Tom and Maggie Tulliver
Date: 2009-10-17T00:00:00+00:00
Keywords: Siblings -- Juvenile fiction; Eliot; George; 1819-1880. Mill on the Floss -- Adaptations

The Project Gutenberg eBook of Tom and Maggie Tulliver

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Tom and Maggie Tulliver

Adapter: Anonymous

Author: George Eliot

Release date: October 17, 2009 [eBook #30273]
Most recently updated: January 5, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/30273

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK TOM AND MAGGIE TULLIVER ***

Cover art

Tom came running to prevent Maggie from snatching her line away.

TOM AND MAGGIE TULLIVER

TOLD FROM GEORGE ELIOT'S
"THE MILL ON THE FLOSS"

THOMAS NELSON AND SONS, LTD.
LONDON, EDINBURGH, AND NEW YORK
1909

CONTENTS.

I. | TOM MUST GO TO SCHOOL
II. | THE CHOICE OF A SCHOOL
III. | TOM COMES HOME
IV. | ALL ABOUT A JAM PUFF
V. | THE FAMILY PARTY
VI. | THE MAGIC MUSIC
VII. | MAGGIE IS VERY NAUGHTY
VIII. | MAGGIE AND THE GIPSIES
IX. | THE GIPSY QUEEN ABDICATES
X. | TOM AT SCHOOL
XI. | THE NEW SCHOOLFELLOW
XII. | THE DUKE OF WELLINGTON
XIII. | PHILIP AND MAGGIE

LIST OF ILLUSTRATIONS.

TOM CAME RUNNING TO PREVENT MAGGIE FROM SNATCHING
HER LINE AWAY  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frontispiece

"MY PRETTY LADY, ARE YOU COME TO STAY WITH US?"

"HERE, MAGGIE, COME AND HEAR IF I CAN SAY THIS"

"O TOM, PLEASE DON'T," CRIED MAGGIE

MAGGIE AND TOM TULLIVER.

Chapter I.

TOM MUST GO TO SCHOOL.

"What I want, you know," said Mr. Tulliver of Dorlcote Mill—"what I want is to give Tom a good eddication. That was what I was thinking of when I gave notice for him to leave th' academy at Lady Day. I meant to put him to a downright good school at Midsummer.

"The two years at th' academy 'ud ha' done well enough," the miller went on, "if I'd meant to make a miller and farmer of him like myself. But I should like Tom to be a bit of a scholard, so as he might be up to the tricks o' these fellows as talk fine and write with a flourish. It 'ud be a help to me wi' these lawsuits and things."

Mr. Tulliver was speaking to his wife, a blond, comely woman in a fan-shaped cap.

"Well, Mr. Tulliver," said she, "you know best. But hadn't I better kill a couple o' fowl, and have th' aunts and uncles to dinner next week, so as you may hear what Sister Glegg and Sister Pullet have got to say about it? There's a couple o' fowl wants killing!"

"You may kill every fowl i' the yard if you like, Bessy, but I shall ask neither aunt nor uncle what I'm to do wi' my own lad," said Mr. Tulliver.

"Dear heart!" said Mrs. Tulliver, "how can you talk so, Mr. Tulliver? However, if Tom's to go to a new school, I should like him to go where I can wash him and mend him; else he might as well have calico as linen, for they'd be one as yallow as th' other before they'd been washed half a dozen times. And then, when the box is goin' backards and forrards, I could send the lad a cake, or a pork-pie, or an apple."

"Well, well, we won't send him out o' reach o' the carrier's cart, if other things fit in," said Mr. Tulliver. "But you mustn't put a spoke i' the wheel about the washin' if we can't get a school near enough. But it's an uncommon puzzling thing to know what school to pick."

Mr. Tulliver paused a minute or two, and dived with both hands into his pockets, as if he hoped to find some idea there. Then he said, "I know what I'll do, I'll talk it over wi' Riley. He's coming to-morrow."

"Well, Mr. Tulliver, I've put the sheets out for the best bed, and Kezia's got 'em hanging at the fire. They aren't the best sheets, but they're good enough for anybody to sleep in, be he who he will."

As Mrs. Tulliver spoke she drew a bright bunch of keys from her pocket, and singled out one, rubbing her thumb and finger up and down it with a placid smile while she looked at the clear fire.

"I think I've hit it, Bessy," said Mr. Tulliver, after a short silence. "Riley's as likely a man as any to know o' some school; he's had schooling himself, an' goes about to all sorts o' places—auctioneering and vallyin' and that. I want Tom to be such a sort o' man as Riley, you know—as can talk pretty nigh as well as if it was all wrote out for him, and a good solid knowledge o' business too."

"Well," said Mrs. Tulliver, "so far as talking proper, and knowing everything, and walking with a bend in his back, and setting his hair up, I shouldn't mind the lad being brought up to that. But them fine-talking men from the big towns mostly wear the false shirt-fronts; they wear a frill till it's all a mess, and then hide it with a bib;—I know Riley does. And then, if Tom's to go and live at Mudport, like Riley, he'll have a house with a kitchen hardly big enough to turn in, an' niver get a fresh egg for his breakfast, an' sleep up three pair o' stairs—or four, for what I know—an' be burnt to death before he can get down."

"No, no," said Mr. Tulliver; "I've no thoughts of his going to Mudport: I mean him to set up his office at St. Ogg's, close by us, an' live at home. I doubt Tom's a bit slowish. He takes after your family, Bessy."

"Yes, that he does," said Mrs. Tulliver; "he's wonderful for liking a deal o' salt in his broth. That was my brother's way, and my father's before him."

"It seems a bit of a pity, though," said Mr. Tulliver, "as the lad should take after the mother's side instead o' the little wench. The little un takes after my side, now: she's twice as 'cute as Tom."

"Yes, Mr. Tulliver, and it all runs to naughtiness. How to keep her in a clean pinafore two hours together passes my cunning. An' now you put me i' mind," continued Mrs. Tulliver, rising and going to the window, "I don't know where she is now, an' it's pretty nigh tea-time. Ah, I thought so—there she is, wanderin' up an' down by the water, like a wild thing. She'll tumble in some day."

Mrs. Tulliver rapped the window sharply, beckoned, and shook her head.

"You talk o' 'cuteness, Mr. Tulliver," she said as she sat down; "but I'm sure the child's very slow i' some things, for if I send her upstairs to fetch anything, she forgets what she's gone for."

"Pooh, nonsense!" said Mr. Tulliver. "She's a straight, black-eyed wench as anybody need wish to see; and she can read almost as well as the parson."

"But her hair won't curl, all I can do with it, and she's so franzy about having it put i' paper, and I've such work as never was to make her stand and have it pinched with th' irons."

"Cut it off—cut it off short," said the father rashly.

"How can you talk so, Mr. Tulliver? She's too big a gell—gone nine, and tall of her age—to have her hair cut short.—Maggie, Maggie," continued the mother, as the child herself entered the room, "where's the use o' my telling you to keep away from the water? You'll tumble in and be drownded some day, and then you'll be sorry you didn't do as mother told you."

Maggie threw off her bonnet. Now, Mrs. Tulliver, desiring her daughter to have a curled crop, had had it cut too short in front to be pushed behind the ears; and as it was usually straight an hour after it had been taken out of paper, Maggie was incessantly tossing her head to keep the dark, heavy locks out of her gleaming black eyes.

"Oh dear, oh dear, Maggie, what are you thinkin' of, to throw your bonnet down there? Take it upstairs, there's a good gell, an' let your hair be brushed, an' put your other pinafore on, an' change your shoes—do, for shame; an' come and go on with your patchwork, like a little lady."

"O mother," said Maggie in a very cross tone, "I don't want to do my patchwork."

"What! not your pretty patchwork, to make a counterpane for your Aunt Glegg?"

"It's silly work," said Maggie, with a toss of her mane—"tearing things to pieces to sew 'em together again. And I don't want to sew anything for my Aunt Glegg; I don't like her."

Exit Maggie, drawing her bonnet by the string, while Mr. Tulliver laughs audibly.

"I wonder at you as you'll laugh at her, Mr. Tulliver," said the mother. "An' her aunts will have it as it's me spoils her."

Chapter II.

THE CHOICE OF A SCHOOL.

Mr. Riley, who came next day, was a gentleman with a waxen face and fat hands. He talked with his host for some time about the water supply to Dorlcote Mill. Then after a short silence Mr. Tulliver changed the subject.

"There's a thing I've got i' my head," said he at last, in rather a lower tone than usual, as he turned his head and looked at his companion.

"Ah!" said Mr. Riley, in a tone of mild interest.

"It's a very particular thing," Mr. Tulliver went on; "it's about my boy Tom."

At the sound of this name Maggie, who was seated on a low stool close by the fire, with a large book open on her lap, shook her heavy hair back and looked up eagerly.

"You see, I want to put him to a new school at Midsummer," said Mr. Tulliver. "He's comin' away from the 'cademy at Lady Day, an' I shall let him run loose for a quarter; but after that I want to send him to a downright good school, where they'll make a scholard of him."

"Well," said Mr. Riley, "there's no greater advantage you can give him than a good education."

"I don't mean Tom to be a miller and farmer," said Mr. Tulliver; "I see no fun i' that. Why, if I made him a miller, he'd be expectin' to take the mill an' the land, an' a-hinting at me as it was time for me to lay by. Nay, nay; I've seen enough o' that wi' sons."

These words cut Maggie to the quick. Tom was supposed capable of turning his father out of doors! This was not to be borne; and Maggie jumped up from her stool, forgetting all about her heavy book, which fell with a bang within the fender, and going up between her father's knees said, in a half-crying, half-angry voice,—

"Father, Tom wouldn't be naughty to you ever; I know he wouldn't."

"What! they mustn't say any harm o' Tom, eh?" said Mr. Tulliver, looking at Maggie with a twinkling eye. Then he added gently, "Go, go and see after your mother."

"Did you ever hear the like on't?" said Mr. Tulliver as Maggie retired. "It's a pity but what she'd been the lad."

Mr. Riley laughed, took a pinch of snuff, and said,—

"But your lad's not stupid, is he?" said Mr. Riley. "I saw him, when I was here last, busy making fishing-tackle; he seemed quite up to it."

"Well, he isn't stupid. He's got a notion o' things out o' door, an' a sort o' common sense, and he'll lay hold o' things by the right handle. But he's slow with his tongue, you see, and he reads but poorly, and can't abide the books, and spells all wrong, they tell me, an' you never hear him say 'cute things like the little wench. Now, what I want is to send him to a school where they'll make him a bit nimble with his tongue and his pen, and make a smart chap of him."

"You're quite in the right of it, Tulliver," observed Mr. Riley. "Better spend an extra hundred or two on your son's education than leave it him in your will."

"I dare say, now, you know of a school as 'ud be just the thing for Tom," said Mr. Tulliver.

Mr. Riley took a pinch of snuff, and waited a little before he said,—

"I know of a very fine chance for any one that's got the necessary money, and that's what you have, Tulliver. But if any one wanted his boy to be placed under a first-rate fellow, I know his man. He's an Oxford man, and a parson. He's willing to take one or two boys as pupils to fill up his time. The boys would be quite of the family—the finest thing in the world for them—under Stelling's eye continually."

"But do you think they'd give the poor lad twice o' pudding?" said Mrs. Tulliver, who was now in her place again.

"And what money 'ud he want?" said Mr. Tulliver.

"Stelling is moderate in his terms; he's not a grasping man," said Mr. Riley. "I've no doubt he'd take your boy at a hundred. I'll write to him about it if you like."

Mr. Tulliver rubbed his knees, and looked at the carpet.

"But belike he's a bachelor," observed Mrs. Tulliver, "an' I've no opinion o' house-keepers. It 'ud break my heart to send Tom where there's a housekeeper, an' I hope you won't think of it, Mr. Tulliver."

"You may set your mind at rest on that score, Mrs. Tulliver," said Mr. Riley, "for Stelling is married to as nice a little woman as any man need wish for a wife. There isn't a kinder little soul in the world."

"Father," broke in Maggie, who had stolen to her father's elbow again, listening with parted lips, while she held her doll topsy-turvy, and crushed its nose against the wood of the chair—"father, is it a long way off where Tom is to go? Shan't we ever go to see him?"

"I don't know, my wench," said the father tenderly. "Ask Mr. Riley; he knows."

Maggie came round promptly in front of Mr. Riley, and said, "How far is it, please sir?"

"Oh, a long, long way off," that gentleman answered. "You must borrow the seven-leagued boots to get to him."

"That's nonsense!" said Maggie, tossing her head and turning away with the tears springing to her eyes.

"Hush, Maggie, for shame of you, chattering so," said her mother. "Come and sit down on your little stool, and hold your tongue, do. But," added Mrs. Tulliver, who had her own alarm awakened, "is it so far off as I couldn't wash him and mend him?"

"About fifteen miles, that's all," said Mr. Riley. "You can drive there and back in a day quite comfortably. Or—Stelling is a kind, pleasant man—he'd be glad to have you stay."

"But it's too far off for the linen, I doubt," said Mrs. Tulliver sadly.

Chapter III.

TOM COMES HOME.

Tom was to arrive early one afternoon, and there was another fluttering heart besides Maggie's when it was late enough for the sound of the gig wheels to be expected; for if Mrs. Tulliver had a strong feeling, it was fondness for her boy.

At last the sound came, and in spite of the wind, which was blowing the clouds about, and was not likely to respect Mrs. Tulliver's curls and cap-strings, she came and stood outside the door with her hand on Maggie's head.

"There he is, my sweet lad! But he's got never a collar on; it's been lost on the road, I'll be bound, and spoilt the set!"

Mrs. Tulliver stood with her arms open; Maggie jumped first on one leg and then on the other; while Tom stepped down from the gig, and said, "Hallo, Yap! what, are you there?"

Then he allowed himself to be kissed willingly enough, though Maggie hung on his neck in rather a strangling fashion, while his blue eyes wandered towards the croft and the lambs and the river, where he promised himself that he would begin to fish the first thing to-morrow morning. He was a lad with light brown hair, cheeks of cream and roses, and full lips.

"Maggie," said Tom, taking her into a corner as soon as his mother was gone out to examine his box, "you don't know what I've got in my pockets," nodding his head up and down as a means of rousing her sense of mystery.

"No," said Maggie. "How stodgy they look, Tom! Is it marls (marbles) or cob-nuts?" Maggie's heart sank a little, because Tom always said it was "no good" playing with her at those games, she played so badly.

"Marls! no. I've swopped all my marls with the little fellows; and cobnuts are no fun, you silly—only when the nuts are green. But see here!" He drew something out of his right-hand pocket.

"What is it?" said Maggie in a whisper. "I can see nothing but a bit of yellow."

"Why, it's a new— Guess, Maggie!"

"Oh, I can't guess, Tom," said Maggie impatiently.

"Don't be a spitfire, else I won't tell you," said Tom, thrusting his hand back into his pocket.

"No, Tom," said Maggie, laying hold of the arm that was held stiffly in the pocket. "I'm not cross, Tom; it was only because I can't bear guessing. Please be good to me."

Tom's arm slowly relaxed, and he said, "Well, then, it's a new fish-line—'two new uns—one for you, Maggie, all to yourself. I wouldn't go halves in the toffee and gingerbread on purpose to save the money; and Gibson and Spouncer fought with me because I wouldn't. And here's hooks; see here! I say, won't we go and fish to-morrow down by Round Pond? And you shall catch your own fish, and put the worms on, and everything. Won't it be fun!"

Maggie's answer was to throw her arms round Tom's neck and hug him, and hold her cheek against his without speaking, while he slowly unwound some of the line, saying, after a pause,—

"Wasn't I a good brother, now, to buy you a line all to yourself? You know, I needn't have bought it if I hadn't liked!"

"Yes, very, very good. I do love you, Tom."

Tom had put the line back in his pocket, and was looking at the hooks one by one, before he spoke again.

"And the fellows fought me because I wouldn't give in about the toffee."

"Oh dear! I wish they wouldn't fight at your school, Tom. Didn't it hurt you?"

"Hurt me? No," said Tom, putting up the hooks again. Then he took out a large pocket-knife, and slowly opened the largest blade and rubbed his finger along it. At last he said,—

"I gave Spouncer a black eye, I know—that's what he got by wanting to leather me; I wasn't going to go halves because anybody leathered me."

"Oh, how brave you are, Tom! I think you're like Samson. If there came a lion roaring at me, I think you'd fight him; wouldn't you, Tom?"

"How can a lion come roaring at you, you silly thing? There's no lions—only in the shows."

"No; but if we were in the lion countries—I mean, in Africa, where it's very hot—the lions eat people there. I can show it you in the book where I read it."

"Well, I should get a gun and shoot him."

"But if you hadn't got a gun. We might have gone out, you know, not thinking, just as we go fishing; and then a great lion might run towards us roaring, and we couldn't get away from him. What should you do, Tom?"

Tom paused, and at last turned away, saying, "But the lion isn't coming. What's the use of talking?"

"But I like to fancy how it would be," said Maggie, following him. "Just think what you would do, Tom."

"Oh, don't bother, Maggie! you're such a silly. I shall go and see my rabbits."

Upon this Maggie's heart began to flutter with fear, for she had bad news for Tom. She dared not tell the sad truth at once, but she walked after Tom in trembling silence as he went out.

"Tom," she said timidly, when they were out of doors, "how much money did you give for your rabbits?"

"Two half-crowns and a sixpence," said Tom promptly.

"I think I've got a great deal more than that in my steel purse upstairs. I'll ask mother to give it you."

"What for?" said Tom. "I don't want your money, you silly thing. I've got a great deal more money than you, because I'm a boy."

"Well, but, Tom, if mother would let me give you two half-crowns and a sixpence out of my purse to put into your pocket and spend, you know, and buy some more rabbits with it."

"More rabbits? I don't want any more."

"Oh, but, Tom, they're all dead!"

Tom stopped, and turned round towards Maggie. "You forgot to feed 'em, then, and Harry forgot?" he said, his colour rising for a moment. "I'll pitch into Harry—I'll have him turned away. And I don't love you, Maggie. You shan't go fishing with me to-morrow. I told you to go and see the rabbits every day." He walked on again.

"Yes, but I forgot; and I couldn't help it, indeed, Tom. I'm so very sorry," said Maggie, while the tears rushed fast.

"You're a naughty girl," said Tom severely, "and I'm sorry I bought you the fish-line. I don't love you."

"O Tom, it's very cruel," sobbed Maggie. "I'd forgive you if you forgot anything—I wouldn't mind what you did—I'd forgive you and love you."

"Yes, you're a silly; but I never do forget things—I don't."

"Oh, please forgive me, Tom; my heart will break," said Maggie, shaking with sobs, clinging to Tom's arm, and laying her wet cheek on his shoulder.

Tom shook her off. "Now, Maggie, you just listen. Aren't I a good brother to you?"

"Ye-ye-es," sobbed Maggie.

"Didn't I think about your fish-line all this quarter, and mean to buy it, and saved my money o' purpose, and wouldn't go halves in the toffee, and Spouncer fought me because I wouldn't?"

"Ye-ye-es—and I—lo-lo-love you so, Tom."

"But you're a naughty girl. Last holidays you licked the paint off my lozenge-box; and the holidays before that you let the boat drag my fish-line down when I'd set you to watch it, and you pushed your head through my kite, all for nothing."

"But I didn't mean," said Maggie; "I couldn't help it."

"Yes, you could," said Tom, "if you'd minded what you were doing. And you're a naughty girl, and you shan't go fishing with me to-morrow."

With this Tom ran away from Maggie towards the mill, meaning to greet Luke there, and complain to him of Harry.

"Oh, he is cruel!" Maggie sobbed aloud. She would stay up in the attic and starve herself—hide herself behind the tub, and stay there all night; and then they would all be frightened, and Tom would be sorry.

Thus Maggie thought in the pride of her heart, as she crept behind the tub; but presently she began to cry again at the idea that they didn't mind her being there.

Meanwhile, Tom was too much interested in his talk with Luke, and in going the round of the mill, to think of Maggie at all. But when he had been called in to tea, his father said, "Why, where's the little wench?" And Mrs. Tulliver, almost at the same moment, said, "Where's your little sister?"

"I don't know," said Tom. He didn't want to "tell" of Maggie, though he was angry with her; for Tom Tulliver was a lad of honour.

"What! hasn't she been playing with you all this while?" said the father. "She'd been thinking o' nothing but your coming home."

"I haven't seen her this two hours," says Tom.

"Goodness heart! she's got drownded," exclaimed Mrs. Tulliver, rising from her seat and running to the window.

"Nay, nay, she's none drownded," said Mr. Tulliver.—"You've been naughty to her, I doubt, Tom?"

"I'm sure I haven't, father," said Tom quickly. "I think she's in the house."

"Perhaps up in that attic," said Mrs. Tulliver, "a-singing and talking to herself, and forgetting all about meal-times."

"You go and fetch her down, Tom," said Mr. Tulliver, rather sharply. "And be good to her, do you hear? Else I'll let you know better."

Maggie, who had taken refuge in the attic, knew Tom's step, and her heart began to beat with the shock of hope. But he only stood still on the top of the stairs and said, "Maggie, you're to come down." Then she rushed to him and clung round his neck, sobbing, "O Tom, please forgive me! I can't bear it. I will always be good—always remember things. Do love me—please, dear Tom?" And the boy quite forgot his desire to punish her as much as she deserved; he actually began to kiss her in return, and say,—

"Don't cry, then, Magsie; here, eat a bit o' cake."

Maggie's sobs began to subside, and she put out her mouth for the cake and bit a piece; and then Tom bit a piece, just for company, and they ate together, and rubbed each other's cheeks and brows and noses together while they ate like two friendly ponies.

"Come along, Magsie, and have tea," said Tom at last.

So ended the sorrows of this day, and the next morning Maggie was to be seen trotting out with her own fishing-rod in one hand and a handle of the basket in the other. She had told Tom, however, that she should like him to put the worms on the hook for her.

They were on their way to the Round Pool—that wonderful pool which the floods had made a long while ago. The sight of the old spot always heightened Tom's good-humour, and he opened the basket and prepared their tackle. He threw Maggie's line for her, and put the rod into her hand. She thought it probable that the small fish would come to her hook, and the large ones to Tom's. But after a few moments she had forgotten all about the fish, and was looking dreamily at the glassy water, when Tom said, in a loud whisper, "Look, look, Maggie!" and came running to prevent her from snatching her line away.

Maggie was frightened lest she had been doing something wrong, as usual; but presently Tom drew out her line and brought a large tench bouncing out upon the grass.

Tom was excited.

"O Magsie! you little duck! Empty the basket."

Maggie did not know how clever she had been; but it was quite enough that Tom called her Magsie, and was pleased with her. There was nothing to mar her delight in the whispers and the dreamy silences, when she listened to the light dipping sounds of the rising fish, and the gentle rustling, as if the willows and the reeds and the water had their happy whisperings also. Maggie thought it would make a very nice heaven to sit by the pool in that way, and never be scolded. She never knew she had a bite until Tom told her, it is true, but she liked fishing very much.

It was one of their happy mornings. They trotted along and sat down together, with no thought that life would ever change much for them. They would only get bigger and not go to school, and it would always be like the holidays; they would always live together, and be very, very fond of each other.

Chapter IV.

ALL ABOUT A JAM PUFF.

It was Easter week, and Mrs. Tulliver's cheese-cakes were even more light than usual, so that no season could have been better for a family party to consult Sister Glegg and Sister Pullet and Sister Deane about Tom's going to school.

On Wednesday, the day before the aunts and uncles were coming, Tom and Maggie made several inroads into the kitchen, where great preparations were being made, and were induced to keep aloof for a time only by being allowed to carry away some of the good things to eat.

"Tom," said Maggie, as they sat on the boughs of the elder tree, eating their jam puffs, "shall you run away to-morrow?"

"No," said Tom slowly—"no, I shan't."

"Why, Tom? Because Lucy's coming?"

"No," said Tom, opening his pocket-knife and holding it over the last jam puff, with his head on one side. "What do I care about Lucy? She's only a girl; she can't play at bandy."

"Is it the tipsy-cake, then?" said Maggie, while she leaned forward towards Tom with her eyes fixed on the knife.

"No, you silly; that'll be good the day after. It's the pudding. I know what the pudding's to be—apricot roll-up—oh, my buttons!"

With this the knife came down on the puff, and in a moment that dainty lay in two; but the result was not pleasing to Tom, and after a few moments' thought he said,—

"Shut your eyes, Maggie."

"What for?"

"You never mind what for. Shut 'em, when I tell you." Maggie obeyed.

"Now which'll you have, Maggie—right hand or left?"

"I'll have that with the jam run out," said Maggie, keeping her eyes shut to please Tom.

"Why, you don't like that, you silly. You may have it if it comes to you fair, but I shan't give it you without. Right or left?—you choose, now. Ha-a-a!" said Tom, as Maggie peeped. "You keep your eyes shut, now, else you shan't have any."

So Maggie shut her eyes quite close, till Tom told her to "say which," and then she said, "Left hand."

"You've got it," said Tom, in rather a bitter tone.

"What! the bit with the jam run out?"

"No; here, take it," said Tom firmly, handing the best piece to Maggie.

"Oh please, Tom, have it. I don't mind; I like the other. Please take this."

"No, I shan't," said Tom, almost crossly.

Maggie began to eat up her half puff with great relish; But Tom had finished his own first, and had to look on while Maggie ate her last morsel or two without noticing that Tom was looking at her.

"Oh, you greedy thing!" said Tom, when she had eaten the last morsel.

Maggie turned quite pale. "O Tom, why didn't you ask me?"

"I wasn't going to ask you for a bit, you greedy. You might have thought of it without, when you knew I gave you the best bit."

"But I wanted you to have it—you know I did," said Maggie, in an injured tone.

"Yes; but I wasn't going to do what wasn't fair. But if I go halves, I'll go 'em fair—only I wouldn't be a greedy."

With this Tom jumped down from his bough, and threw a stone with a "hoigh!" to Yap, who had also been looking on wistfully while the jam puff vanished.

Maggie sat still on her bough, and gave herself up to misery. She would have given the world not to have eaten all her puff, and to have saved some of it for Tom. Not but that the puff was very nice; but she would have gone without it many times over sooner than Tom should call her greedy and be cross with her.

And he had said he wouldn't have it; and she ate it without thinking. How could she help it? The tears flowed so plentifully that Maggie saw nothing around her for the next ten minutes; then she jumped from her bough to look for Tom. He was no longer near her, nor in the paddock behind the rickyard. Where was he likely to be gone, and Yap with him?

Maggie ran to the high bank against the great holly-tree, where she could see far away towards the Floss. There was Tom in the distance; but her heart sank again as she saw how far off he was on his way to the great river, and that he had another companion besides Yap—naughty Bob Jakin, whose task of frightening the birds was just now at a standstill.

It must be owned that Tom was fond of Bob's company. How could it be otherwise? Bob knew, directly he saw a bird's egg, whether it was a swallow's, or a tom-tit's, or a yellow-hammer's; he found out all the wasps' nests, and could set all sorts of traps; he could climb the trees like a squirrel, and had quite a magical power of finding hedgehogs and stoats; and every holiday-time Maggie was sure to have days of grief because Tom had gone off with Bob.

Well, there was no help for it. He was gone now, and Maggie could think of no comfort but to sit down by the holly, or wander lonely by the hedgerow, nursing her grief.

Chapter V.

THE FAMILY PARTY.

On the day of the family party Aunt Glegg was the first to arrive, and she was followed not long afterwards by Aunt Pullet and her husband.

Maggie and Tom, on their part, thought their Aunt Pullet tolerable, because she was not their Aunt Glegg. Tom always declined to go more than once during his holidays to see either of them. Both his uncles tipped him that once, of course; but at his Aunt Pullet's there were a great many toads to pelt in the cellar-area, so that he preferred the visit to her. Maggie disliked the toads, and dreamed of them horribly; but she liked her Uncle Pullet's musical snuff-box.

When Maggie and Tom came in from the garden with their father and their Uncle Glegg, they found that Aunt Deane and Cousin Lucy had also arrived. Maggie had thrown her bonnet off very carelessly, and coming in with her hair rough as well as out of curl, rushed at once to Lucy, who was standing by her mother's knee.

Lucy put up the neatest little rosebud mouth to be kissed. Everything about her was neat—her little round neck with the row of coral beads; her little straight nose, not at all snubby; her little clear eyebrows, rather darker than her curls to match her hazel eyes, which looked up with shy pleasure at Maggie, taller by the head, though scarcely a year older.

"O Lucy," burst out Maggie, after kissing her, "you'll stay with Tom and me, won't you?—Oh, kiss her, Tom."

Tom, too, had come up to Lucy, but he was not going to kiss her—no; he came up to her with Maggie because it seemed easier, on the whole, than saying, "How do you do?" to all those aunts and uncles.

"Heyday!" said Aunt Glegg loudly. "Do little boys and gells come into a room without taking notice o' their uncles and aunts? That wasn't the way when I was a little gell."

"Go and speak to your aunts and uncles, my dears," said Mrs. Tulliver. She wanted also to whisper to Maggie a command to go and have her hair brushed.

"Well, and how do you do? And I hope you're good children—are you?" said Aunt Glegg, in the same loud way, as she took their hands, hurting them with her large rings, and kissing their cheeks, much against their desire. "Look up, Tom, look up. Boys as go to boarding-schools should hold their heads up. Look at me now." Tom would not do so, and tried to draw his hand away. "Put your hair behind your ears, Maggie, and keep your frock on your shoulder."

Aunt Glegg always spoke to them in this loud way, as if she thought them quite deaf, or perhaps rather silly.

"Well, my dears," said Aunt Pullet sadly, "you grow wonderful fast.—I doubt they'll outgrow their strength," she added, looking over their heads at their mother. "I think the gell has too much hair. I'd have it thinned and cut shorter, sister, if I was you. It isn't good for her health. It's that as makes her skin so brown, I shouldn't wonder.—Don't you think so, Sister Deane?"

"I can't say, I'm sure, sister," said Mrs. Deane.

"No, no," said Mr. Tulliver, "the child's healthy enough—there's nothing ails her. There's red wheat as well as white, for that matter, and some like the dark grain best. But it 'ud be as well if Bessy 'ud have the child's hair cut, so as it 'ud lie smooth."

Maggie now wished to learn from her Aunt Deane whether she would leave Lucy behind to stay at the mill. Aunt Deane would hardly ever let Lucy come to see them, to Maggie's great regret.

"You wouldn't like to stay behind without mother, should you, Lucy?" she said to her little daughter.

"Yes, please, mother," said Lucy timidly, blushing very pink all over her little neck.

"Well done, Lucy!—Let her stay, Mrs. Deane, let her stay," said Mr. Deane, a large man, who held a silver snuff-box very tightly in his hand, and now and then exchanged a pinch with Mr. Tulliver.

"Maggie," said Mrs. Tulliver, beckoning Maggie to her, and whispering in her ear, as soon as this point of Lucy's staying was settled, "go and get your hair brushed—do, for shame. I told you not to come in without going to Martha first; you know I did."

"Tom, come out with me," whispered Maggie, pulling his sleeve as she passed him; and Tom followed willingly enough.

"Come upstairs with me, Tom," she whispered, when they were outside the door. "There's something I want to do before dinner."

"There's no time to play at anything before dinner," said Tom.

"Oh yes, there is time for this. Do come, Tom."

Tom followed Maggie upstairs into her mother's room, and saw her go at once to a drawer, from which she took a large pair of scissors.

"What are they for, Maggie?" said Tom.

Maggie answered by seizing her front locks and cutting them straight across the middle of her forehead.

"Oh, my buttons, Maggie, you'll catch it!" exclaimed Tom; "you'd better not cut any more off."

Snip went the great scissors again while Tom was speaking; and he couldn't help feeling it was rather good fun—Maggie would look so queer.

"Here, Tom, cut it behind for me," said Maggie, much excited.

"You'll catch it, you know," said Tom as he took the scissors.

"Never mind; make haste!" said Maggie, giving a little stamp with her foot. Her cheeks were quite flushed.

One delicious grinding snip, and then another and another. The hinder locks fell heavily on the floor, and soon Maggie stood cropped in a jagged, uneven manner.

"O Maggie!" said Tom, jumping round her, and slapping his knees as he laughed—"oh, my buttons, what a queer thing you look! Look at yourself in the glass."

Maggie felt an unexpected pang. She didn't want her hair to look pretty—she only wanted people to think her a clever little girl, and not to find fault with her untidy head. But now, when Tom began to laugh at her, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, while Maggie's flushed cheeks began to pale and her lips to tremble a little.

"O Maggie, you'll have to go down to dinner directly," said Tom. "Oh my!"

"Don't laugh at me, Tom," said Maggie, with an outburst of angry tears, stamping, and giving him a push.

"Now, then, spitfire!" said Tom. "What did you cut it off for, then? I shall go down; I can smell the dinner going in."

He hurried downstairs at once. Maggie could see clearly enough, now the thing was done, that it was very foolish, and that she should have to hear and think more about her hair than ever. As she stood crying before the glass she felt it impossible to go down to dinner and endure the severe eyes and severe words of her aunts, while Tom, and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her—for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard!

"Miss Maggie, you're to come down this minute," said Kezia, entering the room after a few moments. "Lawks! what have you been a-doing? I niver see such a fright."

"Don't, Kezia," said Maggie angrily. "Go away!"

"But I tell you, you're to come down, miss, this minute; your mother says so," said Kezia, going up to Maggie and taking her by the hand to raise her from the floor, on which she had thrown herself.

"Get away, Kezia; I don't want any dinner," said Maggie, resisting Kezia's arm. "I shan't come."

"Oh, well, I can't stay. I've got to wait at dinner," said Kezia, going out again.

"Maggie, you little silly," said Tom, peeping into the room ten minutes later, "why don't you come and have your dinner? There's lots o' goodies, and mother says you're to come."

Oh, it was dreadful! Tom was so hard. If he had been crying on the floor, Maggie would have cried too. And there was the dinner, so nice, and she was so hungry. It was very bitter.

But Tom was not altogether hard. He was not inclined to cry, but he went and put his head near her and said in a lower, comforting tone,—

"Won't you come, then, Magsie? Shall I bring you a bit o' pudding when I've had mine, and a custard and things?"

"Ye-e-es," said Maggie, beginning to feel life a little more tolerable.

"Very well," said Tom, going away. But he turned again at the door and said, "But you'd better come, you know. There's the dessert—nuts, you know, and cowslip wine."

Slowly she rose from amongst her scattered locks, and slowly she made her way downstairs. Then she stood leaning with one shoulder against the frame of the dining-parlour door, peeping in as it stood ajar. She saw Tom and Lucy with an empty chair between them, and there were the custards on a side-table. It was too much. She slipped in and went towards the empty chair. But she had no sooner sat down than she wished herself back again.

Mrs. Tulliver gave a little scream as she saw her, and felt such a "turn" that she dropped the large gravy-spoon into the dish, with the most serious results to the table-cloth.

Mrs. Tulliver's scream made all eyes turn towards the same point as her own, and Maggie's cheeks and ears began to burn, while Uncle Glegg, a kind-looking, white-haired old gentleman, said,—

"Heyday! What little gell's this? Why, I don't know her. Is it some little gell you've picked up in the road, Kezia?"

"Why, she's gone and cut her hair herself," said Mr. Tulliver in an undertone to Mr. Deane, laughing with much enjoyment. "Did you ever know such a little hussy as it is?"

"Why, little miss, you've made yourself look very funny," said Uncle Pullet.

"Fie, for shame!" said Aunt Glegg in her loudest tone. "Little gells as cut their own hair should be whipped, and fed on bread and water—not come and sit down with their aunts and uncles."

"Ay, ay," said Uncle Glegg playfully "she must be sent to jail, I think, and they'll cut the rest off there, and make it all even."

"She's more like a gipsy nor ever," said Aunt Pullet in a pitying tone. "It's very bad luck, sister, as the gell should be so brown; the boy's fair enough. I doubt it'll stand in her way i' life, to be so brown."

"She's a naughty child, as'll break her mother's heart," said Mrs. Tulliver, with the tears in her eyes.

"Oh my, Maggie," whispered Tom, "I told you you'd catch it."

The child's heart swelled, and getting up from her chair she ran to her father, hid her face on his shoulder, and burst out into loud sobbing.

"Come, come, my wench," said her father soothingly, putting his arm round her, "never mind; you was i' the right to cut it off if it plagued you. Give over crying; father'll take your part."

"How your husband does spoil that child, Bessy," said Mrs. Glegg in a loud "aside" to Mrs. Tulliver. "It'll be the ruin of her if you don't take care. My father niver brought his children up so, else we should ha' been a different sort o' family to what we are."

Mrs. Tulliver took no notice of her sister's remark, but threw back her cap-strings and served the pudding in silence.

When the dessert came the children were told they might have their nuts and wine in the summer-house, since the day was so mild; and they scampered out among the budding bushes of the garden like small animals getting from under a burning-glass.

Chapter VI.

THE MAGIC MUSIC.

The children were to pay an afternoon visit on the following day to Aunt Pullet at Garum Firs, where they would hear Uncle Pullet's musical-box.

Already, at twelve o'clock, Mrs. Tulliver had on her visiting costume. Maggie was frowning, and twisting her shoulders, that she might, if possible, shrink away from the prickliest of tuckers; while her mother was saying, "Don't, Maggie, my dear—don't look so ugly!" Tom's cheeks were looking very red against his best blue suit, in the pockets of which he had, to his great joy, stowed away all the contents of his everyday pockets.

As for Lucy, she was just as pretty and neat as she had been yesterday, and she looked with wondering pity at Maggie pouting and writhing under the tucker. While waiting for the time to set out, they were allowed to build card-houses, as a suitable amusement for boys and girls in their best clothes.

Tom could build splendid houses, but Maggie's would never bear the laying on of the roof. It was always so with the things that Maggie made, and Tom said that no girls could ever make anything.

But it happened that Lucy was very clever at building; she handled the cards so lightly, and moved so gently, that Tom admired her houses as well as his own—the more readily because she had asked him to teach her. Maggie, too, would have admired Lucy's houses if Tom had not laughed when her houses fell, and told her that she was "a stupid."

"Don't laugh at me, Tom!" she burst out angrily. "I'm not a stupid. I know a great many things you don't."

"Oh, I dare say, Miss Spitfire! I'd never be such a cross thing as you—making faces like that. Lucy doesn't do so. I like Lucy better than you. I wish Lucy was my sister."

"Then it's wicked and cruel of you to wish so," said Maggie, starting up from her place on the floor and upsetting Tom's wonderful pagoda. She really did not mean it, but appearances were against her, and Tom turned white with anger, but said nothing. He would have struck her, only he knew it was cowardly to strike a girl.

Maggie stood in dismay and terror while Tom got up from the floor and walked away. Lucy looked on mutely, like a kitten pausing from its lapping.

"O Tom," said Maggie at last, going half-way towards him, "I didn't mean to knock it down—indeed, indeed, I didn't."

Tom took no notice of her, but took, instead, two or three hard peas out of his pocket, and shot them with his thumbnail against the window, with the object of hitting a bluebottle which was sporting in the spring sunshine.

Thus the morning had been very sad to Maggie, and when at last they set out Tom's coldness to her all through their walk spoiled the fresh air and sunshine for her. He called Lucy to look at the half-built bird's nest without caring to show it to Maggie, and peeled a willow switch for Lucy and himself without offering one to Maggie. Lucy had said, "Maggie, shouldn't you like one?" but Tom was deaf.

Still, the sight of the peacock spreading his tail on the stackyard wall, just as they reached the aunt's house, was enough to turn the mind from sadness. And this was only the beginning of beautiful sights at Garum Firs.

All the farmyard life was wonderful there—bantams, speckled and top-knotted; Friesland hens, with their feathers all turned the wrong way; Guinea-fowls that flew and screamed, and dropped their pretty-spotted feathers; pouter pigeons, and a tame magpie; nay, a goat, and a wonderful dog, half mastiff, half bull-dog, as large as a lion!

Uncle Pullet had seen the party from the window, and made haste to unbar and unchain the front door. Aunt Pullet, too, appeared at the doorway, and as soon as her sister was within hearing said, "Stop the children, Bessy; don't let 'em come up the doorsteps. Sally's bringing the old mat and the duster to rub their shoes."

"You must come with me into the best room," she went on as soon as her guests had passed the portal.

"May the children come too, sister?" inquired Mrs. Tulliver, who saw that Maggie and Lucy were looking rather eager.

"Well," said Aunt Pullet, "it'll perhaps be safer for the girls to come; they'll be touching something if we leave 'em behind."

When they all came down again Uncle Pullet said that he reckoned the missis had been showing her bonnet—that was what had made them so long upstairs.

Meanwhile Tom had spent the time on the edge of the sofa directly opposite his Uncle Pullet, who looked at him with twinkling gray eyes and spoke to him as "young sir."

"Well, young sir, what do you learn at school?" was the usual question with Uncle Pullet; whereupon Tom always looked sheepish, rubbed his hand across his face, and answered, "I don't know."

The appearance of the little girls made Uncle Pullet think of some small sweetcakes, of which he kept a stock under lock and key for his own private eating on wet days; but the three children had no sooner got them between their fingers than Aunt Pullet desired them to abstain from eating till the tray and the plates came, since with those crisp cakes they would make the floor "all over" crumbs.

Lucy didn't mind that much, for the cake was so pretty she thought it was rather a pity to eat it; but Tom, watching his chance while the elders were talking, hastily stowed his own cake in his mouth at two bites. As for Maggie, she presently let fall her cake, and by an unlucky movement crushed it beneath her foot—a source of such disgrace to her that she began to despair of hearing the musical snuff-box to-day, till it occurred to her that Lucy was in high favour enough to venture on asking for a tune.

So she whispered to Lucy, and Lucy, who always did what she was asked to do, went up quietly to her uncle's knee, and, blushing all over her neck while she fingered her necklace, said, "Will you please play us a tune, uncle?" But Uncle Pullet never gave a too ready consent. "We'll see about it," was the answer he always gave, waiting till a suitable number of minutes had passed.

Perhaps the waiting increased Maggie's enjoyment when the tune began. For the first time she quite forgot that she had a load on her mind—that Tom was angry with her; and by the time "Hush, ye pretty warbling choir" had been played, her face wore that bright look of happiness, while she sat still with her hands clasped, which sometimes comforted her mother that Maggie could look pretty now and then, in spite of her brown skin. But when the magic music ceased, she jumped up, and running towards Tom, put her arm round his neck and said, "O Tom, isn't it pretty?"

Now Tom had his glass of cowslip wine in his hand, and Maggie jerked him so as to make him spill half of it. He would have been an extreme milksop if he had not said angrily, "Look there, now!"

"Why don't you sit still, Maggie?" her mother said peevishly.

"Little gells mustn't come to see me if they behave in that way," said Aunt Pullet.

"Why, you're too rough, little miss," said Uncle Pullet.

Poor Maggie sat down again, with the music all chased out of her soul.

Mrs. Tulliver wisely took an early opportunity of suggesting that, now they were rested after their walk, the children might go and play out of doors; and Aunt Pullet gave them leave, only telling them not to go off the paved walks in the garden, and if they wanted to see the poultry fed, to view them from a distance on the horse-block.

For a long time after the children had gone out the elders sat deep in talk about family matters, till at last Mrs. Pullet, observing that it was tea-time, turned to reach from a drawer a fine damask napkin, which she pinned before her in the fashion of an apron. Then the door was thrown open; but instead of the tea-tray, Sally brought in an object so startling that both Mrs. Pullet and Mrs. Tulliver gave a scream, causing Uncle Pullet to swallow a lozenge he was sucking—for the fifth time in his life, as he afterwards noted.

The startling object was no other than little Lucy, with one side of her person, from her small foot to her bonnet-crown, wet and discoloured with mud, holding out two tiny blackened hands, and making a very piteous face.

Chapter VII.

MAGGIE IS VERY NAUGHTY.

As soon as the children reached the open air Tom said, "Here, Lucy, you come along with me," and walked off to the place where the toads were, as if there were no Maggie in existence. Lucy was naturally pleased that Cousin Tom was so good to her, and it was very amusing to see him tickling a fat toad with a piece of string, when the toad was safe down the area, with an iron grating over him.

Still Lucy wished Maggie to enjoy the sight also, especially as she would doubtless find a name for the toad, and say what had been his past history; for Lucy loved Maggie's stories about the live things they came upon by accident—how Mrs. Earwig had a wash at home, and one of her children had fallen into the hot copper, for which reason she was running so fast to fetch the doctor. So now the desire to know the history of a very portly toad made her run back to Maggie and say, "Oh, there is such a big, funny toad, Maggie! Do come and see."

Maggie said nothing, but turned away from her with a deep frown. She was actually beginning to think that she should like to make Lucy cry, by slapping or pinching her, especially as it might vex Tom, whom it was of no use to slap, even if she dared, because he didn't mind it. And if Lucy hadn't been there, Maggie was sure he would have made friends with her sooner.

Tickling a fat toad is an amusement that does not last, and Tom by-and-by began to look round for some other mode of passing the time. But in so prim a garden, where they were not to go off the paved walks, there was not a great choice of sport.

"I say, Lucy," he began, nodding his head up and down, as he coiled up his string again, "what do you think I mean to do?"

"What, Tom?" said Lucy.

"I mean to go to the pond and look at the pike. You may go with me if you like."

"O Tom, dare you?" said Lucy. "Aunt said we mustn't go out of the garden."

"Oh, I shall go out at the other end of the garden," said Tom. "Nobody 'ull see us. Besides, I don't care if they do; I'll run off home."

"But I couldn't run," said Lucy.

"Oh, never mind; they won't be cross with you," said Tom. "You say I took you."

Tom walked along, and Lucy trotted by his side. Maggie saw them leaving the garden, and could not resist the impulse to follow. She kept a few yards behind them unseen by Tom, who was watching for the pike—a highly interesting monster; he was said to be so very old, so very large, and to have such a great appetite.

"Here, Lucy," he said in a loud whisper, "come here."

Lucy came carefully as she was bidden, and bent down to look at what seemed a golden arrow-head darting through the water. It was a water-snake, Tom told her; and Lucy at last could see the wave of its body, wondering very much that a snake could swim.

Maggie had drawn nearer and nearer; she must see it too, though it was bitter to her, like everything else, since Tom did not care about her seeing it. At last she was close by Lucy, and Tom turned round and said,—

"Now, get away, Maggie. There's no room for you on the grass here. Nobody asked you to come."

Then Maggie, with a fierce thrust of her small brown arm, pushed poor little pink-and-white Lucy into the cow-trodden mud.

Tom could not restrain himself, and gave Maggie two smart slaps on the arm as he ran to pick up Lucy, who lay crying helplessly. Maggie retreated to the roots of a tree a few yards off, and looked on. Why should she be sorry? Tom was very slow to forgive her, however sorry she might have been.

"I shall tell mother, you know, Miss Mag," said Tom, as soon as Lucy was up and ready to walk away. It was not Tom's practice to "tell," but here justice clearly demanded that Maggie should be visited with the utmost punishment.

"Sally," said Tom, when they reached the kitchen door—"Sally, tell mother it was Maggie pushed Lucy into the mud."

Sally, as we have seen, lost no time in presenting Lucy at the parlour door.

"Goodness gracious!" Aunt Pullet exclaimed, after giving a scream; "keep her at the door, Sally! Don't bring her off the oilcloth, whatever you do."

"Why, she's tumbled into some nasty mud," said Mrs. Tulliver, going up to Lucy.

"If you please, 'um, it was Miss Maggie as pushed her in," said Sally. "Master Tom's been and said so; and they must ha' been to the pond, for it's only there they could ha' got into such dirt."

"There it is, Bessy; it's what I've been telling you," said Mrs. Pullet. "It's your children; there's no knowing what they'll come to."

Mrs. Tulliver went out to speak to these naughty children, supposing them to be close at hand; but it was not until after some search that she found Tom leaning with rather a careless air against the white paling of the poultry-yard, and lowering his piece of string on the other side as a means of teasing the turkey-cock.

"Tom, you naughty boy, where's your sister?" said Mrs. Tulliver in a distressed voice.

"I don't know," said Tom.

"Why, where did you leave her?" said his mother, looking round.

"Sitting under the tree against the pond," said Tom.

"Then go and fetch her in this minute, you naughty boy. And how could you think o' going to the pond, and taking your sister where there was dirt? You know she'll do mischief, if there's mischief to be done."

The idea of Maggie sitting alone by the pond roused a fear in Mrs. Tulliver's mind, and she mounted the horse-block to satisfy herself by a sight of that fatal child, while Tom walked—not very quickly—on his way towards her.

"They're such children for the water, mine are," she said aloud, without reflecting that there was no one to hear her; "they'll be brought in dead and drownded some day. I wish that river was far enough."

But when she not only failed to see Maggie, but presently saw Tom returning from the pond alone, she hurried to meet him.

"Maggie's nowhere about the pond, mother," said Tom; "she's gone away."

Chapter VIII.

MAGGIE AND THE GIPSIES.

After Tom and Lucy had walked away, Maggie's quick mind formed a plan which was not so simple as that of going home. No; she would run away and go to the gipsies, and Tom should never see her any more. She had been often told she was like a gipsy, and "half wild;" so now she would go and live in a little brown tent on the common.

The gipsies, she considered, would gladly receive her, and pay her much respect on account of her superior knowledge. She had once mentioned her views on this point to Tom, and suggested that he should stain his face brown, and they should run away together; but Tom rejected the scheme with contempt, observing that gipsies were thieves, and hardly got anything to eat, and had nothing to drive but a donkey. To-day, however, Maggie thought her misery had reached a pitch at which gipsydom was her only refuge, and she rose from her seat on the roots of the tree with the sense that this was a great crisis in her life.

She would run straight away till she came to Dunlow Common, where there would certainly be gipsies; and cruel Tom, and the rest of her relations who found fault with her, should never see her any more. She thought of her father as she ran along, but made up her mind that she would secretly send him a letter by a small gipsy, who would run away without telling where she was, and just let him know that she was well and happy, and always loved him very much.

Maggie soon got out of breath with running, but by the time that Tom got to the pond again she was at the distance of three long fields, and was on the edge of the lane leading to the highroad.

She presently passed through the gate into the lane, and she was soon aware, not without trembling, that there were two men coming along the lane in front of her.

She had not thought of meeting strangers; and, to her surprise, while she was dreading their scolding as a runaway, one of the men stopped, and in a half-whining, half-coaxing tone asked her if she had a copper to give a poor fellow.

Maggie had a sixpence in her pocket—her Uncle Glegg's present—which she drew out and gave this "poor fellow" with a polite smile. "That's the only money I've got," she said. "Thank you, little miss," said the man in a less grateful tone than Maggie expected, and she even saw that he smiled and winked at his companion.

She now went on, and turning through the first gate that was not locked, crept along by the hedgerows. She was used to wandering about the fields by herself, and was less timid there than on the highroad. Sometimes she had to climb over high gates, but that was a small evil; she was getting out of reach very fast, and she should probably soon come within sight of Dunlow Common. She hoped so, for she was getting rather tired and hungry. It was still broad daylight, yet it seemed to her that she had been walking a very great distance indeed, and it was really surprising that the common did not come in sight.

At last, however, the green fields came to an end, and Maggie found herself looking through the bars of a gate into a lane with a wide margin of grass on each side of it. She crept through the bars of the gate and walked on with a new spirit, and at the next bend in the lane Maggie actually saw the little black tent with the blue smoke rising before it which was to be her refuge. She even saw a tall female figure by the column of smoke—doubtless the gipsy-mother, who provided the tea and other groceries; it was astonishing to herself that she did not feel more delighted. But it was startling to find the gipsies in a lane after all, and not on a common—indeed, it was rather disappointing; for a mysterious common, where there were sand-pits to hide in, and one was out of everybody's reach, had always made part of Maggie's picture of gipsy life.

She went on, however, and before long a tall figure, who proved to be a young woman with a baby on her arm, walked slowly to meet her. Maggie looked up in the new face and thought that her Aunt Pullet and the rest were right when they called her a gipsy; for this face, with the bright dark eyes and the long hair, was really something like what she used to see in her own glass before she cut her hair off.

"My little lady, where are you going to?" the gipsy said.

It was delightful, and just what Maggie expected—the gipsy saw at once that she was a little lady.

"Not any farther," said Maggie. "I'm come to stay with you, please."

"That's pritty; come, then. Why, what a nice little lady you are, to be sure!" said the gipsy, taking her by the hand. Maggie thought her very nice, but wished she had not been so dirty.

There was quite a group round the fire when they reached it. An old gipsy-woman was seated on the ground nursing her knees, and poking a skewer into the round kettle that sent forth an odorous steam; two small, shock-headed children were lying down resting on their elbows; and a donkey was bending his head over a tall girl, who, lying on her back, was scratching his nose and feeding him with a bite of excellent stolen hay.

The slanting sunlight fell kindly upon them, and the scene was really very pretty and comfortable, Maggie thought, only she hoped they would soon set out the tea-cups. It was a little confusing, though, that the young woman began to speak to the old one in a language which Maggie did not understand, while the tall girl who was feeding the donkey sat up and stared at her. At last the old woman said,—

"What, my pretty lady, are you come to stay with us? Sit ye down, and tell us where you come from."

"My pretty lady, are you come to stay with us?"

It was just like a story. Maggie liked to be called pretty lady and treated in this way. She sat down and said,—

"I'm come from home because I'm unhappy, and I mean to be a gipsy. I'll live with you, if you like, and I can teach you a great many things."

"Such a clever little lady," said the woman with the baby, sitting down by Maggie, and allowing baby to crawl; "and such a pritty bonnet and frock," she added, taking off Maggie's bonnet and looking at it while she spoke to the old woman in the unknown language. The tall girl snatched the bonnet and put it on her own head hind-foremost with a grin; but Maggie was determined not to show that she cared about her bonnet.

"I don't want to wear a bonnet," she said; "I'd rather wear a red handkerchief, like yours" (looking at her friend by her side). "My hair was quite long till yesterday, when I cut it off; but I dare say it will grow again very soon."

"Oh, what a nice little lady!—and rich, I'm sure," said the old woman. "Didn't you live in a beautiful house at home?"

"Yes, my home is pretty, and I'm very fond of the river, where we go fishing; but I'm often very unhappy. I should have liked to bring my books with me, but I came away in a hurry, you know. But I can tell you almost everything there is in my books, I've read them so many times, and that will amuse you. And I can tell you something about geography too—that's about the world we live in—very useful and interesting. Did you ever hear about Columbus?"

"Is that where you live, my little lady?" said the old woman at the mention of Columbus.

"Oh no!" said Maggie, with some pity. "Columbus was a very wonderful man, who found out half the world; and they put chains on him and treated him very badly, you know—but perhaps it's rather too long to tell before tea. I want my tea so."

"Why, she's hungry, poor little lady," said the younger woman. "Give her some o' the cold victual.—You've been walking a good way, I'll be bound, my dear. Where's your home?"

"It's Dorlcote Mill—a good way off," said Maggie. "My father is Mr. Tulliver; but we mustn't let him know where I am, else he'll fetch me home again. Where does the queen of the gipsies live?"

"What! do you want to go to her, my little lady?" said the younger woman.

"No," said Maggie; "I'm only thinking that if she isn't a very good queen you might be glad when she died, and you could choose another. If I was a queen, I'd be a very good queen, and kind to everybody."

"Here's a bit o' nice victual, then," said the old woman, handing to Maggie a lump of dry bread, which she had taken from a bag of scraps, and a piece of cold bacon.

"Thank you," said Maggie, looking at the food without taking it; "but will you give me some bread and butter and tea instead? I don't like bacon."

"We've got no tea nor butter," said the old woman with something like a scowl.

"Oh, a little bread and treacle would do," said Maggie.

"We han't got no treacle," said the old woman crossly.

Meanwhile the tall girl gave a shrill cry, and presently there came running up a rough urchin about the age of Tom. He stared at Maggie, and she felt very lonely, and was quite sure she should begin to cry before long. But the springing tears were checked when two rough men came up, while a black cur ran barking up to Maggie, and threw her into a tremor of fear.

Maggie felt that it was impossible she should ever be queen of these people.

"This nice little lady's come to live with us," said the young woman. "Aren't you glad?"

"Ay, very glad," said the younger man, who was soon examining Maggie's silver thimble and other small matters that had been taken from her pocket. He returned them all except the thimble to the younger woman, and she immediately restored them to Maggie's pocket, while the men seated themselves, and began to attack the contents of the kettle—a stew of meat and potatoes—which had been taken off the fire and turned out into a yellow platter.

Chapter IX.

THE GIPSY QUEEN ABDICATES.

Maggie began to think that Tom must be right about the gipsies: they must certainly be thieves, unless the man meant to return her thimble by-and-by. All thieves, except Robin Hood, were wicked people.

The women now saw she was frightened.

"We've got nothing nice for a lady to eat," said the old woman, in her coaxing tone. "And she's so hungry, sweet little lady!"

"Here, my dear, try if you can eat a bit o' this," said the younger woman, handing some of the stew on a brown dish with an iron spoon to Maggie, who dared not refuse it, though fear had chased away her appetite. If her father would but come by in the gig and take her up! Or even if Jack the Giantkiller, or Mr. Greatheart, or St. George who slew the dragon on the half-pennies, would happen to pass that way!

"What! you don't like the smell of it, my dear," said the young woman, observing that Maggie did not even take a spoonful of the stew. "Try a bit—come."

"No, thank you," said Maggie, trying to smile in a friendly way. "I haven't time, I think—it seems getting darker. I think I must go home now, and come again another day, and then I can bring you a basket with some jam-tarts and things."

Maggie rose from her seat, when the old gipsy-woman said, "Stop a bit, stop a bit, little lady; we'll take you home all safe when we've done supper. You shall ride home like a lady."

Maggie sat down again, with little faith in this promise, though she presently saw the tall girl putting a bridle on the donkey and throwing a couple of bags on his back.

"Now, then, little missis," said the younger man, rising and leading the donkey forward, "tell us where you live. What's the name o' the place?"

"Dorlcote Mill is my home," said Maggie eagerly. "My father is Mr. Tulliver; he lives there."

"What! a big mill a little way this side o' St. Ogg's?"

"Yes," said Maggie. "Is it far off? I think I should like to walk there, if you please."

"No, no, it'll be getting dark; we must make haste. And the donkey'll carry you as nice as can be—you'll see."

He lifted Maggie as he spoke, and set her on the donkey.

"Here's your pretty bonnet," said the younger woman, putting it on Maggie's head. "And you'll say we've been very good to you, won't you, and what a nice little lady we said you was?"

"Oh yes, thank you," said Maggie; "I'm very much obliged to you. But I wish you'd go with me too."

"Ah, you're fondest o' me, aren't you?" said the woman. "But I can't go; you'll go too fast for me."

It now appeared that the man also was to be seated on the donkey, holding Maggie before him, and no nightmare had ever seemed to her more horrible. When the woman had patted her on the back, and said "good-bye," the donkey, at a strong hint from the man's stick, set off at a rapid walk along the lane towards the point Maggie had come from an hour ago.

Maggie was completely terrified at this ride on a short-paced donkey, with a gipsy behind her, who considered that he was earning half a crown. Two low thatched cottages—the only houses they passed in this lane—seemed to add to the dreariness. They had no windows to speak of, and the doors were closed. It was probable that they were inhabited by witches, and it was a relief to find that the donkey did not stop there.

At last—oh, sight of joy!—this lane, the longest in the world, was coming to an end, and was opening on a broad highroad, where there was actually a coach passing! And there was a finger-post at the corner. She had surely seen that finger-post before—"To St. Ogg's, 2 miles."

The gipsy really meant to take her home, then. He was probably a good man after all, and might have been rather hurt at the thought that she didn't like coming with him alone. This idea became stronger as she felt more and more certain that she knew the road quite well, when, as they reached a cross-road, Maggie caught sight of some one coming on a horse which seemed familiar to her.

"Oh, stop, stop!" she cried out. "There's my father!—O father, father!"

The sudden joy was almost painful, and before her father reached her she was sobbing. Great was Mr. Tulliver's wonder, for he had been paying a visit to a married sister, and had not yet been home.

"Why, what's the meaning o' this?" he said, checking his horse, while Maggie slipped from the donkey and ran to her father's stirrup.

"The little miss lost herself, I reckon," said the gipsy. "She'd come to our tent at the far end o' Dunlow Lane, and I was bringing her where she said her home was. It's a good way to come arter being on the tramp all day."

"Oh yes, father, he's been very good to bring me home," said Maggie—"a very kind, good man!"

"Here, then, my man," said Mr. Tulliver, taking out five shillings. "It's the best day's work you ever did. I couldn't afford to lose the little wench. Here, lift her up before me."

"Why, Maggie, how's this, how's this?" he said, as they rode along, while she laid her head against her father and sobbed. "How came you to be rambling about and lose yourself?"

"O father," sobbed Maggie, "I ran away because I was so unhappy—Tom was so angry with me. I couldn't bear it."

"Pooh, pooh!" said Mr. Tulliver soothingly; "you mustn't think o' running away from father. What 'ud father do without his little wench?"

"Oh no, I never will again, father—never."

Mr. Tulliver spoke his mind very strongly when he reached home that evening, and Maggie never heard one reproach from her mother, or one taunt from Tom, about running away to be queen of the gipsies.

Chapter X.

TOM AT SCHOOL.

In due time Tom found himself at King's Lorton, under the care of the Rev. Walter Stelling, a big, broad-chested man, not yet thirty, with fair hair standing erect, large light-gray eyes, and a deep bass voice.

The schoolmaster had made up his mind to bring Tom on very quickly during the first half-year; but Tom did not greatly enjoy the process, though he made good progress in a very short time.

The boy was, however, very lonely, and longed for playfellows. In his secret heart he yearned to have Maggie with him; though, when he was at home, he always made it out to be a great favour on his part to let Maggie trot by his side on his pleasure excursions.

And before this dreary half-year was ended Maggie actually came. Mrs. Stelling had given a general invitation for the little girl to come and stay with her brother; so when Mr. Tulliver drove over to King's Lorton late in October, Maggie came too. It was Mr. Tulliver's first visit to see Tom, for the lad must learn, he had said, not to think too much about home.

"Well, my lad," the miller said to Tom, when Mr. Stelling had left the room, and Maggie had begun to kiss Tom freely, "you look rarely. School agrees with you."

Tom wished he had looked rather ill.

"I don't think I am well, father," said Tom; "I wish you'd ask Mr. Stelling not to let me do Euclid; it brings on the tooth-ache, I think."

"Euclid, my lad. Why, what's that?" said Mr. Tulliver.

"Oh, I don't know. It's definitions, and axioms, and triangles, and things. It's a book I've got to learn in; there's no sense in it."

"Go, go!" said Mr. Tulliver; "you mustn't say so. You must learn what your master tells you. He knows what it's right for you to learn."

"I'll help you now, Tom," said Maggie. "I'm come to stay ever so long, if Mrs. Stelling asks me. I've brought my box and my pinafores—haven't I, father?"

"You help me, you silly little thing!" said Tom. "I should like to see you doing one of my lessons! Why, I learn Latin too! Girls never learn such things; they're too silly."

"I know what Latin is very well," said Maggie confidently. "Latin's a language. There are Latin words in the dictionary. There's bonus, a gift."

"Now you're just wrong there, Miss Maggie!" said Tom. "You think you're very wise. But bonus means 'good,' as it happens—bonus, bona, bonum."

"Well, that's no reason why it shouldn't mean 'gift,'" said Maggie stoutly. "It may mean several things—almost every word does. There's 'lawn'—it means the grass-plot, as well as the stuff handkerchiefs are made of."

"Well done, little un," said Mr. Tulliver, laughing, while Tom felt rather disgusted.

Mrs. Stelling did not mention a longer time than a week for Maggie's stay, but Mr. Stelling said that she must stay a fortnight.

"Now, then, come with me into the study, Maggie," said Tom, as their father drove away. "What do you shake and toss your head now for, you silly? It makes you look as if you were crazy."

"Oh, I can't help it," said Maggie. "Don't tease me, Tom. Oh, what books!" she exclaimed, as she saw the bookcases in the study. "How I should like to have as many books as that!"

"Why, you couldn't read one of 'em," said Tom triumphantly. "They're all Latin."

"No, they aren't," said Maggie. "I can read the back of this—History of the Decline and Fall of the Roman Empire."

"Well, what does that mean? You don't know," said Tom, wagging his head.

"But I could soon find out," said Maggie.

"Why, how?"

"I should look inside, and see what it was about."

"You'd better not, Miss Maggie," said Tom, seeing her hand on the volume. "Mr. Stelling lets nobody touch his books without leave, and I shall catch it if you take it out."

"Oh, very well! Let me see all your books, then," said Maggie, turning to throw her arms round Tom's neck, and rub his cheek with her small round nose.

Tom, in the gladness of his heart at having dear old Maggie to dispute with and crow over again, seized her round the waist, and began to jump with her round the large library table. Away they jumped with more and more vigour, till at last, reaching Mr. Stelling's reading-stand, they sent it thundering down with its heavy books to the floor. Tom stood dizzy and aghast for a few minutes, dreading the appearance of Mr. or Mrs. Stelling.

"Oh, I say, Maggie," said Tom at last, lifting up the stand, "we must keep quiet here, you know. If we break anything, Mrs. Stelling'll make us cry peccavi."

"What's that?" said Maggie.

"Oh, it's the Latin for a good scolding," said Tom.

"Is she a cross woman?" said Maggie.

"I believe you!" said Tom, with a nod.

"I think all women are crosser than men," said Maggie. "Aunt Glegg's a great deal crosser than Uncle Glegg, and mother scolds me more than father does."

"Well, you'll be a woman some day," said Tom, "so you needn't talk."

"But I shall be a clever woman," said Maggie, with a toss.

"Oh, I dare say, and a nasty, conceited thing. Everybody'll hate you."

"But you oughtn't to hate me, Tom. It'll be very wicked of you, for I shall be your sister."

"Yes; but if you're a nasty, disagreeable thing, I shall hate you."

"Oh but, Tom, you won't! I shan't be disagreeable. I shall be very good to you, and I shall be good to everybody. You won't hate me really, will you, Tom?"

"Oh, bother, never mind! Come, it's time for me to learn my lessons. See here what I've got to do," Tom went on, drawing Maggie towards him, and showing her his theorem, while she pushed her hair behind her ears, and prepared herself to help him in Euclid.

"It's nonsense!" she said, after a few moments reading, "and very ugly stuff; nobody need want to make it out."

"Ah, there now, Miss Maggie!" said Tom, drawing the book away and wagging his head at her; "you see you're not so clever as you thought you were."

"Oh," said Maggie, pouting, "I dare say I could make it out if I'd learned what goes before, as you have."

"But that's what you just couldn't, Miss Wisdom," said Tom. "For it's all the harder when you know what goes before. But get along with you now; I must go on with this. Here's the Latin Grammar. See what you can make of that."

Maggie found the Latin Grammar quite soothing, for she delighted in new words, and quickly found that there was an English Key at the end, which would make her very wise about Latin at slight expense.

After a short period of silence Tom called out,—

"Now, then, Magsie, give us the Grammar!"

"O Tom, it's such a pretty book!" she said, as she jumped out of the large armchair to give it him. "I could learn Latin very soon. I don't think it's at all hard."

"Oh, I know what you've been doing," said Tom; "you've been reading the English at the end. Any donkey can do that. Here, come and hear if I can say this. Stand at that end of the table."

"Here, Magsie, come and hear if I can say this."

Maggie obeyed, and took the open book.

"Where do you begin, Tom?"

"Oh, I begin at 'Appellativa arborum,' because I say all over again what I've been learning this week."

Tom sailed along pretty well for three lines, and then he stuck fast.

"There, you needn't laugh at me, Tom, for you didn't remember it at all, you see."

"Phee-e-e-h! I told you girls couldn't learn Latin."

"Very well, then," said Maggie, pouting. "I can say it as well as you can. And you don't mind your stops. For you ought to stop twice as long at a semicolon as you do at a comma, and you make the longest stops where there ought to be no stops at all."

"Oh, well, don't chatter. Let me go on."

It was a very happy fortnight to Maggie, this visit to Tom. She was allowed to be in the study while he had his lessons, and in time got very deep into the examples in the Latin Grammar.

Mr. Stelling liked her prattle immensely, and they were on the best of terms. She told Tom she should like to go to school to Mr. Stelling, as he did, and learn just the same things. She knew she could do Euclid, for she had looked into it again, and she saw what ABC meant—they were the names of the lines.

"I'm sure you couldn't do it, now," said Tom, "and I'll just ask Mr. Stelling if you could."

"I don't mind," said she. "I'll ask him myself."

"Mr. Stelling," she said, that same evening when they were in the drawing-room, "couldn't I do Euclid, and all Tom's lessons, if you were to teach me instead of him?"

"No, you couldn't," said Tom indignantly. "Girls can't do Euclid—can they, sir?"

"They can pick up a little of everything, I dare say," said Mr. Stelling; "but they couldn't go far into anything. They're quick and shallow."

Tom, delighted with this, wagged his head at Maggie behind Mr. Stelling's chair. As for Maggie, she had hardly ever been so angry. She had been so proud to be called "quick" all her little life, and now it appeared that this quickness showed what a poor creature she was. It would have been better to be slow, like Tom.

"Ha, ha, Miss Maggie!" said Tom, when they were alone; "you see it's not such a fine thing to be quick. You'll never go far into anything, you know."

And Maggie had no spirit for a retort.

But when she was fetched away in the gig by Luke, and the study was once more quite lonely for Tom, he missed her grievously.

Still, the dreary half-year did come to an end at last. How glad Tom was to see the last yellow leaves fluttering before the cold wind! The dark afternoons, and the first December snow, seemed to him far livelier than the August sunshine; and that he might make himself the surer about the flight of the days that were carrying him homeward, he stuck twenty-one sticks deep in a corner of the garden, when he was three weeks from the holidays, and pulled one up every day with a great wrench, throwing it to a distance.

But it was worth buying, even at the heavy price of the Latin Grammar—the happiness of seeing the bright light in the parlour at home as the gig passed over the snow-covered bridge—the happiness of passing from the cold air to the warmth, and the kisses, and the smiles of home.

Chapter XI.

THE NEW SCHOOLFELLOW.

"Father," said Tom one evening near the end of the holidays, "Uncle Glegg says Lawyer Wakem is going to send his son to Mr. Stelling. You won't like me to go to school with Wakem's son, will you, father?"

"It's no matter for that, my boy," said Mr. Tulliver; "don't you learn anything bad of him, that's all. The lad's a poor deformed creatur. It's a sign Wakem thinks high o' Mr. Stelling, as he sends his son to him, and Wakem knows meal from bran, lawyer and rascal though he is."

It was a cold, wet January day on which Tom went back to school. If he had not carried in his pocket a parcel of sugar-candy, there would have been no ray of pleasure to enliven the gloom.

"Well, Tulliver, we're glad to see you again," said Mr. Stelling heartily, on his arrival. "Take off your wrappings and come into the study till dinner. You'll find a bright fire there, and a new companion."

Tom felt in an uncomfortable flutter as he took off his woollen comforter and other wrappings. He had seen Philip Wakem at St. Ogg's, but had always turned his eyes away from him as quickly as possible, for he knew that for several reasons his father hated the Wakem family with all his heart.

"Here is a new companion for you to shake hands with, Tulliver," said Mr. Stelling on entering the study—"Master Philip Wakem. You already know something of each other, I imagine, for you are neighbours at home."

Tom looked confused, while Philip rose and glanced at him timidly. Tom did not like to go up and put out his hand, and he was not prepared to say, "How do you do?" on so short a notice.

Mr. Stelling wisely turned away, and closed the door behind him. He knew that boys' shyness only wears off in the absence of their elders.

Philip was at once too proud and too timid to walk towards Tom. He thought, or rather felt, that Tom did not like to look at him. So they remained without shaking hands or even speaking, while Tom went to the fire and warmed himself, every now and then casting glances at Philip, who seemed to be drawing absently first one object and then another on a piece of paper he had before him. What was he drawing? wondered Tom, after a spell of silence. He was quite warm now, and wanted something new to be going forward. Suddenly he walked across the hearth, and looked over Philip's paper.

"Why, that's a donkey with panniers, and a spaniel, and partridges in the corn!" he exclaimed. "Oh, my buttons! I wish I could draw like that. I'm to learn drawing this half. I wonder if I shall learn to make dogs and donkeys!"

"Oh, you can do them without learning," said Philip; "I never learned drawing."

"Never learned?" said Tom, in amazement. "Why, when I make dogs and horses, and those things, the heads and the legs won't come right, though I can see how they ought to be very well. I can make houses, and all sorts of chimneys—chimneys going all down the wall, and windows in the roof, and all that. But I dare say I could do dogs and horses if I was to try more," he added.

"Oh yes," said Philip, "it's very easy. You've only to look well at things, and draw them over and over again. What you do wrong once, you can alter the next time."

"But haven't you been taught anything?" said Tom.

"Yes," said Philip, smiling; "I've been taught Latin, and Greek, and mathematics, and writing, and such things."

"Oh, but, I say, you don't like Latin, though, do you?" said Tom.

"Pretty well; I don't care much about it," said Philip. "But I've done with the grammar," he added. "I don't learn that any more."

"Then you won't have the same lessons as I shall?" said Tom, with a sense of disappointment.

"No; but I dare say I can help you. I shall be very glad to help you if I can."

Tom did not say "Thank you," for he was quite absorbed in the thought that Wakem's son did not seem so spiteful a fellow as might have been expected.

"I say," he said presently, "do you love your father?"

"Yes," said Philip, colouring deeply; "don't you love yours?"

"Oh yes; I only wanted to know," said Tom, rather ashamed of himself, now he saw Philip colouring and looking uncomfortable.

"Shall you learn drawing now?" he said, by way of changing the subject.

"No," said Philip. "My father wishes me to give all my time to other things now."

"What! Latin, and Euclid, and those things?" said Tom.

"Yes," said Philip, who had left off using his pencil, and was resting his head on one hand, while Tom was leaning forward on both elbows, and looking at the dog and the donkey.

"And you don't mind that?" said Tom, with strong curiosity.

"No; I like to know what everybody else knows. I can study what I like by-and-by."

"I can't think why anybody should learn Latin," said Tom. "It's no good."

"It's part of the education of a gentleman," said Philip. "All gentlemen learn the same things."

"What! do you think Sir John Crake, the master of the harriers, knows Latin?" said Tom.

"He learnt it when he was a boy, of course," said Philip. "But I dare say he's forgotten it."

"Oh, well, I can do that, then," said Tom readily.

"Oh, I don't mind Latin," said Philip, unable to choke a laugh; "I can remember things easily. And there are some lessons I'm very fond of. I'm very fond of Greek history, and everything about the Greeks. I should like to have been a Greek and fought the Persians, and then have come home and written tragedies, or else have been listened to by everybody for my wisdom, like Socrates, and have died a grand death."

"Why, were the Greeks great fighters?" said Tom, who saw a vista in this direction. "Is there anything like David, and Goliath, and Samson in the Greek history? Those are the only bits I like in the history of the Jews."

"Oh, there are very fine stories of that sort about the Greeks—about the heroes of early times who killed the wild beasts, as Samson did. And in the Odyssey (that's a beautiful poem) there's a more wonderful giant than Goliath—Polypheme, who had only one eye in the middle of his forehead; and Ulysses, a little fellow, but very wise and cunning, got a red-hot pine tree and stuck it into this one eye, and made him roar like a thousand bulls."

"Oh, what fun!" said Tom, jumping away from the table, and stamping first with one leg and then the other. "I say, can you tell me all about those stories? because I shan't learn Greek, you know. Shall I?" he added, pausing in his stamping with a sudden alarm, lest the contrary might be possible. "Does every gentleman learn Greek? Will Mr. Stelling make me begin with it, do you think?"

"No, I should think not—very likely not," said Philip. "But you may read those stories without knowing Greek. I've got them in English."

"Oh, but I don't like reading; I'd sooner have you tell them me—but only the fighting ones, you know. My sister Maggie is always wanting to tell me stories, but they're stupid things. Girls' stories always are. Can you tell a good many fighting stories?"

"Oh yes," said Philip—"lots of them, besides the Greek stories. I can tell you about Richard Coeur-de-Lion and Saladin, and about William Wallace, and Robert Bruce, and James Douglas. I know no end."

"You're older than I am, aren't you?" said Tom.

"Why, how old are you? I'm fifteen."

"I'm only going in fourteen," said Tom. "But I thrashed all the fellows at Jacobs'—that's where I was before I came here. And I beat 'em all at bandy and climbing. And I wish Mr. Stelling would let us go fishing. I could show you how to fish. You could fish, couldn't you? It's only standing, and sitting still, you know."

Philip winced under this allusion to his unfitness for active sports, and he answered almost crossly,—

"I can't bear fishing. I think people look like fools sitting watching a line hour after hour, or else throwing and throwing, and catching nothing."

"Ah, but you wouldn't say they looked like fools when they landed a big pike, I can tell you," said Tom. Wakem's son, it was plain, had his disagreeable points, and must be kept in due check.

Chapter XII.

THE DUKE OF WELLINGTON.

As time went on Philip and Tom found many common interests, and became, on the whole, good comrades; but they had occasional tiffs, as was to be expected, and at one time had a serious difference which promised to be final.

This occurred shortly before Maggie's second visit to Tom. She was going to a boarding school with Lucy, and wished to see Tom before setting out.

When Maggie came, she could not help looking with growing interest at the new schoolfellow, although he was the son of that wicked Lawyer Wakem who made her father so angry. She had arrived in the middle of school hours, and had sat by while Philip went through his lessons with Mr. Stelling.

Tom, some weeks before, had sent her word that Philip knew no end of stories—not stupid stories like hers; and she was convinced now that he must be very clever. She hoped he would think her rather clever too when she came to talk to him.

"I think Philip Wakem seems a nice boy, Tom," she said, when they went out of the study together into the garden. "He couldn't choose his father, you know; and I've read of very bad men who had good sons, as well as good parents who had bad children. And if Philip is good, I think we ought to be the more sorry for him because his father is not a good man. You like him, don't you?"

"Oh, he's a queer fellow," said Tom curtly, "and he's as sulky as can be with me, because I told him one day his father was a rogue. And I'd a right to tell him so, for it was true; and he began it, with calling me names. But you stop here by yourself a bit, Magsie, will you? I've got something I want to do upstairs."

"Can't I go too?" said Maggie, who, in this first day of meeting again, loved Tom's very shadow.

"No; it's something I'll tell you about by-and-by, not yet," said Tom, skipping away.

In the afternoon the boys were at their books in the study, preparing the morrow's lessons, that they might have a holiday in the evening in honour of Maggie's arrival. Tom was hanging over his Latin Grammar, and Philip, at the other end of the room, was busy with two volumes that excited Maggie's curiosity; he did not look at all as if he were learning a lesson. She sat on a low stool at nearly a right angle with the two boys, watching first one and then the other.

"I say, Magsie," said Tom at last, shutting his books, "I've done my lessons now. Come upstairs with me."

"What is it?" said Maggie, when they were outside the door. "It isn't a trick you're going to play me, now?"

"No, no, Maggie," said Tom, in his most coaxing tone; "it's something you'll like ever so."

He put his arm round her neck, and she put hers round his waist, and, twined together in this way, they went upstairs.

"I say, Magsie, you must not tell anybody, you know," said Tom, "else I shall get fifty lines."

"Is it alive?" said Maggie, thinking that Tom kept a ferret.

"Oh, I shan't tell you," said he. "Now you go into that corner and hide your face while I reach it out," he added, as he locked the bedroom door behind them. "I'll tell you when to turn round. You mustn't squeal out, you know."

"Oh, but if you frighten me, I shall," said Maggie, beginning to look rather serious.

"You won't be frightened, you silly thing," said Tom. "Go and hide your face, and mind you don't peep."

"Of course I shan't peep," said Maggie disdainfully; and she buried her face in the pillow like a person of strict honour.

But Tom looked round warily as he walked to the closet; then he stepped into the narrow space, and almost closed the door. Maggie kept her face buried until Tom called out, "Now, then, Magsie!"

Nothing but very careful study could have enabled Tom to present so striking a figure as he did to Maggie when she looked up. With some burnt cork he had made himself a pair of black eyebrows that met over his nose, and were matched by a blackness about the chin. He had wound a red handkerchief round his cloth cap to give it the air of a turban, and his red comforter across his breast as a scarf—an amount of red which, with the frown on his brow, and the firmness with which he grasped a real sword, as he held it with its point resting on the ground, made him look very fierce and bloodthirsty indeed.

Maggie looked bewildered for a moment, and Tom enjoyed that moment keenly; but in the next she laughed, clapped her hands together, and said, "O Tom, you've made yourself like Bluebeard at the show."

It was clear she had not been struck with the presence of the sword—it was not unsheathed. Her foolish mind required a more direct appeal to its sense of the terrible; and Tom prepared for his master-stroke. Frowning fiercely, he (carefully) drew the sword—a real one—from its sheath and pointed it at Maggie.

"O Tom, please don't," cried Maggie, in a tone of dread, shrinking away from him into the opposite corner; "I shall scream—I'm sure I shall! Oh, don't! I wish I'd never come upstairs!"

"O Tom, please don't,", cried Maggie.

The corners of Tom's mouth showed an inclination to a smile that was immediately checked. Slowly he let down the scabbard on the floor lest it should make too much noise, and then said sternly,—

"I'm the Duke of Wellington! March!" stamping forward with the right leg a little bent, and the sword still pointed towards Maggie, who, trembling, and with tear-filled eyes, got upon the bed, as the only means of widening the space between them.

Tom, happy in this spectator, even though it was only Maggie, proceeded to such an exhibition of the cut and thrust as would be expected of the Duke of Wellington.

"Tom, I will not bear it—I will scream," said Maggie, at the first movement of the sword. "You'll hurt yourself; you'll cut your head off!"

"One—two," said Tom firmly, though at "two" his wrist trembled a little. "Three" came more slowly, and with it the sword swung downwards, and Maggie gave a loud shriek. The sword had fallen with its edge on Tom's foot, and in a moment after he had fallen too.

Maggie leaped from the bed, still shrieking, and soon there was a rush of footsteps towards the room. Mr. Stelling, from his upstairs study, was the first to enter. He found both the children on the floor. Tom had fainted, and Maggie was shaking him by the collar of his jacket, screaming, with wild eyes.

She thought he was dead, poor child! And yet she shook him, as if that would bring him back to life. In another minute she was sobbing with joy because Tom had opened his eyes. She couldn't sorrow yet that he had hurt his foot; it seemed as if all happiness lay in his being alive.

In a very short time the wounded hero was put to bed, and a surgeon was fetched, who dressed the wound with a serious face which greatly impressed every one.

Chapter XIII.

PHILIP AND MAGGIE.

Poor Tom bore his severe pain like a hero, but there was a terrible dread weighing on his mind—so terrible that he dared not ask the question which might bring the fatal "yes"—he dared not ask the surgeon or Mr. Stelling, "Shall I be lame, sir?"

It had not occurred to either of these gentlemen to set the lad's mind at rest with hopeful words. But Philip watched the surgeon out of the house, and waylaid Mr. Stelling to ask the very question that Tom had not dared to ask for himself.

"I beg your pardon, sir, but does Mr. Askern say Tulliver will be lame?"

"Oh no, oh no," said Mr. Stelling; "only for a little while."

"Did he tell Tulliver so, sir, do you think?"

"No; nothing was said to him on the subject."

"Then I may go and tell him, sir?"

"Yes, to be sure. Now you mention it, I dare say he may be troubling about that. Go to his bedroom, but be very quiet."

It had been Philip's first thought when he heard of the accident, "Will Tulliver be lame? It will be very hard for him if he is." And Tom's offences against himself were all washed out by that pity.

"Mr. Askern says you'll soon be all right again, Tulliver; did you know?" he said, rather timidly, as he stepped gently up to Tom's bed. "I've just been to ask Mr. Stelling, and he says you'll walk as well as ever again, by-and-by."

Tom looked up with that stopping of the breath which comes with a sudden joy; then he gave a long sigh, and turned his blue-gray eyes straight on Philip's face, as he had not done for a fortnight or more. As for Maggie, the bare idea of Tom's being always lame overcame her, and she clung to him and cried afresh.

"Don't be a little silly, Magsie," said Tom tenderly, feeling very brave now. "I shall soon get well."

"Good-bye, Tulliver," said Philip, putting out his small, delicate hand, which Tom clasped with his strong fingers.

"I say," said Tom, "ask Mr. Stelling to let you come and sit with me sometimes, till I get up again, Wakem, and tell me about Robert Bruce, you know."

After that Philip spent all his time out of lesson hours with Tom and Maggie. Tom liked to hear fighting stories as much as ever; but he said he was sure that those great fighters, who did so many wonderful things and came off unhurt, wore excellent armour from head to foot, which made fighting easy work.

One day, soon after Philip had been to visit Tom, he and Maggie were in the study alone together while Tom's foot was being dressed. Philip was at his books, and Maggie went and leaned on the table near him to see what he was doing; for they were quite old friends now, and perfectly at home with each other.

"What are you reading about in Greek?" she said. "It's poetry; I can see that, because the lines are so short."

"It's about the lame man I was telling you of yesterday," he answered, resting his head on his hand, and looking at her as if he were not at all sorry to stop. Maggie continued to lean forward, resting on her arms, while her dark eyes got more and more fixed and vacant, as if she had quite forgotten Philip and his book.

"Maggie," said Philip, after a minute or two, still leaning on his elbow and looking at her, "if you had had a brother like me, do you think you should have loved him as well as Tom?"

Maggie started a little and said, "What?" Philip repeated his question.

"Oh yes—better," she answered immediately. "No, not better, because I don't think I could love you better than Tom; but I should be so sorry—so sorry for you."

Philip coloured. Maggie, young as she was, felt her mistake. Hitherto she had behaved as if she were quite unconscious of Philip's deformity.

"But you are so very clever, Philip, and you can play and sing," she added quickly. "I wish you were my brother. I'm very fond of you. And you would stay at home with me when Tom went out, and you would teach me everything, wouldn't you—Greek, and everything?"

"But you'll go away soon, and go to school, Maggie," said Philip, "and then you'll forget all about me, and not care for me any more. And then I shall see you when you're grown up, and you'll hardly take any notice of me."

"Oh no, I shan't forget you, I'm sure," said Maggie, shaking her head very seriously. "I never forget anything, and I think about everybody when I'm away from them. I think about poor Yap. He's got a lump in his throat, and Luke says he'll die. Only don't you tell Tom, because it will vex him so. You never saw Yap. He's a queer little dog; nobody cares about him but Tom and me."

"Do you care as much about me as you do about Yap, Maggie?" said Philip, smiling rather sadly.

"Oh yes, I should think so," said Maggie, laughing.

"I'm very fond of you, Maggie; I shall never forget you," said Philip. "And when I'm very unhappy, I shall always think of you, and wish I had a sister with dark eyes, just like yours."

"Why do you like my eyes?" said Maggie, well pleased. She had never heard of any one but her father speak of her eyes as if they had merit.

"I don't know," said Philip. "They're not like any other eyes. They seem trying to speak—trying to speak kindly. I don't like other people to look at me much, but I like you to look at me, Maggie."

"Why, I think you're fonder of me than Tom is," said Maggie. Then, wondering how she could convince Philip that she could like him just as well, although he was crooked, she said,—

"Should you like me to kiss you, as I do Tom? I will, if you like."

"Yes, very much. Nobody kisses me."

Maggie put her arm round his neck and kissed him.

"There now," she said; "I shall always remember you, and kiss you when I see you again, if it's ever so long. But I'll go now, because I think Mr. Askern's done with Tom's foot."

When their father came the second time, Maggie said to him, "O father, Philip Wakem is so very good to Tom; he is such a clever boy, and I do love him.—And you love him too, Tom, don't you? Say you love him," she added entreatingly.

Tom coloured a little as he looked at his father, and said, "I shan't be friends with him when I leave school, father. But we've made it up now, since my foot has been bad; and he's taught me to play at draughts, and I can beat him."

"Well, well," said Mr. Tulliver, "if he's good to you, try and make him amends and be good to him. He's a poor crooked creatur, and takes after his dead mother. But don't you be getting too thick with him; he's got his father's blood in him too."

By the time Tom had reached his last quarter at King's Lorton the years had made striking changes in him. He was a tall youth now, and wore his tail-coat and his stand-up collars. Maggie, too, was tall now, with braided and coiled hair. She was almost as tall as Tom, though she was only thirteen; and she really looked older than he did.

At last the day came when Tom was to say good-bye to his tutor, and Maggie came over to King's Lorton to fetch him home. Mr. Stelling put his hand on Tom's shoulder, and said, "God bless you, my boy; let me know how you get on." Then he pressed Maggie's hand; but there were no audible good-byes. Tom had so often thought how joyful he should be the day he left school "for good." And now that the great event had come, his school years seemed like a holiday that had come to an end.

PRINTED IN GREAT BRITAIN

UNIFORM WITH THIS VOLUME.

GRIMM'S FAIRY TALES.

Contains ten Fairy Tales, with six Coloured and numerous other Illustrations.

THE WATER-BABIES.

By CHARLES KINGSLEY. Four exquisite Coloured Pictures and many Pen-and-ink Illustrations.

ALICE IN WONDERLAND.

By LEWIS CARROLL. Eight Coloured Plates by Harry Rountree. The prettiest cheap edition of this delightful Children's Classic in existence.

THE KING OF THE GOLDEN RIVER, and Other Stories.

By JOHN RUSKIN and Others. Eight Coloured Plates by John Hassall.

UNCLE REMUS.

By JOEL CHANDLER HARRIS. Brer Rabbit has become a household word, and every child should know his adventures. Eight Coloured Plates.

KNIGHTS OF THE GRAIL.

The Legend of Lohengrin and the Story of Galahad. Eight Coloured Plates.

JOHN DIETRICH.

Eight stories from "The Fairy Book" by Mrs. Craik. Eight Coloured Plates.

AESOP'S FABLES.

MOTHER GOOSE.

LIFE AND ADVENTURES OF BARON MUNCHAUSEN.

THE LINDEN LEAF.

The Story of Siegfried from the Nibelungen Lied. Eight Coloured Plates.

STORIES FROM TENNYSON.

COX'S GREEK STORIES.

Selections from "Tales of the Gods and Heroes." Eight Coloured Plates.

STORIES FROM SPENSER.

GULLIVER IN LILLIPUT.

ROBINSON CRUSOE. (Abridged.)

The famous story simply told in outline, but without loss of interest, for children not yet able to read and understand the complete work of Defoe.

THE UGLY DUCKLING.

A especially prepared edition of an evergreen nursery classic.

STORIES FROM THE ARABIAN NIGHTS.

THE ADVENTURES OF ULYSSES.

Simply told for children.

THE SIX GIFTS.

Stories retold for children from the "Earthly Paradise" of William Morris.

JOHN HALIFAX'S BOYHOOD.

An adaptation and abridgment of the famous novel.

STORIES FROM "HIAWATHA."

The story of Longfellow's fine Indian Poem.

SIR THOMAS THUMB; or, The Wonderful Adventures of a Fairy Knight.

Eight Coloured Plates by Granville Fell

DON QUIXOTE

Told for children.

CHILDREN OF THE OLD TESTAMENT.

CHILDREN OF THE NEW TESTAMENT.

Six Coloured Plates in each.

All these books are of high literary merit
and of unusual artistic charm.

OF ALL BOOKSELLERS.

THOMAS NELSON AND SONS, LTD.,
LONDON, EDINBURGH, AND NEW YORK.

*** END OF THE PROJECT GUTENBERG EBOOK TOM AND MAGGIE TULLIVER ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- Cover art

- Tom came running to prevent Maggie from snatching her line away.

- TOM AND MAGGIE TULLIVER

- TOLD FROM GEORGE ELIOT'S "THE MILL ON THE FLOSS"

- THOMAS NELSON AND SONS, LTD. LONDON, EDINBURGH, AND NEW YORK 1909

- CONTENTS.

- LIST OF ILLUSTRATIONS.

- TOM CAME RUNNING TO PREVENT MAGGIE FROM SNATCHING HER LINE AWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frontispiece "MY PRETTY LADY, ARE YOU COME TO STAY WITH US?" "HERE, MAGGIE, COME AND HEAR IF I CAN SAY THIS" "O TOM, PLEASE DON'T," CRIED MAGGIE

- MAGGIE AND TOM TULLIVER.

- Chapter I. TOM MUST GO TO SCHOOL.

- Chapter II. THE CHOICE OF A SCHOOL.

- Chapter III. TOM COMES HOME.

- Chapter IV. ALL ABOUT A JAM PUFF.

- Chapter V. THE FAMILY PARTY.

- Chapter VI. THE MAGIC MUSIC.

- Chapter VII. MAGGIE IS VERY NAUGHTY.

- Chapter VIII. MAGGIE AND THE GIPSIES.

- "My pretty lady, are you come to stay with us?"

- Chapter IX. THE GIPSY QUEEN ABDICATES.

- Chapter X. TOM AT SCHOOL.

- "Here, Magsie, come and hear if I can say this."

- Chapter XI. THE NEW SCHOOLFELLOW.

- Chapter XII. THE DUKE OF WELLINGTON.

- "O Tom, please don't,", cried Maggie.

- Chapter XIII. PHILIP AND MAGGIE.

- UNIFORM WITH THIS VOLUME.

- GRIMM'S FAIRY TALES.

- THE WATER-BABIES.

- ALICE IN WONDERLAND.

- THE KING OF THE GOLDEN RIVER, and Other Stories.

- UNCLE REMUS.

- KNIGHTS OF THE GRAIL.

- JOHN DIETRICH.

- AESOP'S FABLES.

- MOTHER GOOSE.

- LIFE AND ADVENTURES OF BARON MUNCHAUSEN.

- THE LINDEN LEAF.

- STORIES FROM TENNYSON.

- COX'S GREEK STORIES.

- STORIES FROM SPENSER.

- GULLIVER IN LILLIPUT.

- ROBINSON CRUSOE. (Abridged.)

- THE UGLY DUCKLING.

- STORIES FROM THE ARABIAN NIGHTS.

- THE ADVENTURES OF ULYSSES.

- THE SIX GIFTS.

- JOHN HALIFAX'S BOYHOOD.

- STORIES FROM "HIAWATHA."

- SIR THOMAS THUMB; or, The Wonderful Adventures of a Fairy Knight.

- DON QUIXOTE

- CHILDREN OF THE OLD TESTAMENT.

- CHILDREN OF THE NEW TESTAMENT.

- THE FULL PROJECT GUTENBERG™ LICENSE