The Anglers of Arz
Date: 2010-06-02T00:00:00+00:00
Keywords: Science fiction; Short stories; Human-alien encounters -- Fiction

The Project Gutenberg eBook of The Anglers of Arz

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Anglers of Arz

Author: Roger D. Aycock

Illustrator: Bob Martin

Release date: June 2, 2010 [eBook #32665]
Most recently updated: January 6, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/32665

Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE ANGLERS OF ARZ ***

The Anglers of Arz

By Roger Dee

Illustrated by BOB MARTIN

[Transcriber Note: This etext was produced from IF Worlds of Science Fiction January 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

There were two pinkish, bipedal fishermen on the tiny islet.

In order to make Izaak Walton's sport complete, there must be an angler, a fish, and some bait. All three existed on Arz but there was a question as to which was which.

The third night of the Marco Four's landfall on the moonless Altarian planet was a repetition of the two before it, a nine-hour intermission of drowsy, pastoral peace. Navigator Arthur Farrell—it was his turn to stand watch—was sitting at an open-side port with a magnoscanner ready; but in spite of his vigilance he had not exposed a film when the inevitable pre-dawn rainbow began to shimmer over the eastern ocean.

Sunrise brought him alert with a jerk, frowning at sight of two pinkish, bipedal Arzian fishermen posted on the tiny coral islet a quarter-mile offshore, their blank triangular faces turned stolidly toward the beach.

"They're at it again," Farrell called, and dropped to the mossy turf outside. "Roll out on the double! I'm going to magnofilm this!"

Stryker and Gibson came out of their sleeping cubicles reluctantly, belting on the loose shorts which all three wore in the balmy Arzian climate. Stryker blinked and yawned as he let himself through the port, his fringe of white hair tousled and his naked paunch sweating. He looked, Farrell thought for the thousandth time, more like a retired cook than like the veteran commander of a Terran Colonies expedition.

Gibson followed, stretching his powerfully-muscled body like a wrestler to throw off the effects of sleep. Gibson was linguist-ethnologist of the crew, a blocky man in his early thirties with thick black hair and heavy brows that shaded a square, humorless face.

"Any sign of the squids yet?" he asked.

"They won't show up until the dragons come," Farrell said. He adjusted the light filter of the magnoscanner and scowled at Stryker. "Lee, I wish you'd let me break up the show this time with a dis-beam. This butchery gets on my nerves."

Stryker shielded his eyes with his hands against the glare of sun on water. "You know I can't do that, Arthur. These Arzians may turn out to be Fifth Order beings or higher, and under Terran Regulations our tampering with what may be a basic culture-pattern would amount to armed invasion. We'll have to crack that cackle-and-grunt language of theirs and learn something of their mores before we can interfere."

Farrell turned an irritable stare on the incurious group of Arzians gathering, nets and fishing spears in hand, at the edge of the sheltering bramble forest.

"What stumps me is their motivation," he said. "Why do the fools go out to that islet every night, when they must know damned well what will happen next morning?"

Gibson answered him with an older problem, his square face puzzled. "For that matter, what became of the city I saw when we came in through the stratosphere? It must be a tremendous thing, yet we've searched the entire globe in the scouter and found nothing but water and a scattering of little islands like this one, all covered with bramble. It wasn't a city these pink fishers could have built, either. The architecture was beyond them by a million years."

Stryker and Farrell traded baffled looks. The city had become something of a fixation with Gibson, and his dogged insistence—coupled with an irritating habit of being right—had worn their patience thin.

"There never was a city here, Gib," Stryker said. "You dozed off while we were making planetfall, that's all."

Gibson stiffened resentfully, but Farrell's voice cut his protest short. "Get set! Here they come!"

Out of the morning rainbow dropped a swarm of winged lizards, twenty feet in length and a glistening chlorophyll green in the early light. They stooped like hawks upon the islet offshore, burying the two Arzian fishers instantly under their snapping, threshing bodies. Then around the outcrop the sea boiled whitely, churned to foam by a sudden uprushing of black, octopoid shapes.

"The squids," Stryker grunted. "Right on schedule. Two seconds too late, as usual, to stop the slaughter."

A barrage of barbed tentacles lashed out of the foam and drove into the melee of winged lizards. The lizards took the air at once, leaving behind three of their number who disappeared under the surface like harpooned seals. No trace remained of the two Arzian natives.

"A neat example of dog eat dog," Farrell said, snapping off the magnoscanner. "Do any of those beauties look like city-builders, Gib?"

Chattering pink natives straggled past from the shelter of the thorn forest, ignoring the Earthmen, and lined the casting ledges along the beach to begin their day's fishing.

"Nothing we've seen yet could have built that city," Gibson said stubbornly. "But it's here somewhere, and I'm going to find it. Will either of you be using the scouter today?"

Stryker threw up his hands. "I've a mountain of data to collate, and Arthur is off duty after standing watch last night. Help yourself, but you won't find anything."

The scouter was a speeding dot on the horizon when Farrell crawled into his sleeping cubicle a short time later, leaving Stryker to mutter over his litter of notes. Sleep did not come to him at once; a vague sense of something overlooked prodded irritatingly at the back of his consciousness, but it was not until drowsiness had finally overtaken him that the discrepancy assumed definite form.

He recalled then that on the first day of the Marco's planetfall one of the pink fishers had fallen from a casting ledge into the water, and had all but drowned before his fellows pulled him out with extended spear-shafts. Which meant that the fishers could not swim, else some would surely have gone in after him.

And the Marco's crew had explored Arz exhaustively without finding any slightest trace of boats or of boat landings. The train of association completed itself with automatic logic, almost rousing Farrell out of his doze.

"I'll be damned," he muttered. "No boats, and they don't swim. Then how the devil do they get out to that islet?"

He fell asleep with the paradox unresolved.

Stryker was still humped over his records when Farrell came out of his cubicle and broke a packaged meal from the food locker. The visicom over the control board hummed softly, its screen blank on open channel.

"Gibson found his lost city yet?" Farrell asked, and grinned when Stryker snorted.

"He's scouring the daylight side now," Stryker said. "Arthur, I'm going to ground Gib tomorrow, much as I dislike giving him a direct order. He's got that phantom city on the brain, and he lacks the imagination to understand how dangerous to our assignment an obsession of that sort can be."

Farrell shrugged. "I'd agree with you offhand if it weren't for Gib's bullheaded habit of being right. I hope he finds it soon, if it's here. I'll probably be standing his watch until he's satisfied."

Stryker looked relieved. "Would you mind taking it tonight? I'm completely bushed after today's logging."

Farrell waved a hand and took up his magnoscanner. It was dark outside already, the close, soft night of a moonless tropical world whose moist atmosphere absorbed even starlight. He dragged a chair to the open port and packed his pipe, settling himself comfortably while Stryker mixed a nightcap before turning in.

Later he remembered that Stryker dissolved a tablet in his glass, but at the moment it meant nothing. In a matter of minutes the older man's snoring drifted to him, a sound faintly irritating against the velvety hush outside.

Farrell lit his pipe and turned to the inconsistencies he had uncovered. The Arzians did not swim, and without boats....

It occurred to him then that there had been two of the pink fishers on the islet each morning, and the coincidence made him sit up suddenly, startled. Why two? Why not three or four, or only one?

He stepped out through the open lock and paced restlessly up and down on the springy turf, feeling the ocean breeze soft on his face. Three days of dull routine logwork had built up a need for physical action that chafed his temper; he was intrigued and at the same time annoyed by the enigmatic relation that linked the Arzian fishers to the dragons and squids, and his desire to understand that relation was aggravated by the knowledge that Arz could be a perfect world for Terran colonization. That is, he thought wryly, if Terran colonists could stomach the weird custom pursued by its natives of committing suicide in pairs.

He went over again the improbable drama of the past three mornings, and found it not too unnatural until he came to the motivation and the means of transportation that placed the Arzians in pairs on the islet, when his whole fabric of speculation fell into a tangled snarl of inconsistencies. He gave it up finally; how could any Earthman rationalize the outlandish compulsions that actuated so alien a race?

He went inside again, and the sound of Stryker's muffled snoring fanned his restlessness. He made his decision abruptly, laying aside the magnoscanner for a hand-flash and a pocket-sized audicom unit which he clipped to the belt of his shorts.

He did not choose a weapon because he saw no need for one. The torch would show him how the natives reached the outcrop, and if he should need help the audicom would summon Stryker. Investigating without Stryker's sanction was, strictly speaking, a breach of Terran Regulations, but—

"Damn Terran Regulations," he muttered. "I've got to know."

Farrell snapped on the torch at the edge of the thorn forest and entered briskly, eager for action now that he had begun. Just inside the edge of the bramble he came upon a pair of Arzians curled up together on the mossy ground, sleeping soundly, their triangular faces wholly blank and unrevealing.

He worked deeper into the underbrush and found other sleeping couples, but nothing else. There were no humming insects, no twittering night-birds or scurrying rodents. He had worked his way close to the center of the island without further discovery and was on the point of turning back, disgusted, when something bulky and powerful seized him from behind.

A sharp sting burned his shoulder, wasp-like, and a sudden overwhelming lassitude swept him into a darkness deeper than the Arzian night. His last conscious thought was not of his own danger, but of Stryker—asleep and unprotected behind the Marco's open port....

He was standing erect when he woke, his back to the open sea and a prismatic glimmer of early-dawn rainbow shining on the water before him. For a moment he was totally disoriented; then from the corner of an eye he caught the pinkish blur of an Arzian fisher standing beside him, and cried out hoarsely in sudden panic when he tried to turn his head and could not.

He was on the coral outcropping offshore, and except for the involuntary muscles of balance and respiration his body was paralyzed.

The first red glow of sunrise blurred the reflected rainbow at his feet, but for some seconds his shuttling mind was too busy to consider the danger of predicament. Whatever brought me here anesthetized me first, he thought. That sting in my shoulder was like a hypo needle.

Panic seized him again when he remembered the green flying-lizards; more seconds passed before he gained control of himself, sweating with the effort. He had to get help. If he could switch on the audicom at his belt and call Stryker....

He bent every ounce of his will toward raising his right hand, and failed.

His arm was like a limb of lead, its inertia too great to budge. He relaxed the effort with a groan, sweating again when he saw a fiery half-disk of sun on the water, edges blurred and distorted by tiny surface ripples.

On shore he could see the Marco Four resting between thorn forest and beach, its silvered sides glistening with dew. The port was still open, and the empty carrier rack in the bow told him that Gibson had not yet returned with the scouter.

He grew aware then that sensation was returning to him slowly, that the cold surface of the audicom unit at his hip—unfelt before—was pressing against the inner curve of his elbow. He bent his will again toward motion; this time the arm tensed a little, enough to send hope flaring through him. If he could put pressure enough against the stud....

The tiny click of its engaging sent him faint with relief.

"Stryker!" he yelled. "Lee, roll out—Stryker!"

The audicom hummed gently, without answer.

He gathered himself for another shout, and recalled with a chill of horror the tablet Stryker had mixed into his nightcap the night before. Worn out by his work, Stryker had made certain that he would not be easily disturbed.

The flattened sun-disk on the water brightened and grew rounder. Above its reflected glare he caught a flicker of movement, a restless suggestion of flapping wings.

He tried again. "Stryker, help me! I'm on the islet!"

The audicom crackled. The voice that answered was not Stryker's, but Gibson's.

"Farrell! What the devil are you doing on that butcher's block?"

Farrell fought down an insane desire to laugh. "Never mind that—get here fast, Gib! The flying-lizards—"

He broke off, seeing for the first time the octopods that ringed the outcrop just under the surface of the water, waiting with barbed tentacles spread and yellow eyes studying him glassily. He heard the unmistakable flapping of wings behind and above him then, and thought with shock-born lucidity: I wanted a backstage look at this show, and now I'm one of the cast.

The scouter roared in from the west across the thorn forest, flashing so close above his head that he felt the wind of its passage. Almost instantly he heard the shrilling blast of its emergency bow jets as Gibson met the lizard swarm head on.

Gibson's voice came tinnily from the audicom. "Scattered them for the moment, Arthur—blinded the whole crew with the exhaust, I think. Stand fast, now. I'm going to pick you up."

The scouter settled on the outcrop beside Farrell, so close that the hot wash of its exhaust gases scorched his bare legs. Gibson put out thick brown arms and hauled him inside like a straw man, ignoring the native. The scouter darted for shore with Farrell lying across Gibson's knees in the cockpit, his head hanging half overside.

Farrell had a last dizzy glimpse of the islet against the rush of green water below, and felt his shaky laugh of relief stick in his throat. Two of the octopods were swimming strongly for shore, holding the rigid Arzian native carefully above water between them.

"Gib," Farrell croaked. "Gib, can you risk a look back? I think I've gone mad."

The scouter swerved briefly as Gibson looked back. "You're all right, Arthur. Just hang on tight. I'll explain everything when we get you safe in the Marco."

Farrell forced himself to relax, more relieved than alarmed by the painful pricking of returning sensation. "I might have known it, damn you," he said. "You found your lost city, didn't you?"

Gibson sounded a little disgusted, as if he were still angry with himself over some private stupidity. "I'd have found it sooner if I'd had any brains. It was under water, of course."

In the Marco Four, Gibson routed Stryker out of his cubicle and mixed drinks around, leaving Farrell comfortably relaxed in the padded control chair. The paralysis was still wearing off slowly, easing Farrell's fear of being permanently disabled.

"We never saw the city from the scouter because we didn't go high enough," Gibson said. "I realized that finally, remembering how they used high-altitude blimps during the First Wars to spot submarines, and when I took the scouter up far enough there it was, at the ocean bottom—a city to compare with anything men ever built."

Stryker stared. "A marine city? What use would sea-creatures have for buildings?"

"None," Gibson said. "I think the city must have been built ages ago—by men or by a manlike race, judging from the architecture—and was submerged later by a sinking of land masses that killed off the original builders and left Arz nothing but an oversized archipelago. The squids took over then, and from all appearances they've developed a culture of their own."

"I don't see it," Stryker complained, shaking his head. "The pink fishers—"

"Are cattle, or less," Gibson finished. "The octopods are the dominant race, and they're so far above Fifth Order that we're completely out of bounds here. Under Terran Regulations we can't colonize Arz. It would be armed invasion."

"Invasion of a squid world?" Farrell protested, baffled. "Why should surface colonization conflict with an undersea culture, Gib? Why couldn't we share the planet?"

"Because the octopods own the islands too, and keep them policed," Gibson said patiently. "They even own the pink fishers. It was one of the squid-people, making a dry-land canvass of his preserve here to pick a couple of victims for this morning's show, that carried you off last night."

"Behold a familiar pattern shaping up," Stryker said. He laughed suddenly, a great irrepressible bellow of sound. "Arz is a squid's world, Arthur, don't you see? And like most civilized peoples, they're sportsmen. The flying-lizards are the game they hunt, and they raise the pink fishers for—"

Farrell swore in astonishment. "Then those poor devils are put out there deliberately, like worms on a hook—angling in reverse! No wonder I couldn't spot their motivation!"

Gibson got up and sealed the port, shutting out the soft morning breeze. "Colonization being out of the question, we may as well move on before the octopods get curious enough about us to make trouble. Do you feel up to the acceleration, Arthur?"

Farrell and Stryker looked at each other, grinning. Farrell said: "You don't think I want to stick here and be used for bait again, do you?"

He and Stryker were still grinning over it when Gibson, unamused, blasted the Marco Four free of Arz.

*** END OF THE PROJECT GUTENBERG EBOOK THE ANGLERS OF ARZ ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- The Anglers of Arz

- Illustrated by BOB MARTIN

- There were two pinkish, bipedal fishermen on the tiny islet.

- THE FULL PROJECT GUTENBERG™ LICENSE