wish profan'd my overwhelméd heart.

Blest hour! It was a luxury,—to be!

Ah! quiet Dell! dear Cot, and Mount sublime!

I was constrain'd to quit you. Was it right,

While my unnumber'd brethren toil'd and bled,          45

That I should dream away the entrusted hours

On rose-leaf beds, pampering the coward heart

With feelings all too delicate for use?

Sweet is the tear that from some Howard's eye

Drops on the cheek of one he lifts from earth:          50

And he that works me good with unmov'd face,

Does it but half: he chills me while he aids,

My benefactor, not my brother man!

Yet even this, this cold beneficence

Praise, praise it, O my Soul! oft as thou scann'st          55

The sluggard Pity's vision-weaving tribe!

Who sigh for Wretchedness, yet shun the Wretched,

Nursing in some delicious solitude

Their slothful loves and dainty sympathies!

I therefore go, and join head, heart, and hand,          60

Active and firm, to fight the bloodless fight

Of Science, Freedom, and the Truth in Christ.

Yet oft when after honourable toil

Bests the tir'd mind, and waking loves to dream,

My spirit shall revisit thee, dear Cot!          65

Thy Jasmin and thy window-peeping Rose,

And Myrtles fearless of the mild sea-air.

And I shall sigh fond wishes—sweet Abode!

Ah!—had none greater! And that all had such!

It might be so—but the time is not yet.          70

Speed it, O Father! Let thy Kingdom come!

1795.

FOOTNOTES:

[106:1] First published in the Monthly Magazine, October, 1796, vol. ii, p. 712: included in 1797, 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834.

LINENOTES:

Title] Reflections on entering into active life. A Poem which affects not to be Poetry M. Mag. The motto was prefixed in 1797.

[12-17]

Bristowa's citizen—he paus'd and look'd

With a pleased sadness and gaz'd all around,

Then eye'd our cottage and gaz'd round again,

And said it was a blessed little place.

Monthly Magazine.

[17]

And sigh'd, and said, it was a blessed place.

1797, 1803.

[21]

wings] wing M. M., 1797, 1803, S. L.

[21-3]

Gleaming on sunny wing,) 'And such,' I said,

'The inobtrusive song

1803.

[40]

Was imag'd M. M.

[46]

entrusted] trusted M. M., 1797.

[55]

Seizes my Praise, when I reflect on those 1797, 1803, Sibylline Leaves, 1817 (line as in text supplied in Errata).

[69]

none] none M. M. all] all M. M.

[70-1]

om. 1803.

RELIGIOUS MUSINGS[108:1]

A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794

This is the time, when most divine to hear,

The voice of Adoration rouses me,

As with a Cherub's trump: and high upborne,

Yea, mingling with the Choir, I seem to view

The vision of the heavenly multitude,          5

Who hymned the song of Peace o'er Bethlehem's fields!

Yet thou more bright than all the Angel-blaze,

That harbingered thy birth, Thou Man of Woes!

Despiséd Galilaean! For the Great

Invisible (by symbols only seen)          10

With a peculiar and surpassing light

Shines from the visage of the oppressed good man,

When heedless of himself the scourgéd saint

Mourns for the oppressor. Fair the vernal mead,

Fair the high grove, the sea, the sun, the stars;          15

True impress each of their creating Sire!

Yet nor high grove, nor many-colour'd mead,

Nor the green ocean with his thousand isles,

Nor the starred azure, nor the sovran sun,

E'er with such majesty of portraiture          20

Imaged the supreme beauty uncreate,

As thou, meek Saviour! at the fearful hour

When thy insulted anguish winged the prayer

Harped by Archangels, when they sing of mercy!

Which when the Almighty heard from forth his throne          25

Diviner light filled Heaven with ecstasy!

Heaven's hymnings paused: and Hell her yawning mouth

Closed a brief moment.

Lovely was the death

Of Him whose life was Love! Holy with power

He on the thought-benighted Sceptic beamed          30

Manifest Godhead, melting into day

What floating mists of dark idolatry

Broke and misshaped the omnipresent Sire:[110:1]

And first by Fear uncharmed the drowséd Soul.

Till of its nobler nature it 'gan feel          35

Dim recollections; and thence soared to Hope,

Strong to believe whate'er of mystic good

The Eternal dooms for His immortal sons.

From Hope and firmer Faith to perfect Love

Attracted and absorbed: and centered there          40

God only to behold, and know, and feel,

Till by exclusive consciousness of God

All self-annihilated it shall make[110:2]

God its Identity: God all in all!

We and our Father one!

And blest are they,          45

Who in this fleshly World, the elect of Heaven,

Their strong eye darting through the deeds of men,

Adore with steadfast unpresuming gaze

Him Nature's essence, mind, and energy!

And gazing, trembling, patiently ascend          50

Treading beneath their feet all visible things

As steps, that upward to their Father's throne

Lead gradual—else nor glorified nor loved.

They nor contempt embosom nor revenge:

For they dare know of what may seem deform          55

The Supreme Fair sole operant: in whose sight

All things are pure, his strong controlling love

Alike from all educing perfect good.

Their's too celestial courage, inly armed—

Dwarfing Earth's giant brood, what time they muse          60

On their great Father, great beyond compare!

And marching onwards view high o'er their heads

His waving banners of Omnipotence.

Who the Creator love, created Might

Dread not: within their tents no Terrors walk.          65

For they are holy things before the Lord

Aye unprofaned, though Earth should league with Hell;

God's altar grasping with an eager hand

Fear, the wild-visag'd, pale, eye-starting wretch,

Sure-refug'd hears his hot pursuing fiends          70

Yell at vain distance. Soon refresh'd from Heaven

He calms the throb and tempest of his heart.

His countenance settles; a soft solemn bliss

Swims in his eye—his swimming eye uprais'd:

And Faith's whole armour glitters on his limbs!          75

And thus transfigured with a dreadless awe,

A solemn hush of soul, meek he beholds

All things of terrible seeming: yea, unmoved

Views e'en the immitigable ministers

That shower down vengeance on these latter days.          80

For kindling with intenser Deity

From the celestial Mercy-seat they come,

And at the renovating wells of Love

Have fill'd their vials with salutary wrath,[112:1]

To sickly Nature more medicinal          85

Than what soft balm the weeping good man pours

Into the lone despoiléd traveller's wounds!

Thus from the Elect, regenerate through faith,

Pass the dark Passions and what thirsty cares[112:2]

Drink up the spirit, and the dim regards          90

Self-centre. Lo they vanish! or acquire

New names, new features—by supernal grace

Enrobed with Light, and naturalised in Heaven.

As when a shepherd on a vernal morn

Through some thick fog creeps timorous with slow foot,          95

Darkling he fixes on the immediate road

His downward eye: all else of fairest kind

Hid or deformed. But lo! the bursting Sun!

Touched by the enchantment of that sudden beam

Straight the black vapour melteth, and in globes          100

Of dewy glitter gems each plant and tree;

On every leaf, on every blade it hangs!

Dance glad the new-born intermingling rays,

And wide around the landscape streams with glory!

There is one Mind, one omnipresent Mind,          105

Omnific. His most holy name is Love.

Truth of subliming import! with the which

Who feeds and saturates his constant soul,

He from his small particular orbit flies

With blest outstarting! From himself he flies,          110

Stands in the sun, and with no partial gaze

Views all creation; and he loves it all,

And blesses it, and calls it very good!

This is indeed to dwell with the Most High!

Cherubs and rapture-trembling Seraphim          115

Can press no nearer to the Almighty's throne.

But that we roam unconscious, or with hearts

Unfeeling of our universal Sire,

And that in His vast family no Cain

Injures uninjured (in her best-aimed blow          120

Victorious Murder a blind Suicide)

Haply for this some younger Angel now

Looks down on Human Nature: and, behold!

A sea of blood bestrewed with wrecks, where mad

Embattling Interests on each other rush          125

With unhelmed rage!

'Tis the sublime of man,

Our noontide Majesty, to know ourselves

Parts and proportions of one wondrous whole!

This fraternises man, this constitutes

Our charities and bearings. But 'tis God          130

Diffused through all, that doth make all one whole;

This the worst superstition, him except

Aught to desire, Supreme Reality![114:1]

The plenitude and permanence of bliss!

O Fiends of Superstition! not that oft          135

The erring Priest hath stained with brother's blood

Your grisly idols, not for this may wrath

Thunder against you from the Holy One!

But o'er some plain that steameth to the sun,

Peopled with Death; or where more hideous Trade          140

Loud-laughing packs his bales of human anguish;

I will raise up a mourning, O ye Fiends!

And curse your spells, that film the eye of Faith,

Hiding the present God; whose presence lost,

The moral world's cohesion, we become          145

An Anarchy of Spirits! Toy-bewitched,

Made blind by lusts, disherited of soul,

No common centre Man, no common sire

Knoweth! A sordid solitary thing,

Mid countless brethren with a lonely heart          150

Through courts and cities the smooth savage roams

Feeling himself, his own low self the whole;

When he by sacred sympathy might make

The whole one Self! Self, that no alien knows!

Self, far diffused as Fancy's wing can travel!          155

Self, spreading still! Oblivious of its own,

Yet all of all possessing! This is Faith!

This the Messiah's destined victory!

But first offences needs must come! Even now[115:1]

(Black Hell laughs horrible—to hear the scoff!)          160

Thee to defend, meek Galilaean! Thee

And thy mild laws of Love unutterable,

Mistrust and Enmity have burst the bands

Of social peace: and listening Treachery lurks

With pious fraud to snare a brother's life;          165

And childless widows o'er the groaning land

Wail numberless; and orphans weep for bread!

Thee to defend, dear Saviour of Mankind!

Thee, Lamb of God! Thee, blameless Prince of Peace!

From all sides rush the thirsty brood of War!—          170

Austria, and that foul Woman of the North,

The lustful murderess of her wedded lord!

And he, connatural Mind![115:2] whom (in their songs

So bards of elder time had haply feigned)

Some Fury fondled in her hate to man,          175

Bidding her serpent hair in mazy surge

Lick his young face, and at his mouth imbreathe

Horrible sympathy! And leagued with these

Each petty German princeling, nursed in gore!

Soul-hardened barterers of human blood![116:1]          180

Death's prime slave-merchants! Scorpion-whips of Fate!

Nor least in savagery of holy zeal,

Apt for the yoke, the race degenerate,

Whom Britain erst had blushed to call her sons!

Thee to defend the Moloch Priest prefers          185

The prayer of hate, and bellows to the herd,

That Deity, Accomplice Deity

In the fierce jealousy of wakened wrath

Will go forth with our armies and our fleets

To scatter the red ruin on their foes!          190

O blasphemy! to mingle fiendish deeds

With blessedness!

Lord of unsleeping Love,[116:2]

From everlasting Thou! We shall not die.

These, even these, in mercy didst thou form,

Teachers of Good through Evil, by brief wrong          195

Making Truth lovely, and her future might

Magnetic o'er the fixed untrembling heart.

In the primeval age a dateless while

The vacant Shepherd wander'd with his flock,

Pitching his tent where'er the green grass waved.          200

But soon Imagination conjured up

An host of new desires: with busy aim,

Each for himself, Earth's eager children toiled.

So Property began, twy-streaming fount,

Whence Vice and Virtue flow, honey and gall.          205

Hence the soft couch, and many-coloured robe,

The timbrel, and arched dome and costly feast,

With all the inventive arts, that nursed the soul

To forms of beauty, and by sensual wants

Unsensualised the mind, which in the means          210

Learnt to forget the grossness of the end,

Best pleasured with its own activity.

And hence Disease that withers manhood's arm,

The daggered Envy, spirit-quenching Want,

Warriors, and Lords, and Priests—all the sore ills[117:1]          215

That vex and desolate our mortal life.

Wide-wasting ills! yet each the immediate source

Of mightier good. Their keen necessities

To ceaseless action goading human thought

Have made Earth's reasoning animal her Lord;          220

And the pale-featured Sage's trembling hand

Strong as an host of arméd Deities,

Such as the blind Ionian fabled erst.

From Avarice thus, from Luxury and War

Sprang heavenly Science; and from Science Freedom.          225

O'er waken'd realms Philosophers and Bards

Spread in concentric circles: they whose souls,

Conscious of their high dignities from God,

Brook not Wealth's rivalry! and they, who long

Enamoured with the charms of order, hate          230

The unseemly disproportion: and whoe'er

Turn with mild sorrow from the Victor's car

And the low puppetry of thrones, to muse

On that blest triumph, when the Patriot Sage[118:1]

Called the red lightnings from the o'er-rushing cloud          235

And dashed the beauteous terrors on the earth

Smiling majestic. Such a phalanx ne'er

Measured firm paces to the calming sound

Of Spartan flute! These on the fated day,

When, stung to rage by Pity, eloquent men          240

Have roused with pealing voice the unnumbered tribes

That toil and groan and bleed, hungry and blind—

These, hush'd awhile with patient eye serene,

Shall watch the mad careering of the storm;

Then o'er the wild and wavy chaos rush          245

And tame the outrageous mass, with plastic might

Moulding Confusion to such perfect forms,

As erst were wont,—bright visions of the day!—

To float before them, when, the summer noon,

Beneath some arched romantic rock reclined          250

They felt the sea-breeze lift their youthful locks;

Or in the month of blossoms, at mild eve,

Wandering with desultory feet inhaled

The wafted perfumes, and the flocks and woods

And many-tinted streams and setting sun          255

With all his gorgeous company of clouds

Ecstatic gazed! then homeward as they strayed

Cast the sad eye to earth, and inly mused

Why there was misery in a world so fair.

Ah! far removed from all that glads the sense,          260

From all that softens or ennobles Man,

The wretched Many! Bent beneath their loads

They gape at pageant Power, nor recognise

Their cots' transmuted plunder! From the tree

Of Knowledge, ere the vernal sap had risen          265

Rudely disbranchéd! Blessed Society!

Fitliest depictured by some sun-scorched waste,

Where oft majestic through the tainted noon

The Simoom sails, before whose purple pomp[119:1]

Who falls not prostrate dies! And where by night,          270

Fast by each precious fountain on green herbs

The lion couches: or hyaena dips

Deep in the lucid stream his bloody jaws;

Or serpent plants his vast moon-glittering bulk,

Caught in whose monstrous twine Behemoth[119:2] yells,          275

His bones loud-crashing!

O ye numberless,

Whom foul Oppression's ruffian gluttony

Drives from Life's plenteous feast! O thou poor Wretch

Who nursed in darkness and made wild by want,

Roamest for prey, yea thy unnatural hand          280

Dost lift to deeds of blood! O pale-eyed form,

The victim of seduction, doomed to know

Polluted nights and days of blasphemy;

Who in loathed orgies with lewd wassailers

Must gaily laugh, while thy remembered Home          285

Gnaws like a viper at thy secret heart!

O agéd Women! ye who weekly catch

The morsel tossed by law-forced charity,

And die so slowly, that none call it murder!

O loathly suppliants! ye, that unreceived          290

Totter heart-broken from the closing gates

Of the full Lazar-house; or, gazing, stand,

Sick with despair! O ye to Glory's field

Forced or ensnared, who, as ye gasp in death,

Bleed with new wounds beneath the vulture's beak!          295

O thou poor widow, who in dreams dost view

Thy husband's mangled corse, and from short doze

Start'st with a shriek; or in thy half-thatched cot

Waked by the wintry night-storm, wet and cold

Cow'rst o'er thy screaming baby! Rest awhile          300

Children of Wretchedness! More groans must rise,

More blood must stream, or ere your wrongs be full.

Yet is the day of Retribution nigh:

The Lamb of God hath opened the fifth seal:[120:1]

And upward rush on swiftest wing of fire          305

The innumerable multitude of wrongs

By man on man inflicted! Rest awhile,

Children of Wretchedness! The hour is nigh

And lo! the Great, the Rich, the Mighty Men,

The Kings and the Chief Captains of the World,          310

With all that fixed on high like stars of Heaven

Shot baleful influence, shall be cast to earth,

Vile and down-trodden, as the untimely fruit

Shook from the fig-tree by a sudden storm.

Even now the storm begins:[121:1] each gentle name,          315

Faith and meek Piety, with fearful joy

Tremble far-off—for lo! the Giant Frenzy

Uprooting empires with his whirlwind arm

Mocketh high Heaven; burst hideous from the cell

Where the old Hag, unconquerable, huge,          320

Creation's eyeless drudge, black Ruin, sits

Nursing the impatient earthquake.

O return!

Pure Faith! meek Piety! The abhorréd Form[121:2]

Whose scarlet robe was stiff with earthly pomp,

Who drank iniquity in cups of gold,          325

Whose names were many and all blasphemous,

Hath met the horrible judgment! Whence that cry?

The mighty army of foul Spirits shrieked

Disherited of earth! For she hath fallen

On whose black front was written Mystery;          330

She that reeled heavily, whose wine was blood;

She that worked whoredom with the Daemon Power,

And from the dark embrace all evil things

Brought forth and nurtured: mitred Atheism!

And patient Folly who on bended knee          335

Gives back the steel that stabbed him; and pale Fear

Haunted by ghastlier shapings than surround

Moon-blasted Madness when he yells at midnight!

Return pure Faith! return meek Piety!

The kingdoms of the world are your's: each heart          340

Self-governed, the vast family of Love

Raised from the common earth by common toil

Enjoy the equal produce. Such delights

As float to earth, permitted visitants!

When in some hour of solemn jubilee          345

The massy gates of Paradise are thrown

Wide open, and forth come in fragments wild

Sweet echoes of unearthly melodies,

And odours snatched from beds of Amaranth,

And they, that from the crystal river of life          350

Spring up on freshened wing, ambrosial gales!

The favoured good man in his lonely walk

Perceives them, and his silent spirit drinks

Strange bliss which he shall recognise in heaven.

And such delights, such strange beatitudes          355

Seize on my young anticipating heart

When that blest future rushes on my view!

For in his own and in his Father's might

The Saviour comes! While as the Thousand Years[122:1]

Lead up their mystic dance, the Desert shouts!          360

Old Ocean claps his hands! The mighty Dead

Rise to new life, whoe'er from earliest time

With conscious zeal had urged Love's wondrous plan,

Coadjutors of God. To Milton's trump

The high groves of the renovated Earth          365

Unbosom their glad echoes: inly hushed,

Adoring Newton his serener eye

Raises to heaven: and he of mortal kind

Wisest, he[123:1] first who marked the ideal tribes

Up the fine fibres through the sentient brain.          370

Lo! Priestley there, patriot, and saint, and sage,

Him, full of years, from his loved native land

Statesmen blood-stained and priests idolatrous

By dark lies maddening the blind multitude

Drove with vain hate. Calm, pitying he retired,          375

And mused expectant on these promised years.

O Years! the blest pre-eminence of Saints!

Ye sweep athwart my gaze, so heavenly bright,

The wings that veil the adoring Seraphs' eyes,

What time they bend before the Jasper Throne[123:2]          380

Reflect no lovelier hues! Yet ye depart,

And all beyond is darkness! Heights most strange,

Whence Fancy falls, fluttering her idle wing.

For who of woman born may paint the hour,

When seized in his mid course, the Sun shall wane          385

Making noon ghastly! Who of woman born

May image in the workings of his thought,

How the black-visaged, red-eyed Fiend outstretched[124:1]

Beneath the unsteady feet of Nature groans,

In feverous slumbers—destined then to wake,          390

When fiery whirlwinds thunder his dread name

And Angels shout, Destruction! How his arm

The last great Spirit lifting high in air

Shall swear by Him, the ever-living One,

Time is no more!

Believe thou, O my soul,[124:2]          395

Life is a vision shadowy of Truth;

And vice, and anguish, and the wormy grave,

Shapes of a dream! The veiling clouds retire,

And lo! the Throne of the redeeming God

Forth flashing unimaginable day          400

Wraps in one blaze earth, heaven, and deepest hell.

Contemplant Spirits! ye that hover o'er

With untired gaze the immeasurable fount

Ebullient with creative Deity!

And ye of plastic power, that interfused          405

Roll through the grosser and material mass

In organizing surge! Holies of God!

(And what if Monads of the infinite mind?)

I haply journeying my immortal course

Shall sometime join your mystic choir! Till then          410

I discipline my young and novice thought

In ministeries of heart-stirring song,

And aye on Meditation's heaven-ward wing

Soaring aloft I breathe the empyreal air

Of Love, omnific, omnipresent Love,          415

Whose day-spring rises glorious in my soul

As the great Sun, when he his influence

Sheds on the frost-bound waters—The glad stream

Flows to the ray and warbles as it flows.

1794-1796.

FOOTNOTES:

[108:1] First published in 1796: included in 1797, 1803, 1828, 1829, and 1834. Lines 260-357 were published in The Watchman, No. II, March 9, 1796, entitled 'The Present State of Society'. In the editions of 1796, 1797, and 1803 the following lines, an adaptation of a passage in the First Book of Akenside's Pleasures of the Imagination, were prefixed as a motto:—

What tho' first,

In years unseason'd, I attun'd the lay

To idle Passion and unreal Woe?

Yet serious Truth her empire o'er my song

Hath now asserted; Falsehood's evil brood,

Vice and deceitful Pleasure, she at once

Excluded, and my Fancy's careless toil

Drew to the better cause!

An 'Argument' followed on a separate page:—

Introduction. Person of Christ. His prayer on the Cross. The process of his Doctrines on the mind of the Individual. Character of the Elect. Superstition. Digression to the present War. Origin and Uses of Government and Property. The present State of Society. The French Revolution. Millenium. Universal Redemption. Conclusion.

[110:1] Τὸ Νοητὸν διῃρήκασιν εἰς πολλῶν Θεῶν ἰδιότητας. DAMAS. DE MYST. AEGYPT. Footnote to line 34, 1797, 1803, 1828, 1829. [This note, which should be attached to l. 33, is a comment on the original line 'Split and mishap'd' &c., of 1796. The quotation as translated reads thus:—'Men have split up the Intelligible One into the peculiar attributes of Gods many'.]

[110:2] See this demonstrated by Hartley, vol. 1, p. 114, and vol. 2, p. 329. See it likewise proved, and freed from the charge of Mysticism, by Pistorius in his Notes and Additions to part second of Hartley on Man, Addition the 18th, the 653rd page of the third volume of Hartley, Octavo Edition. Note to line 44, 1797. [David Hartley's Observations on Man were published in 1749. His son republished them in 1791, with Notes, &c., from the German of H. A. Pistorius, Pastor and Provost of the Synod at Poseritz in the Island of Rügen.]

[112:1] And I heard a great voice out of the Temple saying to the seven Angels, pour out the vials of the wrath of God upon the earth. Revelation, xvi. 1. Note to line 91, Notes, 1796, p. 90.

[112:2] Our evil Passions, under the influence of Religion, become innocent, and may be made to animate our virtue—in the same manner as the thick mist melted by the Sun, increases the light which it had before excluded. In the preceding paragraph, agreeably to this truth, we had allegorically narrated the transfiguration of Fear into holy Awe. Footnote to line 91, 1797: to line 101, 1803.

[114:1] If to make aught but the Supreme Reality the object of final pursuit, be Superstition; if the attributing of sublime properties to things or persons, which those things or persons neither do or can possess, be Superstition; then Avarice and Ambition are Superstitions: and he who wishes to estimate the evils of Superstition, should transport himself, not to the temple of the Mexican Deities, but to the plains of Flanders, or the coast of Africa.—Such is the sentiment convey'd in this and the subsequent lines. Footnote to line 135, 1797: to line 143, 1803.

[115:1] January 21st, 1794, in the debate on the Address to his Majesty, on the speech from the Throne, the Earl of Guildford (sic) moved an Amendment to the following effect:—'That the House hoped his Majesty would seize the earliest opportunity to conclude a peace with France,' &c. This motion was opposed by the Duke of Portland, who 'considered the war to be merely grounded on one principle—the preservation of the CHRISTIAN RELIGION'. May 30th, 1794, the Duke of Bedford moved a number of Resolutions, with a view to the Establishment of a Peace with France. He was opposed (among others) by Lord Abingdon in these remarkable words: 'The best road to Peace, my Lords, is WAR! and WAR carried on in the same manner in which we are taught to worship our CREATOR, namely, with all our souls, and with all our minds, and with all our hearts, and with all our strength.' [Footnote to line 159, 1797, 1803, 1828, 1829, and 1834.]

[115:2] That Despot who received the wages of an hireling that he might act the part of a swindler, and who skulked from his impotent attacks on the liberties of France to perpetrate more successful iniquity in the plains of Poland. Note to line 193. Notes, 1796, p. 170.

[116:1] The Father of the present Prince of Hesse Cassell supported himself and his strumpets at Paris by the vast sums which he received from the British Government during the American War for the flesh of his subjects. Notes, 1796, p. 176.

[116:2] Art thou not from everlasting, O Lord, mine Holy One? We shall not die. O Lord! thou hast ordained them for judgment, &c. Habakkuk i. 12. Note to line 212. Notes, 1796, p. 171. Footnote, 1828, 1829, 1834.

Art thou not, &c. In this paragraph the Author recalls himself from his indignation against the instruments of Evil, to contemplate the uses of these Evils in the great process of divine Benevolence. In the first age, Men were innocent from ignorance of Vice; they fell, that by the knowledge of consequences they might attain intellectual security, i. e. Virtue, which is a wise and strong-nerv'd Innocence. Footnote to line 196, 1797: to line 204, 1803.

[117:1] I deem that the teaching of the gospel for hire is wrong; because it gives the teacher an improper bias in favour of particular opinions on a subject where it is of the last importance that the mind should be perfectly unbiassed. Such is my private opinion; but I mean not to censure all hired teachers, many among whom I know, and venerate as the best and wisest of men—God forbid that I should think of these, when I use the word PRIEST, a name, after which any other term of abhorrence would appear an anti-climax. By a Priest I mean a man who holding the scourge of power in his right hand and a bible (translated by authority) in his left, doth necessarily cause the bible and the scourge to be associated ideas, and so produces that temper of mind which leads to Infidelity—Infidelity which judging of Revelation by the doctrines and practices of established Churches honors God by rejecting Christ. See 'Address to the People', p. 57, sold by Parsons, Paternoster Row. Note to line 235. Notes, 1796, pp. 171, 172.

[118:1] Dr. Franklin. Note to line 253. Notes, 1796, p. 172.

[119:1] At eleven o'clock, while we contemplated with great pleasure the rugged top of Chiggre, to which we were fast approaching, and where we were to solace ourselves with plenty of good water, IDRIS cried out with a loud voice, 'Fall upon your faces, for here is the Simoom'. I saw from the S.E. an haze come on, in colour like the purple part of the rainbow, but not so compressed or thick. It did not occupy twenty yards in breadth, and was about twelve feet high from the ground.—We all lay flat on the ground, as if dead, till IDRIS told us it was blown over. The meteor, or purple haze, which I saw, was indeed passed; but the light air that still blew was of heat to threaten suffocation. Bruce's Travels, vol. 4, p. 557. Note to line 288. Notes, 1796, pp. 172, 173.

[119:2] Behemoth, in Hebrew, signifies wild beasts in general. Some believe it is the Elephant, some the Hippopotamus; some affirm it is the Wild Bull. Poetically, it designates any large Quadruped. [Footnote to l. 279, 1797: to l. 286, 1803. Reprinted in 1828, 1829, and 1834. The note to l. 294 in 1796, p. 173 ran thus: Used poetically for a very large quadruped, but in general it designates the elephant.]

[120:1] See the sixth chapter of the Revelation of St. John the Divine.—And I looked and beheld a pale horse; and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the FOURTH part of the Earth to kill with sword, and with hunger, and with pestilence, and with the beasts of the Earth.—And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held; and white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little season, until their fellow servants also, and their brethren that should be killed as they were should be fulfilled. And I beheld when he had opened the sixth seal, the stars of Heaven fell unto the Earth, even as a fig-tree casteth her untimely figs when she is shaken of a mighty wind: And the kings of the earth, and the great men, and the rich men, and the chief captains, &c. Note to line 324. Notes, 1796, pp. 174, 175.

[121:1] Alluding to the French Revolution 1834: The French Revolution 1796: This passage alludes to the French Revolution: and the subsequent paragraph to the downfall of Religious Establishments. I am convinced that the Babylon of the Apocalypse does not apply to Rome exclusively; but to the union of Religion with Power and Wealth, wherever it is found. Footnote to line 320, 1797, to line 322, 1803.

[121:2] And there came one of the seven Angels which had the seven vials, and talked with me, saying unto me, come hither! I will show unto thee the judgment of the great Whore, that sitteth upon many waters: with whom the kings of the earth have committed fornication, &c. Revelation of St. John the Divine, chapter the seventeenth. Note to l. 343. Notes, 1796, p. 175.

[122:1] The Millenium:—in which I suppose, that Man will continue to enjoy the highest glory, of which his human nature is capable.—That all who in past ages have endeavoured to ameliorate the state of man will rise and enjoy the fruits and flowers, the imperceptible seeds of which they had sown in their former Life: and that the wicked will during the same period, be suffering the remedies adapted to their several bad habits. I suppose that this period will be followed by the passing away of this Earth and by our entering the state of pure intellect; when all Creation shall rest from its labours. Footnote to line 365, 1797, to line 367, 1803.

[123:1] David Hartley. [Footnote to line 392, 1796, to line 375, 1797, to line 380, 1803: reprinted in 1828, 1829, and 1834.]

[123:2] Rev. chap. iv. v. 2 and 3.—And immediately I was in the Spirit: and behold, a Throne was set in Heaven and one sat on the Throne. And he that sat was to look upon like a jasper and a sardine stone, &c. [Footnote to line 386, 1797, to line 389, 1803: reprinted in 1828, 1829, and 1834.]

[124:1] The final Destruction impersonated. [Footnote to line 394, 1797, to line 396, 1803: reprinted in 1828, 1829, and 1834.]

[124:2] This paragraph is intelligible to those, who, like the Author, believe and feel the sublime system of Berkley (sic); and the doctrine of the final Happiness of all men. Footnote to line 402, 1797, to line 405, 1803.

LINENOTES:

Title] —— on Christmas Eve. In the year of Our Lord, 1794.

[1-23]

This is the time, when most divine to hear,

As with a Cherub's 'loud uplifted' trump

The voice of Adoration my thrill'd heart

Rouses! And with the rushing noise of wings

Transports my spirit to the favor'd fields          5

Of Bethlehem, there in shepherd's guise to sit

Sublime of extacy, and mark entranc'd

The glory-streaming VISION throng the night.[109:A]

Ah not more radiant, nor loud harmonies

Hymning more unimaginably sweet          10

With choral songs around th' ETERNAL MIND,

The constellated company of WORLDS

Danc'd jubilant: what time the startling East

Saw from her dark womb leap her flamy child!

Glory to God in the Highest! PEACE on Earth!          15

Yet thou more bright than all that Angel Blaze,

Despiséd GALILAEAN! Man of Woes!

For chiefly in the oppressed Good Man's face

The Great Invisible (by symbols seen)

Shines with peculiar and concentred light,          20

When all of Self regardless the scourg'd Saint

Mourns for th' oppressor. O thou meekest Man!          25

Meek Man and lowliest of the Sons of Men!

Who thee beheld thy imag'd Father saw.[109:B]

His Power and Wisdom from thy awful eye

Blended their beams, and loftier Love sat there

Musing on human weal, and that dread hour          30

When thy insulted, &c.

1796.

[109:A] And suddenly there was with the Angel a multitude of the heavenly Host, praising God and saying glory to God in the highest and on earth peace. Luke ii. 13 1796.

[109:B] Philip saith unto him, Lord! shew us the Father and it sufficeth us. Jesus saith unto him, Have I been so long time with you, and yet hast thou not known me, Philip? He that hath seen me hath seen the Father. John xiv. 9 1796.

[7]

Angel-blaze] Angel-Host 1803.

[26]

Diviner light flash'd extacy o'er Heaven!

1796.

[32-4]

What mists dim-floating of Idolatry

Split and mishap'd the Omnipresent Sire:

And first by Terror, Mercy's startling prelude,

Uncharm'd the Spirit spell-bound with earthy lusts.

1796.

[39]

From Hope and stronger Faith to perfect Love

1796.

[54]

embosom] imbosom 1796, 1797, 1803.

[64-71]

They cannot dread created might, who love

God the Creator! fair and lofty thought!

It lifts and swells my heart! and as I muse,

Behold a VISION gathers in my soul,

Voices and shadowy shapes! In human guise

I seem to see the phantom, FEAR, pass by,

Hotly-pursued, and pale! From rock to rock

He bounds with bleeding feet, and thro' the swamp,

The quicksand and the groaning wilderness,

Struggles with feebler and yet feebler flight.

But lo! an altar in the wilderness,

And eagerly yet feebly lo! he grasps

The altar of the living God! and there

With wan reverted face the trembling wretch

All wildly list'ning to his Hunter-fiends

Stands, till the last faint echo of their yell

Dies in the distance. Soon refresh'd from Heaven &c.

1803.

[74-7]

Swims in his eyes: his swimming eyes uprais'd:

And Faith's whole armour girds his limbs! And thus

Transfigur'd, with a meek and dreadless awe,

A solemn hush of spirit he beholds

1803.

[78-84]

Yea, and there,

Unshudder'd unaghasted, he shall view

E'en the SEVEN SPIRITS, who in the latter day

Will shower hot pestilence on the sons of men,

For he shall know, his heart shall understand,

That kindling with intenser Deity

They from the MERCY-SEAT like rosy flames,

From God's celestial MERCY-SEAT will flash,

And at the wells of renovating LOVE

Fill their Seven Vials with salutary wrath.

1796.

[81-3]

For even these on wings of healing come,

Yea, kindling with intenser Deity

From the Celestial MERCY SEAT they speed,

And at the renovating &c.

1803.

[86]

soft] sweet 1803.

[96-7]

Darkling with earnest eyes he traces out

Th' immediate road, all else of fairest kind

1803.

[98]

the burning Sun 1803.

[115]

The Cherubs and the trembling Seraphim 1803.

[119-21]

om. 1803.

[135-41]

O Fiends of SUPERSTITION! not that oft

Your pitiless rites have floated with man's blood

The skull-pil'd Temple, not for this shall wrath

Thunder against you from the Holy One!

But (whether ye th' unclimbing Bigot mock

With secondary Gods, or if more pleas'd

Ye petrify th' imbrothell'd Atheist's heart,

The Atheist your worst slave) I o'er some plain

Peopled with Death, and to the silent Sun

Steaming with tyrant-murder'd multitudes;

Or where mid groans and shrieks loud-laughing TRADE

More hideous packs his bales of living anguish

1796.

[165]

pious] pious 1796-1829.

[176]

mazy surge] tortuous-folds 1796.

[177]

imbreathe] inbreathe 1797, 1803, 1828, 1829.

[202]

An] A 1834.

[222]

an] a 1834.

[223]

om. 1796, 1803.

[254-5]

The wafted perfumes, gazing on the woods

The many tinted streams

1803.

[257]

In extacy! 1803.

[266]

Blessed] O Blest 1796, Watchman: evil 1803: Blessed 1797, 1828, 1829.

[270]

by] at Watchman.

[273]

bloody] gore-stained 1803.

[274]

plants] rolls 1796.

[277-8]

Ye whom Oppression's ruffian gluttony

Drives from the feast of life

1803.

[280-1]

Dost roam for prey—yea thy unnatural hand

Liftest to deeds of blood

1796.

[281]

Dost] Dar'st Watchman.

[283-4]

Nights of pollution, days of blasphemy,

Who in thy orgies with loath'd wassailers

1803.

[290]

O loathly-visag'd Suppliants! ye that oft 1796: O loathly-visag'd supplicants! that oft Watchman.

[291-2]

Rack'd with disease, from the unopen'd gate

Of the full Lazar-house, heart-broken crawl!

1796, Watchman.

[293-6]

O ye to scepter'd Glory's gore-drench'd field

Forc'd or ensnar'd, who swept by Slaughter's scythe

Stern nurse of Vultures! steam in putrid heaps

1796.

O ye that steaming to the silent Noon,

People with Death red-eyed Ambition's plains!

O Wretched Widow

Watchman.

[300]

Cow'rest 1796.

[302]

stream] steam 1796, Watchman, 1797, 1803.

[305]

And upward spring on swiftest plume of fire Watchman.

[337]

Hunted by ghastlier terrors 1796, Watchman. Haunted] Hunted 1797, 1803, 1828, 1829.

[345-8]

When on some solemn Jubilee of Saints

The sapphire-blazing gates of Paradise

Are thrown wide open, and thence voyage forth

Detachments wild of seraph-warbled airs

1796, Watchman.

[355]

beatitudes] beatitude 1796, Watchman, 1797, 1803, 1828, 1829.

[356]

Seize on] Have seiz'd Watchman.

[359-61]

The SAVIOUR comes! While as to solemn strains,

The THOUSAND YEARS lead up their mystic dance

Old OCEAN claps his hands! the DESERT shouts!

And soft gales wafted from the haunts of spring

Melt the primaeval North!

The Mighty Dead 1796.

[365]

The odorous groves of Earth reparadis'd

1796.

[370-2]

Down the fine fibres from the sentient brain

Roll subtly-surging. Pressing on his steps

Lo! PRIESTLEY there, Patriot, and Saint, and Sage,

Whom that my fleshly eye hath never seen

A childish pang of impotent regret

Hath thrill'd my heart. Him from his native land

1796.

Up the fine fibres thro' the sentient brain

Pass in fine surges. Pressing on his steps

Lo! Priestley there

1803.

[378-80]

Sweeping before the rapt prophetic Gaze

Bright as what glories of the jasper throne

Stream from the gorgeous and face-veiling plumes

Of Spirits adoring! Ye blest years! must end

1796.

[380]

they bend] he bends 1797, 1803, 1828, 1829.

[387]

May image in his wildly-working thought 1796: May image, how the red-eyed Fiend outstretcht 1803.

[390]

feverous] feverish 1796, 1797, 1803, 1828, 1829.

Between 391, 392 DESTRUCTION! when the Sons of Morning shout, The Angels shout, DESTRUCTION 1803.

[393]

The Mighty Spirit 1796.

[400]

om. 1803.

[401]

blaze] Light 1803.

[411]

and novice] noviciate 1796, 1797, 1803, 1828, 1829.

MONODY ON THE DEATH OF CHATTERTON[125:1]

O what a wonder seems the fear of death,

Seeing how gladly we all sink to sleep,

Babes, Children, Youths, and Men,

Night following night for threescore years and ten!

But doubly strange, where life is but a breath          5

To sigh and pant with, up Want's rugged steep.

Away, Grim Phantom! Scorpion King, away!

Reserve thy terrors and thy stings display

For coward Wealth and Guilt in robes of State!

Lo! by the grave I stand of one, for whom          10

A prodigal Nature and a niggard Doom

(That all bestowing, this withholding all)

Made each chance knell from distant spire or dome

Sound like a seeking Mother's anxious call,

Return, poor Child! Home, weary Truant, home!          15

Thee, Chatterton! these unblest stones protect

From want, and the bleak freezings of neglect.

Too long before the vexing Storm-blast driven

Here hast thou found repose! beneath this sod!

Thou! O vain word! thou dwell'st not with the clod!          20

Amid the shining Host of the Forgiven

Thou at the throne of mercy and thy God

The triumph of redeeming Love dost hymn

(Believe it, O my Soul!) to harps of Seraphim.

Yet oft, perforce ('tis suffering Nature's call),          25

I weep that heaven-born Genius so should fall;

And oft, in Fancy's saddest hour, my soul

Averted shudders at the poison'd bowl.

Now groans my sickening heart, as still I view

Thy corse of livid hue;          30

Now Indignation checks the feeble sigh,

Or flashes through the tear that glistens in mine eye!

Is this the land of song-ennobled line?

Is this the land, where Genius ne'er in vain

Pour'd forth his lofty strain?          35

Ah me! yet Spenser, gentlest bard divine,

Beneath chill Disappointment's shade,

His weary limbs in lonely anguish lay'd.

And o'er her darling dead

Pity hopeless hung her head,          40

While 'mid the pelting of that merciless storm,'

Sunk to the cold earth Otway's famish'd form!

Sublime of thought, and confident of fame,

From vales where Avon[127:1] winds the Minstrel came.

Light-hearted youth! aye, as he hastes along,          45

He meditates the future song,

How dauntless Ælla fray'd the Dacyan foe;

And while the numbers flowing strong

In eddies whirl, in surges throng,

Exulting in the spirits' genial throe          50

In tides of power his life-blood seems to flow.

And now his cheeks with deeper ardors flame,

His eyes have glorious meanings, that declare

More than the light of outward day shines there,

A holier triumph and a sterner aim!          55

Wings grow within him; and he soars above

Or Bard's or Minstrel's lay of war or love.

Friend to the friendless, to the sufferer health,

He hears the widow's prayer, the good man's praise;

To scenes of bliss transmutes his fancied wealth,          60

And young and old shall now see happy days.

On many a waste he bids trim gardens rise,

Gives the blue sky to many a prisoner's eyes;

And now in wrath he grasps the patriot steel,

And her own iron rod he makes Oppression feel.          65

Sweet Flower of Hope! free Nature's genial child!

That didst so fair disclose thy early bloom,

Filling the wide air with a rich perfume!

For thee in vain all heavenly aspects smil'd;

From the hard world brief respite could they win—          70

The frost nipp'd sharp without, the canker prey'd within!

Ah! where are fled the charms of vernal Grace,

And Joy's wild gleams that lighten'd o'er thy face?

Youth of tumultuous soul, and haggard eye!

Thy wasted form, thy hurried steps I view,          75

On thy wan forehead starts the lethal dew,

And oh! the anguish of that shuddering sigh!

Such were the struggles of the gloomy hour,

When Care, of wither'd brow,

Prepar'd the poison's death-cold power:          80

Already to thy lips was rais'd the bowl,

When near thee stood Affection meek

(Her bosom bare, and wildly pale her cheek)

Thy sullen gaze she bade thee roll

On scenes that well might melt thy soul;          85

Thy native cot she flash'd upon thy view,

Thy native cot, where still, at close of day,

Peace smiling sate, and listen'd to thy lay;

Thy Sister's shrieks she bade thee hear,

And mark thy Mother's thrilling tear;          90

See, see her breast's convulsive throe,

Her silent agony of woe!

Ah! dash the poison'd chalice from thy hand!

And thou hadst dashed it, at her soft command,

But that Despair and Indignation rose,          95

And told again the story of thy woes;

Told the keen insult of the unfeeling heart,

The dread dependence on the low-born mind;

Told every pang, with which thy soul must smart,

Neglect, and grinning Scorn, and Want combined!          100

Recoiling quick, thou badest the friend of pain

Roll the black tide of Death through every freezing vein!

O spirit blest!

Whether the Eternal's throne around,

Amidst the blaze of Seraphim,          105

Thou pourest forth the grateful hymn,

Or soaring thro' the blest domain

Enrapturest Angels with thy strain,—

Grant me, like thee, the lyre to sound,

Like thee with fire divine to glow;—          110

But ah! when rage the waves of woe,

Grant me with firmer breast to meet their hate,

And soar beyond the storm with upright eye elate!

Ye woods! that wave o'er Avon's rocky steep,

To Fancy's ear sweet is your murmuring deep!          115

For here she loves the cypress wreath to weave;

Watching with wistful eye, the saddening tints of eve.

Here, far from men, amid this pathless grove,

In solemn thought the Minstrel wont to rove,

Like star-beam on the slow sequester'd tide          120

Lone-glittering, through the high tree branching wide.

And here, in Inspiration's eager hour,

When most the big soul feels the mastering power,

These wilds, these caverns roaming o'er,

Round which the screaming sea-gulls soar,          125

With wild unequal steps he pass'd along,

Oft pouring on the winds a broken song:

Anon, upon some rough rock's fearful brow

Would pause abrupt—and gaze upon the waves below.

Poor Chatterton! he sorrows for thy fate          130

Who would have prais'd and lov'd thee, ere too late.

Poor Chatterton! farewell! of darkest hues

This chaplet cast I on thy unshaped tomb;

But dare no longer on the sad theme muse,

Lest kindred woes persuade a kindred doom:          135

For oh! big gall-drops, shook from Folly's wing,

Have blacken'd the fair promise of my spring;

And the stern Fate transpierc'd with viewless dart

The last pale Hope that shiver'd at my heart!

Hence, gloomy thoughts! no more my soul shall dwell          140

On joys that were! no more endure to weigh

The shame and anguish of the evil day,

Wisely forgetful! O'er the ocean swell

Sublime of Hope I seek the cottag'd dell

Where Virtue calm with careless step may stray;          145

And, dancing to the moon-light roundelay,

The wizard Passions weave an holy spell!

O Chatterton! that thou wert yet alive!

Sure thou would'st spread the canvass to the gale,

And love with us the tinkling team to drive          150

O'er peaceful Freedom's undivided dale;

And we, at sober eve, would round thee throng,

Would hang, enraptur'd, on thy stately song,

And greet with smiles the young-eyed Poesy

All deftly mask'd as hoar Antiquity.          155

Alas, vain Phantasies! the fleeting brood

Of Woe self-solac'd in her dreamy mood!

Yet will I love to follow the sweet dream,

Where Susquehannah pours his untamed stream;

And on some hill, whose forest-frowning side          160

Waves o'er the murmurs of his calmer tide,

Will raise a solemn Cenotaph to thee,

Sweet Harper of time-shrouded Minstrelsy!

And there, sooth'd sadly by the dirgeful wind,

Muse on the sore ills I had left behind.          165

1790-1834.

FOOTNOTES:

[125:1] The 'Monody', &c., dated in eds. 1796, 1797, 1803, 'October, 1794,' was first published at Cambridge in 1794, in Poems, By Thomas Rowley [i. e. Chatterton] and others edited by Lancelot Sharpe (pp. xxv-xxviii). An Introductory Note was prefixed:—'The Editor thinks himself happy in the permission of an ingenious friend to insert the following Monody.' The variants marked 1794 are derived from that work. The 'Monody' was not included in Sibylline Leaves, 1817. For MS. variants vide ante, 'Monody', &c., Christ's Hospital Version.

Coleridge told Cottle, May 27, 1814 that lines 1-4 were written when he was 'a mere boy' (Reminiscences, 1847, p. 348); and, again, April 22, 1819, he told William Worship that they were written 'in his thirteenth year as a school exercise'. The Monody numbered 107 lines in 1794, 143 in 1796, 135 in 1797, 119 in 1803, 143 in 1828, 154 in 1829, and 165 lines in 1834.

[127:1] Avon, a river near Bristol, the birth-place of Chatterton.

LINENOTES:

[1-15]

When faint and sad o'er Sorrow's desart wild

Slow journeys onward, poor Misfortune's child;

When fades each lovely form by Fancy drest,

And inly pines the self-consuming breast;

(No scourge of scorpions in thy right arm dread,

No helméd terrors nodding o'er thy head,)

Assume, O DEATH! the cherub wings of PEACE,

And bid the heartsick Wanderer's Anguish cease.

1794, 1796, 1797, 1803, 1828.

[Lines 1-15 of the text were first printed in 1829.]

[16]

these] yon 1794, 1796, 1797, 1803, 1828.

[18-24]

Escap'd the sore wounds of Affliction's rod

Meek at the throne of Mercy and of God,

Perchance, thou raisest high th' enraptur'd hymn

Amid the blaze of Seraphim!

1794, 1796, 1797, 1803, 1828.

[25]

Yet oft ('tis Nature's bosom-startling call) 1794, 1796, 1828: Yet oft ('tis Nature's call) 1797, 1803.

[26]

should] shall 1829.

[30]

Thy] The 1794.

[31-32]

And now a flash of Indignation high

Darts through the tear that glistens in mine eye.

1794, 1796, 1797, 1803, 1828.

[35]

his] her 1794.

[37]

Disappointment's deadly shade 1794.

[41]

merciless] pitiless 1794.

[45]

aye, as] om. 1797, 1803.

[46]

He] And 1797, 1803.

[47-56]

How dauntless Ælla fray'd the Dacyan foes;

And, as floating high in air,

Glitter the sunny Visions fair,

His eyes dance rapture, and his bosom glows!

1794, 1796, 1797, 1803, 1828.

[1794 reads 'Danish foes'; 1797, 1803 read 'See, as floating', &c. Lines 48-56 were added in 1829.]

[58-71]

Friend to the friendless, to the sick man Health,

With generous Joy he views th' ideal wealth;

He hears the Widow's heaven-breath'd prayer of Praise;

He marks the shelter'd Orphan's tearful gaze;

Or where the sorrow-shrivell'd Captive lay,          5

Pours the bright Blaze of Freedom's noon-tide Ray:

And now, indignant 'grasps the patriot steel'

And her own iron rod he makes Oppression feel.

Clad in Nature's rich array,

And bright in all her tender hues,          10

Sweet Tree of Hope! thou loveliest child of Spring!

How fair didst thou disclose thine early bloom,

Loading the west winds with its soft perfume!

And Fancy, elfin form of gorgeous wing,

[And Fancy hovering round on shadowy wing, 1794.]

On every blossom hung her fostering dews,          15

That, changeful, wanton'd to the orient Day!

But soon upon thy poor unshelter'd Head

[Ah! soon, &c. 1794.]

Did Penury her sickly mildew shed:

And soon the scathing Lightning bade thee stand

In frowning horror o'er the blighted Land

1794, 1796, 1828.

[Lines 1-8 of the preceding variant were omitted in 1797. Line 9 reads 'Yes! Clad,' &c., and line 12 reads 'Most fair,' &c. The entire variant, 'Friend . . . Land,' was omitted in 1803, but reappears in 1828. The quotation marks 'grasps the patriot steel' which appear in 1796, but not in 1794, were inserted in 1828, but omitted in 1829, 1834. Lines 1-6 were included in 'Lines written at the King's Arms, Ross', as first published in the Cambridge Intelligencer, Sept. 27, 1794, and in the editions of 1797, 1828, 1829, and 1834.]

[72]

Ah! where] Whither 1794, 1797.

[73]

that lighten'd] light-flashing 1797, 1803.

[76]

wan] cold 1794, 1796, 1797, 1803, 1828. lethal] anguish'd 1794, 1796, 1797, 1828.

[77]

And dreadful was that bosom-rending sigh 1794, 1796, 1797, 1803, 1828.

[78]

the gloomy] that gloomy 1803.

[80]

Prepar'd the poison's power 1797, 1803.

[90]

And mark thy mother's tear 1797, 1803.

[98]

low-born] low-bred 1794.

[99]

with] at 1794. must] might 1794.

[102]

black] dark 1794.

[103-13]

These lines, which form the conclusion (ll. 80-90) of the Christ's Hospital Version, were printed for the first time in 1834, with the following variants: l. 104 the Eternal's] th' Eternal; l. 105 Seraphim] Cherubim; l. 112 to meet] t'oppose; l. 113 storm] storms.

[120]

slow] rude 1794.

[121]

Lone glittering thro' the Forest's murksome pride 1794.

[123]

mastering] mad'ning 1794, 1796, 1797, 1803, 1828.

[129]

Here the Monody ends 1794.

[130-65]

First printed in 1796.

[133]

unshaped] shapeless 1803.

[136-39]

om. 1803.

[147]

an] a 1834.

[153]

Would hang] Hanging 1796, 1797, 1803, 1828, 1829.

THE DESTINY OF NATIONS[131:1]

A VISION

Auspicious Reverence! Hush all meaner song,

Ere we the deep preluding strain have poured

To the Great Father, only Rightful King,

Eternal Father! King Omnipotent!

To the Will Absolute, the One, the Good!          5

The I AM, the Word, the Life, the Living God!

Such symphony requires best instrument.

Seize, then, my soul! from Freedom's trophied dome

The Harp which hangeth high between the Shields

Of Brutus and Leonidas! With that          10

Strong music, that soliciting spell, force back

Man's free and stirring spirit that lies entranced.

For what is Freedom, but the unfettered use

Of all the powers which God for use had given?

But chiefly this, him First, him Last to view          15

Through meaner powers and secondary things

Effulgent, as through clouds that veil his blaze.

For all that meets the bodily sense I deem

Symbolical, one mighty alphabet

For infant minds; and we in this low world          20

Placed with our backs to bright Reality,

That we may learn with young unwounded ken

The substance from its shadow. Infinite Love,

Whose latence is the plenitude of All,

Thou with retracted beams, and self-eclipse          25

Veiling, revealest thine eternal Sun.

But some there are who deem themselves most free

When they within this gross and visible sphere

Chain down the wingéd thought, scoffing ascent,

Proud in their meanness: and themselves they cheat          30

With noisy emptiness of learned phrase,

Their subtle fluids, impacts, essences,

Self-working tools, uncaused effects, and all

Those blind Omniscients, those Almighty Slaves,

Untenanting creation of its God.          35

But Properties are God: the naked mass

(If mass there be, fantastic guess or ghost)

Acts only by its inactivity.

Here we pause humbly. Others boldlier think

That as one body seems the aggregate          40

Of atoms numberless, each organized;

So by a strange and dim similitude

Infinite myriads of self-conscious minds

Are one all-conscious Spirit, which informs

With absolute ubiquity of thought          45

(His one eternal self-affirming act!)

All his involvéd Monads, that yet seem

With various province and apt agency

Each to pursue its own self-centering end.

Some nurse the infant diamond in the mine;          50

Some roll the genial juices through the oak;

Some drive the mutinous clouds to clash in air,

And rushing on the storm with whirlwind speed,

Yoke the red lightnings to their volleying car.

Thus these pursue their never-varying course,          55

No eddy in their stream. Others, more wild,

With complex interests weaving human fates,

Duteous or proud, alike obedient all,

Evolve the process of eternal good.

And what if some rebellious, o'er dark realms          60

Arrogate power? yet these train up to God,

And on the rude eye, unconfirmed for day,

Flash meteor-lights better than total gloom.

As ere from Lieule-Oaive's vapoury head

The Laplander beholds the far-off Sun          65

Dart his slant beam on unobeying snows,

While yet the stern and solitary Night

Brooks no alternate sway, the Boreal Morn

With mimic lustre substitutes its gleam.

Guiding his course or by Niemi lake          70

Or Balda Zhiok,[133:1] or the mossy stone

Of Solfar-kapper,[133:2] while the snowy blast

Drifts arrowy by, or eddies round his sledge,

Making the poor babe at its mother's back[134:1]

Scream in its scanty cradle: he the while          75

Wins gentle solace as with upward eye

He marks the streamy banners of the North,

Thinking himself those happy spirits shall join

Who there in floating robes of rosy light

Dance sportively. For Fancy is the power          80

That first unsensualises the dark mind,

Giving it new delights; and bids it swell

With wild activity; and peopling air,

By obscure fears of Beings invisible,

Emancipates it from the grosser thrall          85

Of the present impulse, teaching Self-control,

Till Superstition with unconscious hand

Seat Reason on her throne. Wherefore not vain,

Nor yet without permitted power impressed,

I deem those legends terrible, with which          90

The polar ancient thrills his uncouth throng:

Whether of pitying Spirits that make their moan

O'er slaughter'd infants, or that Giant Bird

Vuokho, of whose rushing wings the noise

Is Tempest, when the unutterable Shape          95

Speeds from the mother of Death, and utters once[134:2]

That shriek, which never murderer heard, and lived.

Or if the Greenland Wizard in strange trance

Pierces the untravelled realms of Ocean's bed

Over the abysm, even to that uttermost cave          100

By mis-shaped prodigies beleaguered, such

As Earth ne'er bred, nor Air, nor the upper Sea:

Where dwells the Fury Form, whose unheard name

With eager eye, pale cheek, suspended breath,

And lips half-opening with the dread of sound,          105

Unsleeping Silence guards, worn out with fear

Lest haply 'scaping on some treacherous blast

The fateful word let slip the Elements

And frenzy Nature. Yet the wizard her,

Arm'd with Torngarsuck's power, the Spirit of Good,[135:1]          110

Forces to unchain the foodful progeny

Of the Ocean stream;—thence thro' the realm of Souls,

Where live the Innocent, as far from cares

As from the storms and overwhelming waves

That tumble on the surface of the Deep,          115

Returns with far-heard pant, hotly pursued

By the fierce Warders of the Sea, once more,

Ere by the frost foreclosed, to repossess

His fleshly mansion, that had staid the while

In the dark tent within a cow'ring group          120

Untenanted.—Wild phantasies! yet wise,

On the victorious goodness of high God

Teaching reliance, and medicinal hope,

Till from Bethabra northward, heavenly Truth

With gradual steps, winning her difficult way,          125

Transfer their rude Faith perfected and pure.

If there be Beings of higher class than Man,

I deem no nobler province they possess,

Than by disposal of apt circumstance

To rear up kingdoms: and the deeds they prompt,          130

Distinguishing from mortal agency,

They choose their human ministers from such states

As still the Epic song half fears to name,

Repelled from all the minstrelsies that strike

The palace-roof and soothe the monarch's pride.          135

And such, perhaps, the Spirit, who (if words

Witnessed by answering deeds may claim our faith)

Held commune with that warrior-maid of France

Who scourged the Invader. From her infant days,

With Wisdom, mother of retired thoughts,          140

Her soul had dwelt; and she was quick to mark

The good and evil thing, in human lore

Undisciplined. For lowly was her birth,

And Heaven had doomed her early years to toil

That pure from Tyranny's least deed, herself          145

Unfeared by Fellow-natures, she might wait

On the poor labouring man with kindly looks,

And minister refreshment to the tired

Way-wanderer, when along the rough-hewn bench

The sweltry man had stretched him, and aloft          150

Vacantly watched the rudely-pictured board

Which on the Mulberry-bough with welcome creak

Swung to the pleasant breeze. Here, too, the Maid

Learnt more than Schools could teach: Man's shifting mind,

His vices and his sorrows! And full oft          155

At tales of cruel wrong and strange distress

Had wept and shivered. To the tottering Eld

Still as a daughter would she run: she placed

His cold limbs at the sunny door, and loved

To hear him story, in his garrulous sort,          160

Of his eventful years, all come and gone.

So twenty seasons past. The Virgin's form,

Active and tall, nor Sloth nor Luxury

Had shrunk or paled. Her front sublime and broad,

Her flexile eye-brows wildly haired and low,          165

And her full eye, now bright, now unillumed,

Spake more than Woman's thought; and all her face

Was moulded to such features as declared

That Pity there had oft and strongly worked,

And sometimes Indignation. Bold her mien,          170

And like an haughty huntress of the woods

She moved: yet sure she was a gentle maid!

And in each motion her most innocent soul

Beamed forth so brightly, that who saw would say

Guilt was a thing impossible in her!          175

Nor idly would have said—for she had lived

In this bad World, as in a place of Tombs,

And touched not the pollutions of the Dead.

'Twas the cold season when the Rustic's eye

From the drear desolate whiteness of his fields          180

Rolls for relief to watch the skiey tints

And clouds slow-varying their huge imagery;

When now, as she was wont, the healthful Maid

Had left her pallet ere one beam of day

Slanted the fog-smoke. She went forth alone          185

Urged by the indwelling angel-guide, that oft,

With dim inexplicable sympathies

Disquieting the heart, shapes out Man's course

To the predoomed adventure. Now the ascent

She climbs of that steep upland, on whose top          190

The Pilgrim-man, who long since eve had watched

The alien shine of unconcerning stars,

Shouts to himself, there first the Abbey-lights

Seen in Neufchâtel's vale; now slopes adown

The winding sheep-track vale-ward: when, behold          195

In the first entrance of the level road

An unattended team! The foremost horse

Lay with stretched limbs; the others, yet alive

But stiff and cold, stood motionless, their manes

Hoar with the frozen night-dews. Dismally          200

The dark-red dawn now glimmered; but its gleams

Disclosed no face of man. The maiden paused,

Then hailed who might be near. No voice replied.

From the thwart wain at length there reached her ear

A sound so feeble that it almost seemed          205

Distant: and feebly, with slow effort pushed,

A miserable man crept forth: his limbs

The silent frost had eat, scathing like fire.

Faint on the shafts he rested. She, meantime,

Saw crowded close beneath the coverture          210

A mother and her children—lifeless all,

Yet lovely! not a lineament was marred—

Death had put on so slumber-like a form!

It was a piteous sight; and one, a babe.

The crisp milk frozen on its innocent lips,          215

Lay on the woman's arm, its little hand

Stretched on her bosom.

Mutely questioning,

The Maid gazed wildly at the living wretch.

He, his head feebly turning, on the group

Looked with a vacant stare, and his eye spoke          220

The drowsy calm that steals on worn-out anguish.

She shuddered; but, each vainer pang subdued,

Quick disentangling from the foremost horse

The rustic bands, with difficulty and toil

The stiff cramped team forced homeward. There arrived,          225

Anxiously tends him she with healing herbs,

And weeps and prays—but the numb power of Death

Spreads o'er his limbs; and ere the noon-tide hour,

The hovering spirits of his Wife and Babes

Hail him immortal! Yet amid his pangs,          230

With interruptions long from ghastly throes,

His voice had faltered out this simple tale.

The Village, where he dwelt an husbandman,

By sudden inroad had been seized and fired

Late on the yester-evening. With his wife          235

And little ones he hurried his escape.

They saw the neighbouring hamlets flame, they heard

Uproar and shrieks! and terror-struck drove on

Through unfrequented roads, a weary way!

But saw nor house nor cottage. All had quenched          240

Their evening hearth-fire: for the alarm had spread.

The air clipt keen, the night was fanged with frost,

And they provisionless! The weeping wife

Ill hushed her children's moans; and still they moaned,

Till Fright and Cold and Hunger drank their life.          245

They closed their eyes in sleep, nor knew 'twas Death.

He only, lashing his o'er-wearied team,

Gained a sad respite, till beside the base

Of the high hill his foremost horse dropped dead.

Then hopeless, strengthless, sick for lack of food,          250

He crept beneath the coverture, entranced,

Till wakened by the maiden.—Such his tale.

Ah! suffering to the height of what was suffered,

Stung with too keen a sympathy, the Maid

Brooded with moving lips, mute, startful, dark!          255

And now her flushed tumultuous features shot

Such strange vivacity, as fires the eye

Of Misery fancy-crazed! and now once more

Naked, and void, and fixed, and all within

The unquiet silence of confuséd thought          260

And shapeless feelings. For a mighty hand

Was strong upon her, till in the heat of soul

To the high hill-top tracing back her steps,

Aside the beacon, up whose smouldered stones

The tender ivy-trails crept thinly, there,          265

Unconscious of the driving element,

Yea, swallowed up in the ominous dream, she sate

Ghastly as broad-eyed Slumber! a dim anguish

Breathed from her look! and still with pant and sob,

Inly she toiled to flee, and still subdued,          270

Felt an inevitable Presence near.

Thus as she toiled in troublous ecstasy,

A horror of great darkness wrapt her round,

And a voice uttered forth unearthly tones,

Calming her soul,—'O Thou of the Most High          275

Chosen, whom all the perfected in Heaven

Behold expectant—'

[The following fragments were intended to form part of the poem when finished.]

[140:1]'Maid beloved of Heaven!

(To her the tutelary Power exclaimed)

Of Chaos the adventurous progeny          280

Thou seest; foul missionaries of foul sire.

Fierce to regain the losses of that hour

When Love rose glittering, and his gorgeous wings

Over the abyss fluttered with such glad noise,

As what time after long and pestful calms,          285

With slimy shapes and miscreated life

Poisoning the vast Pacific, the fresh breeze

Wakens the merchant-sail uprising. Night

An heavy unimaginable moan

Sent forth, when she the Protoplast beheld          290

Stand beauteous on Confusion's charméd wave.

Moaning she fled, and entered the Profound

That leads with downward windings to the Cave

Of Darkness palpable, Desert of Death

Sunk deep beneath Gehenna's massy roots.          295

There many a dateless age the Beldame lurked

And trembled; till engendered by fierce Hate,

Fierce Hate and gloomy Hope, a Dream arose,

Shaped like a black cloud marked with streaks of fire.

It roused the Hell-Hag: she the dew-damp wiped          300

From off her brow, and through the uncouth maze

Retraced her steps; but ere she reached the mouth

Of that drear labyrinth, shuddering she paused,

Nor dared re-enter the diminished Gulph.

As through the dark vaults of some mouldered Tower          305

(Which, fearful to approach, the evening hind

Circles at distance in his homeward way)

The winds breathe hollow, deemed the plaining groan

Of prisoned spirits; with such fearful voice

Night murmured, and the sound through Chaos went.          310

Leaped at her call her hideous-fronted brood!

A dark behest they heard, and rushed on earth;

Since that sad hour, in Camps and Courts adored,

Rebels from God, and Tyrants o'er Mankind!'

From his obscure haunt          315

Shrieked Fear, of Cruelty the ghastly Dam,

Feverous yet freezing, eager-paced yet slow,

As she that creeps from forth her swampy reeds.

Ague, the biform Hag! when early Spring

Beams on the marsh-bred vapours.          320

'Even so (the exulting Maiden said)

The sainted Heralds of Good Tidings fell,

And thus they witnessed God! But now the clouds

Treading, and storms beneath their feet, they soar

Higher, and higher soar, and soaring sing          325

Loud songs of triumph! O ye Spirits of God,

Hover around my mortal agonies!'

She spake, and instantly faint melody

Melts on her ear, soothing and sad, and slow,

Such measures, as at calmest midnight heard          330

By agéd Hermit in his holy dream,

Foretell and solace death; and now they rise

Louder, as when with harp and mingled voice

The white-robed multitude of slaughtered saints

At Heaven's wide-open'd portals gratulant          335

Receive some martyred patriot. The harmony[142:1]

Entranced the Maid, till each suspended sense

Brief slumber seized, and confused ecstasy.

At length awakening slow, she gazed around:

And through a mist, the relict of that trance          340

Still thinning as she gazed, an Isle appeared,

Its high, o'er-hanging, white, broad-breasted cliffs,

Glassed on the subject ocean. A vast plain

Stretched opposite, where ever and anon

The plough-man following sad his meagre team          345

Turned up fresh sculls unstartled, and the bones

Of fierce hate-breathing combatants, who there

All mingled lay beneath the common earth,

Death's gloomy reconcilement! O'er the fields

Stept a fair Form, repairing all she might,          350

Her temples olive-wreathed; and where she trod,

Fresh flowerets rose, and many a foodful herb.

But wan her cheek, her footsteps insecure,

And anxious pleasure beamed in her faint eye,

As she had newly left a couch of pain,          355

Pale Convalescent! (Yet some time to rule

With power exclusive o'er the willing world,

That blessed prophetic mandate then fulfilled—

Peace be on Earth!) An happy while, but brief,

She seemed to wander with assiduous feet,          360

And healed the recent harm of chill and blight,

And nursed each plant that fair and virtuous grew.

But soon a deep precursive sound moaned hollow:

Black rose the clouds, and now, (as in a dream)

Their reddening shapes, transformed to Warrior-hosts,          365

Coursed o'er the sky, and battled in mid-air.

Nor did not the large blood-drops fall from Heaven

Portentous! while aloft were seen to float,

Like hideous features looming on the mist,

Wan stains of ominous light! Resigned, yet sad,          370

The fair Form bowed her olive-crownéd brow,

Then o'er the plain with oft-reverted eye

Fled till a place of Tombs she reached, and there

Within a ruined Sepulchre obscure

Found hiding-place.

The delegated Maid          375

Gazed through her tears, then in sad tones exclaimed;—

Thou mild-eyed Form! wherefore, ah! wherefore fled?

The Power of Justice like a name all light,

Shone from thy brow; but all they, who unblamed

Dwelt in thy dwellings, call thee Happiness.          380

Ah! why, uninjured and unprofited,

Should multitudes against their brethren rush?

Why sow they guilt, still reaping misery?

Lenient of care, thy songs, O Peace! are sweet,[144:1]

As after showers the perfumed gale of eve,          385

That flings the cool drops on a feverous cheek;

And gay thy grassy altar piled with fruits.

But boasts the shrine of Dæmon War one charm,[144:2]

Save that with many an orgie strange and foul,[144:3]

Dancing around with interwoven arms,          390

The Maniac Suicide and Giant Murder

Exult in their fierce union! I am sad,

And know not why the simple peasants crowd

Beneath the Chieftains' standard!' Thus the Maid.

To her the tutelary Spirit said:          395

'When Luxury and Lust's exhausted stores

No more can rouse the appetites of kings;

When the low flattery of their reptile lords

Falls flat and heavy on the accustomed ear;

When eunuchs sing, and fools buffoonery make,          400

And dancers writhe their harlot-limbs in vain;

Then War and all its dread vicissitudes

Pleasingly agitate their stagnant hearts;

Its hopes, its fears, its victories, its defeats,

Insipid Royalty's keen condiment!          405

Therefore, uninjured and unprofited

(Victims at once and executioners),

The congregated Husbandmen lay waste

The vineyard and the harvest. As along

The Bothnic coast, or southward of the Line,          410

Though hushed the winds and cloudless the high noon,

Yet if Leviathan, weary of ease,

In sports unwieldy toss his island-bulk,

Ocean behind him billows, and before

A storm of waves breaks foamy on the strand.          415

And hence, for times and seasons bloody and dark,

Short Peace shall skin the wounds of causeless War,

And War, his strainéd sinews knit anew,

Still violate the unfinished works of Peace.

But yonder look! for more demands thy view!'          420

He said: and straightway from the opposite Isle

A vapour sailed, as when a cloud, exhaled

From Egypt's fields that steam hot pestilence,

Travels the sky for many a trackless league,

Till o'er some death-doomed land, distant in vain,          425

It broods incumbent. Forthwith from the plain,

Facing the Isle, a brighter cloud arose,

And steered its course which way the vapour went.

The Maiden paused, musing what this might mean.

But long time passed not, ere that brighter cloud          430

Returned more bright; along the plain it swept;

And soon from forth its bursting sides emerged

A dazzling form, broad-bosomed, bold of eye,

And wild her hair, save where with laurels bound.

Not more majestic stood the healing God,[146:1]          435

When from his bow the arrow sped that slew

Huge Python. Shriek'd Ambition's giant throng,

And with them hissed the locust-fiends that crawled

And glittered in Corruption's slimy track.

Great was their wrath, for short they knew their reign;          440

And such commotion made they, and uproar,

As when the mad Tornado bellows through

The guilty islands of the western main,

What time departing from their native shores,[146:2]

Eboe, or Koromantyn's plain of palms,          445

The infuriate spirits of the murdered make

Fierce merriment, and vengeance ask of Heaven.

Warmed with new influence, the unwholesome plain

Sent up its foulest fogs to meet the morn:

The Sun that rose on Freedom, rose in Blood!          450

'Maiden beloved, and Delegate of Heaven!

(To her the tutelary Spirit said)

Soon shall the Morning struggle into Day,

The stormy Morning into cloudless Noon.

Much hast thou seen, nor all canst understand—          455

But this be thy best omen—Save thy Country!'

Thus saying, from the answering Maid he passed,

And with him disappeared the heavenly Vision.

'Glory to Thee, Father of Earth and Heaven!

All-conscious Presence of the Universe!          460

Nature's vast ever-acting Energy![147:1]

In will, in deed, Impulse of All to All!

Whether thy Love with unrefracted ray

Beam on the Prophet's purgéd eye, or if

Diseasing realms the Enthusiast, wild of thought,          465

Scatter new frenzies on the infected throng,

Thou both inspiring and predooming both,

Fit instruments and best, of perfect end:

Glory to Thee, Father of Earth and Heaven!'

And first a landscape rose          470

More wild and waste and desolate than where

The white bear, drifting on a field of ice,

Howls to her sundered cubs with piteous rage

And savage agony.

1796.

FOOTNOTES:

[131:1] First published, in its entirety, in Sibylline Leaves, 1817: included in 1828, 1829, and 1834. Two hundred and fifty-five lines were included in Book II of Joan of Arc, An Epic Poem, by Robert Southey, Bristol and London, 1796, 4o. The greater part of the remaining 212 lines were written in 1796, and formed part of an unpublished poem entitled The Progress of Liberty or The Vision of the Maid of Orleans, or Visions of the Maid of Orleans, or Visions of the Maid of Arc, or The Vision of the Patriot Maiden. (See letter to Poole, Dec. 13, and letter to J. Thelwall, Dec. 17, 1796, Letters of S. T. C., 1895, i. 192, 206. See, too, Cottle's Early Recollections, 1837, i. 230; and, for Lamb's criticism of a first draft of the poem, his letters to Coleridge, dated Jan. 5 and Feb. 12, 1797.) For a reprint of Joan of Arc, Book the Second (Preternatural Agency), see Cottle's Early Recollections, 1837, ii. 241-62.

The texts of 1828, 1829 (almost but not quite identical) vary slightly from that of the Sibylline Leaves, 1817, and, again, the text of 1834 varies from that of 1828 and 1829. These variants (on a proof-sheet of the edition of 1828) are in Coleridge's own handwriting, and afford convincing evidence that he did take some part in the preparation of the text of his poems for the last edition issued in his own lifetime.

[133:1] Balda-Zhiok, i. e. mons altitudinis, the highest mountain in Lapland.

[133:2] Solfar-kapper: capitium Solfar, hic locus omnium, quotquot veterum Lapponum superstitio sacrificiisque religiosoque cultui dedicavit, celebratissimus erat, in parte sinus australis situs, semimilliaris spatio a mari distans. Ipse locus, quem curiositatis gratia aliquando me invisisse memini, duabus praealtis lapidibus, sibi invicem oppositis, quorum alter musco circumdatus erat, constabat.

[134:1] The Lapland women carry their infants at their backs in a piece of excavated wood which serves them for a cradle: opposite to the infant's mouth there is a hole for it to breathe through.

Mirandum prorsus est et vix credibile nisi cui vidisse contigit. Lappones hyeme iter facientes per vastos montes, perque horrida et invia tesqua, eo praesertim tempore quo omnia perpetuis nivibus obtecta sunt et nives ventis agitantur et in gyros aguntur, viam ad destinata loca absque errore invenire posse, lactantem autem infantem, si quem habeat, ipsa mater in dorso baiulat, in excavato ligno (Gieed'k ipsi vocant) quod pro cunis utuntur, in hoc infans pannis et pellibus convolutus colligatus iacet.—LEEMIUS DE LAPPONIBUS.

[134:2] Jaibme Aibmo.

[135:1] They call the Good Spirit, Torngarsuck. The other great but malignant spirit a nameless female; she dwells under the sea in a great house where she can detain in captivity all the animals of the ocean by her magic power. When a dearth befalls the Greenlanders, an Angekok or magician must undertake a journey thither: he passes through the kingdom of souls, over an horrible abyss into the palace of this phantom, and by his enchantments causes the captive creatures to ascend directly to the surface of the ocean. See Crantz, History of Greenland, vol. i. 206.

[140:1] These are very fine Lines, tho' I say it, that should not: but, hang me, if I know or ever did know the meaning of them, tho' my own composition. MS. Note by S. T. C.

[142:1] Rev. vi. 9, 11: And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God and for the Testimony which they held. And white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little Season, until their fellow-servants also, and their brethren that should be killed, as they were, should be fulfilled.

[144:1] A grievous defect here in the rhyme recalling assonance of Pe͞ace, swe͞et ēve, che͞ek. Better thus:—

Sweet are thy Songs, O Peace! lenient of care.

S. T. C., 1828.

[144:2] 388-93 Southeyan. To be omitted. S. T. C., 1828.

[144:3] A vile line [foul is underlined]. S. T. C., 1828.

[146:1] The Apollo Belvedere.

[146:2] The Slaves in the West-India Islands consider Death as a passport to their native country. The Sentiment is thus expressed in the Introduction to a Greek Prize Ode on the Slave-Trade, of which the Ideas are better than the Language or Metre, in which they are conveyed:—

Ὠ σκότου πύλας, Θάνατε, προλείπων

Ἐς γένος σπεύδοις ὑποζευχθὲν Ἄτᾳ[146:A];

Οὐ ξενισθήσῃ γενύων σπαραγμοῖς

Οὐδ' ὀλολυγμῷ,

Ἀλλὰ καὶ κύκλοισι χοροιτύποισι

Κἀσμάτων χαρᾷ; φοβερὸς μὲν ἐσσί,

Ἀλλ' ὁμῶς Ἐλευθερίᾳ συνοικεῖς,

Στυγνὲ Τύραννε!

Δασκίοις ἐπὶ πτερύγεσσι σῇσι

Ἆ! θαλάσσιον καθορῶντες οἶδμα

Αἰθεροπλάγκτοις ὑπὸ πόσσ' ἀνεῖσι

Πατρίδ' ἐπ' αἶαν,

Ἔνθα μὰν Ἐρασταὶ Ἐρωμένῃσιν

Ἀμφὶ πηγῇσιν κιτρίνων ὑπ' ἀλσῶν,

Ὅσσ' ὑπὸ βροτοῖς ἔπαθον βροτοί, τὰ

Δεινὰ λέγοντι.

LITERAL TRANSLATION.

Leaving the gates of Darkness, O Death! hasten thou to a Race yoked to Misery! Thou wilt not be received with lacerations of Cheeks, nor with funereal ululation, but with circling Dances and the joy of Songs. Thou art terrible indeed, yet thou dwellest with LIBERTY, stern GENIUS! Borne on thy dark pinions over the swelling of Ocean they return to their native country. There by the side of fountains beneath Citron groves, the Lovers tell to their Beloved, what horrors, being Men, they had endured from Men.

[146:A] ο before ζ ought to have been made long; δοῑς ὑπōζ is an Amphimacer not (as the metre here requires) a Dactyl. S. T. C.

[147:1] Tho' these Lines may bear a sane sense, yet they are easily, and more naturally interpreted with a very false and dangerous one. But I was at that time one of the Mongrels, the Josephidites [Josephides = the Son of Joseph], a proper name of distinction from those who believe in, as well as believe Christ the only begotten Son of the Living God before all Time. MS. Note by S. T. C.

LINENOTES:

[1]

No more of Usurpation's doom'd defeat

4o.

[5-6]

Beneath whose shadowy banners wide unfurl'd

Justice leads forth her tyrant-quelling hosts.

4o, Sibylline Leaves.

[5]

THE WILL, THE WORD, THE BREATH, THE LIVING GOD 1828, 1829.

[6]

Added in 1834.

[9-12]

The Harp which hanging high between the shields

Of Brutus and Leonidas oft gives

A fitful music to the breezy touch

Of patriot spirits that demand their fame.

4o.

[12]

Man's] Earth's Sibylline Leaves, 1828, 1829.

[15]

But chiefly this with holiest habitude

Of constant Faith, him First, him Last to view

4o.

[23-6]

Things from their shadows. Know thyself my Soul!

Confirm'd thy strength, thy pinions fledged for flight

Bursting this shell and leaving next thy nest

Soon upward soaring shalt thou fix intense

Thine eaglet eye on Heaven's Eternal Sun!

4o.

The substance from its shadow—Earth's broad shade

Revealing by Eclipse, the Eternal Sun.

Sibylline Leaves.

[The text of lines 23-6 is given in the Errata p. [lxii].]

[37]

om. 4o.

[40]

seems] is 4o.

[44]

Form one all-conscious Spirit, who directs 4o.

[46]

om. 4o.

[47]

involvéd] component 4o.

[54]

lightnings] lightning 4o.

[70]

Niemi] Niemi's 4o.

[90]

deem] deemed 1829.

[96-7]

Speeds from the mother of Death his destin'd way

To snatch the murderer from his secret cell.

4o.

Between lines 99-100:

(Where live the innocent as far from cares

As from the storms and overwhelming waves

Dark tumbling on the surface of the deep).

4o, Sibylline Leaves, 1828, 1829.

These lines form part of an addition (lines 111-21) which dates from 1834.

[103]

Where] There 4o, Sibylline Leaves, 1828, 1829.

[105]

om. 4o.

[107]

'scaping] escaping 4o, Sibylline Leaves, 1828, 1829.

[108]

fateful word] fatal sound 4o.

[112-21]

thence thro' . . . Untenanted are not included in 4o, Sibylline Leaves, 1828, or 1829. For lines 113-15 vide ante, variant of line 99 of the text.

[112]

Ocean] Ocean's 1828, 1829.

130 foll.

To rear some realm with patient discipline,

Aye bidding PAIN, dark ERROR'S uncouth child,

Blameless Parenticide! his snakey scourge          125

Lift fierce against his Mother! Thus they make

Of transient Evil ever-during Good

Themselves probationary, and denied

Confess'd to view by preternatural deed

To o'erwhelm the will, save on some fated day          130

Headstrong, or with petition'd might from God.

And such perhaps the guardian Power whose ken

Still dwelt on France. He from the invisible World

Burst on the MAIDEN'S eye, impregning Air

With Voices and strange Shapes, illusions apt          135

Shadowy of Truth. [And first a landscape rose

More wild and waste and desolate, than where

The white bear drifting on a field of ice

Howls to her sunder'd cubs with piteous rage

And savage agony.] Mid the drear scene          140

A craggy mass uprear'd its misty brow,

Untouch'd by breath of Spring, unwont to know

Red Summer's influence, or the chearful face

Of Autumn; yet its fragments many and huge

Astounded ocean with the dreadful dance          145

Of whirlpools numberless, absorbing oft

The blameless fisher at his perilous toil.

4o.

Note—Lines 148-223 of the Second Book of Joan of Arc are by Southey. Coleridge's unpublished poem of 1796 (The Visions of the Maid of Orleans) begins at line 127 of the text, ending at line 277. The remaining portion of the Destiny of Nations is taken from lines contributed to the Second Book. Lines 136-40 of variant 130 foll. form the concluding fragment of the Destiny of Nations. Lines 141-3 of the variant are by Southey. (See his Preface to Joan of Arc, 1796, p. vi.) The remaining lines of the variant were never reprinted.

[132]

human] mortal Sibylline Leaves (correction made in Errata, p. [xii]).

[171]

an] a 1834.

[201]

now] new Sibylline Leaves, 1828.

[289]

An] A 1834.

[300]

dew-damp] dew-damps 4o.

[314]

Tyrants] Monarchs 4o, Sibylline Leaves, 1828, 1829.

Between lines 314 and 315 of the text, the text of the original version (after line 259 of Joan of Arc, Book II) continues:—

'These are the fiends that o'er thy native land          260

Spread Guilt and Horror. Maid belov'd of Heaven!

Dar'st thou inspir'd by the holy flame of Love

Encounter such fell shapes, nor fear to meet

Their wrath, their wiles? O Maiden dar'st thou die?'

'Father of Heaven: I will not fear.' she said,          265

'My arm is weak, but mighty is thy sword.'

She spake and as she spake the trump was heard

That echoed ominous o'er the streets of Rome,

When the first Caesar totter'd o'er the grave

By Freedom delv'd: the Trump, whose chilling blast          270

On Marathon and on Plataea's plain

Scatter'd the Persian.—From his obscure haunt, &c.

[Lines 267-72, She spake . . . the Persian, are claimed by Southey.]

[316]

Shriek'd Fear the ghastliest of Ambition's throng 4o.

[317]

Feverous] Fev'rish 4o, Sibylline Leaves, 1817, 1828, 1829.

Between lines 320 and 321 of the text, the text of Joan of Arc, Book II, continues:—

'Lo she goes!

To Orleans lo! she goes—the mission'd Maid!

The Victor Hosts wither beneath her arm!

And what are Crecy, Poictiers, Azincour          280

But noisy echoes in the ear of Pride?'

Ambition heard and startled on his throne;

But strait a smile of savage joy illum'd

His grisly features, like the sheety Burst

Of Lightning o'er the awaken'd midnight clouds          285

Wide flash'd. [For lo! a flaming pile reflects

Its red light fierce and gloomy on the face

Of SUPERSTITION and her goblin Son

Loud-laughing CRUELTY, who to the stake

A female fix'd, of bold and beauteous mien,          290

Her snow-white Limbs by iron fetters bruis'd

Her breast expos'd.] JOAN saw, she saw and knew

Her perfect image. Nature thro' her frame

One pang shot shiv'ring; but, that frail pang soon

Dismiss'd, 'Even so, &c.

4o.

[The passage included in brackets was claimed by Southey.]

[330]

calmest] calmy 4o.

[339-40]

But lo! no more was seen the ice-pil'd mount

And meteor-lighted dome.—An Isle appear'd

4o.

[342]

white] rough 4o.

[361]

and] or 4o.

[366-7]

The Sea meantime his Billows darkest roll'd,

And each stain'd wave dash'd on the shore a corse.

4o.

[369-72]

His hideous features blended with the mist,

The long black locks of SLAUGHTER. PEACE beheld

And o'er the plain

4o.

[369]

Like hideous features blended with the clouds Sibylline Leaves, 1817. (Errata: for 'blended', &c., read 'looming on the mist'. S. L., p. [xii].)

[378-9]

The name of JUSTICE written on thy brow

Resplendent shone

4o, S. L. 1817.

(The reading of the text is given as an emendation in the Errata, Sibylline Leaves, 1817, p. [xii].)

[386]

That plays around the sick man's throbbing temples

4o.

[394]

Chieftains'] Chieftain's 4o.

[395]

said] replied 4o, S. L., 1828.

Between lines 421 and 423 of the text, the text of Joan of Arc, Book II, inserts:—

A Vapor rose, pierc'd by the MAIDEN'S eye.

Guiding its course OPPRESSION sate within,[145:A]

With terror pale and rage, yet laugh'd at times

Musing on Vengeance: trembled in his hand

A Sceptre fiercely-grasp'd. O'er Ocean westward

The Vapor sail'd

4o.

[145:A] These images imageless, these Small-Capitals constituting themselves Personifications, I despised even at that time; but was forced to introduce them, to preserve the connection with the machinery of the Poem, previously adopted by Southey. S. T. C.

After 429 of the text, the text of Joan of Arc inserts:—

ENVY sate guiding—ENVY, hag-abhorr'd!

Like JUSTICE mask'd, and doom'd to aid the fight          410

Victorious 'gainst oppression. Hush'd awhile

4o.

[These lines were assigned by Coleridge to Southey.]

[434]

with] by 4o.

[437-8]

Shriek'd AMBITION'S ghastly throng

And with them those the locust Fiends that crawl'd[146:B]

4o.

[146:B] —if Locusts how could they shriek? I must have caught the contagion of unthinkingness. S. T. C. 4o.

[458]

heavenly] goodly 4o.

[463]

Love] Law 4o.

For lines 470-74 vide ante var. of lines 130 foll.

VER PERPETUUM[148:1]

FRAGMENT

From an unpublished poem.

The early Year's fast-flying vapours stray

In shadowing trains across the orb of day:

And we, poor Insects of a few short hours,

Deem it a world of Gloom.

Were it not better hope a nobler doom,          5

Proud to believe that with more active powers

On rapid many-coloured wing

We thro' one bright perpetual Spring

Shall hover round the fruits and flowers,

Screen'd by those clouds and cherish'd by those showers!          10

1796.

FOOTNOTES:

[148:1] First published without title ('From an unpublished poem') in The Watchman, No. iv, March 25, 1796, and reprinted in Literary Remains, 1836, i. 44, with an extract from the Essay in the Watchman in which it was included:—'In my calmer moments I have the firmest faith that all things work together for good. But alas! it seems a long and dark process.' First collected with extract only in Appendix to 1863. First entitled 'Fragment from an Unpublished Poem' in 1893, and 'Ver Perpetuum' in 1907.

ON OBSERVING A BLOSSOM ON THE FIRST

OF FEBRUARY 1796[148:2]

Sweet flower! that peeping from thy russet stem

Unfoldest timidly, (for in strange sort

This dark, frieze-coated, hoarse, teeth-chattering month

Hath borrow'd Zephyr's voice, and gazed upon thee

With blue voluptuous eye) alas, poor Flower!          5

These are but flatteries of the faithless year.

Perchance, escaped its unknown polar cave,

Even now the keen North-East is on its way.

Flower that must perish! shall I liken thee

To some sweet girl of too too rapid growth          10

Nipp'd by consumption mid untimely charms?

Or to Bristowa's bard,[149:1] the wondrous boy!

An amaranth, which earth scarce seem'd to own,

Till disappointment came, and pelting wrong

Beat it to earth? or with indignant grief          15

Shall I compare thee to poor Poland's hope,

Bright flower of hope killed in the opening bud?

Farewell, sweet blossom! better fate be thine

And mock my boding! Dim similitudes

Weaving in moral strains, I've stolen one hour          20

From anxious Self, Life's cruel taskmaster!

And the warm wooings of this sunny day

Tremble along my frame and harmonize

The attempered organ, that even saddest thoughts

Mix with some sweet sensations, like harsh tunes          25

Played deftly on a soft-toned instrument.

1796.

FOOTNOTES:

[148:2] First published in The Watchman, No. vi, April 11, 1796: included in 1797, 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834.

[149:1] Chatterton.

LINENOTES:

Title] Lines on observing, &c., Written near Sheffield, Watchman, 1797, 1803.

[5]

With 'blue voluptuous eye' 1803.

Between 13 and 14 Blooming mid Poverty's drear wintry waste Watchman, 1797, 1803, S. L., 1817, 1828.

[16]

hope] hopes, Watchman.

[21]

From black anxiety that gnaws my heart.

For her who droops far off on a sick bed.

Watchman, 1797, 1803.

[24]

Th' attempered brain, that ev'n the saddest thoughts

Watchman, 1797, 1803.

TO A PRIMROSE[149:2]

THE FIRST SEEN IN THE SEASON

Nitens et roboris expers

Turget et insolida est: et spe delectat.

OVID, Metam. [xv. 203].

Thy smiles I note, sweet early Flower,

That peeping from thy rustic bower

The festive news to earth dost bring,

A fragrant messenger of Spring.

But, tender blossom, why so pale?          5

Dost hear stern Winter in the gale?

And didst thou tempt the ungentle sky

To catch one vernal glance and die?

Such the wan lustre Sickness wears

When Health's first feeble beam appears;          10

So languid are the smiles that seek

To settle on the care-worn cheek,

When timorous Hope the head uprears,

Still drooping and still moist with tears,

If, through dispersing grief, be seen          15

Of Bliss the heavenly spark serene.

And sweeter far the early blow,

Fast following after storms of Woe,

Than (Comfort's riper season come)

Are full-blown joys and Pleasure's gaudy bloom.          20

1796.

FOOTNOTES:

[149:2] First published in The Watchman, No. viii, April 27, 1796: reprinted in Literary Remains, 1836, i. 47. First collected in Appendix to 1863.

LINENOTES:

Motto: et] at L. R., App. 1863.

[17-20]

om. L. R., App. 1863

VERSES[150:1]

ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON

JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE

WESTMINSTER ELECTION

Britons! when last ye met, with distant streak

So faintly promis'd the pale Dawn to break:

So dim it stain'd the precincts of the Sky

E'en Expectation gaz'd with doubtful Eye.

But now such fair Varieties of Light          5

O'ertake the heavy sailing Clouds of Night;

Th' Horizon kindles with so rich a red,

That tho' the Sun still hides his glorious head

Th' impatient Matin-bird, assur'd of Day,

Leaves his low nest to meet its earliest ray;          10

Loud the sweet song of Gratulation sings,

And high in air claps his rejoicing wings!

Patriot and Sage! whose breeze-like Spirit first

The lazy mists of Pedantry dispers'd

(Mists in which Superstition's pigmy band          15

Seem'd Giant Forms, the Genii of the Land!),

Thy struggles soon shall wak'ning Britain bless,

And Truth and Freedom hail thy wish'd success.

Yes Tooke! tho' foul Corruption's wolfish throng

Outmalice Calumny's imposthum'd Tongue,          20

Thy Country's noblest and determin'd Choice,

Soon shalt thou thrill the Senate with thy voice;

With gradual Dawn bid Error's phantoms flit,

Or wither with the lightning's flash of Wit;

Or with sublimer mien and tones more deep,          25

Charm sworded Justice from mysterious Sleep,

'By violated Freedom's loud Lament,

Her Lamps extinguish'd and her Temple rent;

By the forc'd tears her captive Martyrs shed;

By each pale Orphan's feeble cry for bread;          30

By ravag'd Belgium's corse-impeded Flood,

And Vendee steaming still with brothers' blood!'

And if amid the strong impassion'd Tale,

Thy Tongue should falter and thy Lips turn pale;

If transient Darkness film thy aweful Eye,          35

And thy tir'd Bosom struggle with a sigh:

Science and Freedom shall demand to hear

Who practis'd on a Life so doubly dear;

Infus'd the unwholesome anguish drop by drop,

Pois'ning the sacred stream they could not stop!          40

Shall bid thee with recover'd strength relate

How dark and deadly is a Coward's Hate:

What seeds of death by wan Confinement sown,

When Prison-echoes mock'd Disease's groan!

Shall bid th' indignant Father flash dismay,          45

And drag the unnatural Villain into Day

Who[151:1] to the sports of his flesh'd Ruffians left

Two lovely Mourners of their Sire bereft!

'Twas wrong, like this, which Rome's first Consul bore,

So by th' insulted Female's name he swore          50

Ruin (and rais'd her reeking dagger high)

Not to the Tyrants but the Tyranny!

1796.

FOOTNOTES:

[150:1] First printed in the Transactions of the Philobiblon Society. First published in P. W., 1893. The verses (without the title) were sent by Coleridge in a letter to the Rev. J. P. Estlin, dated July 4, [1796].

[151:1] 'Dundas left thief-takers in Horne Tooke's House for three days, with his two Daughters alone: for Horne Tooke keeps no servant.' S. T. C. to Estlin.

LINENOTES:

[31, 32]

These lines are borrowed from the first edition (4o) of the Ode to the Departing Year.

ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]

[PRINCE AND PRINCESS OF WALES]

I sigh, fair injur'd stranger! for thy fate;

But what shall sighs avail thee? thy poor heart,

'Mid all the 'pomp and circumstance' of state,

Shivers in nakedness. Unbidden, start

Sad recollections of Hope's garish dream,          5

That shaped a seraph form, and named it Love,

Its hues gay-varying, as the orient beam

Varies the neck of Cytherea's dove.

To one soft accent of domestic joy

Poor are the shouts that shake the high-arch'd dome;          10

Those plaudits that thy public path annoy,

Alas! they tell thee—Thou'rt a wretch at home!

O then retire, and weep! Their very woes

Solace the guiltless. Drop the pearly flood

On thy sweet infant, as the full-blown rose,          15

Surcharg'd with dew, bends o'er its neighbouring bud.

And ah! that Truth some holy spell might lend

To lure thy Wanderer from the Syren's power;

Then bid your souls inseparably blend

Like two bright dew-drops meeting in a flower.          20

1796.

FOOTNOTES:

[152:1] First published in the Monthly Magazine, September 1796, vol. ii, pp. 64-7, reprinted in Felix Farley's Bristol Journal, Saturday, Oct. 8, 1796, and in the Poetical Register, 1806-7 [1811, vol. vi, p. 365]. First collected in P. and D. W., 1877, i. 187. The lines were sent in a letter to Estlin, dated July 4, 1796.

LINENOTES:

Title] To an Unfortunate Princess MS. Letter, July 4, 1796.

[17]

might] could MS. Letter, 1796.

[18]

thy] the Felix Farley's, &c.

[20]

meeting] bosomed MS. Letter, 1796.

SONNET[152:2]

ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON

When they did greet me father, sudden awe

Weigh'd down my spirit: I retired and knelt

Seeking the throne of grace, but inly felt

No heavenly visitation upwards draw

My feeble mind, nor cheering ray impart.          5

Ah me! before the Eternal Sire I brought

Th' unquiet silence of confuséd thought

And shapeless feelings: my o'erwhelméd heart

Trembled, and vacant tears stream'd down my face.

And now once more, O Lord! to thee I bend,          10

Lover of souls! and groan for future grace,

That ere my babe youth's perilous maze have trod,

Thy overshadowing Spirit may descend,

And he be born again, a child of God.

Sept. 20, 1796.

FOOTNOTES:

[152:2] First published in the 'Biographical Supplement' to the Biographia Literaria, 1847, ii. 379. First collected in P. and D. W., 1877-80. This and the two succeeding sonnets were enclosed in a letter to Poole, dated November 1, 1796. A note was affixed to the sonnet 'On Receiving', &c.: 'This sonnet puts in no claim to poetry (indeed as a composition I think so little of them that I neglected to repeat them to you) but it is a most faithful picture of my feelings on a very interesting event. When I was with you they were, indeed, excepting the first, in a rude and undrest shape.'

LINENOTES:

Title] Sonnet written on receiving letter informing me of the birth of a son, I being at Birmingham MS. Letter, Nov. 1, 1796.

[8]

shapeless] hopeless B. L.

SONNET[153:1]

COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING

RECEIVED INTELLIGENCE OF THE BIRTH OF A SON,

SEPT. 20, 1796

Oft o'er my brain does that strange fancy roll

Which makes the present (while the flash doth last)

Seem a mere semblance of some unknown past,

Mixed with such feelings, as perplex the soul

Self-questioned in her sleep; and some have said[153:2]          5

We liv'd, ere yet this robe of flesh we wore.[154:1]

O my sweet baby! when I reach my door,

If heavy looks should tell me thou art dead,

(As sometimes, through excess of hope, I fear)

I think that I should struggle to believe          10

Thou wert a spirit, to this nether sphere

Sentenc'd for some more venial crime to grieve;

Did'st scream, then spring to meet Heaven's quick reprieve,

While we wept idly o'er thy little bier!

1796.

FOOTNOTES:

[153:1] First published in 1797: included in 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834.

[153:2] Ἦν που ἡμῶν ἡ ψυχὴ πρὶν ἐν τῷδε τῷ ἀνθρωπίνῳ εἴδει γενέσθαι. Plat. Phaedon. Cap. xviii. 72 e.

[154:1] Almost all the followers of Fénelon believe that men are degraded Intelligences who had all once existed together in a paradisiacal or perhaps heavenly state. The first four lines express a feeling which I have often had—the present has appeared like a vivid dream or exact similitude of some past circumstances. MS. Letter to Poole, Nov. 1, 1796.

LINENOTES:

Title] Sonnet composed on my journey home from Birmingham MS. Letter, 1796: Sonnet ix. To a Friend, &c. 1797: Sonnet xvii. To a Friend, &c. 1803.

[1-11]

Oft of some unknown Past such Fancies roll

Swift o'er my brain as make the Present seem

For a brief moment like a most strange dream

When not unconscious that she dreamt, the soul

Questions herself in sleep! and some have said

We lived ere yet this fleshly robe we wore.

MS. Letter, 1796.

[6]

robe of flesh] fleshy robe 1797, 1803.

[8]

art] wert MS. Letter, 1796, 1797, 1803.

SONNET[154:2]

TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE

FIRST PRESENTED MY INFANT TO ME

Charles! my slow heart was only sad, when first

I scann'd that face of feeble infancy:

For dimly on my thoughtful spirit burst

All I had been, and all my child might be!

But when I saw it on its mother's arm,          5

And hanging at her bosom (she the while

Bent o'er its features with a tearful smile)

Then I was thrill'd and melted, and most warm

Impress'd a father's kiss: and all beguil'd

Of dark remembrance and presageful fear,          10

I seem'd to see an angel-form appear—

'Twas even thine, belovéd woman mild!

So for the mother's sake the child was dear,

And dearer was the mother for the child.

1796.

FOOTNOTES:

[154:2] First published in 1797: included in 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834. The 'Friend' was, probably, Charles Lloyd.

LINENOTES:

Title] To a Friend who wished to know, &c. MS. Letter, Nov. 1, 1796: Sonnet x. To a Friend 1797: Sonnet xix. To a Friend, &c. 1803.

[4]

child] babe MS. Letter, 1796, 1797, 1803.

[5]

saw] watch'd MS. Letter, 1796.

[11]

angel-form] Angel's form MS. Letter, 1796, 1797, 1803.

[13]

Comforts on his late eve, whose youthful friend. MS. correction by S. T. C. in copy of Nugae Canorae in the British Museum.

SONNET[155:1]

[TO CHARLES LLOYD]

The piteous sobs that choke the Virgin's breath

For him, the fair betrothéd Youth, who lies

Cold in the narrow dwelling, or the cries

With which a Mother wails her darling's death,

These from our nature's common impulse spring,          5

Unblam'd, unprais'd; but o'er the piléd earth

Which hides the sheeted corse of grey-hair'd Worth,

If droops the soaring Youth with slacken'd wing;

If he recall in saddest minstrelsy

Each tenderness bestow'd, each truth imprest,          10

Such grief is Reason, Virtue, Piety!

And from the Almighty Father shall descend

Comforts on his late evening, whose young breast

Mourns with no transient love the Agéd Friend.

1796.

FOOTNOTES:

[155:1] First published in Poems on the Death of Priscilla Farmer. By her Grandson, 1796, folio. It prefaced the same set of Lloyd's Sonnets included in the second edition of Poems by S. T. Coleridge, 1797. It was included in C. Lloyd's Nugae Canorae, 1819. First collected in P. and D. W., 1877-80.

TO A YOUNG FRIEND[155:2]

ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR

Composed in 1796

A mount, not wearisome and bare and steep,

But a green mountain variously up-piled,

Where o'er the jutting rocks soft mosses creep,

Or colour'd lichens with slow oozing weep;

Where cypress and the darker yew start wild;          5

And, 'mid the summer torrent's gentle dash

Dance brighten'd the red clusters of the ash;

Beneath whose boughs, by those still sounds beguil'd,

Calm Pensiveness might muse herself to sleep;

Till haply startled by some fleecy dam,          10

That rustling on the bushy cliff above

With melancholy bleat of anxious love,

Made meek enquiry for her wandering lamb:

Such a green mountain 'twere most sweet to climb,

E'en while the bosom ach'd with loneliness—          15

How more than sweet, if some dear friend should bless

The adventurous toil, and up the path sublime

Now lead, now follow: the glad landscape round,

Wide and more wide, increasing without bound!

O then 'twere loveliest sympathy, to mark          20

The berries of the half-uprooted ash

Dripping and bright; and list the torrent's dash,—

Beneath the cypress, or the yew more dark,

Seated at ease, on some smooth mossy rock;

In social silence now, and now to unlock          25

The treasur'd heart; arm linked in friendly arm,

Save if the one, his muse's witching charm

Muttering brow-bent, at unwatch'd distance lag;

Till high o'er head his beckoning friend appears,

And from the forehead of the topmost crag          30

Shouts eagerly: for haply there uprears

That shadowing Pine its old romantic limbs,

Which latest shall detain the enamour'd sight

Seen from below, when eve the valley dims,

Tinged yellow with the rich departing light;          35

And haply, bason'd in some unsunn'd cleft,

A beauteous spring, the rock's collected tears,

Sleeps shelter'd there, scarce wrinkled by the gale!

Together thus, the world's vain turmoil left,

Stretch'd on the crag, and shadow'd by the pine,          40

And bending o'er the clear delicious fount,

Ah! dearest youth! it were a lot divine

To cheat our noons in moralising mood,

While west-winds fann'd our temples toil-bedew'd:

Then downwards slope, oft pausing, from the mount,          45

To some lone mansion, in some woody dale,

Where smiling with blue eye, Domestic Bliss

Gives this the Husband's, that the Brother's kiss!

Thus rudely vers'd in allegoric lore,

The Hill of Knowledge I essayed to trace;          50

That verdurous hill with many a resting-place,

And many a stream, whose warbling waters pour

To glad, and fertilise the subject plains;

That hill with secret springs, and nooks untrod,

And many a fancy-blest and holy sod          55

Where Inspiration, his diviner strains

Low-murmuring, lay; and starting from the rock's

Stiff evergreens, (whose spreading foliage mocks

Want's barren soil, and the bleak frosts of age,

And Bigotry's mad fire-invoking rage!)          60

O meek retiring spirit! we will climb,

Cheering and cheered, this lovely hill sublime;

And from the stirring world up-lifted high

(Whose noises, faintly wafted on the wind,

To quiet musings shall attune the mind,          65

And oft the melancholy theme supply),

There, while the prospect through the gazing eye

Pours all its healthful greenness on the soul,

We'll smile at wealth, and learn to smile at fame,

Our hopes, our knowledge, and our joys the same,          70

As neighbouring fountains image each the whole:

Then when the mind hath drunk its fill of truth

We'll discipline the heart to pure delight,

Rekindling sober joy's domestic flame.

They whom I love shall love thee, honour'd youth!          75

Now may Heaven realise this vision bright!

1796.

FOOTNOTES:

[155:2] First published in 1797: included in 1803, Sibylline Leaves, 1817, 1828, and 1834.

LINENOTES:

Title] To C. Lloyd on his proposing to domesticate, &c. 1797: To a Friend, &c. 1803. 'Composed in 1796' was added in S. L.

[8]

those still] stilly 1797: stillest 1803.

[11]

cliff] clift S. L., 1828, 1829.

[16]

How heavenly sweet 1797, 1803.

[42]

youth] Lloyd 1797: Charles 1803.

[46]

lone] low 1797, 1803.

[60]

And mad oppression's thunder-clasping rage 1797, 1803.

[69]

We'll laugh at wealth, and learn to laugh at fame 1797, 1803.

[71]

In 1803 the poem ended with line 71. In the Sibylline Leaves, 1829, the last five lines were replaced.

[72]

hath drunk] has drank 1797: hath drank S. L., 1828, 1829.

[75]

She whom I love, shall love thee. Honour'd youth 1797, S. L., 1817, 1828, 1829. The change of punctuation dates from 1834.

ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1]

[C. LLOYD]

WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY

Hence that fantastic wantonness of woe,

O Youth to partial Fortune vainly dear!

To plunder'd Want's half-shelter'd hovel go,

Go, and some hunger-bitten infant hear

Moan haply in a dying mother's ear:          5

Or when the cold and dismal fog-damps brood

O'er the rank church-yard with sear elm-leaves strew'd,

Pace round some widow's grave, whose dearer part

Was slaughter'd, where o'er his uncoffin'd limbs

The flocking flesh-birds scream'd! Then, while thy heart          10

Groans, and thine eye a fiercer sorrow dims,

Know (and the truth shall kindle thy young mind)

What Nature makes thee mourn, she bids thee heal!

O abject! if, to sickly dreams resign'd,

All effortless thou leave Life's commonweal          15

A prey to Tyrants, Murderers of Mankind.

1796.

FOOTNOTES:

[157:1] First published in the Cambridge Intelligencer, December 17, 1796: included in the Quarto Edition of the Ode on the Departing Year, 1796, in Sibylline Leaves, 1828, 1829, and 1834. The lines were sent in a letter to John Thelwall, dated December 17, 1796 (Letters of S. T. C., 1895, i. 207, 208).

LINENOTES:

Title] Lines, &c., C. I.: To a Young Man who abandoned himself to a causeless and indolent melancholy MS. Letter, 1796.

[6-7]

These lines were omitted in the MS. Letter and 4o 1796, but were replaced in Sibylline Leaves, 1817.

[8]

Or seek some widow's MS. Letter, Dec. 17, 1796.

[11]

eye] eyes MS. Letter, Dec. 9, 1796, C. I.

[15-16]

earth's common weal

A prey to the thron'd Murderess of Mankind.

MS. Letter, 1796.

All effortless thou leave Earth's commonweal

A prey to the thron'd Murderers of Mankind.

C. I., 1796, 4o.

TO A FRIEND[158:1]

[CHARLES LAMB]

WHO HAD DECLARED HIS INTENTION OF WRITING NO

MORE POETRY

Dear Charles! whilst yet thou wert a babe, I ween

That Genius plung'd thee in that wizard fount

Hight Castalie: and (sureties of thy faith)

That Pity and Simplicity stood by,

And promis'd for thee, that thou shouldst renounce          5

The world's low cares and lying vanities,

Steadfast and rooted in the heavenly Muse,

And wash'd and sanctified to Poesy.

Yes—thou wert plung'd, but with forgetful hand

Held, as by Thetis erst her warrior son:          10

And with those recreant unbaptizéd heels

Thou'rt flying from thy bounden ministeries—

So sore it seems and burthensome a task

To weave unwithering flowers! But take thou heed:

For thou art vulnerable, wild-eyed boy,          15

And I have arrows[159:1] mystically dipped

Such as may stop thy speed. Is thy Burns dead?

And shall he die unwept, and sink to earth

'Without the meed of one melodious tear'?

Thy Burns, and Nature's own beloved bard,          20

Who to the 'Illustrious[159:2] of his native Land

So properly did look for patronage.'

Ghost of Mæcenas! hide thy blushing face!

They snatch'd him from the sickle and the plough—

To gauge ale-firkins.

Oh! for shame return!          25

On a bleak rock, midway the Aonian mount,

There stands a lone and melancholy tree,

Whose agéd branches to the midnight blast

Make solemn music: pluck its darkest bough,

Ere yet the unwholesome night-dew be exhaled,          30

And weeping wreath it round thy Poet's tomb.

Then in the outskirts, where pollutions grow,

Pick the rank henbane and the dusky flowers

Of night-shade, or its red and tempting fruit,

These with stopped nostril and glove-guarded hand          35

Knit in nice intertexture, so to twine,

The illustrious brow of Scotch Nobility!

1796.

FOOTNOTES:

[158:1] First published in a Bristol newspaper in aid of a subscription for the family of Robert Burns (the cutting is bound up with the copy of Selection of Sonnets (S. S.) in the Forster Library in the Victoria and Albert Museum): reprinted in the Annual Anthology, 1800: included in Sibylline Leaves, 1817, 1828, 1829, and 1834.

[159:1]

[Πολλά μοι ὑπ' ἀγκῶνος ὠκέα βέλη

Ἔνδον ἐντὶ φαρέτρας

Φωνᾶντα συνετοῖσιν.]

Pind. Olymp. ii. 149, κ. τ. λ.

[159:2] Verbatim from Burns's Dedication of his Poems to the Nobility and Gentry of the Caledonian Hunt.

LINENOTES:

[1]

whilst] while An. Anth.

[3]

of] for S. S., An. Anth.

[25]

gauge] guard S. L., 1817 (For 'guard' read 'guage'. Errata, p. [xii]).

[33]

stinking hensbane S. S., An. Anth.: hensbane S. L., 1817.

[35]

Those with stopped nostrils MS. correction in printed slip of the newspaper. See P. and D. W., 1877, ii. 379.

After 37 E S T E E S I 1796, An. Anth.

ODE TO THE DEPARTING YEAR[160:1]

Ἰοὺ ἰού, ὢ ὢ κακά.

Ὑπ' αὖ με δεινὸς ὀρθομαντείας πόνος

Στροβεῖ, ταράσσων φροιμίοις δυσφροιμίοις.

*       *       *       *       *

Τὸ μέλλον ἥξει. Καὶ σύ μ' τάχει παρὼν

Ἄγαν ἀληθόμαντιν οἰκτείρας ἐρεῖς.

Aeschyl. Agam. 1173-75; 1199-1200.

ARGUMENT

The Ode[160:2] commences with an address to the Divine Providence that regulates into one vast harmony all the events of time, however calamitous some of them may appear to mortals. The second Strophe calls on men to suspend their private joys and sorrows, and devote them for a while to the cause of human nature in general. The first Epode speaks of the Empress of Russia, who died of an apoplexy on the 17th of November 1796; having just concluded a subsidiary treaty with the Kings combined against France. The first and second Antistrophe describe the Image of the Departing Year, etc., as in a vision. The second Epode prophesies, in anguish of spirit, the downfall of this country.

I

Spirit who sweepest the wild Harp of Time!

It is most hard, with an untroubled ear

Thy dark inwoven harmonies to hear!

Yet, mine eye fix'd on Heaven's unchanging clime

Long had I listen'd, free from mortal fear,          5

With inward stillness, and a bowéd mind;

When lo! its folds far waving on the wind,

I saw the train of the Departing Year!

Starting from my silent sadness

Then with no unholy madness,          10

Ere yet the enter'd cloud foreclos'd my sight,

I rais'd the impetuous song, and solemnis'd his flight.

II[161:1]

Hither, from the recent tomb,

From the prison's direr gloom,

From Distemper's midnight anguish;          15

And thence, where Poverty doth waste and languish;

Or where, his two bright torches blending,

Love illumines Manhood's maze;

Or where o'er cradled infants bending,

Hope has fix'd her wishful gaze;          20

Hither, in perplexéd dance,

Ye Woes! ye young-eyed Joys! advance!

By Time's wild harp, and by the hand

Whose indefatigable sweep

Raises its fateful strings from sleep,          25

I bid you haste, a mix'd tumultuous band!

From every private bower,

And each domestic hearth,

Haste for one solemn hour;

And with a loud and yet a louder voice,          30

O'er Nature struggling in portentous birth,

Weep and rejoice!

Still echoes the dread Name that o'er the earth[161:2]

Let slip the storm, and woke the brood of Hell:

And now advance in saintly Jubilee          35

Justice and Truth! They too have heard thy spell,

They too obey thy name, divinest Liberty!

III[162:1]

I mark'd Ambition in his war-array!

I heard the mailéd Monarch's troublous cry—

'Ah! wherefore does the Northern Conqueress stay![162:2]          40

Groans not her chariot on its onward way?'

Fly, mailéd Monarch, fly!

Stunn'd by Death's twice mortal mace,

No more on Murder's lurid face

The insatiate Hag shall gloat with drunken eye!          45

Manes of the unnumber'd slain!

Ye that gasp'd on Warsaw's plain!

Ye that erst at Ismail's tower,

When human ruin choked the streams,

Fell in Conquest's glutted hour,          50

Mid women's shrieks and infants' screams!

Spirits of the uncoffin'd slain,

Sudden blasts of triumph swelling,

Oft, at night, in misty train,

Rush around her narrow dwelling!          55

The exterminating Fiend is fled—

(Foul her life, and dark her doom)

Mighty armies of the dead

Dance, like death-fires, round her tomb!

Then with prophetic song relate,          60

Each some Tyrant-Murderer's fate!

IV[164:1]

Departing Year! 'twas on no earthly shore

My soul beheld thy Vision![164:2] Where alone,

Voiceless and stern, before the cloudy throne,

Aye Memory sits: thy robe inscrib'd with gore,          65

With many an unimaginable groan

Thou storied'st thy sad hours! Silence ensued,

Deep silence o'er the ethereal multitude,

Whose locks with wreaths, whose wreaths with glories shone.

Then, his eye wild ardours glancing,          70

From the choiréd gods advancing,

The Spirit of the Earth made reverence meet,

And stood up, beautiful, before the cloudy seat.

V

Throughout the blissful throng,

Hush'd were harp and song:          75

Till wheeling round the throne the Lampads seven,

(The mystic Words of Heaven)

Permissive signal make:

The fervent Spirit bow'd, then spread his wings and spake!

'Thou in stormy blackness throning          80

Love and uncreated Light,

By the Earth's unsolaced groaning,

Seize thy terrors, Arm of might!

By Peace with proffer'd insult scared,

Masked Hate and envying Scorn!          85

By years of Havoc yet unborn!

And Hunger's bosom to the frost-winds bared!

But chief by Afric's wrongs,

Strange, horrible, and foul!

By what deep guilt belongs          90

To the deaf Synod, 'full of gifts and lies!'[165:1]

By Wealth's insensate laugh! by Torture's howl!

Avenger, rise!

For ever shall the thankless Island scowl,

Her quiver full, and with unbroken bow?          95

Speak! from thy storm-black Heaven O speak aloud!

And on the darkling foe

Open thine eye of fire from some uncertain cloud!

O dart the flash! O rise and deal the blow!

The Past to thee, to thee the Future cries!          100

Hark! how wide Nature joins her groans below!

Rise, God of Nature! rise.'

VI[166:1]

The voice had ceas'd, the Vision fled;

Yet still I gasp'd and reel'd with dread.

And ever, when the dream of night          105

Renews the phantom to my sight,

Cold sweat-drops gather on my limbs;

My ears throb hot; my eye-balls start;

My brain with horrid tumult swims;

Wild is the tempest of my heart;          110

And my thick and struggling breath

Imitates the toil of death!

No stranger agony confounds

The Soldier on the war-field spread,

When all foredone with toil and wounds,          115

Death-like he dozes among heaps of dead!

(The strife is o'er, the day-light fled,

And the night-wind clamours hoarse!

See! the starting wretch's head

Lies pillow'd on a brother's corse!)          120

VII

Not yet enslaved, not wholly vile,

O Albion! O my mother Isle!

Thy valleys, fair as Eden's bowers,

Glitter green with sunny showers;

Thy grassy uplands' gentle swells          125

Echo to the bleat of flocks;

(Those grassy hills, those glittering dells

Proudly ramparted with rocks)

And Ocean mid his uproar wild

Speaks safety to his Island-child!          130

Hence for many a fearless age

Has social Quiet lov'd thy shore;

Nor ever proud Invader's rage

Or sack'd thy towers, or stain'd thy fields with gore.

VIII

Abandon'd of Heaven![167:1] mad Avarice thy guide,          135

At cowardly distance, yet kindling with pride—

Mid thy herds and thy corn-fields secure thou hast stood,

And join'd the wild yelling of Famine and Blood!

The nations curse thee! They with eager wondering

Shall hear Destruction, like a vulture, scream!          140

Strange-eyed Destruction! who with many a dream

Of central fires through nether seas up-thundering

Soothes her fierce solitude; yet as she lies

By livid fount, or red volcanic stream,

If ever to her lidless dragon-eyes,          145

O Albion! thy predestin'd ruins rise,

The fiend-hag on her perilous couch doth leap,

Muttering distemper'd triumph in her charméd sleep.

IX

Away, my soul, away!

In vain, in vain the Birds of warning sing—          150

And hark! I hear the famish'd brood of prey

Flap their lank pennons on the groaning wind!

Away, my soul, away!

I unpartaking of the evil thing,

With daily prayer and daily toil          155

Soliciting for food my scanty soil,

Have wail'd my country with a loud Lament.

Now I recentre my immortal mind

In the deep Sabbath of meek self-content;

Cleans'd from the vaporous passions that bedim          160

God's Image, sister of the Seraphim.[168:1]

1796.

FOOTNOTES:

[160:1] First published in the Cambridge Intelligencer, December 31, 1796, and at the same time issued in a quarto pamphlet (the Preface is dated December 26): included in 1797, 1803, Sibylline Leaves, 1817, 1828, 1829, 1829, and 1834. The Argument was first published in 1797. In 1803 the several sentences were printed as notes to the Strophes, Antistrophes, &c. For the Dedication vide Appendices.

This Ode was written on the 24th, 25th, and 26th days of December, 1796; and published separately on the last day of the year. Footnote, 1797, 1808: This Ode was composed and was first published on the last day of that year. Footnote, S. L., 1817, 1828, 1829, 1834.

[160:2] The Ode commences with an address to the great BEING, or Divine Providence, who regulates into one vast Harmony all the Events of Time, however Calamitous some of them appear to mortals. 1803.

[161:1] The second Strophe calls on men to suspend their private Joys and Sorrows, and to devote their passions for a while to the cause of human Nature in general. 1803.

[161:2] The Name of Liberty, which at the commencement of the French Revolution was both the occasion and the pretext of unnumbered crimes and horrors. 1803.

[162:1] The first Epode refers to the late Empress of Russia, who died of an apoplexy on the 17th of November, 1796, having just concluded a subsidiary treaty with the kings combined against France. 1803. The Empress died just as she had engaged to furnish more effectual aid to the powers combined against France. C. I.

[162:2] A subsidiary Treaty had been just concluded; and Russia was to have furnished more effectual aid than that of pious manifestoes to the Powers combined against France. I rejoice—not over the deceased Woman (I never dared figure the Russian Sovereign to my imagination under the dear and venerable Character of WOMAN—WOMAN, that complex term for Mother, Sister, Wife!) I rejoice, as at the disenshrining of a Daemon! I rejoice, as at the extinction of the evil Principle impersonated! This very day, six years ago, the massacre of Ismail was perpetrated. THIRTY THOUSAND HUMAN BEINGS, MEN, WOMEN, AND CHILDREN, murdered in cold blood, for no other crime than that their garrison had defended the place with perseverance and bravery. Why should I recal the poisoning of her husband, her iniquities in Poland, or her late unmotived attack on Persia, the desolating ambition of her public life, or the libidinous excesses of her private hours! I have no wish to qualify myself for the office of Historiographer to the King of Hell—! December, 23, 1796. 4o.

[164:1] The first Antistrophe describes the Image of the Departing Year, as in a vision; and concludes with introducing the Planetary Angel of the Earth preparing to address the Supreme Being. 1803.

[164:2] 'My soul beheld thy vision!' i. e. Thy Image in a vision. 4o.

[165:1] Gifts used in Scripture for corruption. C. I.

[166:1] The poem concludes with prophecying in anguish of Spirit the Downfall of this Country. 1803.

[167:1] 'Disclaim'd of Heaven!'—The Poet from having considered the peculiar advantages, which this country has enjoyed, passes in rapid transition to the uses, which we have made of these advantages. We have been preserved by our insular situation, from suffering the actual horrors of War ourselves, and we have shewn our gratitude to Providence for this immunity by our eagerness to spread those horrors over nations less happily situated. In the midst of plenty and safety we have raised or joined the yell for famine and blood. Of the one hundred and seven last years, fifty have been years of War. Such wickedness cannot pass unpunished. We have been proud and confident in our alliances and our fleets—but God has prepared the canker-worm, and will smite the gourds of our pride. 'Art thou better than populous No, that was situate among the rivers, that had the waters round about it, whose rampart was the Sea? Ethiopia and Egypt were her strength and it was infinite: Put and Lubim were her helpers. Yet she was carried away, she went into captivity: and they cast lots for her honourable men, and all her great men were bound in chains. Thou also shalt be drunken: all thy strongholds shall be like fig trees with the first ripe figs; if they be shaken, they shall even fall into the mouth of the eater. Thou hast multiplied thy merchants above the stars of heaven. Thy crowned are as the locusts; and thy captains as the great grasshoppers which camp in the hedges in the cool-day; but when the Sun ariseth they flee away, and their place is not known where they are. There is no healing of thy bruise; thy wound is grievous: all, that hear the report of thee, shall clap hands over thee: for upon whom hath not thy wickedness passed continually?' Nahum, chap. iii. 4o, 1797, 1803.

[168:1] 'Let it not be forgotten during the perusal of this Ode that it was written many years before the abolition of the Slave Trade by the British Legislature, likewise before the invasion of Switzerland by the French Republic, which occasioned the Ode that follows [France: an Ode. First published as The Recantation: an Ode], a kind of Palinodia.' MS. Note by S. T. C.

LINENOTES:

Title] Ode for the last day of the Year 1796, C. I.: Ode on the Departing Year 4o, 1797, 1803, S. L., 1817, 1828, 1829.

Motto] 3-5 All editions (4o to 1834) read ἐφημίοις for δυσφροιμίοις, and Ἄγαν γ' for Ἄγαν; and all before 1834 μην for μ' ἐν.

I] Strophe I C. I., 4o, 1797, 1803.

[1]

Spirit] Being 1803.

[4]

unchanging] unchanged 4o.

[5]

free] freed 4o.

[6]

and a bowéd] and submitted 1803, S. L., 1817, 1828, 1829.

[7]

When lo! far onwards waving on the wind

I saw the skirts of the DEPARTING YEAR.

C. I., 4o, 1797, 1803.

[11]

Ere yet he pierc'd the cloud and mock'd my sight C. I. foreclos'd] forebade 4o, 1797, 1803.

II] Strophe II C. I., 4o, 1797, 1803.

[15-16]

From Poverty's heart-wasting languish

From Distemper's midnight anguish

C. I., 4o, 1797, 1803.

[22]

Ye Sorrows, and ye Joys advance C. I. ye] and 4o, 1797, 1803.

[25]

Forbids its fateful strings to sleep C. I., 4o, 1797, 1803.

[31]

O'er the sore travail of the common Earth C. I., 4o.

[33-7]

Seiz'd in sore travail and portentous birth

(Her eyeballs flashing a pernicious glare)

Sick Nature struggles! Hark! her pangs increase!

Her groans are horrible! but O! most fair

The promis'd Twins she bears—Equality and Peace!

C. I., 4o.

[36]

thy] the 1797, 1803.

III] Epode C. I., 4o, 1797, 1803.

[40]

Ah! whither C. I., 4o.

[41]

on] o'er C. I., 4o, 1797, 1803.

[43]

'twice mortal' mace C. I., 4o, 1797, 1803.

[45]

The insatiate] That tyrant C. I.] drunken] frenzied C. I.

Between 51 and 52

Whose shrieks, whose screams were vain to stir

Loud-laughing, red-eyed Massacre

C. I., 4o, 1797, 1803.

[58]

armies] Army C. I., 4o, 1797, 1803.

[61]

Tyrant-Murderer's] scepter'd Murderer's C. I., 4o, 1797, 1803.

After 61

When shall sceptred SLAUGHTER cease?

A while he crouch'd, O Victor France!

Beneath the lightning of thy lance;

With treacherous dalliance courting PEACE—[163:A]

But soon upstarting from his coward trance

The boastful bloody Son of Pride betray'd

His ancient hatred of the dove-eyed Maid.

A cloud, O Freedom! cross'd thy orb of Light,

And sure he deem'd that orb was set in night:

For still does MADNESS roam on GUILT'S bleak dizzy height!

C. I.

When shall sceptred, &c.

*       *       *       *       *

With treacherous dalliance wooing Peace.

But soon up-springing from his dastard trance

The boastful bloody Son of Pride betray'd

His hatred of the blest and blessing Maid.

One cloud, O Freedom! cross'd thy orb of Light,

And sure he deem'd that orb was quench'd in night:

For still, &c.

4o.

[163:A] To juggle this easily-juggled people into better humour with the supplies (and themselves, perhaps, affrighted by the successes of the French) our Ministry sent an Ambassador to Paris to sue for Peace. The supplies are granted: and in the meantime the Archduke Charles turns the scale of victory on the Rhine, and Buonaparte is checked before Mantua. Straightways our courtly messenger is commanded to uncurl his lips, and propose to the lofty Republic to restore all its conquests, and to suffer England to retain all hers (at least all her important ones), as the only terms of Peace, and the ultimatum of the negotiation!

Θρασύνει γὰρ αἰσχρόμητις

Τάλαινα ΠΑΡΑΚΟΠΑ πρωτοπήμων—AESCHYL., Ag. 222-4.

The friends of Freedom in this country are idle. Some are timid; some are selfish; and many the torpedo torch of hopelessness has numbed into inactivity. We would fain hope that (if the above account be accurate—it is only the French account) this dreadful instance of infatuation in our Ministry will rouse them to one effort more; and that at one and the same time in our different great towns the people will be called on to think solemnly, and declare their thoughts fearlessly by every method which the remnant of the Constitution allows. 4o.

IV] Antistrophe I. C. I., 4o, 1797, 1803.

[62]

no earthly] an awful C. I.

[65]

thy . . . gore] there garmented with gore C. I., 4o, 1797.

[65-7]

Aye Memory sits: thy vest profan'd with gore.

Thou with an unimaginable groan

Gav'st reck'ning of thy Hours!

1803.

[68]

ethereal] choired C. I.

[69]

Whose purple locks with snow-white glories shone C. I., 4o: Whose wreathed locks with snow-white glories shone 1797, 1803.

[70]

wild] strange C. I.

V] Antistrophe II. C. I., 4o, 1797, 1803.

[74-9]

On every Harp on every Tongue

While the mute Enchantment hung:

Like Midnight from a thunder-cloud

Spake the sudden Spirit loud.

C. I., 4o, 1797, 1803.

The sudden Spirit cried aloud.

C. I.

Like Thunder from a Midnight Cloud

Spake the sudden Spirit loud

1803.

[83]

Arm] God C. I.

Between 83 and 84

By Belgium's corse-impeded flood,[165:A]

By Vendee steaming [streaming C. I.] Brother's blood.

C. I., 4o, 1797, 1803.

[165:A] The Rhine. C. I., 1797, 1803.

[85]

And mask'd Hate C. I.

[87]

By Hunger's bosom to the bleak winds bar'd C. I.

[89]

Strange] Most C. I.

[90]

By] And C. I.

[91]

Synod] Senate 1797, 1803.

[94-102]

For ever shall the bloody island scowl?

For ever shall her vast and iron bow

Shoot Famine's evil arrows o'er the world,[165:B]

Hark! how wide Nature joins her groans below;

Rise, God of Mercy, rise! why sleep thy bolts unhurl'd?

C. I.

For ever shall the bloody Island scowl?

For aye, unbroken shall her cruel Bow

Shoot Famine's arrows o'er thy ravaged World?

Hark! how wide Nature joins her groans below—

Rise, God of Nature, rise, why sleep thy Bolts unhurl'd?

4o, 1797, 1803.

Rise God of Nature, rise! ah! why those bolts unhurl'd?

1797, 1803.

[165:B] 'In Europe the smoking villages of Flanders and the putrified fields of La Vendée—from Africa the unnumbered victims of a detestable Slave-Trade. In Asia the desolated plains of Indostan, and the millions whom a rice-contracting Governor caused to perish. In America the recent enormities of the Scalp-merchants. The four quarters of the globe groan beneath the intolerable iniquity of the nation.' See 'Addresses to the People', p. 46. C. I.

[102]

Here the Ode ends C. I.

VI] Epode II. 4o, 1797, 1803.

[103]

Vision] Phantoms 4o, 1797, 1803.

[106]

phantom] vision 4o, 1797, 1803.

[107]

sweat-drops] sweat-damps 4o, 1797, 1803.

[113]

stranger] uglier 4o.

[119]

starting] startful 4o, 1797, 1803.

[121]

O doom'd to fall, enslav'd and vile 4o, 1797, 1803.

[133]

proud Invader's] sworded Foeman's 4o, 1797: sworded Warrior's 1803.

[135-9]

Disclaim'd of Heaven! mad Avarice at thy side

4o, 1797.

At coward distance, yet with kindling pride—

Safe 'mid thy herds and cornfields thou hast stood,

And join'd the yell of Famine and of Blood.

All nations curse thee: and with eager wond'ring

4o, 1797.

[135]

O abandon'd 1803.

[137-8]

Mid thy Corn-fields and Herds thou in plenty hast stood

And join'd the loud yellings of Famine and Blood.

1803.

[139]

They] and 1797, 1803, S. L. 1817.

[142]

fires] flames 4o.

[144]

Stretch'd on the marge of some fire-flashing fount

In the black Chamber of a sulphur'd mount.

4o.

[144]

By livid fount, or roar of blazing stream 1797.

[146]

Visions of thy predestin'd ruins rise 1803.

[151]

famish'd] famin'd 4o.

[156]

Soliciting my scant and blameless soil 4o.

[159-60]

In the long sabbath of high self-content.

Cleans'd from the fleshly passions that bedim

4o.

In the deep sabbath of blest self-content

Cleans'd from the fears and anguish that bedim

1797.

In the blest sabbath of high self-content

Cleans'd from bedimming Fear, and Anguish weak and blind.

1803.

[161]

om. 1803.

THE RAVEN[169:1]

A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS

LITTLE BROTHERS AND SISTERS

Underneath an old oak tree

There was of swine a huge company,

That grunted as they crunched the mast:

For that was ripe, and fell full fast.

Then they trotted away, for the wind grew high:          5

One acorn they left, and no more might you spy.

Next came a Raven, that liked not such folly:

He belonged, they did say, to the witch Melancholy!

Blacker was he than blackest jet,

Flew low in the rain, and his feathers not wet.          10

He picked up the acorn and buried it straight

By the side of a river both deep and great.

Where then did the Raven go?

He went high and low,

Over hill, over dale, did the black Raven go.          15

Many Autumns, many Springs

Travelled[170:1] he with wandering wings:

Many Summers, many Winters—

I can't tell half his adventures.

At length he came back, and with him a She,          20

And the acorn was grown to a tall oak tree.

They built them a nest in the topmost bough,

And young ones they had, and were happy enow.

But soon came a Woodman in leathern guise,

His brow, like a pent-house, hung over his eyes.          25

He'd an axe in his hand, not a word he spoke,

But with many a hem! and a sturdy stroke,

At length he brought down the poor Raven's own oak.

His young ones were killed; for they could not depart,

And their mother did die of a broken heart.          30

The boughs from the trunk the Woodman did sever;

And they floated it down on the course of the river.

They sawed it in planks, and its bark they did strip,

And with this tree and others they made a good ship.

The ship, it was launched; but in sight of the land          35

Such a storm there did rise as no ship could withstand.

It bulged on a rock, and the waves rush'd in fast:

Round and round flew the raven, and cawed to the blast.

He heard the last shriek of the perishing souls—

See! see! o'er the topmast the mad water rolls!          40

Right glad was the Raven, and off he went fleet,

And Death riding home on a cloud he did meet,

And he thank'd him again and again for this treat:

They had taken his all, and REVENGE IT WAS SWEET!

1797.

FOOTNOTES:

[169:1] First published in the Morning Post, March 10, 1798 (with an introductory letter, vide infra): included (with the letter, and except line 15 the same text) in the Annual Anthology, 1800, in Sibylline Leaves, 1817 (pp. vi-viii), 1828, 1829, and 1834.

[To the editor of the Morning Post.]

'Sir,—I am not absolutely certain that the following Poem was written by EDMUND SPENSER, and found by an Angler buried in a fishing-box:—

'Under the foot of Mole, that mountain hoar,

Mid the green alders, by the Mulla's shore.'

But a learned Antiquarian of my acquaintance has given it as his opinion that it resembles SPENSER'S minor Poems as nearly as Vortigern and Rowena the Tragedies of WILLIAM SHAKESPEARE.—The Poem must be read in recitative, in the same manner as the Aegloga Secunda of the Shepherd's Calendar.

CUDDY.'

M. P., An. Anth.

[170:1] Seventeen or eighteen years ago an artist of some celebrity was so pleased with this doggerel that he amused himself with the thought of making a Child's Picture Book of it; but he could not hit on a picture for these four lines. I suggested a Round-about with four seats, and the four seasons, as Children, with Time for the shew-man. Footnote, Sibylline Leaves, 1817.

LINENOTES:

Title] 'A Christmas Tale,' &c., was first prefixed in S. L. 1817. The letter introduced the poem in the Morning Post. In the Annual Anthology the 'Letter' is headed 'The Raven'. Lamb in a letter to Coleridge, dated Feb. 5, 1797, alludes to this poem as 'Your Dream'.

[1-8]

Under the arms of a goodly oak-tree

There was of Swine a large company.

They were making a rude repast,

Grunting as they crunch'd the mast.

Then they trotted away: for the wind blew high—          5

One acorn they left, ne more mote you spy,

Next came a Raven, who lik'd not such folly:

He belong'd, I believe, to the witch MELANCHOLY!

M. P., An. Anth., and (with variants given below) MS. S. T. C.

[1]

Beneath a goodly old oak tree MS. S. T. C.: an old] a huge S. L. 1817, 1828, 1829.

[6]

ne more] and no more MS. S. T. C.

[7]

Next] But soon MS. S. T. C.

[8]

belonged it was said S. L. 1817.

[10]

in the rain; his feathers were wet M. P., An. Anth., MS. S. T. C.

[15]

O'er hill, o'er dale M. P.

[17]

with] on MS. S. T. C.

[20]

came back] return'd M. P., An. Anth., MS. S. T. C.

[21]

to a tall] a large M. P., An. Anth., MS. S. T. C.

[22]

topmost] uppermost MS. S. T. C.

[23]

happy] jolly M. P., An. Anth.

[26]

and he nothing spoke M. P., An. Anth., MS. S. T. C.

[28]

At length] Wel-a-day MS. S. T. C.: At last M. P., An. Anth.

[30]

And his wife she did die M. P., An. Anth., MS. S. T. C.

[31]

The branches from off it M. P., An. Anth.: The branches from off this the MS. S. T. C.

[32]

And floated MS. S. T. C.

[33]

They saw'd it to planks, and its rind M. P., An. Anth.: They saw'd it to planks and its bark MS. S. T. C.

[34]

they built up a ship M. P., An. Anth.

[36]

Such . . . ship] A tempest arose which no ship M. P., An. Anth., MS. S. T. C.

[38]

The auld raven flew round and round M. P., An. Anth.: The old raven flew round and round MS. S. T. C., S. L. 1817, 1828, 1829.

[39]

He heard the sea-shriek of their perishing souls M. P., An. Anth., MS. S. T. C.

[40-4]

They be sunk! O'er the topmast the mad water rolls

The Raven was glad that such fate they did meet.

They had taken his all and REVENGE WAS SWEET.

M. P., An. Anth.

[40]

See she sinks MS. S. T. C.

[41]

Very glad was the Raven, this fate they did meet MS. S. T. C.

[42-3]

om. MS. S. T. C.

[44]

Revenge was sweet. An. Anth., MS. S. T. C., S. L. 1817, 1828, 1829.

After l. 44, two lines were added in Sibylline Leaves, 1817:—

We must not think so; but forget and forgive,

And what Heaven gives life to, we'll still let it live.[171:A]

[171:A] Added thro' cowardly fear of the Goody! What a Hollow, where the Heart of Faith ought to be, does it not betray? this alarm concerning Christian morality, that will not permit even a Raven to be a Raven, nor a Fox a Fox, but demands conventicular justice to be inflicted on their unchristian conduct, or at least an antidote to be annexed. MS. Note by S. T. C.

TO AN UNFORTUNATE WOMAN

AT THE THEATRE[171:1]

Maiden, that with sullen brow

Sitt'st behind those virgins gay,

Like a scorch'd and mildew'd bough,

Leafless 'mid the blooms of May!

Him who lur'd thee and forsook,          5

Oft I watch'd with angry gaze,

Fearful saw his pleading look,

Anxious heard his fervid phrase.

Soft the glances of the Youth,

Soft his speech, and soft his sigh;          10

But no sound like simple Truth,

But no true love in his eye.

Loathing thy polluted lot,

Hie thee, Maiden, hie thee hence!

Seek thy weeping Mother's cot,          15

With a wiser innocence.

Thou hast known deceit and folly,

Thou hast felt that Vice is woe:

With a musing melancholy

Inly arm'd, go, Maiden! go.          20

Mother sage of Self-dominion,

Firm thy steps, O Melancholy!

The strongest plume in Wisdom's pinion

Is the memory of past folly.

Mute the sky-lark and forlorn,          25

While she moults the firstling plumes,

That had skimm'd the tender corn,

Or the beanfield's odorous blooms.

Soon with renovated wing

Shall she dare a loftier flight,          30

Upward to the Day-Star spring,

And embathe in heavenly light.

1797.

FOOTNOTES:

[171:1] First published in the Morning Post, December 7, 1797: included in the Annual Anthology, 1800, in Sibylline Leaves, 1828, 1829, and 1834. For MS. sent to Cottle, see E. R. 1834, i. 213, 214.

LINENOTES:

Title] To an Unfortunate Woman in the Back Seats of the Boxes at the Theatre M. P.: To an Unfortunate Young Woman whom I had known in the days of her Innocence MS. sent to Cottle, E. R. i. 213: To an Unfortunate Woman whom the Author knew in the days of her Innocence. Composed at the Theatre An. Anth. 1800.

[1]

Maiden] Sufferer An. Anth.

In place of 5-12

Inly gnawing, thy distresses

Mock those starts of wanton glee;

And thy inmost soul confesses

Chaste Affection's [affliction's An. Anth.] majesty.

MS. Cottle, An. Anth.

[14]

Maiden] Sufferer An. Anth.

[22]

Firm are thy steps M. P.

[25]

sky-lark] Lavrac MS. Cottle, An. Anth.

[26]

the] those MS. Cottle, M. P., An. Anth.

[27]

Which late had M. P.

[31]

Upwards to the day star sing MS. Cottle, An. Anth.

Stanzas ii, iii, v, vi are not in MS. Cottle nor in the Annual Anthology.

TO AN UNFORTUNATE WOMAN[172:1]

WHOM THE AUTHOR HAD KNOWN IN THE DAYS

OF HER INNOCENCE

Myrtle-leaf that, ill besped,

Pinest in the gladsome ray,

Soil'd beneath the common tread

Far from thy protecting spray!

When the Partridge o'er the sheaf          5

Whirr'd along the yellow vale,

Sad I saw thee, heedless leaf!

Love the dalliance of the gale.

Lightly didst thou, foolish thing!

Heave and flutter to his sighs,          10

While the flatterer, on his wing,

Woo'd and whisper'd thee to rise.

Gaily from thy mother-stalk

Wert thou danc'd and wafted high—

Soon on this unshelter'd walk          15

Flung to fade, to rot and die.

1797.

FOOTNOTES:

[172:1] First published in 1797: included in 1803, Sibylline Leaves, 1828, 1829, and 1834.

LINENOTES:

Title] Allegorical Lines on the Same Subject MS. Cottle.

[5]

When the scythes-man o'er his sheaf

Caroll'd in the yellow vale

MS. Cottle.

When the rustic o'er his sheaf

Caroll'd in, &c.

1797.

[Note. The text of Stanza ii dates from 1803.]

[9]

foolish] poor fond MS. Cottle.

[15]

Soon upon this sheltered walk, MS. Cottle, Second Version.

[16]

to fade, and rot. MS. Cottle.

TO THE REV. GEORGE COLERIDGE[173:1]

OF OTTERY ST. MARY, DEVON

With some Poems

Notus in fratres animi paterni.

HOR. Carm. lib. II. 2.

A blesséd lot hath he, who having passed

His youth and early manhood in the stir

And turmoil of the world, retreats at length,

With cares that move, not agitate the heart,

To the same dwelling where his father dwelt;          5

And haply views his tottering little ones

Embrace those agéd knees and climb that lap,

On which first kneeling his own infancy

Lisp'd its brief prayer. Such, O my earliest Friend!

Thy lot, and such thy brothers too enjoy.          10

At distance did ye climb Life's upland road,

Yet cheer'd and cheering: now fraternal love

Hath drawn you to one centre. Be your days

Holy, and blest and blessing may ye live!

To me the Eternal Wisdom hath dispens'd          15

A different fortune and more different mind—

Me from the spot where first I sprang to light

Too soon transplanted, ere my soul had fix'd

Its first domestic loves; and hence through life

Chasing chance-started friendships. A brief while          20

Some have preserv'd me from life's pelting ills;

But, like a tree with leaves of feeble stem,

If the clouds lasted, and a sudden breeze

Ruffled the boughs, they on my head at once

Dropped the collected shower; and some most false,          25

False and fair-foliag'd as the Manchineel,

Have tempted me to slumber in their shade

E'en mid the storm; then breathing subtlest damps,

Mix'd their own venom with the rain from Heaven,

That I woke poison'd! But, all praise to Him          30

Who gives us all things, more have yielded me

Permanent shelter; and beside one Friend,

Beneath the impervious covert of one oak,

I've rais'd a lowly shed, and know the names

Of Husband and of Father; not unhearing          35

Of that divine and nightly-whispering Voice,

Which from my childhood to maturer years

Spake to me of predestinated wreaths,

Bright with no fading colours!

Yet at times

My soul is sad, that I have roam'd through life          40

Still most a stranger, most with naked heart

At mine own home and birth-place: chiefly then,

When I remember thee, my earliest Friend!

Thee, who didst watch my boyhood and my youth;

Didst trace my wanderings with a father's eye;          45

And boding evil yet still hoping good,

Rebuk'd each fault, and over all my woes

Sorrow'd in silence! He who counts alone

The beatings of the solitary heart,

That Being knows, how I have lov'd thee ever,          50

Lov'd as a brother, as a son rever'd thee!

Oh! 'tis to me an ever new delight,

To talk of thee and thine: or when the blast

Of the shrill winter, rattling our rude sash,

Endears the cleanly hearth and social bowl;          55

Or when, as now, on some delicious eve,

We in our sweet sequester'd orchard-plot

Sit on the tree crook'd earth-ward; whose old boughs,

That hang above us in an arborous roof,

Stirr'd by the faint gale of departing May,          60

Send their loose blossoms slanting o'er our heads!

Nor dost not thou sometimes recall those hours,

When with the joy of hope thou gavest thine ear

To my wild firstling-lays. Since then my song

Hath sounded deeper notes, such as beseem          65

Or that sad wisdom folly leaves behind,

Or such as, tuned to these tumultuous times,

Cope with the tempest's swell!

Those various strains,

Which I have fram'd in many a various mood,

Accept, my Brother! and (for some perchance          70

Will strike discordant on thy milder mind)

If aught of error or intemperate truth

Should meet thine ear, think thou that riper Age

Will calm it down, and let thy love forgive it!

NETHER-STOWEY, SOMERSET, May 26, 1797.

FOOTNOTES:

[173:1] First published as the Dedication to the Poems of 1797: included in 1803, Sibylline Leaves, 1817, 1828, 1829, and 1834. In a copy of the Poems of 1797, formerly in the possession of the late Mr. Frederick Locker-Lampson, Coleridge affixed the following note to the Dedication—'N. B. If this volume should ever be delivered according to its direction, i. e. to Posterity, let it be known that the Reverend George Coleridge was displeased and thought his character endangered by the Dedication.'—S. T. Coleridge. Note to P. and D. W., 1877-80, i. 163.

LINENOTES:

Motto] lib. I. 2 S. L. 1817, 1828, 1829, 1834.

[10]

Thine and thy Brothers' favourable lot. 1803.

[23]

and] or 1797, 1803.

[30]

That I woke prison'd! But (the praise be His 1803.

[33-4]

I as beneath the covert of an oak

Have rais'd

1803.

[35]

not] nor 1797, 1803, S. L. 1817, 1828, 1829.

[47-9]

Rebuk'd each fault, and wept o'er all my woes.

Who counts the beatings of the lonely heart

1797, 1803.

Between 52-3 My eager eye glist'ning with memry's tear 1797.

[62]

thou] thou all editions to 1834.

Between 66-7 Or the high raptures of prophetic Faith 1797, 1803.

[68]

strains] songs 1797, 1803.

ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]

This day among the faithful plac'd

And fed with fontal manna,

O with maternal title grac'd,

Dear Anna's dearest Anna!

While others wish thee wise and fair,          5

A maid of spotless fame,

I'll breathe this more compendious prayer—

May'st thou deserve thy name!

Thy mother's name, a potent spell,

That bids the Virtues hie          10

From mystic grove and living cell,

Confess'd to Fancy's eye;

Meek Quietness without offence;

Content in homespun kirtle;

True Love; and True Love's Innocence,          15

White Blossom of the Myrtle!

Associates of thy name, sweet Child!

These Virtues may'st thou win;

With face as eloquently mild

To say, they lodge within.          20

So, when her tale of days all flown,

Thy mother shall be miss'd here;

When Heaven at length shall claim its own

And Angels snatch their Sister;

Some hoary-headed friend, perchance,          25

May gaze with stifled breath;

And oft, in momentary trance,

Forget the waste of death.

Even thus a lovely rose I've view'd

In summer-swelling pride;          30

Nor mark'd the bud, that green and rude

Peep'd at the rose's side.

It chanc'd I pass'd again that way

In Autumn's latest hour,

And wond'ring saw the selfsame spray          35

Rich with the selfsame flower.

Ah fond deceit! the rude green bud

Alike in shape, place, name,

Had bloom'd where bloom'd its parent stud,

Another and the same!          40

1797.

FOOTNOTES:

[176:1] First published in the Supplement to Poems, 1797: reprinted in Literary Remains, 1836, i. 48, 49: included in 1844 and 1852. The lines were addressed to Anna Cruickshank, the wife of John Cruickshank, who was a neighbour of Coleridge at Nether-Stowey.

TRANSLATION[177:1]

OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN

NETHER-STOWEY CHURCH

Depart in joy from this world's noise and strife

To the deep quiet of celestial life!

Depart!—Affection's self reproves the tear

Which falls, O honour'd Parent! on thy bier;—

Yet Nature will be heard, the heart will swell,          5

And the voice tremble with a last Farewell!

1797.

[The Tablet is erected to the Memory of Richard Camplin, who died Jan. 20, 1792.

'Lætus abi! mundi strepitu curisque remotus;

Lætus abi! cæli quâ vocat alma Quies.

Ipsa fides loquitur lacrymamque incusat inanem,

Quæ cadit in vestros, care Pater, Cineres.

Heu! tantum liceat meritos hos solvere Ritus,          5

Naturæ et tremulâ dicere Voce, Vale!']

FOOTNOTES:

[177:1] First published in Literary Remains, 1836, i. 50. First collected in P. and D. W., 1877, ii. 365.

LINENOTES:

[6]

Et longum tremulâ L. R. 1836.

THIS LIME-TREE BOWER MY PRISON[178:1]

[ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]

In the June of 1797 some long-expected friends paid a visit to the author's cottage; and on the morning of their arrival, he met with an accident, which disabled him from walking during the whole time of their stay. One evening, when they had left him for a few hours, he composed the following lines in the garden-bower.[178:2]

Well, they are gone, and here must I remain,

This lime-tree bower my prison! I have lost

Beauties and feelings, such as would have been

Most sweet to my remembrance even when age

Had dimm'd mine eyes to blindness! They, meanwhile,          5

Friends, whom I never more may meet again,

On springy[179:1] heath, along the hill-top edge,

Wander in gladness, and wind down, perchance,

To that still roaring dell, of which I told;

The roaring dell, o'erwooded, narrow, deep,          10

And only speckled by the mid-day sun;

Where its slim trunk the ash from rock to rock

Flings arching like a bridge;—that branchless ash,

Unsunn'd and damp, whose few poor yellow leaves

Ne'er tremble in the gale, yet tremble still,          15

Fann'd by the water-fall! and there my friends

Behold the dark green file of long lank weeds,[179:2]

That all at once (a most fantastic sight!)

Still nod and drip beneath the dripping edge

Of the blue clay-stone.

Now, my friends emerge          20

Beneath the wide wide Heaven—and view again

The many-steepled tract magnificent

Of hilly fields and meadows, and the sea,

With some fair bark, perhaps, whose sails light up

The slip of smooth clear blue betwixt two Isles          25

Of purple shadow! Yes! they wander on

In gladness all; but thou, methinks, most glad,

My gentle-hearted Charles! for thou hast pined

And hunger'd after Nature, many a year,

In the great City pent, winning thy way          30

With sad yet patient soul, through evil and pain

And strange calamity! Ah! slowly sink

Behind the western ridge, thou glorious Sun!

Shine in the slant beams of the sinking orb,

Ye purple heath-flowers! richlier burn, ye clouds!          35

Live in the yellow light, ye distant groves!

And kindle, thou blue Ocean! So my friend

Struck with deep joy may stand, as I have stood,

Silent with swimming sense; yea, gazing round

On the wide landscape, gaze till all doth seem          40

Less gross than bodily; and of such hues

As veil the Almighty Spirit, when yet he makes

Spirits perceive his presence.

A delight

Comes sudden on my heart, and I am glad

As I myself were there! Nor in this bower,          45

This little lime-tree bower, have I not mark'd

Much that has sooth'd me. Pale beneath the blaze

Hung the transparent foliage; and I watch'd

Some broad and sunny leaf, and lov'd to see

The shadow of the leaf and stem above          50

Dappling its sunshine! And that walnut-tree

Was richly ting'd, and a deep radiance lay

Full on the ancient ivy, which usurps

Those fronting elms, and now, with blackest mass

Makes their dark branches gleam a lighter hue          55

Through the late twilight: and though now the bat

Wheels silent by, and not a swallow twitters,

Yet still the solitary humble-bee

Sings in the bean-flower! Henceforth I shall know

That Nature ne'er deserts the wise and pure;          60

No plot so narrow, be but Nature there,

No waste so vacant, but may well employ

Each faculty of sense, and keep the heart

Awake to Love and Beauty! and sometimes

'Tis well to be bereft of promis'd good,          65

That we may lift the soul, and contemplate

With lively joy the joys we cannot share.

My gentle-hearted Charles! when the last rook

Beat its straight path along the dusky air

Homewards, I blest it! deeming its black wing          70

(Now a dim speck, now vanishing in light)

Had cross'd the mighty Orb's dilated glory,

While thou stood'st gazing; or, when all was still,

Flew creeking o'er thy head, and had a charm[181:1]

For thee, my gentle-hearted Charles, to whom          75

No sound is dissonant which tells of Life.

1797.

FOOTNOTES:

[178:1] First published in the Annual Anthology, 1800, reprinted in Mylius' Poetical Classbook, 1810: included in Sibylline Leaves, 1817, in 1828, 1829, and 1834. The poem was sent in a letter to Southey, July 9, 1797, and in a letter to C. Lloyd, [July, 1797]. See Letters of S. T. C., 1895, i. 225-7 and P. W., 1893, p. 591.

[178:2] 'Ch. and Mary Lamb—dear to my heart, yea, as it were my Heart.—S. T. C. Æt. 63; 1834—1797-1834 = 37 years!' (Marginal note written by S. T. Coleridge over against the introductory note to 'This Lime-Tree Bower my Prison', in a copy of the Poetical Works, 1834.)

[179:1] 'Elastic, I mean.' MS. Letter to Southey.

[179:2] The Asplenium Scolopendrium, called in some countries the Adder's Tongue, in others the Hart's Tongue, but Withering gives the Adder's Tongue as the trivial name of the Ophioglossum only.

[181:1] Some months after I had written this line, it gave me pleasure to find [to observe An. Anth., S. L. 1828] that Bartram had observed the same circumstance of the Savanna Crane. 'When these Birds move their wings in flight, their strokes are slow, moderate and regular; and even when at a considerable distance or high above us, we plainly hear the quill-feathers: their shafts and webs upon one another creek as the joints or working of a vessel in a tempestuous sea.'

LINENOTES:

Title] This Lime-Tree Bower my Prison. A Poem Addressed, &c. An. Anth.: the words 'Addressed to', &c., are omitted in Sibylline Leaves, 1828, 1829, and 1834.

[1-28]

Well, they are gone, and here must I remain,

Lam'd by the scathe of fire, lonely and faint,

This lime-tree bower my prison! They, meantime,

My Friends, whom I may never meet again,

On springy heath, along the hill-top edge          5

Wander delighted, and look down, perchance,

On that same rifted dell, where many an ash

Twists its wild limbs beside the ferny rock

Whose plumy[178:A] ferns forever nod and drip

Spray'd by the waterfall. But chiefly thou          10

My gentle-hearted Charles! thou who had pin'd

MS. Letter to Southey, July 17, 1797.

[178:A] The ferns that grow in moist places grow five or six together, and form a complete 'Prince of Wales's Feather'—that is plumy. Letter to Southey.

[1-28]

Well they are gone, and here I must remain

This lime-tree, . . . hill-top edge

Delighted wander, and look down, perchance,

On that same rifted dell, where the wet ash

Twists its wild limbs above, . . . who hast pin'd

MS. Letter to Lloyd [July, 1797].

[3]

Such beauties and such feelings, as had been An. Anth., S. L.

[4]

my remembrance] to have remembered An. Anth.

[6]

My Friends, whom I may never meet again An. Anth., S. L.

[20]

blue] dim An. Anth.

[22]

tract] track An. Anth., S. L. 1828.

[24]

bark, perhaps, which lightly touches An. Anth.

[28]

hast] had'st An. Anth.

[31]

patient] bowed MS. Letter to Southey.

[34]

beams] heaven MS. Letter to Southey.

38 foll.

Struck with joy's deepest calm, and gazing round

On the wide view[180:A] may gaze till all doth seem

Less gross than bodily; a living thing

That acts upon the mind, and with such hues

As clothe th' Almighty Spirit, when he makes.

MS. Letter to Southey.

[180:A] You remember I am a Berkleyan. Note to Letter.

[40]

wide] wild S. L.

[40]

(for wild r. wide; and the two following lines thus:

Less gross than bodily; and of such hues

As veil the Almighty Spirit

Errata, S. L., p. [xii].)

As veil the Almighty Spirit, when he makes

1828.

41 foll.

Less gross than bodily, a living thing

Which acts upon the mind and with such hues

As cloathe the Almighty Spirit, when he makes

An. Anth., S. L.

45 foll.

As I myself were there! Nor in the bower

Want I sweet sounds or pleasing shapes. I watch'd

The sunshine of each broad transparent leaf

Broke by the shadows of the leaf or stem

Which hung above it: and that walnut tree

MS. Letter to Southey.

[55]

branches] foliage MS. Letter to Southey.

[56]

and though the rapid bat MS. Letter to Southey.

[60-64]

om. in MS. Letter to Lloyd.

[61-2]

No scene so narrow but may well employ MS. Letter to Southey, An. Anth.

[65]

My Sister and my Friends MS. Letter to Southey: My Sara and my Friends MS. Letter to Lloyd.

[70]

Homewards] Homeward MS. Letter to Lloyd.

[71]

om. in MS. Letter to Lloyd. in the light An. Anth., S. L. (omit the before light. Errata, S. L., [p. xii]).

[72]

Cross'd like a speck the blaze of setting day MS. Letter to Southey: Had cross'd the mighty orb's dilated blase. MS. Letter to Lloyd.

[73]

While ye [you MS. Letter to Lloyd] stood MS. Letter to Southey.

[74]

thy head] your heads MSS. Letters to Southey and Lloyd.

[75]

For you my Sister and my Friends MS. Letter to Southey: For you my Sara and my Friends MS. Letter to Lloyd.

THE FOSTER-MOTHER'S TALE[182:1]

A DRAMATIC FRAGMENT

[From Osorio, Act IV. The title and text are here printed from Lyrical Ballads, 1798.]

Foster-Mother. I never saw the man whom you describe.

Maria. 'Tis strange! he spake of you familiarly

As mine and Albert's common Foster-mother.

Foster-Mother. Now blessings on the man, whoe'er he be,

That joined your names with mine! O my sweet lady,          5

As often as I think of those dear times

When you two little ones would stand at eve

On each side of my chair, and make me learn

All you had learnt in the day; and how to talk

In gentle phrase, then bid me sing to you—          10

'Tis more like heaven to come than what has been!

Maria. O my dear Mother! this strange man has left me

Troubled with wilder fancies, than the moon

Breeds in the love-sick maid who gazes at it,

Till lost in inward vision, with wet eye          15

She gazes idly!—But that entrance, Mother!

Foster-Mother. Can no one hear? It is a perilous tale!

Maria. No one.

Foster-Mother. My husband's father told it me,

Poor old Leoni!—Angels rest his soul!

He was a woodman, and could fell and saw          20

With lusty arm. You know that huge round beam

Which props the hanging wall of the old Chapel?

Beneath that tree, while yet it was a tree,

He found a baby wrapt in mosses, lined

With thistle-beards, and such small locks of wool          25

As hang on brambles. Well, he brought him home,

And rear'd him at the then Lord Velez' cost.

And so the babe grew up a pretty boy,

A pretty boy, but most unteachable—

And never learnt a prayer, nor told a bead,          30

But knew the names of birds, and mock'd their notes,

And whistled, as he were a bird himself:

And all the autumn 'twas his only play

To get the seeds of wild flowers, and to plant them

With earth and water, on the stumps of trees.          35

A Friar, who gather'd simples in the wood,

A grey-haired man—he lov'd this little boy,

The boy lov'd him—and, when the Friar taught him,

He soon could write with the pen: and from that time,

Lived chiefly at the Convent or the Castle.          40

So he became a very learnéd youth.

But Oh! poor wretch!—he read, and read, and read,

Till his brain turn'd—and ere his twentieth year,

He had unlawful thoughts of many things:

And though he prayed, he never lov'd to pray          45

With holy men, nor in a holy place—

But yet his speech, it was so soft and sweet,

The late Lord Velez ne'er was wearied with him.

And once, as by the north side of the Chapel

They stood together, chain'd in deep discourse,          50

The earth heav'd under them with such a groan,

That the wall totter'd, and had well-nigh fallen

Right on their heads. My Lord was sorely frighten'd;

A fever seiz'd him, and he made confession

Of all the heretical and lawless talk          55

Which brought this judgment: so the youth was seiz'd

And cast into that hole. My husband's father

Sobb'd like a child—it almost broke his heart:

And once as he was working in the cellar,

He heard a voice distinctly; 'twas the youth's,          60

Who sung a doleful song about green fields,

How sweet it were on lake or wild savannah,

To hunt for food, and be a naked man,

And wander up and down at liberty.

He always doted on the youth, and now          65

His love grew desperate; and defying death,

He made that cunning entrance I describ'd:

And the young man escap'd.

Maria.                           'Tis a sweet tale:

Such as would lull a listening child to sleep,

His rosy face besoil'd with unwiped tears.—          70

And what became of him?

Foster-Mother.             He went on shipboard

With those bold voyagers, who made discovery

Of golden lands. Leoni's younger brother

Went likewise, and when he return'd to Spain,

He told Leoni, that the poor mad youth,          75

Soon after they arriv'd in that new world,

In spite of his dissuasion, seiz'd a boat,

And all alone, set sail by silent moonlight

Up a great river, great as any sea,

And ne'er was heard of more: but 'tis suppos'd,          80

He liv'd and died among the savage men.

1797.

FOOTNOTES:

[182:1] First published in the first edition of the Lyrical Ballads, 1798, and reprinted in the editions of 1800, 1803, and 1805. The 'dramatic fragment' was excluded from the acting version of Remorse, but was printed in an Appendix, p. 75, to the Second Edition of the Play, 1813. It is included in the body of the work in Sibylline Leaves, 1817, and again in 1852, and in the Appendix to Remorse in the editions of 1828, 1829, and 1834. It is omitted from 1844. 'The "Foster-Mother's Tale," (From Mr. C.'s own handwriting)' was published in Cottle's Early Recollections, i. 235.

'The following scene as unfit for the stage was taken from the Tragedy in 1797, and published in the Lyrical Ballads. But this work having been long out of print, and it having been determined, that this with my other poems in that collection (the Nightingale, Love, and the Ancient Mariner) should be omitted in any future edition, I have been advised to reprint it as a Note to the Second Scene of Act the Fourth, p. 55.' App. to Remorse, Ed. 2, 1813. [This note is reprinted in 1828 and 1829, but in 1834 only the first sentence is prefixed to the scene.]

LINENOTES:

Title] Foster-Mother's Tale. (Scene—Spain) Cottle, 1837: The, &c. A Narration in Dramatic Blank Verse L. B. 1800. In Remorse, App., 1813 and in 1828, 1829, 1834, the dramatis personae are respectively Teresa and Selma. The fragment opens thus:—Enter Teresa and Selma.

Ter. 'Tis said, he spake of you familiarly

As mine and Alvar's common foster-mother.

In Cottle's version, the scene begins at line 4.

[1]

man] Moor Osorio, MS. I.

[12-16]

O my dear Mother . . . She gazes idly! om. 1813, 1828, 1829, 1834.

[12]

me] us Cottle, 1837.

[13]

the] yon Osorio, MS. I.

[16]

In Lyrical Ballads, 1800, the scene begins with the words: 'But that entrance'. But that entrance, Selma? 1813.

[19]

Leoni] Sesina 1813, 1828, 1829, 1834.

[27]

Velez'] Valdez' 1813, 1828, 1829, 1834: Valez' S. L. 1817.

[34]

To gather seeds 1813, S. L. 1817, 1828, 1829, 1834.

[36]

gather'd] oft culled S. L. 1817.

[41]

So he became a rare and learned youth 1813, 1828, 1829, 1834.

[41-2]

So he became a very learned man.

But O poor youth

Cottle, 1837.

[48]

Velez] Valdez 1813, 1828, 1829, 1834: Valez S. L. 1817.

[54]

made a confession Osorio. A fever seiz'd the youth and he made confession Cottle, 1837.

[57]

hole] cell L. B. 1800: den 1813. [And fetter'd in that den. MS. S. T. C.].

[59]

in the cellar] near this dungeon 1813, 1828, 1829, 1834.

[62]

wild] wide 1813, 1828, 1829, 1834.

[65]

He always] Leoni L. B. 1800.

[68-9]

om. L. B. 1800.

[73]

Leoni's] Sesina's 1813, 1828, 1829, 1834. younger] youngest S. L. 1817.

[75]

Leoni] Sesina 1813, 1828, 1829, 1834.

THE DUNGEON[185:1]

[From Osorio, Act V; and Remorse, Act V, Scene i. The title and text are here printed from Lyrical Ballads, 1798.]

And this place our forefathers made for man!

This is the process of our love and wisdom,

To each poor brother who offends against us—

Most innocent, perhaps—and what if guilty?

Is this the only cure? Merciful God!          5

Each pore and natural outlet shrivell'd up

By Ignorance and parching Poverty,

His energies roll back upon his heart,

And stagnate and corrupt; till chang'd to poison,

They break out on him, like a loathsome plague-spot;          10

Then we call in our pamper'd mountebanks—

And this is their best cure! uncomforted

And friendless solitude, groaning and tears,

And savage faces, at the clanking hour,

Seen through the steams and vapour of his dungeon,          15

By the lamp's dismal twilight! So he lies

Circled with evil, till his very soul

Unmoulds its essence, hopelessly deform'd

By sights of ever more deformity!

With other ministrations thou, O Nature!          20

Healest thy wandering and distemper'd child:

Thou pourest on him thy soft influences,

Thy sunny hues, fair forms, and breathing sweets,

Thy melodies of woods, and winds, and waters,

Till he relent, and can no more endure          25

To be a jarring and a dissonant thing,

Amid this general dance and minstrelsy;

But, bursting into tears, wins back his way,

His angry spirit heal'd and harmoniz'd

By the benignant touch of Love and Beauty.          30

1797.

FOOTNOTES:

[185:1] First published in the Lyrical Ballads, 1798, and reprinted in the Lyrical Ballads, 1800. First collected (as a separate poem) in Poems, 1893, p. 85.

LINENOTES:

[1]

our] my Osorio, Act V, i. 107. 1813, 1828, 1829, 1834. man] men Osorio.

[15]

steams and vapour] steaming vapours Osorio, V, i. 121: steam and vapours 1813, 1828, 1829, 1834.

THE RIME OF THE ANCIENT MARINER[186:1]

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum universitate. Sed horum omnium familiam quis nobis enarrabit? et gradus et cognationes et discrimina et singulorum munera? Quid agunt? quae loca habitant? Harum rerum notitiam semper ambivit ingenium humanum, nunquam attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in tabulâ, majoris et melioris mundi imaginem contemplari: ne mens assuefacta hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut certa ab incertis, diem a nocte, distinguamus.—T. BURNET, Archaeol. Phil. p. 68.[186:2]

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. [L. B. 1798.][186:3]

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and detaineth one.

It is an ancient Mariner,

And he stoppeth one of three.

'By thy long grey beard and glittering eye,

Now wherefore stopp'st thou me?

The Bridegroom's doors are opened wide,          5

And I am next of kin;

The guests are met, the feast is set:

May'st hear the merry din.'

He holds him with his skinny hand,

'There was a ship,' quoth he.          10

'Hold off! unhand me, grey-beard loon!'

Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and constrained to hear his tale.

He holds him with his glittering eye—

The Wedding-Guest stood still,

And listens like a three years' child:          15

The Mariner hath his will.

The Wedding-Guest sat on a stone:

He cannot choose but hear;

And thus spake on that ancient man,

The bright-eyed Mariner.          20

'The ship was cheered, the harbour cleared,

Merrily did we drop

Below the kirk, below the hill,

Below the lighthouse top.

The Mariner tells how the ship sailed southward with a good wind and fair weather, till it reached the line.

The Sun came up upon the left,          25

Out of the sea came he!

And he shone bright, and on the right

Went down into the sea.

Higher and higher every day,

Till over the mast at noon—'          30

The Wedding-Guest here beat his breast,

For he heard the loud bassoon.

The Wedding-Guest heareth the bridal music; but the Mariner continueth his tale.

The bride hath paced into the hall,

Red as a rose is she;

Nodding their heads before her goes          35

The merry minstrelsy.

The Wedding-Guest he beat his breast,

Yet he cannot choose but hear;

And thus spake on that ancient man,

The bright-eyed Mariner.          40

The ship driven by a storm toward the south pole.

'And now the STORM-BLAST came, and he

Was tyrannous and strong:

He struck with his o'ertaking wings,

And chased us south along.

With sloping masts and dipping prow,          45

As who pursued with yell and blow

Still treads the shadow of his foe,

And forward bends his head,

The ship drove fast, loud roared the blast,

And southward aye we fled.          50

And now there came both mist and snow,

And it grew wondrous cold:

And ice, mast-high, came floating by,

As green as emerald.

The land of ice, and of fearful sounds where no living thing was to be seen.

And through the drifts the snowy clifts          55

Did send a dismal sheen:

Nor shapes of men nor beasts we ken—

The ice was all between.

The ice was here, the ice was there,

The ice was all around:          60

It cracked and growled, and roared and howled,

Like noises in a swound!

Till a great sea-bird, called the Albatross, came through the snow-fog, and was received with great joy and hospitality.

At length did cross an Albatross,

Thorough the fog it came;

As if it had been a Christian soul,          65

We hailed it in God's name.

It ate the food it ne'er had eat,

And round and round it flew.

The ice did split with a thunder-fit;

The helmsman steered us through!          70

And lo! the Albatross proveth a bird of good omen, and followeth the ship as it returned northward through fog and floating ice.

And a good south wind sprung up behind;

The Albatross did follow,

And every day, for food or play,

Came to the mariner's hollo!

In mist or cloud, on mast or shroud,          75

It perched for vespers nine;

Whiles all the night, through fog-smoke white,

Glimmered the white Moon-shine.'

The ancient Mariner inhospitably killeth the pious bird of good omen.

'God save thee, ancient Mariner!

From the fiends, that plague thee thus!—          80

Why look'st thou so?'—With my cross-bow

I shot the ALBATROSS.

PART II

The Sun now rose upon the right:

Out of the sea came he,

Still hid in mist, and on the left          85

Went down into the sea.

And the good south wind still blew behind,

But no sweet bird did follow,

Nor any day for food or play

Came to the mariners' hollo!          90

His shipmates cry out against the ancient Mariner, for killing the bird of good luck.

And I had done a hellish thing,

And it would work 'em woe:

For all averred, I had killed the bird

That made the breeze to blow.

Ah wretch! said they, the bird to slay,          95

That made the breeze to blow!

But when the fog cleared off, they justify the same, and thus make themselves accomplices in the crime.

Nor dim nor red, like God's own head,

The glorious Sun uprist:

Then all averred, I had killed the bird

That brought the fog and mist.          100

'Twas right, said they, such birds to slay,

That bring the fog and mist.

The fair breeze continues; the ship enters the Pacific Ocean, and sails northward, even till it reaches the Line.

The fair breeze blew, the white foam flew,

The furrow followed free;

We were the first that ever burst          105

Into that silent sea.

The ship hath been suddenly becalmed.

Down dropt the breeze, the sails dropt down,

'Twas sad as sad could be;

And we did speak only to break

The silence of the sea!          110

All in a hot and copper sky,

The bloody Sun at noon,

Right up above the mast did stand,

No bigger than the Moon.

Day after day, day after day,          115

We stuck, nor breath nor motion;

As idle as a painted ship

Upon a painted ocean.

And the Albatross begins to be avenged.

Water, water, every where,

And all the boards did shrink;          120

Water, water, every where,

Nor any drop to drink.

The very deep did rot: O Christ!

That ever this should be!

Yea, slimy things did crawl with legs          125

Upon the slimy sea.

About, about, in reel and rout

The death-fires danced at night;

The water, like a witch's oils,

Burnt green, and blue and white.          130

A Spirit had followed them; one of the invisible inhabitants of this planet, neither departed souls nor angels; concerning whom the learned Jew, Josephus, and the Platonic Constantinopolitan, Michael Psellus, may be consulted. They are very numerous, and there is no climate or element without one or more.

And some in dreams assuréd were

Of the Spirit that plagued us so;

Nine fathom deep he had followed us

From the land of mist and snow.

And every tongue, through utter drought,          135

Was withered at the root;

We could not speak, no more than if

We had been choked with soot.

The shipmates, in their sore distress, would fain throw the whole guilt on the ancient Mariner: in sign whereof they hang the dead sea-bird round his neck.

Ah! well a-day! what evil looks

Had I from old and young!          140

Instead of the cross, the Albatross

About my neck was hung.

PART III

The ancient Mariner beholdeth a sign in the element afar off.

There passed a weary time. Each throat

Was parched, and glazed each eye.

A weary time! a weary time!          145

How glazed each weary eye,

When looking westward, I beheld

A something in the sky.

At first it seemed a little speck,

And then it seemed a mist;          150

It moved and moved, and took at last

A certain shape, I wist.

A speck, a mist, a shape, I wist!

And still it neared and neared:

As if it dodged a water-sprite,          155

It plunged and tacked and veered.

At its nearer approach, it seemeth him to be a ship; and at a dear ransom he freeth his speech from the bonds of thirst.

With throats unslaked, with black lips baked,

We could nor laugh nor wail;

Through utter drought all dumb we stood!

I bit my arm, I sucked the blood,          160

And cried, A sail! a sail!

With throats unslaked, with black lips baked,

Agape they heard me call:

A flash of joy;

Gramercy! they for joy did grin,

And all at once their breath drew in,          165

As they were drinking all.

And horror follows. For can it be a ship that comes onward without wind or tide?

See! see! (I cried) she tacks no more!

Hither to work us weal;

Without a breeze, without a tide,

She steadies with upright keel!          170

The western wave was all a-flame.

The day was well nigh done!

Almost upon the western wave

Bested the broad bright Sun;

When that strange shape drove suddenly          175

Betwixt us and the Sun.

It seemeth him but the skeleton of a ship.

And straight the Sun was flecked with bars,

(Heaven's Mother send us grace!)

As if through a dungeon-grate he peered

With broad and burning face.          180

And its ribs are seen as bars on the face of the setting Sun.

Alas! (thought I, and my heart beat loud)

How fast she nears and nears!

Are those her sails that glance in the Sun,

Like restless gossameres?

The Spectre-Woman and her Death-mate, and no other on board the skeleton ship.

Are those her ribs through which the Sun          185

Did peer, as through a grate?

And is that Woman all her crew?

Is that a DEATH? and are there two?

Is DEATH that woman's mate?

Like vessel, like crew!

Death and Life-in-Death have diced for the ship's crew, and she (the latter) winneth the ancient Mariner.

Her lips were red, her looks were free,          190

Her locks were yellow as gold:

Her skin was as white as leprosy,

The Night-mare LIFE-IN-DEATH was she,

Who thicks man's blood with cold.

The naked hulk alongside came,          195

And the twain were casting dice;

'The game is done! I've won! I've won!'

Quoth she, and whistles thrice.

No twilight within the[195:1] courts of the Sun.

The Sun's rim dips: the stars rush out:

At one stride comes the dark;          200

With far-heard whisper, o'er the sea,

Off shot the spectre-bark.

At the rising of the Moon.

We listened and looked sideways up!

Fear at my heart, as at a cup,

My life-blood seemed to sip!          205

The stars were dim, and thick the night,

The steersman's face by his lamp gleamed white;

From the sails the dew did drip—

Till clomb above the eastern bar

The hornéd Moon, with one bright star          210

Within the nether tip.

One after another,

One after one, by the star-dogged Moon,

Too quick for groan or sigh,

Each turned his face with a ghastly pang,

And cursed me with his eye.          215

His shipmates drop down dead.

Four times fifty living men,

(And I heard nor sigh nor groan)

With heavy thump, a lifeless lump,

They dropped down one by one.

But Life-in-Death begins her work on the ancient Mariner.

The souls did from their bodies fly,—          220

They fled to bliss or woe!

And every soul, it passed me by,

Like the whizz of my cross-bow!

PART IV

The Wedding-Guest feareth that a Spirit is talking to him;

'I fear thee, ancient Mariner!

I fear thy skinny hand!          225

And thou art long, and lank, and brown,

As is the ribbed sea-sand.[196:1]

But the ancient Mariner assureth him of his bodily life, and proceedeth to relate his horrible penance.

I fear thee and thy glittering eye,

And thy skinny hand, so brown.'—

Fear not, fear not, thou Wedding-Guest!          230

This body dropt not down.

Alone, alone, all, all alone,

Alone on a wide wide sea!

And never a saint took pity on

My soul in agony.          235

He despiseth the creatures of the calm,

The many men, so beautiful!

And they all dead did lie:

And a thousand thousand slimy things

Lived on; and so did I.

And envieth that they should live, and so many lie dead.

I looked upon the rotting sea,          240

And drew my eyes away;

I looked upon the rotting deck,

And there the dead men lay.

I looked to heaven, and tried to pray;

But or ever a prayer had gusht,          245

A wicked whisper came, and made

My heart as dry as dust.

I closed my lids, and kept them close,

And the balls like pulses beat;

For the sky and the sea, and the sea and the sky          250

Lay like a load on my weary eye,

And the dead were at my feet.

But the curse liveth for him in the eye of the dead men.

The cold sweat melted from their limbs,

Nor rot nor reek did they:

The look with which they looked on me          255

Had never passed away.

An orphan's curse would drag to hell

A spirit from on high;

But oh! more horrible than that

Is the curse in a dead man's eye!          260

Seven days, seven nights, I saw that curse,

And yet I could not die.

In his loneliness and fixedness he yearneth towards the journeying Moon, and the stars that still sojourn, yet still move onward; and every where the blue sky belongs to them, and is their appointed rest, and their native country and their own natural homes, which they enter unannounced, as lords that are certainly expected and yet there is a silent joy at their arrival.

The moving Moon went up the sky,

And no where did abide:

Softly she was going up,          265

And a star or two beside—

Her beams bemocked the sultry main,

Like April hoar-frost spread;

But where the ship's huge shadow lay,

The charméd water burnt alway          270

A still and awful red.

By the light of the Moon he beholdeth God's creatures of the great calm.

Beyond the shadow of the ship,

I watched the water-snakes:

They moved in tracks of shining white,

And when they reared, the elfish light          275

Fell off in hoary flakes.

Within the shadow of the ship

I watched their rich attire:

Blue, glossy green, and velvet black,

They coiled and swam; and every track          280

Was a flash of golden fire.

Their beauty and their happiness.

He blesseth them in his heart.

O happy living things! no tongue

Their beauty might declare:

A spring of love gushed from my heart,

And I blessed them unaware:          285

Sure my kind saint took pity on me,

And I blessed them unaware.

The spell begins to break.

The self-same moment I could pray;

And from my neck so free

The Albatross fell off, and sank          290

Like lead into the sea.

PART V

Oh sleep! it is a gentle thing,

Beloved from pole to pole!

To Mary Queen the praise be given!

She sent the gentle sleep from Heaven,          295

That slid into my soul.

By grace of the holy Mother, the ancient Mariner is refreshed with rain.

The silly buckets on the deck,

That had so long remained,

I dreamt that they were filled with dew;

And when I awoke, it rained.          300

My lips were wet, my throat was cold,

My garments all were dank;

Sure I had drunken in my dreams,

And still my body drank.

I moved, and could not feel my limbs:          305

I was so light—almost

I thought that I had died in sleep,

And was a blesséd ghost.

He heareth sounds and seeth strange sights and commotions in the sky and the element.

And soon I heard a roaring wind:

It did not come anear;          310

But with its sound it shook the sails,

That were so thin and sere.

The upper air burst into life!

And a hundred fire-flags sheen,

To and fro they were hurried about!          315

And to and fro, and in and out,

The wan stars danced between.

And the coming wind did roar more loud,

And the sails did sigh like sedge;

And the rain poured down from one black cloud;          320

The Moon was at its edge.

The thick black cloud was cleft, and still

The Moon was at its side:

Like waters shot from some high crag,

The lightning fell with never a jag,          325

A river steep and wide.

The bodies of the ship's crew are inspired [inspirited, S. L.] and the ship moves on;

The loud wind never reached the ship,

Yet now the ship moved on!

Beneath the lightning and the Moon

The dead men gave a groan.          330

They groaned, they stirred, they all uprose,

Nor spake, nor moved their eyes;

It had been strange, even in a dream,

To have seen those dead men rise.

The helmsman steered, the ship moved on;          335

Yet never a breeze up-blew;

The mariners all 'gan work the ropes,

Where they were wont to do;

They raised their limbs like lifeless tools—

We were a ghastly crew.          340

The body of my brother's son

Stood by me, knee to knee:

The body and I pulled at one rope,

But he said nought to me.

But not by the souls of the men, nor by dæmons of earth or middle air, but by a blessed troop of angelic spirits, sent down by the invocation of the guardian saint.

'I fear thee, ancient Mariner!'          345

Be calm, thou Wedding-Guest!

'Twas not those souls that fled in pain,

Which to their corses came again,

But a troop of spirits blest:

For when it dawned—they dropped their arms,          350

And clustered round the mast;

Sweet sounds rose slowly through their mouths,

And from their bodies passed.

Around, around, flew each sweet sound,

Then darted to the Sun;          355

Slowly the sounds came back again,

Now mixed, now one by one.

Sometimes a-dropping from the sky

I heard the sky-lark sing;

Sometimes all little birds that are,          360

How they seemed to fill the sea and air

With their sweet jargoning!

And now 'twas like all instruments,

Now like a lonely flute;

And now it is an angel's song,          365

That makes the heavens be mute.

It ceased; yet still the sails made on

A pleasant noise till noon,

A noise like of a hidden brook

In the leafy month of June,          370

That to the sleeping woods all night

Singeth a quiet tune.

Till noon we quietly sailed on,

Yet never a breeze did breathe:

Slowly and smoothly went the ship,          375

Moved onward from beneath.

The lonesome Spirit from the south-pole carries on the ship as far as the Line, in obedience to the angelic troop, but still requireth vengeance.

Under the keel nine fathom deep,

From the land of mist and snow,

The spirit slid: and it was he

That made the ship to go.          380

The sails at noon left off their tune,

And the ship stood still also.

The Sun, right up above the mast,

Had fixed her to the ocean:

But in a minute she 'gan stir,          385

With a short uneasy motion—

Backwards and forwards half her length

With a short uneasy motion.

Then like a pawing horse let go,

She made a sudden bound:          390

It flung the blood into my head,

And I fell down in a swound.

The Polar Spirit's fellow-dæmons, the invisible inhabitants of the element, take part in his wrong; and two of them relate, one to the other, that penance long and heavy for the ancient Mariner hath been accorded to the Polar Spirit, who returneth southward.

How long in that same fit I lay,

I have not to declare;

But ere my living life returned,          395

I heard and in my soul discerned

Two voices in the air.

'Is it he?' quoth one, 'Is this the man?

By him who died on cross,

With his cruel bow he laid full low          400

The harmless Albatross.

The spirit who bideth by himself

In the land of mist and snow,

He loved the bird that loved the man

Who shot him with his bow.'          405

The other was a softer voice,

As soft as honey-dew:

Quoth he, 'The man hath penance done,

And penance more will do.'

PART VI

FIRST VOICE

'But tell me, tell me! speak again,          410

Thy soft response renewing—

What makes that ship drive on so fast?

What is the ocean doing?'

SECOND VOICE

'Still as a slave before his lord,

The ocean hath no blast;          415

His great bright eye most silently

Up to the Moon is cast—

If he may know which way to go;

For she guides him smooth or grim.

See, brother, see! how graciously          420

She looketh down on him.'

The Mariner hath been cast into a trance; for the angelic power causeth the vessel to drive northward faster than human life could endure.

FIRST VOICE

'But why drives on that ship so fast,

Without or wave or wind?'

SECOND VOICE

'The air is cut away before,

And closes from behind.          425

Fly, brother, fly! more high, more high!

Or we shall be belated:

For slow and slow that ship will go,

When the Mariner's trance is abated.'

The supernatural motion is retarded; the Mariner awakes, and his penance begins anew.

I woke, and we were sailing on          430

As in a gentle weather:

'Twas night, calm night, the moon was high;

The dead men stood together.

All stood together on the deck,

For a charnel-dungeon fitter:          435

All fixed on me their stony eyes,

That in the Moon did glitter.

The pang, the curse, with which they died,

Had never passed away:

I could not draw my eyes from theirs,          440

Nor turn them up to pray.

The curse is finally expiated.

And now this spell was snapt: once more

I viewed the ocean green,

And looked far forth, yet little saw

Of what had else been seen—          445

Like one, that on a lonesome road

Doth walk in fear and dread,

And having once turned round walks on,

And turns no more his head;

Because he knows, a frightful fiend          450

Doth close behind him tread.

But soon there breathed a wind on me,

Nor sound nor motion made:

Its path was not upon the sea,

In ripple or in shade.          455

It raised my hair, it fanned my cheek

Like a meadow-gale of spring—

It mingled strangely with my fears,

Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,          460

Yet she sailed softly too:

Sweetly, sweetly blew the breeze—

On me alone it blew.

And the ancient Mariner beholdeth his native country.

Oh! dream of joy! is this indeed

The light-house top I see?          465

Is this the hill? is this the kirk?

Is this mine own countree?

We drifted o'er the harbour-bar,

And I with sobs did pray—

O let me be awake, my God!          470

Or let me sleep alway.

The harbour-bay was clear as glass,

So smoothly it was strewn!

And on the bay the moonlight lay,

And the shadow of the Moon.          475

The rock shone bright, the kirk no less,

That stands above the rock:

The moonlight steeped in silentness

The steady weathercock.

The angelic spirits leave the dead bodies,

And the bay was white with silent light,          480

Till rising from the same,

Full many shapes, that shadows were,

In crimson colours came.

And appear in their own forms of light.

A little distance from the prow

Those crimson shadows were:          485

I turned my eyes upon the deck—

Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,

And, by the holy rood!

A man all light, a seraph-man,          490

On every corse there stood.

This seraph-band, each waved his hand:

It was a heavenly sight!

They stood as signals to the land,

Each one a lovely light;          495

This seraph-band, each waved his hand,

No voice did they impart—

No voice; but oh! the silence sank

Like music on my heart.

But soon I heard the dash of oars,          500

I heard the Pilot's cheer;

My head was turned perforce away,

And I saw a boat appear.

The Pilot and the Pilot's boy,

I heard them coming fast:          505

Dear Lord in Heaven! it was a joy

The dead men could not blast.

I saw a third—I heard his voice:

It is the Hermit good!

He singeth loud his godly hymns          510

That he makes in the wood.

He'll shrieve my soul, he'll wash away

The Albatross's blood.

PART VII

The Hermit of the Wood,

This Hermit good lives in that wood

Which slopes down to the sea.          515

How loudly his sweet voice he rears!

He loves to talk with marineres

That come from a far countree.

He kneels at morn, and noon, and eve—

He hath a cushion plump:          520

It is the moss that wholly hides

The rotted old oak-stump.

The skiff-boat neared: I heard them talk,

'Why, this is strange, I trow!

Where are those lights so many and fair,          525

That signal made but now?'

Approacheth the ship with wonder.

'Strange, by my faith!' the Hermit said—

'And they answered not our cheer!

The planks looked warped! and see those sails,

How thin they are and sere!          530

I never saw aught like to them,

Unless perchance it were

Brown skeletons of leaves that lag

My forest-brook along;

When the ivy-tod is heavy with snow,          535

And the owlet whoops to the wolf below,

That eats the she-wolf's young.'

'Dear Lord! it hath a fiendish look—

(The Pilot made reply)

I am a-feared'—'Push on, push on!'          540

Said the Hermit cheerily.

The boat came closer to the ship,

But I nor spake nor stirred;

The boat came close beneath the ship,

And straight a sound was heard.          545

The ship suddenly sinketh.

Under the water it rumbled on,

Still louder and more dread:

It reached the ship, it split the bay;

The ship went down like lead.

The ancient Mariner is saved in the Pilot's boat.

Stunned by that loud and dreadful sound,          550

Which sky and ocean smote,

Like one that hath been seven days drowned

My body lay afloat;

But swift as dreams, myself I found

Within the Pilot's boat.          555

Upon the whirl, where sank the ship,

The boat spun round and round;

And all was still, save that the hill

Was telling of the sound.

I moved my lips—the Pilot shrieked          560

And fell down in a fit;

The holy Hermit raised his eyes,

And prayed where he did sit.

I took the oars: the Pilot's boy,

Who now doth crazy go,          565

Laughed loud and long, and all the while

His eyes went to and fro.

'Ha! ha!' quoth he, 'full plain I see.

The Devil knows how to row.'

And now, all in my own countree,          570

I stood on the firm land!

The Hermit stepped forth from the boat,

And scarcely he could stand.

The ancient Mariner earnestly entreateth the Hermit to shrieve him; and the penance of life falls on him.

'O shrieve me, shrieve me, holy man!'

The Hermit crossed his brow.          575

'Say quick,' quoth he, 'I bid thee say—

What manner of man art thou?'

Forthwith this frame of mine was wrenched

With a woful agony,

Which forced me to begin my tale;          580

And then it left me free.

And ever and anon throughout his future life an agony constraineth him to travel from land to land;

Since then, at an uncertain hour,

That agony returns:

And till my ghastly tale is told,

This heart within me burns.          585

I pass, like night, from land to land;

I have strange power of speech;

That moment that his face I see,

I know the man that must hear me:

To him my tale I teach.          590

What loud uproar bursts from that door!

The wedding-guests are there:

But in the garden-bower the bride

And bride-maids singing are:

And hark the little vesper bell,          595

Which biddeth me to prayer!

O Wedding-Guest! this soul hath been

Alone on a wide wide sea:

So lonely 'twas, that God himself

Scarce seeméd there to be.          600

O sweeter than the marriage-feast,

'Tis sweeter far to me,

To walk together to the kirk

With a goodly company!—

To walk together to the kirk,          605

And all together pray,

While each to his great Father bends,

Old men, and babes, and loving friends

And youths and maidens gay!

And to teach, by his own example, love and reverence to all things that God made and loveth.

Farewell, farewell! but this I tell          610

To thee, thou Wedding-Guest!

He prayeth well, who loveth well

Both man and bird and beast.

He prayeth best, who loveth best

All things both great and small;          615

For the dear God who loveth us,

He made and loveth all.

The Mariner, whose eye is bright,

Whose beard with age is hoar,

Is gone: and now the Wedding-Guest          620

Turned from the bridegroom's door.

He went like one that hath been stunned,

And is of sense forlorn:

A sadder and a wiser man,

He rose the morrow morn.          625

1797-1798.

FOOTNOTES:

[186:1] The Ancient Mariner was first published in the Lyrical Ballads, 1798. It was reprinted in the succeeding editions of 1800, 1802, and 1805. It was first published under the Author's name in Sibylline Leaves, 1817, and included in 1828, 1829, and 1834. For the full text of the poem as published in 1798, vide Appendices. The marginal glosses were added in 1815-1816, when a collected edition of Coleridge's poems was being prepared for the press, and were first published in Sibylline Leaves, 1817, but it is possible that they were the work of a much earlier period. The text of the Ancient Mariner as reprinted in Lyrical Ballads, 1802, 1805 follows that of 1800.

[186:2] The text of the original passage is as follows: 'Facilè credo, plures esse naturas invisibiles quam visibiles, in rerum universitate: pluresque Angelorum ordines in cælo, quam sunt pisces in mari: Sed horum omnium familiam quis nobis enarrabit? Et gradus, et cognationes, et discrimina, et singulorum munera? Harum rerum notitiam semper ambivit ingenium humanum, nunquam attigit . . . Juvat utique non etc.: Archaeologiae Philosophicae sive Doctrina Antiqua De Rerum Originibus. Libri Duo: Londini, MDCXCII, p. 68.'

[186:3] How a Ship, having first sailed to the Equator, was driven by Storms to the cold Country towards the South Pole; how the Ancient Mariner cruelly and in contempt of the laws of hospitality killed a Sea-bird and how he was followed by many and strange Judgements: and in what manner he came back to his own Country, [L. B. 1800.]

[195:1] Om. in Sibylline Leaves, 1817.

[196:1] For the last two lines of this stanza, I am indebted to Mr. WORDSWORTH. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the Autumn of 1797, that this Poem was planned, and in part composed. [Note by S. T. C., first printed in Sibylline Leaves.]

LINENOTES:

Title] The Rime of the Ancyent Marinere. In Seven Parts L. B. 1798: The Ancient Mariner. A Poet's Reverie L. B. 1800, 1802, 1805.

[Note.—The 'Argument' was omitted in L. B. 1802, 1805, Sibylline Leaves, 1817, and in 1828, 1829, and 1834.]

PART I] I L. B. 1798, 1800. The Rime of the Ancient Mariner. In Seven Parts. S. L., 1828, 1829.

[1]

It is an ancyent Marinere L. B. 1798 [ancient is spelled 'ancyent' and Mariner 'Marinere' through out L. B. 1798].

[3]

thy glittering eye L. B. 1798, 1800.

[4]

stopp'st thou] stoppest L. B. 1798, 1800.

Between 8 and 13

But still he holds the wedding guest—

There was a Ship, quoth he—

'Nay, if thou'st got a laughsome tale,

Marinere, [Mariner! 1800] come with me.'

He holds him with his skinny hand—

Quoth he, there was a Ship—

Now get thee hence thou greybeard Loon!

Or my Staff shall make thee skip.

L. B. 1798, 1800.

Between 40 and 55

Listen, Stranger! Storm and Wind,

A Wind and Tempest strong!

For days and weeks it play'd us freaks—

Like chaff we drove along.

Listen Stranger! Mist and Snow,

And it grew wondrous cauld;

And Ice mast-high came floating by

As green as Emerauld.

L. B. 1798.

Between 40 and 51

But now the Northwind came more fierce,

There came a Tempest strong!

And Southward still for days and weeks

Like Chaff we drove along.

L. B. 1800.

Lines 41-50 of the text were added in Sibylline Leaves, 1817. [Note. The emendation in the marginal gloss, 'driven' for 'drawn' first appears in 1893.]

[55]

clifts] clift S. L. [probably a misprint. It is not corrected in the Errata.]

[57]

Nor . . . nor] Ne . . . ne L. B. 1798.

[62]

Like noises of a swound L. B. 1798: A wild and ceaseless sound L. B. 1800.

[65]

And an it were L. B. 1798: As if MS. Corr. S. T. C.

[67]

The Mariners gave it biscuit-worms L. B. 1798, 1800.

[77]

fog-smoke white] fog smoke-white L. B. 1798 (corr. in Errata).

PART II] II L. B. 1798, 1800: The Rime of the Ancient Mariner, Part the Second, S. L. 1828, 1829.

[83]

The Sun came up L. B. 1798.

[85]

And broad as a weft upon the left L. B. 1798.

[89]

Nor] Ne L. B. 1798.

[90]

mariners'] Marinere's L. B. 1798, 1800, S. L. 1817: Mariner's L. B. 1800.

[91]

a] an all editions to 1834.

[95-6]

om. L. B. 1798, 1800: were added in Sibylline Leaves.

[97]

Nor . . . nor] ne . . . ne L. B. 1798. like an Angel's head L. B. 1800.

[103]

The breezes blew L. B. 1798, 1800.

[104]

[190:A]The furrow stream'd off free S. L. 1817.

[190:A] In the former editions the line was,

The furrow follow'd free:

But I had not been long on board a ship, before I perceived that this was the image as seen by a spectator from the shore, or from another vessel. From the ship itself, the Wake appears like a brook flowing off from the stern. Note to S. L. 1817.

[116]

nor . . . nor] ne . . . ne L. B. 1798.

[122]

Nor] Ne L. B. 1798.

[123]

deep] deeps L. B. 1798, 1800.

[139]

well a-day] wel-a-day L. B. 1798, 1800.

Between 143 and 149

I saw a something in the sky

No bigger than my fist;

At first it seem'd, &c.

L. B. 1798.

Between 143 and 147

So past a weary time, each throat

Was parch'd and glaz'd each eye,

When looking westward, &c.

L. B. 1800.

[Lines 143-8 of the text in their present shape were added in Sibylline Leaves, 1817.]

PART III] III L. B. 1798, 1800: The Rime of the Ancient Mariner, Part the Third, S. L. 1828, 1829.

[154]

And still it ner'd and ner'd. L. B. 1798, 1800.

[155]

And, an it dodg'd L. B. 1798: And, as if it dodg'd L. B. 1800, S. L. 1817.

[157-60]

With throat unslack'd with black lips baked

Ne could we laugh, ne wail,

Then while thro' drouth all dumb they stood

I bit my arm, and suck'd the blood

L. B. 1798.

[157]

With throat unslack'd, &c. L. B. 1800, 1802, S. L. 1817.

[160]

Till I bit my arm and suck'd the blood L. B. 1800.

[162]

With throat unslack'd, &c. L. B. 1798, 1800, 1802, S. L. 1817.

[167-70]

She doth not tack from side to side—

Hither to work us weal.

Withouten wind, withouten tide

She steddies with upright keel.

L. B. 1798.

[170]

She steddies L. B. 1800, S. L. 1817.

[177]

straight] strait L. B. 1798, 1800.

[182]

neres and neres L. B. 1798, 1800.

[183]

her] her 1834, and also in 185 and 190.

Between 184-90

Are those her naked ribs, which fleck'd

The sun that did behind them peer?

And are those two all, all the crew,[193:A]

That woman and her fleshless Pheere?

His bones were black with many a crack,

All black and bare I ween;

Jet-black and bare, save where with rust

Of mouldy damps and charnel crust

They're patch'd with purple and green.

L. B. 1798.

Are those her ribs which fleck'd the Sun

Like the bars of a dungeon grate?

And are those two all, all the crew

That woman and her mate?

MS. Correction of S. T. C. in L. B. 1798.

Are those her Ribs, thro' which the Sun

Did peer as thro' a grate?

And are those two all, all her crew,

That Woman, and her Mate?

His bones were black with many a crack

*       *       *       *       *

They were patch'd with purple and green.

L. B. 1800.

This Ship it was a plankless thing,

—A bare Anatomy!

A plankless spectre—and it mov'd

Like a Being of the Sea!

The woman and a fleshless man

Therein sate merrily.

His bones were black, &c. (as in 1800).

This stanza was found added in the handwriting of the Poet in the margin of a copy of the Bristol Edition [1798] of Lyrical Ballads. It is here printed for the first time. Note P. and D. W., 1877-80, ii. 36.

[193:A] those] these Errata, L. B. 1798.

[190-4.]

Her lips are red, her looks are free,

Her locks are yellow as gold:

Her skin is as white as leprosy,

And she is far liker Death than he;

Her flesh makes the still air cold.

L. B. 1798.

Her lips were red, her looks were free,

Her locks were as yellow as gold:

Her skin was as white as leprosy,

And she was far liker Death than he;

Her flesh made the still air cold.

L. B. 1800.

[196]

casting] playing L. B. 1798, 1800.

[197]

The game is done, I've, I've won S. L. 1817, 1828, 1839, 1834, 1844. The restoration of the text of 1798 and 1800 dates from 1852.

[198]

whistles] whistled L. B. 1798, 1800.

Between 198-218

A gust of wind sterte up behind

And whistled thro' his bones;

Thro the

holes of his eyes and the hole of his mouth

hole L. B. 1802, 1805

Half-whistles and half-groans.

With never a whisper in the Sea

Off darts the Spectre-ship;

While clombe above the Eastern bar

The horned Moon with one bright Star

Almost atween the tips.

[Almost between the tips. L. B. 1800.]

One after one by the horned Moon

(Listen, O Stranger! to me)

Each turn'd his face with a ghastly pang

And curs'd me with his ee.

Four times fifty living men,

With never a sigh or groan,

L. B. 1798, 1800.

Between 198-9 A gust of wind . . . half groans. S. L. (Page 15 erase the second stanza. Errata, S. L., p. [xi].)

Between 201-12

With never a whisper on the main

Off shot the spectre ship;

And stifled words and groans of pain

Mix'd on each

murmuring

trembling

lip.

And we look'd round, and we look'd up,

And fear at our hearts, as at a cup,

The Life-blood seem'd to sip—

The sky was dull, and dark the night,

The helmsman's face by his lamp gleam'd bright,

From the sails the dews did drip—

Till clomb above the Eastern Bar,

The horned Moon, with one bright star

Within its nether tip.

Undated MS. correction of S. T. C. (first published 1893).

[208]

dew] dews S. L. 1817.

[209]

clomb] clombe S. L. 1817, 1828.

PART IV] IV. L. B. 1798, 1800: The Rime of the Ancient Mariner, Part the Fourth S. L. 1828, 1829.

[220]

The] Their L. B. 1798, 1800.

[224]

ancyent Marinere L. B. 1798.

[233-4]

Alone on the wide wide sea;

And Christ would take no pity on

L. B. 1798, 1800.

[238]

And a million, million slimy things L. B. 1798, 1800.

[242]

rotting] eldritch L. B. 1798: ghastly L. B. 1800.

[249]

And] Till L. B. 1798, 1800.

[251]

load] cloud S. L. (for cloud read load. Errata, S. L., p. [xi]).

[254]

Ne rot, ne reek L. B. 1798.

[260]

the curse] a curse 1828, 1829.

[268]

Like morning frosts yspread L. B. 1798.

PART V] V. L. B. 1798, 1800: The Rime of the Ancient Mariner, Part the Fifth S. L. 1828, 1829.

[294]

To Mary-queen L. B. 1798, 1800. given] yeven L. B. 1798.

[300]

awoke] woke (a pencilled correction in 1828, ? by S. T. C.).

[309]

The roaring wind! it roar'd far off L. B. 1798.

[313]

burst] bursts L. B. 1798.

[315]

were] are L. B. 1798.

[317]

The stars dance on between. L. B. 1798.

[317-24]

The coming wind doth roar more loud;

The sails do sigh, like sedge:

The rain pours down from one black cloud

And the Moon is at its edge.

Hark! hark! the thick black cloud is cleft,

And the Moon is at its side

L. B. 1798.

[325]

fell] falls L. B. 1798.

[327-8]

The strong wind reach'd the ship: it roar'd

And dropp'd down like a stone!

L. B. 1798.

[332]

nor . . . nor] ne . . . ne L. B. 1798.

Between 344-5

And I quak'd to think of my own voice

How frightful it would be!

L. B. 1798.

[345-9]

om. in L. B. 1798, added in L. B. 1800.

[350]

The daylight dawn'd L. B. 1798.

[359]

sky-lark] Lavrock L. B. 1798.

Between 372-3

Listen, O listen, thou Wedding-guest!

'Marinere! thou hast thy will:

For that, which comes out of thine eye, doth make

My body and soul to be still.'

Never sadder tale was told

To a man of woman born:

Sadder and wiser thou wedding-guest!

Thoul't rise to-morrow morn.

Never sadder tale was heard

By a man of woman born:

The Marineres all return'd to work

As silent as beforne.

The Marineres all 'gan pull the ropes,

But look at me they n'old;

Thought I, I am as thin as air—

They cannot me behold.

L. B. 1798.

[373]

quietly] silently L. B. 1798, 1800.

[392]

down in] into L. B. 1798, 1800.

PART VI] VI. L. B. 1798, 1800: The Rime of the Ancient Mariner. Part the Sixth S. L. 1828, 1829.

[423]

Withouten wave L. B. 1798.

[440-1]

een from theirs; Ne turn L. B. 1798.

[442-6]

And in its time the spell was snapt,

And I could move my een:

I look'd far-forth, but little saw

Of what might else be seen.

L. B. 1798.

[446]

lonesome] lonely L. B. 1798.

[453]

Nor . . . nor] Ne . . . ne L. B. 1798.

[464]

O dream L. B. 1798, 1800.

Between 475-80

The moonlight bay was white all o'er,

Till rising from the same,

Full many shapes, that shadows were,

Like as of torches came.

A little distance from the prow

Those dark-red shadows were;

But soon I saw that my own flesh

Was red as in a glare.

I turn'd my head in fear and dread,

And by the holy rood,

The bodies had advanc'd, and now

Before the mast they stood.

They lifted up their stiff right arms,

They held them strait and tight;

And each right-arm burnt like a torch,

A torch that's borne upright.

Their stony eye-balls glitter'd on

In the red and smoky light.

I pray'd and turn'd my head away

Forth looking as before.

There was no breeze upon the bay,

No wave against the shore.

L. B. 1798.

[487]

Oh, Christ!] O Christ L. B. 1798, 1800.

[498]

oh!] O L. B. 1798, 1800.

[500]

But soon] Eftsones L. B. 1798.

Between 503-4

Then vanish'd all the lovely lights;[205:A]

The bodies rose anew:

With silent pace, each to his place,

Came back the ghastly crew,

The wind, that shade nor motion made,

On me alone it blew.

L. B. 1798.

[205:A]

Then vanish'd all the lovely lights,

The spirits of the air,

No souls of mortal men were they,

But spirits bright and fair.

MS. Correction by S. T. C. in a copy of L. B. 1798.

[511]

makes] maketh (a pencilled correction in 1828, ? by S. T. C.).

PART VII] VII. L. B. 1798, 1800: The Rime of the Ancient Mariner, Part the Seventh S. L. 1829: The Ancient Mariner. Part the Seventh 1828.

[517]

marineres] mariners L. B. 1800.

[518]

That come from a far Contrée. L. B. 1798.

[523]

neared] ner'd L. B. 1798, 1800.

[529]

looked] look L. B. 1798, 1800, S. L.

[533]

Brown] The L. B. 1798, 1800, S. L. [for The read Brown. Errata, S. L. 1817, p. (xi)].

[543]

nor . . . nor] ne . . . ne L. B. 1798.

[577]

What manner man L. B. 1798, 1800.

[582-5]

Since then at an uncertain hour,

Now ofttimes and now fewer,

That anguish comes and makes me tell

My ghastly aventure.

L. B. 1798.

[583]

agony] agency [a misprint] L. B. 1800.

[588]

That] The L. B. 1798, 1800.

[610]

Farewell, farewell] The comma to be omitted. Errata, L. B. 1798.

[618]

The Marinere L. B. 1798.

SONNETS ATTEMPTED IN THE MANNER OF

CONTEMPORARY WRITERS[209:1]

[SIGNED 'NEHEMIAH HIGGINBOTTOM']

I

Pensive at eve on the hard world I mus'd,

And my poor heart was sad: so at the Moon

I gaz'd—and sigh'd, and sigh'd!—for, ah! how soon

Eve darkens into night. Mine eye perus'd

With tearful vacancy the dampy grass          5

Which wept and glitter'd in the paly ray;

And I did pause me on my lonely way,

And mused me on those wretched ones who pass

O'er the black heath of Sorrow. But, alas!

Most of Myself I thought: when it befell          10

That the sooth Spirit of the breezy wood

Breath'd in mine ear—'All this is very well;

But much of one thing is for no thing good.'

Ah! my poor heart's INEXPLICABLE SWELL!

II

TO SIMPLICITY

O! I do love thee, meek Simplicity!

For of thy lays the lulling simpleness

Goes to my heart and soothes each small distress,

Distress though small, yet haply great to me!

'Tis true on Lady Fortune's gentlest pad          5

I amble on; yet, though I know not why,

So sad I am!—but should a friend and I

Grow cool and miff, O! I am very sad!

And then with sonnets and with sympathy

My dreamy bosom's mystic woes I pall;          10

Now of my false friend plaining plaintively,

Now raving at mankind in general;

But, whether sad or fierce, 'tis simple all,

All very simple, meek Simplicity!

III

ON A RUINED HOUSE IN A ROMANTIC COUNTRY

And this reft house is that the which he built,

Lamented Jack! And here his malt he pil'd,

Cautious in vain! These rats that squeak so wild,

Squeak, not unconscious of their father's guilt.

Did ye not see her gleaming thro' the glade?          5

Belike, 'twas she, the maiden all forlorn.

What though she milk no cow with crumpled horn,

Yet aye she haunts the dale where erst she stray'd;

And aye beside her stalks her amorous knight!

Still on his thighs their wonted brogues are worn,          10

And thro' those brogues, still tatter'd and betorn,

His hindward charms gleam an unearthly white;

As when thro' broken clouds at night's high noon

Peeps in fair fragments forth the full-orb'd harvest-moon!

1797.

FOOTNOTES:

[209:1] First published in the Monthly Magazine for November, 1797. They were reprinted in the Poetical Register for 1803 (1805); by Coleridge in the Biographia Literaria, 1817, i. 26-8[209:A]; and by Cottle in Early Recollections, i. 290-2; and in Reminiscences, p. 160. They were first collected in P. and D. W., 1877-80, i. 211-13.

[209:A] 'Under the name of Nehemiah Higginbottom I contributed three sonnets, the first of which had for its object to excite a good-natured laugh at the spirit of doleful egotism and at the recurrence of favourite phrases, with the double defect of being at once trite and licentious. The second was on low creeping language and thoughts under the pretence of simplicity. The third, the phrases of which were borrowed entirely from my own poems, on the indiscriminate use of elaborate and swelling language and imagery. . . . So general at the time and so decided was the opinion concerning the characteristic vices of my style that a celebrated physician (now alas! no more) speaking of me in other respects with his usual kindness to a gentleman who was about to meet me at a dinner-party could not, however, resist giving him a hint not to mention The House that Jack Built in my presence, for that I was as sore as a boil about that sonnet, he not knowing that I was myself the author of it.'

Coleridge's first account of these sonnets in a letter to Cottle [November, 1797] is much to the same effect:—'I sent to the Monthly Magazine (1797) three mock Sonnets in ridicule of my own Poems, and Charles Lloyd's and Lamb's, etc., etc., exposing that affectation of unaffectedness, of jumping and misplaced accent in common-place epithets, flat lines forced into poetry by italics (signifying how well and mouthishly the author would read them), puny pathos, etc., etc. The instances were almost all taken from myself and Lloyd and Lamb. I signed them "Nehemiah Higginbottom". I think they may do good to our young Bards.' [E. R., i. 289; Rem. 160.]

LINENOTES:

Title] Sonnet I M. M.

[4]

darkens] saddens B. L., i. 27.

[6]

Which] That B. L., i. 27.

[8]

those] the B. L., i. 27. who] that B. L., i. 27.

[9]

black] bleak B. L., i. 27.

[14]

Ah!] Oh! B. L., i. 27.

Sonnet II. To Simplicity M. M.: no title in B. L.

[6]

yet, though] and yet B. L., i. 27.

[8]

Frown, pout and part then I am very sad B. L., i. 27.

[12]

in gener-al Cottle, E. R., i. 288.

III] Sonnet III. To, &c. M. M.

[10]

their] his Cottle, E. R., i. 292.

[13]

As when] Ah! thus B. L., i. 27.

PARLIAMENTARY OSCILLATORS[211:1]

Almost awake? Why, what is this, and whence,

O ye right loyal men, all undefiléd?

Sure, 'tis not possible that Common-Sense

Has hitch'd her pullies to each heavy eye-lid?

Yet wherefore else that start, which discomposes          5

The drowsy waters lingering in your eye?

And are you really able to descry

That precipice three yards beyond your noses?

Yet flatter you I cannot, that your wit

Is much improved by this long loyal dozing;          10

And I admire, no more than Mr. Pitt,

Your jumps and starts of patriotic prosing—

Now cluttering to the Treasury Cluck, like chicken,

Now with small beaks the ravenous Bill opposing;[212:1]

With serpent-tongue now stinging, and now licking,          15

Now semi-sibilant, now smoothly glozing—

Now having faith implicit that he can't err,

Hoping his hopes, alarm'd with his alarms;

And now believing him a sly inchanter,

Yet still afraid to break his brittle charms,          20

Lest some mad Devil suddenly unhamp'ring,

Slap-dash! the imp should fly off with the steeple,

On revolutionary broom-stick scampering.—

O ye soft-headed and soft-hearted people,

If you can stay so long from slumber free,          25

My muse shall make an effort to salute 'e:

For lo! a very dainty simile

Flash'd sudden through my brain, and 'twill just suit 'e!

You know that water-fowl that cries, Quack! Quack!?

Full often have I seen a waggish crew          30

Fasten the Bird of Wisdom on its back,

The ivy-haunting bird, that cries, Tu-whoo!

Both plung'd together in the deep mill-stream,

(Mill-stream, or farm-yard pond, or mountain-lake,)

Shrill, as a Church and Constitution scream,          35

Tu-whoo! quoth Broad-face, and down dives the Drake!

The green-neck'd Drake once more pops up to view,

Stares round, cries Quack! and makes an angry pother;

Then shriller screams the Bird with eye-lids blue,

The broad-faced Bird! and deeper dives the other.          40

Ye quacking Statesmen! 'tis even so with you—

One Peasecod is not liker to another.

Even so on Loyalty's Decoy-pond, each

Pops up his head, as fir'd with British blood,

Hears once again the Ministerial screech,          45

And once more seeks the bottom's blackest mud!

1798.

(Signed: LABERIUS.)

FOOTNOTES:

[211:1] First published in the Cambridge Intelligencer, January 6, 1798: included in Sibylline Leaves, 1817: Essays on His own Times, 1850, iii. 969-70. First collected in P. and D. W., 1877-80. In Sibylline Leaves the poem is incorrectly dated 1794.

[212:1] Pitt's 'treble assessment at seven millions' which formed part of the budget for 1798. The grant was carried in the House of Commons, Jan. 4, 1798.

LINENOTES:

Title] To Sir John Sinclair, S. Thornton, Alderman Lushington, and the whole Troop of Parliamentary Oscillators C. I.

[2]

right] tight C. I.

[3]

It's hardly possible C. I.

[9]

But yet I cannot flatter you, your wit C. I.

[14]

the] his C. I.

[24]

O ye soft-hearted and soft-headed, &c. C. I.

[26, 28]

'e] ye C. I.

[29]

that cries] which cries C. I.

[30]

Full often] Ditch-full oft C. I.

[31]

Fasten] Fallen C. I.

CHRISTABEL[213:1]

PREFACE

The first part of the following poem was written in the

year 1797, at Stowey, in the county of Somerset. The

second part, after my return from Germany, in the year

1800, at Keswick, Cumberland. It is probable that if the

poem had been finished at either of the former periods, or          5

if even the first and second part had been published in the

year 1800, the impression of its originality would have been

much greater than I dare at present expect. But for this

I have only my own indolence to blame. The dates are

mentioned for the exclusive purpose of precluding charges of          10

plagiarism or servile imitation from myself. For there is

amongst us a set of critics, who seem to hold, that every

possible thought and image is traditional; who have no

notion that there are such things as fountains in the world,

small as well as great; and who would therefore charitably          15

derive every rill they behold flowing, from a perforation

made in some other man's tank. I am confident, however,

that as far as the present poem is concerned, the celebrated

poets[215:1] whose writings I might be suspected of having

imitated, either in particular passages, or in the tone and          20

the spirit of the whole, would be among the first to vindicate

me from the charge, and who, on any striking coincidence,

would permit me to address them in this doggerel version

of two monkish Latin hexameters.[215:2]

'Tis mine and it is likewise yours;          25

But an if this will not do;

Let it be mine, good friend! for I

Am the poorer of the two.

I have only to add that the metre of Christabel is not,

properly speaking, irregular, though it may seem so from its          30

being founded on a new principle: namely, that of counting

in each line the accents, not the syllables. Though the latter

may vary from seven to twelve, yet in each line the accents

will be found to be only four. Nevertheless, this occasional

variation in number of syllables is not introduced wantonly,          35

or for the mere ends of convenience, but in correspondence

with some transition in the nature of the imagery or passion.

PART I

'Tis the middle of night by the castle clock,

And the owls have awakened the crowing cock;

Tu—whit!—--Tu—whoo!

And hark, again! the crowing cock,

How drowsily it crew.          5

Sir Leoline, the Baron rich,

Hath a toothless mastiff bitch;

From her kennel beneath the rock

She maketh answer to the clock,

Four for the quarters, and twelve for the hour;          10

Ever and aye, by shine and shower,

Sixteen short howls, not over loud;

Some say, she sees my lady's shroud.

Is the night chilly and dark?

The night is chilly, but not dark.          15

The thin gray cloud is spread on high,

It covers but not hides the sky.

The moon is behind, and at the full;

And yet she looks both small and dull.

The night is chill, the cloud is gray:          20

'Tis a month before the month of May,

And the Spring comes slowly up this way.

The lovely lady, Christabel,

Whom her father loves so well,

What makes her in the wood so late,          25

A furlong from the castle gate?

She had dreams all yesternight

Of her own betrothéd knight;

And she in the midnight wood will pray

For the weal of her lover that's far away.          30

She stole along, she nothing spoke,

The sighs she heaved were soft and low,

And naught was green upon the oak

But moss and rarest misletoe:

She kneels beneath the huge oak tree,          35

And in silence prayeth she.

The lady sprang up suddenly,

The lovely lady, Christabel!

It moaned as near, as near can be,

But what it is she cannot tell.—          40

On the other side it seems to be,

Of the huge, broad-breasted, old oak tree.

The night is chill; the forest bare;

Is it the wind that moaneth bleak?

There is not wind enough in the air          45

To move away the ringlet curl

From the lovely lady's cheek—

There is not wind enough to twirl

The one red leaf, the last of its clan,

That dances as often as dance it can,          50

Hanging so light, and hanging so high,

On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!

Jesu, Maria, shield her well!

She folded her arms beneath her cloak,          55

And stole to the other side of the oak.

What sees she there?

There she sees a damsel bright,

Drest in a silken robe of white,

That shadowy in the moonlight shone:          60

The neck that made that white robe wan,

Her stately neck, and arms were bare;

Her blue-veined feet unsandal'd were,

And wildly glittered here and there

The gems entangled in her hair.          65

I guess, 'twas frightful there to see

A lady so richly clad as she—

Beautiful exceedingly!

Mary mother, save me now!

(Said Christabel,) And who art thou?          70

The lady strange made answer meet,

And her voice was faint and sweet:—

Have pity on my sore distress,

I scarce can speak for weariness:

Stretch forth thy hand, and have no fear!          75

Said Christabel, How camest thou here?

And the lady, whose voice was faint and sweet,

Did thus pursue her answer meet:—

My sire is of a noble line,

And my name is Geraldine:          80

Five warriors seized me yestermorn,

Me, even me, a maid forlorn:

They choked my cries with force and fright,

And tied me on a palfrey white.

The palfrey was as fleet as wind,          85

And they rode furiously behind.

They spurred amain, their steeds were white:

And once we crossed the shade of night.

As sure as Heaven shall rescue me,

I have no thought what men they be;          90

Nor do I know how long it is

(For I have lain entranced I wis)

Since one, the tallest of the five,

Took me from the palfrey's back,

A weary woman, scarce alive.          95

Some muttered words his comrades spoke:

Ha placed me underneath this oak;

He swore they would return with haste;

Whither they went I cannot tell—

I thought I heard, some minutes past,          100

Sounds as of a castle bell.

Stretch forth thy hand (thus ended she),

And help a wretched maid to flee.

Then Christabel stretched forth her hand,

And comforted fair Geraldine:          105

O well, bright dame! may you command

The service of Sir Leoline;

And gladly our stout chivalry

Will he send forth and friends withal

To guide and guard you safe and free          110

Home to your noble father's hall.

She rose: and forth with steps they passed

That strove to be, and were not, fast.

Her gracious stars the lady blest,

And thus spake on sweet Christabel:          115

All our household are at rest,

The hall as silent as the cell;

Sir Leoline is weak in health,

And may not well awakened be,

But we will move as if in stealth,          120

And I beseech your courtesy,

This night, to share your couch with me.

They crossed the moat, and Christabel

Took the key that fitted well;

A little door she opened straight,          125

All in the middle of the gate;

The gate that was ironed within and without,

Where an army in battle array had marched out.

The lady sank, belike through pain,

And Christabel with might and main          130

Lifted her up, a weary weight,

Over the threshold of the gate:

Then the lady rose again,

And moved, as she were not in pain.

So free from danger, free from fear,          135

They crossed the court: right glad they were.

And Christabel devoutly cried

To the lady by her side,

Praise we the Virgin all divine

Who hath rescued thee from thy distress!          140

Alas, alas! said Geraldine,

I cannot speak for weariness.

So free from danger, free from fear,

They crossed the court: right glad they were.

Outside her kennel, the mastiff old          145

Lay fast asleep, in moonshine cold.

The mastiff old did not awake,

Yet she an angry moan did make!

And what can ail the mastiff bitch?

Never till now she uttered yell          150

Beneath the eye of Christabel.

Perhaps it is the owlet's scritch:

For what can ail the mastiff bitch?

They passed the hall, that echoes still,

Pass as lightly as you will!          155

The brands were flat, the brands were dying,

Amid their own white ashes lying;

But when the lady passed, there came

A tongue of light, a fit of flame;

And Christabel saw the lady's eye,          160

And nothing else saw she thereby,

Save the boss of the shield of Sir Leoline tall,

Which hung in a murky old niche in the wall.

O softly tread, said Christabel,

My father seldom sleepeth well.          165

Sweet Christabel her feet doth bare,

And jealous of the listening air

They steal their way from stair to stair,

Now in glimmer, and now in gloom,

And now they pass the Baron's room,          170

As still as death, with stifled breath!

And now have reached her chamber door;

And now doth Geraldine press down

The rushes of the chamber floor.

The moon shines dim in the open air,          175

And not a moonbeam enters here.

But they without its light can see

The chamber carved so curiously,

Carved with figures strange and sweet,

All made out of the carver's brain,          180

For a lady's chamber meet:

The lamp with twofold silver chain

Is fastened to an angel's feet.

The silver lamp burns dead and dim;

But Christabel the lamp will trim.          185

She trimmed the lamp, and made it bright,

And left it swinging to and fro,

While Geraldine, in wretched plight,

Sank down upon the floor below.

O weary lady, Geraldine,          190

I pray you, drink this cordial wine!

It is a wine of virtuous powers;

My mother made it of wild flowers.

And will your mother pity me,

Who am a maiden most forlorn?          195

Christabel answered—Woe is me!

She died the hour that I was born.

I have heard the grey-haired friar tell

How on her death-bed she did say,

That she should hear the castle-bell          200

Strike twelve upon my wedding-day.

O mother dear! that thou wert here!

I would, said Geraldine, she were!

But soon with altered voice, said she—

'Off, wandering mother! Peak and pine!          205

I have power to bid thee flee.'

Alas! what ails poor Geraldine?

Why stares she with unsettled eye?

Can she the bodiless dead espy?

And why with hollow voice cries she,          210

'Off, woman, off! this hour is mine—

Though thou her guardian spirit be,

Off, woman, off! 'tis given to me.'

Then Christabel knelt by the lady's side,

And raised to heaven her eyes so blue—          215

Alas! said she, this ghastly ride—

Dear lady! it hath wildered you!

The lady wiped her moist cold brow,

And faintly said, ''tis over now!'

Again the wild-flower wine she drank:          220

Her fair large eyes 'gan glitter bright,

And from the floor whereon she sank,

The lofty lady stood upright:

She was most beautiful to see,

Like a lady of a far countrée.          225

And thus the lofty lady spake—

'All they who live in the upper sky,

Do love you, holy Christabel!

And you love them, and for their sake

And for the good which me befel,          230

Even I in my degree will try,

Fair maiden, to requite you well.

But now unrobe yourself; for I

Must pray, ere yet in bed I lie.'

Quoth Christabel, So let it be!          235

And as the lady bade, did she.

Her gentle limbs did she undress,

And lay down in her loveliness.

But through her brain of weal and woe

So many thoughts moved to and fro,          240

That vain it were her lids to close;

So half-way from the bed she rose,

And on her elbow did recline

To look at the lady Geraldine.

Beneath the lamp the lady bowed,          245

And slowly rolled her eyes around;

Then drawing in her breath aloud,

Like one that shuddered, she unbound

The cincture from beneath her breast:

Her silken robe, and inner vest,          250

Dropt to her feet, and full in view,

Behold! her bosom and half her side—

A sight to dream of, not to tell!

O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs;          255

Ah! what a stricken look was hers!

Deep from within she seems half-way

To lift some weight with sick assay,

And eyes the maid and seeks delay;

Then suddenly, as one defied,          260

Collects herself in scorn and pride,

And lay down by the Maiden's side!—

And in her arms the maid she took,

Ah wel-a-day!

And with low voice and doleful look          265

These words did say:

'In the touch of this bosom there worketh a spell,

Which is lord of thy utterance, Christabel!

Thou knowest to-night, and wilt know to-morrow,

This mark of my shame, this seal of my sorrow;          270

But vainly thou warrest,

For this is alone in

Thy power to declare,

That in the dim forest

Thou heard'st a low moaning,          275

And found'st a bright lady, surpassingly fair;

And didst bring her home with thee in love and in charity,

To shield her and shelter her from the damp air.'

THE CONCLUSION TO PART I

It was a lovely sight to see

The lady Christabel, when she          280

Was praying at the old oak tree.

Amid the jaggéd shadows

Of mossy leafless boughs,

Kneeling in the moonlight,

To make her gentle vows;          285

Her slender palms together prest,

Heaving sometimes on her breast;

Her face resigned to bliss or bale—

Her face, oh call it fair not pale,

And both blue eyes more bright than clear,          290

Each about to have a tear.

With open eyes (ah woe is me!)

Asleep, and dreaming fearfully,

Fearfully dreaming, yet, I wis,

Dreaming that alone, which is—          295

O sorrow and shame! Can this be she,

The lady, who knelt at the old oak tree?

And lo! the worker of these harms,

That holds the maiden in her arms,

Seems to slumber still and mild,          300

As a mother with her child.

A star hath set, a star hath risen,

O Geraldine! since arms of thine

Have been the lovely lady's prison.

O Geraldine! one hour was thine—          305

Thou'st had thy will! By tairn and rill,

The night-birds all that hour were still.

But now they are jubilant anew,

From cliff and tower, tu—whoo! tu—whoo!

Tu—whoo! tu—whoo! from wood and fell!          310

And see! the lady Christabel

Gathers herself from out her trance;

Her limbs relax, her countenance

Grows sad and soft; the smooth thin lids

Close o'er her eyes; and tears she sheds—          315

Large tears that leave the lashes bright!

And oft the while she seems to smile

As infants at a sudden light!

Yea, she doth smile, and she doth weep,

Like a youthful hermitess,          320

Beauteous in a wilderness,

Who, praying always, prays in sleep.

And, if she move unquietly,

Perchance, 'tis but the blood so free

Comes back and tingles in her feet.          325

No doubt, she hath a vision sweet.

What if her guardian spirit 'twere,

What if she knew her mother near?

But this she knows, in joys and woes,

That saints will aid if men will call:          330

For the blue sky bends over all!

1797.

PART II

Each matin bell, the Baron saith,

Knells us back to a world of death.

These words Sir Leoline first said,

When he rose and found his lady dead:          335

These words Sir Leoline will say

Many a morn to his dying day!

And hence the custom and law began

That still at dawn the sacristan,

Who duly pulls the heavy bell,          340

Five and forty beads must tell

Between each stroke—a warning knell,

Which not a soul can choose but hear

From Bratha Head to Wyndermere.

Saith Bracy the bard, So let it knell!          345

And let the drowsy sacristan

Still count as slowly as he can!

There is no lack of such, I ween,

As well fill up the space between.

In Langdale Pike and Witch's Lair,          350

And Dungeon-ghyll so foully rent,

With ropes of rock and bells of air

Three sinful sextons' ghosts are pent,

Who all give back, one after t'other,

The death-note to their living brother;          355

And oft too, by the knell offended,

Just as their one! two! three! is ended,

The devil mocks the doleful tale

With a merry peal from Borodale.

The air is still! through mist and cloud          360

That merry peal comes ringing loud;

And Geraldine shakes off her dread,

And rises lightly from the bed;

Puts on her silken vestments white,

And tricks her hair in lovely plight,          365

And nothing doubting of her spell

Awakens the lady Christabel.

'Sleep you, sweet lady Christabel?

I trust that you have rested well.'

And Christabel awoke and spied          370

The same who lay down by her side—

O rather say, the same whom she

Raised up beneath the old oak tree!

Nay, fairer yet! and yet more fair!

For she belike hath drunken deep          375

Of all the blessedness of sleep!

And while she spake, her looks, her air

Such gentle thankfulness declare,

That (so it seemed) her girded vests

Grew tight beneath her heaving breasts.          380

'Sure I have sinn'd!' said Christabel,

'Now heaven be praised if all be well!'

And in low faltering tones, yet sweet,

Did she the lofty lady greet

With such perplexity of mind          385

As dreams too lively leave behind.

So quickly she rose, and quickly arrayed

Her maiden limbs, and having prayed

That He, who on the cross did groan,

Might wash away her sins unknown,          390

She forthwith led fair Geraldine

To meet her sire, Sir Leoline.

The lovely maid and the lady tall

Are pacing both into the hall,

And pacing on through page and groom,          395

Enter the Baron's presence-room.

The Baron rose, and while he prest

His gentle daughter to his breast,

With cheerful wonder in his eyes

The lady Geraldine espies,          400

And gave such welcome to the same,

As might beseem so bright a dame!

But when he heard the lady's tale,

And when she told her father's name,

Why waxed Sir Leoline so pale,          405

Murmuring o'er the name again,

Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;

But whispering tongues can poison truth;

And constancy lives in realms above;          410

And life is thorny; and youth is vain;

And to be wroth with one we love

Doth work like madness in the brain.

And thus it chanced, as I divine,

With Roland and Sir Leoline.          415

Each spake words of high disdain

And insult to his heart's best brother:

They parted—ne'er to meet again!

But never either found another

To free the hollow heart from paining—          420

They stood aloof, the scars remaining,

Like cliffs which had been rent asunder;

A dreary sea now flows between;—

But neither heat, nor frost, nor thunder,

Shall wholly do away, I ween,          425

The marks of that which once hath been.

Sir Leoline, a moment's space,

Stood gazing on the damsel's face:

And the youthful Lord of Tryermaine

Came back upon his heart again.          430

O then the Baron forgot his age,

His noble heart swelled high with rage;

He swore by the wounds in Jesu's side

He would proclaim it far and wide,

With trump and solemn heraldry,          435

That they, who thus had wronged the dame,

Were base as spotted infamy!

'And if they dare deny the same,

My herald shall appoint a week,

And let the recreant traitors seek          440

My tourney court—that there and then

I may dislodge their reptile souls

From the bodies and forms of men!'

He spake: his eye in lightning rolls!

For the lady was ruthlessly seized; and he kenned          445

In the beautiful lady the child of his friend!

And now the tears were on his face,

And fondly in his arms he took

Fair Geraldine, who met the embrace,

Prolonging it with joyous look.          450

Which when she viewed, a vision fell

Upon the soul of Christabel,

The vision of fear, the touch and pain!

She shrunk and shuddered, and saw again—

(Ah, woe is me! Was it for thee,          455

Thou gentle maid! such sights to see?)

Again she saw that bosom old,

Again she felt that bosom cold,

And drew in her breath with a hissing sound:

Whereat the Knight turned wildly round,          460

And nothing saw, but his own sweet maid

With eyes upraised, as one that prayed.

The touch, the sight, had passed away,

And in its stead that vision blest,

Which comforted her after-rest          465

While in the lady's arms she lay,

Had put a rapture in her breast,

And on her lips and o'er her eyes

Spread smiles like light!

With new surprise,

'What ails then my belovéd child?'          470

The Baron said—His daughter mild

Made answer, 'All will yet be well!'

I ween, she had no power to tell

Aught else: so mighty was the spell.

Yet he, who saw this Geraldine,          475

Had deemed her sure a thing divine:

Such sorrow with such grace she blended,

As if she feared she had offended

Sweet Christabel, that gentle maid!

And with such lowly tones she prayed          480

She might be sent without delay

Home to her father's mansion.

'Nay!

Nay, by my soul!' said Leoline.

'Ho! Bracy the bard, the charge be thine!

Go thou, with music sweet and loud,          485

And take two steeds with trappings proud,

And take the youth whom thou lov'st best

To bear thy harp, and learn thy song,

And clothe you both in solemn vest,

And over the mountains haste along,          490

Lest wandering folk, that are abroad,

Detain you on the valley road.

'And when he has crossed the Irthing flood,

My merry bard! he hastes, he hastes

Up Knorren Moor, through Halegarth Wood,          495

And reaches soon that castle good

Which stands and threatens Scotland's wastes.

'Bard Bracy! bard Bracy! your horses are fleet,

Ye must ride up the hall, your music so sweet,

More loud than your horses' echoing feet!          500

And loud and loud to Lord Roland call,

Thy daughter is safe in Langdale hall!

Thy beautiful daughter is safe and free—

Sir Leoline greets thee thus through me!

He bids thee come without delay          505

With all thy numerous array

And take thy lovely daughter home:

And he will meet thee on the way

With all his numerous array

White with their panting palfreys' foam:          510

And, by mine honour! I will say,

That I repent me of the day

When I spake words of fierce disdain

To Roland de Vaux of Tryermaine!—

—For since that evil hour hath flown,          515

Many a summer's sun hath shone;

Yet ne'er found I a friend again

Like Roland de Vaux of Tryermaine.'

The lady fell, and clasped his knees,

Her face upraised, her eyes o'erflowing;          520

And Bracy replied, with faltering voice,

His gracious Hail on all bestowing!—

'Thy words, thou sire of Christabel,

Are sweeter than my harp can tell;

Yet might I gain a boon of thee,          525

This day my journey should not be,

So strange a dream hath come to me,

That I had vowed with music loud

To clear yon wood from thing unblest,

Warned by a vision in my rest!          530

For in my sleep I saw that dove,

That gentle bird, whom thou dost love,

And call'st by thy own daughter's name—

Sir Leoline! I saw the same

Fluttering, and uttering fearful moan,          535

Among the green herbs in the forest alone.

Which when I saw and when I heard,

I wonder'd what might ail the bird;

For nothing near it could I see,

Save the grass and green herbs underneath the old tree.          540

'And in my dream methought I went

To search out what might there be found;

And what the sweet bird's trouble meant,

That thus lay fluttering on the ground.

I went and peered, and could descry          545

No cause for her distressful cry;

But yet for her dear lady's sake

I stooped, methought, the dove to take,

When lo! I saw a bright green snake

Coiled around its wings and neck.          550

Green as the herbs on which it couched,

Close by the dove's its head it crouched;

And with the dove it heaves and stirs,

Swelling its neck as she swelled hers!

I woke; it was the midnight hour,          555

The clock was echoing in the tower;

But though my slumber was gone by,

This dream it would not pass away—

It seems to live upon my eye!

And thence I vowed this self-same day          560

With music strong and saintly song

To wander through the forest bare,

Lest aught unholy loiter there.'

Thus Bracy said: the Baron, the while,

Half-listening heard him with a smile;          565

Then turned to Lady Geraldine,

His eyes made up of wonder and love;

And said in courtly accents fine,

'Sweet maid, Lord Roland's beauteous dove,

With arms more strong than harp or song,          570

Thy sire and I will crush the snake!'

He kissed her forehead as he spake,

And Geraldine in maiden wise

Casting down her large bright eyes,

With blushing cheek and courtesy fine          575

She turned her from Sir Leoline;

Softly gathering up her train,

That o'er her right arm fell again;

And folded her arms across her chest,

And couched her head upon her breast,          580

And looked askance at Christabel—

Jesu, Maria, shield her well!

A snake's small eye blinks dull and shy;

And the lady's eyes they shrunk in her head,

Each shrunk up to a serpent's eye,          585

And with somewhat of malice, and more of dread,

At Christabel she looked askance!—

One moment—and the sight was fled!

But Christabel in dizzy trance

Stumbling on the unsteady ground          590

Shuddered aloud, with a hissing sound;

And Geraldine again turned round,

And like a thing, that sought relief,

Full of wonder and full of grief,

She rolled her large bright eyes divine          595

Wildly on Sir Leoline.

The maid, alas! her thoughts are gone,

She nothing sees—no sight but one!

The maid, devoid of guile and sin,

I know not how, in fearful wise,          600

So deeply had she drunken in

That look, those shrunken serpent eyes,

That all her features were resigned

To this sole image in her mind:

And passively did imitate          605

That look of dull and treacherous hate!

And thus she stood, in dizzy trance,

Still picturing that look askance

With forced unconscious sympathy

Full before her father's view——          610

As far as such a look could be

In eyes so innocent and blue!

And when the trance was o'er, the maid

Paused awhile, and inly prayed:

Then falling at the Baron's feet,          615

'By my mother's soul do I entreat

That thou this woman send away!'

She said: and more she could not say:

For what she knew she could not tell,

O'er-mastered by the mighty spell.          620

Why is thy cheek so wan and wild,

Sir Leoline? Thy only child

Lies at thy feet, thy joy, thy pride,

So fair, so innocent, so mild;

The same, for whom thy lady died!          625

O by the pangs of her dear mother

Think thou no evil of thy child!

For her, and thee, and for no other,

She prayed the moment ere she died:

Prayed that the babe for whom she died,          630

Might prove her dear lord's joy and pride!

That prayer her deadly pangs beguiled,

Sir Leoline!

And wouldst thou wrong thy only child,

Her child and thine?          635

Within the Baron's heart and brain

If thoughts, like these, had any share,

They only swelled his rage and pain,

And did but work confusion there.

His heart was cleft with pain and rage,          640

His cheeks they quivered, his eyes were wild,

Dishonoured thus in his old age;

Dishonoured by his only child,

And all his hospitality

To the wronged daughter of his friend          645

By more than woman's jealousy

Brought thus to a disgraceful end—

He rolled his eye with stern regard

Upon the gentle minstrel bard,

And said in tones abrupt, austere—          650

'Why, Bracy! dost thou loiter here?

I bade thee hence!' The bard obeyed;

And turning from his own sweet maid,

The agéd knight, Sir Leoline,

Led forth the lady Geraldine!          655

1800.

THE CONCLUSION TO PART II

A little child, a limber elf,

Singing, dancing to itself,

A fairy thing with red round cheeks,

That always finds, and never seeks,

Makes such a vision to the sight          660

As fills a father's eyes with light;

And pleasures flow in so thick and fast

Upon his heart, that he at last

Must needs express his love's excess

With words of unmeant bitterness.          665

Perhaps 'tis pretty to force together

Thoughts so all unlike each other;

To mutter and mock a broken charm,

To dally with wrong that does no harm.

Perhaps 'tis tender too and pretty          670

At each wild word to feel within

A sweet recoil of love and pity.

And what, if in a world of sin

(O sorrow and shame should this be true!)

Such giddiness of heart and brain          675

Comes seldom save from rage and pain,

So talks as it's most used to do.

1801.

FOOTNOTES:

[213:1] First published, together with Kubla Khan and The Pains of Sleep, 1816: included in 1828, 1829, and 1834. Three MSS. of Christabel have passed through my hands. The earliest, which belonged to Wordsworth, is partly in Coleridge's handwriting and partly in that of Mary Hutchinson (Mrs. Wordsworth). The probable date of this MS., now in the possession of the poet's grandson, Mr. Gordon Wordsworth, is April-October, 1800. Later in the same year, or perhaps in 1801, Coleridge made a copy of the First Part (or Book), the Conclusion to the First Book, and the Second Book, and presented it to Mrs. Wordsworth's sister, Sarah Hutchinson. A facsimile of the MS., now in the possession of Miss Edith Coleridge, was issued in collotype in the edition of Christabel published in 1907, under the auspices of the Royal Society of Literature. In 1801, or at some subsequent period (possibly not till 1815), Miss Hutchinson transcribed Coleridge's MS. The water-mark of the paper is 1801. Her transcript, now in the possession of Mr. A. H. Hallam Murray, was sent to Lord Byron in October, 1815. It is possible that this transcription was the 'copy' for the First Edition published in 1816; but, if so, Coleridge altered the text whilst the poem was passing through the press.

The existence of two other MSS. rests on the authority of John Payne Collier (see Seven Lectures on Shakespeare and Milton. By S. T. Coleridge, 1856, pp. xxxix-xliii).

The first, which remained in his possession for many years, was a copy in the handwriting of Sarah Stoddart (afterwards Mrs. Hazlitt). J. P. Collier notes certain differences between this MS., which he calls the 'Salisbury Copy', and the text of the First Edition. He goes on to say that before Christabel was published Coleridge lent him an MS. in his own handwriting, and he gives two or three readings from the second MS. which differ from the text of the 'Salisbury Copy' and from the texts of those MSS. which have been placed in my hands.

The copy of the First Edition of Christabel presented to William Stewart Rose's valet, David Hinves, on November 11, 1816, which Coleridge had already corrected, is now in the possession of Mr. John Murray. The emendations and additions inscribed on the margin of this volume were included in the collected edition of Coleridge's Poetical Works, published by William Pickering in 1828. The editions of 1829 and 1834 closely followed the edition of 1828, but in 1834 there was in one particular instance (Part I, lines 6-10) a reversion to the text of the First Edition. The MS. of the 'Conclusion of Part II' forms part of a letter to Southey dated May 6, 1801. (Letters of S. T. C., 1895, i. 355.) The following abbreviations have been employed to note the MSS. and transcriptions of Christabel:—

1. The Wordsworth MS., partly in Coleridge's (lines 1-295), and partly in Mary Hutchinson's (lines 295-655) handwriting = MS. W.

2. The Salisbury MS., copied by Sarah Stoddart = S. T. C. (a).

3. The MS. lent by Coleridge to Payne Collier = S. T. C. (b).

4. Autograph MS. in possession of Miss Edith Coleridge (reproduced in facsimile in 1907) = S. T. C. (c).

5. Transcription made by Sarah Hutchinson = S. H.

6. Corrections made by Coleridge in the Copy of the First Edition presented to David Hinves = H. 1816.

[215:1] Sir Walter Scott and Lord Byron.

[215:2] The 'Latin hexameters', 'in the lame and limping metre of a barbarous Latin poet', ran thus:

'Est meum et est tuum, amice! at si amborum nequit esse,

Sit meum, amice, precor: quia certe sum magi' pauper.'

It is interesting to note that Coleridge translated these lines in November, 1801, long before the 'celebrated poets' in question had made, or seemed to make, it desirable to 'preclude a charge of plagiarism'.

LINENOTES:

PREFACE] Prefixed to the three issues of 1816, and to 1828, 1829, 1834.

[2]

The year one thousand seven hundred and ninety seven 1816, 1828, 1829.

[3, 4]

The year one thousand eight hundred 1816, 1828, 1829.

[4]

after 'Cumberland'] Since the latter date, my poetic powers have been, till very lately, in a state of suspended animation. But as, in my very first conception of the tale, I had the whole present to my mind, with the wholeness, no less than the liveliness of a vision; I trust that I shall be able to embody in verse the three parts yet to come, in the course of the present year. It is probable, &c. 1816, 1828, 1829: om. 1834.

[23]

doggrel 1816, 1828, 1829.

PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.

[3]

Tu-u-whoo! Tu-u-whoo! MS. W., S. T. C. (c), S. H.

[6-7]

Sir Leoline the Baron bold

Hath a toothless mastiff old

H. 1816.

Sir Leoline, the Baron rich,

Hath a toothless mastiff which

H. 1816, 1828, 1829, 1893.

[9]

She makes MS. W., S. T. C. (c), S. H., First Edition: Maketh H. 1816, 1828, 1829.

[11]

moonshine or shower MS. W., S. T. C. (c), S. H., First Edition: by shine or shower H. 1816.

Between 28-9

Dreams, that made her moan and leap,

As on her bed she lay in sleep.

First Edition: Erased H. 1816: Not in any MS.

[32]

The breezes they were whispering low S. T. C. (a): The breezes they were still also MS. W., S. T. C. (c), S. H., First Edition.

[34]

But the moss and misletoe MS. W., S. T. C. (c), S. H.

[35]

kneels] knelt MS. W., S. T. C. (c), S. H.

[37]

sprang] leaps MS. W., S. T. C. (c), S. H., First Edition.

[39]

can] could H. 1816.

[45-7]

om. MS. W.

[52]

up] out MS. W., S. H.

[54]

Jesu Maria MS. W., S. T. C. (c), S. H.

[58-66]

A damsel bright

Clad in a silken robe of white,

Her neck, her feet, her arms were bare,

And the jewels were tumbled in her hair.

I guess, &c.

MS. W.

[60]

om. MS. S. T. C.

[61-6]

Her neck, her feet, her arms were bare,

And the jewels were tumbled in her hair.

I guess, &c.

S. T. C. (a), S. T. C. (c), S. H.

Her neck, her feet, her arms were bare,

And the jewels disorder'd in her hair.

I guess, &c.

First Edition.

[65]

And the jewels were tangled in her hair.

S. T. C. (b).

[In the Hinves copy (Nov., 1816), ll. 60-5 are inserted in the margin and the two lines 'Her neck . . . her hair' are erased. This addition was included in 1828, 1829, 1834, &c.]

[74]

scarce can] cannot H. 1816.

[76]

Said Christabel] Alas! but say H. 1816.

[81-3]

Five ruffians seized me yestermorn,

Me, even me, a maid forlorn;

They chok'd my cries with wicked might.

MS. W., S. T. C. (a); MS. S. T. C. (c); S. H.

Five warriors, &c. as in the text

S. T. C. (b)

[Lines 82, 83, 84-1/2 are erased in H. 1816. Lines 81-4, 89, 90, which Scott prefixed as a motto to Chapter XI of The Black Dwarf (1818), run thus:—

Three ruffians seized me yestermorn,

Alas! a maiden most forlorn;

They choked my cries with wicked might,

And bound me on a palfrey white:

As sure as Heaven shall pity me,

I cannot tell what men they be.

Christabel.

The motto to Chapter XXIV of The Betrothed (1825) is slightly different:—

Four Ruffians . . . palfrey white.]

[88]

once] twice MS. W., S. T. C. (c), S. H.

[92]

For I have lain in fits, I wis MS. W., S. T. C. (a), S. T. C. (c), S. H., First Edition. [Text, which follows S. T. C. (b), H. 1816, was first adopted in 1828.]

[96]

comrades] comrade MS. W.

[98]

He] They MS. W.

[106-11]

Saying that she should command

The service of Sir Leoline;

And straight be convoy'd, free from thrall,

Back to her noble father's hall.

MS. W., S. T. C. (c), S. H., First Edition.

[Text, which follows H. 1816, was first adopted in 1828.]

[112-22]

So up she rose and forth they pass'd

With hurrying steps yet nothing fast.

Her lucky stars the lady blest,

And Christabel she sweetly said—

All our household are at rest,

Each one sleeping in his bed;

Sir Leoline is weak in health,

And may not awakened be,

So to my room we'll creep in stealth,

And you to-night must sleep with me.

MS. W., S. T. C. (a), S. T. C. (c), S. H.

[So, too, First Edition, with the sole variant, 'And may not well awakened be'.]

[114-17]

Her smiling stars the lady blest,

And thus bespake sweet Christabel:

All our household is at rest,

The hall as silent as a cell.

S. T. C. (b).

[In H. 1816 ll. 112-22 of the text are inserted in Coleridge's handwriting. Line 113 reads: 'yet were not fast'. Line 122 reads: 'share your bed with me'. In 1828, ll. 117-22 were added to the text, and 'Her gracious stars' (l. 114) was substituted for 'Her lucky stars'.]

[137]

And Christabel she sweetly cried MS. W., S. T. C. (c), S. H.

[139]

Praise we] O praise MS. W., S. T. C. (c), S. H.

[145]

Outside] Beside MS. W., S. T. C. (c), S. H.

[146]

Lay fast] Was stretch'd H. 1816. [Not in S. T. C.'s handwriting.]

[160]

om. S. T. C. (a).

[161]

And nothing else she saw thereby MS. W., S. T. C. (c), S. H.

[163]

niche] nitch all MSS. and First Edition.

[166-9]

Sweet Christabel her feet she bares,

And they are creeping up the stairs,

Now in glimmer, and now in gloom,

MS. W., S. T. C. (c), S. H., First Edition.

[167]

Added in 1828.

[171]

With stifled breath, as still as death H. 1816. [Not in S. T. C.'s handwriting.]

[173-4]

And now they with their feet press down

The rushes of her chamber floor.

MS. W., S. T. C. (c), S. H.

And now with eager feet press down

The rushes of her chamber floor.

First Edition, H. 1816. [Not in S. T. C.'s handwriting.]

[191]

cordial] spicy MS. W., S. T. C. (a), S. T. C. (c), S. H.

Between 193-4

Nay, drink it up, I pray you do,

Believe me it will comfort you.

MS. W., S. T. C. (a), S. T. C. (c), S. H.

[The omission was made in the First Edition.]

[205-10, 212]

om. MS. W.

[219]

And faintly said I'm better now MS. W., S. T. C. (a): I am better now S. T. C. (c), S. H.

[225]

far] fair MS. W.

Between 252-3 Are lean and old and foul of hue. MS. W., S. T. C. (c), S. H.

[254]

And she is to sleep with Christabel. MS. W.: And she is to sleep by Christabel. S. T. C. (c), S. H., First Edition: And must she sleep by Christabel. H. 1816 [not in S. T. C.'s handwriting]: And she is alone with Christabel. H. 1816 erased [not in S. T. C.'s handwriting]: And must she sleep with Christabel. H. 1816 erased [not in S. T. C.'s handwriting].

[255-61]

om. MS. W., S. T. C. (c), S. H., First Edition: included in H. 1816. [Not in S. T. C.'s handwriting.] First published in 1828.

Between 254 and 263

She took two paces and a stride,

And lay down by the maiden's side,

MS. W., S. T. C. (c), S. H., First Edition.

She gaz'd upon the maid, she sigh'd

She took two paces and a stride,

Then

And lay down by the Maiden's side.

H. 1816 erased.

[265]

low] sad MS. W., S. T. C. (c), S. H.

[267]

this] my MS. W., S. T. C. (c), S. H.

[270]

The mark of my shame, the seal of my sorrow. MS. W., S. T. C. (c), S. H.

[277]

And didst bring her home with thee, with love and with charity. MS. W., S. T. C. (c), S. H.

[278]

To shield her, and shelter her, and shelter far from the damp air. MS. W.

The Conclusion to Part I] The Conclusion of Book the First MS. W.: The Conclusion to Book the First S. T. C. (c), S. H.

[294]

Here in MS. W. the handwriting changes. 'Dreaming' was written by S. T. C., 'yet' by Mary Hutchinson.

[295]

is] is H. 1816.

[297]

who] that MS. W., S. T. C. (c), S. H., H. 1816.

[306]

Tairn or Tarn (derived by Lye from the Icelandic Tiorn, stagnum, palus) is rendered in our dictionaries as synonymous with Mere or Lake; but it is properly a large Pool or Reservoir in the Mountains, commonly the Feeder of some Mere in the valleys. Tarn Watling and Blellum Tarn, though on lower ground than other Tarns, are yet not exceptions, for both are on elevations, and Blellum Tarn feeds the Wynander Mere. Note to S. T. C. (c).

[324]

A query is attached to this line H. 1816.

Part II] Book the Second MS. W.: Christabel Book the Second S. T. C. (c), S. H.

[344]

Wyndermere] Wyn'dermere MS. W., S. T. C. (c), S. H., First Edition.

[353]

sinful] simple MS. W.

[354]

A query is attached to this line H. 1816.

[356]

the] their MS. W., S. T. C. (c), S. H.

[359]

Borodale] Borrowdale MS. W., S. H., First Edition, 1828, 1829: Borrodale S. T. C. (c).

[360]

The air is still through many a cloud MS. W., S. T. C. (c), S. H.

[363]

the] her MS. W., S. T. C. (c), S. H.

[364]

silken] simple MS. W.

[414]

thus] so MS. Letter to Poole, Feb. 1813.

[418]

They] And MS. W., S. T. C. (c), S. H.

[419]

But] And MS. W.

[424-5]

But neither frost nor heat nor thunder

Can wholly, &c.,

MS. Letter to Poole, Feb. 1813.

[441]

tourney] Tournay MS. W., S. T. C. (c), First Edition.

[453]

The vision foul of fear and pain MS. W., S. T. C. (a), S. T. C. (c), S. H.: The vision of fear, the touch of pain S. T. C. (b).

[463]

The pang, the sight was passed away S. T. C. (a): The pang, the sight, had passed away MS. W., S. T. C. (c), S. H.

[490]

om. MS. W.

[503]

beautiful] beauteous MS. W.

[507]

take] fetch MS. W., S. T. C. (c), S. H.

[516]

Many a summer's suns have shone MS. W., S. T. C. (c), S. H.

[559]

seems] seem'd MS. W., S. T. C. (c).

[560]

vowed] swore MS. W.

[563]

loiter] wander MS. W.

[582]

Jesu, Maria] Jesu Maria MS. W.

[591]

Shuddered aloud with hissing sound MS. W., S. T. C. (c), S. H.

[596]

on] o'er MS. W.

[613]

And] But MS. W., S. T. C. (c), S. H., First Edition.

[615]

her Father's Feet MS. W., S. T. C. (c), S. H., First Edition, 1828.

[620]

the] that MS. W.

[639]

but] not MS. W.

[645]

wronged] insulted MS. W., S. T. C. (c), S. H., First Edition, 1828, 1829.

The Conclusion to Part II] Not in any of the MSS. or in S. H. For the first manuscript version see Letter to Southey, May 6, 1801. (Letters of S. T. C., 1895, i. 355.)

[659]

'finds' and 'seeks' are italicized in the letters.

[660-1]

Doth make a vision to the sight

Which fills a father's eyes with light.

Letter, 1801.

[664]

In H. 1816 there is a direction (not in S. T. C.'s handwriting) to print line 664 as two lines.

[665]

In words of wrong and bitterness. Letter, 1801.

LINES TO W. L.[236:1]

WHILE HE SANG A SONG TO PURCELL'S MUSIC

While my young cheek retains its healthful hues,

And I have many friends who hold me dear,

L——[236:2]! methinks, I would not often hear

Such melodies as thine, lest I should lose

All memory of the wrongs and sore distress          5

For which my miserable brethren weep!

But should uncomforted misfortunes steep

My daily bread in tears and bitterness;

And if at Death's dread moment I should lie

With no belovéd face at my bed-side,          10

To fix the last glance of my closing eye,

Methinks such strains, breathed by my angel-guide,

Would make me pass the cup of anguish by,

Mix with the blest, nor know that I had died!

1797.

FOOTNOTES:

[236:1] First published in the Annual Anthology for 1800: included in Sibylline Leaves, 1817, 1828, 1829, and 1834. A MS. is extant dated Sept. 14, 1797.

LINENOTES:

Title] To Mr. William Linley MS. 1797: Sonnet XII, To W. L.——[236:2]! Esq., while he sung &c. An. Anth.: To W. L. Esq. &c. S. L. 1828, 1829: Lines to W. Linley, Esq. 1893.

[3]

L——[236:2]!] Linley! MS. 1893.

[10]

at] by An. Anth.

[12]

Methinks] O God! An. Anth.

FIRE, FAMINE, AND SLAUGHTER[237:1]

A WAR ECLOGUE

The Scene a desolated Tract in La Vendée. FAMINE is discovered lying on the ground; to her enter FIRE and SLAUGHTER.

Fam. Sisters! sisters! who sent you here?

Slau. [to Fire]. I will whisper it in her ear.

Fire. No! no! no!

Spirits hear what spirits tell:

'Twill make a holiday in Hell.          5

No! no! no!

Myself, I named him once below,

And all the souls, that damnéd be.

Leaped up at once in anarchy,

Clapped their hands and danced for glee.          10

They no longer heeded me;

But laughed to hear Hell's burning rafters

Unwillingly re-echo laughters!

No! no! no!

Spirits hear what spirits tell:          15

'Twill make a holiday in Hell!

Fam. Whisper it, sister! so and so!

In a dark hint, soft and slow.

Slau. Letters four do form his name—

And who sent you?

Both.                  The same! the same!          20

Slau. He came by stealth, and unlocked my den,

And I have drunk the blood since then

Of thrice three hundred thousand men.

Both. Who bade you do 't?

Slau.                           The same! the same!

Letters four do form his name.          25

He let me loose, and cried Halloo!

To him alone the praise is due.

Fam. Thanks, sister, thanks! the men have bled,

Their wives and their children faint for bread.

I stood in a swampy field of battle;          30

With bones and skulls I made a rattle,

To frighten the wolf and carrion-crow

And the homeless dog—but they would not go.

So off I flew: for how could I bear

To see them gorge their dainty fare?          35

I heard a groan and a peevish squall,

And through the chink of a cottage-wall—

Can you guess what I saw there?

Both. Whisper it, sister! in our ear.

Fam. A baby beat its dying mother:          40

I had starved the one and was starving the other!

Both. Who bade you do 't?

Fam.                           The same! the same!

Letters four do form his name.

He let me loose, and cried, Halloo!

To him alone the praise is due.          45

Fire. Sisters! I from Ireland came!

Hedge and corn-fields all on flame,

I triumph'd o'er the setting sun!

And all the while the work was done,

On as I strode with my huge strides,          50

I flung back my head and I held my sides,

It was so rare a piece of fun

To see the sweltered cattle run

With uncouth gallop through the night,

Scared by the red and noisy light!          55

By the light of his own blazing cot

Was many a naked Rebel shot:

The house-stream met the flame and hissed,

While crash! fell in the roof, I wist,

On some of those old bed-rid nurses,          60

That deal in discontent and curses.

Both. Who bade you do't?

Fire.                           The same! the same!

Letters four do form his name.

He let me loose, and cried Halloo!

To him alone the praise is due.          65

All. He let us loose, and cried Halloo!

How shall we yield him honour due?

Fam. Wisdom comes with lack of food.

I'll gnaw, I'll gnaw the multitude,

Till the cup of rage o'erbrim:          70

They shall seize him and his brood—

Slau. They shall tear him limb from limb!

Fire. O thankless beldames and untrue!

And is this all that you can do

For him, who did so much for you?          75

Ninety months he, by my troth!

Hath richly catered for you both;

And in an hour would you repay

An eight years' work?—Away! away!

I alone am faithful! I          80

Cling to him everlastingly.

1798.

FOOTNOTES:

[237:1] First published in the Morning Post, January 8, 1798: included in Annual Anthology, 1800, and (with an Apologetic Preface, vide Appendices) in Sibylline Leaves, 1828, 1829, and 1834. The poem was probably written in 1796. See Watchman, passim.

LINENOTES:

Title] Scene: A depopulated Tract in La Vendée. Famine is discovered stretched on the ground; to her enter Slaughter and Fire M. P., Jan. 8, 1798.

[2]

SLAUGHTER. I will name him in your ear. M. P.

[5]

a] an all editions to 1834.

[11]

me] me M. P.

[16]

a] an all editions to 1834.

[17-18]

FAMINE. Then sound it not, yet let me know;

Darkly hint it—soft and low!

M. P.

In a dark hint, soft and low.

An. Anth.

[19]

Four letters form his name. M. P.

[20]

Both] FAMINE M. P.

[22-3]

And I have spill'd the blood since then

Of thrice ten hundred thousand men.

M. P.

[22]

drunk] drank An. Anth., S. L. 1828, 1829.

[24]

Both] FIRE and FAMINE M. P.

[25]

Four letters form his name. M. P.

[29]

Their wives and children M. P.

[32]

and the carrion crow M. P., An. Anth.

[39]

Both] SLAUGHTER and FIRE M. P.

[42]

Both] SLAUGHTER and FIRE M. P.

[43]

Four letters form his name. M. P.

[47]

Hedge] Huts M. P.

[48]

om. An. Anth.

[49]

Halloo! Halloo! the work was done An. Anth.

[50]

As on I strode with monstrous strides M. P.: And on as I strode with my great strides An. Anth.

[51]

and held M. P., An. Anth.

[54]

through] all M. P.

[58]

flame] fire M. P.: flames An. Anth.

[59]

While crash the roof fell in I wish M. P.

[62]

Both] SLAUGHTER and FAMINE M. P.

[63]

Four letters form his name. M. P.

[65]

How shall I give him honour due? M. P.

[67]

we] I M. P.

[71]

and] of M. P.

75 foll.

For him that did so much for you.

[To Slaughter.

For you he turn'd the dust to mud

With his fellow creatures' blood!

[To Famine.

And hunger scorch'd as many more,

To make your cup of joy run o'er.

[To Both.

Full ninety moons, he by my troth!

Hath richly cater'd for you both!

And in an hour would you repay

An eight years' debt? Away! away!

I alone am faithful! I

Cling to him everlastingly.

LABERIUS. M. P.

Below 81 1798] 1796 S. L. 1828, 1829, and 1834.

FROST AT MIDNIGHT[240:1]

The Frost performs its secret ministry,

Unhelped by any wind. The owlet's cry

Came loud—and hark, again! loud as before.

The inmates of my cottage, all at rest,

Have left me to that solitude, which suits          5

Abstruser musings: save that at my side

My cradled infant slumbers peacefully.

'Tis calm indeed! so calm that it disturbs

And vexes meditation with its strange

And extreme silentness. Sea, hill, and wood,          10

This populous village! Sea, and hill, and wood,

With all the numberless goings-on of life,

Inaudible as dreams! the thin blue flame

Lies on my low-burnt fire, and quivers not;

Only that film,[240:2] which fluttered on the grate,          15

Still flutters there, the sole unquiet thing.

Methinks, its motion in this hush of nature

Gives it dim sympathies with me who live,

Making it a companionable form,

Whose puny flaps and freaks the idling Spirit          20

By its own moods interprets, every where

Echo or mirror seeking of itself,

And makes a toy of Thought.

But O! how oft,

How oft, at school, with most believing mind,

Presageful, have I gazed upon the bars,          25

To watch that fluttering stranger! and as oft

With unclosed lids, already had I dreamt

Of my sweet birth-place, and the old church-tower,

Whose bells, the poor man's only music, rang

From morn to evening, all the hot Fair-day,          30

So sweetly, that they stirred and haunted me

With a wild pleasure, falling on mine ear

Most like articulate sounds of things to come!

So gazed I, till the soothing things, I dreamt,

Lulled me to sleep, and sleep prolonged my dreams!          35

And so I brooded all the following morn,

Awed by the stern preceptor's face, mine eye

Fixed with mock study on my swimming book:

Save if the door half opened, and I snatched

A hasty glance, and still my heart leaped up,          40

For still I hoped to see the stranger's face,

Townsman, or aunt, or sister more beloved,

My play-mate when we both were clothed alike!

Dear Babe, that sleepest cradled by my side,

Whose gentle breathings, heard in this deep calm,          45

Fill up the intersperséd vacancies

And momentary pauses of the thought!

My babe so beautiful! it thrills my heart

With tender gladness, thus to look at thee,

And think that thou shalt learn far other lore,          50

And in far other scenes! For I was reared

In the great city, pent 'mid cloisters dim,

And saw nought lovely but the sky and stars.

But thou, my babe! shalt wander like a breeze

By lakes and sandy shores, beneath the crags          55

Of ancient mountain, and beneath the clouds,

Which image in their bulk both lakes and shores

And mountain crags: so shalt thou see and hear

The lovely shapes and sounds intelligible

Of that eternal language, which thy God          60

Utters, who from eternity doth teach

Himself in all, and all things in himself.

Great universal Teacher! he shall mould

Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,          65

Whether the summer clothe the general earth

With greenness, or the redbreast sit and sing

Betwixt the tufts of snow on the bare branch

Of mossy apple-tree, while the nigh thatch

Smokes in the sun-thaw; whether the eave-drops fall          70

Heard only in the trances of the blast,

Or if the secret ministry of frost

Shall hang them up in silent icicles,

Quietly shining to the quiet Moon.

February, 1798.[242:1]

FOOTNOTES:

[240:1] First published in a quarto pamphlet 'printed by Johnson in S. Paul's Churchyard, 1798': included in Poetical Register, 1808-9 (1812): in Fears in Solitude, &c., printed by Law and Gilbert, (?) 1812: in Sibylline Leaves, 1817, 1828, 1829, and 1834.

[240:2] Only that film. In all parts of the kingdom these films are called strangers and supposed to portend the arrival of some absent friend. 4o, P. R.

[242:1] The date is omitted in 1829 and in 1834.

LINENOTES:

Between 19-25

With which I can hold commune. Idle thought!

But still the living spirit in our frame,

That loves not to behold a lifeless thing,

Transfuses into all its own delights,

Its own volition, sometimes with deep faith

And sometimes with fantastic playfulness.

Ah me! amus'd by no such curious toys

Of the self-watching subtilizing mind,

How often in my early school-boy days

With most believing superstitious wish.

4o.

With which I can hold commune: haply hence,

That still the living spirit in our frame,

Which loves not to behold a lifeless thing,

Transfuses into all things its own Will,

And its own pleasures; sometimes with deep faith,

And sometimes with a wilful playfulness

That stealing pardon from our common sense

Smiles, as self-scornful, to disarm the scorn

For these wild reliques of our childish Thought,

That flit about, oft go, and oft return

Not uninvited.

Ah there was a time,

When oft amused by no such subtle toys

Of the self-watching mind, a child at school,

With most believing superstitious wish.

P. R.

Between 20-4

To which the living spirit in our frame,

That loves not to behold a lifeless thing,

Transfuses its own pleasures, its own will.

S. L. 1828.

[26]

To watch the stranger there! and oft belike 4o, P. R.

[27]

had] have P. R.

[32]

wild] sweet S. L. (for sweet read wild. Errata, S. L., p. [xii]).

[45]

deep] dead 4o, P. R., S. L. (for dead read deep. Errata, S. L., p. [xii]).

[46]

Fill] Fill'd S. L. (for Fill'd read Fill. Errata, S. L., p. [xii]).

[48]

thrills] fills 4o, P. R., S. L. (for fills read thrills. Errata, S. L., p. [xii]).

[67]

redbreast] redbreasts 4o, P. R.

[69]

the nigh] all the 4o.

[71]

trances] traces S. L. (for traces read trances. Errata, S. L., p. [xii]).

72-end

Or whether the secret ministery of cold

Shall hang them up in silent icicles,

Quietly shining to the quiet moon,

Like those, my babe! which ere tomorrow's warmth

Have capp'd their sharp keen points with pendulous drops,

Will catch thine eye, and with their novelty

Suspend thy little soul; then make thee shout,

And stretch and flutter from thy mother's arms

As thou wouldst fly for very eagerness.

4o.

FRANCE: AN ODE[243:1]

I

Ye Clouds! that far above me float and pause,

Whose pathless march no mortal may controul!

Ye Ocean-Waves! that, wheresoe'er ye roll,

Yield homage only to eternal laws!

Ye Woods! that listen to the night-birds singing,          5

Midway the smooth and perilous slope reclined,

Save when your own imperious branches swinging,

Have made a solemn music of the wind!

Where, like a man beloved of God,

Through glooms, which never woodman trod,          10

How oft, pursuing fancies holy,

My moonlight way o'er flowering weeds I wound,

Inspired, beyond the guess of folly,

By each rude shape and wild unconquerable sound!

O ye loud Waves! and O ye Forests high!          15

And O ye Clouds that far above me soared!

Thou rising Sun! thou blue rejoicing Sky!

Yea, every thing that is and will be free!

Bear witness for me, wheresoe'er ye be,

With what deep worship I have still adored          20

The spirit of divinest Liberty.

II

When France in wrath her giant-limbs upreared,

And with that oath, which smote air, earth, and sea,

Stamped her strong foot and said she would be free,

Bear witness for me, how I hoped and feared!          25

With what a joy my lofty gratulation

Unawed I sang, amid a slavish band:

And when to whelm the disenchanted nation,

Like fiends embattled by a wizard's wand,

The Monarchs marched in evil day,          30

And Britain joined the dire array;

Though dear her shores and circling ocean,

Though many friendships, many youthful loves

Had swoln the patriot emotion

And flung a magic light o'er all her hills and groves;          35

Yet still my voice, unaltered, sang defeat

To all that braved the tyrant-quelling lance,

And shame too long delayed and vain retreat!

For ne'er, O Liberty! with partial aim

I dimmed thy light or damped thy holy flame;          40

But blessed the paeans of delivered France,

And hung my head and wept at Britain's name.

III

'And what,' I said, 'though Blasphemy's loud scream

With that sweet music of deliverance strove!

Though all the fierce and drunken passions wove          45

A dance more wild than e'er was maniac's dream!

Ye storms, that round the dawning East assembled,

The Sun was rising, though ye hid his light!'

And when, to soothe my soul, that hoped and trembled,

The dissonance ceased, and all seemed calm and bright;          50

When France her front deep-scarr'd and gory

Concealed with clustering wreaths of glory;

When, insupportably advancing,

Her arm made mockery of the warrior's ramp;

While timid looks of fury glancing,          55

Domestic treason, crushed beneath her fatal stamp,

Writhed like a wounded dragon in his gore;

Then I reproached my fears that would not flee;

'And soon,' I said, 'shall Wisdom teach her lore

In the low huts of them that toil and groan!          60

And, conquering by her happiness alone,

Shall France compel the nations to be free,

Till Love and Joy look round, and call the Earth their own.'

IV

Forgive me, Freedom! O forgive those dreams!

I hear thy voice, I hear thy loud lament,          65

From bleak Helvetia's icy caverns sent—

I hear thy groans upon her blood-stained streams!

Heroes, that for your peaceful country perished,

And ye that, fleeing, spot your mountain-snows

With bleeding wounds; forgive me, that I cherished          70

One thought that ever blessed your cruel foes!

To scatter rage, and traitorous guilt,

Where Peace her jealous home had built;

A patriot-race to disinherit

Of all that made their stormy wilds so dear;          75

And with inexpiable spirit

To taint the bloodless freedom of the mountaineer—

O France, that mockest Heaven, adulterous, blind,

And patriot only in pernicious toils!

Are these thy boasts, Champion of human kind?          80

To mix with Kings in the low lust of sway,

Yell in the hunt, and share the murderous prey;

To insult the shrine of Liberty with spoils

From freemen torn; to tempt and to betray?

V

The Sensual and the Dark rebel in vain,          85

Slaves by their own compulsion! In mad game

They burst their manacles and wear the name

Of Freedom, graven on a heavier chain!

O Liberty! with profitless endeavour

Have I pursued thee, many a weary hour;          90

But thou nor swell'st the victor's strain, nor ever

Didst breathe thy soul in forms of human power.

Alike from all, howe'er they praise thee,

(Nor prayer, nor boastful name delays thee)

Alike from Priestcraft's harpy minions,          95

And factious Blasphemy's obscener slaves,

Thou speedest on thy subtle pinions,

The guide of homeless winds, and playmate of the waves!

And there I felt thee!—on that sea-cliff's verge,

Whose pines, scarce travelled by the breeze above,          100

Had made one murmur with the distant surge!

Yes, while I stood and gazed, my temples bare,

And shot my being through earth, sea, and air,

Possessing all things with intensest love,

O Liberty! my spirit felt thee there.          105

February, 1798.

FOOTNOTES:

[243:1] First published in the Morning Post, April 16, 1798: included in quarto pamphlet published by J. Johnson, 1798: reprinted in Morning Post, Oct. 14, 1802: included in Poetical Register for 1808-9 (1812); in Fears in Solitude, &c., printed by Law and Gilbert, (?) 1812; in Sibylline Leaves, 1817, 1828, 1829, and 1834. Lines 85, 98 are quoted from 'France, a Palinodia', in Biog. Lit., 1817, i. 195. To the first Morning Post version (1798) an editorial note was prefixed:—

ORIGINAL POETRY.

The following excellent Ode will be in unison with the feelings of every friend to Liberty and foe to Oppression; of all who, admiring the French Revolution, detest and deplore the conduct of France towards Switzerland. It is very satisfactory to find so zealous and steady an advocate for Freedom as Mr. COLERIDGE concur with us in condemning the conduct of France towards the Swiss Cantons. Indeed his concurrence is not singular; we know of no Friend to Liberty who is not of his opinion. What we most admire is the avowal of his sentiments, and public censure of the unprincipled and atrocious conduct of France. The Poem itself is written with great energy. The second, third, and fourth stanzas contain some of the most vigorous lines we have ever read. The lines in the fourth stanza:—

'To scatter rage and trait'rous guilt

Where Peace her jealous home had built,'

to the end of the stanza are particularly expressive and beautiful.

To the second Morning Post version (1802) a note and Argument were prefixed:—

The following ODE was first published in this paper (in the beginning of the year 1798) in a less perfect state. The present state of France and Switzerland give it so peculiar an interest at the present time that we wished to re-publish it and accordingly have procured from the Author a corrected copy.

ARGUMENT.

'First Stanza. An invocation to those objects in Nature the contemplation of which had inspired the Poet with a devotional love of Liberty. Second Stanza. The exultation of the Poet at the commencement of the French Revolution, and his unqualified abhorrence of the Alliance against the Republic. Third Stanza. The blasphemies and horrors during the domination of the Terrorists regarded by the Poet as a transient storm, and as the natural consequence of the former despotism and of the foul superstition of Popery. Reason, indeed, began to suggest many apprehensions; yet still the Poet struggled to retain the hope that France would make conquests by no other means than by presenting to the observation of Europe a people more happy and better instructed than under other forms of Government. Fourth Stanza. Switzerland, and the Poet's recantation. Fifth Stanza. An address to Liberty, in which the Poet expresses his conviction that those feelings and that grand ideal of Freedom which the mind attains by its contemplation of its individual nature, and of the sublime surrounding objects (see Stanza the First) do not belong to men, as a society, nor can possibly be either gratified or realised, under any form of human government; but belong to the individual man, so far as he is pure, and inflamed with the love and adoration of God in Nature.'

LINENOTES:

Title] The Recantation: an Ode. By S. T. Coleridge. 1798.

[1]

and] or 1802.

[2]

Veering your pathless march without controul 1802.

[5]

night-birds] night bird's 1798, 4o, 1802: night-birds' S. L., 1828, 1829.

[6]

slope] steep 1798, 4o, 1802, P. R.

[12]

way] path 1802.

[23]

smote air, earth, and sea] smote earth, air, and sea 1798, 4o, P. R.: shook earth, air, and sea 1802.

[24]

foot] feet 1798.

[26]

lofty] eager 1802.

[27]

sang] sung 1798, 4o, P. R.

[30]

marched] mov'd 1802.

[34]

the] that 1802.

[35]

flung] spread 1802.

[41]

But] I 1802.

[44]

that sweet music] those sweet Pæans 1802.

[46]

e'er was] ever 1798, 4o, P. R.

[51]

deep-scarr'd] deep-scar'd 1798, 4o, P. R., S. L.

[53]

insupportably] irresistibly 1802.

[54]

ramp] tramp 1828, 1829, 1834, 1852. [Text of 1834 is here corrected.]

[58]

reproached] rebuk'd 1802.

[59]

said] cried 1802.

[62]

compel] persuade 1802.

[63]

call the Earth] lo! the earth's 1802.

[64]

those] these 4o, P. R.

[66]

caverns] cavern 1834, 1852. [Text of 1834 is here corrected.]

[69]

And ye that flying spot the [your 1802] mountain-snows 1798: And ye that fleeing spot the mountain-snows 4o, P. R.

[75]

stormy] native 1802.

[77]

taint] stain 1802.

[79]

patriot] patient 1798, 1802.

[80]

Was this thy boast 1802.

[81]

Kings in the low lust] monarchs in the lust 1802.

[85-9]

The fifth stanza, which alluded to the African Slave Trade as conducted by this Country, and to the present Ministry and their supporters, has been omitted, and would have been omitted without remark if the commencing lines of the sixth stanza had not referred to it.

VI

Shall I with these my patriot zeal combine?

No, Afric, no! they stand before my ken

Loath'd as th' Hyaenas, that in murky den

Whine o'er their prey and mangle while they whine,

Divinest Liberty! with vain endeavour

1798.

[87]

burst] break 1802. and] to B. L., i. 194. name] name B. L.

[91]

strain] pomp B. L.

[92]

in] on 1802.

[95]

Priestcraft's] priesthood's 4o, P. R.: superstition's B. L.

[97]

subtle] cherub B. L.

[98]

To live amid the winds and move upon the waves

1798, 4o, P. R.

To live among the winds and brood upon the waves

1802.

[99]

there] there 1798: then 4o, P. R. that] yon 1802.

[100]

scarce] just 1802.

[102]

Yes, as I stood and gazed my forehead bare

1802.

[104]

with] by 1802.

THE OLD MAN OF THE ALPS[248:1]

Stranger! whose eyes a look of pity shew,

Say, will you listen to a tale of woe?

A tale in no unwonted horrors drest;

But sweet is pity to an agéd breast.

This voice did falter with old age before;          5

Sad recollections make it falter more.

Beside the torrent and beneath a wood,

High in these Alps my summer cottage stood;

One daughter still remain'd to cheer my way,

The evening-star of life's declining day:          10

Duly she hied to fill her milking-pail,

Ere shout of herdsmen rang from cliff or vale;

When she return'd, before the summer shiel,

On the fresh grass she spread the dairy meal;

Just as the snowy peaks began to lose          15

In glittering silver lights their rosy hues.

Singing in woods or bounding o'er the lawn,

No blither creature hail'd the early dawn;

And if I spoke of hearts by pain oppress'd.

When every friend is gone to them that rest;          20

Or of old men that leave, when they expire,

Daughters, that should have perish'd with their sire—

Leave them to toil all day through paths unknown,

And house at night behind some sheltering stone;

Impatient of the thought, with lively cheer          25

She broke half-closed the tasteless tale severe.

She play'd with fancies of a gayer hue,

Enamour'd of the scenes her wishes drew;

And oft she prattled with an eager tongue

Of promised joys that would not loiter long,          30

Till with her tearless eyes so bright and fair,

She seem'd to see them realis'd in air!

In fancy oft, within some sunny dell,

Where never wolf should howl or tempest yell,

She built a little home of joy and rest,          35

And fill'd it with the friends whom she lov'd best:

She named the inmates of her fancied cot,

And gave to each his own peculiar lot;

Which with our little herd abroad should roam,

And which should tend the dairy's toil at home,          40

And now the hour approach'd which should restore

Her lover from the wars, to part no more.

Her whole frame fluttered with uneasy joy;

I long'd myself to clasp the valiant boy;

And though I strove to calm her eager mood,          45

It was my own sole thought in solitude.

I told it to the Saints amid my hymns—

For O! you know not, on an old man's limbs

How thrillingly the pleasant sun-beams play,

That shine upon his daughter's wedding-day.          50

I hoped, that those fierce tempests, soon to rave

Unheard, unfelt, around my mountain grave,

Not undelightfully would break her rest,

While she lay pillow'd on her lover's breast;

Or join'd his pious prayer for pilgrims driven          55

Out to the mercy of the winds of heaven.

Yes! now the hour approach'd that should restore

Her lover from the wars to part no more.

Her thoughts were wild, her soul was in her eye,

She wept and laugh'd as if she knew not why;          60

And she had made a song about the wars,

And sang it to the sun and to the stars!

But while she look'd and listen'd, stood and ran,

And saw him plain in every distant man,

By treachery stabbed, on NANSY'S murderous day,          65

A senseless corse th' expected husband lay.

A wounded man, who met us in the wood,

Heavily ask'd her where my cottage stood,

And told us all: she cast her eyes around

As if his words had been but empty sound.          70

Then look'd to Heav'n, like one that would deny

That such a thing could be beneath the sky.

Again he ask'd her if she knew my name,

And instantly an anguish wrench'd her frame,

And left her mind imperfect. No delight          75

Thenceforth she found in any cheerful sight,

Not ev'n in those time-haunted wells and groves,

Scenes of past joy, and birth-place of her loves.

If to her spirit any sound was dear,

'Twas the deep moan that spoke the tempest near;          80

Or sighs which chasms of icy vales outbreathe,

Sent from the dark, imprison'd floods beneath.

She wander'd up the crag and down the slope,

But not, as in her happy days of hope,

To seek the churning-plant of sovereign power,          85

That grew in clefts and bore a scarlet flower!

She roam'd, without a purpose, all alone,

Thro' high grey vales unknowing and unknown.

Kind-hearted stranger! patiently you hear

A tedious tale: I thank you for that tear.          90

May never other tears o'ercloud your eye,

Than those which gentle Pity can supply!

Did you not mark a towering convent hang,

Where the huge rocks with sounds of torrents rang?

Ev'n yet, methinks, its spiry turrets swim          95

Amid yon purple gloom ascending dim!

For thither oft would my poor child repair,

To ease her soul by penitence and prayer.

I knew that peace at good men's prayers returns

Home to the contrite heart of him that mourns,          100

And check'd her not; and often there she found

A timely pallet when the evening frown'd.

And there I trusted that my child would light

On shelter and on food, one dreadful night,

When there was uproar in the element,          105

And she was absent. To my rest I went:

I thought her safe, yet often did I wake

And felt my very heart within me ache.

No daughter near me, at this very door,

Next morn I listen'd to the dying roar.          110

Above, below, the prowling vulture wail'd,

And down the cliffs the heavy vapour sail'd.

Up by the wide-spread waves in fury torn,

Homestalls and pines along the vale were borne.

The Dalesmen in thick crowds appear'd below          115

Clearing the road, o'erwhelm'd with hills of snow.

At times to the proud gust's ascending swell,

A pack of blood-hounds flung their doleful yell:

For after nights of storm, that dismal train

The pious convent sends, with hope humane,          120

To find some out-stretch'd man—perchance to save,

Or give, at least, that last good gift, a grave!

But now a gathering crowd did I survey,

That slowly up the pasture bent their way;

Nor could I doubt but that their care had found          125

Some pilgrim in th' unchannel'd torrent drown'd.

And down the lawn I hasten'd to implore

That they would bring the body to my door;

But soon exclaim'd a boy, who ran before,

'Thrown by the last night's waters from their bed,          130

Your daughter has been found, and she is dead!'

The old man paused—May he who, sternly just,

Lays at his will his creatures in the dust;

Some ere the earliest buds of hope be blown,

And some, when every bloom of joy is flown;          135

May he the parent to his child restore

In that unchanging realm, where Love reigns evermore!

March 8, 1798.

NICIAS ERYTHRAEUS.

FOOTNOTES:

[248:1] First published in the Morning Post, March 8, 1798: first collected P. and D. W., 1877-80: not included in P. W., 1893. Coleridge affixed the signature Nicias Erythraeus to these lines and to Lewti, which was published in the Morning Post five weeks later, April 13, 1798. For a biographical notice of Janus Nicius Erythraeus (Giovanni Vittorio d'Rossi, 1577-1647) by the late Richard Garnett, see Literature, October 22, 1898.

TO A YOUNG LADY[252:1]

[MISS LAVINIA POOLE]

ON HER RECOVERY FROM A FEVER

Why need I say, Louisa dear!

How glad I am to see you here,

A lovely convalescent;

Risen from the bed of pain and fear,

And feverish heat incessant.          5

The sunny showers, the dappled sky,

The little birds that warble high,

Their vernal loves commencing,

Will better welcome you than I

With their sweet influencing.          10

Believe me, while in bed you lay,

Your danger taught us all to pray:

You made us grow devouter!

Each eye looked up and seemed to say,

How can we do without her?          15

Besides, what vexed us worse, we knew,

They have no need of such as you

In the place where you were going:

This World has angels all too few,

And Heaven is overflowing!          20

March 31, 1798.

FOOTNOTES:

[252:1] First published in the Morning Post, Dec. 9, 1799, included in the Annual Anthology, 1800, in Sibylline Leaves, 1828, 1829, and 1834.

LINENOTES:

Title] To a Young Lady, on Her First Appearance After A Dangerous Illness. Written in the Spring of 1799 [1799 must be a slip for 1798]. M. P., An. Anth.

[1]

Louisa] Ophelia M. P., An. Anth.

[6-7]

The breezy air, the sun, the sky,

The little birds that sing on high

M. P., An. Anth.

[12]

all] how M. P., An. Anth.

[13]

grow] all M. P., An. Anth.

[16]

what] which M. P., An. Anth.

[17]

have] had M. P., An. Anth.

[19]

This] The M. P.

Below 20 Laberius M. P., An. Anth.

LEWTI[253:1]

OR THE CIRCASSIAN LOVE-CHAUNT

At midnight by the stream I roved,

To forget the form I loved.

Image of Lewti! from my mind

Depart; for Lewti is not kind.

The Moon was high, the moonlight gleam          5

And the shadow of a star

Heaved upon Tamaha's stream;

But the rock shone brighter far,

The rock half sheltered from my view

By pendent boughs of tressy yew.—          10

So shines my Lewti's forehead fair,

Gleaming through her sable hair.

Image of Lewti! from my mind

Depart; for Lewti is not kind.

I saw a cloud of palest hue,          15

Onward to the moon it passed;

Still brighter and more bright it grew,

With floating colours not a few,

Till it reached the moon at last:

Then the cloud was wholly bright,          20

With a rich and amber light!

And so with many a hope I seek,

And with such joy I find my Lewti;

And even so my pale wan cheek

Drinks in as deep a flush of beauty!          25

Nay, treacherous image! leave my mind,

If Lewti never will be kind.

The little cloud—it floats away

Away it goes; away so soon!

Alas! it has no power to stay:          30

Its hues are dim, its hues are grey—

Away it passes from the moon!

How mournfully it seems to fly,

Ever fading more and more,

To joyless regions of the sky—          35

And now 'tis whiter than before!

As white as my poor cheek will be,

When, Lewti! on my couch I lie,

A dying man for love of thee.

Nay, treacherous image! leave my mind—          40

And yet, thou didst not look unkind.

I saw a vapour in the sky,

Thin, and white, and very high;

I ne'er beheld so thin a cloud:

Perhaps the breezes that can fly          45

Now below and now above,

Have snatched aloft the lawny shroud[255:1]

Of Lady fair—that died for love.

For maids, as well as youths, have perished

From fruitless love too fondly cherished.          50

Nay, treacherous image! leave my mind—

For Lewti never will be kind.

Hush! my heedless feet from under

Slip the crumbling banks for ever:

Like echoes to a distant thunder,          55

They plunge into the gentle river.

The river-swans have heard my tread.

And startle from their reedy bed.

O beauteous birds! methinks ye measure

Your movements to some heavenly tune!          60

O beauteous birds! 'tis such a pleasure

To see you move beneath the moon,

I would it were your true delight

To sleep by day and wake all night.

I know the place where Lewti lies,          65

When silent night has closed her eyes:

It is a breezy jasmine-bower,

The nightingale sings o'er her head:

Voice of the Night! had I the power

That leafy labyrinth to thread,          70

And creep, like thee, with soundless tread,

I then might view her bosom white

Heaving lovely to my sight,

As these two swans together heave

On the gently-swelling wave.          75

Oh! that she saw me in a dream,

And dreamt that I had died for care;

All pale and wasted I would seem,

Yet fair withal, as spirits are!

I'd die indeed, if I might see          80

Her bosom heave, and heave for me!

Soothe, gentle image! soothe my mind!

To-morrow Lewti may be kind.

1798.

FOOTNOTES:

[253:1] First published in the Morning Post (under the signature Nicias Erythraeus), April 18, 1798: included in the Annual Anthology, 1800; Sibylline Leaves, 1817, 1828, 1829, and 1834. For MS. versions vide Appendices. 'Lewti was to have been included in the Lyrical Ballads of 1798, but at the last moment the sheets containing it were cancelled and The Nightingale substituted.' (Note to reprint of L. B. (1898), edited by T. Hutchinson.) A copy which belonged to Southey, with the new Table of Contents and The Nightingale bound up with the text as at first printed, is in the British Museum. Another copy is extant which contains the first Table of Contents only, and Lewti without the addition of The Nightingale. In the M. P. the following note accompanies the poem:—'It is not amongst the least pleasing of our recollections, that we have been the means of gratifying the public taste with some exquisite pieces of Original Poetry. For many of them we have been indebted to the author of the Circassian's Love Chant. Amidst images of war and woe, amidst scenes of carnage and horror of devastation and dismay, it may afford the mind a temporary relief to wander to the magic haunts of the Muses, to bowers and fountains which the despoiling powers of war have never visited, and where the lover pours forth his complaint, or receives the recompense of his constancy. The whole of the subsequent Love Chant is in a warm and impassioned strain. The fifth and last stanzas are, we think, the best.'

[255:1] This image was borrowed by Miss Bailey (sic) in her Basil as the dates of the poems prove. MS. Note by S. T. C.

LINENOTES:

Title] Lewti; or the Circassian's Love Chant M. P.

Between lines 14-15

I saw the white waves, o'er and o'er,

Break against the distant shore.

All at once upon the sight,

All at once they broke in light;

I heard no murmur of their roar,

Nor ever I beheld them flowing,

Neither coming, neither going;

But only saw them o'er and o'er,

Break against the curved shore:

Now disappearing from the sight,

Now twinkling regular and white,

And LEWTI'S smiling mouth can shew

As white and regular a row.

Nay, treach'rous image from my mind

Depart; for LEWTI is not kind.

M. P.

[52]

For] Tho' M. P.

Between lines 52-3

This hand should make his life-blood flow,

That ever scorn'd my LEWTI so.

I cannot chuse but fix my sight

On that small vapour, thin and white!

So thin it scarcely, I protest,

Bedims the star that shines behind it!

And pity dwells in LEWTI'S breast

Alas! if I knew how to find it.

And O! how sweet it were, I wist,

To see my LEWTI'S eyes to-morrow

Shine brightly thro' as thin a mist

Of pity and repentant sorrow!

Nay treach'rous image! leave my mind—

Ah, LEWTI! why art thou unkind?

[53]

Hush!] Slush! Sibylline Leaves (Errata, S. L., p. [xi], for Slush r. Hush).

[69-71]

Had I the enviable power

To creep unseen with noiseless tread

Then should I view

M. P., An. Anth.

O beating heart had I the power.

MS. Corr. An. Anth. by S. T. C.

[73]

my] the M. P., An. Anth.

Below 83 Signed Nicias Erythraeus. M. P.

FEARS IN SOLITUDE[256:1]

WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION

A green and silent spot, amid the hills,

A small and silent dell! O'er stiller place

No singing sky-lark ever poised himself.

The hills are heathy, save that swelling slope,

Which hath a gay and gorgeous covering on,          5

All golden with the never-bloomless furze,

Which now blooms most profusely: but the dell,

Bathed by the mist, is fresh and delicate

As vernal corn-field, or the unripe flax,

When, through its half-transparent stalks, at eve,          10

The level sunshine glimmers with green light.

Oh! 'tis a quiet spirit-healing nook!

Which all, methinks, would love; but chiefly he,

The humble man, who, in his youthful years,

Knew just so much of folly, as had made          15

His early manhood more securely wise!

Here he might lie on fern or withered heath,

While from the singing lark (that sings unseen

The minstrelsy that solitude loves best),

And from the sun, and from the breezy air,          20

Sweet influences trembled o'er his frame;

And he, with many feelings, many thoughts,

Made up a meditative joy, and found

Religious meanings in the forms of Nature!

And so, his senses gradually wrapt          25

In a half sleep, he dreams of better worlds,

And dreaming hears thee still, O singing lark,

That singest like an angel in the clouds!

My God! it is a melancholy thing

For such a man, who would full fain preserve          30

His soul in calmness, yet perforce must feel

For all his human brethren—O my God!

It weighs upon the heart, that he must think

What uproar and what strife may now be stirring

This way or that way o'er these silent hills—          35

Invasion, and the thunder and the shout,

And all the crash of onset; fear and rage,

And undetermined conflict—even now,

Even now, perchance, and in his native isle:

Carnage and groans beneath this blessed sun!          40

We have offended, Oh! my countrymen!

We have offended very grievously,

And been most tyrannous. From east to west

A groan of accusation pierces Heaven!

The wretched plead against us; multitudes          45

Countless and vehement, the sons of God,

Our brethren! Like a cloud that travels on.

Steamed up from Cairo's swamps of pestilence,

Even so, my countrymen! have we gone forth

And borne to distant tribes slavery and pangs,          50

And, deadlier far, our vices, whose deep taint

With slow perdition murders the whole man,

His body and his soul! Meanwhile, at home,

All individual dignity and power

Engulfed in Courts, Committees, Institutions,          55

Associations and Societies,

A vain, speech-mouthing, speech-reporting Guild,

One Benefit-Club for mutual flattery,

We have drunk up, demure as at a grace,

Pollutions from the brimming cup of wealth;          60

Contemptuous of all honourable rule,

Yet bartering freedom and the poor man's life

For gold, as at a market! The sweet words

Of Christian promise, words that even yet

Might stem destruction, were they wisely preached,          65

Are muttered o'er by men, whose tones proclaim

How flat and wearisome they feel their trade:

Rank scoffers some, but most too indolent

To deem them falsehoods or to know their truth.

Oh! blasphemous! the Book of Life is made          70

A superstitious instrument, on which

We gabble o'er the oaths we mean to break;

For all must swear—all and in every place,

College and wharf, council and justice-court;

All, all must swear, the briber and the bribed,          75

Merchant and lawyer, senator and priest,

The rich, the poor, the old man and the young;

All, all make up one scheme of perjury,

That faith doth reel; the very name of God

Sounds like a juggler's charm; and, bold with joy,          80

Forth from his dark and lonely hiding-place,

(Portentous sight!) the owlet Atheism,

Sailing on obscene wings athwart the noon,

Drops his blue-fringéd lids, and holds them close,

And hooting at the glorious sun in Heaven,          85

Cries out, 'Where is it?'

Thankless too for peace,

(Peace long preserved by fleets and perilous seas)

Secure from actual warfare, we have loved

To swell the war-whoop, passionate for war!

Alas! for ages ignorant of all          90

Its ghastlier workings, (famine or blue plague,

Battle, or siege, or flight through wintry snows,)

We, this whole people, have been clamorous

For war and bloodshed; animating sports,

The which we pay for as a thing to talk of,          95

Spectators and not combatants! No guess

Anticipative of a wrong unfelt,

No speculation on contingency,

However dim and vague, too vague and dim

To yield a justifying cause; and forth,          100

(Stuffed out with big preamble, holy names.

And adjurations of the God in Heaven.)

We send our mandates for the certain death

Of thousands and ten thousands! Boys and girls,

And women, that would groan to see a child          105

Pull off an insect's leg, all read of war,

The best amusement for our morning meal!

The poor wretch, who has learnt his only prayers

From curses, who knows scarcely words enough

To ask a blessing from his Heavenly Father,          110

Becomes a fluent phraseman, absolute

And technical in victories and defeats,

And all our dainty terms for fratricide;

Terms which we trundle smoothly o'er our tongues

Like mere abstractions, empty sounds to which          115

We join no feeling and attach no form!

As if the soldier died without a wound;

As if the fibres of this godlike frame

Were gored without a pang; as if the wretch,

Who fell in battle, doing bloody deeds,          120

Passed off to Heaven, translated and not killed;

As though he had no wife to pine for him,

No God to judge him! Therefore, evil days

Are coming on us, O my countrymen!

And what if all-avenging Providence,          125

Strong and retributive, should make us know

The meaning of our words, force us to feel

The desolation and the agony

Of our fierce doings?

Spare us yet awhile,

Father and God! O! spare us yet awhile!          130

Oh! let not English women drag their flight

Fainting beneath the burthen of their babes,

Of the sweet infants, that but yesterday

Laughed at the breast! Sons, brothers, husbands, all

Who ever gazed with fondness on the forms          135

Which grew up with you round the same fire-side,

And all who ever heard the sabbath-bells

Without the infidel's scorn, make yourselves pure!

Stand forth! be men! repel an impious foe,

Impious and false, a light yet cruel race,          140

Who laugh away all virtue, mingling mirth

With deeds of murder; and still promising

Freedom, themselves too sensual to be free,

Poison life's amities, and cheat the heart

Of faith and quiet hope, and all that soothes,          145

And all that lifts the spirit! Stand we forth;

Render them back upon the insulted ocean,

And let them toss as idly on its waves

As the vile sea-weed, which some mountain-blast

Swept from our shores! And oh! may we return          150

Not with a drunken triumph, but with fear,

Repenting of the wrongs with which we stung

So fierce a foe to frenzy!

I have told,

O Britons! O my brethren! I have told

Most bitter truth, but without bitterness.          155

Nor deem my zeal or factious or mistimed;

For never can true courage dwell with them,

Who, playing tricks with conscience, dare not look

At their own vices. We have been too long

Dupes of a deep delusion! Some, belike,          160

Groaning with restless enmity, expect

All change from change of constituted power;

As if a Government had been a robe,

On which our vice and wretchedness were tagged

Like fancy-points and fringes, with the robe          165

Pulled off at pleasure. Fondly these attach

A radical causation to a few

Poor drudges of chastising Providence,

Who borrow all their hues and qualities

From our own folly and rank wickedness,          170

Which gave them birth and nursed them. Others, meanwhile,

Dote with a mad idolatry; and all

Who will not fall before their images,

And yield them worship, they are enemies

Even of their country!

Such have I been deemed.—          175

But, O dear Britain! O my Mother Isle!

Needs must thou prove a name most dear and holy

To me, a son, a brother, and a friend,

A husband, and a father! who revere

All bonds of natural love, and find them all          180

Within the limits of thy rocky shores.

O native Britain! O my Mother Isle!

How shouldst thou prove aught else but dear and holy

To me, who from thy lakes and mountain-hills,

Thy clouds, thy quiet dales, thy rocks and seas,          185

Have drunk in all my intellectual life,

All sweet sensations, all ennobling thoughts,

All adoration of the God in nature,

All lovely and all honourable things.

Whatever makes this mortal spirit feel          190

The joy and greatness of its future being?

There lives nor form nor feeling in my soul

Unborrowed from my country! O divine

And beauteous island! thou hast been my sole

And most magnificent temple, in the which          195

I walk with awe, and sing my stately songs,

Loving the God that made me!—

May my fears,

My filial fears, be vain! and may the vaunts

And menace of the vengeful enemy

Pass like the gust, that roared and died away          200

In the distant tree: which heard, and only heard

In this low dell, bowed not the delicate grass.

But now the gentle dew-fall sends abroad

The fruit-like perfume of the golden furze:

The light has left the summit of the hill,          205

Though still a sunny gleam lies beautiful,

Aslant the ivied beacon. Now farewell,

Farewell, awhile, O soft and silent spot!

On the green sheep-track, up the heathy hill,

Homeward I wind my way; and lo! recalled          210

From bodings that have well-nigh wearied me,

I find myself upon the brow, and pause

Startled! And after lonely sojourning

In such a quiet and surrounded nook,

This burst of prospect, here the shadowy main,          215

Dim-tinted, there the mighty majesty

Of that huge amphitheatre of rich

And elmy fields, seems like society—

Conversing with the mind, and giving it

A livelier impulse and a dance of thought!          220

And now, beloved Stowey! I behold

Thy church-tower, and, methinks, the four huge elms

Clustering, which mark the mansion of my friend;

And close behind them, hidden from my view,

Is my own lowly cottage, where my babe          225

And my babe's mother dwell in peace! With light

And quickened footsteps thitherward I tend,

Remembering thee, O green and silent dell!

And grateful, that by nature's quietness

And solitary musings, all my heart          230

Is softened, and made worthy to indulge

Love, and the thoughts that yearn for human kind.

NETHER STOWEY, April 20, 1798.

FOOTNOTES:

[256:1] First published in a quarto pamphlet 'printed by J. Johnson in S. Paul's Churchyard, 1798': included in Poetical Register, 1808-9 (1812), and, with the same text, in an octavo pamphlet printed by Law and Gilbert in (?) 1812: in Sibylline Leaves, 1817, 1828, 1829, and 1834. Lines 129-97 were reprinted in the Morning Post, Oct. 14, 1802. They follow the reprint of France: an Ode, and are thus prefaced:—'The following extracts are made from a Poem by the same author, written in April 1798 during the alarm respecting the threatened invasion. They were included in The Friend, No. II (June 8, 1809), as Fears of Solitude.' An autograph MS. (in the possession of Professor Dowden), undated but initialled S. T. C., is subscribed as follows:—'N. B. The above is perhaps not Poetry,—but rather a sort of middle thing between Poetry and Oratory—sermoni propriora.—Some parts are, I am conscious, too tame even for animated prose.' An autograph MS. dated (as below 232) is in the possession of Mr. Gordon Wordsworth.

LINENOTES:

Title] Fears &c. Written, April 1798, during the Alarms of an Invasion MS. W., 4o: Fears &c. Written April 1798, &c. P. R.

[19]

that] which 4o, P. R.

[33]

It is indeed a melancholy thing

And weighs upon the heart

4o, P. R., S. L.

[40]

groans] screams 4o, P. R.

[43]

And have been tyrannous 4o, P. R.

[44-60]

The groan of accusation pleads against us.

*       *       *       *       *

Desunt aliqua

. . . Meanwhile at home

We have been drinking with a riotous thirst

Pollutions, &c.

MS. D.

[53-9]

Meanwhile at home

We have been drinking with a riotous thirst.

Pollutions from the brimming cup of wealth

A selfish, lewd, effeminated race.

MS. W., 4o, P. R.

[Lines 54-8 of the text were added in Sibylline Leaves, 1817.]

[69]

know] know MS. W., 4o, P. R.

[110]

from] of 4o, P. R.

[112]

defeats] deceit S. L. [Probably a misprint].

[121]

translated] translated 4o, P. R.

[131]

drag] speed 1809.

[133]

that] who 1802, 1809.

[134]

Laugh'd at the bosom! Husbands, fathers, all 1802: Smil'd at the bosom! Husbands, Brothers, all The Friend, 1809.

[136]

Which] That 1802.

[138]

pure] strong 1809.

[139]

foe] race 1809.

[138-9]

Without the Infidel's scorn, stand forth, be men,

Make yourselves strong, repel an impious foe

1802.

[140]

yet] and MS. W.

[141]

Who] That 4o, P. R., 1802, 1809.

[146]

we] ye 1809.

[148]

toss] float 1809.

[149]

sea-weed] sea-weeds MS. W., 4o, 1802. some] the 1809.

[150]

Swept] Sweeps 1809.

[151]

fear] awe 1802.

[151-3]

Not in a drunken triumph, but with awe

Repentant of the wrongs, with which we stung

So fierce a race to Frenzy.

1809.

[154]

O men of England! Brothers! I have told 1809.

[155]

truth] truths 1802, 1809.

[156]

factious] factitious 1809.

[157]

courage] freedom 1802.

[159-61]

At their own vices. Fondly some expect [We have been . . . enmity om.] 1802.

[161-4]

Restless in enmity have thought all change

Involv'd in change of constituted power.

As if a Government were but a robe

On which our vice and wretchedness were sewn.

1809.

[162]

constituted] delegated 1802.

[163]

had been] were but 1809.

[163-75]

As if a government were but a robe

To which our crimes and miseries were affix'd,

Like fringe, or epaulet, and with the robe

Pull'd off at pleasure. Others, the meantime,

Doat with a mad idolatry, and all

Who will not bow their heads, and close their eyes,

And worship blindly—these are enemies

Even of their country. Such have they deemed me.

1802.

[166-71]

Fondly . . . nursed them om. 1809.

[171]

nursed] nurse 4o, S. L. meanwhile] meantime 1809.

[175]

Such have I been deemed 1809.

[177]

prove] be 1802, 1809.

[179]

father] parent 1809.

[180]

All natural bonds of 1802.

[181]

limits] circle 1802, 1809.

[183]

couldst thou be 1802: shouldst thou be 1809.

[184-5]

To me who from thy brooks and mountain-hills,

Thy quiet fields, thy clouds, thy rocks, thy seas

1802.

To me who from thy seas and rocky shores

Thy quiet fields thy streams and wooded hills

1809.

[207]

Aslant the ivied] On the long-ivied MS. W., 4o.

[214]

nook] scene MS. W., 4o, P. R.

THE NIGHTINGALE[264:1]

A CONVERSATION POEM, APRIL, 1798

No cloud, no relique of the sunken day

Distinguishes the West, no long thin slip

Of sullen light, no obscure trembling hues.

Come, we will rest on this old mossy bridge!

You see the glimmer of the stream beneath,          5

But hear no murmuring: it flows silently,

O'er its soft bed of verdure. All is still,

A balmy night! and though the stars be dim,

Yet let us think upon the vernal showers

That gladden the green earth, and we shall find          10

A pleasure in the dimness of the stars.

And hark! the Nightingale begins its song,

'Most musical, most melancholy' bird![264:2]

A melancholy bird? Oh! idle thought!

In Nature there is nothing melancholy.          15

But some night-wandering man whose heart was pierced

With the remembrance of a grievous wrong,

Or slow distemper, or neglected love,

(And so, poor wretch! filled all things with himself,

And made all gentle sounds tell back the tale          20

Of his own sorrow) he, and such as he,

First named these notes a melancholy strain.

And many a poet echoes the conceit;

Poet who hath been building up the rhyme

When he had better far have stretched his limbs          25

Beside a brook in mossy forest-dell,

By sun or moon-light, to the influxes

Of shapes and sounds and shifting elements

Surrendering his whole spirit, of his song

And of his fame forgetful! so his fame          30

Should share in Nature's immortality,

A venerable thing! and so his song

Should make all Nature lovelier, and itself

Be loved like Nature! But 'twill not be so;

And youths and maidens most poetical,          35

Who lose the deepening twilights of the spring

In ball-rooms and hot theatres, they still

Full of meek sympathy must heave their sighs

O'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister! we have learnt          40

A different lore: we may not thus profane

Nature's sweet voices, always full of love

And joyance! 'Tis the merry Nightingale

That crowds, and hurries, and precipitates

With fast thick warble his delicious notes,          45

As he were fearful that an April night

Would be too short for him to utter forth

His love-chant, and disburthen his full soul

Of all its music!

And I know a grove

Of large extent, hard by a castle huge,          50

Which the great lord inhabits not; and so

This grove is wild with tangling underwood,

And the trim walks are broken up, and grass,

Thin grass and king-cups grow within the paths.

But never elsewhere in one place I knew          55

So many nightingales; and far and near,

In wood and thicket, over the wide grove,

They answer and provoke each other's song,

With skirmish and capricious passagings,

And murmurs musical and swift jug jug,          60

And one low piping sound more sweet than all—

Stirring the air with such a harmony,

That should you close your eyes, you might almost

Forget it was not day! On moonlight bushes,

Whose dewy leaflets are but half-disclosed.          65

You may perchance behold them on the twigs,

Their bright, bright eyes, their eyes both bright and full,

Glistening, while many a glow-worm in the shade

Lights up her love-torch.

A most gentle Maid,

Who dwelleth in her hospitable home          70

Hard by the castle, and at latest eve

(Even like a Lady vowed and dedicate

To something more than Nature in the grove)

Glides through the pathways; she knows all their notes,

That gentle Maid! and oft, a moment's space,          75

What time the moon was lost behind a cloud,

Hath heard a pause of silence; till the moon

Emerging, hath awakened earth and sky

With one sensation, and those wakeful birds

Have all burst forth in choral minstrelsy,          80

As if some sudden gale had swept at once

A hundred airy harps! And she hath watched

Many a nightingale perch giddily

On blossomy twig still swinging from the breeze,

And to that motion tune his wanton song          85

Like tipsy Joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve,

And you, my friends! farewell, a short farewell!

We have been loitering long and pleasantly,

And now for our dear homes.—That strain again!          90

Full fain it would delay me! My dear babe,

Who, capable of no articulate sound,

Mars all things with his imitative lisp,

How he would place his hand beside his ear,

His little hand, the small forefinger up,          95

And bid us listen! And I deem it wise

To make him Nature's play-mate. He knows well

The evening-star; and once, when he awoke

In most distressful mood (some inward pain

Had made up that strange thing, an infant's dream—)          100

I hurried with him to our orchard-plot,

And he beheld the moon, and, hushed at once,

Suspends his sobs, and laughs most silently,

While his fair eyes, that swam with undropped tears,

Did glitter in the yellow moon-beam! Well!—          105

It is a father's tale: But if that Heaven

Should give me life, his childhood shall grow up

Familiar with these songs, that with the night

He may associate joy.—Once more, farewell,

Sweet Nightingale! once more, my friends! farewell.          110

1798.

FOOTNOTES:

[264:1] First published in Lyrical Ballads, 1798, reprinted in Lyrical Ballads, 1800, 1802, and 1805: included in Sibylline Leaves, 1817, 1828, 1829, and 1834.

[264:2] 'Most musical, most melancholy.' This passage in Milton possesses an excellence far superior to that of mere description; it is spoken in the character of the melancholy Man, and has therefore a dramatic propriety. The Author makes this remark, to rescue himself from the charge of having alluded with levity to a line in Milton; a charge than which none could be more painful to him, except perhaps that of having ridiculed his Bible. Footnote to l. 13 L. B. 1798, L. B. 1800, S. L. 1817, 1828, 1829. In 1834 the footnote ends with the word 'Milton', the last sentence being omitted.

LINENOTES:

Note. In the Table of Contents of 1828 and 1829 'The Nightingale' is omitted.

Title] The Nightingale; a Conversational Poem, written in April, 1798 L. B. 1798: The Nightingale, written in April, 1798 L. B. 1800: The Nightingale A Conversation Poem, written in April, 1798 S. L., 1828, 1829.

[21]

sorrow] sorrows L. B. 1798, 1800.

[40]

My Friend, and my Friend's sister L. B. 1798, 1800.

[58]

song] songs L. B. 1798, 1800, S. L.

[61]

And one, low piping, sounds more sweet than all—S. L. 1817: (punctuate thus, reading Sound for sounds:—And one low piping Sound more sweet than all—Errata, S. L., p. [xii]).

[62]

a] an all editions to 1884.

[64-9]

On moonlight . . . her love-torch om. L. B. 1800.

[79]

those] these S. L. 1817.

[81]

As if one quick and sudden gale had swept L. B. 1798, 1800, S. L. 1817.

[82]

A] An all editions to 1834.

[84]

blossomy] blosmy L. B. 1798, 1800, S. L. 1817.

[102]

beheld] beholds L. B. 1798, 1800.

THE THREE GRAVES[267:1]

A FRAGMENT OF A SEXTON'S TALE

'The Author has published the following humble fragment, encouraged by the decisive recommendation of more than one of our most celebrated living Poets. The language was intended to be dramatic; that is, suited to the narrator; and the metre corresponds to the homeliness of the diction. It is therefore presented as the fragment, not of a Poem, but of a common Ballad-tale.[268:1] Whether this is sufficient to justify the adoption of such a style, in any metrical composition not professedly ludicrous, the Author is himself in some doubt. At all events, it is not presented as poetry, and it is in no way connected with the Author's judgment concerning poetic diction. Its merits, if any, are exclusively psychological. The story which must be supposed to have been narrated in the first and second parts is as follows:—

'Edward, a young farmer, meets at the house of Ellen her bosom-friend Mary, and commences an acquaintance, which ends in a mutual attachment. With her consent, and by the advice of their common friend Ellen, he announces his hopes and intentions to Mary's mother, a widow-woman bordering on her fortieth year, and from constant health, the possession of a competent property, and from having had no other children but Mary and another daughter (the father died in their infancy), retaining for the greater part her personal attractions and comeliness of appearance; but a woman of low education and violent temper. The answer which she at once returned to Edward's application was remarkable—"Well, Edward! you are a handsome young fellow, and you shall have my daughter." From this time all their wooing passed under the mother's eye; and, in fine, she became herself enamoured of her future son-in-law, and practised every art, both of endearment and of calumny, to transfer his affections from her daughter to herself. (The outlines of the Tale are positive facts, and of no very distant date, though the author has purposely altered the names and the scene of action, as well as invented the characters of the parties and the detail of the incidents.) Edward, however, though perplexed by her strange detractions from her daughter's good qualities, yet in the innocence of his own heart still mistook[268:2] her increasing fondness for motherly affection; she at length, overcome by her miserable passion, after much abuse of Mary's temper and moral tendencies, exclaimed with violent emotion—"O Edward! indeed, indeed, she is not fit for you—she has not a heart to love you as you deserve. It is I that love you! Marry me, Edward! and I will this very day settle all my property on you." The Lover's eyes were now opened; and thus taken by surprise, whether from the effect of the horror which he felt, acting as it were hysterically on his nervous system, or that at the first moment he lost the sense of the guilt of the proposal in the feeling of its strangeness and absurdity, he flung her from him and burst into a fit of laughter. Irritated by this almost to frenzy, the woman fell on her knees, and in a loud voice that approached to a scream, she prayed for a curse both on him and on her own child. Mary happened to be in the room directly above them, heard Edward's laugh, and her mother's blasphemous prayer, and fainted away. He, hearing the fall, ran upstairs, and taking her in his arms, carried her off to Ellen's home; and after some fruitless attempts on her part toward a reconciliation with her mother, she was married to him.—And here the third part of the Tale begins.

'I was not led to choose this story from any partiality to tragic, much less to monstrous events (though at the time that I composed the verses, somewhat more than twelve years ago, I was less averse to such subjects than at present), but from finding in it a striking proof of the possible effect on the imagination, from an idea violently and suddenly impressed on it. I had been reading Bryan Edwards's account of the effects of the Oby witchcraft on the Negroes in the West Indies, and Hearne's deeply interesting anecdotes of similar workings on the imagination of the Copper Indians (those of my readers who have it in their power will be well repaid for the trouble of referring to those works for the passages alluded to); and I conceived the design of shewing that instances of this kind are not peculiar to savage or barbarous tribes, and of illustrating the mode in which the mind is affected in these cases, and the progress and symptoms of the morbid action on the fancy from the beginning.

'The Tale is supposed to be narrated by an old Sexton, in a country church-yard, to a traveller whose curiosity had been awakened by the appearance of three graves, close by each other, to two only of which there were grave-stones. On the first of these was the name, and dates, as usual: on the second, no name, but only a date, and the words, "The Mercy of God is infinite.[269:1]"' S. L. 1817, 1828, 1829.

[PART I—FROM MS.]

Beneath this thorn when I was young,

This thorn that blooms so sweet,

We loved to stretch our lazy limbs

In summer's noon-tide heat.

And hither too the old man came,          5

The maiden and her feer,

'Then tell me, Sexton, tell me why

The toad has harbour here.

'The Thorn is neither dry nor dead,

But still it blossoms sweet;          10

Then tell me why all round its roots

The dock and nettle meet.

'Why here the hemlock, &c. [sic in MS.]

'Why these three graves all side by side,

Beneath the flow'ry thorn,          15

Stretch out so green and dark a length,

By any foot unworn.'

There, there a ruthless mother lies

Beneath the flowery thorn;

And there a barren wife is laid,          20

And there a maid forlorn.

The barren wife and maid forlorn

Did love each other dear;

The ruthless mother wrought the woe,

And cost them many a tear.          25

Fair Ellen was of serious mind,

Her temper mild and even,

And Mary, graceful as the fir

That points the spire to heaven.

Young Edward he to Mary said,          30

'I would you were my bride,'

And she was scarlet as he spoke,

And turned her face to hide.

'You know my mother she is rich,

And you have little gear;          35

And go and if she say not Nay,

Then I will be your fere.'

Young Edward to the mother went.

To him the mother said:

'In truth you are a comely man;          40

You shall my daughter wed.'

[271:1]     [In Mary's joy fair Eleanor

Did bear a sister's part;

For why, though not akin in blood,

They sisters were in heart.]          45

Small need to tell to any man

That ever shed a tear

What passed within the lover's heart

The happy day so near.

The mother, more than mothers use,          50

Rejoiced when they were by;

And all the 'course of wooing' passed[271:2]

Beneath the mother's eye.

And here within the flowering thorn

How deep they drank of joy:          55

The mother fed upon the sight,

Nor . . . [sic in MS.]

[PART II—FROM MS.][271:3]

And now the wedding day was fix'd,

The wedding-ring was bought;

The wedding-cake with her own hand          60

The ruthless mother brought.

'And when to-morrow's sun shines forth

The maid shall be a bride';

Thus Edward to the mother spake

While she sate by his side.          65

Alone they sate within the bower:

The mother's colour fled,

For Mary's foot was heard above—

She decked the bridal bed.

And when her foot was on the stairs          70

To meet her at the door,

With steady step the mother rose,

And silent left the bower.

She stood, her back against the door,

And when her child drew near—          75

'Away! away!' the mother cried,

'Ye shall not enter here.

'Would ye come here, ye maiden vile,

And rob me of my mate?'

And on her child the mother scowled          80

A deadly leer of hate.

Fast rooted to the spot, you guess,

The wretched maiden stood,

As pale as any ghost of night

That wanteth flesh and blood.          85

She did not groan, she did not fall,

She did not shed a tear,

Nor did she cry, 'Oh! mother, why

May I not enter here?'

But wildly up the stairs she ran,          90

As if her sense was fled,

And then her trembling limbs she threw

Upon the bridal bed.

The mother she to Edward went

Where he sate in the bower,          95

And said, 'That woman is not fit

To be your paramour.

'She is my child—it makes my heart

With grief and trouble swell;

I rue the hour that gave her birth,          100

For never worse befel.

'For she is fierce and she is proud,

And of an envious mind;

A wily hypocrite she is,

And giddy as the wind.          105

'And if you go to church with her,

You'll rue the bitter smart;

For she will wrong your marriage-bed,

And she will break your heart.

'Oh God, to think that I have shared          110

Her deadly sin so long;

She is my child, and therefore I

As mother held my tongue.

'She is my child, I've risked for her

My living soul's estate:          115

I cannot say my daily prayers,

The burthen is so great.

'And she would scatter gold about

Until her back was bare;

And should you swing for lust of hers          120

In truth she'd little care.'

Then in a softer tone she said,

And took him by the hand:

'Sweet Edward, for one kiss of your's

I'd give my house and land.          125

'And if you'll go to church with me,

And take me for your bride,

I'll make you heir of all I have—

Nothing shall be denied.'

Then Edward started from his seat,          130

And he laughed loud and long—

'In truth, good mother, you are mad,

Or drunk with liquor strong.'

To him no word the mother said,

But on her knees she fell,          135

And fetched her breath while thrice your hand

Might toll the passing-bell.

'Thou daughter now above my head,

Whom in my womb I bore,

May every drop of thy heart's blood          140

Be curst for ever more.

'And curséd be the hour when first

I heard thee wawl and cry;

And in the Church-yard curséd be

The grave where thou shalt lie!'          145

And Mary on the bridal-bed

Her mother's curse had heard;

And while the cruel mother spake

The bed beneath her stirred.

In wrath young Edward left the hall,          150

And turning round he sees

The mother looking up to God

And still upon her knees.

Young Edward he to Mary went

When on the bed she lay:          155

'Sweet love, this is a wicked house—

Sweet love, we must away.'

He raised her from the bridal-bed,

All pale and wan with fear;

'No Dog,' quoth he, 'if he were mine,          160

No Dog would kennel here.'

He led her from the bridal-bed,

He led her from the stairs.

[Had sense been hers she had not dar'd

To venture on her prayers. MS. erased.]

The mother still was in the bower,

And with a greedy heart          165

She drank perdition on her knees,

Which never may depart.

But when their steps were heard below

On God she did not call;

She did forget the God of Heaven,          170

For they were in the hall.

She started up—the servant maid

Did see her when she rose;

And she has oft declared to me

The blood within her froze.          175

As Edward led his bride away

And hurried to the door,

The ruthless mother springing forth

Stopped midway on the floor.

What did she mean? What did she mean?          180

For with a smile she cried:

'Unblest ye shall not pass my door,

The bride-groom and his bride.

'Be blithe as lambs in April are,

As flies when fruits are red;          185

May God forbid that thought of me

Should haunt your marriage-bed.

'And let the night be given to bliss,

The day be given to glee:

I am a woman weak and old,          190

Why turn a thought on me?

'What can an agéd mother do,

And what have ye to dread?

A curse is wind, it hath no shape

To haunt your marriage-bed.'          195

When they were gone and out of sight

She rent her hoary hair,

And foamed like any Dog of June

When sultry sun-beams glare.

*       *       *       *       *

Now ask you why the barren wife,          200

And why the maid forlorn,

And why the ruthless mother lies

Beneath the flowery thorn?

Three times, three times this spade of mine,

In spite of bolt or bar,          205

Did from beneath the belfry come,

When spirits wandering are.

And when the mother's soul to Hell

By howling fiends was borne,

This spade was seen to mark her grave          210

Beneath the flowery thorn.

And when the death-knock at the door

Called home the maid forlorn,

This spade was seen to mark her grave

Beneath the flowery thorn.          215

And 'tis a fearful, fearful tree;

The ghosts that round it meet,

'Tis they that cut the rind at night,

Yet still it blossoms sweet.

*       *       *       *       *

[End of MS.]

PART III[276:1]

The grapes upon the Vicar's wall          220

Were ripe as ripe could be;

And yellow leaves in sun and wind

Were falling from the tree.

On the hedge-elms in the narrow lane

Still swung the spikes of corn:          225

Dear Lord! it seems but yesterday—

Young Edward's marriage-morn.

Up through that wood behind the church,

There leads from Edward's door

A mossy track, all over boughed,          230

For half a mile or more.

And from their house-door by that track

The bride and bridegroom went;

Sweet Mary, though she was not gay,

Seemed cheerful and content.          235

But when they to the church-yard came,

I've heard poor Mary say,

As soon as she stepped into the sun,

Her heart it died away.

And when the Vicar join'd their hands,          240

Her limbs did creep and freeze:

But when they prayed, she thought she saw

Her mother on her knees.

And o'er the church-path they returned—

I saw poor Mary's back,          245

Just as she stepped beneath the boughs

Into the mossy track.

Her feet upon the mossy track

The married maiden set:

That moment—I have heard her say—          250

She wished she could forget.

The shade o'er-flushed her limbs with heat—

Then came a chill like death:

And when the merry bells rang out,

They seemed to stop her breath.          255

Beneath the foulest mother's curse

No child could ever thrive:

A mother is a mother still,

The holiest thing alive.

So five months passed: the mother still          260

Would never heal the strife;

But Edward was a loving man

And Mary a fond wife.

'My sister may not visit us,

My mother says her nay:          265

O Edward! you are all to me,

I wish for your sake I could be

More lifesome and more gay.

'I'm dull and sad! indeed, indeed

I know I have no reason!          270

Perhaps I am not well in health,

And 'tis a gloomy season.'

'Twas a drizzly time—no ice, no snow!

And on the few fine days

She stirred not out, lest she might meet          275

Her mother in the ways.

But Ellen, spite of miry ways

And weather dark and dreary,

Trudged every day to Edward's house,

And made them all more cheery.          280

Oh! Ellen was a faithful friend.

More dear than any sister!

As cheerful too as singing lark;

And she ne'er left them till 'twas dark,

And then they always missed her.          285

And now Ash-Wednesday came—that day

But few to church repair:

For on that day you know we read

The Commination prayer.

Our late old Vicar, a kind man,          290

Once, Sir, he said to me,

He wished that service was clean out

Of our good Liturgy.

The mother walked into the church—

To Ellen's seat she went:          295

Though Ellen always kept her church

All church-days during Lent.

And gentle Ellen welcomed her

With courteous looks and mild:

Thought she, 'What if her heart should melt,          300

And all be reconciled!'

The day was scarcely like a day—

The clouds were black outright:

And many a night, with half a moon,

I've seen the church more light.          305

The wind was wild; against the glass

The rain did beat and bicker;

The church-tower swinging over head,

You scarce could hear the Vicar!

And then and there the mother knelt,          310

And audibly she cried—

'Oh! may a clinging curse consume

This woman by my side!

'O hear me, hear me, Lord in Heaven.

Although you take my life—          315

O curse this woman, at whose house

Young Edward woo'd his wife.

'By night and day, in bed and bower,

O let her curséd be!!!'

So having prayed, steady and slow,          320

She rose up from her knee!

And left the church, nor e'er again

The church-door entered she.

I saw poor Ellen kneeling still,

So pale! I guessed not why:          325

When she stood up, there plainly was

A trouble in her eye.

And when the prayers were done, we all

Came round and asked her why:

Giddy she seemed, and sure, there was          330

A trouble in her eye.

But ere she from the church-door stepped

She smiled and told us why:

'It was a wicked woman's curse,'

Quoth she, 'and what care I?'          335

She smiled, and smiled, and passed it off

Ere from the door she stept—

But all agree it would have been

Much better had she wept.

And if her heart was not at ease,          340

This was her constant cry—

'It was a wicked woman's curse—

God's good, and what care I?'

There was a hurry in her looks,

Her struggles she redoubled:          345

'It was a wicked woman's curse,

And why should I be troubled?'

These tears will come—I dandled her

When 'twas the merest fairy—

Good creature! and she hid it all:          350

She told it not to Mary.

But Mary heard the tale: her arms

Round Ellen's neck she threw;

'O Ellen, Ellen, she cursed me,

And now she hath cursed you!'          355

I saw young Edward by himself

Stalk fast adown the lee,

He snatched a stick from every fence,

A twig from every tree.

He snapped them still with hand or knee,          360

And then away they flew!

As if with his uneasy limbs

He knew not what to do!

You see, good sir! that single hill?

His farm lies underneath:          365

He heard it there, he heard it all,

And only gnashed his teeth.

Now Ellen was a darling love

In all his joys and cares:

And Ellen's name and Mary's name          370

Fast-linked they both together came,

Whene'er he said his prayers.

And in the moment of his prayers

He loved them both alike:

Yea, both sweet names with one sweet joy          375

Upon his heart did strike!

He reach'd his home, and by his looks

They saw his inward strife:

And they clung round him with their arms,

Both Ellen and his wife.          380

And Mary could not check her tears,

So on his breast she bowed;

Then frenzy melted into grief,

And Edward wept aloud.

Dear Ellen did not weep at all,          385

But closelier did she cling,

And turned her face and looked as if

She saw some frightful thing.

PART IV

To see a man tread over graves

I hold it no good mark;          390

'Tis wicked in the sun and moon,

And bad luck in the dark!

You see that grave? The Lord he gives,

The Lord, he takes away:

O Sir! the child of my old age          395

Lies there as cold as clay.

Except that grave, you scarce see one

That was not dug by me;

I'd rather dance upon 'em all

Than tread upon these three!          400

'Aye, Sexton! 'tis a touching tale.'

You, Sir! are but a lad;

This month I'm in my seventieth year,

And still it makes me sad.

And Mary's sister told it me,          405

For three good hours and more;

Though I had heard it, in the main,

From Edward's self, before.

Well! it passed off! the gentle Ellen

Did well nigh dote on Mary;          410

And she went oftener than before,

And Mary loved her more and more:

She managed all the dairy.

To market she on market-days,

To church on Sundays came;          415

All seemed the same: all seemed so, Sir!

But all was not the same!

Had Ellen lost her mirth? Oh! no!

But she was seldom cheerful;

And Edward looked as if he thought          420

That Ellen's mirth was fearful.

When by herself, she to herself

Must sing some merry rhyme;

She could not now be glad for hours,

Yet silent all the time.          425

And when she soothed her friend, through all

Her soothing words 'twas plain

She had a sore grief of her own,

A haunting in her brain.

And oft she said, I'm not grown thin!          430

And then her wrist she spanned;

And once when Mary was down-cast,

She took her by the hand,

And gazed upon her, and at first

She gently pressed her hand;          435

Then harder, till her grasp at length

Did gripe like a convulsion!

'Alas!' said she, 'we ne'er can be

Made happy by compulsion!'

And once her both arms suddenly          440

Round Mary's neck she flung,

And her heart panted, and she felt

The words upon her tongue.

She felt them coming, but no power

Had she the words to smother:          445

And with a kind of shriek she cried,

'Oh Christ! you're like your mother!'

So gentle Ellen now no more

Could make this sad house cheery;

And Mary's melancholy ways          450

Drove Edward wild and weary.

Lingering he raised his latch at eve,

Though tired in heart and limb:

He loved no other place, and yet

Home was no home to him.          455

One evening he took up a book,

And nothing in it read;

Then flung it down, and groaning cried,

'O! Heaven! that I were dead.'

Mary looked up into his face,          460

And nothing to him said;

She tried to smile, and on his arm

Mournfully leaned her head.

And he burst into tears, and fell

Upon his knees in prayer:          465

'Her heart is broke! O God! my grief,

It is too great to bear!'

'Twas such a foggy time as makes

Old sextons, Sir! like me,

Rest on their spades to cough; the spring          470

Was late uncommonly.

And then the hot days, all at once,

They came, we knew not how:

You looked about for shade, when scarce

A leaf was on a bough.          475

It happened then ('twas in the bower,

A furlong up the wood:

Perhaps you know the place, and yet

I scarce know how you should,)

No path leads thither, 'tis not nigh          480

To any pasture-plot;

But clustered near the chattering brook,

Lone hollies marked the spot.

Those hollies of themselves a shape

As of an arbour took,          485

A close, round arbour; and it stands

Not three strides from a brook.

Within this arbour, which was still

With scarlet berries hung,

Were these three friends, one Sunday morn,          490

Just as the first bell rung.

'Tis sweet to hear a brook, 'tis sweet

To hear the Sabbath-bell,

'Tis sweet to hear them both at once,

Deep in a woody dell.          495

His limbs along the moss, his head

Upon a mossy heap,

With shut-up senses, Edward lay:

That brook e'en on a working day

Might chatter one to sleep.          500

And he had passed a restless night.

And was not well in health;

The women sat down by his side,

And talked as 'twere by stealth.

'The Sun peeps through the close thick leaves,          505

See, dearest Ellen! see!

'Tis in the leaves, a little sun,

No bigger than your ee;

'A tiny sun, and it has got

A perfect glory too;          510

Ten thousand threads and hairs of light,

Make up a glory gay and bright

Round that small orb, so blue.'

And then they argued of those rays,

What colour they might be;          515

Says this, 'They're mostly green'; says that,

'They're amber-like to me.'

So they sat chatting, while bad thoughts

Were troubling Edward's rest;

But soon they heard his hard quick pants,          520

And the thumping in his breast.

'A mother too!' these self-same words

Did Edward mutter plain;

His face was drawn back on itself,

With horror and huge pain.          525

Both groaned at once, for both knew well

What thoughts were in his mind;

When he waked up, and stared like one

That hath been just struck blind.

He sat upright; and ere the dream          530

Had had time to depart,

'O God, forgive me!' (he exclaimed)

'I have torn out her heart.'

Then Ellen shrieked, and forthwith burst

Into ungentle laughter;          535

And Mary shivered, where she sat,

And never she smiled after.

1797-1809.

Carmen reliquum in futurum tempus relegatum. To-morrow! and To-morrow! and To-morrow!

FOOTNOTES:

[267:1] Parts III and IV of the Three Graves were first published in The Friend, No. VI, September 21, 1809. They were included in Sibylline Leaves, 1817, 1828, 1829, and 1834. Parts I and II, which were probably written in the spring of 1798, at the same time as Parts III and IV, were first published, from an autograph MS. copy, in Poems, 1893. [For evidence of date compare ll. 255-8 with Dorothy Wordsworth's Alfoxden Journal for March 20, 24, and April 6, 8.] The original MS. of Parts III and IV is not forthcoming. The MS. of the poem as published in The Friend is in the handwriting of Miss Sarah Stoddart (afterwards Mrs. Hazlitt), and is preserved with other 'copy' of The Friend (of which the greater part is in the handwriting of Miss Sarah Hutchinson) in the Forster Collection which forms part of the Victoria and Albert Museum, South Kensington. The preface and emendations are in the handwriting of S. T. C. The poem was reprinted in the British Minstrel, Glasgow, 1821 as 'a modern ballad of the very first rank'. In a marginal note in Mr. Samuel's copy of Sibylline Leaves Coleridge writes:—'This very poem was selected, notwithstanding the preface, as a proof of my judgment and poetic diction, and a fair specimen of the style of my poems generally (see the Mirror): nay! the very words of the preface were used, omitting the not,' &c. See for this and other critical matter, Lyrical Ballads, 1798, edited by Thomas Hutchinson, 1898. Notes, p. 257.

[268:1] in the common ballad metre MS.

[268:2] mistaking The Friend.

[269:1] In the first issue of The Friend, No. VI, September 21, 1809, the poem was thus introduced:—'As I wish to commence the important Subject of—The Principles of political Justice with a separate number of THE FRIEND, and shall at the same time comply with the wishes communicated to me by one of my female Readers, who writes as the representative of many others, I shall conclude this Number with the following Fragment, or the third and fourth [second and third MS. S. T. C.] parts of a Tale consisting of six. The two last parts may be given hereafter, if the present should appear to have afforded pleasure, and to have answered the purpose of a relief and amusement to my Readers. The story as it is contained in the first and second parts is as follows: Edward a young farmer, etc.'

[271:1] It is uncertain whether this stanza is erased, or merely blotted in the MS.

[271:2] Othello iii. 3.

[271:3] The words 'Part II' are not in the MS.

[276:1] In the MS. of The Friend, Part III is headed:—'The Three Graves. A Sexton's Tale. A Fragment.' A MS. note erased in the handwriting of S. T. C. is attached:—'N. B. Written for me by Sarah Stoddart before her brother was an entire Blank. I have not voluntarily been guilty of any desecration of holy Names.' In The Friend, in Sibylline Leaves, in 1828, 1829, and 1834, the poem is headed 'The Three Graves, &c.' The heading 'Part III' first appeared in 1893.

LINENOTES:

[4]

In the silent summer heat MS. alternative reading.

[14]

Why these three graves all in a row

MS. alternative reading.

Stretch out their dark and gloomy length

MS. erased.

[33]

turned] strove MS. erased.

[49]

happy] wedding MS. variant.

[81]

A deadly] The ghastly MS. erased.

Part III] III MS. erased.

220 foll. In The Friend the lines were printed continuously. The division into stanzas (as in the MS.) dates from the republication of the poem in Sibylline Leaves, 1817.

[221]

as ripe] as they MS.

[224]

High on the hedge-elms in the lane MS. erased.

[225]

spikes] strikes Sibylline Leaves, 1817. [Note. It is possible that 'strikes'—a Somersetshire word—(compare 'strikes of flax') was deliberately substituted for 'spikes'. It does not appear in the long list of Errata prefixed to Sibylline Leaves. Wagons passing through narrow lanes leave on the hedge-rows not single 'spikes', but little swathes or fillets of corn.]

[230]

over boughed] over-bough'd MS.

[242]

they] he MS. The Friend, 1809.

[260]

So five months passed: this mother foul MS. erased.

[278]

dark] dank MS. The Friend, 1809.

[308]

swinging] singing MS. The Friend, 1809: swaying S. L.

[309]

You could not hear the Vicar. MS. The Friend, 1809.

[315]

you] thou The Friend, 1809.

Part IV] The Three Graves, a Sexton's Tale, Part the IVth MS.

[395]

O Sir!] Oh! 'tis S. L.

[447]

you're] how MS.

[473]

we] one MS. The Friend, 1809.

[483]

Lone] Some MS. The Friend, 1809.

[487]

a] the MS. The Friend, 1809.

[490]

friends] dears MS. erased.

[507]

in] in MS. The Friend, 1809.

[511]

inserted by S. T. C. MS.

[530-1]

He sat upright; and with quick voice

While his eyes seem'd to start

MS. erased.

THE WANDERINGS OF CAIN[285:1]

PREFATORY NOTE

A prose composition, one not in metre at least, seems primâ facie to require explanation or apology. It was written in the year 1798, near Nether Stowey, in Somersetshire, at which place (sanctum et amabile nomen! rich by so many associations and recollections) the author had taken up his residence in order to enjoy the society and close neighbourhood of a dear and honoured friend, T. Poole, Esq. The work was to have been written in concert with another [Wordsworth], whose name is too venerable within the precincts of genius to be unnecessarily brought into connection with such a trifle, and who was then residing at a small distance from Nether Stowey. The title and subject were suggested by myself, who likewise drew out the scheme and the contents for each of the three books or cantos, of which the work was to consist, and which, the reader is to be informed, was to have been finished in one night! My partner undertook the first canto: I the second: and which ever had done first, was to set about the third. Almost thirty years have passed by; yet at this moment I cannot without something more than a smile moot the question which of the two things was the more impracticable, for a mind so eminently original to compose another man's thoughts and fancies, or for a taste so austerely pure and simple to imitate the Death of Abel? Methinks I see his grand and noble countenance as at the moment when having despatched my own portion of the task at full finger-speed, I hastened to him with my manuscript—that look of humourous despondency fixed on his almost blank sheet of paper, and then its silent mock-piteous admission of failure struggling with the sense of the exceeding ridiculousness of the whole scheme—which broke up in a laugh: and the Ancient Mariner was written instead.

Years afterward, however, the draft of the plan and proposed incidents, and the portion executed, obtained favour in the eyes of more than one person, whose judgment on a poetic work could not but have weighed with me, even though no parental partiality had been thrown into the same scale, as a make-weight: and I determined on commencing anew, and composing the whole in stanzas, and made some progress in realising this intention, when adverse gales drove my bark off the 'Fortunate Isles' of the Muses: and then other and more momentous interests prompted a different voyage, to firmer anchorage and a securer port. I have in vain tried to recover the lines from the palimpsest tablet of my memory: and I can only offer the introductory stanza, which had been committed to writing for the purpose of procuring a friend's judgment on the metre, as a specimen:—

Encinctured with a twine of leaves,

That leafy twine his only dress!

A lovely Boy was plucking fruits,

By moonlight, in a wilderness.

(In a moonlight wilderness Aids to Reflection, 1825.)

The moon was bright, the air was free,

And fruits and flowers together grew

On many a shrub and many a tree:

And all put on a gentle hue,

Hanging in the shadowy air

Like a picture rich and rare.

It was a climate where, they say,

The night is more belov'd than day.

But who that beauteous Boy beguil'd,

That beauteous Boy to linger here?

Alone, by night, a little child,

In place so silent and so wild—

Has he no friend, no loving mother near?

I have here given the birth, parentage, and premature decease of the 'Wanderings of Cain, a poem',—intreating, however, my Readers, not to think so meanly of my judgment as to suppose that I either regard or offer it as any excuse for the publication of the following fragment (and I may add, of one or two others in its neighbourhood) in its primitive crudity. But I should find still greater difficulty in forgiving myself were I to record pro taedio publico a set of petty mishaps and annoyances which I myself wish to forget. I must be content therefore with assuring the friendly Reader, that the less he attributes its appearance to the Author's will, choice, or judgment, the nearer to the truth he will be.

S. T. COLERIDGE (1828).

THE WANDERINGS OF CAIN

CANTO II

'A little further, O my father, yet a little further, and

we shall come into the open moonlight.' Their road was

through a forest of fir-trees; at its entrance the trees stood

at distances from each other, and the path was broad, and

the moonlight and the moonlight shadows reposed upon it,          5

and appeared quietly to inhabit that solitude. But soon the

path winded and became narrow; the sun at high noon

sometimes speckled, but never illumined it, and now it was

dark as a cavern.

'It is dark, O my father!' said Enos, 'but the path under          10

our feet is smooth and soft, and we shall soon come out into

the open moonlight.'

'Lead on, my child!' said Cain; 'guide me, little child!'

And the innocent little child clasped a finger of the hand

which had murdered the righteous Abel, and he guided his          15

father. 'The fir branches drip upon thee, my son.' 'Yea,

pleasantly, father, for I ran fast and eagerly to bring thee

the pitcher and the cake, and my body is not yet cool. How

happy the squirrels are that feed on these fir-trees! they leap

from bough to bough, and the old squirrels play round their          20

young ones in the nest. I clomb a tree yesterday at noon,

O my father, that I might play with them, but they leaped

away from the branches, even to the slender twigs did they

leap, and in a moment I beheld them on another tree. Why,

O my father, would they not play with me? I would be good          25

to them as thou art good to me: and I groaned to them

even as thou groanest when thou givest me to eat, and when

thou coverest me at evening, and as often as I stand at thy

knee and thine eyes look at me?' Then Cain stopped, and

stifling his groans he sank to the earth, and the child Enos          30

stood in the darkness beside him.

And Cain lifted up his voice and cried bitterly, and said,

'The Mighty One that persecuteth me is on this side and on

that; he pursueth my soul like the wind, like the sand-blast

he passeth through me; he is around me even as the air!          35

O that I might be utterly no more! I desire to die—yea,

the things that never had life, neither move they upon the

earth—behold! they seem precious to mine eyes. O that

a man might live without the breath of his nostrils. So

I might abide in darkness, and blackness, and an empty          40

space! Yea, I would lie down, I would not rise, neither

would I stir my limbs till I became as the rock in the den

of the lion, on which the young lion resteth his head whilst he

sleepeth. For the torrent that roareth far off hath a voice:

and the clouds in heaven look terribly on me; the Mighty One          45

who is against me speaketh in the wind of the cedar grove;

and in silence am I dried up.' Then Enos spake to his father,

'Arise, my father, arise, we are but a little way from the place

where I found the cake and the pitcher.' And Cain said,

'How knowest thou!' and the child answered:—'Behold the          50

bare rocks are a few of thy strides distant from the forest;

and while even now thou wert lifting up thy voice, I heard

the echo.' Then the child took hold of his father, as if he

would raise him: and Cain being faint and feeble rose slowly

on his knees and pressed himself against the trunk of a fir,          55

and stood upright and followed the child.

The path was dark till within three strides' length of its

termination, when it turned suddenly; the thick black trees

formed a low arch, and the moonlight appeared for a moment

like a dazzling portal. Enos ran before and stood in the open          60

air; and when Cain, his father, emerged from the darkness,

the child was affrighted. For the mighty limbs of Cain were

wasted as by fire; his hair was as the matted curls on the

bison's forehead, and so glared his fierce and sullen eye

beneath: and the black abundant locks on either side, a rank          65

and tangled mass, were stained and scorched, as though the

grasp of a burning iron hand had striven to rend them; and his

countenance told in a strange and terrible language of agonies

that had been, and were, and were still to continue to be.

The scene around was desolate; as far as the eye could          70

reach it was desolate: the bare rocks faced each other, and

left a long and wide interval of thin white sand. You might

wander on and look round and round, and peep into the

crevices of the rocks and discover nothing that acknowledged

the influence of the seasons. There was no spring, no summer,          75

no autumn: and the winter's snow, that would have been

lovely, fell not on these hot rocks and scorching sands. Never

morning lark had poised himself over this desert; but the huge

serpent often hissed there beneath the talons of the vulture, and

the vulture screamed, his wings imprisoned within the coils of          80

the serpent. The pointed and shattered summits of the ridges

of the rocks made a rude mimicry of human concerns, and

seemed to prophecy mutely of things that then were not;

steeples, and battlements, and ships with naked masts. As far

from the wood as a boy might sling a pebble of the brook, there          85

was one rock by itself at a small distance from the main ridge.

It had been precipitated there perhaps by the groan which the

Earth uttered when our first father fell. Before you approached,

it appeared to lie flat on the ground, but its base slanted from

its point, and between its point and the sands a tall man might          90

stand upright. It was here that Enos had found the pitcher

and cake, and to this place he led his father. But ere they

had reached the rock they beheld a human shape: his back was

towards them, and they were advancing unperceived, when they

heard him smite his breast and cry aloud, 'Woe is me! woe is          95

me! I must never die again, and yet I am perishing with

thirst and hunger.'

Pallid, as the reflection of the sheeted lightning on the

heavy-sailing night-cloud, became the face of Cain; but the

child Enos took hold of the shaggy skin, his father's robe, and          100

raised his eyes to his father, and listening whispered, 'Ere

yet I could speak, I am sure, O my father, that I heard that

voice. Have not I often said that I remembered a sweet voice?

O my father! this is it': and Cain trembled exceedingly.

The voice was sweet indeed, but it was thin and querulous,          105

like that of a feeble slave in misery, who despairs altogether,

yet can not refrain himself from weeping and lamentation.

And, behold! Enos glided forward, and creeping softly round

the base of the rock, stood before the stranger, and looked up

into his face. And the Shape shrieked, and turned round,          110

and Cain beheld him, that his limbs and his face were those

of his brother Abel whom he had killed! And Cain stood

like one who struggles in his sleep because of the exceeding

terribleness of a dream.

Thus as he stood in silence and darkness of soul, the          115

Shape fell at his feet, and embraced his knees, and cried

out with a bitter outcry, 'Thou eldest born of Adam, whom

Eve, my mother, brought forth, cease to torment me! I was

feeding my flocks in green pastures by the side of quiet rivers,

and thou killedst me; and now I am in misery.' Then Cain          120

closed his eyes, and hid them with his hands; and again he

opened his eyes, and looked around him, and said to Enos,

'What beholdest thou? Didst thou hear a voice, my son?'

'Yes, my father, I beheld a man in unclean garments, and

he uttered a sweet voice, full of lamentation.' Then Cain          125

raised up the Shape that was like Abel, and said:—'The

Creator of our father, who had respect unto thee, and unto

thy offering, wherefore hath he forsaken thee?' Then the

Shape shrieked a second time, and rent his garment, and

his naked skin was like the white sands beneath their feet;          130

and he shrieked yet a third time, and threw himself on his

face upon the sand that was black with the shadow of the

rock, and Cain and Enos sate beside him; the child by his

right hand, and Cain by his left. They were all three under

the rock, and within the shadow. The Shape that was like          135

Abel raised himself up, and spake to the child, 'I know where

the cold waters are, but I may not drink, wherefore didst

thou then take away my pitcher?' But Cain said, 'Didst

thou not find favour in the sight of the Lord thy God?'

The Shape answered, 'The Lord is God of the living only,          140

the dead have another God.' Then the child Enos lifted up

his eyes and prayed; but Cain rejoiced secretly in his heart.

'Wretched shall they be all the days of their mortal life,'

exclaimed the Shape, 'who sacrifice worthy and acceptable

sacrifices to the God of the dead; but after death their toil          145

ceaseth. Woe is me, for I was well beloved by the God of

the living, and cruel wert thou, O my brother, who didst

snatch me away from his power and his dominion.' Having

uttered these words, he rose suddenly, and fled over the sands:

and Cain said in his heart, 'The curse of the Lord is on me;          150

but who is the God of the dead?' and he ran after the Shape,

and the Shape fled shrieking over the sands, and the sands

rose like white mists behind the steps of Cain, but the feet

of him that was like Abel disturbed not the sands. He greatly

outrun Cain, and turning short, he wheeled round, and came          155

again to the rock where they had been sitting, and where Enos

still stood; and the child caught hold of his garment as he

passed by, and he fell upon the ground. And Cain stopped,

and beholding him not, said, 'he has passed into the dark

woods,' and he walked slowly back to the rocks; and when he          160

reached it the child told him that he had caught hold of his

garment as he passed by, and that the man had fallen upon

the ground: and Cain once more sate beside him, and said,

'Abel, my brother, I would lament for thee, but that the spirit

within me is withered, and burnt up with extreme agony.          165

Now, I pray thee, by thy flocks, and by thy pastures, and

by the quiet rivers which thou lovedst, that thou tell me all

that thou knowest. Who is the God of the dead? where doth

he make his dwelling? what sacrifices are acceptable unto him?

for I have offered, but have not been received; I have prayed,          170

and have not been heard; and how can I be afflicted more than

I already am?' The Shape arose and answered, 'O that thou

hadst had pity on me as I will have pity on thee. Follow me,

Son of Adam! and bring thy child with thee!'

And they three passed over the white sands between the          175

rocks, silent as the shadows.

1798.

FOOTNOTES:

[285:1] The Wanderings of Cain in its present shape was first published in 1828: included in 1829, and (with the omission of that part of the Prefatory Note which follows the verses) in 1834. The verses ('Encinctured', &c.) were first published in the 'Conclusion' of Aids to Reflection, 1825, p. 383, with the following apologetic note:—'Will the Reader forgive me if I attempt at once to illustrate and relieve the subject ["the enthusiastic Mystics"] by annexing the first stanza of the Poem, composed in the same year in which I wrote the Ancient Mariner and the first Book of Christabel.' The prose was first published without the verses or 'Prefatory Note' in the Bijou for 1828. [See Poems, 1893, Notes, p. 600.]

A rough draft of a continuation or alternative version of the Wanderings of Cain was found among Coleridge's papers. The greater portion of these fragmentary sheets was printed by the Editor, in the Athenaeum of January 27, 1894, p. 114. The introduction of 'alligators' and an 'immense meadow' help to fix the date of The Wanderings of Cain. The imagery is derived from William Bartram's Travels in Florida and Carolina, which Coleridge and Wordsworth studied in 1798. Mr. Hutchinson, who reprints (Lyrical Ballads of 1798, Notes, pp. 259-60) a selected passage from the MS. fragment, points out 'that Coleridge had for a time thought of shaping the poem as a narrative addressed by Cain to his wife'.

'He falls down in a trance—when he awakes he sees a luminous body coming before him. It stands before him an orb of fire. It goes on, he moves not. It returns to him again, again retires as if wishing him to follow it. It then goes on and he follows: they are led to near the bottom of the wild woods, brooks, forests etc. etc. The Fire gradually shapes itself, retaining its luminous appearance, into the lineaments of a man. A dialogue between the fiery shape and Cain, in which the being presses upon him the enormity of his guilt and that he must make some expiation to the true deity, who is a severe God, and persuades him to burn out his eyes. Cain opposes this idea, and says that God himself who had inflicted this punishment upon him, had done it because he neglected to make a proper use of his senses, etc. The evil spirit answers him that God is indeed a God of mercy, and that an example must be given to mankind, that this end will be answered by his terrible appearance, at the same time he will be gratified with the most delicious sights and feelings. Cain, over-persuaded, consents to do it, but wishes to go to the top of the rocks to take a farewell of the earth. His farewell speech concluding with an abrupt address to the promised redeemer, and he abandons the idea on which the being had accompanied him, and turning round to declare this to the being he sees him dancing from rock to rock in his former shape down those interminable precipices.

'Child affeared by his father's ravings, goes out to pluck the fruits in the moonlight wildness. Cain's soliloquy. Child returns with a pitcher of water and a cake. Cain wonders what kind of beings dwell in that place—whether any created since man or whether this world had any beings rescued from the Chaos, wandering like shipwrecked beings from another world etc.

'Midnight on the Euphrates. Cedars, palms, pines. Cain discovered sitting on the upper part of the ragged rock, where is cavern overlooking the Euphrates, the moon rising on the horizon. His soliloquy. The Beasts are out on the ramp—he hears the screams of a woman and children surrounded by tigers. Cain makes a soliloquy debating whether he shall save the woman. Cain advances, wishing death, and the tigers rush off. It proves to be Cain's wife with her two children, determined to follow her husband. She prevails upon him at last to tell his story. Cain's wife tells him that her son Enoch was placed suddenly by her side. Cain addresses all the elements to cease for a while to persecute him, while he tells his story. He begins with telling her that he had first after his leaving her found out a dwelling in the desart under a juniper tree etc., etc., how he meets in the desart a young man whom upon a nearer approach he perceives to be Abel, on whose countenance appears marks of the greatest misery . . . of another being who had power after this life, greater than Jehovah. He is going to offer sacrifices to this being, and persuades Cain to follow him—he comes to an immense gulph filled with water, whither they descend followed by alligators etc. They go till they come to an immense meadow so surrounded as to be inaccessible, and from its depth so vast that you could not see it from above. Abel offers sacrifice from the blood of his arm. A gleam of light illumines the meadow—the countenance of Abel becomes more beautiful, and his arms glistering—he then persuades Cain to offer sacrifice, for himself and his son Enoch by cutting his child's arm and letting the blood fall from it. Cain is about to do it when Abel himself in his angelic appearance, attended by Michael, is seen in the heavens, whence they sail slowly down. Abel addresses Cain with terror, warning him not to offer up his innocent child. The evil spirit throws off the countenance of Abel, assumes its own shape, flies off pursuing a flying battle with Michael. Abel carries off the child.'

LINENOTES:

[12]

moonlight. Ah, why dost thou groan so deeply? MS. Bijou, 1828.

[25]

with me? Is it because we are not so happy, as they? Is it because I groan sometimes even as thou groanest? Then Cain stopped, &c. MS. Bijou, 1828.

[63-8]

by fire: his hair was black, and matted into loathly curls, and his countenance was dark and wild, and told, &c. MS. Bijou, 1828.

[87]

by the terrible groan the Earth gave when, &c. MS. Bijou, 1828.

[92-3]

But ere they arrived there they beheld, MS. Bijou, 1828.

[94]

advancing] coming up MS. Bijou, 1828.

[98-101]

The face of Cain turned pale, but Enos said, 'Ere yet, &c. MS. Bijou, 1828.

[108-9]

Enos crept softly round the base of the rock and stood before MS. Bijou, 1828.

[114-16]

of a dream; and ere he had recovered himself from the tumult of his agitation, the Shape, &c. MS. Bijou, 1828.

[160]

and walked Bijou, 1828. rocks] rock MS.

[170]

but] and MS.

[176]

the] their MS.

TO ——[292:1]

I mix in life, and labour to seem free,

With common persons pleas'd and common things,

While every thought and action tends to thee,

And every impulse from thy influence springs.

? 1798.

FOOTNOTES:

[292:1] First published without title in Literary Remains, 1836, i. 280 (among other short pieces and fragments 'communicated by Mr. Gutch'). First collected, again without title, in P. and D. W., 1877-80.

LINENOTES:

Title] To —— 1893. The heading Ubi Thesaurus Ibi Cor was prefixed to the illustrated edition of The Poems of Coleridge, 1907.

THE BALLAD OF THE DARK LADIÉ[293:1]

A FRAGMENT

Beneath yon birch with silver bark,

And boughs so pendulous and fair,

The brook falls scatter'd down the rock:

And all is mossy there!

And there upon the moss she sits,          5

The Dark Ladié in silent pain;

The heavy tear is in her eye,

And drops and swells again.

Three times she sends her little page

Up the castled mountain's breast,          10

If he might find the Knight that wears

The Griffin for his crest.

The sun was sloping down the sky,

And she had linger'd there all day,

Counting moments, dreaming fears—          15

Oh wherefore can he stay?

She hears a rustling o'er the brook,

She sees far off a swinging bough!

'Tis He! 'Tis my betrothéd Knight!

Lord Falkland, it is Thou!'          20

She springs, she clasps him round the neck,

She sobs a thousand hopes and fears,

Her kisses glowing on his cheeks

She quenches with her tears.

*       *       *       *       *

'My friends with rude ungentle words          25

They scoff and bid me fly to thee!

O give me shelter in thy breast!

O shield and shelter me!

'My Henry, I have given thee much,

I gave what I can ne'er recall,          30

I gave my heart, I gave my peace,

O Heaven! I gave thee all.'

The Knight made answer to the Maid,

While to his heart he held her hand,

'Nine castles hath my noble sire,          35

None statelier in the land.

'The fairest one shall be my love's,

The fairest castle of the nine!

Wait only till the stars peep out,

The fairest shall be thine:          40

'Wait only till the hand of eve

Hath wholly closed yon western bars,

And through the dark we two will steal

Beneath the twinkling stars!'—

'The dark? the dark? No! not the dark?          45

The twinkling stars? How, Henry? How?'

O God! 'twas in the eye of noon

He pledged his sacred vow!

And in the eye of noon my love

Shall lead me from my mother's door,          50

Sweet boys and girls all clothed in white

Strewing flowers before:

But first the nodding minstrels go

With music meet for lordly bowers,

The children next in snow-white vests,          55

Strewing buds and flowers!

And then my love and I shall pace.

My jet black hair in pearly braids,

Between our comely bachelors

And blushing bridal maids.          60

*       *       *       *       *

1798.

FOOTNOTES:

[293:1] First published in 1834. 'In a manuscript list (undated) of the poems drawn up by Coleridge appear these items together: Love 96 lines . . . The Black Ladié 190 lines.' Note to P. W., 1893, p. 614. A MS. of the three last stanzas is extant. In Chapter XIV of the Biographia Literaria, 1817, ii. 3 Coleridge synchronizes the Dark Ladié (a poem which he was 'preparing' with the Christabel). It would seem probable that it belongs to the spring or early summer of 1798, and that it was anterior to Love, which was first published in the Morning Post, December 21, 1799, under the heading 'Introduction to the Tale of the Dark Ladié'. If the MS. List of Poems is the record of poems actually written, two-thirds of the Dark Ladié must have perished long before 1817, when Sibylline Leaves was passing through the press, and it was found necessary to swell the Contents with 'two School-boy Poems' and 'with a song modernized with some additions from one of our elder poets'.

LINENOTES:

[53-6]

And first the nodding Minstrels go

With music fit for lovely Bowers,

The children then in snowy robes,

Strewing Buds and Flowers.

MS. S. T. C.

[57]

pace] go MS. S. T. C.

KUBLA KHAN[295:1]:

OR, A VISION IN A DREAM. A FRAGMENT.

The following fragment is here published at the request

of a poet of great and deserved celebrity [Lord Byron], and,

as far as the Author's own opinions are concerned, rather as

a psychological curiosity, than on the ground of any supposed

poetic merits.          5

In the summer of the year 1797[295:2], the Author, then in ill

health, had retired to a lonely farm-house between Porlock

and Linton, on the Exmoor confines of Somerset and Devonshire.

In consequence of a slight indisposition, an anodyne

had been prescribed, from the effects of which he fell asleep          10

in his chair at the moment that he was reading the following

sentence, or words of the same substance, in 'Purchas's

Pilgrimage': 'Here the Khan Kubla commanded a palace

to be built, and a stately garden thereunto. And thus ten

miles of fertile ground were inclosed with a wall.'[296:1] The

Author continued for about three hours in a profound sleep,

at least of the external senses, during which time he has the

most vivid confidence, that he could not have composed less

than from two to three hundred lines; if that indeed can

be called composition in which all the images rose up before          20

him as things, with a parallel production of the correspondent

expressions, without any sensation or consciousness of effort.

On awaking he appeared to himself to have a distinct recollection

of the whole, and taking his pen, ink, and paper, instantly

and eagerly wrote down the lines that are here preserved. At

this moment he was unfortunately called out by a person on

business from Porlock, and detained by him above an hour,

and on his return to his room, found, to his no small surprise

and mortification, that though he still retained some vague

and dim recollection of the general purport of the vision, yet,          30

with the exception of some eight or ten scattered lines and

images, all the rest had passed away like the images on the

surface of a stream into which a stone has been cast, but, alas!

without the after restoration of the latter!

Then all the charm

Is broken—all that phantom-world so fair

Vanishes, and a thousand circlets spread,

And each mis-shape['s] the other. Stay awhile,

Poor youth! who scarcely dar'st lift up thine eyes—

The stream will soon renew its smoothness, soon          40

The visions will return! And lo, he stays,

And soon the fragments dim of lovely forms

Come trembling back, unite, and now once more

The pool becomes a mirror.

[From The Picture; or, the Lover's Resolution, II. 91-100.]

Yet from the still surviving recollections in his mind, the

Author has frequently purposed to finish for himself what had

been originally, as it were, given to him. Σαμερον αδιον ασω[297:1]

[Αὔριον ἅδιον ἄσω 1834]: but the to-morrow is yet to come.

As a contrast to this vision, I have annexed a fragment of a

very different character, describing with equal fidelity the          50

dream of pain and disease.[297:2]

KUBLA KHAN

In Xanadu did Kubla Khan

A stately pleasure-dome decree:

Where Alph, the sacred river, ran

Through caverns measureless to man

Down to a sunless sea.          5

So twice five miles of fertile ground

With walls and towers were girdled round:

And there were gardens bright with sinuous rills,

Where blossomed many an incense-bearing tree;

And here were forests ancient as the hills,          10

Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted

Down the green hill athwart a cedarn cover!

A savage place! as holy and enchanted

As e'er beneath a waning moon was haunted          15

By woman wailing for her demon-lover![297:3]

[297:4]And from this chasm, with ceaseless turmoil seething,

As if this earth in fast thick pants were breathing,

A mighty fountain momently was forced:

Amid whose swift half-intermitted burst          20

Huge fragments vaulted like rebounding hail,

Or chaffy grain beneath the thresher's flail:

And 'mid these dancing rocks at once and ever

It flung up momently the sacred river.

Five miles meandering with a mazy motion          25

Through wood and dale the sacred river ran,

Then reached the caverns measureless to man,

And sank in tumult to a lifeless ocean:

And 'mid this tumult Kubla heard from far

Ancestral voices prophesying war!          30

The shadow of the dome of pleasure

Floated midway on the waves;

Where was heard the mingled measure

From the fountain and the caves.

It was a miracle of rare device,          35

A sunny pleasure-dome with caves of ice![298:1]

A damsel with a dulcimer

In a vision once I saw:

It was an Abyssinian maid,

And on her dulcimer she played,          40

Singing of Mount Abora.

Could I revive within me

Her symphony and song,

To such a deep delight 'twould win me,

That with music loud and long,          45

I would build that dome in air,

That sunny dome! those caves of ice![298:2]

And all who heard should see them there,

And all should cry, Beware! Beware!

His flashing eyes, his floating hair!          50

Weave a circle round him thrice,

And close your eyes with holy dread,

For he on honey-dew hath fed,

And drunk the milk of Paradise.

1798.

FOOTNOTES:

[295:1] First published together with Christabel and The Pains of Sleep, 1816: included in 1828, 1829, and 1834.

[295:2] There can be little doubt that Coleridge should have written 'the summer of 1798'. In an unpublished MS. note dated November 3, 1810, he connects the retirement between 'Linton and Porlock' and a recourse to opium with his quarrel with Charles Lloyd, and consequent distress of mind. That quarrel was at its height in May 1798. He alludes to distress of mind arising from 'calumny and ingratitude from men who have been fostered in the bosom of my confidence' in a letter to J. P. Estlin, dated May 14, 1798; and, in a letter to Charles Lamb, dated [Spring] 1798, he enlarges on his quarrel with Lloyd and quotes from Lloyd's novel of Edmund Oliver which was published in 1798. See Letters of Samuel Taylor Coleridge, 1895, i. 245, note 1. I discovered and read for the first time the unpublished note of November 3, 1810, whilst the edition of 1893 was in the press, and in a footnote to p. xlii of his Introduction the editor, J. D. Campbell, explains that it is too late to alter the position and date of Kubla Khan, but accepts the later date (May, 1798) on the evidence of the MS. note.

[296:1] 'In Xamdu did Cublai Can build a stately Palace, encompassing sixteene miles of plaine ground with a wall, wherein are fertile Meddowes, pleasant Springs, delightfull Streames, and all sorts of beasts of chase and game, and in the middest thereof a sumptuous house of pleasure.'—Purchas his Pilgrimage: Lond. fol. 1626, Bk. IV, chap. xiii, p. 418.

[297:1] The quotation is from Theocritus, i. 145:—ἐς ὕστερον ἅδιον ᾀσῶ.

[297:2] The Pains of Sleep.

[297:3] And woman wailing for her Demon Lover. Motto to Byron's Heaven and Earth, published in The Liberal, No. II, January 1, 1823.

[297:4] With lines 17-24 compare William Bartram's description of the 'Alligator-Hole.' Travels in North and South Carolina, 1794, pp. 286-8.

[298:1] Compare Thomas Maurice's History of Hindostan, 1795, i. 107. The reference is supplied by Coleridge in the Gutch Memorandum Note Book (B. M. Add. MSS., No. 27, 901), p. 47: 'In a cave in the mountains of Cashmere an Image of Ice,' &c.

[298:2] In her 'Lines to S. T. Coleridge, Esq.,' Mrs. Robinson (Perdita) writes:—

'I'll mark thy "sunny domes" and view

Thy "caves of ice", and "fields of dew".'

It is possible that she had seen a MS. copy of Kubla Khan containing these variants from the text.

LINENOTES:

Title of Introduction:—Of the Fragment of Kubla Khan 1816, 1828, 1829.

[1-5]

om. 1834.

[8]

there] here S. L. 1828, 1829.

[11]

Enfolding] And folding 1816. The word 'Enfolding' is a pencil emendation in David Hinves's copy of Christabel. ? by S. T. C.

[19]

In the early copies of 1893 this line was accidentally omitted.

[54]

drunk] drank 1816, 1828, 1829.

RECANTATION[299:1]

ILLUSTRATED IN THE STORY OF THE MAD OX

I

An Ox, long fed with musty hay,

And work'd with yoke and chain,

Was turn'd out on an April day,

When fields are in their best array,

And growing grasses sparkle gay          5

At once with Sun and rain.

II

The grass was fine, the Sun was bright—

With truth I may aver it;

The ox was glad, as well, he might,

Thought a green meadow no bad sight,          10

And frisk'd,—to shew his huge delight,

Much like a beast of spirit.

III

'Stop, neighbours, stop, why these alarms?

The ox is only glad!'

But still they pour from cots and farms—          15

'Halloo!' the parish is up in arms,

(A hoaxing-hunt has always charms)

'Halloo! the ox is mad.'

IV

The frighted beast scamper'd about—

Plunge! through the hedge he drove:          20

The mob pursue with hideous rout,

A bull-dog fastens on his snout;

'He gores the dog! his tongue hangs out!

He's mad, he's mad, by Jove!'

V

'STOP, NEIGHBOURS, STOP!' aloud did call          25

A sage of sober hue.

But all at once, on him they fall,

And women squeak and children squall,

'What? would you have him toss us all?

And dam'me, who are you?'          30

VI

Oh! hapless sage! his ears they stun,

And curse him o'er and o'er!

'You bloody-minded dog! (cries one,)

To slit your windpipe were good fun,

'Od blast you for an impious son[300:1]          35

Of a Presbyterian wh—re!'

VII

'You'd have him gore the Parish-priest,

And run against the altar!

You fiend!' the sage his warnings ceas'd,

And north and south, and west and east,          40

Halloo! they follow the poor beast,

Mat, Dick, Tom, Bob and Walter.

VIII

Old Lewis ('twas his evil day),

Stood trembling in his shoes;

The ox was his—what cou'd he say?

His legs were stiffen'd with dismay,          45

The ox ran o'er him mid the fray,

And gave him his death's bruise.

IX

The frighted beast ran on—(but here,

No tale, (tho' in print, more true is)          50

My Muse stops short in mid career—

Nay, gentle Reader, do not sneer!

I cannot chuse but drop a tear,

A tear for good old Lewis!)

X

The frighted beast ran through the town,          55

All follow'd, boy and dad,

Bull-dog, parson, shopman, clown:

The publicans rush'd from the Crown,

'Halloo! hamstring him! cut him down!'

THEY DROVE THE POOR OX MAD.          60

XI

Should you a Rat to madness tease

Why ev'n a Rat may plague you:

There's no Philosopher but sees

That Rage and Fear are one disease—

Though that may burn, and this may freeze,          65

They're both alike the Ague.

XII

And so this Ox, in frantic mood,

Fac'd round like any Bull!

The mob turn'd tail, and he pursued,

Till they with heat and fright were stew'd,          70

And not a chick of all this brood

But had his belly full!

XIII

Old Nick's astride the beast, 'tis clear!

Old Nicholas, to a tittle!

But all agree he'd disappear,          75

Would but the Parson venture near,

And through his teeth,[302:1] right o'er the steer,

Squirt out some fasting-spittle.

XIV

Achilles was a warrior fleet,

The Trojans he could worry:          80

Our Parson too was swift of feet,

But shew'd it chiefly in retreat:

The victor Ox scour'd down the street,

The mob fled hurry-scurry.

XV

Through gardens, lanes and fields new-plough'd,          85

Through his hedge, and through her hedge,

He plung'd and toss'd and bellow'd loud—

Till in his madness he grew proud

To see this helter-skelter crowd

That had more wrath than courage!          90

XVI

Alas! to mend the breaches wide

He made for these poor ninnies,

They all must work, whate'er betide,

Both days and months, and pay beside

(Sad news for Av'rice and for Pride),          95

A sight of golden guineas!

XVII

But here once more to view did pop

The man that kept his senses—

And now he cried,—'Stop, neighbours, stop!

The Ox is mad! I would not swop,          100

No! not a school-boy's farthing top

For all the parish-fences.'

XVIII

'The Ox is mad! Ho! Dick, Bob, Mat!

'What means this coward fuss?

Ho! stretch this rope across the plat—          105

'Twill trip him up—or if not that,

Why, dam'me! we must lay him flat—

See! here's my blunderbuss.'

XIX

'A lying dog! just now he said

The Ox was only glad—          110

Let's break his Presbyterian head!'

'Hush!' quoth the sage, 'you've been misled;

No quarrels now! let's all make head,

YOU DROVE THE POOR OX MAD.'

XX

As thus I sat, in careless chat,          115

With the morning's wet newspaper,

In eager haste, without his hat,

As blind and blund'ring as a bat,

In came that fierce Aristocrat,

Our pursy woollen-draper.          120

XXI

And so my Muse per force drew bit;

And in he rush'd and panted!

'Well, have you heard?' No, not a whit.

'What, ha'nt you heard?' Come, out with it!

'That Tierney votes for Mister PITT,          125

And Sheridan's recanted!'

1798.

FOOTNOTES:

[299:1] First published in the Morning Post for July 30, 1798, with the following title and introduction:—'ORIGINAL POETRY. A TALE. The following amusing Tale gives a very humourous description of the French Revolution, which is represented as an Ox': included in Annual Anthology, 1800, and Sibylline Leaves, 1817; reprinted in Essays on His Own Times, 1880, iii 963-9. First collected in P. and D. W., 1877-80. In a copy of the Annual Anthology of 1800 Coleridge writes over against the heading of this poem, 'Written when fears were entertained of an invasion, and Mr. Sheridan and Mr. Tierney were absurdly represented as having recanted because to [The French Revolution (?)] in its origin they, [having been favourable, changed their opinion when the Revolutionists became unfaithful to their principles (?)].' See Note to P. W., 1893.

The text is that of Sibylline Leaves and Essays on his Own Times.

[300:1] One of the many fine words which the most uneducated had about this time a constant opportunity of acquiring, from the sermons in the pulpit and the proclamations on [in S. L.] the —— corners. An. Anth., S. L.

[302:1] According to the common superstition there are two ways of fighting with the Devil. You may cut him in half with a straw, or he will vanish if you spit over his horns with a fasting spittle. Note by S. T. C. in M. P. According to the superstition of the West-Countries, if you meet the Devil, you may either cut him in half with a straw, or force him to disappear by spitting over his horns. An. Anth., S. L.

LINENOTES:

[3]

turn'd out] loosen'd M. P.

[9]

ox] beast M. P.

[19]

beast] ox M. P.

[22]

fastens] fasten'd M. P.

[27]

'You cruel dog!' at once they bawl. M. P.

[31]

Oh] Ah! M. P., An. Anth.

[35-6]

om. Essays, &c.

[38]

run] drive M. P.

[39]

fiend] rogue M. P.

[42]

Mat, Tom, Bob, Dick M. P.

[49]

The baited ox drove on M. P., An. Anth.

[50]

No . . . print] The Gospel scarce M. P., An. Anth.

[53]

cannot] could M. P.

[55]

The ox drove on, right through the town M. P.

[62]

may] might M. P., An. Anth.

[68]

any] a mad M. P.

[70]

heat and fright] flight and fear M. P., An. Anth.

[71]

this] the M. P.

[73]

beast] ox M. P.

[75]

agree] agreed M. P.

[83]

scour'd] drove M. P.

[91]

Alas] Alack M. P.

[99]

cried] bawl'd M. P.

[103]

Tom! Walter! Mat! M. P.

[109]

lying] bare-faced M. P.

[115]

But lo! to interrupt my chat M. P.

[119]

In came] In rush'd M. P.

[122]

And he rush'd in M. P.

[125-6]

That Tierney's wounded Mister PITT,

And his fine tongue enchanted!

M. P.

HEXAMETERS[304:1]

William, my teacher, my friend! dear William and dear Dorothea!

Smooth out the folds of my letter, and place it on desk or on table;

Place it on table or desk; and your right hands loosely half-closing,[304:2]

Gently sustain them in air, and extending the digit didactic,

Rest it a moment on each of the forks of the five-forkéd left hand,          5

Twice on the breadth of the thumb, and once on the tip of each finger;

Read with a nod of the head in a humouring recitativo;

And, as I live, you will see my hexameters hopping before you.

This is a galloping measure; a hop, and a trot, and a gallop!

All my hexameters fly, like stags pursued by the stag-hounds,          10

Breathless and panting, and ready to drop, yet flying still onwards,[304:3]

I would full fain pull in my hard-mouthed runaway hunter;

But our English Spondeans are clumsy yet impotent curb-reins;

And so to make him go slowly, no way left have I but to lame him.

William, my head and my heart! dear Poet that feelest and thinkest!          15

Dorothy, eager of soul, my most affectionate sister!

Many a mile, O! many a wearisome mile are ye distant,

Long, long comfortless roads, with no one eye that doth know us.

O! it is all too far to send you mockeries idle:

Yea, and I feel it not right! But O! my friends, my beloved!          20

Feverish and wakeful I lie,—I am weary of feeling and thinking.

Every thought is worn down, I am weary yet cannot be vacant.

Five long hours have I tossed, rheumatic heats, dry and flushing,

Gnawing behind in my head, and wandering and throbbing about me,

Busy and tiresome, my friends, as the beat of the boding night-spider.[305:1]          25

I forget the beginning of the line:

. . . my eyes are a burthen,

Now unwillingly closed, now open and aching with darkness.

O! what a life is the eye! what a strange and inscrutable essence!

Him that is utterly blind, nor glimpses the fire that warms him;

Him that never beheld the swelling breast of his mother;          30

Him that smiled in his gladness as a babe that smiles in its slumber;

Even for him it exists, it moves and stirs in its prison;

Lives with a separate life, and 'Is it a Spirit?' he murmurs:

'Sure it has thoughts of its own, and to see is only a language.'

There was a great deal more, which I have forgotten. . . . The last line which I wrote, I remember, and write it for the truth of the sentiment, scarcely less true in company than in pain and solitude:—

William, my head and my heart! dear William and dear Dorothea!          35

You have all in each other; but I am lonely, and want you!

1798-9.

FOOTNOTES:

[304:1] First published in Memoirs of W. Wordsworth, 1851, i. 139-41: reprinted in Life by Prof. Knight, 1889, i. 185. First collected as a whole in P. W. [ed. T. Ashe], 1885. lines 30-6, 'O what a life is the eye', &c., were first published in Friendship's Offering, and are included in P. W., 1834. They were reprinted by Cottle in E. R., 1837, i. 226. The 'Hexameters' were sent in a letter, written in the winter of 1798-9 from Ratzeburg to the Wordsworths at Goslar.

[304:2] False metre. S. T. C.

[304:3] 'Still flying onwards' were perhaps better. S. T. C.

[305:1] False metre. S. T. C.

LINENOTES:

[28]

strange] fine Letter, 1798-9, Cottle, 1837.

[29]

Him] He Cottle, 1837.

[30]

Him] He Cottle, 1837.

[31]

Him that ne'er smiled at the bosom as babe Letter, 1798-9: He that smiled at the bosom, the babe Cottle, 1837.

[32]

Even to him it exists, it stirs and moves Letter, 1798-9: Even to him it exists, it moves and stirs Cottle, 1837.

[33]

a Spirit] the Spirit Letter, 1798-9.

[34]

a] its Letter, 1798-9.

TRANSLATION OF A PASSAGE IN OTTFRIED'S

METRICAL PARAPHRASE OF THE GOSPEL

[This paraphrase, written about the time of Charlemagne, is by no means deficient in occasional passages of considerable poetic merit. There is a flow and a tender enthusiasm in the following lines which even in the translation will not, I flatter myself, fail to interest the reader. Ottfried is describing the circumstances immediately following the birth of our Lord. Most interesting is it to consider the effect when the feelings are wrought above the natural pitch by the belief of something mysterious, while all the images are purely natural. Then it is that religion and poetry strike deepest. Biog. Lit., 1817, i. 203-4.[306:1]]

She gave with joy her virgin breast;

She hid it not, she bared the breast

Which suckled that divinest babe!

Blessed, blessed were the breasts

Which the Saviour infant kiss'd;          5

And blessed, blessed was the mother

Who wrapp'd his limbs in swaddling clothes,

Singing placed him on her lap,

Hung o'er him with her looks of love,

And soothed him with a lulling motion.          10

Blessed! for she shelter'd him

From the damp and chilling air;

Blessed, blessed! for she lay

With such a babe in one blest bed,

Close as babes and mothers lie!          15

Blessed, blessed evermore,

With her virgin lips she kiss'd,

With her arms, and to her breast,

She embraced the babe divine,

Her babe divine the virgin mother!          20

There lives not on this ring of earth

A mortal that can sing her praise.

Mighty mother, virgin pure,

In the darkness and the night

For us she bore the heavenly Lord!          25

? 1799.

FOOTNOTES:

[306:1] First published as a footnote to Chapter X of the Biographia Literaria (ed. 1817, i. 203-4). First collected in 1863 (Appendix, pp. 401-2). The translation is from Otfridi Evang., lib. i, cap. xi, ll. 73-108 (included in Schilter's Thesaurus Antiquitatum Teutonicarum, pp. 50-1, Biog. Lit., 1847, i. 213). Otfrid, 'a monk at Weissenburg in Elsass', composed his Evangelienbuch about 870 A.D. (Note by J. Shawcross, Biog. Lit., 1907, ii. 259). As Coleridge says that 'he read through Ottfried's metrical paraphrase of the Gospel' when he was at Göttingen, it may be assumed that the translation was made in 1799.

LINENOTES:

[5]

Saviour infant] infant Saviour 1863.

CATULLIAN HENDECASYLLABLES[307:1]

Hear, my belovéd, an old Milesian story!—

High, and embosom'd in congregated laurels,

Glimmer'd a temple upon a breezy headland;

In the dim distance amid the skiey billows

Rose a fair island; the god of flocks had blest it.          5

From the far shores of the bleat-resounding island

Oft by the moonlight a little boat came floating,

Came to the sea-cave beneath the breezy headland,

Where amid myrtles a pathway stole in mazes

Up to the groves of the high embosom'd temple.          10

There in a thicket of dedicated roses,

Oft did a priestess, as lovely as a vision,

Pouring her soul to the son of Cytherea,

Pray him to hover around the slight canoe-boat,

And with invisible pilotage to guide it          15

Over the dusk wave, until the nightly sailor

Shivering with ecstasy sank upon her bosom.

? 1799.

FOOTNOTES:

[307:1] First published in 1834. These lines, which are not 'Hendecasyllables', are a translation of part of Friedrich von Matthisson's Milesisches Mährchen. For the original see Note to Poems, 1852, and Appendices of this edition. There is no evidence as to the date of composition. The emendations in lines 5 and 6 were first printed in P. W., 1893.

LINENOTES:

[5]

blest] plac'd 1834, 1844, 1852.

[6]

bleat-resounding] bleak-resounding 1834, 1852.

[16]

nightly] mighty 1834, 1844.

THE HOMERIC HEXAMETER[307:2]

DESCRIBED AND EXEMPLIFIED

Strongly it bears us along in swelling and limitless billows,

Nothing before and nothing behind but the sky and the ocean.

? 1799.

FOOTNOTES:

[307:2] First published (together with the 'Ovidian Elegiac Metre', &c.) in Friendship's Offering, 1834: included in P. W., 1834. An acknowledgement that these 'experiments in metre' are translations from Schiller was first made in a Note to Poems, 1844, p. 371. The originals were given on p. 372. See Appendices of this edition. There is no evidence as to the date of composition.

THE OVIDIAN ELEGIAC METRE

DESCRIBED AND EXEMPLIFIED

In the hexameter rises the fountain's silvery column;

In the pentameter aye falling in melody back.

? 1799.

ON A CATARACT[308:1]

FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE

STROPHE

Unperishing youth!

Thou leapest from forth

The cell of thy hidden nativity;

Never mortal saw

The cradle of the strong one;          5

Never mortal heard

The gathering of his voices;

The deep-murmured charm of the son of the rock,

That is lisp'd evermore at his slumberless fountain.

There's a cloud at the portal, a spray-woven veil          10

At the shrine of his ceaseless renewing;

It embosoms the roses of dawn,

It entangles the shafts of the noon,

And into the bed of its stillness

The moonshine sinks down as in slumber,          15

That the son of the rock, that the nursling of heaven

May be born in a holy twilight!

ANTISTROPHE

The wild goat in awe

Looks up and beholds

Above thee the cliff inaccessible;—          20

Thou at once full-born

Madd'nest in thy joyance,

Whirlest, shatter'st, splitt'st,

Life invulnerable.

? 1799.

FOOTNOTES:

[308:1] First published in 1834. For the original (Unsterblicher Jüngling) by Count F. L. Stolberg see Note to Poems, 1844, pp. 371-2, and Appendices of this edition.

LINENOTES:

Title] Improved from Stolberg. On a Cataract, &c. 1844, 1852.

[2-3]

Thou streamest from forth

The cleft of thy ceaseless Nativity

MS. S. T. C.

Between 7 and 13.

The murmuring songs of the Son of the Rock,

When he feeds evermore at the slumberless Fountain.

There abideth a Cloud,

At the Portal a Veil,

At the shrine of thy self-renewing;

It embodies the Visions of Dawn,

It entangles, &c.

MS. S. T. C.

[20]

Below thee the cliff inaccessible MS. S. T. C.

[22-3]

Flockest in thy Joyance,

Wheelest, shatter'st, start'st.

MS. S. T. C.

TELL'S BIRTH-PLACE[309:1]

IMITATED FROM STOLBERG

I

Mark this holy chapel well!

The birth-place, this, of William Tell.

Here, where stands God's altar dread,

Stood his parents' marriage-bed.

II

Here, first, an infant to her breast,          5

Him his loving mother prest;

And kissed the babe, and blessed the day,

And prayed as mothers use to pray.

III

'Vouchsafe him health, O God! and give

The child thy servant still to live!'          10

But God had destined to do more

Through him, than through an arméd power.

IV

God gave him reverence of laws,

Yet stirring blood in Freedom's cause—

A spirit to his rocks akin,          15

The eye of the hawk, and the fire therein!

V

To Nature and to Holy Writ

Alone did God the boy commit:

Where flashed and roared the torrent, oft

His soul found wings, and soared aloft!          20

VI

The straining oar and chamois chase

Had formed his limbs to strength and grace:

On wave and wind the boy would toss,

Was great, nor knew how great he was!

VII

He knew not that his chosen hand,          25

Made strong by God, his native land

Would rescue from the shameful yoke

Of Slavery——the which he broke!

? 1799.

FOOTNOTES:

[309:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, and 1834. For the original (Bei Wilhelm Tells Geburtsstätte im Kanton Uri) by Count F. L. Stolberg see Appendices of this edition. There is no evidence as to the date of composition.

LINENOTES:

[28]

Slavery] Slavery, all editions to 1834.

THE VISIT OF THE GODS[310:1]

IMITATED FROM SCHILLER

Never, believe me,

Appear the Immortals,

Never alone:

Scarce had I welcomed the Sorrow-beguiler,

Iacchus! but in came Boy Cupid the Smiler;          5

Lo! Phoebus the Glorious descends from his throne!

They advance, they float in, the Olympians all!

With Divinities fills my

Terrestrial hall!

How shall I yield you          10

Due entertainment,

Celestial quire?

Me rather, bright guests! with your wings of upbuoyance

Bear aloft to your homes, to your banquets of joyance,

That the roofs of Olympus may echo my lyre!          15

Hah! we mount! on their pinions they waft up my soul!

O give me the nectar!

O fill me the bowl!

Give him the nectar!

Pour out for the poet,          20

Hebe! pour free!

Quicken his eyes with celestial dew,

That Styx the detested no more he may view,

And like one of us Gods may conceit him to be!

Thanks, Hebe! I quaff it! Io Paean, I cry!          25

The wine of the Immortals

Forbids me to die!

? 1799.

FOOTNOTES:

[310:1] First published in Sibylline Leaves, 1817: included in 1828, 1829 ('Vision of the Gods', Contents, vol. i, pp. 322-3 of both editions), and in 1834. For Schiller's original (Dithyrambe) see Appendices of this edition.

FROM THE GERMAN[311:1]

Know'st thou the land where the pale citrons grow,

The golden fruits in darker foliage glow?

Soft blows the wind that breathes from that blue sky!

Still stands the myrtle and the laurel high!

Know'st thou it well, that land, beloved Friend?          5

Thither with thee, O, thither would I wend!

? 1799.

FOOTNOTES:

[311:1] First published in 1834. For the original ('Mignon's Song') in Goethe's Wilhelm Meister see Appendices of this edition.

WATER BALLAD[311:2]

[FROM THE FRENCH]

'Come hither, gently rowing,

Come, bear me quickly o'er

This stream so brightly flowing

To yonder woodland shore.

But vain were my endeavour          5

To pay thee, courteous guide;

Row on, row on, for ever

I'd have thee by my side.

'Good boatman, prithee haste thee,

I seek my father-land.'—          10

'Say, when I there have placed thee,

Dare I demand thy hand?'

'A maiden's head can never

So hard a point decide;

Row on, row on, for ever          15

I'd have thee by my side.'

The happy bridal over

The wanderer ceased to roam,

For, seated by her lover,

The boat became her home.          20

And still they sang together

As steering o'er the tide:

'Row on through wind and weather

For ever by my side.'

? 1799.

FOOTNOTES:

[311:2] First published in The Athenaeum, October 29, 1831. First collected in P. and D. W., 1877-80. For the original ('Barcarolle de Marie') of François Antoine Eugène de Planard see Appendices of this edition.

ON AN INFANT[312:1]

WHICH DIED BEFORE BAPTISM

'Be, rather than be called, a child of God,'

Death whispered! With assenting nod,

Its head upon its mother's breast,

The Baby bowed, without demur—

Of the kingdom of the Blest

Possessor, not Inheritor.

April 8, 1799.

FOOTNOTES:

[312:1] First published in P. W., 1834. These lines were sent in a letter from Coleridge to his wife, dated Göttingen, April 6, 1799:—'Ah, my poor Berkeley!' [b. May 15, 1798, d. Feb. 10, 1799] he writes, 'A few weeks ago an Englishman desired me to write an epitaph on an infant who had died before its Christening. While I wrote it, my heart with a deep misgiving turned my thoughts homeward. "On an Infant", &c. It refers to the second question in the Church Catechism.' Letters of S. T. C. 1895, i. 287.

LINENOTES:

[1]

called] call'd MS. Letter, 1799.

[3]

its] the MS. letter, 1799.

[4]

bow'd and went without demur MS. Letter, 1799.

SOMETHING CHILDISH, BUT VERY NATURAL[313:1]

WRITTEN IN GERMANY

If I had but two little wings

And were a little feathery bird,

To you I'd fly, my dear!

But thoughts like these are idle things,

And I stay here.          5

But in my sleep to you I fly:

I'm always with you in my sleep!

The world is all one's own.

But then one wakes, and where am I?

All, all alone.          10

Sleep stays not, though a monarch bids:

So I love to wake ere break of day:

For though my sleep be gone,

Yet while 'tis dark, one shuts one's lids,

And still dreams on.          15

April 23, 1799.

FOOTNOTES:

[313:1] First published in the Annual Anthology (1800), with the signature 'Cordomi': included in Sibylline Leaves, 1817, 1828, 1829, and 1834. The lines, without title or heading, were sent in a letter from Coleridge to his wife, dated Göttingen, April 23, 1799 (Letters of S. T. C., 1895, i. 294-5). They are an imitation (see F. Freiligrath's Biographical Memoir to the Tauchnitz edition of 1852) of the German Folk-song Wenn ich ein Vöglein wär. For the original see Appendices of this edition. The title 'Something Childish', &c., was prefixed in the Annual Anthology, 1800.

LINENOTES:

[3]

you] you MS. Letter, 1799.

[6]

you] you MS. Letter, 1799.

HOME-SICK[314:1]

WRITTEN IN GERMANY

'Tis sweet to him who all the week

Through city-crowds must push his way,

To stroll alone through fields and woods,

And hallow thus the Sabbath-day.

And sweet it is, in summer bower,          5

Sincere, affectionate and gay,

One's own dear children feasting round,

To celebrate one's marriage-day.

But what is all to his delight,

Who having long been doomed to roam,          10

Throws off the bundle from his back,

Before the door of his own home?

Home-sickness is a wasting pang;

This feel I hourly more and more:

There's healing only in thy wings,          15

Thou breeze that play'st on Albion's shore!

May 6, 1799.

FOOTNOTES:

[314:1] First published in the Annual Anthology (1800), with the signature 'Cordomi': included in Sibylline Leaves, 1817, 1828, 1829, 1834. The lines, without title or heading, were sent in a letter from Coleridge to Poole, dated May 6, 1799 (Letters of S. T.C., 1895, i. 298). Dr. Carlyon in his Early Years, &c. (1856, i. 66), prints stanzas 1, 3, and 4. He says that they were written from Coleridge's dictation, in the Brockenstammbuch at the little inn on the Brocken. The title 'Home-Sick', &c., was prefixed in the Annual Anthology, 1800.

LINENOTES:

[13]

a wasting pang] no baby-pang MS. Letter, 1799, An. Anth.

[15]

There's only music in thy wings MS. Letter, 1799.

LINES[315:1]

WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST

I stood on Brocken's[315:2] sovran height, and saw

Woods crowding upon woods, hills over hills,

A surging scene, and only limited

By the blue distance. Heavily my way

Downward I dragged through fir groves evermore,          5

Where bright green moss heaves in sepulchral forms

Speckled with sunshine; and, but seldom heard,

The sweet bird's song became a hollow sound;

And the breeze, murmuring indivisibly,

Preserved its solemn murmur most distinct          10

From many a note of many a waterfall,

And the brook's chatter; 'mid whose islet-stones

The dingy kidling with its tinkling bell

Leaped frolicsome, or old romantic goat

Sat, his white beard slow waving. I moved on          15

In low and languid mood:[315:3] for I had found

That outward forms, the loftiest, still receive

Their finer influence from the Life within;—

Fair cyphers else: fair, but of import vague

Or unconcerning, where the heart not finds          20

History or prophecy of friend, or child,

Or gentle maid, our first and early love,

Or father, or the venerable name

Of our adoréd country! O thou Queen,

Thou delegated Deity of Earth,          25

O dear, dear England! how my longing eye

Turned westward, shaping in the steady clouds

Thy sands and high white cliffs!

My native Land!

Filled with the thought of thee this heart was proud,

Yea, mine eye swam with tears: that all the view          30

From sovran Brocken, woods and woody hills,

Floated away, like a departing dream,

Feeble and dim! Stranger, these impulses

Blame thou not lightly; nor will I profane,

With hasty judgment or injurious doubt,          35

That man's sublimer spirit, who can feel

That God is everywhere! the God who framed

Mankind to be one mighty family,

Himself our Father, and the World our Home.

May 17, 1799.

FOOTNOTES:

[315:1] First published in the Morning Post, September 17, 1799: included in the Annual Anthology (1800) [signed C.], in Sibylline Leaves, 1817, 1828, 1829, and 1834. The lines were sent in a letter from Coleridge to his wife, dated May 17, 1799. Part of the letter was printed in the Amulet, 1829, and the whole in the Monthly Magazine for October, 1835. A long extract is given in Gillman's Life of S. T. C., 1838, pp. 125-38.

[315:2] The highest Mountain in the Harz, and indeed in North Germany.

[315:3]

——When I have gaz'd

From some high eminence on goodly vales,

And cots and villages embower'd below,

The thought would rise that all to me was strange

Amid the scenes so fair, nor one small spot

Where my tired mind might rest and call it home.

SOUTHEY'S Hymn to the Penates.

LINENOTES:

[3]

surging] surging M. P.

[4]

Heavily] Wearily MS. Letter.

[6]

heaves] mov'd MS. Letter.

[8]

a] an all editions to 1834.

[9]

breeze] gale MS. Letter.

[11]

waterfall] waterbreak MS. Letter.

[12]

'mid] on MS. Letter.

[16]

With low and languid thought, for I had found MS. Letter.

[17]

That grandest scenes have but imperfect charms MS. Letter, M. P., An. Anth.

[18]

Where the eye vainly wanders nor beholds

MS. Letter.

Where the sight, &c.

M. P., An. Anth.

[19]

One spot with which the heart associates MS. Letter, M. P., An. Anth.

[19-21]

Fair cyphers of vague import, where the Eye

Traces no spot, in which the Heart may read

History or Prophecy

S. L. 1817, 1828.

[20]

Holy Remembrances of Child or Friend

MS. Letter.

Holy Remembrances of Friend or Child

M. P., An. Anth.

[26]

eye] eyes MS. Letter.

[28-30]

Sweet native Isle

This heart was proud, yea mine eyes swam with tears

To think of thee: and all the goodly view

MS. Letter.

[28]

O native land M. P., An. Anth.

[34]

I] I MS. Letter.

[38]

family] brother-hood MS. Letter.

THE BRITISH STRIPLING'S WAR-SONG[317:1]

IMITATED FROM STOLBERG

Yes, noble old Warrior! this heart has beat high,

Since you told of the deeds which our countrymen wrought;

O lend me the sabre that hung by thy thigh,

And I too will fight as my forefathers fought.

Despise not my youth, for my spirit is steel'd,          5

And I know there is strength in the grasp of my hand;

Yea, as firm as thyself would I march to the field,

And as proudly would die for my dear native land.

In the sports of my childhood I mimick'd the fight,

The sound of a trumpet suspended my breath;          10

And my fancy still wander'd by day and by night,

Amid battle and tumult, 'mid conquest and death.

My own shout of onset, when the Armies advance,

How oft it awakes me from visions of glory;

When I meant to have leapt on the Hero of France,          15

And have dash'd him to earth, pale and breathless and gory.

As late thro' the city with banners all streaming

To the music of trumpets the Warriors flew by,

With helmet and scimitars naked and gleaming,

On their proud-trampling, thunder-hoof'd steeds did they fly;          20

I sped to yon heath that is lonely and bare,

For each nerve was unquiet, each pulse in alarm;

And I hurl'd the mock-lance thro' the objectless air,

And in open-eyed dream proved the strength of my arm.

Yes, noble old Warrior! this heart has beat high,          25

Since you told of the deeds that our countrymen wrought;

O lend me the sabre that hung by thy thigh,

And I too will fight as my forefathers fought!

? 1799.

FOOTNOTES:

[317:1] First published in the Morning Post, August 24, 1799: included in the Annual Anthology for 1800: reprinted in Literary Remains, 1836, i. 276, in the Gentleman's Magazine, 1848. ('Communicated to the Bath Herald during the Volunteer Frenzy of 1803') (N. S. xxix, p. 60), and in Essays on His Own Times, iii. 988-9. First collected in P. W., 1877-80, ii. 200-1. The MS. is preserved in the British Museum. The text follows that of the Annual Anthology, 1800, pp. 173-4. For the original by Count F. L. Stolberg (Lied eines deutschen Knaben) see Appendices of this edition.

LINENOTES:

Title] The Stripling's War-Song. Imitated from the German of Stolberg MS. The Stripling's, &c. Imitated from Stolberg L. R. The British Stripling's War Song M. P., An. Anth., Essays, &c. The Volunteer Stripling. A Song G. M.

[1]

Yes] My MS., L. R.

[2]

Since] When G. M. which] that MS., L. R. our] your M. P., Essays, &c.

[3]

Ah! give me the sabre [Falchion] that [which L. R.] MS., Essays, &c.

[5]

O despise MS., L. R., Essays, &c.

[7]

march] move MS., L. R.

[8]

would] could Essays, &c. native land] fatherland L. R.

[9]

fight] sight G. M.

[10]

sound] shrill [sound] MS., L. R. a] the M. P., Essays, &c.

[12]

Amid tumults [tumult L. R.] and perils MS. 'mid] and Essays, &c. Mid battle and bloodshed G. M.

[13]

My own eager shout in the heat of my trance

MS., MS. correction in An. Anth., L. R.

My own shout of onset,

in the heat of my trance G. M., 1893.

when the armies advance

[14]

visions] dreams full MS., L. R. How oft it has wak'd G. M.

[15]

When I dreamt that I rush'd G. M.

[16]

breathless] deathless L. R. pale, breathless G. M.

[17]

city] town G. M.

[17-18]

with bannerets streaming

with a terrible beauty

To [And L. R.] the music

MS.

[19]

scimitars] scymetar MS., L.R., Essays, &c., G. M.: scymeter M. P.

Between 20-1

And the Host pacing after in gorgeous parade

All mov'd to one measure in front and in rear;

And the Pipe, Drum and Trumpet, such harmony made

As the souls of the Slaughter'd would loiter to hear.

MS. erased.

[21]

that] which L. R.

[22]

For my soul MS. erased.

[23]

I hurl'd my MS., L. R., Essays, &c. objectless] mind-peopled G. M.

[26]

Since] When G. M.

[27]

Ah! give me the falchion MS., L. R.

NAMES[318:1]

[FROM LESSING]

I ask'd my fair one happy day,

What I should call her in my lay;

By what sweet name from Rome or Greece;

Lalage, Neaera, Chloris,

Sappho, Lesbia, or Doris,          5

Arethusa or Lucrece.

'Ah!' replied my gentle fair,

'Belovéd, what are names but air?

Choose thou whatever suits the line;

Call me Sappho, call me Chloris,          10

Call me Lalage or Doris,

Only, only call me Thine.'

1799.

FOOTNOTES:

[318:1] First published in the Morning Post: reprinted in the Poetical Register for 1803 (1805) with the signature HARLEY. PHILADELPHIA, in the Keepsake for 1829, in Cottle's Early Recollections (two versions) 1837, ii. 67, and in Essays on His Own Times, iii. 990, 'As it first appeared' in the Morning Post. First collected in 1834. For the original (Die Namen) see Appendices of this edition.

LINENOTES:

Title] Song from Lessing M. P., Essays, &c.: From the German of Lessing P. R.: Epigram Keepsake, 1829, Cottle's Early Recollections.

[1]

fair] love Cottle, E. R.

[4]

Iphigenia, Clelia, Chloris,

M. P., Cottle, E. R., P. R.

Neaera, Laura, Daphne, Chloris,

Keepsake.

[5]

Laura, Lesbia, or Doris,

MS. 1799, M. P., Cottle, E. R.

Carina, Lalage, or Doris,

Keepsake.

[6]

Dorimene, or Lucrece, MS. 1799, M. P., Cottle, E. R., P. R., Keepsake.

[8]

Belovéd.] Dear one Keepsake.

[9]

Choose thou] Take thou M. P., P. R.: Take Cottle, E. R.

[10]

Call me Laura, call me Chloris MS. 1799, Keepsake.

[10-11]

Call me Clelia, call me Chloris,

Laura, Lesbia or Doris

M. P., Cottle, E. R.

[10-12]

Clelia, Iphigenia, Chloris,

Laura, Lesbia, Delia, Doris,

But don't forget to call me thine.

P. R.

THE DEVIL'S THOUGHTS[319:1]

I

From his brimstone bed at break of day

A walking the Devil is gone,

To visit his snug little farm the earth,

And see how his stock goes on.

II

Over the hill and over the dale,          5

And he went over the plain,

And backward and forward he switched his long tail

As a gentleman switches his cane.

III

And how then was the Devil drest?

Oh! he was in his Sunday's best:          10

His jacket was red and his breeches were blue,

And there was a hole where the tail came through.

IV

He saw a Lawyer killing a Viper

On a dunghill hard by his own stable;

And the Devil smiled, for it put him in mind          15

Of Cain and his brother, Abel.

V

He saw an Apothecary on a white horse

Ride by on his vocations,

And the Devil thought of his old Friend

Death in the Revelations.[320:1]          20

VI

He saw a cottage with a double coach-house,

A cottage of gentility;

And the Devil did grin, for his darling sin

Is pride that apes humility.

VII

He peep'd into a rich bookseller's shop,          25

Quoth he! we are both of one college!

For I sate myself, like a cormorant, once

Hard by the tree of knowledge.[321:1]

VIII

Down the river did glide, with wind and tide,

A pig with vast celerity;          30

And the Devil look'd wise as he saw how the while,

It cut its own throat. 'There!' quoth he with a smile,

'Goes "England's commercial prosperity."'

IX

As he went through Cold-Bath Fields he saw

A solitary cell;          35

And the Devil was pleased, for it gave him a hint

For improving his prisons in Hell.

X

He saw a Turnkey in a trice

Fetter a troublesome blade;

'Nimbly,' quoth he, 'do the fingers move          40

If a man be but used to his trade.'

XI

He saw the same Turnkey unfetter a man,

With but little expedition,

Which put him in mind of the long debate

On the Slave-trade abolition.          45

XII

He saw an old acquaintance

As he passed by a Methodist meeting;—

She holds a consecrated key,

And the devil nods her a greeting.

XIII

She turned up her nose, and said,          50

'Avaunt! my name's Religion,'

And she looked to Mr. ——

And leered like a love-sick pigeon.

XIV

He saw a certain minister

(A minister to his mind)          55

Go up into a certain House,

With a majority behind.

XV

The Devil quoted Genesis

Like a very learnéd clerk,

How 'Noah and his creeping things          60

Went up into the Ark.'

XVI

He took from the poor,

And he gave to the rich,

And he shook hands with a Scotchman,

For he was not afraid of the ——          65

XVII

General ——[323:1] burning face

He saw with consternation,

And back to hell his way did he take,

For the Devil thought by a slight mistake

It was general conflagration.          70

1799.

FOOTNOTES:

[319:1] First published in the Morning Post, September 6, 1799: included in 1828, 1829, and 1834. It is printed separately as the Devil's Walk, a Poem, By Professor Porson, London, Marsh and Miller, &c., 1830. In 1827, by way of repudiating Porson's alleged authorship of The Devil's Thoughts, Southey expanded the Devil's Thoughts of 1799 into a poem of fifty-seven stanzas entitled The Devil's Walk. See P. W., 1838, iii. pp. 87-100. In the Morning Post the poem numbered fourteen stanzas; in 1828, 1829 it is reduced to ten, and in 1834 enlarged to seventeen stanzas. Stanzas iii and xiv-xvi of the text are not in the M. P. Stanzas iv and v appeared as iii, iv; stanza vi as ix; stanza vii as v; stanza viii as x; stanza ix as viii; stanza x as vi; stanza xi as vii; stanza xvii as xiv. In 1828, 1829, the poem consists of stanzas i-ix of the text, and of the concluding stanzas stanza xi ('Old Nicholas', &c.) of the M. P. version was not reprinted. Stanzas xiv-xvi of the text were first acknowledged by Coleridge in 1834.

[320:1] And I looked, and behold a pale horse, and his name that sat on him was Death, Rev. vi. 8. M. P.

[321:1] This anecdote is related by that most interesting of the Devil's Biographers, Mr. John Milton, in his Paradise Lost, and we have here the Devil's own testimony to the truth and accuracy of it. M. P.

'And all amid them stood the TREE OF LIFE

High, eminent, blooming ambrosial fruit

Of vegetable gold (query paper-money), and next to Life

Our Death, the TREE OF KNOWLEDGE, grew fast by.—

*       *       *       *       *

*       *       *       *       *

So clomb this first grand thief—

Thence up he flew, and on the tree of life

Sat like a cormorant.'—Par. Lost, iv.

The allegory here is so apt, that in a catalogue of various readings obtained from collating the MSS. one might expect to find it noted, that for 'LIFE' Cod. quid. habent, 'TRADE.' Though indeed THE TRADE, i. e. the bibliopolic, so called κατ' ἐξοχήν, may be regarded as LIFE sensu eminentiori; a suggestion, which I owe to a young retailer in the hosiery line, who on hearing a description of the net profits, dinner parties, country houses, etc., of the trade, exclaimed, 'Ay! that's what I call LIFE now!'—This 'Life, our Death,' is thus happily contrasted with the fruits of Authorship.—Sic nos non nobis mellificamus Apes.

Of this poem, which with the 'Fire, Famine, and Slaughter' first appeared in the Morning Post [6th Sept. 1799], the 1st, 2nd, 3rd, 9th, and 16th stanzas[321:A] were dictated by Mr. Southey. See Apologetic Preface [to Fire, Famine and Slaughter]. [Between the ninth and the concluding stanza, two or three are omitted, as grounded on subjects which have lost their interest—and for better reasons. 1828, 1829.]

If any one should ask who General —— meant, the Author begs leave to inform him, that he did once see a red-faced person in a dream whom by the dress he took for a General; but he might have been mistaken, and most certainly he did not hear any names mentioned. In simple verity, the author never meant any one, or indeed any thing but to put a concluding stanza to his doggerel.

[321:A] The three first stanzas, which are worth all the rest, and the ninth 1828, 1829.

[323:1] In a MS. copy in the B. M. and in some pirated versions the blank is filled up by the word 'Gascoigne's'; but in a MS. copy taken at Highgate, in June, 1820, by Derwent Coleridge the line runs 'General Tarleton's', &c.

LINENOTES:

[3-4]

To look at his little snug farm of the Earth

To visit, &c.

1828, 1829.

And see how his stock went on.

M. P., 1828, 1829.

[7]

switched] swish'd M. P., 1828, 1829.

[8]

switches] swishes M. P., 1828, 1829.

[9-12]

Not in M. P.

[14]

On the dunghill beside his stable M. P.: On a dung-heap beside his stable 1828, 1829.

[15-16]

Oh! oh; quoth he, for it put him in mind

Of the story of Cain and Abel

M. P.

[16]

his] his 1828, 1829.

[17]

He . . . on] An Apothecary on M. P.: A Pothecary on 1828, 1829.

[18]

Ride] Rode M.P., 1828, 1829. vocations] vocation M. P.

[20]

Revelations] Revelation M. P.

[21]

saw] past M. P.

[23]

And he grinn'd at the sight, for his favourite vice M. P.

[25]

peep'd] went M. P., 1828, 1829.

[27]

sate myself] myself sate 1828, 1829.

[28]

Hard by] Upon M. P.: Fast by 1828, 1829.

[29-33]

He saw a pig right rapidly

Adown the river float,

The pig swam well, but every stroke

Was cutting his own throat.

M. P.

[29]

did glide] there plied 1828, 1829.

Between 33-4

Old Nicholas grinn'd and swish'd his tail

For joy and admiration;

And he thought of his daughter, Victory,

And his darling babe, Taxation.

M. P.

[34-5]

As he went through —— —— fields he look'd

At a

M. P.

[37]

his] the M. P. in] of M. P.

[39]

Fetter] Hand-cuff M. P.: Unfetter 1834.

[40-1]

'Nimbly', quoth he, 'the fingers move

If a man is but us'd to his trade.'

M. P.

[42]

unfetter] unfettering M. P.

[44]

And he laugh'd for he thought of the long debates M. P.

[46]

saw] met M. P.

[47]

Just by the Methodist meeting. M. P.

[48]

holds] held M. P. key] flag[323:A] M. P.

[323:A] The allusion is to Archbishop Randolph consecrating the Duke of York's banners. See S. T. Coleridge's Notizbuch aus den Jahren 1795-8 . . . von A. Brandl, 1896, p. 354 (p. 25 a, l. 18 of Gutch Memorandum Book, B. M. Add. MSS. 27,901).

[49]

And the Devil nods a greeting. M. P.

[50-2]

She tip'd him the wink, then frown'd and cri'd

'Avaunt! my name's ——

And turn'd to Mr. W——

M. P.

[66]

General ——] General ——'s M. P.

[68]

way did take M. P.

[70]

general] General M. P.

LINES COMPOSED IN A CONCERT-ROOM[324:1]

Nor cold, nor stern, my soul! yet I detest

These scented Rooms, where, to a gaudy throng,

Heaves the proud Harlot her distended breast,

In intricacies of laborious song.

These feel not Music's genuine power, nor deign          5

To melt at Nature's passion-warbled plaint;

But when the long-breathed singer's uptrilled strain

Bursts in a squall—they gape for wonderment.

Hark! the deep buzz of Vanity and Hate!

Scornful, yet envious, with self-torturing sneer          10

My lady eyes some maid of humbler state,

While the pert Captain, or the primmer Priest,

Prattles accordant scandal in her ear.

O give me, from this heartless scene released,

To hear our old Musician, blind and grey,          15

(Whom stretching from my nurse's arms I kissed,)

His Scottish tunes and warlike marches play,

By moonshine, on the balmy summer-night,

The while I dance amid the tedded hay

With merry maids, whose ringlets toss in light.          20

Or lies the purple evening on the bay

Of the calm glossy lake, O let me hide

Unheard, unseen, behind the alder-trees,

For round their roots the fisher's boat is tied,

On whose trim seat doth Edmund stretch at ease,          25

And while the lazy boat sways to and fro,

Breathes in his flute sad airs, so wild and slow,

That his own cheek is wet with quiet tears.

But O, dear Anne! when midnight wind careers,

And the gust pelting on the out-house shed          30

Makes the cock shrilly in the rainstorm crow,

To hear thee sing some ballad full of woe,

Ballad of ship-wreck'd sailor floating dead,

Whom his own true-love buried in the sands!

Thee, gentle woman, for thy voice remeasures          35

Whatever tones and melancholy pleasures

The things of Nature utter; birds or trees,

Or moan of ocean-gale in weedy caves,

Or where the stiff grass mid the heath-plant waves,

Murmur and music thin of sudden breeze.          40

1799.

FOOTNOTES:

[324:1] First published in the Morning Post, September 24, 1799: included in Sibylline Leaves, 1817, 1828, 1829, and 1834. There is no evidence as to the date of composition. In a letter to Coleridge, dated July 5, 1796, Lamb writes 'Have a care, good Master Poet, of the Statute de Contumeliâ. What do you mean by calling Madame Mara harlots and naughty things? The goodness of the verse would not save you in a Court of Justice'—but it is by no means certain that Lamb is referring to the Lines Composed in a Concert-Room, or that there is any allusion in line 3 to Madame Mara. If, as J. D. Campbell suggested, the poem as it appeared in the Morning Post is a recast of some earlier verses, it is possible that the scene is Ottery, and that 'Edmund' is the 'Friend who died dead of' a 'Frenzy Fever' (vide ante, p. 76). In this case a probable date would be the summer of 1793. But the poem as a whole suggests a later date. Coleridge and Southey spent some weeks at Exeter in September 1799. They visited Ottery St. Mary, and walked through Newton Abbot to Ashburton and Dartmouth. It is possible that the 'Concert-Room,' the 'pert Captain,' and 'primmer Priest' are reminiscences of Exeter, the 'heath-plant,' and the 'ocean caves' of Dartmoor and Torbay. If so, the 'shame and absolute rout' (l. 49 of variant, p. 325) would refer to the victory of Suwaroff over Joubert at Novi, which took place August 15, 1799. See Letters of S. T. C., 1895, i. 307.

LINENOTES:

[14]

heartless] loathsome M. P.

[24]

Around whose roots M. P., S. L.

[40]

thin] then M. P.

After line 40

Dear Maid! whose form in solitude I seek,

Such songs in such a mood to hear thee sing,

It were a deep delight!—But thou shalt fling

Thy white arm round my neck, and kiss my cheek,

And love the brightness of my gladder eye          45

The while I tell thee what a holier joy

It were in proud and stately step to go,

With trump and timbrel clang, and popular shout,

To celebrate the shame and absolute rout

Unhealable of Freedom's latest foe,          50

Whose tower'd might shall to its centre nod.

When human feelings, sudden, deep and vast,

As all good spirits of all ages past

Were armied in the hearts of living men,

Shall purge the earth, and violently sweep          55

These vile and painted locusts to the deep,

Leaving un—— undebas'd

A —— world made worthy of its God.

M. P.

[The words in lines 57, 58 were left as blanks in the Morning Post, from what cause or with what object must remain a matter of doubt.]

WESTPHALIAN SONG[326:1]

[The following is an almost literal translation of a very old and very favourite song among the Westphalian Boors. The turn at the end is the same with one of Mr. Dibdin's excellent songs, and the air to which it is sung by the Boors is remarkably sweet and lively.]

When thou to my true-love com'st

Greet her from me kindly;

When she asks thee how I fare?

Say, folks in Heaven fare finely.

When she asks, 'What! Is he sick?'          5

Say, dead!—and when for sorrow

She begins to sob and cry,

Say, I come to-morrow.

? 1799.

FOOTNOTES:

[326:1] First published in the Morning Post, Sept. 27, 1802: reprinted in Essays on His Own Times, 1850, iii. 992. First collected in P. W., 1877-80, ii. 170.

HEXAMETERS[326:2]

PARAPHRASE OF PSALM XLVI

Gōd ĭs oŭr Strēngth ănd oŭr Rēfŭge: thērefŏre wīll wĕ nŏt trēmblĕ,

Thō' thĕ Eārth bĕ rĕmōvĕd ănd thō' thĕ pĕrpētŭăl Moūntaīns

Sink in the Swell of the Ocean! God is our Strength and our Refuge.

There is a River the Flowing whereof shall gladden the City,

Hallelujah! the City of God! Jehova shall help her.          5

Thē Idōlătĕrs rāgĕd, the kingdoms were moving in fury;

But he uttered his Voice: Earth melted away from beneath them.

Halleluja! th' Eternal is with us, Almighty Jehova!

Fearful the works of the Lord, yea fearful his Desolations;

But He maketh the Battle to cease, he burneth the Spear and the Chariot.          10

Halleluja! th' Eternal is with us, the God of our Fathers!

1799.

FOOTNOTES:

[326:2] Now published for the first time. The lines were sent in a letter to George Coleridge dated September 29, 1799. They were prefaced as follows:—'We were talking of Hexameters with you. I will, for want of something better, fill up the paper with a translation of one of my favourite Psalms into that metre which allowing trochees for spondees, as the nature of our Language demands, you will find pretty accurate a scansion.' Mahomet and, no doubt, the Hymn to the Earth may be assigned to the end of September or the beginning of October, 1799.

HYMN TO THE EARTH[327:1]

[IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE]

HEXAMETERS

Earth! thou mother of numberless children, the nurse and the mother,

Hail! O Goddess, thrice hail! Blest be thou! and, blessing, I hymn thee!

Forth, ye sweet sounds! from my harp, and my voice shall float on your surges—

Soar thou aloft, O my soul! and bear up my song on thy pinions.

Travelling the vale with mine eyes—green meadows and lake with green island,          5

Dark in its basin of rock, and the bare stream flowing in brightness,

Thrilled with thy beauty and love in the wooded slope of the mountain,

Here, great mother, I lie, thy child, with his head on thy bosom!

Playful the spirits of noon, that rushing soft through thy tresses,

Green-haired goddess! refresh me; and hark! as they hurry or linger,          10

Fill the pause of my harp, or sustain it with musical murmurs.

Into my being thou murmurest joy, and tenderest sadness

Shedd'st thou, like dew, on my heart, till the joy and the heavenly sadness

Pour themselves forth from my heart in tears, and the hymn of thanksgiving.

Earth! thou mother of numberless children, the nurse and the mother,          15

Sister thou of the stars, and beloved by the Sun, the rejoicer!

Guardian and friend of the moon, O Earth, whom the comets forget not,

Yea, in the measureless distance wheel round and again they behold thee!

Fadeless and young (and what if the latest birth of creation?)

Bride and consort of Heaven, that looks down upon thee enamoured!          20

Say, mysterious Earth! O say, great mother and goddess,

Was it not well with thee then, when first thy lap was ungirdled,

Thy lap to the genial Heaven, the day that he wooed thee and won thee!

Fair was thy blush, the fairest and first of the blushes of morning!

Deep was the shudder, O Earth! the throe of thy self-retention:          25

Inly thou strovest to flee, and didst seek thyself at thy centre!

Mightier far was the joy of thy sudden resilience; and forthwith

Myriad myriads of lives teemed forth from the mighty embracement.

Thousand-fold tribes of dwellers, impelled by thousand-fold instincts,

Filled, as a dream, the wide waters; the rivers sang on their channels;          30

Laughed on their shores the hoarse seas; the yearning ocean swelled upward;

Young life lowed through the meadows, the woods, and the echoing mountains,

Wandered bleating in valleys, and warbled on blossoming branches.

1799.

FOOTNOTES:

[327:1] First published in Friendship's Offering, 1834, pp. 165-7, with other pieces, under the general heading:—Fragments from the Wreck of Memory: or Portions of Poems composed in Early Manhood: by S. T. Coleridge. A Note was prefixed:—'It may not be without use or interest to youthful, and especially to intelligent female readers of poetry, to observe that in the attempt to adapt the Greek metres to the English language, we must begin by substituting quality of sound for quantity—that is, accentuated or comparatively emphasized syllables, for what in the Greek and Latin Verse, are named long, and of which the prosodial mark is ¯; and vice versâ, unaccented syllables for short marked ˘. Now the Hexameter verse consists of two sorts of feet, the spondee composed of two long syllables, and the dactyl, composed of one long syllable followed by two short. The following verse from the Psalms is a rare instance of a perfect hexameter (i. e. line of six feet) in the English language:—

Gōd cāme | ūp wĭth ă | shōut: oūr | Lōrd wĭth thĕ | sōund ŏf ă | trūmpĕt.

But so few are the truly spondaic words in our language, such as Ēgȳpt, ūprŏar, tūrmoĭl, &c., that we are compelled to substitute, in most instances, the trochee; or ¯ ˘, i. e. in such words as mērry̆, līghtly̆, &c., for the proper spondee. It need only be added, that in the hexameter the fifth foot must be a dactyl, and the sixth a spondee, or trochee. I will end this note with two hexameter lines, likewise from the Psalms:—

Thēre ĭs ă | rīvĕr thĕ | flōwĭng whĕre|ōf shāll | glāddĕn thĕ | cīty̆,

Hāllē|lūjăh thĕ | cīty̆ | Gōd Jē|hōvăh hăth | blēst hĕr.

S. T. C.'

On some proof-sheets, or loose pages of a copy of The Hymn as published in Friendship's Offering for 1834, which Coleridge annotated, no doubt with a view to his corrections being adopted in the forthcoming edition of his poems (1834), he adds in MS. the following supplementary note:—'To make any considerable number of Hexameters feasible in our monosyllabic trocheeo-iambic language, there must, I fear, be other licenses granted—in the first foot, at least—ex. gr. a superfluous ˘ prefixed in cases of particles such as 'of, 'and', and the like: likewise ¯ ˘ ¯ where the stronger accent is on the first syllable.—S. T. C.'

The Hymn to the Earth is a free translation of F. L. Stolberg's Hymne an die Erde. (See F. Freiligrath's Biographical Memoirs prefixed to the Tauchnitz edition of the Poems published in 1852.) The translation exceeds the German original by two lines. The Hexameters 'from the Psalms' are taken from a metrical experiment which Coleridge sent to his brother George, in a letter dated September 29, 1799 (vide ante). First collected in 1834. The acknowledgement that the Hymn to the Earth is imitated from Stolberg's Hymne an die Erde was first prefixed by J. D. Campbell in 1893.

LINENOTES:

[8]

his] its F. O. 1834.

[9]

that creep or rush through thy tresses F. O. 1834.

[33]

on] in F. O. 1834.

After 33

*       *       *       *       *

F. O. 1834.

MAHOMET[329:1]

Utter the song, O my soul! the flight and return of Mohammed,

Prophet and priest, who scatter'd abroad both evil and blessing,

Huge wasteful empires founded and hallow'd slow persecution,

Soul-withering, but crush'd the blasphemous rites of the Pagan

And idolatrous Christians.—For veiling the Gospel of Jesus,          5

They, the best corrupting, had made it worse than the vilest.

Wherefore Heaven decreed th' enthusiast warrior of Mecca,

Choosing good from iniquity rather than evil from goodness.

Loud the tumult in Mecca surrounding the fane of the idol;—

Naked and prostrate the priesthood were laid—the people with mad shouts          10

Thundering now, and now with saddest ululation

Flew, as over the channel of rock-stone the ruinous river

Shatters its waters abreast, and in mazy uproar bewilder'd,

Rushes dividuous all—all rushing impetuous onward.

? 1799.

FOOTNOTES:

[329:1] First published in 1834. In an unpublished letter to Southey, dated Sept. 25, 1799, Coleridge writes, 'I shall go on with the Mohammed'. There can be no doubt that these fourteen lines, which represent Coleridge's contribution to a poem on 'Mahomet' which he had planned in conjunction with Southey, were at that time already in existence. For Southey's portion, which numbered 109 lines, see Oliver Newman. By Robert Southey, 1845, pp. 113-15.

LOVE[330:1]

All thoughts, all passions, all delights,

Whatever stirs this mortal frame,

All are but ministers of Love,

And feed his sacred flame.

Oft in my waking dreams do I          5

Live o'er again that happy hour,

When midway on the mount I lay,

Beside the ruined tower.

The moonshine, stealing o'er the scene

Had blended with the lights of eve;          10

And she was there, my hope, my joy,

My own dear Genevieve!

She leant against the arméd man,

The statue of the arméd knight;

She stood and listened to my lay,          15

Amid the lingering light.

Few sorrows hath she of her own,

My hope! my joy! my Genevieve!

She loves me best, whene'er I sing

The songs that make her grieve.          20

I played a soft and doleful air,

I sang an old and moving story—

An old rude song, that suited well

That ruin wild and hoary.

She listened with a flitting blush,          25

With downcast eyes and modest grace;

For well she knew, I could not choose

But gaze upon her face.

I told her of the Knight that wore

Upon his shield a burning brand;          30

And that for ten long years he wooed

The Lady of the Land.

I told her how he pined: and ah!

The deep, the low, the pleading tone

With which I sang another's love,          35

Interpreted my own.

She listened with a flitting blush,

With downcast eyes, and modest grace;

And she forgave me, that I gazed

Too fondly on her face!          40

But when I told the cruel scorn

That crazed that bold and lovely Knight,

And that he crossed the mountain-woods,

Nor rested day nor night;

That sometimes from the savage den,          45

And sometimes from the darksome shade,

And sometimes starting up at once

In green and sunny glade,—

There came and looked him in the face

An angel beautiful and bright;          50

And that he knew it was a Fiend,

This miserable Knight!

And that unknowing what he did,

He leaped amid a murderous band,

And saved from outrage worse than death          55

The Lady of the Land!

And how she wept, and clasped his knees;

And how she tended him in vain—

And ever strove to expiate

The scorn that crazed his brain;—          60

And that she nursed him in a cave;

And how his madness went away,

When on the yellow forest-leaves

A dying man he lay;—

His dying words—but when I reached          65

That tenderest strain of all the ditty,

My faultering voice and pausing harp

Disturbed her soul with pity!

All impulses of soul and sense

Had thrilled my guileless Genevieve;          70

The music and the doleful tale,

The rich and balmy eve;

And hopes, and fears that kindle hope,

An undistinguishable throng,

And gentle wishes long subdued,          75

Subdued and cherished long!

She wept with pity and delight,

She blushed with love, and virgin-shame;

And like the murmur of a dream,

I heard her breathe my name.          80

Her bosom heaved—she stepped aside,

As conscious of my look she stepped—

Then suddenly, with timorous eye

She fled to me and wept.

She half enclosed me with her arms,          85

She pressed me with a meek embrace;

And bending back her head, looked up,

And gazed upon my face.

'Twas partly love, and partly fear,

And partly 'twas a bashful art,          90

That I might rather feel, than see,

The swelling of her heart.

I calmed her fears, and she was calm,

And told her love with virgin pride;

And so I won my Genevieve,          95

My bright and beauteous Bride.

1799.

FOOTNOTES:

[330:1] First published (with four preliminary and three concluding stanzas) as the Introduction to the Tale of the Dark Ladie, in the Morning Post, Dec. 21, 1799 (for complete text with introductory letter vide Appendices): included (as Love) in the Lyrical Ballads of 1800, 1802, 1805: reprinted with the text of the Morning Post in English Minstrelsy, 1810 (ii. 131-9) with the following prefatory note:—'These exquisite stanzas appeared some years ago in a London Newspaper, and have since that time been republished in Mr. Wordsworth's Lyrical Ballads, but with some alterations; the Poet having apparently relinquished his intention of writing the Fate of the Dark Ladye': included (as Love) in Sibylline Leaves, 1828, 1829, and 1834. The four opening and three concluding stanzas with prefatory note were republished in Literary Remains, 1836, pp. 50-2, and were first collected in 1844. For a facsimile of the MS. of Love as printed in the Lyrical Ballads, 1800 (i. 138-44), see Wordsworth and Coleridge MSS., edited by W. Hale White, 1897 (between pp. 34-5). For a collation of the Introduction to the Tale of the Dark Ladie with two MSS. in the British Museum [Add. MSS., No. 27,902] see Coleridge's Poems. A Facsimile Reproduction, &c. Ed. by James Dykes Campbell, 1899, and Appendices of this edition.

It is probable that the greater part of the Introduction to the Tale of the Dark Ladie was written either during or shortly after a visit which Coleridge paid to the Wordsworths's friends, George and Mary, and Sarah Hutchinson, at Sockburn, a farm-house on the banks of the Tees, in November, 1799. In the first draft, ll. 13-16, 'She leaned, &c.' runs thus:—

She lean'd against a grey stone rudely carv'd,

The statue of an arméd Knight:

She lean'd in melancholy mood

Amid the lingering light.

In the church at Sockburn there is a recumbent statue of an 'armed knight' (of the Conyers family), and in a field near the farm-house there is a 'Grey-Stone' which is said to commemorate the slaying of a monstrous wyverne or 'worme' by the knight who is buried in the church. It is difficult to believe that the 'arméd knight' and the 'grey stone' of the first draft were not suggested by the statue in Sockburn Church, and the 'Grey-Stone' in the adjoining field. It has been argued that the Ballad of the Dark Ladié, of which only a fragment remains, was written after Coleridge returned from Germany, and that the Introduction to the Tale of the Dark Ladie, which embodies Love, was written at Stowey in 1797 or 1798. But in referring to 'the plan' of the Lyrical Ballads of 1798 (Biog. Lit., 1817, Cap. XIV, ii. 3) Coleridge says that he had written the Ancient Mariner, and was preparing the Dark Ladie and the Christabel (both unpublished poems when this Chapter was written), but says nothing of so typical a poem as Love. By the Dark Ladié he must have meant the unfinished Ballad of the Dark Ladié, which, at one time, numbered 190 lines, not the Introduction to the Tale of the Dark Ladie, which later on he refers to as the 'poem entitled Love' (Biog. Lit., 1817, Cap. XXIV, ii. 298), and which had appeared under that title in the Lyrical Ballads of 1800, 1802, and 1805.

In Sibylline Leaves, 1828, 1829, and 1834, Love, which was the first in order of a group of poems with the sub-title 'Love Poems', was prefaced by the following motto:—

Quas humilis tenero stylus olim effudit in aevo,

Perlegis hic lacrymas, et quod pharetratus acuta

Ille puer puero fecit mihi cuspide vulnus.

Omnia paulatim consumit longior aetas,

Vivendoque simul morimur, rapimurque manendo.

Ipse mihi collatus enim non ille videbor:

Frons alia est, moresque alii, nova mentis imago,

Voxque aliud sonat—

Pectore nunc gelido calidos miseremur amantes,

Jamque arsisse pudet. Veteres tranquilla tumultus

Mens horret, relegensque alium putat ista locutum.

PETRARCH.

LINENOTES:

Title] Introduction to the Tale of the Dark Ladie M. P.: Fragment, S. T. Coleridge English Minstrelsy, 1810.

Opening stanzas

O leave the Lilly on its stem;

O leave the Rose upon the spray;

O leave the Elder-bloom, fair Maids!

And listen to my lay.

A Cypress and a Myrtle bough,

This morn around my harp you twin'd,

Because it fashion'd mournfully

Its murmurs in the wind.

And now a Tale of Love and Woe,

A woeful Tale of Love I sing:

Hark, gentle Maidens, hark! it sighs

And trembles on the string.

But most, my own dear Genevieve!

It sighs and trembles most for thee!

O come and hear what cruel wrongs

Befel the dark Ladie.

The fifth stanza of the Introduction finds its place as the fifth stanza of the text, and the sixth stanza as the first.

[3]

All are] Are all S. L. (For Are all r. All are. Errata, p. [xi]).

[5-6]

O ever in my waking dreams

I dwell upon

M. P., MS. erased.

[7]

lay] sate M. P.

[15]

lay] harp M. P., MS., L. B.

[[21]

soft] sad M. P., MS. erased.

[22]

sang] sung E. M.

[23]

suited] fitted M. P., MS., L. B.

[24]

That ruin] The Ruin M. P., MS., L. B.: The ruins E. M.

[29]

that] who M. P.

[31]

that] how M. P.

[34]

The low, the deep MS., L. B.

[35]

In which I told E. M.

[42]

That] Which MS., L. B. that] this M. P., MS., L. B.

[43]

And how he roam'd M. P. that] how MS. erased.

Between 44-5

And how he cross'd the Woodman's paths [path E. M.]

Tho' briars and swampy mosses beat,

How boughs rebounding scourg'd his limbs,

And low stubs gor'd his feet.

M. P.

[45]

That] How M. P., MS. erased.

[51]

that] how M. P., MS. erased.

[53]

that] how M. P., MS. erased.

[54]

murderous] lawless M. P.

[59]

ever] meekly M. P. For still she MS. erased.

[61]

that] how M. P., MS. erased.

[78]

virgin-] maiden-M. P., MS., L. B.

[79]

murmur] murmurs M. P.

Between 80-1

I saw her bosom

heave

rise and swell,

Heave and swell with inward sighs—

I could not choose but love to see

Her gentle bosom rise.

M. P., MS. erased.

[81]

Her wet cheek glowed M. P., MS. erased.

[84]

fled] flew M. P.

[94]

virgin] maiden MS. erased.

[95]

so] thus M. P.

After 96

And now once more a tale of woe,

A woeful tale of love I sing;

For thee, my Genevieve! it sighs,

And trembles on the string.

When last I sang [sung E. M.] the cruel scorn

That craz'd this bold and lonely [lovely E. M.] knight,

And how he roam'd the mountain woods,

Nor rested day or night;

I promis'd thee a sister tale

Of Man's perfidious Cruelty;

Come, then, and hear what cruel wrong

Befel the Dark Ladie.

End of the Introduction M. P.

ODE TO GEORGIANA, DUCHESS OF

DEVONSHIRE[335:1]

ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER

MOUNT GOTHARD'

And hail the Chapel! hail the Platform wild!

Where Tell directed the avenging dart,

With well-strung arm, that first preservst his child,

Then aim'd the arrow at the tyrant's heart.

Splendour's fondly-fostered child!

And did you hail the platform wild,

Where once the Austrian fell

Beneath the shaft of Tell!

O Lady, nursed in pomp and pleasure!          5

Whence learn'd you that heroic measure?

Light as a dream your days their circlets ran,

From all that teaches brotherhood to Man

Far, far removed! from want, from hope, from fear!

Enchanting music lulled your infant ear,          10

Obeisance, praises soothed your infant heart:

Emblazonments and old ancestral crests,

With many a bright obtrusive form of art,

Detained your eye from Nature: stately vests,

That veiling strove to deck your charms divine,          15

Rich viands, and the pleasurable wine,

Were yours unearned by toil; nor could you see

The unenjoying toiler's misery.

And yet, free Nature's uncorrupted child,

You hailed the Chapel and the Platform wild,          20

Where once the Austrian fell

Beneath the shaft of Tell!

O Lady, nursed in pomp and pleasure!

Whence learn'd you that heroic measure?

There crowd your finely-fibred frame          25

All living faculties of bliss;

And Genius to your cradle came,

His forehead wreathed with lambent flame,

And bending low, with godlike kiss

Breath'd in a more celestial life;          30

But boasts not many a fair compeer

A heart as sensitive to joy and fear?

And some, perchance, might wage an equal strife,

Some few, to nobler being wrought,

Corrivals in the nobler gift of thought.          35

Yet these delight to celebrate

Laurelled War and plumy State;

Or in verse and music dress

Tales of rustic happiness—

Pernicious tales! insidious strains!          40

That steel the rich man's breast,

And mock the lot unblest,

The sordid vices and the abject pains,

Which evermore must be

The doom of ignorance and penury!          45

But you, free Nature's uncorrupted child,

You hailed the Chapel and the Platform wild,

Where once the Austrian fell

Beneath the shaft of Tell!

O Lady, nursed in pomp and pleasure!          50

Whence learn'd you that heroic measure?

You were a Mother! That most holy name,

Which Heaven and Nature bless,

I may not vilely prostitute to those

Whose infants owe them less          55

Than the poor caterpillar owes

Its gaudy parent fly.

You were a mother! at your bosom fed

The babes that loved you. You, with laughing eye,

Each twilight-thought, each nascent feeling read,          60

Which you yourself created. Oh! delight!

A second time to be a mother,

Without the mother's bitter groans:

Another thought, and yet another,

By touch, or taste, by looks or tones,          65

O'er the growing sense to roll,

The mother of your infant's soul!

The Angel of the Earth, who, while he guides[337:1]

His chariot-planet round the goal of day,

All trembling gazes on the eye of God          70

A moment turned his awful face away;

And as he viewed you, from his aspect sweet

New influences in your being rose,

Blest intuitions and communions fleet

With living Nature, in her joys and woes!          75

Thenceforth your soul rejoiced to see

The shrine of social Liberty!

O beautiful! O Nature's child!

'Twas thence you hailed the Platform wild,

Where once the Austrian fell          80

Beneath the shaft of Tell!

O Lady, nursed in pomp and pleasure!

Thence learn'd you that heroic measure.

1799.

FOOTNOTES:

[335:1] First published in the Morning Post, December 24, 1799 (in four numbered stanzas): included in the Annual Anthology, 1800, in Sibylline Leaves, 1817, 1828, 1829, and 1834. The Duchess's poem entitled 'Passage over Mount Gothard' was published in the Morning Chronicle on Dec. 20 and in the Morning Post, Dec. 21, 1799.

[337:1] In a copy of the Annual Anthology Coleridge drew his pen through ll. 68-77, but the lines appeared in Sibylline Leaves, 1817, and in all later editions (see P. W., 1898, p. 624).

LINENOTES:

Motto 4

Then wing'd the arrow to

M. P., An. Anth.

Sub-title] On the 24th stanza in her Poem, entitled 'The Passage of the Mountain of St. Gothard.' M. P.

[1-2]

Lady, Splendor's foster'd child

And did you

M. P.

[2]

you] you An. Anth.

[7]

your years their courses M. P.

[9]

Ah! far remov'd from want and hope and fear M. P.

[11]

Obeisant praises M. P.

[14]

stately] gorgeous M. P.

[15]

om. An. Anth.

31 foll.

But many of your many fair compeers

[But many of thy many fair compeers M. P.]

Have frames as sensible of joys and fears;

And some might wage an equal strife

An. Anth.

[34-5]

(Some few perchance to nobler being wrought),

Corrivals in the plastic powers of thought.

M. P.

[35]

Corrivals] co-rivals An. Anth., S. L. 1828.

[36]

these] these S. L. 1828, 1829.

[40]

insidious] insulting M. P.

[45]

penury] poverty M. P., An. Anth.

[47]

Hail'd the low Chapel M. P., An. Anth.

[51]

Whence] Where An. Anth., S. L. 1828, 1829.

[56]

caterpillar] Reptile M. P., An. Anth.

[60]

each] and M. P.

[72]

you] thee M. P.

[73]

your] thy M. P.

[76]

O Lady thence ye joy'd to see M. P.

A CHRISTMAS CAROL[338:1]

I

The shepherds went their hasty way,

And found the lowly stable-shed

Where the Virgin-Mother lay:

And now they checked their eager tread,

For to the Babe, that at her bosom clung,          5

A Mother's song the Virgin-Mother sung.

II

They told her how a glorious light,

Streaming from a heavenly throng,

Around them shone, suspending night!

While sweeter than a mother's song,          10

Blest Angels heralded the Saviour's birth,

Glory to God on high! and Peace on Earth.

III

She listened to the tale divine,

And closer still the Babe she pressed;

And while she cried, the Babe is mine!          15

The milk rushed faster to her breast:

Joy rose within her, like a summer's morn;

Peace, Peace on Earth! the Prince of Peace is born.

IV

Thou Mother of the Prince of Peace,

Poor, simple, and of low estate!          20

That strife should vanish, battle cease,

O why should this thy soul elate?

Sweet Music's loudest note, the Poet's story,—

Didst thou ne'er love to hear of fame and glory?

V

And is not War a youthful king,          25

A stately Hero clad in mail?

Beneath his footsteps laurels spring;

Him Earth's majestic monarchs hail

Their friend, their playmate! and his bold bright eye

Compels the maiden's love-confessing sigh.          30

VI

'Tell this in some more courtly scene,

To maids and youths in robes of state!

I am a woman poor and mean,

And therefore is my soul elate.

War is a ruffian, all with guilt defiled,          35

That from the agéd father tears his child!

VII

'A murderous fiend, by fiends adored,

He kills the sire and starves the son;

The husband kills, and from her board

Steals all his widow's toil had won;          40

Plunders God's world of beauty; rends away

All safety from the night, all comfort from the day.

VIII

'Then wisely is my soul elate,

That strife should vanish, battle cease:

I'm poor and of a low estate,          45

The Mother of the Prince of Peace.

Joy rises in me, like a summer's morn:

Peace, Peace on Earth! the Prince of Peace is born.'

1799.

FOOTNOTES:

[338:1] First published in the Morning Post, December 25, 1799: included in the Annual Anthology, 1800, in Sibylline Leaves, 1817, 1828, 1829, and 1834.

LINENOTES:

[8]

a] an M. P., An. Anth.

[10]

While] And M. P.

[35]

War is a ruffian Thief, with gore defil'd M. P., An. Anth.

[37]

fiend] Thief M. P., An. Anth.

[41]

rends] tears M. P.

After 49

Strange prophecy! Could half the screams

Of half the men that since have died

To realise War's kingly dreams,

Have risen at once in one vast tide,

The choral music of Heav'n's multitude

Had been o'erpower'd, and lost amid the uproar rude!

ESTEESI.

M. P., An. Anth.

TALLEYRAND TO LORD GRENVILLE[340:1]

A METRICAL EPISTLE

[As printed in Morning Post for January 10, 1800.]

To the Editor of The Morning Post.

MR. EDITOR,—An unmetrical letter from Talleyrand to Lord Grenville has already appeared, and from an authority too high to be questioned: otherwise I could adduce some arguments for the exclusive authenticity of the following metrical epistle. The very epithet which the wise ancients used, 'aurea carmina,' might have been supposed likely to have determined the choice of the French minister in favour of verse; and the rather when we recollect that this phrase of 'golden verses' is applied emphatically to the works of that philosopher who imposed silence on all with whom he had to deal. Besides is it not somewhat improbable that Talleyrand should have preferred prose to rhyme, when the latter alone has got the chink? Is it not likewise curious that in our official answer no notice whatever is taken of the Chief Consul, Bonaparte, as if there had been no such person [man Essays, &c., 1850] existing; notwithstanding that his existence is pretty generally admitted, nay that some have been so rash as to believe that he has created as great a sensation in the world as Lord Grenville, or even the Duke of Portland? But the Minister of Foreign Affairs, Talleyrand, is acknowledged, which, in our opinion, could not have happened had he written only that insignificant prose-letter, which seems to precede Bonaparte's, as in old romances a dwarf always ran before to proclaim the advent or arrival of knight or giant. That Talleyrand's character and practices more resemble those of some regular Governments than Bonaparte's I admit; but this of itself does not appear a satisfactory explanation. However, let the letter speak for itself. The second line is supererogative in syllables, whether from the oscitancy of the transcriber, or from the trepidation which might have overpowered the modest Frenchman, on finding himself in the act of writing to so great a man, I shall not dare to determine. A few Notes are added by

Your servant,

GNOME.

P.S.—As mottoes are now fashionable, especially if taken from out of the way books, you may prefix, if you please, the following lines from Sidonius Apollinaris:

'Saxa, et robora, corneasque fibras

Mollit dulciloquâ canorus arte!'

TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.

My Lord! though your Lordship repel deviation

From forms long establish'd, yet with high consideration,

I plead for the honour to hope that no blame

Will attach, should this letter begin with my name.

I dar'd not presume on your Lordship to bounce,          5

But thought it more exquisite first to announce!

My Lord! I've the honour to be Talleyrand,

And the letter's from me! you'll not draw back your hand

Nor yet take it up by the rim in dismay,

As boys pick up ha'pence on April fool-day.          10

I'm no Jacobin foul, or red-hot Cordelier

That your Lordship's ungauntleted fingers need fear

An infection or burn! Believe me, 'tis true,

With a scorn like another I look down on the crew

That bawl and hold up to the mob's detestation          15

The most delicate wish for a silent persuasion.

A form long-establish'd these Terrorists call

Bribes, perjury, theft, and the devil and all!

And yet spite of all that the Moralist[341:1] prates,

'Tis the keystone and cement of civilized States.          20

Those American Reps![342:1] And i' faith, they were serious!

It shock'd us at Paris, like something mysterious,

That men who've a Congress—But no more of 't! I'm proud

To have stood so distinct from the Jacobin crowd.

My Lord! though the vulgar in wonder be lost at          25

My transfigurations, and name me Apostate,

Such a meaningless nickname, which never incens'd me,

Cannot prejudice you or your Cousin against me:

I'm Ex-bishop. What then? Burke himself would agree

That I left not the Church—'twas the Church that left me.          30

My titles prelatic I lov'd and retain'd,

As long as what I meant by Prelate remain'd:

And tho' Mitres no longer will pass in our mart,

I'm episcopal still to the core of my heart.

No time from my name this my motto shall sever:          35

'Twill be Non sine pulvere palma[342:2] for ever!

Your goodness, my Lord, I conceive as excessive,

Or I dar'd not present you a scroll so digressive;

And in truth with my pen thro' and thro' I should strike it;

But I hear that your Lordship's own style is just like it.          40

Dear my Lord, we are right: for what charms can be shew'd

In a thing that goes straight like an old Roman road?

The tortoise crawls straight, the hare doubles about;

And the true line of beauty still winds in and out.

It argues, my Lord! of fine thoughts such a brood in us          45

To split and divide into heads multitudinous,

While charms that surprise (it can ne'er be denied us)

Sprout forth from each head, like the ears from King Midas.

Were a genius of rank, like a commonplace dunce,

Compell'd to drive on to the main point at once,          50

What a plentiful vintage of initiations[342:3]

Would Noble Lords lose in your Lordship's orations.

My fancy transports me! As mute as a mouse,

And as fleet as a pigeon, I'm borne to the house

Where all those who are Lords, from father to son,          55

Discuss the affairs of all those who are none.

I behold you, my Lord! of your feelings quite full,

'Fore the woolsack arise, like a sack full of wool!

You rise on each Anti-Grenvillian Member,

Short, thick and blustrous, like a day in November![343:1]          60

Short in person, I mean: for the length of your speeches

Fame herself, that most famous reporter, ne'er reaches.

Lo! Patience beholds you contemn her brief reign,

And Time, that all-panting toil'd after in vain,

(Like the Beldam who raced for a smock with her grand-child)          65

Drops and cries: 'Were such lungs e'er assign'd to a man-child?'

Your strokes at her vitals pale Truth has confess'd,

And Zeal unresisted entempests your breast![343:2]

Though some noble Lords may be wishing to sup,

Your merit self-conscious, my Lord, keeps you up,          70

Unextinguish'd and swoln, as a balloon of paper

Keeps aloft by the smoke of its own farthing taper.

Ye SIXTEENS[343:3] of Scotland, your snuffs ye must trim;

Your Geminies, fix'd stars of England! grow dim,

And but for a form long-establish'd, no doubt          75

Twinkling faster and faster, ye all would go out.

Apropos, my dear Lord! a ridiculous blunder

Of some of our Journalists caused us some wonder:

It was said that in aspect malignant and sinister

In the Isle of Great Britain a great Foreign Minister          80

Turn'd as pale as a journeyman miller's frock coat is

On observing a star that appear'd in BOOTES!

When the whole truth was this (O those ignorant brutes!)

Your Lordship had made his appearance in boots.

You, my Lord, with your star, sat in boots, and the Spanish          85

Ambassador thereupon thought fit to vanish.

But perhaps, dear my Lord, among other worse crimes,

The whole was no more than a lie of The Times.

It is monstrous, my Lord! in a civilis'd state

That such Newspaper rogues should have license to prate.          90

Indeed printing in general—but for the taxes,

Is in theory false and pernicious in praxis!

You and I, and your Cousin, and Abbé Sieyes,

And all the great Statesmen that live in these days,

Are agreed that no nation secure is from vi'lence          95

Unless all who must think are maintain'd all in silence.

This printing, my Lord—but 'tis useless to mention

What we both of us think—'twas a curséd invention,

And Germany might have been honestly prouder

Had she left it alone, and found out only powder.          100

My Lord! when I think of our labours and cares

Who rule the Department of foreign affairs,

And how with their libels these journalists bore us,

Though Rage I acknowledge than Scorn less decorous;

Yet their presses and types I could shiver in splinters,          105

Those Printers' black Devils! those Devils of Printers!

In case of a peace—but perhaps it were better

To proceed to the absolute point of my letter:

For the deep wounds of France, Bonaparte, my master,

Has found out a new sort of basilicon plaister.          110

But your time, my dear Lord! is your nation's best treasure,

I've intruded already too long on your leisure;

If so, I entreat you with penitent sorrow

To pause, and resume the remainder to-morrow.

1800.

FOOTNOTES:

[340:1] First published in the Morning Post, January 10, 1800: reprinted in Essays on His Own Times, 1850, i. 233-7. First collected P. and D. W., 1877, 1880.

[341:1] This sarcasm on the writings of moralists is, in general, extremely just; but had Talleyrand continued long enough in England, he might have found an honourable exception in the second volume of Dr. Paley's Moral Philosophy; in which both Secret Influence, and all the other Established Forms, are justified and placed in their true light.

[342:1] A fashionable abbreviation in the higher circles for Republicans. Thus Mob was originally the Mobility.

[342:2] Palma non sine pulvere In plain English, an itching palm, not without the yellow dust.

[342:3] The word Initiations is borrowed from the new Constitution, and can only mean, in plain English, introductory matter. If the manuscript would bear us out, we should propose to read the line thus: 'What a plentiful Verbage, what Initiations!' inasmuch as Vintage must necessarily refer to wine, really or figuratively; and we cannot guess what species Lord Grenville's eloquence may be supposed to resemble, unless, indeed, it be Cowslip wine. A slashing critic to whom we read the manuscript, proposed to read, 'What a plenty of Flowers—what initiations!' and supposes it may allude indiscriminately to Poppy Flowers, or Flour of Brimstone. The most modest emendation, perhaps, would be this—for Vintage read Ventage.

[343:1] We cannot sufficiently admire the accuracy of this simile. For as Lord Grenville, though short, is certainly not the shortest man in the House, even so is it with the days in November.

[343:2] An evident plagiarism of the Ex-Bishop's from Dr. Johnson:—

'Existence saw him spurn her bounded reign,

And panting Time toil'd after him in vain:

His pow'rful strokes presiding Truth confess'd,

And unresisting Passion storm'd the breast.'

[343:3] This line and the following are involved in an almost Lycophrontic tenebricosity. On repeating them, however, to an Illuminant, whose confidence I possess, he informed me (and he ought to know, for he is a Tallow-chandler by trade) that certain candles go by the name of sixteens. This explains the whole, the Scotch Peers are destined to burn out—and so are candles! The English are perpetual, and are therefore styled Fixed Stars! The word Geminies is, we confess, still obscure to us; though we venture to suggest that it may perhaps be a metaphor (daringly sublime) for the two eyes which noble Lords do in general possess. It is certainly used by the poet Fletcher in this sense, in the 31st stanza of his Purple Island:—

'What! shall I then need seek a patron out,

Or beg a favour from a mistress' eyes,

To fence my song against the vulgar rout,

And shine upon me with her geminies?'

LINENOTES:

[14]

With a scorn, like your own Essay, &c., 1850.

APOLOGIA PRO VITA SUA[345:1]

The poet in his lone yet genial hour

Gives to his eyes a magnifying power:

Or rather he emancipates his eyes

From the black shapeless accidents of size—

In unctuous cones of kindling coal,          5

Or smoke upwreathing from the pipe's trim hole,

His gifted ken can see

Phantoms of sublimity.

1800.

FOOTNOTES:

[345:1] Included in the text of The Historie and Gests of Maxilian: first published in Blackwood's Edinburgh Magazine, January, 1822, vol. xi, p. 12. The lines were taken from a MS. note-book, dated August 28, 1800. First collected P. and D. W., 1877-80.

LINENOTES:

Title] The Poet's ken P. W., 1885: Apologia, &c. 1907.

[1-4]

The poet's eye in his tipsy hour

Hath a magnifying power

Or rather emancipates his eyes

Of the accidents of size

MS.

[5]

cones] cone MS.

[6]

Or smoke from his pipe's bole MS.

[7]

His eye can see MS.

THE KEEPSAKE[345:2]

The tedded hay, the first fruits of the soil,

The tedded hay and corn-sheaves in one field,

Show summer gone, ere come. The foxglove tall

Sheds its loose purple bells, or in the gust,

Or when it bends beneath the up-springing lark,          5

Or mountain-finch alighting. And the rose

(In vain the darling of successful love)

Stands, like some boasted beauty of past years,

The thorns remaining, and the flowers all gone.

Nor can I find, amid my lonely walk          10

By rivulet, or spring, or wet roadside,

That blue and bright-eyed floweret of the brook,

Hope's gentle gem, the sweet Forget-me-not![346:1]

So will not fade the flowers which Emmeline

With delicate fingers on the snow-white silk          15

Has worked (the flowers which most she knew I loved),

And, more beloved than they, her auburn hair.

In the cool morning twilight, early waked

By her full bosom's joyous restlessness,

Softly she rose, and lightly stole along,          20

Down the slope coppice to the woodbine bower,

Whose rich flowers, swinging in the morning breeze,

Over their dim fast-moving shadows hung,

Making a quiet image of disquiet

In the smooth, scarcely moving river-pool.          25

There, in that bower where first she owned her love,

And let me kiss my own warm tear of joy

From off her glowing cheek, she sate and stretched

The silk upon the frame, and worked her name

Between the Moss-Rose and Forget-me-not—          30

Her own dear name, with her own auburn hair!

That forced to wander till sweet spring return,

I yet might ne'er forget her smile, her look,

Her voice, (that even in her mirthful mood

Has made me wish to steal away and weep,)          35

Nor yet the enhancement of that maiden kiss

With which she promised, that when spring returned,

She would resign one half of that dear name,

And own thenceforth no other name but mine!

? 1800.

FOOTNOTES:

[345:2] First published in the Morning Post, September 17, 1802 (signed, ΕΣΤΗΣΕ): included in Sibylline Leaves, 1817, 1828, 1829, 1834. 'It had been composed two years before' (1802), Note, 1893, p. 624. Mr. Campbell may have seen a dated MS. Internal evidence would point to the autumn of 1802, when it was published in the Morning Post.

[346:1] One of the names (and meriting to be the only one) of the Myosotis Scorpioides Palustris, a flower from six to twelve inches high, with blue blossom and bright yellow eye. It has the same name over the whole Empire of Germany (Vergissmeinnicht) and, we believe, in Denmark and Sweden.

LINENOTES:

[1]

om. M. P.

[2]

one] one M. P.

[12]

Line 13 precedes line 12 M. P.

[17]

they] all M. P.

[19]

joyous] joyless S. L. 1828.

[19-21]

joyous restlessness,

Leaving the soft bed to her sister,

Softly she rose, and lightly stole along,

Her fair face flushing in the purple dawn,

Adown the meadow to the woodbine bower

M. P.

Between 19-20 Leaving the soft bed to her sleeping sister S. L. 1817.

[25]

scarcely moving] scarcely-flowing M. P.

[39]

thenceforth] henceforth M. P.

A THOUGHT SUGGESTED BY A VIEW[347:1]

OF SADDLEBACK IN CUMBERLAND

On stern Blencartha's perilous height

The winds are tyrannous and strong;

And flashing forth unsteady light

From stern Blencartha's skiey height,

As loud the torrents throng!          5

Beneath the moon, in gentle weather,

They bind the earth and sky together.

But oh! the sky and all its forms, how quiet!

The things that seek the earth, how full of noise and riot!

1800.

FOOTNOTES:

[347:1] First published in the Amulet, 1833, reprinted in Friendship's Offering, 1834: included in Essays on His Own Times, 1850, iii. 997. First collected in P. and D. W., 1877-80. These lines are inserted in one of the Malta Notebooks, and appear from the context to have been written at Olevano in 1806; but it is almost certain that they belong to the autumn of 1800 when Coleridge made a first acquaintance of 'Blencathara's rugged coves'. The first line is an adaptation of a line in a poem of Isaac Ritson, quoted in Hutchinson's History of Cumberland, a work which supplied him with some of the place-names in the Second Part of Christabel. Compare, too, a sentence in a letter to Sir H. Davy of Oct. 18, 1800:—'At the bottom of the Carrock Man . . . the wind became so fearful and tyrannous, etc.'

LINENOTES:

Title] A Versified Reflection F. O. 1834. In F. O. 1834, the lines were prefaced by a note:—[A Force is the provincial term in Cumberland for any narrow fall of water from the summit of a mountain precipice. The following stanza (it may not arrogate the name of poem) or versified reflection was composed while the author was gazing on three parallel Forces on a moonlight night, at the foot of the Saddleback Fell. S. T. C.] A —— by the view of Saddleback, near Threlkeld in Cumberland, Essays, &c.

[1]

Blencartha's] Blenkarthur's MS.: Blencarthur's F. O.: Blenharthur's Essays, &c., 1850.

[2]

The wind is F. O.

[4]

Blencartha's] Blenkarthur's MS.: Blencarthur's F. O.: Blenharthur's Essays, &c., 1850.

[8]

oh!] ah! Essays, &c.

THE MAD MONK[347:2]

I heard a voice from Etna's side;

Where o'er a cavern's mouth

That fronted to the south

A chesnut spread its umbrage wide:

A hermit or a monk the man might be;          5

But him I could not see:

And thus the music flow'd along,

In melody most like to old Sicilian song:

'There was a time when earth, and sea, and skies,

The bright green vale, and forest's dark recess,          10

With all things, lay before mine eyes

In steady loveliness:

But now I feel, on earth's uneasy scene,

Such sorrows as will never cease;—

I only ask for peace;          15

If I must live to know that such a time has been!'

A silence then ensued:

Till from the cavern came

A voice;—it was the same!

And thus, in mournful tone, its dreary plaint renew'd:          20

'Last night, as o'er the sloping turf I trod,

The smooth green turf, to me a vision gave

Beneath mine eyes, the sod—

The roof of Rosa's grave!

My heart has need with dreams like these to strive,          25

For, when I woke, beneath mine eyes I found

The plot of mossy ground,

On which we oft have sat when Rosa was alive.—

Why must the rock, and margin of the flood,

Why must the hills so many flow'rets bear,          30

Whose colours to a murder'd maiden's blood,

Such sad resemblance wear?—

'I struck the wound,—this hand of mine!

For Oh, thou maid divine,

I lov'd to agony!          35

The youth whom thou call'd'st thine

Did never love like me!

'Is it the stormy clouds above

That flash'd so red a gleam?

On yonder downward trickling stream?—          40

'Tis not the blood of her I love.—

The sun torments me from his western bed,

Oh, let him cease for ever to diffuse

Those crimson spectre hues!

Oh, let me lie in peace, and be for ever dead!'          45

Here ceas'd the voice. In deep dismay,

Down thro' the forest I pursu'd my way.

1800.

FOOTNOTES:

[347:2] First published in the Morning Post, October 13, 1800 (signed Cassiani junior): reprinted in Wild Wreath (By M. E. Robinson), 1804, pp. 141-4. First collected in P. W., 1880 (ii, Supplement, p. 362).

LINENOTES:

Title] The Voice from the Side of Etna; or the Mad Monk: An Ode in Mrs. Ratcliff's Manner M. P.

[8]

to] an M. P.

[14]

sorrows] motions M. P.

[16]

Then wherefore must I know M. P.

[23]

I saw the sod M. P.

[26]

woke] wak'd M. P.

[27]

The] That M. P.

[28]

On which so oft we sat M. P.

[31]

a wounded woman's blood M. P.

[38-9]

It is the stormy clouds above

That flash

M. P.

After 47

The twilight fays came forth in dewy shoon

Ere I within the Cabin had withdrawn

The goatherd's tent upon the open lawn—

That night there was no moon.

M. P.

INSCRIPTION FOR A SEAT BY THE ROAD SIDE

HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]

Thou who in youthful vigour rich, and light

With youthful thoughts dost need no rest! O thou,

To whom alike the valley and the hill

Present a path of ease! Should e'er thine eye

Glance on this sod, and this rude tablet, stop!          5

'Tis a rude spot, yet here, with thankful hearts,

The foot-worn soldier and his family

Have rested, wife and babe, and boy, perchance

Some eight years old or less, and scantly fed,

Garbed like his father, and already bound          10

To his poor father's trade. Or think of him

Who, laden with his implements of toil,

Returns at night to some far distant home,

And having plodded on through rain and mire

With limbs o'erlaboured, weak from feverish heat,          15

And chafed and fretted by December blasts,

Here pauses, thankful he hath reached so far,

And 'mid the sheltering warmth of these bleak trees

Finds restoration—or reflect on those

Who in the spring to meet the warmer sun          20

Crawl up this steep hill-side, that needlessly

Bends double their weak frames, already bowed

By age or malady, and when, at last,

They gain this wished-for turf, this seat of sods,

Repose—and, well-admonished, ponder here          25

On final rest. And if a serious thought

Should come uncalled—how soon thy motions high,

Thy balmy spirits and thy fervid blood

Must change to feeble, withered, cold and dry,

Cherish the wholesome sadness! And where'er          30

The tide of Life impel thee, O be prompt

To make thy present strength the staff of all,

Their staff and resting-place—so shalt thou give

To Youth the sweetest joy that Youth can know;

And for thy future self thou shalt provide          35

Through every change of various life, a seat,

Not built by hands, on which thy inner part,

Imperishable, many a grievous hour,

Or bleak or sultry may repose—yea, sleep

The sleep of Death, and dream of blissful worlds,          40

Then wake in Heaven, and find the dream all true.

1800.

FOOTNOTES:

[349:1] First published in the Morning Post, October 21, 1800 (Coleridge's birthday) under the signature VENTIFRONS: reprinted in the Lake Herald, November 2, 1906. Now first included in Coleridge's Poetical Works. Venti Frons is dog-Latin for Windy Brow, a point of view immediately above the River Greta, on the lower slope of Latrigg. Here it was that on Wednesday, August 13, 1800, Wordsworth, his sister Dorothy, and Coleridge 'made the Windy Brow seat'—a 'seat of sods'. In a letter to his printers, Biggs and Cottle, of October 10, 1800, Wordsworth says that 'a friend [the author of the Ancient Mariner, &c.] has also furnished me with a few of these Poems in the second volume [of the Lyrical Ballads] which are classed under the title of "Poems on the Naming of Places"' (Wordsworth and Coleridge MSS., Ed. W. Hale White, 1897, pp. 27, 28). No such poems or poem appeared, and it has been taken for granted that none were ever written. At any rate one 'Inscription', now at last forthcoming, was something more than a 'story from the land of dreams'!

A STRANGER MINSTREL[350:1]

WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH

As late on Skiddaw's mount I lay supine,

Midway th' ascent, in that repose divine

When the soul centred in the heart's recess

Hath quaff'd its fill of Nature's loveliness,

Yet still beside the fountain's marge will stay          5

And fain would thirst again, again to quaff;

Then when the tear, slow travelling on its way,

Fills up the wrinkles of a silent laugh—

In that sweet mood of sad and humorous thought

A form within me rose, within me wrought          10

With such strong magic, that I cried aloud,

'Thou ancient Skiddaw by thy helm of cloud,

And by thy many-colour'd chasms deep,

And by their shadows that for ever sleep,

By yon small flaky mists that love to creep          15

Along the edges of those spots of light,

Those sunny islands on thy smooth green height,

And by yon shepherds with their sheep,

And dogs and boys, a gladsome crowd,

That rush e'en now with clamour loud          20

Sudden from forth thy topmost cloud,

And by this laugh, and by this tear,

I would, old Skiddaw, she were here!

A lady of sweet song is she,

Her soft blue eye was made for thee!          25

O ancient Skiddaw, by this tear,

I would, I would that she were here!'

Then ancient Skiddaw, stern and proud,

In sullen majesty replying,

Thus spake from out his helm of cloud          30

(His voice was like an echo dying!):—

'She dwells belike in scenes more fair,

And scorns a mount so bleak and bare.'

I only sigh'd when this I heard,

Such mournful thoughts within me stirr'd          35

That all my heart was faint and weak,

So sorely was I troubled!

No laughter wrinkled on my cheek,

But O the tears were doubled!

But ancient Skiddaw green and high          40

Heard and understood my sigh;

And now, in tones less stern and rude,

As if he wish'd to end the feud,

Spake he, the proud response renewing

(His voice was like a monarch wooing):—          45

'Nay, but thou dost not know her might,

The pinions of her soul how strong!

But many a stranger in my height

Hath sung to me her magic song,

Sending forth his ecstasy          50

In her divinest melody,

And hence I know her soul is free,

She is where'er she wills to be,

Unfetter'd by mortality!

Now to the "haunted beach" can fly,[352:1]          55

Beside the threshold scourged with waves,

Now where the maniac wildly raves,

"Pale moon, thou spectre of the sky!"[352:2]

No wind that hurries o'er my height

Can travel with so swift a flight.          60

I too, methinks, might merit

The presence of her spirit!

To me too might belong

The honour of her song and witching melody,

Which most resembles me,          65

Soft, various, and sublime,

Exempt from wrongs of Time!'

Thus spake the mighty Mount, and I

Made answer, with a deep-drawn sigh:—

Thou ancient Skiddaw, by this tear,          70

I would, I would that she were here!'

November, 1800.

FOOTNOTES:

[350:1] First published in Memoirs of the late Mrs. Robinson, Written by herself. With some Posthumous Pieces, 1801, iv. 141: reprinted in Poetical Works of the late Mrs. Mary Robinson, 1806, i. xlviii, li. First collected in P. W., 1877-80.

[352:1] 'The Haunted Beach,' by Mrs. Robinson, was included in the Annual Anthology for 1800.

[352:2] From 'Jasper', a ballad by Mrs. Robinson, included in the Annual Anthology for 1800.

LINENOTES:

[1]

Skiddaw's] Skiddaw 1801.

[8]

wrinkles] wrinkle 1801.

[13]

chasms so deep 1801.

[17]

sunny] sunshine 1801.

[32]

in] by 1801.

[38]

on] now 1801.

[57]

Now to the maniac while he raves 1801.

ALCAEUS TO SAPPHO[353:1]

How sweet, when crimson colours dart

Across a breast of snow,

To see that you are in the heart

That beats and throbs below.

All Heaven is in a maiden's blush,          5

In which the soul doth speak,

That it was you who sent the flush

Into the maiden's cheek.

Large steadfast eyes! eyes gently rolled

In shades of changing blue,          10

How sweet are they, if they behold

No dearer sight than you.

And, can a lip more richly glow,

Or be more fair than this?

The world will surely answer, No!          15

I, SAPPHO, answer, Yes!

Then grant one smile, tho' it should mean

A thing of doubtful birth;

That I may say these eyes have seen

The fairest face on earth!          20

1800.

FOOTNOTES:

[353:1] First published in the Morning Post, November 24, 1800: reprinted in Letters from the Lake Poets, 1889, p. 16. It is probable that these lines, sent in a letter to Daniel Stuart (Editor of the Morning Post), dated October 7, 1800, were addressed to Mrs. Robinson, who was a frequent contributor of verses signed 'Sappho'. A sequence of Sonnets entitled 'Sappho to Phaon' is included in the collected edition of her Poems, 1806, iii. 63-107.

THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]

The Devil believes that the Lord will come,

Stealing a march without beat of drum,

About the same time that he came last,

On an Old Christmas-day in a snowy blast:

Till he bids the trump sound neither body nor soul stirs,          5

For the dead men's heads have slipt under their bolsters.

Oh! ho! brother Bard, in our churchyard,

Both beds and bolsters are soft and green;

Save one alone, and that's of stone,

And under it lies a Counsellor keen.          10

'Twould be a square tomb, if it were not too long;

And 'tis fenced round with irons sharp, spear-like, and strong.

This fellow from Aberdeen hither did skip

With a waxy face and a blubber lip,

And a black tooth in front, to show in part          15

What was the colour of his whole heart.

This Counsellor sweet,

This Scotchman complete,

(The Devil scotch him for a snake!)

I trust he lies in his grave awake.          20

On the sixth of January,

When all around is white with snow,

As a Cheshire yeoman's dairy,

Brother Bard, ho! ho! believe it, or no,

On that stone tomb to you I'll show          25

Two round spaces void of snow.

I swear by our Knight, and his forefathers' souls,

That in size and shape they are just like the holes

In the house of privity

Of that ancient family.          30

On those two places void of snow,

There have sat in the night for an hour or so,

Before sunrise, and after cock-crow,

He kicking his heels, she cursing her corns,

All to the tune of the wind in their horns,          35

The Devil and his Grannam,

With a snow-blast to fan 'em;

Expecting and hoping the trumpet to blow,

For they are cock-sure of the fellow below!

1800.

FOOTNOTES:

[353:2] First published in the Morning Post, December 4, 1800: reprinted in Fraser's Magazine both in February and in May, 1833, and in Payne Collier's Old Man's Diary, i. 35. First collected in P. W., 1834, with the following Prefatory Note:—'See the apology for the "Fire, Famine, and Slaughter", in first volume. This is the first time the author ever published these lines. He would have been glad, had they perished; but they have now been printed repeatedly in magazines, and he is told that the verses will not perish. Here, therefore, they are owned, with a hope that they will be taken—as assuredly they were composed—in mere sport.' These lines, which were directed against Sir James Mackintosh, were included in a letter to [Sir] Humphry Davy, dated October 9, 1800. There is a MS. version in the British Museum in the handwriting of R. Heber, presented by him to J. Mitford. Mr. Campbell questions the accuracy of Coleridge's statement with regard to his never having published the poem on his own account. But it is possible that Davy may have sent the lines to the Press without Coleridge's authority. Daniel Stuart, the Editor of the Morning Post, in the Gentleman's Magazine for May, 1838, says that 'Coleridge sent one [poem] attacking Mackintosh, too obviously for me not to understand it, and of course it was not published. Mackintosh had had one of his front teeth broken and the stump was black'. Stuart remembered that the lines attacking his brother-in-law had been suppressed, but forgot that he had inserted the rest of the poem. The poem as printed in 1893, despite the heading, does not follow the text of the Morning Post.

LINENOTES:

Title] Skeltoniad (To be read in the Recitative Lilt) MS. Letter: The Two Round Spaces; A Skeltoniad M. P.

[1]

The Devil believes the Fraser (1).

[3]

time] hour MS. Letter, M. P., Fraser (1), Collier. At the same hour MS. H.

[4]

an Old] a cold Fraser (1): On Old MS. H.

[5]

neither] nor MS. Letter, M. P.: Till he bids the trump blow nor Fraser (2): Till the trump then shall sound no Collier: Until that time not a body or MS. H.

[6]

their] the Collier.

[7]

Oh! ho!] Ho! Ho! M. P., MS. H.: Oho Fraser (1). Brother Collier. our] our MS. Letter.

[8]

Both bed and bolster Fraser (2). The graves and bolsters MS. H.

[9]

Except one alone MS. H.

[10]

under] in Fraser (2).

[11]

This tomb would be square M. P.: 'Twould be a square stone if it were not so long Fraser (1). It would be square MS. H. tomb] grave Collier.

[12]

And 'tis railed round with iron tall M. P.: And 'tis edg'd round with iron Fraser (1): 'Tis fenc'd round with irons tall Fraser (2): And 'tis fenc'd round with iron tall Collier. 'tis] its MS. H.

[13-20]

om. M. P.

[13]

From Aberdeen hither this fellow MS. Letter. hither] here Fraser (2).

[14]

blubber] blabber MS. Letter, Fraser (1), (2), MS. H.

[15]

in front] before MS. H.

[17]

Counsellor] lawyer so MS. H.

[19]

The Devil] Apollyon MS. Letter. scotch] scotch Collier.

[20]

trust] hope Collier.] (A humane wish) Note in MS. Letter.

[21]

sixth] seventh M. P., Collier: fifth MS. H.

[22]

When all is white both high and low MS. Letter, M. P., Fraser (2), Collier, MS. H.: When the ground All around Is as white as snow Fraser (1).

[23]

As] Or Fraser (1): Like MS. H.

[24]

ho! ho!] oho! Fraser (1). it] me M. P.

[25]

stone] tall MS. Letter, M. P., Fraser (2), Collier. On the stone to you MS. H.

[25-6]

om. Fraser (1).

Between 25-6 After sunset and before cockcrow M. P. Before sunrise and after cockcrow Fraser (2).

[26]

void] clear M. P.

[27]

I swear by the might Of the darkness of night, I swear by the sleep of our forefathers' souls Fraser (1). souls] soul MS. H.

[26-8]

om. Fraser (2).

[28]

Both in shape and size MS. Letter: Both in shape and in size M. P.: That in shape and size they resembled Fraser (1), Collier: That in shape and size they are just like the Hole MS. H.

[29]

In the large house M. P.

[29-30]

In mansions not seen by the general eye

Of that right ancient family.

Fraser (1).

[31]

two] round MS. Letter. places] spaces Collier, MS. H. void] clear M. P.

[32]

Have sat Fraser (1), (2): There have sat for an hour MS. H.

[33]

om. MS. Letter, M. P.

[36]

Devil] De'il M. P.

[37]

With the snow-drift M. P.: With a snow-blast to fan MS. Letter.

[38]

Expecting and wishing the trumpet would blow Collier.

THE SNOW-DROP[356:1]

1

Fear no more, thou timid Flower!

Fear thou no more the winter's might,

The whelming thaw, the ponderous shower,

The silence of the freezing night!

Since Laura murmur'd o'er thy leaves          5

The potent sorceries of song,

To thee, meek Flowret! gentler gales

And cloudless skies belong.

2

Her eye with tearful meanings fraught,

She gaz'd till all the body mov'd          10

Interpreting the Spirit's thought—

The Spirit's eager sympathy

Now trembled with thy trembling stem,

And while thou droopedst o'er thy bed,

With sweet unconscious sympathy          15

Inclin'd the drooping head.[357:1]

3

She droop'd her head, she stretch'd her arm,

She whisper'd low her witching rhymes,

Fame unreluctant heard the charm,

And bore thee to Pierian climes!          20

Fear thou no more the Matin Frost

That sparkled on thy bed of snow;

For there, mid laurels ever green,

Immortal thou shalt blow.

4

Thy petals boast a white more soft,          25

The spell hath so perfuméd thee,

That careless Love shall deem thee oft

A blossom from his Myrtle tree.

Then, laughing at the fair deceit,

Shall race with some Etesian wind          30

To seek the woven arboret

Where Laura lies reclin'd.

5

All them whom Love and Fancy grace,

When grosser eyes are clos'd in sleep,

The gentle spirits of the place          35

Waft up the insuperable steep,

On whose vast summit broad and smooth

Her nest the Phœnix Bird conceals,

And where by cypresses o'erhung

The heavenly Lethe steals.          40

6

A sea-like sound the branches breathe,

Stirr'd by the Breeze that loiters there;

And all that stretch their limbs beneath,

Forget the coil of mortal care.

Strange mists along the margins rise,          45

To heal the guests who thither come,

And fit the soul to re-endure

Its earthly martyrdom.

7*

The margin dear to moonlight elves

Where Zephyr-trembling Lilies grow,          50

And bend to kiss their softer selves

That tremble in the stream below:—

There nightly borne does Laura lie

A magic Slumber heaves her breast:

Her arm, white wanderer of the Harp,          55

Beneath her cheek is prest.

8*

The Harp uphung by golden chains

Of that low wind which whispers round,

With coy reproachfulness complains,

In snatches of reluctant sound:          60

The music hovers half-perceiv'd,

And only moulds the slumberer's dreams;

Remember'd LOVES relume her cheek

With Youth's returning gleams.

1800.

FOOTNOTES:

[356:1] First published in P. W., 1893. The two last stanzas[*] were omitted as 'too imperfect to print'. The MS. bears the following heading: LINES WRITTEN IMMEDIATELY AFTER THE PERUSAL OF MRS. ROBINSON'S SNOW DROP.

To the Editor of the Morning Post.

Sir,

I am one of your many readers who have been highly gratified by some extracts from Mrs. Robinson's 'Walsingham': you will oblige me by inserting the following lines [sic] immediately on the perusal of her beautiful poem 'The Snow Drop'.—ZAGRI.

The 'Lines' were never sent or never appeared in the Morning Post.

To the Snow Drop.

1

Fear thou no more the wintry storm,

Sweet Flowret, blest by LAURA'S song:

She gaz'd upon thy slender form,

The mild Enchantress gaz'd so long;

That trembling as she saw thee droop,

Poor Trembler! o'er thy snowy bed,

With imitation's sympathy

She too inclin'd her head.

2

She droop'd her head, she stretch'd her arm,

She whisper'd low her witching rhymes:

A gentle Sylphid heard the charm,

And bore thee to Pierian climes!

Fear thou no more the sparkling Frost,

The Tempest's Howl, the Fog-damp's gloom:

For thus mid laurels evergreen

Immortal thou shalt bloom!

3 [Stanza 2]

With eager feelings unreprov'd

With steady eye and brooding thought

Her eye with tearful meanings fraught,

My Fancy saw her gaze at thee

She gaz'd till all the body mov'd

Till all the moving body caught,

Interpreting, the Spirit's sympathy—

The Spirit's eager sympathy

Now trembled with thy trembling stem,

And while thou drooped'st o'er thy bed,

With sweet unconscious sympathy

Inclin'd

her portraiture

the drooping head.

First draft of Stanzas 1-3. MS. S. T. C.

[357:1] The second stanza of Mrs. Robinson's ('Perdita') 'Ode to the Snow-drop' runs thus:

All weak and wan, with head inclin'd,

Its parent-breast the drifted snow,

It trembles, while the ruthless wind

Bends its slim form; the tempest lowers,

Its em'rald eye drops crystal show'rs

On its cold bed below.

The Poetical Works of the late Mrs. Mary Robinson, 1806, i. 123.

LINENOTES:

[36]

insuperable] unvoyageable MS. erased.

[53-4]

Along that marge does Laura lie

Full oft where Slumber heaves her breast

MS. erased.

[64]

With Beauty's morning gleams

MS. erased.

ON REVISITING THE SEA-SHORE[359:1]

AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION

NOT TO BATHE

God be with thee, gladsome Ocean!

How gladly greet I thee once more!

Ships and waves, and ceaseless motion,

And men rejoicing on thy shore.

Dissuading spake the mild Physician,          5

'Those briny waves for thee are Death!'

But my soul fulfilled her mission,

And lo! I breathe untroubled breath!

Fashion's pining sons and daughters,

That seek the crowd they seem to fly,          10

Trembling they approach thy waters;

And what cares Nature, if they die?

Me a thousand hopes and pleasures

A thousand recollections bland,

Thoughts sublime, and stately measures,          15

Revisit on thy echoing strand:

Dreams (the Soul herself forsaking),

Tearful raptures, boyish mirth;

Silent adorations, making

A blessed shadow of this Earth!          20

O ye hopes, that stir within me,

Health comes with you from above!

God is with me, God is in me!

I cannot die, if Life be Love.

August, 1801.

FOOTNOTES:

[359:1] First published in the Morning Post (signed Εστησε), September 15, 1801: included in the Sibylline Leaves, 1817, 1828, 1829, and 1834. The lines were sent in an unpublished letter to Southey dated August 15, 1801. An autograph MS. is in the possession of Miss Arnold of Foxhow.

LINENOTES:

Title] A flowering weed on the sweet Hill of Poesy MS. Letter, 1801: Ode After Bathing in the Sea, Contrary to Medical Advice M. P. After bathing in the Sea at Scarborough in company with T. Hutchinson. Aug. 1801 MS. A.

[3]

ceaseless] endless MS. Letter, M. P., MS. A.

[4]

men] life MS. Letter, M. P., MS. A.

[5]

Gravely said the

mild MS. A.

sage Physician MS. Letter:

Mildly said the mild Physician M. P.

[6]

To bathe me on thy shores were death MS. Letter, M. P., MS. A.

[10]

That love the city's gilded sty MS. Letter, M. P., MS. A.

[13]

hopes] loves MS. Letter, MS. A.

[16]

echoing] sounding MS. Letter, M. P., MS. A.

[18]

Grief-like transports MS. Letter, M. P., MS. A.

ODE TO TRANQUILLITY[360:1]

Tranquillity! thou better name

Than all the family of Fame!

Thou ne'er wilt leave my riper age

To low intrigue, or factious rage;

For oh! dear child of thoughtful Truth,          5

To thee I gave my early youth,

And left the bark, and blest the steadfast shore,

Ere yet the tempest rose and scared me with its roar.

Who late and lingering seeks thy shrine,

On him but seldom, Power divine,          10

Thy spirit rests! Satiety

And Sloth, poor counterfeits of thee,

Mock the tired worldling. Idle Hope

And dire Remembrance interlope,

To vex the feverish slumbers of the mind:          15

The bubble floats before, the spectre stalks behind.

But me thy gentle hand will lead

At morning through the accustomed mead;

And in the sultry summer's heat

Will build me up a mossy seat;          20

And when the gust of Autumn crowds,

And breaks the busy moonlight clouds,

Thou best the thought canst raise, the heart attune,

Light as the busy clouds, calm as the gliding moon.

The feeling heart, the searching soul,          25

To thee I dedicate the whole!

And while within myself I trace

The greatness of some future race,

Aloof with hermit-eye I scan

The present works of present man—          30

A wild and dream-like trade of blood and guile,

Too foolish for a tear, too wicked for a smile!

1801.

FOOTNOTES:

[360:1] First published in the Morning Post (with two additional stanzas at the commencement of the poem), December 4, 1801: reprinted in The Friend (without heading or title), No. 1, Thursday, June 1, 1809: included in Sibylline Leaves, 1817, 1828, 1829, and 1834. The stanzas were not indented in the Morning Post or The Friend.

LINENOTES:

Title] Vix ea nostra voco M. P.

Before 1

What Statesmen scheme and Soldiers work,

Whether the Pontiff or the Turk,

Will e'er renew th' expiring lease

Of Empire; whether War or Peace

Will best play off the CONSUL'S game;

What fancy-figures, and what name

Half-thinking, sensual France, a natural Slave,

On those ne'er-broken Chains, her self-forg'd Chains, will grave;

Disturb not me! Some tears I shed

When bow'd the Swiss his noble head;

Since then, with quiet heart have view'd

Both distant Fights and Treaties crude,

Whose heap'd up terms, which Fear compels,

(Live Discord's green Combustibles,

And future Fuel of the funeral Pyre)

Now hide, and soon, alas! will feed the low-burnt Fire.

M. P.

[8]

tempest] storm-wind M. P.

[15]

To] And The Friend, 1809. slumbers] slumber M. P., The Friend.

[17]

thy gentle hand] the power Divine M. P.

[21]

Autumn] Summer M. P.

[23]

The best the thoughts will lift M. P.

[26]

thee] her M. P.

[28]

some] a M. P.

[29]

hermit] hermit's M. P.

TO ASRA[361:1]

Are there two things, of all which men possess,

That are so like each other and so near,

As mutual Love seems like to Happiness?

Dear Asra, woman beyond utterance dear!

This Love which ever welling at my heart,          5

Now in its living fount doth heave and fall,

Now overflowing pours thro' every part

Of all my frame, and fills and changes all,

Like vernal waters springing up through snow,

This Love that seeming great beyond the power          10

Of growth, yet seemeth ever more to grow,

Could I transmute the whole to one rich Dower

Of Happy Life, and give it all to Thee,

Thy lot, methinks, were Heaven, thy age, Eternity!

1801.

FOOTNOTES:

[361:1] First published in 1893. The Sonnet to 'Asra' was prefixed to the MS. of Christabel which Coleridge presented to Miss Sarah Hutchinson in 1804.

THE SECOND BIRTH[362:1]

There are two births, the one when Light

First strikes the new-awaken'd sense—

The other when two souls unite,

And we must count our life from then.

When you lov'd me, and I lov'd you,          5

Then both of us were born anew.

? 1801.

FOOTNOTES:

[362:1] First published from a MS. in 1893.

LOVE'S SANCTUARY[362:2]

This yearning heart (Love! witness what I say)

Enshrines thy form as purely as it may,

Round which, as to some spirit uttering bliss,

My thoughts all stand ministrant night and day

Like saintly Priests, that dare not think amiss.

? 1801.

FOOTNOTES:

[362:2] First published from a MS. in 1893.

DEJECTION: AN ODE[362:3]

[WRITTEN APRIL 4, 1802]

Late, late yestreen I saw the new Moon,

With the old Moon in her arms;

And I fear, I fear, my Master dear!

We shall have a deadly storm.

Ballad of Sir Patrick Spence.

I

Well! If the Bard was weather-wise, who made

The grand old ballad of Sir Patrick Spence,

This night, so tranquil now, will not go hence

Unroused by winds, that ply a busier trade

Than those which mould yon cloud in lazy flakes,          5

Or the dull sobbing draft, that moans and rakes

Upon the strings of this Æolian lute,

Which better far were mute.

For lo! the New-moon winter-bright!

And overspread with phantom light,          10

(With swimming phantom light o'erspread

But rimmed and circled by a silver thread)

I see the old Moon in her lap, foretelling

The coming-on of rain and squally blast.

And oh! that even now the gust were swelling,          15

And the slant night-shower driving loud and fast!

Those sounds which oft have raised me, whilst they awed,

And sent my soul abroad,

Might now perhaps their wonted impulse give,

Might startle this dull pain, and make it move and live!          20

II

A grief without a pang, void, dark, and drear,

A stifled, drowsy, unimpassioned grief,

Which finds no natural outlet, no relief,

In word, or sigh, or tear—

O Lady! in this wan and heartless mood,          25

To other thoughts by yonder throstle woo'd,

All this long eve, so balmy and serene,

Have I been gazing on the western sky,

And its peculiar tint of yellow green:

And still I gaze—and with how blank an eye!          30

And those thin clouds above, in flakes and bars,

That give away their motion to the stars;

Those stars, that glide behind them or between,

Now sparkling, now bedimmed, but always seen:

Yon crescent Moon, as fixed as if it grew          35

In its own cloudless, starless lake of blue;

I see them all so excellently fair,

I see, not feel, how beautiful they are!

III

My genial spirits fail;

And what can these avail          40

To lift the smothering weight from off my breast?

It were a vain endeavour,

Though I should gaze for ever

On that green light that lingers in the west:

I may not hope from outward forms to win          45

The passion and the Life, whose fountains are within.

IV

O Lady! we receive but what we give,

And in our life alone does Nature live:

Ours is her wedding garment, ours her shroud!

And would we aught behold, of higher worth,          50

Than that inanimate cold world allowed

To the poor loveless ever-anxious crowd,

Ah! from the soul itself must issue forth

A light, a glory, a fair luminous cloud

Enveloping the Earth—          55

And from the soul itself must there be sent

A sweet and potent voice, of its own birth,

Of all sweet sounds the life and element!

V

O pure of heart! thou need'st not ask of me

What this strong music in the soul may be!          60

What, and wherein it doth exist,

This light, this glory, this fair luminous mist,

This beautiful and beauty-making power.

Joy, virtuous Lady! Joy that ne'er was given,

Save to the pure, and in their purest hour,          65

Life, and Life's effluence, cloud at once and shower,

Joy, Lady! is the spirit and the power,

Which wedding Nature to us gives in dower

A new Earth and new Heaven,

Undreamt of by the sensual and the proud—          70

Joy is the sweet voice, Joy the luminous cloud—

We in ourselves rejoice!

And thence flows all that charms or ear or sight,

All melodies the echoes of that voice,

All colours a suffusion from that light.          75

VI

There was a time when, though my path was rough,

This joy within me dallied with distress,

And all misfortunes were but as the stuff

Whence Fancy made me dreams of happiness:

For hope grew round me, like the twining vine,          80

And fruits, and foliage, not my own, seemed mine.

But now afflictions bow me down to earth:

Nor care I that they rob me of my mirth;

But oh! each visitation

Suspends what nature gave me at my birth,          85

My shaping spirit of Imagination.

For not to think of what I needs must feel,

But to be still and patient, all I can;

And haply by abstruse research to steal

From my own nature all the natural man—          90

This was my sole resource, my only plan:

Till that which suits a part infects the whole,

And now is almost grown the habit of my soul.

VII

Hence, viper thoughts, that coil around my mind,

Reality's dark dream!          95

I turn from you, and listen to the wind,

Which long has raved unnoticed. What a scream

Of agony by torture lengthened out

That lute sent forth! Thou Wind, that rav'st without,

Bare crag, or mountain-tairn,[367:1] or blasted tree,          100

Or pine-grove whither woodman never clomb,

Or lonely house, long held the witches' home,

Methinks were fitter instruments for thee,

Mad Lutanist! who in this month of showers,

Of dark-brown gardens, and of peeping flowers,          105

Mak'st Devils' yule, with worse than wintry song,

The blossoms, buds, and timorous leaves among.

Thou Actor, perfect in all tragic sounds!

Thou mighty Poet, e'en to frenzy bold!

What tell'st thou now about?          110

'Tis of the rushing of an host in rout,

With groans, of trampled men, with smarting wounds—

At once they groan with pain, and shudder with the cold!

But hush! there is a pause of deepest silence!

And all that noise, as of a rushing crowd,          115

With groans, and tremulous shudderings—all is over—

It tells another tale, with sounds less deep and loud!

A tale, of less affright,

And tempered with delight,

As Otway's self had framed the tender lay,—          120

'Tis of a little child

Upon a lonesome wild,

Not far from home, but she hath lost her way:

And now moans low in bitter grief and fear,

And now screams loud, and hopes to make her mother hear.          125

VIII

'Tis midnight, but small thoughts have I of sleep:

Full seldom may my friend such vigils keep!

Visit her, gentle Sleep! with wings of healing,

And may this storm be but a mountain-birth,

May all the stars hang bright above her dwelling,          130

Silent as though they watched the sleeping Earth!

With light heart may she rise,

Gay fancy, cheerful eyes,

Joy lift her spirit, joy attune her voice;

To her may all things live, from pole to pole,          135

Their life the eddying of her living soul!

O simple spirit, guided from above,

Dear Lady! friend devoutest of my choice,

Thus mayest thou ever, evermore rejoice.

1802.

FOOTNOTES:

[362:3] First published in the Morning Post, October 4, 1802. Included in Sibylline Leaves, 1817, 1828, 1829, and 1834. The Ode was sent in a letter to W. Sotheby, dated Keswick, July 19, 1802 (Letters of S. T. C., 1895, i. 379-84). Two other MS. versions are preserved at Coleorton (P. W. of W. Wordsworth, ed. by William Knight, 1896, iii. App., pp. 400, 401). Lines 37, 38 were quoted by Coleridge in the Historie and Gests of Maxilian (first published in Blackwood's Edinburgh Magazine for January, 1822, and reprinted in Miscellanies, &c., ed. by T. Ashe, 1885, p. 282): l. 38 by Wordsworth in his pamphlet on The Convention of Cintra, 1809, p. 135: lines 47-75, followed by lines 29-38, were quoted by Coleridge in Essays on the Fine Arts, No. III (which were first published in Felix Farley's Bristol Journal, Sept. 10, 1814, and reprinted by Cottle, E. R., 1837, ii. 201-40); and lines 21-28, ibid., in illustration of the following Scholium:—'We have sufficiently distinguished the beautiful from the agreeable, by the sure criterion, that when we find an object agreeable, the sensation of pleasure always precedes the judgment, and is its determining cause. We find it agreeable. But when we declare an object beautiful, the contemplation or intuition of its beauty precedes the feeling of complacency, in order of nature at least: nay in great depression of spirits may even exist without sensibly producing it.' Lines 76-93 are quoted in a letter to Southey of July 29, 1802; lines 76-83 are quoted in a letter to Allsop, September 30, 1819, Letters, &c., 1836, i. 17. Lines 80, 81 are quoted in the Biographia Literaria, 1817, ii. 182, and lines 87-93 in a letter to Josiah Wedgwood, dated October 20, 1802: see Cottle's Rem., 1848, p. 44, and Tom Wedgwood by R. B. Litchfield, 1903, pp. 114, 115.

[367:1] Tairn is a small lake, generally if not always applied to the lakes up in the mountains and which are the feeders of those in the valleys. This address to the Storm-wind [wind S. L.], will not appear extravagant to those who have heard it at night and in a mountainous country.

LINENOTES:

Title] Dejection, &c., written April 4, 1802 M. P.

[2]

grand] dear Letter to Sotheby, July 19, 1802.

[5]

Than that which moulds yon clouds Letter, July 19, 1802.

cloud] clouds M. P., S. L.

[6]

moans] drones Letter, July 19, 1802, M. P.

[12]

by] with Letter, July 19, 1802.

[17-20]

om. Letter, July 19, 1802, M. P.

[21-8]

Quoted as illustrative of a 'Scholium' in Felix Farley's Journal, 1814.

[22]

stifled] stifling Letter, July 19, 1802.

[23]

Which] That Letter, July 19, 1802, F. F.

Between 24-7

This, William, well thou knowst

Is the sore evil which I dread the most

And oft'nest suffer. In this heartless mood

To other thoughts by yonder throstle woo'd

That pipes within the larch-tree, not unseen,

The larch, that pushes out in tassels green

Its bundled leafits, woo'd to mild delights

By all the tender sounds and gentle sights

Of this sweet primrose-month and vainly woo'd!

O dearest Poet in this heartless mood.

Letter, July 19, 1802.

[25]

O Edmund M. P.: O William Coleorton MS.: O dearest Lady in this heartless mood F. F.

[26]

by yon sweet throstle woo'd F. F.

[28]

on] at F. F.

[29]

peculiar] celestial F. F.

yellow green] yellow-green Letter, July 19, 1802, M. P.

[30]

blank] black Cottle, 1837.

[35-6]

Yon crescent moon that seems as if it grew

In its own starless, cloudless

F. F.

Between 36-7 A boat becalm'd! thy own sweet sky-canoe Letter, July 19, 1802: A boat becalm'd! a lovely sky-canoe M. P.

[38]

I see not feel M. P., Letter, July 19, 1802: I see . . . . they are F. F.

[45-6]

Quoted in the Gests of Maxilian, Jan. 1822, and Convention of Cintra, 1809, p. 135.

[47]

Lady] Wordsworth Letter, July 19, 1802: William Coleorton MS.: Edmund M. P., F. F. we receive but what we give Coleorton MS., F. F.

[48]

our] our M. P., F. F.

[51]

allowed] allow'd Letter, July 19, 1802, M. P.

[57]

potent] powerful Letter, July 19, 1802, F. F.

V] Stanza v is included in stanza iv in M. P.

[60]

What] What Letter, July 19, 1802.

[61]

exist] subsist F. F.

[64]

virtuous Lady] blameless Poet Letter, July 19, 1802: virtuous Edmund M. P. Joy, O belovéd, Joy that F. F.

[66]

om. Letter, July 19, 1802, M. P.: Life of our life the parent and the birth F. F. effluence] effulgence S. L. Corr. in Errata p. [xii], and in text by S. T. C. (MS.).

[67]

Lady] William Letter, July 19, 1802: Edmund M. P.: om. F. F.

[68]

Which] That Letter, July 19, 1802.

[69]

A new heaven and new earth F. F.

[71]

om. Letter, July 19, 1802: This is the strong voice, this the luminous cloud F. F.

[72]

We, we ourselves Letter,July 19, 1802, M. P.: Our inmost selves F. F.

[73]

flows] comes Letter, July 19, 1802. charms] glads F. F.

[74]

the echoes] an echo Letter, July 19, 1802.

After 75

Calm steadfast Spirit, guided from above,

O Wordsworth! friend of my devoutest choice,

Great son of genius! full of light and love

Thus, thus dost thou rejoice.

To thee do all things live from pole to pole,

Their life the eddying of thy living soul

Brother and friend of my devoutest choice

Thus may'st thou ever, evermore rejoice!

Letter, July 19, 1802.

Before 76 Yes, dearest poet, yes Letter, July 19, 1802: Yes, dearest William! Yes! Coleorton MS. [Stanza v] Yes, dearest Edmund, yes M. P.

[76]

The time when Letter, Sept. 30, 1819.

[77]

This] The Letters, July 19, 1802, Sept. 30, 1819. I had a heart that dallied Letter to Southey, July 29, 1802.

[80]

For] When Biog. Lit., Letter, Sept. 30, 1819. twining] climbing Letters, July 19, 29, 1802, Biog. Lit.

[80-1]

Quoted in Biog. Lit., 1817, ii. 180.

[81]

fruits] fruit Letter, July 19, 1802.

[82]

But seared thoughts now Letter, Sept. 30, 1819.

[83]

care] car'd Letter, July 19, 1802.

[86]

In M. P. the words 'The sixth and seventh stanzas omitted' preceded three rows of four asterisks, lines 87-93 (quoted in Letter to Josiah Wedgwood, Oct. 20, 1802) being omitted. The Coleorton MS. ends with line 86.

[87]

think] think Letters, July 19, 29, 1802.

[91]

was] is Letter, Sept. 30, 1819. only] wisest Letters, July 19, 29, 1802.

[92]

Till] And Letters, July 19, 29, 1802.

[93]

habit] temper Letters, July 19, 29, Oct. 20, 1802.

[94-5]

Nay [O M. P.] wherefore did I let it haunt my mind

This dark distressful dream.

Letter, July 19, 1802.

[96]

you] it Letter, July 19, 1802, M. P.

[99]

That lute sent out! O thou wild storm without Letter, July 19, 1802. O Wind M. P.

[104]

who] that Letter, July 19, 1802.

[112]

With many groans from men Letter, July 19, 1802: With many groans of men M. P.

[115]

Again! but all that noise Letter, July 19, 1802.

[117]

And it has other sounds less fearful and less loud Letter, July 19, 1802.

[120]

Otway's self] thou thyself Letter, July 19, 1802: Edmund's self M. P.

[122]

lonesome] heath Letter, July 19, 1802.

[124]

bitter] utter Letter, July 19, 1802, M. P.

[125]

hear] hear Letter, July 19, 1802, M. P.

VIII] om. Letter, July 19, 1802.

[126]

but] and M. P.

[128]

her] him M. P.

[130]

her] his M. P.

[131]

watched] watch'd M. P.

[132]

she] he M. P.

After 133

And sing his lofty song and teach me to rejoice!

O Edmund, friend of my devoutest choice,

O rais'd from anxious dread and busy care,

By the immenseness of the good and fair

Which thou see'st everywhere,          5

Joy lifts thy spirit, joy attunes thy voice,

To thee do all things live from pole to pole,

Their life the eddying of thy living soul!

O simple Spirit, guided from above,

O lofty Poet, full of life and love,          10

Brother and Friend of my devoutest choice,

Thus may'st thou ever, evermore rejoice!

ΕΣΤΗΣΕ. M. P.

[Note.—For lines 7, 8, 11, 12 of this variant, vide ante, variant of lines 75 foll.]

THE PICTURE[369:1]

OR THE LOVER'S RESOLUTION

Through weeds and thorns, and matted underwood

I force my way; now climb, and now descend

O'er rocks, or bare or mossy, with wild foot

Crushing the purple whorts;[369:2] while oft unseen,

Hurrying along the drifted forest-leaves,          5

The scared snake rustles. Onward still I toil,

I know not, ask not whither! A new joy,

Lovely as light, sudden as summer gust,

And gladsome as the first-born of the spring,

Beckons me on, or follows from behind,          10

Playmate, or guide! The master-passion quelled,

I feel that I am free. With dun-red bark

The fir-trees, and the unfrequent slender oak,

Forth from this tangle wild of bush and brake

Soar up, and form a melancholy vault          15

High o'er me, murmuring like a distant sea.

Here Wisdom might resort, and here Remorse;

Here too the love-lorn man, who, sick in soul,

And of this busy human heart aweary,

Worships the spirit of unconscious life          20

In tree or wild-flower.—Gentle lunatic!

If so he might not wholly cease to be,

He would far rather not be that he is;

But would be something that he knows not of,

In winds or waters, or among the rocks!          25

But hence, fond wretch! breathe not contagion here!

No myrtle-walks are these: these are no groves

Where Love dare loiter! If in sullen mood

He should stray hither, the low stumps shall gore

His dainty feet, the briar and the thorn          30

Make his plumes haggard. Like a wounded bird

Easily caught, ensnare him, O ye Nymphs,

Ye Oreads chaste, ye dusky Dryades!

And you, ye Earth-winds! you that make at morn

The dew-drops quiver on the spiders' webs!          35

You, O ye wingless Airs! that creep between

The rigid stems of heath and bitten furze,

Within whose scanty shade, at summer-noon,

The mother-sheep hath worn a hollow bed—

Ye, that now cool her fleece with dropless damp,          40

Now pant and murmur with her feeding lamb.

Chase, chase him, all ye Fays, and elfin Gnomes!

With prickles sharper than his darts bemock

His little Godship, making him perforce

Creep through a thorn-bush on yon hedgehog's back.          45

This is my hour of triumph! I can now

With my own fancies play the merry fool,

And laugh away worse folly, being free.

Here will I seat myself, beside this old,

Hollow, and weedy oak, which ivy-twine          50

Clothes as with net-work: here will I couch my limbs,

Close by this river, in this silent shade,

As safe and sacred from the step of man

As an invisible world—unheard, unseen,

And listening only to the pebbly brook          55

That murmurs with a dead, yet tinkling sound;

Or to the bees, that in the neighbouring trunk

Make honey-hoards. The breeze, that visits me,

Was never Love's accomplice, never raised

The tendril ringlets from the maiden's brow,          60

And the blue, delicate veins above her cheek;

Ne'er played the wanton—never half disclosed

The maiden's snowy bosom, scattering thence

Eye-poisons for some love-distempered youth,

Who ne'er henceforth may see an aspen-grove          65

Shiver in sunshine, but his feeble heart

Shall flow away like a dissolving thing.

Sweet breeze! thou only, if I guess aright,

Liftest the feathers of the robin's breast,

That swells its little breast, so full of song,          70

Singing above me, on the mountain-ash.

And thou too, desert stream! no pool of thine,

Though clear as lake in latest summer-eve,

Did e'er reflect the stately virgin's robe,

The face, the form divine, the downcast look          75

Contemplative! Behold! her open palm

Presses her cheek and brow! her elbow rests

On the bare branch of half-uprooted tree,

That leans towards its mirror! Who erewhile

Had from her countenance turned, or looked by stealth,          80

(For Fear is true-love's cruel nurse), he now

With steadfast gaze and unoffending eye,

Worships the watery idol, dreaming hopes

Delicious to the soul, but fleeting, vain,

E'en as that phantom-world on which he gazed,          85

But not unheeded gazed: for see, ah! see,

The sportive tyrant with her left hand plucks

The heads of tall flowers that behind her grow,

Lychnis, and willow-herb, and fox-glove bells:

And suddenly, as one that toys with time,          90

Scatters them on the pool! Then all the charm

Is broken—all that phantom world so fair

Vanishes, and a thousand circlets spread,

And each mis-shape the other. Stay awhile,

Poor youth, who scarcely dar'st lift up thine eyes!          95

The stream will soon renew its smoothness, soon

The visions will return! And lo! he stays:

And soon the fragments dim of lovely forms

Come trembling back, unite, and now once more

The pool becomes a mirror; and behold          100

Each wildflower on the marge inverted there,

And there the half-uprooted tree—but where,

O where the virgin's snowy arm, that leaned

On its bare branch? He turns, and she is gone!

Homeward she steals through many a woodland maze          105

Which he shall seek in vain. Ill-fated youth!

Go, day by day, and waste thy manly prime

In mad love-yearning by the vacant brook,

Till sickly thoughts bewitch thine eyes, and thou

Behold'st her shadow still abiding there,          110

The Naiad of the mirror!

Not to thee,

O wild and desert stream! belongs this tale:

Gloomy and dark art thou—the crowded firs

Spire from thy shores, and stretch across thy bed,

Making thee doleful as a cavern-well:          115

Save when the shy king-fishers build their nest

On thy steep banks, no loves hast thou, wild stream!

This be my chosen haunt—emancipate

From Passion's dreams, a freeman, and alone,

I rise and trace its devious course. O lead,          120

Lead me to deeper shades and lonelier glooms.

Lo! stealing through the canopy of firs,

How fair the sunshine spots that mossy rock,

Isle of the river, whose disparted waves

Dart off asunder with an angry sound,          125

How soon to re-unite! And see! they meet,

Each in the other lost and found: and see

Placeless, as spirits, one soft water-sun

Throbbing within them, heart at once and eye!

With its soft neighbourhood of filmy clouds,          130

The stains and shadings of forgotten tears,

Dimness o'erswum with lustre! Such the hour

Of deep enjoyment, following love's brief feuds;

And hark, the noise of a near waterfall!

I pass forth into light—I find myself          135

Beneath a weeping birch (most beautiful

Of forest trees, the Lady of the Woods),

Hard by the brink of a tall weedy rock

That overbrows the cataract. How bursts

The landscape on my sight! Two crescent hills          140

Fold in behind each other, and so make

A circular vale, and land-locked, as might seem,

With brook and bridge, and grey stone cottages,

Half hid by rocks and fruit-trees. At my feet,

The whortle-berries are bedewed with spray,          145

Dashed upwards by the furious waterfall.

How solemnly the pendent ivy-mass

Swings in its winnow: All the air is calm.

The smoke from cottage-chimneys, tinged with light,

Rises in columns; from this house alone,          150

Close by the water-fall, the column slants,

And feels its ceaseless breeze. But what is this?

That cottage, with its slanting chimney-smoke,

And close beside its porch a sleeping child,

His dear head pillowed on a sleeping dog—          155

One arm between its fore-legs, and the hand

Holds loosely its small handful of wild-flowers,

Unfilletted, and of unequal lengths.

A curious picture, with a master's haste

Sketched on a strip of pinky-silver skin,          160

Peeled from the birchen bark! Divinest maid!

Yon bark her canvas, and those purple berries

Her pencil! See, the juice is scarcely dried

On the fine skin! She has been newly here;

And lo! yon patch of heath has been her couch—          165

The pressure still remains! O blesséd couch!

For this may'st thou flower early, and the sun,

Slanting at eve, rest bright, and linger long

Upon thy purple bells! O Isabel!

Daughter of genius! stateliest of our maids!          170

More beautiful than whom Alcaeus wooed,

The Lesbian woman of immortal song!

O child of genius! stately, beautiful,

And full of love to all, save only me,

And not ungentle e'en to me! My heart,          175

Why beats it thus? Through yonder coppice-wood

Needs must the pathway turn, that leads straightway

On to her father's house. She is alone!

The night draws on—such ways are hard to hit—

And fit it is I should restore this sketch,          180

Dropt unawares, no doubt. Why should I yearn

To keep the relique? 'twill but idly feed

The passion that consumes me. Let me haste!

The picture in my hand which she has left;

She cannot blame me that I followed her:          185

And I may be her guide the long wood through.

1802.

FOOTNOTES:

[369:1] First published in the Morning Post, September 6, 1802: included in the Poetical Register for 1802 (1804), in Sibylline Leaves, 1817, 1828, 1829, and 1834.

It has been pointed out to me (by Mr. Arthur Turnbull) that the conception of the 'Resolution' that failed was suggested by Gessner's Idyll Der feste Vorsatz ('The Fixed Resolution'):—S. Gessner's Schriften, i. 104-7; Works, 1802, ii. 219-21.

[369:2] Vaccinium Myrtillus, known by the different names of Whorts, Whortle-berries, Bilberries; and in the North of England, Blea-berries and Bloom-berries. [Note by S. T. C. 1802.]

LINENOTES:

[3]

wild] blind M. P., P. R.

[17-26]

om. M. P., P. R.

[17-25]

Quoted in Letter to Cottle, May 27, 1814.

[18]

love-lorn] woe-worn (heart-sick erased) Letter, 1814.

[20]

unconscious life Letter, 1814.

[22]

wholly cease to BE Letter, 1814.

[27]

these] here M. P.

[28]

For Love to dwell in; the low stumps would gore M. P., P. R.

[31-3]

till, like wounded bird

Easily caught, the dusky Dryades

With prickles sharper than his darts would mock.

His little Godship

M. P., P. R.

[34-42, 44]

om. M.P., P.R.

[51]

here will couch M. P., P. R., S. L.

[55]

brook] stream M. P., P. R., S. L. (for stream read brook Errata, S. L., p. [xi]).

[56-7]

yet bell-like sound

Tinkling, or bees

M. P., P. R., S. L. 1828.

[58]

The] This M. P., P. R., S. L.

[70]

That swells its] Who swells his M. P., P. R., S. L.

[75]

the] her downcast M. P., P. R. Her face, her form divine, her downcast look S. L.

[76-7]

Contemplative, her cheek upon her palm

Supported; the white arm and elbow rest

M. P., P. R.

Contemplative! Ah see! her open palm

Presses

S. L.

[79-80]

He, meanwhile,

Who from

M. P., P. R., S. L.

[86]

om. M. P., P. R., S. L.

[87]

The] She M. P., P. R., S. L.

[91-100]

These lines are quoted in the prefatory note to Kubla Khan.

[94]

mis-shape] mis-shapes M. P.

[108]

love-yearning by] love-gazing on M. P., P. R.

[114]

Spire] Tow'r M. P., P. R., S. L.

[118]

my] thy S. L. (for thy read my Errata, S. L., p. [xi]).

[121]

and] to M. P., P. R.

[124]

waves] waters P. R., S. L.

[126-32]

How soon to re-unite! They meet, they join

In deep embrace, and open to the sun

Lie calm and smooth. Such the delicious hour

M. P., P. R., S. L.

[133]

Of deep enjoyment, foll'wing Love's brief quarrels M. P., P. R. Lines 126-33 are supplied in the Errata, S. L. 1817 (p. xi).

[134]

And] But Errata, S. L. (p. xi).

[135]

I come out into light M. P., P. R.: I came out into light S. L. For came read come Errata, S. L. (p. xi).

[144]

At] Beneath M. P., P. R., S. L. (for Beneath read At Errata, S. L., p. [xi]).

[152]

this] this M. P., P. R.: THIS S. L. 1828, 1829.

[162]

those] these P. R.

[174]

me] one M. P., P. R.

[177]

straightway] away M. P., P. R.

[184]

The] This M. P., P. R.

TO MATILDA BETHAM FROM A STRANGER[374:1]

['One of our most celebrated poets, who had, I was told, picked out and praised the little piece 'On a Cloud,' another had quoted (saying it would have been faultless if I had not used the word Phoebus in it, which he thought inadmissible in modern poetry), sent me some verses inscribed "To Matilda Betham, from a Stranger"; and dated "Keswick, Sept. 9, 1802, S. T. C." I should have guessed whence they came, but dared not flatter myself so highly as satisfactorily to believe it, before I obtained the avowal of the lady who had transmitted them. Excerpt from 'Autobiographical Sketch'.]

Matilda! I have heard a sweet tune played

On a sweet instrument—thy Poesie—

Sent to my soul by Boughton's pleading voice,

Where friendship's zealous wish inspirited,

Deepened and filled the subtle tones of taste:          5

(So have I heard a Nightingale's fine notes

Blend with the murmur of a hidden stream!)

And now the fair, wild offspring of thy genius,

Those wanderers whom thy fancy had sent forth

To seek their fortune in this motley world,          10

Have found a little home within my heart,

And brought me, as the quit-rent of their lodging,

Rose-buds, and fruit-blossoms, and pretty weeds,

And timorous laurel leaflets half-disclosed,

Engarlanded with gadding woodbine tendrils!          15

A coronal, which, with undoubting hand,

I twine around the brows of patriot HOPE!

The Almighty, having first composed a Man,

Set him to music, framing Woman for him,

And fitted each to each, and made them one!          20

And 'tis my faith, that there's a natural bond

Between the female mind and measured sounds,

Nor do I know a sweeter Hope than this,

That this sweet Hope, by judgment unreproved,

That our own Britain, our dear mother Isle,          25

May boast one Maid, a poetess indeed,

Great as th' impassioned Lesbian, in sweet song,

And O! of holier mind, and happier fate.

Matilda! I dare twine thy vernal wreath

Around the brows of patriot Hope! But thou          30

Be wise! be bold! fulfil my auspices!

Tho' sweet thy measures, stern must be thy thought,

Patient thy study, watchful thy mild eye!

Poetic feelings, like the stretching boughs

Of mighty oaks, pay homage to the gales,          35

Toss in the strong winds, drive before the gust,

Themselves one giddy storm of fluttering leaves;

Yet, all the while self-limited, remain

Equally near the fixed and solid trunk

Of Truth and Nature in the howling storm,          40

As in the calm that stills the aspen grove.

Be bold, meek Woman! but be wisely bold!

Fly, ostrich-like, firm land beneath thy feet,

Yet hurried onward by thy wings of fancy

Swift as the whirlwind, singing in their quills.          45

Look round thee! look within thee! think and feel!

What nobler meed, Matilda! canst thou win,

Than tears of gladness in a BOUGHTON'S[376:1] eyes,

And exultation even in strangers' hearts?

1802.

FOOTNOTES:

[374:1] First printed in a 'privately printed autobiographical sketch of Miss Matilda Betham', preserved in a volume of tracts arranged and bound up by Southey, now in the Forster Collection in the Victoria and Albert Museum: reprinted (by J. Dykes Campbell) in the Athenaeum (March 15, 1890): and, again, in A House of Letters, by Ernest Betham [1905], pp. 76-7. First collected in 1893 (see Editor's Note, p. 630). Lines 33-41 are quoted in a Letter to Sotheby, September 10, 1802. See Letters of S. T. C., 1895, i. 404.

[376:1] Catherine Rose, wife of Sir Charles William Rouse-Boughton, Bart. Sir Charles and Lady Boughton visited Greta Hall in September, 1802.

LINENOTES:

[7]

murmur] murmurs 1893.

[16]

coronal] coronel P. Sketch.

[34]

stretching] flexuous MS. Letter, Sept. 10, 1802.

[35]

pay] yield MS. Letter, 1802.

[39]

solid] parent MS. Letter, 1802.

[40]

Of truth in Nature—in the howling blast MS. Letter, 1802.

HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]

Besides the Rivers, Arve and Arveiron, which have their sources in the foot of Mont Blanc, five conspicuous torrents rush down its sides; and within a few paces of the Glaciers, the Gentiana Major grows in immense numbers, with its 'flowers of loveliest [liveliest Friend, 1809] blue.'

Hast thou a charm to stay the morning-star

In his steep course? So long he seems to pause

On thy bald awful head, O sovran BLANC,

The Arve and Arveiron at thy base

Rave ceaselessly; but thou, most awful Form!          5

Risest from forth thy silent sea of pines,

How silently! Around thee and above

Deep is the air and dark, substantial, black,

An ebon mass: methinks thou piercest it,

As with a wedge! But when I look again,          10

It is thine own calm home, thy crystal shrine,

Thy habitation from eternity!

O dread and silent Mount! I gazed upon thee,

Till thou, still present to the bodily sense,

Didst vanish from my thought: entranced in prayer          15

I worshipped the Invisible alone.

Yet, like some sweet beguiling melody,

So sweet, we know not we are listening to it,

Thou, the meanwhile, wast blending with my Thought,

Yea, with my Life and Life's own secret joy:          20

Till the dilating Soul, enrapt, transfused,

Into the mighty vision passing—there

As in her natural form, swelled vast to Heaven!

Awake, my soul! not only passive praise

Thou owest! not alone these swelling tears,          25

Mute thanks and secret ecstasy! Awake,

Voice of sweet song! Awake, my heart, awake!

Green vales and icy cliffs, all join my Hymn.

Thou first and chief, sole sovereign of the Vale!

O struggling with the darkness all the night,[378:1]          30

And visited all night by troops of stars,

Or when they climb the sky or when they sink:

Companion of the morning-star at dawn,

Thyself Earth's rosy star, and of the dawn

Co-herald: wake, O wake, and utter praise!          35

Who sank thy sunless pillars deep in Earth?

Who filled thy countenance with rosy light?

Who made thee parent of perpetual streams?

And you, ye five wild torrents fiercely glad!

Who called you forth from night and utter death,          40

From dark and icy caverns called you forth,

Down those precipitous, black, jagged rocks,

For ever shattered and the same for ever?

Who gave you your invulnerable life,

Your strength, your speed, your fury, and your joy,          45

Unceasing thunder and eternal foam?

And who commanded (and the silence came),

Here let the billows stiffen, and have rest?

Ye Ice-falls! ye that from the mountain's brow

Adown enormous ravines slope amain—          50

Torrents, methinks, that heard a mighty voice,

And stopped at once amid their maddest plunge!

Motionless torrents! silent cataracts!

Who made you glorious as the Gates of Heaven

Beneath the keen full moon? Who bade the sun          55

Clothe you with rainbows? Who, with living flowers[379:1]

Of loveliest blue, spread garlands at your feet?—

GOD! let the torrents, like a shout of nations,

Answer! and let the ice-plains echo, GOD!

GOD! sing ye meadow-streams with gladsome voice!          60

Ye pine-groves, with your soft and soul-like sounds!

And they too have a voice, yon piles of snow,

And in their perilous fall shall thunder, GOD!

Ye living flowers that skirt the eternal frost!

Ye wild goats sporting round the eagle's nest!          65

Ye eagles, play-mates of the mountain-storm!

Ye lightnings, the dread arrows of the clouds!

Ye signs and wonders of the element!

Utter forth God, and fill the hills with praise!

Thou too, hoar Mount! with thy sky-pointing peaks,          70

Oft from whose feet the avalanche,[380:1] unheard,

Shoots downward, glittering through the pure serene

Into the depth of clouds, that veil thy breast—

Thou too again, stupendous Mountain! thou

That as I raise my head, awhile bowed low          75

In adoration, upward from thy base

Slow travelling with dim eyes suffused with tears,

Solemnly seemest, like a vapoury cloud,

To rise before me—Rise, O ever rise,

Rise like a cloud of incense from the Earth!          80

Thou kingly Spirit throned among the hills,

Thou dread ambassador from Earth to Heaven,

Great Hierarch! tell thou the silent sky,

And tell the stars, and tell yon rising sun

Earth, with her thousand voices, praises GOD.          85

1802.

FOOTNOTES:

[376:2] First published in the Morning Post, Sept. 11, 1802: reprinted in the Poetical Register for 1802 (1803), ii. 308, 311, and in The Friend, No. XI, Oct. 26, 1809: included in Sibylline Leaves, 1817, 1828, 1829, and 1834. Three MSS. are extant: (1) MS. A, sent to Sir George Beaumont, Oct. 1803 (see Coleorton Letters, 1886, i. 26); (2) MS. B, the MS. of the version as printed in The Friend, Oct. 26, 1809 (now in the Forster Collection in the Victoria and Albert Museum); (3) MS. C, presented to Mrs. Brabant in 1815 (now in the British Museum). The Hymn before Sunrise, &c., 'Hymn in the manner of the Psalms,' is an expansion, in part, of a translation of Friederika Brun's 'Ode to Chamouny', addressed to Klopstock, which numbers some twenty lines. The German original (see the Appendices of this edition) was first appended to Coleridge's Poetical Works in 1844 (p. 372). A translation was given in a footnote, P. W. (ed. by T. Ashe), 1885, ii. 86, 87. In the Morning Post and Poetical Register the following explanatory note preceded the poem:—

'CHAMOUNI, THE HOUR BEFORE SUNRISE.

'[Chamouni is one of the highest mountain valleys of the Barony of Faucigny in the Savoy Alps; and exhibits a kind of fairy world, in which the wildest appearances (I had almost said horrors) of Nature alternate with the softest and most beautiful. The chain of Mont Blanc is its boundary; and besides the Arve it is filled with sounds from the Arveiron, which rushes from the melted glaciers, like a giant, mad with joy, from a dungeon, and forms other torrents of snow-water, having their rise in the glaciers which slope down into the valley. The beautiful Gentiana major, or greater gentian, with blossoms of the brightest blue, grows in large companies a few steps from the never-melted ice of the glaciers. I thought it an affecting emblem of the boldness of human hope, venturing near, and, as it were, leaning over the brink of the grave. Indeed, the whole vale, its every light, its every sound, must needs impress every mind not utterly callous with the thought—Who would be, who could be an Atheist in this valley of wonders! If any of the readers of the MORNING POST [Those who have P. R.] have visited this vale in their journeys among the Alps, I am confident that they [that they om. P. R.] will not find the sentiments and feelings expressed, or attempted to be expressed, in the following poem, extravagant.']

[378:1] I had written a much finer line when Sca' Fell was in my thoughts, viz.:—

O blacker than the darkness all the night

And visited

Note to MS. A.

[379:1] The Gentiana major grows in large companies a stride's distance from the foot of several of the glaciers. Its blue flower, the colour of Hope: is it not a pretty emblem of Hope creeping onward even to the edge of the grave, to the very verge of utter desolation? Note to MS. A.

[380:1] The fall of vast masses of snow, so called. Note MS. (C).

LINENOTES:

Title] Chamouny The Hour before Sunrise A Hymn M. P., P. R.: Mount Blanc, The Summit of the Vale of Chamouny, An Hour before Sunrise: A Hymn MS. A.

[3]

On thy bald awful head O Chamouny M. P., P. R.: On thy bald awful top O Chamouny MS. A: On thy bald awful top O Sovran Blanc Friend, 1809.

[4]

Arve] Arvè M. P., P. R., MS. (C).

[5]

dread mountain form M. P., P. R., MS. A. most] dread Friend, 1809.

[6]

forth] out MS. A.

[8]

Deep is the sky, and black: transpicuous, deep M. P., P. R.: Deep is the sky, and black! transpicuous, black. MS. A.

[11]

is thine] seems thy M. P., P. R.

[13]

Mount] form M. P., P. R., MS. A.

[14]

the bodily sense] my bodily eye M. P., P. R.: my bodily sense MS. A.

[16]

Invisible] INVISIBLE M. P., P. R., Friend, 1809, MS. A.

[17]

Yet thou meantime, wast working on my soul,

E'en like some deep enchanting melody

M. P., P. R., MS. A.

19 foll.

But [Now MS. A] I awake, and with a busier mind,

And active will self-conscious, offer now

Not as before, involuntary pray'r

And passive adoration!

Hand and voice,

Awake, awake! and thou, my heart, awake!

Awake ye rocks! Ye forest pines awake! (Not in MS. A.)

Green fields

M. P., P. R., MS. A.

[29-30]

And thou, O silent Mountain, sole and bare

O blacker than the darkness all the night

M. P., P. R.

[29]

And thou, thou silent mountain, lone and bare MS. A. The first and chief, stern Monarch of the Vale Errata to 'Hymn', &c., The Friend, No. XIII, Nov. 16, 1809.

[38]

parent] father M. P., P. R., MS. A.

[41]

From darkness let you loose and icy dens M. P., P. R., MS. A.

[46]

Eternal thunder and unceasing foam MS. A.

[48]

'Here shall the billows . . .' M. P., P. R.: Here shall your billows MS. A.

[49]

the mountain's brow] yon dizzy heights M. P., P. R.

[50]

Adown enormous ravines steeply slope M. P., P. R., MS. A. [A bad line; but I hope to be able to alter it Note to MS. A].

[56]

with lovely flowers

Of living blue

M. P., P. R., MS. A.

Between 58-64

GOD! GOD! the torrents like a shout of nations

Utter! the ice-plain bursts and answers GOD!

GOD, sing the meadow-streams with gladsome voice,

And pine-groves with their soft and soul-like sound,

The silent snow-mass, loos'ning thunders God!

M. P., P. R.

These lines were omitted in MS. A.

[64]

Ye dreadless flow'rs that fringe M. P., P. R. living] azure MS. A. livery S. L. (corrected in Errata, p. [xi]).

[65]

sporting round] bounding by M. P., P. R., MS. A.

[66]

mountain-storm] mountain blast M. P., P. R.

[69]

God] GOD. M. P., P. R.

Between 70-80

And thou, O silent Form, alone and bare

Whom, as I lift again my head bow'd low

In adoration, I again behold,

And to thy summit upward from thy base

Sweep slowly with dim eyes suffus'd by tears,

Awake thou mountain form! rise, like a cloud

M. P., P. R.

And thou thou silent mountain, lone and bare

Whom as I lift again my head bow'd low

In adoration, I again behold!

And from thy summit upward to the base

Sweep slowly, with dim eyes suffus'd with tears

Rise, mighty form! even as thou seem'st to rise.

MS. A.

[70]

Thou too] And thou, Errata, Friend, No. XIII. Once more, hoar Mount MS. (C), S. L. (For once more, read Thou too Errata, S. L., p. [xi]).

[72]

through] in Friend, 1809. In the blue serene MS. (C).

[74]

again] once more MS. (C).

[75]

That as once more I raise my Head bow'd low Friend, No. XI, 1809 (see the Errata, No. XIII).

[83-4]

tell thou the silent stars,

Tell the blue sky

MS. A.

[84]

yon] the M. P., P. R., MS. A.

[85]

praises] calls on M. P., P. R., MS. A.

THE GOOD, GREAT MAN[381:1]

'How seldom, friend! a good great man inherits

Honour or wealth with all his worth and pains!

It sounds like stories from the land of spirits

If any man obtain that which he merits

Or any merit that which he obtains.'          5

REPLY TO THE ABOVE

For shame, dear friend, renounce this canting strain!

What would'st thou have a good great man obtain?

Place? titles? salary? a gilded chain?

Or throne of corses which his sword had slain?          10

Greatness and goodness are not means, but ends!

Hath he not always treasures, always friends,

The good great man? three treasures, LOVE, and LIGHT,

And CALM THOUGHTS, regular as infant's breath:

And three firm friends, more sure than day and night,          15

HIMSELF, his MAKER, and the ANGEL DEATH!

1802.

FOOTNOTES:

[381:1] First published in the Morning Post (as an 'Epigram', signed ΕΣΤΗΣΕ), September 23, 1802: reprinted in the Poetical Register for 1802 (1803, p. 246): included in The Friend, No. XIX, December 28, 1809, and in Literary Remains, 1836, i. 53. First collected in 1844.

LINENOTES:

Title] Epigram M. P.: Epigrams P. R.: Complaint Lit. Rem., 1844, 1852: The Good, &c. 1893.

[6]

Reply to the above M. P.: Reply The Friend, 1809: Reproof Lit. Rem., 1844.

INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]

This Sycamore, oft musical with bees,—

Such tents the Patriarchs loved! O long unharmed

May all its agéd boughs o'er-canopy

The small round basin, which this jutting stone

Keeps pure from falling leaves! Long may the Spring,          5

Quietly as a sleeping infant's breath,

Send up cold waters to the traveller

With soft and even pulse! Nor ever cease

Yon tiny cone of sand its soundless dance,[382:1]

Which at the bottom, like a Fairy's Page,          10

As merry and no taller, dances still,

Nor wrinkles the smooth surface of the Fount.

Here Twilight is and Coolness: here is moss,

A soft seat, and a deep and ample shade.

Thou may'st toil far and find no second tree.          15

Drink, Pilgrim, here; Here rest! and if thy heart

Be innocent, here too shalt thou refresh

Thy spirit, listening to some gentle sound,

Or passing gale or hum of murmuring bees!

1802.

FOOTNOTES:

[381:2] First published in the Morning Post, September 24, 1802: reprinted in the Poetical Register for 1802 (1803, p. 338): included in Sibylline Leaves, 1828, 1829, and 1834.

[382:1] Compare Anima Poetae, 1895, p. 17: 'The spring with the little tiny cone of loose sand ever rising and sinking to the bottom, but its surface without a wrinkle.'

LINENOTES:

Title] Inscription on a Jutting Stone, over a Spring M. P., P. R.

[3]

agéd] darksome M. P., P. R.

[5]

Still may this spring M. P., P. R.

[7]

waters] water P. R. to] for M. P., P. R.

[9]

soundless] noiseless M. P., P. R.

[10]

Which] That M. P., P. R.

[13]

Here coolness dwell, and twilight M. P., P. R.

16 foll.

Here, stranger, drink! Here rest! And if thy heart

Be innocent, here too may'st thou renew

Thy spirits, listening to these gentle sounds,

The passing gale, or ever-murm'ring bees.

M. P., P. R.

AN ODE TO THE RAIN[382:2]

COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN

I

I know it is dark; and though I have lain,

Awake, as I guess, an hour or twain,

I have not once opened the lids of my eyes,

But I lie in the dark, as a blind man lies.

O Rain! that I lie listening to,          5

You're but a doleful sound at best:

I owe you little thanks, 'tis true,

For breaking thus my needful rest!

Yet if, as soon as it is light,

O Rain! you will but take your flight,          10

I'll neither rail, nor malice keep,

Though sick and sore for want of sleep.

But only now, for this one day,

Do go, dear Rain! do go away!

II

O Rain! with your dull two-fold sound,          15

The clash hard by, and the murmur all round!

You know, if you know aught, that we,

Both night and day, but ill agree:

For days and months, and almost years,

Have limped on through this vale of tears,          20

Since body of mine, and rainy weather,

Have lived on easy terms together.

Yet if, as soon as it is light,

O Rain! you will but take your flight,

Though you should come again to-morrow,          25

And bring with you both pain and sorrow;

Though stomach should sicken and knees should swell—

I'll nothing speak of you but well.

But only now for this one day,

Do go, dear Rain! do go away!          30

III

Dear Rain! I ne'er refused to say

You're a good creature in your way;

Nay, I could write a book myself,

Would fit a parson's lower shelf,

Showing how very good you are.—          35

What then? sometimes it must be fair

And if sometimes, why not to-day?

Do go, dear Rain! do go away!

IV

Dear Rain! if I've been cold and shy,

Take no offence! I'll tell you why.          40

A dear old Friend e'en now is here,

And with him came my sister dear;

After long absence now first met,

Long months by pain and grief beset—

We three dear friends! in truth, we groan          45

Impatiently to be alone.

We three, you mark! and not one more!

The strong wish makes my spirit sore.

We have so much to talk about,

So many sad things to let out;          50

So many tears in our eye-corners,

Sitting like little Jacky Horners—

In short, as soon as it is day,

Do go, dear Rain! do go away.

V

And this I'll swear to you, dear Rain!          55

Whenever you shall come again,

Be you as dull as e'er you could

(And by the bye 'tis understood,

You're not so pleasant as you're good),

Yet, knowing well your worth and place,          60

I'll welcome you with cheerful face;

And though you stayed a week or more,

Were ten times duller than before;

Yet with kind heart, and right good will,

I'll sit and listen to you still;          65

Nor should you go away, dear Rain!

Uninvited to remain.

But only now, for this one day,

Do go, dear Rain! do go away.

1802.

FOOTNOTES:

[382:2] First published in the Morning Post (?), Oct. 7, 1802: included in Sibylline Leaves, 1817: in Literary Remains, 1836, i. 54-6. First collected in 1844. In Literary Remains the poem is dated 1809, but in a letter to J. Wedgwood, Oct. 20, 1802, Coleridge seems to imply that the Ode to the Rain had appeared recently in the Morning Post. A MS. note of Mrs. H. N. Coleridge, included in other memoranda intended for publication in Essays on His Own Times, gives the date, 'Ode to Rain, October 7'. The issue for October 7 is missing in the volume for 1802 preserved in the British Museum, and it may be presumed that it was in that number the Ode to the Rain first appeared. It is possible that the 'Ode' was written on the morning after the unexpected arrival of Charles and Mary Lamb at Greta Hall in August, 1802.

LINENOTES:

[45]

We] With L. R, 1844, 1852. [The text was amended in P. W., 1877-80.]

A DAY-DREAM[385:1]

My eyes make pictures, when they are shut:

I see a fountain, large and fair,

A willow and a ruined hut,

And thee, and me and Mary there.

O Mary! make thy gentle lap our pillow!          5

Bend o'er us, like a bower, my beautiful green willow!

A wild-rose roofs the ruined shed,

And that and summer well agree:

And lo! where Mary leans her head,

Two dear names carved upon the tree!          10

And Mary's tears, they are not tears of sorrow:

Our sister and our friend will both be here to-morrow.

'Twas day! but now few, large, and bright,

The stars are round the crescent moon!

And now it is a dark warm night,          15

The balmiest of the month of June!

A glow-worm fall'n, and on the marge remounting

Shines, and its shadow shines, fit stars for our sweet fountain.

O ever—ever be thou blest!

For dearly, Asra! love I thee!          20

This brooding warmth across my breast,

This depth of tranquil bliss—ah, me!

Fount, tree and shed are gone, I know not whither,

But in one quiet room we three are still together.

The shadows dance upon the wall,          25

By the still dancing fire-flames made;

And now they slumber, moveless all!

And now they melt to one deep shade!

But not from me shall this mild darkness steal thee:

I dream thee with mine eyes, and at my heart I feel thee!          30

Thine eyelash on my cheek doth play—

'Tis Mary's hand upon my brow!

But let me check this tender lay

Which none may hear but she and thou!

Like the still hive at quiet midnight humming.          35

Murmur it to yourselves, ye two beloved women!

1802.

FOOTNOTES:

[385:1] First published in the Bijou for 1828: included in 1828, 1829, and 1834. Asra is Miss Sarah Hutchinson; 'Our Sister and our Friend,' William and Dorothy Wordsworth. There can be little doubt that these lines were written in 1801 or 1802.

LINENOTES:

[8]

well] will Bijou, 1828.

[17]

on] in Bijou, 1828.

[20]

For Asra, dearly Bijou, 1828.

[28]

one] me Bijou, 1828.

ANSWER TO A CHILD'S QUESTION[386:1]

Do you ask what the birds say? The Sparrow, the Dove,

The Linnet and Thrush say, 'I love and I love!'

In the winter they're silent—the wind is so strong;

What it says, I don't know, but it sings a loud song.

But green leaves, and blossoms, and sunny warm weather,          5

And singing, and loving—all come back together.

But the Lark is so brimful of gladness and love,

The green fields below him, the blue sky above,

That he sings, and he sings; and for ever sings he—

'I love my Love, and my Love loves me!'          10

1802.

FOOTNOTES:

[386:1] First published in the Morning Post, October 16, 1802: included in Sibylline Leaves, in 1828, 1829, and 1834.

LINENOTES:

Title] The Language of Birds: Lines spoken extempore, to a little child, in early spring M. P.

Between 6-7

'I love, and I love,' almost all the birds say

From sunrise to star-rise, so gladsome are they.

M. P.

After 10

'Tis no wonder that he's full of joy to the brim,

When He loves his Love, and his Love loves him.

M. P.

Line 10 is adapted from the refrain of Prior's Song ('One morning very early, one morning in the spring'):—'I love my love, because I know my love loves me.'

THE DAY-DREAM[386:2]

FROM AN EMIGRANT TO HIS ABSENT WIFE

If thou wert here, these tears were tears of light!

But from as sweet a vision did I start

As ever made these eyes grow idly bright!

And though I weep, yet still around my heart

A sweet and playful tenderness doth linger,          5

Touching my heart as with an infant's finger.

My mouth half open, like a witless man,

I saw our couch, I saw our quiet room,

Its shadows heaving by the fire-light gloom;

And o'er my lips a subtle feeling ran,          10

All o'er my lips a soft and breeze-like feeling—

I know not what—but had the same been stealing

Upon a sleeping mother's lips, I guess

It would have made the loving mother dream

That she was softly bending down to kiss          15

Her babe, that something more than babe did seem,

A floating presence of its darling father,

And yet its own dear baby self far rather!

Across my chest there lay a weight, so warm!

As if some bird had taken shelter there;          20

And lo! I seemed to see a woman's form—

Thine, Sara, thine? O joy, if thine it were!

I gazed with stifled breath, and feared to stir it,

No deeper trance e'er wrapt a yearning spirit!

And now, when I seemed sure thy face to see,          25

Thy own dear self in our own quiet home;

There came an elfish laugh, and wakened me:

'Twas Frederic, who behind my chair had clomb,

And with his bright eyes at my face was peeping.

I blessed him, tried to laugh, and fell a-weeping!          30

1801-2.

FOOTNOTES:

[386:2] First published in the Morning Post, October 19, 1802. First collected in Poems, 1852. A note (p. 384), was affixed:—'This little poem first appeared in the Morning Post in 1802, but was doubtless composed in Germany. It seems to have been forgotten by its author, for this was the only occasion on which it saw the light through him. The Editors think that it will plead against parental neglect in the mind of most readers.' Internal evidence seems to point to 1801 or 1802 as the most probable date of composition.

LINENOTES:

Below line 30 ΕΣΤΗΣΕ.

THE HAPPY HUSBAND[388:1]

A FRAGMENT

Oft, oft methinks, the while with thee,

I breathe, as from the heart, thy dear

And dedicated name, I hear

A promise and a mystery,

A pledge of more than passing life,          5

Yea, in that very name of Wife!

A pulse of love, that ne'er can sleep!

A feeling that upbraids the heart

With happiness beyond desert,

That gladness half requests to weep!          10

Nor bless I not the keener sense

And unalarming turbulence

Of transient joys, that ask no sting

From jealous fears, or coy denying;

But born beneath Love's brooding wing,          15

And into tenderness soon dying,

Wheel out their giddy moment, then

Resign the soul to love again;—

A more precipitated vein

Of notes, that eddy in the flow          20

Of smoothest song, they come, they go,

And leave their sweeter understrain,

Its own sweet self—a love of Thee

That seems, yet cannot greater be!

? 1802.

FOOTNOTES:

[388:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, 1834. There is no evidence as to the date of composition.

LINENOTES:

[13]

ask] fear S. L. (for fear no sting read ask no sting Errata, p. [xi]).

THE PAINS OF SLEEP[389:1]

Ere on my bed my limbs I lay,

It hath not been my use to pray

With moving lips or bended knees;

But silently, by slow degrees,

My spirit I to Love compose,          5

In humble trust mine eye-lids close,

With reverential resignation,

No wish conceived, no thought exprest,

Only a sense of supplication;

A sense o'er all my soul imprest          10

That I am weak, yet not unblest,

Since in me, round me, every where

Eternal Strength and Wisdom are.

But yester-night I prayed aloud

In anguish and in agony,          15

Up-starting from the fiendish crowd

Of shapes and thoughts that tortured me:

A lurid light, a trampling throng,

Sense of intolerable wrong,

And whom I scorned, those only strong!          20

Thirst of revenge, the powerless will

Still baffled, and yet burning still!

Desire with loathing strangely mixed

On wild or hateful objects fixed.

Fantastic passions! maddening brawl!          25

And shame and terror over all!

Deeds to be hid which were not hid,

Which all confused I could not know

Whether I suffered, or I did:

For all seemed guilt, remorse or woe,          30

My own or others still the same

Life-stifling fear, soul-stifling shame.

So two nights passed: the night's dismay

Saddened and stunned the coming day.

Sleep, the wide blessing, seemed to me          35

Distemper's worst calamity.

The third night, when my own loud scream

Had waked me from the fiendish dream,

O'ercome with sufferings strange and wild,

I wept as I had been a child;          40

And having thus by tears subdued

My anguish to a milder mood,

Such punishments, I said, were due

To natures deepliest stained with sin,—

For aye entempesting anew          45

The unfathomable hell within,

The horror of their deeds to view,

To know and loathe, yet wish and do!

Such griefs with such men well agree,

But wherefore, wherefore fall on me?          50

To be beloved is all I need,

And whom I love, I love indeed.

1803.

FOOTNOTES:

[389:1] First published, together with Christabel, in 1816: included in 1828, 1829, i. 334-6 (but not in Contents), and 1834. A first draft of these lines was sent in a Letter to Southey, Sept. 11, 1803 (Letters of S. T. C., 1895, i. 435-7), An amended version of lines 18-32 was included in an unpublished Letter to Poole, dated Oct. 3, 1803.

LINENOTES:

[1]

Ere] When MS. Letter to Southey, Sept. 11, 1803.

[9]

sense] sense MS. Letter to Southey, 1816, 1828, 1829.

[10]

sense] sense MS. Letter to Southey.

[12]

Since round me, in me, everywhere MS. Letter to Southey.

[13]

Wisdom] Goodness MS. Letter to Southey.

[16]

Up-starting] Awaking MS. Letter to Southey.

Between 18-26

Desire with loathing strangely mixt,

On wild or hateful objects fixt.

Sense of revenge, the powerless will,

Still baffled and consuming still;

Sense of intolerable wrong,

And men whom I despis'd made strong!

Vain-glorious threats, unmanly vaunting,

Bad men my boasts and fury taunting:

Rage, sensual passion, mad'ning Brawl,

MS. Letter to Southey.

[18]

trampling] ghastly MS. Letter to Poole, Oct. 3, 1803.

[19]

intolerable] insufferable MS. Letter to Poole.

[20]

those] they MS. Letter to Poole.

Between 22-4

Tempestuous pride, vain-glorious vaunting

Base men my vices justly taunting

MS. Letter to Poole.

[27]

which] that MS. Letters to Southey and Poole.

[28]

could] might MS. Letters to Southey and Poole.

[30]

For all was Horror, Guilt, and Woe MS. Letter to Southey: For all was Guilt, and Shame, and Woe MS. Letter to Poole.

[33]

So] Thus MS. Letter to Southey.

[34]

coming] boding MS. Letter to Southey.

[35-6]

I fear'd to sleep: sleep seem'd to be

Disease's worst malignity

MS. Letter to Southey.

[38]

waked] freed MS. Letter to Southey.

[39]

O'ercome by sufferings dark and wild MS. Letter to Southey.

[42]

anguish] Trouble MS. Letter to Southey.

[43]

said] thought MS. Letter to Southey.

[45-6]

Still to be stirring up anew

The self-created Hell within

MS. Letter to Southey.

[47]

their deeds] the crimes MS. Letter to Southey.

[48]

and] to MS. Letter to Southey.

Between 48-51

With such let fiends make mockery—

But I—Oh, wherefore this on me?

Frail is my soul, yea, strengthless wholly,

Unequal, restless, melancholy.

But free from Hate and sensual Folly.

MS. Letter to Southey.

[51]

be] live MS. Letter to Southey.

After 52 And etc., etc., etc., etc. MS. Letter to Southey.

THE EXCHANGE[391:1]

We pledged our hearts, my love and I,—

I in my arms the maiden clasping;

I could not guess the reason why,

But, oh! I trembled like an aspen.

Her father's love she bade me gain;          5

I went, but shook like any reed!

I strove to act the man—in vain!

We had exchanged our hearts indeed.

1804.

FOOTNOTES:

[391:1] First published in the Courier, April 16, 1804: included in the Poetical Register for 1804 (1805); reprinted in Literary Souvenir for 1826, p. 408, and in Literary Remains, 1836, i. 59. First collected in 1844.

LINENOTES:

Title] The Exchange of Hearts Courier, 1804.

[2]

Me in her arms Courier, 1804.

[3]

guess] tell Lit. Souvenir, Lit. Rem., 1844.

[5]

Her father's leave Courier, 1804, P. R. 1804, 1893.

[6]

but] and Lit. Souvenir, Lit. Rem., 1844.

AD VILMUM AXIOLOGUM[391:2]

[TO WILLIAM WORDSWORTH]

This be the meed, that thy song creates a thousand-fold echo!

Sweet as the warble of woods, that awakes at the gale of the morning!

List! the Hearts of the Pure, like caves in the ancient mountains

Deep, deep in the Bosom, and from the Bosom resound it,

Each with a different tone, complete or in musical fragments—          5

All have welcomed thy Voice, and receive and retain and prolong it!

This is the word of the Lord! it is spoken, and Beings Eternal

Live and are borne as an Infant; the Eternal begets the Immortal:

Love is the Spirit of Life, and Music the Life of the Spirit!

? 1805.

FOOTNOTES:

[391:2] First published in P. W., 1893. These lines were found in one of Coleridge's Notebooks (No. 24). The first draft immediately follows the transcription of a series of Dante's Canzoni begun at Malta in 1805. If the Hexameters were composed at the same time, it is possible that they were inspired by a perusal or re-perusal of a MS. copy of Wordsworth's unpublished poems which had been made for his use whilst he was abroad. As Mr. Campbell points out (P. W., p. 614), Wordsworth himself was responsible for the Latinization of his name. A Sonnet on seeing Miss Helen Maria Williams weeping at a tale of distress, which was published in the European Magazine for March, 1787, is signed 'Axiologus'.

LINENOTES:

1 foll.

What is the meed of thy song? 'Tis the ceaseless the thousandfold echo,

Which from the welcoming Hearts of the Pure repeats and prolongs it—

Each with a different Tone, compleat or in musical fragments.

Or

This be the meed, that thy Song awakes to a thousandfold echo

Welcoming Hearts; is it their voice or is it thy own?

Lost! the Hearts of the Pure, like caves in the ancient mountains

Deep, deep in the bosom, and from the bosom resound it,

Each with a different tone, compleat or in musical fragments.

Meet the song they receive, and retain and resound and prolong it!

Welcoming Souls! is it their voice, sweet Poet, or is it thy own voice?

Drafts in Notebook.

AN EXILE[392:1]

Friend, Lover, Husband, Sister, Brother!

Dear names close in upon each other!

Alas! poor Fancy's bitter-sweet—

Our names, and but our names can meet.

1805.

FOOTNOTES:

[392:1] First published, with title 'An Exile', in 1893. These lines, without title or heading, are inserted in one of Coleridge's Malta Notebooks.

SONNET[392:2]

[TRANSLATED FROM MARINI]

Lady, to Death we're doom'd, our crime the same!

Thou, that in me thou kindled'st such fierce heat;

I, that my heart did of a Sun so sweet

The rays concentre to so hot a flame.

I, fascinated by an Adder's eye—          5

Deaf as an Adder thou to all my pain;

Thou obstinate in Scorn, in Passion I—

I lov'd too much, too much didst thou disdain.

Hear then our doom in Hell as just as stern,

Our sentence equal as our crimes conspire—          10

Who living bask'd at Beauty's earthly fire,

In living flames eternal these must burn—

Hell for us both fit places too supplies—

In my heart thou wilt burn, I roast before thine eyes.

? 1805.

FOOTNOTES:

[392:2] First published in 1893. For the Italian original, 'Alia Sua Amico,' Sonetto, vide Appendices of this Edition.

PHANTOM[393:1]

All look and likeness caught from earth,

All accident of kin and birth,

Had pass'd away. There was no trace

Of aught on that illumined face,

Uprais'd beneath the rifted stone          5

But of one spirit all her own;—

She, she herself, and only she,

Shone through her body visibly.

1805.

FOOTNOTES:

[393:1] These lines, without title or heading, are quoted ('vide . . . my lines') in an entry in one of Coleridge's Malta Notebooks, dated Feb. 8, 1805, to illustrate the idea that the love-sense can be abstracted from the accidents of form or person (see Anima Poetae, 1895, p. 120). It follows that they were written before that date. Phantom was first published in 1834, immediately following (ii. 71) Phantom or Fact. A dialogue in Verse, which was first published in 1828, and was probably written about that time. Both poems are 'fragments from the life of dreams'; but it was the reality which lay behind both 'phantom' and 'fact' of which the poet dreamt, having his eyes open. With lines 4, 5 compare the following stanza of one of the MS. versions of the Dark Ladié:—

Against a grey stone rudely carv'd

The statue of an armed knight,

She lean'd in melancholy mood

To watch ['d] the lingering Light.

A SUNSET[393:2]

Upon the mountain's edge with light touch resting,

There a brief while the globe of splendour sits

And seems a creature of the earth; but soon

More changeful than the Moon,

To wane fantastic his great orb submits,          5

Or cone or mow of fire: till sinking slowly

Even to a star at length he lessens wholly.

Abrupt, as Spirits vanish, he is sunk!

A soul-like breeze possesses all the wood.

The boughs, the sprays have stood          10

As motionless as stands the ancient trunk!

But every leaf through all the forest flutters,

And deep the cavern of the fountain mutters.

1805.

FOOTNOTES:

[393:2] First published in 1893. The title 'A Sunset' was prefixed by the Editor. These lines are inscribed in one of Coleridge's Malta Notebooks. The following note or comment is attached:—'These lines I wrote as nonsense verses merely to try a metre; but they are by no means contemptible; at least in reading them I am surprised at finding them so good. 16 Aug., 1805, Malta.

'Now will it be a more English music if the first and fourth are double rhymes and the 5th and 6th single? or all single, or the 2nd and 3rd double? Try.' They were afterwards sent to William Worship, Esq., Yarmouth, in a letter dated April 22, 1819, as an unpublished autograph.

LINENOTES:

[1]

with light touch] all lightly MS.

[4]

the] this MS.

[6]

A distant Hiss of fire MS. alternative reading.

[7]

lessens] lessened MS.

[12]

flutters] fluttered MS.

[13]

mutters] muttered MS.

WHAT IS LIFE?[394:1]

Resembles life what once was deem'd of light,

Too ample in itself for human sight?

An absolute self—an element ungrounded—

All that we see, all colours of all shade

By encroach of darkness made?—          5

Is very life by consciousness unbounded?

And all the thoughts, pains, joys of mortal breath,

A war-embrace of wrestling life and death?

1805.

FOOTNOTES:

[394:1] First published in Literary Souvenir, 1829: included in Literary Remains, 1836, i. 60. First collected in 1844. These lines, 'written in the same manner, and for the same purpose, but of course with more conscious effort than the two stanzas on the preceding leaf,' are dated '16 August, 1805, the day of the Valetta Horse-racing—bells jangling, and stupefying music playing all day'. Afterwards, in 1819, Coleridge maintained that they were written 'between the age of 15 and 16'.

LINENOTES:

[1]

deem'd] held Lit. Souvenir, 1829.

[2]

ample] simple MS.

[6]

per se (in its own Nature)

Is Life itself MS.

THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]

A LAMENT

I seem to have an indistinct recollection of having read either in one

of the ponderous tomes of George of Venice, or in some other compilation

from the uninspired Hebrew writers, an apologue or Rabbinical tradition

to the following purpose:

While our first parents stood before their offended Maker, and the last          5

words of the sentence were yet sounding in Adam's ear, the guileful false

serpent, a counterfeit and a usurper from the beginning, presumptuously

took on himself the character of advocate or mediator, and pretending to

intercede for Adam, exclaimed: 'Nay, Lord, in thy justice, not so! for

the man was the least in fault. Rather let the Woman return at once to          10

the dust, and let Adam remain in this thy Paradise.' And the word of

the Most High answered Satan: 'The tender mercies of the wicked are cruel.

Treacherous Fiend! if with guilt like thine, it had been possible for thee

to have the heart of a Man, and to feel the yearning of a human soul for

its counterpart, the sentence, which thou now counsellest, should have          15

been inflicted on thyself.'

The title of the following poem was suggested by a fact mentioned by

Linnaeus, of a date-tree in a nobleman's garden which year after year

had put forth a full show of blossoms, but never produced fruit, till a

branch from another date-tree had been conveyed from a distance of          20

some hundred leagues. The first leaf of the MS. from which the poem

has been transcribed, and which contained the two or three introductory

stanzas, is wanting: and the author has in vain taxed his memory to

repair the loss. But a rude draught of the poem contains the substance

of the stanzas, and the reader is requested to receive it as the substitute.          25

It is not impossible, that some congenial spirit, whose years do not

exceed those of the Author at the time the poem was written, may find

a pleasure in restoring the Lament to its original integrity by a reduction

of the thoughts to the requisite metre.                        S. T. C.

1

Beneath the blaze of a tropical sun the mountain peaks are          30

the Thrones of Frost, through the absence of objects to reflect

the rays. 'What no one with us shares, seems scarce our own.'

The presence of a ONE,

The best belov'd, who loveth me the best,

is for the heart, what the supporting air from within is for the          35

hollow globe with its suspended car. Deprive it of this, and

all without, that would have buoyed it aloft even to the seat

of the gods, becomes a burthen and crushes it into flatness.

2

The finer the sense for the beautiful and the lovely, and the

fairer and lovelier the object presented to the sense; the more          40

exquisite the individual's capacity of joy, and the more ample

his means and opportunities of enjoyment, the more heavily

will he feel the ache of solitariness, the more unsubstantial

becomes the feast spread around him. What matters it,

whether in fact the viands and the ministering graces are          45

shadowy or real, to him who has not hand to grasp nor arms

to embrace them?

3

Imagination; honourable aims;

Free commune with the choir that cannot die;

Science and song; delight in little things,          50

The buoyant child surviving in the man;

Fields, forests, ancient mountains, ocean, sky,

With all their voices—O dare I accuse

My earthly lot as guilty of my spleen,

Or call my destiny niggard! O no! no!          55

It is her largeness, and her overflow,

Which being incomplete, disquieteth me so!

4

For never touch of gladness stirs my heart,

But tim'rously beginning to rejoice

Like a blind Arab, that from sleep doth start          60

In lonesome tent, I listen for thy voice.

Belovéd! 'tis not thine; thou art not there!

Then melts the bubble into idle air,

And wishing without hope I restlessly despair.

5

The mother with anticipated glee          65

Smiles o'er the child, that, standing by her chair

And flatt'ning its round cheek upon her knee,

Looks up, and doth its rosy lips prepare

To mock the coming sounds. At that sweet sight

She hears her own voice with a new delight;          70

And if the babe perchance should lisp the notes aright,

6

Then is she tenfold gladder than before!

But should disease or chance the darling take,

What then avail those songs, which sweet of yore

Were only sweet for their sweet echo's sake?          75

Dear maid! no prattler at a mother's knee

Was e'er so dearly prized as I prize thee:

Why was I made for Love and Love denied to me?

1805.

FOOTNOTES:

[395:1] First published in 1828: included in 1829 and 1834.

LINENOTES:

[5]

stood] were yet standing 1828.

[8]

mediator] moderator 1828.

[9]

The words 'not so' are omitted in 1828.

[11]

remain here all the days of his now mortal life, and enjoy the respite thou mayest grant him, in this thy Paradise which thou gavest to him, and hast planted with every tree pleasant to the sight of man and of delicious fruitage. 1828.

13 foll. Treacherous Fiend! guilt deep as thine could not be, yet the love of kind not extinguished. But if having done what thou hast done, thou hadst yet the heart of man within thee, and the yearning of the soul for its answering image and completing counterpart, O spirit, desperately wicked! the sentence thou counsellest had been thy own! 1828.

[20]

from a Date tree 1828, 1839.

[48]

Hope, Imagination, &c. 1828.

[53]

With all their voices mute—O dare I accuse 1838.

[55]

Or call my niggard destiny! No! No! 1838.

[61]

thy] thy 1828, 1829.

[77]

thee] thee 1828, 1829.

SEPARATION[397:1]

A sworded man whose trade is blood,

In grief, in anger, and in fear,

Thro' jungle, swamp, and torrent flood,

I seek the wealth you hold so dear!

The dazzling charm of outward form,          5

The power of gold, the pride of birth,

Have taken Woman's heart by storm—

Usurp'd the place of inward worth.

Is not true Love of higher price

Than outward Form, though fair to see,          10

Wealth's glittering fairy-dome of ice,

Or echo of proud ancestry?—

O! Asra, Asra! couldst thou see

Into the bottom of my heart,

There's such a mine of Love for thee,          15

As almost might supply desert!

(This separation is, alas!

Too great a punishment to bear;

O! take my life, or let me pass

That life, that happy life, with her!)          20

The perils, erst with steadfast eye

Encounter'd, now I shrink to see—

Oh! I have heart enough to die—

Not half enough to part from Thee!

? 1805.

FOOTNOTES:

[397:1] First published in 1834. In Pickering's one-volume edition of the issue of 1848 the following note is printed on p. 372:—

'The fourth and last stanzas are adapted from the twelfth and last of Cotton's Chlorinda [Ode]:—

'O my Chlorinda! could'st thou see

Into the bottom of my heart,

There's such a Mine of Love for thee,

The Treasure would supply desert.

Meanwhile my Exit now draws nigh,

When, sweet Chlorinda, thou shalt see

That I have heart enough to die,

Not half enough to part with thee.

'The fifth stanza is the eleventh of Cotton's poem.'

In 1852 (p. 385) the note reads: 'The fourth and last stanzas are from Cotton's Chlorinda, with very slight alteration.'

A first draft of this adaptation is contained in one of Coleridge's Malta Notebooks:—

[I]

Made worthy by excess of Love

A wretch thro' power of Happiness,

And poor from wealth I dare not use.

[II]

This separation etc.

[III]

The Pomp of Wealth

Stores of Gold, the pomp of Wealth

Nor less the Pride of Noble Birth

The dazzling charm etc.

(l. 4)  Supplied the place etc.

[IV]

Is not true Love etc.

[V]

O ΑΣΡΑ! ΑΣΡΑ could'st thou see

Into the bottom of my Heart!

There's such a Mine of Love for Thee—

The Treasure would supply desert.

[VI]

Death erst contemn'd—O ΑΣΡΑ! why

Now terror-stricken do I see—

Oh! I have etc.

THE RASH CONJURER[399:1]

Strong spirit-bidding sounds!

With deep and hollow voice,

'Twixt Hope and Dread,

Seven Times I said

Iohva Mitzoveh          5

Vohoeen![399:2]

And up came an imp in the shape of a

Pea-hen!

I saw, I doubted,

And seven times spouted          10

Johva Mitzoveh

Yahóevohāen!

When Anti-Christ starting up, butting

and bāing,

In the shape of a mischievous curly          15

black Lamb—

With a vast flock of Devils behind

and beside,

And before 'em their Shepherdess

Lucifer's Dam,          20

Riding astride

On an old black Ram,

With Tartary stirrups, knees up to her chin.

And a sleek chrysom imp to her Dugs muzzled in,—

'Gee-up, my old Belzy! (she cried,          25

As she sung to her suckling cub)

Trit-a-trot, trot! we'll go far and wide

Trot, Ram-Devil! Trot! Belzebub!'

Her petticoat fine was of scarlet Brocade,

And soft in her lap her Baby she lay'd          30

With his pretty Nubs of Horns a-

sprouting,

And his pretty little Tail all curly-twirly—

St. Dunstan! and this comes of spouting—

Of Devils what a Hurly-Burly!          35

'Behold we are up! what want'st thou then?'

'Sirs! only that'—'Say when and what'—

You'd be so good'—'Say what and when'

'This moment to get down again!'

'We do it! we do it! we all get down!          40

But we take you with us to swim

or drown!

Down a down to the grim Engulpher!'

'O me! I am floundering in Fire and Sulphur!

That the Dragon had scrounched you, squeal          45

and squall—

Cabbalists! Conjurers! great and small,

Johva Mitzoveh Evohāen and all!

Had I never uttered your jaw-breaking words,

I might now have been sloshing down Junket and Curds,          50

Like a Devonshire Christian:

But now a Philistine!

Ye Earthmen! be warned by a judgement so tragic,

And wipe yourselves cleanly with all books of magic—

Hark! hark! it is Dives! 'Hold your Bother, you Booby!          55

I am burnt ashy white, and you yet are but ruby.'

Epilogue.

We ask and urge (here ends the story)

All Christian Papishes to pray

That this unhappy Conjurer may

Instead of Hell, be but in Purgatory—          60

For then there's Hope,—

Long live the Pope!

Catholicus.

? 1805, ? 1814.

FOOTNOTES:

[399:1] Now first printed from one of Coleridge's Notebooks. The last stanza—the Epilogue—was first published by H. N. Coleridge as part of an 'Uncomposed Poem', in Literary Remains, 1836, i. 52: first collected in Appendix to P. and D. W., 1877-80, ii. 366. There is no conclusive evidence as to the date of composition. The handwriting, and the contents of the Notebook might suggest a date between 1813 and 1816. The verses are almost immediately preceded by a detached note printed at the close of an essay entitled 'Self-love in Religion' which is included among the 'Omniana of 1809', Literary Remains, 1834, i. 354-6: 'O magical, sympathetic, anima! [Archeus, MS.] principium hylarchichum! rationes spermaticæ! λόγοι ποιητικοί! O formidable words! And O Man! thou marvellous beast-angel! thou ambitious beggar! How pompously dost thou trick out thy very ignorance with such glorious disguises, that thou mayest seem to hide in order to worship it.'

With this piece as a whole compare Southey's 'Ballad of a Young Man that would read unlawful Books, and how he was punished'.

[399:2] A cabbalistic invocation of Jehovah, obscure in the original Hebrew. I am informed that the second word Mitzoveh may stand for 'from Sabaoth'.

A CHILD'S EVENING PRAYER[401:1]

Ere on my bed my limbs I lay,

God grant me grace my prayers to say:

O God! preserve my mother dear

In strength and health for many a year;

And, O! preserve my father too,          5

And may I pay him reverence due;

And may I my best thoughts employ

To be my parents' hope and joy;

And O! preserve my brothers both

From evil doings and from sloth,          10

And may we always love each other

Our friends, our father, and our mother:

And still, O Lord, to me impart

An innocent and grateful heart,

That after my great sleep I may          15

Awake to thy eternal day! Amen.

1806.

FOOTNOTES:

[401:1] First published in 1852. A transcript in the handwriting of Mrs. S. T. Coleridge is in the possession of the Editor.

LINENOTES:

[3]

mother] father MS.

[5]

father] mother MS.

[6]

him] her MS.

[7-8]

And may I still my thoughts employ

To be her comfort and her joy

MS.

[9]

O likewise keep MS.

[13]

But chiefly, Lord MS.

[15]

great] last P. W. 1877-80, 1893.

After 16 Our father, &c. MS.

METRICAL FEET[401:2]

LESSON FOR A BOY

Trōchĕe trīps frŏm lōng tŏ shōrt;

From long to long in solemn sort

Slōw Spōndēe stālks; strōng fo͞ot! yet ill able

Ēvĕr tŏ cōme ŭp wĭth Dācty̆l trĭsȳllăblĕ.

Ĭāmbĭcs mārch frŏm shōrt tŏ lōng;—          5

Wĭth ă le͞ap ănd ă bo͞und thĕ swĭft Ānăpæ̆sts thrōng;

One syllable long, with one short at each side,

Ămphībrăchy̆s hāstes wĭth ă stātely̆ stride;—

Fīrst ănd lāst bēĭng lōng, mīddlĕ shōrt, Am̄phĭmācer

Strīkes hĭs thūndērīng ho͞ofs līke ă pro͞ud hīgh-brĕd Rācer.          10

If Derwent be innocent, steady, and wise,

And delight in the things of earth, water, and skies;

Tender warmth at his heart, with these metres to show it,

With sound sense in his brains, may make Derwent a poet,—

May crown him with fame, and must win him the love          15

Of his father on earth and his Father above.

My dear, dear child!

Could you stand upon Skiddaw, you would not from its whole ridge

See a man who so loves you as your fond S. T. COLERIDGE.

1806.

FOOTNOTES:

[401:2] First published in 1834. The metrical lesson was begun for Hartley Coleridge in 1806 and, afterwards, finished or adapted for the use of his brother Derwent. The Editor possesses the autograph of a metrical rendering of the Greek alphabet, entitled 'A Greek Song set to Music, and sung by Hartley Coleridge, Esq., Graecologian, philometrist and philomelist'.

LINENOTES:

Title]: The chief and most usual Metrical Feet expressed in metre and addressed to Hartley Coleridge MS. of Lines 1-7.

FAREWELL TO LOVE[402:1]

Farewell, sweet Love! yet blame you not my truth;

More fondly ne'er did mother eye her child

Than I your form: yours were my hopes of youth,

And as you shaped my thoughts I sighed or smiled.

While most were wooing wealth, or gaily swerving          5

To pleasure's secret haunts, and some apart

Stood strong in pride, self-conscious of deserving,

To you I gave my whole weak wishing heart.

And when I met the maid that realised

Your fair creations, and had won her kindness,          10

Say, but for her if aught on earth I prized!

Your dreams alone I dreamt, and caught your blindness.

O grief!—but farewell, Love! I will go play me

With thoughts that please me less, and less betray me.

1806.

FOOTNOTES:

[402:1] First published in the Courier, September 27, 1806, and reprinted in the Morning Herald, October 11, 1806, and in the Gentleman's Magazine for November, 1815, vol. lxxxv, p. 448: included in Literary Remains, 1836, i. 280, and in Letters, Conversations, &c., [by T. Allsop], 1836, i. 143. First collected, appendix, 1863. This sonnet is modelled upon and in part borrowed from Lord Brooke's (Fulke Greville) Sonnet LXXIV of Coelica: and was inscribed on the margin of Charles Lamb's copy of Certain Learned and Elegant Works of the Right Honourable Fulke Lord Brooke . . . 1633, p. 284.

'Cælica'. Sonnet lxxiv.

Farewell sweet Boy, complaine not of my truth;

Thy Mother lov'd thee not with more devotion;

For to thy Boyes play I gave all my youth

Yong Master, I did hope for your promotion.

While some sought Honours, Princes thoughts observing,

Many woo'd Fame, the child of paine and anguish,

Others judg'd inward good a chiefe deserving,

I in thy wanton Visions joy'd to languish.

I bow'd not to thy image for succession,

Nor bound thy bow to shoot reformed kindnesse,

The playes of hope and feare were my confession

The spectacles to my life was thy blindnesse:

But Cupid now farewell, I will goe play me,

With thoughts that please me lesse, and lesse betray me.

For an adaptation of Sonnet XCIV, entitled 'Lines on a King-and-Emperor-Making King—altered from the 93rd Sonnet of Fulke Greville', vide Appendices of this edition.

LINENOTES:

[1-2]

Farewell my Love! yet blame ye not my Truth;

More fondly never mother ey'd her child

MS. 1806.

Sweet power of Love, farewell! nor blame my truth,

More fondly never Mother ey'd her Child

Courier, M. H.

[4]

And as you wove the dream I sigh'd or smil'd MS. 1806: And as you wove my thoughts, I sigh'd or smil'd Courier, M. H.

[5-7]

While some sought Wealth; others to Pleasure swerving,

Many woo'd Fame: and some stood firm apart

In joy of pride, self-conscious of deserving

MS. 1806, Courier, M. H.

[6]

haunts] haunt L. R., Letters, &c., 1836, 1863.

[8]

weak wishing] weak-wishing Courier, M. H.

[9]

that] who Courier, M. H.

[13]

will] must Courier, M. H.

TO WILLIAM WORDSWORTH[403:1]

COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON

THE GROWTH OF AN INDIVIDUAL MIND

Friend of the wise! and Teacher of the Good!

Into my heart have I received that Lay

More than historic, that prophetic Lay

Wherein (high theme by thee first sung aright)

Of the foundations and the building up          5

Of a Human Spirit thou hast dared to tell

What may be told, to the understanding mind

Revealable; and what within the mind

By vital breathings secret as the soul

Of vernal growth, oft quickens in the heart          10

Thoughts all too deep for words!—

Theme hard as high!

Of smiles spontaneous, and mysterious fears

(The first-born they of Reason and twin-birth),

Of tides obedient to external force,

And currents self-determined, as might seem,          15

Or by some inner Power; of moments awful,

Now in thy inner life, and now abroad,

When power streamed from thee, and thy soul received

The light reflected, as a light bestowed—

Of fancies fair, and milder hours of youth,          20

Hyblean murmurs of poetic thought

Industrious in its joy, in vales and glens

Native or outland, lakes and famous hills!

Or on the lonely high-road, when the stars

Were rising; or by secret mountain-streams,          25

The guides and the companions of thy way!

Of more than Fancy, of the Social Sense

Distending wide, and man beloved as man,

Where France in all her towns lay vibrating

Like some becalméd bark beneath the burst          30

Of Heaven's immediate thunder, when no cloud

Is visible, or shadow on the main.

For thou wert there, thine own brows garlanded,

Amid the tremor of a realm aglow,

Amid a mighty nation jubilant,          35

When from the general heart of human kind

Hope sprang forth like a full-born Deity!

——Of that dear Hope afflicted and struck down,

So summoned homeward, thenceforth calm and sure

From the dread watch-tower of man's absolute self,          40

With light unwaning on her eyes, to look

Far on—herself a glory to behold,

The Angel of the vision! Then (last strain)

Of Duty, chosen Laws controlling choice,

Action and joy!—An Orphic song indeed,          45

A song divine of high and passionate thoughts

To their own music chaunted!

O great Bard!

Ere yet that last strain dying awed the air,

With stedfast eye I viewed thee in the choir

Of ever-enduring men. The truly great          50

Have all one age, and from one visible space

Shed influence! They, both in power and act,

Are permanent, and Time is not with them,

Save as it worketh for them, they in it.

Nor less a sacred Roll, than those of old,          55

And to be placed, as they, with gradual fame

Among the archives of mankind, thy work

Makes audible a linkéd lay of Truth,

Of Truth profound a sweet continuous lay,

Not learnt, but native, her own natural notes!          60

Ah! as I listened with a heart forlorn,

The pulses of my being beat anew:

And even as Life returns upon the drowned,

Life's joy rekindling roused a throng of pains—

Keen pangs of Love, awakening as a babe          65

Turbulent, with an outcry in the heart;

And fears self-willed, that shunned the eye of Hope;

And Hope that scarce would know itself from Fear;

Sense of past Youth, and Manhood come in vain,

And Genius given, and Knowledge won in vain;          70

And all which I had culled in wood-walks wild,

And all which patient toil had reared, and all,

Commune with thee had opened out—but flowers

Strewed on my corse, and borne upon my bier,

In the same coffin, for the self-same grave!          75

That way no more! and ill beseems it me,

Who came a welcomer in herald's guise,

Singing of Glory, and Futurity,

To wander back on such unhealthful road,

Plucking the poisons of self-harm! And ill          80

Such intertwine beseems triumphal wreaths

Strew'd before thy advancing!

Nor do thou,

Sage Bard! impair the memory of that hour

Of thy communion with my nobler mind

By pity or grief, already felt too long!          85

Nor let my words import more blame than needs.

The tumult rose and ceased: for Peace is nigh

Where Wisdom's voice has found a listening heart.

Amid the howl of more than wintry storms,

The Halcyon hears the voice of vernal hours          90

Already on the wing.

Eve following eve,

Dear tranquil time, when the sweet sense of Home

Is sweetest! moments for their own sake hailed

And more desired, more precious, for thy song,

In silence listening, like a devout child,          95

My soul lay passive, by thy various strain

Driven as in surges now beneath the stars,

With momentary stars of my own birth,

Fair constellated foam,[408:1] still darting off

Into the darkness; now a tranquil sea,          100

Outspread and bright, yet swelling to the moon.

And when—O Friend! my comforter and guide!

Strong in thyself, and powerful to give strength!—

Thy long sustainéd Song finally closed,

And thy deep voice had ceased—yet thou thyself          105

Wert still before my eyes, and round us both

That happy vision of belovéd faces—

Scarce conscious, and yet conscious of its close

I sate, my being blended in one thought

(Thought was it? or aspiration? or resolve?)          110

Absorbed, yet hanging still upon the sound—

And when I rose, I found myself in prayer.

January, 1807.

FOOTNOTES:

[403:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, 1834. The poem was sent in a Letter to Sir G. Beaumont dated January, 1807, and in this shape was first printed by Professor Knight in Coleorton Letters, 1887, i. 213-18; and as Appendix H, pp. 525-6, of P. W., 1893 (MS. B.). An earlier version of about the same date was given to Wordsworth, and is now in the possession of his grandson, Mr. Gordon Wordsworth (MS. W.). The text of Sibylline Leaves differs widely from that of the original MSS. Lines 11-47 are quoted in a Letter to Wordsworth, dated May 30, 1815 (Letters of S. T. C., 1895, i. 646-7), and lines 65-75 at the end of Chapter X of the Biographia Literaria, 1817, i. 220.

[408:1] 'A beautiful white cloud of Foam at momentary intervals coursed by the side of the Vessel with a Roar, and little stars of flame danced and sparkled and went out in it: and every now and then light detachments of this white cloud-like foam dashed off from the vessel's side, each with its own small constellation, over the Sea, and scoured out of sight like a Tartar Troop over a wilderness.' The Friend, p. 220. [From Satyrane's First Letter, published in The Friend, No. 14, Nov. 23, 1809.]

LINENOTES:

Title] To W. Wordsworth. Lines Composed, for the greater part on the Night, on which he finished the recitation of his Poem (in thirteen Books) concerning the growth and history of his own Mind, Jan. 7, 1807, Cole-orton, near Ashby de la Zouch MS. W.: To William Wordsworth. Composed for the greater part on the same night after the finishing of his recitation of the Poem in thirteen Books, on the Growth of his own Mind MS. B.: To a Gentleman, &c. S. L. 1828, 1829.

[1]

O Friend! O Teacher! God's great gift to me! MSS. W., B.

Between 5-13

Of thy own Spirit, thou hast lov'd to tell

What may be told, to th' understanding mind

Revealable; and what within the mind

May rise enkindled. Theme as hard as high!

Of Smiles spontaneous and mysterious Fear.

MS. W.

Of thy own spirit thou hast loved to tell

What may be told, by words revealable;

With heavenly breathings, like the secret soul

Of vernal growth, oft quickening in the heart,

Thoughts that obey no mastery of words,

Pure self-beholdings! theme as hard as high,

Of smiles spontaneous and mysterious fear.

MS. B.

[9]

By vital breathings like the secret soul S. L. 1828.

[16]

Or by interior power MS. W: Or by some central breath MS. Letter, 1815.

[17]

inner] hidden MSS. W., B.

Between 17-41

Mid festive crowds, thy Brows too garlanded,

A Brother of the Feast: of Fancies fair,

Hyblaean murmurs of poetic Thought,

Industrious in its Joy, by lilied Streams

Native or outland, Lakes and famous Hills!

Of more than Fancy, of the Hope of Man

Amid the tremor of a Realm aglow—

Where France in all her Towns lay vibrating

Ev'n as a Bark becalm'd on sultry seas

Beneath the voice from Heav'n, the bursting crash

Of Heaven's immediate thunder! when no cloud

Is visible, or Shadow on the Main!

Ah! soon night roll'd on night, and every Cloud

Open'd its eye of Fire: and Hope aloft

Now flutter'd, and now toss'd upon the storm

Floating! Of Hope afflicted and struck down

Thence summoned homeward—homeward to thy Heart,

Oft from the Watch-tower of Man's absolute self,

With light, &c.

MS. W.

[27]

social sense MS. B.

[28]

Distending, and of man MS. B.

[29-30]

Even as a bark becalm'd on sultry seas

Quivers beneath the voice from Heaven, the burst

MS. B.

[30]

Ev'n as a bark becalm'd beneath the burst

MS. Letter, 1815, S. L. 1828.

[33]

thine] thy MS. B., MS. Letter, 1815.

[37]

a full-born] an arméd MS. B.

[38]

Of that dear hope afflicted and amazed MS. Letter, 1815.

[39]

So homeward summoned MS. Letter, 1815.

[40]

As from the watch-tower MS. B.

[44]

controlling] ? impelling, ? directing MS. W.

[45-6]

Virtue and Love—an Orphic Tale indeed

A Tale divine

MS. W.

[45]

song] tale MS. B.

[46]

song] tale MS. B. thoughts] truths MS. Letter, 1815.

[47-9]

Ah! great Bard

Ere yet that last swell dying aw'd the air

With stedfast ken I viewed thee in the choir

MS. W.

[48]

that] the MS. B.

[49]

With steadfast eyes I saw thee MS. B.

[52]

for they, both power and act MS. B.

[53]

them] them S. L. 1828, 1829.

[54]

for them, they in it S. L. 1828, 1829.

[58]

lay] song MSS. W., B.

[59]

lay] song MSS. W., B.

61 foll.

Dear shall it be to every human heart,

To me how more than dearest! me, on whom

Comfort from thee, and utterance of thy love,

Came with such heights and depths of harmony,

Such sense of wings uplifting, that the storm          5

Scatter'd and whirl'd me, till my thoughts became

A bodily tumult; and thy faithful hopes,

Thy hopes of me, dear Friend! by me unfelt!

Were troublous to me, almost as a voice,

Familiar once, and more than musical;          10

To one cast forth, whose hope had seem'd to die

A wanderer with a worn-out heart

Mid strangers pining with untended wounds.

O Friend, too well thou know'st, of what sad years

The long suppression had benumb'd my soul,          15

That even as life returns upon the drown'd,

The unusual joy awoke a throng of pains—

Keen pangs, &c.

MSS. B, W with the following variants:—

ll. 5-6

Such sense of wings uplifting, that its might

Scatter'd and quell'd me—

MS. B.

ll. 11, 12

As a dear woman's voice to one cast forth

A wanderer with a worn-out heart forlorn.

[73]

thee] thee S. L. 1828, 1829.

[74]

Strewed] Strewn MS. B., 1828, 1829.

[82]

thy] thy S. L. 1828, 1829.

[82-3]

Thou too, Friend!

O injure not the memory of that hour

MS. W.

Thou too, Friend!

Impair thou not the memory of that Hour

MS. B.

[93]

Becomes most sweet! hours for their own sake hail'd MS. W.

[96]

thy] the MS. B.

[98]

my] her MS. B.

[102]

and] my MSS. W., B.

[104]

Song] lay MS. W.

[106]

my] mine MSS. W., B.

Between 107-8

(All whom I deepliest love—in one room all!)

MSS. W., B.

AN ANGEL VISITANT[409:1]

Within these circling hollies woodbine-clad—

Beneath this small blue roof of vernal sky—

How warm, how still! Tho' tears should dim mine eye,

Yet will my heart for days continue glad,

For here, my love, thou art, and here am I!

? 1801.

FOOTNOTES:

[409:1] First published in Literary Remains, 1836, i. 280. First collected in P. and D. W., 1877-80. The title was prefixed to the Poems of Coleridge (illustrated edition), 1907. This 'exquisite fragment . . . was probably composed as the opening of Recollections of Love, and abandoned on account of a change of metre.'—Editor's Note, 1893 (p. 635). It is in no way a translation, but the thought or idea was suggested by one of the German stanzas which Coleridge selected and copied into one of his Notebooks as models or specimens of various metres. For the original, vide Appendices of this edition.

RECOLLECTIONS OF LOVE[409:2]

I

How warm this woodland wild Recess!

Love surely hath been breathing here;

And this sweet bed of heath, my dear!

Swells up, then sinks with faint caress,

As if to have you yet more near.          5

II

Eight springs have flown, since last I lay

On sea-ward Quantock's heathy hills,

Where quiet sounds from hidden rills

Float here and there, like things astray,

And high o'er head the sky-lark shrills.          10

III

No voice as yet had made the air

Be music with your name; yet why

That asking look? that yearning sigh?

That sense of promise every where?

Beloved! flew your spirit by?          15

IV

As when a mother doth explore

The rose-mark on her long-lost child,

I met, I loved you, maiden mild!

As whom I long had loved before—

So deeply had I been beguiled.          20

V

You stood before me like a thought,

A dream remembered in a dream.

But when those meek eyes first did seem

To tell me, Love within you wrought—

O Greta, dear domestic stream!          25

VI

Has not, since then, Love's prompture deep,

Has not Love's whisper evermore

Been ceaseless, as thy gentle roar?

Sole voice, when other voices sleep,

Dear under-song in clamor's hour.          30

1807.

FOOTNOTES:

[409:2] First published in Sibylline Leaves, 1817: included in 1828, 1829, and 1834. It is impossible to fix the date of composition, though internal evidence points to July, 1807, when Coleridge revisited Stowey after a long absence. The first stanza, a variant of the preceding fragment, is introduced into a prose fancy, entitled 'Questions and Answers in the Court of Love', of uncertain date, but perhaps written at Malta in 1805 (vide Appendices of this edition). A first draft of stanzas 1-4 (vide supra) is included in the collection of metrical experiments and metrical schemes, modelled on German and Italian originals, which seems to have been begun in 1801, with a view to a projected 'Essay on Metre'. Stanzas 5, 6 are not contemporary with stanzas 1-4, and, perhaps, date from 1814, 1815, when Sibylline Leaves were being prepared for the press.

TO TWO SISTERS[410:1]

[MARY MORGAN AND CHARLOTTE BRENT]

A WANDERER'S FAREWELL

To know, to esteem, to love,—and then to part—

Makes up life's tale to many a feeling heart;

Alas for some abiding-place of love,

O'er which my spirit, like the mother dove,

Might brood with warming wings!

O fair! O kind!          5

Sisters in blood, yet each with each intwined

More close by sisterhood of heart and mind!

Me disinherited in form and face

By nature, and mishap of outward grace;

Who, soul and body, through one guiltless fault          10

Waste daily with the poison of sad thought,

Me did you soothe, when solace hoped I none!

And as on unthaw'd ice the winter sun,

Though stern the frost, though brief the genial day,

You bless my heart with many a cheerful ray;          15

For gratitude suspends the heart's despair,

Reflecting bright though cold your image there.

Nay more! its music by some sweeter strain

Makes us live o'er our happiest hours again,

Hope re-appearing dim in memory's guise—          20

Even thus did you call up before mine eyes

Two dear, dear Sisters, prized all price above,

Sisters, like you, with more than sisters' love;

So like you they, and so in you were seen

Their relative statures, tempers, looks, and mien,          25

That oft, dear ladies! you have been to me

At once a vision and reality.

Sight seem'd a sort of memory, and amaze

Mingled a trouble with affection's gaze.

Oft to my eager soul I whisper blame,          30

A Stranger bid it feel the Stranger's shame—

My eager soul, impatient of the name,

No strangeness owns, no Stranger's form descries:

The chidden heart spreads trembling on the eyes.

First-seen I gazed, as I would look you thro'!          35

My best-beloved regain'd their youth in you,—

And still I ask, though now familiar grown,

Are you for their sakes dear, or for your own?

O doubly dear! may Quiet with you dwell!

In Grief I love you, yet I love you well!          40

Hope long is dead to me! an orphan's tear

Love wept despairing o'er his nurse's bier.

Yet still she flutters o'er her grave's green slope:

For Love's despair is but the ghost of Hope!

Sweet Sisters! were you placed around one hearth          45

With those, your other selves in shape and worth,

Far rather would I sit in solitude,

Fond recollections all my fond heart's food,

And dream of you, sweet Sisters! (ah! not mine!)

And only dream of you (ah! dream and pine!)          50

Than boast the presence and partake the pride,

And shine in the eye, of all the world beside.

1807.

FOOTNOTES:

[410:1] First published in The Courier, December 10, 1807, with the signature SIESTI. First collected in P. and D. W., 1877-80. The following abbreviated and altered version was included in P. W., 1834, 1844, and 1852, with the heading 'On taking Leave of —— 1817':—

To know, to esteem, to love—and then to part,

Makes up life's tale to many a feeling heart!

O for some dear abiding-place of Love,

O'er which my spirit, like the mother dove

Might brood with warming wings!—O fair as kind,

Were but one sisterhood with you combined,

(Your very image they in shape and mind)

Far rather would I sit in solitude,

The forms of memory all my mental food,

And dream of you, sweet sisters, (ah, not mine!)

And only dream of you (ah dream and pine!)

Than have the presence, and partake the pride,

And shine in the eye of all the world beside!

PSYCHE[412:1]

The butterfly the ancient Grecians made

The soul's fair emblem, and its only name—[412:2]

But of the soul, escaped the slavish trade

Of mortal life!—For in this earthly frame

Ours is the reptile's lot, much toil, much blame,          5

Manifold motions making little speed,

And to deform and kill the things whereon we feed.

1808.

FOOTNOTES:

[412:1] First published with a prefatory note:—'The fact that in Greek Psyche is the common name for the soul, and the butterfly, is thus alluded to in the following stanzas from an unpublished poem of the Author', in the Biographia Literaria, 1817, i. 82, n.: included (as No. II of 'Three Scraps') in Amulet, 1833: Lit. Rem., 1836, i. 53. First collected in 1844. In Lit. Rem. and 1844 the poem is dated 1808.

[412:2] Psyche means both Butterfly and Soul. Amulet, 1833.

In some instances the Symbolic and Onomastic are united as in Psyche = Anima et papilio. MS. S. T. C. (Hence the word 'name' was italicised in the MS.)

LINENOTES:

Title] The Butterfly Amulet, 1833, 1877-81, 1893.

[4]

Of earthly life. For in this fleshly frame MS. S. T. C.: Of earthly life! For, in this mortal frame Amulet, 1833, 1893.

A TOMBLESS EPITAPH[413:1]

'Tis true, Idoloclastes Satyrane!

(So call him, for so mingling blame with praise,

And smiles with anxious looks, his earliest friends,

Masking his birth-name, wont to character

His wild-wood fancy and impetuous zeal,)          5

'Tis true that, passionate for ancient truths,

And honouring with religious love the Great

Of elder times, he hated to excess,

With an unquiet and intolerant scorn,

The hollow Puppets of a hollow Age,          10

Ever idolatrous, and changing ever

Its worthless Idols! Learning, Power, and Time,

(Too much of all) thus wasting in vain war

Of fervid colloquy. Sickness, 'tis true,

Whole years of weary days, besieged him close,          15

Even to the gates and inlets of his life!

But it is true, no less, that strenuous, firm,

And with a natural gladness, he maintained

The citadel unconquered, and in joy

Was strong to follow the delightful Muse.          20

For not a hidden path, that to the shades

Of the beloved Parnassian forest leads,

Lurked undiscovered by him; not a rill

There issues from the fount of Hippocrene,

But he had traced it upward to its source,          25

Through open glade, dark glen, and secret dell,

Knew the gay wild flowers on its banks, and culled

Its med'cinable herbs. Yea, oft alone,

Piercing the long-neglected holy cave,

The haunt obscure of old Philosophy,          30

He bade with lifted torch its starry walls

Sparkle, as erst they sparkled to the flame

Of odorous lamps tended by Saint and Sage.

O framed for calmer times and nobler hearts!

O studious Poet, eloquent for truth!          35

Philosopher! contemning wealth and death,

Yet docile, childlike, full of Life and Love!

Here, rather than on monumental stone,

This record of thy worth thy Friend inscribes,

Thoughtful, with quiet tears upon his cheek.          40

? 1809.

FOOTNOTES:

[413:1] First published in The Friend, No. XIV, November 23, 1809. There is no title or heading to the poem, which occupies the first page of the number, but a footnote is appended:—'Imitated, though in the movements rather than the thoughts, from the viith, of Gli Epitafi of Chiabrera:

Fu ver, che Ambrosio Salinero a torto

Si pose in pena d'odiose liti,' &c.

Included in Sibylline Leaves, 1817, 1828, 1829, 1834. Sir Satyrane, 'A Satyres son yborne in forrest wylde' (Spenser's Faery Queene, Bk. I, C. vi, l. 21) rescues Una from the violence of Sarazin. Coleridge may have regarded Satyrane as the anonymn of Luther. Idoloclast, as he explains in the preface to 'Satyrane's Letters', is a 'breaker of idols'.

LINENOTES:

[10]

a] an Friend, 1809, S. L. 1828, 1829.

[16]

inlets] outlets Friend, 1809.

[37]

Life] light The Friend, 1809.

FOR A MARKET-CLOCK[414:1]

(IMPROMPTU)

What now, O Man! thou dost or mean'st to do

Will help to give thee peace, or make thee rue,

When hovering o'er the Dot this hand shall tell

The moment that secures thee Heaven or Hell!

1809.

FOOTNOTES:

[414:1] Sent in a letter to T. Poole, October 9, 1809, and transferred to one of Coleridge's Notebooks with the heading 'Inscription proposed on a Clock in a market place': included in 'Omniana' of 1809-16 (Literary Remains, 1836, i. 347) with the erroneous title 'Inscription on a Clock in Cheapside'. First collected in 1893.

What now thou do'st, or art about to do,

Will help to give thee peace, or make thee rue;

When hov'ring o'er the line this hand will tell

The last dread moment—'twill be heaven or hell.

Read for the last two lines:—

When wav'ring o'er the dot this hand shall tell

The moment that secures thee Heaven or Hell.

MS. Lit. Rem.

THE MADMAN AND THE LETHARGIST[414:2]

AN EXAMPLE

Quoth Dick to me, as once at College

We argued on the use of knowledge;—

'In old King Olim's reign, I've read,

There lay two patients in one bed.

The one in fat lethargic trance,          5

Lay wan and motionless as lead:

The other, (like the Folks in France),

Possess'd a different disposition—

In short, the plain truth to confess,

The man was madder than Mad Bess!          10

But both diseases, none disputed,

Were unmedicinably rooted;

Yet, so it chanc'd, by Heaven's permission,

Each prov'd the other's true physician.

'Fighting with a ghostly stare          15

Troops of Despots in the air,

Obstreperously Jacobinical,

The madman froth'd, and foam'd, and roar'd:

The other, snoring octaves cynical,

Like good John Bull, in posture clinical,          20

Seem'd living only when he snor'd.

The Citizen enraged to see

This fat Insensibility,

Or, tir'd with solitary labour,

Determin'd to convert his neighbour;          25

So up he sprang and to 't he fell,

Like devil piping hot from hell,

With indefatigable fist

Belabr'ing the poor Lethargist;

Till his own limbs were stiff and sore,          30

And sweat-drops roll'd from every pore:—

Yet, still, with flying fingers fleet,

Duly accompanied by feet,

With some short intervals of biting,

He executes the self-same strain,          35

Till the Slumberer woke for pain,

And half-prepared himself for fighting—

That moment that his mad Colleague

Sunk down and slept thro' pure fatigue.

So both were cur'd—and this example          40

Gives demonstration full and ample—

That Chance may bring a thing to bear,

Where Art sits down in blank despair.'

'That's true enough, Dick,' answer'd I,

'But as for the Example, 'tis a lie.'          45

? 1809

FOOTNOTES:

[414:2] Now published for the first time from one of Coleridge's Notebooks. The use of the party catchword 'Citizen' and the allusion to 'Folks in France' would suggest 1796-7 as a probable date, but the point or interpretation of the 'Example' was certainly in Coleridge's mind when he put together the first number of The Friend, published June 1, 1809:—'Though all men are in error, they are not all in the same error, nor at the same time . . . each therefore may possibly heal the other . . . even as two or more physicians, all diseased in their general health, yet under the immediate action of the disease on different days, may remove or alleviate the complaints of each other.'

THE VISIONARY HOPE[416:1]

Sad lot, to have no Hope! Though lowly kneeling

He fain would frame a prayer within his breast,

Would fain entreat for some sweet breath of healing,

That his sick body might have ease and rest;

He strove in vain! the dull sighs from his chest          5

Against his will the stifling load revealing,

Though Nature forced; though like some captive guest,

Some royal prisoner at his conqueror's feast,

An alien's restless mood but half concealing,

The sternness on his gentle brow confessed,          10

Sickness within and miserable feeling:

Though obscure pangs made curses of his dreams,

And dreaded sleep, each night repelled in vain,

Each night was scattered by its own loud screams:

Yet never could his heart command, though fain,          15

One deep full wish to be no more in pain.

That Hope, which was his inward bliss and boast,

Which waned and died, yet ever near him stood,

Though changed in nature, wander where he would—

For Love's Despair is but Hope's pining Ghost!          20

For this one hope he makes his hourly moan,

He wishes and can wish for this alone!

Pierced, as with light from Heaven, before its gleams

(So the love-stricken visionary deems)

Disease would vanish, like a summer shower,          25

Whose dews fling sunshine from the noon-tide bower!

Or let it stay! yet this one Hope should give

Such strength that he would bless his pains and live.

? 1810.

FOOTNOTES:

[416:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, and 1834.

LINENOTES:

[22]

can] can S. L. 1828, 1829.

EPITAPH ON AN INFANT[417:1]

Its balmy lips the infant blest

Relaxing from its Mother's breast,

How sweet it heaves the happy sigh

Of innocent satiety!

And such my Infant's latest sigh!          5

Oh tell, rude stone! the passer by,

That here the pretty babe doth lie,

Death sang to sleep with Lullaby.

1811.

FOOTNOTES:

[417:1] First published, with the signature 'Aphilos,' in the Courier, Wednesday, March 20, 1811: included in Sibylline Leaves, 1817, and in 1828, 1829, and 1834.

LINENOTES:

[1]

balmy] milky Courier, 1811.

[5]

Infant's] darling's Courier, 1811.

[6]

Tell simple stone Courier, 1811.

[7]

the] a Courier, 1811.

THE VIRGIN'S CRADLE-HYMN[417:2]

COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC

VILLAGE IN GERMANY

Dormi, Jesu! Mater ridet

Quae tam dulcem somnum videt,

Dormi, Jesu! blandule!

Si non dormis, Mater plorat,

Inter fila cantans orat,          5

Blande, veni, somnule.

ENGLISH[417:3]

Sleep, sweet babe! my cares beguiling:

Mother sits beside thee smiling;

Sleep, my darling, tenderly!

If thou sleep not, mother mourneth,          10

Singing as her wheel she turneth:

Come, soft slumber, balmily!

1811.

FOOTNOTES:

[417:2] First published as from 'A Correspondent in Germany' in the Morning Post, December 26, 1801.

[417:3] First published with the Latin in the Courier, August 30, 1811, with the following introduction:—'About thirteen years ago or more, travelling through the middle parts of Germany I saw a little print of the Virgin and Child in the small public house of a Catholic Village, with the following beautiful Latin lines under it, which I transcribed. They may be easily adapted to the air of the famous Sicilian Hymn, Adeste fideles, laeti triumphantes, by the omission of a few notes.' First collected in Sibylline Leaves, 1817: included in 1828, 1829, and 1834.

LINENOTES:

Title—In a Roman Catholic] In a Catholic S. L., 1828, 1829.

TO A LADY[418:1]

OFFENDED BY A SPORTIVE OBSERVATION

THAT WOMEN HAVE NO SOULS

Nay, dearest Anna! why so grave?

I said, you had no soul, 'tis true!

For what you are, you cannot have:

'Tis I, that have one since I first had you!

? 1811.

FOOTNOTES:

[418:1] First published in Omniana (1812), i. 238; 'as a playful illustration of the distinction between To have and to be.' First collected in 1828: included in 1829 and 1834.

LINENOTES:

In line 3 'are', 'have', and in line 4 'have', 'you', are italicized in all editions except 1834.

REASON FOR LOVE'S BLINDNESS[418:2]

I have heard of reasons manifold

Why Love must needs be blind,

But this the best of all I hold—

His eyes are in his mind.

What outward form and feature are          5

He guesseth but in part;

But that within is good and fair

He seeth with the heart.

? 1811.

FOOTNOTES:

[418:2] First published in 1828: included in 1829 and 1834.

LINENOTES:

Title] In 1828, 1829, 1834 these stanzas are printed without a title, but are divided by a space from Lines to a Lady. The title appears first in 1893.

THE SUICIDE'S ARGUMENT[419:1]

Ere the birth of my life, if I wished it or no,

No question was asked me—it could not be so!

If the life was the question, a thing sent to try,

And to live on be Yes; what can No be? to die.

NATURE'S ANSWER

Is't returned, as 'twas sent? Is't no worse for the wear?          5

Think first, what you are! Call to mind what you were!

I gave you innocence, I gave you hope,

Gave health, and genius, and an ample scope.

Return you me guilt, lethargy, despair?

Make out the invent'ry; inspect, compare!          10

Then die—if die you dare!

1811.

FOOTNOTES:

[419:1] First published in 1828: included in 1829 and 1884. In a Notebook of (?) 1811 these lines are preceded by the following couplet:—

Complained of, complaining, there shov'd and here shoving,

Every one blaming me, ne'er a one loving.

LINENOTES:

[4]

Yes] YES 1828, 1829.

[6]

are] ARE 1828, 1829. were] WERE 1828, 1829.

TIME, REAL AND IMAGINARY[419:2]

AN ALLEGORY

On the wide level of a mountain's head,

(I knew not where, but 'twas some faery place)

Their pinions, ostrich-like, for sails out-spread,

Two lovely children run an endless race,

A sister and a brother!          5

This far outstripp'd the other;

Yet ever runs she with reverted face.

And looks and listens for the boy behind:

For he, alas! is blind!

O'er rough and smooth with even step he passed,          10

And knows not whether he be first or last.

? 1812.

FOOTNOTES:

[419:2] First published in Sibylline Leaves, 1817, in the preliminary matter, p. v: included in 1828, 1829, and 1834. In the 'Preface' to Sibylline Leaves, p. iii, an apology is offered for its insertion on the plea that it was a 'school boy poem' added 'at the request of the friends of my youth'. The title is explained as follows:—'By imaginary Time, I meant the state of a school boy's mind when on his return to school he projects his being in his day dreams, and lives in his next holidays, six months hence; and this I contrasted with real Time.' In a Notebook of (?) 1811 there is an attempt to analyse and illustrate the 'sense of Time', which appears to have been written before the lines as published in Sibylline Leaves took shape: 'How marked the contrast between troubled manhood and joyously-active youth in the sense of time! To the former, time like the sun in an empty sky is never seen to move, but only to have moved. There, there it was, and now 'tis here, now distant! yet all a blank between. To the latter it is as the full moon in a fine breezy October night, driving on amid clouds of all shapes and hues, and kindling shifting colours, like an ostrich in its speed, and yet seems not to have moved at all. This I feel to be a just image of time real and time as felt, in two different states of being. The title of the poem therefore (for poem it ought to be) should be time real and time felt (in the sense of time) in active youth, or activity with hope and fullness of aim in any period, and in despondent, objectless manhood—time objective and subjective.' Anima Poetae, 1895, pp. 241-2.

AN INVOCATION[420:1]

FROM REMORSE

[Act III, Scene i. ll. 69-82.]

Hear, sweet Spirit, hear the spell,

Lest a blacker charm compel!

So shall the midnight breezes swell

With thy deep long-lingering knell.

And at evening evermore,          5

In a chapel on the shore,

Shall the chaunter, sad and saintly,

Yellow tapers burning faintly,

Doleful masses chaunt for thee,

Miserere Domine!          10

Hush! the cadence dies away

On the quiet moonlight sea:

The boatmen rest their oars and say,

Miserere Domine!

1812.

FOOTNOTES:

[420:1] First published in Remorse, 1813. First collected, 1844.

LINENOTES:

[7]

chaunter] chaunters 1813, 1828, 1839, 1893.

[12]

quiet] yellow 1813, 1828, 1829.

THE NIGHT-SCENE[421:1]

A DRAMATIC FRAGMENT

Sandoval. You loved the daughter of Don Manrique?

Earl Henry.                                                 Loved?

Sand. Did you not say you wooed her?

Earl H.                                     Once I loved

Her whom I dared not woo!

Sand.                        And wooed, perchance,

One whom you loved not!

Earl H.                   Oh! I were most base,

Not loving Oropeza. True, I wooed her,          5

Hoping to heal a deeper wound; but she

Met my advances with impassioned pride,

That kindled love with love. And when her sire,

Who in his dream of hope already grasped

The golden circlet in his hand, rejected          10

My suit with insult, and in memory

Of ancient feuds poured curses on my head,

Her blessings overtook and baffled them!

But thou art stern, and with unkindly countenance

Art inly reasoning whilst thou listenest to me.          15

Sand. Anxiously, Henry! reasoning anxiously.

But Oropeza—

Earl H.         Blessings gather round her!

Within this wood there winds a secret passage,

Beneath the walls, which opens out at length

Into the gloomiest covert of the garden.—          20

The night ere my departure to the army,

She, nothing trembling, led me through that gloom,

And to that covert by a silent stream,

Which, with one star reflected near its marge,

Was the sole object visible around me.          25

No leaflet stirred; the air was almost sultry;

So deep, so dark, so close, the umbrage o'er us!

No leaflet stirred;—yet pleasure hung upon

The gloom and stillness of the balmy night-air.

A little further on an arbour stood,          30

Fragrant with flowering trees—I well remember

What an uncertain glimmer in the darkness

Their snow-white blossoms made—thither she led me,

To that sweet bower! Then Oropeza trembled—

I heard her heart beat—if 'twere not my own.          35

Sand. A rude and soaring note, my friend!

Earl H.                                        Oh! no!

I have small memory of aught but pleasure.

The inquietudes of fear, like lesser streams

Still flowing, still were lost in those of love:

So love grew mightier from the fear, and Nature,          40

Fleeing from Pain, sheltered herself in Joy.

The stars above our heads were dim and steady,

Like eyes suffused with rapture. Life was in us:

We were all life, each atom of our frames

A living soul—I vowed to die for her:          45

With the faint voice of one who, having spoken,

Relapses into blessedness, I vowed it:

That solemn vow, a whisper scarcely heard,

A murmur breathed against a lady's ear.

Oh! there is joy above the name of pleasure.          50

Deep self-possession, an intense repose.

Sand. (with a sarcastic smile). No other than as eastern sages paint,

The God, who floats upon a Lotos leaf,

Dreams for a thousand ages; then awaking,

Creates a world, and smiling at the bubble,          55

Relapses into bliss.

Earl H.            Ah! was that bliss

Feared as an alien, and too vast for man?

For suddenly, impatient of its silence,

Did Oropeza, starting, grasp my forehead.

I caught her arms; the veins were swelling on them.          60

Through the dark bower she sent a hollow voice;—

'Oh! what if all betray me? what if thou?'

I swore, and with an inward thought that seemed

The purpose and the substance of my being,

I swore to her, that were she red with guilt,          65

I would exchange my unblenched state with hers.—

Friend! by that winding passage, to that bower

I now will go—all objects there will teach me

Unwavering love, and singleness of heart.

Go, Sandoval! I am prepared to meet her—          70

Say nothing of me—I myself will seek her—

Nay, leave me, friend! I cannot bear the torment

And keen inquiry of that scanning eye.—

[Earl Henry retires into the wood.

Sand. (alone). O Henry! always striv'st thou to be great

By thine own act—yet art thou never great          75

But by the inspiration of great passion.

The whirl-blast comes, the desert-sands rise up

And shape themselves; from Earth to Heaven they stand,

As though they were the pillars of a temple,

Built by Omnipotence in its own honour!          80

But the blast pauses, and their shaping spirit

Is fled: the mighty columns were but sand,

And lazy snakes trail o'er the level ruins!

1813.

FOOTNOTES:

[421:1] First published in its present state in Sibylline Leaves, 1817: included in 1828, 1829, and 1834. For an earlier draft, forming part of an 'Historic Drama in Five Acts' (unfinished) entitled The Triumph of Loyalty, 1801, vide Appendices of this edition. A prose sketch without title or heading is contained in one of Coleridge's earliest notebooks.

LINENOTES:

[14]

unkindly] unkindling 1893.

[23]

And to the covert by that silent stream S. L., corrected in Errata, p. [xi].

[24]

near] o'er S. L., corrected in Errata, p. [xi].

A HYMN[423:1]

My Maker! of thy power the trace

In every creature's form and face

The wond'ring soul surveys:

Thy wisdom, infinite above

Seraphic thought, a Father's love          5

As infinite displays!

From all that meets or eye or ear,

There falls a genial holy fear

Which, like the heavy dew of morn,

Refreshes while it bows the heart forlorn!          10

Great God! thy works how wondrous fair!

Yet sinful man didst thou declare

The whole Earth's voice and mind!

Lord, ev'n as Thou all-present art,

O may we still with heedful heart          15

Thy presence know and find!

Then, come what will, of weal or woe,

Joy's bosom-spring shall steady flow;

For though 'tis Heaven THYSELF to see,

Where but thy Shadow falls, Grief cannot be!—          20

1814.

FOOTNOTES:

[423:1] First published in Poems, 1852. The MS. was placed in the hands of the Editors by J. W. Wilkins, Esq., of Trinity Hall, Cambridge. 'The accompanying autograph,' writes Mr. Wilkins, 'dated 1814, and addressed to Mrs. Hood of Brunswick Square, was given not later than the year 1817 to a relative of my own who was then residing at Clifton (and was, at the time at which it passed into his hands, an attendant on Mr. Coleridge's lectures, which were in course of delivery at that place), either by the lady to whom it is addressed, or by some other friend of Mr. Coleridge.' 1852, Notes, p. 385.

TO A LADY[424:1]

WITH FALCONER'S SHIPWRECK

Ah! not by Cam or Isis, famous streams,

In archéd groves, the youthful poet's choice;

Nor while half-listening, 'mid delicious dreams,

To harp and song from lady's hand and voice;

Not yet while gazing in sublimer mood          5

On cliff, or cataract, in Alpine dell;

Nor in dim cave with bladdery sea-weed strewed.

Framing wild fancies to the ocean's swell;

Our sea-bard sang this song! which still he sings,

And sings for thee, sweet friend! Hark, Pity, hark!          10

Now mounts, now totters on the tempest's wings,

Now groans, and shivers, the replunging bark!

'Cling to the shrouds!' In vain! The breakers roar—

Death shrieks! With two alone of all his clan

Forlorn the poet paced the Grecian shore,          15

No classic roamer, but a shipwrecked man!

Say then, what muse inspired these genial strains,

And lit his spirit to so bright a flame?

The elevating thought of suffered pains,

Which gentle hearts shall mourn; but chief, the name          20

Of gratitude! remembrances of friend,

Or absent or no more! shades of the Past,

Which Love makes substance! Hence to thee I send,

O dear as long as life and memory last!

I send with deep regards of heart and head,          25

Sweet maid, for friendship formed! this work to thee:

And thou, the while thou canst not choose but shed

A tear for Falconer, wilt remember me.

? 1814.

FOOTNOTES:

[424:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, and 1834. A different or emended version headed 'Written in a Blank Leaf of Faulkner's Shipwreck, presented by a friend to Miss K', was published in Felix Farley's Bristol Journal of February 21, 1818. [See Note by G. E. Weare, Weston-super-Mare, January, 1905.]

LINENOTES:

Title] To a Lady With Falkner's 'Shipwreck' S. L.

[2]

archéd] cloyst'ring F. F.

[3]

'mid] midst F. F.

[4]

lady's] woman's F. F.

[5]

sublimer] diviner F. F.

[6]

On torrent falls, on woody mountain dell F. F.

[7]

sea-weed] sea-weeds F. F.

[8]

Attuning wild tales to the ocean's swell F. F.

[9]

this] this F. F.

[10]

thee] thee F. F.

[11]

It mounts, it totters F. F.

[12]

It groans, it quivers F. F.

[14]

of] and F. F.

[15]

Forlorn the] The toil-worn F. F.

[17-20]

Say then what power evoked such genial strains

And beckon'd godlike to the trembling Muse?

The thought not pleasureless of suffer'd pains

But chiefly friendship's voice, her holy dues.

F. F.

[21]

Demanding dear remembrances of friend F. F.

[22]

Which love makes real! Thence F. F.

[24]

life] love F. F.

[26]

Sweet Maid for friendship framed this song to thee F. F.

[28]

Falconer] FALKNER S. L.: Faulkner F. F. me] ME S. L., 1828, 1829.

HUMAN LIFE[425:1]

—ON THE DENIAL OF IMMORTALITY

If dead, we cease to be; if total gloom

Swallow up life's brief flash for aye, we fare

As summer-gusts, of sudden birth and doom,

Whose sound and motion not alone declare,

But are their whole of being! If the breath[425:2]          5

Be Life itself, and not its task and tent,

If even a soul like Milton's can know death;

O Man! thou vessel purposeless, unmeant,

Yet drone-hive strange of phantom purposes!

Surplus of Nature's dread activity,          10

Which, as she gazed on some nigh-finished vase,

Retreating slow, with meditative pause,

She formed with restless hands unconsciously.

Blank accident! nothing's anomaly!

If rootless thus, thus substanceless thy state,          15

Go, weigh thy dreams, and be thy hopes, thy fears,

The counter-weights!—Thy laughter and thy tears

Mean but themselves, each fittest to create

And to repay the other! Why rejoices

Thy heart with hollow joy for hollow good?          20

Why cowl thy face beneath the mourner's hood?

Why waste thy sighs, and thy lamenting voices,

Image of Image, Ghost of Ghostly Elf,

That such a thing as thou feel'st warm or cold?

Yet what and whence thy gain, if thou withhold          25

These costless shadows of thy shadowy self?

Be sad! be glad! be neither! seek, or shun!

Thou hast no reason why! Thou canst have none;

Thy being's being is contradiction.

? 1815.

FOOTNOTES:

[425:1] First published in Sibylline Leaves, 1817: included in 1828, 1829, and 1834.

[425:2] Halitus = anima animae tabernaculum MS. Note (? S. T. C.)

LINENOTES:

[5]

are] are S. L., 1828, 1829. whole] whole S. L., 1828, 1829.

[19]

the] each 1887-80, 1893.

SONG[426:1]

FROM ZAPOLYA

A Sunny shaft did I behold,

From sky to earth it slanted:

And poised therein a bird so bold—

Sweet bird, thou wert enchanted!

He sank, he rose, he twinkled, he trolled          5

Within that shaft of sunny mist;

His eyes of fire, his beak of gold,

All else of amethyst!

And thus he sang: 'Adieu! adieu!

Love's dreams prove seldom true.          10

The blossoms they make no delay:

The sparkling dew-drops will not stay.

Sweet month of May,

We must away;

Far, far away!          15

To-day! to-day!'

1815.

FOOTNOTES:

[426:1] First published in Zapolya, 1817 (Act II, Scene i, ll. 65-80). First collected in 1844. Two MSS. are extant, one in the possession of Mr. John Murray (MS. M.), and a second in the possession of the Editor (MS. S. T. C.). For a prose version of Glycine's Song, probably a translation from the German, vide Appendices of this edition.

LINENOTES:

Title] Sung by Glycine in Zapolya 1893: Glycine's Song MS. M.

[1]

A pillar grey did I behold MS. S. T. C.

[4]

A faery Bird that chanted MS. S. T. C.

[6]

sunny] shiny MS. S. T. C.

[11, 12]

om. MS S. T. C., MS. M.

HUNTING SONG[427:1]

FROM ZAPOLYA

Up, up! ye dames, and lasses gay!

To the meadows trip away.

'Tis you must tend the flocks this morn,

And scare the small birds from the corn.

Not a soul at home may stay:          5

For the shepherds must go

With lance and bow

To hunt the wolf in the woods to-day.

Leave the hearth and leave the house

To the cricket and the mouse:          10

Find grannam out a sunny seat.

With babe and lambkin at her feet.

Not a soul at home may stay:

For the shepherds must go

With lance and bow          15

To hunt the wolf in the woods to-day.

1815.

FOOTNOTES:

[427:1] First published in Zapolya (Act IV, Scene ii, ll. 56-71). First collected, 1844.

LINENOTES:

Title] Choral Song 1893.

FAITH, HOPE, AND CHARITY[427:2]

FROM THE ITALIAN OF GUARINI

FAITH

Let those whose low delights to Earth are given

Chaunt forth their earthly Loves! but we

Must make an holier minstrelsy,

And, heavenly-born, will sing the Things of Heaven.

CHARITY

But who for us the listening Heart shall gain?          5

Inaudible as of the sphere

Our music dies upon the ear,

Enchanted with the mortal Syren's strain.

HOPE

Yet let our choral songs abound!

Th' inspiring Power, its living Source,          10

May flow with them and give them force,

If, elsewhere all unheard, in Heaven they sound.

ALL

Aid thou our voice, Great Spirit! thou whose flame

Kindled the Songster sweet of Israel,

Who made so high to swell          15

Beyond a mortal strain thy glorious Name.

CHARITY AND FAITH

Though rapt to Heaven, our mission and our care

Is still to sojourn on the Earth,

To shape, to soothe, Man's second Birth,

And re-ascend to Heaven, Heaven's prodigal Heir!          20

CHARITY

What is Man's soul of Love deprived?

HOPE. FAITH

It like a Harp untunéd is,

That sounds, indeed, but sounds amiss.

CHARITY. HOPE

From holy Love all good gifts are derived.

FAITH

But 'tis time that every nation          25

Should hear how loftily we sing.

FAITH. HOPE. CHARITY

See, O World, see thy salvation!

Let the Heavens with praises ring.

Who would have a Throne above,

Let him hope, believe and love;          30

And whoso loves no earthly song,

But does for heavenly music long,

Faith, Hope, and Charity for him,

Shall sing like wingéd Cherubim.

1815.

FOOTNOTES:

[427:2] From a hitherto unpublished MS. For the original Dialogo: Fide, Speranza, Fide, included in the 'Madrigali . . .' del Signor Cavalier Battista Guarini, 1663, vide Appendices of this edition. The translation in Coleridge's handwriting is preceded by another version transcribed and, possibly, composed by Hartley Coleridge.

TO NATURE[429:1]

It may indeed be phantasy, when I

Essay to draw from all created things

Deep, heartfelt, inward joy that closely clings;

And trace in leaves and flowers that round me lie

Lessons of love and earnest piety.          5

So let it be; and if the wide world rings

In mock of this belief, it brings

Nor fear, nor grief, nor vain perplexity.

So will I build my altar in the fields,

And the blue sky my fretted dome shall be,          10

And the sweet fragrance that the wild flower yields

Shall be the incense I will yield to Thee,

Thee only God! and thou shalt not despise

Even me, the priest of this poor sacrifice.

? 1820.

FOOTNOTES:

[429:1] First published in Letters, Conversations and Recollections by S. T. Coleridge, 1836, i. 144. First collected in Poems, 1863, Appendix, p. 391.

LIMBO[429:2]

*       *       *       *       *

The sole true Something—This! In Limbo's Den

It frightens Ghosts, as here Ghosts frighten men.

Thence cross'd unseiz'd—and shall some fated hour

Be pulveris'd by Demogorgon's power,

And given as poison to annihilate souls—          5

Even now it shrinks them—they shrink in as Moles

(Nature's mute monks, live mandrakes of the ground)

Creep back from Light—then listen for its sound;—

See but to dread, and dread they know not why—

The natural alien of their negative eye.          10

'Tis a strange place, this Limbo!—not a Place,

Yet name it so;—where Time and weary Space

Fettered from flight, with night-mare sense of fleeing,

Strive for their last crepuscular half-being;—

Lank Space, and scytheless Time with branny hands          15

Barren and soundless as the measuring sands,

Not mark'd by flit of Shades,—unmeaning they

As moonlight on the dial of the day!

But that is lovely—looks like Human Time,—

An Old Man with a steady look sublime,          20

That stops his earthly task to watch the skies;

But he is blind—a Statue hath such eyes;—

Yet having moonward turn'd his face by chance,

Gazes the orb with moon-like countenance,

With scant white hairs, with foretop bald and high,          25

He gazes still,—his eyeless face all eye;—

As 'twere an organ full of silent sight,

His whole face seemeth to rejoice in light!

Lip touching lip, all moveless, bust and limb—

He seems to gaze at that which seems to gaze on him!          30

No such sweet sights doth Limbo den immure,

Wall'd round, and made a spirit-jail secure,

By the mere horror of blank Naught-at-all,

Whose circumambience doth these ghosts enthral.

A lurid thought is growthless, dull Privation,          35

Yet that is but a Purgatory curse;

Hell knows a fear far worse,

A fear—a future state;—'tis positive Negation!

1817.

FOOTNOTES:

[429:2] First published, in its present shape, from an original MS. in 1893 (inscribed in a notebook). Lines 6-10 ('they shrink . . . negative eye') were first printed in The Friend (1818, iii. 215), and included as a separate fragment with the title 'Moles' in P. W., 1834, i. 259. Lines 11-38 were first printed with the title 'Limbo' in P. W., 1834, i. 272-3. The lines as quoted in The Friend were directed against 'the partisans of a crass and sensual materialism, the advocates of the Nihil nisi ab extra'. The following variants, now first printed, are from a second MS. (MS. S. T. C.) in the possession of Miss Edith Coleridge. In the notebook Limbo is followed by the lines entitled Ne Plus Ultra, vide post, p. 431.

LINENOTES:

Title] Another Fragment, but in a very different style, from a Dream of Purgatory, alias Limbus MS. S. T. C. [Note.—In this MS. Phantom, 'All Look and Likeness,' &c. precedes Limbo.]

Between 2-3:

For skimming in the wake it mock'd the care

Of the old Boat-God for his farthing fare;

Tho' Irus' Ghost itself he ne'er frown'd blacker on

The skin and skin-pent Druggist cross'd the Acheron,

Styx, and with Periphlegeton Cocytus,—

(The very names, methinks, might frighten us)

Unchang'd it cross'd—and shall some fated hour

MS. Notebook.

[Coleridge marks these lines as 'a specimen of the Sublime dashed to pieces by cutting too close with the fiery Four-in-Hand round the corner of Nonsense.']

[6]

They, like moles Friend, 1818.

[8]

Shrink from the light, then listen for a sound Friend, 1818.

[12]

so] such MS. S. T. C.

[16]

the] his MS. S. T. C.

[17]

Mark'd but by Flit MS. S. T. C.

[30]

at] on MS. S. T. C.

31 foll.

In one sole Outlet yawns the Phantom Wall,

And through this grim road to [a] worser thrall

Oft homeward scouring from a sick Child's dream

Old Mother Brownrigg shoots upon a scream;

And turning back her Face with hideous Leer,

Leaves Sentry there Intolerable Fear!

A horrid thought is growthless dull Negation:

Yet that is but a Purgatory Curse,

SHE knows a fear far worse

Flee, lest thou hear its Name! Flee, rash Imagination!

*       *       *       *       *

S. T. Coleridge, 1st Oct. 1827, Grove, Highgate.

NE PLUS ULTRA[431:1]

Sole Positive of Night!

Antipathist of Light!

Fate's only essence! primal scorpion rod—

The one permitted opposite of God!—

Condenséd blackness and abysmal storm          5

Compacted to one sceptre

Arms the Grasp enorm—

The Intercepter—

The Substance that still casts the shadow Death!—

The Dragon foul and fell—          10

The unrevealable,

And hidden one, whose breath

Gives wind and fuel to the fires of Hell!

Ah! sole despair

Of both th' eternities in Heaven!          15

Sole interdict of all-bedewing prayer,

The all-compassionate!

Save to the Lampads Seven

Reveal'd to none of all th' Angelic State,

Save to the Lampads Seven,          20

That watch the throne of Heaven!

? 1826.

FOOTNOTES:

[431:1] First published in 1834. The MS., which is inscribed in a notebook, is immediately preceded by that of the first draft of Limbo (ante, p. 429). The so-called 'Ne Plus Ultra' may have been intended to illustrate a similar paradox—the 'positivity of negation'. No date can be assigned to either of these metaphysical conceits, but there can be little doubt that they were 'written in later life'.

THE KNIGHT'S TOMB[432:1]

Where is the grave of Sir Arthur O'Kellyn?

Where may the grave of that good man be?—

By the side of a spring, on the breast of Helvellyn,

Under the twigs of a young birch tree!

The oak that in summer was sweet to hear,          5

And rustled its leaves in the fall of the year,

And whistled and roared in the winter alone,

Is gone,—and the birch in its stead is grown.—

The Knight's bones are dust,

And his good sword rust;—          10

His soul is with the saints, I trust.

? 1817.

FOOTNOTES:

[432:1] First published in P. W., 1834. Gillman (Life, p. 276) says that the lines were composed 'as an experiment for a metre', and repeated by the author to 'a mutual friend', who 'spoke of his visit to Highgate' and repeated them to Scott on the following day. The last three lines, 'somewhat altered', are quoted in Ivanhoe, chapter viii, and again in Castle Dangerous, chapter ix. They run thus:—

The knights are dust,

And their good swords are rust;—

Their souls are with the saints, we trust.

Gillman says that the Ivanhoe quotation convinced Coleridge that Scott was the author of the Waverley Novels. In the Appendix to the 'Notes' to Castle Dangerous (1834), which was edited and partly drawn up by Lockhart, the poem is quoted in full, with a prefatory note ('The author has somewhat altered part of a beautiful unpublished fragment of Coleridge').

Where is the grave of Sir Arthur Orellan,—

Where may the grave of that good knight be?

By the marge of a brook, on the slope of Helvellyn,

Under the boughs of a young birch-tree.

The Oak that in summer was pleasant to hear,

That rustled in autumn all wither'd and sear,

That whistled and groan'd thro' the winter alone,

He hath gone, and a birch in his place is grown.

The knight's bones are dust,

His good sword is rust;

His spirit is with the saints, we trust.

This version must have been transcribed from a MS. in Lockhart's possession, and represents a first draft of the lines as published in 1834. These lines are, no doubt, an 'experiment for a metre'. The upward movement (ll. 1-7) is dactylic: the fall (ll. 8-11) is almost, if not altogether, spondaic. The whole forms a complete stanza, or metrical scheme, which may be compared with ll. 264-78 of the First Part of Christabel. Mrs. H. N. Coleridge, who must have been familiar with Gillman's story, dates the Knight's Tomb 1802.

ON DONNE'S POETRY[433:1]

With Donne, whose muse on dromedary trots,

Wreathe iron pokers into true-love knots;

Rhyme's sturdy cripple, fancy's maze and clue,

Wit's forge and fire-blast, meaning's press and screw.

? 1818

FOOTNOTES:

[433:1] First published in Literary Remains, 1836, i. 148, from 'notes written by Mr. Coleridge in a volume of "Chalmers's Poets"'. Line 2 finds a place in Hartley Coleridge's couplets on Donne which are written on the fly-leaves and covers of his copy of Anderson's British Poets. In the original MS. it is enclosed in quotation marks. First collected in P. W., 1885, ii. 409.

ISRAEL'S LAMENT[433:2]

'A Hebrew Dirge, chaunted in the Great Synagogue, St. James's Place, Aldgate, on the day of the Funeral of her Royal Highness the Princess Charlotte. By Hyman Hurwitz, Master of the Hebrew Academy, Highgate: with a Translation in English Verse, by S. T. Coleridge, Esq., 1817.'

Mourn, Israel! Sons of Israel, mourn!

Give utterance to the inward throe!

As wails, of her first love forlorn,

The Virgin clad in robes of woe.

Mourn the young Mother, snatch'd away          5

From Light and Life's ascending Sun!

Mourn for the Babe, Death's voiceless prey,

Earn'd by long pangs and lost ere won.

Mourn the bright Rose that bloom'd and went,

Ere half disclosed its vernal hue!          10

Mourn the green Bud, so rudely rent,

It brake the stem on which it grew.

Mourn for the universal woe

With solemn dirge and fault'ring tongue:

For England's Lady is laid low,          15

So dear, so lovely, and so young!

The blossoms on her Tree of Life

Shone with the dews of recent bliss:

Transplanted in that deadly strife,

She plucks its fruits in Paradise.          20

Mourn for the widow'd Lord in chief,

Who wails and will not solaced be!

Mourn for the childless Father's grief,

The wedded Lover's agony!

Mourn for the Prince, who rose at morn          25

To seek and bless the firstling bud

Of his own Rose, and found the thorn,

Its point bedew'd with tears of blood.

O press again that murmuring string!

Again bewail that princely Sire!          30

A destined Queen, a future King,

He mourns on one funereal pyre.

Mourn for Britannia's hopes decay'd,

Her daughters wail their dear defence;

Their fair example, prostrate laid,          35

Chaste Love and fervid Innocence.

While Grief in song shall seek repose,

We will take up a Mourning yearly:

To wail the blow that crush'd the Rose,

So dearly priz'd and lov'd so dearly.          40

Long as the fount of Song o'erflows

Will I the yearly dirge renew:

Mourn for the firstling of the Rose,

That snapt the stem on which it grew.

The proud shall pass, forgot; the chill,          45

Damp, trickling Vault their only mourner!

Not so the regal Rose, that still

Clung to the breast which first had worn her!

O thou, who mark'st the Mourner's path

To sad Jeshurun's Sons attend!          50

Amid the Light'nings of thy Wrath

The showers of Consolation send!

Jehovah frowns! the Islands bow!

And Prince and People kiss the Rod!—

Their dread chastising Judge wert thou!          55

Be thou their Comforter, O God!

1817.

FOOTNOTES:

[433:2] First published, together with the Hebrew, as an octavo pamphlet (pp. 13) in 1817. An abbreviated version was included in Literary Remains, 1836, i. 57-8 and in the Appendix to Poems, 1863. The Lament as a whole was first collected in P. and D. W., 1877-80, ii. 282-5.

LINENOTES:

Title] Israel's Lament on the death of the Princess Charlotte of Wales. From the Hebrew of Hyman Hurwitz L. R.

[19]

Transplanted] Translated L. R., 1863.

[21-4]

om. L. R, 1863.

[29-32]

om. L. R., 1863.

[49-56]

om. L. R., 1863.

[49]

Mourner's] Mourners' L. R., 1863.

FANCY IN NUBIBUS[435:1]

OR THE POET IN THE CLOUDS

O! it is pleasant, with a heart at ease,

Just after sunset, or by moonlight skies,

To make the shifting clouds be what you please,

Or let the easily persuaded eyes

Own each quaint likeness issuing from the mould          5

Of a friend's fancy; or with head bent low

And cheek aslant see rivers flow of gold

'Twixt crimson banks; and then, a traveller, go

From mount to mount through Cloudland, gorgeous land!

Or list'ning to the tide, with closéd sight,          10

Be that blind bard, who on the Chian strand

By those deep sounds possessed with inward light,

Beheld the Iliad and the Odyssee

Rise to the swelling of the voiceful sea.

1817.

FOOTNOTES:

[435:1] First published in Felix Farley's Bristol Journal for February 7, 1818: and afterwards in Blackwood's Magazine for November, 1819. First collected in 1828: included in 1829 and 1834. A MS. in the possession of Major Butterworth of Carlisle is signed 'S. T. Coleridge, Little Hampton, Oct. 1818'. In a letter to Coleridge dated Jan. 10, 1820, Lamb asks, 'Who put your marine sonnet [i. e. A Sonnet written on the Sea Coast, vide Title] . . . in Blackwood?' F. Freiligrath in his Introduction to the Tauchnitz edition says that the last five lines are borrowed from Stolberg's An das Meer; vide Appendices of this edition.

LINENOTES:

Title] Fancy, &c. A Sonnet Composed by the Seaside, October 1817. F. F.: Fancy in Nubibus. A Sonnet, composed on the Sea Coast 1819.

[4]

let] bid 1819.

[5]

Own] Owe F. F. 1818. quaint] strange 1819.

[6]

head] heart MS.: head bow'd low 1819.

[9]

through] o'er 1819.

THE TEARS OF A GRATEFUL PEOPLE[436:1]

A Hebrew Dirge and Hymn, chaunted in the Great Synagogue. St. James' pl. Aldgate, on the Day of the Funeral of King George III. of blessed memory. By Hyman Hurwitz of Highgate, Translated by a Friend.

Dirge

Oppress'd, confused, with grief and pain,

And inly shrinking from the blow,

In vain I seek the dirgeful strain,

The wonted words refuse to flow.

A fear in every face I find,          5

Each voice is that of one who grieves;

And all my Soul, to grief resigned,

Reflects the sorrow it receives.

The Day-Star of our glory sets!

Our King has breathed his latest breath!          10

Each heart its wonted pulse forgets,

As if it own'd the pow'r of death.

Our Crown, our heart's Desire is fled!

Britannia's glory moults its wing!

Let us with ashes on our head,          15

Raise up a mourning for our King.

Lo! of his beams the Day-Star shorn,[436:2]

Sad gleams the Moon through cloudy veil!

The Stars are dim! Our Nobles mourn;

The Matrons weep, their Children wail.          20

No age records a King so just,

His virtues numerous as his days;

The Lord Jehovah was his trust,

And truth with mercy ruled his ways.

His Love was bounded by no Clime;          25

Each diverse Race, each distant Clan

He govern'd by this truth sublime,

'God only knows the heart—not man.'

His word appall'd the sons of pride,

Iniquity far wing'd her way;          30

Deceit and fraud were scatter'd wide,

And truth resum'd her sacred sway.

He sooth'd the wretched, and the prey

From impious tyranny he tore;

He stay'd th' Usurper's iron sway,          35

And bade the Spoiler waste no more.

Thou too, Jeshurun's Daughter! thou,

Th' oppress'd of nations and the scorn!

Didst hail on his benignant brow

A safety dawning like the morn.          40

The scoff of each unfeeling mind,

Thy doom was hard, and keen thy grief;

Beneath his throne, peace thou didst find,

And blest the hand that gave relief.

E'en when a fatal cloud o'erspread          45

The moonlight splendour of his sway,

Yet still the light remain'd, and shed

Mild radiance on the traveller's way.

But he is gone—the Just! the Good!

Nor could a Nation's pray'r delay          50

The heavenly meed, that long had stood

His portion in the realms of day.

Beyond the mighty Isle's extent

The mightier Nation mourns her Chief:

Him Judah's Daughter shall lament,          55

In tears of fervour, love and grief.

Britannia mourns in silent grief;

Her heart a prey to inward woe.

In vain she strives to find relief,

Her pang so great, so great the blow.          60

Britannia! Sister! woe is me!

Full fain would I console thy woe.

But, ah! how shall I comfort thee,

Who need the balm I would bestow?

United then let us repair,          65

As round our common Parent's grave;

And pouring out our heart in prayer,

Our heav'nly Father's mercy crave.

Until Jehovah from his throne

Shall heed his suffering people's fears;          70

Shall turn to song the Mourner's groan,

To smiles of joy the Nation's tears.

Praise to the Lord! Loud praises sing!

And bless Jehovah's righteous hand!

Again he bids a George, our King,          75

Dispense his blessings to the Land.

Hymn

O thron'd in Heav'n! Sole King of kings,

Jehovah! hear thy Children's prayers and sighs!

Thou Binder of the broken heart! with wings

Of healing on thy people rise!          80

Thy mercies, Lord, are sweet;

And Peace and Mercy meet,

Before thy Judgment seat:

Lord, hear us! we entreat!

When angry clouds thy throne surround,          85

E'en from the cloud thou bid'st thy mercy shine:

And ere thy righteous vengeance strikes the wound,

Thy grace prepares the balm divine!

Thy mercies, Lord, are sweet;

etc.

The Parent tree thy hand did spare—          90

It fell not till the ripen'd fruit was won:

Beneath its shade the Scion flourish'd fair,

And for the Sire thou gav'st the Son.

etc.

This thy own Vine, which thou didst rear,

And train up for us from the royal root,          95

Protect, O Lord! and to the Nations near

Long let it shelter yield, and fruit,

etc.

Lord, comfort thou the royal line:

Let Peace and Joy watch round us hand and hand.

Our Nobles visit with thy grace divine,          100

And banish sorrow from the land!

Thy mercies, Lord, are sweet;

And Peace and Mercy meet

Before thy Judgment seat;

Lord, hear us! we entreat!          105

1820.

FOOTNOTES:

[436:1] First published with the Hebrew in pamphlet form in 1820. First collected in 1893.

[436:2] The author, in the spirit of Hebrew Poetry, here represents the Crown, the Peerage, and the Commonalty, by the figurative expression of the Sun, Moon, and Stars.

YOUTH AND AGE[439:1]

Verse, a breeze mid blossoms straying,

Where Hope clung feeding, like a bee—

Both were mine! Life went a-maying

With Nature, Hope, and Poesy,

When I was young!          5

When I was young?—Ah, woful When!

Ah! for the change 'twixt Now and Then!

This breathing house not built with hands,

This body that does me grievous wrong,

O'er aery cliffs and glittering sands,          10

How lightly then it flashed along:—

Like those trim skiffs, unknown of yore,

On winding lakes and rivers wide,

That ask no aid of sail or oar,

That fear no spite of wind or tide!          15

Nought cared this body for wind or weather

When Youth and I lived in't together.

Flowers are lovely; Love is flower-like;

Friendship is a sheltering tree;

O! the joys, that came down shower-like.          20

Of Friendship, Love, and Liberty,

Ere I was old!

Ere I was old? Ah woful Ere,

Which tells me, Youth's no longer here!

O Youth! for years so many and sweet,          25

'Tis known, that Thou and I were one,

I'll think it but a fond conceit—

It cannot be that Thou art gone!

Thy vesper-bell hath not yet toll'd:—

And thou wert aye a masker bold!          30

What strange disguise hast now put on,

To make believe, that thou art gone?

I see these locks in silvery slips,

This drooping gait, this altered size:

But Spring-tide blossoms on thy lips.          35

And tears take sunshine from thine eyes!

Life is but thought: so think I will

That Youth and I are house-mates still.

Dew-drops are the gems of morning,

But the tears of mournful eve!          40

Where no hope is, life's a warning

That only serves to make us grieve,

When we are old:

That only serves to make us grieve

With oft and tedious taking-leave,          45

Like some poor nigh-related guest,

That may not rudely be dismist;

Yet hath outstay'd his welcome while,

And tells the jest without the smile.

1823-1832.

FOOTNOTES:

[439:1] First published in its present shape in 1834. Lines 1-38, with the heading 'Youth and Age', were first published in the Literary Souvenir, 1828, and also in the Bijou, 1828: included in 1828, 1829. Lines 39-49 were first published in Blackwood's Magazine for June 1832, entitled 'An Old Man's Sigh: a Sonnet', as 'an out-slough or hypertrophic stanza of a certain poem called "Youth and Age".' Of lines 1-43 three MSS. are extant. (1) A fair copy (MS. 1) presented to Derwent Coleridge, and now in the Editor's possession. In MS. 1 the poem is divided into three stanzas: (i) lines 1-17; (ii) lines 18-38; (iii) lines 39-43. The watermark of this MS. on a quarto sheet of Bath Post letter-paper is 1822. (2) A rough draft, in a notebook dated Sept. 10, 1823; and (3) a corrected draft of forty-three lines (vide for MSS. 2, 3 Appendices of this edition). A MS. version of An Old Man's Sigh, dated 'Grove, Highgate, April 1832', was contributed to Miss Rotha Quillinan's Album; and another version numbering only eight lines was inscribed in an album in 1828 when Coleridge was on his Rhine tour with Wordsworth. After line 42 this version continues:—

As we creep feebly down life's slope,

Yet courteous dame, accept this truth,

Hope leaves us not, but we leave hope,

And quench the inward light of youth.

T. Colley Grattan's Beaten Paths, 1862, ii. 139.

There can be little doubt that lines 1-43 were composed in 1823, and that the last six lines of the text which form part of An Old Man's Sigh were composed, as an afterthought, in 1832.

LINENOTES:

[1]

Verse, a] Verse is a with the alternative? Vērse ă breeze MS. 1.

[2]

clung] clings MS. 1, Bijou.

[6]

When I] When I 1828, 1829.

[8]

This house of clay MS. 1, Bijou.

[10]

O'er hill and dale and sounding sands MS. 1, Bijou.

[11]

then] then 1828, 1829.

[12]

skiffs] boats MS. 1, Bijou.

[20]

came] come Bijou.

[21]

Of Beauty, Truth, and Liberty MS. 1, Bijou.

[23]

Ere I] Ere I 1828, 1829. woful] mournful Literary Souvenir.

[25]

many] merry Bijou.

[27]

fond] false MS. 1, Bijou.

[32]

make believe] make believe 1828, 1829.

[34]

drooping] dragging MS. 1, Bijou.

[42-4]

That only serves to make me grieve

Now I am old!

Now I am old,—ah woful Now

MS. 1.

[44-5]

In our old age

Whose bruised wings quarrel with the bars of the still narrowing cage.

Inserted in 1832.

[49]

Two lines were added in 1832:—

O might Life cease! and Selfless Mind,

Whose total Being is Act, alone remain behind.

THE REPROOF AND REPLY[441:1]

Or, The Flower-Thief's Apology, for a robbery committed in Mr. and Mrs. ——'s garden, on Sunday morning, 25th of May, 1823, between the hours of eleven and twelve.

"Fie, Mr. Coleridge!—and can this be you?

Break two commandments? and in church-time too!

Have you not heard, or have you heard in vain,

The birth-and-parentage-recording strain?—

Confessions shrill, that out-shrill'd mack'rel drown          5

Fresh from the drop—the youth not yet cut down—

Letter to sweet-heart—the last dying speech—

And didn't all this begin in Sabbath-breach?

You, that knew better! In broad open day,

Steal in, steal out, and steal our flowers away?          10

What could possess you? Ah! sweet youth. I fear

The chap with horns and tail was at your ear!"

Such sounds of late, accusing fancy brought

From fair Chisholm to the Poet's thought.

Now hear the meek Parnassian youth's reply:—          15

A bow—a pleading look—a downcast eye,—

And then:

"Fair dame! a visionary wight,

Hard by your hill-side mansion sparkling white,

His thoughts all hovering round the Muses' home,

Long hath it been your Poet's wont to roam,          20

And many a morn, on his becharméd sense

So rich a stream of music issued thence,

He deem'd himself, as it flowed warbling on,

Beside the vocal fount of Helicon!

But when, as if to settle the concern,          25

A Nymph too he beheld, in many a turn,

Guiding the sweet rill from its fontal urn,—

Say, can you blame?—No! none that saw and heard

Could blame a bard, that he thus inly stirr'd;

A muse beholding in each fervent trait,          30

Took Mary H—— for Polly Hymnia!

Or haply as there stood beside the maid

One loftier form in sable stole array'd,

If with regretful thought he hail'd in thee

Chisholm, his long-lost friend, Mol Pomene!          35

But most of you, soft warblings, I complain!

'Twas ye that from the bee-hive of my brain

Did lure the fancies forth, a freakish rout,

And witch'd the air with dreams turn'd inside out.

"Thus all conspir'd—each power of eye and ear,          40

And this gay month, th' enchantress of the year,

To cheat poor me (no conjuror, God wot!)

And Chisholm's self accomplice in the plot.

Can you then wonder if I went astray?

Not bards alone, nor lovers mad as they;—          45

All Nature day-dreams in the month of May.

And if I pluck'd 'each flower that sweetest blows,'—

Who walks in sleep, needs follow must his nose.

"Thus, long accustom'd on the twy-fork'd hill,[442:1]

To pluck both flower and floweret at my will;          50

The garden's maze, like No-man's-land, I tread,

Nor common law, nor statute in my head;

For my own proper smell, sight, fancy, feeling,

With autocratic hand at once repealing

Five Acts of Parliament 'gainst private stealing!          55

But yet from Chisholm who despairs of grace?

There's no spring-gun or man-trap in that face!

Let Moses then look black, and Aaron blue,

That look as if they had little else to do:

For Chisholm speaks, 'Poor youth! he's but a waif!          60

The spoons all right? the hen and chickens safe?

Well, well, he shall not forfeit our regards—

The Eighth Commandment was not made for Bards!'"[443:1]

1823.

FOOTNOTES:

[441:1] First published in Friendship's Offering for 1834, as the first of four 'Lightheartednesses in Rhyme'. A motto was prefixed:—'I expect no sense, worth listening to, from the man who never does talk nonsense,'—Anon. In F. O., 1834, Chisholm was printed C—— in line 14, C——m in lines 35, 56, and 60, C——m's in line 43. In 1834, 1844 the name was omitted altogether. The text of the present edition follows the MS. First collected in P. W., 1834. A MS. version is in the possession of Miss Edith Coleridge. These lines were included in 1844, but omitted from 1852, 1863, and 1870.

[442:1] The English Parnassus is remarkable for its two summits of unequal height, the lower denominated Hampstead, the higher Highgate.

[443:1] Compare 'The Eighth Commandment was not made for Love', l. 16 of Elegy I of The Love Elegies of Abel Shufflebottom, by R. Southey.

LINENOTES:

Title] The Reproof and Reply (the alternative title is omitted) 1834.

[31]

Mary H——] Mary —— 1834, 1844.

[38]

Did lure the] Lured the wild F. O. 1834.

FIRST ADVENT OF LOVE[443:2]

O FAIR is Love's first hope to gentle mind!

As Eve's first star thro' fleecy cloudlet peeping;

And sweeter than the gentle south-west wind.

O'er willowy meads, and shadow'd waters creeping,

And Ceres' golden fields;—the sultry hind          5

Meets it with brow uplift, and stays his reaping.

? 1824.

FOOTNOTES:

[443:2] First published in 1834. In a MS. note, dated September 1827, it is included in 'Relics of my School-boy Muse: i. e. fragments of poems composed before my fifteenth year', P. W., 1852, Notes, p. 379; but in an entry in a notebook dated 1824, Coleridge writes: 'A pretty unintended couplet in the prose of Sidney's Arcadia:—

'And, sweeter than a gentle south-west wind

O'er flowery fields and shadowed waters creeping

In summer's extreme heat.'

The passage which Coleridge versified is to be found in the Arcadia:—

'Her breath is more sweet than a gentle south-west wind, which comes creeping over flowing fields and shadowed waters in the heat of summer.'

LINENOTES:

Title] Love's First Hope 1893.

THE DELINQUENT TRAVELLERS[443:3]

Some are home-sick—some two or three,

Their third year on the Arctic Sea—

Brave Captain Lyon tells us so[444:1]—

Spite of those charming Esquimaux.

But O, what scores are sick of Home,          5

Agog for Paris or for Rome!

Nay! tho' contented to abide,

You should prefer your own fireside;

Yet since grim War has ceas'd its madding,

And Peace has set John Bull agadding,          10

'Twould such a vulgar taste betray,

For very shame you must away!

'What? not yet seen the coast of France!

The folks will swear, for lack of bail,

You've spent your last five years in jail!'          15

Keep moving! Steam, or Gas, or Stage,

Hold, cabin, steerage, hencoop's cage—

Tour, Journey, Voyage, Lounge, Ride, Walk,

Skim, Sketch, Excursion, Travel-talk—

For move you must! 'Tis now the rage,          20

The law and fashion of the Age.

If you but perch, where Dover tallies,

So strangely with the coast of Calais,

With a good glass and knowing look,

You'll soon get matter for a book!          25

Or else, in Gas-car, take your chance

Like that adventurous king of France,

Who, once, with twenty thousand men

Went up—and then came down again;

At least, he moved if nothing more:          30

And if there's nought left to explore,

Yet while your well-greased wheels keep spinning,

The traveller's honoured name you're winning,

And, snug as Jonas in the Whale,

You may loll back and dream a tale.          35

Move, or be moved—there's no protection,

Our Mother Earth has ta'en the infection—

(That rogue Copernicus, 'tis said

First put the whirring in her head,)

A planet She, and can't endure          40

T'exist without her annual Tour:

The name were else a mere misnomer,

Since Planet is but Greek for Roamer.

The atmosphere, too, can do no less

Than ventilate her emptiness,          45

Bilks turn-pike gates, for no one cares,

And gives herself a thousand airs—

While streams and shopkeepers, we see,

Will have their run toward the sea—

And if, meantime, like old King Log,          50

Or ass with tether and a clog,

Must graze at home! to yawn and bray

'I guess we shall have rain to-day!'

Nor clog nor tether can be worse

Than the dead palsy of the purse.          55

Money, I've heard a wise man say,

Makes herself wings and flys away:

Ah! would She take it in her head

To make a pair for me instead!

At all events, the Fancy's free,          60

No traveller so bold as she.

From Fear and Poverty released

I'll saddle Pegasus, at least,

And when she's seated to her mind,

I within I can mount behind:          65

And since this outward I, you know,

Must stay because he cannot go,

My fellow-travellers shall be they

Who go because they cannot stay—

Rogues, rascals, sharpers, blanks and prizes,          70

Delinquents of all sorts and sizes,

Fraudulent bankrupts, Knights burglarious,

And demireps of means precarious—

All whom Law thwarted, Arms or Arts,

Compel to visit foreign parts,          75

All hail! No compliments, I pray,

I'll follow where you lead the way!

But ere we cross the main once more,

Methinks, along my native shore,

Dismounting from my steed I'll stray          80

Beneath the cliffs of Dumpton Bay.[446:1]

Where, Ramsgate and Broadstairs between,

Rude caves and grated doors are seen:

And here I'll watch till break of day,

(For Fancy in her magic might          85

Can turn broad noon to starless night!)

When lo! methinks a sudden band

Of smock-clad smugglers round me stand.

Denials, oaths, in vain I try,

At once they gag me for a spy,          90

And stow me in the boat hard by.

Suppose us fairly now afloat,

Till Boulogne mouth receives our Boat.

But, bless us! what a numerous band

Of cockneys anglicise the strand!          95

Delinquent bankrupts, leg-bail'd debtors,

Some for the news, and some for letters—

With hungry look and tarnished dress,

French shrugs and British surliness.

Sick of the country for their sake          100

Of them and France French leave I take—

And lo! a transport comes in view

I hear the merry motley crew,

Well skill'd in pocket to make entry,

Of Dieman's Land the elected Gentry,          105

And founders of Australian Races.—

The Rogues! I see it in their faces!

Receive me, Lads! I'll go with you,

Hunt the black swan and kangaroo,

And that New Holland we'll presume          110

Old England with some elbow-room.

Across the mountains we will roam,

And each man make himself a home:

Or, if old habits ne'er forsaking,

Like clock-work of the Devil's making,          115

Ourselves inveterate rogues should be,

We'll have a virtuous progeny;

And on the dunghill of our vices

Raise human pine-apples and spices.

Of all the children of John Bull          120

With empty heads and bellies full,

Who ramble East, West, North and South,

With leaky purse and open mouth,

In search of varieties exotic

The usefullest and most patriotic,          125

And merriest, too, believe me, Sirs!

Are your Delinquent Travellers!

1824.

FOOTNOTES:

[443:3] From an hitherto unpublished MS., formerly in the possession of Coleridge's friend and amanuensis Joseph Henry Green.

[444:1] The Private Journal of Captain G. F. Lyon of the Mt. Hecla, during the recent voyage of discovery under Captain Parry, was published by John Murray in 1824. In a letter dated May, 1823, Lucy Caroline Lamb writes to Murray:—'If there is yet time, do tell Captain Lyon, that I, and others far bettor than I am, are enchanted with his book.' Memoirs . . . of John Murray, 1891, i. 145.

[446:1] A coast village near Ramsgate. Coleridge passed some weeks at Ramsgate in the late autumn of 1824.

WORK WITHOUT HOPE[447:1]

LINES COMPOSED 21ST FEBRUARY 1825

All Nature seems at work. Slugs leave their lair—

The bees are stirring—birds are on the wing—[447:2]

And Winter slumbering in the open air,

Wears on his smiling face a dream of Spring!

And I the while, the sole unbusy thing,          5

Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where amaranths blow,

Have traced the fount whence streams of nectar flow.

Bloom, O ye amaranths! bloom for whom ye may,

For me ye bloom not! Glide, rich streams, away!          10

With lips unbrightened, wreathless brow, I stroll:

And would you learn the spells that drowse my soul?

Work without Hope draws nectar in a sieve,

And Hope without an object cannot live.

1825.

FOOTNOTES:

[447:1] First printed in the Bijou for 1828: included in 1828, 1829, and 1834. These lines, as published in the Bijou for 1828, were an excerpt from an entry in a notebook, dated Feb. 21, 1825. They were preceded by a prose introduction, now for the first time printed, and followed by a metrical interpretation or afterthought which was first published in the Notes to the Edition of 1893. For an exact reproduction of the prose and verse as they appear in the notebook, vide Appendices of this edition.

[447:2] Compare the last stanza of George Herbert's Praise:—

O raise me thus! Poor Bees that work all day,

Sting my delay,

Who have a work as well as they,

And much, much more.

LINENOTES:

Title] Lines composed on a day in February. By S. T. Coleridge, Esq. Bijou: Lines composed on the 21st of February, 1827 1828, 1829, 1834.

[1]

Slugs] Snails erased MS. S. T. C.: Stags 1828, 1829, 1885.

[11]

With unmoist lip and wreathless brow I stroll

With lips unmoisten'd wreathless brow I stroll

MS. S. T. C.

SANCTI DOMINICI PALLIUM[448:1]

A DIALOGUE BETWEEN POET AND FRIEND

FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S

'BOOK OF THE CHURCH' (1825)

POET

I note the moods and feelings men betray,

And heed them more than aught they do or say;

The lingering ghosts of many a secret deed

Still-born or haply strangled in its birth;

These best reveal the smooth man's inward creed!          5

These mark the spot where lies the treasure—Worth!

Milner, made up of impudence and trick,[448:2]

With cloven tongue prepared to hiss and lick,

Rome's Brazen Serpent—boldly dares discuss

The roasting of thy heart, O brave John Huss!          10

And with grim triumph and a truculent glee[448:3]

Absolves anew the Pope-wrought perfidy,

That made an empire's plighted faith a lie,

And fix'd a broad stare on the Devil's eye—

(Pleas'd with the guilt, yet envy-stung at heart          15

To stand outmaster'd in his own black art!)

Yet Milner—

FRIEND

Enough of Milner! we're agreed,

Who now defends would then have done the deed.

But who not feels persuasion's gentle sway,

Who but must meet the proffered hand half way          20

When courteous Butler—

POET (aside)

(Rome's smooth go-between!)

FRIEND

Laments the advice that soured a milky queen—

(For 'bloody' all enlightened men confess

An antiquated error of the press:)

Who rapt by zeal beyond her sex's bounds,          25

With actual cautery staunched the Church's wounds!

And tho' he deems, that with too broad a blur

We damn the French and Irish massacre,

Yet blames them both—and thinks the Pope might err!

What think you now? Boots it with spear and shield          30

Against such gentle foes to take the field

Whose beckoning hands the mild Caduceus wield?

POET

What think I now? Even what I thought before;—

What Milner boasts though Butler may deplore,

Still I repeat, words lead me not astray          35

When the shown feeling points a different way.

Smooth Butler can say grace at slander's feast,[449:1]

And bless each haut-gout cook'd by monk or priest;

Leaves the full lie on Milner's gong to swell,

Content with half-truths that do just as well;          40

But duly decks his mitred comrade's flanks,[450:1]

And with him shares the Irish nation's thanks!

So much for you, my friend! who own a Church,

And would not leave your mother in the lurch!

But when a Liberal asks me what I think—          45

Scared by the blood and soot of Cobbett's ink,

And Jeffrey's glairy phlegm and Connor's foam,

In search of some safe parable I roam—

An emblem sometimes may comprise a tome!

Disclaimant of his uncaught grandsire's mood,          50

I see a tiger lapping kitten's food:

And who shall blame him that he purs applause,

When brother Brindle pleads the good old cause;

And frisks his pretty tail, and half unsheathes his claws!

Yet not the less, for modern lights unapt,          55

I trust the bolts and cross-bars of the laws

More than the Protestant milk all newly lapt,

Impearling a tame wild-cat's whisker'd jaws!

1825, or 1826.

FOOTNOTES:

[448:1] First published in the Evening Standard, May 21, 1827. 'The poem signed ΕΣΤΗΣΕ appeared likewise in the St. James's Chronicle.' See Letter of S. T. C. to J. Blanco White, dated Nov. 28, 1827. Life, 1845, i. 439, 440. First collected in 1834. I have amended the text of 1834 in lines 7, 17, 34, 39 in accordance with a MS. in the possession of the poet's granddaughter, Miss Edith Coleridge. The poem as published in 1834 and every subsequent edition (except 1907) is meaningless. Southey's Book of the Church, 1825, was answered by Charles Butler's Book of the Roman Catholic Church, 1825, and in an anonymous pamphlet by the Vicar Apostolic, Dr. John Milner, entitled Merlin's Strictures. Southey retaliated in his Vindiciae Ecclesiae Anglicanae, 1826. In the latter work he addresses Butler as 'an honourable and courteous opponent'—and contrasts his 'habitual urbanity' with the malignant and scurrilous attacks of that 'ill-mannered man', Dr. Milner. In the 'Dialogue' the poet reminds his 'Friend' Southey that Rome is Rome, a 'brazen serpent', charm she never so wisely. In the Vindiciae Southey devotes pp. 470-506 to an excursus on 'The Rosary'—the invention of St. Dominic. Hence the title—'Sancti Dominici Pallium'.

[448:2] These lines were written before this Prelate's decease. Standard, 1827.

[448:3] Trŭcŭlĕnt: a tribrach as the isochronous substitute for the Trochee ¯ ˘. N. B. If our accent, a quality of sound were actually equivalent to the Quantity in the Greek ¯ ˘ ¯, or dactyl ¯ ˘ ˘ at least. But it is not so, accent shortens syllables: thus Spīrĭt, sprite; Hŏnĕy, mŏnĕy, nŏbŏdy, &c. MS. S. T. C.

[449:1] 'Smooth Butler.' See the Rev. Blanco White's Letter to C. Butler, Esq. MS. S. T. C., Sd. 1827.

[450:1] 'Your coadjutor the Titular Bishop Milner'—Bishop of Castabala I had called him, till I learnt from the present pamphlet that he had been translated to the see of Billingsgate.' Vind. Ecl. Angl. 1826, p. 228, note.

LINENOTES:

Title]—A dialogue written on a Blank Page of Butler's Book of the Roman Catholic Church. Sd. 1827.

[7]

Milner] —— 1834, 1852: Butler 1893.

[17]

Milner—Milner] ——, —— 1834, 1852: Butler—Butler 1893. Yet Milner] Yet Miln—Sd. 1827.

[25]

Who with a zeal that passed Sd. 1827.

[30]

spear] helm Sd. 1827.

[32]

beckoning] proffered Sd. 1827.

[34]

Milner] —— 1834, 1852: Butler 1893. boasts] lauds Sd. 1827.

[35]

repeat] reply Sd. 1827.

[38]

or] and Sd. 1827.

[39]

Milner's] ——'s 1834, 1852: Butler's 1893.

[42]

Irish] the O'Gorman MS. S. T. C., Sd. 1827.

[46]

blood and soot] soot and blood Sd. 1827.

[55]

lights] sights Sd. 1827.

SONG[450:2]

Though veiled in spires of myrtle-wreath,

Love is a sword which cuts its sheath,

And through the clefts itself has made,

We spy the flashes of the blade!

But through the clefts itself has made          5

We likewise see Love's flashing blade,

By rust consumed, or snapt in twain;

And only hilt and stump remain.

? 1825.

FOOTNOTES:

[450:2] First published in 1828: included in 1852, 1885, and 1893. A MS. version (undated) is inscribed in a notebook.

LINENOTES:

Title] Love, a Sword 1893.

[1]

Tho' hid in spiral myrtle wreath MS.

[2]

which] that MS.

[3]

slits itself hath made MS.

[4]

flashes] glitter MS.

[5]

clefts] slits MS.

[6-8]

We spy no less, too, that the Blade,

Is cut away or snapt atwain

And nought but Hilt or Stump remain.

MS.

A CHARACTER[451:1]

A bird, who for his other sins

Had liv'd amongst the Jacobins;

Though like a kitten amid rats,

Or callow tit in nest of bats,

He much abhorr'd all democrats;          5

Yet nathless stood in ill report

Of wishing ill to Church and Court,

Tho' he'd nor claw, nor tooth, nor sting,

And learnt to pipe God save the King;

Tho' each day did new feathers bring,          10

All swore he had a leathern wing;

Nor polish'd wing, nor feather'd tail,

Nor down-clad thigh would aught avail;

And tho'—his tongue devoid of gall—

He civilly assur'd them all:—          15

'A bird am I of Phoebus' breed,

And on the sunflower cling and feed;

My name, good Sirs, is Thomas Tit!'

The bats would hail him Brother Cit,

Or, at the furthest, cousin-german.          20

At length the matter to determine,

He publicly denounced the vermin;

He spared the mouse, he praised the owl;

But bats were neither flesh nor fowl.

Blood-sucker, vampire, harpy, goul,          25

Came in full clatter from his throat,

Till his old nest-mates chang'd their note

To hireling, traitor, and turncoat,—

A base apostate who had sold

His very teeth and claws for gold;—          30

And then his feathers!—sharp the jest—

No doubt he feather'd well his nest!

'A Tit indeed! aye, tit for tat—

With place and title, brother Bat,

We soon shall see how well he'll play          35

Count Goldfinch, or Sir Joseph Jay!'

Alas, poor Bird! and ill-bestarr'd—

Or rather let us say, poor Bard!

And henceforth quit the allegoric,

With metaphor and simile,          40

For simple facts and style historic:—

Alas, poor Bard! no gold had he;

Behind another's team he stept,

And plough'd and sow'd, while others reapt;

The work was his, but theirs the glory,          45

Sic vos non vobis, his whole story.

Besides, whate'er he wrote or said

Came from his heart as well as head;

And though he never left in lurch

His king, his country, or his church,          50

'Twas but to humour his own cynical

Contempt of doctrines Jacobinical;

To his own conscience only hearty,

'Twas but by chance he serv'd the party;—

The self-same things had said and writ,          55

Had Pitt been Fox, and Fox been Pitt;

Content his own applause to win,

Would never dash thro' thick and thin,

And he can make, so say the wise,

No claim who makes no sacrifice;—          60

And bard still less:—what claim had he,

Who swore it vex'd his soul to see

So grand a cause, so proud a realm,

With Goose and Goody at the helm;

Who long ago had fall'n asunder          65

But for their rivals' baser blunder,

The coward whine and Frenchified

Slaver and slang of the other side?—

Thus, his own whim his only bribe,

Our Bard pursued his old A. B. C.          70

Contented if he could subscribe

In fullest sense his name Ἔστησε;

('Tis Punic Greek for 'he hath stood!')

Whate'er the men, the cause was good;

And therefore with a right good will,          75

Poor fool, he fights their battles still.

Tush! squeak'd the Bats;—a mere bravado

To whitewash that base renegado;

'Tis plain unless you're blind or mad,

His conscience for the bays he barters;—          80

And true it is—as true as sad—

These circlets of green baize he had—

But then, alas! they were his garters!

Ah! silly Bard, unfed, untended,

His lamp but glimmer'd in its socket;          85

He lived unhonour'd and unfriended

With scarce a penny in his pocket;—

Nay—tho' he hid it from the many—

With scarce a pocket for his penny!

1825.

FOOTNOTES:

[451:1] First published in 1834. It is probable that the immediate provocation of these lines was the publication of Hazlitt's character-sketch of Coleridge in The Spirit of the Age, 1825, pp. 57-75. Lines 1-7, 49, 50, 84, 89 are quoted by J. Payne Collier (An Old Man's Diary, Oct. 20, 1833, Pt. IV, p. 56) from a MS. presented by Charles Lamb to Martin Burney. A fragmentary MS. with the lines in different order is in the British Museum.

LINENOTES:

Title] A Trifle MS. J. P. C.

[1]

for] 'mongst MS. B. M.

[2]

amongst] among J. P. C.

[3]

amid] among J. P. C.

[5]

all] the J. P. C.

[6]

ill] bad J. P. C.

[7]

Of ill to Church as well as Court J. P. C.

[11]

had a] had but a MS. B. M.

[22]

denounced] disowned MS. B. M.

[31]

sharp] smoke MS. B. M.

[36]

Joseph] Judas MS. B. M.

[69-74]

Yet still pursu'd thro' scoff and gibe

From A. to Z. his old A. B. C.

Content that he could still subscribe

In symbol just his name ΕΣΤΗΣΕ;

(In punic Greek that's He hath stood:)

Whate'er the men, the cause was good.

MS. B. M.

[84]

Ah! silly bird and unregarded J. P. C.: Poor witless Bard, unfed, untended MS. B. M.

[86]

He liv'd unpraised, and unfriended MS. B. M.: unfriended] discarded J. P. C.

[87]

With scarce] Without J. P. C.

THE TWO FOUNTS[454:1]

STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH

UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN

'Twas my last waking thought, how it could be

That thou, sweet friend, such anguish should'st endure;

When straight from Dreamland came a Dwarf, and he

Could tell the cause, forsooth, and knew the cure.

Methought he fronted me with peering look          5

Fix'd on my heart; and read aloud in game

The loves and griefs therein, as from a book:

And uttered praise like one who wished to blame.

In every heart (quoth he) since Adam's sin

Two Founts there are, of Suffering and of Cheer!          10

That to let forth, and this to keep within!

But she, whose aspect I find imaged here,

Of Pleasure only will to all dispense,

That Fount alone unlock, by no distress

Choked or turned inward, but still issue thence          15

Unconquered cheer, persistent loveliness.

As on the driving cloud the shiny bow,

That gracious thing made up of tears and light,

Mid the wild rack and rain that slants below

Stands smiling forth, unmoved and freshly bright;          20

As though the spirits of all lovely flowers,

Inweaving each its wreath and dewy crown,

Or ere they sank to earth in vernal showers,

Had built a bridge to tempt the angels down.

Even so, Eliza! on that face of thine,          25

On that benignant face, whose look alone

(The soul's translucence thro' her crystal shrine!)

Has power to soothe all anguish but thine own,

A beauty hovers still, and ne'er takes wing,

But with a silent charm compels the stern          30

And tort'ring Genius of the bitter spring,

To shrink aback, and cower upon his urn.

Who then needs wonder, if (no outlet found

In passion, spleen, or strife) the Fount of Pain

O'erflowing beats against its lovely mound,          35

And in wild flashes shoots from heart to brain?

Sleep, and the Dwarf with that unsteady gleam

On his raised lip, that aped a critic smile,

Had passed: yet I, my sad thoughts to beguile,

Lay weaving on the tissue of my dream;          40

Till audibly at length I cried, as though

Thou hadst indeed been present to my eyes,

O sweet, sweet sufferer; if the case be so,

I pray thee, be less good, less sweet, less wise!

In every look a barbéd arrow send,          45

On those soft lips let scorn and anger live!

Do any thing, rather than thus, sweet friend!

Hoard for thyself the pain, thou wilt not give!

1826.

FOOTNOTES:

[454:1] First published in the Annual Register for 1827: reprinted in the Bijou for 1828: included in 1828, 1829, 1834. 'In Gilchrist's Life of Blake (1863, i. 337) it is stated that this poem was addressed to Mrs. Aders, the daughter of the engraver Raphael Smith.' P. W., 1892, p. 642.

LINENOTES:

Title]: Stanzas addressed to a Lady on her Recovery from a Severe attack of Pain Annual Register.

[11]

That—this] That—this 1828, 1829.

[14]

That] That 1828, 1829.

[16-17]

In a MS. dated 1826, the following stanza precedes stanza 5 of the text:—

Was ne'er on earth seen beauty like to this.

A concentrated satisfying sight!

In its deep quiet, ask no further bliss—

At once the form and substance of delight.

[19-20]

Looks forth upon the troubled air below

Unmov'd, entire, inviolably bright.

MS. 1826.

[31]

tort'ring] fost'ring Annual Register, Bijou.

[44]

less—less—less] less—less—less 1828, 1829.

[47]

any] any 1828, 1829.

CONSTANCY TO AN IDEAL OBJECT[455:1]

Since all that beat about in Nature's range,

Or veer or vanish; why should'st thou remain

The only constant in a world of change,

O yearning Thought! that liv'st but in the brain?

Call to the Hours, that in the distance play,          5

The faery people of the future day——

Fond Thought! not one of all that shining swarm

Will breathe on thee with life-enkindling breath,

Till when, like strangers shelt'ring from a storm,[456:1]

Hope and Despair meet in the porch of Death!          10

Yet still thou haunt'st me; and though well I see,

She is not thou, and only thou art she,

Still, still as though some dear embodied Good,

Some living Love before my eyes there stood

With answering look a ready ear to lend,          15

I mourn to thee and say—'Ah! loveliest friend!

That this the meed of all my toils might be,

To have a home, an English home, and thee!'

Vain repetition! Home and Thou are one.

The peacefull'st cot, the moon shall shine upon,          20

Lulled by the thrush and wakened by the lark,

Without thee were but a becalméd bark,

Whose Helmsman on an ocean waste and wide

Sits mute and pale his mouldering helm beside.

And art thou nothing? Such thou art, as when          25

The woodman winding westward up the glen

At wintry dawn, where o'er the sheep-track's maze

The viewless snow-mist weaves a glist'ning haze,

Sees full before him, gliding without tread,

An image[456:2] with a glory round its head;          30

The enamoured rustic worships its fair hues,

Nor knows he makes the shadow, he pursues!

? 1826.

FOOTNOTES:

[455:1] There is no evidence as to date of composition. J. D. Campbell (1893, p. 635) believed that it 'was written at Malta'. Line 18 seems to imply that the poem was not written in England. On the other hand a comparison of ll. 9, 10 with a passage in the Allegoric Vision, which was re-written with large additions, and first published in 1817, suggests a much later date. The editors of 1852 include these lines among 'Poems written in Later Life', but the date (? 1826) now assigned is purely conjectural. First published in 1828: included in 1829 and 1834.

[456:1] With lines 9, 10 J. D. Campbell compares, 'After a pause of silence: even thus, said he, like two strangers that have fled to the same shelter from the same storm, not seldom do Despair and Hope meet for the first time in the porch of Death.' Allegoric Vision (1798-1817); vide Appendices of this edition.

[456:2] This phenomenon, which the Author has himself experienced, and of which the reader may find a description in one of the earlier volumes of the Manchester Philosophical Transactions, is applied figuratively to the following passage in the Aids to Reflection:—

'Pindar's fine remark respecting the different effects of Music, on different characters, holds equally true of Genius—as many as are not delighted by it are disturbed, perplexed, irritated. The beholder either recognises it as a projected form of his own Being, that moves before him with a Glory round its head, or recoils from it as a Spectre.'—Aids to Reflection [1825], p. 220.

LINENOTES:

[8]

thee] thee 1828, 1829.

[13]

embodied] embodied 1828, 1829.

[14]

living] living 1828, 1829.

[32]

makes] makes 1828, 1829.

THE PANG MORE SHARP THAN ALL[457:1]

AN ALLEGORY

I

He too has flitted from his secret nest,

Hope's last and dearest child without a name!—

Has flitted from me, like the warmthless flame,

That makes false promise of a place of rest

To the tired Pilgrim's still believing mind;—          5

Or like some Elfin Knight in kingly court,

Who having won all guerdons in his sport,

Glides out of view, and whither none can find!

II

Yes! he hath flitted from me—with what aim,

Or why, I know not! 'Twas a home of bliss,          10

And he was innocent, as the pretty shame

Of babe, that tempts and shuns the menaced kiss,

From its twy-cluster'd hiding place of snow!

Pure as the babe, I ween, and all aglow

As the dear hopes, that swell the mother's breast—          15

Her eyes down gazing o'er her claspéd charge;—

Yet gay as that twice happy father's kiss,

That well might glance aside, yet never miss,

Where the sweet mark emboss'd so sweet a targe—

Twice wretched he who hath been doubly blest!          20

III

Like a loose blossom on a gusty night

He flitted from me—and has left behind

(As if to them his faith he ne'er did plight)

Of either sex and answerable mind

Two playmates, twin-births of his foster-dame:—          25

The one a steady lad (Esteem he hight)

And Kindness is the gentler sister's name.

Dim likeness now, though fair she be and good,

Of that bright Boy who hath us all forsook;—

But in his full-eyed aspect when she stood,          30

And while her face reflected every look,

And in reflection kindled—she became

So like Him, that almost she seem'd the same!

IV

Ah! he is gone, and yet will not depart!—

Is with me still, yet I from him exiled!          35

For still there lives within my secret heart

The magic image of the magic Child,

Which there he made up-grow by his strong art,

As in that crystal[458:1] orb—wise Merlin's feat,—

The wondrous 'World of Glass,' wherein inisled          40

All long'd-for things their beings did repeat;—

And there he left it, like a Sylph beguiled,

To live and yearn and languish incomplete!

V

Can wit of man a heavier grief reveal?

Can sharper pang from hate or scorn arise?—          45

Yes! one more sharp there is that deeper lies,

Which fond Esteem but mocks when he would heal.

Yet neither scorn nor hate did it devise,

But sad compassion and atoning zeal!

One pang more blighting-keen than hope betray'd!          50

And this it is my woeful hap to feel,

When, at her Brother's hest, the twin-born Maid

With face averted and unsteady eyes,

Her truant playmate's faded robe puts on;

And inly shrinking from her own disguise          55

Enacts the faery Boy that's lost and gone.

O worse than all! O pang all pangs above

Is Kindness counterfeiting absent Love!

? 1825-6.

FOOTNOTES:

[457:1] First published in 1834. With lines 36-43, and with the poem as a whole, compare the following fragments of uncertain date, which were first published in a note to the edition of 1893. Both the poem as completed and these fragments of earlier drafts seem to belong to the last decade of the poet's life. The water-mark of the scrap of paper on which these drafts are written is 1819, but the tone and workmanship of the verse suggest a much later date, possibly 1826.

'—— into my Heart

The magic Child as in a magic glass

Transfused, and ah! he left within my Heart

A loving Image and a counterpart.'

'—— into my Heart

As 'twere some magic Glass the magic child

Transfused his Image and full counterpart;

And then he left it like a Sylph beguiled

To live and yearn and languish incomplete!

Day following day, more rugged grows my path.

There dwells a cloud before my heavy eyes;

A Blank my Heart, and Hope is dead and buried,

Yet the deep yearning will not die; but Love

Clings on and cloathes the marrowless remains,

Like the fresh moss that grows on dead men's bones,

Quaint mockery! and fills its scarlet cups

With the chill dewdamps of the Charnel House.

O ask not for my Heart! my Heart is but

The darksome vault where Hope lies dead and buried,

And Love with Asbest Lamp bewails the Corse.'

[458:1] Faerie Queene, b. iii. c. 2, s. 19.

DUTY SURVIVING SELF-LOVE[459:1]

THE ONLY SURE FRIEND OF DECLINING LIFE

A SOLILOQUY

Unchanged within, to see all changed without,

Is a blank lot and hard to bear, no doubt.

Yet why at others' wanings should'st thou fret?

Then only might'st thou feel a just regret,

Hadst thou withheld thy love or hid thy light          5

In selfish forethought of neglect and slight.

O wiselier then, from feeble yearnings freed,

While, and on whom, thou may'st—shine on! nor heed

Whether the object by reflected light

Return thy radiance or absorb it quite:          10

And though thou notest from thy safe recess

Old Friends burn dim, like lamps in noisome air,

Love them for what they are; nor love them less,

Because to thee they are not what they were.

1826.

FOOTNOTES:

[459:1] First published in 1828: included in 1829 and 1834. The MS. of the first draft, dated Sept. 2, 1826, is preceded by the following introductory note:—

'QUESTION, ANSWER, AND SOLILOQUY.

And are you (said Alia to Constantius, on whose head sickness and sorrow had antedated Winter, ere yet the time of Vintage had passed), Are you the happier for your Philosophy? And the smile of Constantius was as the light from a purple cluster of the vine, gleaming through snowflakes, as he replied, The Boons of Philosophy are of higher worth, than what you, O Alia, mean by Happiness. But I will not seem to evade the question—Am I the happier for my Philosophy? The calmer at least and the less unhappy, answered Constantius, for it has enabled me to find that selfless Reason is the best Comforter, and only sure friend of declining Life. At this moment the sounds of a carriage followed by the usual bravura executed on the brazen knocker announced a morning visit: and Alia hastened to receive the party. Meantime the grey-haired philosopher, left to his own musings, continued playing with the thoughts that Alia and Alia's question had excited, till he murmured them to himself in half audible words, which at first casually, and then for the amusement of his ear, he punctuated with rhymes, without however conceiting that he had by these means changed them into poetry.'

LINENOTES:

[4]

When thy own body first the example set. MS. S. T. C.

[5-11]

om. MS. S. T. C.

[8]

While—on whom] While—on whom 1828, 1829.

[9]

object] Body MS. S. T. C.

[13]

are] are 1828, 1829.

[14]

thee—were] thee—were 1828, 1829.

HOMELESS[460:1]

'O! Christmas Day, Oh! happy day!

A foretaste from above,

To him who hath a happy home

And love returned from love!'

O! Christmas Day, O gloomy day,          5

The barb in Memory's dart,

To him who walks alone through Life,

The desolate in heart.

1826.

FOOTNOTES:

[460:1] First published in the Literary Magnet, January, 1827, p. 71. First collected in 1893. A transcript, possibly in Mrs. Gillman's handwriting, is inscribed on the fly-leaf of a copy of Bartram's Travels in South Carolina which Coleridge purchased in April 1818. J. D. Campbell prefixed the title 'Homeless', and assigned 1810 as a conjectural date. Attention was first called to publication in the Literary Magnet by Mr. Bertram Dobell in the Athenaeum.

LINENOTES:

Title] An Impromptu on Christmas Day L. M. 1827.

[4]

from] for L. M. 1827.

LINES[460:2]

SUGGESTED BY THE LAST WORDS OF BERENGARIUS

OB. ANNO DOM. 1088

No more 'twixt conscience staggering and the Pope

Soon shall I now before my God appear,

By him to be acquitted, as I hope;

By him to be condemnéd, as I fear.—

REFLECTION ON THE ABOVE

Lynx amid moles! had I stood by thy bed,          5

Be of good cheer, meek soul! I would have said:

I see a hope spring from that humble fear.

All are not strong alike through storms to steer

Right onward. What? though dread of threatened death

And dungeon torture made thy hand and breath          10

Inconstant to the truth within thy heart!

That truth, from which, through fear, thou twice didst start,

Fear haply told thee, was a learned strife,

Or not so vital as to claim thy life:

And myriads had reached Heaven, who never knew          15

Where lay the difference 'twixt the false and true!

Ye, who secure 'mid trophies not your own,

Judge him who won them when he stood alone,

And proudly talk of recreant Berengare—

O first the age, and then the man compare!          20

That age how dark! congenial minds how rare!

No host of friends with kindred zeal did burn!

No throbbing hearts awaited his return!

Prostrate alike when prince and peasant fell,

He only disenchanted from the spell,          25

Like the weak worm that gems the starless night,

Moved in the scanty circlet of his light:

And was it strange if he withdrew the ray

That did but guide the night-birds to their prey?

The ascending day-star with a bolder eye          30

Hath lit each dew-drop on our trimmer lawn!

Yet not for this, if wise, shall we decry

The spots and struggles of the timid Dawn;

Lest so we tempt th' approaching Noon to scorn

The mists and painted vapours of our Morn.          35

? 1826.

FOOTNOTES:

[460:2] First published in the Literary Souvenir, 1827. The Epitaphium Testamentarium (vide post, p. 462) is printed in a footnote to the word 'Berengarius'. Included in 1828, 1829, and 1834.

LINENOTES:

[13]

learned] learned L. S.

[19]

recreant] recreant L. S., 1828, 1829.

[23]

his] his L. S.

[32]

shall] will L. S., 1828, 1829.

[34]

th' approaching] the coming L. S.

EPITAPHIUM TESTAMENTARIUM[462:1]

Τὸ τοῦ ἜΣΤΗΣΕ τοῦ ἐπιθανοῦς Epitaphium testamentarium αὐτόγραφον.

Quae linquam, aut nihil, aut nihili, aut vix sunt mea. Sordes

Do Morti: reddo caetera, Christe! tibi.

1826.

Ἔρως ἀεὶ λάληθρος ἑταῖρος[462:2]

In many ways does the full heart reveal

The presence of the love it would conceal;

But in far more th' estrangéd heart lets know

The absence of the love, which yet it fain would shew.

1826.

FOOTNOTES:

[462:1] First published in Literary Souvenir of 1827, as footnote to title of the Lines Suggested by the Last Words of Berengarius: included in Literary Remains, 1836, i. 60: first collected in 1844.

[462:2] This quatrain was prefixed as a motto to 'Prose in Rhyme; and Epigrams, Moralities, and Things without a Name', the concluding section of 'Poems' in the edition of 1828, 1829, vol. ii, pp. 75-117. It was prefixed to 'Miscellaneous Poems' in 1834, vol. ii, pp. 55-152, and to 'Poems written in Later Life', 1852, pp. 319-78.

LINENOTES:

Title] ΕΠΙΤΑΦΙΟΝ ΑΥΤΟΓΡΑΠΤΟΝ L. R., 1844: ἐπιθανοῦς] ἐπιδανοὺς L. S.

The emendation ἐπιθανοῦς (i. e. moribund) was suggested by the Reader of Macmillan's edition of 1893. Other alternatives, e. g. ἐπιδευοῦς (the lacking), to the word as misprinted in the Literary Souvenir have been suggested, but there can be no doubt that what Coleridge intended to imply was that he was near his end.

Greek motto: Ἔρως ἀεὶ λάλος MS. S. T. C.

[1-4]

In many ways I own do we reveal.

The Presence of the Love we would conceal,

But in how many more do we let know

The absence of the Love we found would show.

MS. S. T. C.

THE IMPROVISATORE[462:3]

OR, 'JOHN ANDERSON, MY JO, JOHN'

Scene—A spacious drawing-room, with music-room adjoining.

Katharine. What are the words?

Eliza. Ask our friend, the Improvisatore; here he comes. Kate has a favour to ask of you, Sir; it is that you will repeat the ballad[463:1] that Mr. —— sang so sweetly.

Friend. It is in Moore's Irish Melodies; but I do not recollect the words distinctly. The moral of them, however, I take to be this:—

Love would remain the same if true,

When we were neither young nor new;

Yea, and in all within the will that came,

By the same proofs would show itself the same.

Eliz. What are the lines you repeated from Beaumont and Fletcher, which my mother admired so much? It begins with something about two vines so close that their tendrils intermingle.

Fri. You mean Charles' speech to Angelina, in The Elder Brother[463:2].

We'll live together, like two neighbour vines,

Circling our souls and loves in one another!

We'll spring together, and we'll bear one fruit;

One joy shall make us smile, and one grief mourn;

One age go with us, and one hour of death

Shall close our eyes, and one grave make us happy.

Kath. A precious boon, that would go far to reconcile one to old age—this love—if true! But is there any such true love?

Fri. I hope so.

Kath. But do you believe it?

Eliz. (eagerly). I am sure he does.

Fri. From a man turned of fifty, Katharine, I imagine, expects a less confident answer.

Kath. A more sincere one, perhaps.

Fri. Even though he should have obtained the nick-name of Improvisatore, by perpetrating charades and extempore verses at Christmas times?

Eliz. Nay, but be serious.

Fri. Serious! Doubtless. A grave personage of my years giving a Love-lecture to two young ladies, cannot well be otherwise. The difficulty, I suspect, would be for them to remain so. It will be asked whether I am not the 'elderly gentleman' who sate 'despairing beside a clear stream', with a willow for his wig-block.

Eliz. Say another word, and we will call it downright affectation.

Kath. No! we will be affronted, drop a courtesy, and ask pardon for our presumption in expecting that Mr. —— would waste his sense on two insignificant girls.

Fri. Well, well, I will be serious. Hem! Now then commences the discourse; Mr. Moore's song being the text. Love, as distinguished from Friendship, on the one hand, and from the passion that too often usurps its name, on the other—

Lucius (Eliza's brother, who had just joined the trio, in a whisper to the Friend). But is not Love the union of both?

Fri. (aside to Lucius). He never loved who thinks so.

Eliz. Brother, we don't want you. There! Mrs. H. cannot arrange the flower vase without you. Thank you, Mrs. Hartman.

Luc. I'll have my revenge! I know what I will say!

Eliz. Off! Off! Now, dear Sir,—Love, you were saying—

Fri. Hush! Preaching, you mean, Eliza.

Eliz. (impatiently). Pshaw!

Fri. Well then, I was saying that Love, truly such, is itself not the most common thing in the world: and mutual love still less so. But that enduring personal attachment, so beautifully delineated by Erin's sweet melodist, and still more touchingly, perhaps, in the well-known ballad, 'John Anderson, my Jo, John,' in addition to a depth and constancy of character of no every-day occurrence, supposes a peculiar sensibility and tenderness of nature; a constitutional communicativeness and utterancy of heart and soul; a delight in the detail of sympathy, in the outward and visible signs of the sacrament within—to count, as it were, the pulses of the life of love. But above all, it supposes a soul which, even in the pride and summer-tide of life—even in the lustihood of health and strength, had felt oftenest and prized highest that which age cannot take away and which, in all our lovings, is the Love;—

Eliz. There is something here (pointing to her heart) that seems to understand you, but wants the word that would make it understand itself.

Kath. I, too, seem to feel what you mean. Interpret the feeling for us.

Fri. —— I mean that willing sense of the insufficingness of the self for itself, which predisposes a generous nature to see, in the total being of another, the supplement and completion of its own;—that quiet perpetual seeking which the presence of the beloved object modulates, not suspends, where the heart momently finds, and, finding, again seeks on;—lastly, when 'life's changeful orb has pass'd the full', a confirmed faith in the nobleness of humanity, thus brought home and pressed, as it were, to the very bosom of hourly experience; it supposes, I say, a heartfelt reverence for worth, not the less deep because divested of its solemnity by habit, by familiarity, by mutual infirmities, and even by a feeling of modesty which will arise in delicate minds, when they are conscious of possessing the same or the correspondent excellence in their own characters. In short, there must be a mind, which, while it feels the beautiful and the excellent in the beloved as its own, and by right of love appropriates it, can call Goodness its Playfellow; and dares make sport of time and infirmity, while, in the person of a thousand-foldly endeared partner, we feel for aged Virtue the caressing fondness that belongs to the Innocence of childhood, and repeat the same attentions and tender courtesies which had been dictated by the same affection to the same object when attired in feminine loveliness or in manly beauty.

Eliz. What a soothing—what an elevating idea!

Kath. If it be not only an idea.

Fri. At all events, these qualities which I have enumerated, are rarely found united in a single individual. How much more rare must it be, that two such individuals should meet together in this wide world under circumstances that admit of their union as Husband and Wife. A person may be highly estimable on the whole, nay, amiable as neighbour, friend, housemate—in short, in all the concentric circles of attachment save only the last and inmost; and yet from how many causes be estranged from the highest perfection in this! Pride, coldness, or fastidiousness of nature, worldly cares, an anxious or ambitious disposition, a passion for display, a sullen temper,—one or the other—too often proves 'the dead fly in the compost of spices', and any one is enough to unfit it for the precious balm of unction. For some mighty good sort of people, too, there is not seldom a sort of solemn saturnine, or, if you will, ursine vanity, that keeps itself alive by sucking the paws of its own self-importance. And as this high sense, or rather sensation of their own value is, for the most part, grounded on negative qualities, so they have no better means of preserving the same but by negatives—that is, by not doing or saying any thing, that might be put down for fond, silly, or nonsensical;—or (to use their own phrase) by never forgetting themselves, which some of their acquaintance are uncharitable enough to think the most worthless object they could be employed in remembering.

Eliz. (in answer to a whisper from Katharine). To a hair! He must have sate for it himself. Save me from such folks! But they are out of the question.

Fri. True! but the same effect is produced in thousands by the too general insensibility to a very important truth; this, namely, that the MISERY of human life is made up of large masses, each separated from the other by certain intervals. One year, the death of a child; years after, a failure in trade; after another longer or shorter interval, a daughter may have married unhappily;—in all but the singularly unfortunate, the integral parts that compose the sum total of the unhappiness of a man's life, are easily counted, and distinctly remembered. The HAPPINESS of life, on the contrary, is made up of minute fractions—the little, soon-forgotten charities of a kiss, a smile, a kind look, a heartfelt compliment in the disguise of playful raillery, and the countless other infinitesimals of pleasurable thought and genial feeling.

Kath. Well, Sir; you have said quite enough to make me despair of finding a 'John Anderson, my Jo, John', with whom to totter down the hill of life.

Fri. Not so! Good men are not, I trust, so much scarcer than good women, but that what another would find in you, you may hope to find in another. But well, however, may that boon be rare, the possession of which would be more than an adequate reward for the rarest virtue.

Eliz. Surely, he, who has described it so well, must have possessed it?

Fri. If he were worthy to have possessed it, and had believingly anticipated and not found it, how bitter the disappointment!

(Then, after a pause of a few minutes).

ANSWER, ex improviso

Yes, yes! that boon, life's richest treat

He had, or fancied that he had;

Say, 'twas but in his own conceit—

The fancy made him glad!

Crown of his cup, and garnish of his dish!          5

The boon, prefigured in his earliest wish,

The fair fulfilment of his poesy,

When his young heart first yearn'd for sympathy!

But e'en the meteor offspring of the brain

Unnourished wane;          10

Faith asks her daily bread,

And Fancy must be fed!

Now so it chanced—from wet or dry,

It boots not how—I know not why—

She missed her wonted food; and quickly          15

Poor Fancy stagger'd and grew sickly.

Then came a restless state, 'twixt yea and nay,

His faith was fix'd, his heart all ebb and flow;

Or like a bark, in some half-shelter'd bay,

Above its anchor driving to and fro.          20

That boon, which but to have possess'd

In a belief, gave life a zest—

Uncertain both what it had been,

And if by error lost, or luck;

And what it was;—an evergreen          25

Which some insidious blight had struck,

Or annual flower, which, past its blow,

No vernal spell shall e'er revive;

Uncertain, and afraid to know,

Doubts toss'd him to and fro:          30

Hope keeping Love, Love Hope alive,

Like babes bewildered in a snow,

That cling and huddle from the cold

In hollow tree or ruin'd fold.

Those sparkling colours, once his boast          35

Fading, one by one away,

Thin and hueless as a ghost,

Poor Fancy on her sick bed lay;

Ill at distance, worse when near,

Telling her dreams to jealous Fear!          40

Where was it then, the sociable sprite

That crown'd the Poet's cup and deck'd his dish!

Poor shadow cast from an unsteady wish,

Itself a substance by no other right

But that it intercepted Reason's light;          45

It dimm'd his eye, it darken'd on his brow,

A peevish mood, a tedious time, I trow!

Thank Heaven! 'tis not so now.

O bliss of blissful hours!

The boon of Heaven's decreeing,          50

While yet in Eden's bowers

Dwelt the first husband and his sinless mate!

The one sweet plant, which, piteous Heaven agreeing,

They bore with them thro' Eden's closing gate!

Of life's gay summer tide the sovran Rose!          55

Late autumn's Amaranth, that more fragrant blows

When Passion's flowers all fall or fade;

If this were ever his, in outward being,

Or but his own true love's projected shade,

Now that at length by certain proof he knows,          60

That whether real or a magic show,

Whate'er it was, it is no longer so;

Though heart be lonesome, Hope laid low,

Yet, Lady! deem him not unblest:

The certainty that struck Hope dead,          65

Hath left Contentment in her stead:

And that is next to Best!

1827.

FOOTNOTES:

[462:3] First published in the Amulet for 1828 (with a prose introduction entitled 'New Thoughts on Old Subjects; or Conversational Dialogues on Interests and Events of Common Life.' By S. T. Coleridge): included in 1829 and 1834. The text of 1834 is identical with that of the Amulet, 1828, but the italics in the prose dialogue were not reproduced. They have been replaced in the text of the present issue. The title may have been suggested by L. E. L.'s Improvisatrice published in 1824.

[463:1] 'Believe me if all those endearing young charms.'

[463:2] See Beaumont and Fletcher, The Elder Brother, Act III, Scene v. In the original the lines are printed as prose. In line 1 of the quotation Coleridge has substituted 'neighbour' for 'wanton', and in line 6, 'close' for 'shut'.

TO MARY PRIDHAM[468:1]

[AFTERWARDS MRS. DERWENT COLERIDGE]

Dear tho' unseen! tho' I have left behind

Life's gayer views and all that stirs the mind,

Now I revive, Hope making a new start,

Since I have heard with most believing heart,

That all my glad eyes would grow bright to see,          5

My Derwent hath found realiz'd in thee,

The boon prefigur'd in his earliest wish

Crown of his cup and garnish of his dish!

The fair fulfilment of his poesy,

When his young heart first yearn'd for sympathy!          10

Dear tho' unseen! unseen, yet long portray'd!

A Father's blessing on thee, gentle Maid!

S. T. COLERIDGE.

16th October 1827.

FOOTNOTES:

[468:1] First published in 1893. Lines 7-10 are borrowed from lines 5-8 of the 'Answer ex improviso', which forms part of the Improvisatore (ll. 7, 8 are transposed). An original MS. is inscribed on the first page of an album presented to Mrs. Derwent Coleridge on her marriage, by her husband's friend, the Reverend John Moultrie. The editor of P. W., 1893, printed from another MS. dated Grove, Highgate, 15th October, 1827.

LINENOTES:

Title]: To Mary S. Pridham MS. S. T. C.

[1-3]

Dear tho' unseen! tho' hard has been my lot

And rough my path thro' life, I murmur not—

Rather rejoice—

MS. S. T. C.

[5]

That all this shaping heart has yearned to see

MS. S. T. C.

[8]

his] the MS. S. T. C. his] the MS. S. T. C.

ALICE DU CLOS[469:1]

OR THE FORKED TONGUE

A BALLAD

'One word with two meanings is the traitor's shield and shaft: and a slit tongue be his blazon!'—Caucasian Proverb.

'The Sun is not yet risen,

But the dawn lies red on the dew:

Lord Julian has stolen from the hunters away,

Is seeking, Lady! for you.

Put on your dress of green,          5

Your buskins and your quiver:

Lord Julian is a hasty man,

Long waiting brook'd he never.

I dare not doubt him, that he means

To wed you on a day,          10

Your lord and master for to be,

And you his lady gay.

O Lady! throw your book aside!

I would not that my Lord should chide.'

Thus spake Sir Hugh the vassal knight          15

To Alice, child of old Du Clos,

As spotless fair, as airy light

As that moon-shiny doe,

The gold star on its brow, her sire's ancestral crest!

For ere the lark had left his nest,          20

She in the garden bower below

Sate loosely wrapt in maiden white,

Her face half drooping from the sight,

A snow-drop on a tuft of snow!

O close your eyes, and strive to see          25

The studious maid, with book on knee,—

Ah! earliest-open'd flower;

While yet with keen unblunted light

The morning star shone opposite

The lattice of her bower—          30

Alone of all the starry host,

As if in prideful scorn

Of flight and fear he stay'd behind,

To brave th' advancing morn.

O! Alice could read passing well,          35

And she was conning then

Dan Ovid's mazy tale of loves,

And gods, and beasts, and men.

The vassal's speech, his taunting vein,

It thrill'd like venom thro' her brain;          40

Yet never from the book

She rais'd her head, nor did she deign

The knight a single look.

'Off, traitor friend! how dar'st thou fix

Thy wanton gaze on me?          45

And why, against my earnest suit,

Does Julian send by thee?

'Go, tell thy Lord, that slow is sure:

Fair speed his shafts to-day!

I follow here a stronger lure,          50

And chase a gentler prey.'

She said: and with a baleful smile

The vassal knight reel'd off—

Like a huge billow from a bark

Toil'd in the deep sea-trough,          55

That shouldering sideways in mid plunge,

Is travers'd by a flash.

And staggering onward, leaves the ear

With dull and distant crash.

And Alice sate with troubled mien          60

A moment; for the scoff was keen,

And thro' her veins did shiver!

Then rose and donn'd her dress of green,

Her buskins and her quiver.

There stands the flow'ring may-thorn tree!          65

From thro' the veiling mist you see

The black and shadowy stem;—

Smit by the sun the mist in glee

Dissolves to lightsome jewelry—

Each blossom hath its gem!          70

With tear-drop glittering to a smile,

The gay maid on the garden-stile

Mimics the hunter's shout.

'Hip! Florian, hip! To horse, to horse!

Go, bring the palfrey out.          75

'My Julian's out with all his clan.

And, bonny boy, you wis,

Lord Julian is a hasty man,

Who comes late, comes amiss.'

Now Florian was a stripling squire,          80

A gallant boy of Spain,

That toss'd his head in joy and pride,

Behind his Lady fair to ride,

But blush'd to hold her train.

The huntress is in her dress of green,—          85

And forth they go; she with her bow,

Her buskins and her quiver!—

The squire—no younger e'er was seen—

With restless arm and laughing een,

He makes his javelin quiver.          90

And had not Ellen stay'd the race,

And stopp'd to see, a moment's space,

The whole great globe of light

Give the last parting kiss-like touch

To the eastern ridge, it lack'd not much,          95

They had o'erta'en the knight.

It chanced that up the covert lane,

Where Julian waiting stood,

A neighbour knight prick'd on to join

The huntsmen in the wood.          100

And with him must Lord Julian go,

Tho' with an anger'd mind:

Betroth'd not wedded to his bride,

In vain he sought, 'twixt shame and pride,

Excuse to stay behind.          105

He bit his lip, he wrung his glove,

He look'd around, he look'd above,

But pretext none could find or frame.

Alas! alas! and well-a-day!

It grieves me sore to think, to say,          110

That names so seldom meet with Love,

Yet Love wants courage without a name!

Straight from the forest's skirt the trees

O'er-branching, made an aisle,

Where hermit old might pace and chaunt          115

As in a minster's pile.

From underneath its leafy screen,

And from the twilight shade,

You pass at once into a green,

A green and lightsome glade.          120

And there Lord Julian sate on steed;

Behind him, in a round,

Stood knight and squire, and menial train;

Against the leash the greyhounds strain;

The horses paw'd the ground.          125

When up the alley green, Sir Hugh

Spurr'd in upon the sward,

And mute, without a word, did he

Fall in behind his lord.

Lord Julian turn'd his steed half round,—          130

'What! doth not Alice deign

To accept your loving convoy, knight?

Or doth she fear our woodland sleight,

And join us on the plain?'

With stifled tones the knight replied,          135

And look'd askance on either side,—

'Nay, let the hunt proceed!—

The Lady's message that I bear,

I guess would scantly please your ear,

And less deserves your heed.          140

'You sent betimes. Not yet unbarr'd

I found the middle door;—

Two stirrers only met my eyes,

Fair Alice, and one more.

'I came unlook'd for; and, it seem'd,          145

In an unwelcome hour;

And found the daughter of Du Clos

Within the lattic'd bower.

'But hush! the rest may wait. If lost,

No great loss, I divine;          150

And idle words will better suit

A fair maid's lips than mine.'

'God's wrath! speak out, man,' Julian cried,

O'ermaster'd by the sudden smart;—

And feigning wrath, sharp, blunt, and rude,          155

The knight his subtle shift pursued.—

'Scowl not at me; command my skill,

To lure your hawk back, if you will,

But not a woman's heart.

'"Go! (said she) tell him,—slow is sure;          160

Fair speed his shafts to-day!

I follow here a stronger lure,

And chase a gentler prey."

'The game, pardie, was full in sight,

That then did, if I saw aright,          165

The fair dame's eyes engage;

For turning, as I took my ways,

I saw them fix'd with steadfast gaze

Full on her wanton page.'

The last word of the traitor knight          170

It had but entered Julian's ear,—

From two o'erarching oaks between,

With glist'ning helm-like cap is seen,

Borne on in giddy cheer,

A youth, that ill his steed can guide;          175

Yet with reverted face doth ride,

As answering to a voice,

That seems at once to laugh and chide—

'Not mine, dear mistress,' still he cried,

''Tis this mad filly's choice.'          180

With sudden bound, beyond the boy,

See! see! that face of hope and joy,

That regal front! those cheeks aglow!

Thou needed'st but the crescent sheen,

A quiver'd Dian to have been,          185

Thou lovely child of old Du Clos!

Dark as a dream Lord Julian stood,

Swift as a dream, from forth the wood,

Sprang on the plighted Maid!

With fatal aim, and frantic force,          190

The shaft was hurl'd!—a lifeless corse,

Fair Alice from her vaulting horse,

Lies bleeding on the glade.

? 1828.

FOOTNOTES:

[469:1] First published in 1834. The date of composition cannot be ascertained. The MS., an early if not a first draft, is certainly of late date. The water-marks of the paper (Bath Post) are 1822 and 1828. There is a second draft (MS. b) of lines 97-112. Line 37, 'Dan Ovid's mazy tale of loves,' may be compared with line 100 of The Garden of Boccaccio, 'Peers Ovid's Holy Book of Love's sweet smart,' and it is probable that Alice Du Clos was written about the same time, 1828-9. In line 91 'Ellen' is no doubt a slip of the pen for 'Alice'.

LINENOTES:

Title] Alice Du Clos: or &c. MS.

[19-25]

Her sires had chosen for their Crest

A star atwixt its brow,

For she, already up and drest

Sate in the garden bower below.

For she enwrapt in

Enwrapt in robe of

Maiden white

Her

face half drooping

visage drooping from the sight

A snow-drop in a tuft of snow

Ere the first lark had left the nest

Sate in the garden bower below.

MS. erased.

[48]

Go tell him I am well at home MS. erased.

[49]

speed] fly MS. erased.

[50]

stronger] sweeter MS. erased.

[51]

gentler] lovelier MS. erased.

[53]

reel'd] pass'd MS. erased.

[54-7]

Like a tall Wave that

stormy

huge and dark

Reels sideway from a toiling Bark

Toil'd in the deep sea-trough

Is traversed by

Catches askance

the Lightning flash

or

Like a huge Billow, rude and dark

That

as it falls off from a Bark

tumbling mainward from

Toil'd in the deep Sea-trough

MS. erased.

[56]

shouldering] wheeling MS. erased.

[61]

A moment's pause MS. erased.

[65]

Yon May-thorn tree dimly—

or

O fairly flower yon may-thorn tree

MS. erased.

[69]

lightsome] glittering MS.

[71]

With] The MS.

[76]

Lord Julian in the Greenwood stays MS. erased.

[87]

With buskins and with quiver MS. erased.

[100]

huntsmen] huntsman MS. b.

[104]

He sought in vain twixt shame and pride MS. b.

[107]

He look'd far round MS. b.

[110]

sore] sair MS. b, MS. erased.

[111]

Tho' names too seldom MS. b.

[122]

With all his gay hunt round MS.

[126]

When] And MS.

[128]

And dark of Brow, without a word MS.

[135]

stifled] muttering MS. erased.

[136]

And Look askance MS.: Yet not unheard MS. erased.

[153-7]

God's wrath! speak out!

Lord Julian cry'd

What mean'st thou man?

Recoiling with a start

Cried Julian with a start.

With

well-feign'd anger

feign'd resentment blunt and rude

Sir Hugh his deep revenge pursued

Why scowl at me? Command my skill.

MS. erased (first draft).

[159]

She bade me tell you MS. erased.

[167]

For as she clos'd her scoffing phrase MS. erased.

[173-4]

And who from twixt those opening Trees

Pricks on with laughing cheer

MS. erased (first draft).

LOVE'S BURIAL-PLACE[475:1]

Lady. If Love be dead—

Poet. And I aver it!

Lady. Tell me, Bard! where Love lies buried?

Poet. Love lies buried where 'twas born:

Oh, gentle dame! think it no scorn          5

If, in my fancy, I presume

To call thy bosom poor Love's Tomb.

And on that tomb to read the line:—

'Here lies a Love that once seem'd mine,

But caught a chill, as I divine,          10

And died at length of a Decline.'

1828.

FOOTNOTES:

[475:1] First published in 1828: included in the Amulet, 1833, as the first of 'Three Scraps', and in 1852. The present text is that of the Amulet, 1833.

LINENOTES:

Title] The Alienated Mistress: A Madrigal (From an unfinished Melodrama) 1828, 1852.

[1-3]

Lady. If Love be dead (and you aver it!)

Tell me Bard! where Love lies buried.

1828, 1852.

[5]

Ah faithless nymph 1828, 1852.

[7]

call] name 1828, 1852.

[9]

seem'd] was 1828, 1852.

[10]

caught] took 1828, 1852.

LINES[476:1]

TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW

What though the chilly wide-mouth'd quacking chorus

From the rank swamps of murk Review-land croak:

So was it, neighbour, in the times before us,

When Momus, throwing on his Attic cloak,

Romp'd with the Graces; and each tickled Muse          5

(That Turk, Dan Phœbus, whom bards call divine,

Was married to—at least, he kept—all nine)

Fled, but still with reverted faces ran;

Yet, somewhat the broad freedoms to excuse,

They had allured the audacious Greek to use,          10

Swore they mistook him for their own good man.

This Momus—Aristophanes on earth

Men call'd him—maugre all his wit and worth,

Was croak'd and gabbled at. How, then, should you,

Or I, friend, hope to 'scape the skulking crew?          15

No! laugh, and say aloud, in tones of glee,

'I hate the quacking tribe, and they hate me!'

? 1825.

FOOTNOTES:

[476:1] First published in Friendship's Offering, 1834, as No. III of 'Lightheartednesses in Rhyme': included in 1834.

LINENOTES:

Title] To a Comic Author on an abusive review of his Aristophanes MS.

1 foll.

They fled;—

Friend yet unknown! What tho' a brainless rout

Usurp the sacred title of the Bard—

What tho' the chilly wide-mouth'd chorus

From Styx or Lethe's oozy Channel croak:

So was it, Peter, in the times before us

When Momus throwing on his Attic cloak

Romp'd with the Graces and each tickled Muse

The plighted coterie of Phœbus he bespoke

And laughing with reverted faces ran,

And somewhat the broad freedom to excuse

They had allow'd the audacious Greek to use

Swore they mistook him for their own good man!

If the good dulness be the home of worth

Duller than Frogs co-ax'd, or Jeffrey writ

We, too, will Aristoff (sic) and welcome it—

First draft MS. B. M.

[7]

kept] kept F. O. 1834.

COLOGNE[477:1]

In Köhln[477:2], a town of monks and bones[477:3],

And pavements fang'd with murderous stones

And rags, and hags, and hideous wenches;

I counted two and seventy stenches,

All well defined, and several stinks!          5

Ye Nymphs that reign o'er sewers and sinks,

The river Rhine, it is well known,

Doth wash your city of Cologne;

But tell me, Nymphs, what power divine

Shall henceforth wash the river Rhine[477:4]?          10

1828.

FOOTNOTES:

[477:1] First published in Friendship's Offering, 1834, as No. IV of 'Lightheartednesses in Rhyme'. It follows the lines 'On my joyful Departure', &c., and is headed 'Expectoration the Second'. First collected in 1834.

[477:2] Köhln Coln F. O. The German Name of Cologne. F. O.]

[477:3] Of the eleven thousand virgin Martyrs. F. O.

[477:4] As Necessity is the mother of Invention, and extremes beget each other, the facts above recorded may explain how this ancient town (which, alas! as sometimes happens with venison, has been kept too long), came to be the birthplace of the most fragrant of spirituous fluids, the EAU DE COLOGNE. F. O.

ON MY JOYFUL DEPARTURE[477:5]

FROM THE SAME CITY

As I am a Rhymer[477:6],

And now at least a merry one,

Mr. Mum's Rudesheimer[477:7]

And the church of St. Geryon

Are the two things alone          5

That deserve to be known

In the body-and-soul-stinking town of Cologne.

1828.

FOOTNOTES:

[477:5] First published in Friendship's Offering, 1834, with the heading 'An Expectoration, or Splenetic Extempore, on my joyful departure from the City of Cologne'. First collected in 1834.

[477:6] As I am Rhymer, F. O., P. W., 1834, 1893. The 'a' is inserted by Coleridge on a page of F. O., 1834; the correction was not adopted in P. W., 1834.

[477:7] The apotheosis of Rhenish wine.

THE GARDEN OF BOCCACCIO[478:1]

Or late, in one of those most weary hours,

When life seems emptied of all genial powers,

A dreary mood, which he who ne'er has known

May bless his happy lot, I sate alone;

And, from the numbing spell to win relief,          5

Call'd on the Past for thought of glee or grief.

In vain! bereft alike of grief and glee,

I sate and cow'r'd o'er my own vacancy!

And as I watch'd the dull continuous ache,

Which, all else slumb'ring, seem'd alone to wake;          10

O Friend[478:2]! long wont to notice yet conceal,

And soothe by silence what words cannot heal,

I but half saw that quiet hand of thine

Place on my desk this exquisite design.

Boccaccio's Garden and its faery,          15

The love, the joyaunce, and the gallantry!

An Idyll, with Boccaccio's spirit warm,

Framed in the silent poesy of form.

Like flocks adown a newly-bathed steep

Emerging from a mist: or like a stream          20

Of music soft that not dispels the sleep,

But casts in happier moulds the slumberer's dream,

Grazed by an idle eye with silent might

The picture stole upon my inward sight.

A tremulous warmth crept gradual o'er my chest,          25

As though an infant's finger touch'd my breast.

And one by one (I know not whence) were brought

All spirits of power that most had stirr'd my thought

In selfless boyhood, on a new world tost

Of wonder, and in its own fancies lost;          30

Or charm'd my youth, that, kindled from above,

Loved ere it loved, and sought a form for love;

Or lent a lustre to the earnest scan

Of manhood, musing what and whence is man!

Wild strain of Scalds, that in the sea-worn caves          35

Rehearsed their war-spell to the winds and waves;

Or fateful hymn of those prophetic maids,

That call'd on Hertha in deep forest glades;

Or minstrel lay, that cheer'd the baron's feast;

Or rhyme of city pomp, of monk and priest,          40

Judge, mayor, and many a guild in long array,

To high-church pacing on the great saint's day:

And many a verse which to myself I sang,

That woke the tear, yet stole away the pang

Of hopes, which in lamenting I renew'd:          45

And last, a matron now, of sober mien,

Yet radiant still and with no earthly sheen,

Whom as a faery child my childhood woo'd

Even in my dawn of thought—Philosophy;

Though then unconscious of herself, pardie,          50

She bore no other name than Poesy;

And, like a gift from heaven, in lifeful glee,

That had but newly left a mother's knee,

Prattled and play'd with bird and flower, and stone,

As if with elfin playfellows well known,          55

And life reveal'd to innocence alone.

Thanks, gentle artist! now I can descry

Thy fair creation with a mastering eye,

And all awake! And now in fix'd gaze stand,

Now wander through the Eden of thy hand;          60

Praise the green arches, on the fountain clear

See fragment shadows of the crossing deer;

And with that serviceable nymph I stoop,

The crystal, from its restless pool, to scoop.

I see no longer! I myself am there,          65

Sit on the ground-sward, and the banquet share.

'Tis I, that sweep that lute's love-echoing strings,

And gaze upon the maid who gazing sings:

Or pause and listen to the tinkling bells

From the high tower, and think that there she dwells.          70

With old Boccaccio's soul I stand possest,

And breathe an air like life, that swells my chest.

The brightness of the world, O thou once free,

And always fair, rare land of courtesy!

O Florence! with the Tuscan fields and hills          75

And famous Arno, fed with all their rills;

Thou brightest star of star-bright Italy!

Rich, ornate, populous,—all treasures thine,

The golden corn, the olive, and the vine.

Fair cities, gallant mansions, castles old,          80

And forests, where beside his leafy hold

The sullen boar hath heard the distant horn,

And whets his tusks against the gnarled thorn;

Palladian palace with its storied halls;

Fountains, where Love lies listening to their falls;          85

Gardens, where flings the bridge its airy span,

And Nature makes her happy home with man;

Where many a gorgeous flower is duly fed

With its own rill, on its own spangled bed,

And wreathes the marble urn, or leans its head,          90

A mimic mourner, that with veil withdrawn

Weeps liquid gems, the presents of the dawn;—

Thine all delights, and every muse is thine;

And more than all, the embrace and intertwine

Of all with all in gay and twinkling dance!          95

Mid gods of Greece and warriors of romance,

See! Boccace sits, unfolding on his knees

The new-found roll of old Maeonides;[480:1]

But from his mantle's fold, and near the heart,

Peers Ovid's Holy Book of Love's sweet smart![480:2]          100

O all-enjoying and all-blending sage,

Long be it mine to con thy mazy page,

Where, half conceal'd, the eye of fancy views

Fauns, nymphs, and wingéd saints, all gracious to thy muse!

Still in thy garden let me watch their pranks,          105

And see in Dian's vest between the ranks

Of the trim vines, some maid that half believes

The vestal fires, of which her lover grieves,

With that sly satyr peeping through the leaves!

1828.

FOOTNOTES:

[478:1] First published in The Keepsake for 1829, to accompany a plate by Stothard: included in 1829 and 1834. The variant of lines 49-56, probably a fragment of some earlier unprinted poem, is inserted in one of Coleridge's Notebooks.

[478:2] Mrs. Gillman.

[480:1] Boccaccio claimed for himself the glory of having first introduced the works of Homer to his countrymen.

[480:2] I know few more striking or more interesting proofs of the overwhelming influence which the study of the Greek and Roman classics exercised on the judgments, feelings, and imaginations of the literati of Europe at the commencement of the restoration of literature, than the passage in the Filocopo of Boccaccio, where the sage instructor, Racheo, as soon as the young prince and the beautiful girl Biancofiore had learned their letters, sets them to study the Holy Book, Ovid's Art of Love. 'Incominciò Racheo a mettere il suo [officio] in esecuzione con intera sollecitudine. E loro, in breve tempo, insegnato a conoscer le lettere, fece leggere il santo libro d'Ovvidio, [!! S. T. C.] nel quale il sommo poeta mostra, come i santi fuochi di Venere si debbano ne' freddi cuori con sollecitudine accendere.' ['Deeply interesting—but observe, p. 63, ll. 33-5 [loc. cit.], The holy Book—Ovid's Art of Love!! This is not the result of mere Immorality:—

Multum, Multum

Hic jacet sepultum.'

MS. note on the fly-leaf of S. T. C.'s copy of vol. i of Boccaccio's Opere, 1723.

LINENOTES:

[49-56]

And there was young Philosophy

Unconscious of herself, pardie;

And now she hight poesy,

And like a child in playful glee

Prattles and plays with flower and stone,

As youth's fairy playfellows

Revealed to Innocence alone.

MS. S. T. C.

[59]

all] all Keepsake, 1829.

[108]

vestal] vestal Keepsake, 1829.

LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]

O'er wayward childhood would'st thou hold firm rule,

And sun thee in the light of happy faces;

Love, Hope, and Patience, these must be thy graces,

And in thine own heart let them first keep school.

For as old Atlas on his broad neck places          5

Heaven's starry globe, and there sustains it;—so

Do these upbear the little world below

Of Education,—Patience, Love, and Hope.

Methinks, I see them group'd in seemly show,

The straiten'd arms upraised, the palms aslope,          10

And robes that touching as adown they flow,

Distinctly blend, like snow emboss'd in snow.

O part them never! If Hope prostrate lie,

Love too will sink and die.

But Love is subtle, and doth proof derive          15

From her own life that Hope is yet alive;

And bending o'er, with soul-transfusing eyes,

And the soft murmurs of the mother dove,

Woos back the fleeting spirit, and half supplies;—

Thus Love repays to Hope what Hope first gave to Love.          20

Yet haply there will come a weary day,

When overtask'd at length

Both Love and Hope beneath the load give way.

Then with a statue's smile, a statue's strength,

Stands the mute sister, Patience, nothing loth,          25

And both supporting does the work of both.

1829.

FOOTNOTES:

[481:1] First published in The Keepsake for 1830: included in P. W., 1834, iii. 381. An MS. version was forwarded to W. Sotheby in an unpublished letter of July 12, 1829. A second MS., dated July 1, 1829, is inscribed in an album now in the Editor's possession, which belonged to Miss Emily Trevenen (the author of Little Derwent's Breakfast, 1839). With regard to the variant of ll. 24-6, vide infra, Coleridge writes (Letter of July 12, 1829):—'They were struck out by the author, not because he thought them bad lines in themselves (quamvis Delia Cruscam fortasse nimis redolere videantur), but because they diverted and retarded the stream of the thought, and injured the organic unity of the composition. Più nel uno is Francesco de Sallez' brief and happy definition of the beautiful, and the shorter the poem the more indispensable is it that the Più should not overlay the Uno, that the unity should be evident. But to sacrifice the gratification, the sting of pleasure, from a fine passage to the satisfaction, the sense of complacency arising from the contemplation of a symmetrical Whole is among the last conquests achieved by men of genial powers.'

LINENOTES:

Title] Lines in a Lady's Album in answer to her question respecting the accomplishments most desirable in the Mistress or Governess of a Preparatory School Letter, July 1829: The Poet's Answer, To a Lady's Question respecting the accomplishments most desirable in an instructress of Children Keepsake, 1830.

[2]

And] Yet Letter, 1829.

[3]

thy] thy Keepsake.

[4]

keep school] keep school Keepsake.

[9-11]

Methinks I see them now, the triune group,

With straiten'd arms uprais'd, the Palms aslope

Robe touching Robe beneath, and blending as they flow.

Letter, July 1829.

[15]

doth] will Keepsake, 1833.

[24-6]

Then like a Statue with a Statue's strength,

And with a Smile, the Sister Fay of those

Who at meek Evening's Close

To teach our Grief repose,

Their freshly-gathered store of Moonbeams wreath

On Marble Lips, a Chantrey has made breathe.

Letter, July 1829.

TO MISS A. T.[482:1]

Verse, pictures, music, thoughts both grave and gay,

Remembrances of dear-loved friends away,

On spotless page of virgin white displayed,

Such should thine Album be, for such art thou, sweet maid!

1829.

FOOTNOTES:

[482:1] First published in Essays on His Own Times, 1850, iii, 998 with the title 'To Miss A. T.' First collected in 1893, with the title 'In Miss E. Trevenen's Album'. 'Miss A. T.' may have been a misprint for Miss E. T., but there is no MS. authority for the title prefixed in 1893.

LINES[483:1]

WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER

OF THE MINISTER OF THE U.S.A. TO ENGLAND

Child of my muse! in Barbour's gentle hand

Go cross the main: thou seek'st no foreign land:

'Tis not the clod beneath our feet we name

Our country. Each heaven-sanctioned tie the same,

Laws, manners, language, faith, ancestral blood,          5

Domestic honour, awe of womanhood:—

With kindling pride thou wilt rejoice to see

Britain with elbow-room and doubly free!

Go seek thy countrymen! and if one scar

Still linger of that fratricidal war,          10

Look to the maid who brings thee from afar;

Be thou the olive-leaf and she the dove,

And say, I greet thee with a brother's love!

S. T. COLERIDGE.

GROVE, HIGHGATE, August 1829.

FOOTNOTES:

[483:1] First published in the New York Mirror for Dec. 19, 1829: reprinted in The Athenaeum, May 3, 1884: first collected in 1893.

LINENOTES:

Title] lines written . . . daughter of the late Minister to England. Athenaeum 1884.

SONG, ex improviso[483:2]

ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY

'Tis not the lily-brow I prize,

Nor roseate cheeks, nor sunny eyes,

Enough of lilies and of roses!

A thousand-fold more dear to me

The gentle look that Love discloses,—          5

The look that Love alone can see!

Keepsake, 1830.

FOOTNOTES:

[483:2] First published in The Keepsake for 1830: included in Essays on His Own Times, 1850, iii. 997. First collected in P. and D. W., 1877-80.

LINENOTES:

Title] To a Lady Essays, &c. 1850.

[5-6]

The look that gentle Love discloses,—

That look which Love alone can see.

Essays, &c. 1850.

LOVE AND FRIENDSHIP OPPOSITE[484:1]

Her attachment may differ from yours in degree,

Provided they are both of one kind;

But Friendship, how tender so ever it be,

Gives no accord to Love, however refined.

Love, that meets not with Love, its true nature revealing,          5

Grows ashamed of itself, and demurs:

If you cannot lift hers up to your state of feeling,

You must lower down your state to hers.

? 1830.

FOOTNOTES:

[484:1] First published as No. ii of 'Lightheartednesses in Rhyme' in Friendship's Offering for 1834: included in P. W., 1834.

LINENOTES:

Title] In Answer To A Friend's Question F. O.

[1]

in degree] in degree F. O.

[2]

kind] kind F. O.

NOT AT HOME[484:2]

That Jealousy may rule a mind

Where Love could never be

I know; but ne'er expect to find

Love without Jealousy.

She has a strange cast in her ee,          5

A swart sour-visaged maid—

But yet Love's own twin-sister she

His house-mate and his shade.

Ask for her and she'll be denied:—

What then? they only mean          10

Their mistress has lain down to sleep,

And can't just then be seen.

? 1830.

FOOTNOTES:

[484:2] First published in 1834.

PHANTOM OR FACT[484:3]

A DIALOGUE IN VERSE

AUTHOR

A lovely form there sate beside my bed,

And such a feeding calm its presence shed,

A tender love so pure from earthly leaven,

That I unnethe the fancy might control,

'Twas my own spirit newly come from heaven,          5

Wooing its gentle way into my soul!

But ah! the change—It had not stirr'd, and yet—

Alas! that change how fain would I forget!

That shrinking back, like one that had mistook!

That weary, wandering, disavowing look!          10

'Twas all another, feature, look, and frame,

And still, methought, I knew, it was the same!

FRIEND

This riddling tale, to what does it belong?

Is't history? vision? or an idle song?

Or rather say at once, within what space          15

Of time this wild disastrous change took place?

AUTHOR

Call it a moment's work (and such it seems)

This tale's a fragment from the life of dreams;

But say, that years matur'd the silent strife,

And 'tis a record from the dream of life.          20

? 1830.

FOOTNOTES:

[484:3] First published in 1834.

DESIRE[485:1]

Where true Love burns Desire is Love's pure flame;

It is the reflex of our earthly frame,

That takes its meaning from the nobler part,

And but translates the language of the heart.

? 1830.

FOOTNOTES:

[485:1] First published in 1834.

LINENOTES:

[1-4]

Desire of pure Love born, itself the same;

A pulse that animates the outer frame,

And takes the impress of the nobler part,

It but repeats the Life, that of the Heart.

MS. S. T. C.

CHARITY IN THOUGHT[486:1]

To praise men as good, and to take them for such,

Is a grace which no soul can mete out to a tittle;—

Of which he who has not a little too much,

Will by Charity's gauge surely have much too little.

? 1830.

FOOTNOTES:

[486:1] First published in 1834.

HUMILITY THE MOTHER OF CHARITY[486:2]

Frail creatures are we all! To be the best,

Is but the fewest faults to have:—

Look thou then to thyself, and leave the rest

To God, thy conscience, and the grave.

? 1830.

FOOTNOTES:

[486:2] First published in 1834.

[COELI ENARRANT][486:3]

The stars that wont to start, as on a chace,

Mid twinkling insult on Heaven's darken'd face,

Like a conven'd conspiracy of spies

Wink at each other with confiding eyes!

Turn from the portent—all is blank on high,          5

No constellations alphabet the sky:

The Heavens one large Black Letter only shew,

And as a child beneath its master's blow

Shrills out at once its task and its affright—[486:4]

The groaning world now learns to read aright,          10

And with its Voice of Voices cries out, O!

? 1830.

FOOTNOTES:

[486:3] Now first published from a MS. of uncertain date. 'I wrote these lines in imitation of Du Bartas as translated by our Sylvester.' S. T. C.

[486:4] Compare Leigh Hunt's story of Boyer's reading-lesson at Christ's Hospital:—'Pupil.—(. . . never remembering the stop at the word "Missionary"). "Missionary Can you see the wind?" (Master gives him a slap on the cheek.) Pupil.—(Raising his voice to a cry, and still forgetting to stop.) "Indian No."' Autobiography of Leigh Hunt, 1860, p. 68.

REASON[487:1]

['Finally, what is Reason? You have often asked me: and this is my answer':—]

Whene'er the mist, that stands 'twixt God and thee,

Defecates to a pure transparency,

That intercepts no light and adds no stain—

There Reason is, and then begins her reign!

But alas!          5

——'tu stesso, ti fai grosso

Col falso immaginar, sì che non vedi

Ciò che vedresti, se l'avessi scosso.'

Dante, Paradiso, Canto i.

1830.

FOOTNOTES:

[487:1] First published as the conclusion of On the Constitution of the Church and State, 1830, p. 227. First collected, P. and D. W., 1877-80, ii. 374.

SELF-KNOWLEDGE[487:2]

—E coelo descendit γνῶθι σεαυτόν.—JUVENAL, xi. 27.

Γνῶθι σεαυτόν!—and is this the prime

And heaven-sprung adage of the olden time!—

Say, canst thou make thyself?—Learn first that trade;—

Haply thou mayst know what thyself had made.

What hast thou, Man, that thou dar'st call thine own?—          5

What is there in thee, Man, that can be known?—

Dark fluxion, all unfixable by thought,

A phantom dim of past and future wrought,

Vain sister of the worm,—life, death, soul, clod—

Ignore thyself, and strive to know thy God!          10

1832.

FOOTNOTES:

[487:2] First published in 1834.

LINENOTES:

Title] The heading 'Self-knowledge' appears first in 1893.

FORBEARANCE[488:1]

Beareth all things.—1 COR. xiii. 7.

Gently I took that which ungently came,[488:2]

And without scorn forgave:—Do thou the same.

A wrong done to thee think a cat's-eye spark

Thou wouldst not see, were not thine own heart dark.

Thine own keen sense of wrong that thirsts for sin,          5

Fear that—the spark self-kindled from within,

Which blown upon will blind thee with its glare,

Or smother'd stifle thee with noisome air.

Clap on the extinguisher, pull up the blinds,

And soon the ventilated spirit finds          10

Its natural daylight. If a foe have kenn'd,

Or worse than foe, an alienated friend,

A rib of dry rot in thy ship's stout side,

Think it God's message, and in humble pride

With heart of oak replace it;—thine the gains—          15

Give him the rotten timber for his pains!

? 1832.

FOOTNOTES:

[488:1] First published in 1834.

[488:2] Compare Spenser's Shepherd's Calendar (Februarie):—

'Ne ever was to Fortune foeman,

But gently took that ungently came.'

LINENOTES:

Title] The heading 'Forbearance' appears first in 1893.

LOVE'S APPARITION AND EVANISHMENT[488:3]

AN ALLEGORIC ROMANCE

Like a lone Arab, old and blind,

Some caravan had left behind,

Who sits beside a ruin'd well,

Where the shy sand-asps bask and swell;

And now he hangs his agéd head aslant,          5

And listens for a human sound—in vain!

And now the aid, which Heaven alone can grant,

Upturns his eyeless face from Heaven to gain;—

Even thus, in vacant mood, one sultry hour,

Resting my eye upon a drooping plant,          10

With brow low-bent, within my garden-bower,

I sate upon the couch of camomile;

And—whether 'twas a transient sleep, perchance,

Flitted across the idle brain, the while

I watch'd the sickly calm with aimless scope,          15

In my own heart; or that, indeed a trance,

Turn'd my eye inward—thee, O genial Hope,

Love's elder sister! thee did I behold,

Drest as a bridesmaid, but all pale and cold,

With roseless cheek, all pale and cold and dim,          20

Lie lifeless at my feet!

And then came Love, a sylph in bridal trim,

And stood beside my seat;

She bent, and kiss'd her sister's lips,

As she was wont to do;—          25

Alas! 'twas but a chilling breath

Woke just enough of life in death

To make Hope die anew.

L'ENVOY

In vain we supplicate the Powers above;

There is no resurrection for the Love          30

That, nursed in tenderest care, yet fades away

In the chill'd heart by gradual self-decay.

1833.

FOOTNOTES:

[488:3] Lines 1-28 were first published in Friendship's Offering for 1834, signed and dated 'S. T. Coleridge, August 1833': included in P. W., 1834. Lines 29-32 were first added as 'L'Envoy' in 1852. J. D. Campbell in a note to this poem (1893, p. 644) prints an expanded version of these lines, which were composed on April 24, 1824, 'as Coleridge says, "without taking my pen off the paper"'. The same lines were sent in a letter to Allsop, April 27, 1824 (Letters, &c., 1836, ii. 174-5) with a single variant (line 3) 'uneclips'd' for 'unperturb'd'. In the draft of April 24, four lines were added, and of these an alternative version was published in P. W., 1834, with the heading 'Desire' (vide ante, p. 485). For an earlier draft in S. T. C.'s handwriting vide Appendices of this edition.

LINENOTES:

[4]

Where basking Dipsads[489:A] hiss and swell F. O. 1834.

[489:A] The Asps of the sand-desert, anciently named Dipsads.

[7]

And now] Anon F. O. 1834.

[14]

Flitting across the idle sense the while F. O. 1834.

[27]

That woke enough F. O. 1834.

[29-32]

Idly we supplicate the Powers above:

There is no resurrection for a Love

That uneclips'd, unshadow'd, wanes away

In the chill'd heart by inward self-decay.

Poor mimic of the Past! the love is o'er

That must resolve to do what did itself of yore.

Letter, April 27, 1824.

TO THE YOUNG ARTIST[490:1]

KAYSER OF KASERWERTH

Kayser! to whom, as to a second self,

Nature, or Nature's next-of-kin, the Elf,

Hight Genius, hath dispensed the happy skill

To cheer or soothe the parting friend's 'Alas!'

Turning the blank scroll to a magic glass,          5

That makes the absent present at our will;

And to the shadowing of thy pencil gives

Such seeming substance, that it almost lives.

Well hast thou given the thoughtful Poet's face!

Yet hast thou on the tablet of his mind          10

A more delightful portrait left behind—

Even thy own youthful beauty, and artless grace,

Thy natural gladness and eyes bright with glee!

Kayser! farewell!

Be wise! be happy! and forget not me.

1833.

FOOTNOTES:

[490:1] First published in 1834. The original of Kayser's portrait of S. T. C., a pencil-sketch, is in the possession of the Editor. In 1852 Kaserwerth is printed Kayserwerth. The modern spelling is Kaiserswerth.

MY BAPTISMAL BIRTH-DAY[490:2]

God's child in Christ adopted,—Christ my all,—

What that earth boasts were not lost cheaply, rather

Than forfeit that blest name, by which I call

The Holy One, the Almighty God, my Father?—

Father! in Christ we live, and Christ in Thee—          5

Eternal Thou, and everlasting we.

The heir of heaven, henceforth I fear not death:

In Christ I live! in Christ I draw the breath

Of the true life!—Let then earth, sea, and sky

Make war against me! On my heart I show          10

Their mighty master's seal. In vain they try

To end my life, that can but end its woe.—

Is that a death-bed where a Christian lies?—

Yes! but not his—'tis Death itself there dies.

1833.

FOOTNOTES:

[490:2] First published in Friendship's Offering for 1834: included in P. W., 1834. Emerson heard Coleridge repeat an earlier version of these lines on Aug. 5, 1833.

LINENOTES:

Title] Lines composed on a sick-bed, under severe bodily suffering, on my spiritual birthday, October 28th. F. O.

[1]

Born unto God in Christ—in Christ, my All! F. O.

[3]

I] we F. O.

[4]

my] our F. O.

[7]

fear] dread F. O.

[9-10]

Let Sea, and Earth and Sky

Wage war against me! On my front I show

F. O.

[11]

they] they F. O.

[12]

that] who F. O.

[14]

his . . . there] his . . . there F. O.

EPITAPH[491:1]

Stop, Christian passer-by!—Stop, child of God,

And read with gentle breast. Beneath this sod

A poet lies, or that which once seem'd he.

O, lift one thought in prayer for S. T. C.;

That he who many a year with toil of breath          5

Found death in life, may here find life in death!

Mercy for praise—to be forgiven for fame[492:1]

He ask'd, and hoped, through Christ. Do thou the same!

9th November, 1833.

FOOTNOTES:

[491:1] First published in 1834. Six MS. versions are extant:—(a) in a letter to Mrs. Aders of 1833 (Letters of S. T. C., 1895, ii. 770); (b) in a letter to J. G. Lockhart; (c) in a letter to J. H. Green of October 29, 1833: (d e) in a copy of Grew's Cosmologia Sacra, annotated by Coleridge in 1833; (f) in a copy of the Todtentanz, which belonged to Thomas Poole.

[492:1] N.B. 'for' in the sense of 'instead of'. ἔστη κεῖται ἀναστήσει—stetit: restat: resurget. ΕΣΤΗΣΕ. Letter to J. G. Lockhart, 1833.

LINENOTES:

Title or Heading] (a) 'Epitaph on a Poet little known, yet better known by the Initials of his name than by the Name Itself.' S. T. C. Letter to Mrs. Aders: (b) 'Epitaph on a Writer better known by the Initials of his Name than by the name itself. Suppose an upright tombstone.' S. T. C. Letter to J. G. Lockhart: (c) 'On an author not wholly unknown; but better known by the initials of his name than by the name itself, which he partly Graecized, Hic jacet qui stetit, restat, resurget—on a Tombstone.' Letter to J. H. Green: (d) 'Epitaph in Hornsey Churchyard. Hic jacet S. T. C. Grew (1): (e) 'Etesi's (sic) Epitaph,' (and below (e)) 'Inscription on the Tombstone of one not unknown; yet more commonly known by the Initials of his Name than by the Name itself.' Grew (2): (f) 'Esteese's αυτοεπιταφιον.' Note in Poole's Todtentanz.

From the letter to Mrs. Aders it appears that Coleridge did not contemplate the epitaph being inscribed on his tombstone, but that he intended it to be printed 'in letters of a distinctly visible and legible size' on the outline of a tomb-stone to be engraved as a vignette to be published in a magazine, or to illustrate the last page of his 'Miscellaneous Poems' in the second volume of his Poetical Works. It would seem that the artist, Miss Denman, had included in her sketch of the vignette the figure of a Muse, and to this Coleridge objects:—'A rude old yew-tree, or a mountain ash, with a grave or two, or any other characteristic of a village church-yard,—such a hint of a landscape was all I meant; but if any figure rather that of an elderly man, thoughtful with quiet tears upon his cheek.' Letters of S. T. C., 1895, ii. 770.

For the versions inscribed in Grew's Cosmologia Sacra, and in Poole's copy of the Todtentanz, vide Appendices of this work.

[2]

breast] heart MS. Letters to Mrs. Aders, J. G. Lockhart, J. H. Green.

[3]

seem'd he] was he MS. Letter to J. H. Green.

[5]

toil of] toilsome MS. Letter to Mrs. Aden.

[7]

to be forgiven] to be forgiven MS. Letters to Mrs. Aders and J. H. Green.

INDEX OF FIRST LINES

PAGE

A bird, who for his other sins

451

A blesséd lot hath he, who having passed

173

A green and silent spot, amid the hills

256

'A heavy wit shall hang at every lord'

973

A joke (cries Jack) without a sting

961

A little further, O my father

288

A long deep lane

992

A lovely form there sate beside my bed

484

A low dead Thunder mutter'd thro' the night

1005

A Lutheran stout, I hold for Goose-and-Gaundry

975

A maniac in the woods

993

A mount, not wearisome and bare and steep

155

A poor benighted Pedlar knock'd

967

A sumptuous and magnificent Revenge

1000

A sunny shaft did I behold

426, 919

A sworded man whose trade is blood

397

A wind that with Aurora hath abiding

1011

Ah! cease thy tears and sobs, my little Life

91

Ah! not by Cam or Isis, famous streams

424

All are not born to soar—and ah! how few

26

All look and likeness caught from earth

393

All Nature seems at work. Slugs leave their lair

447, 1111

All thoughts, all passions, all delights

330

Almost awake? Why, what is this, and whence

211

An evil spirit's on thee, friend! of late!

964

An excellent adage commands that we should

971

An Ox, long fed with musty hay

299

And arrows steeled with wrath

994

And cauldrons the scoop'd earth, a boiling sea

989

And in Life's noisiest hour

1002

And my heart mantles in its own delight

1002

And Pity's sigh shall answer thy tale of Anguish

990

And re-implace God's Image of the Soul

994

And this place our forefathers made for man

185

And this reft house is that the which he built

211

And with my whole heart sing the stately song

994

And write Impromptus

989

Are there two things, of all which men possess

361

As Dick and I at Charing Cross were walking

960

As I am a Rhymer

477

As late each flower that sweetest blows

45

As late I journey'd o'er the extensive plain

11

As late I lay in Slumber's shadowy vale

80

As late, in wreaths, gay flowers I bound

33

As late on Skiddaw's mount I lay supine

350

As long as ere the life-blood's running

961

As oft mine eye with careless glance

104

As some vast Tropic tree, itself a wood

1001

As the shy hind, the soft-eyed gentle Brute

1013

As the tir'd savage, who his drowsy frame

1023

As when a child on some long Winter's night

85

As when far off the warbled strains are heard

82

As when the new or full Moon urges

1005

At midnight by the stream I roved

253

Auspicious Reverence! Hush all meaner song

131, 1024

Away, those cloudy looks, that labouring sigh

90

Be proud as Spaniards! Leap for pride ye Fleas!

980

'Be, rather than be called, a child of God'

312

Behind the thin Grey cloud

992

Behold yon row of pines, that shorn and bow'd

1006

Beneath the blaze of a tropical sun

396

Beneath this stone does William Hazlitt lie

962

Beneath this thorn when I was young

269

Beneath yon birch with silver bark

293

Benign shooting stars, ecstatic delight

1015

Bob now resolves on marriage schemes to trample

953

Bright cloud of reverence, sufferably bright

998

Britannia's boast, her glory and her pride

970

Britons! when last ye met, with distant streak

150

Broad-breasted Pollards, with broad-branching heads

992

Broad-breasted rook-hanging cliff that glasses

988

By many a booby's vengeance bit

953

Charles, grave or merry, at no lie would stick

964

Charles! my slow heart was only sad, when first

154

Child of my muse! in Barbour's gentle hand

483

Come, come thou bleak December wind

1001

Come hither, gently rowing

311

Come; your opinion of my manuscript

967

Cupid, if storying Legends tell aright

46

Dear Charles! whilst yet thou wert a babe, I ween

158

Dear native Brook! wild Streamlet of the West

48

Dear tho' unseen! tho' I have left behind

468

Deep in the gulph of Vice and Woe

12

Depart in joy from this world's noise and strife

177

Didst thou think less of thy dear self

965

Dim Hour! that sleep'st on pillowing clouds afar

96

Discontent mild as an infant

991

Do call, dear Jess, whene'er my way you come

962

Do you ask what the birds say? The Sparrow, the Dove

386

Dormi, Jesu! Mater ridet

417

Due to the Staggerers, that made drunk by Power

989

Each Bond-street buck conceits, unhappy elf

968

Each crime that once estranges from the virtues

1011

Earth! thou mother of numberless children, the nurse and the mother

327

Edmund! thy grave with aching eye I scan

76

Encinctured with a twine of leaves

287

Ere on my bed my limbs I lay (1803)

389

Ere on my bed my limbs I lay (1806)

401

Ere Sin could blight or Sorrow fade

68

Ere the birth of my life, if I wished it or no

419

Eu! Dei vices gerens, ipse Divus

981

Farewell, parental scenes! a sad farewell

29

Farewell, sweet Love! yet blame you not my truth

402

Fear no more, thou timid Flower

356

'Fie, Mr. Coleridge!—and can this be you?

441

Flowers are lovely, Love is flower-like

1085, 1086

Fond, peevish, wedded pair! why all this rant?

984

For ever in the world of Fame

1013

Frail creatures are we all! To be the best

486

Friend, Lover, Husband, Sister, Brother

392

Friend of the wise! and Teacher of the Good

403

Friend pure of heart and fervent! we have learnt

1008

Friends should be weigh'd, not told; who boasts to have won

963

From his brimstone bed at break of day

319

From me, Aurelia! you desired

966

From Rufa's eye sly Cupid shot his dart

952

From yonder tomb of recent date

955

Gently I took that which ungently came

488

Γνῶθι σεαυτόν!—and is this the prime

487

Go little Pipe! for ever I must leave thee

1016

God be with thee, gladsome Ocean

359

Gōd ĭs oŭr Strēngth ănd oŭr Rēfŭge

326

God no distance knows

989

God's child in Christ adopted,—Christ my all

490

God's Image, Sister of the Cherubim

994

Good Candle, thou that with thy brother, Fire

969

Good verse most good, and bad verse then seems better

96

Grant me a Patron, gracious Heaven! whene'er

995

Great goddesses are they to lazy folks

1008

Hail! festal Easter that dost bring

1

Hast thou a charm to stay the morning-star

376, 1074

He too has flitted from his secret nest

457

Hear, my belovéd, an old Milesian story

307

Hear, sweet Spirit, hear the spell

420, 552, 849

Heard'st thou yon universal cry

10

Hence, soul-dissolving Harmony

28

Hence that fantastic wantonness of woe

157

Hence! thou fiend of gloomy sway

34

Her attachment may differ from yours in degree

484

Here's Jem's first copy of nonsense verses

983

Here lies a Poet; or what once was he

1089

Here lies the Devil—ask no other name

964

Here sleeps at length, poor Col., and without screaming

970

High o'er the rocks at night I rov'd

1050, 1051

High o'er the silver rocks I rov'd

1049

Hippona lets no silly flush

955

His native accents to her stranger's ear

1011

His own fair countenance, his kingly forehead

1005

Hoarse Maevius reads his hobbling verse

955

How long will ye round me be swelling

39

How seldom, friend! a good great man inherits

381

'How sweet, when crimson colours dart

353

How warm this woodland wild Recess

409

Hush! ye clamorous Cares! be mute

92

I ask'd my fair one happy day

318

I fancy whenever I spy Nosy

953

I from the influence of thy Looks receive

999

I have experienced the worst the world can wreak on me

1004

I have heard of reasons manifold

418

I heard a voice from Etna's side

347

I heard a voice pealing loud triumph to-day

1014

I hold of all our viperous race

959

I know it is dark; and though I have lain

382

I know 'tis but a dream, yet feel more anguish

998

I love, and he loves me again

1118

I mix in life, and labour to seem free

292

I never saw the man whom you describe

182

I note the moods and feelings men betray

448

I sigh, fair injur'd stranger! for thy fate

152

I stand alone, nor tho' my heart should break

1010

I stood on Brocken's sovran height, and saw

315

I too a sister had! too cruel Death

21

I touch this scar upon my skull behind

984

I wish on earth to sing

1017

I yet remain To mourn

1124

If dead, we cease to be; if total gloom

425

If fair by Nature

1012

If I had but two little wings

313

If Love be dead

475

If Pegasus will let thee only ride him

21

If the guilt of all lying consists in deceit

954

If thou wert here, these tears were tears of light

386

If while my passion I impart

58

Imagination, honourable aims

396

Imagination, Mistress of my Love

49

In a cave in the mountains of Cashmeer

993

In darkness I remain'd—the neighbour's clock

990

In Köhln, a town of monks and bones

477

In many ways does the full heart reveal

462

In Spain, that land of Monks and Apes

974

In the corner one

1012

In the hexameter rises the fountain's silvery column

308

In this world we dwell among the tombs

991

In vain I praise thee, Zoilus

966

In vain I supplicate the Powers above

1087

In Xanadu did Kubla Khan

297

It is an ancient Mariner

187

It is an ancyent Marinere

1030

It may indeed be phantasy, when I

429

It was some Spirit, Sheridan! that breath'd

87

Its balmy lips the infant blest

417

Jack drinks fine wines, wears modish clothing

958

Jack finding gold left a rope on the ground

971

Jack Snipe

982

Jem writes his verses with more speed

956

Julia was blest with beauty, wit, and grace

6

Kayser! to whom, as to a second self

490

Know thou who walk'st by, Man! that wrapp'd up in lead, man

961

Know'st thou the land where the pale citrons grow

311

Lady, to Death we're doom'd, our crime the same

392

Last Monday all the Papers said

956

Leanness, disquietude, and secret Pangs

990

Lest after this life it should prove my sad story

1090

Let clumps of earth, however glorified

1008

Let Eagle bid the Tortoise sunward soar

1001

Let those whose low delights to Earth are given

427

Light cargoes waft of modulated Sound

988

Like a lone Arab, old and blind

488

Like a mighty Giantess

991

Little Miss Fanny

987

Lo! through the dusky silence of the groves

33

Lov'd the same Love, and hated the same hate

994

Lovely gems of radiance meek

17

Low was our pretty Cot! our tallest Rose

106

Lunatic Witch-fires! Ghosts of Light and Motion!

979

Maid of my Love, sweet Genevieve

19

Maid of unboastful charms! whom white-robed Truth

66

Maiden, that with sullen brow

171

Mark this holy chapel well

309

Matilda! I have heard a sweet tune played

374

Mild Splendour of the various-vested Night

5

Money, I've heard a wise man say

972

Most candid critic, what if I

962

Mourn, Israel! Sons of Israel, mourn

433

Much on my early youth I love to dwell

64

My dearest Dawtie

984

My eyes make pictures, when they are shut

385

My father confessor is strict and holy

969

My heart has thanked thee, Bowles! for those soft strains

84, 85

My heart seraglios a whole host of Joys

990

My Lesbia, let us love and live

60

My Lord! though your Lordship repel deviation

341

My Maker! of thy power the trace

423

My Merry men all, that drink with glee

979

My pensive Sara! thy soft cheek reclined

100, 1021

Myrtle-leaf that, ill besped

172

Names do not always meet with Love

997

Nature wrote Rascal on his face

991

Nay, dearest Anna! why so grave?

418

Near the lone pile with ivy overspread

69

Never, believe me

310

No cloud, no relique of the sunken day

264

No cold shall thee benumb

1015

No doleful faces here, no sighing

954

No more my visionary soul shall dwell

68

No more 'twixt conscience staggering and the Pope

460

No mortal spirit yet had clomb so high

1004

No private grudge they need, no personal spite

972

Nor cold, nor stern, my soul! yet I detest

824

Nor travels my meandering eye

97

Not always should the Tear's ambrosial dew

83

Not hers To win the sense by words of rhetoric

1007

Not, Stanhope! with the Patriot's doubtful name

89

Nothing speaks our mind so well

975

Now! It is gone—our brief hours travel post

974

Now prompts the Muse poetic lays

13

O ——! O ——! of you we complain

977

O beauty in a beauteous body dight

999

O! Christmas Day, Oh! happy day!

460

O fair is Love's first hope to gentle mind

443

O form'd t'illume a sunless world forlorn

86

O Friend! O Teacher! God's great Gift to me

1081

O! I do love thee, meek Simplicity

210

O! it is pleasant, with a heart at ease

435

O leave the Lily on its stem

1053

O man! thou half-dead Angel!

994

O meek attendant of Sol's setting blaze

16

O mercy, O me, miserable man

1005

O Muse who sangest late another's pain

18

O Peace, that on a lilied bank dost love

94

O! Superstition is the giant shadow

1007

O th' Oppressive, irksome weight

1000

O thou wild Fancy, check thy wing! No more

51

O thron'd in Heav'n! Sole King of kings

438

O what a loud and fearful shriek was there

82

O what a wonder seems the fear of death

125

O would the Baptist come again

959

O'er the raised earth the gales of evening sigh

996

O'er wayward childhood would'st thou hold firm rule

481

O'erhung with yew, midway the Muses mount

1003

Of him that in this gorgeous tomb doth lie

961

Of late, in one of those most weary hours

478

Of one scrap of science I've evidence ocular

985

Of smart pretty Fellows in Bristol are numbers, some

952

Oft o'er my brain does that strange fancy roll

153

Oft, oft methinks, the while with thee

388

Oh! might my ill-past hours return again

7

Oh! the procrastinating idle rogue

817

Old age, 'the shape and messenger of Death'

989

Old Harpy jeers at castles in the air

965

On nothing, Fanny, shall I write?

973

On stern Blencartha's perilous height

347

On the broad mountain-top

992

On the sky with liquid openings of Blue

1109

On the tenth day of September

1084

On the wide level of a mountain's head

419

On wide or narrow scale shall Man

30

Or Wren or Linnet

1002

Once again, sweet Willow, wave thee

1018

Once could the Morn's first beams, the healthful breeze

17

Once more! sweet Stream! with slow foot wandering near

58

One kiss, dear Maid! I said and sigh'd

63

Oppress'd, confused, with grief and pain

436

Our English poets, bad and good, agree

968

Outmalic'd Calumny's imposthum'd Tongue

989

Over the broad, the shallow, rapid stream

998

Pains ventral, subventral

985

Pale Roamer through the night! thou poor Forlorn

71

Parry seeks the Polar ridge

972

Pass under Jack's window at twelve at night

963

Pensive at eve on the hard world I mus'd

209

Perish warmth

989

Phidias changed marble into feet and legs

984

Pity! mourn in plaintive tone

61

Plucking flowers from the Galaxy

978

Pluto commanded death to take away

957

Poor little Foal of an oppressed race

74

Promptress of unnumber'd sighs

55

Quae linquam, aut nihil, aut nihili, aut vix sunt mea. Sordes

462

Quoth Dick to me, as once at College

414

Repeating Such verse as Bowles

977

Resembles life what once was deem'd of light

394

Richer than Miser o'er his countless hoards

57

Rush on my ear, a cataract of sound

990

Sad lot, to have no Hope! Though lowly kneeling

416

Said William to Edmund I can't guess the reason

951

Say what you will, Ingenious Youth

954

Scarce any scandal, but has a handle

965

Schiller! that hour I would have wish'd to die

72

Sea-ward, white gleaming thro' the busy scud

997

Semper Elisa! mihi tu suaveolentia donas

1010

Seraphs! around th' Eternal's seat who throng

5

She gave with joy her virgin breast

306

'She's secret as the grave, allow!'

971

Since all that beat about in Nature's range

455

Sing, impassionate Soul! of Mohammed the complicate story

1016

Sister of love-lorn Poets, Philomel

93

Sisters! sisters! who sent you here?

237

Sleep, sweet babe! my cares beguiling

417

Sly Beelzebub took all occasions

957

Smooth, shining, and deceitful as thin Ice

990

So great the charms of Mrs. Mundy

976

So Mr. Baker heart did pluck

973

Sole maid, associate sole, to me beyond

1004

Sole Positive of Night

431

Some are home-sick—some two or three

443

Some, Thelwall! to the Patriot's meed aspire

1090

Some whim or fancy pleases every eye

970

Songs of Shepherds and rustical Roundelays

1018

Southey! thy melodies steal o'er mine ear

87

Speak out, Sir! you're safe, for so ruddy your nose

958

Spirit who sweepest the wild Harp of Time

160

Splendour's fondly-fostered child

335

Stanhope! I hail, with ardent Hymn, thy name

89

Stop, Christian passer-by!—Stop, child of God

491, 1088

Stranger! whose eyes a look of pity shew

248

Stretch'd on a moulder'd Abbey's broadest wall

73

Strong spirit-bidding sounds

399

Strongly it bears us along in swelling and limitless billows

307

Such fierce vivacity as fires the eye

991

Such love as mourning Husbands have

998

Swans sing before they die—'twere no bad thing

960

Sweet flower! that peeping from thy russet stem

148

Sweet Gift! and always doth Elisa send

1009

Sweet Mercy! how my very heart has bled

93

Sweet Muse! companion of my every hour

16

Tell me, on what holy ground

71, 501

Terrible and loud

991

That darling of the Tragic Muse

67

That France has put us oft to rout

968

That Jealousy may rule a mind

484

The angel's like a flea

1009

The body, Eternal Shadow of the finite Soul

1001

The Brook runs over sea-weeds

992

The builder left one narrow rent

1003

The butterfly the ancient Grecians made

412

The cloud doth gather, the greenwood roar

653

The Devil believes that the Lord will come

353

The dubious light sad glimmers o'er the sky

36

The dust flies smothering, as on clatt'ring wheel

56

The early Year's fast-flying vapours stray

148

The fervid Sun had more than halv'd the day

24

The Fox, and Statesman subtile wiles ensure

1089

The Frost performs its secret ministry

240

The grapes upon the Vicar's wall

276

The guilty pomp, consuming while it flares

990

The hour-bell sounds, and I must go

61

The indignant Bard composed this furious ode

27

The mild despairing of a Heart resigned

991

The Moon, how definite its orb

997

The piteous sobs that choke the Virgin's breath

155

The Pleasures sport beneath the thatch

997

The poet in his lone yet genial hour

345

The reed roof'd village still bepatch'd with snow

1002

The rose that blushes like the morn

973

The shepherds went their hasty way

338

The silence of a City, how awful at Midnight

999

The singing Kettle and the purring Cat

1003

The sole true Something—This! In Limbo's Den

429

The solemn-breathing air is ended

59

The spruce and limber yellow-hammer

1002

The stars that wont to start, as on a chace

486

The stream with languid murmur creeps

38

The subtle snow

993

The Sun (for now his orb 'gan slowly sink)

990

'The Sun is not yet risen

469

The Sun with gentle beams his rage disguises

1010

The sunshine lies on the cottage-wall

993

The swallows Interweaving there

992

The tear which mourn'd a brother's fate scarce dry

20

The tedded hay, the first fruits of the soil

345

The tongue can't speak when the mouth is cramm'd with earth

994

Then Jerome did call

1019

There are, I am told, who sharply criticise

816

There are two births, the one when Light

362

There comes from old Avaro's grave

954

There in some darksome shade

1018

Thicker than rain-drops on November thorn

1010

This be the meed, that thy song creates a thousand-fold echo

391

This day among the faithful plac'd

176

This, Hannah Scollock! may have been the case

981

This is now—this was erst

22

This is the time, when most divine to hear

108

This Sycamore, oft musical with bees

381

This way or that, ye Powers above me

974

This yearning heart (Love! witness what I say)

362

Thou bleedest, my poor Heart! and thy distress

72

Thou gentle Look, that didst my soul beguile

47

Thou who in youthful vigour rich, and light

349

Though friendships differ endless in degree

1012

Tho' Miss ——'s match is a subject of mirth

952

Tho' much averse, dear Jack, to flicker

37

Tho' no bold flights to thee belong

9

Though rous'd by that dark Vizir Riot rude

81

Though veiled in spires of myrtle-wreath

450

Three truths should make thee often think and pause

966

Through weeds and thorns, and matted underwood

369

Thus far my scanty brain hath built the rhyme

78

Thus she said, and all around

1015

Thy babes ne'er greet thee with the father's name

960

Thy lap-dog, Rufa, is a dainty beast

960

Thy smiles I note, sweet early Flower

149

Thy stern and sullen eye, and thy dark brow

994

'Tis hard on Bagshot Heath to try

26

'Tis mine and it is likewise yours

997

'Tis not the lily-brow I prize

483

'Tis sweet to him who all the week

314

'Tis the middle of night by the castle clock

215

'Tis true, Idoloclastes Satyrane

413

To be ruled like a Frenchman the Briton is both

953

To know, to esteem, to love,—and then to part

410

To praise men as good, and to take them for such

486

To tempt the dangerous deep, too venturous youth

2

To wed a fool, I really cannot see

963

Tom Hill, who laughs at Cares and Woes

974

Tom Slothful talks, as slothful Tom beseems

967

Tranquillity! thou better name

360

Trōchĕe trīps frŏm long tŏ shōrt

401

Truth I pursued, as Fancy sketch'd the way

1008

'Twas my last waking thought, how it could be

454

'Twas not a mist, nor was it quite a cloud

1000

'Twas sweet to know it only possible

992

Two things hast thou made known to half the nation

964

Two wedded hearts, if ere were such

1003

Unboastful Bard! whose verse concise yet clear

102

Unchanged within, to see all changed without

459

Under the arms of a goodly oak-tree

1048

Under this stone does Walter Harcourt lie

962

Underneath an old oak tree

169

Ungrateful he, who pluck'd thee from thy stalk

70

Unperishing youth

308

Up, up! ye dames, and lasses gay

427

Up, up! ye dames, ye lasses gay

942

Upon the mountain's edge with light touch resting

393

Utter the song, O my soul! the flight and return of Mohammed

329

Verse, a breeze mid blossoms straying

439

Verse, pictures, music, thoughts both grave and gay

482

Verse, that Breeze mid blossoms straying

1085

Virtues and Woes alike too great for man

37

Vivit sed mihi non vivit—nova forte marita

56

Water and windmills, greenness, Islets green

1009

We both attended the same College

955

We pledged our hearts, my love and I

391

Well! If the Bard was weather-wise, who made

362, 1076

Well, they are gone, and here must I remain

178

We've conquer'd us a Peace, like lads true metalled

972

We've fought for Peace, and conquer'd it at last

972

What a spring-tide of Love to dear friends in a shoal

1010

What boots to tell how o'er his grave

1011

What is an Epigram? a dwarfish whole

963

What never is, but only is to be

999

What now, O Man! thou dost or mean'st to do

414

What pleasures shall he ever find

4

What though the chilly wide-mouth'd quacking chorus

476

Whate'er thou giv'st, it still is sweet to me

1010

When British Freedom for an happier land

79

When Hope but made Tranquillity be felt

1004

When Surface talks of other people's worth

969

When the squalls were flitting and fleering

980

When they did greet me father, sudden awe

152

When thieves come, I bark: when gallants, I am still

966

When thou to my true-love com'st

326

When thy Beauty appears

1016

When Youth his faery reign began

62

Whene'er the mist, that stands 'twixt God and thee

487

Where Cam his stealthy flowings most dissembles

988

Where deep in mud Cam rolls his slumbrous stream

35

Where graced with many a classic spoil

29

Where is the grave of Sir Arthur O'Kellyn

432

Where true Love burns Desire is love's pure flame

485

Where'er I find the Good, the True, the Fair

1011

Wherefore art thou come?

989

While my young cheek retains its healthful hues

236

Whilst pale Anxiety, corrosive Care

69

Whom should I choose for my Judge?

1000

Whom the untaught Shepherds call

40

Why is my Love like the Sun?

1109

Why need I say, Louisa dear

252

William, my teacher, my friend

304

Wisdom, Mother of retired Thought

991

With Donne, whose muse on dromedary trots

433

With many a pause and oft reverted eye

94

With many a weary step at length I gain

56

With secret hand heal the conjectur'd wound

988

With skill that never Alchemist yet told

995

Within these circling hollies woodbine-clad

409

Within these wilds was Anna wont to rove

16

Ye Clouds! that far above me float and pause

243

Ye drinkers of Stingo and Nappy so free

978

Ye fowls of ill presage

1017

Ye Gales, that of the Lark's repose

35

Ye harp-controlling hymns

1006

Ye souls unus'd to lofty verse

8

Yes, noble old Warrior! this heart has beat high

317

Yes, yes! that boon, life's richest treat

466

Yet art thou happier far than she

62

Yon row of bleak and visionary pines

1006

You're careful o'er your wealth 'tis true

958

You come from o'er the waters

987

You loved the daughter of Don Manrique?

421

You mould my Hopes, you fashion me within

1002

Your Poem must eternal be

959

TRANSCRIBER'S NOTES:

Transcriber has copied the Index of First Lines from the end of Vol. II and appended it to this volume.

Page xxviii is blank in the original.

Ellipses in the text are represented as in the original. Ellipses in poetry are indicated by a row of asterisks.

Changes have been made to the text to reflect the corrections mentioned on the Errata page. The Errata page is included for completeness.

Inconsistencies in spelling, hyphenation, and accents have been left as in the original.

The following corrections have been made to the text:

page xiii: V. Koskiusko. [MS. Letter, Dec. 17, 1794.] {original is missing period and has closing parenthesis instead of bracket}

page xvii: Youth and Age. [MS. S. T. C.:{original is missing period after C} MSS. (1, 2) Notebook.]

page 51: 28 gleam] gleams 1796, 1797, 1803{original has 11803}, 1893.

page 207: When the ivy-tod{original has ivv-tod} is heavy

page 218: [Lines 82, 83, . . . palfrey white.]{ending bracket is missing in original}

page 237: 20 Both] FAMINE M.{period missing in original} P.

page 256: Title] Fears &c. Written, April 1798, during the Alarms of an Invasion MS.{original has extraneous comma} W.

page 328: Deep was the shudder, O Earth!{exclamation point missing in original}

page 368: Dear Lady!{exclamation point missing in original} friend devoutest

page 376: (1) MS. A, sent to Sir George Beaumont, Oct. 1803 (see Coleorton Letters){ending parenthesis is missing in original}, 1886, i. 26;

page 442: "{quotation mark missing in original}Thus, long accustom'd

page 445: 'I guess we shall have rain to-day!'{quotation mark missing in original}

Footnote [133:1] Balda-Zhiok, i. e.{period missing in original} mons altitudinis

Footnote [256:1] alarm respecting the threatened invasion.{original has extraneous quotation mark}

Footnote [293:1] Coleridge synchronizes the Dark Ladié (a poem which he was 'preparing' with the Christabel){ending parenthesis is missing in original}].

To maintain consistency, initials referring to manuscripts are spaced throughout the text.

When there is more than one poem on a page, the linenotes in the original repeat the title. This title has been removed.

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Table of Contents

THE COMPLETE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE

INCLUDING

POEMS AND VERSIONS OF POEMS NOW PUBLISHED FOR THE FIRST TIME

EDITED

WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES

ERNEST HARTLEY COLERIDGE

OXFORD AT THE CLARENDON PRESS 1912

PREFACE

CONTENTS OF THE TWO VOLUMES

ABBREVIATIONS

ERRATA

POETICAL WORKS

POEMS

EASTER HOLIDAYS[1:1]

FOOTNOTES:

DURA NAVIS[2:1]

FOOTNOTES:

NIL PEJUS EST CAELIBE VITÂ[4:1]

[IN CHRIST'S HOSPITAL BOOK]

FOOTNOTES:

SONNET[5:1]

TO THE AUTUMNAL MOON

FOOTNOTES:

LINENOTES:

ANTHEM[5:2]

FOR THE CHILDREN OF CHRIST'S HOSPITAL

FOOTNOTES:

LINENOTES:

JULIA[6:1]

[IN CHRIST'S HOSPITAL BOOK]

FOOTNOTES:

LINENOTES:

QUAE NOCENT DOCENT[7:1]

[IN CHRIST'S HOSPITAL BOOK]

FOOTNOTES:

THE NOSE[8:1]

FOOTNOTES:

LINENOTES:

TO THE MUSE[9:1]

FOOTNOTES:

LINENOTES:

DESTRUCTION OF THE BASTILE[10:1]

FOOTNOTES:

LINENOTES:

LIFE[11:1]

FOOTNOTES:

LINENOTES:

PROGRESS OF VICE[12:1]

FOOTNOTES:

LINENOTES:

MONODY ON THE DEATH OF CHATTERTON[13:1]

[FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]

FOOTNOTES:

LINENOTES:

AN INVOCATION[16:1]

FOOTNOTES:

ANNA AND HARLAND[16:2]

FOOTNOTES:

LINENOTES:

TO THE EVENING STAR[16:3]

FOOTNOTES:

PAIN[17:1]

FOOTNOTES:

LINENOTES:

ON A LADY WEEPING[17:2]

IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS

MONODY ON A TEA-KETTLE[18:1]

FOOTNOTES:

LINENOTES:

GENEVIEVE[19:1]

FOOTNOTES:

LINENOTES:

ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]

FOOTNOTES:

LINENOTES:

ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]

FOOTNOTES:

A MATHEMATICAL PROBLEM[21:2]

FOOTNOTES:

LINENOTES:

HONOUR[24:1]

FOOTNOTES:

LINENOTES:

ON IMITATION[26:1]

FOOTNOTES:

INSIDE THE COACH[26:2]

FOOTNOTES:

LINENOTES:

DEVONSHIRE ROADS[27:1]

FOOTNOTES:

LINENOTES:

MUSIC[28:1]

FOOTNOTES:

LINENOTES:

SONNET[29:1]

ON QUITTING SCHOOL FOR COLLEGE

FOOTNOTES:

LINENOTES:

ABSENCE[29:2]

A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE

FOOTNOTES:

LINENOTES:

HAPPINESS[30:1]

FOOTNOTES:

LINENOTES:

A WISH[33:1]

WRITTEN IN JESUS WOOD, FEB. 10, 1792

FOOTNOTES:

AN ODE IN THE MANNER OF ANACREON[33:2]

FOOTNOTES:

TO DISAPPOINTMENT[34:1]

FOOTNOTES:

A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]

FOOTNOTES:

LINENOTES:

ODE[35:2]

FOOTNOTES:

LINENOTES:

A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]

WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES

FOOTNOTES:

WITH FIELDING'S 'AMELIA'[37:1]

FOOTNOTES:

LINENOTES:

WRITTEN AFTER A WALK BEFORE SUPPER[37:3]

FOOTNOTES:

LINENOTES:

IMITATED FROM OSSIAN[38:1]

FOOTNOTES:

LINENOTES:

THE COMPLAINT OF NINATHÓMA[39:1]

FROM THE SAME

FOOTNOTES:

LINENOTES:

SONGS OF THE PIXIES[40:1]

FOOTNOTES:

LINENOTES:

THE ROSE[45:1]

FOOTNOTES:

LINENOTES:

KISSES[46:2]

FOOTNOTES:

LINENOTES:

THE GENTLE LOOK[47:1]

FOOTNOTES:

LINENOTES:

SONNET[48:2]

TO THE RIVER OTTER

FOOTNOTES:

LINENOTES:

First Draft

AN EFFUSION AT EVENING

WRITTEN IN AUGUST, 1792

LINES[51:1]

ON AN AUTUMNAL EVENING

FOOTNOTES:

LINENOTES:

TO FORTUNE[54:1]

To Fortune

FOOTNOTES:

PERSPIRATION. A TRAVELLING ECLOGUE[56:1]

FOOTNOTES:

[AVE, ATQUE VALE!][56:2]

FOOTNOTES:

ON BALA HILL[56:3]

FOOTNOTES:

LINENOTES:

LINES[57:1]

WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'

FOOTNOTES:

LINENOTES:

IMITATED FROM THE WELSH[58:1]

FOOTNOTES:

LINENOTES:

LINES[58:2]

TO A BEAUTIFUL SPRING IN A VILLAGE

FOOTNOTES:

LINENOTES:

IMITATIONS AD LYRAM[59:1]

(CASIMIR, BOOK II. ODE 3)

FOOTNOTES:

LINENOTES:

TO LESBIA[60:2]

FOOTNOTES:

LINENOTES:

THE DEATH OF THE STARLING[61:1]

FOOTNOTES:

LINENOTES:

MORIENS SUPERSTITI[61:2]

FOOTNOTES:

MORIENTI SUPERSTES

THE SIGH[62:1]

FOOTNOTES:

LINENOTES:

THE KISS[63:1]

FOOTNOTES:

LINENOTES:

TO A YOUNG LADY[64:1]

WITH A POEM ON THE FRENCH REVOLUTION

FOOTNOTES:

LINENOTES:

TRANSLATION[66:1]

OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC]

FOOTNOTES:

TO MISS BRUNTON[67:1]

WITH THE PRECEDING TRANSLATION

FOOTNOTES:

EPITAPH ON AN INFANT[68:1]

FOOTNOTES:

PANTISOCRACY[68:2]

FOOTNOTES:

LINENOTES:

ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]

FOOTNOTES:

ELEGY[69:2]

IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]

FOOTNOTES:

LINENOTES:

THE FADED FLOWER[70:1]

FOOTNOTES:

THE OUTCAST[71:1]

FOOTNOTES:

LINENOTES:

DOMESTIC PEACE[71:2]

[FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]

FOOTNOTES:

LINENOTES:

ON A DISCOVERY MADE TOO LATE[72:1]

FOOTNOTES:

LINENOTES:

TO THE AUTHOR OF 'THE ROBBERS'[72:2]

FOOTNOTES:

LINENOTES:

MELANCHOLY[73:1]

A FRAGMENT

FOOTNOTES:

LINENOTES:

TO A YOUNG ASS[74:2]

ITS MOTHER BEING TETHERED NEAR IT

FOOTNOTES:

LINENOTES:

LINES ON A FRIEND[76:1]

WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS

FOOTNOTES:

LINENOTES:

TO A FRIEND[78:1]

[Charles Lamb] TOGETHER WITH AN UNFINISHED POEM

FOOTNOTES:

LINENOTES:

SONNETS ON EMINENT CHARACTERS

CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795

I[79:2]

TO THE HONOURABLE MR. ERSKINE

FOOTNOTES:

LINENOTES:

II[80:1]

BURKE

FOOTNOTES:

LINENOTES:

III[81:1]

PRIESTLEY

FOOTNOTES:

LINENOTES:

IV[82:1]

LA FAYETTE

FOOTNOTES:

LINENOTES:

V[82:3]

KOSKIUSKO

FOOTNOTES:

LINENOTES:

VI[83:1]

PITT

FOOTNOTES:

LINENOTES:

VII[84:1]

TO THE REV. W. L. BOWLES[84:2] [FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794]

FOOTNOTES:

LINENOTES:

[SECOND VERSION][85:1]

FOOTNOTES:

LINENOTES:

VIII[85:2]

MRS. SIDDONS

FOOTNOTES:

LINENOTES:

IX

TO WILLIAM GODWIN[86:1] AUTHOR OF 'POLITICAL JUSTICE'

FOOTNOTES:

X[87:1]

TO ROBERT SOUTHEY OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS

FOOTNOTES:

XI[87:2]

TO RICHARD BRINSLEY SHERIDAN, ESQ.

FOOTNOTES:

LINENOTES:

TO LORD STANHOPE[89:1]

ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS ['MORNING CHRONICLE,' JAN. 31, 1795]

FOOTNOTES:

TO EARL STANHOPE[89:2]

FOOTNOTES:

LINENOTES:

LINES[90:2]

TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER

FOOTNOTES:

LINENOTES:

TO AN INFANT[91:1]

FOOTNOTES:

LINENOTES:

TO THE REV. W. J. HORT[92:1]

WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE

FOOTNOTES:

LINENOTES:

PITY[93:1]

FOOTNOTES:

LINENOTES:

TO THE NIGHTINGALE[93:2]

FOOTNOTES:

LINENOTES:

LINES[94:1]

COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795

FOOTNOTES:

LINENOTES:

LINES IN THE MANNER OF SPENSER[94:2]

FOOTNOTES:

LINENOTES:

THE HOUR WHEN WE SHALL MEET AGAIN[96:1]

FOOTNOTES:

LINENOTES:

LINES[96:2]

WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL

FOOTNOTES:

LINENOTES:

THE EOLIAN HARP[100:1]

COMPOSED AT CLEVEDON, SOMERSETSHIRE

FOOTNOTES:

LINENOTES:

TO THE AUTHOR OF POEMS[102:2]

[Joseph Cottle] PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795

FOOTNOTES:

LINENOTES:

THE SILVER THIMBLE[104:1]

THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE

FOOTNOTES:

LINENOTES:

REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]

FOOTNOTES:

LINENOTES:

RELIGIOUS MUSINGS[108:1]

A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794

FOOTNOTES:

LINENOTES:

MONODY ON THE DEATH OF CHATTERTON[125:1]

FOOTNOTES:

LINENOTES:

THE DESTINY OF NATIONS[131:1]

A VISION

FOOTNOTES:

LINENOTES:

VER PERPETUUM[148:1]

FRAGMENT

From an unpublished poem.

FOOTNOTES:

ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]

FOOTNOTES:

LINENOTES:

TO A PRIMROSE[149:2]

THE FIRST SEEN IN THE SEASON

FOOTNOTES:

LINENOTES:

VERSES[150:1]

ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION

FOOTNOTES:

LINENOTES:

ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]

[PRINCE AND PRINCESS OF WALES]

FOOTNOTES:

LINENOTES:

SONNET[152:2]

ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON

FOOTNOTES:

LINENOTES:

SONNET[153:1]

COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796

FOOTNOTES:

LINENOTES:

SONNET[154:2]

TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME

FOOTNOTES:

LINENOTES:

SONNET[155:1]

[TO CHARLES LLOYD]

FOOTNOTES:

TO A YOUNG FRIEND[155:2]

ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR

Composed in 1796

FOOTNOTES:

LINENOTES:

ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd]

WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY

FOOTNOTES:

LINENOTES:

TO A FRIEND[158:1]

[Charles Lamb] WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY

FOOTNOTES:

LINENOTES:

ODE TO THE DEPARTING YEAR[160:1]

FOOTNOTES:

LINENOTES:

THE RAVEN[169:1]

A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS

FOOTNOTES:

LINENOTES:

TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]

FOOTNOTES:

LINENOTES:

TO AN UNFORTUNATE WOMAN[172:1]

WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE

FOOTNOTES:

LINENOTES:

TO THE REV. GEORGE COLERIDGE[173:1]

OF OTTERY ST. MARY, DEVON

FOOTNOTES:

LINENOTES:

ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]

FOOTNOTES:

TRANSLATION[177:1]

OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH

FOOTNOTES:

LINENOTES:

THIS LIME-TREE BOWER MY PRISON[178:1]

[ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]

FOOTNOTES:

LINENOTES:

THE FOSTER-MOTHER'S TALE[182:1]

A DRAMATIC FRAGMENT

FOOTNOTES:

LINENOTES:

THE DUNGEON[185:1]

FOOTNOTES:

LINENOTES:

THE RIME OF THE ANCIENT MARINER[186:1]

IN SEVEN PARTS

ARGUMENT

FOOTNOTES:

LINENOTES:

SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]

[SIGNED 'NEHEMIAH HIGGINBOTTOM']

FOOTNOTES:

LINENOTES:

PARLIAMENTARY OSCILLATORS[211:1]

FOOTNOTES:

LINENOTES:

CHRISTABEL[213:1]

PREFACE

FOOTNOTES:

LINENOTES:

LINES TO W. L.[236:1]

WHILE HE SANG A SONG TO PURCELL'S MUSIC

FOOTNOTES:

LINENOTES:

FIRE, FAMINE, AND SLAUGHTER[237:1]

A WAR ECLOGUE

FOOTNOTES:

LINENOTES:

FROST AT MIDNIGHT[240:1]

FOOTNOTES:

LINENOTES:

FRANCE: AN ODE[243:1]

FOOTNOTES:

LINENOTES:

THE OLD MAN OF THE ALPS[248:1]

FOOTNOTES:

TO A YOUNG LADY[252:1]

[Miss Lavinia Poole]

ON HER RECOVERY FROM A FEVER

FOOTNOTES:

LINENOTES:

LEWTI[253:1]

OR THE CIRCASSIAN LOVE-CHAUNT

FOOTNOTES:

LINENOTES:

FEARS IN SOLITUDE[256:1]

WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION

FOOTNOTES:

LINENOTES:

THE NIGHTINGALE[264:1]

A CONVERSATION POEM, APRIL, 1798

FOOTNOTES:

LINENOTES:

THE THREE GRAVES[267:1]

A FRAGMENT OF A SEXTON'S TALE

FOOTNOTES:

LINENOTES:

THE WANDERINGS OF CAIN[285:1]

PREFATORY NOTE

THE WANDERINGS OF CAIN

CANTO II

FOOTNOTES:

LINENOTES:

TO ——[292:1]

FOOTNOTES:

LINENOTES:

THE BALLAD OF THE DARK LADIÉ[293:1]

A FRAGMENT

FOOTNOTES:

LINENOTES:

KUBLA KHAN[295:1]:

Or, A Vision in a Dream. A Fragment.

KUBLA KHAN

FOOTNOTES:

LINENOTES:

RECANTATION[299:1]

ILLUSTRATED IN THE STORY OF THE MAD OX

FOOTNOTES:

LINENOTES:

HEXAMETERS[304:1]

FOOTNOTES:

LINENOTES:

TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL

FOOTNOTES:

LINENOTES:

CATULLIAN HENDECASYLLABLES[307:1]

FOOTNOTES:

LINENOTES:

THE HOMERIC HEXAMETER[307:2]

DESCRIBED AND EXEMPLIFIED

FOOTNOTES:

THE OVIDIAN ELEGIAC METRE

DESCRIBED AND EXEMPLIFIED

ON A CATARACT[308:1]

FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE

FOOTNOTES:

LINENOTES:

TELL'S BIRTH-PLACE[309:1]

IMITATED FROM STOLBERG

FOOTNOTES:

LINENOTES:

THE VISIT OF THE GODS[310:1]

IMITATED FROM SCHILLER

FOOTNOTES:

FROM THE GERMAN[311:1]

FOOTNOTES:

WATER BALLAD[311:2]

[FROM THE FRENCH]

FOOTNOTES:

ON AN INFANT[312:1]

WHICH DIED BEFORE BAPTISM

FOOTNOTES:

LINENOTES:

SOMETHING CHILDISH, BUT VERY NATURAL[313:1]

WRITTEN IN GERMANY

FOOTNOTES:

LINENOTES:

HOME-SICK[314:1]

WRITTEN IN GERMANY

FOOTNOTES:

LINENOTES:

LINES[315:1]

WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST

FOOTNOTES:

LINENOTES:

THE BRITISH STRIPLING'S WAR-SONG[317:1]

IMITATED FROM STOLBERG

FOOTNOTES:

LINENOTES:

NAMES[318:1]

[FROM LESSING]

FOOTNOTES:

LINENOTES:

THE DEVIL'S THOUGHTS[319:1]

FOOTNOTES:

LINENOTES:

LINES COMPOSED IN A CONCERT-ROOM[324:1]

FOOTNOTES:

LINENOTES:

WESTPHALIAN SONG[326:1]

FOOTNOTES:

HEXAMETERS[326:2]

PARAPHRASE OF PSALM XLVI

FOOTNOTES:

HYMN TO THE EARTH[327:1]

[IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE] HEXAMETERS

FOOTNOTES:

LINENOTES:

MAHOMET[329:1]

FOOTNOTES:

LOVE[330:1]

FOOTNOTES:

LINENOTES:

ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]

ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD'

FOOTNOTES:

LINENOTES:

A CHRISTMAS CAROL[338:1]

FOOTNOTES:

LINENOTES:

TALLEYRAND TO LORD GRENVILLE[340:1]

A METRICAL EPISTLE

FOOTNOTES:

LINENOTES:

APOLOGIA PRO VITA SUA[345:1]

FOOTNOTES:

LINENOTES:

THE KEEPSAKE[345:2]

FOOTNOTES:

LINENOTES:

A THOUGHT SUGGESTED BY A VIEW[347:1]

OF SADDLEBACK IN CUMBERLAND

FOOTNOTES:

LINENOTES:

THE MAD MONK[347:2]

FOOTNOTES:

LINENOTES:

INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]

FOOTNOTES:

A STRANGER MINSTREL[350:1]

WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH

FOOTNOTES:

LINENOTES:

ALCAEUS TO SAPPHO[353:1]

FOOTNOTES:

THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]

FOOTNOTES:

LINENOTES:

THE SNOW-DROP[356:1]

FOOTNOTES:

LINENOTES:

ON REVISITING THE SEA-SHORE[359:1]

AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE

FOOTNOTES:

LINENOTES:

ODE TO TRANQUILLITY[360:1]

FOOTNOTES:

LINENOTES:

TO ASRA[361:1]

FOOTNOTES:

THE SECOND BIRTH[362:1]

FOOTNOTES:

LOVE'S SANCTUARY[362:2]

FOOTNOTES:

DEJECTION: AN ODE[362:3]

[WRITTEN APRIL 4, 1802]

FOOTNOTES:

LINENOTES:

THE PICTURE[369:1]

OR THE LOVER'S RESOLUTION

FOOTNOTES:

LINENOTES:

TO MATILDA BETHAM FROM A STRANGER[374:1]

FOOTNOTES:

LINENOTES:

HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]

FOOTNOTES:

LINENOTES:

THE GOOD, GREAT MAN[381:1]

REPLY TO THE ABOVE

FOOTNOTES:

LINENOTES:

INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]

FOOTNOTES:

LINENOTES:

AN ODE TO THE RAIN[382:2]

COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN

FOOTNOTES:

LINENOTES:

A DAY-DREAM[385:1]

FOOTNOTES:

LINENOTES:

ANSWER TO A CHILD'S QUESTION[386:1]

FOOTNOTES:

LINENOTES:

THE DAY-DREAM[386:2]

FROM AN EMIGRANT TO HIS ABSENT WIFE

FOOTNOTES:

LINENOTES:

THE HAPPY HUSBAND[388:1]

A FRAGMENT

FOOTNOTES:

LINENOTES:

THE PAINS OF SLEEP[389:1]

FOOTNOTES:

LINENOTES:

THE EXCHANGE[391:1]

FOOTNOTES:

LINENOTES:

AD VILMUM AXIOLOGUM[391:2]

[TO WILLIAM WORDSWORTH]

FOOTNOTES:

LINENOTES:

AN EXILE[392:1]

FOOTNOTES:

SONNET[392:2]

[TRANSLATED FROM MARINI]

FOOTNOTES:

PHANTOM[393:1]

FOOTNOTES:

A SUNSET[393:2]

FOOTNOTES:

LINENOTES:

WHAT IS LIFE?[394:1]

FOOTNOTES:

LINENOTES:

THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]

A LAMENT

FOOTNOTES:

LINENOTES:

SEPARATION[397:1]

FOOTNOTES:

THE RASH CONJURER[399:1]

FOOTNOTES:

A CHILD'S EVENING PRAYER[401:1]

FOOTNOTES:

LINENOTES:

METRICAL FEET[401:2]

LESSON FOR A BOY

FOOTNOTES:

LINENOTES:

FAREWELL TO LOVE[402:1]

FOOTNOTES:

LINENOTES:

TO WILLIAM WORDSWORTH[403:1]

COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND

FOOTNOTES:

LINENOTES:

AN ANGEL VISITANT[409:1]

FOOTNOTES:

RECOLLECTIONS OF LOVE[409:2]

FOOTNOTES:

TO TWO SISTERS[410:1]

[Mary Morgan and Charlotte Brent]

A WANDERER'S FAREWELL

FOOTNOTES:

PSYCHE[412:1]

FOOTNOTES:

LINENOTES:

A TOMBLESS EPITAPH[413:1]

FOOTNOTES:

LINENOTES:

FOR A MARKET-CLOCK[414:1]

(IMPROMPTU)

FOOTNOTES:

THE MADMAN AND THE LETHARGIST[414:2]

AN EXAMPLE

FOOTNOTES:

THE VISIONARY HOPE[416:1]

FOOTNOTES:

LINENOTES:

EPITAPH ON AN INFANT[417:1]

FOOTNOTES:

LINENOTES:

THE VIRGIN'S CRADLE-HYMN[417:2]

COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY

FOOTNOTES:

LINENOTES:

TO A LADY[418:1]

OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS

FOOTNOTES:

LINENOTES:

REASON FOR LOVE'S BLINDNESS[418:2]

FOOTNOTES:

LINENOTES:

THE SUICIDE'S ARGUMENT[419:1]

FOOTNOTES:

LINENOTES:

TIME, REAL AND IMAGINARY[419:2]

AN ALLEGORY

FOOTNOTES:

AN INVOCATION[420:1]

From remorse

[Act iii, Scene i. ll. 69-82.]

FOOTNOTES:

LINENOTES:

THE NIGHT-SCENE[421:1]

A DRAMATIC FRAGMENT

FOOTNOTES:

LINENOTES:

A HYMN[423:1]

FOOTNOTES:

TO A LADY[424:1]

WITH FALCONER'S SHIPWRECK

FOOTNOTES:

LINENOTES:

HUMAN LIFE[425:1]

—ON THE DENIAL OF IMMORTALITY

FOOTNOTES:

LINENOTES:

SONG[426:1]

FROM ZAPOLYA

FOOTNOTES:

LINENOTES:

HUNTING SONG[427:1]

FROM ZAPOLYA

FOOTNOTES:

LINENOTES:

FAITH, HOPE, AND CHARITY[427:2]

FROM THE ITALIAN OF GUARINI

FOOTNOTES:

TO NATURE[429:1]

FOOTNOTES:

LIMBO[429:2]

FOOTNOTES:

LINENOTES:

NE PLUS ULTRA[431:1]

FOOTNOTES:

THE KNIGHT'S TOMB[432:1]

FOOTNOTES:

ON DONNE'S POETRY[433:1]

FOOTNOTES:

ISRAEL'S LAMENT[433:2]

FOOTNOTES:

LINENOTES:

FANCY IN NUBIBUS[435:1]

OR THE POET IN THE CLOUDS

FOOTNOTES:

LINENOTES:

THE TEARS OF A GRATEFUL PEOPLE[436:1]

FOOTNOTES:

YOUTH AND AGE[439:1]

FOOTNOTES:

LINENOTES:

THE REPROOF AND REPLY[441:1]

FOOTNOTES:

LINENOTES:

FIRST ADVENT OF LOVE[443:2]

FOOTNOTES:

LINENOTES:

THE DELINQUENT TRAVELLERS[443:3]

FOOTNOTES:

WORK WITHOUT HOPE[447:1]

LINES COMPOSED 21ST FEBRUARY 1825

FOOTNOTES:

LINENOTES:

SANCTI DOMINICI PALLIUM[448:1]

A DIALOGUE BETWEEN POET AND FRIEND

FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)

FOOTNOTES:

LINENOTES:

SONG[450:2]

FOOTNOTES:

LINENOTES:

A CHARACTER[451:1]

FOOTNOTES:

LINENOTES:

THE TWO FOUNTS[454:1]

STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN

FOOTNOTES:

LINENOTES:

CONSTANCY TO AN IDEAL OBJECT[455:1]

FOOTNOTES:

LINENOTES:

THE PANG MORE SHARP THAN ALL[457:1]

AN ALLEGORY

FOOTNOTES:

DUTY SURVIVING SELF-LOVE[459:1]

THE ONLY SURE FRIEND OF DECLINING LIFE A SOLILOQUY

FOOTNOTES:

LINENOTES:

HOMELESS[460:1]

FOOTNOTES:

LINENOTES:

LINES[460:2]

SUGGESTED BY THE LAST WORDS OF BERENGARIUS OB. ANNO DOM. 1088

FOOTNOTES:

LINENOTES:

EPITAPHIUM TESTAMENTARIUM[462:1]

FOOTNOTES:

LINENOTES:

THE IMPROVISATORE[462:3]

OR, 'JOHN ANDERSON, MY JO, JOHN'

FOOTNOTES:

TO MARY PRIDHAM[468:1]

[AFTERWARDS MRS. DERWENT COLERIDGE]

FOOTNOTES:

LINENOTES:

ALICE DU CLOS[469:1]

OR THE FORKED TONGUE

A BALLAD

FOOTNOTES:

LINENOTES:

LOVE'S BURIAL-PLACE[475:1]

FOOTNOTES:

LINENOTES:

LINES[476:1]

TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW

FOOTNOTES:

LINENOTES:

COLOGNE[477:1]

FOOTNOTES:

ON MY JOYFUL DEPARTURE[477:5]

FROM THE SAME CITY

FOOTNOTES:

THE GARDEN OF BOCCACCIO[478:1]

FOOTNOTES:

LINENOTES:

LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]

FOOTNOTES:

LINENOTES:

TO MISS A. T.[482:1]

FOOTNOTES:

LINES[483:1]

WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND

FOOTNOTES:

LINENOTES:

SONG, ex improviso[483:2]

ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY

FOOTNOTES:

LINENOTES:

LOVE AND FRIENDSHIP OPPOSITE[484:1]

FOOTNOTES:

LINENOTES:

NOT AT HOME[484:2]

FOOTNOTES:

PHANTOM OR FACT[484:3]

A DIALOGUE IN VERSE

FOOTNOTES:

DESIRE[485:1]

FOOTNOTES:

LINENOTES:

CHARITY IN THOUGHT[486:1]

FOOTNOTES:

HUMILITY THE MOTHER OF CHARITY[486:2]

FOOTNOTES:

[COELI ENARRANT][486:3]

FOOTNOTES:

REASON[487:1]

FOOTNOTES:

SELF-KNOWLEDGE[487:2]

FOOTNOTES:

LINENOTES:

FORBEARANCE[488:1]

FOOTNOTES:

LINENOTES:

LOVE'S APPARITION AND EVANISHMENT[488:3]

AN ALLEGORIC ROMANCE

FOOTNOTES:

LINENOTES:

TO THE YOUNG ARTIST[490:1]

KAYSER OF KASERWERTH

FOOTNOTES:

MY BAPTISMAL BIRTH-DAY[490:2]

FOOTNOTES:

LINENOTES:

EPITAPH[491:1]

FOOTNOTES:

LINENOTES:

INDEX OF FIRST LINES

TRANSCRIBER'S NOTES:

THE FULL PROJECT GUTENBERG LICENSE