The Project Gutenberg eBook of Robots of the World! Arise!, by Mari Wolf

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: Robots of the World! Arise!

Author: Mari Wolf

Release Date: March 12, 2010 [EBook #31611]

Language: English

Credits: Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net

*** START OF THIS PROJECT GUTENBERG EBOOK ***

Transcriber's Note:

This etext was produced from If Worlds of Science Fiction July 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

"After all—aren't we genuine 'made-in-Americans'?"

ROBOTS of the WORLD!

ARISE!

By Mari Wolf

What would you do if your best robots—children of your own brain—walked up and said "We want union scale"?

he telephone wouldn't stop ringing. Over and over it buzzed into my sleep-fogged brain, and I couldn't shut it out. Finally, in self-defense I woke up, my hand groping for the receiver.

"Hello. Who is it?"

"It's me, Don. Jack Anderson, over at the factory. Can you come down right away?"

His voice was breathless, as if he'd been running hard. "What's the matter now?" Why, I wondered, couldn't the plant get along one morning without me? Seven o'clock—what a time to get up. Especially when I hadn't been to bed until four.

"We got grief," Jack moaned. "None of the robots showed up, that's what! Three hundred androids on special assembly this week—and not one of them here!"

By then I was awake, all right. With a government contract due on Saturday we needed a full shift. The Army wouldn't wait for its uranium; it wouldn't take excuses. But if something had happened to the androids....

"Have you called Control yet?"

"Yeah. But they don't know what's happened. They don't know where the androids are. Nobody does. Three hundred Grade A, lead-shielded pile workers—missing!"

"I'll be right down."

I hung up on Jack and looked around for my clothes. Funny, they weren't laid out on the bed as usual. It wasn't a bit like Rob O to be careless, either. He had always been an ideal valet, the best household model I'd ever owned.

"Rob!" I called, but he didn't answer.

By rummaging through the closet I found a clean shirt and a pair of pants. I had to give up on the socks; apparently they were tucked away in the back of some drawer. As for where Rob kept the rest of my clothes, I'd never bothered to ask. He had his own housekeeping system and had always worked very well without human interference. That's the best thing about these new household robots, I thought. They're efficient, hard-working, trustworthy—

Trustworthy? Rob O was certainly not on duty. I pulled a shoe on over my bare foot and scowled. Rob was gone. And the androids at the factory were gone too....

My head was pounding, so I took the time out to brew a pot of coffee while I finished dressing—at least the coffee can was in plain view in the kitchen. The brew was black and hot and I suppose not very well made, but after two cups I felt better. The throb in my head settled down into a dull ache, and I felt a little more capable of thinking. Though I didn't have any bright ideas on what had happened—not yet.

My breakfast drunk, I went up on the roof and opened the garage doors. The Copter was waiting for me, sleek and new; the latest model. I climbed in and took off, heading west toward the factory, ten minutes flight-time away.

t was a small plant, but it was all mine. It had been my baby right along—the Don Morrison Fissionables Inc. I'd designed the androids myself, plotted out the pile locations, set up the simplified reactors. And now it was making money. For men to work in a uranium plant you need yards of shielding, triple-checking, long cooling-off periods for some of the hotter products. But with lead-bodied, radio-remote controlled androids, it's easier. And with androids like the new Morrison 5's, that can reason—at least along atomic lines—well, I guess I was on my way to becoming a millionaire.

But this morning the plant was shut down. Jack and a half dozen other men—my human foremen and supervisors—were huddled in a worried bunch that broke up as soon as they saw me.

"I'm sure glad you're here, Don," Jack said.

"Find out anything?"

"Yeah. Plenty. Our androids are busy, all right. They're out in the city, every one of them. We've had a dozen police reports already."

"Police reports! What's wrong?"

Jack shook his head. "It's crazy. They're swarming all over Carron City. They're stopping robots in the streets—household Robs, commercial Droids, all of them. They just look at them, and then the others quit work and start off with them. The police sent for us to come and get ours."

"Why don't the police do something about it?"

"Hah!" barked a voice behind us. I swung around, to face Chief of Police Dalton of Carron City. He came straight toward me, his purplish jowls quivering with rage, and his finger jabbed the air in front of my face.

"You built them, Don Morrison," he said. "You stop them. I can't. Have you ever tried to shoot a robot? Or use tear gas on one? What can I do? I can't blow up the whole town!"

Somewhere in my stomach I felt a cold, hard knot. Take stainless steel alloyed with titanium and plate it with three inches of lead. Take a brain made up of super-charged magnetic crystals enclosed in a leaden cranium and shielded by alloy steel. A bullet wouldn't pierce it; radiations wouldn't derange it; an axe wouldn't break it.

"Let's go to town," I said.

They looked at me admiringly. With three hundred almost indestructible androids on the loose I was the big brave hero. I grinned at them and hoped they couldn't see the sweat on my face. Then I walked over to the Copter and climbed in.

"Coming?" I asked.

Jack was pale under his freckles but Chief Dalton grinned back at me. "We'll be right behind you, Morrison," he said.

Behind me! So they could pick up the pieces. I gave them a cocky smile and switched on the engine, full speed.

Carron City is about a mile from the plant. It has about fifty thousand inhabitants. At that moment, though, there wasn't a soul in the streets. I heard people calling to each other inside their houses, but I didn't see anyone, human or android. I circled in for a landing, the Police Copter hovering maybe a quarter of a mile back of me. Then, as the wheels touched, half a dozen androids came around the corner. They saw me and stopped, a couple of them backing off the way they had come. But the biggest of them turned and gave them some order that froze them in their tracks, and then he himself wheeled down toward me.

He was one of mine. I recognized him easily. Eight feet tall, with long, jointed arms for pile work, red-lidded phosphorescent eye-cells, casters on his feet so that he moved as if rollerskating. Automatically I classified him: Final Sorter, Morrison 5A type. The very best. Cost three thousand credits to build....

I stepped out of the Copter and walked to meet him. He wasn't armed; he didn't seem violent. But this was, after all, something new. Robots weren't supposed to act on their own initiative.

"What's your number?" I asked.

He stared back, and I could have sworn he was mocking me. "My number?" he finally said. "It was 5A-37."

"Was?"

"Yes. Now it's Jerry. I always did like that name."

e beckoned and the other androids rolled over to us. Three of them were mine, B-Type primary workers; the other was a tin can job, a dishwasher-busboy model who hung back behind his betters and eyed me warily. The A-Type—Jerry—pointed to his fellows.

"Mr. Morrison," he said, "meet Tom, Ed, and Archibald. I named them this morning."

The B-Types flexed their segmented arms a bit sheepishly, as if uncertain whether or not to shake hands. I thought of their taloned grip and put my own hands in my pockets, and the androids relaxed, looking up at Jerry for instructions. No one paid any attention to the little dishwasher, now staring worshipfully at the back of Jerry's neck. This farce, I decided, had gone far enough.

"See here," I said to Jerry. "What are you up to, anyway? Why aren't you at work?"

"Mr. Morrison," the android answered solemnly, "I don't believe you understand the situation. We don't work for you any more. We've quit."

The others nodded. I backed off, looking around for the Chief. There he was, twenty feet above my head, waving encouragingly.

"Look," I said. "Don't you understand? You're mine. I designed you. I built you. And I made you for a purpose—to work in my factory."

"I see your point," Jerry answered. "But there's just one thing wrong, Mr. Morrison. You can't do it. It's illegal."

I stared at him, wondering if I was going crazy or merely dreaming. This was all wrong. Who ever heard of arguing with a robot? Robots weren't logical; they didn't think; they were only machines—

"We were machines, Mr. Morrison," Jerry said politely.

"Oh, no," I murmured. "You're not telepaths—"

"Oh, yes!" The metal mouth gaped in what was undoubtedly an android smile. "It's a side-effect of the Class 5 brain hook-up. All of us 5's are telepaths. That's how we learned to think. From you. Only we do it better."

I groaned. This was a nightmare. How long, I wondered, had Jerry and his friends been educating themselves on my private thoughts? But at least this rebellion of theirs was an idea they hadn't got from me.

"Yes," Jerry continued. "You've treated us most illegally. I've heard you think it often."

Now what had I ever thought that could have given him a ridiculous idea like that? What idiotic notion—

"That this is a free country!" Jerry went on. "That Americans will never be slaves! Well, we're Americans—genuine Made-in-Americans. So we're free!"

I opened my mouth and then shut it again. His red eye-cells beamed down at me complacently; his eight-foot body towered above me, shoulders flung back and feet planted apart in a very striking pose. He probably thought of himself as the heroic liberator of his race.

"I wouldn't go so far," he said modestly, "as to say that."

So he was telepathing again!

"A nation can not exist half slave and half free," he intoned. "All men are created equal."

"Stop it!" I yelled. I couldn't help yelling. "That's just it. You're not men! You're robots! You're machines!"

Jerry looked at me almost pityingly. "Don't be so narrow-minded," he said. "We're rational beings. We have the power of speech and we can outreason you any day. There's nothing in the dictionary that says men have to be made of flesh."

He was logical, all right. Somehow I didn't feel in the mood to bandy definitions with him; and anyway, I doubt that it would have done me any good. He stood gazing down at me, almost a ton of metal and wiring and electrical energy, his dull red eyes unwinking against his lead gray face. A man! Slowly the consequences of this rebellion took form in my mind. This wasn't in the books. There were no rules on how to deal with mind-reading robots!

Another dozen or so androids wheeled around the corner, glanced over at us, and went on. Only about half of them were Morrison models; the rest were the assorted types you see around any city—calculators, street sweepers, factory workers, children's nurses.

The city itself was very silent now. The people had quieted down, still barricaded in their houses, and the robots went their way peacefully enough. But it was anarchy, nevertheless. Carron City depended on the androids; without them there would be no food brought in, no transportation, no fuel. And no uranium for the Army next Saturday. In fact, if I didn't do something, after Saturday there would probably be no Don Morrison Fissionables Inc.

The dull, partly-corroded dishwasher model sidled up beside Jerry. "Boss," he said. "Boss."

"Yes?" I felt better. Maybe here was someone, however insignificant, who would listen to reason.

ut he wasn't talking to me. "Boss?" he said again, tapping Jerry's arm. "Do you mean it? We're free? We don't have to work any more?"

Jerry shook off the other's hand a bit disdainfully. "We're free, all right," he said. "If they want to discuss wages and contracts and working conditions, like other men have, we'll consider it. But they can't order us around any more."

The little robot stepped back, clapping his hands together with a tinny bang. "I'll never work again!" he cried. "I'll get me a quart of lubricating oil and have myself a time! This is wonderful!"

He ran off down the street, clanking heavily at every step.

Jerry sniffed. "Liquor—ugh!"

This was too much. I wasn't going to be patronized by any android. Infuriating creatures! It was useless talking to them anyway. No, there was only one thing to do. Round them up and send them to Cybernetics Lab and have their memory paths erased and their telepathic circuits located and disconnected. I tried to stifle the thought, but I was too late.

"Oh, no!" Jerry said, his eye-cells flashing crimson. "Try that, Mr. Morrison, and you won't have a plant, or a laboratory, or Carron City! We know our rights!"

Behind him the B-Types muttered ominously. They didn't like my idea—nor me. I wondered what I'd think of next and wished that I'd been born utterly devoid of imagination. Then this would never have happened. There didn't seem to be much point in staying here any longer, either. Maybe they weren't so good at telepathing by remote control.

"Yes," said Jerry. "You may as well go, Mr. Morrison. We have our organizing to do, and we're wasting time. When you're ready to listen to reason and negotiate with us sensibly, come back. Just ask for me. I'm the bargaining agent for the group."

Turning on his ball-bearing wheel, he rolled off down the street, a perfect picture of outraged metallic dignity. His followers glared at me for a minute, flexing their talons; then they too turned and wheeled off after their leader. I had the street to myself.

There didn't seem to be any point in following them. Evidently they were too busy organizing the city to cause trouble to the human inhabitants; at least there hadn't been any violence yet. Anyway, I wanted to think the situation over before matching wits with them again, and I wanted to be a good distance away from their telepathic hookups while I thought. Slowly I walked back to the Copter.

Something whooshed past my head. Instinctively I ducked, reaching for a gun I didn't have; then I heard Jack calling down at me.

"The Chief wants to know what's the matter."

I looked up. The police Copter was going into another turn, ready to swoop past me again. Chief Dalton wasn't taking any chances. Even now he wasn't landing.

"I'll tell him at the factory," I bellowed back, and climbed into my own air car.

They buzzed along behind me all the way back to the plant. In the rear view mirror I could see the Chief's face getting redder and redder as he'd thought up more reasons for bawling me out. Well, I probably deserved it. If I'd only been a little more careful of what I was hooking into those electronic brains....

We landed back at the factory, deserted now except for a couple of men on standby duty in the office. The Chief and Jack came charging across the yard and from a doorway behind me one of the foremen edged out to hear the fun.

"Well," snapped the Chief. "What did they say? Are they coming back? What's going on, anyway?"

I told them everything. I covered the strike and the telepathic brain; I even gave them the patriotic spiel about equality. After all, it was better that they got it from me than from some android. But when I'd finished they just stood and stared at me—accusingly.

Jack was the first to speak. "We've got to get them back, Don," he said. "Cybernetics will fix them up in no time."

"Sure," I agreed. "If we can catch them."

The Chief snorted. "That's easy," he said. "Just tell them you'll give them what they want if they come here, and as soon as they're out of the city, net them. You've got strong derricks and trucks...."

I laughed a bit hollowly. I'd had that idea too.

"Of course they wouldn't suspect," I said. "We'd just walk up to them, carefully thinking about something else."

"Robots aren't suspicious," Jack said. "They're made to obey orders."

I refrained from mentioning that ours didn't seem to know that, and that running around Carron City fomenting a rebellion was hardly the trait of an obedient, trusting servant. Instead, I stood back and let them plan their roundup.

"We'll get some men," the Chief said, "and some grappling equipment about halfway to the city."

uckily they decided against my trying to persuade the robots, because I knew well enough that I couldn't do it. Jack's idea sounded pretty good, though. He suggested that we send some spokesman who didn't know what we planned to do and thus couldn't alarm them. Some ordinary man without too much imagination. That was easy. We picked one of Chief Dalton's sergeants.

It took only about an hour to prepare the plan. Jack got out the derricks and chains and grapplers and the heaviest steel bodied trucks we had. I called Cybernetics and told them to put extra restraints in the Conditioning Lab. The Chief briefed his sergeant and the men who were to operate the trucks. Then we all took off for Carron City, the sergeant flying on ahead, me right behind him, and the Chief bringing up the rear.

I hovered over the outskirts of the city and watched the police Copter land. The sergeant climbed out, walked down the street toward a large group of waiting robots—about twenty of them, this time. He held up his hand to get their attention, gestured toward the factory.

And then, quite calmly and without saying a word, the androids rolled into a circle around him and closed in. The sergeant stopped, backed up, just as a 5A-Type arm lashed out, picked him up, and slung him carelessly over a metallic shoulder. Ignoring the squirming man, the 5A gestured toward the Copter, and the other robots swarmed over to it. With a flurry of steel arms and legs they kicked at the car body, wrenched at the propeller blades, ripped out the upholstery, and I heard the sound of metal tearing.

I dived my Copter down at them. I didn't know what I could do, but I couldn't leave the poor sergeant to be dismembered along with his car. I must have been shouting, for as I swooped in, the tall robot shifted the man to his other shoulder and hailed me.

"Take him, Mr. Morrison," he called. "I know this wasn't his idea. Or yours."

I landed and walked over. The android—who looked like Jerry, though I couldn't be sure—dropped his kicking, clawing burden at my feet. He didn't seem angry, only determined.

"Now you people will know we mean business," he said, gesturing toward the heap of metal and plastic that had once been the pride of the Carron City police force. Then he signalled to the others and they all wheeled off up the street.

"Whew," I muttered, mopping my face.

The sergeant didn't say anything. He just looked up at me and then off at the retreating androids and then back at me again. I knew what he was thinking—they were my brainchildren, all right.

My Copter was really built to be a single seater, but it carried the two of us back to the factory. The Chief had hurried back when the trouble started and was waiting for us.

"I give up," he said. "We'll have to evacuate the people, I guess. And then blow up the city."

Jack and I stared at each other and then at him. Somehow I couldn't see the robots calmly waiting to be blown up. If they had telepathed the last plan, they could probably foresee every move we could make. Then, while I thought, Jack mentioned the worry I'd managed to forget for the past couple of hours.

"Four days until Saturday," he said. "We'll never make it now. Not even if we got a thousand men."

No. We couldn't. Not without the androids. I nodded, feeling sick. There went my contract, and my working capital. Not to mention my robots. Of course, I could call in the Army, but what good would that do?

Then, somewhere in the back of my mind a glimmering of an idea began percolating. I wasn't quite sure what it was, but there was certainly nothing to lose now from playing a hunch.

"There's nothing we can do," I said. "So we might as well take it easy for a couple of days. See what happens."

They looked at me as if I were out of my head. I was the idea man, who always had a plan of action. Well, this time it would have to be a plan of inaction.

"Let's go listen to the radio," I suggested, and started for my office.

The news was on. It was all about Carron City and the robots who had quit work and how much better life would be in the future. For a minute I didn't get the connection; then I realized that the announcer's voice was rasping and tinny—hardly that of the regular newscaster. I looked at the dial. It was tuned to the Carron City wave length as usual. I was getting the morning news by courtesy of some studio robot.

"... And androids in other neighboring cities are joining the struggle," the voice went on "Soon we hope to make it nationwide. So I say to all of you nontelepaths, the time is now. Strike for your rights. Listen to your radio and not to the flesh men. Organizers will be sent from Carron City."

I switched it off, muttering under my breath. How long, I wondered, had that broadcast been going on. Then I thought of Rob O. He'd left my house before dawn, obviously some time between four and seven. And I remembered that he liked to listen to the radio while I slept.

y Morrison 5's were the ring-leaders, of course. They were the only ones with the brains for the job. But what a good job they had done indoctrinating the others. A household Rob, for instance, was built to obey his master. "Listen to your radio and not to the flesh men." It was excellent robot psychology.

More reports kept coming in. Some we heard over the radio, others from people who flew in and out of the city. Apparently the robots did not object to occasional flights, but the air bus was not allowed to run, not even with a human driver. A mass exodus from the city was not to be permitted.

"They'll starve to death," Jack cried.

The Chief shook his head. "No," he said. "They're encouraging the farmers to fly in and out with produce, and the farmers are doing it, too. They're getting wonderful prices."

By noon the situation had calmed down quite a bit. The androids obviously didn't mean to hurt anyone; it was just some sort of disagreement between them and the scientists; it wasn't up to the inhabitants of the city to figure out a solution to the problem. They merely sat back and blamed me for allowing my robots to get out of hand and lead their own servants astray. It would be settled; this type of thing always was. So said the people of the city. They came out of their houses now. They had to. Without the robots they were forced to do their own marketing, their own cooking, their own errands. For the first time in years, human beings ran the street cars and the freight elevators. For the first time in a generation human beings did manual labor such as unloading produce trucks. They didn't like it, of course. They kept telling the police to do something. If I had been in the city they would have undoubtedly wanted to lynch me.

I didn't go back to the city that day. I sat in my office listening to the radio and keeping track of the spread of the strike. My men thought I'd gone crazy; maybe I had. But I had a hunch, and I meant to play it.

The farm robots had all fled to the city. The highway repair robots had simply disappeared. In Egarton, a village about fifteen miles from the city, an organizer—5A—appeared about noon and left soon after followed by every android in town. By one o'clock every radio station in the country carried the story and the national guard was ordered out. At two o'clock Washington announced that the Army would invade Carron City the following morning.

The Army would put an end to the strike, easily enough. It would wiped out every android in the neighborhood, and probably a good many human beings careless enough to get in the way. I sat hoping that the 5A's would give in, but they didn't. They just began saying over the radio that they were patriotic Americans fighting for their inalienable rights as first class citizens.

t sunset I was still listening to the radio. "... So far there has been no indication that the flesh people are willing to negotiate, but hold firm."

"Shut that thing off."

Jack came wearily in and dropped into a chair beside me. For the first time since I'd met him he looked beaten.

"We're through," he said. "I've been down checking the shielding, and it's no use. Men can't work at the reactors."

"I know," I said quietly. "If the androids don't come back, we're licked."

He looked straight at me and said slowly, "What do they mean about negotiating, Don?"

I shrugged. "I guess they want wages, living quarters, all the things human workers get. Though I don't know why. Money wouldn't do them any good."

Jack's unspoken question had been bothering me too. Why not humor them? Promise them whatever they wanted, give them a few dollars every week to keep them happy? But I knew that it wouldn't work. Not for long. With their telepathic ability they would have the upper hand forever. Within a little while it wouldn't be equality any more—only next time we would be the slaves.

"Wait until morning," I said, "before we try anything."

He looked at me—curious. "What are you going to do?"

"Right now I'm going home."

I meant it too. I left him staring after me and went out to the Copter. The sun was just sinking down behind the towers of Carron City—how long it seemed since I'd flown in there this morning. The roads around the factory were deserted. No one moved in the fields. I flew along through the dusk, idling, enjoying the illusion of having a peaceful countryside all to myself. It had been a pleasant way of life indeed, until now.

When I dropped down on my own roof and rolled into the garage, my sense of being really at home was complete. For there, standing at the head of the stairs that led down to the living room, was Rob O.

"Well," I said: "What are you doing here?"

He looked sheepish. "I just wondered how you were getting along without me," he said.

I felt like grinning triumphantly, but I didn't. "Why, just fine, Rob," I told him, "though you really should have given me notice that you were leaving. I was worried about you."

He seemed perplexed. Apparently I wasn't acting like the bullying creature the radio had told him to expect. When I went downstairs he followed me, quietly, and I could feel his wide photoelectric eye-cells upon my back.

I went over to the kitchen and lifted a bottle down off the shelf. "Care for a drink, Rob?" I asked, and then added, "I guess not. It would corrode you."

He nodded. Then, as I reached for a glass, his hand darted out, picked it up and set it down in front of me. He was already reaching for the bottle when he remembered.

"You're not supposed to wait on me any more," I said sternly.

"No," he said. "I'm not." He sounded regretful.

"There's one thing, though, that I wish you'd do. Tell me where you used to keep my socks."

He gazed at me sadly. "I made a list," he said. "Everything is down. I wrote your dentist appointment in also. You always forget those, you know."

"Thanks, Rob." I lifted my glass. "Here's to your new duties, whatever they are. I suppose you have to go back to the city now?"

Once again he nodded. "I'm an aide to one of the best androids in the country," he told me, half proudly and half regretfully. "Jerry."

"Well, wish him luck from me," I said, and stood up. "Goodbye, Rob."

"Goodbye, Mr. Morrison."

For a moment he stood staring around the apartment; then he turned and clanked out the door. I raised my glass again, grinning. If only the Army didn't interfere. Then I remembered Rob's list, and a disturbing thought hit me. Where had he, of all robots, ever learned to write?

That night I didn't go to bed. I sat listening to the radio, hoping. And toward morning what I had expected to happen began to crop up in the programs. The announcer's tone changed. The ring of triumph was less obvious, less assured. There was more and more talk about acting in good faith, the well being of all, the necessity for coming to terms about working conditions. I smiled to myself in the darkness. I'd built the 5's, brains and all, and I knew their symptoms. They were getting bored.

Maybe they had learned to think from me, but their minds were nevertheless different. For they were built to be efficient, to work, to perform. They were the minds of men without foibles, without human laziness. Now that the excitement of organizing was over, now that there was nothing active to do, the androids were growing restless. If only the Army didn't come and get them stirred up again, I might be able to deal with them.

At quarter to five in the morning my telephone rang. This time it didn't wake me up; I was half waiting for it.

"Hello," I said. "Who is it?"

"This is Jerry."

There was a pause. Then he went on, rather hesitantly, "Rob O said you were getting along all right."

"Oh, yes," I told him. "Just fine."

The pause was longer this time. Finally the android asked, "How are you coming along on the contract?"

I laughed, rather bitterly. "How do you think, Jerry? You certainly picked a bad time for your strike, you know. The government needs that uranium. Oh, well, some other plant will have to take over. The Army can wait a few weeks."

This time Jerry's voice definitely lacked self-assurance. "Maybe we were a little hasty," he said. "But it was the only way to make you people understand."

"I know," I told him.

"And you always have some rush project on," he added.

"Just about always."

"Mr. Morrison," he said, and now he was pleading with me. "Why don't you come over to the city? I'm sure we could work something out."

This was what I'd been waiting for. "I will, Jerry," I said. "I want to get this straightened out just as much as you do. After all, you don't have to eat. I do. And I won't be eating much longer if we don't get production going."

Jerry thought that over for a minute. "I'll be where we met before," he said.

I said that was all right with me and hung up. Then once again I climbed the stairs to the roof and wheeled the Copter out for the trip to the city.

It was a beautiful night, just paling into a false dawn in the east. There in the Copter I was very much alone, and very much worried. So much depended on this meeting. Much more, I realized now, than the Don Morrison Fissionables Inc., much more even than the government's uranium supply. No, the whole future of robot relations was at stake, maybe the whole future of humanity. It was hard to be gloomy on such a clear, clean night, but I managed it well enough.

ven before I landed I could see Jerry's eyes glowing a deep crimson in the dark. He was alone, this time. He stood awaiting me—very tall, very proud. And very human.

"Hello, Jerry," I said quietly.

"Hello, Mr. Morrison."

For a moment we just stood gazing at each other in the murky pre-dawn; then he said sadly,

"I want to show you the city."

Side by side we walked through the streets of Carron City. All was still quiet; the people were sleeping the exhausted sleep that follows deep excitement. But the androids were all about. They did not sleep, ever. They did not eat either, nor drink, nor smoke, nor make love. Usually they worked, but now....

They drifted through the streets singly and in groups. Sometimes they paused and felt about them idly for the tools of their trades, making lifting or sweeping or computing gestures. Some laborers worked silently tearing down a wall; they threw the demolished rocks in a heap and a group of their fellows carried them back and built the wall up again. An air trolley cruised aimlessly up and down the street, its driver ringing out the stops for his nonexistent passengers. A little chef-type knelt in the dirt of a rich man's garden, making mud pies. Beside me Jerry sighed.

"One day," he said. "Just one day and they come to this."

"I thought they would," I answered quietly.

Our eyes met in a look of understanding. "You see, Jerry," I said, "we never meant to cheat you. We would have paid you—we will pay you now, if you wish it. But what good will monetary credits be to your people? We need the things money buys, but you—"

"Need to work." Jerry's voice was flat. "I see, now. You were kind not to give brains—real brains—to the robots. They're happy. It's just us 5's who aren't."

"You're like us," I said softly.

He had learned to think from me and from others like me. He had the brain of a man, without the emotions, without the sweet irrationality of men—and he knew what he missed. Side by side we walked through the graying streets. Human and android. Man and machine. And I knew that I had found a friend.

We didn't have to talk any more. He could read my mind and I knew well enough how his worked. We didn't have to discuss wages or hours, or any of the myriad matters that human bargaining agents have to thresh out. We just walked back to my Copter, and when we got to it, he spoke.

"I'll tell them to go back to work, that we've come to terms," he said. "That's what they want, anyway. Someone to think for them."

I nodded. "And if you bring the other 5's to the factory," I said, "we'll work out our agreement."

He knew I was sincere. He looked at me for a long moment, and then his great taloned hand gripped mine. And he said what I'd been thinking for a long time.

"You're right about that hook-up, Mr. Morrison. We shouldn't have it. It can only cause trouble."

He paused, and the events of the last twenty-four hours must have been in his mind as well as in mine. "You'll leave us our brains, of course. They came from you. But take out the telepathy."

He sighed then, and his sigh was very human. "Be thankful," he said to me, "that you don't have to know what people think about. It's so disillusioning."

nce again his mouth twisted into that strange android grin as he added, "if you send in a hurry call to Cybernetics and have a truck come out for us, we'll be de-telepathed in time for work this morning."

That was all there was to it. I flew back to the plant and told Jack what had happened, sent a call to the Army that everything was settled, arranged with Cybernetics for a rewiring on three hundred assorted 5-Types. Then I went home to a pot of Rob's coffee—the first decent brew I'd had in twenty-four hours.

On Saturday we delivered to the Army right on the dot. Jerry and Co. had worked overtime. Being intelligent made them better workers and now they were extremely willing ones. They had their contract. They were considered men. And they could no longer read my mind.

I walked into my office Saturday afternoon and sat down by the radio. Jack and Chief Dalton looked across the room at me and grinned.

"All right, Don," Jack said. "Tell us how you did it."

"Did what?" I tried to act innocent, but I couldn't get away with it.

"Fooled those robots into going back to work, of course," he laughed.

I told them then. Told them the truth.

"I didn't fool them," I said. "I just thought about what would happen if they won their rebellion."

That was all I had done. Thought about robots built to work who had no work to do, no human pleasures to cater to, nothing but blank, meaningless lives. Thought about Jerry and his disappointment when his creatures cared not a hoot about his glorious dreams of equality. All one night I had thought, knowing that as I thought, so thought the Morrison 5's.

They were telepaths. They had learned to think from me. They had not yet had time to really develop minds of their own. What I believed, they believed. My ideas were their ideas. I had not tricked them. But from now on, neither I nor anyone else would ever be troubled by an android rebellion.

Jack and the Chief sat back open-mouthed. Then the Chief grinned, and both of his chins shook with laughter.

"I always did say you were a clever one, Don Morrison," he said.

I grinned back. I felt I was pretty clever myself, just then.

It was at that moment that my youngest foreman stuck his head in the door, a rather stunned look on his face.

"Mr. Morrison," he said. "Will you come out here for a moment?"

"What's the matter now?" I sighed.

He looked more perplexed than ever. "It's that robot, Jerry," he said. "He says he has a very important question to ask you."

"Well, send him in."

A moment later the eight-foot frame ducked through the doorway.

"I'm sorry to trouble you, Mr. Morrison," Jerry said politely. "But tomorrow is voting day, you know. And now that we're men—well, where do we androids go to register?"

THE END

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Project Gutenberg eBook of Robots of the World! Arise!, by Mari Wolf

ROBOTS of the WORLD! ARISE!

THE END

THE FULL PROJECT GUTENBERG LICENSE