The Project Gutenberg eBook of Later Poems, by Bliss Carman

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Title: Later Poems

Author: Bliss Carman

Release Date: August 12, 2010 [EBook #33417]

Language: English

Credits: Produced by Al Haines

*** START OF THIS PROJECT GUTENBERG EBOOK ***

Oh, well the world is dreaming

Under the April moon,

Her soul in love with beauty,

Her senses all a-swoon!

Pure hangs the silver crescent

Above the twilight wood,

And pure the silver music

Wakes from the marshy flood.

O Earth, with all thy transport,

How comes it life should seem

A shadow in the moonlight,

A murmur in a dream?

Bliss Carman

LATER POEMS

BY BLISS CARMAN

WITH AN APPRECIATION

BY R. H. HATHAWAY

And decorations by J. E. H. MacDonald A.R.C.A

MCCLELLAND & STEWART

PUBLISHERS — TORONTO

Copyright, Canada, 1921

By MCCLELLAND & STEWART, Limited, TORONTO

First Printing   1921

Second   "       1922

Third    "       1922

Fourth   "       1923

Printed in Canada

Publisher's Note

The present volume is made up of poems from Mr. Carman's three latest books, The Rough Rider, Echoes from Vagabondia, and April Airs, together with a number of more recent poems which have not before been issued in book form.

Bliss Carman: An Appreciation

How many Canadians--how many even among the few who seek to keep themselves informed of the best in contemporary literature, who are ever on the alert for the new voices—realise, or even suspect, that this Northern land of theirs has produced a poet of whom it may be affirmed with confidence and assurance that he is of the great succession of English poets? Yet such—strange and unbelievable though it may seem—is in very truth the case, that poet being (to give him his full name) William Bliss Carman. Canada has full right to be proud of her poets, a small body though they are; but not only does Mr. Carman stand high and clear above them all—his place (and time cannot but confirm and justify the assertion) is among those men whose poetry is the shining glory of that great English literature which is our common heritage.

If any should ask why, if what has been just said is so, there has been—as must be admitted—no general recognition of the fact in the poet's home land, I would answer that there are various and plausible, if not good, reasons for it.

First of all, the poet, as thousands more of our young men of ambition and confidence have done, went early to the United States, and until recently, except for rare and brief visits to his old home down by the sea, has never returned to Canada—though for all that, I am able to state, on his own authority, he is still a Canadian citizen. Then all his books have had their original publication in the United States, and while a few of them have subsequently carried the imprints of Canadian publishers, none of these can be said ever to have made any special effort to push their sale. Another reason for the fact above mentioned is that Mr. Carman has always scorned to advertise himself, while his work has never been the subject of the log-rolling and booming which the work of many another poet has had—to his ultimate loss. A further reason is that he follows a rule of his own in preparing his books for publication. Most poets publish a volume of their work as soon as, through their industry and perseverance, they have material enough on hand to make publication desirable in their eyes. Not so with Mr. Carman, however, his rule being not to publish until he has done sufficient work of a certain general character or key to make a volume. As a result, you cannot fully know or estimate his work by one book, or two books, or even half a dozen; you must possess or be familiar with every one of the score and more volumes which contain his output of poetry before you can realise how great and how many-sided is his genius.

It is a common remark on the part of those who respond readily to the vigorous work of Kipling, or Masefield, even our own Service, that Bliss Carman's poetry has no relation to or concern with ordinary, everyday life. One would suppose that most persons who cared for poetry at all turned to it as a relief from or counter to the burdens and vexations of the daily round; but in any event, the remark referred to seems to me to indicate either the most casual acquaintance with Mr. Carman's work, or a complete misunderstanding and misapprehension of the meaning of it. I grant that you will find little or nothing in it all to remind you of the grim realities and vexing social problems of this modern existence of ours; but to say or to suggest that these things do not exist for Mr. Carman is to say or to suggest something which is the reverse of true. The truth is, he is aware of them as only one with the sensitive organism of a poet can be; but he does not feel that he has a call or mission to remedy them, and still less to sing of them. He therefore leaves the immediate problems of the day to those who choose, or are led, to occupy themselves therewith, and turns resolutely away to dwell upon those things which for him possess infinitely greater importance.

"What are they?" one who knows Mr. Carman only as, say, a lyrist of spring or as a singer of the delights of vagabondia probably will ask in some wonder. Well, the things which concern him above all, I would answer, are first, and naturally, the beauty and wonder of this world of ours, and next the mystery of the earthly pilgrimage of the human soul out of eternity and back into it again.

The poems in the present volume—which, by the way, can boast the high honor of being the very first regular Canadian edition of his work—will be evidence ample and conclusive to every reader, I am sure, of the place which

The perennial enchanted

Lovely world and all its lore

occupy in the heart and soul of Bliss Carman, as well as of the magical power with which he is able to convey the deep and unfailing satisfaction and delight which they possess for him. They, however, represent his latest period (he has had three well-defined periods), comprising selections from three of his last published volumes: The Rough Rider, Echoes from Vagabondia, and April Airs, together with a number of new poems, and do not show, except here and there and by hints and flashes, how great is his preoccupation with the problem of man's existence—

the hidden import

Of man's eternal plight.

This is manifest most in certain of his earlier books, for in these he turns and returns to the greatest of all the problems of man almost constantly, probing, with consummate and almost unrivalled use of the art of expression, for the secret which surely, he clearly feels, lies hidden somewhere, to be discovered if one could but pierce deeply enough. Pick up Behind the Arras, and as you turn over page after page you cannot but observe how incessantly the poet's mind—like the minds of his two great masters, Browning and Whitman—works at this problem. In "Behind the Arras," the title poem; "In the Wings," "The Crimson House," "The Lodger," "Beyond the Gamut," "The Juggler"—yes, in every poem in the book—he takes up and handles the strange thing we know as, or call, life, turning it now this way, now that, in an effort to find out its meaning and purpose. He comes but little nearer success in this than do most of the rest of men, of course; but the magical and ever-fresh beauty of his expression, the haunting melody of his lines, the variety of his images and figures and the depth and range of his thought, put his searchings and ponderings in a class by themselves.

Lengthy quotation from Mr. Carman's books is not permitted here, and I must guide myself accordingly, though with reluctance, because I believe that in a study such as this the subject should be allowed to speak for himself as much as possible. In "Behind the Arras" the poet describes the passage from life to death as

A cadence dying down unto its source

In music's course,

and goes on to speak of death as

the broken rhythm of thought and man,

The sweep and span

Of memory and hope

About the orbit where they still must grope

For wider scope,

To be through thousand springs restored, renewed,

With love imbrued,

With increments of will

Made strong, perceiving unattainment still

From each new skill.

Now follow some verses from "Behind the Gamut," to my mind the poet's greatest single achievement;

As fine sand spread on a disc of silver,

At some chord which bids the motes combine,

Heeding the hidden and reverberant impulse,

Shifts and dances into curve and line,

The round earth, too, haply, like a dust-mote,

Was set whirling her assigned sure way,

Round this little orb of her ecliptic

To some harmony she must obey.

And what of man?

Linked to all his half-accomplished fellows,

Through unfrontiered provinces to range—

Man is but the morning dream of nature,

Roused to some wild cadence weird and strange.

Here, now, are some verses from "Pulvis et Umbra," which is to be found in Mr. Carman's first book, Low Tide on Grand Pré, and in which the poet addresses a moth which a storm has blown into his window:

For man walks the world with mourning

Down to death and leaves no trace,

With the dust upon his forehead,

And the shadow on his face.

Pillared dust and fleeing shadow

As the roadside wind goes by,

And the fourscore years that vanish

In the twinkling of an eye.

"Pillared dust and fleeing shadow." Where in all our English literature will one find the life history of man summed up more briefly and, at the same time, more beautifully, than in that wonderful line? Now follows a companion verse to those just quoted, taken from "Lord of My Heart's Elation," which stands in the forefront of From the Green Book of the Bards. It may be remarked here that while the poet recurs again and again to some favorite thought or idea, it is never in the same words. His expression is always new and fresh, showing how deep and true is his inspiration. Again it is man who is pictured:

A fleet and shadowy column

Of dust and mountain rain,

To walk the earth a moment

And be dissolved again.

But while Mr. Carman's speculations upon life's meaning and the mystery of the future cannot but appeal to the thoughtful-minded, it is as an interpreter of nature that he makes his widest appeal. Bliss Carman, I must say here, and emphatically, is no mere landscape-painter; he never, or scarcely ever, paints a picture of nature for its own sake. He goes beyond the outward aspect of things and interprets or translates for us with less keen senses as only a poet whose feeling for nature is of the deepest and profoundest, who has gone to her whole-heartedly and been taken close to her warm bosom, can do. Is this not evident from these verses from "The Great Return"—originally called "The Pagan's Prayer," and for some inscrutable reason to be found only in the limited Collected Poems, issued in two stately volumes in 1905 (1904)?

When I have lifted up my heart to thee,

Thou hast ever hearkened and drawn near,

And bowed thy shining face close over me,

Till I could hear thee as the hill-flowers hear.

When I have cried to thee in lonely need,

Being but a child of thine bereft and wrung,

Then all the rivers in the hills gave heed;

And the great hill-winds in thy holy tongue—

That ancient incommunicable speech—

The April stars and autumn sunsets know—

Soothed me and calmed with solace beyond reach

Of human ken, mysterious and low.

Who can read or listen to those moving lines without feeling that Mr. Carman is in very truth a poet of nature—nay, Nature's own poet? But how could he be other when, in "The Breath of the Reed" (From the Green Book of the Bards), he makes the appeal?

Make me thy priest, O Mother,

And prophet of thy mood,

With all the forest wonder

Enraptured and imbued.

As becomes such a poet, and particularly a poet whose birth-month is April, Mr. Carman sings much of the early spring. Again and again he takes up his woodland pipe, and lo! Pan himself and all his train troop joyously before us. Yet the singer's notes for all his singing never become wearied or strident; his airs are ever new and fresh; his latest songs are no less spontaneous and winning than were his first, written how many years ago, while at the same time they have gained in beauty and melody. What heart will not stir to the vibrant music of his immortal "Spring Song," which was originally published in the first Songs from Vagabondia, and the opening verses of which follow?

Make me over, mother April,

When the sap begins to stir!

When thy flowery hand delivers

All the mountain-prisoned rivers,

And thy great heart beats and quivers

To revive the days that were,

Make me over, mother April,

When the sap begins to stir!

Take my dust and all my dreaming,

Count my heart-beats one by one,

Send them where the winters perish;

Then some golden noon recherish

And restore them in the sun,

Flower and scent and dust and dreaming,

With their heart-beats every one!

That poem is sufficient in itself to prove that Bliss Carman has full right and title to be called Spring's own lyrist, though it may be remarked here that not all his spring poems are so unfeignedly joyous. Many of them indeed, have a touch, or more than a touch, of wistfulness, for the poet knows well that sorrow lurks under all joy, deep and well hidden though it may be.

Mr. Carman sings equally finely, though perhaps not so frequently, of summer and the other seasons; but as he has other claims upon our attention, I shall forbear to labor the fact, particularly as the following collection demonstrates it sufficiently. One of those other claims is as a writer of sea poetry. Few poets, it may be said, have pictured the majesty and the mystery, the beauty and the terror of the sea, better than he. His Ballads of Lost Haven is a veritable treasure-house for those whose spirits find kinship in wide expanses of moving waters. One of the best known poems in this volume is "The Gravedigger," which opens thus:

Oh, the shambling sea is a sexton old,

And well his work is done.

With an equal grave for lord and knave,

He buries them every one.

Then hoy and rip, with a rolling hip,

He makes for the nearest shore;

And God, who sent him a thousand ship,

Will send him a thousand more;

But some he'll save for a bleaching grave,

And shoulder them in to shore—

Shoulder them in, shoulder them in,

Shoulder them in to shore.

In "The City of the Sea" (Last Songs from Vagabondia) Mr. Carman speaks of the seabells sounding

The eternal cadence of sea sorrow

For Man's lot and immemorial wrong—

The lost strains that haunt the human dwelling

With the ghost of song.

Elsewhere he speaks of

The great sea, mystic and musical.

And here from another poem is a striking picture:

... the old sea

Seems to whimper and deplore

Mourning like a childless crone

With her sorrow left alone—

The eternal human cry

To the heedless passer-by.

I have said above that Mr. Carman has had three distinct periods, and intimated that the poems in the following collection are of his third period. The first period may be said to be represented by the Low Tide and Behind the Arras volumes, while the second is displayed in the three volumes of Songs from Vagabondia, which he published in association with his friend Richard Hovey. Bliss Carman was from the first too original and individual a poet to be directly influenced by anyone else; but there can be no doubt that his friendship with Hovey helped to turn him from over-preoccupation with mysteries which, for all their greatness, are not for man to solve, to an intenser realisation of the beauty and loveliness of the world about him and of the joys of human fellowship. The result is seen in such poems as "Spring Song," quoted in part above, and his perhaps equally well-known "The Joys of the Road," which appeared in the same volume with that poem, and a few verses from which follow:

Now the joys of the road are chiefly these:

A crimson touch on the hardwood trees;

A vagrant's morning wide and blue,

In early fall, when the wind walks, too;

A shadowy highway cool and brown,

Alluring up and enticing down

From rippled waters and dappled swamp,

From purple glory to scarlet pomp;

The outward eye, the quiet will,

And the striding heart from hill to hill.

Some of the finest of Mr. Carman's work is contained in his elegiac or memorial poems, in which he commemorates Keats, Shelley, William Blake, Lincoln, Stevenson, and other men for whom he has a kindred feeling, and also friends whom he has loved and lost. Listen to these moving lines from "Non Omnis Moriar," written in memory of Gleeson White, and to be found in Last Songs from Vagabondia:

There is a part of me that knows,

Beneath incertitude and fear,

I shall not perish when I pass

Beyond mortality's frontier;

But greatly having joyed and grieved,

Greatly content, shall hear the sigh

Of the strange wind across the lone

Bright lands of taciturnity.

In patience therefore I await

My friend's unchanged benign regard,—

Some April when I too shall be

Spilt water from a broken shard.

In "The White Gull," written for the centenary of the birth of Shelley in 1892, and included in By the Aurelian Wall, he thus apostrophizes that clear and shining spirit:

O captain of the rebel host,

Lead forth and far!

Thy toiling troopers of the night

Press on the unavailing fight;

The sombre field is not yet lost,

With thee for star.

Thy lips have set the hail and haste

Of clarions free

To bugle down the wintry verge

Of time forever, where the surge

Thunders and trembles on a waste

And open sea.

In "A Seamark," a threnody for Robert Louis Stevenson, which appears in the same volume, the poet hails "R.L.S." (of whose tribe he may be said to be truly one) as

The master of the roving kind,

and goes on:

O all you hearts about the world

In whom the truant gypsy blood,

Under the frost of this pale time,

Sleeps like the daring sap and flood

That dreams of April and reprieve!

You whom the haunted vision drives,

Incredulous of home and ease.

Perfection's lovers all your lives!

You whom the wander-spirit loves

To lead by some forgotten clue

Forever vanishing beyond

Horizon brinks forever new;

Our restless loved adventurer,

On secret orders come to him,

Has slipped his cable, cleared the reef,

And melted on the white sea-rim.

"Perfection's lovers all your lives." Of these, it may be said without qualification, is Bliss Carman himself.

No summary of Mr. Carman's work, however cursory, would be worthy of the name if it omitted mention of his ventures in the realm of Greek myth. From the Book of Myths is made up of work of that sort, every poem in it being full of the beauty of phrase and melody of which Mr. Carman alone has the secret. The finest poems in the book, barring the opening one, "Overlord," are "Daphne," "The Dead Faun," "Hylas," and "At Phædra's Tomb," but I can do no more here than name them, for extracts would fail to reveal their full beauty. And beauty, after all is said, is the first and last thing with Mr. Carman. As he says himself somewhere:

The joy of the hand that hews for beauty

Is the dearest solace under the sun.

And again

The eternal slaves of beauty

Are the masters of the world.

A slave—a happy, willing slave—to beauty is the poet himself, and the world can never repay him for the message of beauty which he has brought it.

Kindred to From the Book of Myths, but much more important, is Sappho: One Hundred Lyrics, one of the most successful of the numerous attempts which have been made to recapture the poems by that high priestess of song which remain to us only in fragments. Mr. Carman, as Charles G. D. Roberts points out in an introduction to the volume, has made no attempt here at translation or paraphrasing; his venture has been "the most perilous and most alluring in the whole field of poetry"—that of imaginative and, at the same time, interpretive construction. Brief quotation again would fail to convey an adequate idea of the exquisiteness of the work, and all I can do, therefore, is to urge all lovers of real poetry to possess themselves of Sappho: One Hundred Lyrics, for it is literally a storehouse of lyric beauty.

I must not fail here to speak of From the Book of Valentines, which contains some lovely things, notably "At the Great Release." This is not only one of the finest of all Mr. Carman's poems, but it is also one of the finest poems of our time. It is a love poem, and no one possessing any real feeling for poetry can read it without experiencing that strange thrill of the spirit which only the highest form of poetry can communicate. "Morning and Evening," "In an Iris Meadow," and "A letter from Lesbos" must be also mentioned. In the last named poem, Sappho is represented as writing to Gorgo, and expresses herself in these moving words:

If the high gods in that triumphant time

Have calendared no day for thee to come

Light-hearted to this doorway as of old,

Unmoved I shall behold their pomps go by—

The painted seasons in their pageantry,

The silvery progressions of the moon,

And all their infinite ardors unsubdued,

Pass with the wind replenishing the earth

Incredulous forever I must live

And, once thy lover, without joy behold,

The gradual uncounted years go by,

Sharing the bitterness of all things made.

Mention must be now made of Songs of the Sea Children, which can be described only as a collection of the sweetest and tenderest love lyrics written in our time—

the lyric songs

The earthborn children sing,

When wild-wood laughter throngs

The shy bird-throats of spring;

When there's not a joy of the heart

But flies like a flag unfurled,

And the swelling buds bring back

The April of the world.

So perfect and complete are these lyrics that it would be almost sacrilege to quote any of them unless entire. Listen however, to these verses:

The day is lost without thee,

The night has not a star.

Thy going is an empty room

Whose door is left ajar.

Depart: it is the footfall

Of twilight on the hills.

Return: and every rood of ground

Breaks into daffodils.

There are those who will have it that Bliss Carman has been away from Canada so long that he has ceased to be, in a real sense, a Canadian. Such assume rather than know, for a very little study of his work would show them that it is shot through and through with the poet's feeling for the land of his birth. Memories of his childhood and youthful years down by the sea are still fresh in Mr. Carman's mind, and inspire him again and again in his writing. "A Remembrance," at the beginning of the present collection, may be pointed to as a striking instance of this, but proof positive is the volume, Songs from a Northern Garden, for it could have been written only by a Canadian, born and bred, one whose heart and soul thrill to the thought of Canada. I would single out from this volume for special mention as being "Canadian" in the fullest sense "In a Grand Pré Garden," "The Keeper's Silence," "At Home and Abroad," "Killoleet," and "Above the Gaspereau," but have no space to quote from them.

But Mr. Carman is not only a Canadian, he is also a Briton; and evidence of this is his Ode on the Coronation, written on the occasion of the crowning of King Edward VII in 1902. This poem—the very existence of which is hardly known among us—ought to be put in the hands of every child and youth who speaks the English tongue, for no other, I dare maintain—nothing by Kipling, or Newbolt, or any other of our so-called "Imperial singers"—expresses more truly and more movingly the deep feeling of love and reverence which the very thought of England evokes in every son of hers, even though it may never have been his to see her white cliffs rise or to tread her storied ground:

O England, little mother by the sleepless Northern tide,

Having bred so many nations to devotion, trust, and pride,

Very tenderly we turn

With welling hearts that yearn

Still to love you and defend you,—let the sons of men discern

Wherein your right and title, might and majesty, reside.

In concluding this, I greatly fear, lamentably inadequate study, I come to the collection which follows, and which, as intimated above, represents the work of Mr. Carman's latest period. I must say at once that, while I yield to no one in admiration for Low Tide and the other books of that period, or for the work of the second period, as represented by the Songs from Vagabondia volumes, I have no hesitation in declaring that I regard the poet's work of the past few years with even higher admiration. It may not possess the force and vigor of the work which preceded it; but anything seemingly missing in that respect is more than made up for me by increased beauty and clarity of expression. The mysticism—verging, or more than verging, at times on symbolism—which marked his earlier poems, and which hung, as it were, as a veil between them and the reader, has gone, and the poet's thought or theme now lies clearly before us as in a mirror. What—to take a verse from the following pages at random—could be more pellucid, more crystal clear in expression—what indeed, could come closer to that achieving of the impossible at which every real poet must aim—than this from "In Gold Lacquer" (page 12)?

Gold are the great trees overhead,

And gold the leaf-strewn grass,

As though a cloth of gold were spread

To let a seraph pass.

And where the pageant should go by,

Meadow and wood and stream,

The world is all of lacquered gold,

Expectant as a dream.

The poet, happily, has fully recovered from the serious illness which laid him low some two years ago, and which for a time caused his friends and admirers the gravest concern, and so we may look forward hopefully to seeing further volumes of verse come from the press to make certain his name and fame. But if, for any reason, this should not be—which the gods forfend!—Later Poems, I dare affirm, must and will be regarded as the fine flower and crowning achievement of the genius and art of Bliss Carman.

R. H. HATHAWAY.

Toronto, 1921.

THE BOOKS OF BLISS CARMAN: POETRY AND PROSE

LOW TIDE ON GRAND PRÉ: A BOOK OF LYRICS  . . . . . . . . . . . . 1893

SONGS FROM VAGABONDIA (WITH RICHARD HOVEY) . . . . . . . . . . . 1894

BEHIND THE ARRAS: A BOOK OF THE UNSEEN . . . . . . . . . . . . . 1895

A SEAMARK: A THRENODY FOR ROBERT LOUIS STEVENSON . . . . . . . . 1895

MORE SONGS FROM VAGABONDIA (WITH HOVEY)  . . . . . . . . . . . . 1896

BALLADS OF LOST HAVEN: A BOOK OF THE SEA . . . . . . . . . . . . 1897

BY THE AURELIAN WALL, AND OTHER ELEGIES  . . . . . . . . . . . . 1898

A WINTER HOLIDAY . . . . . . . . . . . . . . . . . . . . . . . . 1899

LAST SONGS FROM VAGABONDIA (WITH HOVEY)  . . . . . . . . . . . . 1901

BALLADS AND LYRICS (A SELECTION) . . . . . . . . . . . . . . . . 1902

ODE ON THE CORONATION OF KING EDWARD . . . . . . . . . . . . . . 1902

FROM THE BOOK OF MYTHS ("PIPES OF PAN," No. I.)  . . . . . . . . 1902

FROM THE GREEN BOOK OF THE BARDS ("PIPES OF PAN," No. II.) . . . 1903

THE KINSHIP OF NATURE (ESSAYS) . . . . . . . . . . . . . . . . . 1904

SONGS OF THE SEA CHILDREN ("PIPES OF PAN," No. III.) . . . . . . 1904

SONGS FROM A NORTHERN GARDEN ("PIPES OF PAN," No. IV.) . . . . . 1904

THE FRIENDSHIP OF ART (ESSAYS) . . . . . . . . . . . . . . . . . 1904

SAPPHO: ONE HUNDRED LYRICS (500 COPIES)  . . . . . . . . . . . . 1905

FROM THE BOOK OF VALENTINES ("PIPES OF PAN," No. V.) . . . . . . 1905

THE POETRY OF LIFE (ESSAYS)  . . . . . . . . . . . . . . . . . . 1905

COLLECTED POEMS, 2 VOLS. (500 COPIES)  . . . . . . . . .  1905 (1904)

THE PIPES OF PAN (DEFINITIVE EDITION)  . . . . . . . . . . . . . 1906

THE MAKING OF PERSONALITY (ESSAYS) . . . . . . . . . . . . . . . 1908

THE ROUGH RIDER, AND OTHER POEMS . . . . . . . . . . . . . . . . 1909

ECHOES FROM VAGABONDIA . . . . . . . . . . . . . . . . . . . . . 1912

DAUGHTERS OF DAWN: A LYRICAL PAGEANT (WITH MARY PERRY KING)  . . 1913

EARTH DEITIES, AND OTHER RYTHMIC MASQUES (WITH MARY PERRY KING)  1914

APRIL AIRS: A BOOK OF NEW ENGLAND LYRICS . . . . . . . . . . . . 1916

Contents

BLISS CARMAN: AN APPRECIATION

VESTIGIA

A REMEMBRANCE

THE SHIPS OF YULE

THE SHIPS OF SAINT JOHN

THE GARDEN OF DREAMS

GARDEN MAGIC

IN GOLD LACQUER

APRILIAN

GARDEN SHADOWS

IN THE DAY OF BATTLE

TREES

THE GIVERS OF LIFE

A FIRESIDE VISION

A WATER COLOR

THRENODY FOR A POET

DUST OF THE STREET

TO A YOUNG LADY ON HER BIRTHDAY

THE GIFT

THE CRY OF THE HILLBORN

A MOUNTAIN GATEWAY

MORNING IN THE HILLS

A WOODPATH

WEATHER OF THE SOUL

HERE AND NOW

THE ANGEL OF JOY

THE HOMESTEAD

"THE STARRY MIDNIGHT WHISPERS"

A LYRIC

"APRIL NOW IN MORNING CLAD"

NIKE

THE ENCHANTED TRAVELLER

SPRING'S SARABAND

TRIUMPHALIS

"NOW THE LENGTHENING TWILIGHTS HOLD"

THE SOUL OF APRIL

AN APRIL MORNING

EARTH VOICES

RESURGAM

EASTER EVE

NOW IS THE TIME OF YEAR

THE REDWING

THE RAINBIRD

LAMENT

UNDER THE APRIL MOON

THE FLUTE OF SPRING

SPRING NIGHT

BLOODROOT

DAFFODIL'S RETURN

NOW THE LILAC TREE'S IN BUD

WHITE IRIS

THE TREE OF HEAVEN

PEONY

THE URBAN PAN

THE SAILING OF THE FLEETS

"'TIS MAY NOW IN NEW ENGLAND"

IN EARLY MAY

FIREFLIES

THE PATH TO SANKOTY

OFF MONOMOY

IN ST GERMAIN STREET

PAN IN THE CATSKILLS

A NEW ENGLAND JUNE

THE TENT OF NOON

CHILDREN OF DREAM

ROADSIDE FLOWERS

THE GARDEN OF SAINT ROSE

THE WORLD VOICE

SONGS OF THE GRASS

THE CHORISTERS

THE WEED'S COUNSEL

THE BLUE HERON

WOODLAND RAIN

SUMMER STORM

DANCE OF THE SUNBEAMS

THE CAMPFIRE OF THE SUN

SUMMER STREAMS

THE GOD OF THE WOODS

AT SUNRISE

AT TWILIGHT

MOONRISE

THE QUEEN OF NIGHT

NIGHT LYRIC

THE HEART OF NIGHT

PEACE

THE OLD GRAY WALL

TE DEUM

IN OCTOBER

BY STILL WATERS

LINES FOR A PICTURE

THE DESERTED PASTURE

AUTUMN

NOVEMBER TWILIGHT

THE GHOSTYARD OF THE GOLDENROD

BEFORE THE SNOW

WINTER

A WINTER PIECE

WINTER STREAMS

WINTER TWILIGHT

THE TWELFTH NIGHT STAR

A CHRISTMAS EVE CHORAL

CHRISTMAS SONG

THE WISE MEN FROM THE EAST

THE SENDING OF THE MAGI

THE ANGELS OF MAN

AT THE MAKING OF MAN

ST. MICHAEL'S STAR

THE DREAMERS

EL DORADO

ON THE PLAZA

A PAINTER'S HOLIDAY

MIRAGE

THE WINGED VICTORY

THE GATE OF PEACE

Later Poems

Vestigia.

I took a day to search for God,

And found Him not. But as I trod

By rocky ledge, through woods untamed,

Just where one scarlet lily flamed,

I saw His footprint in the sod.

Then suddenly, all unaware,

Far off in the deep shadows, where

A solitary hermit thrush

Sang through the holy twilight hush—

I heard His voice upon the air.

And even as I marvelled how

God gives us Heaven here and now,

In a stir of wind that hardly shook

The poplar leaves beside the brook—

His hand was light upon my brow.

At last with evening as I turned

Homeward, and thought what I had learned

And all that there was still to probe—

I caught the glory of His robe

Where the last fires of sunset burned.

Back to the world with quickening start

I looked and longed for any part

In making saving Beauty be....

And from that kindling ecstasy

I knew God dwelt within my heart.

A Remembrance.

Here in lovely New England

When summer is come, a sea-turn

Flutters a page of remembrance

In the volume of long ago.

Soft is the wind over Grand Pré,

Stirring the heads of the grasses,

Sweet is the breath of the orchards

White with their apple-blow.

There at their infinite business

Of measuring time forever,

Murmuring songs of the sea,

The great tides come and go.

Over the dikes and the uplands

Wander the great cloud shadows,

Strange as the passing of sorrow,

Beautiful, solemn, and slow.

For, spreading her old enchantment

Of tender ineffable wonder,

Summer is there in the Northland!

How should my heart not know?

The Ships of Yule

When I was just a little boy,

Before I went to school,

I had a fleet of forty sail

I called the Ships of Yule;

Of every rig, from rakish brig

And gallant barkentine,

To little Fundy fishing boats

With gunwales painted green.

They used to go on trading trips

Around the world for me,

For though I had to stay on shore

My heart was on the sea.

They stopped at every port to call

From Babylon to Rome,

To load with all the lovely things

We never had at home;

With elephants and ivory

Bought from the King of Tyre,

And shells and silk and sandal-wood

That sailor men admire;

With figs and dates from Samarcand,

And squatty ginger-jars,

And scented silver amulets

From Indian bazaars;

With sugar-cane from Port of Spain,

And monkeys from Ceylon,

And paper lanterns from Pekin

With painted dragons on;

With cocoanuts from Zanzibar,

And pines from Singapore;

And when they had unloaded these

They could go back for more.

And even after I was big

And had to go to school,

My mind was often far away

Aboard the Ships of Yule.

The Ships of Saint John

Where are the ships I used to know,

That came to port on the Fundy tide

Half a century ago,

In beauty and stately pride?

In they would come past the beacon light,

With the sun on gleaming sail and spar,

Folding their wings like birds in flight

From countries strange and far.

Schooner and brig and barkentine,

I watched them slow as the sails were furled,

And wondered what cities they must have seen

On the other side of the world.

Frenchman and Britisher and Dane,

Yankee, Spaniard and Portugee,

And many a home ship back again

With her stories of the sea.

Calm and victorious, at rest

From the relentless, rough sea-play,

The wild duck on the river's breast

Was not more sure than they.

The creatures of a passing race,

The dark spruce forests made them strong,

The sea's lore gave them magic grace,

The great winds taught them song.

And God endowed them each with life—

His blessing on the craftsman's skill—

To meet the blind unreasoned strife

And dare the risk of ill.

Not mere insensate wood and paint

Obedient to the helm's command,

But often restive as a saint

Beneath the Heavenly hand.

All the beauty and mystery

Of life were there, adventure bold,

Youth, and the glamour of the sea

And all its sorrows old.

And many a time I saw them go

Out on the flood at morning brave,

As the little tugs had them in tow,

And the sunlight danced on the wave.

There all day long you could hear the sound

Of the caulking iron, the ship's bronze bell,

And the clank of the capstan going round

As the great tides rose and fell.

The sailors' songs, the Captain's shout,

The boatswain's whistle piping shrill,

And the roar as the anchor chain runs out,—

I often hear them still.

I can see them still, the sun on their gear,

The shining streak as the hulls careen,

And the flag at the peak unfurling,—clear

As a picture on a screen.

The fog still hangs on the long tide-rips,

The gulls go wavering to and fro,

But where are all the beautiful ships

I knew so long ago?

The Garden of Dreams

My heart is a garden of dreams

Where you walk when day is done,

Fair as the royal flowers,

Calm as the lingering sun.

Never a drouth comes there,

Nor any frost that mars,

Only the wind of love

Under the early stars,—

The living breath that moves

Whispering to and fro,

Like the voice of God in the dusk

Of the garden long ago.

Garden Magic

Within my stone-walled garden

(I see her standing now,

Uplifted in the twilight,

With glory on her brow!)

I love to walk at evening

And watch, when winds are low,

The new moon in the tree-tops,

Because she loved it so!

And there entranced I listen,

While flowers and winds confer,

And all their conversation

Is redolent of her.

I love the trees that guard it,

Upstanding and serene,

So noble, so undaunted,

Because that was her mien.

I love the brook that bounds it,

Because its silver voice

Is like her bubbling laughter

That made the world rejoice.

I love the golden jonquils,

Because she used to say,

If soul could choose a color

It would be clothed as they.

I love the blue-gray iris,

Because her eyes were blue,

Sea-deep and heaven-tender

In meaning and in hue.

I love the small wild roses,

Because she used to stand

Adoringly above them

And bless them with her hand.

These were her boon companions.

But more than all the rest

I love the April lilac,

Because she loved it best.

Soul of undying rapture!

How love's enchantment clings,

With sorcery and fragrance,

About familiar things!

In Gold Lacquer

Gold are the great trees overhead,

And gold the leaf-strewn grass,

As though a cloth of gold were spread

To let a seraph pass.

And where the pageant should go by,

Meadow and wood and stream,

The world is all of lacquered gold,

Expectant as a dream.

Against the sunset's burning gold,

Etched in dark monotone

Behind its alley of grey trees

And gateposts of grey stone,

Stands the Old Manse, about whose eaves

An air of mystery clings,

Abandoned to the lonely peace

Of bygone ghostly things.

In molten gold the river winds

With languid sweep and turn,

Beside the red-gold wooded hill

Yellowed with ash and fern.

The streets are tiled with gold-green shade

And arched with fretted gold,

Ecstatic aisles that richly thread

This minster grim and old.

The air is flecked with filtered gold,—

The shimmer of romance

Whose ageless glamour still must hold

The world as in a trance,

Pouring o'er every time and place

Light of an amber sea,

The spell of all the gladsome things

That have been or shall be.

Aprilian

When April came with sunshine

And showers and lilac bloom,

My heart with sudden gladness

Was like a fragrant room.

Her eyes were heaven's own azure,

As deep as God's own truth.

Her soul was made of rapture

And mystery and youth.

She knew the sorry burden

Of all the ancient years,

Yet could not dwell with sadness

And memory and tears.

With her there was no shadow

Of failure nor despair,

But only loving joyance.

O Heart, how glad we were!

Garden Shadows

When the dawn winds whisper

To the standing corn,

And the rose of morning

From the dark is born,

All my shadowy garden

Seems to grow aware

Of a fragrant presence,

Half expected there.

In the golden shimmer

Of the burning noon,

When the birds are silent

And the poppies swoon,

Once more I behold her

Smile and turn her face,

With its infinite regard,

Its immortal grace.

When the twilight silvers

Every nodding flower,

And the new moon hallows

The first evening hour,

Is it not her footfall

Down the garden walks,

Where the drowsy blossoms

Slumber on their stalks?

In the starry quiet,

When the soul is free,

And a vernal message

Stirs the lilac tree,

Surely I have felt her

Pass and brush my cheek,

With the eloquence of love

That does not need to speak!

In The Day of Battle

In the day of battle,

In the night of dread,

Let one hymn be lifted,

Let one prayer be said.

Not for pride of conquest,

Not for vengeance wrought,

Nor for peace and safety

With dishonour bought!

Praise for faith in freedom,

Our fighting fathers' stay,

Born of dreams and daring,

Bred above dismay.

Prayer for cloudless vision,

And the valiant hand,

That the right may triumph

To the last demand.

Trees

In the Garden of Eden, planted by God,

There were goodly trees in the springing sod,—

Trees of beauty and height and grace,

To stand in splendor before His face.

Apple and hickory, ash and pear,

Oak and beech and the tulip rare,

The trembling aspen, the noble pine,

The sweeping elm by the river line;

Trees for the birds to build and sing,

And the lilac tree for a joy in spring;

Trees to turn at the frosty call

And carpet the ground for their Lord's footfall;

Trees for fruitage and fire and shade,

Trees for the cunning builder's trade;

Wood for the bow, the spear, and the flail,

The keel and the mast of the daring sail;

He made them of every grain and girth

For the use of man in the Garden of Earth.

Then lest the soul should not lift her eyes

From the gift to the Giver of Paradise,

On the crown of a hill, for all to see,

God planted a scarlet maple tree.

The Givers of Life

I

Who called us forth out of darkness and gave us the gift of life,

Who set our hands to the toiling, our feet in the field of strife?

Darkly they mused, predestined to knowledge of viewless things,

Sowing the seed of wisdom, guarding the living springs.

Little they reckoned privation, hunger or hardship or cold,

If only the life might prosper, and the joy that grows not old.

With sorceries subtler than music, with knowledge older than speech,

Gentle as wind in the wheat-field, strong as the tide on the beach,

Out of their beauty and longing, out of their raptures and tears,

In patience and pride they bore us, to war with the warring years.

II

Who looked on the world before them, and summoned and chose

our sires,

Subduing the wayward impulse to the will of their deep desires?

Sovereigns of ultimate issues under the greater laws,

Theirs was the mystic mission of the eternal cause;

Confident, tender, courageous, leaving the low for the higher,

Lifting the feet of the nations out of the dust and the mire;

Luring civilization on to the fair and new,

Given God's bidding to follow, having God's business to do.

III

Who strengthened our souls with courage, and taught us the ways

of Earth?

Who gave us our patterns of beauty, our standards of flawless worth?

Mothers, unmilitant, lovely, moulding our manhood then,

Walked in their woman's glory, swaying the might of men.

They schooled us to service and honor, modest and clean and fair,—

The code of their worth of living, taught with the sanction

of prayer.

They were our sharers of sorrow, they were our makers of joy,

Lighting the lamp of manhood in the heart of the lonely boy.

Haloed with love and with wonder, in sheltered ways they trod,

Seers of sublime divination, keeping the truce of God.

IV

Who called us from youth and dreaming, and set ambition alight,

And made us fit for the contest,—men, by their tender rite?

Sweethearts above our merit, charming our strength and skill

To be the pride of their loving, to be the means of their will.

If we be the builders of beauty, if we be the masters of art,

Theirs were the gleaming ideals, theirs the uplift of the heart.

Truly they measure the lightness of trappings and ease and fame,

For the teeming desire of their yearning is ever and ever the same:

To crown their lovers with gladness, to clothe their sons

with delight,

And see the men of their making lords in the best man's right.

Lavish of joy and labor, broken only by wrong,

These are the guardians of being, spirited, sentient and strong.

Theirs is the starry vision, theirs the inspiriting hope,

Since Night, the brooding enchantress, promised that day

should ope.

V

Lo, we have built and invented, reasoned, discovered and planned,

To rear us a palace of splendor, and make us a heaven by hand.

We are shaken with dark misgiving, as kingdoms rise and fall;

But the women who went to found them are never counted at all.

Versed in the soul's traditions, skilled in humanity's lore,

They wait for their crown of rapture, and weep for the sins of war.

And behold they turn from our triumphs, as it was in the first

of days,

For a little heaven of ardor and a little heartening of praise.

These are the rulers of kingdoms beyond the domains of state,

Martyrs of all men's folly, over-rulers of fate.

These we will love and honor, these we will serve and defend,

Fulfilling the pride of nature, till nature shall have an end.

VI

This is the code unwritten, this is the creed we hold,

Guarding the little and lonely, gladdening the helpless and old,—

Apart from the brunt of the battle our wondrous women shall bide,

For the sake of a tranquil wisdom and the need of a spirit's guide.

Come they into assembly, or keep they another door,

Our makers of life shall lighten the days as the years of yore.

The lure of their laughter shall lead us, the lilt of their words

shall sway.

Though life and death should defeat us, their solace shall be

our stay.

Veiled in mysterious beauty, vested in magical grace,

They have walked with angels at twilight and looked upon glory's face.

Life we will give for their safety, care for their fruitful ease,

Though we break at the toiling benches or go down in the smoky seas.

This is the gospel appointed to govern a world of men.

Till love has died, and the echoes have whispered the last Amen.

A Fireside Vision

Once I walked the world enchanted

Through the scented woods of spring,

Hand in hand with Love, in rapture

Just to hear a bluebird sing.

Now the lonely winds of autumn

Moan about my gusty eaves,

As I sit beside the fire

Listening to the flying leaves.

As the dying embers settle

And the twilight falls apace,

Through the gloom I see a vision

Full of ardor, full of grace.

When the Architect of Beauty

Breathed the lyric soul in man,

Lo, the being that he fashioned

Was of such a mould and plan!

Bravely through the deepening shadows

Moves that figure half divine,

With its tenderness of bearing,

With its dignity of line.

Eyes more wonderful than evening

With the new moon on the hill,

Mouth with traces of God's humor

In its corners lurking still.

Ah, she smiles, in recollection;

Lays a hand upon my brow;

Rests this head upon Love's bosom!

Surely it is April now!

A Water Color

There's a picture in my room

Lightens many an hour of gloom,—

Cheers me under fortune's frown

And the drudgery of town.

Many and many a winter day

When my soul sees all things gray,

Here is veritable June,

Heart's content and spirit's boon.

It is scarce a hand-breadth wide,

Not a span from side to side,

Yet it is an open door

Looking back to joy once more,

Where the level marshes lie,

A quiet journey of the eye,

And the unsubstantial blue

Makes the fine illusion true.

So I forth and travel there

In the blessed light and air,

Miles of green tranquillity

Down the river to the sea.

Here the sea-birds roam at will,

And the sea-wind on the hill

Brings the hollow pebbly roar

From the dim and rosy shore,

With the very scent and draft

Of the old sea's mighty craft.

I am standing on the dunes,

By some charm that must be June's,

When the magic of her hand

Lays a sea-spell on the land.

And the old enchantment falls

On the blue-gray orchard walls

And the purple high-top boles,

While the orange orioles

Flame and whistle through the green

Of that paradisal scene.

Strolling idly for an hour

Where the elder is in flower,

I can hear the bob-white call

Down beyond the pasture wall.

Musing in the scented heat,

Where the bayberry is sweet,

I can see the shadows run

Up the cliff-side in the sun.

Or I cross the bridge and reach

The mossers' houses on the beach,

Where the bathers on the sand

Lie sea-freshened and sun-tanned.

Thus I pass the gates of time

And the boundaries of clime,

Change the ugly man-made street

For God's country green and sweet.

Fag of body, irk of mind,

In a moment left behind,

Once more I possess my soul

With the poise and self-control

Beauty gives the free of heart

Through the sorcery of art.

Threnody for a Poet

Not in the ancient abbey,

Nor in the city ground,

Not in the lonely mountains,

Nor in the blue profound,

Lay him to rest when his time is come

And the smiling mortal lips are dumb;

But here in the decent quiet

Under the whispering pines,

Where the dogwood breaks in blossom

And the peaceful sunlight shines,

Where wild birds sing and ferns unfold,

When spring comes back in her green and gold.

And when that mortal likeness

Has been dissolved by fire,

Say not above the ashes,

"Here ends a man's desire."

For every year when the bluebirds sing,

He shall be part of the lyric spring.

Then dreamful-hearted lovers

Shall hear in wind and rain

The cadence of his music,

The rhythm of his refrain,

For he was a blade of the April sod

That bowed and blew with the whisper of God.

Dust of the Street

This cosmic dust beneath our feet

Rising to hurry down the street,

Borne by the wind and blown astray

In its erratic, senseless way,

Is the same stuff as you and I—

With knowledge and desire put by.

Thousands of times since time began

It has been used for making man,

Freighted like us with every sense

Of spirit and intelligence,

To walk the world and know the fine

Large consciousness of things divine.

These wandering atoms in their day

Perhaps have passed this very way,

With eager step and flowerlike face,

With lovely ardor, poise, and grace,

On what delightful errands bent,

Passionate, generous, and intent,—

An angel still, though veiled and gloved,

Made to love us and to be loved.

Friends, when the summons comes for me

To turn my back (reluctantly)

On this delightful play, I claim

Only one thing in friendship's name;

And you will not decline a task

So slight, when it is all I ask:

Scatter my ashes in the street

Where avenue and crossway meet.

I beg you of your charity,

No granite and cement for me,

To needlessly perpetuate

An unimportant name and date.

Others may wish to lay them down

On some fair hillside far from town,

Where slim white birches wave and gleam

Beside a shadowy woodland stream,

Or in luxurious beds of fern,

But I would have my dust return

To the one place it loved the best

In days when it was happiest.

To a Young Lady on Her Birthday

The marching years go by

And brush your garment's hem.

The bandits by and by

Will bid you go with them.

Trust not that caravan!

Old vagabonds are they;

They'll rob you if they can,

And make believe it's play.

Make the old robbers give

Of all the spoils they bear,—

Their truth, to help you live,—

Their joy, to keep you fair.

Ask not for gauds nor gold,

Nor fame that falsely rings;

The foolish world grows old

Caring for all these things.

Make all your sweet demands

For happiness alone,

And the years will fill your hands

With treasures rarely known.

The Gift

I said to Life, "How comes it,

With all this wealth in store,

Of beauty, joy, and knowledge,

Thy cry is still for more?

"Count all the years of striving

To make thy burden less,—

The things designed and fashioned

To gladden thy success!

"The treasures sought and gathered

Thy lightest whim to please,—

The loot of all the ages,

The spoil of all the seas!

"Is there no end of labor,

No limit to thy need?

Must man go bowed forever

In bondage to thy greed?"

With tears of pride and passion

She answered, "God above!

I only wait the asking,

To spend it all for love!"

The Cry of the Hillborn

I am homesick for the mountains—

My heroic mother hills—

And the longing that is on me

No solace ever stills.

I would climb to brooding summits

With their old untarnished dreams,

Cool my heart in forest shadows

To the lull of falling streams;

Hear the innocence of aspens

That babble in the breeze,

And the fragrant sudden showers

That patter on the trees.

I am lonely for my thrushes

In their hermitage withdrawn,

Toning the quiet transports

Of twilight and of dawn.

I need the pure, strong mornings,

When the soul of day is still,

With the touch of frost that kindles

The scarlet on the hill;

Lone trails and winding woodroads

To outlooks wild and high,

And the pale moon waiting sundown

Where ledges cut the sky.

I dream of upland clearings

Where cones of sumac burn,

And gaunt and gray-mossed boulders

Lie deep in beds of fern;

The gray and mottled beeches,

The birches' satin sheen,

The majesty of hemlocks

Crowning the blue ravine.

My eyes dim for the skyline

Where purple peaks aspire,

And the forges of the sunset

Flare up in golden fire.

There crests look down unheeding

And see the great winds blow,

Tossing the huddled tree-tops

In gorges far below;

Where cloud-mists from the warm earth

Roll up about their knees,

And hang their filmy tatters

Like prayers upon the trees.

I cry for night-blue shadows

On plain and hill and dome,—

The spell of old enchantments,

The sorcery of home.

A Mountain Gateway

I know a vale where I would go one day,

When June comes back and all the world once more

Is glad with summer. Deep in shade it lies

A mighty cleft between the bosoming hills,

A cool dim gateway to the mountains' heart.

On either side the wooded slopes come down,

Hemlock and beech and chestnut. Here and there

Through the deep forest laurel spreads and gleams,

Pink-white as Daphne in her loveliness.

Among the sunlit shadows I can see

That still perfection from the world withdrawn,

As if the wood-gods had arrested there

Immortal beauty in her breathless flight.

The road winds in from the broad river-lands,

Luring the happy traveller turn by turn

Up to the lofty mountains of the sky.

And as he marches with uplifted face,

Far overhead against the arching blue

Gray ledges overhang from dizzy heights,

Scarred by a thousand winters and untamed.

And where the road runs in the valley's foot,

Through the dark woods a mountain stream comes down,

Singing and dancing all its youth away

Among the boulders and the shallow runs,

Where sunbeams pierce and mossy tree trunks hang

Drenched all day long with murmuring sound and spray.

There light of heart and footfree, I would go

Up to my home among the lasting hills.

Nearing the day's end, I would leave the road,

Turn to the left and take the steeper trail

That climbs among the hemlocks, and at last

In my own cabin doorway sit me down,

Companioned in that leafy solitude

By the wood ghosts of twilight and of peace,

While evening passes to absolve the day

And leave the tranquil mountains to the stars.

And in that sweet seclusion I should hear,

Among the cool-leafed beeches in the dusk,

The calm-voiced thrushes at their twilight hymn.

So undistraught, so rapturous, so pure,

They well might be, in wisdom and in joy,

The seraphs singing at the birth of time

The unworn ritual of eternal things.

Morning in the Hills

How quiet is the morning in the hills!

The stealthy shadows of the summer clouds

Trail through the cañon, and the mountain stream

Sounds his sonorous music far below

In the deep-wooded wind-enchanted cove.

Hemlock and aspen, chestnut, beech, and fir

Go tiering down from storm-worn crest and ledge,

While in the hollows of the dark ravine

See the red road emerge, then disappear

Towards the wide plain and fertile valley lands.

My forest cabin half-way up the glen

Is solitary, save for one wise thrush,

The sound of falling water, and the wind

Mysteriously conversing with the leaves.

Here I abide unvisited by doubt,

Dreaming of far-off turmoil and despair,

The race of men and love and fleeting time,

What life may be, or beauty, caught and held

For a brief moment at eternal poise.

What impulse now shall quicken and make live

This outward semblance and this inward self?

One breath of being fills the bubble world,

Colored and frail, with fleeting change on change.

Surely some God contrived so fair a thing

In a vast leisure of uncounted days,

And touched it with the breath of living joy,

Wondrous and fair and wise! It must be so.

A Wood-path

At evening and at morning

By an enchanted way

I walk the world in wonder,

And have no word to say.

It is the path we traversed

One twilight, thou and I;

Thy beauty all a rapture,

My spirit all a cry.

The red leaves fall upon it,

The moon and mist and rain,

But not the magic footfall

That made its meaning plain.

Weather of the Soul

There is a world of being

We range from pole to pole,

Through seasons of the spirit

And weather of the soul.

It has its new-born Aprils,

With gladness in the air,

Its golden Junes of rapture,

Its winters of despair.

And in its tranquil autumns

We halt to re-enforce

Our tattered scarlet pennons

With valor and resource.

From undiscovered regions

Only the angels know,

Great winds of aspiration

Perpetually blow,

To free the sap of impulse

From torpor of distrust,

And into flowers of joyance

Quicken the sentient dust.

From nowhere of a sudden

Loom sudden clouds of fault,

With thunders of oppression

And lightnings of revolt.

With hush of apprehension

And quaking of the heart,

There breed the storms of anger,

And floods of sorrow start.

And there shall fall,—how gently!—

To make them fertile yet,

The rain of absolution

On acres of regret.

Till snows of mercy cover

The dream that shall come true,

When time makes all things wondrous,

And life makes all things new.

Here and Now

Where is Heaven? Is it not

Just a friendly garden plot,

Walled with stone and roofed with sun,

Where the days pass one by one,

Not too fast and not too slow,

Looking backward as they go

At the beauties left behind

To transport the pensive mind!

Is it not a greening ground

With a river for its bound,

And a wood-thrush to prolong

Fragrant twilights with his song,

When the peonies in June

Wait the rising of the moon,

And the music of the stream

Voices its immortal dream!

There each morning will renew

The miracle of light and dew,

And the soul may joy to praise

The Lord of roses and of days;

There the caravan of noon

Halts to hear the cricket's tune,

Fifing there for all who pass

The anthem of the summer grass!

Does not Heaven begin that day

When the eager heart can say,

Surely God is in this place,

I have seen Him face to face

In the loveliness of flowers,

In the service of the showers,

And His voice has talked to me

In the sunlit apple tree.

I can feel Him in my heart,

When the tears of knowledge start

For another's joy or woe,

Where the lonely soul must go.

Yea, I learned His very look,

When we walked beside the brook,

And you smiled and touched my hand.

God is love... I understand.

The Angel of Joy

There is no grief for me

Nor sadness any more;

For since I first knew thee

Great Joy has kept my door.

That angel of the calm

All-comprehending smile,

No menace can dismay,

No falsity beguile.

Out of the house of life

Before him fled away

Languor, regret, and strife

And sorrow on that day.

Grim fear, unmanly doubt,

And impotent despair

Went at his bidding forth

Among the things that were,—

Leaving a place all clean,

Resounding of the sea

And decked with forest green,

To be a home for thee.

The Homestead.

Here we came when love was young.

Now that love is old,

Shall we leave the floor unswept

And the hearth acold?

Here the hill-wind in the dusk.

Wandering to and fro,

Moves the moonflowers, like a ghost

Of the long ago.

Here from every doorway looks

A remembered face,

Every sill and panel wears

A familiar grace.

Let the windows smile again

To the morning light,

And the door stand open wide

When the moon is bright.

Let the breeze of twilight blow

Through the silent hall,

And the dreaming rafters hear

How the thrushes call.

Oh, be merciful and fond

To the house that gave

All its best to shelter love,

Built when love was brave!

Here we came when love was young,

Now that love is old,

Never let its day be lone,

Nor its heart acold!

"The Starry Midnight Whispers"

The starry midnight whispers,

As I muse before the fire

On the ashes of ambition

And the embers of desire,

"Life has no other logic,

And time no other creed,

Than: 'I for joy will follow.

Where thou for love dost lead!'"

A Lyric

Oh, once I could not understand

The sob within the throat of spring,—

The shrilling of the frogs, nor why

The birds so passionately sing.

That was before your beauty came

And stooped to teach my soul desire,

When on these mortal lips you laid

The magic and immortal fire.

I wondered why the sea should seem

So gray, so lonely, and so old;

The sigh of level-driving snows

In winter so forlornly cold.

I wondered what it was could give

The scarlet autumn pomps their pride.

And paint with colors not of earth

The glory of the mountainside.

I could not tell why youth should dream

And worship at the evening star,

And yet must go with eager feet

Where danger and where splendor are.

I could not guess why men at times,

Beholding beauty, should go mad

With joy or sorrow or despair

Or some unknown delight they had.

I wondered what they had received

From Time's inexorable hand

So full of loveliness and doom.

But now, ah, now I understand!

"April now in Morning Clad"

April now in morning clad

Like a gleaming oread,

With the south wind in her voice,

Comes to bid the world rejoice.

With the sunlight on her brow,

Through her veil of silver showers,

April o'er New England now

Trails her robe of woodland flowers,—

Violet and anemone;

While along the misty sea,

Pipe at lip, she seems to blow

Haunting airs of long ago.

Nike

What do men give thanks for?

I give thanks for one,

Lovelier than morning,

Dearer than the sun.

Such a head the victors

Must have praised and known,

With that breast and bearing,

Nike's very own—

As superb, untrammeled,

Rhythmed and poised and free

As the strong pure sea-wind

Walking on the sea;

Such a hand as Beauty

Uses with full heart,

Seeking for her freedom

In new shapes of art;

Soft as rain in April,

Quiet as the days

Of the purple asters

And the autumn haze;

With a soul more subtle

Than the light of stars,

Frailer than a moth's wing

To the touch that mars;

Wise with all the silence

Of the waiting hills,

When the gracious twilight

Wakes in them and thrills;

With a voice more tender

Than the early moon

Hears among the thrushes

In the woods of June;

Delicate as grasses

When they lift and stir—

One sweet lyric woman—

I give thanks for her.

The Enchanted Traveller

We travelled empty-handed

With hearts all fear above,

For we ate the bread of friendship,

We drank the wine of love.

Through many a wondrous autumn,

Through many a magic spring,

We hailed the scarlet banners,

We heard the blue-bird sing.

We looked on life and nature

With the eager eyes of youth,

And all we asked or cared for

Was beauty, joy, and truth.

We found no other wisdom,

We learned no other way,

Than the gladness of the morning,

The glory of the day.

So all our earthly treasure

Shall go with us, my dears,

Aboard the Shadow Liner,

Across the sea of years.

Spring's Saraband

Over the hills of April

With soft winds hand in hand,

Impassionate and dreamy-eyed,

Spring leads her saraband.

Her garments float and gather

And swirl along the plain,

Her headgear is the golden sun,

Her cloak the silver rain.

With color and with music,

With perfumes and with pomp,

By meadowland and upland,

Through pasture, wood, and swamp,

With promise and enchantment

Leading her mystic mime,

She comes to lure the world anew

With joy as old as time.

Quick lifts the marshy chorus

To transport, trill on trill;

There's not a rod of stony ground

Unanswering on the hill.

The brooks and little rivers

Dance down their wild ravines,

And children in the city squares

Keep time, to tambourines.

The bluebird in the orchard

Is lyrical for her,

The blackbird with his meadow pipe

Sets all the wood astir,

The hooded white spring-beauties

Are curtsying in the breeze,

The blue hepaticas are out

Under the chestnut trees.

The maple buds make glamor,

Viburnum waves its bloom,

The daffodils and tulips

Are risen from the tomb.

The lances of Narcissus

Have pierced the wintry mold;

The commonplace seems paradise

Through veils of greening gold.

O heart, hear thou the summons,

Put every grief away,

When all the motley masques of earth

Are glad upon a day.

Alack, that any mortal

Should less than gladness bring

Into the choral joy that sounds

The saraband of spring!

Triumphalis

Soul, art thou sad again

With the old sadness?

Thou shalt be glad again

With a new gladness,

When April sun and rain

Mount to the teeming brain

With the earth madness.

When from the mould again,

Spurning disaster,

Spring shoots unfold again,

Follow thou faster

Out of the drear domain

Of dark, defeat, and pain,

Praising the Master.

Hope for thy guide again,

Ample and splendid;

Love at thy side again,

All doubting ended;

(Ah, by the dragon slain,

For nothing small or vain

Michael contended!)

Thou shalt take heart again,

No more despairing;

Play thy great part again,

Loving and caring.

Hark, how the gold refrain

Runs through the iron strain,

Splendidly daring!

Thou shalt grow strong again,

Confident, tender,—

Battle with wrong again,

Be truth's defender,—

Of the immortal train,

Born to attempt, attain,

Never surrender!

"Now the Lengthening Twilights Hold"

Now the lengthening twilights hold

Tints of lavender and gold,

And the marshy places ring

With the pipers of the spring.

Now the solitary star

Lays a path on meadow streams,

And I know it is not far

To the open door of dreams.

Lord of April, in my hour

May the dogwood be in flower,

And my angel through the dome

Of spring twilight lead me home.

The Soul of April

Over the wintry threshold

Who comes with joy to-day,

So frail, yet so enduring,

To triumph o'er dismay?

Ah, quick her tears are springing,

And quickly they are dried,

For sorrow walks before her,

But gladness walks beside.

She comes with gusts of laughter,—

The music as of rills;

With tenderness and sweetness,—

The wisdom of the hills.

Her hands are strong to comfort,

Her heart is quick to heed.

She knows the signs of sadness,

She knows the voice of need.

There is no living creature,

However poor or small,

But she will know its trouble,

And hasten to its call.

Oh, well they fare forever,

By mighty dreams possessed,

Whose hearts have lain a moment

On that eternal breast.

An April Morning

Once more in misted April

The world is growing green.

Along the winding river

The plumey willows lean.

Beyond the sweeping meadows

The looming mountains rise,

Like battlements of dreamland

Against the brooding skies.

In every wooded valley

The buds are breaking through,

As though the heart of all things

No languor ever knew.

The golden-wings and bluebirds

Call to their heavenly choirs.

The pines are blued and drifted

With smoke of brushwood fires.

And in my sister's garden

Where little breezes run,

The golden daffodillies

Are blowing in the sun.

Earth Voices

I

I heard the spring wind whisper

Above the brushwood fire,

"The world is made forever

Of transport and desire.

I am the breath of being,

The primal urge of things;

I am the whirl of star dust,

I am the lift of wings.

"I am the splendid impulse

That comes before the thought,

The joy and exaltation

Wherein the life is caught.

"Across the sleeping furrows

I call the buried seed,

And blade and bud and blossom

Awaken at my need.

"Within the dying ashes

I blow the sacred spark,

And make the hearts of lovers

To leap against the dark."

II

I heard the spring light whisper

Above the dancing stream,

"The world is made forever

In likeness of a dream.

"I am the law of planets,

I am the guide of man;

The evening and the morning

Are fashioned to my plan.

"I tint the dawn with crimson,

I tinge the sea with blue;

My track is in the desert,

My trail is in the dew.

"I paint the hills with color,

And in my magic dome

I light the star of evening

To steer the traveller home.

"Within the house of being,

I feed the lamp of truth

With tales of ancient wisdom

And prophecies of youth."

III

I heard the spring rain murmur

Above the roadside flower,

"The world is made forever

In melody and power.

"I keep the rhythmic measure

That marks the steps of time,

And all my toil is fashioned

To symmetry and rhyme.

"I plow the untilled upland,

I ripe the seeding grass,

And fill the leafy forest

With music as I pass.

"I hew the raw, rough granite

To loveliness of line,

And when my work is finished,

Behold, it is divine!

"I am the master-builder

In whom the ages trust.

I lift the lost perfection

To blossom from the dust."

IV

Then Earth to them made answer,

As with a slow refrain

Born of the blended voices

Of wind and sun and rain,

"This is the law of being

That links the threefold chain:

The life we give to beauty

Returns to us again."

Resurgam

Lo, now comes the April pageant

And the Easter of the year.

Now the tulip lifts her chalice,

And the hyacinth his spear;

All the daffodils and jonquils

With their hearts of gold are here.

Child of the immortal vision,

What hast thou to do with fear?

When the summons wakes the impulse,

And the blood beats in the vein,

Let no grief thy dream encumber,

No regret thy thought detain.

Through the scented bloom-hung valleys,

Over tillage, wood and plain,

Comes the soothing south wind laden

With the sweet impartial rain.

All along the roofs and pavements

Pass the volleying silver showers,

To unfold the hearts of humans

And the frail unanxious flowers.

Breeding fast in sunlit places,

Teeming life puts forth her powers,

And the migrant wings come northward

On the trail of golden hours.

Over intervale and upland

Sounds the robin's interlude

From his tree-top spire at evening

Where no unbeliefs intrude.

Every follower of beauty

Finds in the spring solitude

Sanctuary and persuasion

Where the mysteries still brood.

Now the bluebird in the orchard,

A warm sighing at the door,

And the soft haze on the hillside,

Lure the houseling to explore

The perennial enchanted

Lovely world and all its lore;

While the early tender twilight

Breathes of those who come no more.

By full brimming river margins

Where the scents of brush fires blow,

Through the faint green mist of springtime,

Dreaming glad-eyed lovers go,

Touched with such immortal madness

Not a thing they care to know

More than those who caught life's secret

Countless centuries ago.

In old Egypt for Osiris,

Putting on the green attire,

With soft hymns and choric dancing

They went forth to greet the fire

Of the vernal sun, whose ardor

His earth children could inspire;

And the ivory flutes would lead them

To the slake of their desire.

In remembrance of Adonis

Did the Dorian maidens sing

Linus songs of joy and sorrow

For the coming back of spring,—

Sorrow for the wintry death

Of each irrevocable thing,

Joy for all the pangs of beauty

The returning year could bring.

Now the priests and holy women

With sweet incense, chant and prayer,

Keep His death and resurrection

Whose new love bade all men share

Immortality of kindness,

Living to make life more fair.

Wakened to such wealth of being,

Who would not arise and dare?

Seeing how each new fulfilment

Issues at the call of need

From infinitudes of purpose

In the core of soul and seed,

Who shall set the bounds of puissance

Or the formulas of creed?

Truth awaits the test of beauty,

Good is proven in the deed.

Therefore, give thy spring renascence,—

Freshened ardor, dreams and mirth,—

To make perfect and replenish

All the sorry fault and dearth

Of the life from whose enrichment

Thine aspiring will had birth;

Take thy part in the redemption

Of thy kind from bonds of earth.

So shalt thou, absorbed in beauty,

Even in this mortal clime

Share the life that is eternal,

Brother to the lords of time,—

Virgil, Raphael, Gautama,—

Builders of the world sublime.

Yesterday was not earth's evening

Every morning is our prime.

All that can be worth the rescue

From oblivion and decay,—

Joy and loveliness and wisdom,—

In thyself, without dismay

Thou shalt save and make enduring

Through each word and act, to sway

The hereafter to a likeness

Of thyself in other clay.

Still remains the peradventure,

Soul pursues an orbit here

Like those unreturning comets,

Sweeping on a vast career,

By an infinite directrix,

Focussed to a finite sphere,—

Nurtured in an earthly April,

In what realm to reappear?

Easter Eve

If I should tell you I saw Pan lately down by the shallows

of Silvermine,

Blowing an air on his pipe of willow, just as the moon began

to shine;

Or say that, coming from town on Wednesday, I met Christ walking

in Ponus Street;

You might remark, "Our friend is flighty! Visions, for want of

enough red meat!"

Then let me ask you. Last December, when there was skating

on Wampanaw,

Among the weeds and sticks and grasses under the hard black

ice I saw

An old mud-turtle poking about, as if he were putting his house

to rights,

Stiff with the cold perhaps, yet knowing enough to prepare

for the winter nights.

And here he is on a log this morning, sunning himself as calm

as you please.

But I want to know, when the lock of winter was sprung of a sudden,

who kept the keys?

Who told old nibbler to go to sleep safe and sound with the

lily roots,

And then in the first warm days of April—out to the sun

with the greening shoots?

By night a flock of geese went over, honking north on the trails

of air,

The spring express—but who despatched it, equipped with speed

and cunning care?

Hark to our bluebird down in the orchard trolling his chant

of the happy heart,

As full of light as a theme of Mozart's—but where did he learn

that more than art?

Where the river winds through grassy meadows, as sure as the

south wind brings the rain,

Sounding his reedy note in the alders, the redwing comes back

to his nest again.

Are these not miracles? Prompt you answer: "Merely the prose

of natural fact;

Nothing but instinct plain and patent, born in the creatures,

that bids them act."

Well, I have an instinct as fine and valid, surely, as that

of the beasts and birds,

Concerning death and the life immortal, too deep for logic,

too vague for words.

No trace of beauty can pass or perish, but other beauty

is somewhere born;

No seed of truth or good be planted, but the yield must grow

as the growing corn.

Therefore this ardent mind and spirit I give to the glowing days

of earth.

To be wrought by the Lord of life to something of lasting import

and lovely worth.

If the toil I give be without self-seeking, bestowed to the limit

of will and power,

To fashion after some form ideal the instant task and the

waiting hour,

It matters not though defeat undo me, though faults betray me

and sorrows scar,

Already I share the life eternal with the April buds and the

evening star.

The slim new moon is my sister now; the rain, my brother; the

wind, my friend.

Is it not well with these forever? Can the soul of man fare

ill in the end?

Now is the Time of Year

Now is the time of year

When all the flutes begin,—

The redwing bold and clear,

The rainbird far and thin.

In all the waking lands

There's not a wilding thing

But knows and understands

The burden of the spring.

Now every voice alive

By rocky wood and stream

Is lifted to revive

The ecstasy, the dream.

For Nature, never old,

But busy as of yore,

From sun and rain and mould

Is making spring once more.

She sounds her magic note

By river-marge and hill,

And every woodland throat

Re-echoes with a thrill.

O mother of our days,

Hearing thy music call.

Teach us to know thy ways

And fear no more at all!

The Redwing

I hear you, Brother, I hear you,

Down in the alder swamp,

Springing your woodland whistle

To herald the April pomp!

First of the moving vanguard,

In front of the spring you come,

Where flooded waters sparkle

And streams in the twilight hum.

You sound the note of the chorus

By meadow and woodland pond,

Till, one after one up-piping,

A myriad throats respond.

I see you, Brother, I see you,

With scarlet under your wing,

Flash through the ruddy maples,

Leading the pageant of spring.

Earth has put off her raiment

Wintry and worn and old,

For the robe of a fair young sibyl.

Dancing in green and gold.

I heed you, Brother. To-morrow

I, too, in the great employ,

Will shed my old coat of sorrow

For a brand-new garment of joy.

The Rainbird

I hear a rainbird singing

Far off. How fine and clear

His plaintive voice comes ringing

With rapture to the ear!

Over the misty wood-lots,

Across the first spring heat,

Comes the enchanted cadence,

So clear, so solemn-sweet.

How often I have hearkened

To that high pealing strain

Across wild cedar barrens,

Under the soft gray rain!

How often I have wondered,

And longed in vain to know

The source of that enchantment,

That touch of human woe!

O brother, who first taught thee

To haunt the teeming spring

With that sad mortal wisdom

Which only age can bring?

Lament

When you hear the white-throat pealing

From a tree-top far away,

And the hills are touched with purple

At the borders of the day;

When the redwing sounds his whistle

At the coming on of spring,

And the joyous April pipers

Make the alder marshes ring;

When the wild new breath of being

Whispers to the world once more,

And before the shrine of beauty

Every spirit must adore;

When long thoughts come back with twilight,

And a tender deepened mood

Shows the eyes of the beloved

Like the hepaticas in the wood;

Ah, remember, when to nothing

Save to love your heart gives heed,

And spring takes you to her bosom,—

So it was with Golden Weed!

Under the April Moon

Oh, well the world is dreaming

Under the April moon,

Her soul in love with beauty,

Her senses all a-swoon!

Pure hangs the silver crescent

Above the twilight wood,

And pure the silver music

Wakes from the marshy flood.

O Earth, with all thy transport,

How comes it life should seem

A shadow in the moonlight,

A murmur in a dream?

The Flute of Spring

I know a shining meadow stream

That winds beneath an Eastern hill,

And all year long in sun or gloom

Its murmuring voice is never still.

The summer dies more gently there,

The April flowers are earlier,—

The first warm rain-wind from the Sound

Sets all their eager hearts astir.

And there when lengthening twilights fall

As softly as a wild bird's wing,

Across the valley in the dusk

I hear the silver flute of spring.

Spring Night

In the wondrous star-sown night,

In the first sweet warmth of spring,

I lie awake and listen

To hear the glad earth sing.

I hear the brook in the wood

Murmuring, as it goes,

The song of the happy journey

Only the wise heart knows.

I hear the trilling note

Of the tree-frog under the hill,

And the clear and watery treble

Of his brother, silvery shrill.

And then I wander away

Through the mighty forest of Sleep,

To follow the fairy music

To the shore of an endless deep.

Bloodroot

When April winds arrive

And the soft rains are here,

Some morning by the roadside

These Fairy folk appear.

We never see their coming,

However sharp our eyes;

Each year as if by magic

They take us by surprise.

Along the ragged woodside

And by the green spring-run,

Their small white heads are nodding

And twinkling in the sun.

They crowd across the meadow

In innocence and mirth,

As if there were no sorrow

In all this wondrous earth.

So frail, so unregarded,

And yet about them clings

A sorcery of welcome,—

The joy of common things.

Perhaps their trail of beauty

Across the pasture sod

In jubilant procession

Is where an angel trod.

Daffodil's Return

What matter if the sun be lost?

What matter though the sky be gray?

There's joy enough about the house,

For Daffodil comes home to-day.

There's news of swallows on the air,

There's word of April on the way,

They're calling flowers within the street,

And Daffodil comes home to-day.

O who would care what fate may bring,

Or what the years may take away!

There's life enough within the hour,

For Daffodil comes home to-day.

Now the Lilac Tree's in Bud

Now the lilac tree's in bud,

And the morning birds are loud.

Now a stirring in the blood

Moves the heart of every crowd.

Word has gone abroad somewhere

Of a great impending change.

There's a message in the air

Of an import glad and strange.

Not an idler in the street,

But is better off to-day.

Not a traveller you meet,

But has something wise to say.

Now there's not a road too long,

Not a day that is not good,

Not a mile but hears a song

Lifted from the misty wood.

Down along the Silvermine

That's the blackbird's cheerful note!

You can see him flash and shine

With the scarlet on his coat.

Now the winds are soft with rain,

And the twilight has a spell,

Who from gladness could refrain

Or with olden sorrows dwell?

White Iris

White Iris was a princess

In a kingdom long ago,

Mysterious as moonlight

And silent as the snow.

She drew the world in wonder

And swayed it with desire,

Ere Babylon was builded

Or a stone laid in Tyre.

Yet here within my garden

Her loveliness appears,

Undimmed by any sorrow

Of all the tragic years.

How kind that earth should treasure

So beautiful a thing—

All mystical enchantment,

To stir our hearts in spring!

The Tree of Heaven

Young foreign-born Ailanthus,

Because he grew so fast,

We scorned his easy daring

And doubted it would last.

But lo, when autumn gathers

And all the woods are old,

He stands in green and salmon,

A glory to behold!

Among the ancient monarchs

His airy tent is spread.

His robe of coronation

Is tasseled rosy red.

With something strange and Eastern,

His height and grace proclaim

His lineage and title

Is that celestial name.

This is the Tree of Heaven,

Which seems to say to us,

"Behold how rife is beauty,

And how victorious!"

Peony

"Pionia virtutem habet occultam."

Arnoldus Villanova—1235-1313.

Arnoldus Villanova

Six hundred years ago

Said Peonies have magic,

And I believe it so.

There stands his learned dictum

Which any boy may read,

But he who learns the secret

Will be made wise indeed.

Astrologer and doctor

In the science of his day,

Have we so far outstripped him?

What more is there to say?

His medieval Latin

Records the truth for us,

Which I translate—virtutem

Habet occultam—thus:

She hath a deep-hid virtue

No other flower hath.

When summer comes rejoicing

A-down my garden path,

In opulence of color,

In robe of satin sheen,

She casts o'er all the hours

Her sorcery serene.

A subtile, heartening fragrance

Comes piercing the warm hush,

And from the greening woodland

I hear the first wild thrush.

They move my heart to pity

For all the vanished years,

With ecstasy of longing

And tenderness of tears.

By many names we call her,—

Pale exquisite Aurore,

Luxuriant Gismonda

Or sunny Couronne D'Or.

What matter,—Grandiflora,

A queen in some proud book,

Or sweet familiar Piny

With her old-fashioned look?

The crowding Apple blossoms

Above the orchard wall;

The Moonflower in August

When eerie nights befall;

Chrysanthemum in autumn,

Whose pageantries appear

With mystery and silence

To deck the dying year;

And many a mystic flower

Of the wildwood I have known,

But Pionia Arnoldi

Hath a transport all her own.

For Peony, my Peony,

Hath strength to make me whole,—

She gives her heart of beauty

For the healing of my soul.

Arnoldus Villanova,

Though earth is growing old,

As long as life has longing

Your guess at truth will hold.

Still works the hidden power

After a thousand springs,—

The medicine for heartache

That lurks in lovely things.

The Urban Pan

Once more the magic days are come

With stronger sun and milder air;

The shops are full of daffodils;

There's golden leisure everywhere.

I heard my Lou this morning shout:

"Here comes the hurdy-gurdy man!"

And through the open window caught

The piping of the urban Pan.

I laid my wintry task aside,

And took a day to follow joy:

The trail of beauty and the call

That lured me when I was a boy.

I looked, and there looked up at me

A smiling, swarthy, hairy man

With kindling eye—and well I knew

The piping of the urban Pan.

He caught my mood; his hat was off;

I tossed the ungrudged silver down.

The cunning vagrant, every year

He casts his spell upon the town!

And we must fling him, old and young,

Our dimes or coppers, as we can;

And every heart must leap to hear

The piping of the urban Pan.

The music swells and fades again,

And I in dreams am far away,

Where a bright river sparkles down

To meet a blue Aegean bay.

There, in the springtime of the world,

Are dancing fauns, and in their van,

Is one who pipes a deathless tune—

The earth-born and the urban Pan.

And so he follows down the block,

A troop of children in his train,

The light-foot dancers of the street

Enamored of the reedy strain.

I hear their laughter rise and ring

Above the noise of truck and van,

As down the mellow wind fades out

The piping of the urban Pan.

The Sailing of the Fleets

Now the spring is in the town,

Now the wind is in the tree,

And the wintered keels go down

To the calling of the sea.

Out from mooring, dock, and slip,

Through the harbor buoys they glide,

Drawing seaward till they dip

To the swirling of the tide.

One by one and two by two,

Down the channel turns they go,

Steering for the open blue

Where the salty great airs blow;

Craft of many a build and trim,

Every stitch of sail unfurled,

Till they hang upon the rim

Of the azure ocean world.

Who has ever, man or boy,

Seen the sea all flecked with gold,

And not longed to go with joy

Forth upon adventures bold?

Who could bear to stay indoor,

Now the wind is in the street,

For the creaking of the oar

And the tugging of the sheet!

Now the spring is in the town,

Who would not a rover be,

When the wintered keels go down

To the calling of the sea?

'Tis May now in New England

'Tis May now in New England

And through the open door

I see the creamy breakers,

I hear the hollow roar.

Back to the golden marshes

Comes summer at full tide,

But not the golden comrade

Who was the summer's pride.

In Early May

O my dear, the world to-day

Is more lovely than a dream!

Magic hints from far away

Haunt the woodland, and the stream

Murmurs in his rocky bed

Things that never can be said.

Starry dogwood is in flower,

Gleaming through the mystic woods.

It is beauty's perfect hour

In the wild spring solitudes.

Now the orchards in full blow

Shed their petals white as snow.

All the air is honey-sweet

With the lilacs white and red,

Where the blossoming branches meet

In an arbor overhead.

And the laden cherry trees

Murmur with the hum of bees.

All the earth is fairy green,

And the sunlight filmy gold,

Full of ecstasies unseen,

Full of mysteries untold.

Who would not be out-of-door,

Now the spring is here once more!

Fireflies

The fireflies across the dusk

Are flashing signals through the gloom—

Courageous messengers of light

That dare immensities of doom.

About the seeding meadow-grass,

Like busy watchmen in the street,

They come and go, they turn and pass,

Lighting the way for Beauty's feet.

Or up they float on viewless wings

To twinkle high among the trees,

And rival with soft glimmerings

The shining of the Pleiades.

The stars that wheel above the hill

Are not more wonderful to see,

Nor the great tasks that they fulfill

More needed in eternity.

The Path to Sankoty

It winds along the headlands

Above the open sea—

The lonely moorland footpath

That leads to Sankoty.

The crooning sea spreads sailless

And gray to the world's rim,

Where hang the reeking fog-banks

Primordial and dim.

There fret the ceaseless currents,

And the eternal tide

Chafes over hidden shallows

Where the white horses ride.

The wistful fragrant moorlands

Whose smile bids panic cease,

Lie treeless and cloud-shadowed

In grave and lonely peace.

Across their flowering bosom,

From the far end of day

Blow clean the great soft moor-winds

All sweet with rose and bay.

A world as large and simple

As first emerged for man,

Cleared for the human drama,

Before the play began.

O well the soul must treasure

The calm that sets it free—

The vast and tender skyline,

The sea-turn's wizardry,

Solace of swaying grasses,

The friendship of sweet-fern—

And in the world's confusion

Remembering, must yearn

To tread the moorland footpath

That leads to Sankoty,

Hearing the field-larks shrilling

Beside the sailless sea.

Off Monomoy

Have you sailed Nantucket Sound

By lightship, buoy, and bell,

And lain becalmed at noon

On an oily summer swell?

Lazily drooped the sail,

Moveless the pennant hung,

Sagging over the rail

Idle the main boom swung;

The sea, one mirror of shine

A single breath would destroy,

Save for the far low line

Of treacherous Monomoy.

Yet eastward there toward Spain,

What castled cities rise

From the Atlantic plain,

To our enchanted eyes!

Turret and spire and roof

Looming out of the sea,

Where the prosy chart gives proof

No cape nor isle can be!

Can a vision shine so clear

Wherein no substance dwells?

One almost harks to hear

The sound of the city's bells.

And yet no pealing notes

Within those belfries be,

Save echoes from the throats

Of ship-bells lost at sea.

For none shall anchor there

Save those who long of yore,

When tide and wind were fair,

Sailed and came back no more.

And none shall climb the stairs

Within those ghostly towers,

Save those for whom sad prayers

Went up through fateful hours.

O image of the world,

O mirage of the sea,

Cloud-built and foam-impearled.

What sorcery fashioned thee?

What architect of dream,

What painter of desire,

Conceived that fairy scheme

Touched with fantastic fire?

Even so our city of hope

We mortal dreamers rear

Upon the perilous slope

Above the deep of fear;

Leaving half-known the good

Our kindly earth bestows,

For the feigned beatitude

Of a future no man knows.

Lord of the summer sea,

Whose tides are in thy hand,

Into immensity

The vision at thy command

Fades now, and leaves no sign,—

No light nor bell nor buoy,—

Only the faint low line

Of dangerous Monomoy.

In St. Germain Street

Through the street of St. Germain

March the tattered hosts of rain,

While the wind with vagrant fife

Whips their chilly ranks to life.

From the window I can see

Their ghostly banners blowing free,

As they pass to where the ships

Crowd about the wharves and slips.

There at day's end they embark

To invade the realms of dark,

And the sun comes out again

In the street of St. Germain.

Pan in the Catskills

They say that he is dead, and now no more

The reedy syrinx sounds among the hills,

When the long summer heat is on the land.

But I have heard the Catskill thrushes sing,

And therefore am incredulous of death,

Of pain and sorrow and mortality.

In these blue cañons, deep with hemlock shade,

In solitudes of twilight or of dawn,

I have been rapt away from time and care

By the enchantment of a golden strain

As pure as ever pierced the Thracian wild,

Filling the listener with a mute surmise.

At evening and at morning I have gone

Down the cool trail between the beech-tree boles,

And heard the haunting music of the wood

Ring through the silence of the dark ravine,

Flooding the earth with beauty and with joy

And all the ardors of creation old.

And then within my pagan heart awoke

Remembrance of far-off and fabled years

In the untarnished sunrise of the world,

When clear-eyed Hellas in her rapture heard

A slow mysterious piping wild and keen

Thrill through her vales, and whispered, "It is Pan!"

A New England June

These things I remember

Of New England June,

Like a vivid day-dream

In the azure noon,

While one haunting figure

Strays through every scene,

Like the soul of beauty

Through her lost demesne.

Gardens full of roses

And peonies a-blow

In the dewy morning,

Row on stately row,

Spreading their gay patterns,

Crimson, pied and cream,

Like some gorgeous fresco

Or an Eastern dream.

Nets of waving sunlight

Falling through the trees;

Fields of gold-white daisies

Rippling in the breeze;

Lazy lifting groundswells,

Breaking green as jade

On the lilac beaches,

Where the shore-birds wade.

Orchards full of blossom,

Where the bob-white calls

And the honeysuckle

Climbs the old gray walls;

Groves of silver birches,

Beds of roadside fern,

In the stone-fenced pasture

At the river's turn.

Out of every picture

Still she comes to me

With the morning freshness

Of the summer sea,—

A glory in her bearing,

A sea-light in her eyes,

As if she could not forget

The spell of Paradise.

Thrushes in the deep woods,

With their golden themes,

Fluting like the choirs

At the birth of dreams.

Fireflies in the meadows

At the gate of Night,

With their fairy lanterns

Twinkling soft and bright.

Ah, not in the roses,

Nor the azure noon,

Nor the thrushes' music,

Lies the soul of June.

It is something finer,

More unfading far,

Than the primrose evening

And the silver star;

Something of the rapture

My beloved had,

When she made the morning

Radiant and glad,—

Something of her gracious

Ecstasy of mien,

That still haunts the twilight,

Loving though unseen.

When the ghostly moonlight

Walks my garden ground,

Like a leisurely patrol

On his nightly round,

These things I remember

Of the long ago,

While the slumbrous roses

Neither care nor know.

The Tent of Noon

Behold, now, where the pageant of high June

Halts in the glowing noon!

The trailing shadows rest on plain and hill;

The bannered hosts are still,

While over forest crown and mountain head

The azure tent is spread.

The song is hushed in every woodland throat;

Moveless the lilies float;

Even the ancient ever-murmuring sea

Sighs only fitfully;

The cattle drowse in the field-corner's shade;

Peace on the world is laid.

It is the hour when Nature's caravan,

That bears the pilgrim Man

Across the desert of uncharted time

To his far hope sublime,

Rests in the green oasis of the year,

As if the end drew near.

Ah, traveller, hast thou naught of thanks or praise

For these fleet halcyon days?—

No courage to uplift thee from despair

Born with the breath of prayer?

Then turn thee to the lilied field once more!

God stands in his tent door.

Children of Dream

The black ash grows in the swampy ground,

The white ash in the dry;

The thrush he holds to the woodland bound,

The hawk to the open sky.

The trout he runs to the mountain brook,

The swordfish keeps the sea;

The brown bear knows where the blueberry grows.

The clover calls the bee.

The locust sings in the August noon,

The frog in the April night;

The iris loves the meadow-land,

The laurel loves the height.

And each will hold his tenure old

Of earth and sun and stream,

For all are creatures of desire

And children of a dream.

Roadside Flowers

We are the roadside flowers,

Straying from garden grounds,—

Lovers of idle hours,

Breakers of ordered bounds.

If only the earth will feed us,

If only the wind be kind,

We blossom for those who need us,

The stragglers left behind.

And lo, the Lord of the Garden,

He makes his sun to rise,

And his rain to fall with pardon

On our dusty paradise.

On us he has laid the duty,—

The task of the wandering breed,—

To better the world with beauty,

Wherever the way may lead.

Who shall inquire of the season,

Or question the wind where it blows?

We blossom and ask no reason.

The Lord of the Garden knows.

The Garden of Saint Rose

This is a holy refuge,

The garden of Saint Rose,

A fragrant altar to that peace

The world no longer knows.

Below a solemn hillside,

Within the folding shade

Of overhanging beech and pine

Its walls and walks are laid.

Cool through the heat of summer,

Still as a sacred grove,

It has the rapt unworldly air

Of mystery and love.

All day before its outlook

The mist-blue mountains loom,

And in its trees at tranquil dusk

The early stars will bloom.

Down its enchanted borders

Glad ranks of color stand,

Like hosts of silent seraphim

Awaiting love's command.

Lovely in adoration

They wait in patient line,

Snow-white and purple and deep gold

About the rose-gold shrine.

And there they guard the silence,

While still from her recess

Through sun and shade Saint Rose looks down

In mellow loveliness.

She seems to say, "O stranger,

Behold how loving care

That gives its life for beauty's sake,

Makes everything more fair!

"Then praise the Lord of gardens

For tree and flower and vine,

And bless all gardeners who have wrought

A resting place like mine!"

The World Voice

I heard the summer sea

Murmuring to the shore

Some endless story of a wrong

The whole world must deplore.

I heard the mountain wind

Conversing with the trees

Of an old sorrow of the hills,

Mysterious as the sea's.

And all that haunted day

It seemed that I could hear

The echo of an ancient speech

Ring in my listening ear.

And then it came to me,

That all that I had heard

Was my own heart in the sea's voice

And the wind's lonely word.

Songs of the Grass

I

ON THE DUNES.

Here all night on the dunes

In the rocking wind we sleep,

Watched by sentry stars,

Lulled by the drone of the deep.

Till hark, in the chill of the dawn

A field lark wakes and cries,

And over the floor of the sea

We watch the round sun rise.

The world is washed once more

In a tide of purple and gold,

And the heart of the land is filled

With desires and dreams untold.

II

LORD OF MORNING.

Lord of morning, light of day,

Sacred color-kindling sun,

We salute thee in the way,—

Pilgrims robed in rose and dun.

For thou art a pilgrim too,

Overlord of all our band.

In thy fervor we renew

Quests we do not understand.

At thy summons we arise,

At thy touch put glory on.

And with glad unanxious eyes

Take the journey thou hast gone.

III

THE TRAVELLER.

Before the night-blue fades

And the stars are quite gone,

I lift my head

At the noiseless tread

Of the angel of dawn.

I hear no word, yet my heart

Is beating apace;

Then in glory all still

On the eastern hill

I behold his face.

All day through the world he goes,

Making glad, setting free;

Then his day's work done,

On the galleon sun

He sinks in the sea.

The Choristers

When earth was finished and fashioned well,

There was never a musical note to tell

How glad God was, save the voice of the rain

And the sea and the wind on the lonely plain

And the rivers among the hills.

And so God made the marvellous birds

For a choir of joy transcending words,

That the world might hear and comprehend

How rhythm and harmony can mend

The spirits' hurts and ills.

He filled their tiny bodies with fire,

He taught them love for their chief desire,

And gave them the magic of wings to be

His celebrants over land and sea,

Wherever man might dwell.

And to each he apportioned a fragment of song—

Those broken melodies that belong

To the seraphs' chorus, that we might learn

The healing of gladness and discern

In beauty how all is well.

So music dwells in the glorious throats

Forever, and the enchanted notes

Fall with rapture upon our ears,

Moving our hearts to joy and tears

For things we cannot say.

In the wilds the whitethroat sings in the rain

His pure, serene, half-wistful strain;

And when twilight falls the sleeping hills

Ring with the cry of the whippoorwills

In the blue dusk far away.

In the great white heart of the winter storm

The chickadee sings, for his heart is warm,

And his note is brave to rally the soul

From doubt and panic to self-control

And elation that knows no fear.

The bluebird comes with the winds of March,

Like a shred of sky on the naked larch;

The redwing follows the April rain

To whistle contentment back again

With his sturdy call of cheer.

The orioles revel through orchard boughs

In their coats of gold for spring's carouse;

In shadowy pastures the bobwhites call,

And the flute of the thrush has a melting fall

Under the evening star.

On the verge of June when peonies blow

And joy comes back to the world we know,

The bobolinks fill the fields of light

With a tangle of music silver-bright

To tell how glad they are.

The tiny warblers fill summer trees

With their exquisite lesser litanies;

The tanager in his scarlet coat

In the hemlock pours from a vibrant throat

His canticle of the sun.

The loon on the lake, the hawk in the sky,

And the sea-gull—each has a piercing cry,

Like outposts set in the lonely vast

To cry "all's well" as Time goes past

And another hour is gone.

But of all the music in God's plan

Of a mystical symphony for man,

I shall remember best of all—

Whatever hereafter may befall

Or pass and cease to be—

The hermit's hymn in the solitudes

Of twilight through the mountain woods,

And the field-larks crying about our doors

On the soft sweet wind across the moors

At morning by the sea.

The Weed's Counsel

Said a traveller by the way

Pausing, "What hast thou to say,

Flower by the dusty road,

That would ease a mortal's load?"

Traveller, hearken unto me!

I will tell thee how to see

Beauties in the earth and sky

Hidden from the careless eye.

I will tell thee how to hear

Nature's music wild and clear,—

Songs of midday and of dark

Such as many never mark,

Lyrics of creation sung

Ever since the world was young.

And thereafter thou shalt know

Neither weariness nor woe.

Thou shalt see the dawn unfold

Artistries of rose and gold,

And the sunbeams on the sea

Dancing with the wind for glee.

The red lilies of the moors

Shall be torches on the floors,

Where the field-lark lifts his cry

To rejoice the passer-by,

In a wide world rimmed with blue

Lovely as when time was new.

And thereafter thou shalt fare

Light of foot and free from care.

I will teach thee how to find

Lost enchantments of the mind

All about thee, never guessed

By indifferent unrest.

Thy distracted thought shall learn

Patience from the roadside fern,

And a sweet philosophy

From the flowering locust tree,—

While thy heart shall not disdain

The consolation of the rain.

Not an acre but shall give

Of its strength to help thee live.

With the many-wintered sun

Shall thy hardy course be run.

And the bright new moon shall be

A lamp to thy felicity.

When green-mantled spring shall come

Past thy door with flute and drum,

And when over wood and swamp

Autumn trails her scarlet pomp,

No misgiving shalt thou know,

Passing glad to rise and go.

So thy days shall be unrolled

Like a wondrous cloth of gold.

When gray twilight with her star

Makes a heaven that is not far,

Touched with shadows and with dreams,

Thou shalt hear the woodland streams

Singing through the starry night

Holy anthems of delight.

So the ecstasy of earth

Shall refresh thee as at birth,

And thou shalt arise each morn

Radiant with a soul reborn.

And this wisdom of a day

None shall ever take away.

What the secret, what the clew

The wayfarer must pursue?

Only one thing he must have

Who would share these transports brave.

Love within his heart must dwell

Like a bubbling roadside well,

For a spring to quicken thought,

Else my counsel comes to naught.

For without that quickening trust

We are less than roadside dust.

This, O traveller, is my creed,—

All the wisdom of the weed!

Then the traveller set his pack

Once more on his dusty back,

And trudged on for many a mile

Fronting fortune with a smile.

The Blue Heron

I see the great blue heron

Rising among the reeds

And floating down the wind,

Like a gliding sail

With the set of the stream.

I hear the two-horse mower

Clacking among the hay,

In the heat of a July noon,

And the driver's voice

As he turns his team.

I see the meadow lilies

Flecked with their darker tan,

The elms, and the great white clouds;

And all the world

Is a passing dream.

Woodland Rain

Shining, shining children

Of the summer rain,

Racing down the valley,

Sweeping o'er the plain!

Rushing through the forest,

Pelting on the leaves,

Drenching down the meadow

With its standing sheaves;

Robed in royal silver,

Girt with jewels gay,

With a gust of gladness

You pass upon your way.

Fresh, ah, fresh behind you,

Sunlit and impearled,

As it was in Eden,

Lies the lovely world!

Summer Storm

The hilltop trees are bowing

Under the coming of storm.

The low, gray clouds are trailing

Like squadrons that sweep and form,

With their ammunition of rain.

Then the trumpeter wind gives signal

To unlimber the viewless guns;

The cattle huddle together;

Indoors the farmer runs;

And the first shot lashes the pane.

They charge through the quiet orchard;

One pear tree is snapped like a wand;

As they sweep from the shattered hillside,

Ruffling the blackened pond,

Ere the sun takes the field again.

Dance of the Sunbeams

When morning is high o'er the hilltops,

On river and stream and lake,

Wherever a young breeze whispers,

The sun-clad dancers wake.

One after one up-springing,

They flash from their dim retreat.

Merry as running laughter

Is the news of their twinkling feet.

Over the floors of azure

Wherever the wind-flaws run,

Sparkling, leaping, and racing,

Their antics scatter the sun.

As long as water ripples

And weather is clear and glad,

Day after day they are dancing,

Never a moment sad.

But when through the field of heaven

The wings of storm take flight,

At a touch of the flying shadows

They falter and slip from sight.

Until at the gray day's ending,

As the squadrons of cloud retire,

They pass in the triumph of sunset

With banners of crimson fire.

The Campfire of the Sun

Lo, now, the journeying sun,

Another day's march done,

Kindles his campfire at the edge of night!

And in the twilight pale

Above his crimson trail,

The stars move out their cordons still and bright.

Now in the darkening hush

A solitary thrush

Sings on in silvery rapture to the deep;

While brooding on her best,

The wandering soul has rest,

And earth receives her sacred gift of sleep.

Summer Streams

All day long beneath the sun

Shining through the fields they run,

Singing in a cadence known

To the seraphs round the throne.

And the traveller drawing near

Through the meadow, halts to hear

Anthems of a natural joy

No disaster can destroy.

All night long from set of sun

Through the starry woods they run,

Singing through the purple dark

Songs to make a traveller hark.

All night long, when winds are low,

Underneath my window go

The immortal happy streams,

Making music through my dreams.

The God of the Wood

Here all the forces of the wood

As one converge,

To make the soul of solitude

Where all things merge.

The sun, the rain-wind, and the rain,

The visiting moon,

The hurrying cloud by peak and plain,

Each with its boon.

Here power attains perfection still

In mighty ease,

That the great earth may have her will

Of joy and peace.

And so through me, the mortal born

Of plasmic clay,

Immortal powers, kind, fierce, forlorn,

And glad, have sway.

Eternal passions, ardors fine,

And monstrous fears,

Rule and rebel, serene, malign,

Or loosed in tears;

Until at last they shall evolve

From griefs and joys

Some steady light, some firm resolve,

Some Godlike poise.

At Sunrise

Now the stars have faded

In the purple chill,

Lo, the sun is kindling

On the eastern hill.

Tree by tree the forest

Takes the golden tinge,

As the shafts of glory

Pierce the summit's fringe.

Rock by rock the ledges

Take the rosy sheen,

As the tide of splendor

Floods the dark ravine.

Like a shining angel

At my cabin door,

Shod with hope and silence,

Day is come once more.

Then, as if in sorrow

That you are not here,

All his magic beauties

Gray and disappear.

At Twilight

Now the fire is lighted

On the chimney stone,

Day goes down the valley,

I am left alone.

Now the misty purple

Floods the darkened vale,

And the stars come out

On the twilight trail.

The mountain river murmurs

In his rocky bed,

And the stealthy shadows

Fill the house with dread.

Then I hear your laughter

At the open door,—

Brightly burns the fire,

I need fear no more.

Moonrise

At the end of the road through the wood

I see the great moon rise.

The fields are flooded with shine,

And my soul with surmise.

What if that mystic orb

With her shadowy beams,

Should be the revealer at last

Of my darkest dreams!

What if this tender fire

In my heart's deep hold

Should be wiser than all the lore

Of the sages of old!

The Queen of Night

Mortal, mortal, have you seen

In the scented summer night,

Great Astarte, clad in green

With a veil of mystic light,

Passing on her silent way,

Pale and lovelier than day?

Mortal, mortal, have you heard,

On an odorous summer eve,

Rumors of an unknown word

Bidding sorrow not to grieve,—

Echoes of a silver voice

Bidding every heart rejoice?

Mortal, when the slim new moon

Hangs above the western hill,

When the year comes round to June

And the leafy world is still,

Then, enraptured, you shall hear

Secrets for a poet's ear.

Mortal, mortal, come with me,

When the moon is rising large,

Through the wood or from the sea,

Or by some lone river marge.

There, entranced, you shall behold

Beauty's self, that grows not old.

Night Lyric

In the world's far edges

Faint and blue,

Where the rocky ledges

Stand in view,

Fades the rosy, tender

Evening light;

Then in starry splendor

Comes the night.

So a stormy lifetime

Comes to close,

Spirit's mortal strifetime

Finds repose.

Faith and toil and vision

Crowned at last,

Failure and derision

Overpast,—

All the daylight splendor

Far above,

Calm and sure and tender

Comes thy love.

The Heart of Night

When all the stars are sown

Across the night-blue space,

With the immense unknown,

In silence face to face.

We stand in speechless awe

While Beauty marches by,

And wonder at the Law

Which wears such majesty.

How small a thing is man

In all that world-sown vast,

That he should hope or plan

Or dream his dream could last!

O doubter of the light,

Confused by fear and wrong,

Lean on the heart of night

And let love make thee strong!

The Good that is the True

Is clothed with Beauty still.

Lo, in their tent of blue,

The stars above the hill!

Peace

The sleeping tarn is dark

Below the wooded hill.

Save for its homing sounds,

The twilit world grows still.

And I am left to muse

In grave-eyed mystery,

And watch the stars come out

As sandalled dusk goes by.

And now the light is gone,

The drowsy murmurs cease,

And through the still unknown

I wonder whence comes peace.

Then softly falls the word

Of one beyond a name,

"Peace only comes to him

Who guards his life from shame,—

"Who gives his heart to love,

And holding truth for guide,

Girds him with fearless strength,

That freedom may abide."

The Old Gray Wall

Time out of mind I have stood

Fronting the frost and the sun,

That the dream of the world might endure,

And the goodly will be done.

Did the hand of the builder guess,

As he laid me stone by stone,

A heart in the granite lurked,

Patient and fond as his own?

Lovers have leaned on me

Under the summer moon,

And mowers laughed in my shade

In the harvest heat at noon.

Children roving the fields

With early flowers in spring,

Old men turning to look,

When they heard a bluebird sing,

Have seen me a thousand times

Standing here in the sun,

Yet never a moment dreamed

Whose likeness they gazed upon.

Ah, when will ye understand,

Mortals who strive and plod,—

Who rests on this old gray wall

Lays a hand on the shoulder of God!

Te Deum

If I could paint you the autumn color, the melting glow upon all

things laid,

The violet haze of Indian summer, before its splendor begins to fade,

When scarlet has reached its breathless moment, and gold the hush

of its glory now,

That were a mightier craft than Titian's, the heart to lift and

the head to bow.

I should be lord of a world of rapture, master of magic and gladness,

too,—

The touch of wonder transcending science, the solace escaping from

line and hue;

I would reveal through tint and texture the very soul of this earth

of ours,

Forever yearning through boundless beauty to exalt the spirit with

all her powers.

See where it lies by the lake this morning, our autumn hillside

of hardwood trees,

A masterpiece of the mighty painter who works in the primal mysteries.

A living tapestry, rich and glowing with blended marvels, vermilion

and dun,

Hung out for the pageant of time that passes along an avenue

of the sun!

The crown of the ash is tinged with purple, the hickory leaves

are Etruscan gold,

And the tulip-tree lifts yellow banners against the blue for

a signal bold;

The oaks in crimson cohorts stand, a myriad sumach torches mass

In festal pomp and victorious pride, when the vision of spring

is brought to pass.

Down from the line of the shore's deep shadows another and

softer picture lies,

As if the soul of the lake in slumber should harbor a dream

of paradise,—

Passive and blurred and unsubstantial, lulling the sense and

luring the mind

With the spell of an empty fairy world, where sinew and sap

are left behind.

So men dream of a far-off heaven of power and knowledge and

endless joy,

Asleep to the moment's fine elation, dull to the day's divine

employ,

Musing over a phantom image, born of fantastic hope and fear,

Of the very happiness life engenders and earth provides—our

privilege here.

Dare we dispel a single transport, neglect the worth that is

here and now,

Yet dream of enjoying its shadowy semblance in the by-and-by

somewhere, somehow?

I heard the wind on the hillside whisper, "They ill prepare for

a journey hence

Who waste the senses and starve the spirit in a world all made

for spirit and sense.

"Is the full stream fed from a stifled source, or the ripe fruit

filled from a blighted flower?

Are not the brook and the blossom greatened through many a busy

beatified hour?

Not in the shadow but in the substance, plastic and potent at our

command,

Are all the wisdom and gladness of heart; this is the kingdom of

heaven at hand."

So I will pass through the lovely world, and partake of beauty to

feed my soul.

With earth my domain and growth my portion, how should I sue for

a further dole?

In the lift I feel of immortal rapture, in the flying glimpse I gain

of truth,

Released is the passion that sought perfection, assuaged the ardor

of dreamful youth.

The patience of time shall teach me courage, the strength of the sun

shall lend me poise.

I would give thanks for the autumn glory, for the teaching of earth

and all her joys.

Her fine fruition shall well suffice me; the air shall stir in my

veins like wine;

While the moment waits and the wonder deepens, my life shall merge

with the life divine.

In October

Now come the rosy dogwoods,

The golden tulip-tree,

And the scarlet yellow maple,

To make a day for me.

The ash-trees on the ridges,

The alders in the swamp,

Put on their red and purple

To join the autumn pomp.

The woodbine hangs her crimson

Along the pasture wall,

And all the bannered sumacs

Have heard the frosty call.

Who then so dead to valor

As not to raise a cheer,

When all the woods are marching

In triumph of the year?

By Still Waters

"He leadeth me beside the still waters; He restoreth

my soul."

"My tent stands in a garden

Of aster and goldenrod,

Tilled by the rain and the sunshine,

And sown by the hand of God,—

An old New England pasture

Abandoned to peace and time,

And by the magic of beauty

Reclaimed to the sublime.

About it are golden woodlands

Of tulip and hickory;

On the open ridge behind it

You may mount to a glimpse of sea,—

The far-off, blue, Homeric

Rim of the world's great shield,

A border of boundless glamor

For the soul's familiar field.

In purple and gray-wrought lichen

The boulders lie in the sun;

Along its grassy footpath

The white-tailed rabbits run.

The crickets work and chirrup

Through the still afternoon;

And the owl calls from the hillside

Under the frosty moon.

The odorous wild grape clambers

Over the tumbling wall,

And through the autumnal quiet

The chestnuts open and fall.

Sharing time's freshness and fragrance,

Part of the earth's great soul,

Here man's spirit may ripen

To wisdom serene and whole.

Shall we not grow with the asters—

Never reluctant nor sad,

Not counting the cost of being,

Living to dare and be glad?

Shall we not lift with the crickets

A chorus of ready cheer,

Braving the frost of oblivion,

Quick to be happy here?

Is my will as sweet as the wild grape,

Spreading delight on the air

For the passer-by's enchantment,

Subtle and unaware?

Have I as brave a spirit,

Sprung from the self-same mould,

As this weed from its own contentment

Lifting its shaft of gold?

The deep red cones of the sumach

And the woodbine's crimson's sprays

Have bannered the common roadside

For the pageant of passing days.

These are the oracles Nature

Fills with her holy breath,

Giving them glory of color,

Transcending the shadow of death.

Here in the sifted sunlight

A spirit seems to brood

On the beauty and worth of being,

In tranquil, instinctive mood;

And the heart, filled full of gladness

Such as the wise earth knows,

Wells with a full thanksgiving

For the gifts that life bestows:

For the ancient and virile nurture

Of the teeming primordial ground,

For the splendid gospel of color,

The rapt revelations of sound;

For the morning-blue above us

And the rusted gold of the fern,

For the chickadee's call of valor

Bidding the faint-heart turn;

For fire and running water,

Snowfall and summer rain;

For sunsets and quiet meadows,

The fruit and the standing grain;

For the solemn hour of moonrise

Over the crest of trees,

When the mellow lights are kindled

In the lamps of the centuries;

For those who wrought aforetime,

Led by the mystic strain

To strive for the larger freedom,

And live for the greater gain;

For plenty of peace and playtime,

The homely goods of earth,

And for rare immaterial treasures

Accounted of little worth;

For art and learning and friendship,

Where beneficent truth is supreme,—

Those everlasting cities

Built on the hills of dream;

For all things growing and goodly

That foster this life, and breed

The immortal flower of wisdom

Out of the mortal seed.

But most of all for the spirit

That cannot rest nor bide

In stale and sterile convenience,

Nor safety proven and tried,

But still inspired and driven,

Must seek what better may be,

And up from the loveliest garden

Must climb for a glimpse of sea.

Lines for a Picture

When the leaves are flying

Across the azure sky,

Autumn on the hill top

Turns to say good-by;

In her gold-red tunic,

Like an Eastern queen,

With untarnished courage

In her wilding mien.

All the earth below her

Answers to her gaze,

And her eyes are pensive

With remembered days.

Yet, with cheek ensanguined,

Gay at heart she goes

On the great adventure

Where the north wind blows.

The Deserted Pasture

I love the stony pasture

That no one else will have.

The old gray rocks so friendly seem,

So durable and brave.

In tranquil contemplation

It watches through the year.

Seeing the frosty stars arise,

The slender moons appear.

Its music is the rain-wind,

Its choristers the birds,

And there are secrets in its heart

Too wonderful for words.

It keeps the bright-eyed creatures

That play about its walls,

Though long ago its milking herds

Were banished from their stalls.

Only the children come there,

For buttercups in May,

Or nuts in autumn, where it lies

Dreaming the hours away.

Long since its strength was given

To making good increase,

And now its soul is turned again

To beauty and to peace.

There in the early springtime

The violets are blue,

And adder-tongues in coats of gold

Are garmented anew.

There bayberry and aster

Are crowded on its floors,

When marching summer halts to praise

The Lord of Out-of-doors.

And there October passes

In gorgeous livery,—

In purple ash, and crimson oak,

And golden tulip tree.

And when the winds of winter

Their bugle blasts begin,

The snowy hosts of heaven arrive

And pitch their tents therein.

Autumn

Now when the time of fruit and grain is come,

When apples hang above the orchard wall,

And from the tangle by the roadside stream

A scent of wild grapes fills the racy air,

Comes Autumn with her sunburnt caravan,

Like a long gypsy train with trappings gay

And tattered colors of the Orient,

Moving slow-footed through the dreamy hills.

The woods of Wilton at her coming wear

Tints of Bokhara and of Samarcand:

The maples glow with their Pompeian red,

The hickories with burnt Etruscan gold;

And while the crickets fife along her march,

Behind her banners burns the crimson sun.

November Twilight

Now Winter at the end of day

Along the ridges takes her way,

Upon her twilight round to light

The faithful candles of the night.

As quiet as the nun she goes

With silver lamp in hand, to close

The silent doors of dusk that keep

The hours of memory and sleep.

She pauses to tread out the fires

Where Autumn's festal train retires.

The last red embers smoulder down

Behind the steeples of the town.

Austere and fine the trees stand bare

And moveless in the frosty air,

Against the pure and paling light

Before the threshold of the night.

On purple valley and dim wood

The timeless hush of solitude

Is laid, as if the time for some

Transcending mystery were come,

That shall illumine and console

The penitent and eager soul,

Setting her free to stand before

Supernal beauty and adore.

Dear Heart, in heaven's high portico

It is the hour of prayer. And lo,

Above the earth, serene and still,

One star—our star—o'er Lonetree Hill!

The Ghost-yard of the Goldenrod

When the first silent frost has trod

The ghost-yard of the goldenrod,

And laid the blight of his cold hand

Upon the warm autumnal land,

And all things wait the subtle change

That men call death, is it not strange

That I—without a care or need,

Who only am an idle weed—

Should wait unmoved, so frail, so bold,

The coming of the final cold!

Before the Snow

Now soon, ah, very soon, I know

The trumpets of the north will blow,

And the great winds will come to bring

The pale, wild riders of the snow.

Darkening the sun with level flight,

At arrowy speed, they will alight,

Unnumbered as the desert sands,

To bivouac on the edge of night.

Then I, within their somber ring,

Shall hear a voice that seems to sing,

Deep, deep within my tranquil heart,

The valiant prophecy of spring.

Winter

When winter comes along the river line

And Earth has put away her green attire,

With all the pomp of her autumnal pride,

The world is made a sanctuary old,

Where Gothic trees uphold the arch of gray,

And gaunt stone fences on the ridge's crest

Stand like carved screens before a crimson shrine,

Showing the sunset glory through the chinks.

There, like a nun with frosty breath, the soul,

Uplift in adoration, sees the world

Transfigured to a temple of her Lord;

While down the soft blue-shadowed aisles of snow

Night, like a sacristan with silent step,

Passes to light the tapers of the stars.

A Winter Piece

Over the rim of a lacquered bowl,

Where a cold blue water-color stands,

I see the wintry breakers roll

And heave their froth up the freezing sands.

Here in immunity safe and dull,

Soul treads her circuit of trivial things.

There soul's brother, a shining gull,

Dares the rough weather on dauntless wings.

Winter Streams

Now the little rivers go

Muffled safely under snow,

And the winding meadow streams

Murmur in their wintry dreams,

While a tinkling music wells

Faintly from there icy bells,

Telling how their hearts are bold

Though the very sun be cold.

Ah, but wait until the rain

Comes a-sighing once again,

Sweeping softly from the Sound

Over ridge and meadow ground!

Then the little streams will hear

April calling far and near,—

Slip their snowy bands and run

Sparkling in the welcome sun.

Winter Twilight

Along the wintry skyline,

Crowning the rocky crest,

Stands the bare screen of hardwood trees

Against the saffron west,—

Its gray and purple network

Of branching tracery

Outspread upon the lucent air,

Like weed within the sea.

The scarlet robe of autumn

Renounced and put away,

The mystic Earth is fairer still,—

A Puritan in gray.

The spirit of the winter,

How tender, how austere!

Yet all the ardor of the spring

And summer's dream are here.

Fear not, O timid lover,

The touch of frost and rime!

This is the virtue that sustained

The roses in their prime.

The anthem of the northwind

Shall hallow thy despair,

The benediction of the snow

Be answer to thy prayer.

And now the star of evening

That is the pilgrim's sign,

Is lighted in the primrose dusk,—

A lamp before a shrine.

Peace fills the mighty minster,

Tranquil and gray and old,

And all the chancel of the west

Is bright with paling gold.

A little wind goes sifting

Along the meadow floor,—

Like steps of lovely penitents

Who sighingly adore.

Then falls the twilight curtain,

And fades the eerie light,

And frost and silence turn the keys

In the great doors of night.

The Twelfth Night Star

It is the bitter time of year

When iron is the ground,

With hasp and sheathing of black ice

The forest lakes are bound,

The world lies snugly under snow,

Asleep without a sound.

All the night long in trooping squares

The sentry stars go by,

The silent and unwearying hosts

That bear man company,

And with their pure enkindling fires

Keep vigils lone and high.

Through the dead hours before the dawn,

When the frost snaps the sill,

From chestnut-wooded ridge to sea

The earth lies dark and still,

Till one great silver planet shines

Above the eastern hill.

It is the star of Gabriel,

The herald of the Word

In days when messengers of God

With sons of men conferred,

Who brought the tidings of great joy

The watching shepherds heard;

The mystic light that moved to lead

The wise of long ago,

Out of the great East where they dreamed

Of truths they could not know,

To seek some good that should assuage

The world's most ancient woe.

O well, believe, they loved their dream,

Those children of the star,

Who saw the light and followed it,

Prophetical, afar,—

Brave Caspar, clear-eyed Melchior,

And eager Balthasar.

Another year slips to the void,

And still with omen bright

Above the sleeping doubting world

The day-star is alight,—

The waking signal flashed of old

In the blue Syrian night.

But who are now as wise as they

Whose faith could read the sign

Of the three gifts that shall suffice

To honor the divine,

And show the tread of common life

Ineffably benign?

Whoever wakens on a day

Happy to know and be,

To enjoy the air, to love his kind,

To labor, to be free,—

Already his enraptured soul

Lives in eternity.

For him with every rising sun

The year begins anew;

The fertile earth receives her lord,

And prophecy comes true,

Wondrously as a fall of snow,

Dear as a drench of dew.

Who gives his life for beauty's need,

King Caspar could no more;

Who serves the truth with single mind

Shall stand with Melchior;

And love is all that Balthasar

In crested censer bore.

A Christmas Eve Choral

Halleluja!

What sound is this across the dark

While all the earth is sleeping? Hark!

Halleluja! Halleluja! Halleluja!

Why are thy tender eyes so bright,

Mary, Mary?

On the prophetic deep of night

Joseph, Joseph,

I see the borders of the light,

And in the day that is to be

An aureoled man-child I see,

Great love's son, Joseph.

Halleluja!

He hears not, but she hears afar,

The Minstrel Angel of the star.

Halleluja! Halleluja! Halleluja!

Why is thy gentle smile so deep,

Mary, Mary?

It is the secret I must keep,

Joseph, Joseph,—

The joy that will not let me sleep,

The glory of the coming days,

When all the world shall turn to praise

God's goodness, Joseph.

Halleluja!

Clear as the bird that brings the morn

She hears the heavenly music borne.

Halleluja! Halleluja! Halleluja!

Why is thy radiant face so calm,

Mary, Mary?

His strength is like a royal palm,

Joseph, Joseph;

His beauty like the victor's psalm.

He moves like morning o'er the lands

And there is healing in his hands

For sorrow, Joseph.

Halleluja!

Tender as dew-fall on the earth

She hears the choral of love's birth.

Halleluja! Halleluja! Halleluja!

What is the message come to thee,

Mary, Mary?

I hear like wind within the tree,

Joseph, Joseph,

Or like a far-off melody

His deathless voice proclaiming peace,

And bidding ruthless wrong to cease,

For love's sake, Joseph.

Halleluja!

Moving as rain-wind in the spring

She hears the angel chorus ring.

Halleluja! Halleluja! Halleluja!

Why are thy patient hands so still,

Mary, Mary?

I see the shadow on the hill,

Joseph, Joseph,

And wonder if it is God's will

That courage, service, and glad youth

Shall perish in the cause of truth

Forever, Joseph.

Halleluja!

Her heart in that celestial chime

Has heard the harmony of time.

Halleluja! Halleluja! Halleluja!

Why is thy voice so strange and far,

Mary, Mary?

I see the glory of the star,

Joseph, Joseph;

And in its light all things that are,

Made glad and wise beyond the sway

Of death and darkness and dismay,

In God's time Joseph.

Halleluja!

To every heart in love 'tis given

To hear the ecstasy of heaven.

Halleluja! Halleluja! Halleluja.

Christmas Song

Above the weary waiting world,

Asleep in chill despair,

There breaks a sound of joyous bells

Upon the frosted air.

And o'er the humblest rooftree, lo,

A star is dancing on the snow.

What makes the yellow star to dance

Upon the brink of night?

What makes the breaking dawn to glow

So magically bright,—

And all the earth to be renewed

With infinite beatitude?

The singing bells, the throbbing star,

The sunbeams on the snow,

And the awakening heart that leaps

New ecstasy to know,—

They all are dancing in the morn

Because a little child is born.

The Wise Men from the East

(A LITTLE BOY'S CHRISTMAS LESSON)

Why were the Wise Men three,

Instead of five or seven?"

They had to match, you see,

The archangels in Heaven.

God sent them, sure and swift,

By his mysterious presage,

To bear the threefold gift

And take the threefold message.

Thus in their hands were seen

The gold of purest Beauty,

The myrrh of Truth all-clean,

The frankincense of Duty.

And thus they bore away

The loving heart's great treasure,

And knowledge clear as day,

To be our life's new measure.

They went back to the East

To spread the news of gladness.

There one became a priest

To the new word of sadness;

And one a workman, skilled

Beyond the old earth's fashion;

And one a scholar, filled

With learning's endless passion.

God sent them for a sign

He would not change nor alter

His good and fair design,

However man may falter.

He meant that, as He chose

His perfect plan and willed it,

They stood in place of those

Who elsewhere had fulfilled it;

Whoso would mark and reach

The height of man's election,

Must still achieve and teach

The triplicate perfection.

For since the world was made,

One thing was needed ever,

To keep man undismayed

Through failure and endeavor—

A faultless trinity

Of body, mind, and spirit,

And each with its own three

Strong angels to be near it;

Strength to arise and go

Wherever dawn is breaking,

Poise like the tides that flow,

Instinct for beauty-making;

Imagination bold

To cross the mystic border,

Reason to seek and hold,

Judgment for law and order;

Joy that makes all things well,

Faith that is all-availing

Each terror to dispel,

And Love, ah, Love unfailing.

These are the flaming Nine

Who walk the world unsleeping,

Sent forth by the Divine

With manhood in their keeping.

These are the seraphs strong

His mighty soul had need of,

When He would right the wrong

And sorrow He took heed of.

And that, I think, is why

The Wise Men knelt before Him,

And put their kingdoms by

To serve Him and adore Him;

So that our Lord, unknown,

Should not be unattended,

When He was here alone

And poor and unbefriended;

That still He might have three

(Rather than five or seven)

To stand in their degree,

Like archangels in Heaven.

The Sending of the Magi

In a far Eastern country

It happened long of yore,

Where a lone and level sunrise

Flushes the desert floor,

That three kings sat together

And a spearman kept the door.

Caspar, whose wealth was counted

By city and caravan;

With Melchior, the seer

Who read the starry plan;

And Balthasar, the blameless,

Who loved his fellow man.

There while they talked, a sudden

Strange rushing sound arose,

And as with startled faces

They thought upon their foes,

Three figures stood before them

In imperial repose.

One in flame-gold and one in blue

And one in scarlet clear,

With the almighty portent

Of sunrise they drew near!

And the kings made obeisance

With hand on breast, in fear.

"Arise," said they, "we bring you

Good tidings of great peace!

To-day a power is wakened

Whose working must increase,

Till fear and greed and malice

And violence shall cease."

The messengers were Michael,

By whom all things are wrought

To shape and hue; and Gabriel

Who is the lord of thought;

And Rafael without whose love

All toil must come to nought.

Then Rafael said to Balthasar,

"In a country west from here

A lord is born in lowliness,

In love without a peer.

Take grievances and gifts to him

And prove his kingship clear!

"By this sign ye shall know him;

Within his mother's arm

Among the sweet-breathed cattle

He slumbers without harm,

While wicked hearts are troubled

And tyrants take alarm."

And Gabriel said to Melchior,

"My comrade, I will send

My star to go before you,

That ye may comprehend

Where leads your mystic learning

In a humaner trend."

And Michael said to Gaspar,

"Thou royal builder, go

With tribute of thy riches!

Though time shall overthrow

Thy kingdom, no undoing

His gentle might shall know."

Then while the kings' hearts greatened

And all the chamber shone,

As when the hills at sundown

Take a new glory on

And the air thrills with purple,

Their visitors were gone.

Then straightway up rose Gaspar,

Melchior and Balthasar,

And passed out through the murmur

Of palace and bazar,

To make without misgiving

The journey of the Star.

The Angels of Man

The word of the Lord of the outer worlds

Went forth on the deeps of space,

That Michael, Gabriel, Rafael,

Should stand before his face,

The seraphs of his threefold will,

Each in his ordered place.

Brave Michael, the right hand of God,

Strong Gabriel, his voice,

Fair Rafael, his holy breath

That makes the world rejoice,—

Archangels of omnipotence,

Of knowledge, and of choice;

Michael, angel of loveliness

In all things that survive,

And Gabriel, whose part it is

To ponder and contrive,

And Rafael, who puts the heart

In every thing alive.

Came Rafael, the enraptured soul,

Stainless as wind or fire,

The urge within the flux of things,

The life that must aspire,

With whom is the beginning,

The worth, and the desire;

And Gabriel, the all-seeing mind,

Bringer of truth and light,

Who lays the courses of the stars

In their stupendous flight,

And calls the migrant flocks of spring

Across the purple night;

And Michael, the artificer

Of beauty, shape, and hue,

Lord of the forges of the sun,

The crucible of the dew,

And driver of the plowing rain

When the flowers are born anew.

Then said the Lord: "Ye shall account

For the ministry ye hold,

Since ye have been my sons to keep

My purpose from of old.

How fare the realms within your sway

To perfections still untold?"

Answered each as he had the word.

And a great silence fell

On all the listening hosts of heaven

To hear their captains tell,—

With the breath of the wind, the call of a bird.

And the cry of a mighty bell.

Then the Lord said: "The time is ripe

For finishing my plan,

And the accomplishment of that

For which all time began.

Therefore on you is laid the task

Of the fashioning of man;

"In your own likeness shall he be,

To triumph in the end.

I only give him Michael's strength

To guard him and defend,

With Gabriel to be his guide,

And Rafael his friend.

"Ye shall go forth upon the earth,

And make there Paradise,

And be the angels of that place

To make men glad and wise,

With loving-kindness in their hearts,

And knowledge in their eyes.

"And ye shall be man's counsellors

That neither rest nor sleep,

To cheer the lonely, lift the frail,

And solace them that weep.

And ever on his wandering trail

Your watch-fires ye shall keep;

"Till in the far years he shall find

The country of his quest,

The empire of the open truth,

The vision of the best,

Foreseen by every mother saint

With her new-born on her breast."

At the Making of Man

First all the host of Raphael

In liveries of gold,

Lifted the chorus on whose rhythm

The spinning spheres are rolled,—

The Seraphs of the morning calm

Whose hearts are never cold.

He shall be born a spirit,

Part of the soul that yearns,

The core of vital gladness

That suffers and discerns,

The stir that breaks the budding sheath

When the green spring returns,—

The gist of power and patience

Hid in the plasmic clay,

The calm behind the senses,

The passionate essay

To make his wise and lovely dream

Immortal on a day.

The soft, Aprilian ardors

That warm the waiting loam

Shall whisper in his pulses

To bid him overcome,

And he shall learn the wonder-cry

Beneath the azure dome.

And though all-dying nature

Should teach him to deplore,

The ruddy fires of autumn

Shall lure him but the more

To pass from joy to stronger joy,

As through an open door.

He shall have hope and honor,

Proud trust and courage stark,

To hold him to his purpose

Through the unlighted dark,

And love that sees the moon's full orb

In the first silver arc.

And he shall live by kindness

And the heart's certitude,

Which moves without misgiving

In ways not understood,

Sure only of the vast event,—

The large and simple good.

Then Gabriel's host in silver gear

And vesture twilight blue,

The spirits of immortal mind,

The warders of the true,

Took up the theme that gives the world

Significance anew.

He shall be born to reason,

And have the primal need

To understand and follow

Wherever truth may lead,—

To grow in wisdom like a tree

Unfolding from a seed.

A watcher by the sheepfolds,

With wonder in his eyes,

He shall behold the seasons,

And mark the planets rise,

Till all the marching firmament

Shall rouse his vast surmise.

Beyond the sweep of vision,

Or utmost reach of sound,

This cunning fire-maker,

This tiller of the ground,

Shall learn the secrets of the suns

And fathom the profound.

For he must prove all being

Sane, beauteous, benign,

And at the heart of nature

Discover the divine,—

Himself the type and symbol

Of the eternal trine.

He shall perceive the kindling

Of knowledge, far and dim,

As of the fire that brightens

Below the dark sea-rim,

When ray by ray the splendid sun

Floats to the world's wide brim.

And out of primal instinct,

The lore of lair and den,

He shall emerge to question

How, wherefore, whence, and when,

Till the last frontier of the truth

Shall lie within his ken.

Then Michael's scarlet-suited host

Took up the word and sang;

As though a trumpet had been loosed

In heaven, the arches rang;

For these were they who feel the thrill

Of beauty like a pang.

He shall be framed and balanced

For loveliness and power,

Lithe as the supple creatures,

And colored as a flower,

Sustained by the all-feeding earth,

Nurtured by wind and shower,

To stand within the vortex

Where surging forces play,

A poised and pliant figure

Immutable as they,

Till time and space and energy

Surrenders to his sway.

He shall be free to journey

Over the teeming earth,

An insatiable seeker,

A wanderer from his birth,

Clothed in the fragile veil of sense,

With fortitude for girth.

His hands shall have dominion

Of all created things,

To fashion in the likeness

Of his imaginings,

To make his will and thought survive

Unto a thousand springs.

The world shall be his province,

The princedom of his skill;

The tides shall wear his harness,

The winds obey his will;

Till neither flood, nor fire, nor frost,

Shall work to do him ill.

A creature fit to carry

The pure creative fire,

Whatever truth inform him,

Whatever good inspire,

He shall make lovely in all things

To the end of his desire.

St. Michael's Star

In the pure solitude of dusk

One star is set to shine

Above the sundown's dying rose,

A lamp before a shrine.

It is the star of Michael lit

In the minster of the sun,

That every toiling hand may give

Thanks for the day's work done.

For when the almighty word went forth

To bid creation be,—

The glimmering star-tracks on the blue,

The tide-belts on the sea,—

Perfect as planned, from Michael's hand

The lasting hills arose,

Their bases on the poppied plain,

Their peaks in bannered snows.

Cedar and thorn and oak were born;

Green fiddleheads uncurled

In the spring woods; gold adder-tongues

Came forth to glad the world;—

The magic of the punctual seeds,

Each with its pregnant powers,

As the lord Michael fashioned them

To keep their days and hours.

Frail fins to ride the monstrous tide,

Soft wings to poise and gleam,

He formed the pageant tribe by tribe

As vivid as a dream.

And still must his beneficence

Renew, create, sustain,

Sorcery of the wind and sun,

Alchemy of the rain.

Teeming with God, the kindly sod

Yearns through the summer days

With the mute eloquence of flowers,

Its only means of praise.

At dusk and dawn the tranquil hills

Throb to the song of birds,

And all the dim blue silence thrills

To transport not of words.

For earth must breed to spirit's need,

Clay to the finer clay,

That soul through sense find recompense

And rapture on her way.

And man, from dust and dreaming wrought,

To all things must impart

The trend and likeness of his thought,

The passion of his heart.

The love and lore he shall acquire

To word and deed must dare;

Resemblances of God his sire

His voice and mien must bear.

His children's children shall portray

The skill which he bestows

On living; and what life must mean

His craftsman's instinct knows.

Line upon line and tone by tone,

The visioned form he gives

To sound and color, wood and stone,

Takes loveliness and lives.

He sees his project's soaring hope

Grow substance, and expand

To measure a diviner scope

Beneath his patient hand.

To pencil, brush, and burnisher

His wizardry he lends,

And to the care of lathe and loom

His secret he commends.

In hues and forms and cadences

New beauty he instills,

A brother by the right of craft

To Michael of the hills.

The Dreamers

Charlemagne with knight and lord,

In the hill at Ingelheim,

Slumbers at the council board,

Seated waiting for the time.

With their swords across their knees

In that chamber dimly lit,

Chin on breast life effigies

Of the dreaming gods, they sit.

Long ago they went to sleep,

While great wars above them hurled.

Taking counsel how to keep

Giant evil from the world.

Golden-armored, iron-crowned,

There in silence they await

The last war,—in war renowned,

Done with doubting and debate.

What is all our clamor for?

Petty virtue, puny crime,

Beat in vain against the door

Of the hill at Ingelheim.

When at last shall dawn the day

For the saving of the world,

They will forth in war array,

Iron-armored, golden-curled.

In the hill at Ingelheim,

Still, they say, the Emperor,

Like a warrior in his prime,

Waits the message at the door.

Shall the long enduring fight

Break above our heads in vain,

Plunged in lethargy and night,

Like the men of Charlemagne?

Comrades, through the Council Hall

Of the heart, inert and dumb,

Hear ye not the summoning call,

"Up, my lords, the hour is come!"

El Dorado

This is the story

Of Santo Domingo,

The first established

Permanent city

Built in the New World.

Miguel Dias,

A Spanish sailor

In the fleet of Columbus,

Fought with a captain,

Wounded him, then in fear

Fled from his punishment.

Ranging the wilds, he came

On a secluded

Indian village

Of the peace-loving

Comely Caguisas.

There he found shelter,

Food, fire, and hiding,—

Welcome unstinted.

Over this tribe ruled—

No cunning chieftain

Grown gray in world-craft,

But a young soft-eyed

Girl, tender-hearted,

Loving, and regal

Only in beauty,

With no suspicion

Of the perfidious

Merciless gold-lust

Of the white sea-wolves,—

Roving, rapacious,

Conquerors, destroyers.

Strongly the stranger

Wooed with his foreign

Manners, his Latin

Fervor and graces;

Beat down her gentle,

Unreserved strangeness;

Made himself consort

Of a young queen, all

Loveliness, ardor,

And generous devotion.

Her world she gave him,

Nothing denied him,

All, all for love's sake

Poured out before him,—

Lived but to pleasure

And worship her lover.

Such is the way

Of free-hearted women,

Radiant beings

Who carry God's secret;

All their seraphic

Unworldly wisdom

Spent without fearing

Or calculation

For the enrichment

Of—whom, what, and wherefore?

Ask why the sun shines

And is not measured,

Ask why the rain falls

Aeon by aeon,

Ask why the wind comes

Making the strong trees

Blossom in springtime,

Forever unwearied!

Whoever earned these gifts,

Air, sun, and water?

Whoever earned his share

In that unfathomed

Full benediction,

Passing the old earth's

Cunningest knowledge,

Greater than all

The ambition of ages,

Light as a thistle-seed,

Strong as a tide-run,

Vast and mysterious

As the night sky,—

The love of woman?

Not long did Miguel

Dias abide content

With his good fortune.

Back to his voyaging

Turned his desire,

Restless once more to rove

With boon companions,

Filled with the covetous

Thirst for adventure,—

The white man's folly.

Then poor Zamcaca,

In consternation

Lest she lack merit

Worthy to tether

His wayward fancy,

Knowing no way but love,

Guileless, and sedulous

Only to gladden,

Quick and sweet-souled

As another madonna,

Gave him the secret

Of her realm's treasure,—

Raw gold unweighed,

Stored wealth unimagined;

Decked him with trappings

Of that yellow peril;

And bade him go

Bring his comrades to settle

In her dominion.

Not long the Spaniards

Stood on that bidding.

Gold was their madness,

Their Siren and Pandar.

Trooping they followed

Their friend the explorer,

Greed-fevered ravagers

Of all things goodly,

Hot-foot to plunder

The land of his love-dream.

They swooped on that country,

Founded their city,

Made Miguel Dias

Its first Alcalde,—

Flattered and fooled him,

Loud in false praises

For the great wealth he had

By his love's bounty.

Then the old story,

Older than Adam,—

Treachery, rapine,

Ingratitude, bloodshed,

Wrought by the strong man

On unsuspecting

And gentler brothers.

The rabid Spaniard,

Christian and ruthless

(Like any modern

Magnate of Mammon),

Harried that fearless,

Light-hearted, trustful folk

Under his booted heel.

Tears (ah, a woman's tears,—

The grief of angels,—)

Fell from Zamcaca,

Sorrowing, hopeless,

Alone, for her people.

Sick from injustice,

Distraught, and disheartened,

Tortured by sight and sound

Of wrong and ruin,

When the kind, silent,

Tropical moonlight,

Lay on the city,

In the dead hour

When the soul trembles

Within the portals

Of its own province,

While far away seem

All deeds of daytime,

She rose and wondered;

Gazed on the sleeping

Face of her loved one,

Alien and cruel;

Kissed her strange children,

Longingly laying a hand

In farewell on each,

Crept to the door, and fled

Back to the forest.

Only the deep heart

Of the World-mother,

Brooding below the storms

Of human madness,

Can know what desolate

Anguish possessed her.

Only the far mind

Of the World-father,

Seeing the mystic

End and beginning,

Knows why the pageant

Is so betattered

With mortal sorrow.

On the Plaza

One August day I sat beside

A café window open wide

To let the shower-freshened air

Blow in across the Plaza, where

In golden pomp against the dark

Green leafy background of the Park,

St. Gaudens' hero, gaunt and grim,

Rides on with Victory leading him.

The wet, black asphalt seemed to hold

In every hollow pools of gold,

And clouds of gold and pink and gray

Were piled up at the end of day,

Far down the cross street, where one tower

Still glistened from the drenching shower.

A weary, white-haired man went by,

Cooling his forehead gratefully

After the day's great heat. A girl,

Her thin white garments in a swirl

Blown back against her breasts and knees,

Like a Winged Victory in the breeze,

Alive and modern and superb,

Crossed from the circle of the curb.

We sat there watching people pass,

Clinking the ice against the glass

And talking idly—books or art,

Or something equally apart

From the essential stress and strife

That rudely form and further life,

Glad of a respite from the heat,

When down the middle of the street,

Trundling a hurdy-gurdy, gay

In spite of the dull-stifling day,

Three street-musicians came. The man,

With hair and beard as black as Pan,

Strolled on one side with lordly grace,

While a young girl tugged at a trace

Upon the other. And between

The shafts there walked a laughing queen,

Bright as a poppy, strong and free.

What likelier land than Italy

Breeds such abandon? Confident

And rapturous in mere living spent

Each moment to the utmost, there

With broad, deep chest and kerchiefed hair,

With head thrown back, bare throat, and waist

Supple, heroic and free-laced,

Between her two companions walked

This splendid woman, chaffed and talked,

Did half the work, made all the cheer

Of that small company.

No fear

Of failure in a soul like hers

That every moment throbs and stirs

With merry ardor, virile hope,

Brave effort, nor in all its scope

Has room for thought or discontent,

Each day its own sufficient vent

And source of happiness.

Without

A trace of bitterness or doubt

Of life's true worth, she strode at ease

Before those empty palaces,

A simple heiress of the earth

And all its joys by happy birth,

Beneficent as breeze or dew,

And fresh as though the world were new

And toil and grief were not. How rare

A personality was there!

A Painter's Holiday

We painters sometimes strangely keep

These holidays. When life runs deep

And broad and strong, it comes to make

Its own bright-colored almanack.

Impulse and incident divine

Must find their way through tone and line;

The throb of color and the dream

Of beauty, giving art its theme

From dear life's daily miracle,

Illume the artist's life as well.

A bird-note, or a turning leaf,

The first white fall of snow, a brief

Wild song from the Anthology,

A smile, or a girl's kindling eye,—

And there is worth enough for him

To make the page of history dim.

Who knows upon what day may come

The touch of that delirium

Which lifts plain life to the divine,

And teaches hand the magic line

No cunning rule could ever reach,

Where Soul's necessities find speech?

None knows how rapture may arrive

To be our helper, and survive

Through our essay to help in turn

All starving eager souls who yearn

Lightward discouraged and distraught.

Ah, once art's gleam of glory caught

And treasured in the heart, how then

We walk enchanted among men,

And with the elder gods confer!

So art is hope's interpreter,

And with devotion must conspire

To fan the eternal altar fire.

Wherefore you find me here to-day,

Not idling the good hours away,

But picturing a magic hour

With its replenishment of power.

Conceive a bleak December day,

The streets all mire, the sky all gray,

And a poor painter trudging home

Disconsolate, when what should come

Across his vision, but a line

On a bold-lettered play-house sign,

A Persian Sun Dance.

In he turns.

A step, and there the desert burns

Purple and splendid; molten gold

The streamers of the dawn unfold,

Amber and amethyst uphurled

Above the far rim of the world;

The long-held sound of temple bells

Over the hot sand steals and swells;

A lazy tom-tom throbs and dones

In barbarous maddening monotones;

While sandal incense blue and keen

Hangs in the air. And then the scene

Wakes, and out steps, by rhythm released,

The sorcery of all the East,

In rose and saffron gossamer,—

A young light-hearted worshipper

Who dances up the sun. She moves

Like waking woodland flower that loves

To greet the day. Her lithe, brown curve

Is like a sapling's sway and swerve

Before the spring wind. Her dark hair

Framing a face vivid and rare,

Curled to her throat and then flew wild,

Like shadows round a radiant child.

The sunlight from her cymbals played

About her dancing knees, and made

A world of rose-lit ecstasy,

Prophetic of the day to be.

Such mystic beauty might have shone

In Sardis or in Babylon,

To bring a Satrap to his doom

Or touch some lad with glory's bloom.

And now it wrought for me, with sheer

Enchantment of the dying year,

Its irresistible reprieve

From joylessness on New Year's Eve.

Mirage

Here hangs at last, you see, my row

Of sketches,—all I have to show

Of one enchanted summer spent

In sweet laborious content,

At little 'Sconset by the moors,

With the sea thundering by its doors,

Its grassy streets, and gardens gay

With hollyhocks and salvia.

And here upon the easel yet,

With the last brush of paint still wet,

(Showing how inspiration toils),

Is one where the white surf-line boils

Along the sand, and the whole sea

Lifts to the skyline, just to be

The wondrous background from whose verge

Of blue on blue there should emerge

This miracle.

One day of days

I strolled the silent path that strays

Between the moorlands and the beach

From Siasconset, till you reach

Tom Nevers Head, the lone last land

That fronts the ocean, lone and grand

As when the Lord first bade it be

For a surprise and mystery.

A sailless sea, a cloudless sky,

The level lonely moors, and I

The only soul in all that vast

Of color made intense to last!

The small white sea-birds piping near;

The great soft moor-winds; and the dear

Bright sun that pales each crest to jade,

Where gulls glint fishing unafraid.

Here man, the godlike, might have gone

With his deep thought, on that wild dawn

When the first sun came from the sea,

Glowing and kindling the world to be,

While time began and joy had birth,—

No wilder sweeter spot on earth!

As I sat there and mused (the way

We painters waste our time, you say!)

On the sheer loneliness and strength

Whence life must spring, there came at length

Conviction of the helplessness

Of earth alone to ban or bless.

I saw the huge unhuman sea;

I heard the drear monotony

Of the waves beating on the shore

With heedless, futile strife and roar,

Without a meaning or an aim.

And then a revelation came,

In subtle, sudden, lovely guise,

Like one of those soft mysteries

Of Indian jugglers, who evoke

A flower for you out of smoke.

I knew sheer beauty without soul

Could never be perfection's goal,

Nor satisfy the seeking mind

With all it longs for and must find

One day. The lovely things that haunt

Our senses with an aching want,

And move our souls, are like the fair

Lost garments of a soul somewhere.

Nature is naught, if not the veil

Of some great good that must prevail

And break in joy, as woods of spring

Break into song and blossoming.

But what makes that great goodness start

Within ourselves? When leaps the heart

With gladness, only then we know

Why lovely Nature travails so,—

Why art must persevere and pray

In her incomparable way.

In all the world the only worth

Is human happiness; its dearth

The darkest ill. Let joyance be,

And there is God's sufficiency,—

Such joy as only can abound

Where the heart's comrade has been found.

That was my thought. And then the sea

Broke in upon my revery

With clamorous beauty,—the superb

Eternal noun that takes no verb

But love. The heaven of dove-like blue

Bent o'er the azure, round and true

As magic sphere of crystal glass,

Where faith sees plain the pageant pass

Of things unseen. So I beheld

The sheer sky-arches domed and belled,

As if the sea were the very floor

Of heaven where walked the gods of yore

In Plato's imagery, and I

Uplifted saw their pomps go by.

The House of space and time grew tense

As if with rapture's imminence,

When truth should be at last made clear,

And the great worth of life appear;

While I, a worshipper at the shrine,

For very longing grew divine,

Borne upward on earth's ecstasy,

And welcomed by the boundless sky.

A mighty prescience seemed to brood

Over that tenuous solitude

Yearning for form, till it became

Vivid as dream and live as flame,

Through magic art could never match,

The vision I have tried to catch,—

All earth's delight and meaning grown

A lyric presence loved and known.

How otherwise could time evolve

Young courage, or the high resolve,

Or gladness to assuage and bless

The soul's austere great loneliness,

Than by providing her somehow

With sympathy of hand and brow,

And bidding her at last go free,

Companioned through eternity?

So there appeared before my eyes,

In a beloved, familiar guise,

A vivid, questing human face

In profile, scanning heaven for grace,

Up-gazing there against the blue

With eyes that heaven itself shone through;

The lips soft-parted, half in prayer,

Half confident of kindness there;

A brow like Plato's made for dream

In some immortal Academe,

And tender as a happy girl's;

A full dark head of clustered curls

Round as an emperor's, where meet

Repose and ardor, strong and sweet,

Distilling from a mind unmarred

The glory of her rapt regard.

So eager Mary might have stood,

In love's adoring attitude,

And looked into the angel's eyes

With faith and fearlessness, all wise

In soul's unfaltering innocence,

Sure in her woman's supersense

Of things only the humble know.

My vision looks forever so.

In other years when men shall say,

"What was the painter's meaning, pray?

Why all this vast of sea and space,

Just to enframe a woman's face?"

Here is the pertinent reply,

"What better use for earth and sky?"

The great archangel passed that way

Illuming life with mystic ray.

Not Lippo's self nor Raphael

Had lovelier, realer things to tell

Than I, beholding far away

How all the melting rose and gray

Upon the purple sea-line leaned

About that head that intervened.

How real was she? Ah, my friend,

In art the fact and fancy blend

Past telling. All the painter's task

Is with the glory. Need we ask

The tulips breaking through the mould

To their untarnished age of gold,

Whence their ideals were derived

That have so gloriously survived?

Flowers and painters both must give

The hint they have received, to live,—

Spend without stint the joy and power

That lurk in each propitious hour,—

Yet leave the why untold—God's way.

My sketch is all I have to say.

The Winged Victory

Thou dear and most high Victory,

Whose home is the unvanquished sea,

Whose fluttering wind-blown garments keep

The very freshness, fold, and sweep

They wore upon the galley's prow,

By what unwonted favor now

Hast thou alighted in this place,

Thou Victory of Samothrace?

O thou to whom in countless lands

With eager hearts and striving hands

Strong men in their last need have prayed,

Greatly desiring, undismayed,

And thou hast been across the fight

Their consolation and their might,

Withhold not now one dearer grace,

Thou Victory of Samothrace!

Behold, we, too, must cry to thee,

Who wage our strife with Destiny,

And give for Beauty and for Truth

Our love, our valor and our youth.

Are there no honors for these things

To match the pageantries of kings?

Are we more laggard in the race

Than those who fell at Samothrace?

Not only for the bow and sword,

O Victory, be thy reward!

The hands that work with paint and clay

In Beauty's service, shall not they

Also with mighty faith prevail?

Let hope not die, nor courage fail,

But joy come with thee pace for pace,

As once long since in Samothrace.

Grant us the skill to shape the form

And spread the color living-warm,

(As they who wrought aforetime did),

Where love and wisdom shall lie hid,

In fair impassioned types, to sway

The cohorts of the world to-day,

In Truth's eternal cause, and trace

Thy glory down from Samothrace.

With all the ease and splendid poise

Of one who triumphs without noise,

Wilt thou not teach us to attain

Thy sense of power without strain,

That we a little may possess

Our souls with thy sure loveliness,—

That calm the years cannot deface,

Thou Victory of Samothrace?

Then in the ancient, ceaseless war

With infamy, go thou before!

Amid the shoutings and the drums

Let it be learned that Beauty comes,

Man's matchless Paladin to be,

Whose rule shall make his spirit free

As thine from all things mean or base,

Thou Victory of Samothrace.

The Gate of Peace

Ah, who will build the city of our dream,

Where beauty shall abound and truth avail,

With patient love that is too wise for strife,

Blending in power as gentle as the rain

With the reviving earth on full spring days?

Who now will speed us to its gate of peace,

And reassure us on our doubtful road?

Three centuries ago a fearless man,

Yearning to set his people in the way,

Threw all his royal might into a plan

To found an ideal city that should give

Freedom to every instinct for the best,

From humblest impulse in his own domain

To rumored wisdom from the world's far ends.

Strengthened with ardor from a high resolve,

Beneath the patient smile of Indian skies

This fair dream flourished for a score of years,

Until the blight of evil touched its bloom

With fading, and transformed its vivid life

Into a ghost-flower of its fair design.

Now ruined nursery tower and gay boudoir,

A sad custodian of sacred tombs,

And scattered feathers from the purple wings

Of doves who reign in undisputed calm

Over this Eden of hope and fair essay,

Recall the valor of this ancient quest.

Great Akbar,—grandfather of Shah Jehan,

The artist Emperor of India

Who built the Taj for love of one held dear

Beyond all other women in the world,

And left that loveliest memorial,

The most supreme of wonders wrought by man,

To move for very joy all hearts to tears

Beholding how great beauty springs from love,—

Akbar the wisest ruler over Ind,

Grandson of Babar in whose veins were mixed

The blood of Tamerlane and Chinghiz Khan,

Who beat the Afghans and the Rajputs down

At Paniput and Buxar in Bengal,

Making himself the lord of Hindustan,

And with his restless Tartars founded there

The Mogul empire with its Moslem faith,

Its joyousness, enlightenment, and art,—

Akbar of all the sovereigns of the East

Is still most deeply loved and gladly praised.

For he who conquered with so strong a hand

Cabul, Kashmir, and Kandahar, and Sind,

Oudh and Orissa, Chitor and Ajmir,

With all their wealth to weld them into one,

Upholding justice with his sovereignty

Throughout his borders and imposing peace,

Was first and last a seeker after truth.

No craven unlaborious truce he sought,

But that great peace which only comes with light,

Emerging after chaos has been quelled

In some long struggle of enduring will,

To be a proof of order and of law,

Which cannot rest on falsehood nor on wrong,

But spreads like generous sunshine on the earth

When goodness has been gained and truth made clear,

At whatsoe'er incalculable cost.

Returning once with his victorious arms

And war-worn companies on the homeward march

To Agra and his court's magnificence,

From a campaign against some turbulent folk,

He came at evening to a quiet place

Near Sikri by the roadside through the woods,

Where there were many doves among the trees.

There Salim Chisti a holy man had made

His lonely dwelling in the wilderness,

Seeking perfection. And the solitude

Was sweet to Akbar, and he halted there

And went to Salim in his lodge and said,

"O man and brother, thy long days are spent

In meditation, seeking for the path

Through this great world's impediments to peace,

Here in the twilight with the holy stars

Or when the rose of morning breaks in gold;

Tell me, I pray, whence comes the gift of peace

With all its blessings for a people's need,

And how may true tranquillity be found

On which man's restless spirit longs to rest?"

And Salim answered, "Lord, most readily

In Allah's out-of-doors, for there men live

More truly, being free from false constraint,

For learning wisdom with a calmer mind.

For they who would find peace must conquer fear

And ignorance and greed,—the ravagers

Of spirit, mind, and sense,—and learn to live

Content beneath the shade of Allah's hand.

Who worships not his own will shall find peace."

Then Akbar answered, "I have set my heart

On making beauty, truth, and justice shine

As the ordered stars above the darkened earth.

Are not these also things to be desired,

And striven for with no uncertain toil?

And save through them whence comes the gift of peace?"

Then Salim smiled, and with his finger drew

In the soft dust before his door, and said,

"O king, thy words are true, thy heart most wise.

Thou also shalt find peace, as Allah wills,

Through following bravely what to thee seems best.

When any question, 'What is peace?' reply,

'The shelter of the Gate of Paradise,

The shadow of the archway, not the arch,

Within whose shade at need the poor may rest,

The weary be refreshed, the weak secure,

And all men pause to gladden as they go.'"

And Akbar pondered Salim Chisti's words.

Then turning to his ministers, he said,

"Here will I build my capital, and here

The world shall come unto a council hall,

And in a place of peace pursue the quest

Of wisdom and the finding out of truth,

That there be no more discord upon earth,

But only knowledge, beauty, and good will."

And it was done according to Akbar's word.

There in the wilderness as by magic rose

Futtehpur Sikri, the victorious city,

Of marble and red sandstone among the trees,

A rose unfolding in the kindling dawn.

Palace and mosque and garden and serai,

Bazaars and baths and spacious pleasure grounds,

By favor of Allah to perfection sprang.

Thus Akbar wrought to make his dream come true.

From the four corners of the world he brought

His master workmen, from Iran and Ind,

From wild Mongolia and the Arabian wastes;

Masons from Bagdad, Delhi, and Multan;

Dome builders from the North, from Samarkand;

Cunning mosaic workers from Kanauj;

And carvers of inscriptions from Shiraz;

And they all labored with endearing skill,

Each at his handicraft, to make beauty be.

When the first ax-blade on the timber rang,

The timid doves, as if foreboding ill,

Had fled from Sikri and its quiet groves.

But as he promised, Akbar sent and bade

The wise men of all nations to his court,

Brahman and Christian, Buddhist and Parsee,

Jain and stiff Mohammedan and Jew,

All followers of the One with many names,

Bringing the ghostly wisdom of the earth.

And so they came of every hue and creed.

From the twelve winds of heaven their caravans

Drew into Sikri as Akbar summoned them,

To spend long afternoons in council grave,

Sifting tradition for the seed of truth,

In the great mosque in Futtehpur at peace.

And Salim Chisti lived his holy life,

Beloved and honored there as Akbar's friend.

But light and changeable are the hearts of men.

Soon in that city dedicate to peace

Dissensions spread and rivalries grew rife,

Envy and bitterness and strife returned

Once more, and truth before them fled away.

Then Salim Chisti, coming to Akbar spoke,

"Lord, give thy servant leave now to depart

And follow where the fluttered wings have gone,

For here there is no longer any peace,

And truth cannot prevail where discord dwells."

"Nay then," said Akbar, "'tis not thou but I

Who am the servant here and must go hence.

I found thee master of this solitude,

Lord of the princedom of a quiet mind,

A sovereign vested in tranquillity,

And I have done thee wrong and stayed thy feet

From following perfection, with my horde

Of turbulent malcontents; and my loved dream

To build a city of abiding peace

Was but a vain illusion. Therefore now

This foolish people shall be driven forth

From this fair place, to live as they may choose

In disputance and wrangling longer still,

Until they learn, if Allah wills it so,

To lay aside their folly for the truth."

And as the king commanded, so it was.

More quickly than he came, with all his court

And hosts of followers he went away,

Leaving the place to solitude once more,—

A rose to wither where it once had blown.

To-day the all-kind unpolluted sun

Shines through the marble fret-work with no sound;

The winds play hide and seek through corridors

Where stately women with dark glowing eyes

Have laughed and frolicked in their fluttering robes;

The rose leaves drop with none to gather them,

In gardens where no footfall comes with eve,

Nor any lovers watch the rising moon;

And ancient silence, truer than all speech,

Still holds the secrets of the Council Hall,

Upon whose walls frescoes of many faiths

Attest the courtesy of open minds.

Before the last camp-follower was gone,

The doves returned and took up their abode

In the main gate of those deserted walls.

And in their custody this "Gate of Peace"

Bears still the grandeur of its origin,

Firing anew the wistful hearts of men

To brave endeavor with replenished hope,

Though since that time three hundred years ago,

The magic hush of those forsaken streets

And empty courtyards has been undisturbed

Save by the gentle whirring of grey wings,

With cooing murmurs uttered all day long,

And reverent tread of those from near and far,

Who still pursue the immemorial quest.

Warwick Bros. & Rutter, Limited

Printers and Bookbinders

Toronto

When all my writing has been done

Except the final colophon,

And I must bid beloved verse

Farewell for better or for worse,

Let me not linger o'er the page

In doubting and regretful age;

But as an unknown scribe in some

Monastic dim scriptorium,

When twilight on his labour fell

At the glad-heard refection bell,

Might add poor Body's thanks to be

From spiritual toils set free,

Let me conclude with hearty zest

Laus Deo! Nunc bibendum est!

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Table of Contents

The Project Gutenberg eBook of Later Poems, by Bliss Carman

Bliss Carman

LATER POEMS

WITH AN APPRECIATION BY R. H. HATHAWAY

And decorations by J. E. H. MacDonald A.R.C.A

MCCLELLAND & STEWART PUBLISHERS — TORONTO

Publisher's Note

Bliss Carman: An Appreciation

THE BOOKS OF BLISS CARMAN: POETRY AND PROSE

Contents

Later Poems

Vestigia.

A Remembrance.

The Ships of Yule

The Ships of Saint John

The Garden of Dreams

Garden Magic

In Gold Lacquer

Aprilian

Garden Shadows

In The Day of Battle

Trees

The Givers of Life

I

II

III

IV

V

VI

A Fireside Vision

A Water Color

Threnody for a Poet

Dust of the Street

To a Young Lady on Her Birthday

The Gift

The Cry of the Hillborn

A Mountain Gateway

Morning in the Hills

A Wood-path

Weather of the Soul

Here and Now

The Angel of Joy

The Homestead.

"The Starry Midnight Whispers"

A Lyric

"April now in Morning Clad"

Nike

The Enchanted Traveller

Spring's Saraband

Triumphalis

"Now the Lengthening Twilights Hold"

The Soul of April

An April Morning

Earth Voices

I

II

III

IV

Resurgam

Easter Eve

Now is the Time of Year

The Redwing

The Rainbird

Lament

Under the April Moon

The Flute of Spring

Spring Night

Bloodroot

Daffodil's Return

Now the Lilac Tree's in Bud

White Iris

The Tree of Heaven

Peony

The Urban Pan

The Sailing of the Fleets

'Tis May now in New England

In Early May

Fireflies

The Path to Sankoty

Off Monomoy

In St. Germain Street

Pan in the Catskills

A New England June

The Tent of Noon

Children of Dream

Roadside Flowers

The Garden of Saint Rose

The World Voice

Songs of the Grass

I ON THE DUNES.

II LORD OF MORNING.

III THE TRAVELLER.

The Choristers

The Weed's Counsel

The Blue Heron

Woodland Rain

Summer Storm

Dance of the Sunbeams

The Campfire of the Sun

Summer Streams

The God of the Wood

At Sunrise

At Twilight

Moonrise

The Queen of Night

Night Lyric

The Heart of Night

Peace

The Old Gray Wall

Te Deum

In October

Lines for a Picture

The Deserted Pasture

Autumn

November Twilight

The Ghost-yard of the Goldenrod

Before the Snow

Winter

A Winter Piece

Winter Streams

Winter Twilight

The Twelfth Night Star

A Christmas Eve Choral

Christmas Song

The Wise Men from the East

(A LITTLE BOY'S CHRISTMAS LESSON)

The Sending of the Magi

The Angels of Man

At the Making of Man

St. Michael's Star

The Dreamers

El Dorado

On the Plaza

A Painter's Holiday

Mirage

The Winged Victory

The Gate of Peace

THE FULL PROJECT GUTENBERG LICENSE