The Project Gutenberg eBook of The Lord of Misrule, and Other Poems

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Title: The Lord of Misrule, and Other Poems

Author: Alfred Noyes

Illustrator: Spencer Baird Nichols

Release date: December 16, 2009 [eBook #30687]

Language: English

Other information and formats: www.gutenberg.org/ebooks/30687

Credits: E-text prepared by Marius Masi, Juliet Sutherland, and the Project Gutenberg Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK THE LORD OF MISRULE, AND OTHER POEMS ***

E-text prepared by Marius Masi, Juliet Sutherland,

and the Project Gutenberg Online Distributed Proofreading Team

(http://www.pgdp.net)

THE LORD OF MISRULE

AND OTHER POEMS

BY THE SAME AUTHOR

DRAKE: AN ENGLISH EPIC

THE ENCHANTED ISLAND AND OTHER POEMS

SHERWOOD

TALES OF THE MERMAID TAVERN

THE WINE-PRESS

COLLECTED POEMS. 2 VOLS.

A BELGIAN CHRISTMAS EVE (RADA)

Come up, come in with streamers!

Come in with boughs of May!

Page 1.

THE LORD OF

MISRULE

AND OTHER POEMS

BY

ALFRED NOYES

WITH FRONTISPIECE IN COLOURS BY

SPENCER BAIRD NICHOLS

NEW YORK

FREDERICK A. STOKES COMPANY

PUBLISHERS

Copyright, 1915, by

FREDERICK A. STOKES COMPANY

All rights reserved, including that of translation

into foreign languages

CONTENTS

PAGE

THE LORD OF MISRULE

1

THE REPEAL

7

THE SEARCH-LIGHTS

9

FORWARD

11

A SPELL

13

CRIMSON SAILS

18

BLIND MOONE OF LONDON

22

OLD GREY SQUIRREL

28

THE GREAT NORTH ROAD

31

THE RIVER OF STARS

34

A KNIGHT OF OLD JAPAN

43

BEYOND DEATH

44

THE STRANGE GUEST

46

GHOSTS

49

THE DAY OF REMEMBRANCE

51

ON THE EMBANKMENT

53

THE IRON CROWN

58

THE OLD DEBATE

59

A SONG OF HOPE

60

THE HEDGE-ROSE OPENS

62

THE MAY-TREE

63

OLD LETTERS

64

LAMPS

66

AT EDEN GATES

68

THE PSYCHE OF OUR DAY

70

PARACLETE

73

AFTER RAIN

75

THE DEATH OF A GREAT MAN

76

THE ROMAN WAY

78

THE INNER PASSION

80

A COUNTRY LANE IN HEAVEN

82

TO THE DESTROYERS

84

THE TRUMPET-CALL

85

THE HEART OF CANADA

89

THE RETURN OF THE HOME-BORN

91

A SALUTE FROM THE FLEET

93

IN MEMORY OF A BRITISH AVIATOR

103

THE WAGGON

105

THE SACRED OAK

107

THE WORLD’S WEDDING

120

IN MEMORIAM: SAMUEL COLERIDGE-TAYLOR

123

INSCRIPTION

126

VALUES

127

THE HEROIC DEAD

128

THE CRY IN THE NIGHT

130

ASTRID

133

THE INIMITABLE LOVERS

136

THE CRAGS

143

THE GHOST OF SHAKESPEARE, 1914

147

THE WHITE CLIFFS

152

ON THE SOUTH COAST

154

OLDER THAN THE HILLS

156

THE TORCH

158

THE OUTLAW

161

THE YOUNG FRIAR

163

A FOREST SONG

167

THE TRUMPET OF THE LAW

169

THRICE-ARMED

180

THE SONG-TREE

182

THE LORD OF MISRULE

“On May days the wild heads of the parish would choose a Lord of Misrule, whom they would follow even into the church, though the minister were at prayer or preaching, dancing and swinging their may-boughs about like devils incarnate.”—Old Puritan Writer.

A LL on a fresh May morning, I took my love to church,

To see if Parson Primrose were safely on his perch.

He scarce had got to Thirdly, or squire begun to snore,

When, like a sun-lit sea-wave,

A green and crimson sea-wave,

A frolic of madcap May-folk came whooping through the door:—

Come up, come in with streamers!

Come in, with boughs of may!

Come up and thump the sexton,

And carry the clerk away.

Now skip like rams, ye mountains,

Ye little hills, like sheep!

Come up and wake the people

That parson puts to sleep.

They tickled their nut-brown tabors. Their garlands flew in showers,

And lasses and lads came after them, with feet like dancing flowers.

Their queen had torn her green gown, and bared a shoulder as white,

O, white as the may that crowned her,

While all the minstrels round her

Tilted back their crimson hats and sang for sheer delight:

Come up, come in with streamers!

Come in, with boughs of may!

Now by the gold upon your toe

You walked the primrose way.

Come up, with white and crimson!

O, shake your bells and sing;

Let the porch bend, the pillars bow,

Before our Lord, the Spring!

The dusty velvet hassocks were dabbled with fragrant dew.

The font grew white with hawthorn. It frothed in every pew.

Three petals clung to the sexton’s beard as he mopped and mowed at the clerk,

And “Take that sexton away,” they cried;

“Did Nebuchadnezzar eat may?” they cried.

“Nay, that was a prize from Betty,” they cried, “for kissing her in the dark.”

Come up, come in with streamers!

Come in, with boughs of may!

Who knows but old Methuselah

May hobble the green-wood way?

If Betty could kiss the sexton,

If Kitty could kiss the clerk,

Who knows how Parson Primrose

Might blossom in the dark?

The congregation spluttered. The squire grew purple and all,

And every little chorister bestrode his carven stall.

The parson flapped like a magpie, but none could hear his prayers;

For Tom Fool flourished his tabor,

Flourished his nut-brown tabor,

Bashed the head of the sexton, and stormed the pulpit stairs.

High in the old oak pulpit

This Lord of all misrule—

I think it was Will Summers

That once was Shakespeare’s fool—

Held up his hand for silence,

And all the church grew still:

“And are you snoring yet,” he said,

“Or have you slept your fill?

“Your God still walks in Eden, between the ancient trees,

Where Youth and Love go wading through pools of primroses.

And this is the sign we bring you, before the darkness fall,

That Spring is risen, is risen again,

That Life is risen, is risen again,

That Love is risen, is risen again, and Love is Lord of all.

“At Paske began our morrice

And, ere Pentecost, our May;

Because, albeit your words be true,

You know not what you say.

You chatter in church like jackdaws,

Words that would wake the dead,

Were there one breath of life in you,

One drop of blood,” he said.

“He died and He went down to hell! You know not what you mean.

Our rafters were of green fir. Also our beds were green.

But out of the mouth of a fool, a fool, before the darkness fall,

We tell you He is risen again,

The Lord of Life is risen again,

The boughs put forth their tender buds, and Love is Lord of all!”

He bowed his head. He stood so still,

They bowed their heads as well.

And softly from the organ-loft

The song began to swell.

Come up with blood-red streamers,

The reeds began the strain.

The vox humana pealed on high,

The Spring is risen again!

The vox angelica replied—The shadows flee away!

Our house-beams were of cedar. Come in, with boughs of may!

The diapason deepened it—Before the darkness fall,

We tell you He is risen again!

Our God hath burst His prison again!

Christ is risen, is risen again; and Love is Lord of all.

THE REPEAL

I DREAMED the Eternal had repealed

His cosmic code of law last night.

Our prayers had made the Unchanging yield.

Caprice was king from depth to height.

On Beachy Head a shouting throng

Had fired a beacon to proclaim

Their licence. With unmeasured song

They proved it, dancing in the flame.

They quarrelled. One desired the sun,

And one desired the stars to shine.

They closed and wrestled and burned as one,

And the white chalk grew red as wine.

The furnace licked and purred and rolled,

A laughing child held up its hands

Like dreadful torches, dropping gold;

For pain was dead at their commands.

Painless and wild as clouds they burned,

Till the restricted Rose of Day

With all its glorious laws returned,

And the wind blew their ashes away.

THE SEARCH-LIGHTS

“Political morality differs from individual morality because there is no power above the state.”

SHADOW by shadow, stripped for fight,

The lean black cruisers search the sea.

Night-long their level shafts of light

Revolve, and find no enemy.

Only they know each leaping wave

May hide the lightning, and their grave.

And in the land they guard so well

Is there no silent watch to keep?

An age is dying, and the bell

Rings midnight on a vaster deep.

But over all its waves, once more,

The search-lights move, from shore to shore.

And captains that we thought were dead,

And dreamers that we thought were dumb,

And voices that we thought were fled,

Arise, and call us, and we come;

And “search in thine own soul,” they cry;

“For there, too, lurks thine enemy.”

Search for the foe in thine own soul,

The sloth, the intellectual pride;

The trivial jest that veils the goal

For which our fathers lived and died;

The lawless dreams, the cynic Art,

That rend thy nobler self apart.

Not far, not far into the night,

These level swords of light can pierce;

Yet for her faith does England fight,

Her faith in this our universe;

Believing Truth and Justice draw

From founts of everlasting law;

Therefore a Power above the State,

The unconquerable Power returns.

The fire, the fire that made her great

Once more upon her altar burns.

Once more, redeemed and healed and whole,

She moves to the Eternal Goal.

FORWARD

A THOUSAND creeds and battle-cries,

A thousand warring social schemes,

A thousand new moralities,

And twenty thousand thousand dreams!

Each on his own anarchic way,

From the old order breaking free,—

Our ruined world desires, you say,

Licence, once more, not Liberty.

But ah, beneath the struggling foam,

When storm and change are on the deep,

How quietly the tides come home,

And how the depths of sea-shine sleep;

And we who march towards a goal,

Destroying only to fulfil

The law, the law of that great soul

Which moves beneath your alien will;

We, that like foemen meet the past

Because we bring the future, know

We only fight to achieve at last

A great re-union with our foe;

Re-union in the truths that stand

When all our wars are rolled away;

Re-union of the heart and hand

And of the prayers wherewith we pray;

Re-union in the common needs,

The common strivings of mankind;

Re-union of our warring creeds

In the one God that dwells behind.

Then—in that day—we shall not meet

Wrong with new wrong, but right with right;

Our faith shall make your faith complete

When our battalions re-unite.

Forward!—what use in idle words?—

Forward, O warriors of the soul!

There will be breaking up of swords

When that new morning makes us whole.

A SPELL

(An Excellent Way to get a Fairy)

GATHER, first, in your left hand

(This must be at fall of day)

Forty grains of wild sea-sand

Where you think a mermaid lay.

I have heard that it is best

If you gather it, warm and sweet,

Out of the dint of her left breast

Where you see her heart has beat.

Out of the dint in that sweet sand

Gather forty grains, I say;

Yet—if it fail you—understand,

There remains a better way.

Out of this you melt your glass

While the veils of night are drawn,

Whispering, till the shadows pass,

“Nixie—pixie—leprechaun!”

Then you blow your magic vial,

Shape it like a crescent moon,

Set it up and make your trial,

Singing, “Elaby, ah, come soon!”

Round the cloudy crescent go,

On the hill-top, in the dawn,

Singing softly, on tip-toe,

“Elaby Gathon! Elaby Gathon!

Nixie—pixie—leprechaun!”

Bring the blood of a white hen

Slaughtered at the break of day,

While the cock, in the fairy glen,

Thrusts his gold neck every way,

Over the brambles, peering, calling,

Under the ferns, with a sudden fear,

Far and wide—as the dews are falling—

Clamouring, calling, everywhere.

Round the crimson vial go,

On the hill-top, in the dawn,

Singing softly, on tip-toe,

“Nixie—pixie—leprechaun!”

If this fail, at break of day,

I can show you a better way.

Bring the buds of the hazel-copse,

Where two lovers kissed at noon;

Bring the crushed red wild-thyme tops

Where they murmured under the moon.

Bring the four-leaved clover also,

One of the white, and one of the red,

Bring the flakes of the may that fall so

Lightly over their bridal bed.

Drop them into the vial—so—

On the hill-top, in the dawn,

Singing softly, on tip-toe,

“Nixie—pixie—leprechaun!”

And, if once will not suffice,

Do it thrice!

If this fail, at break of day,

There remains a better way.

Bring an old and crippled child

—Ah, tread softly, on tip-toe!—

Tattered, tearless, wonder-wild,

From that under-world below,

Bring a wizened child of seven

Reeking from the City slime,

Out of hell into your heaven,

Set her knee-deep in the thyme.

Feed her—clothe her—even so!

Set her on a fairy-throne.

When her eyes begin to glow

Leave her for an hour—alone.

You shall need no spells or charms,

On that hill-top, in that dawn.

When she lifts her wasted arms,

You shall see a veil withdrawn.

There shall be no veil between them,

Though her head be old and wise!

You shall know that she has seen them

By the glory in her eyes.

Round her irons on that hill

Earth has tossed a fairy fire:

Watch, and listen, and be still,

Lest you baulk your own desire.

When she sees four azure wings

Light upon her claw-like hand;

When she lifts her head and sings,

You shall hear and understand:

You shall hear a bugle calling

Wildly over the dew-dashed down;

And a sound as of the falling

Ramparts of a conquered town.

You shall hear a sound like thunder;

And a veil shall be withdrawn,

When her eyes grow wide with wonder

On that hill-top, in that dawn.

CRIMSON SAILS

WHEN Salomon sailed from Ophir ...

The clouds of Sussex thyme

That crown the cliffs in mid-July

Were all we needed—you and I—

But Salomon sailed from Ophir,

And broken bits of rhyme

Blew to us on the white chalk coast

From O, what elfin clime?

A peacock butterfly flaunted

Its four great crimson wings,

As over the edge of the chalk it flew

Black as a ship on the Channel blue ...

When Salomon sailed from Ophir,—

He brought, as the high sun brings,

Honey and spice to the Queen of the South,

Sussex or Saba, a song for her mouth,

Sweet as the dawn-wind over the downs

And the tall white cliffs that the wild thyme crowns

A song that the whole sky sings:—

When Salomon sailed from Ophir,

With Olliphants and gold,

The kings went up, the kings went down,

Trying to match King Salomon’s crown,

But Salomon sacked the sunset,

Wherever his black ships rolled.

He rolled it up like a crimson cloth,

And crammed it into his hold.

Chorus: Salomon sacked the sunset!

Salomon sacked the sunset!

He rolled it up like a crimson cloth,

And crammed it into his hold.

His masts were Lebanon cedars,

His sheets were singing blue,

But that was never the reason why

He stuffed his hold with the sunset sky!

The kings could cut their cedars,

And sail from Ophir, too;

But Salomon packed his heart with dreams

And all the dreams were true.

Chorus: The kings could cut their cedars,

Cut their Lebanon cedars;

But Salomon packed his heart with dreams,

And all the dreams were true.

When Salomon sailed from Ophir,

He sailed not as a king.

The kings—they weltered to and fro,

Tossed wherever the winds could blow;

But Salomon’s tawny seamen

Could lift their heads and sing,

Till all their crowded clouds of sail

Grew sweeter than the Spring.

Chorus: Their singing sheets grew sweeter,

Their crowded clouds grew sweeter,

For Salomon’s tawny seamen, sirs,

Could lift their heads and sing:

When Salomon sailed from Ophir

With crimson sails so tall,

The kings went up, the kings went down,

Trying to match King Salomon’s crown;

But Salomon brought the sunset

To hang on his Temple wall;

He rolled it up like a crimson cloth,

So his was better than all.

Chorus: Salomon gat the sunset,

Salomon gat the sunset;

He carried it like a crimson cloth

To hang on his Temple wall.

BLIND MOONE OF LONDON

BLIND Moone of London

He fiddled up and down,

Thrice for an angel,

And twice for a crown.

He fiddled at the Green Man,

He fiddled at the Rose;

And where they have buried him

Not a soul knows.

All his tunes are dead and gone, dead as yesterday.

And his lanthorn flits no more

Round the Devil Tavern door,

Waiting till the gallants come, singing from the play;

Waiting in the wet and cold!

All his Whitsun tales are told.

He is dead and gone, sirs, very far away.

He would not give a silver groat

For good or evil weather.

He carried in his white cap

A long red feather.

He wore a long coat

Of the Reading-tawny kind,

And darned white hosen

With a blue patch behind.

So—one night—he shuffled past, in his buckled shoon.

We shall never see his face,

Twisted to that queer grimace,

Waiting in the wind and rain, till we called his tune;

Very whimsical and white,

Waiting on a blue Twelfth Night!

He is grown too proud at last—old blind Moone.

Yet, when May was at the door,

And Moone was wont to sing,

Many a maid and bachelor

Whirled into the ring:

Standing on a tilted wain

He played so sweet and loud

The Mayor forgot his golden chain

And jigged it with the crowd.

Old blind Moone, his fiddle scattered flowers along the street;

Into the dust of Brookfield Fair

Carried a shining primrose air,

Crooning like a poor mad maid, O, very low and sweet,

Drew us close, and held us bound,

Then—to the tune of Pedlar’s Pound,

Caught us up, and whirled us round, a thousand frolic feet.

Master Shakespeare was his host.

The tribe of Benjamin

Used to call him Merlin’s Ghost

At the Mermaid Inn.

He was only a crowder,

Fiddling at the door.

Death has made him prouder.

We shall not see him more.

Only—if you listen, please—through the master’s themes,

You shall hear a wizard strain,

Blind and bright as wind and rain

Shaken out of willow-trees, and shot with elfin gleams.

How should I your true love know?

Scraps and snatches—even so!

That is old blind Moone again, fiddling in your dreams.

Once, when Will had called for sack

And bidden him up and play,

Old blind Moone, he turned his back,

Growled, and walked away,

Sailed into a thunder-cloud,

Snapped his fiddle-string,

And hobbled from The Mermaid

Sulky as a king.

Only from the darkness now, steals the strain we knew:

No one even knows his grave!

Only here and there a stave,

Out of all his hedge-row flock, be-drips the may with dew.

And I know not what wild bird

Carried us his parting word:—

Master Shakespeare needn’t take the crowder’s fiddle, too.

Will has wealth and wealth to spare.

Give him back his own.

At his head a grass-green turf,

At his heels a stone.

See his little lanthorn-spark.

Hear his ghostly tune,

Glimmering past you, in the dark,

Old blind Moone!

All the little crazy brooks, where love and sorrow run

Crowned with sedge and singing wild,

Like a sky-lark—or a child!—

Old blind Moone, he knew their springs, and played ’em every one;

Stood there, in the darkness, blind,

And sang them into Shakespeare’s mind....

Old blind Moone of London, O now his songs are done,

The light upon his lost white face, they say it was the sun!

The light upon his poor old face, they say it was the sun!

OLD GREY SQUIRREL

A GREAT while ago, there was a school-boy.

He lived in a cottage by the sea.

And the very first thing he could remember

Was the rigging of the schooners by the quay.

He could watch them, when he woke, from his window,

With the tall cranes hoisting out the freight.

And he used to think of shipping as a sea-cook,

And sailing to the Golden Gate.

For he used to buy the yellow penny dreadfuls,

And read them where he fished for conger eels,

And listened to the lapping of the water,

The green and oily water round the keels.

There were trawlers with their shark-mouthed flat-fish,

And red nets hanging out to dry,

And the skate the skipper kept because he liked ’em,

And landsmen never knew the fish to fry.

There were brigantines with timber out of Norroway,

Oozing with the syrups of the pine.

There were rusty dusty schooners out of Sunderland,

And ships of the Blue Cross line.

And to tumble down a hatch into the cabin

Was better than the best of broken rules;

For the smell of ’em was like a Christmas dinner,

And the feel of ’em was like a box of tools.

And, before he went to sleep in the evening,

The very last thing that he could see

Was the sailor-men a-dancing in the moonlight

By the capstan that stood upon the quay.

He is perched upon a high stool in London.

The Golden Gate is very far away.

They caught him, and they caged him, like a squirrel.

He is totting up accounts, and going grey.

He will never, never, never sail to ’Frisco.

But the very last thing that he will see

Will be sailor-men a-dancing in the sunrise

By the capstan that stands upon the quay....

To the tune of an old concertina,

By the capstan that stands upon the quay.

THE GREAT NORTH ROAD

JUST as the moon was rising, I met a ghostly pedlar

Singing for company beneath his ghostly load,—

Once, there were velvet lads with vizards on their faces,

Riding up to rob me on the great North Road.

Now, my pack is heavy, and my pocket full of guineas

Chimes like a wedding-peal, but little I enjoy

Roads that never echo to the chirrup of their canter,—

The gay Golden Farmer and the Hereford Boy.

Rogues were they all, but their raid was from Elf-land!

Shod with elfin silver were the steeds they bestrode.

Merlin buckled on the spurs that wheeled thro’ the wet fern

Bright as Jack-o’-Lanthorns off the great North Road.

Tales were told in country inns when Turpin rode to Rippleside!

Puck tuned the fiddle-strings, and country maids grew coy,

Tavern doors grew magical when Colonel Jack might tap at them,

The gay Golden Farmer and the Hereford Boy.

What are you seeking then? I asked this honest pedlar.

—O, Mulled Sack or Natty Hawes might ease me of my load!—

Where are they flown then?—Flown where I follow;

They are all gone for ever up the great North Road.

Rogues were they all; but the white dust assoils ’em!

Paradise without a spice of deviltry would cloy.

Heavy is my pack till I meet with Jerry Abershaw,

The gay Golden Farmer and the Hereford Boy.

THE RIVER OF STARS

(A tale of Niagara)

THE lights of a hundred cities are fed by its midnight power.

Their wheels are moved by its thunder. But they, too, have their hour.

The tale of the Indian lovers, a cry from the years that are flown,

While the river of stars is rolling,

Rolling away to the darkness,

Abides with the power in the midnight, where love may find its own.

She watched from the Huron tents, till the first star shook in the air.

The sweet pine scented her fawn-skins, and breathed from her braided hair.

Her crown was of milk-white blood-root, because of the tryst she would keep,

Beyond the river of beauty

That drifted away in the darkness

Drawing the sunset thro’ lilies, with eyes like stars, to the deep.

He watched, like a tall young wood-god, from the red pine that she named;

But not for the peril behind him, where the eyes of the Mohawks flamed.

Eagle-plumed he stood. But his heart was hunting afar,

Where the river of longing whispered ...

And one swift shaft from the darkness

Felled him, her name in his death-cry, his eyes on the sunset star.

.......

She stole from the river and listened. The moon on her wet skin shone.

As a silver birch in a pine-wood, her beauty flashed and was gone.

There was no wave in the forest. The dark arms closed her round.

But the river of life went flowing,

Flowing away to the darkness,

For her breast grew red with his heart’s blood, in a night where the stars are drowned.

Teach me, O my lover, as you taught me of love in a day,

Teach me of death, and for ever, and set my feet on the way,

To the land of the happy shadows, the land where you are flown.

—And the river of death went weeping,

Weeping away to the darkness.—

Is the hunting good, my lover, so good that you hunt alone?

She rose to her feet like a shadow. She sent a cry thro’ the night,

Sa-sa-kuon, the death-whoop, that tells of triumph in fight.

It broke from the bell of her mouth like the cry of a wounded bird,

But the river of agony swelled it

And swept it along to the darkness,

And the Mohawks, couched in the darkness, leapt to their feet as they heard.

Close as the ring of the clouds that menace the moon with death,

At once they circled her round. Her bright breast panted for breath.

With only her own wild glory keeping the wolves at bay,

While the river of parting whispered,

Whispered away to the darkness,

She looked in their eyes for a moment, and strove for a word to say.

Teach me, O my lover!—She set her foot on the dead.

She laughed on the painted faces with their rings of yellow and red,—

I thank you, wolves of the Mohawk, for a woman’s hands might fail.—

—And the river of vengeance chuckled,

Chuckled away to the darkness,—

But ye have killed where I hunted. I have come to the end of my trail.

I thank you, braves of the Mohawk, who laid this thief at my feet.

He tore my heart out living, and tossed it his dogs to eat.

Ye have taught him of death in a moment, as he taught me of love in a day.

—And the river of passion deepened,

Deepened and rushed to the darkness.—

And yet may a woman requite you, and set your feet on the way.

For the woman that spits in my face, and the shaven heads that gibe,

This night shall a woman show you the tents of the Huron tribe.

They are lodged in a deep valley. With all things good it abounds.

Where the red-eyed, green-mooned river

Glides like a snake to the darkness,

I will show you a valley, Mohawks, like the Happy Hunting Grounds.

Follow! They chuckled, and followed like wolves to the glittering stream.

Shadows obeying a shadow, they launched their canoes in a dream.

Alone, in the first, with the blood on her breast, and her milk-white crown,

She stood. She smiled at them, Follow,

Then urged her canoe to the darkness,

And, silently flashing their paddles, the Mohawks followed her down.

.......

And now—-as they slid thro’ the pine-woods with their peaks of midnight blue,

She heard, in the broadening distance, the deep sound that she knew,

A mutter of steady thunder that grew as they glanced along;

But ever she glanced before them

And glanced away to the darkness,

And or ever they heard it rightly, she raised her voice in a song:—

The wind from the Isles of the Blesséd, it blows across the foam.

It sings in the flowing maples of the land that was my home.

Where the moose is a morning’s hunt, and the buffalo feeds from the hand.—

And the river of mockery broadened,

Broadened and rolled to the darkness—

And the green maize lifts its feathers, and laughs the snow from the land.

The river broadened and quickened. There was nought but river and sky.

The shores were lost in the darkness. She laughed and lifted a cry:

Follow me! Sa-sa-kuon! Swifter and swifter they swirled—

And the flood of their doom went flying,

Flying away to the darkness,

Follow me, follow me, Mohawks, ye are shooting the edge of the world.

They struggled like snakes to return. Like straws they were whirled on her track.

For the whole flood swooped to that edge where the unplumbed night dropt black,

The whole flood dropt to a thunder in an unplumbed hell beneath,

And over the gulf of the thunder

A mountain of spray from the darkness

Rose and stood in the heavens, like a shrouded image of death.

She rushed like a star before them. The moon on her glorying shone.

Teach me, O my lover,—her cry flashed out and was gone.

A moment they battled behind her. They lashed with their paddles and lunged;

Then the Mohawks, turning their faces

Like a blood-stained cloud to the darkness,

Over the edge of Niagara swept together and plunged.

And the lights of a hundred cities are fed by the ancient power;

But a cry returns with the midnight; for they, too, have their hour.

Teach me, O my lover, as you taught me of love in a day,

—While the river of stars is rolling,

Rolling away to the darkness,—

Teach me of death, and for ever, and set my feet on the way!

A KNIGHT OF OLD JAPAN

MAKE me a stave of song, the Master said,

On yonder cherry-bough, whose white and red

Hangs in the sunset over those green seas.

The young knight looked upon his untried blade,

Then shrugged his wings of gold and blue brocade:

How should a warrior play with thoughts like these?

Fresh from the battle, in that self-same hour,

A mail-clad warrior watched each delicate flower

Close in that cloud of beauty against the West.

Drinking the last deep light, he watched it long.

He raised his face as if to pray. The strong,

The Master whispered, are the tenderest.

BEYOND DEATH

I

IN lonely bays

Where Love runs wild,

All among the flowering grasses,

Where light, light, light, as a sea-bird’s wing

The chuckle of the child-god passes,

O, to awake, to shake away the night

And find you dreaming there,

On the other side of death, with the sea-wind blowing round you,

And the scent of the thyme in your hair.

II

Tho’ beauty perish,

Perish like a flower,

And song be an idle breath,

Tho’ heaven be a dream, and youth for but an hour,

And life much less than death,

And the Maker less than that He made,

And hope less than despair,

If Death have shores where Love runs wild

I think you might be there.

III

Re-born, re-born

From the splendid sea,

There should you awake and sing,

With every supple sweet from the head to the feet

Modelled like a wood-dove’s wing,—

O, to awake, to shake away the night,

And find you happy there,

On the other side of death, with the sea-wind blowing round you,

And the scent of the thyme in your hair.

THE STRANGE GUEST

YOU cannot leave a new house

With any open door,

But a strange guest will enter it

And never leave it more.

Build it on a waste land,

Dreary as a sin.

Leave her but a broken gate,

And Beauty will come in.

Build it all of scarlet brick.

Work your wicked will.

Dump it on an ash-heap

Then—O then, be still.

Sit and watch your new house.

Leave an open door.

A strange guest will enter it

And never leave it more.

She will make your raw wood

Mellower than gold.

She will take your new lamps

And sell them for old.

She will crumble all your pride,

Break your folly down.

Much that you rejected

She will bless and crown.

She will rust your naked roof,

Split your pavement through,

Dip her brush in sun and moon

And colour it anew.

Leave her but a window

Wide to wind and rain,

You shall find her footsteps

When you come again.

Though she keep you waiting

Many months or years,

She shall stain and make it

Beautiful with tears.

She shall hurt and heal it,

Soften it and save,

Blessing it, until it stand

Stronger than the grave.

You cannot leave a new house

With any open door,

But a strange guest will enter it

And never leave it more.

GHOSTS

O TO creep in by candle-light,

When all the world is fast asleep,

Out of the cold winds, out of the night,

Where the nettles wave and the rains weep!

O, to creep in, lifting the latch

So quietly that no soul could hear,

And, at those embers in the gloom,

Quietly light one careful match—

You should not hear it, have no fear—

And light the candle and look round

The old familiar room;

To see the old books upon the wall

And lovingly take one down again,

And hear—O, strange to those that lay

So patiently underground—

The ticking of the clock, the sound

Of clicking embers ...

watch the play

Of shadows ...

till the implacable call

Of morning turn our faces grey;

And, or ever we go, we lift and kiss

Some idle thing that your hands may touch,

Some paper or book that your hands let fall,

And we never—when living—had cared so much

As to glance upon twice ...

But now, O bliss

To kiss and to cherish it, moaning our pain,

Ere we creep to the silence again.

THE DAY OF REMEMBRANCE

DAZZLE of the sea, azure of the sky, glitter of the dew on the grass,

Pass to Oblivion

In the darkness

With all that ever is or ever was.

Yet, O flocks of cloud with your violet shadows,

O white may crowding o’er the lane,

The Shepherd that drives you

To the darkness

Shall lead you thro’ the crimson dawn again.

Bear your load of beauty to the sunset, and the golden gates of death.

The Eternal shall remember

In the darkness

And recall you at a word, at a breath.

Even as the mind of a man may remember his lost and linkless hours,

This world that is scattered

To the darkness

Dismembered and dis-petalled, clouds and flowers,

Cities, suns, and systems, as He said of old, they sleep! Not a bird, not a leaf shall pass by,

But on the day of remembrance

In the darkness,

In a moment, in the twinkling of an eye,

They shall flash to their places in the music of the whole, even as our fathers said!

For a Power shall remember

In the darkness,

And the universal sea give up her dead.

ON THE EMBANKMENT

WITHIN, it was colour and laughter, warmth and wine.

Without, it was darkness, hunger and bitter cold,

Where those white globes on the wet Embankment shine,

Greasing the Thames with gold.

And was it a bundle of fog in the dark drew nigh?

A bundle of rags and bones it crept to the light,—

A monstrous thing that coughed as it shuffled by,

A shape of the shapeless night,

Spawned as brown things that mimic their mothering earth,

Green creeping things that the grass lifts to the sun,

Out of its wrongs the City had brought to the birth

The shape of those wrongs, in one.

A woman, a woman whose lips had once been kissed,

(It was Christmas Eve, and the bells began their chime!)

She sank to a seat like a coughing bundle of mist

Exhaled from the river-slime.

Bells for the birth of Christ! She heard, and she thought—

Vacantly—of her man, that was long since dead,

The smell of the Christmas food, and the drink they had bought

Together, the year they were wed.

She thought of their one-room home, and the night-long sigh

Recalled, as he slept, of his breath in her loosened hair.

He slept. She opened her haggard eyes with a cry.

But only the night was there.

Nay, out of the formless night, at her furtive glance,

Crouched at the end of her cold wet bench, there grew

A bundle of fog, a bundle of rags that, perchance,

Once was a woman, too.

A huddled shape, a fungus of foul grey mist

Spawned of the river, in peace and much good-will,

And even the woman whose lips had once been kissed

Wondered, it crouched so still.

No breath, no shadow of breath in the lamp-light smoked,

It crouched so still—that bunch at the bench’s end.

She stretched her neck like a crow, then leaned and croaked,

“A Merry Christmas, friend!”

She rose, and peered, peered at its vacant eyes.

Touched its cold claws. Its arms of knotted bone

Were wands of ice; like iron rods the thighs;

The left breast—like a stone.

Far, far along the rows of warmth and light

The Christmas waits, with cornet and bassoon,

Carolled “While shepherds watched their flocks by night.”

The bells pealed to the moon.

A bundle of rags and bones, a bundle of mist,

And never a hell or heaven to hear or see,

The woman, the woman whose lips had once been kissed,

Knelt down feverishly.

She plucked the shawl out of that frozen clutch.

The dead are dead. Why should the living freeze?

She touched the cold flesh that she feared to touch

Kneeling upon her knees.

Her palsied hands unlaced the shoes—good shoes!—

She tore them quick from the crooked yellow feet.

If Death be generous, why should Life refuse

To take, and pawn, and eat?

A heavy step drew nearer thro’ the mist.

She bundled them into the shawl. Her eyes were bright.

The woman, the woman whose lips had once been kissed,

Slunk, chuckling, thro’ the night.

THE IRON CROWN

NOT memory of a vanished bliss,

But suddenly to know,

I had forgotten! This, O this

With iron crowned my woe:

To know that on some midnight sea

Whence none could lift the pall

A drowning hand was waved to me,

Then—swept beyond recall.

THE OLD DEBATE

HIS angels fell, and myriads grope

In doubt, for this dark cause alone,—

That God hath given them room for hope,

And made their struggling wills their own.

In the same breath, they plead for chains

And freedom; pray for ordered spheres,

Then murmur that the sun retains

Its course, unchecked by smiles or tears.

“The Omnipotent would grant us this,

Or else He is not good,” they say;

But O, the Power withholds their bliss

Till they agree what prayer to pray.

A SONG OF HOPE

NOT in those eyes, too kind for truth,

Which dare not note how beauties wane;

Nor in that crueller joy of youth

Which turns from sorrow with disdain;

No—no—not there,

Abides the hope that answers our despair.

Lie where they hid thy dead away.

Knock on that unrelenting door;

Then break, O desolate heart, and say

Farewell, farewell, for evermore ...

There, only there,

Abides the hope that conquers all despair.

The silence that refused to bless

Till grief had turned the heart to stone ...

What soul compact of nothingness

Could hear so fierce a trumpet blown?

Then hear, O hear,

The dreadful hope that equals all despair.

There, till the deep atoning Might

Shall answer all that each can pray,

The very boundlessness of night

Proclaims—and waits—an equal day.

There, only there,

—But O, sing low, sweet strings, lest hope take wing!—

Abides the hope that answers all despair.

THE HEDGE-ROSE OPENS

HOW passionately it opens after rain,

And O, how like a prayer

To those great shining skies! Do they disdain

A bride so small and fair?

See the imploring petals, how they part

And utterly lay bare

The perishing treasures of that piteous heart

In wild surrender there.

What? Would’st thou, too, drink up the Eternal bliss,

Ecstatically dare,

O, little bride of God, to invoke His kiss?—

But O, how like a prayer!

THE MAY-TREE

THE May-tree on the hill

Stands in the night

So fragrant and so still,

So dusky white.

That, stealing from the wood

In that sweet air,

You’d think Diana stood

Before you there.

If it be so, her bloom

Trembles with bliss.

She waits across the gloom

Her shepherd’s kiss.

Touch her. A bird will start

From those pure snows,—

The dark and fluttering heart

Endymion knows.

OLD LETTERS

READ them? Strangle that sick cry?

Christ God, no!

Shut the box. Lock the lid.

You’ll be safer—so.

Could you read one crookéd word

Scrawled so long ago,

Love would rise before your face

And blind you, like a blow.

Close it! Quickly! For I caught,

In a childish hand,

Something that she never thought

I should understand.

So I crouch. And shall our God

Prove Him baser yet,

He who filled her eyes with light

Quite renounce His debt,

Give her worlds to love, and then—

Ere the sun be set,

Strike her down and coffin all?

Christ, shall He forget?

Close it! Quickly! For I caught,

In a childish hand,

Something that she never thought

I should understand.

LAMPS

IMMENSE and silent night,

Over the lonely downs I go;

And the deep gloom is pricked with points of light

Above me and below.

I cannot break the bars

Of Time and Fate; and if I scan the sky,

There comes to me, questioning those cold stars,

No signal, no reply.

Yet are they less than these—

These village-lights, which I do scan

Below me, or far out on darkling seas

Those messages from man?

Round me the darkness rolls.

Out of the depth, each lance of light

Shoots from lost lanthorns, thrills from living souls,

And shall I doubt the height?

No signal? No reply?

As through the deepening night I roam,

Hope opens all her casements in the sky

And lights the lamps of home.

AT EDEN GATES

TO Eden Garden—so the sign-post said;

I could not see the road;

But, where the Sussex clover blossomed red

Its runaway blisses flowed.

I traced them back for many a night and day,

—The way she, too, had gone!—

Till lo, the terrible Angel in the way

Inexorably shone.

Up to the Gates, a fearless fool I came;

Between the lily and rose

Fluttering these evil rags of sordid shame,

A thing to scare the crows.

“And hath the Master given thee, then, no word?”

The scornful Angel smiled:

Only two souls may pass my Flaming Sword,—

The Lover and the Child.

I raised my head,—“Now let all hell make mirth,

Where Love went, I go, too!”

His eyes met mine. The sword sank to the earth,

And let her lover through.

THE PSYCHE OF OUR DAY

AS constant lovers may rejoice

With seas between, with worlds between,

Because a fragrance and a voice

Are round them everywhere:

So let me travel to the grave,

Believing still—for I have seen—

That Love’s triumphant banners wave

Beyond my own despair.

I have no trust in my own worth;

Yet have I faith, O love, for you,

That every beauty in bloom or leaf,

That even age and wrong

May touch, may hurt you, on this earth,

But only, only as kisses do;

Or as the fretted string of grief

Completes the bliss of song;

That you shall see, on any grave

The snow fall, like that unseen hand

Which O, so often, pressed your hair

To cherish and console:

That seas may roar and winds rave

But you shall feel and understand

What vast caresses everywhere

Convey you to the goal.

So was it always in the years

When Love began, when Love began

With eyes that were not touched of tears

And lips that still could sing—

And all around us, in the may,

The child-god with his laughter ran,

And every bloom, on every spray,

Betrayed his fluttering wing.

So hold it, keep it, count it, sweet,

Until the end, until the end.

It is not cruelty, but bliss

That pains and is so fond:

Crush life like thyme beneath your feet,

And O, my love, when that strange friend,

The Shadow of Wings, which men call Death

Shall close your eyes, with that last kiss,

Ask not His name. A rosier breath

Shall waken you—beyond.

PARACLETE

TONGUE hath not told it,

Heart hath not known;

Yet shall the bough swing

When it hath flown.

Dreams have denied it,

Fools forsworn:

Yet it hath comforted

Each man born.

Once and again it is

Blown to me,

Sweet from the wild thyme,

Salt from the sea;

Blown thro’ the ferns

Faint from the sky;

Shadowed in water,

Yet clear as a cry.

Light on a face,

Or touch of a hand,

Making my still heart

Understand.

Earth hath not seen it.

Nor heaven above,

Yet shall the wild bough

Bend with the Dove.

Yea, tho’ the bloom fall

Under Thy feet,

Veni, Creator,

Paraclete!

AFTER RAIN

LISTEN! On sweetening air

The blackbird growing bold

Flings out, where green boughs glisten,

Three splashes of wild gold.

Daughter of April, hear;

And hear, O barefoot boy!

That carol of wild sweet water

Has washed the world with joy.

Glisten, O fragrant earth

Assoiled by heaven anew,

And O, ye lovers, listen,

With eyes that glisten, too.

THE DEATH OF A GREAT MAN

NO—not that he is dead. The pang’s not there,

Nor in the City’s many-coloured bloom

Of swift black-lettered posters, which the throng

Passes with bovine stare,

To say He is dead and Is it going to rain?

Or hum stray snatches of a rag-time song.

Nor is it in that falsest shibboleth

(Which orators toss to the dumb scorn of death)

That all the world stands weeping at his tomb.

London is dining, dancing, through it all.

And, in the unchecked smiles along the street

Where men, that slightly knew him, lightly meet,

With all the old indifferent grimaces,

There is no jot of grief, no tittle of pain.

No. No. For nearer things do most tears fall.

Grief is for near and little things. But pride,

O, pride was to be found by two or three,

And glory in his great battling memory,

Prouder and purer than the loud world knows,

In one more dreadful sign, the day he died—

The dreadful light upon a thousand faces,

The peace upon the faces of his foes.

THE ROMAN WAY

HE that has loyally served the State

Whereof he found himself a part,

Or spent his life-blood to create

A kingdom’s treasure in his art;

Who sees the enemies of his land

Applauded, by her sects and schools;

And the high thought they scarce had scanned

Derided and befogged by fools;

—Better to know it soon than late!—

Struggling, he wins a meed of praise;

Achieving, he is dogged by hate

And furtive malice all his days.

O, Emperor of the Stoic clan,

Enfold him, then, with nobler pride.

Teach him that nought can hurt a man

Who will not turn or stoop to chide.

Can falsehood kindle or bedim

One bay-leaf in his quiet crown?

Ten thousand Lies may pluck at him,

But only Truth can tear him down.

Why should he heed the thing they say?

They never asked if it were true.

Why brush one scribbler’s tale away

For others to invent a new?

No, let him search his heart, secure

—If Truth be there—from tongue or pen;

And teach us, Emperor, to endure,

To think like Romans and like men.

THE INNER PASSION

THERE is a Master in my heart

To whom, though oft against my will,

I bring the songs I sing apart

And strive to think that they fulfil

His silent law, within my heart.

But He is blind to my desires,

And deaf to all that I would plead:

He tests my truth at purer fires

And shames my purple with His need.

He claims my deeds, not my desires.

And often when my comrades praise,

I sadden, for He turns from me!

But, sometimes, when they blame, I raise

Mine eyes to His, and in them see

A tenderness too deep for praise.

He is not to be bought with gold,

Or lured by thornless crowns of fame;

But when some rebel thought hath sold

Him to dishonour and to shame,

And my heart’s Pilate cries, “Behold,”

“Behold the Man,” I know Him then;

And all those wild thronged clamours die

In my heart’s judgment hall again,

Or if it ring with “Crucify!”

Some few are faithful even then.

Some few sad thoughts,—one bears His cross;

To that dark Calvary of my pride;

One stands far off and mourns His loss,

And one poor thief on either side

Hangs on his own unworthy cross.

And one—O, truth in ancient guise!—

Rails, and one bids him cease alway,

And the God turns His hungering eyes

On that poor thought with, “Thou, this day,

Shalt sing, shalt sing, in Paradise.”

A COUNTRY LANE IN HEAVEN

THE exceeding weight of glory bowed

My head, in that pure clime:

I found a road that ran through cloud

Along the coasts of Time....

Out of that mist of years there came

A cross-barred gate of wood.

I clutched, I kissed the unheavenly frame

So hard, it trickled blood.

My head upon the iron lay.

I slobbered blood and foam.

Yea, like a dog, I knew the way,

A hundred yards from home.

Iron and blood and wood! They knew

The secret of that cry

When the Eternal Passion drew

Their Maker through—to die.

I knew each little hawthorn-cloud

Along my misty lane,

Then my heart burst. She sobbed aloud,

Between my arms again.

TO THE DESTROYERS

YES. You have shattered many an ancient wrong,

And we were with you, heart and mind and soul,

But there are fools who cast away control

In life and thought and art; because the Strong—

We dare to say it—have now destroyed so long,

That careless minds forget the unchanging goal—

The nobler Order which shall make us whole,

The Service which is freedom, beauty, song.

We shall be stoned as traitors to your cause

While the real traitors that you did not know,

Chaos and Vice, trumpet themselves as free.

Pray God that, loyal to the Eternal laws,

A little remnant, mauled by friend and foe,

Save you through Truth, and bring you Liberty.

THE TRUMPET-CALL

I

TRUMPETER, sound the great recall!

Swift, O swift, for the squadrons break,

The long lines waver, mazed in the gloom!

Hither and thither the blind host blunders.

Stand thou firm for a dead Man’s sake,

Firm where the ranks reel down to their doom,

Stand thou firm in the midst of the thunders,

Stand where the steeds and the riders fall,

Set the bronze to thy lips and sound

A rally to ring the whole world round.

Trumpeter, rally us, rally us, rally us!

Sound the great recall.

II

Trumpeter, sound for the ancient heights!

Clouds of the earth-born battle cloak

The heaven that our fathers held from of old;

And we—shall we prate to their sons of the gain

In gold or bread? Through yonder smoke

The heights that never were won with gold

Wait, still bright with their old red stain,

For the thousand chariots of God again,

And the steel that swept thro’ a hundred fights

With the Ironsides, equal to life and death,

The steel, the steel of their ancient faith.

Trumpeter, rally us, rally us, rally us!

Sound for the sun-lit heights.

III

Trumpeter, sound for the faith again!

Blind and deaf with the dust and the blood,

Clashing together we know not whither

The tides of the battle would have us advance.

Stand thou firm in the crimson flood,

Send the lightning of thy great cry

Through the thunders, athwart the storm,

Sound till the trumpets of God reply

From the heights we have lost in the steadfast sky,

From the Strength we despised and rejected. Then,

Locking the ranks as they form and form,

Lift us forward, banner and lance,

Mailed in the faith of Cromwell’s men,

When from their burning hearts they hurled

The gage of heaven against the world!

Trumpeter, rally us, rally us, rally us,

Up to the heights again.

IV

Trumpeter, sound for the last Crusade!

Sound for the fire of the red-cross kings,

Sound for the passion, the splendour, the pity

That swept the world for a dead Man’s sake,

Sound, till the answering trumpet rings

Clear from the heights of the holy City,

Sound till the lions of England awake,

Sound for the tomb that our lives have betrayed;

O’er broken shrine and abandoned wall,

Trumpeter, sound the great recall,

Trumpeter, rally us, rally us, rally us;

Sound for the last Crusade!

V

Trumpeter, sound for the splendour of God!

Sound the music whose name is law,

Whose service is perfect freedom still,

The order august that rules the stars.

Bid the anarchs of night withdraw,

Too long the destroyers have worked their will,

Sound for the last, the last of the wars.

Sound for the heights that our fathers trod,

When truth was truth and love was love,

With a hell beneath, but a heaven above,

Trumpeter, rally us, up to the heights of it!

Sound for the City of God.

THE HEART OF CANADA

July 1912

BECAUSE her heart is all too proud

—Canada! Canada! fair young Canada—

To breathe the might of her love aloud,

Be quick, O Motherland!

Because her soul is wholly free

—Canada kneels, thy daughter, Canada—

England, look in her eyes and see,

Honour and understand.

Because her pride at thy masthead shines,

—Canada! Canada!—queenly Canada

Bows with all her breathing pines,

All her fragrant firs.

Because our isle is little and old

—Canada! Canada!—young-eyed Canada

Gives thee, Mother, her hands to hold,

And makes thy glory hers.

Because thy Fleet is hers for aye,

—Canada! Canada!—clear-souled Canada,

Ere the war-cloud roll this way,

Bids the world beware.

Her heart, her soul, her sword are thine

—Thine the guns, the guns of Canada!—

The ships are foaming into line,

And Canada will be there.

THE RETURN OF THE HOME-BORN

ALL along the white chalk coast

The mist lifts clear.

Wight is glimmering like a ghost.

The ship draws near.

Little inch-wide meadows

Lost so many a day,

The first time I knew you

Was when I turned away.

Island—little island—

Lost so many a year,

Mother of all I leave behind

—Draw me near!—

Mother of half the rolling world,

And O, so little and gray,

The first time I found you

Was when I turned away.

Over yon green water

Sussex lies.

But the slow mists gather

In our eyes.

England, little island

—God, how dear!—

Fold me in your mighty arms,

Draw me near.

Little tawny roofs of home,

Nestling in the gray,

Where the smell of Sussex loam

Blows across the bay ...

Fold me, teach me, draw me close,

Lest in death I say

The first time I loved you

Was when I turned away.

A SALUTE FROM THE FLEET

I

The Guns of H.M.S. Royal Sovereign

OCEAN-MOTHER of England, thine is the crowning acclaim.

Here, in the morning of battle, from over the world and beyond,

Here, by our fleets of steel, silently foam into line

Fleets of our glorious dead, thy shadowy oak-walled ships.

Mother, for O, thy soul must speak thro’ our iron lips!

How should we speak to the ages, unless with a word of thine?

Utter it, Victory! Let thy great signal flash thro’ the flame!

Answer, Bellerophon, Marlborough, Thunderer, Condor, respond!

II

The Guns of H.M.S. Majestic

Out of the ages we speak unto you, O ye ages to be.

Rocks of Sevastopol, echo our thunder-word, bruit it afar.

Roll it, O Mediterranean, round by Gibraltar again.

Buffet it, Porto Bello, back to the Nile once more.

Answer it, great St. Vincent! Answer it, Elsinore,

Buffet it back from your crags and roll it over the main!

Heights of Quebec, O hear and re-echo it back to the Baltic Sea!

Answer it, Camperdown! Answer it, answer it, Trafalgar!

III

The Guns of H.M.S. Rainbow

How should we speak to the ages, if not with a word of thine,

Maker of cloud and harvest, foam and the sea-bird’s wing,

Ocean-Mother of England and all things living and free?

Deep that wast moved by the Spirit to bloom with the first white morn,

Mother of Light and Freedom, mother of hopes unborn,

Speak, O world-wide welder of nations, O Soul of the sea!

Thine was the watchword that called us of old o’er the gray sky-line:

Lift thy stormy salute. It is freedom and peace that we bring.

IV

The Guns of H.M.S. Victory

Therefore on thee we call, O Mother, for we are thy sons.

Speak, with thy world-wide voice, O wake us anew from our sleep!

Speak, for the Light of the world still lives and grows on thy face.

Give us the ancient Word once more, the unchangeable Word,—

This that Nelson knew, this that Effingham heard,

This that resounds for ever in all the hearts of our race,

This that lives for a moment on the iron lips of our guns,

This—that echoes for ever and ever—the Word of the Deep.

V

The Guns of H.M.S. Dreadnought

How shall a king be saved by the multitude of an host?

Was not the answer thine, when fleet upon fleet swept, hurled

Blind thro’ the dark North Sea, with all their invincible ships?

Thine was the answer, O mother of all men born to be free!

Witness again, Cape Wrath!—O thine, everlastingly,

Thine as Freedom arose and rolled thy song from her lips,

Thine when she ’stablished her throne in thy sight, on our rough rock-coast,

Thine with thy lustral glory and thunder, washing the world.

VI

The Guns of H.M.S. Temeraire

O for that ancient cry of the watch at the midnight bell,

Under the unknown stars, from the decks that Frobisher trod.

Hark, Before the world?—he questions a fleet in the dark!

Answer it, friend or foe! And, ringing from mast to mast,

Mother, hast thou forgotten what cry in the dark went past,

Answering still as he questioned? Before the world? O, hark,

Ringing anear, Before the world? ... was God ... All’s well!

Dying afar ... Before the world? ... All’s well ... was God!

VII

The Guns of H.M.S. Revenge

Raleigh and Grenville heard it, Knights of the Ocean-sea.

Have we forgotten it only, we with our leagues of steel?

Give us our watchword again, O mother, in this great hour!

Here, in the morning of battle, here as we gather our might,

Here, as the nations of earth in the light of thy freedom unite,

Shake our hearts with thy Word, O ’stablish our peace on thy power!

’Stablish our power on thy peace, thy glory, thy liberty,

’Stablish on thy deep Word the throne of our Commonweal.

VIII

The Guns of H.M.S. Leviathan

They that go down to the sea in ships—they heard it of old—

They shall behold His wonders, alone on the Deep, the Deep!

Have we forgotten, we only? O, rend the heavens again,

Voice of the Everlasting, shake the great hills with thy breath!

Roll the Voice of our God thro’ the valleys of doubt and death!

Waken the fog-bound cities with the shout of the wind-swept main,

Inland over the smouldering plains, till the mists unfold,

Darkness die, and England, England arise from sleep.

IX

The Guns of H.M.S. Triumph

Queen of the North and the South, Queen of our ocean-renown,

England, England, England, O lift thine eyes to the sun!

Wake, for the hope of the whole world yearns to thee, watches and waits!

Now on the full flood-tide of the ages, the supreme hour

Beacons thee onward in might to the purpose and crown of thy power.

Hark, for the whole Atlantic thunders against thy gates,

Take the Crown of all Time, all might, earth’s crowning Crown,

Throne thy children in peace and in freedom together, O weld them in one.

X

The Guns of the Fleet

Throne them in triumph together. Thine is the crowning cry!

Thine the glory for ever in the nation born of thy womb!

Thine the Sword and the Shield, and the shout that Salamis heard,

Surging in Æschylean splendour, earth-shaking acclaim!

Ocean-mother of England, thine is the throne of her fame.

Breaker of many fleets, O thine the victorious word,

Thine the Sun and the Freedom, the God and the wind-swept sky,

Thine the thunder and thine the lightning, thine the doom.

IN MEMORY OF A BRITISH AVIATOR

ON those young brows that knew no fear

We lay the Roman athlete’s crown,

The laurel of the charioteer,

The imperial garland of renown,

While those young eyes, beyond the sun,

See Drake, see Raleigh, smile “Well done.”

Their desert seas that knew no shore

To-night with fleets like cities flare;

But, frailer even than theirs of yore,

His keel a new-found deep would dare:

They watch, with thrice-experienced eyes

What fleets shall follow through the skies.

They would not scoff, though man should set

To feebler wings a mightier task.

They know what wonders wait us yet.

Not all things in an hour they ask;

But in each noble failure see

The inevitable victory.

A thousand years have borne us far

From that dark isle the Saxon swayed,

And star whispers to trembling star

While Space and Time shrink back afraid,—

“Ten thousand thousand years remain

For man to dare our deep again.”

Thou, too, shalt hear across that deep

Our thundering fleets of thought draw nigh,

Round which the suns and systems sweep

Like cloven foam from sky to sky,

Till Death himself at last restore

His captives to our eyes once more.

.......

Feeble the wings, dauntless the soul!

Take thou the conqueror’s laurel crown;

Take—for thy chariot grazed the goal—

The imperial garland of renown;

While those young eyes, beyond the sun,

See Drake, see Raleigh, smile “Well done.”

THE WAGGON

CRIMSON and black on the sky, a waggon of clover

Slowly goes rumbling, over the white chalk road;

And I lie in the golden grass there, wondering why

So little a thing

As the jingle and ring of the harness,

The hot creak of leather,

The peace of the plodding,

Should suddenly, stabbingly, make it

Strange that men die.

Only, perhaps, in the same blue summer weather,

Hundreds of years ago, in this field where I lie,

Cædmon, the Saxon, was caught by the self-same thing:

The serf lying, black with the sun, on his beautiful wain-load,

The jingle and clink of the harness,

The hot creak of leather,

The peace of the plodding;

And wondered, O terribly wondered,

That men must die.

THE SACRED OAK

(A Song of Britain)

I

VOICE of the summer stars that, long ago,

Sang thro’ the old oak-forests of our isle,

Enchanted voice, pure as her falling snow,

Dark as her storms, bright as her sunniest smile,

Taliessin, voice of Britain, the fierce flow

Of fourteen hundred years has whelmed not thee!

Still art thou singing, lavrock of her morn,

Singing to heaven in that first golden glow,

Singing above her mountains and her sea!

Not older yet are grown

Thy four winds in their moan

For Urien. Still thy charlock blooms in the billowing corn.

II

Thy dew is bright upon this beechen spray!

Spring wakes thy harp! I hear—I see—again,

Thy wild steeds foaming thro’ the crimson fray,

The raven on the white breast of thy slain,

The tumult of thy chariots, far away,

The weeping in the glens, the lustrous hair

Dishevelled over the stricken eagle’s fall,

And in thy Druid groves, at fall of day

One gift that Britain gave her valorous there,

One gift of lordlier pride

Than aught—save to have died—

One spray of the sacred oak, they coveted most of all.

III

I watch thy nested brambles growing green:

O strange, across that misty waste of years,

To glimpse the shadowy thrush that thou hast seen,

To touch, across the ages, touch with tears

The ferns that hide thee with their fairy screen,

Or only hear them rustling in the dawn;

And—as a dreamer waking—in thy words,

For all the golden clouds that drowse between,

To feel the veil of centuries withdrawn,

To feel thy sun re-risen

Unbuild our shadowy prison

And hear on thy fresh boughs the carol of waking birds.

IV

O, happy voice, born in that far, clear time,

Over thy single harp thy simple strain

Attuned all life for Britain to the chime

Of viking oars and the sea’s dark refrain,

And thine own beating heart, and the sublime

Measure to which the moons and stars revolve

Untroubled by the storms that, year by year,

In ever-swelling symphonies still climb

To embrace our growing world and to resolve

Discords unknown to thee,

In the infinite harmony

Which still transcends our strife and leaves us darkling here.

.......

V

For, now, one sings of heaven and one of hell,

One soars with hope, one plunges to despair!

This, trembling, doubts if aught be ill or well;

And that cries, “Fair is foul and foul is fair;”

And this cries, “Forward, though I cannot tell

Whither, and all too surely all things die;”

And that sighs, “Rest, then, sleep and take thine ease.”

One sings his country and one rings its knell,

One hymns mankind, one dwarfs them with the sky.

O, Britain, let thy soul

Once more command the whole,

Once more command the strings of the world-wide harmony.

VI

For hark! One sings, The gods, the gods are dead!

Man triumphs! And hark—Blind Space his funeral urn.

And hark, one whispers with reverted head

To the old dead gods—Bring back our heaven, return!

And hark, one moans—The ancient order is fled,

We are children of blind chance and vacant dreams.

Heed not mine utterance—that was chance-born, too.

And hark, the answer of Science—All they said,

Your fathers, in that old time, lit by gleams

Of what their hearts could feel,

The rolling years reveal

As fragments of one law, one covenant, simply true.

VII

I find, she cries, in all this march of time

And space, no gulf, no break, nothing that mars

Its unity. I watch the primal slime

Lift Athens like a flower to greet the stars!

I flash my messages from clime to clime,

I link the increasing world from depth to height!

Not yet ye see the wonder that draws nigh,

When at some sudden contact, some sublime

Touch, as of memory, all this boundless night

Wherein ye grope entombed

Shall, by that touch illumed,

Like one electric City shine from sky to sky.

VIII

No longer then the memories that ye hold

Dark in your brain shall slumber. Ye shall see

That City whose gates are more than pearl or gold

And all its towers firm as Eternity.

The stones of the earth have cried to it from of old!

Why will ye turn from Him who reigns above

Because your highest words fall short?

Kneel—call

On Him whose Name—I AM—doth still enfold

Past, present, future, memory, hope and love.

No seed falls fruitless there.

Beyond your Father’s care—

The old covenant still holds fast—no bird, no leaf can fall.

IX

O Time, thou mask of the ever-living Soul,

Thou veil to shield us from that blinding Face,

Thou art wearing thin! We are nearer to the goal

When man no more shall need thy saving grace,

But all the folded years like one great scroll

Shall be unrolled in the omnipresent Now,

And He that saith I am unseal the tomb:

Nearer His thunders and His trumpets roll,

I catch the gleam that lit thy lifted brow,

O singer whose wild eyes

Possess these April skies,

I touch—I clasp thy hands thro’ all the clouds of doom.

X

Teach thou our living choirs amid the sound

Of their tempestuous chords once more to hear

That harmony wherewith the whole is crowned,

The singing heavens that sphere by choral sphere

Break open, height o’er height, to the utmost bound

Of passionate thought! O, as this glorious land,

This sacred country shining on the sea,

Grows mightier, let not her clear voice be drowned

In the fierce waves of faction. Let her stand

A beacon to the blind,

A signal to mankind,

A witness to the heavens’ profoundest unity.

XI

Her altars are forgotten and her creeds

Dust, and her soul foregoes the lesser Cross.

O, point her to the greater! Her heart bleeds

Still, where men simply feel some vague deep loss.

Their hands grope earthward, knowing not what she needs.

We would not call her back in this great hour!

Nay, upward, onward, to the heights untrod

Signal us, living voices, by those deeds

Of all her deathless heroes, by the Power

That still, still walks her waves,

Still chastens her, still saves,

Signal us, not to the dead, but to the living God.

XII

Signal us with that watchword of the deep,

The watchword that her boldest seamen gave

The winds of the unknown ocean-sea to keep,

When round their oaken walls the midnight wave

Heaved and subsided in gigantic sleep,

And they plunged Westward with her flag unfurled.

Hark, o’er their cloudy sails and glimmering spars,

The watch cries, as they proudly onward sweep,—

Before the world ... All’s well!... Before the world ...

From mast to calling mast

The counter-cry goes past—

Before the world was God!—it rings against the stars.

XIII

Signal us o’er the little heavens of gold

With that heroic signal Nelson knew

When, thro’ the thunder and flame that round him rolled,

He pointed to the dream that still held true.

Cry o’er the warring nations, cry as of old

A little child shall lead them! they shall be

One people under the shadow of God’s wing!

There shall be no more weeping! Let it be told

That Britain set one foot upon the sea,

One foot on the earth. Her eyes

Burned thro’ the conquered skies,

And, as the angel of God, she bade the whole world sing.

XIV

A dream? Nay, have ye heard or have ye known

That the everlasting God who made the ends

Of all creation wearieth? His worlds groan

Together in travail still. Still He descends

From heaven. The increasing worlds are still His throne

And His creative Calvary and His tomb

Through which He sinks, dies, triumphs with each and all,

And ascends, multitudinous and at one

With all the hosts of His evolving doom,

His vast redeeming strife,

His everlasting life,

His love, beyond which not one bird, one leaf can fall.

XV

And hark, His whispers thro’ creation flow,

Lovest thou me? His nations answer “yea!”

And—Feed My lambs, His voice as long ago

Steals from that highest heaven, how far away!

And yet again saith—Lovest thou Me? and “O,

Thou knowest we love Thee,” passionately we cry:

But, heeding not our tumult, out of the deep

The great grave whisper, pitiful and low,

Breathes—Feed My sheep; and yet once more the sky

Thrills with that deep strange plea,

Lovest thou, lovest thou Me?

And our lips answer “yea”; but our God—Feed My sheep.

XVI

O sink not yet beneath the exceeding weight

Of splendour, thou still single-hearted voice

Of Britain. Droop not earthward now to freight

Thy soul with fragments of the song, rejoice

In no faint flights of music that create

Low heavens o’er-arched by skies without a star,

Nor sink in the easier gulfs of shallower pain!

Sing thou in the whole majesty of thy fate,

Teach us thro’ joy, thro’ grief, thro’ peace, thro’ war,

With single heart and soul

Still, still to seek the goal,

And thro’ our perishing heavens, point us to Heaven again.

XVII

Voice of the summer stars that long ago

Sang thro’ the old oak-forests of our isle,

An ocean-music that thou ne’er couldst know

Storms Heaven—O, keep us steadfast all the while;

Not idly swayed by tides that ebb and flow,

But strong to embrace the whole vast symphony

Wherein no note (no bird, no leaf) can fall

Beyond His care, to enfold it all as though

Thy single harp were ours, its unity

In battle like one sword,

And O, its one reward

One spray of the sacred oak, still coveted most of all.

THE WORLD’S WEDDING

“Et quid curae nobis de generibus et speciebus? Ex uno Verbo omnia, et unum loquuntur omnia. Cui omnia unum sunt, quique ad unum omnia trahit et omnia in uno videt, potest stabilis corde esse.”—THOMAS À KEMPIS.

I

WHEN poppies fired the nut-brown wheat,

My love went by with sun-stained feet:

I followed her laughter, followed her, followed her, all a summer’s morn!

But O, from an elfin palace of air,

A wild bird sang a song so rare,

I stayed to listen and—lost my Fair,

And walked the world forlorn.

II

When chalk shone white between the sheaves,

My love went by as one that grieves;

I followed her weeping, followed her, followed her, all an autumn noon!

The sunset flamed so fierce a red

From North to South—I turned my head

To wonder—and my Fair was fled

Beyond the dawning moon.

III

When bare black boughs were choked with snow,

My love went by, as long ago;

I followed her dreaming, followed her, followed her, all a winter’s night!

But O, along that snow-white track

With thorny shadows printed black,

I saw three kings come riding back,

And—lost my life’s delight.

IV

They are so many, and she but One;

And I and she, like moon and sun

So separate ever! Ah yet, I follow her, follow her, faint and far;

For what if all this diverse bliss

Should run together in one kiss!

Swift, Spring, with the sweet clue I miss

Between these several instances,—

The kings, that inn, that star.

V

Between the hawk’s and the wood-dove’s wing,

My love, my love flashed by like Spring!

The year had finished its golden ring!

Earth, the Gipsy, and Heaven, the King,

Were married like notes in the song I sing,

And O, I followed her, followed her, followed her over the hills of Time,

Never to lose her now I know,

For whom the sun was clasped in snow,

The heights linked to the depths below,

The rose’s flush to the planet’s glow,

Death the friend to life the foe,

The Winter’s joy to the Spring’s woe,

And the world made one in a rhyme.

IN MEMORIAM: SAMUEL COLERIDGE-TAYLOR

FAREWELL! The soft mists of the sunset-sky

Slowly enfold his fading birch-canoe!

Farewell! His dark, his desolate forests cry,

Moved to their vast, their sorrowful depths anew.

Fading! Nay, lifted thro’ a heaven of light,

His proud sails brightening thro’ that crimson flame,

Leaving us lonely on the shores of night,

Home to Ponemah take his deathless fame.

Generous as a child, so wholly free

From all base pride that fools forgot his crown,

He adored Beauty, in pure ecstasy,

And waived the mere rewards of his renown.

The spark that falls from heaven not oft on earth

To human hearts this vital splendour gives;

His was the simple, true, immortal birth.

Scholars compose; but—this man’s music lives!

Greater than England or than Earth discerned,

He never paltered with his art for gain:

When many a vaunted crown to dust is turned,

This uncrowned king shall take his throne and reign.

Nations unborn shall hear his forests moan;

Ages unscanned shall hear his winds lament,

Hear the strange grief that deepened through his own

The vast cry of a buried continent.

Through him, his race a moment lifted up

Forests of hands to Beauty as in prayer;

Touched through his lips the sacramental Cup,

And then sank back—benumbed in our bleak air.

Through him, through him, a lost world hailed the light!

The tragedy of that triumph none can tell,—

So great, so brief, so quickly snatched from sight;

And yet—O hail, great comrade, not farewell!

INSCRIPTION

(For the Grave of Coleridge-Taylor)

SLEEP, crowned with fame; fearless of change or time.

Sleep, like remembered music in the soul,

Silent, immortal; while our discords climb

To that great chord which shall resolve the whole.

Silent with Mozart on that solemn shore;

Secure where neither waves nor hearts can break;

Sleep—till the Master of the World, once more,

Touch the remembered strings, and bid thee wake....

Touch the remembered strings, and bid thee wake.

VALUES

THE moon that sways the rhythmic seas,

The wheeling earth, the marching sky,—

I ask not whence the order came

That moves them all as one.

These are your chariots. Nor shall these

Appal me with immensity;

I know they carry one heart of flame

More precious than the sun.

THE HEROIC DEAD

(On the loss of the Titanic)

IF in the noon they doubted, in the night

They never swerved. Death had no power to appal.

There was one Way, one Truth, one Life, one Light,

One Love that shone triumphant over all.

If in the noon they doubted, at the last

There was no Way to part, no Way but One

That rolled the waves of Nature back and cast

In ancient days a shadow across the sun.

If in the noon they doubted, their last breath

Saluted once again the eternal goal,

Chanted a love-song in the face of Death

And rent the veil of darkness from the soul.

If in the noon they doubted, in the night

They waved the shadowy world of strife aside,

Flooded high heaven with an immortal light,

And taught the deep how its Creator died.

THE CRY IN THE NIGHT

IT tears at the heart in the night, that moan of the wind,

That desolate moan.

It is worse than the cry of a child. I can hardly bear

To hear it, alone.

It is worse than the sobbing of love, when love is estranged:

For this is a cry

Out of the desolate ages. It never has changed.

It never can die.

A cry over numberless graves, dark, helpless and blind,

From the measureless past,

To the measureless future, a sobbing before the first laughter,

And after the last!

.......

From the height of creation, in passion eternal, the Word

Rushes forth, the loud cry,

Forsaken! Forsaken! It cuts through the night like a sword!

Shall it win no reply?

Not of earth is that height of all sorrow, past time, out of space,

Therefore here, here and now,

Universal, a Calvary, crowned with Thy passionate face,

Thy thorn-wounded brow.

Ah, could I shrink if Thy heart for each heart upon earth

Must break like a sea?

Could I hear, could I bear it at all, if I were not a part

Of this labour in Thee?

Shall I accuse Thee, then? God, I account it my own

All the grief I can bear,

On Thy Cross of Creation, to balance earth’s bliss and atone,

Atone for life there.

If this be the One Way for ever, which not Thine all-might

Could change, if it would,

Till the truth be untrue, till the dark be the same as the light,

And till evil be good,

Shall I who took part in Thine April, shrink now from my part

In Thine anguish to be?

If Thy goal be the One goal of all, shall not even man’s heart

Endure this, with Thee;

Die with Thee, balancing life, or help Thee to pay

For our hope with our pain?...

O, the voice of the wind in the night! Is it day, then, broad day,

On the blind earth again?

ASTRID

(An Experiment in Initial Rhymes)

WHITE-armed Astrid,—ah, but she was beautiful!—

Nightly wandered weeping thro’ the ferns in the moon,

Slowly, weaving her strange garland in the forest,

Crowned with white violets,

Gowned in green.

Holy was that glen where she glided,

Making her wild garland as Merlin had bidden her,

Breaking off the milk-white horns of the honey-suckle,

Sweetly dripped the dew upon her small white

Feet.

White-throated Astrid,—ah, but she was beautiful!—

Nightly sought the answer to that riddle in the moon.

She must weave her garland, ere she save her soul.

Three long years she has wandered there in vain.

Always, always, the blossom that would finish it

Falls to her feet, and the garland breaks and vanishes,

Breaks like a dream in the dawn when the dreamer

Wakes.

White-bosomed Astrid,—ah, but she was beautiful!—

Nightly tastes the sorrow of the world in the moon.

Will it be this little white miracle, she wonders.

How shall she know it, the star that will save her?

Still, ah still, in the moonlight she crouches

Bowing her head, for the garland has crumbled!

All the wild petals for the thousand and second time

Fall.

White-footed Astrid,—ah, but she is beautiful!—

Nightly seeks the secret of the world in the moon.

She will find the secret. She will find the golden

Key to the riddle, on the night when she has numbered them,

Marshalled all her wild flowers, ordered them as music,

Star by star, note by note, changing them and ranging them,

Suddenly, as at a kiss, all will flash together,

Flooding like the dawn thro’ the arches of the woodland,

Fern and thyme and violet, maiden-hair and primrose

Turn to the Rose of the World, and He shall fold her,

Kiss her on the mouth, saying, all the world is one now,

This is the secret of the music that the soul hears,—

This.

THE INIMITABLE LOVERS

THEY tell this proud tale of the Queen—Cleopatra,

Subtlest of women that the world has ever seen,

How that, on the night when she parted with her lover

Anthony, tearless, dry-throated, and sick-hearted,

A strange thing befell them in the darkness where they stood.

Bitter as blood was that darkness.

And they stood in a deep window, looking to the west.

Her white breast was brighter than the moon upon the sea,

And it moved in her agony (because it was the end!)

Like a deep sea, where many had been drowned.

Proud ships that were crowned with an Emperor’s eagles

Were sunken there forgotten, with their emeralds and gold.

They had drunken of that glory, and their tale was told, utterly,

Told.

There, as they parted, heart from heart, mouth from mouth,

They stared upon each other. They listened.

For the South-wind

Brought them a rumour from afar; and she said,

Lifting her head, too beautiful for anguish,

Too proud for pity,—

It is the gods that leave the City! O, Anthony,

Anthony, the gods have forsaken us;

Because it is the end! They leave us to our doom.

Hear it! And unshaken in the darkness,

Dull as dropping earth upon a tomb in the distance,

They heard, as when across a wood a low wind comes,

A muttering of drums, drawing nearer,

Then louder and clearer, as when a trumpet sings

To battle, it came rushing on the wings of the wind,

A sound of sacked cities, a sound of lamentation,

A cry of desolation, as when a conquered nation

Is weeping in the darkness, because its tale is told;

And then—a sound of chariots that rolled thro’ that sorrow

Trampled like a storm of wild stallions, tossing nearer,

Trampled louder, clearer, triumphantly as music,

Till lo! in that great darkness, along that vacant street,

A red light beat like a furnace on the walls,

Then—like the blast when the North-wind calls to battle,

Blaring thro’ the blood-red tumult and the flame,

Shaking the proud City as they came, an hundred elephants,

Cream-white and bronze, and splashed with bitter crimson,

Trumpeting for battle as they trod, an hundred elephants,

Bronze and cream-white, and trapped with gold and purple,

Towered like tuskéd castles, every thunder-laden footfall

Dreadful as the shattering of a City. Yet they trod,

Rocking like an earthquake, to a great triumphant music,

And, swinging like the stars, black planets, white moons,

Thro’ the stream of the torches, they brought the red chariot,

The chariot of the battle-god—Mars.

While the tall spears of Sparta tossed clashing in his train,

And a host of ghostly warriors cried aloud

All hail! to those twain, and went rushing to the darkness

Like a pageantry of cloud, for their tale was told—utterly—

Told.

And following, in the fury of the vine, rushing down

Like a many-visaged torrent, with ivy-rod and thyrse,

And many a wild and foaming crown of roses,

Crowded the Bacchanals, the brown-limbed shepherds,

The red-tongued leopards, and the glory of the god!

Iacchus! Iacchus! without dance, without song,

They cried and swept along to the darkness.

Only for a breath when the tumult of their torches

Crimsoned the deep window where that dark warrior stood

With the blood upon his mail, and the Queen—Cleopatra,

Frozen to white marble—the Mænads raised their timbrels,

Tossed their white arms, with a clash—All hail!

Like wild swimmers, pale, in a sea of blood and wine,

All hail! All hail! Then they swept into the darkness

And the darkness buried them. Their tale was told—utterly—

Told.

And following them, O softer than the moon upon the sea,

Aphrodite, implacably, shone.

Like a furnace of white roses, Aphrodite and her train

Lifted their white arms to those twain in the silence

Once, and were gone into the darkness;

Once, and away into the darkness they were swept

Like a pageantry of cloud, without praise, without pity.

Then the dark City slept. And the Queen—Cleopatra—

Subtlest of women that this earth has ever seen,

Turning to her lover in the darkness where he stood,

With the blood upon his mail,

Bowing her head upon that iron in the darkness,

Wept.

THE CRAGS

(In memory of Thomas Bailey Aldrich)

FALERNIAN, first! What other wine

Should brim the cup or tint the line

That would recall my days

Among your creeks and bays;

Where, founded on a rock, your house

Between the pines’ unfading boughs

Watches through sun and rain

That lonelier coast of Maine;

And the Atlantic’s mounded blue

Breaks on your crags the summer through,

A long pine’s length below,

In rainbow-tossing snow.

While on your railed verandah there

As on a deck you sail through air,

And sea and cloud and sky

Go softly streaming by.

Like delicate oils at set of sun

Smoothing the waves the colours run—

Around the enchanted hull,

Anchored and beautiful,—

Restoring to that sun-dried star

You brought from coral isles afar—

With shells that mock the moon—

The tints of their lagoon;

Till, from within, your lamps declare

Your harbours by the colours there,

An Indian god, a fan

Painted in Old Japan.

But, best of all, I think at night,

The moon that makes a road of light

Across the whispering sea,

A road—for memory.

When the blue dusk has filled the pane,

And the great pine-logs burn again,

And books are good to read.

—For his were books indeed.—

Their silken shadows, rustling, dim,

May sing no more of Spain for him;

No shadows of old France

Renew their courtly dance.

He walks no more where shadows are

But left their ivory gates ajar,

That shadows might prolong

The dance, the tale, the song.

His was no narrow test or rule.

He chose the best of every school,—

Stendhal and Keats and Donne,

Balzac and Stevenson;

Wordsworth and Flaubert filled their place.

Dumas met Hawthorne face to face.

There were both new and old

In his good realm of gold.

The title-pages bore his name;

And, nightly, by the dancing flame,

Following him, I found

That all was haunted ground;

Until a friendlier shadow fell

Upon the leaves he loved so well,

And I no longer read,

But talked with him instead.

THE GHOST OF SHAKESPEARE

1914

CRIMSON was the twilight, under that crab-tree,

Where—old tales tell us—all a midsummer’s night,

A mad young poacher, drunk with mead of elfin-land,

Lodged with the fern-owl, and looked at the stars.

There, from the dusk where the dream of Piers Plowman

Darkens on the sunset, to this dusk of our own,

I read, in a history, the record of our world.

The hawk-moth, the currant-moth, the red-striped tiger-moth

Shimmered all around me, so white shone those pages;

And, in among the blue boughs, the bats flew low.

I slumbered, the history slipped from my hand.

Then I saw a dead man, dreadful in the moon-dawn,

The ghost of the master, bowed upon that book.

He muttered as he searched it,—what vast convulsion

Mocks my sexton’s curse now, shakes our English clay?

Whereupon I told him, and asked him in turn

Whether he espied any light in those pages

Which painted an epoch later than his own.

I am a shadow, he said, and I see none....

I am a shadow, he said, and I see none.

Then, O then he murmured to himself (while the moon hung

Crimson as a lanthorn of Cathay in that crab-tree),

Laughing at his work and the world, as I thought,

Yet with some bitterness, yet with some beauty,

Mocking his own music, these wraiths of his rhymes:

I

God, when I turn the leaves of that dark book

Wherein our wisest teach us to recall

Those glorious flags which in old tempests shook

And those proud thrones which held my youth in thrall;

When I see clear what seemed to childish eyes

The gorgeous colouring of each pictured age;

And for their dominant tints now recognise

Those prints of innocent blood on every page;

O, then I know this world is fast asleep,

Bound in Time’s womb, till some far morning break;

And, though light grows upon the dreadful deep,

We are dungeoned in thick night. We are not awake.

The world’s unborn, for all our hopes and schemes;

And all its myriads only move in dreams.

II

Read what our wisest chroniclers record:—

A king betrayed both foes and friends to death,

Delivered his own country to the sword,

And lied, and lied, and lied to his last breath.

He died, the martyred anarch of his time.

What balm is this that consecrates his dust?

The self-same history shudders at the “crime”

Which shed a blood so fragrant, so “august.”

Yes. Let our sons by thousands, millions, die;

And when the crowned assassin of to-day

Stands in the Judgment Hall of Liberty

What shall your desolate nations rise and say?

Honour the dog. He’s vanquished! He’s a king!

So—for our dead—he’s too “august” a thing.

III

It was a crimson twilight, under that crab-tree.

Moths beat about me, and bats flew low.

I read, in a history, the record of our world.

If there be light, said the Master,

I am a shadow, and I see none ...

I am a shadow, and I see none.

THE WHITE CLIFFS

WODEN made the red cliffs, the red walls of England.

Round the South of Devonshire, they burn against the blue.

Green is the water there; and, clear as liquid sunlight,

Blue-green as mackerel, the bays that Raleigh knew.

Thor made the black cliffs, the battlements of England,

Climbing to Tintagel where the white gulls wheel.

Cold are the caverns there, and sullen as a cannon-mouth,

Booming back the grey swell that gleams like steel.

Balder made the white cliffs, the white shield of England

(Crowned with thyme and violet where Sussex wheatears fly),

White as the White Ensign are the bouldered heights of Dover,

Beautiful the scutcheon that they bare against the sky.

So the world shall sing of them—the white cliffs of England,

White, the glory of her sails, the banner of her pride.

One and all,—their seamen met and broke the dread Armada.

Only white may show the world the shield for which they died.

ON THE SOUTH COAST

COME away into the sun and see

All the heavens that used to be,

Daily, hourly, brought to birth

Out of the deep remembering earth.

This is England, this is the land

That holds my heart in her sweet hand.

This is she whose turf, I pray,

Will hide me, on her breast, one day.

Cast you down on the close-cropped turf,

See how the white cliff spreads the surf,

On green-eyed seas that glitter and trail

Into the south like a peacock’s tail.

Then, come away over the hills of thyme,

Where folds like elfin belfries chime

Till Eve, in a cloud of her dusky hair,

Makes it Elf-land everywhere.

You shall pity the king on his throne.

You shall know what never was known.

All the glory of all the skies

Utterly yours in your true love’s eyes;

All the bloom to the world’s end

And all the heavens that over it bend,

Compacted in one garden white,

The garden of your love’s delight.

This is England, this is the land

That holds my soul in her sweet hand.

This is she whose turf, I pray,

Will hide me on her heart one day.

OLDER THAN THE HILLS

OLDER than the hills, older than the sea,

Older than the heart of the Spring,

O, what is this that breaks

From the blind shell, wakes,

Wakes, and is gone like a wing?

Older than the sea, older than the moon,

Older than the heart of the May,

What is this blind refrain

Of a song that shall remain

When the singer is long gone away?

Older than the moon, older than the stars,

Older than the wind in the night,—

Though the young dews are sweet

On the heather at our feet

And the blue hills laughing back the light,—

Till the stars grow young, till the hills grow young,

O, Love, we shall walk through Time,

Till we round the world at last,

And the future be the past,

And the winds of Eden greet us from the prime.

THE TORCH

(Sussex Landscape)

IS it your watch-fire, elves, where the down with its darkening shoulder

Lifts on the death of the sun, out of the valley of thyme?

Dropt on the broad chalk path and, cresting the ridge of it, smoulder

Crimson as blood on the white, halting my feet as they climb,

Clusters of clover-bloom, spilled from what negligent arms in the tender

Dusk of the great grey world, last of the tints of the day;

Beautiful, sorrowful, strange last stain of that perishing splendour.

Elves, from what torn white feet trickled that red on the way?

No—from the sun-burnt hands of what lovers that fade in the distance?

Here, was it here that they paused, here that the legend was told?

Even a kiss would be heard in this hush; but, with mocking insistence,

Now thro’ the valley resound—only the bells of the fold.

Dropt—from the hands of what beautiful throng? Did they cry “follow after”?

Dancing into the west, leaving this token for me,

Memory dead on the path, and the sunset to bury their laughter?

Youth—is it youth that has flown? Darkness covers the sea.

Darkness covers the earth; but the path is here! I assay it.

Let the bloom fall like a flake—dropt from the torch of a friend!

Beautiful revellers, happy companions, I see and obey it;

Follow your torch in the night, follow your path to the end.

THE OUTLAW

DEEP in the greenwood of my heart

My wild hounds race.

I cloak my soul at feast and mart,

I mask my face;

Outlawed, but not alone, for Truth

Is outlawed, too.

Proud world, you cannot banish us.

We banish you.

Go by, go by, with all your din,

Your dust, your greed, your guile,

Your gold, your thrones can never win—

From Her—one smile.

She sings to me in a lonely place,

She takes my hand.

I look into her lovely face

And understand....

Outlawed, but not alone, for Love

Is outlawed, too.

You cannot banish us, proud world.

We banish you.

Now which is outlawed, which alone?

Around us fall and rise

Murmurs of leaf and fern, the moan

Of Paradise.

Outlawed? Then hills and woods and streams

Are outlawed, too!

Proud world, from our immortal dreams,

We banish you.

THE YOUNG FRIAR

WHEN leaves broke out on the wild briar,

And bells for matins rung,

Sorrow came to the old friar

—Hundreds of years ago it was!—

And May came to the young.

The old was ripening for the sky,

The young was twenty-four.

The Franklin’s daughter passed him by,

Reading a painted missal-book,

Beside the chapel door.

With brown cassock and sandalled feet,

And red Spring wine for blood;

The very next noon he chanced to meet

The Franklin’s daughter, in a green May twilight,

Walking through the wood.

Pax vobiscum—to a maid

The crosiered ferns among!

But hers was only the Saxon,

And his the Norman tongue;

And the Latin taught by the old friar

Made music for the young.

And never a better deed was done

By Mother Church below

Than when she made old England one,

—Hundreds of years ago it was!—

Hundreds of years ago.

Rich was the painted page they read

Before that sunset died;

Nut-brown hood by golden head,

Murmuring Rosa Mystica,

While nesting thrushes cried.

A Saxon maid with flaxen hair,

And eyes of Sussex grey;

A young monk out of Normandy:—

“May is our Lady’s month,” he said,

“And O, my love, my May!”

Then over the fallen missal-book

The missel-thrushes sung

Till—Domus Aurea—rose the moon

And bells for vespers rung.

It was gold and blue for the old friar,

But hawthorn for the young.

For gown of green and brown hood,

Before that curfew tolled,

Had flown for ever through the wood

—Hundreds of years ago it was!—

But twenty summers old.

And empty stood his chapel stall,

Empty his thin grey cell,

Empty her seat in the Franklin’s hall;

And there were swords that searched for them

Before the matin bell.

And, crowders tell, a sword that night

Wrought them an evil turn,

And that the may was not more white

Than those white bones the robin found

Among the roots of fern.

But others tell of stranger things

Half-heard on Whitsun eves,

Of sweet and ghostly whisperings—

Though hundreds of years ago it was—

Among the ghostly leaves:—

Sero te amavi—

Grey eyes of sun-lit dew!—

Tam antiqua, Tam nova—

Augustine heard it, too.

Late have I loved that May, Lady,

So ancient, and so new!

And no man knows where they were flown,

For the wind takes the may:

But white and fresh the may was blown

—Though hundreds of years ago it was—

As this that blooms to-day.

And the leaves break out on the wild briar,

And bells must still be rung;

But sorrow comes to the old friar,

For he remembers a May, a May,

When his old heart was young.

A FOREST SONG

WHO would be a king

That can sit in the sun and sing?

Nay, I have a kingdom of mine own.

A fallen oak-tree is my throne.

Then, pluck the strings, and tell me true

If Cæsar in his glory knew

The worlds he lost in sun and dew.

Who would be a queen

That sees what my love hath seen?—

The blood of little children shed

To make one royal ruby red!

Then, tell me, music, why the great

For quarrelling trumpets abdicate

This quick, this absolute estate.

Nay, who would sing in heaven,

Among the choral Seven

That hears—as Love and I have heard,

The whole sky listening to one bird?

And where’s the ruby, tell me where,

Whose crimsons for one breath compare

With this wild rose that all may share?

THE TRUMPET OF THE LAW

(Phi Beta Kappa Poem, Harvard, 1915)

MUSIC is dead. An age, an age is dying.

Shreds of Uranian song, wild symphonies

Tortured with moans of butchered innocents,

Blow past us on the wind. Chaos resumes

His kingdom. All the visions of the world,

The visions that were music, being shaped

By law, moving in measure, treading the road

That suns and systems tread, O who can hear

Their music now? Urania bows her head.

Only the feet that move in order dance.

Only the mind attuned to that dread pulse

Of law throughout the universe can sing.

Only the soul that plays its rhythmic part

In that great measure of the tides and suns

Terrestrial and celestial, till it soar

Into the supreme melodies of heaven,

Only that soul, climbing the splendid road

Of law from height to height, may walk with God,

Shape its own sphere from chaos, conquer death,

Lay hold on life and liberty, and sing.

Yet, since, at least, the fleshly heart must beat

In measure, and no new rebellion breaks

That old restriction, murmurs reach it still,

Rumours of that vast music which resolves

Our discords, and to this, to this attuned,

Though blindly, it responds, in notes like these:

There was a song in heaven of old,

A song the choral seven began,

When God with all his chariots rolled

The tides of chaos back for man;

When suns revolved and planets wheeled,

And the great oceans ebbed and flowed,

There is one way of life, it pealed,

The road of law, the unchanging road.

The trumpet of the law resounds,

And we behold, from depth to height,

What glittering sentries walk their rounds,

What ordered hosts patrol the night,

While wheeling worlds proclaim to us,

Captained by Thee thro’ nights unknown,—

Glory that would be glorious

Must keep Thy law to find its own.

Beyond rebellion, past caprice,

From heavens that comprehend all change,

All space, all time, till time shall cease,

The trumpet rings to souls that range,

To souls that in wild dreams annul

Thy word, confessed by wood and stone,—

Beauty that would be beautiful

Must keep Thy law to find its own.

He that can shake it, will he thrust

His careless hands into the fire?

He that would break it, shall we trust

The sun to rise at his desire?

Constant above our discontent,

The trumpet peals in sterner tone,—

Might that would be omnipotent

Must keep Thy law to find its own.

Ah, though beneath unpitying spheres

Unreckoned seems our human cry,

In Thy deep law, beyond the years,

Abides the Eternal memory.

Thy law is light, to eyes grown dull

Dreaming of worlds like bubbles blown;

And Mercy that is merciful

Shall keep Thy law and find its own.

Unchanging God, by that one Light

Through which we grope to Truth and Thee,

Confound not yet our day with night,

Break not the measures of Thy sea.

Hear not, though grief for chaos cry

Or rail at Thine unanswering throne.

Thy law, Thy law, is liberty,

And in Thy law we find our own.

So, to Uranian music, rose our world.

The boughs put forth, the young leaves groped for light.

The wild flower spread its petals as in prayer.

Then, for terrestrial ears, vast discords rose,

The struggle in the jungle, clashing themes

That strove for mastery; but above them all,

Ever the mightier measure of the suns

Resolved them into broader harmonies,

That fought again for mastery. The night

Buried the mastodon. The warring tribes

Of men were merged in nations. Wider laws

Embraced them. Man no longer fought with man,

Though nation warred with nation. Hatred fell

Before the gaze of love. For in an hour

When, by the law of might, mankind could rise

No higher, into the deepening music stole

A loftier theme, a law that gathered all

The laws of earth into its broadening breast

And moved like one full river to the sea,

The law of Love.

The sun stood dark at noon;

Dark as the moon before this mightier Power,

And a Voice rang across the blood-stained earth:

I am the Way, the Truth, the Life, the Light.

We heard it, and we did not hear. In dreams

We caught a thousand fragments of the strain,

But never wholly heard it. We moved on

Obeying it a little, till our world

Became so vast, that we could only hear

Stray notes, a golden phrase, a sorrowful cry,

Never the rounded glory of the whole.

So one would sing of death, one of despair,

And some, knowing that God was more than man,

Knowing that the Eternal Power behind

Our universe was more than man, would shrink

From crowning Him with human attributes,

Though these remained the highest that we knew;

And therefore, falling back on lower signs,

Bereft of love, thought, personality,

They made Him less than man; made Him a blind

Unweeting force, less than the best in man,

Less than the best that He Himself had made.

Yet, though from earth we could no longer hear

As from a central throne, the harmonies

Of the revolving whole; yet though from earth,

And from earth’s Calvary, the central scene

Withdrew to dreadful depths beyond our ken;

Withdrew to some deep Calvary at the heart

Of all creation; yet, O yet, we heard,

Echoes that murmured from Eternity,

I am the Way, the Truth, the Life, the Light.

And still the eternal passion undiscerned

Moved like a purple shadow through our world,

While we, in intellectual chaos, raised

The ancient cry, Not this man, but Barabbas.

Then Might grew Right once more, for who could hold

The Right, when the rebellious hearts of men

Finding the Law too hard in life, thought, art,

Proclaimed that Right itself was born of chance,

Born out of nothingness and doomed, at last,

To nothingness; while all that men have held

Better than dust—love, honour, justice, truth—

Was less than dust, for the blind dust endures?

But love, they said, and the proud soul of man,

Die with the breath, before the flesh decays.

And still, amidst the chaos, Love was born,

Suffered and died; and in a myriad forms

A myriad parables of the Eternal Christ

Unfolded their deep message to mankind.

So, on this last wild winter of his birth,

Though cannon rocked his cradle, heaven might hear,

Once more, the Mother and her infant Child.

Will the Five Clock-Towers chime tonight?

—Child, the red earth would shake with scorn.—

But will the Emperors laugh outright

If Roland rings that Christ is born?

No belfries pealed for that pure birth.

There were no high-stalled choirs to sing.

The blood of children smoked on earth;

For Herod, in those days, was king.—

O, then the Mother and her Son

Were refugees that Christmas, too?—

Through all the ages, little one,

That strange old story still comes true.—

Was there no peace in Bethlehem?—

Yes. There was Love in one poor Inn;

And, while His wings were over them,

They heard those deeper songs begin.—

What songs were they? What songs were they?

Did stars of shrapnel shed their light?—

O, little child, I have lost the way.

I cannot find that Inn tonight.—

Is there no peace, then, anywhere?—

Perhaps, where some poor soldier lies

With all his wounds in front, out there.—

You weep?—He had your innocent eyes.—

Then is it true that Christ’s a slave,

Whom all these wrongs can never rouse?—

They said it. But His anger drave

The money-changers from His House.—

Yet He forgave and turned away.—

Yes, unto seventy times and seven.

But they forget. He comes one day

In power, among the clouds of heaven.—

Then Roland rings?—Yes, little son!

With iron hammers they dare not scorn,

Roland is breaking them, gun by gun,

Roland is ringing. Christ is born.

Born and re-born; for though the Christ we knew

On earth be dead for ever, who shall kill

The Eternal Christ whose law is in our hearts,

Christ, who in this dark hour descends to hell,

And ascends into heaven, and sits beside

The right hand of the Father. If for men

This law be dead, it lives for children still.

Children that men have butchered see His face,

Rest in His arms, and strike our mockery dumb.

So shall the trumpet of the law resound

Through all the ages, telling of that child

Whose outstretched arms in Belgium speak for God.

They crucified a Man of old,

The thorns are shrivelled on His brow.

Prophet or fool or God, behold,

They crucify Thy children now.

They doubted evil, doubted good,

And the eternal heavens as well,

Behold, the iron and the blood,

The visible handiwork of Hell.

Fast to the cross they found it there,

They found it in the village street,

A naked child, with sunkissed hair.

The nails were through its hands and feet.

For Christ was dead, yes, Christ was dead!

O Lamb of God, O little one,

I kneel before your cross instead

And the same shadow veils the sun....

And the same shadow veils the sun....

But you, O land, O beautiful land of Freedom,

Hold fast the faith which made and keeps you great.

With you, with you abide the faith and hope,

In this dark hour, of agonised mankind.

Hold to that law whereby the warring tribes

Were merged in nations, hold to that wide law

Which bids you merge the nations, here and now,

Into one people. Hold to that deep law

Whereby we reach the peace which is not death

But the triumphant harmony of Life,

Eternal Life, immortal Love, the Peace

Of worlds that sing around the throne of God.

THRICE-ARMED

THUS only should it come, if come it must—

Not with a riot of flags and a mob-born cry,

But with a noble faith, a conscience high

That, if we fail, we failed not in our trust.

We fought for peace. We dared the bitter thrust

Of calumny for peace, and watched her die,

Her scutcheons rent from sky to outraged sky

By felon hands and trampled into the dust.

We proffered justice, and we saw the law

Cancelled by stroke on stroke of those deft hands

Which still retain the imperial forger’s pen.

They must have blood—Then, at this last, we draw

The sword, not with a riot of flags and bands,

But silence, and a mustering of men.

They challenge Truth. A people makes reply,

East, West, North, South, one honour and one might,

From sea to sea, from height to war-worn height,

The old word rings out—to conquer or to die.

And we shall conquer! Though their eagles fly

Through heaven, around this ancient isle unite

Powers that were never vanquished in the fight,

The unconquerable Powers that cannot lie.

Though fire destroy her flesh, and many a year

This land forgot the faith that made her great,

Now, as her fleets cast off the North Sea foam,

Casting aside all faction and all fear,

Thrice-armed in all the majesty of her fate,

Britain remembers, and her sword strikes home.

THE SONG-TREE

GROW, my song, like a tree,

As thou hast ever grown,

Since first, a wondering child,

Long since, I cherished thee.

It was at break of day,

Well I remember it,—

The first note that I heard,

A magical undertone,

Sweeter than any bird

—Or so it seemed to me—

And my tears ran wild.

This tale, this tale is true.

The light was growing gray;

And the rhymes ran so sweet

(For I was only a child)

That I knelt down to pray.

Grow, my song, like a tree.

Since then I have forgot

A thousand friends, but not

The song that set me free,

So that to thee I gave

My hopes and my despairs,

My boyhood’s ecstasy,

My manhood’s prayers.

In dreams I have watched thee grow,

A ladder of sweet boughs,

Where angels come and go,

And birds keep house.

In dreams, I have seen thee wave

Over a distant land,

And watched thy roots expand,

And given my life to thee,

As I would give my grave.

Grow, my song, like a tree,

And when I am grown old,

Let me die under thee,

Die to enrich thy mould;

Die at thy roots, and so

Help thee to grow.

Make of this body and blood

Thy sempiternal food.

Then let some little child,

Some friend I shall not see,

When the great dawn is gray,

Some lover I have not known,

In summers far away,

Sit listening under thee.

And in thy rustling hear

That mystical undertone,

Which made my tears run wild,

And made thee, O, how dear.

In the great years to be?

I am proud then? Ah, not so.

I have lived and died for thee.

Be patient Grow.

Grow, my song, like a tree.

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Table of Contents

THE LORD OF MISRULE

THE LORD OF MISRULE

ALFRED NOYES

CONTENTS

THE LORD OF MISRULE

THE REPEAL

THE SEARCH-LIGHTS

FORWARD

A SPELL

CRIMSON SAILS

BLIND MOONE OF LONDON

OLD GREY SQUIRREL

THE GREAT NORTH ROAD

THE RIVER OF STARS

A KNIGHT OF OLD JAPAN

BEYOND DEATH

THE STRANGE GUEST

GHOSTS

THE DAY OF REMEMBRANCE

ON THE EMBANKMENT

THE IRON CROWN

THE OLD DEBATE

A SONG OF HOPE

THE HEDGE-ROSE OPENS

THE MAY-TREE

OLD LETTERS

LAMPS

AT EDEN GATES

THE PSYCHE OF OUR DAY

PARACLETE

AFTER RAIN

THE DEATH OF A GREAT MAN

THE ROMAN WAY

THE INNER PASSION

A COUNTRY LANE IN HEAVEN

TO THE DESTROYERS

THE TRUMPET-CALL

THE HEART OF CANADA

THE RETURN OF THE HOME-BORN

A SALUTE FROM THE FLEET

IN MEMORY OF A BRITISH AVIATOR

THE WAGGON

THE SACRED OAK

THE WORLD’S WEDDING

IN MEMORIAM: SAMUEL COLERIDGE-TAYLOR

INSCRIPTION

VALUES

THE HEROIC DEAD

THE CRY IN THE NIGHT

ASTRID

THE INIMITABLE LOVERS

THE CRAGS

THE GHOST OF SHAKESPEARE

THE WHITE CLIFFS

ON THE SOUTH COAST

OLDER THAN THE HILLS

THE TORCH

THE OUTLAW

THE YOUNG FRIAR

A FOREST SONG

THE TRUMPET OF THE LAW

THRICE-ARMED

THE SONG-TREE

THE FULL PROJECT GUTENBERG™ LICENSE