The Project Gutenberg eBook of The Poetical Works of Sir Edward Bulwer Lytton, Bart. M.P.

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Poetical Works of Sir Edward Bulwer Lytton, Bart. M.P.

Author: Baron Edward Bulwer Lytton Lytton

Release date: November 12, 2010 [eBook #34298]

Language: English

Other information and formats: www.gutenberg.org/ebooks/34298

Credits: Produced by Brian Foley and the Online Distributed

Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF SIR EDWARD BULWER LYTTON, BART. M.P. ***

THE POEMS OF SIR EDWARD BULWER LYTTON, BART.

The slight plank creaks—high mount the waves and high,

Hark! with the tempest's shrieks the human cry!

Upon the bridge but one man now!——

THE NEW TIMON.

LONDON ROUTLEDGE, WARNE AND ROUTLEDGE FARRINGDON STREET.

THE

POETICAL WORKS

OF

SIR EDWARD BULWER LYTTON, BART. M.P.

A NEW EDITION

LONDON:

ROUTLEDGE, WARNE, & ROUTLEDGE,

FARRINGDON STEEET;

NEW YORK: 56, WALKER STREET.

1860.

PREFATORY NOTE.

In this collection of the Author's Poems will be found some not before printed, and some entirely re-written from the more imperfect productions of earlier years. Few, if any, that have previously appeared, have escaped revision and alteration.

CONTENTS.

THE NEW TIMON

Page 1

CONSTANCE; OR, THE PORTRAIT

88

MILTON

119

EVA

140

THE FAIRY BRIDE

149

THE BEACON

159

THE LAY OF THE MINSTREL'S HEART

163

NARRATIVE LYRICS; OR, THE PARCÆ. IN SIX LEAVES FROM THE SIBYL'S BOOK.

I.—NAPOLEON AT ISOLA BELLA

166

II.—MAZARIN

169

III.—ANDRÉ CHÉNIER

173

IV.—MARY STUART AND HER MOURNER

176

V.—THE LAST DAYS OF ELIZABETH

179

VI.—CROMWELL'S DREAM

186

KING ARTHUR.—BOOKS I. TO XII.

193

CORN-FLOWERS.—BOOK I.

THE FIRST VIOLETS

467

THE IMAGE ON THE TIDE

468

IS IT ALL VANITY?

469

THE TRUE JOY-GIVER

472

BELIEF; THE UNKNOWN LANGUAGE

473

THE PILGRIM OF THE DESERT

475

THE KING AND THE WRAITH

477

LOVE AND DEATH

478

THE POET TO THE DEAD

479

MIND AND SOUL

486

THE GUARDIAN ANGEL

488

THE LOVE OF MATURER YEARS

489

THE EVERLASTING GRAVE-DIGGER

491

THE DISPUTE OF THE POETS

492

GANYMEDE

500

MEMNON

501

THE ANGEL AND THE CHILD

502

TO A WITHERED TREE IN JUNE

502

ON THE REPERUSAL OF LETTERS WRITTEN IN YOUTH

504

THE DESIRE OF FAME

505

THE LOYALTY OF LOVE

507

A LAMENT

508

LOST AND AVENGED

508

THE TREASURES BY THE WAYSIDE

510

ADDRESS TO THE SOUL IN DESPONDENCY

512

CORN-FLOWERS.—BOOK. II.

THE SABBATH

513

THE HOLLOW OAK

514

LOVE AND FAME

515

LOVE AT FIRST SIGHT

516

LOVE'S SUDDEN GROWTH

517

THE LOVE-LETTER

518

THE LANGUAGE OF THE EYES

518

DOUBT

519

THE ASSURANCE

519

MEMORIES, THE FOOD OF LOVE

520

ABSENT, YET PRESENT

521

LOVERS' QUARRELS

522

THE LAST SEPARATION

524

THE POPE AND THE BEGGAR

525

THE BEAUTIFUL DESCENDS NOT

526

THE LONG LIFE AND THE FULL LIFE

527

THE MIND AND THE HEART

528

THE LAST CRUSADER

529

FOREBODINGS

531

ORAMA; OR, FATE AND FREEWILL

532

EARLIER POEMS.

THE SOULS OF BOOKS

536

LA ROCHEFOUCAULD AND CONDORCET

539

JEALOUSY AND ART

540

THE MASTER TO THE SCHOLAR

540

THE TRUE CRITIC

541

TALENT AND GENIUS

541

EURIPIDES

542

THE BONES OF RAPHAEL

543

THE ATHENIAN AND THE SPARTAN

546

THE PHILANTHROPIST AND THE MISANTHROPE

548

THE IDEAL WORLD

551

EPIGRAPH

561

THE NEW TIMON.

I.

O'er royal London, in luxuriant May,

While lamps yet twinkled, dawning crept the day.

Home from the hell the pale-eyed gamester steals;

Home from the ball flash jaded Beauty's wheels;

The lean grimalkin, who, since night began,

Hath hymn'd to love amidst the wrath of man,

Scared from his raptures by the morning star,

Flits finely by, and threads the area bar;

From fields suburban rolls the early cart;

As rests the revel, so awakes the mart.

Transfusing Mocha from the beans within,

Bright by the crossing gleams the alchemic tin,—

There halts the craftsman; there, with envious sigh,

The houseless vagrant looks, and limps foot-weary by.

Behold that street,—the Omphalos of Town!

Where the grim palace wears the prison's frown,

As mindful still, amidst a gaudier race,

Of the veil'd Genius of the mournful Place—

Of floors no majesty but Griefs had trod,

And weary limbs that only knelt to God.[A]

What tales, what morals, of the elder day—

If stones had language—could that street convey!

Why yell the human bloodhounds panting there?—

To drown the Stuart's last forgiving prayer.[B]

Again the bloodhounds!—whither would they run?

To lick the feet of Stuart's ribald son.

There, through the dusk-red towers, amidst his ring

Of Vans and Mynheers, rode the Dutchman king;

And there—did England's Goneril thrill to hear

The shouts that triumph'd o'er her crownless Lear?

There, where the gaslight streams on Crockford's door,

Bluff Henry chuckled at the jests of More;

There, where you gaze upon the last H. B.,

Swift paused, and mutter'd, "Shall I have that see?"

There, where yon pile, for party's common weal,

Knits votes that serve, with hearts abhorring, Peel,

Blunt Walpole seized, and roughly bought, his man;—

Or, tired of Polly, St. John lounged to Anne.

Well, let the world change on,—still must endure

While Earth is Earth, one changeless race—the Poor!

Within that street, on yonder threshold stone,

What sits as stone-like?—Penury, claim thine own!

She sate, the homeless wanderer,—with calm eyes

Looking through tears, yet lifted to the skies;

Wistful, but patient, sorrowful, but mild,

As asking God when He would claim his child.

A face too youthful for so hush'd a grief;—

The worm that gnaw'd the core had spared the leaf;

Though worn the cheek, with hunger, or with care,

Yet still the soft fresh childlike bloom was there;

And each might touch you with an equal gloom,

The youth, the care, the hunger, and the bloom;—

As if, when round the cradle of the child

With lavish gifts the gentler fairies smiled,

One vengeful sprite, forgotten as the guest,

Had breathed a spell to disenchant the rest,

And prove how slight each favour, else divine,

If wroth the Urganda of the Golden Mine!

Now, as the houseless sate, and up the sky

Dawn to day strengthen'd, pass'd a stranger by:

He saw and halted;—she beheld him not—

All round them slept, and silence wrapt the spot.

To this new-comer Nature had denied

The gifts that graced the outcast crouch'd beside:

With orient suns his cheek was swarth and grim,

And low the form, though lightly shaped the limb;

Yet life glow'd vigorous in that deep-set eye,

With a calm force that dared you to defy;

And the strong foot was planted on the stone

Firm as a gnome's upon his mountain throne;

Simple his garb, yet what the wealthy wear,

And conscious power gave lordship to his air.

Lone in the Babel thus the maid and man;

Long he gazed silent, and at last began:

"Poor homeless outcast—dost thou see me stand

Close by thy side, yet beg not? Stretch thy hand."

The voice was stern, abrupt, yet full and deep:

The outcast heard, and started as from sleep,

And meekly rose, and stretch'd the hand and sought

To murmur thanks—the murmur fail'd the thought.

He took the slight thin hand within his own:

"This hand hath nought of honest labour known;

And yet methinks thou'rt honest!—speak, my child."

And his face broke to beauty as it smiled.

But her unconscious eyes, cast down the while,

Met not the heart that open'd in the smile:

Again the murmur rose, and died in air.

"Nay, what thy mother and her home, and where?"

Lo, with those words, the rigid ice that lay

Layer upon layer within, dissolves away,

And tears come rushing from o'erchargèd eyes:—

"There is my mother—there her home—the skies!"

Oh, in that burst, what depth of lone distress!

O desolation of the motherless!

Yet through the anguish how survived the trust,

Home in the skies, though in the grave the dust!

The man was moved, and silence fell again;

Upsprung the sun—Light re-assumed the reign;—

Love ruled on high! Below, the twain that share

Men's builded empires—Mammon and Despair!

At length, with pitying eye and soothing tone,

The stranger spoke: "Thy bitterer grief mine own;

Amidst the million, lonely as thou art,

Mine the full coffers, but the beggar'd heart.

Yet Gold—earth's demon, when unshared, receives

God's breath, and grows a god, when it relieves.

Trust still our common Father, orphan one,

And He shall guide thee, if thou trust the son.

Nay, follow, child." And on with passive feet,

Ghost-like she follow'd through the death-like street.

They paused at last a stately pile before;

The drowsy porter oped the noiseless door;

The girl stood wistful still without;—the pause

The guide divined, and thus rebuked the cause:—

"Enter, no tempter let thy penury fear;

I have a sister, and her home is here."

II.

And who the wanderer that hath shelter won

Beneath the roof of Fortune's favour'd son?

Ill stars predoom'd her, and she stole to birth

Fresh from the Heaven,—Law's outcast on the earth;

The child of Love betraying and betray'd,

The blossom open'd in the Upas shade;—

So ran the rumour; if the rumour lied,

The humble mother wept, but not denied:

Ne'er had the infant's slumber known a rest

On childhood's native shield—a father's breast.

Dead or neglectful, 'twas to her the same; }

But, oh, how dear!—yea, dearer for the shame, }

All that God hallows in a mother's name! }

Here, one proud refuge from a world's disdain,

Here the lost empress half resumes her reign;—

Here the deep-fallen Eve sees Eden's skies

Smile on the desert from the cherub's eyes.

Sweet to each human heart the right to love;

But 'tis the deluge consecrates the dove;

And haply scorn yet more the child endears,

Cradled in misery, and baptized with tears.

Each then the all on earth unto the other,—

The sinless infant and the erring mother:

The one soon lost the smile which childhood wears,

Chill'd by the gloom it marvels at—but shares;

The other, by that purest love made pure,

Learn'd to redeem, by labouring to endure;

Who can divine what hidden music lies

In the frail reed, till winds awake its sighs?

Hard was their life, and lonely was their hearth;

There, kindness brought no holiday of mirth;

No kindred visited, no playmate came;—

Joy, the proud worldling, shunn'd the child of shame!

Yet in the lesson which, at stolen whiles,

'Twixt care and care, the respite-hour beguiles,

The mother's mind the polish'd trace betrays }

Of early culture and serener days; }

And gentle birth still moulds the delicate phrase. }

By converse, more than books (for books too poor),

Learn'd Lucy more than books themselves insure;

For if, in truth, the mother's heart had err'd,

Pure now the life, and holy was the word:

The fallen state no grov'ling change had wrought;

Meek if the bearing, lofty was the thought;

So much of noble in the lore instill'd,

You felt the soul had ne'er the error will'd;—

That fraud alone had duped its wings astray

From their true instinct tow'rds empyreal day.

Thus life itself, if sadd'ning, still refined,

And through the heart the culture reach'd the mind.

As to the moon the tides attracted move,

So flow'd the intellect beneath the love.—

To nurse the sickness, to assuage the care,

To charm the sigh into the happier prayer;

Forestall the unutter'd wish with ready guess;

Wise in the exquisite tact of tenderness!

These Lucy's study;—and, in grateful looks,

Seraphs write lessons more divine than books.

So dawn'd her youth:—Youth, Nature's holiday!

Fair time, which dreams so gently steal away;

When Life—dark volume, with its opening leaf

Of Joy,—through fable dupes us into grief—

Tells of a golden Arcady;—and then

Read on,—comes truth;—the Iron world of men!

But from her life thy opening poet page

Was torn!—Its record had no Golden Age.

Behold her by the couch, on bended knees!

There the wan mother—there the last disease!

Dread to the poor the least suspense of health,—

Their hands their friends, their labour all their wealth:

Let the wheel rest from toil a single sun,

And all the humble clock-work is undone.

The custom lost, the drain upon the hoard,

The debt that sweeps the fragment from the board,

How mark the hunger round thee, and be brave—

Foresee thy orphan, and not fear the grave?

Lower and ever lower in the grade

Of penury fell the mother and the maid,

Till the grim close; when, as the midnight rain

Drove to the pallet through the broken pane,

The dying murmur'd: "Near,—thy hand,—more near!

I am not what scorn deem'd,—yet not severe

The doom which leaves me, in the hour of death,

The right to bless thee with my parting breath—

These, worn till now, wear thou, his daughter. Live

To see thy sire, and tell him—I forgive!"

Cold the child thrills beneath the hands that press

Her bended neck—slow slackens the caress—

Loud the roof rattles with the stormy gust;

The grief is silent, and the love is dust;

From the spent fuel God's bright spark is flown;

And there the Motherless, and Death—alone!

Then fell a happy darkness o'er the mind;—

That trance, that pause, the tempest leaves behind:

Still, with a timid step, around she crept,

And sigh'd, "She sleeps!" and smiled. Too well she slept!

Dark strangers enter'd in the squalid cell;

Rude hirelings placed the pauper in the shell;

Harsh voices question'd of the name and age;

Ev'n paupers live upon the parish page.

She answers not, or sighs, and smiles, and keeps

The same meek language:—"Hush! my mother sleeps."

They thrust some scanty pence into her palm,

And led her forth, scarce marv'ling at her calm;

And bade her work, not beg—be good, and shun

All bad companions—so their work was done,

And the wreck left to drift amidst the roar

Of the Great Ocean with the rocky shore.

And thou hast found the shelter!—from thine eyes

Melt the long shadows. Dawn is in the skies.

Low on the earth, while Night endures,—unguess'd

Hope folds the wing and slumbers on its nest;

Let but a sunbeam to the world be given—

And hark—it singeth at the gates of Heaven!

III.

Yet o'er that house there hung a solemn gloom;

The step fell timid in each gorgeous room,

Vast, sumptuous, dreary as some Eastern pile,

Where mutes keep watch—a home without a smile;

Still as if silence reign'd there, like a law,

And left to pomp no attribute but awe;

Save when the swell of sombre festival

Jarr'd into joy the melancholy hall,

So some chance wind in mournful autumn wrings

Discordant notes, although from music-strings.

Wild were the wealthy master's moods and strange,

As one whose humour found its food in change;

Now for whole days content apart to dwell

With books and thought—his world the student's cell;

And now, with guests around the glittering board,

The hermit-Timon shone the Athenian lord.

There bloom'd the bright ephemerals of the hour,

Whom the fierce ferment forces into flower,

The gorgeous nurslings of the social life,

Sprung from our hotbeds—Vanity and Strife!

Lords of the senate, wrestlers for the state,

Grey-hair'd in youth, exhausted, worn,—and great;

Pale Book-men,—charming only in their style;

And Poets, jaundiced with eternal bile;—

All the poor Titans our Cocytus claims,

With tortured livers, and immortal names:—

Such made the guests, Amphitryons well may boast,

But still the student travail'd in the host;—

These were the living books he loved to read,

Keys to his lore, and comments on his creed.

From them he rose with more confirm'd disdain

Of the thorn-chaplet and the gilded chain.

Oft, from such stately revels, to the shed

Where Hunger couch'd, the same dark impulse led;

Intent, the Babel, Art has built, to trace,

Here scan the height, and there explore the base;

That structure call'd "The Civilized," as vain

As its old symbol on the Shinar plain,

Where Pride collects the bricks and slime, and then

But builds the city to divide the men;

Swift comes the antique curse,—smites one from one,

Rends the great bond, and leaves the pile undone.

Man will o'er muse—when musing on mankind:

The vast expanse defeats the searching mind,

Blent in one mass each varying height and hue:—

Wouldst thou seize Nature, Artist?—bound the view!

But He, in truth, is banish'd from the ties

That curb the ardent, and content the wise;

From the pent heart the bubbling passions sweep,

To spread in aimless circles o'er the deep.

Still in extremes—in each was still betray'd

A soul at discord with the part it play'd;

A soul in social elements misplaced,

Bruised by the grate and yearning for the waste,

And wearing custom, as a pard the chain,

Now with dull torpor, now with fierce disdain.

All who approach'd him by that spell were bound,

Which nobler natures weave themselves around:

Those stars which make their own charm'd atmosphere;

Not wholly love, but yet more love than fear,

A mystic influence, which, we know not why,

Makes some on earth seem portions of our sky.

In truth, our Morvale (such his name) could boast

Those kinglier virtues which subject us most;

The ear inclined to every voice of grief,

The hand that oped spontaneous to relief,

The heart, whose impulse stay'd not for the mind }

To freeze to doubt what charity enjoin'd, }

But sprang to man's warm instinct for mankind; }

Honour, truth's life-sap, with pervading power

Nurturing the stem to crown it with the flower;

And that true daring not alone to those

Whom fault or fate has marshall'd into foes;

But the rare valour that confronts with scorn

The monster shape, of Vice and Folly born,

Which some "the World," and some "Opinion," call,

Own'd by no heart, and yet enslaving all;

The bastard charter of the social state,

Which crowns the base to ostracise the great;

The eternal quack upon the itinerant stage,

This the "good Public," that "the enlighten'd Age,"

Ready alike to worship and revile,

To build the altar, or to light the pile;

Now "Down with Stuart and the Reign of Sin,"

Now "Long live Charles the Second and Nell Gwynne;"

Now mad for patriots—hot for revolution,

Now all for hanging and the Constitution.

Honour to him, who, self-complete, if lone,

Carves to the grave one pathway all his own;

And, heeding nought that men may think or say,

Asks but his soul if doubtful of the way.

IV.

Such was the better nature Morvale show'd;

Now view the contrast which the worse bestow'd.

Large was his learning, yet so vague and mix'd

It guided less the reason than unfix'd;

The dauntless impulse and the kingly will,

Prompted to good, but leapt the checks to ill;

Quick in revenge, and passionately proud,

His brightest hour still shone forth from a cloud,

And none conjecture on the next could form—

So play'd the sunbeam on the verge of storm.

Still young—not youthful—life had pass'd through all

Age sighs, and smiles, and trembles to recall.

From childhood fatherless and lone begun

His fiery race, beneath as fierce a sun,

Where all extremes of Love and Horror are,

Soft Camdeo's lotos bark, grim Moloch's gory car;

Where basks the noonday luminously calm,

O'er eldest grot and immemorial palm;

And in the grot, the Goddess of the Dead

And the couch'd strangler, list the wanderer's tread,

And where the palm leaves stir with breeze-like sigh,

Sports the fell serpent with his deathful eye.

Midst the exuberant life of that fierce zone,

Uncurb'd, self-will'd to man had Morvale grown.

His sire (the offspring of an Indian maid

And English chief), whose orient hues betray'd

The Varna Sankara[C] of the mix'd embrace.

Carved by his sword a charter from disgrace;

Assumed the father's name, the Christian's life,

And his sins cursed him with an English wife:

A haughty dame, whose discontented charms

That merchant, Hymen, bargain'd to his arms.

In war he fell: his wife—the bondage o'er,

Loath'd the dark pledge the abhorrèd nuptials bore—

Yet young, her face more genial wedlock won,

And one bright daughter made more loath'd the son.

Widow'd anew, for London's native air,

And two tall footmen, sigh'd the jointured fair:

Wealth hers, why longer from its use exiled?—

She fled the land and the abandon'd child;

Yet oft the first-born, 'midst the swarthier race,

Gazed round and miss'd the fair unloving face.

In vain the coldness, nay, the hate had been,

Hate, by the eyes that love, is rarely seen.

Yet more he miss'd the playmate, sister, child,

With looks that ever on his own had smiled;

With rosy lips, caressing and caress'd;

Led by his hand and cradled on his breast:

But, as the cloud conceals and breaks in flame,

The gloom of youth the fire of man became.

Not his the dreams that studious life allows,

"Under the shade of melancholy boughs,"—

Dreams that to lids the Muse anoints belong,—

Rocking the passions on soft waves of song:

No poet he; adventure, wandering, strife,

War and the chase, wrung poetry from life.

One day a man, who call'd his father "friend,"

Told o'er his rupees and perceived his end.

Life's business done—a million made—what still

Remain'd on earth? Wealth's last caprice—a Will!

The man was childless—but the world was wide;

He thought on Morvale, made his will,—and died.

They sought and found the unsuspecting heir

Crouch'd in the shade that near'd the tiger's lair;

His gun beside, the jungle round him—wild,

Lawless and fierce as Hagar's wandering child:—

To this fresh nature the sleek life deceased

Left the bright plunder of the ravaged East.

Much wealth brings want,—that hunger of the heart

Which comes when Nature man deserts for Art:

His northern blood, his English name, create

Strife in the soul, till then resign'd to fate;

The social world with blander falsehood graced,

Smiles on his hopes, and lures him from the waste.

Alas! the taint that sunburnt brow bespeaks,

Divides the Half-Caste from the world he seeks:

In him proud Europe sees the Paria's birth,

And haughty Juno spurns his barren hearth.

Half heathen, and half savage,—all estranged

Amidst his kind, the Ishmael roved unchanged.

Small need to track his course from year to year,

Till wearied passion paused in its career:

Youth goads us on to action; lore of men

Brings thought—thought books—books quiet; well, and then?

Alas! we move but in the Hebrews' ring;[D]

Our onward steps but back the landmarks bring,

Until some few at least escape the thrall,

And breathe the space beyond the flaming wall:

Feel the large freedom which in faith is given,

And poise the wings that shall possess the heaven.

He sought his mother. She, intent to shun,

Closed that last refuge on the homeless son,

Till death approach'd, and Conscience, that sad star,

Which heralds night, and plays but on the bar

Of the Eternal Gate,—laid bare the crime,

And woke the soul upon the brink of time.

Haply if close, too closely, we would read

That sibyl page, the motive of the deed,

Remorse for him her life abandon'd, weaves

Fear for the dearer one her death bereaves;

And penitent lines consign'd, with eager prayer,

The lorn Calantha to a brother's care.

Not till long moons had waned in distant skies,

O'er the last mandate wept the Indian's eyes;

But the lost sister lived, the flower of yore

Bloom'd from the grave,—and earth was sweet once more;

Fair Florence holds the heart he yearns to meet;

Swift, when heart yearns to heart, how swift the feet!

Well, and those arms have clasp'd a sister now!

Thy tears have fallen on a sister's brow!

Alas! a sister's heart thy doom forbade;

Thy lot as lonely, and thy hearth as sad.

Is that pale shade the Peri-child in truth,

Who shone, like Morning, on the hills of Youth?

Is that cold voice the same that rang through air,

Blithe as the bird sings in rebuke of care?

Certes, to those who might more closely mark,

That dove brought nought of gladness to his ark;

No loving step, to meet him homeward, flew;

Still at his voice her pale cheek paler grew.

The greeting kiss, the tender trustful talk,—

Arm link'd in arm—the dear familiar walk;

The sweet domestic interchange of cares,

Memories and hopes—this union was not theirs.

Partly perchance the jealous laws that guard

The Eastern maids, their equal commune barr'd;

For still, in much the antique creed retain'd

Its hold, and India in the Alien reign'd:

That superstitious love which would secure

What the heart worships, for the world too pure;

And wrap with solemn mystery and divine,

From the crowd's gaze, the idol and the shrine,

In him was instinct,—generous if austere;

More priestly reverence, than dishonouring fear.

Yet wherefore shun no less, if this were all,

His lonely chamber than his crowded hall?

For days, for weeks, perchance, unseen, aloof

Far as the poles, beneath one common roof,

She drew around her the cold spells, which part

From forward sympathies the unsocial heart.

Yet, strange to say, each seem'd to each still dear;

And love in her but curb'd by stronger fear;

And love in him by some mysterious pride,

That sought the natural tenderness to hide:

Did she but name him, you beheld her raise

Moist eyes to heaven, as one who inly prays.

News of her varying health he daily sought,

And his mood alter'd with the tidings brought:

If worse than wonted, it was sad to view

That stern man's trembling lip and waning hue,—

Sad, yet the sadness with an awe was blent,—

No words e'er gave the struggling passion vent;

And still that passion seem'd not grief alone,

Some curse seem'd labouring in the stifled groan:

Some angrier chord the mix'd emotion wrench'd;

The brow was darken'd, and the hand was clench'd.

There was a mystery that defied the guess,

In so much love, and so much tenderness.

What sword, invisible to human eyes,

So sternly sever'd Nature's closest ties:

To leave each yearning unto each—apart—

All ice the commune, and all warmth the heart?

V.

But how gain'd she, whom pity strange and rare

Gave the night's refuge,—more than refuge there?

At morn the orphan hostess had received

The orphan outcast,—heard her and believed,—

And Lucy wept her thanks, and turn'd to part;

But the sad tale had touch'd a woman's heart.

Calantha's youth was lone, her nature kind,

She knew no friend—she sigh'd a friend to find;

That chasten'd speech, the grace so simply worn,

Bespoke the nurture of the gentle-born;

And so she gazed upon the weeping guest,

Check'd the intended alms, and murmur'd "Rest,

For both are orphans,—I should shelter thee,

And, weep no more—thy smile shall comfort me."

Thus Lucy rested—finding day by day

Her grateful heart the saving hand repay.

Calantha loved her as the sad alone

Love what consoles them;—in that life her own

Seem'd to revive, and even hope to flower:

Ah, over Sorrow Youth has such sweet power!

The very menials linger'd as they went,

To spy the fairy to their dwelling sent,

To list her light step on the stair, or hark

Her song;—yes, now the dove was in the ark!

Ev'n the cold Morvale, spell'd at last, was found

Within the circle drawn his guest around;

Less rare his visits to Calantha grew,

And her eye shrunk less coldly from his view

The presence of the gentle third one brought

Respite to memory, gave fresh play to thought;

And as some child to strifeful parents sent,

Laps the long discord in its own content,

This happy creature seem'd to reach that home,

To say—"Love enters where the guileless come!"

It was not mirth, for mirth she was too still;

It was not wit, wit leaves the heart more chill;

But that continuous sweetness, which with ease

Pleases all round it, from the wish to please,—

This was the charm that Lucy's smile bestow'd;

The waves' fresh ripple from deep fountains flow'd;—

Below exhaustless gratitude,—above,

Woman's meek temper, childhood's ready love.

Yet oft, when night reprieved the tender care,

And lonely thought stole musing on to prayer;

As some fair lake reflects, when day is o'er,

With clearer wave from farther glades the shore,

So, her still heart remember'd sorrows glass'd;

And o'er its hush lay trembling all the past,

Again she sees a mother's gentle face;

Again she feels a mother's soft embrace;

Again a mother's sigh of pain she hears,

And starts—till lo, the spell dissolves in tears!

Tears that too well the faithful grief reveal,

Which smiles, by day made duties, would conceal.

VI.

It was a noon of summer in its glow,

And all was life, but London's life, below;

As by the open casement half reclined

Calantha's languid form;—a gentle wind

Brought to her cheek a bloom unwonted there,

And stirr'd the light wave of the golden hair.

Hers was a beauty that made sad the eye,

Lovely in fading, like a twilight sky;

The shape so finely, delicately frail,

As form'd for climes unruffled by a gale;

The lustrous eye, through which looks forth the soul,

Bright and more brightly as it nears the goal;

The fever'd counterfeit of healthful bloom,

The rose so living yet so near the tomb;

The veil the Funeral Genius lends his bride,

When, fair as Love, he steals her to his side,

And leads her on till at the nuptial porch,

He murmurs, "Know me now!" and lowers the torch.

What made more sad the outward form's decay,

A soul of genius glimmer'd through the clay;

Oft through the languor of disease would break

That life of light Parnassian dreamers seek;

And music trembled on each aspen leaf

Of the boughs drooping o'er the fount of grief.

Genius has so much youth no care can kill;

Death seems unnatural when it sighs—"Be still."

That wealth, which Nature prodigally gave,

Shall Life but garner for its heir the Grave?

What noble hearts that treasure might have bless'd!

How large the realm that mind should have possess'd!

Love in the wife, and wisdom in the friend,

And earnest purpose for a generous end,

And glowing sympathy for thoughts of power

And playful fancy for the lighter hour;

All lost, all cavern'd in the sunless gloom

Of some dark memory, beetling o'er the tomb;—

Like bright-wing'd fairies, whom the hostile gnome

Has spell'd and dungeon'd in his rocky home,

The wanderer hears the solitary moan,

Nor dreams the fairy in the sullen stone.

Contrasting this worn frame and weary breast,

Fresh as a morn of April bloom'd the guest:

April has tears, and mists the morn array;

The mists foretell the sun,—the tears the May.

Lo, as from care to care the soother glides,

How the home brightens where the heart presides!

Now hovering, bird-like, o'er the flowers,—at times

Pausing to chant Calantha's favourite rhymes,

Or smooth the uneasy pillow with light hand;

Or watch the eye, forestalling the demand,

Complete in every heavenly art—above

All, save the genius of inventive love.

The window open'd on that breadth of green,

To half the pomp of elder days the scene.

Gaze to thy left—there the Plantagenet

Look'd on the lists for Norman knighthood set;[E]

Bright issued forth, where yonder archway glooms,

Banner and trump, and steed, and waves of plumes,

As with light heart rides wanton Anne to brave

Tudor's grim love, the purple and the grave.

Gaze to the right, where now—neat, white, and low,

The modest Palace looks like Brunswick Row;[F]

There, echoed once the merriest orgies known,

Since the frank Norman won grave Harold's throne;

There, bloom'd the mulberry groves, beneath whose shade

His easy loves the royal Rowley made;

Where Villiers flaunted, and where Sedley sung,

And wit's loose diamonds dropp'd from Wilmot's tongue!

All at rest now—all dust!—wave flows on wave;

But the sea dries not!—what to us the grave?

It brings no real homily, we sigh,

Pause for awhile and murmur, "All must die!"

Then rush to pleasure, action, sin once more,

Swell the loud tide, and fret unto the shore.

And o'er the altered scene Calantha's eye

Roves listless—yet Time's Great the passers by!

Along the road still fleet the men whose names

Live in the talk the moment's glory claims.

There, for the hot Pancratia of Debate

Pass the keen wrestlers for that palm,—the State.

Now, "on his humble but his faithful steed,"

Sir Robert rides—he never rides at speed—

Careful his seat, and circumspect his gaze;

And still the cautious trot the cautious mind betrays.

Wise is thy heed!—how stout soe'er his back,

Thy weight has oft proved fatal to thy hack![G]

Next, with loose rein and careless canter view

Our man of men, the Prince of Waterloo;

O'er the firm brow the hat as firmly press'd,

The firm shape rigid in the button'd vest;

Within—the iron which the fire has proved,

And the close Sparta of a mind unmoved!

Not his the wealth to some large natures lent,

Divinely lavish, even where misspent,

That liberal sunshine of exuberant soul,

Thought, sense, affection, warming up the whole;

The heat and affluence of a genial power,

Rank in the weed as vivid in the flower;

Hush'd at command his veriest passions halt,

Drill'd is each virtue, disciplined each fault;

Warm if his blood—he reasons while he glows,

Admits the pleasure—ne'er the folly knows;

If Vulcan for our Mars a snare had set,

He had won the Venus, but escaped the net;

His eye ne'er wrong, if circumscribed the sight,

Widen the prospect and it ne'er is right,

Seen through the telescope of habit still,

States seem a camp, and all the world—a drill!

Yet oh, how few his faults, how pure his mind,

Beside his fellow-conquerors of mankind;

How knightly seems the iron image, shown

By Marlborough's tomb, or lost Napoleon's throne!

Cold if his lips, no smile of fraud they wear,

Stern if his heart, still "Man" is graven there;

No guile—no crime his step to greatness made,

No freedom trampled, and no trust betray'd;

The eternal "I" was not his law—he rose

Without one art that honour might oppose,

And leaves a human, if a hero's, name,

To curb ambition while it lights to fame.

But who, scarce less by every gazer eyed,

Walks yonder, swinging with a stalwart stride?

With that vast bulk of chest and limb assign'd

So oft to men who subjugate their kind;

So sturdy Cromwell push'd broad-shoulder'd on;

So burly Luther breasted Babylon;

So brawny Cleon bawl'd his Agora down;

And large-limb'd Mahmoud clutch'd a Prophet's crown!

Ay, mark him well! the schemer's subtle eye,

The stage-mime's plastic lip your search defy—

He, like Lysander, never deems it sin

To eke the lion's with the fox's skin;

Vain every mesh this Proteus to enthrall,

He breaks no statute, and he creeps through all;—

First to the mass that valiant truth to tell,

"Rebellion's art is never to rebel,—

Elude all danger but defy all laws,"—

He stands himself the Safe Sublime he draws!

In him behold all contrasts which belong

To minds abased, but passions roused, by wrong;

The blood all fervour, and the brain all guile,

The patriot's bluntness, and the bondsman's wile.

One after one the lords of time advance,—

Here Stanley meets,—how Stanley scorns, the glance!

The brilliant chief, irregularly great,

Frank, haughty, rash,—the Rupert of Debate;

Nor gout, nor toil, his freshness can destroy,

And Time still leaves all Eton in the boy;—

First in the class, and keenest in the ring,

He saps like Gladstone, and he fights like Spring;

Ev'n at the feast, his pluck pervades the board,

And dauntless game-cocks symbolize their lord.

Lo where atilt at friend—if barr'd from foe—

He scours the ground, and volunteers the blow,

And, tired with conquest over Dan and Snob,

Plants a sly bruiser on the nose of Bob;

Decorous Bob, too friendly to reprove,

Suggests fresh fighting in the next remove,

And prompts his chum, in hopes the vein to cool,

To the prim benches of the Upper School:

Yet who not listens, with delighted smile,

To the pure Saxon of that silver style;

In the clear style a heart as clear is seen,

Prompt to the rash—revolting from the mean.

Next cool, and all unconscious of reproach,

Comes the calm "Johnny who upset the coach."[H]

How form'd to lead, if not too proud to please,—

His fame would fire you, but his manners freeze.

Like or dislike, he does not care a jot;

He wants your vote, but your affection not;

Yet human hearts need sun, as well as oats,

So cold a climate plays the deuce with votes.—

And while his doctrines ripen day by day,

His frost-nipp'd party pines itself away;—

From the starved wretch its own loved child we steal—

And "Free Trade" chirrups on the lap of Peel![I]—

But see our statesman when the steam is on,

And languid Johnny glows to glorious John!

When Hampden's thought, by Falkland's muses dress'd,

Lights the pale cheek, and swells the generous breast;

When the pent heat expands the quickening soul,—

And foremost in the race the wheels of genius roll!

VII.

What gives the Past the haunting charms that please

Sage, scholar, bard?—The shades of men like these!

Seen in our walks;—with vulgar blame or praise,

Reviled or worshipp'd as our faction sways:

Some centuries hence, and from that praise or blame,

As light from vapour, breaks the steady flame,

And the trite Present which, while acted, seems

Time's dullest prose,—fades in the land of dreams,

Gods spring from dust, and Hero-Worship wakes

Out of that Past the humble Present makes.

And yet, what matter to ourselves the Great?

What the heart touches—that controls our fate!

From the full galaxy we turn to one,

Dim to all else, but to ourselves the sun;

And still, to each, some poor, obscurest life,

Breathes all the bliss, or kindles all the strife.

Wake up the countless dead!—ask every ghost

Whose influence tortured or consoled the most:

How each pale spectre of the host would turn

From the fresh laurel and the glorious urn,

To point where rots beneath a nameless stone,

Some heart in which had ebb'd and flow'd its own!

So one by one, Calantha listlessly

Beheld and heeded not the Great pass by.

But now, why sudden that electric start?

She stands—the pale lips soundless, yet apart!

She stands, with claspèd hands and strainèd eye—

A moment's silence—one convulsive cry,

And sinking to the earth, a seeming death

Smites into chill suspense the senses and the breath:

Quick by the unconscious hostess knelt the guest,

Bathed the wan brows, and loosed the stifling vest;

As loosed the vest,—like one whose sleep of fear

Is keen with dreams that warn of danger near,—

Calantha's hand repell'd the friendly care,

And faintly clasp'd some token hoarded there,

Perchance some witness of the untold grief,—

Some sainted relic of a lost belief,

Some mournful talisman, whose touch recalls

The ghost of time in Memory's desolate halls,

And, like the vessels that, of old, enshrined

The soil of lands the exile left behind,—

Holds all youth rescues from that native shore

Of hope and passion, life shall tread no more.

Calantha wakes, but not to sense restored,

The mind still trembled on the jarring chord,

And troubled reason flicker'd in the eye,

As gleams and wanes a star in some perturbèd sky.

Yet still, through all the fever of the brain,

Terror, more strong, can Frenzy's self restrain.

Few are her words, and if at times they seem

To touch the dark truths shadow'd on her dream,

She starts, with whitening lip—looks round in fear,

And murmurs, "Nay! my brother did not hear!"

Then smiles, as if the fear were laid at rest,

And clasps the token treasured at her breast,

And whispers, "Lucy, guard my sleep;—they say

That sleep is faithless, and that dreams betray!"

Yet oft the while—to watch without the door,

The brother's step glides noiseless o'er the floor,—

There meekly waits, until the welcome ray

Of Lucy's smile gives comfort to the day,

Till Lucy's whisper murmurs, "Be of cheer,"

And Pity dupes Affection's willing ear.

Once, and but once, within the room he crept,

When all was silent, and they deem'd she slept,

Not softer to the infant's cradle steals

The mother's step;—she hears not, yet she feels,

As by strange instinct, the approach;—her frame

Convulsed and shuddering as he nearer came;

Till the wild cry,—the waiving hand convey

The frantic prayer, so bitter to obey;

And with stern brow, belying the wrung heart,

And voiceless lips compress'd, he turns him to depart.

VIII.

Much wondering Lucy mused,—nor yet could find

Why one so mournful shrunk from one so kind.

Awe that had chill'd the gratitude she felt

For Morvale, now in pity learn'd to melt:

This tender patience in a man so stern,

This love untiring—fear the sole return,

This rough exterior, with this gentle breast,

Awoke a sympathy that would not rest;

The wistful eye, the changing lip, the tone

Whose accents droop'd, or gladden'd, from her own,

Haunted the woman's heart, which ever heaves

Its echo back to every sound that grieves.

Light as the gossamer its tissue spins

O'er freshest dews when summer morn begins,

Will Fancy weave its airy web above

The dews of Pity, in the dawn of Love.—

At length, Calantha's reason wakes;—the strife

Calms back,—the soul re-settles to the life.

Freed from her post, flies Lucy to rejoice

The anxious heart, so wistful for her voice;

Not at his wonted watch the brother found,

She seeks his door—no answer to her sound;

She halts in vain, till, eager to begin

The joyous tale, the bright shape glides within.

For the first time beheld, she views the lone

And gloomy rooms the master calls his own;

Not there the luxury elsewhere, which enthralls

With pomp the gazer in the rich man's halls;

Strange arms of Eastern warfare, quaintly piled,

Betray'd the man's fierce memory of the child,—

And litter'd books, in mystic scrolls enshrined

The solemn Sibyl of the elder Ind.

The girl treads fearful on the dismal floors,

And with amazèd eye the gloomy lair explores;

Thus, as some Peri strays where, couch'd in cells

With gods dethroned, the brooding Afrite dwells,

From room to room her fairy footsteps glide,

Till, lo! she starts to see him by her side.—

With crimson cheek, and downcast eyes, that quail

Beneath his own, she hurries the glad tale,

Then turns to part—but as she turns, still round

She looks,—and lingers on the magic ground,

And eyes each antique relic with the wild

Half-pleased, half-timorous, wonder of a child;

And as a child's the lonely inmate saw,

And smiled to see the pleasure and the awe;

And soften'd into kindness his deep tone,

And drew her hand, half-shrinking, in his own,

And said, "Nay, pause and task the showman's skill,

What moves thee most?—come, question me at will."

Listening she linger'd, and she knew not why

Time's wing so swiftly never seem'd to fly;

Never before unto her gaze reveal'd

The Eastern fire, the Eastern calm conceal'd:

Child of the sun, and native of the waste,

Cramp'd in the formal chains it had embraced,

His heart leapt back to its old haunts afar,

As leaps the lion from the captive bar;

And, as each token flash'd upon the mind,

Back the bold deeds that life had left behind,

The dark eye blazed, the rich words roll'd along,

Vivid as light, and eloquent as song;

At length, with sudden pause, he check'd the stream,

And his soul darken'd from the gorgeous dream.

"So," with sad voice he said, "my youth went by,

Fresh was the wave, if fitful was the sky;

What is my manhood?—curl'd and congeal'd,

A stagnant water in a barren field:

Gall'd with strange customs,—in the crowd alone;

And courting bloodless hearts that freeze my own.

In the far lands, where first I breathed the air,—

Smile if thou wilt,—this rugged form was fair,

For the swift foot, strong arm, bold heart give grace

To man, when danger girds man's dwelling-place,—

Thou seest the daughter of my mother, now,

Shrinks from the outcast branded on my brow;

My boyhood tamed the panther in his den,

The wild beast feels man's kindness more than men.

Like with its like, they say, will intertwine,—

I have not tamed one human heart to mine!"—

He paused abruptly. Thrice his listener sought

To shape consoling speech from soothing thought,

But thrice she fail'd, and thrice the colour came

And went, as tenderness was check'd by shame!

At length her dove-like eyes to his she raised,

And all the comfort words forbade, she gazed;

Moved by her childlike pity, but too dark

In hopeless thought than pity more to mark;

"Infant," he murmur'd, "not for others flow

The tears the wise, how hard soe'er, must know;

As yet, the Eden of a guileless breast,

Opes a frank home to every angel guest;

Soft Eve, look round!—The world in which thou art

Distrusts the angel, nor unlocks the heart—

Thy time will come!"—

He spoke, and from her side

Was gone,—the heart his wisdom wrong'd replied!

PART THE SECOND.

I.

London, I take thee to a Poet's heart!

For those who seek, a Helicon thou art.

Let schoolboy Strephons bleat of flocks and fields,

Each street of thine a loftier Idyl yields;

Fed by all life, and fann'd by every wind,

There burns the quenchless Poetry—Mankind!

Yet not for me the Olympiad of the gay,

The reeking SEASON'S dusty holiday:—

Soon as its summer pomp the mead assumes,

And Flora wanders through her world of blooms,

Vain the hot field-days of the vex'd debate,

When Sirius reigns,—let Tapeworm rule the state!

Vain Devon's cards, and Lansdowne's social feast,

Wit but fatigues, and Beauty's reign hath ceased.

His mission done, the monk regains his cell;

Nor even Douro's matchless face can spell.

Far from Man's works, escaped to God's, I fly,

And breathe the luxury of a smokeless sky.

Me, the still "LONDON," not the restless "TOWN"

(The light plume fluttering o'er the helmèd crown),

Delights;—for there the grave Romance hath shed

Its hues; and air grows solemn with the Dead.

If, where the Lord of Rivers parts the throng,

And eastward glides by buried halls along,

My steps are led, I linger, and restore

To the changed wave the poet-shapes of yore;

See the gilt barge, and hear the fated king

Prompt the first mavis of our Minstrel spring;[J]

Or mark, with mitred Nevile,[K] the array }

Of arms and craft alarm "the Silent way," }

The Boar of Gloucester, hungering, scents his prey! }

Or, landward, trace where thieves their festive hall

Hold by the dens of Law,[L] (worst thief of all!)

The antique Temple of the armèd Zeal

That wore the cross a mantle to the steel;

Time's dreary void the kindling dream supplies,

The walls expand, the shadowy towers arise,

And forth, as when by Richard's lion side,

For Christ and Fame, the Warrior-Phantoms ride!

Or if, less grave with thought, less rich with lore,

The later scenes, the lighter steps explore,

If through the haunts of living splendour led—

Has the quick Muse no empire but the Dead?

In each keen face, by Care or Pleasure worn,

Grief claims her sigh, or Vice invites her scorn;

And every human brow that veils a thought

Conceals the Castaly which Shakespeare sought.

II.

Amidst the crowd (what time the glowing Hours

Strew, as they glide, the summer world with flowers),

Who fly the solitude of sweets to drown

Nature's still whisper in the roar of Town;

Who tread with jaded step the weary mill—

Grind at the wheel, and call it "Pleasure" still;—

Gay without mirth, fatigued without employ,

Slaves to the joyless phantom of a joy;—

Amidst this crowd was one who, absent long,

And late return'd, outshone the meaner throng;

And, truth to speak, in him were blent the rays

Which form a halo in the vulgar gaze;

Howden's fair beauty, Beaufort's princely grace,

Hertford's broad lands, and Courtney's vaunted race;

And Pembroke's learning in that polish'd page,

Writ by the Grace, 'the Manners and the Age!'

Still with sufficient youth to please the heart,

But old enough for mastery in the art;—

Renown'd for conquests in those isles which lie

In rosy seas beneath a Cnidian sky,

Where the soft Goddess yokes her willing doves,

And meets invasion with a host of Loves;

Yet not unlaurell'd in the war of wile

Which won Ulysses grave Minerva's smile,

For those deep arts the diplomat was known

Which mould the lips that whisper round a throne.

Long in the numbing hands of Law had lain

Arden's proud earldom, Arden's wide domain.

Kinsman with kinsman, race with race had vied

To snatch the prize, and in the struggle died;

Till all the rights the crowd of heirs made dim,

Death clear'd—and solved the tangled skein in him.

There was but ONE who in the bastard fame

Wealth gives its darlings, rivall'd Arden's name:

A rival rarely seen—felt everywhere,

With soul that circled bounty like the air,

Simple himself, but regal in his train,

Lavish of stores he seem'd but to disdain;

To art a Medici—to want a god,

Life's rougher paths grew level where he trod.

Much Arden (Arden had a subtle mind,

Which sought in all philosophy to find)

Loved to compare the different means by which

Enjoyment yields a harvest to the rich—

Himself already marvell'd to behold

How soon trite custom wears the gleam from gold;

Well, was his rival happier from its use

Than he (his candour whisper'd) from abuse?

He long'd to know this Morvale, and to learn:

They met—grew friends—the Sybarite and the stern.

Each had some fields in common: mostly those

From which the plant of human friendship grows.

Each had known strong vicissitudes in life;

The present ease, and the remember'd strife.

Each, though from differing causes, nursed a mind

At war with Fate, and chafed against his kind.

Each with a searching eye had sought to scan

The solemn Future, soul predicts to man;

And each forgot how, cloud-like passions mar,

In the vex'd wave, the mirror of the star;—

How all the unquiet thoughts which life supplies

May swell the ocean but to veil the skies;

And dark to Man may grow the heaven that smiled

On the clear vision Nature gave the Child.

Each, too, in each, where varying most they seem,

Found that which fed half envy, half esteem.

As stood the Pilgrim of the waste before

The stream that parted from the enchanted shore,

Though on the opposing margent of the wave

Those fairy boughs but seeming fruitage gave;

Though his stern manhood in its simple power,

If cross'd the barrier, soon had scorn'd the bower;

Yet, as some monk, whom holier cloisters shade,

Views from afar the glittering cavalcade,

And sighs, as sense against his will recalls

Fame's knightly lists and Pleasure's festive halls,—

So, while the conscience chid, the charm enchain'd,

And the heart envied what the soul disdain'd.

While Arden's nature in his friend's could find

An untaught force that awed his subtler mind—

Awed, yet allured;—that Eastern calm of eye

And mien—a mantle and a majesty,

At once concealing all the strife below

It shames the pride of lofty hearts to show,

And robing Art's lone outlaw with the air

Of nameless state the lords of Nature wear;—

This kingly mien contrasting this mean form,

This calm exterior with this heart of storm,

Touch'd with vague interest, undefined and strange,

The world's quick pupil whose career was change.

Forth from the crowded streets one summer day, }

Rode the new friends; and cool and silent lay }

Through shadowy lanes the chance-directed way. }

As with slow pace and slacken'd rein they rode,

Men's wonted talk to deeper converse flow'd.

"Think'st thou," said Arden, "that the Care, whose speed

Climbs the tall bark and mounts the flying steed,

And (still to quote old Horace) hovers round

Our fretted roofs, forbears yon village ground?—

Think'st thou that Toil drives trouble from the door;

And does God's sun shine brightest on the Poor?"

"I know not," answer'd Morvale, "but I know

Each state feels envy for the state below;

Kings for their subjects—for the obscure, the great:

The smallest circle guards the happiest state.

Earth's real wealth is in the heart;—in truth,

As life looks brightest in the eyes of youth,

So simple wants—the simple state most far

From that entangled maze in which we are,

Seem unto nations what youth is to man,"—

"'When wild in woods the noble savage ran,'"

Said Arden, smiling. "Well, we disagree;

Even youth itself reflects no charms for me;

And all the shade upon my life bestow'd

Spreads from the myrtle which my boyhood sow'd."

His bright face fell,—he sigh'd. "And canst thou guess

Why all once coveted now fails to bless?—

Why all around me palls upon the eye,

And the heart saddens in the summer sky?

It is that youth expended life too soon:

A morn too glowing sets in storm at noon."

"Nay," answer'd Morvale, gently, "hast thou tried

That second youth, to which ev'n follies guide;

Which to the wanderer Sense, when tired and spent,

Proclaims the fount by which to fix the tent?

The heart but rests when sense forbears to roam;

We win back freshness when Love smiles on Home;—

Home not to thee, O happy one! denied." }

}

"To me of all," the impatient listener cried, }

"Thy words but probe the wounds I vainly hide; }

That which I pine for, thou hast pictured now;—

The hearth, the home, the altar, and the vow;

The tranquil love, unintertwined with shame;

The child's sweet kiss;—the Father's holy name;

The link to lengthen a time-honour'd line;—

These not for me, and yet these should be mine."

"If," said the Indian, "counsel could avail,

Or pity soothe, a friend invites thy tale."

"Alas!" sigh'd Arden, "nor confession's balm

Can heal, nor wisdom whisper back to calm.

Yet hear the tale—thou wilt esteem me less—

But Grief, the Egoist, yearneth to confess.

I tell of guilt—and guilt all men must own,

Who but avow the loves their youth has known.

Preach as we will, in this wrong world of ours,

Man's fate and woman's are contending powers;

Each strives to dupe the other in the game,—

Guilt to the victor—to the vanquish'd shame!"

He paused, and noting how austerely gloom'd

His friend's dark visage, blush'd, and thus resumed.

"Nay, I approve not of the code I find,

Not less the wrong to which the world is kind.

But, to be frank, how oft with praise we scan

Men's actions only when they deal with man;

Lo, gallant Lovelace, free from every art

That stains the honour or defiles the heart,—

With men;—but how, if woman the pursuit?

What lies degrade him, and what frauds pollute;

Yet still to Lovelace either sex is mild,

And new Clarissas only sigh—'How wild!'"

"Enough," said Morvale; "I perforce believe:

Strong Adam owns no equal in his Eve;

But worse the bondage in your bland disguise;

Europe destroys,—kind Asia only buys!

If dull the Harem, yet its roof protects,

And Power, when sated, still its slave respects.

With you, ev'n pity fades away with love,—

No gilded cage gives refuge to the dove;

Worse than the sin the curse it leaves behind:

Here the crush'd heart, or there the poison'd mind,—

Your streets a charnel or a market made,

For the lorn hunger, or the loathsome trade.

Pardon,—Pass on!"

"Behold, the Preface done,"

Arden resumed, "now opens Chapter One!"

III.

LORD ARDEN'S TALE.

"Rear'd in a court, a man while yet a boy,

Hermes said 'Rise,' and Venus sigh'd 'Enjoy;'

My earlier dreams, like tints in rainbows given,

Caught from the Muse, glow'd but in clasping heaven;

The bird-like instinct of a sphere afar

Pined for the air, and chafed against the bar.

But can to Guelphs Augustan tastes belong?

Or Georgium Sidus look benign on song?

My short-lived Muse the ungenial climate tried,

Breathed some faint warbles, caught a cold, and died!

Wise kinsmen whisper'd 'Hush! forewarn'd in time;

The feet that rise are not the feet of Rhyme;

Your cards are good, but all is in the lead,

Play out the heart, and you are lost indeed:

Leave verse, my boy, to unaspiring men—

The eagle's pinion never sheds a pen!'

"So fled the Muse! What left the Muse behind?

The aimless fancy and the restless mind;

The eyes, still won by whatsoe'er was bright,

But lost the star's to prize the diamond's light.

Man, like the child, accepts the bauble boon.

And clasps the coral where he ask'd the moon.

Forbid the pomp and royalty of heaven,—

To the born Poet still the earth is given;

Duped by each glare in which Corruption seems

To give the glory imaged on his dreams:

Thus, what had been the thirst for deathless fame,

Grew the fierce hunger for the Moment's name;

Ambition placed its hard desires in Power,

And saw no Jove but in the Golden Shower.

No miser I—no niggard of the store—

The end Olympus, but the means the ore:

I look'd below—there Lazarus crawl'd disdain'd;

I look'd aloft—there, who but Dives reign'd?

He who would make the steeps of power his home,

Must mask the Titan till he rules the Gnome.

If I insist on this, my soul's disease,

Excuse for fault thy practised sight foresees:

It makes the moral of my tale, in truth,

And boyhood sow'd the poison of my youth.

"Meanwhile men praised, and women smiled;—the wing,

Bow'd from the height, still bask'd beneath the spring.

Pass by the Paphian follies of that day,—

When true love comes, it is to close our May.

Well, ere my boyish holiday was o'er,

The grim god came, and mirth was mine no more:

A well-born pauper, I seem'd doom'd to live

By what great men to well-born paupers give:

I had an uncle high in power and state,

Who ruled three kingdoms' and one nephew's fate.

This uncle loved, as English thanes will all,

An autumn's respite in his rural hall;

In slaughtering game, relax'd his rigid breast;

And so,—behold me martyr'd to his guest!

IV.

"Wandering, one day, in discontented mood

By a clear brook—through grassy solitude,

Leading the dance of light waves chanting low—

A little world of sunshine seem'd to grow

Out from the landscape—as with sudden spring

From bosk and brake—leapt the stream glittering.

Lo, the meek home, its porch with roses twined,

Green sward before, a sacred tower behind;

On the green sward the year's last flowers were gay,

And the last glory of the golden day

Paused on the spire, that, shining, soar'd to cleave

Those clouds, the loveliest, that precede the eve.

"Along the bank, beneath the bowering tree,

Young fairies play'd—young voices laugh'd in glee;

One voice more mellow'd in its silver sound,

Yet blithe as rang the gladdest on the ground;

One shape more ripen'd, one sweet face more fair,

Yet not less happy, the Titania there.

Soft voice, fair face, I hear, I see ye still!

Shades and dim echoes from the blissful hill

Behind me left, to cast but darkness o'er

The waste slow-lengthening to the grave before!

"So Love was born. With love invention came;

I won my entrance, but conceal'd my name.

A village priest her father, poor and wise,

In aught that clears to mortal sight the skies,

But blind and simple as a child to all

The things that pass upon the earth we crawl;

The mask'd Lothario to his eyes appear'd

A student youth, by Alma Mater rear'd

The word to preach, the hunger to endure,

And see Ambition close upon a Cure;—

A modest youth, who own'd his learning slight,

And brought his taper to the master's light.

This tale believed, the good man's harmless pride

Was pleased the bashful neophyte to guide:

Spread out his books, and, moved to pity, press'd

The backward pupil to the daily guest.

"So from a neighbouring valley, where they deem

My home, each noon I cross the happy stream,

And hail the eyes already watchful grown,

And clasp the hand that trembles in my own;

But not for guilt had I conceal'd my name,

The young warm passion nursed no thought of shame;

The spell that bound ennobled while it charm'd,

And Romeo's love Lothario's guile disarm'd;

And vain the guile had been!—impure desire

Round that chaste light but hover'd to expire:

Her angel nature found its own defence,

Ev'n in the instincts of its innocence;

As that sweet plant which opens every hue

Of its frank heart to eyes content to view,

But folds its leaves and shrinks in coy disdain

From the least touch that would the bloom profane.

Link'd with the woman's Meekness, side by side,

Stood, not to lose but guard the angel, Pride;

Pride, with the shield for honour, not the heart,

Sacred from stain, not proof against the dart.

Brief,—then, such love it was my lot to win

As sways a life to every grief but—sin.

V.

"Yet in the light of day to win and wed,

To boast a bride, yet not to own a shed;

To doom the famine, yet proclaim the bliss,

And seal the ruin in the nuptial kiss;—

Love shunn'd such madness for the loved one's sake;

What course could Prudence sanction Love to take?

Lenient I knew my kinsman to a vice;

But, oh, to folly Cato less precise!

And all my future, in my kinsman bound,

Shadow'd his humours—smiled in him or frown'd;

But uncles still, however high in state, }

Are mortal men—and Youth has hope to wait, }

And Love a conqueror's confidence in Fate.— }

A secret Hymen reconciled in one

Caution and bliss—if Mary could be won?

Hard task!—I said it was my lot to win

Sway o'er a life for grief;—this was not sin.

To her I told my name, rank, doubts, and fears,

And urged the prayer too long denied with tears—

'Reject'st thou still,' I cried, 'well, then to me

The pride to offer all life holds to thee;

I go to tell my love, proclaim my choice—

Clasp want, mar fate, meet ruin, and rejoice,

So that, at least, when next we meet, thy sigh

Shall own this truth—"He better loved than I."'

"With that, her hand upon my own she laid,

Look'd in my eyes—the sacrifice was made;

Alas, she had no mother!—Nature moved

That heart to this—she trusted, for she loved!

"I had a friend of lowlier birth than mine,

The sunnier spot allured the trailing vine.

My rising fortunes had the southern air,

And fruit might bless the plant that clamber'd there.

My smooth Clanalbin!—shrewd, if smooth, was he,

His soul was prudent, though his life was free;

Scapin to serve, and Machiavel to plot,

Red-hair'd, thin-lipp'd, sly, supple,—and a Scot!

To him the double project I confide,

To cloak the rite, and yet to clasp the bride;

Long he resisted—solemnly he warn'd,

And urged the perils love had seen and scorn'd.

At length subdued, he groan'd a slow consent,

And pledged a genius practised to invent.

A priest was found—a license was procured,

Due witness hired, and secrecy assured;

All this his task:—'tis o'er;—and Mary's life

Bound up in one who dares not call her wife!

"Alas—alas, why on the fatal brink

Of the abyss—doth not the instinct shrink?

The meaner tribe the coming storm foresees—

In the still calm the bird divines the breeze—

The ox that grazes shuns the poison-weed—

The unseen tiger frights afar the steed—

To man alone no kind foreboding shows

The latent horror or the ambush'd foes;

O'er each blind moment hangs the funeral pall,

Heaven shines, earth smiles—and night descends on all!

"But I!—fond reader of imagined skies,

Foretold my future in those stars—her eyes!

O heavenly Moon, circling with magic hues

And mystic beauty all thy beams suffuse,

Is not in love thine own fair secret seen?

Love smooths the rugged—love exalts the mean:

Love in each ray inspires the hush'd alarm,

Love silvers every shadow into charm.

VI.

"O lonely beech, beneath whose bowering shade

The tryst, encircling Paradise, was made,

How the heart heard afar the hurrying feet,

And swell'd to breathless words—'At last we meet!'

But Autumn fades—dark Winter comes, and then

Fate from Elysium calls me back to men;

We part!—not equal is the anguish;—she

Parts with all earth in that farewell to me;

For not the grate more bars the veilèd nun

From the fair world with which her soul has done,

Than love the heart, that vows, without recall,

To one,—fame, honour, memory, hope, and all!

But I!—behold me in the dazzling strife,

The gaud, the pomp, the joyous roar of life,—

Man, with man's heart insatiate, ever stirr'd

By the crowd's breath to conflict with the herd;

Which never long one thought alone can sway,—

The dream fades from us when we leap to-day.

New scenes surround me, new ambitions seize,—

All life one fever,—who defy disease?—

Each touch contagion:—living with the rest,

The world's large pulse keeps time in every breast.

Yet still for her—for her alone, methought,

Its web of schemes the vulgar labour wrought:

To ransom fate—to soar, from serfdom, free,

Snap the strong chains of high-born penury;

And, grown as bold to earth as to the skies,

Proclaim the bliss of happy human ties:—

So, ever scheming, the soothed conscience deem'd!

Fate smiled, and speeded all for which I schemed.

My noble kinsman saw with grave applause

My sober'd moods, too wise to guess the cause.

''Tis well,' said he, one evening; 'you have caught

From me the ardour of the patriot's thought;

No more distinguish'd in the modes of vice,

Forsworn the race-course, and disdain'd the dice:

A nobler race, a mightier game await

The soul that sets its cast upon the state.

Thoughtful, poor, calm, yet eager; such, in truth,

He who is great in age should be in youth,

Lo, your commencement!'

"And my kinsman set

Before the eyes it brighten'd—the Gazette!

Oh, how triumphant, Calendar of Fame!

Halo'd in type, emerged the aspirant's name!

"'We send you second to a court, 'tis true;

Small, as befits a diplomat so new,'

Quoth my wise kinsman: 'but requiring all

Your natural gifts;—to rise not is to fall!

And harkye, stripling, you are handsome, young,

Active, ambitious, and from statesmen sprung!

Wed well—add wealth to power by me possess'd,

And sleep on roses,—I will find the rest!

But one false step,—pshaw, boy! I do not preach

Of saws and morals, his own code to each,—

By one false step, I mean one foolish thing,

And the wax melts, my Icarus, from your wing!

Let not the heart the watchful mind betray,—

Enough!—no answer!—sail the First of May!'

"Here, then, from vapour broke at last the sun!

Station, career, fame, fortune, all begun!

Now, greater need than ever to conceal

The secret spring that moved the speeding wheel;

And half forgetting that I wish'd forgot,

Each thought divides the absent from my lot.

One night, escaped my kinsman's hall, which blazed

With dames who smiled, and garter'd peers who praised,

I seek my lonely home,—ascend the stair,—

Gain my dim room,—what stranger daunts me there?

A grey old man!—I froze his look before; }

The Gorgon's eye scarce fix'd its victim more,— }

The bride's sad father on the bridegroom's floor! }

In the brief pause, how terrible and fast,

As on the drowning seaman, rush'd the past!

How had he learn'd my name,—abode,—the tie

That bound?—for all spoke lightning in his eye.

Lo, on the secret in whose darkness lay

Power, future, fortune, pour'd the hateful ray!

Thus silence ceased.

"'When first my home you deign'd

To seek, what found you?—cheeks no tears had stain'd!

Untroubled hearts, and conscience clear as day:

And lips that loved, where now they fear, to pray:

'Twixt kin and kin, sweet commune undefiled—

The grateful father—the confiding child!

What now that home?—behold! its change may speak

In hair thus silver'd—in this furrow'd cheek!

My child'—(he paused, and in his voice, not eyes,

Tears seek the vent indignant pride denies)

'My child—God pardon me!—I was too proud

To call her "daughter!"—what shall call the crowd?

Man—man, she cowers beneath a Father's eye,

And shuns his blessing—with one wish to die;

And I that death-bed will resign'd endure

If—speak the word—the soul that parts is pure?'

"'Who dares deny it?' I began, but check'd

In the warm burst—cold wisdom hiss'd—'Reflect;

Thy fears had outstripp'd truth—as yet unknown,

The vows, the bond!—are these for thee to own?'

The father mark'd my pause, and changing cheek,

'Go on!—why falter if the truth thou speak?'

"Who dares deny it?"—Thou!—thy lip—thine eye—

Thy heart—thy conscience—these are what deny?

O Heaven, that I were not thy priest!'

"His look

Grew stern and dark—the natural Adam shook

The reverend form an instant;—like a charm

The pious memory stay'd the lifted arm;

And shrunk to self-rebuke the threatening word,

'Man's not my weapons—I thy servant, Lord!'

Moved, I replied—'Could love suffice alone }

In this hard world,—the love to thee made known, }

A bliss to cherish, 'twere a pride to own: }

And if I pause, and if I falter—yet

I hide no shame, I strive with no regret.

Believe mine honour—wait the ripening hour;

Time hides the germ, the season brings the flower.'

Wildly he cried—'What words are these?—but one

Sentence I ask—her sire should call thee son!

Hist, let the heavens but hear us!—in her life

Another lives—if pure she is thy wife!

Now answer!'

I had answer'd, as became

The native manhood and the knightly name;

But shall I own it? the suspicious chill,

The world-wise know, froze up the arrested will.

Whose but her lips, sworn never to betray,

Had fail'd their oath, and dragg'd my name to day?

True, she had left the veil upon the shrine,

But set the snare to make confession mine.

Thus half resentment, half disdain, repell'd

The man's frank justice, and the truth withheld.

Yet, so invoked, I scorn'd at least the lie,

And met the question with this proud reply:—

'If thou dost doubt thy child, depart secure,

My love is sinless, and her soul is pure.

This by mine honour, and to Heaven, I swear!

Dost thou ask more?—then bid thy child declare;

What she proclaims as truth, myself will own;

What she withholds, alike I leave unknown;

What she demands, I am prepared to yield;

Now doubt or spurn me—but my lips are seal'd.'

I ceased, and stood with haughty mien and eye,

That seem'd all further question to defy;

He gazed, as if still spell'd in hope or fear,

And hungering for the word that fail'd the ear.

At last, and half unconscious, in the thrall

Of the cold awe, he groan'd—

'And is this all?

Courage, poor child—there may be justice yet—

Justice, Heaven, justice!'

With this doubtful threat

He turn'd, was gone!—that look of stern despair,

The uncertain footstep tottering down the stair,

The clapping door; and then that void and chill,

Which would be silence, were the conscience still;

That sense of something gone, we would recall;

The soul's dim stun before it feels its fall.

VII.

"Next day, the sire my noble kinsman sought;

One ruling senates must be just, he thought.

What chanced, untold—what follow'd may declare: }

Behold me summon'd to my uncle's chair! }

See his cold eye—I saw my ruin there! }

I saw and shrunk not, for a sullen pride

Embraced alike the kinsman and the bride:

Scorn'd here, the seeming snare by cunning set;

And there, coarse thraldom, with rebellion met.

"Brief was my Lord—

'An old man tells me, sir,

You woo his child, to wed her you demur;

Who knows, perhaps (and such his shrewd surmise),

The noose is knit—you but conceal the ties!

Please to inform me, ere I go to court,

How stands the matter?—sir, my time is short.'

"'My Lord,' I answer'd, with unquailing brow,

'Not to such ears should youth its faults avow;

And grant me pardon if I boldly speak,

Youth may have secrets honour shuns to seek.

I own I love, proclaim that love as pure!

If this be sin—its sentence I endure.

All else belongs unto that solemn shrine,

In the veil'd heart, which manhood holds divine.

Men's hearths are sacred, so our laws decree;

Are hearts less sacred? mine at least is free.

Suspect, disown, forsake me, if thou wilt;

I prize the freedom where thou seest the guilt.'

My kinsman's hand half-shaded the keen eye,

Which glanced askant;—he paused in his reply.

At length, perchance, his practised wit foresaw

Threats could not shake where interest fail'd to awe;

And judged it wise to construe for the best

The all I hid, the little I confess'd;

Calmly he answer'd—

'Sir, I like this heat;

Duper or duped, a well-bred man's discreet;

Take but this hint (one can't have all in life),

You lose the uncle if you win the wife.

In this, you choose Rank, Station, Power, Career;

In that, Bills, Babies,—and the Bench, I fear.

Hush;—'the least said' (old proverb, sir, but true!)—

As yet your fault indulgently I view.

Words,—notes (sad stuff!)—some promise rashly made—

Action for breach—that scandal must be stay'd.

I trust such scrapes will teach you to beware;

'Twill cost some hundreds—that be my affair.

Depart at once—to-morrow—nay, to-day:

When fairly gone, there will be less to pay!'

So spoke the Statesman, whom experience told

The weight of passion in the scales of gold.

Pleased I escape, but how reprieve enjoy?

One word from her distrusted could destroy!

Yet that distrust the whispering heart belied,

Self ceased, and anger into pity died;

I thought of Mary in her desolate hour,

And shudder'd at the blast, and trembled for the flower.

Why not go seek her?—chide the impatient snare; }

Or if faith linger'd, win it to forbear? }

Now was the time, no jealous father there! }

Swift as the thought impell'd me, I obey'd!

'Tis night; once more I greet the moonlit shade;

Once more I see the happy murmuring rill;

The white cot bower'd beneath the pastoral hill!

An April night, when, after sparkling showers,

The dewy gems betray the cradled flowers,

As if some sylphid, startled from her bed

In the rath blossom by the mortal's tread,

Had left behind her pearly coronal.—

Bright shone the stars on Earth's green banquet-hall;

You seem'd, abroad, to see, to feel, to hear

The new life flushing through the virgin year;

The visible growth—the freshness and the balm;

The pulse of Nature throbbing through the calm;

As wakeful, over every happy thing,

Watch'd through the hush the Earth's young mother—Spring!

Calm from the lattice shot a steady ray; }

Calm on the sward its silvery lustre lay; }

And reach'd, to glad the glancing waves at play. }

I stood and gazed within the quiet room;—

Gazed on her cheek;—there, spring had lost its bloom!

Alone she sate! Alone!—that worn-out word,

So idly spoken, and so coldly heard;

Yet all that poets sing, and grief hath known,

Of hope laid waste, knells in that word—ALONE!

"Who contemplates, aspires, or dreams, is not

Alone: he peoples with rich thoughts the spot.

The only loneliness—how dark and blind!—

Is that where fancy cannot dupe the mind;

Where the heart, sick, despondent, tired with all,

Looks joyless round, and sees the dungeon wall;

When even God is silent, and the curse

Of torpor settles on the universe;

When prayer is powerless, and one sense of dearth

Abysses all, save solitude, on earth!

So sate the bride!—the drooping form, the eye

Vacant, yet fix'd,—that air which Misery,

The heart's Medusa, hardens into stone,

Sculptured the Death which dwelleth in the lone!

Oh, the wild burst of joy,—the life that came }

Swift, brightening, bounding through the lips and frame, }

When o'er the floors I stole, and whisper'd soft her name! }

'Come—come at last! Oh, rapture!'

Who can say

Why meaner natures hold mysterious sway

Over the nobler? Why mine orb malign

Ruled as a fate a spirit so divine;

Giving or light or darkness all its own

Unto a star so near the Sapphire Throne?

"'So thou art come!'

'Hush! say whose lips reveal'd

All these soft traitors swore to guard conceal'd—

Our love—my name?'

'Not I—not I—thy wife!

No, truth to thee more dear than fame, than life:

A friend, my father's friend, the secret told;

How guess'd I know not. Oh! if Love controll'd

My heart that hour—that bitter hour—when, there

Bent that old man who——Husband, hear my prayer

Have mercy on my father!—break, oh, break

This crushing silence!—bid his daughter speak,

And say, Thou'rt not dishonour'd?'

'If thou wilt,

Tell all;—dishonour not alone in guilt!

Men's eyes dishonour in the fallen see;—

Speak, and dishonour thou inflict'st on me:

The debt, the want, the beggary, and the shame,—

The pauper branded on the noble's name!

Speak and inflict—I still can spurn—the doom;

Unveil the altar to prepare the tomb!

I, who already in my grasp behold,

Bright from Hesperian fields, the fruit of gold,

By which alone the glorious prize we gain,

Foil'd of the goal will die upon the plain.

I own two brides, both dear alike, and see

In one Ambition—in the other Thee:

Destroy thy rival, and to her destroy'd

Succeeds despair to make the world a void.'

Then, with stern frankness to that shrinking ear,

I told my hopes,—in her my only fear;

Told, with a cheek no humbling blushes dyed,

How met the sire—how unavow'd the bride!

'Thus have I wrong'd—this cruel silence mine;

And now be truth, and truth is vengeance, thine!'

I ceased to speak; lo, she had ceased to weep;

Her white lips writhed, as Suffering in its sleep;

And o'er the frame a tremulous shudder went,

As every life-stream to the source was sent:

The very sense seem'd absent from the look,

And with the Heart, its temple, Reason shook!

So there was silence; such a silence broods

In winter nights, o'er frost-bound solitudes,

Darkness, and ice, and stillness all in one,—

The silence without life, the withering without sun.

But o'er that silence, as at night's full noon,

Through breathless cloud, shimmers the sudden moon;

A sad but heavenly smile a moment stirr'd,

And heralded the martyr's patient word:

'Fear not; pursue thy way to fortune, fame;

I will not soil thy glory with my shame.

Betray! avenge!—For ever, until thou

Proclaim the bond and ratify the vow,

Closed in this heart, as lamps within the tomb,

Shall waste the light, that lives amidst the gloom,—

That lives, for oh! the day shall come at length,

Though late, though slow,—(give hope, for hope is strength!)—

When, from a father's breast no more exiled,

The wife may ask forgiveness for the child?'"

VIII.

"And so you parted?" with a moisten'd eye,

Said Morvale;—"nay, man, spare me the reply;

Too much the Eve has moved me——"

"Not to feel

That for the serpent which thy looks reveal,"

Said Arden, sadly smiling; "yet in truth,

See how the grey world grafts its age on youth;

See how we learn to prize the bullion Vice,

Coin'd in all shapes, yet still but Avarice;

The stamp may vary,—you the coin may call

'Ambition,' 'Power,' 'Success,'—but Gold is all.

Mine is the memoir of a selfish age:

Turn every leaf—slight difference in the page;

Through each, the same fierce struggle to secure

Earth's one great end—distinction from the Poor;

All our true wealth, like alchemists of old,

Fused in the furnace—for a grain of gold.

IX.

"Well then, we parted,—to make brief the tale,

I take my orders, and my leave, set sail;

For weeks, for months, fond letters, long nor few,

Keep hope alive with love for ever new:

If she had suffer'd, she betray'd it not;

All save one sweetness—'that we loved' forgot.

She never named her father;—once indeed

The name was writ, but blurr'd;—it was decreed

That she should fill the martyr-measure,—hide

Not the dart only, but the bleeding side,

And, wholly generous in the offering made,

Veil even sorrow, lest it should upbraid.

"At length one letter came—the last; more blest

In faith, in love, false hope, than all the rest;

But at the close some hastier lines appear,

Tremblingly writ, and stain'd with many a tear,

In which, less said than timorously implied

(The maid still blushing through the secret bride),

I heard her heart through that far distance beat:

The hour Eve's happiest daughter dreads to meet,—

The hour of Nature's agony was nigh,—

Husband and father, false one, where was I?

"Slow day on slow day, unrevealing, crept,

And still its ice the freezing silence kept:

Fear seized my soul, I could no longer brook

The voiceless darkness which the daylight took.

I feign'd excuse for absence;—left the shore:

Fair blow the winds;—behold her home once more!

"Her home! a desert! Still, though rank and wild,

On the rank grass the heedless floweret smiled;

Still by the porch you heard the ungrateful bee;

Still brawl'd the brooklet's unremembering glee;

But they—the souls of the sweet pastoral ground?

Green o'er the father rose the sullen mound!

Amidst his poor he slept; his end was known,—

Life's record rounded with the funeral stone:

But she?—but Mary?—but my child?—what dews

Fall on their graves?—what herbs which heaven renews

Pall their pure clay?—Oh! were it mine at least

To weep, belovèd, where your relics rest!—

Bear with me, Morvale,—pity if you can—

These thoughts unman me—no, they prove me man!"

"Man of the cities," with a mutter'd scorn,

Groan'd the stern Nomad from the lands of Morn,—

"Man of the sleek, far-looking prudence, which

Beggars life's May, life's Autumn to enrich;

Which, the deed doing, halts not in its course,

But, the deed done, finds comfort in remorse.

Man, in whom sentiment, the bloodless shade

Of noble passion, alternates with trade,—

Hard in his error—feeble in his tears,

And huckstering love, yet prattling of the spheres!"

So mused the sombre savage, till the pale

And self-gnaw'd worldling nerved him to his tale:—

"The hireling watch'd the bed where Mary lay,

In stranger arms my first-born saw the day.

Below,—unseen his travail, all unknown

His war with Nature, sate the sire alone:

He had not thrust the one he still believed,

If silent, sinless, or in sin deceived—

He had not thrust her from a father's door;

So Shame came in, and cower'd upon the floor,

And face to face with Shame, he sate to hear

The groan above bring torture to his ear.

In that sad night, when the young mother slept,

Forth from his door the elder mourner crept;

Absent for days, none knowing whither bent,

Till back return'd abruptly as he went.

With a swift tremulous stride he climb'd the stair, }

Through the closed chamber gleam'd his silver hair, }

And Mary heard his voice soft—pitying—as in prayer! }

'Child, child, I was too hard!—But woe is wild;

Now I know all!—again I clasp my child!'

Within his arms, upon his heart again

His Mary lay, and strove for words in vain;

She strove for words, but better spoke through tears

The love the heart through silence vents and hears.

"All this I gather'd from the nurse, who saw

The scene, which dews from hireling eyes could draw;

So far;—her sob the pastor heard, and turn'd,

Waved his wan hand, nor what more chanced she learn'd.

"Next morn in death the happier father lay,

From sleep to Heaven his soul had pass'd away;

He had but lived to pardon and to bless

His child;—emotion kills in its excess,

And that task done, why longer on the rack

Stretch the worn frame?—God's mercy call'd him back.

The day they buried him, while yet the strife

Of sense and memory raged for death and life

In Mary's shatter'd brain, her father's friend,

Whose hand, perchance, had sped him to his end,

Whose zeal officious had explored, reveal'd

My name, the half, worse half, of all conceal'd,

Sought her, and saw alone: When gone, a change

Came o'er the victim, terrible and strange;

All grief seem'd hush'd—a stern tranquillity

Calm'd the wan brow and fix'd the glassy eye;

She spoke not, moved not, wept not,—on her breast

Slept Earth's new stranger—not more deep its rest.

They fear'd her in that mood—with noiseless tread

Stole from the room; and, ere the morn, she fled.

Gone the young Mother with her babe!—no trace;

As the wind goes, she vanish'd from the place;

They search'd the darkness of the wood, they pried

Into the secrets of the tempting tide,

In vain,—unseen on earth as in the wave,

Where life found refuge or despair a grave."

"And is this all?" said Morvale—

"No, my thought

Guess'd at the clue; her father's friend I sought,

A stern hard man, of Calvin's iron mould,

And yet I moved him, and his tale he told.

It seem'd (by me unmark'd), amidst the rest,

My uncle's board had known this homely guest.

Our evil star had led the guest, one day,

Where through the lone glade wound our lovers' way,

To view, with Age's hard, suspecting eyes,

The high-born courtier in the student's guise.

Thus, when the father, startled to vague fears,

By his child's waning cheek and unrevealing tears,

First to his brother priest for counsel came,

He urged stern question—track'd the grief to shame,

Guess'd the undoer, and disclosed the name.

"Time went—the priest had still a steady trust

In Mary's honour; but, to mine unjust,

Divined some fraud—explored, and found a clue,

There had been marriage, if the rites were due;

Had learn'd Clanalbin's name, as one whose eye

Had seen, whose witness might attest the tie.

This news to Mary's father was convey'd

The eve her infant on her heart was laid.

"That night he left his home, he did not rest

Till found Clanalbin—'Well, and he confess'd?'

I cried impatient;—my informer's eye

Flash'd fire—'Confess'd the fraud,' was his reply.

'The fraud!'—'The impious form, the vile disguise!

Mock priest, false marriage, hell's whole woof of lies!'

'Lies!—had the sound earth open'd its abyss

Beneath my feet, my soul had shudder'd less.

Lies!—but not mine!—his own!—not mine such ill.

O wife, I fly—to right, avenge, and claim thee still!'"

"Thy hand—I wrong'd thee," Morvale falter'd, while

His strong heart heaved—"Thou didst avenge the guile?

Thou found'st thy friend—thy witness—well! and he?"—

"Had spoken truth, the truth of perfidy.

This man had loved me in his own dark way,

Loved for past kindness in our wilder day,

Loved for the future, which, obscure for him,

Link'd with my fate, with that grew bright or dim.

I told thee how he warr'd with my intent,

The strong dissuasion, and the slow consent:

The slow consent but veil'd the labour'd wile;

That I might yet be great, he grovell'd to be vile.

'Twas a false Hymen—a mock priest—and she

The pure, dishonour'd—the dishonourer free!

"This then the tale that, while it snapp'd the chord,

Still to the father's heart the child restored;

This told to her by the hard zealot's tongue,

Had the last hope from spoil'd existence wrung;

Had driven the outcast through the waste to roam,

And with the altar shatter'd ev'n the home.

No! trust ev'n then,—ev'n then, hope, was not o'er:

One morn the wanderer reach'd Clanalbin's door.

O steadfast saint! amidst the lightning's scathe,

Still to the anchor clung the lingerer Faith;

Still through the tempest of a darken'd brain,

Where misery gnaw'd and memory rack'd in vain,

The last lone angel that deserts the grief

Of noble souls, survived and smiled,—BELIEF!

There had she come, herself myself to know,

And bow'd the head, and waited for the blow!

What matter how the villain soothed, or sought

To mask the crime?—enough that it was wrought;

She heard in silence,—when all said, all learn'd,

Still silent linger'd; then a flush return'd

To the pale cheek,—the Woman and the Wrong

Rear'd the light form,—the voice came clear and strong.

'Tell him my father's grave is closed; the dread

Of shame sleeps with him—dying with the dead:

Tell him on earth we meet no more;—in vain

Would he redress the wrong, and clear the stain,

His child is nameless; and his bride—what now

To her, too late, the mockery of the vow?

I was his wife—his equal;—to endure

Earth's slander? Yes!—because my soul was pure!

Now, were he kneeling here,—fame, fortune won,—

My pride would bar him from the fallen one.

Say this; if more he seek my fate, reply—

'Once stain the ermine, and its fate—to die!'

I need not tell thee if my fury burst

Against the wretch—the accurser—the accurst!

I need not tell thee if I sought each trace

That lured false hope to woe's lorn resting-place;

If, when all vain,—gold, toil, and art essay'd,

Still in my sunlight stalk'd the avenging shade,

Lost to my life for ever;—on the ground

Where dwell the spectres,—Conscience—ever found!"

X.

"True was the preface to thy gloomy tale;

Pity can soothe not—counsel not avail,"

Said Morvale, moodily. "What bliss foregone!

What years of rich life wasted! What a throne

In the arch-heaven abandon'd! And for what?

Darkness and gold!—the slave's most slavish lot!

Thy choice forsook the light—the day divine—

God's loving air—for bondage and the mine!

Oh! what delight to struggle side by side

With one loved soother!—up the steep to guide

Her steps—as clinging to thy hardier form,

She treads the thorn and smiles upon the storm!

And when firm will and gallant heart had won

The hill-top opening to the steadfast sun,

Look o'er the perils of the vanquish'd way,

And bless the toil through which the victory lay,

And murmur—'Which the sweeter fate, to dare

With thee the evil, or with thee to share

The good?' Nay, haunting must thine error be;

Thee Camdeo gave the blest Amrita tree,[M]

The ambrosia of the gods,—to scorn the prize,

And choose the Champac[N] for its golden dyes:

Thou hast forsaken—(thou must bear the grief)—

The immortal fruitage for the withering leaf!"

"Nay," answer'd Arden, writhing, "cease to chide;

Who taunts the ordeal should the fire have tried.

If Fortune's priests had train'd thy soul, like mine, }

To worship Fortune's as the holiest shrine, }

Perchance my error, cynic, had been thine!" }

"Pardon," said Morvale; "and my taunt to shame,

Know me thus weak,—I envy while I blame;

Thou hast been loved! And had I err'd like thee;

Mine had been crime, from which thy soul is free,

Thy gentler breast the traitor could forgive——"

"Never!" cried Arden—

"Does the Traitor live?"

And as the ear that hissing whisper thrill'd,

That calm stern eye the very life-blood chill'd;

For there, the instinct Cain bequeath'd us spoke,

And from the chain the wild's fierce savage broke.

"O yes!" the fiery Alien thus renew'd;

"I know how holy life by law is view'd;

I know how all life's glory may be marr'd,

If safe the clay, which, as life's all, ye guard.

Law—Law! what is it but the word for gold?

Revenge is crime, if taken—Law if sold!

Vile tongues, vile scribes, may rot your name away,

But Law protects you,—with a fine to pay!

The child dishonour'd, the adulterous wife,

Gold requites all, save this base garment—life!

So, life alone is sacred!—so, your law

Hems the worm's carcass with a godhead's awe:

So, if some mighty wrong with black despair

Blots out your sun, and taints to plague the air;

If with a human impulse shrinks the soul

Back from the dross which compensates the whole;

If from the babbling court, the legal toil,

And the lash'd lackey's guerdon, ye recoil,

And seize your vengeance with your own right arm,

How every dastard quivers with alarm!

Mine be the heart, that can itself defend—

Hate to the foe, devotion to the friend!—

The fearless trust, and the relentless strife:

Honour unsold, and wrong avenged with life!"

He ceased, with trembling lip and haughty crest,

The native heathen labouring in the breast!

As waves some pine, with all its storm of boughs,

O'er the black gulf Norwegian winds arouse,

Shook that strong spirit, gloomy and sublime,

Bending with troubled thought above the abyss of crime!

XI.

Long was the silence, till to calm restored

The moody Indian and the startled lord.

"And yet," resumed the first, with softer mien,

And lip that smiled, half mocking, yet serene,

"Not long thy sorrow dimm'd thy life;—unless

Men's envy wrong thee, thou mightst more confess

Of loves, perchance as true and as deceived;

Of rose-wreaths wither'd in the hands that weaved.

Talk to the world of Arden's dazzling lord, }

And tales of joyous love go round the board; }

Who, though adoring less, by beauty more adored?" }

"Ill dost thou read the human heart, my friend,

If bounding man's life with the novel's end;

Where lovers married, ever after love—

To birds alone the turtle and the dove!

Where wicked men (if I be of the gang)

Repent, turn hermits, or cut throats and hang!

Our souls repent,—our lives but rarely change;

Grief halts awhile, then goads us on to range.

More woo'd than wooing, scarce I feign'd to feel—

What magic to the magnet draws the steel?

Wealth soon grew mine, the parasital fame

Conceal'd the nature while it deck'd the name;

Kinsman on kinsman died, each death brought gold;

In birth, wealth, fame, strange charms the sex behold!

The outward grace the life of courts bestows,

The tongue that learns unconsciously to gloze,

All drew to mine the fates I could but mar;

And Aphroditè was my native star!

Forgive the boast, not blessings these, but banes,

If spring sows only flowers, small fruit the autumn gains!

I mark my grave coevals gather round

Their harvest-home, with sheaves for garners bound;

And I, that planted but the garden, see

How the blooms fade! no harvest waits for me!"

"Yet didst thou never love again? as o'er

The soft stream, gliding by the enamell'd shore,

Didst thou ne'er pause, and in some lovelier vale

Moor thy light prow, and furl thy silken sail?"

"But once," said Arden; "years on years had fled,

And half it soothed to think my Mary dead.

For I had sworn (could faith, could honour less?)

My hearth at least to priestly loneliness;

To wed no other while she lived, and be,

If found at last, for late atonement free.

I kept the vow, till this ambiguous doom,

Half wed, half widow'd, took a funeral gloom;

So many years had pass'd, no tidings gain'd,

The chance so slight that yet the earth retain'd,

At length, though doubtful, I believed that time

Had from the altar ta'en the ban of crime.

Impulse, occasion, what you will, at last

Seized one warm moment to abjure the past.

XII.

"Far other, she, who charm'd me thus awhile,

Thought in each glance, and mind in every smile;

Genius was hers, with all the Iris dyes

That paint on cloud the arch that spans the skies;

Wild in caprice, impassion'd, and yet coy,

Woman when mournful, a frank child in joy;

The Phidian dream, in one concentring all }

The thousand spells with which the charmers thrall, }

And pleasing most the eye which years begin to pall. }

I do not say I loved her as, in truth,

We only love when life is in its youth;

But here at least I thought to fix my doom,

And from the weary waste reclaim a home.

Enough I loved, to woo, to win, to bind

To her my fate, if Heaven had so assign'd!

The nuptial day was fix'd, the plighting kiss

Glow'd on my lips;—that moment the abyss,

Which, hid by moss-grown time, yet yawn'd as wide

Beneath my feet, divorced me from her side.

A letter came—Clanalbin's hand; what made

Treason so bold to brave the man betray'd?

I break the seal—O Heaven! my Mary yet

Lived; in want's weeds the wretch his victim met;

Track'd to her home (a beggar's squalid cell!), }

Told all the penitence that lips could tell: }

'Come back and plead thyself, and all may yet be well!' }

Had I a choice? could I delay to choose?—

Here conscience dragg'd me, there it might excuse.

"Few hurried lines, obscurely dark with all

The war within, my later vows recall,

Breathe passionate prayer—for hopeless pardon sue,

And shape soft words to soothe the stern adieu.

So, as some soul the beckoning ghost obeys,

The haunting shadow of the vanish'd days

Lures to the grave of Youth my charmèd tread,

And sighs, 'At length thou shalt appease the Dead!'

"Scarce had I reach'd the shores of England, ere

New pomps spring round me,—I am Arden's heir!

The last pretender to the princely line,

Whose flag had waved from towers in Palestine,

Borne to our dark Walhalla,—left me poor

In all which sheds a blessing on the boor.—

Yes, thou art right! how, at each sickening grasp

For the heart's food, had gold befool'd my clasp!

Gorged with a satrap's treasure, the soul's dearth

Envied the pauper crawling to his hearth."

"But Mary—she—thy wife before Heaven's eye?"

"Lost as before!" was Arden's anguish-cry;

"Not beggary, famine—not her child (for whom,

What could she hope from earth?—as stern a doom!)

Could bow the steel of that proud chastity,

Which scorn'd as alms the atonement due from me!

Out of the sense of wrong her grandeur grown,

She look'd on shame from Sorrow as a throne.

Once more more she fled;—no sign!—again the same

Vain track—vain chase!—Not here was I to blame!"

"Thou track the outcast!" mutter'd Morvale!—"No!

Too far from Luxury lies the world of Woe!"

"Henceforth," sigh'd Arden, "hope, aim, end, confined

To one—my heart, if tortured, is resign'd;

So lately seen, oh! sure she liveth yet!

Once found—oh! strong thine eloquence, Regret!

The palace and the coronal, the gauds

With which our vanity our will defrauds,—

These may not tempt her, but the simple words

'I love thee still,' will touch on surer chords,

And youth rush back with that young melody,

To the lone moonlight and the trysting-tree!"

As the tale ceased, the fields behind them lay,—

The huge town once more open'd on the way;

The whir of wheels, the galliard cavalcade;

The crowd of pleasure, and the roar of trade;

The solemn abbey soaring through the dun

And reeking air, in which sunk slow the sun;

The dusky trees, the sultry flakes of green;

The haunts where Fashion yawns away the spleen;—

Vista on vista widens to reveal

Ease on the wing, and Labour at the wheel!

The friends grew silent in that common roar,

The Real around them, the Ideal o'er;

So the peculiar life of each, the unseen

Core of our being—what we are, have been—

The spirit of our memory and our soul

Sink from the sight, when merged amidst the whole;

Yet atom atom never can absorb,

Each drop moves rounded in its separate orb.

PART THE THIRD.

I.

Lord Arden's tale robb'd Morvale's couch of sleep,

The star still trembled on the troubled deep,

O'er the waste ocean gleam'd its chilling glance,

To make more dark the desolate expanse.

This contrast of a fate, but vex'd by gales

Faint with too full a balm from Rhodian Vales;[O]

This light of life all squander'd upon one

Round whom hearts moved, as planets round a sun,

Mocks the lone doom his barren years endure,

As wasted treasure but insults the poor.

Back on his soul no faithful echoes cast

Those tones which make the music of the past.

No memories hallow, and no dreams restore

Love's lute, far heard from Youth's Hesperian shore;—

The flowers that Arden trampled on the sod,

Still left the odour where the step had trod;

Those flowers, so wasted!—had for him but smiled

One bud,—its breath had perfumed all the wild!

He own'd the moral of the reveller's life,

So Christian warriors own the sin of strife,—

But, oh! how few can lift the soul above

Earth's twin-born rulers,—Fame and Woman's Love!

Just in that time, of all most drear, upon

Fate's barren hill-tops, gleam'd the coming sun;

From nature's face the veil of night withdrawn,

Earth smiled, and Heaven was open'd in the dawn!

How chanced this change?—how chances all below?

What sways the life the moment doth bestow:

An impulse, instinct, look, touch, word, or sigh—

Unlocks the Hades, or reveals the sky.

II.

'Twas eve; Calantha had resumed again

The wonted life, recaptured to its chain;

In the calm chamber, Morvale sat, and eyed

Lucy's lithe shape, that seem'd on air to glide;

Eyed with complacent, not impassion'd, gaze;

So Age looks on, where some fair Childhood plays:

Far as soars Childhood from dim Age's scope,

Beauty to him who links it not with hope!

"Sing me, sweet Lucy," said Calantha, "sing

Our favourite song—'The Maiden and the King.'

Brother, thou lov'st not music, or, at least,

But some wild war-song that recalls the East.

Who loves not music, still may pause to hark

Nature's free gladness hymning in the lark:

As sings the bird sings Lucy! all her art

A voice in which you listen to a heart."

A blush of fear, a coy reluctant "nay"

Avail her not—thus ran the simple lay:—

THE MAIDEN AND THE KING.

I.

"And far as sweep the seas below,

My sails are on the deep;

And far as yonder eagles go,

My flag on every keep.

"Why o'er the rebel world within

Extendeth not the chart?

No sail can reach—no arms can win

The kingdom of a heart!"

So sigh'd the king—the linden near;

A listener heard the sigh,

And thus the heart he did not hear,

Breathed back the soft reply:—

II.

"And far as sweep the seas below,

His sails are on the deep;

And far as yonder eagles go,

His flag on every keep;

"LOVE, thou art not a king alone,

Both slave and king thou art!

Who seeks to sway, must stoop to own

The kingdom of a heart!"

So sigh'd the Maid, the linden near,

Beneath the lonely sky;

Oh, lonely not!—for angels hear

The humblest human sigh!

III.

His ships are vanish'd from the main,

His banners from the keep;

The carnage triumphs on the plain;

The tempest on the deep.

"The purple and the crown are mine"—

An Outlaw sigh'd—"no more;

But still as greenly grows the vine

Around the cottage door!

"Rest for the weary pilgrim, Maid,

And water from the spring!"

Before the humble cottage pray'd

The Man that was a King.

Oh, was the threshold that he cross'd

The gate to fairy ground?

He would not for the kingdom lost,

Have changed the kingdom found!

Divine interpreter thou art, O Song!

To thee all secrets of all hearts belong!

How had the lay, as in a mirror, glass'd

The sullen present and the joyless past,

Lock'd in the cloister of that lonely soul!—

Ere the song ceased, to Lucy's side he stole,

And, with the closing cadence, mournfully

Lifted his doubtful gaze:—so eye met eye.

If thou hast loved, re-ope the magic book;

Say, do its annals date not from a look?

In which two hearts, unguess'd perchance before,

Rush'd each to each, and were as two no more;

While all thy being—by some Power, above

Its will constrain'd—sigh'd, trembling, "This is Love."

A look! and lo! they knew themselves alone!

Calantha's place was void—the witness gone;

They had not mark'd her sad step glide away,

When in sweet silence sank, less sweet, the lay;

For unto both abruptly came the hour

When springs the rose-fence round the fairy bower;

When earth shut out, all life transferr'd to one,

Each other life seems cloud before the sun;

It comes, it goes, we know if it depart

But by the warmer light and quicken'd heart.

And what then chanced? O, leave not told, but guess'd;

Is Love a god?—a temple, then, the breast!

Not to the crowd in cold detail allow

Its delicate worship, its mysterious vow!

Around the first sweet homage in the shrine

Let the veil fall, and but the Pure divine!

Coy as the violet shrinking from the sun,

The blush of Virgin Youth first woo'd and won;

And scarce less holy from the vulgar ear

The tone that trembles but with noble fear:

Near to God's throne the solemn stars that move

The proud to meekness, and the pure to love!

Let days pass on; nor count how many swell

The episode of Life's hack chronicle!

Changed the abode, of late so stern and drear,

How doth the change speak—"Love hath enter'd here!"

How lightly sounds the footfall on the floor!

How jocund rings sweet laughter, hush'd no more!

Wide from two hearts made happy, wide and far,

Circles the light in which they breathe and are;

Liberal as noontide streams the ambient ray,

And fills each crevice in the world with day.

And changed is Lucy! where the downcast eye,

And the meek fear, when that dark man was by?

Lo! as young Una thrall'd the forest-king,

She leads the savage in her silken string;

Plays with the strength to her in service shown,

And mounts with infant whim the woman's throne!

Charm'd from his lonely moods and brooding mind,

And bound by one to union with his kind,

No more the wild man thirsted for the waste;

No more, 'mid joy, a joyless one, misplaced;

His very form assumed unwonted grace,

And bliss gave more than beauty to his face:

Let but delighted thought from all things cull

Sweet food and fair—hiving the Beautiful,

And lo! the form shall brighten with the soul!

The gods bloom only by joy's nectar bowl.

Nor deem it strange that Lucy fail'd to trace }

In that dark brow, the birthright of disgrace, }

And Europe's ban on Earth's primeval race. }

Were she less pure, less harmless, less the child,

Not on the savage had the soft one smiled.

Ev'n as the young Venetian loved the Moor,

Love gains the shrine when Pity opes the door;

Love like the Poet, whom it teaches, where

Round it the Homely dwells, invents the Fair;

And takes a halo from the air it gilds

To crown a Seraph for the Heaven it builds.

And both were children in this world of ours,

Maiden and savage! the same mountain flowers,

Not trimm'd in gardens, not exchanged their hues,

Fresh from the natural sun and hardy dews,

For the faint fragrance and the sickly dyes

Which, Art calls forth by walling out the skies:

So children both, each seem'd to have forgot

How poor the maid's—how rich the lover's lot;

Ne'er did the ignorant Indian pause in fear,

Lest friends should pity, and lest foes should sneer.

"What will the world say?"—question safe and sage;

The parrot's world should be his gilded cage;

But fly, frank wilding, with free wings unfurl'd,

Where thy mate carols—there, behold thy world!

And stranger still that no decorous pride

Warn'd her, the beggar, from the rich man's side.

Sneer, ye world-wise, and deem her ignorance art;

She saw her wealth (and blush'd not) in her heart!—

Saw through the glare of gold his lonely breast;

He had but gold, and hers was all the rest.

Pleased in the bliss to her, alas! denied, }

Calantha hail'd her brother's plighted bride: }

"Glad thou the heart which I made sad," she sigh'd. }

Since Arden's tale, but once the friends had met,

Nor known to one the other's rapture yet;

Some fancied clue, some hope awhile restored,

Had from the Babel lured the brilliant lord.

The wonted commune Morvale fail'd to miss,—

We want no confidant in happiness.

Baffled, and sick of hope, wealth, life, and all,

One night return'd the noble to his hall;

He found some lines, stern, brief, in Morvale's hand,—

Brief with dark meaning,—stern with rude command,—

Bidding his instant presence. Arden weigh'd }

Each word; some threat was in each word convey'd; }

A chill shot through his heart—foreboding he obey'd. }

III.

What caused the mandate?—wherefore do I shrink?

The stream runs on,—why tarry at the brink?

Nay, let us halt, and in the pause between

Sorrow and joy, behold the quiet scene;—

The chamber stately in that calm repose,

Which Time's serene, sweet conqueror, ART bestows;

There, in bright shapes which claim our homage still,

Live the grand exiles from the Olympian Hill;

Still the pale Queen Cithæron forests know,

Turns the proud eye, and lifts the deathful bow;

Still on the vast brow of the father-god,

Hangs the hush'd thunder of the awful nod;

Still fair, as when on Ida's mountain seen,

By Troy's young shepherd, Beauty's bashful Queen;

Still Ind's divine Iacchus laughing weaves

His crown of clustering grapes and glossy leaves;

Still thou, Arch-type of Song, ordain'd to soothe

The rest of Heroes, and with deathless youth

Crown the Celestial Brotherhood—dost hold,

Brimm'd with the drink of gods, the urn of gold!

All live again! The Art which images

Man's noblest conquest, as it slowly frees

Thought out of matter, labouring patient on,

Till springs a god-world from reluctant stone,

Charm'd Morvale more than all the pomp and glow

With which the Painter limns a world we know.

'Twas noon, and broken by the gentle gloom

Of coolest draperies, through the shadowy room,

In moted shaft aslant, the curious ray

Forced lingering in, through tiers of flowers, its way,

Glanced on the lute (just hush'd, to leave behind

Elysian dreams, the music of the mind),

Play'd round the songstress, and with warmer flush

Steep'd the young cheek, unconscious of its blush,

And fell, as if in worship, at thy base,

O sculptured Psyche[P] of the soul-lit face,

Bending to earth resign'd the mournful eye,

Since earth must prove the pathway to the sky;

Doom'd here, below, Love's footprint to explore }

Till Jove relents, the destined wandering o'er, }

And in celestial halls, Soul meets with Love once more.[Q] }

And, side by side, the lovers sat,—their words

Low mix'd with notes from Lucy's joyous birds,

Sole witnesses and fit—those airy things,

That, 'midst the bars, can still unfold the wings,

And soothe the cell with language, learn'd above;

As the caged bird—so on the earth is love!

Their talk was of the future; from the height

Of Hope, they saw the landscape bathed in light,

And, where the golden dimness veil'd the gaze,

Guess'd out the spot, and mark'd the sites of happy days;

Till silence came, and the full sense and power

Of the blest Present,—the rich-laden Hour

That overshadow'd them, as some hush'd tree

With mellow fruitage bending heavily,—

What time, beneath the tender gloom reclined,

Dies on the lap of summer-noon the wind!

Roused from the lulling spell with startled blush

At such strange power in silence, to the hush

The maid restored the music, while she sought

Fresh banks for that sweet river—loving thought.

"Tell me," she said, "if not too near the gloom

Of some sad tale, the rash desire presume;

What severs so the chords that should entwine

With one warm bond our sister's heart and thine?

Why does she love yet dread thee? what the grief

That shrinks from utterance and disdains relief?

Hast thou not been too stern?—nay, pardon! nay,

Let thy words chide me,—not thy looks dismay!"

"Not unto thee, beneath whose starry eye

Each wild wave hushes, did my looks reply;

They were the answer to mine own dark thought,

Which back the grief, thy smile had banish'd, brought.

"Well—to the secrets of my soul thy love

Hath such sweet right, I lift the veil above

Home's shattered gods, and show what wounds belong

To writhing honour and revengeless wrong.—

"Rear'd in the desert, round its rugged child,

All we call life, group'd, menacing and wild;

But to man's soul there is an inner life;

There, one soft vision smiled away the strife!

A fairy shape, that seem'd afar to stand

On the lost shores of Youth—the Fairy land;

A voice that call'd me 'brother;'—years had fled

Since my rough breast had pillow'd that sweet head,

Yet still my heart throbb'd with the pressure; still

Tears, such as mothers know, my eyes would fill;

Prayers, such as fathers pray, my soul would breathe;

The oak were sere but for that jasmine-wreath!

At length, wealth came; my footsteps left the wild,—

Again we met:—to woman grown the child:

How did we meet?—that heart to me was dead!

The bird, far heard amidst the waste was fled!

With earthlier fires that breast had learn'd to burn;

And what yet left? but ashes in the urn:

Woo'd and abandon'd! all of love, hope, soul

Lavish'd—now lifeless!—well, were this the whole!

But the good name—the virgin's pure renown—

Woman's white robe, and Honour's starry crown,

Lost, lost, for ever!"

O'er his visage past

His trembling hand,—then, hurriedly and fast,

As one who from the knife of torture swerves,

Then spurns the pang, as pride the weakness nerves,

Resumed—"As yet that secret was withheld,

All that I saw, was sorrow that repell'd,—

A dreary apathy, whose death-like chill

Froze back my heart and left us sever'd still.

"One night I fled that hard indifferent eye;

To crowds, the heart that Home rejects, will fly!—

Gay glides the dance, soft music fills the hall:

I fled, to find, the loneliness through all!

Thou know'st but half a brother's bond I claim,—

My mother's daughter bears her father's name;

My mother's heart had long denied her son,

And loath'd the tie that pride had taught to shun.

My sister's lips, forbid the bond to own,

Left the scorn'd life, a brother breathed, unknown.[R]

Not even yet the alien blood confest;

Who, in the swart hues of the Eastern guest

And unfamiliar name, could kindred trace

With the young Beauty of the Northern Race?—

Calm in the crowd I stood, when hark, a word

Smote on my ear, and stunn'd the soul that heard!

A sound, with withering laughter muttered o'er,

Blistering the name—O God!—a sister bore;

Nought clear, and nought defined, save scorn alone,—

Not heard the name scorn coupled with her own;

Somewhat of nuptials fix'd, of broken ties,

The foul cause hinted in the vile surmise,

The gallant's fame for conquests, lightly won,

For homes dishonour'd, and for hearts undone:

Not one alone on whom my wrath could seize,

From lip to lip the dizzying slander flees;

No single ribald separate from the herd,

Through the blent hum one stinging tumult stirr'd;

One felt, unseen, infection circling there

A bodiless venom in the common air,

And as the air impalpable!—so seem

The undistinguished terrors of a dream,

Now clear, now dim, transform'd from shape to shape,

The gibbering spectres scare us and escape.

"Fearful the commune, in that dismal night,

Between the souls which could no more unite,—

The lawful anger and the shaming fears,

Man's iron question, woman's burning tears;

All that, once utter'd, rend for aye the ties

Of the close bond God fashion'd in the skies.

I learn'd at last,—for 'midst my wrath, deep trust

In what I loved, left even passion just;

And I believed the word, the lip, the eye,

That to my horrid question flash'd reply;—

I learn'd at last that but the name was stain'd,

Honour was wreck'd, but Purity remain'd.

Oh pardon, pardon!—if a doubt that sears,

A word that stains, profane such holy ears!

So, oft amidst my loneliness, my heart

Hath communed with itself, and groan'd apart,—

Recall'd that night, and in its fierce despair,

Shaped some full vengeance from the desert air,—

That I forgot what angel, new from Heaven,

Sweet spotless listener, to my side was given!

"But who the recreant lover?—this, in vain

My question sought; that truth not hard to gain;

And my brow darken'd as I breathed the threat

Fierce in her shrinking ear, 'that wrath should reach him yet!'

I left her speechless; when the morning came, }

With the fierce pang, writhed the self-tortured frame, }

The poison hid by Woe, drain'd by despairing Shame. }

"Few words, half-blurr'd by shame, the motive clear'd,

For the false wooer, not herself, she feared;

'Accept,' she wrote 'O brother, sternly just,

The life I yield,—but holy be my dust!

Hear my last words, for, them Death sanctify!

Forbear his life for whom it soothes to die.

And let my thought, the memory of old time,

The soul that flees the stain, nor knew the crime,

Strike down thine arm! and see me in the tomb,

Stand, like a ghost, between Revenge and Doom!'

"I bent, in agony and awe, above

The broken idol of my boyhood's love.

Echo'd each groan and writhed with every throe,

And cried, 'Live yet! O dove, but brood below,

Hide with thy wings the vengeance and the guilt,

And give my soul thy softness if thou wilt!'

And, as I spoke, the heavy eye unclosed,

The hand press'd mine, and in the clasp reposed,

The wan lip smiled, the weak frame seem'd to win

Strange power against the torture-fire within;

The leach's skill the heart's strong impulse sped,

She lived—she lived:—And my revenge was dead!

"She lived!—and, clasp'd within my arms, I vow'd

To leave the secret in its thunder-shroud,

To shun all question, to refuse all clue,

And close each hope that honour deems its due;

But while she lived!—the weak vow halted there,

Her life the shield to that it tainted mine to spare!

"But to have walk'd into the thronging street,

But to have sought the haunt where babblers meet,

But to have pluck'd one idler by the sleeve,

And asked, 'who woo'd yon fairhair'd bride, to leave?'

And street, and haunt, and every idler's tongue,

Had given the name with which the slander rung—

To me alone,—to me of all the throng,

The unnatural silence mask'd the face of wrong.

But I had sworn! and, of myself in dread,

From the loath'd scene, from mine own wrath, I fled.

"We left the land, in this a home we find.

Home! by our hearth the cleaving curse is shrined!

Distrust in her—and shame in me; and all

The unspoken past cold present hours recal;

And unconfiding hearts, and smiles but rife

With the bland hollowness of formal life!

In vain my sacrifice, she fears me still!

Vain her reprieve;—grief barr'd from vent can kill.

And then, and then (O joy through agony!)

My oath absolves me, and my arm is free!

The lofty soul may oft forgive, I own,

The lighter wrong that smites itself alone;

But vile the nature, that when wrong hath marr'd

All the rich life it was our boast to guard

But weeps the broken heart and blasted name;—

Here the mean pardon were the manhood's shame;

And I were vilest of the vile, to live

To see Calantha's grave—and to forgive:

Forgive!"

There hung such hate upon that word,

The weeping listener shudder'd as she heard,

And sobb'd—

"Hush, hush! lest Man's eternal Foe }

Hear thee, and tempt! Oh, never may'st thou know }

Beside one deed of Guilt—how blest is guiltless Woe!" }

Then, close, and closer, clinging to his side,

Frank as the child, and tender as the bride,

Words—looks—and tears themselves combine the balm,

Lull the fierce pang, and steal the soul to calm!

As holy herbs (that rocks with verdure wreathe,

And fill with sweets the summer air they breathe,)

In winter wither, only to reveal

Diviner virtues—charged with powers to heal,

So are the thoughts of Love!—if Heaven is fair,

Blooms for the earth, and perfumes for the air;—

Is the Heaven dark?—doth sorrow sear the leaf?

They fade from joy to anodynes for grief!

From theme to theme she lures his thought afar,

From the dark haunt in which its demons are;

And with the gentle instinct which divines

Interest more strong than aught which Self entwines

With its own suffering—changed the course of tears,

And led him, child-like, through her own young years.

The silent sorrows of a patient mind—

Grief's loveliest poem, a soft soul resign'd,

Charm'd and aroused——

"O tell me more!" he cried;

"Ev'n from the infant let me trace the bride.

Of thy dear life I am a miser grown,

And grudge each smile that did not gild my own;

Look back—thy Father? Canst thou not recal

His kiss, his voice? Fair orphan! tell me all."

"My Father? No!" sigh'd Lucy; "at that name

Still o'er my mother's cheek the fever came;

Thus, from the record of each earlier year,

That household tie moved less of love than fear;

Some wild mysterious awe, some undefined

Instinct of woe was with the name entwined.

Lived he?—I knew not; knew not till the last

Sad hours, when Memory struggled to the Past,

And she—my dying mother—to my breast

Clasp'd these twain relics—let them speak the rest!"

With that, for words no more she could command,

She placed a scroll—a portrait—in his hand;

And overcome by memories that could brook

Not ev'n love's comfort,—veil'd her troubled look,

And glided swiftly thence. Nor he detain'd:

Spell bound, his gaze upon the portrait strain'd:

That brow—those features! that bright lip, which smiled

Forth from the likeness!—Found Lord Arden's child!

The picture spoke as if from Mary's tomb,

Death in the smile and mockery in the bloom.

The scroll, unseal'd—address'd the obscurer name

That Arden bore, ere lands and lordship came;

And at the close, to which the Indian's eyes }

Hurried, these words:— }

"In peace thy Mary dies; }

Forgive her sternness in her sacrifice! }

It had one merit—that I loved! and till

Each pulse is hush'd shall love, yet fly, thee still.

Now take thy child! and when she clings with pride

To the strong shelter of a father's side,

Tell her, a mother bought the priceless right

To bless unblushing her she gave to light;

Bought it as those who would redeem a past

Must buy—by penance, faithful to the last.

Thorns in each path, a grave the only goal,

Glides mine, atoning, to my father's soul!"

What at this swift revealment—dark and fast

As fleets the cloud-wrack, o'er the Indian past?

No more is Lucy free with her sweet dower }

Of love and youth! Another has the power }

To bar the solemn rite, to blast the marriage bower. }

"Will this proud Saxon of the princely line

Yield his heart's gem to alien hands like mine?

What though the blot denies his rank its heir: }

The more his pride will bid his love repair }

By loftiest nuptials—O supreme despair! }

Shall I divulge the secret! shall I rear,

Myself, the barrier,—and the bliss so near?"

He scorn'd himself, and raised his drooping crest:

"Mine be Man's honour—leave to God the rest!"

As thus his high resolve, a sudden cry }

Startled his heart. He turn'd: Calantha by! }

Why on the portrait glares her haggard eye? }

"Whose likeness this? Thou know'st not, brother? speak!

What mean that clouded brow—that changing cheek?

Thou know'st not!"

"Yes!"

And as the answer came,

With Death's strong terror shook the sister's frame,

A bitterer pang, an icier shudder, ran

Through his fierce nature—

"Dost thou know the man?

Ha! his own tale! O dull and blinded! how,

Flash upon flash, descends the lightning now!

Thou, his forsaken—his! And I—who—nay!

Look up Calantha; for, befal what may,

He shall——"

The promise, or the threat, was said

To ears already deafen'd as the dead!

His arm but breaks the fall: the panting breast

Yet heaves convulsive through the stifling vest.

The robe, relax'd, bids doubt—if doubt yet be—

Merge the last gleam in starless certainty!

Lo there, the fatal gift of love and woe

Miming without the image graved below—

The same each likeness by each sufferer worn,

Or differing but as noonday from the morn.

In Lucy's portrait, manhood's earliest youth

Shone from the clear eye with a light like truth.

There, play'd that fearless smile with which we meet

The sward that hides the swamp before our feet;

The bright on-looking to the Future, ere

Our sins reflect their own dark shadows there:—

Calantha's portrait spoke of one in whom,

Young yet in years; the heart had lost its bloom;

The lip of joy the lip of pride had grown;

It smiled—the smile we love to trust had flown.

In the collected eye and lofty mien

The graver power experience brings was seen;

Beautiful both; and if the manlier face

Had lost youth's candid and luxuriant grace,

A charm as fatal as the first it wore,

Pleased less—and yet enchain'd and haunted more.

And this the man to whom his heart had moved!

Whose hand he had clasp'd, whose child he loved!—he loved!

This, out of all the universe—O Fate!

This, the dark orb, round which revolved his hate;

This, the swart star malign, whose baleful ray

Ruled in his House of Life; and day by day,

And hour by hour, upon the tortured past

One withering, ruthless, demon influence cast!

There writhes the victim—there, unmasking, now

The invoked Alecto frowns from Arden's brow.

O'er that fierce nature, roused so late from sleep,

Course the black thoughts, and lash to storm the deep.

Love flies dismay'd—the sweet delusions, drawn

By Hope, fade ghost-like in the lurid dawn;

As when along the parch'd Arabian gloom

Life prostrate falls before the dread Simoom,

No human mercy the strong whirlwind faced,

And its wrath reign'd sole monarch of the waste!

IV.

The Hours steal on. Like spectres, to and fro

Hurry hush'd footsteps through the house of woe.

That nameless chill, which tells of life that dies,

Broods o'er the chamber where Calantha lies.

The Hours steal on—and o'er the unquiet might

Of the great Babel—reigns, dishallow'd, Night.

Not, as o'er Nature's world, She comes, to keep

Beneath the stars her solemn tryst with Sleep,

When move the twin-born Genii side by side,

And steal from earth its demons where they glide;

Lull'd the spent Toil—seal'd Sorrow's heavy eyes,

And dreams restore the dews of Paradise;

But Night, discrown'd and sever'd from her twin,

No pause for Travail, no repose for Sin,

Vex'd by one chafed rebellion to her sway,

Flits o'er the lamp-lit streets—a phantom day!

Alone sat Morvale in the House of Gloom,

Alone—no! Death was in the darken'd room;

All hush'd save where, at distance faintly heard,

Lucy's low sob the depth of silence stirr'd;

Or where, without, the swift wheels hurrying by,

Bear those who live—as if life could not die.

Alone he sat! and in his breast began

Earth's deadliest strife—the Angel with the Man!

Not his the light war with its feeble rage

Which prudent scruples with faint passions wage,

(The small heart-conflicts which disturb the wise,

Whom reason succours when the anger tries,

Such as to this meek social ring belong,

In conscience weak, but in discretion strong;)

But that known only to man's franker state,

In love a demigod—a fiend in hate,

Him, not the reason but the instincts lead,

Prompt in the impulse, ruthless in the deed.

And if the wrong might seem too weak a cause

For the fell hate—not his were Europe's laws.—

Some think dishonour, if it halt at crime,

A stingless asp,—what injury in the slime?

As if but this poor clay—this crumbling coil

Of dust for graves—were all the foul can soil!

As if the form were not the type (nor more

Than the mere type) of what chaste souls adore!

That Woman-Royalty, a spotless name,

For sires to boast—for sons unborn to claim,

That heavenly purity of thought—as free

From shame as sin, the soul's virginity,

If these be lost—why what remains?—the form?

Has that such worth?—Go, envy then the worm!

And well to him may such belief belong,

And India's memories blacken more the wrong;

In Eastern lands, by tritest tales convey'd,

How Honour guards from sight itself the maid;

Home's solemn mystery, jealous of a breath,

Screen'd by religion, and begirt with death:—

Again he cower'd beneath the hissing tongue,

Again the gibe of scurril laughter rung,

Again the Plague-breath air itself defiled,

And Mockery grinn'd upon his mother's child!

All the heart's chaste religion overthrown,

And slander scrawl'd upon the altar-stone!

And if that memory pause, what shapes succeed?

The martyr leaning on the broken reed!

The life slow-poison'd in the thoughts that shed

Shame o'er the joyless earth;—and there, the dead!

Marvel not ye, the soft, the fair, the young,

Whose thoughts are chords to Love's sweet music strung,

Whose life the sterner genius—Hate, has spared,

If on his soul no torch but Atè's glared!

If in the foe was lost to sight the bride,

The foe's meek child!—that memory was denied!

The face, the tale, the sorrow, and the love, }

All fled—all blotted from the breast: Above }

The Deluge not one refuge for the Dove! }

There is no Lethé like one guilty dream,

It drowns all life that nears the leaden stream;

And if the guilt seem sacred to the creed,

Between the stars and earth, but stands the Deed!

So in his breast the Titan feud began:

Which shall prevail—the Angel or the Man?

The Injurer comes! the lone light breaking o'er }

The gloom, waves flickering to the open door, }

And Arden's step is on the fatal floor! }

Around he gazed, and hush'd his breath,—for Fear

Cast its own shadow on the wall,—a drear

And ominous prescience of the Death-king there

Breathed its chill horror to the heavy air;

O'er yon recess—which bars with draperied pall

The baffled gaze—the unbroken shadows fall.

The lurid embers on the hearth burn low;

The clicking time-piece sounds distinct and slow;

And the roused instinct hate's suspense foreshows

In the pale Indian's lock'd and grim repose.

So Arden enter'd, and thus spoke; the while

His restless eye belied his ready smile:

"Return'd, I find thy mandate, and attend

To hear a mystery, or to serve a friend."

"Or front a foe!"

A stifled voice replied.

O'er Arden's temples flush'd the knightly pride.

"What means that word, which jars, not daunts, the ear?

I own no foe,—if foe there be, no fear."

"Pause and take heed—then with as firm a sound

Disdain the danger—when the foe is found!

What, if thou had'st a sister, whom the grave

To thy sole charge—a sacred orphan—gave—

What, if a traitor had, with mocking vows,

Won the warm heart, and woo'd the plighted spouse,

Then left—a scoff;—what, if his evil fame,

Alone sufficed to blast the virgin name,

What—hourly gazing on a life forlorn,

Amidst a solitude wall'd round with scorn,

Shame at the core—death gnawing at the cheek—

What, from the suitor, would the brother seek?"

"Wert thou that brother," with unsteady voice,

Arden replied: "not doubtful were thy choice:

Were I that Suitor——"

"Ay?"

"I would prepare

To front the vengeance, or—the wrong repair."

"Yes"—hiss'd the Indian—"front that mimic strife,

That coward's die, which leaves to chance the life;

That mockery of all justice, framed to cheat

Right of its due—such vengeance thou wouldst meet!—

Be Europe's justice blind and insecure!

Stern Ind asks more—her son's revenge is sure!

'Repair the wrong!'—Ay, in the Grave be wed!

Hark! the Ghost calls thee to the bridal bed!

Come (nay, this once thy hand!)—come!—from the shrine

I draw the veil!—Calantha, he is thine!

Man, see thy victim!—dust!—Joy—Peace and Fame, }

These murder'd first—the blow that smote the frame }

Was the most merciful!—at length it came. }

Here, by the corpse to which thy steps are led,

Beside thee, murderer, stands the brother of the Dead!"

Brave was Lord Arden—brave as ever be

Thor's northern sons—the Island Chivalry;

But in that hour strange terror froze his blood,

Those fierce eyes mark'd him shiver as he stood;

But oh! more awful than the living foe

That frown'd beside—the Dead that smiled below!

That smile which greets the shadow-peopled shore,

Which says to Sorrow—"Thou canst wound no more!"

Which says to Love that would rejoin—"Await!"

Which says to Wrong that would redeem—"Too late!"

That lingering halo of our closing skies

Cold with the sunset never more to rise!

Though his gay conscience many a heavier crime

Than this had borne, and drifted off to Time;

Though this but sport with a fond heart which Fate

Had given to master, but denied to mate,

Yet seem'd it as in that least sin arose

The shapes of all that Memory's deeps disclose;

The general phantom of a life whose waste

Had spoil'd each bloom by which its path was traced,

Sporting at will, and moulding sport to art,

With that sad holiness—the Human Heart!

Upon his lip the vain excuses died,

In vain his manhood struggled for its pride;

Up from the dead, with one convulsive throe,

He turn'd his gaze, and voiceless faced his foe:

Still, as if changed by horror into stone,

He saw those eyes glare doom upon his own;

Saw that remorseless hand glide sternly slow

To the bright steel the robe half hid below,—

Near, and more near, he felt the fiery breath

Breathe on his cheek; the air was hot with death,

And yet he sought nor flight—nor strove for prayer,

As one chance-led into a lion's lair,

Who sees his fate, nor deems submission shame,—

Unarm'd to combat, and unskill'd to tame,

What could this social world afford its child,

Against the roused Nemæan of the wild!

A lifted arm—a gleaming steel—a cry

Of savage vengeance!—swiftly—suddenly,

As through two clouds a star—on the dread time

Shone forth an angel face and check'd the startled crime!

She stood, the maiden guest, the plighted bride,

The victim's daughter, by the madman's side;

Her airy clasp upon the murtherous arm,

Her pure eyes chaining with a solemn charm:

Like some blest thought of mercy, on a soul

Brooding on blood—the holy Image stole!

And, as a maniac in his fellest hour

Lull'd by a look whose calmness is its power,

Backward the Indian quail'd—and dropp'd the blade!—

To see the foeman kneeling to the maid;

As with new awe and wilder, Arden cried,

"Out from the grave, O com'st thou, injured bride!"

Then with a bound he reach'd the Indian—

"Lo!

I tempt thy fury, and invite thy blow;

But, by man's rights o'er men,—oh, speak! whose eyes

Ope, on life's brink, my youth's lost paradise?

The same—the same—(look, look!)—the same—lip, brow,

Form, aspect,—all and each—fresh, fair as now,

Bloom'd my heart's bride!"—

Silent the Indian heard,

Nor seem'd to feel the grasp, nor heed the word!

As when some storm-beat argosy glides free

From its vain wrath,—subsides a baffled sea,—

His heaving breast calm'd back—the tempest fell,

And the smooth surface veil'd the inward hell.

Yet his eye, resting on the wondering maid,

Somewhat of woe, perchance remorse, betray'd,

And grew to doubtful trouble—as it saw

Her aspect brightening slowly from its awe,

Gazing on Arden till shone out commix'd,

Doubt, hope, and joy, in the sweet eyes thus fix'd;—

Till on her memory all the portrait smil'd,

And voice came forth, "O Father, bless thy child!"

As from the rock the bright wave leaps to day,

The mighty instinct forced its living way:

No need of further words;—all clear—all told;

A father's arms the happy child enfold:

Nature alone was audible!—and air

Stirr'd with the gush of tears, and gasps of murmur'd prayer!

Motionless stands the Indian; on his breast,

As one the death-shaft pierces, droops his crest;

His hands are clasp'd—one moment the sharp thrill

Shakes his strong limbs;—then all once more is still;

And form and aspect the firm calmness take

Which clothes his kindred savage at the stake.

So—as she turn'd her looks—the woe behind

That quiet mask, the girl's quick heart divined,—

"Father!" she cried—"Not all, not all on me

Lavish thy blessings!—Him, who saved me, see!

Him who from want—from famine—from a doom,

Frowning with terrors darker than the tomb,

Preserved thy child!"

Before the Indian's feet }

She fell, and murmur'd—"Bliss is incomplete }

Unless thy heart can share—thy lips can greet!" }

Again the firm frame quiver'd;—roused again,

The bruisëd eagle struggled from the chain;

Till words found way, and with the effort grew

Man's crowning strength—Man's evil to subdue.

"Foeman—'tis past!—lo, in the strife between

Thy world and mine, the eternal victory seen!

Thou, with light arts, my realm hast overthrown,

And, see, revenge but threats to bless thine own!

My home is desolate—my hearth a grave—

The Heaven one hour that seem'd like justice gave,

The arm is raised, the sacrifice prepared—

The altar kindles, and the victim's—spared!

Free as before to smite and to destroy,

Thou com'st to slaughter to depart in joy!

"From the wayside yon drooping flower I bore;

Warm'd at my heart—its root grew to the core,

Dear as its kindred bloom seen through the bar

By some long-thrall'd, and loneliest prisoner—

Now comes the garden's Lord, transplants the flower,

And spoils the dungeon to enrich the bower?

"So be it, law—and the world's rights are thine

Lost the stern comfort, Nature's law and mine!

She calls thee 'Father,' and the long deferr'd,

Long-look'd for vengeance, withers at the word!

Take back thy child! Earth's gods to thee belong! }

To me the iron of the sense of wrong }

Heaven makes the heart which Earth oppresses—strong!" }

"Not so,—not so we part! O husband!" cried

The Girl's full soul—"Divorce not thus thy bride!

Yes, Father, yes!—in woe thy Lucy won

This generous heart; shall joy not leave us one?"

A moment Arden paused in mute surprise

(How charm'd that outcast Beauty's blinded eyes?)

Then, with the impulse of the human thought,

Prompt to atonement for the evil wrought,

"Hear her!" he said—"her words her father's heart

Echoes.—Not so—nor ever, may ye part!

Nobly, hast thou an elder right than mine

Won to this treasure;—still its care be thine;

Withhold thy pardon if thou wilt,—but take

The holiest offering wrong to man can make!"

Slowly the Indian lifts his joyless head,

Pointing with slow hand to the present dead,

And from slow lips comes heavily the breath:

"Behold, between us evermore—is Death!"

"Maiden, recal my tale;—thou clasp'st the hand

Which shuts the Exile from the promised land;

Can the dead victim's brother, undefiled,

From him who slew the sister take the child!"

With that, he bent him o'er the shuddering maid,

On her fair looks a solemn hand he laid;

Lifted eyes, tearless still—but dark with all

The cloud, that not in such soft dews can fall:

"If to the Dead an offering still must be,

All vengeance calls for be fulfill'd in me!

I make myself the victim!—Thou dread Power

Guiding to guilt the slow chastising hour,

Far from the injurer's hearth by her made pure,

Let this lone roof thy thunder-stroke allure!—

"Go hence—(nay, near me not!) behold!—the kind

Oblivion closes round her darken'd mind;

If, when she wake, it be awhile for grief,

Soon dries the rain-drop on the April leaf!"

He said, and vanish'd, with a noiseless tread,

Within the folds which curtain'd round the dead!

So, the stern Dervish of the East inters

His sullen soul with Death in sepulchres!

His new-found prize, while yet th' unconscious sense

Sleeps in the mercy of the brief suspense,

With gliding feet, the Father steals away.

Grief bends alone above the lonely clay;

But over grief and death th' Eternal Eye

Shines down,—and Hope lives ever in the sky.

PART THE FOURTH.

I.

To Joy's brisk ear there's music in the throng;

Glorious the life of cities to the strong!

What myriad charms, all differing, smile for all

The hardier Masks in the Great Carnival!

Amidst the vast disguise, some sign betrays

To each the appointed pleasure in the maze;

Ambition, pleasure, love, applause, and gold,

Allure the young, and baby[S] yet the old.

For here, the old, if nerves and stubborn will

Defy Experience, linger, youthful still,

Haunt the same rounds of idlesse, or of toil

That lure the freshest footsteps to the soil,

Still sway the Fashion or control the State,

Gay at the ball, or fierce at the debate.

It is not youth, it is the zest of life }

Surviving youth—in age itself as rife, }

That fits the Babel and enjoys the strife; }

But not for you our world's bright tumults are,

Soft natures, born beneath the Hesperus star,—

To us, the storm is but the native breath;

To you, the quickening of the gale is death;

Leave Strife to battle with its changeful clime,

And seek the peace which saves the weak, in time!

Not Man's but Nature's world be yours!—The shade

Where, all unseen, the cushat's nest is made,

Less lone to you than pomps which but bestow

The tinkling cymbal and the painted show.

The lights of revel flash from Arden's halls;

There, throng the shapes that troop where Comus calls;

But not Sabrina more apart and lone

From the loud joy, on her pure coral throne,

Than thou, sad maiden!—round the holy tide

Swell the gay notes, the airy dancers glide;

But o'er the shadowy grot the waters roll,

And shut the revel from the unconscious soul!

What rank has noblest, manhood's grace most fair,

Bend low to her now hail'd as Arden's heir?

If rumour doubts the birthright to his name,

The father's wealth redeems the mother's shame;

And kindly thoughts o'er lordly pride prevail,

"The Earl's best lands are not in the entail!"

How Arden loved his child!—how spoke that love

Of those dead worlds the light herb waves above;

Layer upon layer—those strata of the past,

Those gone creations buried in the last!

Their bloom, their life, their glory past away,

Speak in this relic of a vanish'd day.

There, in that guileless face, revived anew

The visions glistening through life's morning dew,

Fair Hope, pure Honour, undefilëd Truth—

The young shape stood before him as his youth![T]

And in this love his chastisement was found—

The thorns he had planted, here enclosed him round;

He, whom to see had been to love,—in vain

Here loved; that heart no answer gave again—

It lived upon the past,—it dwelt afar,

This new-found bond from what it loved the bar.

Her conscience chid, yet, while it chid, her thought

Still the cold past, to freeze the present, brought;

How love the sire round whom such shadows throng,

The mother's death-bed and the lover's wrong?

The dazzling gifts, which had through life beguiled

All other souls, are powerless with his child.

Vain the melodious tongue, and vain the mind,

Sparkling and free as wavelets in the wind;

The roseate wreath the handmaid Graces twine

Round sternest hearts,—soft infant, breaks on thine;

Child, candid, simple, frank, to her allied,

Far more, the nature sever'd from her side,

With its fresh instincts and wild verdure, fann'd

By fragrant winds, from haunted Fable-land;

Than all the garden graces which betray

By the bough's riches the worn tree's decay.

What charms the ear of Childhood?—not the page

Of that romance which wins the sober sage;

Not the dark truths, like warning ghosts, which pass

Along the pilgrim path of Rasselas;

Not wit's wrought crystal which, so coldly clear,

Reflects, in Zadig, learning's icy sneer;

Unreasoning, wondering, stronger far the thrall

Of Aimée's cave,[U] or young Aladdin's hall;

And so the childhood of the heart will find }

Charms in the poem of a child-like mind, }

To which the vision of the world is blind! }

Ev'n as the savage, 'midst the desert's gloom,

Sees, hid from us, the golden fruitage bloom,

And, where the arid silence wraps us all,

Lists the soft lapse of the glad waterfall!

So Lucy loved not Arden!—vainly yearn

His moisten'd eyes;—Can softness be so stern?

That soul how gentle! but that smile how cold!

A marble shape the parent arms enfold!

No hurrying footstep bounds his own to meet,

No joyous smiles with morning's welcome greet,

Not him that heart—so bless'd with love—can bless, }

Lost the pure Eden of a child's caress; }

He saw—he felt, and suffer'd powerless! }

Remorse seized on him;—his gay spirit quail'd;

The cloud crept on,—it gather'd, it prevail'd.

The spectre of the past—the martyr bride,

Sat at his board, and glided by his side;

Sigh'd, "With the dead, Love the Consoler dies,"

And spoke his sentence in his child's cold eyes!

And now a strange and strong desire was born, }

With the young instinct of life's credulous morn, }

In that long sceptic-breast, so world-corrupt and worn. }

From the rank soil in which grim London shrouds

Her dead,—the green halls of the ghastly crowds—

To bear his Mary's dust; the dust to lay

By the clear rill, beside her father's clay,

Amidst those scenes which saw the rapture-strife

And growth of passion—life's sweet storm of life,

Consign the silent pulse, the mouldering heart,

Deaf to the joy to meet—the woe to part;

Rounding and binding there as into one

Sad page, the tale of all beneath the sun;

And there, before that grave—beneath the beam

Of the lone stars, and by that starlit stream,

To lead the pledge of the fresh morn of love,

And while the pardoning skies seem'd soft above,

Murmur, "For her sake, her, who, reconciled,

Hears us in heaven, give me thy heart, my child!"

But first—before his conscious soul could dare

For the consoling balm to pour the prayer,

Alone the shadows of the past to brave,

Alone to commune with the accusing grave,

And shrive repentance of its haunting gloom

Before Life's true Confessional—the Tomb;—

Such made his dream!—Oh! not in vain the creed

Of old that knit atonement with the dead!

The penitent offering, the lustrating tide,

The wandering, haunted, hopeful homicide,

Who sees the spot to which the furies urge,

Where halt the hell-hounds, and where drops the scourge,

And the appeased Manes pitying sigh—

"Thou hast atoned! once more enjoy the sky!"

Such made the dream he rushes to fulfil!—

Round the new mound babbled the living rill;

A name, the name that Arden's wife should bear,

Sculptured the late and vain repentance there.

O'er the same bridge which once to rapture led,

Went the same steps their pathway to the dead:

Night after night the same lone shadow gave

A tremulous darkness to the hurrying wave;

Lost,—and then, lengthening from the neighbouring yews,

Dimm'd the wan shimmer of the moonlit dews,

Then gain'd a grave;—and from the mound was thrown,

Still as the shadow of yon funeral stone!

II.

Meanwhile to Morvale!—Sorrow, like the wind

Through trees, stirs varying o'er each human mind;

Uprooting some, from some it doth but strew

Blossom and leaf, which spring restores anew;

From some, but shakes rich powers unknown in calm,

And wakes the trouble to extract the balm.

Let weaker natures suffer and despair,

Great souls snatch vigour from the stormy air;

Grief not the languor,—Grief the action brings;

And clouds the horizon but to nerve the wings.

Up from his heavy thought, one dawning day,

The Indian, silent, rose, and went his way;

Palace and pomp and wealth and ease resign'd, }

As one new-born, he plunged amidst his kind, }

Whither, with what intent, he scarce divined. }

He turn'd to see, through mists obscure and dun,

The domes and spires of the vex'd Babylon;

Before him smiled the mead and waved the corn,

And Nature's music swell'd the hymns of Morn.

A sense of freedom, of the large escape

From the pent walls our customs round us shape;

The imperfect sympathies which curse the few,

Who ne'er the chase the many join pursue;

The trite convention, with its cold control,

Which thralls the habit, yet not links the soul;

—The sense of freedom pass'd into his breast,

But found no hope it flatter'd and caress'd;

So the sad captive, when at length made free,

Shrinks from the sunlight he had pined to see;

Feels on the limb the custom of the chain,

Each step a struggle and each breath a pain,

And knows—return'd unto the world too late,

No smile shall greet him at his lonely gate;

Seal'd every eye, of old that watch'd and wept;

The world he knew has vanish'd while he slept!

He wander'd on, alone, on foot,—alone,

As in the waste his earlier steps had known.

Forth went the peasant—Adam's curse begun;—

Home went the peasant in the western sun;

He heard the bleating fold, the lowing herd,

The last shrill carol of the nestling bird!

He saw the rare lights of the hamlet gleam

And fade;—the stars grow stiller on the stream;

Swart, by the woodland, cower'd the gipsy tent

Whence peer'd dark eyes that watch'd him as he went—

He paused and turn'd:—Him more the outlaws charm

Than the trim hostel and the happy farm.

Strangers, like him, from antique lands afar,

Aliens untamed where'er their wanderings are,

High Syrian sires of old;[V]—dark fragments torn

From the great creed of Isis,—now forlorn

In rags—all earth their foe, and day by day

Worn in the strife with social Jove away—

Wretched, 'tis true, yet less enslaved, their strife,

Than our false peace with all this masque of life,

Convention's lies,—the league with Custom made,

The crimes of glory, and the frauds of trade.

Rest and rude food the lawless Nomads yield;

The dews rise ghost-like from the whitening field,

And ghost-like on the wanderer glides the sleep

Through which the phantom Dreams their witching Sabbat keep!

At dawn, while yet, around the Indian, lay

The dark, fantastic groups,—resumed the way;

Before his steps the landscape spreads more free

And fresh from man;—ev'n as a broadening sea,

When, more and more the harbour left behind,

The lone sail drifts before the strengthening wind.

Behold the sun!—how stately from the East,

Bright from God's presence, comes the glorious Priest!

Deck'd as beseems the Mighty One to whom

Heaven gives the charge to hallow and illume!

How, as he comes,—through the Great Temple, EARTH,

Peels the rich Jubilee of grateful mirth!

The infant flowers their odour-censers swinging,

Through aislëd glades Air's Anthem-Chorus ringing;

While, like some soul lifted aloft by love,

High and alone the sky-lark halts above,

High, o'er the sparkling dews, the glittering corn,

Hymns his frank happiness and hails the morn!

He stands upon the green hill's lighted brow,

And sees the world at smiling peace below,

Hamlet and farm, and thy best type, Desire

Of the sad Heart,—the heaven-ascending spire!

He stood and mused, and thus his musing ran:—

"How strong, how feeble, is thine art, O Man!

Thou coverest Earth with wonders—at thy hand

Curbs the meek water, blooms the subject land:

Why halts thy magic here?—Why only deck'd

Earth's sterile surface, mournful Architect?

Why art thou powerless o'er the world within?

Why raise the Eden, yet retain the sin?

Why, while the earth, thou but enjoy'st an hour,

Proclaims thy splendour and attests thy power,

Why o'er the spirit does thy sorcery cease?—

Lo the sweet landscape round thee lull'd in peace!

Why wakes each heart to sorrow, care, and strife?

Why with yon temple so at war the life?

Why all so slight the variance, or in grief

Or guilt,—the sum of suffering and relief,

Between the desert's son whose wild content

Redeems no waste, enthralls no element,

And ye the Magians?—ye the giant birth

Of Lore and Science—Brahmins of the Earth?

Behold the calm steer drinking in the stream,

Behold the glad bird glancing in the beam.

Say, know ye pleasure,—ye, the Eternal Heirs

Of stars and spheres—life's calm content, like theirs?

Your stores enrich, your powers exalt, the few,

And curse the millions wealth and power subdue;

And ev'n the few!—what lord of luxury knows

The joy in strife, the sweetness in repose,

Which bless the houseless Arab?—Still behind }

Ease waits Disgust, and with the falling wind }

Droop the dull sails ordain'd to speed the mind. }

Increasing wants the sum of care increase,

The piled-up knowledge but sepulchres peace,

Ye quell the instincts, the free love, frank hate,

And bid hard Reason hold the scales of Fate—

What is your gain?—from each slain instinct springs

A hydra passion, poisoning while it stings;

Free love, foul lust;—the frank hate's manly strife

A plotting mask'd dissimulating life;—

Truth flies the world—one falsehood taints the sky

Each form a phantom, and each word a lie!

"Yet what am I?—the crush'd and baffled foe,

Who dared the strife, yet would denounce the blow.

What arms had I against this world to wield?

What mail the naked savage heart to shield?

To this hoar world I brought the trusts of youth,

Warm zeal for men, and fix'd repose in truth—

Amongst the young I look'd for young desires,

Love which adores, and Honour which aspires—

Amongst the old, for souls set free from all

The earthlier chains which young desires enthrall,

Serene and gentle both to soothe and chide,

The sires to pity, yet the seers to guide—

And lo! this civilised and boasted plan,

This order'd ring and harmony of man,

One hideous, cynic, levelling orgy, where

Youth Age's ice, and Age Youth's fever share—

The unwrinkled brow, the calculating brain,

The passion balanced with the weights of gain,

And Age more hotly clutching than the boy

At the lewd bauble and the gilded toy.

"Why should I murmur?—why accuse the strong?

I own Earth's law—the conquer'd are the wrong,

Am I ambitious?—in this world I stand

Closed from the race, an Alien in the land.

Dare I to love?—O soul, O heart, forget

That dream, that frenzy!—what is left me yet?

Revenge!"—His dark eyes flash'd—yet straightway died

The passionate lightning—"No!—revenge denied!

All the wild man in the tame slave is dead,

The currents stagnate in the girded bed!

Back to my desert!—yet, O sorcerer's draught,

O smooth false world,—what soul that once has quaff'd,

Renounces not the ancient manliness?

Now, could the Desert the charm'd victim bless?

Can the caged bird, escaped from bondage, share

As erst the freedom of the hardy air?

Can the poor peasant, lured by Wealth's caprice

To marts and domes, find the old native peace

In the old hut?—on-rushing is the mind:

It ne'er looks back on what it leaves behind.

Once cut the cable and unfurl the sail,

And spreads the boundless sea, and drifts the hurrying gale!

"Come then, my Soul, thy thoughts thy desert be!

Thy dreams thy comrades!—I escape to thee!

Within, the gates unbar, the airs expand,

No bound but Heaven confines the Spirit's Land!

Such luxury yet as what of Nature lives

In Art's lone wreck, the lingering instinct gives;

Joy in the sun, and mystery in the star,

Light of the Unseen, commune with the Far;

Man's law,—his fellow, ev'n in scorn, to save,

And hope in some just World beyond the Grave!"

So went he on, and day succeeds to day,

Untired the step, though purposeless the way;

At night his pause was at the lowliest door,

The beggar'd heart makes brothers of the Poor;

They who most writhe beneath Man's social wrong,

But love the feeble when they hate the strong.

Laud not to me the optimists who call

Each knave a brother—Parasites of all—

Praise not as genial his indifferent eye,

Who lips the cant of mock philanthropy;

He who loathes ill must more than half which lies

In this ill world with generous scorn despise;

Yet of the wrong he hates, the grief he shares,

His lip rebuke, his soul compassion, wears;

The Hermit's wrath bespeaks the Preacher's hope

Who loves men most—men call the Misanthrope!

At times with honest toil reposed—at times

Where gnawing wants beset despairing crimes,

Both still betray'd the sojourn of his soul,

Here wise to cheer, there fearless to control.

His that strange power the Church's Fathers had

To awe the fierce and to console the sad;

For he, like them, had sinn'd;—like them had known

Life's wild extremes;—their trials were his own!

Were we as rich in charity of deed

As gold—what rock would bloom not with the seed?

We give our alms, and cry—"What can we more?"

One hour of time were worth a load of ore!

Give to the ignorant our own wisdom!—give

Sorrow our comfort,—lend to those who live

In crime, the counsels of our virtue,—share

With souls our souls, and Satan shall despair!

Alas, what converts one man, who would take

The cross and staff, and house with Guilt, could make!

Still, in his breast, 'midst much that well might shame

The virtues Christians in themselves proclaim,

There dwelt the Ancient Heathen;—still as strong

Doubts in Heaven's justice,—curses for man's wrong.

Revenge, denied indeed, still rankled deep

In thought—and dimm'd the day, and marr'd the sleep

And there were hours when from the hell within

Faded the angel that had saved from sin;

When the fell Fury, beckoning through the gloom,

Cried "Life for life—thou hast betray'd the tomb!"

For the grim Honour of the ancient time

Deem'd vengeance duty and forgiveness crime;

And the stern soul fanatic conscience scared,

For blood not shed, and injury weakly spared;—

Woe, if in hours like these, O more than woe,

Had the roused tiger met the pardon'd foe!

Nor when his instinct of the life afar

Soar'd from the soil and task'd the unanswering star,

Came more than Hope—that reflex-beam of Faith—

That fitful moonlight on the unknown path;

And not the glory of the joyous sun,

That fills with light whate'er it shines upon;

From which the smiles of God as brightly fall

On the lone charnel as the festive hall!

Now Autumn closes on the fading year,

The chill wind moaneth through the woodlands sere;

At morn the mists lie mournful on the hill,—

The hum of summer's populace is still!

Hush'd the rife herbage, mute the choral tree,

The blithe cicala, and the murmuring bee;

The plashing reed, the furrow on the glass

Of the calm wave, as by the bank you pass

Scaring the lazy trout,—delight no more;

The god of fields is dead—Pan's lusty reign is o'er!

Solemn and earnest—yet to holier eyes

Not void of glory, arch the sober'd skies

Above the serious earth!—The changes wrought

Type our own change from passion into thought.

What though our path at every step is strewn

With leaves that shadow'd in the summer noon;

Through the clear space more vigorous comes the air,

And the star pierces where the branch is bare.

What though the birds desert the chiller light;

To brighter climes the wiser speed their flight.

So happy Souls at will expand the wing,

And, trusting Heaven, re-settle into Spring.

An old man sat beneath the yellowing beech,

Vow'd to the Cross, and wise the Word to teach.

A patriarch priest, from earth's worst tempters pure,

Gold and Ambition!—sainted and obscure!

Before his knee (the Gospel in his hands,

And sunshine at his heart), a youthful listener stands!

The old man spoke of Christ—of Him who bore }

Our form, our woes;—that man might evermore }

In succouring woe-worn man, the God, made Man, adore! }

"My child," he said, "in the far-heathen days,

Hope was a dream, Belief an endless maze;

The wise perplex'd, yet still with glimpse sublime

Of ports dim-looming o'er the seas of Time

Guess'd HIM unworshipp'd yet—the Power above

Or Dorian Phœbus, or Pelasgic Jove!

Guess'd the far realm, not won by Charon's oar

Not the pale joys the brave who gain abhor;

No cold Elysium where the very Blest

Envy the living and deplore the rest;[W]

Where ev'n the spirit, as the form, a ghost,

Dreams back life's conflicts on the shadowy coast,

Hears but the clashing steel, the armëd train,

And waves the airy spear, and murders hosts again!

More just the prescience of the eternal goal,

Which gleam'd 'mid Cyprian shades, on Zeno's soul,

Or shone to Plato in the lonely cave;

God in all space, and life in every grave!

Wise lore and high,—but for the few conceived;

By schools discuss'd, but not by crowds believed.

The angel-ladder touch'd the heavenly steep,

But at its foot the patriarchs did but sleep;

They did not preach to nations 'Lo your God;'

No thousands follow'd where their footsteps trod;

Not to the fisherman they said 'Arise!'

Not to the lowly they reveal'd the skies;—

Aloof and lone their shining course they ran

Like stars too high to gild the world of man:[X]

Then, not for schools—but for the human kind—

The uncultured reason, the unletter'd mind;

The poor, the oppress'd, the labourer, and the slave,

God said, 'Be light!'—And light was on the Grave!

No more alone to sage and hero given,

Ope for all life the impartial Gates of Heaven!

Enough hath Wisdom dream'd, and Reason err'd,

All they would seek is found!—O'er Nature sleeps the Word!

"Thou ask'st why Christ, so lenient to the deed,

So sternly claims the faith which founds the creed;

Because, reposed in faith the soul has calm;

The hope a haven, and the wound a balm;

Because the light, dim seen in Reason's Dream,

On all alike, through faith alone, could stream.

God will'd support to Weakness, joy to Grief,

And so descended from his throne—BELIEF!

Nor this alone—Have faith in things above,

The unseen Beautiful of Heavenly Love;

And from that faith what virtues have their birth,

What spiritual meanings gird, like air, the Earth!

A deeper thought inspires the musing sage!

To youth what visions—what delights to age!

A loftier genius wakens in the world,

To starrier heights more vigorous wings unfurl'd.

No more the outward senses reign alone,

The soul of Nature glides into our own.

To reason less is to imagine more;

They most aspire who meekly most adore!

"Therefore the God-like Comforter's decree—

'His sins be loosen'd who hath faith in me.'

Therefore he shunn'd the cavils of the wise,

And made no schools the threshold of the skies:

Therefore he taught no Pharisee to preach

His Word—the simple let the simple teach.

Upon the infant on his knee he smiled,

And said to Wisdom, 'Be once more a child!'"

The boughs behind the old man gently stirr'd,

By one unseen those Gospel accents heard;

Before the preacher bow'd the pilgrim's head:

"Heaven to this bourne my rescued steps hath led,

Grieving, perplex'd—benighted, yet with dim

Hopes in God's justice,—be my guide to Him!

In vain made man, I mourn and err!—restore

Childhood's pure soul, and ready trust, once more!"

The old man on the stranger gazed;—unto

The stranger's side the young disciple drew,

And gently clasp'd his hand;—and on the three

The western sun shone still and smilingly;

But, round—behind them—dark and lengthening lay

The massive shadow of the closing day.

"See," said the preacher, "Darkness hurries on,

But Man, toil-wearied, grieves not for the Sun;

He knows the light that leaves him shall return,

And hails the night because he trusts the morn!

Believe in God as in the Sun,—and, lo!

Along thy soul, morn's youth restored shall glow!

As rests the earth, so rest, O troubled heart,

Rest, till the burthen of the cloud depart;

Rest, till the gradual veil, from Heaven withdrawn,

Renews thy freshness as it yields the dawn!"

Behold the storm-beat wanderer in repose!

He lists the sounds at which the Heavens unclose,

Gleam, through expanding bars, the angel-wings,

And floats the music borne from seraph-strings.

Holy the oldest creed which Nature gives,

Proclaiming God where'er Creation lives;

But there the doubt will come!—the clear design

Attests the Maker and suggests the Shrine;

But in that visible harmonious plan,

What present shows the future world to man?

What lore detects, beneath our crumbling clay,

A soul exiled, and journeying back to day;

What knowledge, in the bones of charnel urns,

The etherial spark, the undying thought, discerns?

How from the universal war, the prey

Of life on life, can love explore the way?

Search the material tribes of earth, sea, air,

And the fierce SELF that strives and slays is there.

What but that SELF to Man doth Nature teach?

Where the charm'd link that binds the all to each?

Where the sweet Law—(doth Nature boast its birth)—

"Good will to man, and charity to earth?"

Not in the world without, but that within,

Reveal'd, not instinct—soul from sense can win!

And where the Natural halts, where cramp'd, confined,

The seen horizon bounds the baffled mind,

The Inspired begins—the onward march is given;

Bridging all space, nor ending ev'n in Heaven!

There, veil'd on earth, we mark divinely clear,

Duty and end—the There explains the Here!

We see the link that binds the future band,

Foeman with foeman gliding hand in hand;

And feel that Hate is but an hour's—the son

Of earth, to perish when the earth is done—

But Love eternal; and we turn below,

To hail the brother where we loathed the foe;

There, in the soft and beautiful Belief,

Flows the true Lethé for the lips of Grief;

There, Penury, Hunger, Misery, cast their eyes,

How soon the bright Republic of the Skies!

There, Love, heart-broken, sees prepared the bower,

And hears the bridal step, and waits the nuptial hour!

There, smiles the mother we have wept! there bloom

Again the buds asleep within the tomb;

There, souls regain what hearts had lost before

In that fix'd moment call'd the—Evermore!

Refresh'd in that soft baptism, and reborn,

The Indian woke, and on the world was morn!

All things seem'd new—rose-colour'd in the skies

Shone the hoar peaks of the old memories;

No more enshrouded with unbroken gloom

Calantha's injured name and early tomb—

No more with woe (how ill-suppress'd by pride!)

Thought sounds the gulf that parts the promised bride!

Faithful no less to Death, and true to Love,

This blooms again—that shall rejoin, above!

The Stoic courage had the wound conceal'd;

The Christian hope the wound's sharp torture heal'd.

As rude the waste, but now before him shone }

The star;—he rose, and cheerful journey'd on, }

Full of the God most with us when alone! }

III.

'Tis night,—a night by fits now foul, now fair,

As speed the cloud-wracks through the gusty air:

At times the wild blast dies—and high and far,

Through chasms of cloud, looks down the solemn star—

Or the majestic moon;—so watchfires mark

Some sleeping War dim-tented in the dark;

Or so, through antique Chaos and the storm

Of Matter, whirl'd and writhing into form,

Pale angels peer'd!

Anon, from brief repose

The winds leap forth, the cloven deeps reclose;

Mass upon mass, the hurtling vapours driven,

As one huge blackness walls the earth from heaven!—

In one of these brief lulls—you see, serene,

The village church spire 'mid its mounds of green,

The scattered roof-tops of the hamlet round,

And the swoll'n rill that girds the holy ground.

A plank that rock'd above the rushing wave,

The dizzy pathway to a wanderer gave;

There, as he paused, from the lone churchyard, slow

Emerged a form the wanderer's eyes should know!

It gains the opposing margent of the stream,

Full on the face shines calm the crescent beam;

It halts upon the bridge! Now, Indian, learn

If in thy soul the heathen yet can yearn!

Swift runs the wave, the instinct and the hour,

The lonely night, when evil thoughts have power,

The foe before thee, and no things that live

To witness vengeance—Canst thou still forgive?

Scarce seen by each the face of each—when, deep

O'er the lost moon, the cloud's loud surges sweep;

Yea, as a sea devours the fated bark,

Vanish'd the heaven, and closed the abyss of dark!

You heard the roaring of the mighty blast,

The groaning trees uprooted as it pass'd

The wrath and madness of the starless rill,

Swell'd by each torrent rushing from the hill.

The slight plank creaks—high mount the waves and high,

Hark! with the tempest's shrieks the human cry!

Upon the bridge but one man now!—below,

The night of waters and the drowning foe!

The Indian heard the death-cry and the fall;

Still o'er the wild scene hung the funeral pall!

What eye can pierce the darkness of the wave? }

What hand guide rescue through the roaring grave? }

Not for such craven questions pause the brave! }

Again the moon!—again the churchyard's green,

Spire, hamlet, mead, and rill distinct are seen;

But on the bridge no form, no life! The beam

Shoots wan and broken on the tortured stream;

Vague, indistinct, what yonder moveth o'er

The troubled tide, and struggles to the shore?

Hark, where the sere bough of the tossing tree

Snaps in the grasp of some strong agony,

And the dull plunge, and stifled cry betray

Where the grim water-fiend reclasps his prey!

Still shines the moon—still halts the panting storm,

It moves again—the shadow shapes to form,

Lo! where yon bank shelves gradual, and the ray

Silvers the reed, it cleaves its vigorous way!—

Saved from the deep, but happier far to save,

The foeman wrests the foeman from the grave!

Still shines the moon—still halts the storm!—above

His sons, looks down divine the Father-Love!

Upon the Indian's breast droops Arden's head,

Its marble beauty rigid as the dead.

What skill so fondly tends the soul's eclipse,

Chafes the stiff limb, and breathes in breathless lips?

Wooes back the flickering life, and when, once more,

The ebbing blood the wan cheek mantles o'er;

When stirs the pulse, when opes the glazing eye,

What voice of joy finds listeners in the sky?

"Bless thee, my God!—this mercy thine!—he lives:

Look in my heart, forgive, for it forgives!"

Then, while yet clear the heaven, he flies—he gains

The nearest roof—prompt aid his prayer obtains;

Well known the noble stranger's mien—they bear

To the rude home, and ply the zealous care;

Life with the dawn comes sure, if faint and slow,

And all night long the foeman watch'd the foe!

Day dawns on earth, still darkness wraps the mind;

Sleep pass'd, the waking is a veil more blind:

The soul, scared roughly from its mansion, glides

O'er mazy wastes through which the meteor guides.

The startled menial, who, alone of all

The hireling pomp that swarms in Arden's hall,

Attends his lord,—dismay'd lest one so high,

A rural Galen should permit to die,

Departs in haste to seek the subtler skill

Which from the College takes the right to kill;

And summon Lucy to the solemn room

To watch the father's life,—fast by the mother's tomb.

Meanwhile such facile arts as nature yields,

Draughts from the spring and simples from the fields,

Learn'd in his savage youth, the Indian plies;

The fever slakes, the cloudy darkness flies;

O'er the vex'd vision steals the lulling rest,

And Arden wakes to sense on Morvale's breast!

On Morvale's breast!—and through the noiseless door

A fearful footfall creeps, and lo! once more

Thou look'st, pale daughter, on thy father's foe!

Not with the lurid eye and menaced blow;

Not as when last, between the murtherous blade

And the proud victim, gleam'd the guardian maid—

Thy post is his!—that breast the prop supplies

That thine should yield;—as thine so watch those eyes,

Wistful and moist, that waning life above;

Recal the Heathen's hate!—behold the Christian's love!

The learned leech proclaims the danger o'er;

When life is safe, can Fate then harm no more?

The danger past for Arden, but for you

Who watch the couch, what danger threats anew?

How meet in pious duty and fond care,

In hours when through the eye the heart is bare?

How join in those soft sympathies, and yet

The earlier link, the tenderer bond forget?

How can the soul the magnet-charm withstand,

When chance brings look to look, and hand to hand!

No, Indian, no—if yet the power divine

Above the laws of our low world be thine;

If yet the Honour which thy later creed

Softens, not quells, revere the injured dead,

Fly, ere the full heart cries, "I love thee still"—

And find thy guardian in the angel—WILL!

That power was his!

Along the landscape lay

The hazy rime of winter's dawning day:

Snake-like the curving mists betray'd the rill,

The last star gleam'd upon the Eastern hill,

Still slept beneath the leafless trees the herd;

Still mute the sharp note of the sunless bird;

No sound, no life; as to some hearth, bereft

By death, of welcome, since his wanderings left,

Comes back the traveller;—so to earth, forlorn

Returns the ungreeted melancholy Morn.

Forth from the threshold stole the Indian!—far

Spread the dim land beneath the waning star.

Alas! how wide the world his heart will find

Who leaves one spot—the heart's true home, behind!

He paused—one upward look upon the gloom

Of the closed casement, the love-hallow'd room,

Where yet, perchance, while happier Suffering slept

Its mournful vigil tender Duty kept;

One prayer! What mercy taught us prayer?—as dews

On drooping herbs—as sleep tired life renews,

As dreams that lead, and lap our griefs in Heaven,

To souls through Prayer, dew, sleep, and dream, are given!

So bow'd, not broken, and with manly will,

Onwards he strode, slow up the labouring hill!

If Lucy mourn'd his absence, not before

Her sire's dim eyes the face of grief she wore;

Haply her woman heart divined the spell

Of her own power, by flight proclaim'd too well;

And not in hours like these may self control

The generous empire of a noble soul:

Lo, her first thought, first duty—the soft reign

Of Woman—patience by the bed of pain!

As mute the father, yet to him made clear

The cause of flight untold to Lucy's ear;

Thus ran the lines that met, at morn, his eyes:—

"Farewell! my place a daughter now supplies!—

Thou hast pass'd the gates of Death, and bright once more

Smile round thy steps the sunlight and the shore.

Farewell; and if a soul, where hatred's gall

Melts into pardon that embalmeth all,

Can with forgiveness bless thee;—from remorse

Can pluck the stone which interrupts the course

Of thought to God;—and bid the waters rest

Calm in Heaven's smile,—poor fellow-man, be blest!

I, that can aid no more, now need an aid

Against myself; by mine own thoughts dismay'd:

I dare not face thy child—I may not dare

To commune with my heart—thy child is there!

I hear a voice that whispers hope, and start

In shame, to shun the tempter and depart.

How vile the pardon that I yield would seem,

If shaped and colour'd from the egoist's dream;

A barter'd compromise with thoughts that take

The path of conscience but for passion's sake—

If with the pardon I could say—'The Tomb

Devours the Past, so let the Moment bloom,

And see Calantha's brother reconciled,

Kneel to Calantha's lover, for his child!'

It may not be; sad sophists were our vain

Desires, if Right were not a code so plain;

In good or ill leave casusits on the shelf,

'He never errs who sacrifices self!'"

Great Natures, Arden, thy strange lot to know

And lose!—twin souls thy mistress and thy foe!

How flash'd they, high and starry, through the dull

World's reeking air—earnest and beautiful!

Erring perchance, and yet divinely blind,

Such hero errors purify our kind!

One noble fault that springs from SELF'S disdain

May oft more grace in Angel eyes obtain,

Than a whole life, without a seeming flaw,

Which served but Heaven, because of Earth in awe,

Which in each act has loss or profit weigh'd,

And kept with Virtue the accounts of Trade!

He too was born, lost Idler, to be great,

The sins that dwarf'd, he had a soul to hate.

Ambition, Ease, Example had beguiled,

And our base world in fawning had defiled;

Yet still, contrasting all he did, he dream'd;

And through the Wordling's life the Poet gleam'd.

His eye not blind to Virtue; to his ear

Still spoke the music of the banish'd sphere;

Still in his thought the Ideal, though obscured,

Shamed the rank meteor which his sense allured.

Wreck if he was, the ruin yet betray'd

The shatter'd fane for gods departed made;

And still, through weeds neglected and o'erthrown,

The blurr'd inscription show'd the altar-stone.

So scorn'd he not, as folly or as pride,

The lofty code which made the Indian's guide;

But from that hour a subtle change came o'er

The thoughts he veil'd, the outward mien he wore;

A mournful, weary gloom, a pall'd distaste

Of all the joys so warmly once embraced.

His eye no more looks onward. but its gaze

Rests where Remorse a life misspent surveys:

What costly treasures strew that waste behind;

What whirlwinds daunt the soul that sows the wind!

By the dark shape of what he is, serene

Stands the bright ghost of what he might have been:

Here the vast loss, and there the worthless gain—

Vice scorn'd, yet woo'd, and Virtue loved in vain.

'Tis said, the Nightingale, who hears the thrill

Of some rich lute, made vocal by sweet skill,

To match the music strains its wild essay,

Feels its inferior art, and envying, pines away:

So, waked at last, and scarcely now confest,

Pined the still Poet in the Worldling's breast!

So with the Harmony of Good, compared

Its lesser self—so languish'd and despair'd.

Awhile, from land to land he idly roved,

And join'd life's movement with a heart unmoved.

No more loud cities ring with Arden's name,

Applaud his faults, and call his fashion "Fame!"

Disgust with all things robes him as he goes,

In that pale virtue, Vice, when weary, knows.

Yet his, at least, one rescue from the past;

His, one sweet comfort—Lucy's love at last!

That bed of pain o'er which she had watch'd and wept—

That grave, where Love forgot its wrongs and slept—

That touching sorrow and that still remorse

Unlock'd her heart, and gave the stream its course.

From her own grief, by griefs more dark beguiled,

Rose the consoling Angel in the Child!

Yet still the calm disease, whose mute decay

No leech arrests, crept gradual round its prey.

Death came, came gently, on his daughter's breast,

Murm'ring, "Remember where this dust should rest."

They bear the last Lord of that haughty race

Where winds the wave round Mary's dwelling-place;

And side by side (oh, be it in the sky

As in the earth!)—the long-divided lie!

Doth life's last act one wrong at least repair—

His nameless child to wealth at least the heir?

So Arden's will decreed—so sign'd the hand;

So ran the text—not so Law rules the land:

"I do bequeath unto my child,"[Y]—that word

Alone on strangers has the wealth conferr'd.

O'erjoy'd Law's heirs the legal blunder read,

And Justice cancels Nature from the deed.

O moral world! deal sternly if thou wilt

With the warm weakness as the wily guilt,

But spare the harmless! Wherefore shall the child

Be from the pale which shelters Crime exiled?

Why heap such barriers round the sole redress

Which sin can give to sinless wretchedness?

Why must the veriest stranger thrust aside

Our flesh—our blood, because a name's denied?

Give all thou hast to whomsoe'er thou please,

Foe, alien, knave, as whim so Law decrees;

But if thy heart speaks, if thy conscience cries—

"I give my child"—the law thy voice belies;

Chicanery balks all effort that atones,

And Justice robs the wretch that Nature owns!

So abject, so despoil'd, so penniless,

Stood thy love-born in the world's wilderness,

O Lord of lands and towers, and princely sway!

O Dust, from whom with breath has pass'd away

The humblest privilege the beggar finds

In rags that wrap his infant from the winds!

In the poor hamlet where her grandsire died,

Where sleeps her mother by the magnate's side,

The orphan found a home. Her story known,

Men's hearts allow the right men's laws disown.

Though lost the birthright, and denied the name,

Her pastor-grandsire's virtues shield from shame;

Pity seeks kind pretext to pour its balms,

And yields light toils that saves the pride from alms.

A soft respect the orphan's steps attends,

And the sharp thorn at least the rose defends.

So flows o'ershadow'd, but not darksome by,

Her life's lone stream—the banks admit the sky

Day's quiet taskwork o'er, when Ev'ning grey

Lists the last carol on the quivering spray,

When lengthening shades reflect the distant hill,

And the near spire, upon the lullëd rill;

Her sole delight with pensive step to glide

Along the path that winds the wave beside,

A moment pausing on the bridge, to mark

Perchance the moonlight vista through the dark:

Or watch the eddy where the wavelets play

Round the chafed stone that checks their happy way,

Then onward stealing, vanish from the view,

Where the star shimmers on the solemn yew,

As shade from earth and starlight from the sky

Meet—and repose on Death's calm mystery.

Moons pass'd—Behold the blossom on the spray!

Hark to the linnet!—On the world is May!

Green earth below and azure skies above;

May calling life to joy, and youth to love;

While Age, charm'd back to rosy hours awhile,

Hears the lost vow, and sees the vanish'd smile.

And does not May, lone Child, revive in thee,

Blossom and bud and mystic melody;

Does not the heart, like earth, imbibe the ray?

Does not the year's recal thy life's sweet May?

When like an altar to some happy bride,

Shone all creation by the loved one's side?

Yes, Exile, yes—that Empire is thine own,

Rove where thou wilt, awaits thee still thy throne!

Lo, where the paling cheek, the unconscious sigh,

The slower footstep, and the heavier eye,

Betray the burthen of sweet thoughts and mute,

The slight tree bows beneath the golden fruit!

'Tis eve. The orphan gains the holy ground, }

And listening halts;—the boughs that circle round }

Vex'd by no wind, yet rustle with a sound, }

As if that gentle form had scared some lone

Unwonted step more timid than its own!

All still once more; perchance some daunted bird,

That loves the night, the murmuring leaves had stirr'd?

She nears the tomb—amaze!—what hand unknown

Has placed those pious flowers upon the stone?

Why beats her heart? why hath the electric mind,

Whose act, whose hand, whose presence there, divined?

Why dreading, yearning, turn those eyes to meet

The adored, the lost?—Behold him at her feet!

His, those dark eyes that seek her own through tears,

His hand that clasps, and his the voice she hears,

Broken and faltering—"Is the trial past?

Here, by the dead, art thou made mine at last?

Far—in far lands I heard thy tale!—And thou

Orphan and lone!—no bar between us now!

No Arden now calls up the wrong'd and lost;

Lo, in this grave appeased the upbraiding ghost!

Orphan, I am thy father now!—Bereft

Of all beside,—this heart at least is left.

Forgive, forgive—Oh, canst thou yet bestow

One thought on him, to whom thou art all below?

Who could desert but to remember more?

Canst thou the Heaven, the exile lost, restore?

Canst thou——"

The orphan bow'd her angel head;

Breath blent with breath—her soul her silence said;

Eye unto eye, and heart to heart reveal'd;—

And lip on lip the eternal nuptials seal'd!

The Moon breaks forth—one silver stream of light

Glides from its fount in heaven along the night—

Flows in still splendour through the funeral gloom

Of yews,—and widens as it clasps the tomb—

Through the calm glory hosts as calm above

Look on the grave—and by the grave is LOVE!

FOOTNOTES

[A] Where now stands St. James's palace stood the hospital dedicated to St. James, for the reception of fourteen leprous maidens.

[B] Charles the First attended divine service in the Royal Chapel immediately before he walked through the park to his scaffold at Whitehall. In the palace of St. James's, Monk and Sir John Granville schemed for the restoration of Charles II.

[C] The Sanscrit term, denoting the mixture or confusion of classes; applied to that large portion of the Indian population excluded from the four pure castes.

[D] According to Eastern commentators, the march of the Israelites in the Desert was in a charmed circle; every morning they set out on their journey, and every night found themselves on the same spot as that from which the journey had commenced.

[E] The Tilt-yard.

[F] Since this was written, to Buckingham Palace has been prefixed a front which is not without merit—in thrusting out of sight the other three sides of the building.

[G] The reader need scarcely be reminded, that these lines were written years before the fatal accident which terminated an illustrious life. If the lines be so inadequate to the subject, the author must state freely that he had the misfortune to differ entirely from the policy pursued by Sir Robert Peel at the time they were written; while if that difference forbade panegyric, his respect for the man checked the freedom of satire. The author will find another occasion to attempt, so far as his opinions on the one hand, and his reverence on the other, will permit—to convey a juster idea of Sir Robert Peel's defects or merits, perhaps as a statesman, at least as an orator.

[H] Lord Stanley's memorable exclamation on a certain occasion which now belongs to history,—"Johnny's upset the coach!" Never was coach upset with such perfect sang-froid on the part of the driver.

[I] Written before Sir Robert's avowed abandonment of protection. Prophetic.

[J] "One of the most remarkable pictures of ancient manners which has been transmitted to us, is that in which the poet Gower describes the circumstances under which he was commanded by King Richard II.—

'To make a book after his hest.'

The good old rhymer—— ... had taken boat, and upon the broad river he met the king in his stately barge.... The monarch called him on board his own vessel, and desired him to book 'some new thing.'—This was the origin of the Confessio Amantis."—KNIGHT'S London, vol. i. art. The Silent Highway.

[K] "What a picture Hall gives us of the populousness of the Thames, in the story which he tells us of the Archbishop of York (brother to the King-maker), after leaving the widow of Edward IV. in the sanctuary of Westminster, 'sitting below on the rushes all desolate and dismayed,' and when he opened his windows and looked on the Thames, he might see the river full of boats of the Duke of Gloucester his servants, watching that no person should go to sanctuary, nor none should pass unsearched."—Id. ibid.

[L] A favourite rendezvous a few years since (and probably even still) for the heroes of that fraternity, more dear to Mercury than to Themis, was held at Devereux Court, occupying a part of the site on which stood the residence of the Knights Templars.

[M] The Amrita is the name given by the mythologists of Thibet to the heavenly tree which yields its ambrosial fruits to the gods.

[N] The Champac, a flower of a bright gold-colour, with which the Indian women are fond of adorning their hair. Moore alludes to the custom in the "Veiled Prophet."

"The maid of India blest again to hold

In her full lap the Champac's leaves of gold," &c.

[O] The perfumes from the island of Rhodes,—to which the roses that still bloom there gave the ancient name,—are wafted for miles over the surrounding seas.

[P] The Psyche of Naples, the most intellectual and (so to speak) the most Christian of all the dreams of beauty which Grecian art has embodied in the marble.

[Q] Every one knows, through the version of Mrs. Tighe, the lovely allegory of Eros and Psyche, which Apuleius—the neglected original, to whom all later romance writers are unconsciously indebted—has bequeathed to the delight of poets and the recognition of Christians.

[R] The reader will bear in mind these lines, important to the clearness of the story; and remember that Calantha bore a different name from her half-brother—that her mother's unnatural prejudice or pride of race had forbidden her ever to mention that brother's name; and that, therefore, her relationship to Morvale, until he sought her out, was wholly unknown to all: the reader will remember, also, that during Calantha's subsequent residence in Morvale's house, she lived as woman lives in the East, and was consequently never seen by her brother's guests.

[S] "At best it babies us."—YOUNG.

[T] "For, oh! he stood before me as my youth."—COLERIDGE'S Wallenstein.

[U] The beautiful story of Aimée—the delight of all children—is in the collection entitled "The Temple of the Fairies."

[V] According to the exploded hypothesis of Voltaire, that the Gipsies are a Syrian tribe, the remains of the long scattered fraternity of Isis.

[W] Whoever is well acquainted with the heathen learning must often have been deeply impressed with the mournful character of the mythological Elysium. Even the few admitted to the groves of asphodel, unpurified by death, retain the passions and pine with the griefs of life; they envy the mortal whom the poet brings to their moody immortality; and, amidst the disdained repose, sigh for the struggle and the storm.

[X] Not only were the lofty and cheering notions of the soul, that were cherished by the more illustrious philosophers of Greece, confined to a few, but even the grosser and dimmer belief in a future state, which the vulgar mythology implied, was not entertained by the multitude. Plato remarked that few, even in his day, had faith in the immortality of the soul; and indeed the Hades of the ancients was not for the Many. Amongst those condemned we find few criminals, except the old Titans, and such as imitated them in the one crime—blasphemy to the fabled gods: and the dwellers of Elysium are chiefly confined to the poets and the heroes, the oligarchy of earth.

[Y] If a man wishes to leave a portion to his natural child, his lawyer will tell him to name the child as if it were a stranger to his blood. If he says, "I leave to John Tompson, of Baker-street, £10,000," John Tompson may probably get the legacy; if he says, "I leave to my son, John Tompson, of Baker-street, £10,000," and the said John Tompson is his son (a natural one), it is a hundred to one if John Tompson ever touches a penny! Up springs the Inhuman Law, with its multiform obstacles, quibbles, and objections—proof of identity—evidence of birth!—Many and many a natural child has thus been robbed and swindled out of his sole claim upon redress—his sole chance of subsistence. In most civilised countries a father is permitted to own the offspring, whom, unless he do so, he has wronged at its very birth—whom, if he do not so, he wrongs irremedially; with us the error is denied reparation, and the innocence is sentenced to outlawry. Our laws, with relation to illegitimate children, are more than unjust—they are inhuman.

CONSTANCE; OR, THE PORTRAIT.

PART THE FIRST.

I.

On Avon's stream, in day's declining hours,

The loitering Angler sees reflected towers;

Adown the hill the stately shadows glide,

And force their frown upon the gentle tide:

Another shade, as stately and as slow,

Steals down the slope and dims the peace below:

There, side by side, your noiseless shadows fall,

Time-wearied Lord, and time-defying hall!

As Song's sweet Master fled the roar of Rome,

For the Bandusian fount and Sabine home,

A soul forsook the beaten tracks of life,

Sought the lone bye-path and escaped the strife;

And paused, reviving 'mid the haunts of youth,

To conjure fancies back, or muse on truth.

One home there is, from which, howe'er we stray,

True as a star, the smile pursues our way;

The home of thoughtful childhood's mystic tears,

Of earliest Sabbath bells on sinless ears,

Of noonday dreamings under summer trees,

And prayers first murmur'd at a mother's knees.

Ah! happy he, whose later home as man

Is made where Love first spoke, and Hope began,

Where haunted floors dear footsteps back can give,

And in our Lares all our fathers live!

Graced with those gifts the vulgar mostly prize,

And if used wisely, precious to the wise,

Wealth and high lineage;—Ruthven's name was known

Less for ancestral greatness than its own:

With boyhood's dreams the grand desire began

Which, nerved by labour, lifts from rank the man

Ev'n as the eye in Art's majestic halls

Not on the frame but on the portrait falls;

So to each nobler life the gaze we bound,

Nor heed what casework clasps the picture round.

But who can guess that crisis of the soul

When the old glory first forsakes the goal?

When Knowledge halts and sees but cloud before;

When sour'd Experience whispers 'hope no more;'

When every onward footstep from our side

Parts the slow friend or hesitating guide;

When envy rots the harvest in the sheaf;

When faith in virtue seems the child's belief;

And life's last music sighs itself away

On some false lip, that kiss'd but to betray?

Thus from a world that wrong'd him, self-exiled,

The man resought the birthplace of the child.

Rest comes betimes, if toil commence too soon;

The brightest sun is stillest at the noon;

Weary at mid-day, genius halts the course,

And hails the respite which renews the force.

II.

Deep in the vale from which those towers arose,

A life more shatter'd, sought more late repose;

In Seaton long had men and marts obey'd

The unerring hierarch in thy temple, Trade.

Trade, the last earth-god; whom the Olympian Power

Begot on Danaë, as the Golden Shower,

To whose young hands the weary Jove resign'd.

Some ages since, the scales that weigh mankind.

But that dire Fate, who Jove himself controll'd,

Still shakes the urn, although the lots are gold:

Reverses came, the whirlwind of a day

Swept the strong labours of a life away;

Rased out of sight whate'er is sold or bought,

And left but name and honour—men said "nought."

True, knavery whisper'd, "Only still disguise:

Credit is generous, if you blind its eyes;

The borrow'd prop arrests the house's fall,

And one rich chance may yet reconquer all."

There on his priest the earth-god lost control,

And from the wreck the merchant saved his soul

"Alone, I rose," he said; "I fall alone—

Nor one man's ruin shall accuse mine own."

And so, life passing from the gorgeous stage,

The curtain fell on Poverty and Age.

III.

Yet one fair flower survived the common dearth,

And one sweet voice gave music still to earth;

On Fortune's victim Nature pitying smiled;

"Still rich!" the father cried, and clasp'd his child.

Beautiful Constance!—As the icy air

Congeals the earth, to make more clear the star,

So the meek soul look'd lovelier from thine eyes,

Through the sharp winter of the alter'd skies.

Yet the soft child had memories unconfess'd,

And griefs that wept not on a father's breast.

In brighter days, such love as fancy knows

(That youngest love whose couch is in the rose)

Had sent the shaft, which, when withdrawn in haste,

Leaves not a scar by which the wound is traced;

But if it rest, more fatal grows the smart,

And deepening from the surface, gains the heart;

In truth, young Harcourt had the gifts that please,—

Wit without effort, beauty worn with ease;

The courtier's mien to veil the miser's soul,

And that self-love which brings such self-control.

High-born, but poor, no Corydon was he

To dream of love and cots in Arcady;

His tastes were like the Argonauts of old,

And only pastoral if the fleece was gold.

The less men feel, the better they can feign—

To act a Romeo, needs it Romeo's pain?

No, the calm master of the Histrio's art

Keeps his head coolest while he storms your heart;

Thus, our true mime no boundary overstept,

Charm'd when he smiled, and conquer'd when he wept.

Meanwhile, what pass'd the father had not guess'd,

Nor learn'd the courtship till the suit was press'd;

Then prudence woke, and judgment, grown austere, }

Join'd trade's slow caution with affection's fear, }

And whisper'd this wise counsel—"Wait a year!" }

In vain the lover pleaded to the maid;

"A year soon passes," Constance smiling said.

Just then—for Harcourt's service was the sword—

Duty ordain'd what gentle taste abhorr'd;

Cursed by a country which at times forgets

It boasts an empire where the sun ne'er sets,

Some isle, resentful of our lax control,

Rebels on purpose to distract his soul.

A month had scorch'd him on that hateful shore,

When paled those charms to which such faith he swore;

News came that left to Constance not a grace,

The sire's reverses changed the daughter's face;—

"Oh heavens!—so handsome! Gone in one short hour!"

"What," quoth a friend, "The Lady?"

"No, the dower."

IV.

Yet still, fair Constance in her lone retreat

Cheer'd the dull hours with faithful self-deceit;

What though no tidings came to brighten time,

To doubt of Harcourt seem'd less grief than crime.

Easier to blame the elements unkind,

The distant clime, the ocean, and the wind,

Think them all leagued to intercept the scroll,

Than place distrust where soul confides in soul.

But ever foremost in her wish was yet

To hide remembrance lest it seem'd regret;

That in her looks this comfort still might be,

"Father, I smile—and joy yet lives for thee!"

Thus Seaton deem'd her childish fancy flown;

To the worn mind fresh hearts are realms unknown;

As we live on, the finer tints of truth

Fade from the landscape.—Age is blind to youth.

PART THE SECOND.

I.

Oft to a creek, in Shakspeare's haunted stream,

What time the noon invites of song to dream,

Where stately oak with silver poplar weaves

The hospitable shade of amorous leaves,

And, lightly swerved by winding shores askance,

The limpid river wreathes its flying dance,[A]

Young Constance came;—a bank with wild flowers drest

As for a fairy's sleep, her sylvan rest.

Behind, the woodlands, opening, left a glade,

With swards all sunshine in the midst of shade;

Save where pale lilacs droop'd against the ray

Around the cot which meekly shunn'd the day:

But stern and high, above the deep repose

Of vale and wave, the towers of Ruthven rose;

Like souls unshelter'd because high they are,

The nearer heaven the more from peace afar;

Built by the mighty Architect, to form

Bulwarks for man, and battle with the storm;

To soar and suffer with defying crest,

And guard the humble, not partake their rest.

A lonely spot! at times a passing oar

Dash'd the wave quicker to the gradual shore;

But swift, as, when some footfall nears her lair,

Starts the fond cushat from her tender care,

SILENCE came back, with wings that seem'd to brood

In watch more loving over solitude.

II.

Thus Constance sate, by some sweet sorcerer's rhyme

Charm'd into worlds beyond the marge of Time,

When a dim shadow o'er the herbage stole,

And light boughs stirr'd above the violet knoll;

In vain the shadow stole, the light bough stirr'd,

Her sense yet spell-bound by the magic word;

Spell-bound no less, his steps the stranger stay'd—

And gazed as Cymon on the sleeping Maid.—

And, oh! that brow so angel-clear from guile,

That childlike lip unconscious of its smile,

That virgin bloom where blushes went and came

From deeps of feeling never stirr'd by shame,

Seem'd like the Una of the Poet's page

Charm'd into life by some bright Archimage.

Not till each gaudier Venus crowds adore,

And desecrate adoring—dupes no more,

Comes the true Goddess, by her blushes known—

The dove her symbol, innocence her zone!

At the first glance her birth the Urania proves.

Heaven smiles, and Nature blossoms where she moves.

III.

The virgin rose; the gazer quick withdrew;

The favouring thicket closed her form from view.

Slow went she homeward up the sunlit ground;

Unseen he followed, where the woodlands wound;

The spell that first arrested now lured on,

And in that spell a frown from earth seem'd gone.

As in the languid noon of summer day

Birds fold the pinion and suspend the lay—

So hopes lie silent in the human heart

Till all at once the choirs to music start,

From the long hush rejoicing wings arise,

Sport round the blooms, or glance into the skies.

IV.

She gain'd the cot; irresolute he stood,

Where the wall ceased amidst the circling wood,

When voices rude and sudden jarr'd his ear,

And thro' the din came woman's wail of fear;

Then all grew silent as he gain'd the door

Which gaped ajar;—he cross'd the threshold floor:

Now sounds more low;—he still pass'd on and saw,

Track'd to its covert, Want at bay with Law.—

The Daughter clinging to the Father's breast;

The Father's struggle from the clasp that press'd;

The hard officials, with familiar leer

And ribald comfort barb'd with cynic sneer;

On these, the Lord of lavish thousands glanced,

Law louted lowly as that Wealth advanced.

"And what this old Man's crime?"—"My orders say,"

Quoth Law, and smiled—"a debt he cannot pay!"

Then from his child the poor proud captive broke—

Sign'd to the door—raised moistening eyes, and spoke—

"I thank thee, Heaven! that in my prosperous time

I was not harsh to others—for this crime;

Sirs, I am ready!"—Ere the word was o'er,

The parchment fell in fragments on the floor.

"The crime is rased!" cried Wealth.—"My Lord," said Law,

"I humbly thank your Lordship, and withdraw."

V.

Hat'st thou the world, O Misanthrope, austere?

Do one kind act, and all the world grows dear!

Say'st thou—"Alas, kind acts requited ill,

Made me loathe men!"—I answer, "Do them still."

On its own wings should Good itself upbuoy;

Rejoicing heaven, because it feels but joy.—

Oft from that date did Ruthven gaily come,

Where hope, revived, with Constance found a home;

Well did he soothe the griefs his host had known,

But well—too proud for pity—veil'd his own.

Silent, he watch'd the gentle daughter's soul,

Scann'd every charm, and peerless found the whole,

He spoke not love; and if his looks betray'd,

The anxious Sire was wiser than the Maid.

Still, ever listening, on her lips he hung,

Hush'd when she spoke—enraptured when she sung;

And when the hues her favourite art bestow'd,

Like a new hope from the fair fancy glow'd,

As the cold canvas with the image warms,

As from the blank start forth the breathing forms,

So would he look within him, and compare

With those mute shapes the new-born phantoms there.

Upon the mind, as on the canvas rose,

The young fresh world the Ideal only knows;

The world of which both Art and Passion are

Builders;—to this so near—from this so far.

What music charm'd the verse on which she gazed!—

How doubly dear the poet that she praised!

And when he spoke, and from the affluent mind

That books had stored, and intercourse refined,

Pour'd forth the treasures,—still his choice addrest

To her mild heart what seem'd to please it best;

And yet the maiden dream'd not that he loved

Who flatter'd never, and at times reproved—

Reproved—but, oh, so tenderly! and ne'er

But for such faults as soils the purest bear;

A trust too liberal in our common race,

Dividing scarce the noble from the base,

A sight too dazzled by the outward hues—

A sense though clear, too timid to refuse;

Yielding the course that it would fain pursue,

Still to each guide that proffer'd it the clue;

And that soft shrinking into self—allied,

If half to Diffidence—yet half to Pride.

He loved her, and she loved him not; revered

His lofty nature, and in reverence fear'd.

The glorious gifts—the kingly mind she saw,

Yet seeing felt not tenderness, but awe.

And the dark beauty of his musing eye

Chill'd back the heart, from which it woo'd reply:

Harcourt—the gay—the prodigal of youth,

Still charm'd her fancy, while he chain'd her truth.

VI.

Seaton, meanwhile, the heart of Ruthven read,

With hopes which robb'd the future of its dread;

Could he but live to see his child the bride

Of one so wise, so kind, lover at once and guide!

Silent at first, at last the deeps o'er-flow'd.

One eve they sate without their calm abode,

Father and Child, and mark'd the vermeil glow

Of clouds that floated where the sun set slow;

But on the opposing towers of Ruthven shone

The last sweet splendour, and when gradual gone,

Left to the space above that grand decay

The rosiest tints, and last to fade away.

The Father mused; then with impulsive start

Turn'd and drew Constance closer to his heart,

Murmuring—"Ah, there, let but thy lot be cast,

And Fate withdraws all sadness from the past.

Blest be the storm that wreck'd us, here to find

One whom my soul had singled from mankind

If mine the palace still, and his the cot,—

For that sweet prize which Fortune withers not."

Then, wrapt too fondly in his tender dream

To note his listener, he pursues the theme.

Pale as the dead, she hears his gladness speak,

Sees the rare smile illume the careworn cheek;

Dear if the lover in her sunny day,

More dear the Sire since sunshine pass'd away.

How dare to say,—"No, let thy smile depart,

And take back sorrow from a daughter's heart?"

VII.

And while they sate, along the sward below

Came Ruthven's stately form, and footstep slow;

She saw—she fled—her chamber gain'd—and there

Sobb'd out that grief which youth believes despair.

Thenceforth her solitude was desolate;

Forebodings chill'd her as a shade from Fate.

At Ruthven's step her colour changed—and dread

Hush'd her low voice: such signs his hope misled.

Hope, to its own vain dreams the idle seer,

Whisper'd—"First love comes veil'd in virgin fear!"

And now, o'er Harcourt's image, as the rust

O'er the steel mirror, crept at length distrust.

The ordeal year already pass'd away,

And still no voice came o'er the dreary sea;

No faithful joy to cry—"The ordeal's past,

And loved as ever, thou art mine at last."

VIII.

But Ruthven's absence now, if not to grief,

At least to one vague terror, gave relief:

For days, for weeks, some cause, unknown to all,

Had won the lonely Master from his hall.—

Much Seaton marvell'd! half disposed to blame; }

"Gone, and no word ev'n absence to proclaim!" }

When, sudden as he went, the truant came. }

Franker his brow, and brighter was his look,

And with a warmer clasp his host's wan hand he took:

"Joy to thee, friend, thy race is not yet o'er,

Thy fortunes still thy genius shall restore:

Thy house from ruin reascends, to stand

Firm as of old, a column of the land.—

Joy, Seaton, joy!"—"O mock me not—Explain!

The bark once sunk beneath the obdurate main,

No tide throws up!"—"New galleons Fortune gives.

Fortune ne'er dies for him whose honour lives."—

"Is fortune not the usurer?—Kind while yet

The hand that borrows may repay the debt;

When all is lavish'd, she hath nought to lend!"

"But can she give not? Hast thou call'd me Friend?"

He paused, and glanced on Constance—while his breast

Heaved with the tumult which the lip represt.

Till she, but looking on her father's face,

In his joy joyous,—sprang from his embrace,

Before the Benefactor paused, and bow'd;

Falter'd a blessing, knelt, and wept aloud:

"Not there, not there, O Constance," Ruthven cried,

"Here be thy place—for ever side by side!

Thanks—and to me!—Ah no! the boon be thine,

Thy heart the generous, and the grateful mine.

Oh pardon—if my soul its suit delay'd

Till the world's dross the worldly equal made;

And left to thee to grant and me receive

Man's earliest treasures—Paradise and Eve!

Beloved one, speak! Not mine the silver tongue,

And toil leaves manhood nought that lures the young;

But in these looks is truth—these accents, love:

And in thy faith all that survive above

The graves of Time, as in Elysium meet!—

Hope flies to thee as to its last retreat."

Speechless she heard—till, as he paused, the voice

Of the fond Sire usurp'd and doom'd the choice:

"May she repay thee!" In his own he drew

Her hand and Ruthven's, smiled and join'd the two—

"Ah! could I make thee happy,"—thus she said

And ceased:—her sentence in his eyes she read—

Eyes that the rashness of delight reveal:

Love gave the kiss, and Fate received the seal.

PART THE THIRD.

I.

Between two moments in the life of man

An airy bridge divided worlds may span;

Fine as the hair which sways beneath a soul

By Azrael summon'd to the spectre goal,

It springs abrupt from that sharp point in time

Where, soft behind us in its orient clime,

Lies the lost garden-land of young Romance:

Beyond, with cloud upon the cold expanse,

Looms rugged Duty;—and betwixt them swell

Abysmal deeps, in which to fall were hell.

O thou, who tread'st along that trembling line,

The stedfast step, the onward gaze be thine!

Dread Memory most!—the light thou leav'st would blind,

Thy foot betrays thee if thou look behind!

If Constance yet escaped not from the past,

At least she strove:—the chain may break at last.

Veil'd by the smile, Grief can so safely grieve:

Love that confides, a smile can so deceive:

And Ruthven kneeling at the altar's base

Guess'd not the idol which profaned the place;

But smiles forsake when secret hours bestow

The angry self-confessional of woe;

When trembling thought and stern-eyed conscience meet,

And truth rebukes ev'n duty for deceit.

Ah! what a world were this if all were known,

And smiles on others track'd to tears alone!

Oft, had he seem'd less lofty to her eye,

Her soul had spoken and confess'd its lie:

But sometimes natures least obscured by clay

Shine through an awe that scares the meek away;

And, near as life may seem to life,—alas!

Each hath closed portals, nought but love can pass.

Thus the resolve, in absence nursed, forsook

Her lip, and died, abash'd, before his look;

His foes his virtues—honour seem'd austere,

And all most reverenced most provoked the fear.

II.

Pass by some weeks: to London Seaton went,

His genius glorying in its wonted vent;

New props are built, and new foundations laid,

And once more rose thy crowded temple—Trade!

Then back the sire and daughter bent their way,

There, where the troth was pledged, let Hymen claim the day!

With Constance came a friend of earlier years,

Partner of childhood's smiles and pangless tears;

Leaf intertwined with leaf, their youth together

Ripen'd to bloom through life's first April weather.

To Juliet Constance had no care untold,

Here grief found sympathy and wept consoled;

On woman's pitying heart could woman here

Mourn perish'd hope, or pour remorseful fear;

And breathe those prayers which woman breathes for one,

Who fading from her world is still its sun.

These made their commune, when from darkening skies,

Pale as lost joys, stars gleam'd on tearful eyes.

They guess'd not how the credulous gaze of love

Dwelt on the moon that rose their roof above,

Saw as on Latmos fall the enchanted beams—

And bless'd the Dian for Endymion's dreams.

III.

Meanwhile, to England Harcourt's steps return'd,

And Seaton's new-born state the earliest news he learn'd:

What the emotions of this injured man?

He had a friend—and thus his letter ran:

"Back to this land, where merit starves obscure,

Where wisdom says—'Be anything but poor,'

Return'd, my eyes the path to wealth explore,

And straight I hear—'Constance is rich once more!'

Thou know'st, my friend, with what a dexterous craft

I 'scaped the cup a tenderer dupe had quaff'd;

For in the chalice misery holds to life,

What drop more nauseous than a dowerless wife?

Yet she was fair, and gentle, charming—all

That man would make his partner at a ball!

And, for the partner of a life, what more?

Plate at the board, a porter at the door!

Cupid and Plutus, though they oft divide,

If bound to Hymen should walk side by side;

A boon companion halves the longest way,—

When Plutus join'd, I own that Love was gay;

But Plutus left, where Hymen did begin,

The way look'd dreary and the God gave in:

Now his old comrade once more is bestow'd,

And Cupid starts refresh'd upon the road.

'But how,' thou ask'st, 'how dupe again the ear,

In which thy voice slept silent for a year?

And how explain, how'—Why impute to thee

Questions whose folly thy quick glance can see?

Who loves is ever glad to be deceived,

Who lies the most is still the most believed.

Somewhat I trust to Eloquence and Art,

And where these fail—thank Heaven she has a heart!

More it disturbs me that some rumours run,

That Constance, too, can play the faithless one;

That, where round pastoral meads blue streamlets purl,

Chloë has found a Thyrsis—in an Earl!

And oh! that Ruthven! Hate is not for me;

Who loves not, hates not,—both bad policy!

Yet could I hate, through all the earth I know

But that one man my soul would honour so.

Through ties remote—by some Scotch grand-dam's side,

We are, if scarce related, yet allied;

And had his mother been a barren dame,

Mine were those lands, and mine that lordly name:

Nay, if he die without an heir, ev'n yet—

Oh, while I write, perchance the seal is set!

Farewell! a letter speeds to her retreat,

The prayer that wafts her Harcourt to her feet;

There to explain the past—his faith defend,

And claim, et cetera—Yours, in haste, my friend!"

IV.

To Constance came a far less honest scroll,

Yet oh, each word seem'd vivid from the soul!

Fear, hope—reports that madden'd, yet could stir

No faith in one who ne'er could doubt of her:

Wild vows renew'd—complaints of no replies

To lines unwrit; the eloquence of lies!

And more than all, the assurance still too dear,

Of Love surviving that vast age—a year!

Such were the tidings to the maiden borne,

And—woe the day—upon her Bridal Morn!

V.

It was the loving twilight's rosiest hour,

The Love-star trembled on the ivied tower,

As through the frowning archway pass'd the bride,

With Juliet, whispering courage, by her side;

For Ruthven went before, that first of all

His voice might welcome to his father's hall:

There, on the antique walls, the lamp from high

Show'd the stern wrecks of battle-storms gone by.

Gleam'd the blue mail, indented with the glaive,

Droop'd the dull banner, breezeless, on the stave;

Below the Gothic masks, grotesque and grim,

Carved from the stonework, like a wizard's whim,

Hung the accoutrements that lent a grace

To the old warrior-pastime of the chase.

Cross-bows by hands, long dust, once deftly borne;

The Hawker's glove, the Huntsman's soundless horn;

On the huge hearth the hospitable flame

Lit the dark portrait in its mouldering frame;

Statesmen in senates, knights in fields, renown'd,

On their new daughter ominously frown'd;

To the young Stranger, shivering to behold,

The Home she enter'd seem'd the tomb of old.

VI.

"Doth it so chill thee, Constance? Dare I own,

The charm that haunts what childhood's years have known,

How many dreams of fame beyond my sires,

Wing'd the proud thought that now no more aspires!

Here, while I paced, at the dusk twilight time,

As the deep church-bell toll'd the curfew chime;

In the dim Past my spirit seem'd to live,

To every relic some weird legend give;

And muse such hopes of glorious things to be,

As they, the Dead, mused once;—wild dreams—fulfill'd in thee!

Ah, never 'mid those early visions shone,

A face so sweet, my Constance, as thine own!

And what if all that charm'd me then, depart?

Clear, through the fading mists, smiles my soft heav'n—thy heart!

What, drooping still! Nay love, we are not all

So sad within, as this time-darken'd hall.

Come!"—and they pass'd (still Juliet by her side)

To a fair chamber, deck'd to greet the bride.

There, all of later luxury lent its smile,

To cheer, yet still beseem, the reverend pile.

What though the stately tapestry met the eyes,

Gay were its pictures, brilliant were its dyes;

There, graceful cressets from the gilded roof,

In mirrors glass'd the landscapes of the woof.

There, in the Gothic niche, the harp was placed,

There ranged the books most hallow'd by her taste;

Through the half-open casement you might view

The sweet soil prank'd with flowers of every hue;

And on the terrace, crowning the green mountain,

Gleam'd the fair statue, play'd the sparkling fountain:

Within, without, all plann'd, all deck'd to greet

The Queen of all—whose dowry was deceit!

Soft breathed the air, soft shone the moon above—

All save the bride's sad heart, whispering Earth's Hymn to Love!

As Ruthven's hand sought hers, on Juliet's breast

She fell; and passionate tears, till then supprest,

Gush'd from averted eyes. To him the tears

Betray'd no secret that could rouse his fears—

For joy, as grief, the tender heart will melt—

The tears but proved how well his love was felt.

And, with the delicate thought that shunn'd to hear

Thanks for the cares, which cares themselves endear,

He whisper'd, "Linger not!" and closed the door,

And Constance sobbed—"Thank Heaven, alone with thee once more!"

VII.

Across his threshold Ruthven lightly strode,

And his glad heart from its full deeps o'erflow'd,

Pass'd is the Porch—he gains the balmy air,

Still crouch the night winds in their forest lair.

The moonlight silvers the unrustling pines,

On the hush'd lake the tremulous glory shines.

A stately shadow o'er the crystal brink,

Reflects the shy stag as its halt to drink;

And the slow cygnet, where it midway glides,

Breaks into sparkling rings the faintly heaving tides.

Wandering along his boyhood's haunts, he mused;

The hour, the heaven, the bliss his soul suffused;

It seem'd all hatred from the world had flown,

And left to Nature, Love and God alone!

Ev'n holiest passion holier render'd there,

His every thought breathed gentle as a prayer.

VIII.

Thus, as the eve grew mellowing into night,

Still from yon lattice stream'd the unwelcome light—

"Why loitering yet, and wherefore linger I?"

And at that thought ev'n Nature pall'd his eye;

He miss'd that voice, which with low music fill'd

The starry heaven of the rapt thoughts it thrill'd;

He gain'd the hall—the lofty stair he wound—

Behold, the door of his heart's fairy-ground!

The tapestry veil'd him, as its folds, half-raised,

Gave to his eye the scene on which it gazed:

Still Constance wept—and hark what sounds are those

What awful secret those wild sobs disclose!—

"No, leave me not!—I cannot meet his eyes!

O Heaven! must life be ever one disguise!

What seem'd indifference when we pledged the troth,

Now grown—O wretch!—to terrors that but loathe!

Oh that the earth might swallow me!" Again

Gush forth the sobs, while Juliet soothes in vain.

"Nay, nay, be cheer'd—we must not more delay;

Cease these wild bursts till I his steps can stay;

No, for thy sake—for thine—I must begone."

She 'scaped the circling arms, and Constance wept alone.

IX.

By the opposing door, from that unseen,

Where Ruthven stood behind the arras-screen,

Pass'd Juliet. Suddenly the startled bride

Look'd up, and lo, the Wrong'd One by her side!

They gazed in silence face to face: his own,

Sad, stern, and awful, chill'd her heart to stone.

At length the low and hollow accents stirr'd

His blanching lip, that writhed with every word:

"Hear me a moment, nor recoil to hear;

A love so hated wounds no more thine ear.

I thank thee—I—!" His lips would not obey

His pride,—and all the manly heart gave way.

Low at his feet she fell: the alter'd course

Of grief ran deep'ning into vain remorse;

"Forgive me!—O forgive!"

"Forgive!" he cried,

And passion rush'd in speech, till then denied.

"Vile mockery! Bid me in the desert live

Alone with treason—and then say 'Forgive!'

Thou dost not know the ruins thou hast made,

Faith in all things thy falsehood has betray'd!

Thou, the last refuge, where my baffled youth

Dream'd its safe haven, murmuring—'Here is Truth!'

Thou in whose smile I garner'd up my breast,

Exult! thy fraud surpasses all the rest.

No! close, my heart—grow marble! Human worth

Is not; and falsehood is the name for earth!"

X.

Wildly, with long disorder'd strides, he paced

The floor to feel the world indeed a waste;

For as the earth if God were not above,

Man's hearth without the Lares—Faith and Love!

But what his woe to hers?—for him at least

Conscience was calm, though ev'ry hope had ceased.

But she!—all sorrow for herself had paused,

To live in that worse anguish she had caused:

"No, Ruthven, no! Thy pardon not for me;

But oh that Heaven may shed its peace on thee

So worthless I, so worthless thy regret;

Oh that repentance could requite thee yet!

Oh that a life that henceforth ne'er shall own,

One thought, one wish, one hope, but to atone,—

Obedience, honour——"

"These may make the wife

A faultless statue:—love but breathes the life!

Poor child! Nay, weep not; bitterer far, in truth,

Than mine, the fate to which thou doom'st thy youth:

For manhood's pride the love at last may quell,

But when could Woman with Indifference dwell?

No sorrow soothed, no joy enhanced since shared.

O Heaven—the solitude thy soul has dared!

But thou hast chosen! Vain for each regret;

All that is left—to seem that we forget.

No word of mine my wrongs shall e'er recall;

Thine, wealth and pomp, and reverence—take them all!

May they console thee, Constance, for a heart

That—but enough! So let the loathed depart;

These chambers thine, my step invades them not;

Sleep, if thou canst, as in thy virgin cot.

Henceforth all love has lost its hated claim;

If wed, be cheer'd; our wedlock but a name.

Much as thou scorn'st me, know this heart above

The power of beauty, when disarm'd of love.

And so, may Heaven forgive thee!"

"Ruthven, stay!

Generous—too noble: can no distant day

Win thy forgiveness also, and restore

Thy trust, thy friendship, even though love be o'er?"

He paused a moment with a soften'd eye;—

"Alas! thou dreadest, while thou ask'st, reply:

If ever, Constance, that blest day should come,

When crowds can teach thee what the loss of Home;

If ever, when with those who court thee there,

The love that chills thee now, thou canst compare,

And feel that if thy choice thou couldst recall,

Him now unloved, thy love would choose from all

Why then, one word, one whisper!—oh, no more—"

And fearful of himself, he closed the door!

PART THE FOURTH.

I.

Ah, yes, Philosopher, thy creed is true!

'Tis our own eyes that give the rainbow's hue:

What we call Matter, in this outer earth,

Takes from our senses, those warm dupes, its birth.

How fair to sinless Adam Eden smiled;

But sin brought tears, and Eden was a wild!

Man's soul is as an everlasting dream,

Glassing life's fictions on a phantom stream:

To-day, in glory all the world is clad—

Wherefore, O Man?—because thy heart is glad.

To-morrow, and the self-same scene survey—

The same! Oh no—the pomp hath pass'd away!

Wherefore the change? Within, go, ask reply—

Thy heart hath given its winter to the sky!

Vainly the world revolves upon its pole;—

Light—Darkness—Seasons—these are in the soul!

II.

"Trite truth," thou sayest—well, if trite it be,

Why seek we ever from ourselves to flee?

Pleased to deceive our sight, and loath to know,

We bear the climate with us where we go!

To that immense Bethesda, whither still

Each worse disease seeks cures for every ill;

To that great well, in which the Heart at strife,

Merges its own amidst the common life,—

Whatever name it take, or Public Zeal,

Or Self-Ambition, still as sure to heal,—

From his sad hearth his sorrows Ruthven bore;

Long shunn'd the strife of men, now sought once more.

Flock'd to his board the Magnates of the Hour

Who clasp for Fame its spectre-likeness—Power!

The busy, babbling, talking, toiling race—

The Word-besiegers of the Fortress—Place!

Waves, each on each, in sunlight hurrying on,

A moment gilded—in a moment gone;

For Honours fool but with deluding light—

The place it glides through, not the wave, is bright![B]

The means, if not his ends, with these the same,

In Ruthven, Party hail'd a Leader's name!

Night after night the listening Senate hung

On that roused mind, by Grief to Action stung!

Night after night, when Action, spent and worn,

Left yet more sad the soul it had upborne;

The sight of Home the frown of Life renew'd—

The World gave Fame and Home a Solitude!

III.

And Constance? sever'd from a husband's side,

No heart to cherish, and no hand to guide,

Still, as if ev'n the very name of wife

Drew her soul upward into loftier life,

The solemn sense of woman's holiest tie

Arm'd every thought against the memory.

'Mid shatter'd Lares stood the Marriage Queen—

As on a Roman's hearth, with marble smile serene:

New to her sight that galaxy of mind

Which moves round men who light and guide their kind,

Where all shine equal in their joint degrees

And rank's harsh outlines vanish into ease.

As Power and Genius interchange their hues

So genial life the classic charm renews;

Some Scipio's wit a Terence may refine,

Some Cæsar's pomp exalt a Maro's line—

The polish'd have their flaws, but least espied

Amongst the polish'd is the angle pride;

And, howsoever Envy grudge their state,

Their own bland laws democratize the great.

IV.

With those fair orbs which lit her common air }

That which should be her guardian planet there }

Now cold if radiant did the wife compare? }

If so, alas we lose the Chaldee's power

To shape the life if we neglect the hour.

And in the crowd was now their only meeting—

They who from crowds should so have hail'd retreating.

But in the crowd if eye encounter'd eye,

Whence came her blush, or wherefore heaved his sigh?

Ah! woe when lost the Heavenly confidence,

Man's gentle right, and woman's strong defence!—

Like the frank sunflower, Household Love to-day

Must ope its leaves;—what shades it, brings decay.

V.

The world look'd on, and construed, as it still

Interprets, all it knows not into ill.

"Man's home is sacred," flattering proverbs say;

Yes, if you give the home to men's survey,

But if that sanctum be obscured or screen'd,

In every shadow doubt suggests a fiend:

So churchyards seen beneath a daylight sky

Are holy to the clown who saunters by;

But vex his vision by the glimmering light,

And straight the holiness expires in fright;

He hears a goblin in the whispering grass,

And cries "Heaven save us!"—at the Parson's ass!

"Was ever Lord so newly wed so cold?

Poor thing!—forsaken ere a year be told!

Doubtless some wanton—whom we know not, true,

But those proud sinners are so wary too!

Oh! for the good old days—one never heard

Of men so shocking under George the Third!"

So ran the gossip. With the gossip came

The brood it hatch'd—consolers to the dame.

The soft and wily wooers, who begin

Through sliding pity, the smooth ways to sin.

My lord is absent at the great debate,

Go, soothe his lady's unprotected state;

Go, gallant,—go, and wish the cruel Heaven

To thee such virtue, now so wrong'd, had given!

Yes, round her flock'd the young world's fairest ones,

The soft Rose-Garden's incense-breathing sons:

Roused from his calm, Lord Ruthven's watchful eye

Mark'd the new clouds that darken'd round his sky;

And raptured saw—though for his earth too far—

How fleets and fades each cloud before that stainless Star.

VI.

Now came the graver trial, though unseen

By him who knew not where the grief had been—

He knew not that an earlier love had steel'd

Her heart to his—that curse, at least conceal'd;

Enough of sorrow in his lonely lot—

The why, what matter—that she loved him not?

One night, when Revel was in Ruthven's hall,

He near'd the brilliant cynosure of all:

"Deign" (thus he whisper'd) "to receive with grace

Him who may hold the honours of my race:—

When the last Ruthven dies, behold his heir!"

He said, she turn'd—O Heaven!—and Harcourt there!

Harcourt the same as when her glance he charm'd,

For surer conquest by compassion arm'd—

The same, save where a softer shadow, cast

O'er his bright looks, reflected the sad Past!

Now, when unguarded and in crowds alone,

The Future dark—the household gods o'erthrown;

Now, when those looks (that seem, the while they grieve,

Ne'er to reproach)—can pity best deceive;

The sole affection she of right can claim—

Now, Virtue, tremble not—the Tempter came!

VII.

He came, resolved to triumph and avenge—

Sure of a heart whose sorrow spoke no change;

Pleased at the thought to bind again the chain—

For they who love not still can love to reign;

Calm in the deeper and more fell design

To sever those whom outward fetters join—

To watch the discord Scandal rumours round,

Fret every sore, and fester every wound;

Could he but make Dissension firm and sure,

Success would render larger schemes secure;

"Let Ruthven die but childless!" ran his prayer,

And in the lover's sigh cold avarice prompts the heir.

He came and daily came, and daily schemed—

Soft, grave, and reverent, but the friend he seem'd.

These distant cousins, from their earliest days,

To different goals had trod their varying ways:

If Ruthven oft with generous hand supplied

What were call'd luxuries, did Shoreditch decide,

But what no Jury of Mayfair could doubt

Are just the things life cannot live without;

Yet gifts are sometimes as offences view'd,

And envy is the mean man's gratitude;

And, truth to own, whate'er the one bestow'd,

More from his own large, careless nature flow'd

Than through the channels tenderer sources send,

When Favour equals—since it asks a Friend.

But Ruthven loved not, in the days gone by,

The cold, quick shrewdness of that stealthy eye,

That spendthrift recklessness, which still was not

The generous folly which itself forgot.

You love the prodigal; the miser loathe,

Yet oft the clockwork is the same in both:

Ope but the works—the penury and excess

Chime from one point—the central selfishness:—

And though men said (for those, who wear with ease

The vulgar vices, seldom much displease),

"His follies injure but himself alone!"

His follies spared no welfare but his own:

Mankind he deem'd the epitome of self,

And never laid that volume on the shelf.

Somewhat of this, had Ruthven mark'd before—

Now he was less acute, or Harcourt more:

The first absorb'd in sorrow or in thought;

The last in craft's smooth lessons deeper taught.

Not over anxious to be undeceived

Ruthven reform in what was rot believed;

They held the same opinions on the state,

And were congenial—in the last debate;

Harcourt had wish'd to join the patriot crew

Who botch our old laws with a patch of new;

Ruthven the wish approved; and found the seat—

And so the Cousins' union grew complete.

Well then at board behold the constant guest,

With love as yet by eyes alone exprest:

From the past vows he dared not yet invoke

The ancient Voice;—yet of the past he spoke.

Whene'er expected least, he seem'd to glide

A faithful shadow to her haunted side.

But why relate how men their victims woo!—

He left undone no art that can undo.

VIII.

And what deem'd Constance now, that, face to face,

She could the contrast of the Portraits trace?—

Could see the image of the soul in each

By thought reflected on the waves of speech—

Could listen here (as when the Master's ease

Glides with light touch along melodious keys)

To those rich sounds which, flung to every gale,

Genius awakes from Wisdom's music scale;

And there admire when lively Fashion wound

Its toy of small talk into jingling sound.

Like those French trifles, elegant enough,

Which serve at once for music and for snuff,

Some minds there are which men you ask to dine

Take out, wind up, and circle with the wine.

Two tunes they boast; this Flattery—Scandal that;

The one A sharp—the other something flat:

Such was the mind that for display and use

Cased in ricoco, Harcourt could produce—

Touch the one spring, an air that charm'd the town

Tripp'd out and jigg'd some absent virtue down;

Touch next the other, and the bauble plays

"Fly from the world" or "Once in happier days."

For Flattery, when a Woman's heart its aim,

Writes itself Sentiment—a prettier name.

And to be just to Harcourt and his art,

Few Lauzuns better play'd a Werter's part;

He dress'd it well, and Nature kindly gave

His brow the paleness and his locks the wave.

Mournful his smile, unconscious seem'd his sigh;

You'd swear that Goethe had him in his eye.

Well these had duped when young Romance surveys

Life's outlines—lost amid its own soft haze.

Compared with Ruthven still doth Harcourt seem

The true Hyperion of the Delian dream.

Ah, ofttimes Love its own wild choice will blame,

Slip the blind bondage, yet doat on the same.

Was it thus wilful, Constance, still with thee,

Or did the reason set the fancy free?

PART THE FIFTH.

I.

The later summer in that second spring

When the turf glistens with the fairy ring,

When oak and elm assume a livelier green,

And starry buds on water-flowers are seen;

When parent nests the new-fledged goldfinch leaves,

And earliest song in airiest meshes weaves;

When fields wave undulous with golden corn,

And August fills his Amalthæan horn—

The later summer shone on Ruthven's towers,

And Lord and wife (with guests to cheer the hours,

Not faced alone) to that grey pile return'd;

Harcourt with these, and Seaton, who had learn'd

Eno' to call him from his world of strife,

To watch that Home which makes the Woman's life.

Not ev'n to Juliet Constance had betray'd

Those griefs the House-gods if they cause should shade,

Nor friendship now in truth the grief could share— }

A dying parent needed Juliet's care, }

In climes where Death comes soft—in Tuscan air. }

And least to Seaton would his child have shown

One hidden wound; her heart still spared his own.

But when the father trembling at her side

Saw the smooth tempter, not the watchful guide,—

Saw through the quicksands flow each sever'd life,

Here the cold Lord and there the courted wife,

Then fearful, wrathful—yet uncertain still;

For warning ofttimes makes more sure the ill,

Or fires suspicion to believe the worst,

Or bids temptation be more fondly nurst;—

Nought ripens evil like too prompt a blame,

And virtue totters if you sap its shame;—

Uncertain thus came Seaton, with the rest,

His prudence watchful, and his fears supprest,

Resolved to learn what fault, if fault were there,

Had outlaw'd Constance from a husband's care,

And left the heart (the soul's frail fort) unbarr'd,

For youth to storm. "Well age," he sigh'd, "shall guard."

II.

Meantime, the cheek of Constance lost its rose,

Food brought no relish, slumber no repose:

The wasted form pined hour by hour away,

But still the proud lip struggled to be gay;

And Ruthven still the proud lip could deceive,

Till the proud man forgot the proud in smiling grieve!

III.

In that old pile there was a huge square tower,

Whence look'd the warder in its days of power;

Still, in the arch below, the eye could tell

Where on the steel-clad van the grim portcullis fell;

And from the arrow-headed casements, deep

Sunk in the walls of the abandon'd keep,

The gaze look'd kingly in its wide command

O'er all the features of the subject land;

From town and hamlet, copse and vale, arise

The hundred spires of Ruthven's baronies;

And town and hamlet, copse and vale, around,

Its arms of peace the azure Avon wound.

IV.

A lonely chamber in this rugged tower,

The lonely lady made her favourite bower—

From her more brilliant chambers crept a stair,

That, through a waste of ruin, ended there;

And there, unseen, unwitness'd, none intrude,

Nor vex the spirit from the solitude.

How, in what toil or luxury of mind,

Could she the solace or the Lethe find?

Music or books?—nay, rather, might be guess'd

The art her maiden leisure loved the best;

For there the easel and the hues were brought,

Though all unseen the fictions that they wrought.

Harcourt more bold the change in Constance made;

Sure, love lies hidden in that depth of shade!

That cheek how hueless, and that eye how dim,—

"Wherefore," he thought and smiled, "if not for him?"

More now his manner and his words, disarm'd

Of their past craft, the anxious sire alarm'd.

True, there was nought in Constance to reprove,

But still what hypocrite like lawless love?

One eve, as in the oriel's arch'd recess

Pensive he ponder'd, linking guess with guess,

Words reach'd his ear—if indistinct—yet plain

Enough to pierce the heart and chill the vein.

'Tis Constance, answering in a faltering tone

Some suit; and what—was by the answer shown

"Yes!—in an hour," it said.—"Well, be it so."—

"The place?"—"Yon keep."—"Thou wilt not fail me!"—"No!"

'Tis said;—she first, then Harcourt, quits the room.

"Would," groan'd the Sire, "my child were in the tomb!"

He gasp'd for breath, the fever on his brow—

"Was it too late?—What boots all warning now?

If saved to-day—to-morrow, and the same }

Danger and hazard! had he spared the shame }

To leave the last lost Virtue but a name." }

V.

Sickening and faint, he gain'd the outer air,

Reach'd the still lake, and saw the master there;

Listless lay Ruthven, droopingly the boughs

Veil'd from the daylight melancholy brows;

Listless he lay, and with indifferent eye

Watch'd the wave darken as the cloud swept by.

The father bounded to the idler's side— }

"Awake, cold guardian of a soul!" he cried; }

"Why, sworn to cherish, fail'st thou ev'n to guide?" }

"Why?" echoed Ruthven's heart—his eye shot flame—

"Dare she complain, or he presume to blame?"

Thus ran the thought, he spoke not;—silent long

As Pride kept back the angry burst of wrong.

At length he rose, shook off the hand that prest,

And calmly said, "I listen for the rest—

Whatever charge be in thy words convey'd,

Speak;—I will answer when the charge is made!"

VI.

Like many an offspring of our Saxon clime,

Who makes one seven-day labour-week of time,

Who deems reprieve a sloth, repose a dearth,

And strikes the Sabbath of the soul from earth;

In Seaton's life the Adam-curse was strong;

He loved each wind that whirl'd the sails along;

He loved the dust that wrapt the hurrying wheel;

And, form'd to act, but rarely paused to feel.

Thus men who saw him move among mankind,

Saw the hard purpose and the scheming mind,

And the skill'd steering of a sober brain,

Prudence the compass and the needle gain.

But now, each layer of custom swept away,

The Man's great nature leapt into the day:

He stretch'd his arms, and terrible and wild,

His voice went forth—"I gave thee, Man, my child;

I gave her young and innocent—a thing

Fresh from the Heaven, no stain upon its wing;

One form'd to love, and to be loved, and now

(Few moons have faded since the solemn vow)

How do I find thou hast discharged the trust?

Account!—nay, frown not—to thy God thou must,

Pale, wretched, worn, and dying: Ruthven, still

These lips should bless thee, couldst thou only kill.

But is that all?—Death is a holy name,

Tears for the dead dishonour not!—but Shame!

O blind, to bid her every hour compare

With thine his love—with thy contempt his care!

Yea, if the light'ning blast thee, I, the Sire,

Tell thee thy heart of steel attracts the fire;

Hadst thou but loved her, that meek soul I know—

Know all"—His passion falter'd in its flow;

He paused an instant, then before the feet

Of Ruthven fell. "Have mercy! Save her yet!

Take back thy gold: say, did I not endure,

And can again, the burthen of the poor?

But she—the light, pride, angel, of my life—

God speaks in me—O husband, save thy wife!"

VII.

"Save! and from whom, old Man?" Yet, as he spoke,

A gleam of horror on his senses broke;

"From whom? What! know'st thou not who made the first,

Though fading fancy, youth's warm visions nurst?

This Harcourt—this"—he stopp'd abrupt—appall'd!

Those words how gladly had his lips recall'd;

For at the words—the name—all life seem'd gone

From Ruthven's image:—as a shape of stone,

Speechless and motionless he stood! At length

The storm suspended burst in all its strength:

"And this to me—at last to me!" he cried,

"Thine be the curse, who hast love to hate allied:

Why, when my life on that one hope I cast,

Why didst thou chain my future to her past—

Why not a breath to say, 'She loved before;

Pause yet to question, if the love be o'er!'

Didst thou not know how well I loved her—how

Worthy the Altar was the holy vow?

That in the wildest hour my suit had known,

Hadst thou but said, 'Her heart is not her own,'

Thou hadst left the chalice with a taste of sweet?

I—I had brought the Wanderer to her feet—

Had seen those eyes through grateful softness shine,

Nor turn'd—O God!—with loathing fear from mine;

And from the sunshine of her happy breast

Drawn one bright memory to console the rest!—

But now, thy work is done—till now, methought,

There was one plank to which the shipwreck'd caught.

Forbearance—patience might obtain at last

The distant haven—see! the dream is past—

She loves another! In that sentence—hark

The crowning thunder!—the last gleam is dark;

Time's wave on wave can but the more dissever;

The world's vast space one void for ever and for ever!"

VIII.

Humbled from all his anger, and too late

Convinced whose fault had shaped the daughter's fate,

The father heard; and in his hands he veil'd

His face abash'd, and voice to courage fail'd;

For how excuse—and how console? And so,

As when the tomb shuts up the ended woe,

Over that burst of anguish closed the drear

Abyss of silence—sound's chill sepulchre!

At length he dared the timorous looks to raise,

But gone the form on which he fear'd to gaze.

Calm at his feet the wave crept murmuring;

Calm sail'd the cygnet with its folded wing;

Gently above his head the lime-tree stirr'd,

The green leaves rustling to the restless bird;

But he who, in the beautiful of life,

Alone with him should share the heart at strife,

Had left him there to the earth's happy smile—

Ah! if the storms within earth's calmness could beguile!

IX.

With a swift step, and with disorder'd mind,

Through which one purpose still its clue could find,

Lord Ruthven sought his home. "Yes, mine no more,"

So mused his soul, "to hope or to deplore;

No more to watch the heart's Aurora break

O'er that loved face, the light to life to speak—

No more, without a weakness that degrades,

Can Fancy steal from Truth's eternal shades!

Yes, we must part! But if one holier thought

Still guards that shrine my fated footstep sought,

Perchance, at least, I yet her soul may save,

And leave her this one hope—a husband's grave!"

X.

Home gain'd, he asks—they tell him—her retreat:

He winds the stairs, and midway halts to meet

His rival passing from that mystic room,

With a changed face, half sarcasm and half gloom.

Writhed Ruthven's lip—his hands he clench'd;—his breast

Heaved with man's natural wrath; the wrath the man supprest.

"Her name, at least, I will not make the gage

Of that foul strife whose cause a husband's rage."

So, with the calmness of his lion eye,

He glanced on Harcourt, and he pass'd him by.

XI.

And now he gains, and pauses at the door— }

Why beats so loud the heart so stern before? }

He nerved his pride—one effort, and 'tis o'er. }

Thus, with a quiet mien, he enters:—there

Kneels Constance yonder—can she kneel in prayer?

What object doth that meek devotion chain

In yon dark niche? Before his steps can gain

Her side, she starts, confused, dismay'd, and pale,

And o'er the object draws the curtain veil.

But there the implements of art betray

What thus the conscience dare not give to day.

A portrait? whose but his, the loved and lost,

Of a sweet past the melancholy ghost?

So Ruthven guess'd—more dark his visage grown,

And thus he spoke:—"Once more we meet alone.

Once more—be tranquil—hear me! not to upbraid,

And not to threat, thy presence I invade;

But if the pledge I gave thee I have kept,

If not the husband's rights the wife hath wept,

If thou hast shared whatever gifts be mine—

Wealth, honour, freedom, all unbought, been THINE,

Hear me—O hear me, for thy father's sake!

For the full heart that thy disgrace would break!

By all thine early innocence—by all

The woman's Eden—wither'd with her fall—

I, whom thou hast denied the right to guide,

Implore the daughter, not command the bride;

Protect—nor only from the sin and shame,

Protect from slander—thine, my Mother's—name!

For hers thou bearest now! and in her grave

Her name thou honourest, if thine own thou save!

I know thou lov'st another! Dost thou start?

From him, as me—the time hath come to part;

And ere for ever I relieve thy view—

The one thou lov'st must be an exile too.

Be silent still, and fear not lest my voice

Betray thy secret—Flight shall seem his choice;

A fair excuse—a mission to some clime,

Where—weep'st thou still? For thee there's hope in time!

This heart is not of iron, and the worm

That gnaws the thought, soon ravages the form;

And then, perchance, thy years may run the course

Which flows through love undarken'd by remorse.

And now, farewell for ever!" As he spoke,

From her cold silence with a bound she broke,

And clasp'd his hand. "Oh, leave me not! or know,

Before thou goest, the heart that wrong'd thee so,

But wrongs no more."

"No more?—Oh, spurn the lie;

Harcourt but now hath left thee! Well—deny!"

"Yes, he hath left me!" "And he urged the suit

That—but thou madden'st me! false lips, be mute!"

—"He urged the suit—it is for ever o'er;

Dead with the folly youth's crude fancies bore,

One word, nay less, one gesture" (and she blush'd)

"Struck dumb the suit, the scorn'd presumption crush'd."

—"What! and yon portrait curtain'd with such care?"

"There did I point and say 'My heart is there!'"

Amazed, bewilder'd—struggling half with fear

And half delight—his steps the curtain near.

He lifts the veil: that face—It is his own!

But not the face her later gaze had known;

Not stern, nor sad, nor cold,—but in those eyes,

The wooing softness love unmix'd supplies;

The fond smile beaming the glad lips above,

Bright as when radiant with the words "I love."

An instant mute—oh, canst thou guess the rest?

The next his Constance clinging to his breast;

All from the proud reserve, at once allied

To the girl's modesty, the woman's pride,

Melting in sobs and happy tears—and words

Swept into music from long-silent chords.

Then came the dear confession, full at last.

Then stream'd life's Future on the fading Past;

And as a sudden footstep nears the door,

As a third shadow dims the threshold floor—

As Seaton, entering in his black despair,

Pauses the tears, the joy, the heaven to share—

The happy Ruthven raised his princely head,

"Give her again—this day in truth we wed!"

And when the spring the earth's fresh glory weaves

In merry sunbeams and green quivering leaves,

A joy-bell ringing through a cloudless air

Knells Harcourt's hopes and welcomes Ruthven's heir.

FOOTNOTES

[A] Imitated from Horace (Lib. ii., Od. 3).

Quà pinus ingens albaque populus

Umbram hospitalem consociare amant

Ramis, et obliquo laborat

Lympha fugax trepidare rivo.—Horat. Carm., ii. 3.

[B] Schiller.

MILTON.

IN FOUR PARTS.

ADVERTISEMENT TO THE READER.

This Poem was originally composed in very early youth. It was first published in 1831, and though unfortunately coupled with a very jejune and puerile burlesque called 'The Siamese Twins' (which to my great satisfaction has been long since forgotten), it was honoured by a very complimentary notice in the Edinburgh Review, and found general favour with those who chanced to read it. In the present edition, although the conception and the general structure remain the same, many passages have been wholly re-written, and the diction throughout carefully revised, and often materially altered. I have sought, in short, from an affection for the subject (too partial it may be) to give to the ideas which visited me in the freshness of youth, whatever aid from expression they could obtain in the taste and culture of mature manhood. No doubt, however, faults of exuberance in form, as in fancy, still remain, and betray the age in which we scarcely look beyond the Spring that delights us, nor comprehend that the multitude of the blossoms can be injurious to the bearing of the tree. Nevertheless, such faults may find more indulgence among my younger readers than those of an opposite nature, incident to the style, closer and more compressed, which my present theories of verse have led me to adopt in most of the poems I have composed of late years.

It will be observed that the design of this poem is that of a picture. It is intended to portray the great Patriot Poet in the three cardinal divisions of life—Youth, Manhood, and Age. The first part is founded upon the well-known, though ill-authenticated, tradition of the Italian lady or ladies seeing Milton asleep under a tree in the gardens of his college, and leaving some tributary verses beside the sleeper. Taking full advantage of this legend, and presuming to infer from Milton's Italian verses (as his biographers have done before me) that in his tour through Italy he did not escape the influence of the master passion, I have ventured to connect, by a single thread of romantic fiction, the segments of a poem in which narrative after all is subservient to description. This idea belongs to the temerity of youth, but I trust it has been subjected to restrictions more reverent than those ordinarily imposed on poetic licence.

MILTON.

PART THE FIRST.

"Such sights as youthful poets dream

On summer eve by haunted stream."—L'ALLEGRO.

I.

It was the Minstrel's merry month of June;

Silent and sultry glow'd the breezeless noon;

Along the flowers the bee went murmuring;

Life in its myriad forms was on the wing;

Play'd on the green leaves with the quiv'ring beam,

Sang from the grove, and sparkled from the stream,

When, where yon beech-tree veil'd the soft'ning ray,

On violet-banks young Milton dreaming lay.

For him the Earth below, the Heaven above,

Doubled each charm in the clear glass of youth;

And the vague spirit of unsettled love

Roved through the visions that precede the truth,

While Poesy's low voice so hymn'd through all

That ev'n the very air was musical.

II.

The sunbeam rested, where it pierced the boughs,

On locks whose gold reflected back the gleaming;

On Thought's fair temple in majestic brows

On Love's bright portal—lips that smiled in dreaming.

Dreams he of Nymph half hid in sparry cave?

Or of his own Sabrina chastely "sitting

Under the glassy cool translucent wave,"

The loose train of her amber tresses knitting?

Or that far shadow, yet but faintly view'd,

Where the Four Rivers take their parent springs,

Which shall come forth from starry solitude,

In the last days of angel-visitings,

When, soaring upward from the nether storm,

The Heaven of Heavens shall earthly guest receive,

And in the long-lost Eden smile thy form,

Fairer than all thy daughters, fairest Eve?

III.

Has the dull Earth a being to compare

With those that haunt that spirit-world—the brain?

Can shapes material vie with forms of air,

Nature with Phantasy?—O question vain!

Lo, by the Dreamer, fresh from heavenly hands,

Youth's dream-inspirer—Virgin Woman stands.

She came, a stranger from the Southern skies,

And careless o'er the cloister'd garden stray'd,

Till, pausing, violets on the bank to cull,

Over the Dreamer bent the Beautiful.

Silent, with lifted hand and lips apart,

Silent she stood, and gazed away her heart.

Like purple Mænad fruits, when down the glade

Shoots the warm sunbeam,—into darksome glow

Light kiss'd the ringlets wreathing brows of snow;

And softer than the rosy hues that flush

Her native heaven, when Tuscan morns arise,

The sweet cheek brighten'd with the sweeter blush,

As virgin love from out delighted eyes

Dawn'd as Aurora dawns.—

Thus look'd the maid,

And still the sleeper dream'd beneath the shade.

Image of Soul and Love! So Psyche crept

To the still chamber where her Eros slept;

While the light gladden'd round his face serene,[A]

As light doth ever,—when Love first is seen.

Felt he the touch of her dark locks descending,

Or with his breath her breathing fused and blending,

That, like a bird we startle from the spray,

Pass'd the light Sleep with sudden wings away?

Sighing he woke, and waking he beheld;

The sigh was silenced, as the look was spell'd;

Look charming look, the love that ever lies

In human hearts, like light'ning in the air,

Flash'd in the moment from those meeting eyes,

And open'd all the Heaven!

O Youth, beware!

For either, light should but forewarn the gaze;

Woe follows love, as darkness doth the blaze!

IV.

And their eyes met—one moment and no more;

Moment in time that centred years in feeling.

As when to Thetis, on her cavern'd shore,

Knelt her young King,—he rose, and murmur'd, kneeling.

Low though the murmur, it dissolved the charm

Which had in silence chain'd the modest feet;

And maiden shame and woman's swift alarm

Crimson'd her cheek and in her pulses beat:

She turn'd, and, as a spell that leaves the place

It fill'd with phantom beauty cold and bare,

She fled;—and over disenchanted space

Rush'd back the common air!

V.

Time waned—and thoughts intense, and grave and high,

With sterner truths foreshadow'd Minstrel dreams;

Yet never vanish'd from the Minstrel's eye

That meteor blended with the morning beams.

Time waned, and ripe became the long desire,

Which, nursed in youth, with restless manhood grew

A passion—to behold that heart of Earth,

Yet trembling with the silver Mantuan lyre,

To knightly arms by Tasso tuned anew:—

So the fair Pilgrim left his father's hearth.

Into his soul he drunk the lofty lore,

Floating like air around the clime of song;

Beheld the starry sage,[B] what time he bore

For truth's dear glory the immortal wrong;

Communed majestic with majestic minds;

And all the glorious wanderer heard or saw

Or felt or learn'd or dream'd, were as the winds

That swell'd the sails of his triumphant soul;

As then, ev'n then, with ardour yet in awe,

It swept Time's ocean to its distant goal.

VI.

It was the evening—and a group were strewn

O'er such a spot as ye, I ween, might see,

When basking in the summer's breathless noon,

With upward face beneath the drowsy tree;

While golden dreams the willing soul receives,

And Elf-land glimmers through the checkering leaves.

It was the evening—still it lay, and fair,

Lapp'd in the quiet of the lulling air;

Still, but how happy! like a living thing

All love itself—all love around it seeing;

And drinking from the earth, as from a spring,

The hush'd delight and essence of its being.

And round the spot (a wall of glossy shade)

The interlaced and bowering trees reposed;

And through the world of foliage had been made

Green lanes and vistas, which at length were closed

By fount, or fane, or statue white and hoar,

Startling the heart with the fond dreams of yore.

And near, half-glancing through its veil of leaves,

An antique temple stood in marble grace;

Where still, if fondly wise, the heart conceives

Faith in the lingering Genius of the Place:

Seen wandering yet perchance at earliest dawn

Or greyest eve—with Nymph or bearded Faun.

Dainty with mosses was the grass you press'd,

Through which the harmless lizard glancing crept.

And—wearied infants on Earth's gentle breast—

In every nook the little field-flowers slept.

But ever when the soft air draws its breath

(Breeze is a word too rude), with half-heard sigh,

From orange-shrubs and myrtles—wandereth

The Grove's sweet Dryad borne in fragrance by.

And aye athwart the alleys fitfully

Glanced the fond moth enamour'd of the star;

And aye, from out her watch-tower in the tree,

The music which a falling leaf might mar,

So faint—so faëry seem'd it—of the bird

Transform'd at Daulis thrillingly was heard.

And in the centre of that spot, which lay

A ring embosom'd in the wood's embrace,

A fountain, clear as ever glass'd the day,

Breathed yet a fresher luxury round the place;

But now it slept, as if its silver shower,

And the wide reach of its aspiring sound,

Were far too harsh for that transparent hour:—

Yet—like a gnome that mourneth underground—

You caught the murmur of the rill which gave

The well's smooth calm the passion of its wave;

Ev'n as man's heart that still, with secret sigh,

Stirs through each thought that would reflect the sky.

VII.

And, group'd around the fountain, forms were seen,

Shaped as for courts in loving Chivalry,

Such as Boccacio placed, 'mid alleys green,

Listening to tales in careless Fiesolé!

Dress'd as for nymphs, the classic banquet there

Was spread on grassy turfs, with coolest fruit

And drinks Falernian—while the mellow air

Heaved to the light swell of the amorous lute;

And by the music lovers grew more bold,

And Beauty blush'd to secrets, murmuring told.

VIII.

But 'mid that graceful meeting, there were none

Who yielded not to him—that English guest.

Nor by sweet lips, half wooing to be won,

Were words that thrill and smiles that sigh suppress'd;

And fair with lofty brow, and locks of gold,

And manhood stately with a Dorian grace,

He seem'd like some young Spartan, when of old

The simple sons of thoughtful Hercules

On Elis stood, and look'd the lords of Greece.

Oh! little dream'd those flatterers as they gazed

On him—the radiant cynosure of all,

While on their eyes his youth's fresh glory blazed,

What that bright heart was destined to befall!

That worst of wars—the Battle of the Soil—

Which leaves but Crime unscath'd on either side!

The daily fever, and the midnight toil;

The hope defeated, and the name belied;

Wrath's fierce attack, and Slander's slower art,

The watchful viper of the evil tongue;—

The sting which pride defies, but not the heart—

The noblest heart is aye the easiest wrung:

The flowers, the fruit, the summer of rich life,

Cast on the sands and weariest paths of earth;

The march—but not the action—of the strife

Without;—and Sorrow coil'd around his hearth:

The film, the veil, the shadow, and the night,

Along those eyes which now in all survey

A tribute and a rapture;—the despite

Of Fortune wreak'd on his declining day;

The clouds slow-labouring upward round his heart;—

Oh! little dream'd they this!—nor less what light

Should through those clouds—a new-born glory—start;

And from the spot man's mystic Father trod,

Circling the round Earth with a solemn ray,

Cast its great shadow to the Throne of God!

IX.

The festive rite was o'er—the group was gone,

Yet still our wanderer linger'd there alone—

For round his eye, and in his heart, there lay

The tender spells which cleave to solitude.

Who, when some gay delight hath pass'd away,

Feels not a charmèd musing in his mood,

A poesy of thought, which yearns to pour

Still worship to the Spirit of the Hour?

Ah! they who bodied into deity

The rosy Hours, I ween, did scarcely err.

Sweet hours, ye have a life, and holily

That life is worn! and when no rude sounds stir

The quiet of our hearts—we inly hear

The hymnlike music of your floating voices,

Telling us mystic tidings of the sphere

Where hand in hand your linkèd choir rejoices,

And filling us with calm and solemn thought,

Diviner far than all our earth-born lore hath taught.

With folded arms and upward brow, he leant

Against the pillar of a sleeping tree;

When, hark! the still boughs rustled, and there went

A murmur and a sigh along the air,

And a light footstep, like a melody,

Pass'd by the flowers. He turn'd;—What Nymph is there?

What Hamadryad from the green recess

Emerging into beauty like a star?—

He gazed—sweet Heaven! 'tis she whose loveliness

Had in his England's gardens first (and far

From these delicious groves) upon him beam'd,

And look'd to life the wonders he had dream'd.

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

X.

They met again and oft! what time the Star

Of Hesperus hung his rosy lamp on high;

Love's earliest beacon, from our storms afar,

Lit in the loneliest watch-tower of the sky,

Perchance by souls that, ere this world was made,

Were the first lovers the first stars survey'd.

And Mystery o'er their twilight meeting threw

The charm that nought like mystery doth bestow:

Her name—her birth—her home he never knew;

And she—his love was all she sought to know.

And when in anxious or in tender mood

He pray'd her to disclose at least her name,

A look from her the unwelcome prayer subdued

So sad the cloud that o'er her features came:

Her lip grew blanch'd, as with an ominous fear,

And all her heart seem'd trembling in her tear.

So worshipp'd he in silence and sweet wonder,

Pleased to confide, contented not to know;

And Hope, life's checkering moonlight, smiled asunder

Doubts, which, like clouds, rise ever from below.

And thus his love grew daily, and perchance

Was all the stronger circled by romance.

He found a name for her, if not her own,

Haply as soft, and to her heart as dear—

"Zoe"—name stolen from the tuneful Greek,

It meaneth 'life,' when common lips do speak—

And more on those that love;—sweet language known

To lovers, sacred to themselves alone;

Words, like Egyptian symbols, set apart

For the mysterious Priesthood of the Heart.

Creep slowly on, O charm'd reluctant Time—

Rarely so hallow'd, Time, creep slowly on—

Ev'n I would linger in my truant rhyme,

Nor tell too soon how soon those hours were gone.

Flowers bloom again—leaves glad once more the tree—

Poor life, there comes no second Spring to thee!

PART THE SECOND.

"Protinus insoliti subierunt corda furores,

Uror amans intus, flammaque totus eram.

Interea misero quæ jam mihi sola placebat

Ablata est oculis non reditura meis."—MILT. ELEG. VII.

I.

Who shall dispart the Poet's golden threads,

From the fine tissues of Philosophy?—

Mounts to one goal, each guess that upward leads,

Whether it soar in some impassion'd sigh

Or some still thought; alike, it doth but tend

To Light that draws it heavenward.—'Tis but one

Great law that from the violet lifts the dew

At dawn and twilight to the amorous sun,

Or calls the mist, which navies glimmer through,

From the vast hush of an unfathom'd sea.

The Athenian guess'd that when our souls descend

From some lost realm (sad aliens here to be),

Dim broken memories of the state before

Form what we call our 'reason';[C]—nothing taught

But all remember'd;—gleams from elder lore,

Pallid revivals of sublimer thought,

Which, though by fits and dreamily recall'd,

Make all the light our sense receives below;

Like the vague hues down-floating—disenthrall'd

From their bright birthplace, the lost Iris-bow.

Is this Philosophy or Song? Why ask?

How judge?—The instant that we leave the ground

Of the hard Positive, who saith "I know?"

Conjecture, fancy, faith—'tis these we task,

When Reason passes but an inch the bound

In which our senses draw the captive's breath.

And never yet Philosopher severe

Strove for a glimpse beyond the Bridge of Death,

But straight he enter'd on that atmosphere

Poets illume:—Let Logic prove the Known;

Truths that we know not, if we would explore,

We must imagine! Link, then, evermore

Together—each so desolate alone,

O Poesy, O Knowledge!—

Is not Love,

Of all those memories which to parent skies

Mount struggling back—(as to their source above,

In upward showers, imprison'd founts arise;)

Oh, is not Love the strongest and the clearest?

Love, and thine eyes instinctive seek the Heaven;

Love, and a hymn from every star thou hearest;

Love, and a world beyond the sense is given;

Love, and how many a glorious sleeping power

Wakes in thy breast and lifts thyself from thee;

Love, and, till then so wedded to the Hour,

Thy thoughts go forth and ask Eternity!

Lose what thou lovest, and the life of old

Is from thine eyes, O soul, no more conceal'd;

Look beyond Death, and through thy tears behold

There, where Love goes—thine ancient home reveal'd.

II.

The lovers met in twilight and in stealth.

Like to the Roc-bird in the Orient Tale,

That builds its nest in pathless pinnacles,

And there collects and there conceals the wealth,

Which paves the surface of the Diamond Vale,

Love hoards aloof the glories that it stealeth;

And gems, but found in life's enchanted dells,

On airy heights that kiss the heaven concealeth.

All nature was a treasury which their hearts

Rifled and coin'd in passion; the soft grass,

The bee's blue palace in the violet's bell;

The sighing leaves which, as the day departs,

The light breeze stirreth with a gentle swell;

The stiller boughs blent in one emerald mass,

Whence, rarely floating liquid Eve along,

Some unseen linnet sent its vesper song;

All furnish'd them with images and words,

And thoughts which spoke not, but lay hush'd like prayer;

Their love made life one melody, like birds,

And circled earth with its own rosy air.

What in that lovely climate doth the breast

Interpret not into some sound of love?

Canst thou ev'n gaze upon the hues that rest,

Like the god's smile, upon the pictured dream

Limn'd on mute canvas by the golden Claude,

Nor feel thy pulses as to music move?—

Nor feel thy soul by some sweet presence awed?

Nor know that presence by its light,—and deem

The Landscape breathing with a Voice Divine,

"Love, for the land on which ye gaze is mine?"

III.

But all round them was life—the living scene,

The real sky, and earth, and wave, and air:

The turf on which Egeria's steps had been,

The shade, stream, grotto, which had known her care.

Still o'er them floated an inspiring breath—

The fragrance and the melody of song—

The legend—glory—verse—that vanquish'd death

Still through the orange glades were borne along,

And sunk into their souls to swell the hoard

Of those rich thoughts the miser Passion stored!

IV.

But they required no fuel to the flame

Which burn'd within them, all undyingly;

No scene to steep their passion in romance,

No spell from outward nature to enhance

The nature at their bosoms: all the same

Their love had been if cast upon a rock,

And frown'd on from the Arctic's haggard sky.

Nay, ev'n the vices and the cares, which move

Like waves o'er that foul ocean of dull life,

That rolls through cities in a sullen strife

With heaven, had raged on them, nor in the shock

Crumbled one atom from their base of love.

And, like still waters, poesy lay deep

Within the hush'd yet haunted soul of each;

And the fair moon, and all the stars that steep

Heaven's silence and its spirit in delight,

Had with that tide a sympathy and speech!

For them there was a glory in the night,

A whisper in the forest, and the air;

Love is the priest of Nature, and can teach

A world of mystery to the few that share,

With self-devoted faith, the wingèd Flamen's care.

V.

In each lay poesy—for Woman's heart

Nurses the stream, unsought, and oft unseen;

And if it flow not through the tide of art,

Nor woo the glittering daylight—you may ween

It slumbers, but not ceases; and, if check'd

The egress of rich words, it flows in thought,

And in its silent mirror doth reflect

Whate'er Affection to its banks has brought.

This makes her love so glowing and so tender,

Dyeing it in such deep and dreamlike hues;

Earth—Heaven—creative Genius—all that render,

In man, their wealth and homage to the muse;

Do but, in her, enrich the heart, and throng

To centre there what men disperse in song.

O treasure! which awhile the world outweighs

That blessèd human heart Youth calls its own!

Measure the space some envied Cæsar sways

With that which stretches from the heavenly throne

Into the Infinite;—and then compare

All after-conquests in the dim and dull

Bounds of the Real, with the realms that were

Youth's, when its reign was o'er the Beautiful!

He who loves nobly and is nobly loved

Is lord of the Ideal. Could it last!

It doth—it doth! lasts mournful but unmoved,

In the still Ghost-land that reflects the Past.

Age will forget its wintry yesterday,

But not one sunbeam that rejoiced its May;

Showing, perchance, that all which we resume

Of this hard life, beyond the Funeral River,

Are the fair blossoms of the age of bloom;

And hearts mourn most the things that live for ever.

VI.

Twice glided through her course the wandering Queen

Who rules the stars and deeps, since first they met.

'Tis eve once more, that earliest hour, serene

With the last light, before the sun hath set;

And Zoe waits her lover on the hill,

Waits, looking forth afar:—The parting ray

Of the reluctant Day-god linger'd still;

Aslant it glinted through the pinewood boughs,

Broadly to rest upon the ruins grey,

That at her feet in desolate glory lay.

Through chasm and chink, the myrtle's glossy green,

Votive of old to Cytheræa's brows—

Rose over wrecks, and smiled: And there, like Grief

Close-neighbouring Love, the aloe forced between

Myrtle with myrtle clasp'd—its barbèd leaf.

Where Zoe stands, the Cæsar's Palace stood,

And from that lofty terrace ye survey,

Naked within their thunder-riven tomb,

The bones of that dead Titaness call'd Rome.

Beyond, the Tiber, through the Latian Plain

With many a lesser sepulchre bestrew'd,

Mourn'd songless onward to the Tyrrhene main;

Around, in amphitheatre afar

The hills lay basking in the purple sky;

Till all grew grey, and Maro's shepherd-star

Look'd through the silence with a loving eye.

And soft from silver clouds stole forth the Moon,

Hush'd as if still she watch'd Endymion.

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

VII.

They sate them on a fallen column, where

The wild acanthus clomb the shatter'd stone,

Mocking the sculptured mimicry—which there

Was graven on the pillar'd pomp o'erthrown,[D]

Flowerless, if green, the herbage type-like decks

Art that will flower not over Glory's wrecks.

"Ah, doth not Heaven seem near us when alone?

How air and moonbeam interchange delight!

How like the homeward bird my soul hath flown

Unto its rest!—O glorious is the night,

Glorious with stars, and starry thoughts, and Thee!"

Her sweet voice paused; then from the swelling heart

Sigh'd—"Joy to meet, but O despair to part!"

"And wherefore part? Out of all time to me

Thou cam'st emerging from the depth of dreams,

As rose the Venus from her native sea;

And at thy coming, Light with all his beams

Illumed Creation's golden Jubilee.

What, if my life be wrench'd from youth too soon

To find in duty Manhood's troubled doom,—

Lo, where yon star clings ever through the gloom

Fast by the labouring melancholy moon,

So shine, unsever'd from thy pilgrim's side,

And gift his soul with an immortal bride."

Trembling she heard—no answer but a sigh—

Sighing, still trembled; tenderly he raised

Her downcast cheek, and sought the wish'd-for eye.

On the long lashes hung slow-gathering tears:

And that subdued, despondent thought which wears

Woe, as a Nun the fatal funeral veil,

Silent and self-consuming—cast its gloom

O'er the sad face yet sadder for its bloom.

He gazed, and felt within him, as he gazed,

His heart beneath the dire foreboding quail,

Ev'n as the gifted melancholy seer

Knows by his shudder when a grief is near.

"Thou answerest not—yet my soul trusts in thee;

Albeit—as if for child of earth too fair

Thy love vouchsafed, thy life conceal'd from me,

Nymph-like, thou comest out of starry air,—

And I, content the Beautiful to see,

Presumed till now no hardier human prayer.

But now, the spell the hour appointed breaks,

Now in these lips a power that thralls me speaks;

I seek mine England, canst thou leave thy Rome?

Start not—but let this hand still rest in thine;

Canst thou not say 'thy home shall be my home,'

Canst thou not say 'thy People shall be mine?'"

VIII.

Wildly she falter'd, starting from his breast,

"What dost thou ask—must it all end in this!

Art thou not happy, Ingrate? Rest, O, rest,

England has toil—Italia happiness!"

And as she spoke—a loftier light than pride

Flash'd from his eye, and thus the MAN replied,—

"Hear and approve me—In my father's land

Age-long have men, as Heathens, bow'd the knee

To the dire Statue with the sceptred hand,

Which Force enthrones for Thought's idolatry.

But now I hear the signal-sound afar,

Like the first clarion waking sleep to war,

When slumbering armies gird a doomèd town.

Dread with the whirlwind, glorious with the light,

Strong with the thunderbolt, comes rushing down

TRUTH:—Let the mountains reel beneath her might!

Vigour and health her angry wings dispense,

And speed the storm, to clear the pestilence.

For this, at morn, when through the gladd'ning air

Larks rise to heaven—arose my freeman's prayer.

For this, has Night in solemn prophet-dreams

Limn'd Time's great morrow—now its day-star gleams!

Yea, ere I loved thee, ere a sigh had ask'd

Ev'n if the love of woman were for me,

A Shape of queenlier grief than ever task'd

The votive hearts of antique Chivalry,

Born to command the sword, inspire the song,

Unveil'd her beauty, and reveal'd her wrong.

The Cause she pleads for with the world began;

The realm torn from her is the Soul of Man—

And her great name despoil'd is—Liberty!

And now she calls me with imperial voice

Homeward o'er land and ocean to her cause;

Sworn to her service at mine own free choice,

Shall I be recreant when the sword she draws?"

IX.

She look'd upon that brow so fair and high,

Too bright for sorrow as too bold for fear;

She look'd upon the depth of that large eye

Whence (ev'n when lost to daylight) starry clear

Shone earth's sublimest soul;—then tremblingly

On his young arm her gentle hand she laid,

And in the simple movement more was said

Of the weak woman's heart, than ever yet

Of that sweet mystery man's rude speech hath told.

The touch rebuked him as he thrill'd to it;

Back to their deep the stormier passions roll'd,

And left his brow (as when the heaven above

Smiles through departing cloud) serene with love.

"Come then—companion in this path sublime;

Link life with life, and strengthen soul with soul;

If vain the hope that lights the onward time;

If back to darkness fade the phantom goal;

If Dreams, that now seem prophet-visions, be

Dreams, and no more—still let me cling to thee!

Still, seeing thee, have faith in human worth,

And feel the Beautiful yet lives for earth!

Come, though from marble domes and myrtle bowers,

Come, though to lowly roofs and northern skies;

In its own fancies Love has regal towers,

And orient sunbeams in belovèd eyes.

Trust me, whatever fate my soul may gall,

Thou at thy woman-choice shalt ne'er repine;

Trust me, whatever storm on me may fall,

This man's true breast shall ward the bolt from thine.

Hark, where the bird from yon dark ilex breathes

Soul into night,—so be thy love to me!

Look, where around the bird the ilex wreathes

Still, sheltering boughs,—so be my love to thee!

O dweller in my heart, the music thine!

And the deep shelter—wilt thou scorn it? mine!"

He ceased, and drew her closer to his breast;

Soft from the ilex sang the nightingale:

Thy heart, O woman, in its happy rest

Hush'd a diviner tale!

And o'er her bent her lover; and the gold

Of his rich locks with her dark tresses blended;

And still, and calm, and tenderly, the lone

And mellowing night upon their forms descended;

And thus, amid the ghostly walls of old,

Seen through that silvery, moonlit, lucent air,

They seem'd not wholly of an earth-born mould,

But suited to the memories breathing there—

Two Genii of the mix'd and tender race,

Their charmèd homes in lonely coverts singling,

Last of their order, doom'd to haunt the place,

And bear sweet being interfused and mingling,

Draw through their life the same delicious breath,

And fade together into air in death.

Oh! what then burn'd within her, as her fond

And pure lips yearn'd to breathe the enduring vow?

All was forgot, save him before her now—

A blank, a non-existence, lay beyond—

All was forgot—all feeling, thought, but this—

For ever parted, or for ever his!

The voice just stirs her lip—what sound is there?

The cleft stone sighing to the curious air?

The night-bird rustling, or the fragment's fall,

Soft amid weeds, from Cæsar's ruin'd wall?

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

From his embrace abrupt the maiden sprang

With low wild cry despairing:—In the shade

Of that dark tree where still the night-bird sang,

Stood a stern image statue-like, and made

A shadow in the shadow;—locks of snow

Crown'd, with the awe of age, the solemn brow;

Lofty its look with passionless command,

As some old chief's of grand inhuman Rome:

Calm from its stillness moved the beckoning hand,

And low from rigid lips it murmur'd "Come!"—

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

*       *       *       *       *       *

PART THE THIRD.

"I argue not

Against Heaven's hand or will, nor bate a jot

Of heart or hope, but still bear up, and steer

Right onward. What supports me, dost thou ask?

The conscience, friend."—MILTON'S Sonnet to Cyriack Skinner.

I.

Years have flown by;—and Strife hath raged and ceased;

Still on the ear the halted thunder rings;

And still in halls, where purple tyrants feast,

Glares the red warning to inebriate kings.

Midnight is past: the lamp with steadfast light

A silent cell, a mighty toil illumes;

And hot and lurid on the student's sight

Flares the still ray which, like himself, consumes

Its life in gilding darkness. Damp and chill

Gather the dews on aching temples wan,

Wrung from the frame which fails the unconquer'd will

In the fierce struggle between soul and man.

II.

Alas! no more to golden palaces,

To starlit founts and dryad-haunted trees,

The SWEET DELUSION wafts the dreamy soul;

But with slow step and steadfast eyes that strain

Dazzled and scathed, towards the far-flaming goal

He braved the storm, and labour'd up the plain

O doubtful labour, but O glorious pain!

On the doom'd sight the gradual darkness steals

Bates he a jot of heart and hope?—he feels

But in his loss a world's eternal gain.[E]

Blame we or laud the Cause, all human life

Is grander by one grand self-sacrifice;

While earth disputes if righteous be the strife,

The martyr soars beyond it to the skies.

Yes, though when Freedom had her temple won

She rear'd a scaffold to obscure a shrine;

And, by the human sacrifice of one,

Sullied the million,—who could then define

The subtle tints where good and evil blend?—

There comes no rainbow when the floods descend!

Who, just escaped the chain and prison-bar,

Halts on the bridge to guess where glides the stream;

Who plays the casuist 'mid the roar of war;

Or in the arena builds the Academe?

Whate'er their errors, lightly those condemn

Who, had they felt not, fought not, glow'd and err'd,

Had left us what their fathers left to them—

Either the thraldom of the passive herd

Stall'd for the shambles at the master's word,

Or the dread overleap of walls that close,

And spears that bristle:—And the last they chose.

Calm from the hills their children gaze to-day,

And breathe the airs to which they forced the way.

III.

And thou, of whom I sing—what should we all,

Whate'er our state-creed, venerate in thee?

Purpose heroic; and majestical

Disdain of self;—the soul in which we see

Conviction, welding, from the furnace-zeal,

Duty, the iron mainspring of the mind;

Ardour, if fierce, yet fired for England's weal;

And man's strong heart-throb beating for mankind.

These move our homage, doubtful though we be

If ev'n thy pen acquits the headman's steel,

When thy page cites the crownless Dead—and pleads

Defence for nations in a judgeless cause:

Judgeless, for time shall ne'er decide what deeds

Damn or absolve the hosts whom Freedom leads

O'er the pale border-land of dying laws

Into the vague world of Necessity.

IV.

He lifts his look where on the lattice bar,

Through clouds fast gathering, shines a single star;

Large on the haze of his receding sight

It spreads, and spreads, and floods all space with light;

Nature's last glorious mournful smile on him

Ev'n while on earth so near the Seraphim.

Now from the blaze he veils with tremulous hand

The scorching eyes:—and now the starlight fades:

Midnight and cloud resettle on the Land,

And o'er her champion's vision rush the shades.

What rests to both?—the inner light that glows

Out from the gloom that Fate on each bestows;

There is no PRESENT to a hope sublime;

Man has eternity, and Nations time!

PART THE FOURTH.

"Thus with the year

Seasons return, but not to me returns

Day, or the sweet approach of even or morn,

Or sight of vernal bloom, or summer's rose,

Or flocks, or herds, or human face divine;

But cloud instead, and ever-during dark

Surrounds me."—Paradise Lost, Book III.

"Though fall'n on evil days,

In darkness, and with danger compass'd round,

And solitude; yet not alone, while thou

Visit'st my slumbers nightly, or when morn

Purples the east."—Paradise Lost, Book VII.

I.

Its gay farewell to hospitable eaves

The swallow twitter'd in the autumn heaven;

Dumb on the crisp earth fell the yellowing leaves,

Or, in small eddies, fitfully were driven

Down the bleak waste of the remorseless air.

Out, from the widening gaps in dreary boughs,

Alone the laurel smiled,—as freshly fair

As its own chaplet on immortal brows,

When Fame, indifferent to the changeful sun,

Sees waning races wither, and lives on.—

An old man sate before that deathless tree

Which bloom'd his humble dwelling-place beside;

The last pale rose which lured the lingering bee

To the low porch it scantly blossom'd o'er,

Nipp'd by the frost-air had that morning died.

The clock faint-heard beyond the gaping door,

Low as a death-watch, click'd the moments' knell;

And through the narrow opening you might see

Uncertain foot-prints on the sanded floor

(Uncertain foot-prints which of blindness tell);

The rude oak board, the morn's untasted fare;

The scatter'd volumes and the pillow'd chair,

In which, worn out with toil and travel past,

Life, the poor wanderer, finds repose at last.

II.

The old man felt the fresh air o'er him blowing

Waving thin locks from musing temples pale;

Felt the quick sun through cloud and azure going,

And the light dance of leaves upon the gale,

In that mysterious symbol-change of earth

Which looks like death, though but restoring birth.

Seasons return; for him shall not return

Day, or the sweet approach of even or morn.

Whatever garb the mighty mother wore,

Nature to him was changeless evermore.—

List, not a sigh!—though fall'n on evil days,

With darkness compass'd round—those sightless eyes

Need not the sun; nightly he sees the rays,

Nightly he walks the bowers of Paradise.

High, pale, still, voiceless, motionless, alone,

Death-like in calm as monumental stone,

Lifting his looks into the farthest skies,

He sate: And as when some tempestuous day

Dies in the hush of the majestic eve,

So on his brow—where grief has pass'd away,

Reigns that dread stillness grief alone can leave.

III.

And while he sate, nor saw, nor sigh'd,—drew near

A timorous trembling step;—from the far clime

The Pilgrim Woman came: long year on year,

In brain-sick thought that takes no heed of time,

How had she pined to gaze upon that brow

Last seen in youth, when she was young:—AND NOW!

And now! O words that make the sepulchre

Of all our Past! Life sheds no sadder tear

Than, when recalling what the Hours inter

Of hopes, of passions, of the things that made

Our hearts once quicken with tumultuous bliss,

We feel what worlds within ourselves can fade,

Sighing "And now!"—Alas the nothingness

Even of love—had it no life but this!

IV.

Thus as she stood and gazed, and noiseless wept,

Two young slight forms across the threshold crept

And reach'd the blind grey man, and kiss'd his hand,

And then a moment o'er his lips there stray'd

The old, familiar, sweet yet stately smile.

On either side the children took their stand,

And all the three were silent for awhile:

Till one, the gentler, whisper'd some soft word,

Mingling her young locks with that silvery hair;

And the old man the child's meek voice obey'd,

Rose,—lingering yet to breathe the gladsome air—

Or catch the faint note of the neighbouring bird;

Then leaning on the two, his head he bow'd,

And from the daylight pensive pass'd away.

Sharp swept the wind, the thrush forsook the spray,

And the poor Pilgrim wept at last aloud.

V.

Hark, from within, slow and sonorous stole

Deep organ-tones; with solemn pomp of sound

Meet to bear up the disimprison'd soul

From mortal homage in material piles,

To blend with Angel Halleluiahs!—Round

The charmèd place the notes melodious roll

As with a visible flood: adown the aisles

Of Nature's first cathedrals (vistas dim,

Through leafless woodlands), far and farther float

On to the startled haunts of toiling men,

The marching music-tides: the heavenly note

Thrills through the reeking air of alleys grim;

Awes wolf-eyed Guilt close skulking in its den;

Lulls Childhood, wailing with white lips for bread,

On the starved breast of nerveless Penury;

Fever lies soothed upon its burning bed:

Indignant Worth stills its world-weary sigh;

The widow'd bride looks upward from the dead,

And deems she hears his welcome to the sky.

On, the grand music, more and more remote,

Bore the grey blind man's soul, itself a hymn,

Till lost in air amid the Seraphim.

VI.

Our life is as a circle, and our age

Back to our youth returns at last in dreams;

The intermediate restless pilgrimage

Vexing the earth with toils, the air with schemes,

Pays our hard tribute to the work-day world.

That done, as some storm-shatter'd argosy

Puts to the port from whence its sail unfurl'd,

The soul regains the first familiar shore,

And greets the quiet it disdain'd before.

He who in youth from purple poetry

Flush'd the grey clouds in this cold common sky,

After his shadeless undelusive noon

Shall mark the roseate hues, which morning wore,

Herald the eve, and gird his setting sun;

And the last Hesperus shine on Helicon.

O long (yet nobly, since for man) resign'd

Nature's most sovereign, care's most soothing boon;

Again, again, with vervain fillets bind

Anointed brows—O Mage supreme of song!

Again before the enchanted crystal glass

Let the celestial phantoms glide along—

Thou, whose sweet tears yet hallow Lycidas;

Thou, who the soul of Plato didst unsphere,

By chaste Sabrina's beryl-paven cell!

If now no more thou deign'st to charm the ear

"With measures ravish'd from Apollo's shell,"

Re-wake the harp which mournful willows hide

Left by the captives of Jerusalem;

For thou hast thought of Sion, and beside

The streams of Babylon, hast wept—like them!

VII.

Aged, forsaken—to the crowd below

(As to the Priest[F] who chronicled the time),

"One Milton!—The blind Teacher"—be it so.

Neglect and ruin make but more sublime

The last lone column which survives the dearth

Of a lost city,—when it lifts on high.

Above the waste and solitude of earth

Its front: and soars, the Neighbour of the Sky.

To him a Voice floats down from every star;

An Angel bends from every cloud that rolls;

Life has no mystery from our sight more far

Than the still joy in solemn Poet-souls.

As some vast river, fresh'ning lands unknown

Where never yet a human footstep trod,

Leave the grand Song to flow majestic on

And hymn delight, from all its waves, to God.

VIII.

A death-bell ceased;—beneath the vault were laid

A great man's bones;—and when the rest were gone,

Veil'd, and in sable widow-'d weeds array'd,

An aged woman knelt upon the stone.

Low as she pray'd, the wailing notes were sweet

With the strange music of a foreign tongue:

Thrice to that spot came feeble, feebler feet,

Thrice on that stone were humble garlands hung.

On the fourth day some formal hand in scorn

The flowers that breathed of priestcraft cast away;

But the poor stranger came not with the morn,

And flowers forbidden deck'd no more the clay.

A heart was broken!—and a spirit fled!

Whither—let those who love and hope decide—

But in the faith that Love rejoins the dead,

The heart was broken ere the garland died.

FOOTNOTES

[A] In the story of Cupid and Psyche, told in Apuleius, it is said that the lamp itself gladdened at the aspect of the god.—"Cujus aspectu lucernæ quoque lumen hilaratum increbuit."

[B] Galileo—according to the popular legend of Milton's visit to him.

[C] Plato.

[D] The foliage of the Corinthian capital is borrowed from the acanthus.

[E] The Council of State ordered, January 1649-50, "That Mr. Milton do prepare something in answer to the book of Salmasius, and when he hath done itt, bring itt to the Council." He was present, says his biographer, at the discussion which led to the order, and though warned that the loss of sight would be the certain consequence of obeying it, did so.—He called to mind, to use his own image, the two destinies the oracle announced to Achilles:—"If he stay before Troy, he will return to his land no more, but have everlasting glory—if he withdraw, long will be his life and short his fame."

[F] Burnett.

EVA.

A TRUE STORY.

I.

THE MAIDEN'S HOME.

A cottage in a peaceful vale;

A jasmine round the door;

A hill to shelter from the gale;

A silver brook before.

Oh, sweet the jasmine's buds of snow,

In mornings soft with May;

Oh, silver-clear the waves that flow,

Reflecting heaven, away!

A sweeter bloom to Eva's youth

Rejoicing Nature gave;

And heaven was mirror'd in her truth

More clear than on the wave.

Oft to that lone sequester'd place

My boyish steps would roam,

There was a look in Eva's face

That seem'd a smile of home.

And oft I paused to hear at noon

A voice that sang for glee;

Or mark the white neck glancing down,—

The book upon the knee.—

II.

THE IDIOT BOY.

Who stands between thee and the sun?—

A cloud himself,—the Wandering One!

A vacant wonder in the eyes,—

The mind, a blank, unwritten scroll;—

The light was in the laughing skies,

And darkness in the Idiot's soul.

He touch'd the book upon her knee—

He look'd into her gentle face—

"Thou dost not tremble, maid, to see

Poor Arthur by thy dwelling-place.

I know not why, but where I pass

The aged turn away;

And if my shadow vex the grass,

The children cease from play.

My only playmates are the wind,

The blossom on the bough!

"Why are thy looks so soft and kind?

Thou dost not tremble—thou!"

Though none were by, she trembled not—

Too meek to wound, too good to fear him;

And, as he linger'd on the spot,

She hid the tears that gush'd to hear him.—

III.

PRAYER OF ARTHUR'S FATHER.

"O Maiden!"—thus the sire begun—

"O Maiden, do not scorn my prayer:

I have a hapless idiot son,

To all my wealth the only heir;

And day by day, in shine or rain,

He wanders forth, to gaze again

Upon those eyes, whose looks of kindness

Still haunt him in his world of blindness;

A sunless world!—all arts to yield

Light to the mind from childhood seal'd

Have been explored in vain.

Few are his joys on earth;—above,

For every ill a cure is given—

God grant me life to cheer with love

The wanderer's guileless path to Heaven."

He paused—his heart was full—"And now,

What brings the suppliant father here?

Yes, few the joys that life bestows

On him whose life is but repose—

One night, from year to year;—

Yet not so dark, O maid, if thou

Couldst let his shadow catch thy light,

Couldst to his lip that smile allow

Which comes but at thy sight;

Couldst—(for the smile is still so rare,

And oh, so innocent the joy!)

His presence, though it pain thee, bear,

Nor fear the harmless idiot boy!"

Then Eva's father, from her brow

Parted the golden locks, descending

To veil the sweet face, downwards bending:—

And, pointing to the swimming eyes,

The dew-drops glist'ning on the cheek,

"Mourner!" the happier father cries,

"These tears her answer speak!"

Oh, sweet the jasmine's buds of snow,

In mornings soft with May;

Oh, silver-clear the waves that flow

In summer skies away;—

But sweeter looks of kindness seem

O'er human trouble bow'd,

And gentle hearts reflect the beam

Less truly than the cloud.

IV.

THE YOUNG TEACHER.

Of wonders on the land and deeps

She spoke, and glories in the sky—

The Eternal life the Father keeps,

For those who learn from Him to die.

So simply did the maiden speak—

So simply and so earnestly,

You saw the light begin to break,

And Soul the Heaven to see;

You saw how slowly, day by day,

The darksome waters caught the ray

Confused and broken—come and gone—

The beams as yet uncertain are,

But still the billows murmur on,

And struggle for the star.

V.

THE STRANGER SUITOR.

There came to Eva's maiden home

A Stranger from a sunnier clime;

The lore that Hellas taught to Rome,

The wealth that Wisdom works from Time,

Which ever, in its ebb and flow,

Heaves to the seeker on the shore

The waifs of glorious wrecks below,

The argosies of yore;—

Each gem that in that dark profound

The Past,—the Student's soul can find;

Shone from his thought, and sparkled round

The Enchanted Palace of the Mind.

In man's best years, his form was fair,

Broad brow with hyacinth locks of hair;

A port, though stately, not severe;

An eye that could the heart control;

A voice whose music to the ear,

Became a memory to the soul.

It seem'd as Nature's hand had done

Her most to mould her kingly son;

But oft beneath the sunlit Nile

The grim destroyer waits its prey,

And dark, below that fatal smile,

The lurking demon lay.

How trustful in the leafy June,

She roved with him the lonely vale;

How trustful by the tender moon,

She blushed to hear a tenderer tale.

O happy Earth! the dawn revives,

Day after day, each drooping flower—

Time to the heart once only gives

The joyous Morning Hour.

"To him—oh, wilt thou pledge thy youth,

For whom the world's false bloom is o'er?

My heart shall haven in thy truth,

And tempt the faithless wave no more.

In my far land, a sun more bright

Sheds rose-hues o'er a tideless sea;

But cold the wave, and dull the light,

Without the sunshine found in thee.

Say, wilt thou come, the Stranger's bride,

To that bright land and tideless sea?

There is no sun but by thy side—

My life's whole sunshine smiles in thee!"

Her hand lay trembling on his arm,

Averted glow'd the happy face;

A softer hue, a mightier charm,

Grew mellowing o'er the hour—the place;

Along the breathing woodlands moved

A PRESENCE dream-like and divine—

How sweet to love and be beloved,

To lean upon a heart that's thine!

Silence was o'er the earth and sky—

By silence Love is answer'd best—

Her answer was the downcast eye,

The rose-cheek pillow'd on his breast.

What rustles through the moonlit brake?

What sudden spectre meets their gaze?

What face, the hues of life forsake,

Gleams ghost-like in the ghostly rays?

You might have heard his heart that beat,

So heaving rose its heavy swell—

No more the Idiot—at her feet,

The Dark One, roused to reason, fell.

Loosed the last link that thrall'd the thought,

The lightning broke upon the blind—

The jealous love the cure had wrought,

The Heart in waking woke the Mind.

VI.

THE MARRIAGE.

To and fro the bells are swinging,

Cheerily, clearly, to and fro;

Gaily go the young girls, bringing

Flowers the fairest June may know.

Maiden, flowers that bloom'd and perish'd

Strew'd thy path the bridal day;

May the Hope thy soul has cherish'd,

Bloom when these are pass'd away!

The Father's parting prayer is said,

The daughter's parting kiss is given;

The tears a happy bride may shed,

Like dews ascend to heaven;

And leave the earth from which they rise,

But balmier airs, and rosier dyes.

VII.

THE HERMIT.

Years fly; beneath the yew-tree shade

Thy father's holy dust is laid;

The brook glides on, the jasmine blows;

But where art thou, the wandering wife,

And what the bliss, and what the woes,

Glass'd in the mirror-sleep of life?

For whether life may laugh or weep,

Death the true waking—life the sleep.

None know! afar, unheard, unseen—

The present heeds not what has been;

This herded world together press'd,

Can miss no straggler from the rest—

Not so! Nay, all one heart may find,

Where Memory lives, a saint enshrined—

Some altar-hearth, in which our shade

The Household-god of Thought is made,

And each slight relic hoarded yet

With faith more solemn than regret.

Who tenants thy forsaken cot—

Who tends thy childhood's favourite flowers—

Who wakes, from every haunted spot,

The Ghosts of buried Hours?

'Tis He whose sense was doom'd to borrow

From thee the Vision and the Sorrow—

To whom the Reason's golden ray,

In storms that rent the heart was given;

The peal that burst the clouds away

Left clear the face of heaven!

And wealth was his, and gentle birth,

A form in fair proportions cast;

But lonely still he walk'd the earth—

The Hermit of the Past.

It was not love—that dream was o'er!

No stormy grief, no wild emotion;

For oft, what once was love of yore,

The memory soothes into devotion!

He bought the cot:—The garden flowers—

The haunts his Eva's steps had trod,

Books—thought—beguiled the lonely hours,

That flow'd in peaceful waves to God.

VIII.

DESERTION.

She sits, a Statue of Despair,

In that far land, by that bright sea;

She sits, a Statue of Despair,

Whose smile an Angel seem'd to be—

An angel that could never die,

Its home the heaven of that blue eye!

The smile is gone for ever there—

She sits, the Statue of Despair!

She knows it all—the hideous tale—

The wrong, the perjury, and the shame;—

Before the bride had left her vale,

Another bore the nuptial name;

Another lives to claim the hand

Whose clasp, in thrilling, had defiled:

Another lives, O God, to brand

The Bastard's curse upon her child!

ANOTHER!—through all space she saw

The face that mock'd th' unwedded mother's!

In every voice she heard the Law,

That cried, "Thou hast usurp'd another's!"

And who the horror first had told?—

From his false lips in scorn it came—

"Thy charms grow dim, my love grows cold;

My sails are spread—Farewell."

Rigid in voiceless marble there—

Come, sculptor, come—behold Despair!

The infant woke from feverish rest—

Its smiles she sees, its voice she hears—

The marble melted from the breast,

And all the Mother gush'd in tears.

IX.

THE INFANT-BURIAL

To and fro the bells are swinging,

Heavily heaving to and fro;

Sadly go the mourners, bringing

Dust to join the dust below.

Through the church-aisle, lighted dim,

Chanted knells the ghostly hymn,

Dies iræ, dies illa,

Solvet sæclum in favillâ!

Mother! flowers that bloom'd and perish'd,

Strew'd thy path the bridal day;

Now the bud thy grief has cherish'd,

With the rest has pass'd away!

Leaf that fadeth—bud that bloometh,

Mingled there, must wait the day

When the seed the grave entombeth

Bursts to glory from the clay.

Dies iræ, dies illa,

Solvet sæclum in favillâ!

Happy are the old that die,

With the sins of life repented;

Happier he whose parting sigh

Breaks a heart, from sin prevented!

Let the earth thine infant cover

From the cares the living know;

Happier than the guilty lover—

Memory is at rest below!

Memory, like a fiend, shall follow,

Night and day, the steps of Crime;

Hark! the church-bell, dull and hollow,

Shakes another sand from time!

Through the church-aisle, lighted dim,

Chanted knells the ghostly hymn;

Hear it, False One, where thou fliest,

Shriek to hear it when thou diest—

Dies iræ, dies illa,

Solvet sæclum in favillâ!

X.

THE RETURN.

The cottage in the peaceful vale,

The jasmine round the door,

The hill still shelters from the gale,

The brook still glides before.

Without the porch, one summer noon,

The Hermit-dweller see!

In musing silence bending down,

The book upon his knee.

Who stands between thee and the sun?—

A cloud herself,—the Wand'ring One!—

A vacant sadness in the eyes,

The mind a razed, defeatured scroll;

The light is in the laughing skies,

And darkness, Eva, in thy soul!

The beacon shaken in the storm,

Had struggled still to gleam above

The last sad wreck of human love,

Upon the dying child to shed

One ray—extinguish'd with the dead:

O'er earth and heaven then rush'd the night!

A wandering dream, a mindless form—

A Star hurl'd headlong from its height,

Guideless its course, and quench'd its light.

Yet still the native instinct stirr'd

The darkness of the breast—

She flies, as flies the wounded bird

Unto the distant nest.

O'er hill and waste, from land to land,

Her heart the faithful instinct bore;

And there, behold the Wanderer stand

Beside her Childhood's Home once more!

XI.

LIGHT AND DARKNESS.

When earth is fair, and winds are still,

When sunset gilds the western hill,

Oft by the porch, with jasmine sweet,

Or by the brook, with noiseless feet,

Two silent forms are seen;

So silent they—the place so lone—

They seem like souls when life is gone,

That haunt where life has been:

And his to watch, as in the past

Her soul had watch'd his soul.

Alas! her darkness waits the last,

The grave the only goal!

It is not what the leech can cure—

An erring chord, a jarring madness:

A calm so deep, it must endure—

So deep, thou scarce canst call it sadness;

A summer night, whose shadow falls

On silent hearths in ruin'd halls.

Yet, through the gloom, she seem'd to feel

His presence like a happier air,

Close by his side she loved to steal,

As if no ill could harm her there!

And when her looks his own would seek,

Some memory seem'd to wake the sigh,

Strive for kind words she could not speak,

And bless him in the tearful eye.

O sweet the jasmine's buds of snow,

In mornings soft with May,

And silver-clear the waves that flow

To shoreless deeps away;

But heavenward from the faithful heart

A sweeter incense stole;—

The onward waves their source desert,

But Soul returns to Soul!

THE FAIRY BRIDE.

A TALE[A]

PART I.

"And how canst thou in tourneys shine,

Or tread the glittering festal floor?

On chains of gold and cloth of pile,

The looks of high-born Beauty smile;

Nor peerless deeds, nor stainless line,

Can lift to fame the Poor!"

His Mother spoke; and Elvar sigh'd—

The sigh alone confess'd the truth;

He curb'd the thoughts that gall'd the breast—

High thoughts ill suit the russet vest;

Yet Arthur's Court, in all its pride,

Ne'er saw so fair a youth.

Far, to the forest's stillest shade,

Sir Elvar took his lonely way;

Beneath an oak, whose gentle frown

Dimm'd noon's bright eyes, he laid him down

And watch'd a Fount that through the glade,

Sang, sparkling up to day.

"As sunlight to the forest tree"—

'Twas thus his murmur'd musings ran—

"And as amidst the sunlight's glow,

The freshness of the fountain's flow—

So—(ah, they never mine may be!)—

Are Gold and Love to Man."

And while he spoke, a gentle air

Seem'd stirring through the crystal tides;

A gleam, at first both dim and bright,

Trembled to shape, in limbs of light,

Gilded to sunbeams by the hair

That glances where IT glides;[B]

Till, clear and clearer, upward borne,

The Fairy of the Fountain rose:

The halo quivering round her, grew

More steadfast as the shape shone through—

O sure, a second, softer Morn

The Elder Daylight knows!

Born from the blue of those deep eyes,

Such love its happy self betray'd

As only haunts that tender race,

With flower or fount, their dwelling-place—

The darling of the earth and skies

She rose—that Fairy Maid!

"Listen!" she said, and wave and land

Sigh'd back her murmur, murmurously—

"A love more true than minstrel sings,

A wealth that mocks the pomp of kings,

To him who wins the Fairy's hand

A Fairy's dower shall be.

"But not to those can we belong

Whose sense the charms of earth allure?

If human love hath yet been thine,

Farewell,—our laws forbid thee mine.

The Children of the Star and Song,

We may but bless the Pure!"

"Dream—lovelier far than e'er, I ween,

Entranced the glorious Merlin's eyes—

Through childhood, to this happiest hour,

All free from human Beauty's power,

My heart unresting still hath been

A prophet in its sighs.

"Though never living shape hath brought

Sweet love, that second life, to me,

Yet over earth, and through the heaven,

The thoughts that pined for love were driven:—

I see thee—and I feel I sought

Through Earth and Heaven for thee!"

PART II.

Ask not the Bard to lift the veil

That hides the Fairy's bridal bower;

If thou art young, go seek the glade,

And win thyself some fairy maid;

And rosy lips shall tell the tale

In some enchanted hour.

"Farewell!" as by the greenwood tree,

The Fairy clasp'd the Mortal's hand—

"Our laws forbid thee to delay—

Not ours the life of every day!—

And Man, alas! may rarely be

The Guest of Fairy-land.

"Back to thy Prince's halls depart,

The stateliest of his stately train:

Henceforth thy wish shall be thy mine—

Each toy that gold can purchase, thine—

A fairy's coffers are the heart

A mortal cannot drain."

"Talk not of wealth—that dream is o'er!—

These sunny looks be all my gold!"

"Nay! if in courts thy thoughts can stray

Along the fairy-forest way,

Wish but to see thy bride once more—

Thy bride thou shalt behold.

"Yet hear the law on which must rest

Thy union with thine elfin bride;

If ever by a word—a tone—

Thou mak'st our tender secret known,

The spell will vanish from thy breast—

The Fairy from thy side.

"If thou but boast to mortal ear

The meanest charm thou find'st in me,

If"—here his lips the sweet lips seal,

Low-murmuring, "Love can ne'er reveal—

It cannot breathe to mortal ear

The charms it finds in thee!"

PART III.

High joust, by Carduel's ancient town,

The Kingly Arthur holds to-day;

Around their Queen; in glittering row,

The Starry Hosts of Beauty glow.

Smile down, ye stars, on his renown

Who bears the wreath away!

O chiefs who gird the Table Round—

O war-gems of that wondrous ring!—

Where lives the man to match the might

That lifts to song your meanest knight,

Who sees, preside on Glory's ground,

His Lady and his King?

What prince as from some throne afar,

Shines onward—shining up the throng?

Broider'd with pearls, his mantle's fold

Flows o'er the mail emboss'd with gold;

As rides, from cloud to cloud, a star,

The Bright One rode along!

Twice fifty stalwart Squires, in air

The stranger's knightly pennon bore;

Twice fifty Pages, pacing slow,

Scatter his largess as they go;

Calm through the crowd he pass'd, and, there,

Rein'd in the Lists before.

Light question in those elder days

The heralds made of birth and name.

Enough to wear the spurs of gold,

To share the pastime of the bold.

"Forwards!" their wands the Heralds raise,

And in the Lists he came.

Now rouse thee, rouse thee, bold Gawaine!

Think of thy Lady's eyes above;

Now rouse thee for thy Queen's sweet sake,

Thou peerless Lancelot of the Lake!

Vain Gawaine's might, and Lancelot's vain!—

They know no Fairy's love.

Before him swells the joyous tromp,

He comes—the victor's wreath is won!

Low to his Queen Sir Elvar kneels,

The helm no more his face conceals;

And one pale form amidst the pomp,

Sobs forth—"My gallant son!"

PART IV.

Sir Elvar is the fairest knight

That ever lured a lady's glance;

Sir Elvar is the wealthiest lord

That sits at good King Arthur's board;

The bravest in the joust or fight,

The lightest in the dance.

And never love, methinks, so blest

As his, this weary world has known;

For, every night before his eyes,

The charms that ne'er can fade arise—

A star unseen by all the rest—

A Life for him alone.

And yet Sir Elvar is not blest—

He walks apart with brows of gloom—

"The meanest knight in Arthur's hall

His lady-love may tell to all;

He shows the flower that glads his breast—

His pride to boast its bloom!

"And I who clasp the fairest form

That e'er to man's embrace was given,

Must hide the gift as if in shame!

What boots a prize we dare not name?

The sun must shine if it would warm—

A cloud is all my heaven!"

Much proud Genevra[C] marvell'd, how

A knight so fair should seem so cold;

What if a love for hope too high,

Has chain'd the lip and awed the eye?

A second joust—and surely now

The secret shall be told.

For, there, alone shall ride the brave

Whose glory dwells in Beauty's fame;

Each, for his lady's honour, arms—

His lance the test of rival charms.

Joy unto him whom Beauty gave

The right to gild her name!

Sir Lancelot burns to win the prize—

First in the Lists his shield is seen;

A sunflower for device he took—

"Where'er thou shinest turns my look."

So as he paced the Lists, his eyes

Still sought the Sun—his Queen!

"And why, Sir Elvar, loiterest thou?—

Lives there no fair thy lance to claim?"

No answer Elvar made the King;

Sullen he stood without the ring.

"Forwards!" An armèd whirlwind now

On horse and horseman came!

And down goes princely Caradoc—

Down Tristan and stout Agrafrayn,—

Unscath'd, alone, amidst the field,

Great Lancelot bears his victor-shield;

The sunflower bright'ning through the shock,

And through that iron rain.

"Sound, trumpets—sound!—to South and North!

I, Lancelot of the Lake, proclaim,

That never sun and never air,

Or shone or breathed on form so fair

As hers—thrice, trumpets, sound it forth!—

Our Arthur's royal dame!"

And South and North, and West and East,

Upon the thunder-blast it flies!

Still on his steed sits Lancelot,

And even echo answers not;

Till, as the stormy challenge ceased,

A voice was heard—"He lies!"

All turn'd their mute, astonish'd gaze,

To where the daring answer came,

And lo! Sir Elvar's haughty crest!—

Fierce on the knight the gazers press'd;—

Their wands the sacred Heralds raise,—

Genevra weeps for shame.

"Sir Knight," King Arthur smiling said

(In smiles a king should wrath disguise),

"Know'st thou, in truth, a dame so fair,

Our Queen may not with her compare?

Genevra, weep, and hide thy head—

Sir Lancelot, yield the prize."

"O, grace, my liege, for surely each

The dame he serves should peerless hold,

To loyal eye and faithful breast

The loved one is the loveliest."

The King replied, "Not crafty speech—

Bold deeds—excuse the bold!

"So name thy fair, defend her right!

A list!—Ho Lancelot, guard thy shield.

Her name?"—Sir Elvar's visage fell:

"A vow forbids the name to tell."

"Now out upon the recreant Knight

Who courts yet shuns the field!

"Foul shame, were royal name disgraced

By some light leman's taunting smile!

Whoe'er—so run the tourney's laws—

Would break a lance in Beauty's cause,

Must name the Highborn and the Chaste—

The nameless are the vile."

Sir Elvar glanced, where, stern and high,

The scornful champion rein'd his steed;

Where o'er the Lists the seats were raised,

And jealous dames disdainful gazed,

He glanced, nor caught one gentle eye—

Courts grow not friends at need:

"King! I have said, and keep my vow."

"Thy vow! I pledge thee mine in turn,

Ere the third sun shall sink,—or bring

A fair outshining yonder ring,

Or find mine oath as thine is now

Inflexible and stern.

"Thy sword, unmeet to serve the right,—

Thy spurs, unfit for churls to wear,

Torn from thee;—through the crowd, which heard

Our Lady weep at vassal's word,

Shall hiss the hoot,—'Behold the knight,

Whose lips belie the fair!'

"Three days I give; nor think to fly

Thy doom; for on the rider's steed,

Though to the farthest earth he ride,—

Disgrace once mounted, clings beside;

And Mockery's barbèd shafts defy

Her victim's swiftest speed."

Far to the forest's stillest shade,

Sir Elvar took his lonely way:

Beneath the oak, whose gentle frown

Still dimm'd the noon, he laid him down,

And saw the Fount that through the glade

Sang sparkling up to day.

Alas, in vain his heart address'd,

With sighs, with prayers, his elfin bride;—

What though the vow conceal'd the name,

Did not the boast the charms proclaim?

The spell has vanish'd from his breast,

The fairy from his side.

Oh, not for vulgar homage made,

The holier beauty form'd for one;

It asks no wreath the arm can win;

Its lists—its world—the heart within;

All love, if sacred, haunts the shade—

The star shrinks from the sun!

Three days the wand'rer roved in vain;

Uprose the fatal dawn at last!

The Lists are set, the galleries raised,

And, scorn'd by all the eyes that gazed,

Alone he fronts the crowd again,

And hears the sentence pass'd.

Now, as, amidst the hooting scorn,

Rude hands the hard command fulfil,

While rings the challenge—"Sun and air

Ne'er shone, ne'er breathed, on form so fair

As Arthur's Queen,"—a single horn

Came from the forest hill.

A note so distant and so lone,

And yet so sweet,—it thrill'd along,

It hush'd the Champion on his steed,

Startled the rude hands from their deed,

Charm'd the stern Arthur on his throne,

And still'd the shouting throng.

To North, to South, to East, and West,

They turn'd their eyes; and o'er the plain,

On palfrey white, a Ladye rode;

As woven light her mantle glow'd.

Two lovely shapes, in azure dress'd,

Walk'd first, and led the rein.

The crowd gave way, as onward bore

That vision from the Land of Dreams;

Veil'd was the gentle rider's face,

But not the two her path that grace.

How dim beside the charms they wore

All human beauty seems!

So to the throne the pageant came,

And thus the Fairy to the King:

"Not unto thee for ever dear,

By minstrel's song, to knighthood's ear

Beseems the wrath that wrongs the vow,

Which hallows ev'n a name.

"Bloom there no flowers more sweet by night?

Come, Queen, before the judgment throne;

Behold Sir Elvar's nameless bride!

Now, Queen, his doom thyself decide."

She raised her veil,—and all her light

Of beauty round them shone!

The bloom, the eyes, the locks, the smile,

That never earth nor time could dim;—

Day grew more bright, and air more clear,

As Heaven itself were brought more near.—

And oh! his joy, who felt, the while,

That light but glow'd for him!

"My steed, my lance, vain Champion, now

To arms: and Heaven defend the right!"—

Here spake the Queen, "The strife is past,"

And in the Lists her glove she cast,

"And I myself will crown thy brow,

Thou love-defended Knight!"

He comes to claim the garland crown;

The changeful thousands shout his name;

And faithless beauty round him smiled,

How cold, beside the Forest's Child,

Who ask'd not love to bring renown,

And clung to love in shame!

He bears the prize to those dear feet:

"Not mine the guerdon! oh, not mine!"

Sadly the fated Fairy hears,

And smiles through unreproachful tears;

"Nay, keep the flowers, and be they sweet

When I—no more am thine!"

She lower'd the veil, she turn'd the rein,

And ere his lips replied, was gone.

As on she went her charmèd way,

No mortal dared the steps to stay:

And when she vanish'd from the plain

All space seem'd left alone!

Oh, woe! that fairy shape no more

Shall bless thy love nor rouse thy pride!

He seeks the wood, he gains the spot—

The Tree is there, the Fountain not;—

Dried up:—its mirthful play is o'er.

Ah, where the Fairy Bride?

Alas, with fairies as with men,

Who love are victims from the birth!

A fearful doom the fairy shrouds,

If once unveil'd by day to crowds.

The Fountain vanish'd from the glen,

The Fairy from the earth!

FOOTNOTES

[A] As the subject of this tale is suggested by one of the Fabliaux, the author has represented Arthur and Guenever, according to the view of their characters taken in those French romances—which he hopes he need scarcely say is very different from that taken in his maturer Poem upon the adventures and ordeal of the Dragon King.

[B] "With hair that gilds the water as it glides."—MARLOWE, Edw. II.

[C] As Guenever is often called Genevra in the French romances, the latter name is here adopted for the sake of euphony.

THE BEACON.

I.

How broad and bright athwart the wave,

Its steadfast light the Beacon gave!

Far beetling from the headland shore,

The rock behind, the surge before,—

How lone and stern and tempest-sear'd,

Its brow to Heaven the turret rear'd!

Type of the glorious souls that are

The lamps our wandering barks to light,

With storm and cloud round every star,

The Fire-Guides of the Night!

II.

How dreary was that solitude!

Around it scream'd the sea-fowl's brood;

The only sound, amidst the strife

Of wind, and wave, that spoke of life,

Except when Heaven's ghost-stars were pale,

The distant cry from hurrying sail.

From year to year the weeds had grown

O'er walls slow-rotting with the damp;

And, with the weeds, decay'd, alone,

The Warder of the lamp.

III.

But twice in every week from shore

Fuel and food the boatmen bore;

And then so dreary was the scene,

So wild and grim the warder's mien,

So many a darksome legend gave

Awe to that Tadmor of the wave,

That scarce the boat the rock could gain,

Scarce heaved the pannier on the stone,

Than from the rock and from the main,

Th' unwilling life was gone.

IV.

A man he was whom man had driven

To loathe the earth and doubt the heaven;

A tyrant foe (beloved in youth)

Had call'd the law to crush the truth;

Stripp'd hearth and home, and left to shame

The broken heart—the blacken'd name.

Dark exile from his kindred, then,

He hail'd the rock, the lonely wild:

Upon the man at war with men

The frown of Nature smiled.

V.

But suns on suns had roll'd away;

The frame was bow'd, the locks were grey:

And the eternal sea and sky

Seem'd one still death to that dead eye;

And Terror, like a spectre, rose

From the dull tomb of that repose.

No sight, no sound, of human-kind;

The hours, like drops upon the stone!

What countless phantoms man may find

In that dark word—"ALONE!"

VI.

Dreams of blue Heaven and Hope can dwell

With Thraldom in its narrowest cell;

The airy mind may pierce the bars,

Elude the chain, and hail the stars:

Canst thou no drearier dungeon guess

In space, when space is loneliness?

The body's freedom profits none,

The heart desires an equal scope;

All nature is a gaol to one

Who knows nor love nor hope!

VII.

One day, all summer in the sky,

A happy crew came gliding by,

With songs of mirth, and looks of glee—

A human sunbeam o'er the sea!

"O Warder of the Beacon," cried

A noble youth, the helm beside,

"This summer-day how canst thou bear

To guard thy smileless rock alone,

And through the hum of Nature hear

No heart-beat, save thine own?"

VIII.

"I cannot bear to live alone,

To hear no heart-heat, save my own;

Each moment, on this crowded earth,

The joy-bells ring some new-born birth;

Can ye not spare one form—but one,

The lowest—least beneath the sun,

To make the morning musical

With welcome from a human sound?"

"Nay," spake the youth,—"and is that all?

Thy comrade shall be found."

IX.

The boat sail'd on, and o'er the main

The awe of silence closed again;

But in the wassail hours of night,

When goblets go their rounds of light,

And in the dance, and by the side

Of her, yon moon shall mark his bride,

Before that Child of Pleasure rose,

The lonely rock—the lonelier one,

A haunting spectre—till he knows

The human wish is won!

X.

Low-murmuring round the turret's base

Wave glides on wave its gentle chase;

Lone on the rock, the warder hears

The oar's faint music—hark! it nears—

It gains the rock; the rower's hand

Aids a gray, time-worn form to land.

"Behold the comrade sent to thee!"

He said—then went. And in that place

The Twain were left; and Misery

And Guilt stood face to face!

XI.

Yes, face to face once more array'd,

Stood the Betrayer—the Betray'd!

Oh, how through all those gloomy years,

When Guilt revolves what Conscience fears,

Had that wrong'd victim breathed the vow

That if but face to face—And now,

There, face to face with him he stood,

By the great sea, on that wild steep;

Around, the voiceless Solitude,

Below, the funeral Deep!

XII.

They gazed—the Injurer's face grew pale—

Pale writhe the lips, the murmurs fail,

And thrice he strives to speak—in vain!

The sun looks blood-red on the main,

The boat glides, waning less and less—

No Law lives in the wilderness,

Except Revenge—man's first and last!

Those wrongs—that wretch—could they forgive?

All that could sweeten life was past;

Yet, oh, how sweet to live!

XIII.

He gazed before, he glanced behind;

There, o'er the steep rock seems to wind

The devious, scarce-seen path, a snake

In slime and sloth might, labouring, make.

With a wild cry he springs;—he crawls;

Crag upon crag he clears;—and falls

Breathless and mute; and o'er him stands,

Pale as himself, the chasing foe—

Mercy! what mean those claspèd hands,

Those lips that tremble so?

XIV.

"Thou hast cursed my life, my wealth despoil'd;

My hearth "is cold, my name is soil'd;

The wreck of what was Man, I stand

'Mid the lone sea and desert land!

Well, I forgive thee all; but be

A human voice and face to me!

O stay—O stay—and let me yet

One thing, that speaks man's language, know!—

The waste hath taught me to forget

That earth once held a foe!"

XV.

O Heaven! methinks, from thy soft skies,

Look'd tearful down the angel-eyes;

Back to those walls to mark them go,

Hand clasp'd in hand—the Foe and Foe!

And when the sun sunk slowly there,

Low knelt the prayerless man in prayer.

He knelt, no more the lonely one;

Within, secure, a comrade sleeps;

That sun shall not go down upon

A desert in the deeps.

XVI.

He knelt—the man who half till then

Forgot his God in loathing men,—

He knelt, and pray'd that God to spare

The Foe to grow the Brother there;

And, reconciled by Love to Heaven,

Forgiving—was he not forgiven?

"Yes, man for man thou didst create;

Man's wrongs, man's blessings can atone!

To learn how Love can spring from Hate—

Go, Hate,—and live alone."

THE LAY OF THE MINSTREL'S HEART.

It was the time when Spring on Earth

Gives Eden to the young;

On Provence shone the Vesper star;

Beneath fair Marguerite's lattice-bar

The Minstrel, Aymer, sung—

"The year may take a second birth,

But May is swift of wing;

The Heart whose sunshine lives in thee

One May from year to year shall see;

Thy love, eternal spring!"

The Ladye blush'd, the Ladye sighed,

All Heaven was in that Hour!

The Heart he pledged was leal and brave—

And what the pledge the Ladye gave?—

Her hand let fall a flower!

And when shall Aymer claim his Bride?

It is the hour to part!

He goes to guard the Saviour's grave;—

Her pledge, a flower, the Maiden gave,

And his—the Minstrel's heart!

Behold, a Cross, a Grave, a Foe!

What else—Man's Holy Land?

High deeds, that level Rank to Fame,

Have bought young Aymer's right to claim

The high-born Maiden's hand.

High deeds should ask no meed below—

Their meed is in the sky.

The poison-dart, in Victory's hour,

Has pierced the Heart where lies the flower,

And hers its latest sigh!

It is the time when Spring on Earth

Gives Eden to the young,

And harp and hymn proclaim the Bride,

Who smiles, Count Raimond, by thy side,—

The Maid whom Aymer sung!

And, darkly through the wassail mirth,

A pale procession see!—

Turn, Marguerite, from the bridegroom turn—

Thine Aymer's heart—the funeral urn—

His pledge, comes back to thee!

Lo, on the Urn how wither'd lies

Thy gift—the scentless flower!

Amid those garlands, fresh and fair,

That prank the hall and glad the air,

What does that wither'd flower?

One tear bedew'd the Ladye's eyes,

No tears beseem the day.

The dead can ne'er to life return

"A marble tomb shall grace the Urn,"

She said, and turn'd away.

The marble rose the Urn above,

The World went on the same;

The Ladye smiled. Count Raimond's bride,

And flowers, like hers, that bloom'd and died,

Each May returning came.

The faded flower, the dream of love,

The poison and the dart,

The tearful trust, the smiling wrong,

The tomb,—behold, O Child of Song,

The History of thy Heart!

Narrative Lyrics.

OR,

THE PARCÆ;

IN SIX LEAVES FROM THE SIBYL'S BOOK.

The Parcæ.—Leaf the First.

NAPOLEON AT ISOLA BELLA.

In the Isola Bella, upon the Lago Maggiore, where the richest vegetation of the tropics grows in the vicinity of the Alps, there is a lofty laurel-tree (the bay), tall as the tallest oak, on which, a few days before the battle of Marengo, Napoleon carved the word "BATTAGLIA." The bark has fallen away from the inscription, most of the letters are gone, and the few left are nearly effaced.

I.

O fairy island of a fairy sea,

Wherein Calypso might have spell'd the Greek,

Or Flora piled her fragrant treasury,

Cull'd from each shore her Zephyr's wings could seek.—

From rocks, where aloes blow.

Tier upon tier, Hesperian fruits arise;

The hanging bowers of this soft Babylon;

An India mellows in the Lombard skies,

And changelings, stolen from the Lybian sun,

Smile to yon Alps of snow.

II.

Amid this gentlest dream-land of the wave,

Arrested, stood the wondrous Corsican;

As if one glimpse the better angel gave

Of the bright garden-life vouschafed to man

Ere blood defiled the world.

He stood—that grand Sesostris of the North—

While paused the car to which were harness'd kings;

And in the airs, that lovingly sigh'd forth

The balms of Araby, his eagle-wings

Their sullen thunder furl'd.

III.

And o'er the marble hush of those large brows,

Dread with the awe of the Olympian nod,

A giant laurel spread its breathless boughs,

The prophet-tree of the dark Pythian god,

Shadowing the doom of thrones!

What, in such hour of rest and scene of joy,

Stirs in the cells of that unfathom'd brain?

Comes back one memory of the musing boy,

Lone gazing o'er the yet unmeasured main,

Whose waifs are human bones?

IV.

To those deep eyes doth one soft dream return?

Soft with the bloom of youth's unrifled spring,

When Hope first fills from founts divine the urn,

And rapt Ambition, on the angel's wing,

Floats first through golden air?

Or doth that smile recall the midnight street,

When thine own star the solemn ray denied,

And to a stage-mime,[A] for obscure retreat

From hungry Want, the destined Cæsar sigh'd?—

Still Fate, as then, asks prayer.

V.

Under that prophet tree, thou standest now;

Inscribe thy wish upon the mystic rind;

Hath the warm human heart no tender vow

Link'd with sweet household names?—no hope enshrined

Where thoughts are priests of Peace.

Or, if dire Hannibal thy model be,

Dread lest, like him, thou bear the thunder home!

Perchance ev'n now a Scipio dawns for thee,

Thou doomest Carthage while thou smitest Rome—

Write, write "Let carnage cease!"

VI.

Whispers from heaven have strife itself inform'd;—

"Peace" was our dauntless Falkland's latest sigh,

Navarre's frank Henry fed the forts he storm'd.

Wild Xerxes wept the Hosts he doom'd to die!

Ev'n War pays dues to Love!

Note how harmoniously the art of Man

Blends with the Beautiful of Nature! see

How the true Laurel of the Delian

Shelters the Grace!—Apollo's peaceful tree

Blunts ev'n the bolt of Jove.

VII.

Write on the sacred bark such votive prayer,

As the mild Power may grant in coming years,

Some word to make thy memory gentle there;—

More than renown, kind thought for men endears

A Hero to Mankind.

Slow moved the mighty hand—a tremour shook

The leaves, and hoarse winds groan'd along the wood;

The Pythian tree the damning sentence took,

And to the sun the battle-word of blood

Glared from the gashing rind.

VIII.

So thou hast writ the word, and sign'd thy doom:

Farewell, and pass upon thy gory way,

The direful skein the pausing Fates resume!

Let not the Elysian grove thy steps delay

From thy Promethean goal.

The fatal tree the abhorrent word retain'd,

Till the last Battle on its bloody strand

Flung what were nobler had no life remain'd,—

The crownless front and the disarmèd hand

And the' foil'd Titan Soul;

IX.

Now, year by year, the warrior's iron mark

Crumbles away from the majestic tree,

The indignant life-sap ebbing from the bark

Where the grim death-word to Humanity

Profaned the Lord of Day.

High o'er the pomp of blooms, as greenly still,

Aspires that tree—the Archetype of Fame,

The stem rejects all chronicle of ill;

The bark shrinks back—the tree survives the same—

The record rots away.

BAVENO, Oct. 8, 1845.

The Parcæ.——Leaf the Second.

MAZARIN.

FAREWELL TO THE BEAUTIFUL, WITHOUT.

"I was walking, some days after, in the new apartments of his palace. I recognized the approach of the cardinal (Mazaria) by the sound of his slippered feet, which he dragged one after the other, as a man enfeebled by a mortal malady. I concealed myself behind the tapestry, and I heard him say, 'Il faut quitter tout cela!' ('I must leave all that!') He stopped at every step, for he was very feeble, and casting his eyes on each object that attracted him, he sighed forth, as from the bottom of his heart, 'II faut quitter tout cela! What pains have I taken to acquire these things! Can I abandon them without regret? I shall never see them more where I am about to go!'" &c.—MÉMOIRES INÉDITS DE LOUIS HENRI, COMTE DE BRIENNE, Barrière's Edition, vol. ii. p. 115.

Serene the Marble Images

Gleam'd down, in lengthen'd rows;

Their life, like the Uranides,

A glory and repose.

Glow'd forth the costly canvas spoil

From many a gorgeous frame;

One race will starve the living toil,

The next will gild the name.

That stately silence silvering through,

The steadfast tapers shone

Upon the Painter's pomp of hue,

The Sculptor's solemn stone.

Saved from the deluge-storm of Time,

Within that ark, survey

Whate'er of elder Art sublime

Survives a world's decay!

There creeps a foot, there sighs a breath,

Along the quiet floor;

An old man leaves his bed of death

To count his treasures o'er.

Behold the dying mortal glide

Amidst the eternal Art;

It were a sight to stir with pride

Some pining Painter's heart!

It were a sight that might beguile

Sad Genius from the Hour,

To see the life of Genius smile

Upon the death of Power.

The ghost-like master of that hall

Is king-like in the land;

And France's proudest heads could fall

Beneath that spectre hand.

Veil'd in the Roman purple, preys

The canker-worm within;

And more than Bourbon's sceptre sways

The crook of Mazarin.

Italian, yet more dear to thee

Than sceptre, or than crook,

The Art in which thine Italy

Still charm'd thy glazing look!

So feebly, and with wistful eyes,

He crawls along the floor;

A dying man, who, ere he dies,

Would count his treasures o'er.

And, from the landscape's soft repose,

Smiled thy calm soul, Lorraine;

And, from the deeps of Raphael, rose

Celestial Love again.

In pomp, which his own pomp recalls,

The haggard owner sees

Thy cloth of gold and banquet halls,

Thou stately Veronese!

While, cold as if they scorn'd to hail

Creations not their own,

The Gods of Greece stand marble-pale

Around the Thunderer's throne.

There, Hebè brims the urn of gold;

There, Hermes treads the skies;

There, ever in the Serpent's fold,

Laocoon deathless dies.

There, startled from her mountain rest,

Young Dian turns to draw

The arrowy death that waits the breast

Her slumber fail'd to awe.

There, earth subdued by dauntless deeds,

And life's large labours done,

Stands, sad as Worth with mortal meeds,

Alcmena's mournful son.[B]

They gaze upon the fading form

With mute immortal eyes;—

Here, clay that waits the hungry worm;

There, children of the skies.

Then slowly as he totter'd by,

The old Man, unresign'd,

Sigh'd forth: "Alas! and must I die,

And leave such life behind?

"The Beautiful, from which I part,

Alone defies decay!"

Still, while he sigh'd, the eternal Art

Smiled down upon the clay.

And as he waved the feeble hand,

And crawl'd unto the porch,

He saw the Silent Genius stand

With the extinguish'd torch!

The world without, for ever yours,

Ye stern remorseless Three;

What, from that changeful world, secures

Calm Immortality?

Nay, soon or late decays, alas!

Or canvass, stone, or scroll;

From all material forms must pass

To forms afresh, the soul.

'Tis but in that which doth create,

Duration can be sought;

A worm can waste the canvass;—Fate

Ne'er swept from Time, a Thought.

Lives Phidias in his works alone?—

His Jove returns to air:

But wake one godlike shape from stone,

And Phidian thought is there!

Blot out the Iliad from the earth,

Still Homer's thought would fire

Each deed that boasts sublimer worth,

And each diviner lyre.

Like light, connecting star to star,

Doth Thought transmitted run;—

Rays that to earth the nearest are,

Have longest left the sun.

The Parcæ.—Leaf the Third.

ANDRÉ CHÉNIER.

FAREWELL TO THE BEAUTIFUL, WITHIN.

"André Chénier, the original of whatever is truest to nature and genuine passion, in the modern poetry of France, died by the guillotine, July 27, 1794. In ascending the scaffold, he cried, 'To die so young!' 'And there was something here!' he added, striking his forehead, not in the fear of death, but the despair of genius!"—See THIERS, vol. iv. p. 83.

Within the prison's dreary girth,

The dismal night, before

That morn on which the dungeon Earth

Shall wall the soul no more,

There stood serenest images

Where doomèd Genius lay,

The ever young Uranides

Around the Child of Clay.

On blacken'd walls and rugged floors

Shone cheerful, thro' the night,

The stars—like beacons from the shores

Of the still Infinite.

From Ida to the Poet's cell

The Pain-beguilers stole;

Apollo tuned his silver shell

And Hebè brimm'd the bowl.

To grace those walls he needed nought

That tint or stone bestows;

Creation kindled from his thought:

He call'd—and gods arose.

The visions Poets only know

Upon the captive smiled,

As bright within those walls of woe

As on the sunlit child;

He saw the nameless, glorious things

Which youthful dreamers see,

When Fancy first with murmurous wings

O'ershadows bards to be;

Those forms to life spiritual given

By high creative hymn;

From music born—as from their heaven

Are born the Seraphim.[C]

Forgetful of the coming day,

Upon the dungeon floor

He sate to count, poor child of clay,

The wealth of genius o'er;

To count the gems, as yet unwrought,

But found beneath the soil;

The bright discoveries claim'd by thought,

As future crowns for toil.

He sees The Work his breath should warm

To life, from out the air:

The Shape of Love his soul should form,

Then leave its birthright there!

He sees the new Immortal rise

From her melodious sea;

The last descendant of the skies

For man to bend the knee—

He sees himself within your shrine

O hero gods of Fame!

And hears the praise that makes divine

The human holy name.

True to the hearts of men shall chime

The song their lips repeat;

When heroes chant the strain, sublime;

When lovers breathe it, sweet.

Lo, from the brief delusion given,

He starts, as through the bars

Gleams wan the dawn that scares from Heaven

And Thought alike—its stars.

Hark to the busy tramp below!

The jar of iron doors!

The gaoler's heavy footfall slow

Along the funeral floors!

The murmur of the crowd that round

The human shambles throng;

That muffled sullen thunder-sound—

The Death-cart grates along!

"Alas, so soon!—and must I die,"

He groan'd forth unresign'd;

"Flit like a cloud athwart the sky,

And leave no wrack behind!

"And yet my Genius speaks to me;

The Pythian fires my brain;

And tells me what my life should be;

A Prophet—and in vain!

"O realm more wide, from clime to clime,

Than ever Cæsar sway'd;

O conquests in that world of time

My grand desire survey'd!"—

Blood-red upon his loathing eyes

Now glares the gaoler's torch:

"Come forth, the day is in the skies,

The Death-cart at the porch!"

Pass on!—to thee the Parcæ give

The fairest lot of all;—

In golden poet-dreams to live,

And ere they fade—to fall!

The shrine that longest guards a Name

Is oft an early tomb;

The Poem most secure of fame

Is—some wrong'd poet's doom!

The Parcæ.—Leaf the Fourth.

MARY STUART AND HER MOURNER.

"Mary Stuart perished at the age of forty-four years and two months. Her remains were taken from her weeping servants, and a green cloth, torn in haste from an old billiard table, was flung over her once beautiful form. Thus it remained unwatched and unattended, except by a poor little lap-dog, which could not be induced to quit the body of its mistress. This faithful little animal was found dead two days afterwards; and the circumstance made such an impression even on the hard-hearted minister of Elizabeth, that it was mentioned in the official despatches."

MRS. JAMIESON'S Female Sovereigns—Mary Queen of Scots.

The axe its bloody work had done;

The corpse neglected lay;

This peopled world could spare not one

To watch beside the clay.

The fairest work from Nature's hand

That e'er on mortals shone,

A sunbeam stray'd from fairy land

To fade upon a throne;—

The Venus of the Tomb[D] whose form

Was destiny and death;

The Siren's voice that stirr'd a storm

In each melodious breath;—

Such was, what now by fate is hurl'd

To rot, unwept, away.

A star has vanish'd from the world;

And none to miss the ray!

Stern Knox, that loneliness forlorn

A harsher truth might teach

To royal pomps, than priestly scorn

To royal sins can preach!

No victims now that lip can make!

That hand how powerless now!

O God! and what a King—but take

A bauble from the brow?

The world is full of life and love;

The world methinks might spare

From millions, one to watch above

The dust of monarchs there.

And not one human eye!—yet lo

What stirs the funeral pall?

What sound—it is not human woe—

Wails moaning through the hall?

Close by the form mankind desert

One thing a vigil keeps;

More near and near to that still heart

It wistful, wondering creeps.

It gazes on those glazèd eyes,

It hearkens for a breath—

It does not know that kindness dies,

And love departs from death.

It fawns as fondly as before

Upon that icy hand.

And hears from lips, that speak no more,

The voice that can command.

To that poor fool, alone on earth,

No matter what had been

The pomp, the fall, the guilt, the worth,

The Dead was still a Queen.

With eyes that horror could not scare,

It watch'd the senseless clay:—

Crouch'd on the breast of Death, and there

Moan'd its fond life away.

And when the bolts discordant clash'd,

And human steps drew nigh,

The human pity shrunk abash'd

Before that faithful eye;

It seem'd to gaze with such rebuke

On those who could forsake;

Then turn'd to watch once more the look,

And strive the sleep to wake.

They raised the pall—they touch'd the dead,

A cry, and both were still'd,—

Alike the soul that Hate had sped,

The life that Love had kill'd.

Semiramis of England, hail!

Thy crime secures thy sway:

But when thine eyes shall scan the tale

Those hireling scribes convey;

When thou shalt read, with late remorse,

How one poor slave was found

Beside thy butcher'd rival's corse,

The headless and discrown'd;

Shall not thy soul foretell thine own

Unloved, expiring hour,

When those who kneel around the throne

Shall fly the falling tower;

When thy great heart shall silent break,

When thy sad eyes shall strain

Through vacant space, one thing to seek

One thing that loved—in vain?

Though round thy parting pangs of pride

Shall priest and noble crowd;

More worth the grief, that mourn'd beside

Thy victim's gory shroud!

The Parcæ.—Leaf the Fifth.

THE LAST DAYS OF ELIZABETH.

"Her delight is to sit in the dark, and sometimes, with shedding tears, to bewail Essex."—Contemporaneous Correspondence.

"She refused all consolation; few words she uttered, and they were all expressive of some hidden grief which she cared not to reveal. But sighs and groans were the chief vent which she gave to her despondency, and which, though they discovered her sorrows, were never able to ease or assuage them. Ten days and nights she lay upon the carpet leaning on cushions which her maids brought her," &c.—HUME.

I.

Rise from thy bloody grave,

Thou soft Medusa of the Fated Line[E]

Whose evil beauty look'd to death the brave;—

Discrownèd Queen, around whose passionate shame

Terror and Grief the palest flowers entwine,

That ever veil'd the ruins of a Name

With the sweet parasites of song divine!—

Arise, sad Ghost, arise,

And if Revenge outlive the Tomb,

Behold the Doomer brought to doom!

Lo, where thy mighty Murderess lies,

The sleepless couch—the sunless room,—

Through the darkness darkly seen

Rests the shadow of a Queen;

Ever on the lawns below

Flit the shadows to and fro,

Quick at dawn, and slow at noon,

Halving midnight with the moon:

In the palace, still and dun,

Rests that shadow on the floor;

All the changes of the sun

Move that shadow nevermore.

II.

Yet oft she turns from face to face,

A keen and wistful gaze,

As if the memory seeks to trace

The sign of some lost dwelling-place

Beloved in happier days;—

Ah, what the clue supplies

In the cold vigil of a hireling's eyes?

Ah, sad in childless age to weep alone,

Look round and find no grief reflect our own!—

O Soul, thou speedest to thy rest away,

But not upon the pinions of the dove;

When death draws nigh, how miserable they

Who have outlived all love!

As on the solemn verge of Night

Lingers a weary Moon,

Thou wanest last of every glorious light

That bathed with splendour thy majestic noon:—

The stately stars that clustering o'er the isle

Lull'd into glittering rest the subject sea;—

Gone the great Masters of Italian wile,

False to the world beside, but true to thee!—

Burleigh, the subtlest builder of thy fame,—

The serpent craft of winding Walsingham;—

They who exalted yet before thee bow'd:

And that more dazzling chivalry—the Band

That made thy Court a Faëry Land,

In which thou wert enshrined to reign alone—

The Gloriana of the Diamond Throne;—

All gone,—and left thee sad amidst the cloud.

III.

To their great sires, to whom thy youth was known,

Who from thy smile, as laurels from the sun

Drank the immortal greenness of renown,

Succeeds the cold lip-homage scantly won

From the new race whose hearts already bear

The Wise-man's offerings to th' unworthy Heir.

Watching the glass in which the sands run low,—

Hovers keen Cecil with his falcon eyes,

And musing Bacon[F] bends his marble brow.—

But deem not fondly there

To weep the fate or pour th' averting prayer

Attend those solemn spies!

Lo, at the Regal Gate

The impatient couriers wait;

To speed from hour to hour the nice account

That registers the grudged unpitied sighs

Vexing the friendless void, before

The Stuart's step shall reeling mount

Tudor's steep throne, red with his Mother's gore!

IV.

O piteous mockery of all pomp thou art,

Poor Child of Clay, worn out with toil and years!

As, layer by layer, the granite of the heart

Dissolving, melteth to the weakest tears

That ever Village Maiden shed above

The grave that robb'd her quiet world of love.

Ten days and nights upon that floor

Those weary limbs have lain;

And every hour has added more

Of heaviness to pain.

As gazing into dismal air

She sees the headless phantom there,

The victim round whose image twined

The last wild love of womankind;

That lightning flash'd from stormy hearts,

Which now reveals the deeps of Heaven,

And now remorseless, earthward darts,

Rives, and expires on what its stroke hath riven!

'Twere sad to see from those stern eyes

Th' unheeded anguish feebly flow;

And hear the broken word that dies

In moanings faint and low;—

But sadder still to mark the while,

The vacant stare—the marble smile,

And think, that goal of glory won.

How slight a shade between

The idiot moping in the sun

And England's giant Queen![G]

V.

Call back the joyous Past!

Lo, England white-robed for a holyday!

While, choral to the clarion's kingly blast,

Shout peals on shout along the Virgin's way,

As through the swarming streets rolls on the long array.

Mary is dead!—Look from your fire-won homes,

Exulting Martyrs!—on the mount shall rest

Truth's ark at last! th' avenging Lutheran comes

And clasps THE BOOK ye died for to her breast![H]

With her, the flower of all the Land,

The high-born gallants ride,

And ever nearest of the band,

With watchful eye and ready hand,

Young Dudley's form of pride![I]

Ah, ev'n in that exulting hour,

Love half allures the soul from Power,—

To that dread brow in bending down

Throbs up, beneath the manlike crown,

The woman's heart wild beating,

While steals the whisper'd worship, paid

Not to the Monarch, but the Maid,

Through tromps and stormy greeting.

VI.

Call back the gorgeous Past!

The lists are set, the trumpets sound,

Still as the stars, when to the breeze

Sway the proud crests of stately trees,

Bright eyes, from tier on tier around,

Look down, where on its famous ground

Murmurs and moves the bristling life

Of antique Chivalry!

"Forward!"[J]—the signal word is given—

Like cloud on cloud by tempest driven;

Steel lightens, and arm'd thunders close!

How plumes descend in flakes of snows;

How the ground reels, as reels a sea,

Beneath the inebriate rapture-strife

Of jocund Chivalry!

Who is the Victor of the Day?

Thou of the delicate form and golden hair

And Manhood glorious in its midst of May;—

Thou who, upon thy shield of argent, bearest

The bold device, "The Loftiest is the Fairest!"

As bending low thy stainless crest,

"The Vestal thronèd by the West"

Accords the old Provençal crown

Which blends her own with thy renown;—

Arcadian Sidney—Nursling of the Muse,

Flower of divine Romance,[K] whose bloom was fed

By daintiest Helicon's most silver dews,

Alas! how soon thy lovely leaves were shed—

Thee lost, no more were Grace and Force united,

Grace but some flaunting Buckingham unmann'd,

And Force but crush'd what Freedom vainly righted—

Behind, lo Cromwell looms, and dusks the land

With the swart shadow of his giant hand.

VII.

Call back the Kingly Past!

Where, bright and broadening to the main,

Rolls on the scornful River,—

Stout hearts beat high on Tilbury's plain,—

Our Marathon for ever!

No breeze above, but on the mast

The pennon shook as with the blast.

Forth from the cloud the day-god strode;

Flash'd back from steel, the splendour glow'd,—

Leapt the loud joy from Earth to Heaven,

As through the ranks asunder riven,

The Warrior-Woman rode!

Hark, thrilling through the armèd Line

The martial accents ring,

"Though mine the Woman's form—yet mine,

"The Heart of England's King!"[L]

Woe to the Island and the Maid!

The Pope has preach'd the New Crusade,[M]

His sons have caught the fiery zeal;

The Monks are merry in Castile;

Bold Parma on the Main;

And through the deep exulting sweep

The Thunder-Steeds of Spain.—

What meteor rides the sulphurous gale?

The Flames have caught the giant sail!

Fierce Drake is grappling prow to prow;

God and St. George for Victory now!

Death in the Battle and the Wind—

Carnage before and Storm behind—

Wild shrieks are heard above the hurtling roar

By Orkney's rugged strands, and Erin's ruthless shore.

Joy to the Island and the Maid!

Pope Sextus wept the Last Crusade!

His sons consumed before his zeal,—

The Monks are woeful in Castile;

Your Monument the Main,

The glaive and gale record your tale,

Ye Thunder-Steeds of Spain!

VIII.

Turn from the idle Past;

Its lonely ghost thou art!

Yea, like a ghost, whom charms to earth detain

(When, with the dawn, its kindred phantom train

Glide into peaceful graves)—to dust depart

Thy shadowy pageants; and the day unblest,

Seems some dire curse that keeps thee from thy rest.

Yet comfort, comfort to thy longing woe,

Thou wistful watcher by the dreary portal;

Now when most human, since most feeble, know,

That in the Human struggles the Immortal.

Flash'd from the steel of the descending shears,

Oft sacred light illumes the parting soul;

And our last glimpse along the woof of years,

First reads the scheme that disinvolves the whole.

Yet, then, recall the Past!

Is reverence not the child of sympathy?

To feel for Greatness we must hear it sigh:

On mortal brows those halos longest last

Which blend for one the rays that verge from all.

Few reign, few triumph; millions love and grieve:

Of grief and love let some high memory leave

One mute appeal to life, upon the stone—

That tomb from Time shall votive rites receive

When History doubts what ghost once fill'd a throne.

So,—indistinct while back'd by sunlit skies—

But large and clear against the midnight pall,

Thy human outline awes our human eyes.

Place, place, ye meaner royalties below,

For Nature's holiest—Womanhood and Woe!

Let not vain youth deride the age that still

Loves as the young,—loves on unto the last;

Grandest the heart when grander than the will—

Bow we before the soul, which through the Past,

Turns no vain glance towards fading heights of Pride,

But strains its humbled tearful gaze to see,

Love and Remorse—near Immortality,

And by the yawning Grave, stand side by side.

The Parcæ.—Leaf the Sixth.

CROMWELL'S DREAM.

The conception of this Ode originated in a popular tradition of Cromwell's earlier days. It is thus strikingly related by Mr. Forster, in his very valuable Life of Cromwell:—"He laid himself down, too fatigued in hope for sleep, when suddenly the curtains of his bed were slowly withdrawn by a gigantic figure, which bore the aspect of a woman, and which, gazing at him silently for a while, told him that he should, before his death, be the greatest man in England. He remembered when he told the story, and the recollection marked the current of his thoughts, that the figure had not made mention of the word King." Alteration has been made in the scene of the vision, and the age of Cromwell.

I.

The Moor spread wild and far,

In the sharp whiteness of a wintry shroud;

Midnight yet moonless; and the winds ice-bound:

And a grey dusk—not darkness—reign'd around,

Save where the phantom of a sudden star

Peer'd o'er some haggard precipice of cloud:—

Where on the wold, the triple pathway cross'd,

A sturdy wanderer wearied, lone, and lost,

Paused and gazed round; a dwarf'd but aged yew

O'er the wan rime its gnome-like shadow threw;

The spot invited, and by sleep oppress'd,

Beneath the boughs he laid him down to rest.

A man of stalwart limbs and hardy frame,

Meet for the ruder time when force was fame,

Youthful in years—the features yet betray

Thoughts rarely mellow'd till the locks are grey:

Round the firm lips the lines of solemn wile

Might warn the wise of danger in the smile;

But the blunt aspect spoke more sternly still

That craft of craft—THE STUBBORN WILL:

That which,—let what may betide—

Never halts nor swerves aside;

From afar its victim viewing,

Slow of speed, but sure-pursuing;

Through maze, up mount, still hounding on its way,

Till grimly couch'd beside the conquer'd prey!

II.

The loftiest fate will longest lie

In unrevealing sleep;

And yet unknown the destined race,

Nor yet his Soul had walk'd with Grace;

Still, on the seas of Time

Drifted the ever-careless prime,—

But many a blast that o'er the sky

All idly seems to sweep,—

Still while it speeds, may spread the seeds

The toils of autumn reap:—

And we must blame the soil, and not the wind,

If hurrying passion leave no golden grain behind.

III.

Seize—seize—seize![N]

Bind him strong in the chain,

On his heart, on his brain,

Clasp the links of the evil Sleep!

Seize—seize—seize—

Ye fiends that dimly sweep

Up from the Stygian deep,

Where Death sits watchful by his brother's side!

Ye pale Impalpables, that are

Shadows of Truths afar,

Appearing oft to warn, but ne'er to guide,—

Hover around the calm, disdainful Fates,

Reveal the woof through which the spindle gleams:—

Open, ye Ebon gates!

Darken the moon—O Dreams!

Seize—seize—seize—

Bind him strong in the chain,

On his heart, on his brain,

Clasp the links of the evil Sleep!

Awakes or dreams he still?

His eyes are open with a glassy stare,

On the fix'd brow the large drops gather chill,

And horror, like a wind, stirs through the lifted hair.

Before him stands the Thing of Dread—

A giant shadow motionless and pale!

As those dim Lemur-Vapours that exhale

From the rank grasses rotting o'er the Dead,

And startle midnight with the mocking show

Of the still, shrouded bones that sleep below—

So the wan image which the Vision bore

Was outlined from the air, no more

Than served to make the loathing sense a bond

Between the world of life, and grislier worlds beyond.

IV.

"Behold!" the Shadow said, and lo,

Where the blank heath had spread, a smiling scene;

Soft woodlands sloping from a village green,[O]

And, waving to blue Heaven, the happy cornfields glow:

A modest roof, with ivy cluster'd o'er,

And Childhood's busy mirth beside the door.

But, yonder, sunset sleeping on the sod,

Bow Labour's rustic sons in solemn prayer;

And, self-made teacher of the truths of God,

The Dreamer sees the Phantom-Cromwell there!

"Art thou content, of these the greatest Thou,"

Murmur'd the Fiend, "the Master and the Priest?"

A sullen anger knit the Dreamer's brow,

And from his scornful lips the words came slow,

"The greatest of the hamlet, Demon, No!"

Loud laugh'd the Fiend—then trembled through the sky,

Where haply angels watch'd, a warning sigh;—

And darkness swept the scene, and golden Quiet ceased.

V.

"Behold!" the Shadow said—a hell-born ray

Shoots through the Night, up-leaps the unholy Day,

Spring from the earth the Dragon's armèd seed,

The ghastly squadron wheels, and neighs the spectre-steed.

Unnatural sounded the sweet Mother-tongue,

As loud from host to host the English war-cry rung;

Kindred with kindred blent in slaughter show

The dark phantasma of the Prophet-Woe!

A gay and glittering band!

Apollo's lovelocks in the crest of Mars—

Light-hearted Valour, laughing scorn to scars—

A gay and glittering band,

Unwitting of the scythe—the lilies of the land!

Pale in the midst, that stately squadron boasts

A princely form, a mournful brow;

And still, where plumes are proudest, seen,

With sparkling eye and dauntless mien,

The young Achilles[P] of the hosts.

On rolls the surging war—and now

Along the closing columns ring—

"Rupert" and "Charles"—"The Lady of the Crown,"[Q]

"Down with the Roundhead Rebels, down!"

"St. George and England's king."

A stalwart and a sturdy band,—

Whose souls of sullen zeal

Are made, by the Immortal Hand

Invulnerable steel!

A kneeling host,—a pause of prayer,

A single voice thrills through the air

"They come. Up, Ironsides!

For TRUTH and PEACE unsparing smite!

Behold the accursed Amalekite!"

The Dreamer's heart beat high and loud,

For, calmly through the carnage-cloud,

The scourge and servant of the Lord,

This hand the Bible—that the sword—

The Phantom-Cromwell rides!

A lurid darkness swallows the array,

One moment lost—the darkness rolls away,

And, o'er the slaughter done,

Smiles, with his eyes of love, the setting Sun;

Death makes our foe our brother;

And, meekly, side by side,

Sleep scowling Hate and sternly smiling Pride,

On the kind breast of Earth, the quiet Mother!

Lo, where the victor sweeps along,

The Gideon of the gory throng,

Beneath his hoofs the harmless dead—

The aureole on his helmèd head—

Before him steel-clad Victory bending,

Around, from earth to heaven ascending

The fiery incense of triumphant song.

So, as some orb, above a mighty stream

Sway'd by its law, and sparkling in its beam,—

A power apart from that tempestuous tide,

Calm and aloft, behold the Phantom-Conqueror ride!

"Art thou content—of these the greatest Thou,

Hero and Patriot?" murmur'd then the Fiend.

The unsleeping Dreamer answer'd, "Tempter, nay,

My soul stands breathless on the mountain's brow

And looks beyond!" Again swift darkness screen'd

The solemn Chieftain and the fierce array,

And armèd Glory pass'd, like happier Peace, away.

VI.

He look'd again, and saw

A chamber with funereal sables hung,

Wherein there lay a ghastly, headless thing

That once had been a king—

And by the corpse a living man, whose doom,

Had both been left to Nature's gradual law,

Were riper for the garner-house of gloom.[R]

Rudely beside the gory clay were flung

The Norman sceptre and the Saxon crown;[S]

So, after some imperial Tragedy

August alike with sorrow and renown,

We smile to see the gauds that moved our awe,

Purple and orb, in dusty lumber lie,—

Alas, what thousands, on the stage of Time,

Envied the baubles, and revered the Mine!

Placed by the trunk—with long and whitening hair

By dark-red gouts besprent, the sever'd head

Up to the Gazer's musing eyes, the while,

Look'd with its livid brow and stony smile.

On that sad scene, his gaze the Dreamer fed,

Familiar both the Living and the Dead;

Terror, and hate, and strife concluded there,

Calm in his six-feet realm the monarch lay;

And by the warning victim's mangled clay

The Phantom-Cromwell smiled,—and bending down

With shadowy fingers toy'd about the shadowy crown.

"Art thou content at last?—a Greater thou

Than one to whom the loftiest bent the knee.

First in thy fierce Republic of the Free,

Avenger and Deliverer?"

"Fiend," replied

The Dreamer, "who shall palter with the tide?—

Deliverer! Pilots who the vessel save

Leave not the helm while winds are on the wave.

THE FUTURE is the Haven of THE NOW!"

"True," quoth the Fiend—Again the darkness spread,

And night gave back to air the Doomsman and the Dead!

VII.

"See," cried the Fiend;—he views

A lofty Senate stern with many a form

Not unfamiliar to the earlier strife;

Knit were the brows—and passion flush'd the hues,

And all were hush'd!—that, hush which is in life

As in the air, prophetic of a storm.

Uprose a shape[T] with dark bright eye;

It spoke—and at the word

The Dreamer breathed an angry sigh;

And starting—clutch'd his sword;

An instinct bade him hate and fear

That unknown shape—as if a foe were near—

For, mighty in that mien of thoughtful youth,

Spoke Fraud's most deadly foe—a soul on fire with Truth;

A soul without one stain

Save England's hallowing tears;—the sad and starry Vane.

There enter'd on that conclave high

A solitary Man!

And rustling through the conclave high

A troubled murmur ran;

A moment more—loud riot all—

With pike and morion gleam'd the startled hall:

And there, where, since the primal date

Of Freedom's glorious morn,

The eternal People solemn sate,

The People's Champion spat his ribald scorn!

Dark moral to all ages!—Blent in one

The broken fasces and the shatter'd throne;

The deed that damns immortally is done;

And FORCE, the Cain of Nations-reigns alone!

The veil is rent—the crafty soul lies bare!

"Behold," the Demon cried, "the Future Cromwell, there!

Art thou content, on earth the Greatest thou,

APOSTATE AND USURPER?"—From his rest

The Dreamer started with a heaving breast,

The better angels of the human heart

Not dumb to his,—The Hell-Born laugh'd aloud,

And o'er the Evil Vision rush'd the cloud!

FOOTNOTES

[A] Talma.

[B] Certainly the sculptor of the Farnese Hercules well conceived that ideal character of the demi-god, which makes Aristotle (Prob. 30) class the grand Personification of Labour amongst the Melancholy. It is the union of mournful repose with colossal power, which gives so profound a moral sentiment to that masterpiece of art.

[C]

"Aus den Saiten, wie aus ihren Himmeln,

Neugebor'ne Seraphim."—Schiller.

[D] Libitina, the Venus who presided over funerals.

[E] Mary Stuart—"the soft Medusa" is an expression strikingly applied to her in her own day.

[F] See the correspondence maintained by Francis Bacon and Robert Cecil (the sons of Elizabeth's most faithful friends) with the Scottish court, during the Queen's last illness.

[G] "It was after labouring for nearly three weeks under a morbid melancholy, which brought on a stupor not unmixed with some indications of a disordered fancy, that the Queen expired."—Aikin's translation of a Latin letter (author unknown) to Edmund Lambert.

Robert Carey, who was admitted to an interview with Elizabeth in her last illness, after describing the passionate anguish of her sighs, observes, "that in all his lifetime before, he never knew her fetch a sigh but when the Queen of Scots was beheaded." Yet this Robert Carey, the well-born mendicant of her bounty, was the first whose eager haste and joyous countenance told James that the throne of the Tudors was at last vacant.

[H] "When she (Elizabeth) was conducted through London amidst the joyful acclamations of her subjects, a boy, who personated Truth, was let down from one of the triumphal arches, and presented to her a copy of the Bible. She received the book with the most gracious deportment, placed it next her bosom," &c.—HUME.

[I] Robert Dudley, afterwards the Leicester of doubtful fame, attended Elizabeth in her passage to the Tower. The streets, as she passed along, were spread with the finest gravel; banners and pennons, hangings of silk, of velvet, of cloth of gold, were suspended from the balconies; musicians and singers were stationed amidst the populace, as she rode along in her purple robes, preceded by her heralds, &c.

[J] The customary phrase was "Laissez aller."

[K] "The Life of Sir Philip Sidney," as Campbell finely expresses it, "was Poetry put in action." With him died the Provençal and the Norman—the Ideal of the Middle Ages.

[L] "I know I have but the body of a weak and feeble woman, but I have the heart of a king, and of a king of England, too."

She rode bareheaded through the ranks, a page bearing her helmet, mounted on a war-horse, clad in steel, and wielding a general's truncheon in her hand.

[M] "Sextus Quintus, the present Pope, famous for his capacity and his tyranny, had published a crusade against England, and had granted plenary indulgences to every one engaged in the present invasion."—HUME. This Pope was, nevertheless, Elizabeth's admirer as well as foe, and said, "If a son could be born from us two, he would be master of the world."

[N] Λαϐε, λαϐε, λαϐε, λαϐε, (seize, seize, seize).—Æschyl. Eumen., 125.

[O] The farm of St. Ives, where Cromwell spent three years, which he afterwards recalled with regret—though not unafflicted with dark hypochondria and sullen discontent. Here, as Mr. Forster impressively observes, "in the tenants that rented from him, in the labourers that served under him, he sought to sow the seeds of his after troop of Ironsides.... All the famous doctrines of his later and more celebrated years were tried and tested in the little farm of St. Ives.... Before going to their field-work in the morning, they (his servants) knelt down with their master in the touching equality of prayer; in the evening they shared with him again the comfort and exaltation of divine precepts."—FORSTER'S Cromwell.

[P] Prince Rupert.

[Q] Henrietta Maria was the popular battle-cry of the Cavaliers.

[R] The reader will recall the well-known story of Cromwell opening the coffin of Charles with the hilt of a private soldier's sword, and, after gazing on the body for some time, observing calmly, that it seemed made for long life,—

"Had Nature been his executioner,

He would have outlived me!"—Cromwell, a MS. tragedy.

[S] King Alfred's crown was actually sold after the execution of Charles the First.

[T] When Cromwell came down (leaving his musketeers without the door) to dissolve the Long Parliament, Vane was in the act of urging, through the last stage, the Bill that would have saved the republic—See Forster's spirited account of this scene, Life of Vane, p. 152.

KING ARTHUR.

PREFACE.

In prefixing to this poem a brief explanation of its design, I feel myself involuntarily compelled to refer to the more popular distinctions of Epic Fable, though I do not thereby presume to arrogate to my work that title of Epic which Time alone has the prerogative to confer.

Pope has, accurately and succinctly, defined the three cardinal divisions of Epic Fable to consist in the Probable, the Allegorical, and the Marvellous. For the Probable is indispensable to the vital interest of the action, the Marvellous is the obvious domain of creative invention, and the Allegorical is the most pleasing mode of insinuating some subtler truth, or clothing some profounder moral.

I accept these divisions, because they conform to the simplest principles of rational criticism; and though their combination does not form an Epic, it serves at least to amplify the region and elevate the objects of Romance.

It has been my aim so to blend these divisions, that each may harmonize with the other, and all conduce to the end proposed from the commencement. I have admitted but little episodical incident, and none that does not grow out of what Pope terms "the platform of the story." For the marvellous agencies I have not presumed to make direct use of that Divine Machinery which the war of the Christian Principle with the form of Heathenism might have suggested to the sublime daring of Milton, had he prosecuted his original idea of founding an heroic poem upon the legendary existence of Arthur;—and, on the other hand, the Teuton Mythology, however imaginative and profound, is too unfamiliar and obscure, to permit its employment as an open and visible agency;—such reference to it as occurs, is therefore rather admitted as an appropriate colouring to the composition, than made an integral part of the materials of the canvas: and, not to ask from the ordinary reader an erudition I should have no right to expect, the reference so made is in the simplest form, and disentangled from the necessity of other information than a few brief notes will suffice to afford.

In taking my subject from chivalrous romance, I take, then, those agencies from the Marvellous which chivalrous romance naturally and familiarly affords—the Fairy, the Genius, the Enchanter: not wholly, indeed, in the precise and literal spirit with which our nursery tales receive those creations of Fancy through the medium of French Fabliaux, but in the larger significations by which, in their conceptions of the Supernatural, our fathers often implied the secrets of Nature. For the Romance from which I borrow is the Romance of the North—a Romance, like the Northern mythology, full of typical meaning and latent import. The gigantic remains of symbol-worship are visible amidst the rude fables of the Scandinavians, and what little is left to us of the earlier and more indigenous literature of the Cymrians, is characterized by a mysticism profound with parable. This fondness for an interior or double meaning is the most prominent attribute in that Romance popularly called The Gothic, the feature most in common with all creations that bear the stamp of the Northern fancy: we trace it in the poems of the Anglo-Saxons; it returns to us, in our earliest poems after the Conquest; it does not originate in the Oriental genius (immemorially addicted to Allegory), but it instinctively appropriates all that Saraconic invention can suggest to the more sombre imagination of the North—it unites to the Serpent of the Edda the flying Griffin of Arabia, the Persian Genius to the Scandinavian Trold,—and wherever it accepts a marvel, it seeks to insinuate a type. This peculiarity, which distinguishes the spiritual essence of the modern from the sensual character of ancient poetry, especially the Roman, is visible wherever a tribe allied to the Goth, the Frank, or the Teuton, carries with it the deep mysteries of the Christian faith. Even in sunny Provence it transfuses a subtler and graver moral into the lays of the joyous troubadour,[A]—and weaves "The Dance of Death" by the joyous streams, and through the glowing orange-groves, of Spain. Onwards, this under-current of meaning flowed, through the various phases of civilization:—it pervaded alike the popular Satire and the dramatic Mystery;—and, preserving its thoughtful calm amidst all the stirring passions that agitated mankind in the age subsequent to the Reformation, not only suffused the luxuriant fancy of the dreamy Spenser, but communicated to the practical intellect of Shakspere that subtle and recondite wisdom which seems the more inexhaustible the more it is examined, and suggests to every new inquirer some new problem in the philosophy of Human Life. Thus, in taking from Northern Romance the Marvellous, we are most faithful to the genuine character of that Romance, when we take with the Marvellous its old companion, the Typical or Allegorical. But these form only two divisions of the three which I have assumed as the components of the unity I seek to accomplish; there remains the Probable, which contains the Actual. To subject the whole poem to allegorical constructions would be erroneous, and opposed to the vital principle of a work of this kind, which needs the support of direct and human interest. The inner and the outer meaning of Fable should flow together, each acting on the other, as the thought and the action in the life of a man. It is true that in order clearly to interpret the action, we should penetrate to the thought. But if we fail of that perception, the action, though less comprehended, still impresses its reality on our senses, and make its appeal to our interest.

I have thus sought to maintain the Probable through that chain of incident in which human agencies are employed, and through those agencies the direct action of the Poem is accomplished; while the Allegorical admits into the Marvellous the introduction of that subtler form of Truth, which if less positive than the Actual, is wider in its application, and ought to be more profound in its significance.

For the rest, it may perhaps be conceded that this poem is not without originality in the conception of its plot and the general treatment of its details. I am not aware of any previous romantic poem which it resembles in its main design, or in the character of its principal incidents;—and, though I may have incurred certain mannerisms of my own day, I yet venture to trust that, in the pervading form or style, the mind employed has been sufficiently in earnest to leave its own peculiar effigy and stamp upon the work. For the incidents narrated, I may, indeed, thank the nature of my subject, if many of them could scarcely fail to be new. The celebrated poets of chivalrous fable—Ariosto, Tasso, and Spenser, have given to their scenery the colourings of the West. The Great North from which Chivalry sprung—its polar seas, its natural wonders, its wild legends, its antediluvian remains—(wide fields for poetic description and heroic narrative)—have been, indeed, not wholly unexplored by poetry, but so little appropriated, that even after Tegner and Oehlenschläger, I dare to hope that I have found tracks in which no poet has preceded me, and over which yet breathes the native air of our National Romance.

For the Manners preserved through this poem, I naturally reject those which the rigid Antiquary would appropriate to the date of that Historical Arthur, of whom we know so little, and take those of the age in which the Arthur of Romance, whom we know so well, revived into fairer life at the breath of Minstrel and Fabliast. The anachronism of chivalrous manners and costume for the British chief and his Knighthood, is absolutely required by all our familiar associations. On the other hand, without affecting any precise accuracy in details, I have kept the country of the brave Prince of the Silures (or South Wales) somewhat more definitely in view, than has been done by the French Romance writers; while in portraying his Saxon foes, I have endeavoured to distinguish their separate nationality, without enforcing too violent a contrast between the rudeness of the heathen Teutons and the polished Christianity of the Cymrian Knighthood.[B]

May I be permitted to say a word as to the metre I have selected?—One advantage it has,—that while thoroughly English, and not uncultivated by the best of the elder masters, it has never been applied to a poem of equal length, and has not been made too trite and familiar, by the lavish employment of recent writers.[C] Shakspere has taught us its riches in the Venus and Adonis,—Spenser in The Astrophel,—Cowley has sounded its music amidst the various intonations of his irregular lyre. But of late years, if not wholly laid aside, it has been generally neglected for the more artificial and complicated Spenserian stanza, which may seem, at the first glance, to resemble it, but which to the ear is widely different in rhythm and construction.

The reader may perhaps remember that Dryden has spoken with emphatic praise of the "quatrain, or stanza of four in alternate rhyme." He says indeed, "that he had ever judged it more noble, and of greater dignity, both for the sound and number, than any other verse in use amongst us." That metre, in its simple integrity, is comprised in the stanza selected, ending in the vigour and terseness of the rhyming couplet, with which, for the most part, the picture should be closed or the sense clenched. And whatever the imperfection of my own treatment of this variety in poetic form, I hazard a prediction that it will be ultimately revived into more frequent use, especially in narrative, and that its peculiar melodies of rhythm and cadence, as well as the just and measured facilities it affords to expression, neither too diffuse nor too restricted, will be recognized hereafter in the hands of a more accomplished master of our language.

Here ends all that I feel called upon to say respecting a Poem which I now acknowledge as the child of my most cherished hopes, and to which I deliberately confide the task to uphold, and the chance to continue, its father's name.

To this work, conceived first in the enthusiasm of youth, I have patiently devoted the best powers of my maturer years;—if it be worthless, it is at least the worthiest contribution that my abilities enable me to offer to the literature of my country; and I am unalterably convinced, that on this foundation I rest the least perishable monument of those thoughts and those labours which have made the life of my life.

E. BULWER LYTTON.

NOTE.

Of the notes inserted in the first edition I have retained only those which appeared to me absolutely necessary in explanation of the text. Among the notes omitted, was one appended to Book I., which defended at some length, and by numerous examples, two alleged peculiarities of style or mannerism:—I content myself here with stating briefly—

1st.—That in this work (as in my later ones generally) I have adopted what appears to me to have been the practice of Gray (judging from the editions of his Poems revised by himself), in the use of the capital initial. I prefix it—

First, to every substantive that implies a personification; thus War, Fame, &c., may in one line take the small initial as mere nouns, and in another line the capital initial, to denote that they are intended as personifications. This rule is clear—all personifications may be said to represent proper names: love, with a small l, means but a passion or affection; with a large L, Love represents some mythological power that presides over the passion or affection, and is as much a proper name as Venus, Eros, Camdeo, &c.

Secondly, I prefix the capital in those rare instances in which an adjective is used as a noun; as the Unknown, the Obscure,[D] &c. The capital here but answers the use of all printed inventions, in simplifying to the reader the author's meaning. If it be printed "he passed through the obscure," the reader naturally looks for the noun that is to follow the adjective; if the capital initial be used, as "He passed through the Obscure," the eye conveys to the mind without an effort the author's intention to use the adjective as a substantive.

Thirdly, I prefix the capital initial where it serves to give an individual application to words that might otherwise convey only a general meaning; for instance—

"Or his who loves the madding Nymphs to lead

O'er the Fork'd Hill.

that is, the Forked Hill, par emphasis,—Parnassus.

The use of the capital in these instances seems to me warranted by common sense, and the best authorities in the minor niceties of our language.

With regard to the other point referred to in the omitted note, I would observe, that I have deliberately used the freest licence in the rapid change of tense from past to present, or vice versâ; as a privilege essential to all ease, spirit, force, and variety, in narrative poetry; and warranted by the uniform practice of Pope, Dryden, and Milton. I subjoin a few examples:—

"So prayed they, innocent, and to their thoughts

Firm peace recover'd soon and wonted calm;

On to their morning's rural work they haste,

Among sweet dews and flowers, where any row

Of fruit-trees over-woody reach'd too far

Their pamper'd boughs, and needed hands to check

Fruitless embraces; or they led the vine

To wed the elm."

MILTON'S Paradise Lost, Book v., from line 209 to 216.

Here the tense changes three times.

Again:—

"Straight knew him all the bands

Of angels under watch, and to his state

And to his message high in honour rise,

For on some message high they guess'd him bound."

Ibid., Book v., from line 288 to 291.

"Thus while he spoke, the virgin from the ground

Upstarted fresh; already closed the wound;

And unconcern'd for all she felt before,

Precipitates her flight along the shore:

The hell-hounds as ungorged with flesh and blood

Pursue their prey and seek their wonted food;

The fiend remounts his courser, mends his pace,

And all the vision vanish'd from the place."

DRYDEN'S Theod. and Honor.

Pope—not without reason esteemed for verbal correctness and precision—far exceeds all in his lavish use of this privilege, as one or two quotations will amply suffice to show.

"She said, and to the steeds approaching near

Drew from his seat the martial charioteer;

The vigorous Power[E] the trembling car ascends,

Fierce for revenge, and Diomed attends:

The groaning axle bent beneath the load," &c.

POPE'S Iliad, Book v.

"Pierced through the shoulder first Decopis fell,

Next Eunomus and Thoon sunk to Hell.

Chersidamas, beneath the navel thrust,

Falls prone to earth, and grasps the bloody dust;

Cherops, the son of Hipposus, was near;

Ulysses reach'd him with the fatal spear;

But to his aid his brother Socus flies,

Socus the brave, the generous, and the wise;

Near as he drew the warrior thus began," &c.

Ibid.

"Behind, unnumber'd multitudes attend

To flank the navy and the shores defend.

Full on the front the pressing Trojans bear,

And Hector first came towering to the war.

Phœbus himself the rushing battle led,

A veil of clouds involves his radiant head—

The Greeks expect the shock; the clamours rise

From different parts and mingle in the skies

Dire was the hiss of darts by heaven flung,

And arrows, leaping from the bowstring, sung:

These drink the life of generous warrior slain—

Those guiltless fall and thirst for blood in vain."

POPE'S Odyssey.

In the last quotation, brief as it is, the tense changes six times.

I ask indulgence of the reader if I take this occasion to add a very short comment upon three objections to this poem which have been brought under my notice:—

1—that it contains too much learning; 2—that it abounds too much with classical allusions; 3—that it indulges in rare words or archaisms.

I wish I could plead guilty to the honourable charge that it contains too much learning. A distinguished critic has justly observed, that the greatest obstacle which the modern writer attempting an Epic would have to encounter, would be, in his utter impossibility to attain the requisite learning. For an Epic ought to embody the whole learning of the period in which it is composed; and in the present age that is beyond the aspiration of the most erudite scholar or the profoundest philosopher. Still, any attempt at an Heroic Poem must at least comprise all the knowledge which the nature of the subject will admit, and we cannot but observe that the greatest narrative poems are those in which the greatest amount of learning is contained. Beyond all comparison the most learned poems that exist, in reference to the age in which they are composed, are the "Iliad" and "Odyssey;" next to them, the "Paradise Lost;" next to that, the "Æneid," in which the chief charm of the six latter books is in that "exquisite erudition," which Müller so discriminately admires in Virgil; and after these, in point of learning, come perhaps the "Divine Comedy," and the "Fairy Queen." So that I have only to regret my deficiency of learning, rather than to apologize for the excess of it.

With regard to the classical allusions which I have permitted myself, I might shelter my practice under the mantles of our great masters in heroic song—Milton and Spenser; but in fact such admixture of the Classic with the Gothic muse is so essentially the characteristic of the minstrelsy of the middle ages, that without a liberal use of the same combination, I could not have preserved the colouring proper to my subject. And, indeed, I think the advice which one of the most elegant of modern critics has given to the painter, is equally applicable to the poet:—

"Non te igitur lateant antiqua numismata, gemmæ,

Quodque refert specie veterum post sæcula mentem;

Splendidior quippe ex illis assurgit imago

Magnaque se rerum facies aperit meditanti."[F]

Lastly, the moderate use of archaisms has always been deemed admissible in a narrative poem of some length, and rather perhaps an ornament than a defect, where the action of the poem is laid in remote antiquity. And I may add that not only the revival of old, but the invention of new words, if sparingly resorted to, is among the least contestable of poetic licences—a licence freely recognized by Horace, elaborately maintained by Dryden, and tacitly sanctioned, age after age, by the practice of every poet by whom our language has been enriched. I have certainly not abused either of these privileges, for while I have only adopted three new words of foreign derivation, I do not think there are a dozen words in the whole poem which can be considered archaisms: and in the three or four instances in which such words are not to be found in Milton, Shakspere, or Spenser, they are taken from the Saxon element of our language, and are still popularly used in the northern parts of the island, in which that Saxon element is more tenaciously preserved.

If these matters do not seem to the reader of much importance, in reference to a poem of this design and extent, I will own to him confidentially, that I incline to his opinion. But I have met with no objections to the general composition of this work, more serious than those to which the above remarks are intended to reply. Some objections to special lines or stanzas which appeared to me prompted by a juster criticism, or which occurred to myself in reperusal, I have carefully endeavoured in this edition to remove.

FOOTNOTES

[A] Rien n'est plus commun dans la poésie provençale que l'allégorie; seulement elle est un jeu-d'esprit an lieu d'être une action.... Une autre analogie me parait plus spoutanée qu'imitée—la poésie des troubadours qu'on suppose frivole, a souvent retracée des sentiments graves et touchants," &c.—VILLEMAIN, Tableau du Moyen Age.

[B] In the more historical view of the position of Arthur, I have, however, represented it such as it really appears to have been,—not as the sovereign of all Britain, and the conquering invader of Europe (according to the groundless fable of Geoffrey of Monmouth), but as the patriot Prince of South Wales, resisting successfully the invasion of his own native soil, and accomplishing the object of his career in preserving entire the nationality of his Welsh countrymen. In thus contracting his sphere of action to the bounds of rational truth, his dignity, both moral and poetic, is obviously enhanced. Represented as the champion of all Britain against the Saxons, his life would have been but a notorious and signal failure; but as the preserver of the Cymrian Nationality—of that part of the British population which took refuge in Wales, he has a claim to the epic glory of success.

It is for this latter reason that I have gone somewhat out of the strict letter of history, in the poetical licence by which the Mercians are represented as Arthur's principal enemies (though, properly speaking, the Mercian kingdom was not then founded): the alliance between the Mercian and the Welsh, which concludes the Poem—is at least not contrary to the spirit of History—since in very early periods such amicable bonds between the Welsh and the Mercians were contracted, and the Welsh, on the whole, were on better terms with those formidable borderers than with the other branches of the Saxon family.

[C] Southey has used it in the "Lay of the Laureate" and "The Poet's Pilgrimage,"—not his best-known and most considerable poems.

[D] So Pope, "Spencer himself affects the Obsolete."

[E] In the corrupt and thoughtless mode of printing now in vogue, Power is of course printed with a small p, and the sense of the clearest of all English poets instantly becomes obscure.

"The vigorous power the trembling car ascends."

It is not till one has read the line twice over that one perceives "the power" means "the God," which, when printed "the Power," is obvious at a glance.

[F] DU FRESNOY de Arte Graphicâ.

BOOK I.

ARGUMENT.

Opening—King Arthur keeps holiday in the Vale of Carduel—Pastimes—Arthur's sentiments on life, love, and mortal change—The strange apparition—The King follows the Phantom into the forest—His return—The discomfiture of his knights—the Court disperses—Night—The restless King ascends his battlements—His soliloquy—He is attracted by the light from the Wizard's tower—Merlin described—The King's narrative—The Enchanter's invocation—Morning—The Tilt-yard—Sports, knightly and national—Merlin's address to Arthur—The Three Labours enjoined—Arthur departs from Carduel—His absence explained by Merlin to the Council—Description of Arthur's three friends, Caradoc, Gawaine, and Lancelot—The especial love between Arthur and the last—Lancelot encounters Arthur—The parting of the friends.

Our land's first legends, love and knightly deeds,1

And wondrous Merlin, and his wandering King,

The triple labour, and the glorious meeds

Sought in the world of Fable-land, I sing:

Go forth, O Song, amidst the banks of old,

And glide translucent over sands of gold.

Now is the time when, after sparkling showers,2

Her starry wreaths the virgin jasmine weaves;

Now murmurous bees return with sunny hours;

And light wings rustic quick through glinting leaves;

Music in every bough; on mead and lawn

May lifts her fragrant altars to the dawn.

Now life, with every moment, seems to start3

In air, in wave, on earth—above, below;

And o'er her new-born children, Nature's heart

Heaves with the gladness mothers only know;

On poet times the month of poets shone—

May deck'd the world, and Arthur fill'd the throne.

Hard by a stream, amidst a pleasant vale4

King Arthur held his careless holiday:—

The stream was blithe with many a silken sail,

The vale with many a proud pavilion gay;

While Cymri's dragon, from the Roman's hold,[1]

Spread with calm wing o'er Carduel's domes of gold.

Dark, to the right, thick forests mantled o'er5

A gradual mountain sloping to the plain;

Whose gloom but lent to light a charm the more,

As pleasure pleases most when neighbouring pain;

And all our human joys most sweet and holy,

Sport in the shadows cast from Melancholy.

Below that mount, along the glossy sward6

Were gentle groups, discoursing gentle things;

Or listening idly where the skilful bard

Woke the sweet tempest of melodious strings;

Or whispering love—I ween, less idle they,

For love's the honey in the flowers of May.

Some plied in lusty race the glist'ning oar;7

Some, noiseless, snared the silver-scalèd prey;

Some wreathed the dance along the level shore;

And each was happy in his chosen way.

Not by one shaft is Care, the hydra kill'd,

So Mirth, determined, had his quiver fill'd.

Bright 'mid his blooming Court, like royal Morn8

Girt with the Hours that lead the jocund Spring,

When to its smile delight and flowers are born,

And clouds are rose-hued,—shone the Cymrian King.

Above that group, o'er-arch'd from tree to tree,

Thick garlands hung their odorous canopy;

And in the midst of that delicious shade9

Up sprang a sparkling fountain, silver-voiced,

And the bee murmur'd and the breezes play'd:

In their gay youth, the youth of May rejoiced—

And they in hers—as though that leafy hall

Chimed the heart's laughter with the fountain's fall.

Propped on his easy arm, the King reclined,10

And glancing gaily round the ring, quoth he—

"'Man,' say our sages, 'hath a fickle mind,

And pleasures pall, if long enjoyed they be.'

But I, methinks, like this soft summer-day,

'Mid blooms and sweets could wear the hours away;—

"Feel, in the eyes of Love, a cloudless sun,11

Taste, in the breath of Love, eternal spring;

Could age but keep the joys that youth has won,

The human heart would fold its idle wing!

If change there be in Fate and Nature's plan,

Wherefore blame us?—it is in Time, not Man."

He spoke, and from the happy conclave there12

Echo'd the murmur, "Time is but to blame:"

Each knight glanced amorous on his chosen fair,

And to the glance blush'd each assenting dame:

But thought had dimm'd the smile in Arthur's eye,

And the light speech was rounded by a sigh.

And while they murmur'd "Time is but to blame,"13

Right in the centre of the silken ring,

Sudden stood forth (none marking whence it came),

The gloomy shade of some Phantasmal Thing;

It stood, dim-outlined in a sable shroud,

And shapeless, as in noon-day hangs a cloud.

Hush'd was each lip, and every cheek was pale;14

The stoutest heart beat tremulous and high:

"Arise," it mutter'd from the spectral veil,

"I call thee, King!" Then burst the wrathful cry,

Feet found the earth, and ready hands the sword,

And angry knighthood bristled round its lord.

But Arthur rose, and, waiving back the throng,15

Fronted the Image with a dauntless brow:

Then shrunk the Phantom, indistinct, along

The unbending herbage, noiseless, dark, and slow;

And, where the forest night at noonday made,

Glided,—as from the dial glides the shade.

Gone;—but an ice-bound horror seemed to cling16

To air; the revellers stood transfix'd to stone;

While from amidst them, palely pass'd the King,

Dragg'd by a will more royal than his own:

Onwards he went; the invisible control

Compell'd him, as a dream compels the soul.

They saw, and sought to stay him, but in vain,17

They saw, and sought to speak, but voice was dumb:

So Death some warrior from his armèd train

Plucks forth defenceless when his hour is come.

He gains the wood; their sight the shadows bar,

And darkness wraps him as the cloud a star.

Abruptly, as it came, the charm was past18

That bound the circle: as from heavy sleep

Starts the hush'd war-camp at the trumpet's blast,

Fierce into life the voiceless revellers leap;

Swift to the wood the glittering tumult springs,

And through the vale the shrill BON-LEF-HER rings.[2]

From stream, from tent, from pastime near and far,19

All press confusedly to the signal cry—

So from the ROCK OF BIRDS[3] the shout of war

Sends countless wings in clamour through the sky—

The cause a word, the track a sign affords,

And all the forest gleams with starry swords.

As on some stag the hunters single, gaze,20

Gathering together, and from far, the herd,

So round the margin of the woodland-maze

Pale beauty circles, trembling if a bird

Flutter a bough, or if, without a sound,

Some leaf fall breezeless, eddying to the ground.

An hour or more had towards the western seas21

Speeded the golden chariot of the day,

When a white plume came glancing through the trees,

The serried branches groaningly gave way,

And, with a bound, delivered from the wood,

Safe, in the sun-light, royal Arthur stood.

Who shall express the joy that aspect woke!22

Some laugh'd aloud, and clapp'd their snowy hands:

Some ran, some knelt, some turn'd aside and broke

Into glad tears:—But all unheeding stands

The King; and shivers in the glowing light;

And his breast heaves as panting from a fight.

Yet still in those pale features, seen more near,23

Speak the stern will, the soul to valour true;

It shames man not to feel man's human fear,

It shames man only if the fear subdue;

And masking trouble with a noble guile,

Soon the proud heart restores the kingly smile.

But no account could anxious love obtain,24

Nor curious wonder, of the portents seen:

"Bootless his search," he lightly said, "and vain

As haply had the uncourteous summons been.

Some mocking sport, perchance, of merry May."

He ceased; and, shuddering, turn'd his looks away.

Now back, alas! less comely than they went,25

Drop, one by one, the seekers from the chace,

With mangled plumes and mantles dreadly rent;—

Sore bleed the Loves in Elphin's blooming face:

Madoc, whose dancing scarcely brush'd the dew,

O grief! limps, crippled by a stump of yew!

In short, such pranks had brier and bramble play'd,26

And stock and stone, with vest, and face, and limb,

That had some wretch denied the place was made

For sprites, a sprite had soon been made of him!

And sure, nought less than some demoniac power

Had looks so sweet bewitch'd to lines so sour.

But shame and anger vanish'd when they saw27

Him whose warm smile a life had well repaid,

For noble hearts a noble chief can draw

Into that circle where all self doth fade;

Lost in the sea a hundred waters roll,

And subject natures merge in one great soul.

Now once again quick question, brief reply,28

"What saw, what heard the King?" Nay, gentles, what

Saw or heard ye?"—"The forest and the sky,

The rustling branches,"—"And the Phantom not?

No more," quoth Arthur, "of a thriftless chace.

For cheer so stinted brief may be the grace.

"But see, the sun descendeth down the west,29

And graver cares to Carduel now recall:

Gawaine, my steed;—Sweet ladies, gentle rest,

And dreams of happy morrows to ye all."

Now stirs the movement on the busy plain;

To horse—to boat; and homeward winds the train.

O'er hill, down stream, the pageant fades away,30

More and more faint the plash of dipping oar;

Voices, and music, and the steed's shrill neigh,

From the grey twilight dying more and more;

Till over stream and valley, wide and far,

Reign the sad silence and the solemn star.

Save where, like some true poet's lonely soul,31

Careless who hears, sings on the unheeded fountain;

Save where the thin clouds wanly, slowly roll

O'er the mute darkness of the forest mountain—

Where, haply, busied with unholy rite,

Still glides that Phantom, and dismays the night.

Sleep, the sole angel left of all below,32

O'er the lull'd city sheds the ambrosial wreaths,

Wet with the dews of Eden; Bliss and Woe

Are equals, and the lowest slave that breathes

Under the shelter of those healing wings,

Reigns, half his life, in realms too fair for Kings.

Too fair those realms for Arthur; long he lay33

An exiled suppliant at the gate of dreams,

And vex'd, and wild, and fitful as a ray

Quivering upon the surge of stormy streams;

Thought broke in glimmering trouble o'er his breast,

And found no billow where its beam could rest.[4]

He rose, and round him drew his ermined gown,34

Pass'd from his chamber, wound the turret stair,

And from his castle's steep embattled crown

Bared his hot forehead to the fresh'ning air.

How Silence, like a god's tranquillity,

Fill'd with delighted peace the conscious sky!

Broad, luminous, serene, the sovereign moon35

Shone o'er the roofs below, the lands afar—

The vale so joyous with the mirth at noon;

The pastures virgin of the lust of war;

And the still river shining as it flows,

Calm as a soul on which the heavens repose.

"And must these pass from me and mine away?"36

Murmur'd the monarch; "Must the mountain home

Of those whose fathers, in a ruder day,

With naked bosoms rush'd on shrinking Rome,

Yield this last refuge from the ruthless wave,

And what was Britain be the Saxon's slave?

"Why hymn our harps high music in our hall?37

Doom'd is the tree whose fruit was noble deeds—

Where the axe spared the thunder-bolt must fall,

And the wind scatter as it list the seeds!

Fate breathes, and kingdoms wither at the breath;

But kings are deathless, kingly if their death!"

He ceased, and look'd, with a defying eye,38

Where the dark forest clothed the mount with awe

Gazed, and then proudly turn'd;—when lo, hard by,

From a lone turret in his keep, he saw

Through the horn casement, a clear steadfast light,

Lending meek tribute to the orbs of night.

And far, and far, I ween, that little ray39

Sent its pure streamlet through the world of air:

The wanderer oft, benighted on his way,

Saw it, and paused in superstitious prayer;

For well he knew the beacon and the tower,

And the great Master of the spells of power.

There He, who yet in Fable's deathless page40

Reigns, compass'd with the ring of pleasing dread,

Which the true wizard, whether bard or sage,

Draws round him living, and commands when dead—

The solemn Merlin—from the midnight won

The hosts that bow'd to starry Solomon.

Not fear that light on Arthur's breast bestow'd,41

As with a father's smile it met his gaze;

It cheer'd, it soothed, it warm'd him while it glow'd;

Brought back the memory of young hopeful days,

When the child stood by the great prophet's knee,

And drank high thoughts to strengthen years to be.

As with a tender chiding, the calm light42

Seem'd to reproach him for secreted care,

Seem'd to ask back the old familiar right

Of lore to counsel, or of love to share;

The prompt heart answers to the voiceless call,

And the step quickens o'er the winding wall.

Before that tower precipitously sink43

The walls, down-shelving to the castle base;

A slender drawbridge, swung from brink to brink,

Alone gives fearful access to the place;

Now, from that tower, the chains the drawbridge raise,

And leave the gulf all pathless to the gaze.

But close where Arthur stands, a warder's horn,44

Fix'd to the stone, to those who dare to win

The enchanter's cell, supplies the note to warn

The mighty weaver of dread webs within.

Loud sounds the horn, the chain descending clangs,

And o'er the abyss the dizzy pathway hangs;

Mutely the door slides sullen in the stone,45

And closes back, the gloomy threshold cross'd;

There sate the wizard on a Druid throne,

Where sate DUW-IOU,[5] ere his reign was lost;

His wand uplifted in his solemn hand,

And the weird volume on its brazen stand.

O'er the broad breast the heavy brows of thought46

Hang, as if bow'd beneath the load sublime

Of spoils from Nature's fading boundaries brought,

Or the dusk treasure-house of orient Time;

And the unutterable calmness shows

The toil's great victory by the soul's repose.

Ev'n as the Tyrian views his argosies,47

Moor'd in the port (the gold of Ophir won),

And heeds no more the billow and the breeze,

And the clouds wandering o'er the wintry sun,

So calmly Wisdom eyes (its voyage o'er)

The traversed ocean from the beetling shore.

A hundred years press'd o'er that awful head,48

As o'er an Alp, their diadem of snow;

And, as an Alp, a hundred years had fled,

And left as firm the giant form below;

So in the hush of some Chaonian grove,

Sat the grey father of Pelasgic Jove.

Before that power, sublimer than his own,49

With downcast looks, the King inclined the knee;

The enchanter smiled, and, bending from his throne,

Drew to his breast his pupil tenderly;

And press'd his lips on that young forehead fair,

And with large hand smooth'd back the golden hair!

And, looking in those frank and azure eyes,50

"What," said the prophet, "doth my Arthur seek

From the grey wisdom which the young despise?

The young, perchance, are right!—Fair infant, speak!"

Thrice sigh'd the monarch, and at length began:

"Can wisdom ward the storms of fate from man?

"What spell can thrust Affliction from the gate?51

What tree is sacred from the lightning flame?"

"Son," said the seer, "the laurel!—even Fate,

Which blasts Ambition, but illumines Fame.

Say on."—The King smiled sternly, and obey'd—

Track we the steps which track'd the warning shade.

"On to the wood, and to its inmost dell52

Will-less I went," the monarch thus pursued,

"Before me still, but darkly visible,

The Phantom glided through the solitude;

At length it paused,—a sunless pool was near,

As ebon black, and yet as chrystal clear.

"'Look, King, below,' whisper'd the shadowy One:53

What seem'd a hand sign'd beckoning to the wave;

I look'd below, and never realms undone

Show'd war more awful than the mirror gave;

There rush'd the steed, there glanced on spear the spear,

And spectre-squadrons closed in fell career.

"I saw—I saw my dragon standard there,—54

Throng'd there the Briton; there the Saxon wheel'd;

I saw it vanish from that nether air—

I saw it trampled on that noiseless field;

On pour'd the Saxon hosts—we fled—we fled!

And the Pale Horse[6] rose ghastly o'er the dead.

"Lo, the wan shadow of a giant hand55

Pass'd o'er the pool—the demon war was gone;

City on city stretch'd, and land on land;

The wondrous landscape broadening, lengthening on,

Till that small compass in its clasp contain'd

All this wide isle o'er which my fathers reign'd.

"There, by the lord of streams, a palace rose;56

On bloody floors there was a throne of state;

And in the land there dwelt one race—our foes;

And on the single throne the Saxon sate!

And Cymri's crown was on his knitted brow;

And where stands Carduel, went the labourer's plough.

"And east and west, and north and south I turn'd,57

And call'd my people as a king should call;

Pale in the hollow mountains I discern'd

Rude scatter'd stragglers from the common thrall;

Kingless and armyless, by crag and cave,—

Ghosts on the margin of their country's grave.

"And even there, amidst the barren steeps,58

I heard the tramp, I saw the Saxon steel;

Aloft, red Murder like a deluge sweeps,

Nor rock can save, nor cavern can conceal;

Hill after hill, the waves devouring rise,

Till in one mist of carnage closed my eyes!

"Then spoke the hell-born shadow by my side—59

'O king, who dreamest, amid sweets and bloom,

Life, like one summer holiday, can glide,

Blind to the storm-cloud of the coming doom;

ARTHUR PENDRAGON, to the Saxon's sway

Thy kingdom and thy crown shall pass away.'

"'And who art thou, that Heaven's august decrees60

Usurp'st thus?' I cried, and lo the space

Was void!—Amidst the horror of the trees,

And by the pool, which mirror'd back the face

Of Dark in crystal darkness—there I stood,

And the sole spectre was the Solitude!

"I knew no more—strong as a mighty dream61

The trouble seized the soul, and seal'd the sense;

I knew no more, till in the blessed beam,

Life sprung to loving Nature for defence;

Vale, flower, and fountain laugh'd in jocund spring,

And pride came back,—again I was a king!

"But, ev'n the while with airy sport of tongue62

(As with light wing the skylark from its nest

Lures the invading step) I led the throng

From the dark brood of terror in my breast;

Still frown'd the vision on my haunted eye,

And blood seem'd reddening in the azure sky.

"O thou, the Almighty Lord of earth and heaven,63

Without whose will not ev'n a sparrow falls,

If to my sight the fearful truth was given,

If thy dread hand hath graven on these walls

The Chaldee's doom, and to the stranger's sway

My kingdom and my crown shall pass away,—

"Grant this—a freeman's, if a monarch's, prayer!—64

LIFE, while my life one man from chains can save;

While earth one refuge, or the cave one lair,

Yields to the closing struggle of the brave!—

Mine the last desperate but avenging hand;

If reft the sceptre, not resign'd the brand!"

"Close to my clasp!" the prophet cried, "Impart65

To these iced veins the glow of youth once more;

The healthful throb of one great human heart

Baffles more fiends than all a magian's lore;

Brave child——" Young arms embracing check'd the rest,

And youth and age stood mingled breast to breast.

"Ho!" cried the mighty master, while he broke66

From the embrace, and round from vault to floor

Mysterious echoes answered as he spoke;

And flames twined snake-like round the wand he bore.

And freezing winds tumultuous swept the cell,

As from the wings of hosts invisible:

"Ho! ye spiritual Ministers of all67

The airy space below the Sapphire Throne,

To the swift axle of this earthly ball—

Yea, to the deep, where evermore alone

Hell's king with memory of lost glory dwells.

And from that memory weaves his hell of hells;—

"Ho! ye who fill the crevices of air,68

And speed the whirlwind round the reeling bark—

Or dart destroying in the forkèd glare,

Or rise—the bloodless People of the Dark,

In the pale shape of Dreams—when to the bed

Of Murder glide the simulated dead,—

"Hither ye myriad hosts!—O'er tower and dome,69

Wait the high mission, and attend the word;

Whether to pierce the mountain with the gnome,

Or soar to heights where never wing'd the bird;

So that the secret and the boon ye wrest

From Time's cold grasp, or Fate's reluctant breast!"

Mute stood the King—when lo, the dragon-keep70

Shook to its rack'd foundations, as when all

Corycia's caverns and the Delphic steep

Shook to the foot-tread of invading Gaul;[7]

Or, as his path when flaming Ætna frees,

Shakes some proud city on Sicilian seas;

Reel'd heaving from his feet the dizzy floor;71

Swam dreamlike on his gaze the fading cell;

As falls the seaman, when the waves dash o'er

The plank that glideth from his grasp—he fell.

To eyes ungifted, deadly were the least

Of those last mysteries, Nature yields her priest.

Morn, the joy-bringer, from her sparkling urn72

Scatters o'er herb and flower the orient dew;

The larks to heaven, and souls to thought return—

Life, in each source, leaps rushing forth anew,

Fills every grain in Nature's boundless plan,

And wakes new fates in each desire of man.

In each desire, each thought, each fear, each hope,73

Each scheme, each wish, each fancy, and each end,

That morn calls forth, say, who can span the scope?

Who track the arrow which the soul may send?

One morning woke Olympia's youthful son,

And long'd for fame—and half the world was won.

Fair shines the sun on stately Carduel;74

The falcon, hoodwink'd, basks upon the wall;

The tilt-yard echoes with the clarion's swell,

And lusty youth comes thronging to the call;

And martial sports (the daily wont) begin,

The page must practise if the knight would win.

Some spur the palfrey at the distant ring;75

Some, with blunt lance, in mimic tourney charge;

Here skirs the pebble from the poisèd sling,

Or flies the arrow rounding to the targe;

While Age and Fame sigh smiling to behold

The young leaves budding to replace the old.

Nor yet forgot, amid the special sports76

Of polish'd Chivalry, the primal ten[8]

Athletic contests, known in elder courts

Ere knighthood rose from the great Father-men.

Beyond the tilt-yard spread the larger space,

For the strong wrestle, and the breathless race;

Here some, the huge dull weights up-heaving throw;77

Some ply the staff, and some the sword and shield;

And some that falchion with its thunder-blow

Which HEUS[9] the Guardian, taught the Celt, to wield;

Heus, who first guided o'er "the Hazy Main"

Our Titan[10] sires from Defrobanni's plain.

Life thus astir, and sport upon the wing,78

Why yet doth Arthur dream day's prime away?

Still in charm'd slumber lies the quiet King;

On his own couch the merry sunbeams play,

Gleam o'er the arms hung trophied from the wall;

And Cymri's antique crown surmounting all.

Slowly he woke; life came back with a sigh79

(That herald, or that follower, to the gate

Of all our knowledge)—and his startled eye

Fell where beside his couch the prophet sate;

And with that sight rush'd back the mystic cell,

The awful summons, the arrested spell.

"Prince," said the prophet, "with this morn awake80

From pomp, from pleasure, to high toils and brave;

From yonder wall the arms of knighthood take,

But leave the crown the knightly arms may save;

O'er mount and vale, go, pilgrim, forth alone,

And win the gifts which shall defend a throne.

"Thus speak the Fates—till in the heavens the sun81

Rounds his revolving course, O King, return

To man's first, noblest birthright, TOIL:—so won

In Grecian fable, to the ambrosial urn

Of joyous Hebè, and the Olympian grove,

The labouring son Alemena bore to Jove.

"By the stout heart to peril's sight inured,82

By the wise brain which toil hath stored and skill'd,

Valour is school'd and glory is secured,

And the large ends of fame and fate fulfill'd:

But hear the gifts thy year of proof must gain,

To fail in one leaves those achieved in vain.

"The falchion, welded from a diamond gem,83

Hid in the Lake of Argent Music-Falls,

Where springs a forest from a single stem,

And moon-lit waters close o'er Cuthite halls—

First taste the herb that grows upon a grave,

Then see the bark that wafts thee down the wave.

"The silver Shield in which the infant sleep84

Of Thor was cradled,—now the jealous care

Of the fierce dwarf whose home is on the deep,

Where drifting ice-rocks clash in lifeless air;

And War's pale Sisters smile to see the shock

Stir the still curtains round the couch of Lok.

"And last of all—before the Iron Gate85

Which opes its entrance at the faintest breath,

But hath no egress; where remorseless Fate

Sits, weaving life, within the porch of Death;

Earth's childlike guide shall wait thee in the gloom,

With golden locks, and looks that light the tomb.

"Achieve the sword, the shield, the virgin guide,86

And in those gifts appease the Powers of wrath;

Be danger braved, and be delight defied,

From grief take wisdom, and from wisdom faith;—

And though dark wings hang o'er these threaten'd halls,

Though war's red surge break thundering round thy walls,

"Though, in the rear of time, these prophet eyes87

See to thy sons, thy Cymrians, many a woe;

Yet from thy loins a race of kings shall rise,

Whose throne shall shadow all the seas that flow;

Whose empire, broader than the Cæsar won,

Shall clasp a realm where never sets the sun:

"And thou, thyself, shalt live from age to age,88

A thought of beauty and a type of fame;—

Not the faint memory of some mouldering page,

But by the hearths of men a household name:

Theme to all song, and marvel to all youth—

Beloved as Fable, yet believed as Truth.

"But if thou fail—thrice woe!" Up sprang the King:89

"Let the woe fall on feeble kings who fail

Their country's need! When eagles spread the wing,

They face the sun, not tremble at the gale:

And, if ordain'd heaven's mission to perform,

They bear the thunder where they cleave the storm."

Ere yet the shadows from the castle's base90

Show'd lapsing noon—in Carduel's council-hall,

To the high princes of the Dragon race,

The mighty Prophet, whom the awe of all

As Fate's unerring oracle adored,—

Told the self exile of the parted lord;

For his throne's safety and his country's weal91

On high emprise to distant regions bound;

The cause must wisdom for success conceal;

For each sage counsel is, as fate, profound:

And none may trace the travail in the seed

Till the blade burst to glory in the deed.

Few were the orders, as wise orders are,92

For the upholding of the chiefless throne;

To strengthen peace and yet prepare for war;

Lest the fierce Saxon (Arthur's absence known)

Loose death's pale charger from the broken rein,

To its grim pastures on the bloody plain.

Leave we the startled Princes in the hall;93

Leave we the wondering babblers in the mart;

The grief, the guess, the hope, the doubt, and all

That stir a nation to its inmost heart,

When some portentous Chance, unseen till then,

Strides in the circles of unthinking men.[11]

Where the screen'd portal from the embattled town94

Opes midway on the hill, the lonely King,

Forth issuing, guides his barded charger down

The steep descent. Amidst the pomp of spring

Lapses the lucid river; jocund May

Waits in the vale to strew with flowers his way.

Of brightest steel (but not emboss'd with gold95

As when in tourneys rode the royal knight),

His arms flash sunshine back; the azure fold

Of the broad mantle, like a wave of light,

Floats tremulous, and leaves the sword-arm free.—

Fair was that darling of all Poetry!

Through the raised vizor beam'd the fearless eye,96

The limpid mirror of a stately soul;

Bright with young hope, but grave with purpose high;

Sweet to encourage, steadfast to control;

An eye from which subjected hosts might draw,

As from a double fountain, love and awe.

The careless curl, that from the helm escaped,97

Gleam'd in the sunlight, lending gold to gold.

Nor fairer face, in Parian marble shaped,

Beam'd gracious down from Delian shrines of old;

Albeit in bolder majesty look'd forth

The hardy soul of the chivalric North

O'er the light limb, and o'er the shoulders broad,98

The steel flow'd pliant as a silken vest;

Strength was so supple that like grace it show'd,

And force was only by its ease confest;

Ev'n as the storms in gentlest waters sleep,

And in the ripple flows the mighty deep.

Now wound his path beside the woods that hang99

O'er the green pleasaunce of the sunlit plain,

When a young footstep from the forest sprang,

And a light hand was on the charger's rein;

Surprised, the adventurer halts,—but pleased surveys

The friendly face that smiles upon his gaze.

Of all the flowers of knighthood in his train100

Three he loved best; young Caradoc the mild,

Whose soul was fill'd with song; and frank Gawaine,[12]

Whom mirth for ever, like a fairy child,

Lock'd from the cares of life; but neither grew

Close to his heart, like Lancelot the true.

Gawaine when gay, and Caradoc when grave,101

Pleased: but young Lancelot, or grave or gay.

As yet life's sea had roll'd not with a wave

To rend the plank from those twin hearts away;

At childhood's gate instinctive love began,

And warm'd with every sun that led to man.

The same sports lured them, the same labours strung,102

The same song thrill'd them with the same delight;

Where in the aisle their maiden arms had hung,

The same moon lit them through the watchful night;

The same day bound their knighthood to maintain

Life from reproach, and honour from a stain.

And if the friendship scarce in each the same,103

The soul has rivals where the heart has not;

So Lancelot loved his Arthur more than fame,

And Arthur more than life his Lancelot.

Lost here Art's mean distinctions! knightly troth,

Frank youth, high thoughts, crown'd Nature's kings in both.[13]

"Whither wends Arthur?" "Whence comes Lancelot?"104

"From yonder forest, sought at dawn of day."

"Why from the forest?" "Prince and brother, what,

When the bird startled flutters from the spray,

Makes the leaves quiver? What disturbs the rill

If but a zephyr floateth from the hill?

"And ask'st thou why thy brother's heart is stirr'd105

By every tremor that can vex thine own?

What in that forest hadst thou seen or heard?

What was that shadow o'er thy sunshine thrown?

Thy lips were silent,—be the secret thine;

But half the trouble it conceal'd was mine.

"Did danger meet thee in that dismal lair?106

'Twas mine to face it as thy heart had done.

'Twas mine——" "O brother," cried the King, "beware,

The fiend has snares it shames not man to shun;—

Ah, woe to eyes on whose recoiling sight

Opes the dark world beyond the veil of light!

"Listen to Fate; till once more eves in May107

Welcome BAL-HUAN back to yon sweet sky,[14]

The hunter's lively horn, the hound's deep bay,

May fill with joy the VALE OF MELODY,[15]

On spell-bound ears the Harper's tones may fall,

Love deck the bower, and Pleasure trim the hall—

"But thou, oh thou, my Lancelot shalt mourn108

The void, a life withdrawn bequeaths the soul;

No mirth shall greet thee in the buxom horn—

Nor flash in liquid sunshine from the bowl;

Sorrow shall sit where I have dwelt,—and be

A second Arthur in its truth to thee.

"Alone I go;—submit; since thus the Fates109

And the great Prophet of our race ordain;

So shall we drive invasion from our gates,

Guard life from shame, and Cymri from the chain;

No more than this my soul to thine may tell—

Forgive,—Saints shield thee!—now thy hand—farewell!"

"Farewell! Can danger be more strong than death—110

Loose the soul's link, the grave-surviving vow?

Wilt thou find fragrance ev'n in glory's wreath,

If valour weave it for thy single brow?

No!—not farewell! What claim more strong than brother

Canst thou allow?"—"My Country is my Mother!"—

At the rebuke of those mild, solemn words,111

Friendship submissive bow'd—its voice was still'd;

As when some mighty bard with sudden chords

Strikes down the passion he before had thrill'd,

Making grief awe;—so rush'd that sentence o'er

The soul it master'd;—Lancelot urged no more;

But loosing from the hand it clasp'd, his own,112

He waved farewell, and turn'd his face away;

His sorrow only by his silence shown:—

Thus, when from earth glides summer's golden day,

Music forsakes the boughs, and winds the stream;

And life, in deep'ning quiet, mourns the beam.

BOOK II.

ARGUMENT.

Introductory reflections—Arthur's absence—Caradoc's suspended epic—The deliberations of the three friends—Merlin seeks them—The trial of the enchanted forest—Merlin's soliloquy by the fountain—The return of the knights from the forest—Merlin's selection of the one permitted to join the King—The narrative returns to Arthur—The strange guide allotted to him—He crosses the sea, and arrives at the court of the Vandal—Ludovick, the Vandal King, described—His wily questions—Arthur's answers—The Vandal seeks his friend Astutio—Arthur leaves the court—Conference between Astutio and Ludovick—Astutio's profound statesmanship and subtle schemes—The Ambassador from Mercia—His address to Ludovick—The Saxons pursue Arthur—Meanwhile the Cymrian King arrives at the sea-shore—Description of the caves that intercept his progress—He turns inland—The Idol-shrine—The wolf and the priest.

Oft in the sands, in idle summer days,1

Will childlike fondness write some cherish'd name,

Lull'd on the margin, while the wavelet plays,

And tides still dreaming on:—Alas! the same

On human hearts Affection prints a trace;

The sands record it, and the tides efface.

If absence parts, Hope, ready to console,2

Whispers, "Be soothed, the absent shall return;"

If Death divides, a moment from the goal,

Love stays the step, and decks, but leaves, the urn,

Vowing remembrance;—let the year be o'er,

And see, remembrance smiles like joy, once more!

In street and mart still plies the busy craft.3

Still Beauty trims for stealthy steps the bower;

By lips as gay the Hirlas horn[1] is quaft;

To the dark bourne still flies as fast the hour,

As when in Arthur men adored the sun;

And Life's large rainbow took its hues from One!

Yet ne'er by Prince more loved a crown was worn,4

And hadst thou ventured but to hint the doubt

That loyal subjects ever ceased to mourn,

And that without him, earth was joy without,—

Thou soon hadst join'd in certain warm dominions

The hornèd friends of pestilent opinions.

Thrice bless'd, O King, that on thy royal head5

Fall the night-dews; that the broad-spreading beech

Curtains thy sleep; that in the paths of dread,

Lonely thou wanderest,—so thy steps may reach

RENOWN,—that bridge which spans the midnight sea,

And joins two worlds,—Time and Eternity!

All is forgot save Poetry; or whether6

Haunting Time's river from the vocal reeds,

Or link'd not less in human souls together

With ends, which make the poetry of deeds;

For either poetry alike can shine—

From Hector's valour as from Homer's line.

Yet let me wrong ye not, ye faithful three,7

Gawaine, and Caradoc, and Lancelot!

Gawaine's light lip had lost its laughing glee

And gentle Caradoc had half forgot

That famous epic which his muse had hit on,

Of Trojan Brut—from whom the name of Briton.

Therein Sir Brut, expell'd from flaming Troy,[2]8

Comes to this isle, and seeks to build a city,

Which Devils, then the Freeholders, destroy;

Till the sweet Virgin on Sir Brut takes pity,

And bids that Saint who now speaks Welsh on high,[3]

Baptize the astonish'd heathen in the Wye!

This done, the fiends, at once disfranchised, fled;9

And to the Saint the Trojan built a chapel,

Where masses daily were for Priam said:—

While thrice a week, the priests, that golden apple

By which three fiends, as goddesses disguised,

Bewitch'd Sir Paris, anathematized.

But now this epic, in its course suspended,10

Slept on the shelf—(a not uncommon fate);

Ah, who shall tell, if, ere resumed and ended,

That kind of poem be not out of date?

For of all ladies there are none who chuse

Such freaks and turns of fashion, as the Muse.

And then, sad Lancelot—but there I hold;11

Some griefs there are which grief alone can guess,

And so we leave whate'er he felt untold;

Light steps profane the heart's deep loneliness.

I, too, had once a friend, in happier years!

He fled,—he owed,—forgot;—Forgive these tears!—

Much, their sole comfort, much conversed the three12

Upon their absent Arthur; what the cause

Of his self-exile, and its ends, could be;

Much did they ponder, hesitate, and pause

In high debate if loyal love might still

Pursue his wanderings, though against his will.

But first the awe which kings command, restrain'd;13

And next the ignorance of the path and goal;

So, thus for weeks they communed and remain'd;

Till o'er the woods a mellower verdure stole;

The bell-flower clothed the river-banks; the moon

Stood in the breathless firmament of June;

When—as one twilight near the forest-mount14

They sate, and heard the vesper-bell afar

Swing from the dim Cathedral, and the fount

Hymn low its own sweet music to the star

Lone in the west—they saw a shadow pass

Where the pale beam shot silvering o'er the grass.

They turn'd, beheld their Cymri's mighty seer,15

Majestic Merlin, and with reverence rose;

"Knights," said the soothsayer, smiling, "be of cheer

If yet alone (the stars themselves his foes)

Wanders the King,—now, of his faithful three

One, Fate permits; the choice with Fate must be.

"Enter the forest—each his several way;16

Return as dies in air the vesper chime;

The fiend the forest populace obey

Hath not o'er mortals empire in the time

When holy sounds the wings of Heaven invite,

And prayer hangs charm-like on the wheels of Night.

"What seen, what heard, mark mindful, and relate!17

Here will I tarry till your steps return."

Ne'er leapt the captive from the prison grate

With livelier gladness to the smiles of morn,

Than sprang those rivals to the forest-gloom,

And its dark arms closed round them like a tomb.

Before the fount, with thought-o'ershadow'd brow,18

The prophet stood, and bent a wistful eye

Along its starlit shimmer;—"Ev'n as now,"

He murmur'd, "didst thou lift thyself on high,

O symbol of my soul, and make thy course

One upward struggle to thy mountain source—

"When first, a musing boy, I stood beside19

Thy sparkling showers, and ask'd my restless heart

What secrets Nature to the herd denied,

But might to earnest hierophant impart;

Then, in the boundless space around and o'er,

Thought whisper'd—'Rise, O seeker, and explore;

"'Can every leaf a teeming world contain,20

In the least drop can race succeed to race,

Yet one death-slumber in its dreamless reign

Clasp all the illumed magnificence of space—

Life crowd the drop—from air's vast seas effaced—

The leaf a world—the firmament a waste?'—

"And while Thought whisper'd, from thy shining spring21

The glorious answer murmur'd—'Soul of Man,

Let the fount teach thee, and its struggle bring

Truth to thy yearnings!—whither I began,

Thither I tend; my law is to aspire:

Spirit thy source, be spirit thy desire.'

"And I have made the life of spirit mine;22

And, on the margin of my mortal grave,

My soul, already in an air divine

Ev'n in its terrors,—starlit, seeks to cleave

Up to the height on which its source must be—

And falls again, in earthward showers, like thee.

"System on system climbing, sphere on sphere,23

Upward for ever, ever, evermore,

Can all eternity not bring more near?

Is it in vain that I have sought to soar?

Vain as the Has been, is the long To be?

Type of my soul, O fountain, answer me!"

And while he spoke, behold the night's soft flowers,24

Scentless to day, awoke, and bloom'd, and breathed;

Fed by the falling of the fountain's showers,

Round its green marge the grateful garland wreathed;

The fount might fail its source on high to gain—

But ask the blossom if it soared in vain!

The prophet mark'd, and, on his mighty brow,25

Thought grew resign'd, serene, though mournful still.

Now ceased the vesper, and the branches now

Stirr'd on the margin of the forest hill—

And Gawaine came into the starlit space—

Slow was his step, and sullen was his face.

"What didst thou see?"—"The green-wood and the sky."26

"What hear?"—"The light leaf dropping on the sward."

And now, with front elate and hopeful eye,

Stood, in the starlight, Caradoc the bard;

The prophet smiled on that fair face (akin

Poet and prophet), "Child of Song, begin."

"I saw a glow-worm light his fairy lamp,27

Close where a little torrent forced its way

Through broad-leaved water-sedge, and alder damp;

Above the glow-worm, from some lower spray

Of the near mountain-ash, the silver song

Of night's sweet chorister came clear and strong;

"No thrilling note of melancholy wail;28

Ne'er pour'd the thrush more musical delight

Through noon-day laurels, than that nightingale

In the lone forest to the ear of Night—

Ev'n as the light web by Arachne spun,

From bough to bough suspended in the sun,

"Ensnares the heedless insect,—so, methought29

Midway in air my soul arrested hung

In the melodious meshes; never aught

To mortal lute was so divinely sung!

Surely, O prophet, these the sound and sign,

Which make the lot, the search determines mine,"

"O self-deceit of man!" the soothsayer sigh'd,30

"The worm but lent its funeral torch the ray;

The night-bird's joy but hail'd the fatal guide,

In the bright glimmer, to its thoughtless prey.

And thou, bold-eyed one—in the forest, what

Met thy firm footstep?"—Out spoke Lancelot—

"I pierced the forest till a pool I reach'd,31

Ne'er mark'd before—a dark yet lucid wave;

High from a blasted oak the night-owl screech'd,

An otter crept from out its water-cave,

The owl grew silent when it heard my tread—

The otter mark'd my shadow, and it fled.

"This all I saw, and all I heard."—"Rejoice"32

The enchanter cried, "for thee the omens smile;

On thee propitious Fate hath fix'd the choice;

And thou the comrade in the glorious toil.

In death the poet only music heard;

But death gave way when life's firm soldier stirr'd.

"Forth ride, a dauntless champion, with the morn;33

But let the night the champion nerve with prayer;

Higher and higher from the heron borne,

Wheels thy brave falcon to the heavenliest air,

Poises his wings, far towering o'er the foe,

And hangs aloft, before he swoops below;

"Man let the falcon teach thee!—Now, from land34

To land thy guide, receive this chrystal ring;

See, in the chrystal moves a fairy hand,

Still, where it moveth, moves the wandering King—

Or east, or north, or south, or west, where'er

Points the sure hand, thy onward path be there!

"Thine hour comes soon, young Gawaine! to the port35

The light heart boundeth o'er the stormiest wave;

And thou, fair favourite[4] in the Fairy court,

To whom its King a realm in fancy gave;

Fear not from glory exiled long to be,

What toil to others, Nature brings to thee."

Thus with kind word, well chosen, unto each36

Spoke the benign enchanter; and the twain,

Less favour'd, heart and comfort from his speech

Hopeful conceived; the prophet up the plain,

Gathering weird simples, pass'd—to Carduel they;

And song escapes to Arthur's lonely way.

On towards the ocean-shore (for thus the seer37

Enjoin'd) the royal knight, deep musing, rode;

Winding green margins, till more near and near

Unto the main the exulting river flow'd.

Here too a guide, when reach'd the mightier wave,

The heedful promise of the prophet gave.

Where the sea flashes on the argent sands,38

Soars from a lonely rock a snow-white dove:

No bird more beauteous to immortal lands

Bore Psyche rescued side by side with Love.

Ev'n as some thought which, pure of earthly taint,

Springs from the chaste heart of a virgin saint.

It hovers in the heaven:—and from its wings39

Shakes the clear dewdrops of unsullying seas;

Then circling gently in slow-measured rings,

Nearer and nearer to its goal it flees,

And drooping, fearless, on that noble breast,

Murmuring low joy, it coos itself to rest.

The grateful King, with many a soothing word,40

And bland caress, the guileless trust repaid;

When, gently gliding from his hand, the bird

Went fluttering where the hollow headlands made

A boat's small harbour; Arthur from the chain

Released the raft,—it shot along the main.

Now in that boat, beneath the eyes of heaven,41

Floated the three, the steed, the bird, the man;

To favouring winds the little sail was given;

The shore fail'd gradual, dwindling to a span;

The steed bent wistful o'er the watery realm;

And the white dove perch'd tranquil at the helm.

Haply by fisherman, its owner, left,42

Within the boat were rude provisions stored;

The yellow harvest from the wild bee reft,

Bread, roots, dried fish, the luxuries of a board

Health spreads for toil; while skins and flasks of reed

Yield, these the water, those the strengthening mead.

Five days, five nights, still onward, onward o'er43

Light-swelling waves, bounded the bark its way:

At last the sun set reddening on a shore;

Walls on the cliff, and war-ships in the bay;

While from bright towers, o'erlooking sea and plain,

The Leopard-banners told the Vandal's reign.

Amid those shifting royalties, the North44

Pour'd from its teeming breast, in tumult driven,

Now to, now fro, as thunder-clouds sent forth

To darken, burst,—and bursting, clear the heaven;

Ere yet the Nomad nations found repose,

And order dawn'd as Charlemain arose;

Amidst that ferment of fierce races, won45

To yonder shores a wandering Vandal horde,

Whose chief exchanged his war-tent for a throne,

And shaped a sceptre from a conqueror's sword;

His sons, expell'd by rude intestine broil,

Sought that worst wilderness—the Stranger's soil.

A distant kinsman, Ludovick his name,46

With them was exiled, and with them return'd.

A prince of popular and patriot fame;

To roast his egg your house he would have burn'd!

A patriot soul no ties of kindred knows—

His kinsman's palace was the house he chose.

A patriot gamester playing for a Crown,47

He watch'd the hazard with indifferent air,

Rebuked well-wishers with a gentle frown,

Then dropp'd the whisper—"What I win I share."

Who plays for power should make the odds so fall,

That one man's luck should seem the gain of all.

The moment came, disorder split the realm;48

Too stern the ruler, or too feebly stern;

The supple kinsman slided to the helm,

And trimm'd the rudder with a dexterous turn;

A turn so dexterous, that it served to fling

Both overboard—the people and the king!

The captain's post repaid the pilot's task,49

He seized the ship as he had cleared the prow;

Drop we the metaphor as he the mask:

And, while his gaping Vandals wonder'd how,

Behold the patriot to the despot grown,

Filch'd from the fight, and juggled to the throne!

And bland in words was wily Ludovick!50

Much did he promise, nought did he fulfil;

The trickster Fortune loves the hands that trick,

And smiled approving on her conjuror's skill!

The promised freedom vanish'd in a tax,

And bays, turn'd briars, scourged bewilder'd backs.

Soon is the landing of the stranger knight51

Known at the court; and courteously the king

Gives to his guest the hospitable rite;

Heralds the tromp, and harpers wake the string;

Rich robes of miniver the mail replace,

And the bright banquet sparkles on the dais.

Where on the wall the cloth, goldwoven, glow'd,52

Beside his chair of state, the Vandal lord

Made room for that fair stranger, as he strode

With a king's footstep, to the kingly board.

In robes so nobly worn, the wise old man

Saw some great soul, which cunning whisper'd "scan."

A portly presence had the realm-deceiver;53

Ah eye urbane, a people-catching smile,

A brow of webs the everlasting weaver,

Where jovial frankness mask'd the serious guile;

Each word, well aim'd, he feather'd with a jest,

And, unsuspected, shot into the breast.

Gaily he welcomed Arthur to the feast,54

And press'd the goblet, which unties the tongue;

As the bowl circled so his speech increased,

And chose such flatteries as seduce the young;

Seeming in each kind question more to blend

The fondling father with the anxious friend.

If frank the prince, esteem him not the less;55

The soul of knighthood loves the truth of man;

The boons he sought 'twas needful to suppress,

Not mask the seeker; so the prince began—

"Arthur my name, from YNYS VEL[5] I come,

And the steep homes of Cymri's Christendom.

"Five days ago, in Carduel's halls a king,56

A lonely pilgrim now o'er lands and seas,

I seek such fame as gallant deeds can bring,

And hope from danger gifts denied to ease;

Lore from experience, thought from toil to gain,

And learn as man how best as king to reign."

The Vandal smiled, and praised the high design;57

Then, careless, questioned of the Cymrian land:

"Was earth propitious to the corn and vine?

Was the sun genial?—were the breezes bland?

Did gold and gem the mountain mines conceal?"—

"Our soil bears manhood, and our mountains steel,"

The Monarch answer'd; "and where these are found,58

All plains yield harvests, and all mines the gold."—

"Your hills are doubtless," quoth the Vandal, "crown'd

With castled tower, and fosse-defended hold?"—

"One hold the land—its mightiest fosse the sea;

And its strong walls the bosoms of the free."

The Vandal mused, and thought the answers shrewd,59

But little suited to the listeners by;

So turn'd the subject, nor again renew'd

Sharp questions blunted by such bold reply.

Now ceased the banquet; to a chamber, spread

With fragrant heath, his guest the Vandal led.

With his own hand unclasp'd the mantle's fold,60

And took his leave in blessings without number;

Bade every angel shelter from the cold,

And every saint watch sleepless o'er the slumber;

Then his own chamber sought, and rack'd his breast

To find some use to which to put the guest.

Three days did Arthur sojourn in that court;61

And much he marvell'd how that warlike race

Bow'd to a chief, whom never knightly sport,

The gallant tourney, nor the glowing chase

Allured; and least those glory-lighted dyes

Which make death lovely in a warrior's eyes.

Yet, 'midst his marvel, much the Cymrian sees62

For king to imitate and sage to praise;

Splendour and thrift in nicely-poised degrees,

Caution that guards, and promptness that dismays;

But Fraud will oftimes make the Fate it fears;—

Some day, found stifled by the mask it wears.

On his part, Arthur in such estimation63

Did the host hold, that he proposed to take

A father's charge of his forsaken nation.

"He loved not meddling, but for Arthur's sake,

Would leave his own, his guest's affairs to mind."

An offer Arthur thankfully declined.

Much grieved the Vandal "that he just had given64

His last unwedded daughter to a Frank,

But still he had a wifeless son, thank Heaven!

Not yet provision'd as beseem'd his rank,

And one of Arthur's sisters——" Uther's son

Smiled, and replied—"Sir king, I have but one,

"Borne by my mother to her former lord;65

Not young."—"Alack! youth cannot last like riches."

"Not fair."—"Then youth is less to be deplored."

"A witch."[6]—"All women till they're wed are witches!

Wived to my son, the witch will soon be steady!"

"Wived to your son?—she is a wife already!"

O baseless dreams of man! The king stood mute!66

That son, of all his house the favourite flower,

How had he sought to force it into fruit,

And graft the slip upon a lusty dower!

And this sole sister of a king so rich,

A wife already!—Saints consume the witch!

With brow deject, the mournful Vandal took67

Occasion prompt to leave his royal guest,

And sought a friend who served him, as a book

Read in our illness, in our health dismiss'd;

For seldom did the Vandal condescend

To that poor drudge which monarchs call a friend!

And yet Astutio was a man of worth68

Before the brain had reason'd out the heart;

But now he learned to look upon the earth

As peddling hucksters look upon the mart;

Took souls for wares, and conscience for a till;

And damn'd his fame to serve his master's will.

Much lore he had in men, and states, and things,69

And kept his memory mapp'd in prim precision,

With histories, laws, and pedigrees of kings,

And moral saws, which ran through each division,

All neatly colour'd with appropriate hue—

The histories black, the morals heavenly blue!

But state-craft, mainly, was his pride and boast;70

"The golden medium" was his guiding star,

Which means "move on until you're uppermost,

And then things can't be better than they are!"

Brief, in two rules he summ'd the ends of man—

"Keep all you have, and try for all you can!"

While these conferr'd, fair Arthur wistfully71

Look'd from the lattice of his stately room;

The rainbow spann'd the ocean of the sky,

An arch of glory in the midst of gloom;

So light from dark by lofty souls is won,

And on the rain-cloud they reflect the sun.

As such, perchance, his thought, the snow-white dove,72

Which at the threshold of the Vandal's towers

Had left his side, came circling from above,

Athwart the rainbow and the sparkling showers,

Flew through the open lattice, paused, and sprung

Where on the wall the abandon'd armour hung;

Hover'd above the lance, the mail, the crest,73

Then back to Arthur, and with querulous cries,

Peck'd at the clasp that bound the flowing vest,

Chiding his dalliance from the arm'd emprize,

So Arthur deem'd; and soon from head to heel

Blazed War's dread statue, sculptured from the steel.

Then through the doorway flew the wingèd guide,74

Skimm'd the long gallery, shunn'd the thronging hall,

And, through deserted posterns, led the stride

Of its arm'd follower to the charger's stall;

Loud neigh'd the destrier[7] at the welcome clang

And drowsy horseboys into service sprang.

Though threaten'd danger well the prince divined,75

He deem'd it churlish in ungracious haste

Thus to depart, nor thank a host so kind;

But when the step the courteous thought retraced,

With breast and wing the dove opposed his way,

And warn'd with scaring scream the rash delay.

The King reluctant yields. Now in the court76

Paws with impatient hoof the barbèd steed;

Now yawn the sombre portals of the fort;

Creaks the hoarse drawbridge;—now the walls are freed.

Through dun woods hanging o'er the ocean tide,

Glimmers the steel, and gleams the angel-guide.

An opening glade upon the headland's prow77

Sudden admits the ocean and the day.

Lo! the waves cleft before the gilded prow,

Where the tall war-ship, towering, sweeps to bay.

Why starts the King?—High over mast and sail,

The Saxon Horse rides ghastly in the gale!

Grateful to heaven, and heaven's plumed messenger,78

He raised his reverent eyes, then shook the rein:

Bounded the barb, disdainful of the spur,

Clear'd the steep cliff, and scour'd along the plain.

Still, while he sped, the swifter wings that lead

Seem to rebuke for sloth the swiftening steed.

Nor cause unmeet for grateful thought, I ween,79

Had the good King; nor vainly warn'd the bird;

Nor idly fled the steed; as shall be seen,

If, where the Vandal and his friend conferr'd,

Awhile our path retracing, we relate

What craft deems guiltless when the craft of state.

"Sire," quoth Astutio, "well I comprehend80

Your cause for grief; the seedsman breaks the ground

For the new plant; new thrones that would extend

Their roots, must loosen all the earth around;

For trees and thrones no rule than this more true,

What most disturbs the old best serves the new.

"Thus all ways wise to push your princely son81

Under the soil of Cymri's ancient stem;

And if the ground the thriving plant had won,

What prudent man will plants that thrive condemn?

Sir, in your move a master hand is seen,

Your well play'd bishop caught both tower and queen."

"And now checkmate!" the wretched sire exclaims,82

With watering eyes, and mouth that water'd too.

"Nay," quoth the sage; "a match means many games,

Replace the pieces, and begin anew.

You want this Cymrian's crown—the want is just."—

"But how to get it?"—"Sir, with ease, I trust.

"The witch is married—better that than burn83

(A well-known text—to witches not applied);

But let that pass:—great sir, to Anglia turn,

And mate your Vandal with a Saxon bride.

Her dower," cried Ludovick, "the dower's the thing."

"The lands and sceptre of the Cymrian King."

Then to that anxious sire the learned man84

Bared the large purpose latent in his speech;

O'er Britain's gloomy history glibly ran;

Anglia's new kingdoms, he described them each;

But most himself to Mercia he addresses,

For Mercia's king, great man, hath two princesses!

Long on this glowing theme enlarged the sage,85

And turn'd, return'd, and turn'd it o'er again;

Thus when a mercer would your greed engage

In some fair silk, or cloth of comely grain,

He spreads it out—upholds it to the day,

Then sighs "So cheap, too!"—and your soul gives way.

He show'd the Saxon, hungering to devour86

The last unconquer'd realm the Cymrian boasts;

He dwelt at length on Mercia's gathering power,

Swell'd, year by year, from Elbe's unfailing hosts.

Then proved how Mercia scarcely could retain

Beneath the sceptre what the sword might gain.

"For Mercia's vales from Cymri's hills are far,87

And Mercian warriors hard to keep afield;

And men fresh conquer'd stormy subjects are;

What can't be held 'tis no great loss to yield;

And still the Saxon might secure his end,

If where the foe had reign'd he left the friend.

"Nay, what so politic in Mercia's king88

As on that throne a son-in-law to place?"

While thus they saw their birds upon the wing

Ere hatched the egg,—as is the common case

With large capacious minds, the natural heirs

Of that vast property—the things not theirs!

In comes a herald—comes with startling news:89

"A Saxon chief has anchor'd in the bay,

From Mercia's king ambassador, and sues

The royal audience ere the close of day."

The wise old men upon each other stare,

"While monarchs counsel, thus the saints prepare,"

Astutio murmur'd, with a pious smile.90

"Admit the noble Saxon," quoth the King.

The two laugh out, and rub their palms, the while

The herald speeds the ambassador to bring;

And soon a chief, fair-hair'd, erect, and tall,

With train and trumpet, strides along the hall.

Upon his wrist a falcon, bell'd, he bore;91

Leash'd at his heels six bloodhounds grimly stalk'd;

A broad round shield was slung his breast before;

The floors reclang'd with armour as he walk'd;

He gained the dais; his standard-bearer spread

Broadly the banner o'er his helmèd head,

And thrice the tromp his blazon'd herald woke,92

And hail'd Earl Harold from the Mercian king.

Full on the Vandal gazed the earl, and spoke:

"Greeting from Crida, Woden's heir, I bring,

And these plain words:—'The Saxon's steel is bare,

Red harvests wait it—will the Vandal share?

"'Hengist first chased the Briton from the vale;93

Crida would hound the Briton from the hill;

Stern hands have loosed the Pale Horse on the gale;

The Horse shall halt not till the winds are still.

Be ours your foemen,—be your foemen shown,

And we in turn will smite them as our own.

"'We need allies—in you allies we call;94

Your shores oppose the Cymrian's mountain sway;

Your armèd men stand idle in your hall;

Your vessels rot within your crowded bay:

Send three full squadrons to the Mercian bands—

Send seven tall war-ships to the Cymrian lands.

"'If this you grant, as from the old renown95

Of Vandal valour, Saxon men believe,

Our arms will solve all question to your crown;

If not, the heirs you banish we receive;

But one rude maxim Saxon bluntness knows—

We serve our friends, who are not friends are foes!

"'Thus speaks King Crida.'" Not the manner much96

Of that brief speech wise Ludovick admired;

But still the matter did so nearly touch

The great state-objects recently desired,

That the sage brows dismiss'd in haste the frown,

And lips sore-smiling gulp'd resentment down.

Fair words he gave, and friendly hints of aid,97

And pray'd the envoy in his halls to rest;

And more, in truth, to please the earl had said,

But that the sojourn of the earlier guest

(For not the parting of the Cymrian known)

Forbade his heart too plainly to be shown.

But ere a long and oily speech had closed,98

Astutio, who the hall, when it begun,

Had left, to seek the prince (whom he proposed,

If yet the tidings to his ear had won

Of his foe's envoy, by some smooth pretext

To lull), came back with visage much perplext—

And whisper'd Ludovick—"The King has fled!"99

The Vandal stammer'd, stared, but versed in all

The quick resources of a wily head,

That out of evil still a good could call,

He did but pause, with more effect to wing

The stone that chance thus fitted to his sling.

"Saxon," he said, "thus far we had premised,100

And if still wavering, not our heart in fault.

Three days ago, the Cymrian king, disguised,

First drank our cup, and tasted of our salt,

And hence our zeal to aid you we represt,

Deeming your foe was still the Vandal's guest.

"Lo, while we speak, the saints the bond release;101

Arthur hath gone from us;—the host is free."

"Arthur—the Cymrian!" cried the envoy. "Peace;

In deeds, not words, men's love the Saxons see:

Gone!—whither wends he? But a word I need—

Leave to the rest my bloodhounds and my steed."

Dumb sate the Vandal, dumb with fear and shame:102

No slave to virtue, but its shade was he;

A tower of strength is in an honest name—

'Tis wise to seem what oft 'tis dull to be!

A kingly host a kingly guest betray!

The chafing Saxon brook'd not that delay—

But turn'd his sparkling eyes behind, and saw103

His knights and squires with zeal as fierce inflamed,

And out he spoke,—"The hospitable law

We will not trench, whate'er the guest hath claim'd

Let the host yield! forgive, that, hotly stirr'd,

His course I question'd; I retract the word.

"If on your hearth he stands, protect; within104

Your realm if wandering, guard him as you may;

This hearth not ours, nor this our realm;—no sin

To chase our foeman, whatsoe'er his way:

Up spear—forth sword! to selle each Saxon man—

Unleash the warhounds—stay us those who can!"

Loud rang the armèd tumult in the hall;105

Rush'd to the doors the Saxon's fiery band;

Yell'd the gaunt bloodhounds loosen'd from the thrall;

Steeds neigh'd; leapt forth the falchion to the hand;

Low on the earth the bloodhounds track'd the scent,

And where they guided there the hunters went.

Amazed the Vandal with his friend debates106

What course were best in such extremes to choose;

Nicely they weigh;—the Saxons pass the gates:

Finely refine;—the chase its prey pursues.

And while the chase pursues, to him, whose way

The dove directs, well pleased, returns the lay.

Twilight was on the earth, when paused the King107

Lone by the beach of far-resounding seas;

Rock upon rock, behind, a Titan ring,

Closed round a gorge o'erhung with breathless trees,

A horror of still umbrage; and, before,

Wave-hollow'd caves arch'd, ruinous, the shore.

Column and vault, and seaweed-dripping domes,108

Long vistas opening through the streets of dark,

Seem'd like a city's skeleton; the homes

Of giant races vanish'd since the ark

Rested on Ararat: from side to side

Moan the lock'd waves that ebb not with the tide.

Here, path forbid; where, length'ning up the land,109

The deep gorge stretches to a night of pine,

Veer the white wings; and there the slacken'd hand

Guides the tired steed; deeplier the shades decline;

Dull'd with each step into the darker gloom

Follows the ocean's hollow-sounding boom.

Sudden starts back the steed, with bristling mane110

And nostrils snorting fear; from out the shade

Loom the vast columns of a roofless fane,

Meet for some god whom savage man hath made:

A mighty pine-torch on the altar glow'd

And lit the goddess of the grim abode—

So that the lurid idol, from its throne,111

Glared on the wanderer with a stony eye;

The King breathed quick the Christian orison,

Spurr'd the scared barb, and pass'd abhorrent by—

Nor mark'd a figure on the floor reclined:

It watch'd, it rose, it crept, it dogg'd behind.

Three days, three nights, within that dismal shrine,112

Had couch'd that man, and hunger'd for his prey.

Chieftain and priest of hordes that from the Rhine

Had track'd in carnage thitherwards their way;

Fell souls that still maintain'd their rites of yore,

And hideous altars rank with human gore.

By monstrous Oracles a coming foe,113

Whose steps appal his gods, hath been foretold;

The fane must fall unless the blood shall flow;

Therefore three days, three nights he watch'd;—behold

At last the death-torch of the blazing pine

Darts on the foe the lightning of the shrine!

Stealthily on, amidst the brushwood, crept114

With practised foot and unrelaxing eye,

The steadfast Murder;—where the still leaf slept

The still leaf stirr'd not: as it glided by

The mosses gave no echo; not a breath!

Nature was hush'd as if in league with Death!

As moved the man, so, on the opposing side115

Of the deep gorge, with purpose like his own,

Did steps as noiseless to the blood-feast glide;

And as the man before his idol's throne

Had watch'd,—so watch'd, since daylight left the air,

A giant wolf within its leafy lair.

Whether the blaze allured, or hunger stung,116

There still had cower'd and crouch'd the beast of prey;

With lurid eyes unwinking, spell-bound, clung

To the near ridge that faced the torchlit way;

As the steed pass'd, it rose! On either side,

Here glides the wild beast, there the man doth glide.

But all unconscious of the double foe,117

Paused Arthur, where his resting-place the dove

Seem'd to select,—his couch a mound below;

A bowering beech his canopy above:

From his worn steed the barded mail released,

And left it, reinless, to its herbage-feast.

Then from his brow the mighty helm unbraced,118

And from his breast the hauberk's heavy load;

On the tree's trunk the trophied arms he placed,

And, ere to rest the weary limbs bestow'd,

Thrice sign'd the cross the fiends of night to scare,

And guarded helpless sleep with potent prayer.

Then on the moss-grown couch he laid him down,119

Fearless of night and hopeful for the morn:

On Slumber's lap the head without a crown

Forgot the gilded trouble it had worn;

The Warrior slept—the browsing charger stray'd—

The dove, unsleeping, watch'd amidst the shade.

And now, on either hand the dreaming King120

Death halts to strike: the crouching wild beast, here,

From the close crag prepares the rushing spring;

There, from the thicket creeping, near and near,

Steals the wild man, and listens for a sound—

Lifts the pale steel, and gathers for the bound.

But what befell? O thou, whose gentle heart121

Lists, scornful not, this undiurnal rhyme;

If, as thy steps to busier life depart,

Still in thine ear rings low the haunting chime,

When leisure suits once more forsake the throng,

Call childhood back, and redemand the song.

BOOK III.

ARGUMENT.

Arthur still sleeps—The sounds that break his rest—The war between the beast and the man—How ended—The Christian foe and the heathen—The narrative returns to the Saxons in pursuit of Arthur—Their chase is stayed by the caverns described in the preceding book, the tides having now advanced up the gorge through which Arthur passed, and blocked that pathway—The hunt is resumed at dawn—The tides have receded from the gorge—One of the hounds finds scent—The riders are on the track—Harold heads the pursuit—The beech-tree—The man by the water spring—The wood is left—The knight on the brow of the hill—Parley between the earl and the knight—The encounter—Harold's address to his men, and his foe—His foe's reply—The dove and the falcon—The unexpected succour—And conclusion of the fray—The narrative passes on to the description of the Happy Valley—in which the dwellers await the coming of a stranger—History of the Happy Valley—a colony founded by Etrurians from Fiesolè, forewarned of the destined growth of the Roman dominion—Its strange seclusion and safety from the changes of the ancient world—The law that forbade the daughters of the Lartian or ruling family to marry into other clans—Only one daughter (the queen) is left now, and the male line in the whole Lartian clan is extinct—The contrivance of the Augur for the continuance of the royal house, sanctioned by two former precedents—A stranger is to be lured into the valley—The simple dwellers therein to be deceived into believing him a god—He is to be married to the queen, and then, on the birth of a son, to vanish again amongst the gods (i.e. to be secretly made away with)—Two temples at the opposite ends of the valley give the only gates to the place—By the first, dedicated to Tina (the Etrurian Jove), the stranger is to be admitted—In the second, dedicated to Mantu (the god of the shades), he is destined to vanish—Such a stranger is now expected in the Happy Valley—He emerges, led by the Augur, from the temple of Tina—Ægle, the queen, described—Her stranger-bridegroom is led to her bower.

We raise the curtain where the unconscious king1

Beneath the beech his fearless couch had made;

Here, the fierce fangs prepared their deadly spring;

There, in the hand of Murder gleam'd the blade;

And not a sound to warn him from above;

Where, still unsleeping, watch'd the guardian dove!

Hark, a dull crash!—a howling, ravenous yell!2

Opening fell symphony of ghastly sound,

Jarring, yet blent, as if the dismal hell

Sent its strange anguish from the rent Profound:

Through all its scale the horrible discord ran,

Now mock'd the beast, now took the groan of man;

Wrath, and the grind of gnashing teeth; the growl3

Of famine routed from its red repast;

Sharp shrilling pain; and fury from some soul

That fronts despair, and wrestles to the last.

Up sprang the King—the moon's uncertain ray

Through the still leaves just wins its glimmering way.

And lo, before him, close, yet wanly faint,4

Forms that seem shadows, strife that seems the sport

Of things that oft some holy hermit saint

Lone in Egyptian plains (the dread resort

Of Nile's dethronèd demon gods) hath view'd;

The grisly tempters, born of Solitude:—

Coil'd in the strong death-grapple, through the dim5

And haggard air, before the Cymrian lay

Writhing and interlaced with fang and limb,

As if one shape, what seem'd a beast of prey

And the grand form of Man!—The bird of Heaven

Wisely no note to warn the sleep had given;

The sleep protected;—as the Savage sprang,6

Sprang the wild beast;—before the dreamer's breast

Defeated Murder found the hungry fang,

The wolf the steel:—so, starting from his rest,

The saved man woke to save! Nor time was here

For pause or caution; for the sword or spear;

Clasp'd round the wolf, swift arms of iron draw7

From their fierce hold the buried fangs;—on high

Up-borne, the baffled terrors of its jaw

Gnash vain;—one yell howls, hollow, through the sky;

And dies abruptly, stifled to a gasp,

As the grim heart pants crushing in the grasp.

Fit for a nation's bulwark, that strong breast8

To which the strong arms lock'd the powerless foe!—

Nor oped the vice till breath's last anguish ceast;

'Tis done; and dumb the dull weight drops below.

The kindred form, which now the King surveys,

Those arms, all gentle as a woman's, raise.

Leaning the pale cheek on his pitying heart,9

He wipes the blood from face, and breast, and limb,

And joyful sees (for no humaner art

Which Christian knighthood knows, unknown to him)

That the fell fangs the nobler parts forbore,

And, thanks, sweet Virgin! life returns once more.

The savage stared around: from dizzy eyes10

Toss'd the loose shaggy hair; and to his knee,—

His reeling feet—up stagger'd—Lo, where lies

The dead wild beast!—lo, in his saviour, see

The fellow-man, whom—with a feeble bound

He leapt, and snatch'd the dagger from the ground;

And, faithful to his gods, he sprang to slay;11

The weak limb fail'd him; gleam'd and dropp'd the blade;

The arm hung nerveless;—by the beast of prey

Murder, still baffled, fell:—Then, soothing, said

The gentle King—"Behold no foe in me!"

And knelt by Hate like pitying Charity.

In suffering man he could not find a foe,12

And the mild hand clasp'd that which yearn'd to kill!

"Ha," gasp'd the gazing savage, "dost thou know

That I had doom'd thee in thy sleep?—that still

My soul would doom thee, could my hand obey?—

Wake thou, stern goddess—seize thyself the prey!"

"Serv'st thou a goddess," said the wondering King,13

"Whose rites ask innocent blood?—O brother, learn

In heaven, in earth, in each created thing,

One God, whom all call 'FATHER' to discern!"

"Can thy God suffer thy God's foe to live?"—

"God once had foes, and said to man, 'Forgive!'"

The Christian answer'd. Dream-like the mild words14

Fell on the ear, as sense again gave way

To swooning sleep; which woke but with the birds

In the cold clearness of the dawning day.—

Strung by that sleep, the savage scowl'd around;

Why droops his head? Kind hands his wounds have bound.

Lonely he stood, and miss'd that tender foe15

The wolf's glazed eye-ball mutely met his own;

Beyond, the pine-brand sent its sullen glow,

Circling blood-red the awful altar-stone;

Blood-red, as sinks the sun, from land afar,

Ere tempests wreck the Amalfian mariner;

Or as, when Mars sits in the House of Death16

For doom'd Aleppo, on the hopeless Moor

Glares the fierce orb from skies without a breath,

While the chalk'd signal on the abhorrèd door

Tells that the Pestilence is come!—the pine

Unheeded wastes upon the hideous shrine;

The priest returns not;—from its giant throne,17

The idol calls in vain:—its realm is o'er;

The Dire Religion flies the altar-stone,

For love has breathed on what was hate before.

Lured by man's heart, by man's kind deeds subdued,

Him who had pardon'd, he who wrong'd pursued.

Meanwhile speeds on the Saxon chase, behind;—18

Baffled at first, and doubling to and fro,

At last, the war-dogs, snorting, seize the wind,

Burst on the scent, which gathers as they go;

Day wanes, night comes; the star succeeds the sun,

To light the hunt until the quarry's won.

At the first grey of dawn, they halt before19

The fretted arches of the giant caves;

For here the tides rush full upon the shore.

The failing scent is snatch'd amidst the waves,—

Waves block the entrance of the gorge unseen;

And roar, hoarse-surging, up the pent ravine.

And worn, and spent, and panting, flag the steeds,20

With mail and man bow'd down; nor meet to breast

The hell of waters, whence no pathway leads,

And which no plummet sounds;—Reluctant rest

Checks the pursuit, till sullenly and slow

Back, threatening still, the hosts of Ocean go,—

And the bright clouds that circled the fair sun21

Melt in the azure of the mellowing sky;

Then hark again the human hunt begun,

The ringing hoof, the hunter's cheering cry;

Round and around by sand, and cave, and steep,

The doubtful ban-dogs, undulating, sweep:

At length, one windeth where the wave hath left22

The unguarded portals of the gorge, and there

Far-wandering halts; and from a rocky cleft

Spreads his keen nostril to the whispering air;

Then, with trail'd ears, moves cowering o'er the ground,

The deep bay booming breaks:—the scent is found.

Hound answers hound—along the dank ravine23

Pours the fresh wave of spears and tossing plumes;

On—on; and now the idol-shrine obscene

The dying pine-brand flickeringly illumes;

The dogs go glancing through the the shafts of stone,

Trample the altar, hurtle round the throne:

Where the lone priest had watch'd, they pause awhile;24

Then forth, hard breathing, down the gorge they swoop;

Soon the swart woods that close the far defile

Gleam with the shimmer of the steel-clad troop:

Glinting through leaves—now bright'ning through the glade,

Now lost, dispersed amidst the matted shade.

Foremost rode Harold, on a matchless steed,25

Whose sire from Afric's coast a sea-king bore,

And gave the Mercian, as his noblest meed,

When (beardless yet) to Norway's Runic shore,

Against a common foe, the Saxon Thane

Led three tall ships, and loosed them on the Dane:

Foremost he rode, and on his mailèd breast26

Cranch'd the strong branches of the groaning oak.

Hark, with full peal, as suddenly supprest,

Behind, the ban-dog's choral joy-cry broke!

Led by the note, he turns him back, to reach,

Near the wood's marge, a solitary beech.

Clear space spreads round it for a rood or more;27

Where o'er the space the feathering branches bend,

The dogs, wedg'd close, with jaws that drip with gore,

Growl o'er the carcass of the wolf they rend.

Shamed at their lord's rebuke, they leave the feast—

Scent the fresh foot-track of the idol-priest;

And, track by track, deep, deeper through the maze,28

Slowly they go—the watchful earl behind.

Here the soft earth a recent hoof betrays;

And still a footstep near the hoof they find;—

So on, so on—the pathway spreads more large,

And daylight rushes on the forest marge.

The dogs bound emulous; but, snarling, shrink29

Back at the anger of the earl's quick cry;—

Near a small water spring, had paused to drink

A man half clad, who now, with kindling eye

And lifted knife, roused by the hostile sounds,

Plants his firm foot, and fronts the glaring hounds.

"Fear not, rude stranger," quoth the earl in scorn;30

"Not thee I seek; my dogs chase nobler prey.

Speak, thou hast seen (if wandering here since morn)

A lonely horseman;—whither wends his way?"

"Track'st thou his step in love or hate?"—"Why, so

As hawk his quarry, or as man his foe."

"Thou dost not serve his God," the heathen said;31

And sullen turn'd to quench his thirst again,

The fierce earl chafed, but longer not delay'd;

For what he sought the earth itself made plain

In the clear hoof-prints; to the hounds he show'd

The clue, and, cheering as they track'd, he rode.

But thrice, to guide his comrades from the maze,32

Rings through the echoing wood his lusty horn.

Now, o'er waste pastures where the wild bulls graze,

Now labouring up slow-lengthening headlands borne,

The steadfast hounds outstrip the horseman's flight,

And on the hill's dim summit fade from sight.

But scarcely fade, before, though faint and far,33

Fierce wrathful yells the foe at bay reveal.

On spurs the Saxon, till, like some pale star,

Gleams on the hill a lance—a helm of steel.

The brow is gain'd; a space of level land,

Bare to the sun—a grove at either hand;

And in the middle of the space a mound;34

And on the mound a knight upon his barb.

No need for herald there his tromp to sound!—

No need for diadem and ermine garb!

Nature herself has crown'd that lion mien;

And in the man the king of men is seen.

Upon his helmet sits a snow-white dove,35

Its plumage blending with the plumèd crest.

Below the mount, recoiling, circling, move

The ban-dogs, awed by the majestic rest

Of the great foe; and, yet with fangs that grin,

And eyes that redden, raves the madding din.

Still stands the steed; still, shining in the sun,36

Sits on the steed the rider, statue-like:

One stately hand upon his haunch, while one

Lifts the tall lance, disdainful ev'n to strike;

Calm from the roar obscene looks forth his gaze,

Calm as the moon at which the watch-dog bays.

The Saxon rein'd his war-horse on the brow37

Of the broad hill; and if his inmost heart

Ever confest to fear, fear touch'd it now;—

Not that chill pang which strife and death impart

To meaner men, but such religious awe

As from brave souls a foe admired can draw:

Behind a quick and anxious glance he threw,38

And pleased beheld spur midway up the hill

His knights and squires: again his horn he blew,

Then hush'd the hounds, and near'd the slope where still

The might of Arthur rested, as in cloud

Rests thunder; there his haughty crest he bow'd,

And lower'd his lance, and said—"Dread foe and lord,39

Pardon the Saxon Harold, nor disdain

To yield to warrior hand a kingly sword.

Behold my numbers! to resist were vain,

And flight——" Said Arthur, "Saxon, is a word

Warrior should speak not, nor a King have heard.

"And, sooth to say, when Cymri's knights shall ride40

To chase a Saxon monarch from the plain,

More knightly sport shall Cymri's king provide,

And Cymrian tromps shall ring a nobler strain.

Warrior, forsooth! when first went warrior, say,

With hound and horn—God's image for the prey?"

Gall'd to the quick, the fiery earl erect41

Rose in his stirrups, shook his iron hand,

And cried—"ALFADER! but for the respect

Arm'd numbers owe to one, my Saxon brand

Should—but why words? Ho, Mercia to the field!

Lance to the rest!—yield, scornful Cymrian, yield!"

For answer, Arthur closed his bassinet.42

Then down it broke, the thunder from that cloud!

And, ev'n as thunder by the thunder met,

O'er his spurr'd steed broad-breasted Harold bow'd;

Swift through the air the rushing armour flash'd,

And tempests in the shock commingling clash'd!

The Cymrian's lance smote on the Mercian's breast,43

Through the pierced shield,—there, shivering in the hand,

The dove had stirr'd not on the Prince's crest,

And on his destrier bore him to the band,

Which, moving not, but in a steadfast ring,

With levell'd lances front the coming King.

His shiver'd lance thrown by, high o'er his head,44

Pluck'd from the selle, his battle-axe he shook—

Paused for an instant—breathed his foaming steed,

And chose his pathway with one lightning look:

On either side, behind the Saxon foes,

Cimmerian woods with welcome gloom arose;

These gain'd, to conflict numbers less avail.45

He paused, and every voice cried—"Yield, brave King!"

Scarce died the word ere through the wall of steel

Flashes the breach, and backward reels the ring,

Plumes shorn, shields cloven, man and horse o'erthrown,

As the arm'd meteor flames and rushes on.

Till then, the danger shared, upon his crest,46

Unmoved and calm, had sate the faithful dove,

Serene as, braved for some beloved breast,

All peril finds the gentle hero,—Love;

But rising now, towards the dexter side

Where darkest droop the woods, the pinions guide.

Near the green marge the Cymrian checks the rein,47

And, ev'n forgetful of the dove, wheels round,

To front the foe that follows up the plain:

So when the lion, with a single bound,

Breaks through Numidian spears,—he halts before

His den,—and roots dread feet that fly no more.

Their riven ranks reform'd, the Saxons move48

In curving crescent, close, compact, and slow

Behind the earl; who feels a hero's love

Fill his large heart for that great hero foe:

Murmuring, "May Harold, thus confronting all,

Pass from the spear-storm to The Golden Hall!"[1]

Then to his band—"If prophecy and sign49

Paling men's cheeks, and read by wizard seers,

Had not declared that Odin's threatened line,

And the large birthright of the Saxon spears,

Were cross'd by SKULDA,[2] in the baleful skein

Of him who dares 'The Choosers of the Slain.'[3]

"If not forbid against his single arm50

Singly to try the even-sworded strife,

Since his new gods, or Merlin's mighty charm,

Hath made a host, the were-geld of his life—

Not ours this shame!—here one, and there a field,

But men are waxen when the Fates are steel'd.

"Seize we our captive, so the gods command—51

But ye are men, let manhood guide the blow;

Spare life, or but with life-defending hand

Strike—and Walhalla take that noble foe!

Sound trump, speed truce."—Sedately from the rest

Rode out the earl, and Cymri thus address'd:—

"Our steels have cross'd: hate shivers on the shield;52

If the speech gall'd, the lance atones the word;

Yield, for thy valour wins the right to yield;

Unstain'd the scutcheon, though resign'd the sword.

Grant us the grace, which chance (not arms) hath won

Why strike the many who would save the one?"

"Fair foe, and courteous," answered Arthur, moved53

By that chivalric speech, "too well the might

Of Mercia's famous Harold have I proved,

To deem it shame to yield as knight to knight;

But a king's sword is by a nation given;

Who guards a people holds his post from heaven.

"This freedom which thou ask'st me to resign54

Than life is dearer; were it but to show

That with my people thinks their King!—divine

Through me all Cymri!—Streams shall cease to flow,

Yon sun to shine, before to Saxon strife

One Cymrian yields his freedom save with life.

"And so the saints assoil ye of my blood;55

Return;—the rest we leave unto our cause

And the just Heavens!" All silent, Harold stood

And his heart smote him. Now, amidst that pause,

Arthur look'd up, and in the calm above

Behold a falcon wheeling round the dove!

For thus it chanced; the bird which Harold bore56

(As was the Saxon wont), whate'er his way,

Had, in the woodland, slipp'd the hood it wore,

Unmark'd; and, when the bloodhounds bark'd at bay,

Lured by the sound, had risen on the wing,

Over the conflict vaguely hovering—

Till when the dove had left, to guide, her lord,57

It caught the white plumes glancing where they went;

High in large circles to its height it soar'd,

Swoop'd;—the light pinion foil'd the fierce descent;

The falcon rose rebounding to the prey;

And closed escape—confronting still the way.

In vain the dove to Arthur seeks to flee;58

Round her and round, with every sweep more near,

The swift destroyer circles rapidly,

Fixing keen eyes that fascinate with fear,

A moment—and a shaft, than wing more fleet,

Hurls the pierced falcon at the Saxon's feet.

Down heavily it fell;—a moment stirr'd59

Its fluttering plumes, and roll'd its glazing eye;

But ev'n before the breath forsook the bird,

Ev'n while the arrow whistled through the sky,

Rush'd from the grove which screen'd the marksman's hand,

With yell and whoop, a wild barbarian band—

Half clad, with hides of beast, and shields of horn,60

And huge clubs cloven from the knotted pine;

And spears like those by Thor's great children borne,

When Cæsar bridged with marching[4] steel the Rhine,

Countless they start, as if from every tree

Had sprung the uncouth defending deity;

They pass the King, low bending as they pass;61

Bear back the startled Harold on their way;

And roaring onward, mass succeeding mass,

Snatch the hemm'd Saxons from the King's survey.

On Arthur's crest the dove refolds its wing;

On Arthur's ear a voice comes murmuring,—

"Man, have I served thy God?" and Arthur saw62

The priest beside him, leaning on his bow;

"Not till, in all, thou hast fulfill'd the law—

Thou hast saved the friend—now aid to shield the foe;"

And as a ship, cleaving the sever'd tides,

Right through the sea of spears the hero rides.

The wild troop part submissive as he goes;63

Where, like an islet in that stormy main,

Gleam'd Mercia's steel; and like a rock arose,

Breasting the breakers, the undaunted Thane;

He doff'd his helmet, look'd majestic round;

And dropp'd the murderous weapon on the ground;

And with a meek and brotherly embrace64

Twined round the Saxon's neck the peaceful arm.

Strife stood arrested—the mild kingly face,

The loving gesture, like a holy charm,

Thrill'd through the ranks: you might have heard a breath!

So did soft Silence seem to bury Death.

On the fair locks, and on the noble brow,65

Fell the full splendour of the heavenly ray;

The dove, dislodged, flew up—and rested now,

Poised in the tranquil and translucent day.

The calm wings seem'd to canopy the head;

And from each plume a parting glory spread.

So leave we that still picture on the eye;66

And turn, reluctant, where the wand of Song

Points to the walls of Time's long gallery:

And the dim Beautiful of Eld—too long

Mouldering unheeded in these later days,

Starts from the canvass, bright'ning as we gaze.

O lovely scene which smiles upon my view,67

As sure it smiled on sweet Albano's dreams;

He to whom Amor gave the roseate hue

And that harmonious colour-wand which seems

Pluck'd from the god's own wing!—Arcades and bowers,

Mellifluous waters, lapsing amidst flowers,

Or springing up, in multiform disport,68

From murmurous founts, delightedly at play;

As if the Naiad held her joyous court

To greet the goddess whom the flowers obey;

And all her nymphs took varying shapes in glee,

Bell'd like the blossom—branching like the tree.

Adown the cedarn alleys glanced the wings69

Of all the painted populace of air,

Whatever lulls the noonday while it sings

Or mocks the iris with its plumes,—is there—

Music and air so interfused and blent,

That music seems life's breathing element.

And every alley's stately vista closed70

With some fair statue, on whose gleaming base

Beauty, not earth's, benignantly reposed,

As if the gods were native to the place;

And fair indeed the mortal forms, I ween,

Whose presence brings no discord to the scene!

Oh, fair they are, if mortal forms they be!71

Mine eye the lovely error must beguile;

So bloom'd the Hours, when from the heaving sea[5]

Came Aphroditè to the rosy isle.

What time they left Olympian halls above,

To greet on earth their best beguiler—Love?

Are they the Oreads from the Delphian steep72

Waiting their goddess of the silver bow?

Or shy Napææ,[6] startled from their sleep,

Where blue Cithæron guards sweet vales below,

Watching as home, from vanquished Ind afar,

Comes their loved Evian in the panther-car?

Why stream ye thus from yonder arching bowers?73

Whom wait, whom watch ye for, O lovely band,

With spears that, thyrsus-like, glance, wreath'd with flowers,

And garland-fetters, linking hand to hand,

And locks, from which drop blossoms on your way,

Like starry buds from the loose crown of May?

Behold how Alp on Alp shuts out the scene74

From all the ruder world that lies afar;

Deep, fathom-deep, the valley which they screen;

Deep, as in chasms of cloud a happy star!

What pass admits the stranger to your land?

Whom wait, whom watch ye for, O lovely band?

Ages ago, what time the barbarous horde,75

From whose rough bosoms sprang Imperial Rome,

Drew the slow-widening circle of the sword

Till kingdoms vanish'd in a robber's home,

A wise Etrurian chief, forewarn'd ('twas said)

By his dark Cære,[7] from the danger fled:

He left the vines of fruitful Fiesolè,76

Left, with his household gods and chosen clan,

Intent beyond the Ausonian bounds to flee,

And Rome's dark shadow on the world of man.

So came the exiles to the rocky wall

Which, centuries after, frown'd on Hannibal

Here, it so chanced, that down the deep profound77

Of some huge Alp—a stray'd Etrurian fell;

The pious rites ordain'd to explore the ground,

And give the ashes to the funeral cell;

Slowly they gain'd the gulf, to scare away

A vulture ravening on the mangled clay;

Smit by a javelin from the leader's hand,78

The bird crept fluttering down a deep defile,

Through whose far end faint glimpses of a land,

Sunn'd by a softer daylight, sent a smile;

The Augur hail'd an omen in the sight,

And led the wanderers towards the glimmering light.

What seem'd a gorge was but a vista'd cave,79

Long-drawn and hollow'd through primæval stone;

Rude was the path, but as, beyond the grave

Elysium shines, the glorious landscape shone,

Broadening and brightening—till their wonder sees

Bloom through the Alps the lost Hesperides.

There, the sweet sunlight, from the heights debarr'd,80

Gather'd its pomp to lavish on the vale;

A wealth of wild sweets glitter'd on the sward,

Screen'd by the very snow-rocks from the gale;

Murmur'd clear waters, murmur'd joyous birds,

And o'er soft pastures roved the fearless herds.

His rod the Augur waves above the ground,81

And cries, "In Tina's name I bless the soil."[8]

With veilèd brows the exiles circle round;

Along the rod propitious lightnings coil;

The gods approve; rejoicing hands combine,

Swift springs a sylvan city from the pine.

What charm yet fails them in the lovely place?82

Childhood's gay laugh—and woman's tender smile.

A chosen few the venturous steps retrace;

Love lightens toil for those who rest the while;

And, ere the winter stills the sadden'd bird,

The sweeter music of glad homes is heard;

And with the objects of the dearer care,83

The parting gifts of the old soil are home;

Soon Tusca's grape hangs flushing in the air,

And the glebe ripples with the golden corn;

Gleams on grey slopes the olive's silvery tree,

In her lone Alpine child,—far Fiesolè

Revives—reblooms, but under happier stars!84

Age rolls on age,—upon the antique world

Full many a storm hath graved its thunder scars;

Tombs only speak the Etrurian's language;[9]—hurl'd

To dust the shrines of Naith;[10]—the serpents hiss

On Asia's throne in lorn Persepolis;

The seaweed rots upon the ports of Tyre:85

On Delphi's steep the Pythian's voice is dumb;

Sad Athens leans upon her broken lyre;

From the doom'd East the Bethlem Star hath come;

But Rome an empire from an empire's loss

Gains in the god Rome yielded to the Cross!

And here, as in a crypt, the miser Time,86

Hoards, from all else, embedded in the stone,

One eldest treasure—fresh as when, sublime

O'er gods and men, Jove thunder'd from his throne—

The garb, the arts, the creed, the tongue, the same

As when to Tarquin Cuma's sibyl came.

The soil's first fathers, with elaborate hands,87

Had closed the rocky portals of the place;

No egress opens to unhappier lands:

As tree on tree, so race succeeds to race,

From sleep the passions no temptations draw,

And strife bows childlike to the patriarch's law;

Lull'd was ambition; each soft lot was cast;88

Gold had no use; with war expired renown;

From priest to priest mysterious reverence past;

From king to king the mild Saturnian crown:

Like dews, the rest came harmless into birth;

Like dews exhaling—after gladd'ning earth.

Not wholly dead, indeed, the love of praise—89

When can that warmth from heaven forsake the heart?

The Hister's[11] lyre still thrill'd with Camsee's lays,

Still urn and statue caught the Arretian art,

And hands, least skill'd, found leisure still to cull

Some flowers, in offering to the Beautiful.

Hence the whole vale one garden of delight;90

Hence every home a temple for the Grace:

Who worships Nature finds in Art the rite;

And Beauty grows the Genius of the Place.

Enough this record of the happy land:

Whom watch, whom wait ye for, O lovely band?

Listen awhile!—The strength of that soft state,91

The arch's key-stones, are the priest and king;

To guard all power inviolate from debate,

To curb all impulse, or direct its wing,

In antique forms to mould from childhood all;—

This guards more strongly than the Alpine wall.

The regal chief might wed as choice inclined,92

Not so the daughters sprung from his embrace,

Law, strong as caste, their nuptial rite confined

To the pure circle of the Lartian race;

Hence with more awe the kingly house was view'd,

Hence nipp'd ambition bore no rival feud.

But now, as on some eldest oak, decay93

In the proud topmost boughs is serely shown;

While life yet shoots from every humbler spray—

So, of the royal tribe one branch alone

Remains; and all the honours of the race

Lend their last bloom to smile in Ægle's face.[12]

The great arch-priest (to whom the laws assign94

The charge of this sweet blossom from the bud),

Consults the annals archived in the shrine,

And, twice before, when fail'd the Lartian blood,

And no male heir was found, the guiding page

Records the expedient of the elder age.

Rather than yield to rival tribes the hope95

That wakes aspiring thought and tempts to strife;

And (lowering awful reverence) rashly ope

The pales that mark the set degrees of life,

The priest (to whom the secret only known)

Unlock'd the artful portals of the stone;

And watch'd and lured some wanderer, o'er the steep,96

Into the vale, return for ever o'er;

The gate, like Death's, reclosed upon the keep—

Earth left its ghost as on the Funeral shore.

And what more envied lot could earth provide

Than calm Elysium—with a living bride?

A priestly tale the simple flock deceived:97

The gods had care of their Tagetian child![13]

The nuptial garlands for a god they weaved;

A god himself upon the maid had smiled,

A god himself renew'd the race divine,

And gave new monarchs to the Lartian line.

Yet short, alas! the incense of delight98

That lull'd the new-found Ammon of the Hour;

Like love's own star, upon the verge of night,

Trembled the torch that lit the bridal bower;

Soon as a son was born—his mission o'er—

The stranger vanish'd to his gods once more.

Two temples closed the boundaries of the place,99

One (vow'd to Tina) in its walls conceal'd

The granite portals, by the former race

So deftly fashion'd,—not a chink reveal'd

Where (twice unbarr'd in all the ages flown)

The stony donjon mask'd the door of stone.

The fane of Mantu[14] form'd the opposing bound100

Of the long valley; where the surplus wave

Of the main stream a gloomy outlet found,

Split on sharp rocks beneath a night of cave,

And there, in torrents, down some lost ravine

Where Alps took root—fell heard, but never seen.

Right o'er this cave the Death-Power's temple rose;101

The cave's dark vault was curtain'd by the shrine;

Here by the priest (the sacred scrolls depose)

Was led the bridegroom when renew'd the line;

At night, that shrine his steps unprescient trod—

And morning came, and earth had lost the god!

Nine days had now the Augur to the flock102

Announced the coming of the heavenly spouse;

Nine days his steps had wander'd through the rock,

And his eye watch'd through unfamiliar boughs,

And not a foot-fall in those rugged ways!

The lone Alps wearied on his lonely gaze—

But now this day (the tenth) the signal torch103

Streams from the temple; the mysterious swell

Of long-drawn music peals from aisle to porch:—

He leaves the bright hall where the Æsars[15] dwell,

He comes, o'er flowers and fountains to preside,

He comes, the god-spouse to the mortal bride—

He comes, for whom ye watch'd, O lovely band,104

Scatter your flowers before his welcome feet!

Lo, where the temple's holy gates expand,

Haste, O ye nymphs, the bright'ning steps to meet

Why start ye back?—What though the blaze of steel

The form of Mars, the expanding gates reveal—

The face, no helmet crowns with war, displays105

Not that fierce god from whom Etruria fled;

Cull from far softer legends while ye gaze,

Not there the aspect mortal maid should dread!

Have ye no songs from kindred Castaly

Of that bright Wanderer from the Olympian[16] sky,

Who, in Arcadian dells, with silver lute106

Hush'd in delight the nymph and breathless faun?

Or are your cold Etrurian minstrels mute

Of him whom Syria worshipp'd as the Dawn

And Greece as fair Adonis? Hail, O hail!

Scatter your flowers, and welcome to the vale!

Wondering the stranger moves! That fairy land,107

Those forms of dark yet lustrous loveliness,[17]

That solemn seer who leads him by the hand;

The tongue unknown, the joy he cannot guess,

Blend in one marvel every sound and sight;

And in the strangeness doubles the delight.

Young Ægle sits within her palace bower,108

She hears the cymbals clashing from afar—

So Ormuzd's music welcomed in the hour

When the sun hasten'd to his morning-star.

Smile, Star of Morn—he cometh from above!

And twilight melts around the steps of Love.

Save the grey Augur (since the unconscious child109

Sprang to the last kiss of her dying sire)

Those eyes by man's rude presence undefiled,

Had deepen'd into woman's. As a lyre

Hung on unwitness'd boughs, amidst the shade,

And but to air her soul its music made.

Fair was her prison, wall'd with woven flowers,110

In a soft isle embraced by softest waters,

Linnet and lark the sentries to the towers,

And for the guard Etruria's infant daughters;

But stronger far than walls, the antique law,

And more than hosts, religion's shadowy awe.

Thus lone, thus reverenced, the young virgin grew111

Into the age, when on the heart's calm wave

The light winds tremble, and emotions new

Steal to the peace departing childhood gave;

When for the vague Beyond the captive pines,

And the soul misses—what it scarce divines.

Lo where she sits—(and blossoms arch the dome)112

Girt by young handmaids!—Near and nearer swelling

The cymbals sound before the steps that come

O'er rose and hyacinth to the bridal dwelling;

And clear and loud the summer air along

From virgin voices floats the choral song.

Lo where the sacred talismans diffuse113

Their fragrant charms against the Evil Powers;

Lo where young hands the consecrated dews

From cuspèd vervain sprinkle round the flowers,

And o'er the robe, with broider'd palm-leaves sown,

That decks the daughter of the peaceful throne!

Lo, on those locks of night the myrtle crown,114

Lo, where the heart beats quick beneath the veil;

Lo, where the lids, cast tremulously down,

Cloud stars which Eros as his own might hail;

Oh, lovelier than Endymion's loveliest dream,

Joy to the heart on which those eyes shall beam!

The bark comes bounding to the islet shore,115

The trellised gates fly back: the footsteps fall

Through jasmined galleries on the threshold floor;

And, in the Heart-Enchainer's golden thrall,

There, spell-bound halt;—So, first since youth began

Her eyes meet youth in the charm'd eyes of man!

And there Art's two opposed Ideals rest;116

There the twin flowers of the old world bloom forth;

The classic symbol of the gentle West,

And the bold type of the chivalric North.

What trial waits thee, Cymrian, sharper here

Than the wolf's death-fang or the Saxon's spear?

But would ye learn how he we left afar,117

Girt by the stormy people of the wild,

Came to the confines of the Hesperus Star,

And the soft gardens of the Etrurian child;

Would ye, yet lingering in the wondrous vale,

Learn what time spares if sorrow can assail;

What there, forgetful of the vanish'd dove,118

(Lost at these portals) did the king befall;

Pause till the hand has tuned the harp to love,

And notes that bring young listeners to the hall;

And he, whose sires in Cymri reign'd, shall sing

How Tusca's daughter loved the Cymrian King.

BOOK IV.

ARGUMENT.

Invocation to Love—Arthur, Ægle, and the Augur—Dialogue between the Cymrian and the Etrurian—Meanwhile Lancelot gains the sea-shore, where he meets with the Aleman priest and his sons, and hears tidings of Arthur—He tells them the tale of his own infancy—Crosses the sea—Lands on the coast of Brettannie—And is guided by the crystal ring in quest of Arthur towards the Alps—He finds the King's charger, which Arthur had left without the vaulted passage into the Happy Valley—But the rock-gate being closed, he cannot discover the King; and, winding by the foot of the Alps round the valley, gains a lake and a convent—The story now returns to Arthur and Ægle—Descriptive stanzas—A raven brings Arthur news from Merlin—The King resolves to quit the valley—He seeks and finds the Augur—Dialogue—Parting scene with Ægle—Arthur follows the Augur towards the fane of the funereal god.

Hail, thou, the ever young, albeit of Night1

And of primæval Chaos eldest born;

Thou, at whose birth broke forth the Founts of Light,

And o'er Creation flush'd the earliest Morn!

Life, in thy life, suffused the conscious whole;

And formless matter took the harmonious soul.

Hail, Love! the death-defier! age to age2

Linking, with flowers, in the still heart of man!

Dream to the bard, and marvel to the sage,

Glory and mystery since the world began.

Like the new moon, whose disk of silver sheen

But halves the circle Heaven completes unseen.

Ghostlike amidst the unfamiliar Past,3

Dim shadows flit along the streams of Time;

Vainly our learning trifles with the vast

Unknown of ages!—Like the wizard's rhyme

We call the dead, and from the Tartarus

'Tis but the dead that rise to answer us!

Voiceless and wan, we question them in vain;4

They leave unsolved earth's mighty yesterday.

But wave thy wand—they bloom, they breathe again!

The link is found!—as we love, so loved they!

Warm to our clasp our human brothers start,

All centuries blend when heart speaks out to heart.

Arch Power, of every power most dread, most sweet,5

Ope at thy touch the far celestial gates;

Yet Terror flies with Joy before thy feet,

And, with the Graces, glide unseen the Fates.

Eos and Hesperus; one, with twofold light,

Bringer of day, and herald of the night.

But, lo! again, where rise upon the gaze6

The Tuscan Virgin in the Alpine bower,

The steel-clad wanderer, in his rapt amaze,

Led through the flowerets to that living flower:

Eye meeting eye, as in that blest survey

Two hearts, unspeaking, breathe themselves away!

Calm on the twain reposed the Augur's eye,7

A marble stillness on his solemn face;

Like some cold image of Necessity

When fated hands lay garlands on its base.

And slanted sunbeams, through the blossoms stealing,

Lit circled Childhood round the Virgin kneeling.

Slow from charm'd wonder woke at last the King,8

Well the mild grace became the lordly mien,

As, gently passing through the kneeling ring,

The warrior knelt with Childhood to the queen;

And on the hand, that thrill'd in his to be,

Press'd the pure kiss of courteous chivalry;

In the bold music of his mountain tongue,9

Speaking the homage of his frank delight.

Is there one common language to the young

That, with each word more troubled and more bright,

Stirr'd the quick blush—as when the south wind heaves

Into sweet storm the hush of rosy leaves?

But now the listening Augur to the side10

Of Arthur moves; and, signing silently,

The handmaid children from the chamber glide,

And Ægle followeth slow, with drooping eye.—

Then on the King the soothsayer gazed and spoke,

And Arthur started as the accents broke;—

For those dim sounds his mother-tongue express,11

But in some dialect of remotest age;

Like that in which the far SARONIDES[1]

Exchanged dark riddles with the Samian sage.[2]

Ghostlike the sounds; a founder of his race

Seem'd in that voice the haunter of the place.

"Guest," said the priest, with labour'd words and slow,12

"If, as thy language, though corrupt, betrays

Thou art of those great tribes our records show

As the crown'd wanderers of untrodden ways

Whose eldest god, from pole to pole enshrined,

Gives Greece her KRONOS and her BOUDH to Ind;

"Who, from their Syrian parent-stem, spread forth13

Their giant roots to every farthest shore,

Sires of young nations in the stormy North,

And slumberous East; but most renown'd of yore

In purple Tyre;—if, of PHŒNICIAN race,

In truth thou art,—thrice welcome to the place!

"Know us as sons of that old friendly soil14

Whose ports, perchance, yet glitter with the prows

Of Punic ships, when resting from their toil

In LUNA'S[3] gulf, the seabeat crews carouse.

Unless in sooth (and here he sigh'd) the day

Cære foretold hath come to RASENA!"[4]

"Grave sir," quoth Arthur, piteously perplext,15

"Or much—forgive me, hath my hearing err'd,

Or of that People quoted in thy text,

(Perish'd long since)—but dimly have I heard:

Phœnicians! True, that name is found within

Our scrolls;—they came to MEL YNYS for tin!

"As for my race, our later bards declare16

It springs from Brut, the famous Knight of Troy;

But if Sir Hector spoke in Welsh, I ne'er

Could clearly learn—meanwhile, I hear with joy,

My native language (pardon the remark)

Much as Noah spoke it when he left the ark.

"More would my pleasure be increased to know17

That that fair lady has your own precision

In the dear music which, so long ago,

We taught—observe, not learn'd from—the Phœnician."

"Speak as your fathers spoke the maiden can,

O many-vowell'd, ear-afflicting man!"

The priest replied. "But, ere I yet disclose18

The bliss that Northia[5] singles for your lot,

Fain would I learn what change the gods impose

On the old races and their sceptres?—what

The latest news from RASENA?"—"With shame

I own, grave sir, I never heard that name!"

The Augur stood aghast!—"O, ruthless Fates!19

Who then rules Italy?"—"The Ostrogoth."

"The Os——- the what?"—"Except the Papal states;

Unless the Goth, indeed, has ravish'd both

The Cæsar's throne and the apostle's chair—

Spite of the Knight of Thrace,—Sir Belisair."[6]

"What else the warrior nations of the earth?"20

Groan'd the stunn'd Augur.—"Reverend sir, the Huns,

Franks, Vandals, Lombards,—all have warlike worth;

Nor least, I trust, old Cymri's Druid sons!"

"O, Northia, Northia! and the East?"—"In peace,

Under the Christian Emperor of Greece;

"Whose arms of late have scourged the Paynim race,21

And worsted Satan!"—"Satan, who is he?"

Greatly the knight was shock'd in that fair place,

To find such ignorance of the powers that be:

So then, from Eve and Serpent he began;

And sketch'd the history of the Foe of Man.

"Ah," said the Augur,—"here, I comprehend22

Ægypt, and Typhon, and the serpent creed![7]

So, o'er the East the gods of Greece extend,

And Isis totters?"—"Truly, and indeed,"

Sigh'd Arthur, scandalized—"I see, with pain,

You have much to learn my monks could best explain—

"Nathless for this, and all you seek to know23

Which I, no clerk, though Christian, can relate,

Occasion meet my sojourn may bestow;—

Now, wherefore, pray you, through yon granite gate

Have you, with signs of some distress endured,

And succour sought, my wandering steps allured?"

"Pardon, but first, soul-startling stranger," said24

The slow-recovering Augur—"say if fair

The region seems to which those steps were led?

And next, the maid to whom you knelt compare

With those you leave. Are hers, in sober truth,

The charms that fix the roving heart of youth?"

"Lovelier than all on earth mine eyes have seen25

Smiles the gay marvel of this gentle realm;

Of all earth's beauty that fair maid the queen;

And, might I place her glove upon my helm,

I would proclaim that truth with lance and shield,

In tilt and tourney, sole against a field!"

"Since that be so (though what such custom means26

I rather guess than fully comprehend)

Answer again;—if right my reason gleans

From dismal harvests, and discerns the end

To which the beautiful and wise have come,

Hard are the fates beyond our Alpine home:

"What makes, without, the chief pursuit of life?"27

"War," said the Cymrian, with a mournful sigh:

"The fierce provoke, the free resist, the strife,

The daring perish and the dastard fly;

Amidst a storm we snatch our troubled breath,

And life is one grim battle-field of death."

"Then here, O stranger, find at last repose!28

Here, never smites the thunder-blast of war:

Here, all unknown the very name of foes;

Here, but with yielding earth men's contests are;

Our trophies—flower and olive, corn and wine:—

Accept a sceptre, be this kingdom thine!

"Our queen, the virgin who hath charm'd thine eyes—29

Our laws her spouse, in whom the gods shall send,

Decree; the gods have sent thee;—what the skies

Allot, receive:—Here, shall thy wanderings end,

Here thy woes cease, and life's voluptuous day

Glide, like yon river through our flowers, away."

"Kind sir," said Arthur, gratefully—"such lot30

Indeed were fair beyond what dreams display;

But earth has duties which"——"Relate them not!"

Exclaim'd the Augur—"or at least delay,

Till better known the kingdom and the bride,

Then youth, and sense, and nature, shall decide."

With that, the Augur, much too wise as yet31

To hint compulsion, and secure from flight,

Arose, resolved each scruple to beset

With all which melteth duty in delight—

Here, for awhile, we leave the tempted King,

And turn to him who owns the crystal ring.

Oh, the old time's divine and fresh romance!32

When o'er the lone yet ever-haunted ways

Went frank-eyed Knighthood with the lifted lance,

And life with wonder charm'd adventurous days!

When light more rich, through prisms that dimm'd it, shone;

And Nature loom'd more large through the Unknown.

Nature, not then the slave of formal law!33

Her each free sport a miracle might be:

Enchantment clothed the forest with sweet awe;

Astolfo[8] spoke from out the bleeding tree;

The fairy wreath'd his dance in moonlit air;

On golden sands the mermaid sleek'd her hair—

Then soul learn'd more than barren sense can teach34

(Soul with the sense now evermore at strife)

Wherever fancy wander'd man could reach—

And what is now call'd poetry was life.

If the old beauty from the world is fled,

Is it that Truth or that Belief is dead?

Not following, step by step, the devious King,35

But whither best his later steps are gain'd,

Moved the sure index of the fairy ring,

And since, at least, a moon hath wax'd and waned

What time the pilgrim left the fatherland—

So towards his fresher footsteps veer'd the hand.

Lo, now where pure Sabrina[9] on her breast36

Hushes sweet Isca, and, like some fair nun

That yearns, earth-wearied, for the golden rest,

Sees with delighted calm her journey done;

And broader, brighter, as she nears her grave,

Melts in the deep;—all daylight on the wave.

Across that stream pass'd sprightly Lancelot,37

Then, towards those lovely lands which yet retain

The Cymrian freedom, rode, and rested not

Till, loud on Devon, broke the rough'ning main.

Through rocks abrupt, the strong waves force their way,

Here cleave the land—there, hew the indented bay.

The horseman paused. Rude huts lay far and wide;38

The dipping sea-gulls wheel'd with startled shriek;

Drawn on the sands lay coracles of hide,[10]

And all was desolate; when, towards the creek,

Near which he halts, he hears the plashing oar;

A boat shoots in; the seamen leap to shore.

Three were their number,—two in youthful prime,39

One of mid years;—tall, huge of limb the three;

Scarce clad, with weapons of a northward clime;

Clubs, spears, and shields—the uncouth armoury

Of man, while yet the wild beast is his foe.

Yet something still the lords of earth may show;—

The pride of eye, the majesty of mien,40

The front erect that looks upon the star:

While round each neck the twisted chains are seen

Of Teuton chiefs;—(and signs of chiefs they are

In Cymrian lands—where still the torque of gold[11]

Or decks the highborn or rewards the bold).

Stern Lancelot frown'd; for in those sturdy forms41

The Christian Knight the Saxon foemen fear'd.

"Why come ye hither?—nor compell'd by storms,

Nor proffering barter?" As he spoke they near'd

The noble knight;—and thus the elder said,

"Nought save his heart the Aleman hath led!

"Ere more I answer, say if this the shore,42

And thou the friend, of him who owns the dove?

Arthur the king,—who taught us to adore

By the man's deeds the God whose creed is love?"

Then Lancelot answer'd, with a moistening eye,

"Arthur's true knight and lealest friend am I."

With that, he leapt from selle to clasp the hand43

Of him who honour'd thus the absent one:

And now behold them seated on the sand,

Frank faces smiling in the cordial sun;

The absent, there, seem'd present: to unite,

In loving bonds, his converts and his knight.

Then told the Aleman the tale by song44

Already told—and we resume its flow

Where the mild hero charm'd the stormy throng

And twined the arm that shelter'd, round his foe:

Not meanly conquer'd but sublimely won—

Stern Harold vail'd his plume to Uther's son.

The Saxon troop resought the Vandal king,45

And Arthur sojourn'd with the savage race:

More easy such rude proselytes to bring

To Christian truth, than, in the wonderous place

Where now he rests, proud Wisdom he shall find!

For heaven dawns clearest on the simplest mind.

But when his cause of wrong the Cymrian show'd;46

The heathen foe—the carnage-crimson'd fields;

With one fierce impulse those fierce converts glow'd,

And their wild war-howl chimed with clashing shields

But Arthur wisely shunn'd that last appeal

Of falling states,—the stranger's fatal steel.

Yet to the chief (for there at least no fear)47

And his two sons, a slow consent he gave:

Show'd by the prince the stars by which to steer,

They hew'd a pine and launch'd it on the wave;

Bringing rough forms but dauntless hearts to swell

The force that guards the fates of Carduel.

The story heard, the son of royal BAN[12]48

Questions the paths to which the King was led.

"Know," answered Faul (so hight the Aleman),

"That, in our father's days, our warriors spread

O'er lands wherein eternal summer dwells,

Beyond the snow-storm's siegeless pinnacles;

"And on the borders of those lands, 'tis told,49

There lies a lake, some dead great city's grave,

Where, when the moon is at her full, behold

Pillar and palace shine up from the wave!

And o'er the lake, seen but by gifted seers,

Its phantom bark a silent phantom steers.

"It chanced, as round our fires we sate at night,50

And saga-runes to wile our watch were sung,

That with the legends of our father's might

And wandering labours, this old tale was strung,

Then the roused King much question'd:—what we knew

We told, still question from each answer grew.

"That night he slept not—with the morn was gone;51

And the dove led him where the snow-storms sleep."

Then Lancelot rose, and led his destrier on,

And gain'd the boat, and motion'd to the deep,

His purpose well the Alemen divine,

And launch once more the bark upon the brine.

And ask to aid—"Know, friends," replied the knight,52

"Each wave that rolleth smooths its frown for me;

My sire and mother, by the lawless might

Of a fierce foe expell'd and forced to flee

From the fair halls of BENOIC, paused to take

Breath for new woes, beside a Fairy's lake.

"With them was I, their new-born helpless heir,53

The hunted exiles gazed afar on home,

And saw the fires that dyed like blood the air

Pall with the pomp of hell the crashing dome.

They clung, they gazed—no word by either spoken;

And in that hush the sterner heart was broken.

"The woman felt the cold hand fail her own;54

The head that lean'd fell heavy on the sod;

She knelt—she kiss'd the lips,—the breath was flown!

She call'd upon a soul that was with God:

For the first time the wife's sweet power was o'er—

She who had soothed till then could soothe no more!

"In the wife's woe, the mother was forgot.55

At last—(for I was all earth held of him

Who had been all to her, and now was not)—

She rose, and look'd with tearless eyes, but dim,

In the babe's face the father still to see;

And lo! the babe was on another's knee!—

"Another's lip had kiss'd it into sleep,56

And o'er the sleep another, watchful, smiled;—

The Fairy sate beside the lake's still deep,

And hush'd with chanted charms the orphan child!

Scared at the cry the startled mother gave,

It sprang, and, snow-like, melted in the wave.

"There, in calm halls of lucent crystalline,57

Fed by the dews that fell from golden stars,

But through the lymph I saw the sunbeams shine,

Nor dream'd a world beyond the glist'ning spars;

Buoy'd by a charm that still endows and saves,

In stream or sea, the nurseling of the waves.

"In my fifth year, to Uther's royal towers58

The fairy bore me, and her charge resign'd.

My mother took the veil of Christ—the Hours

With Arthur's life the orphan's life entwined.

O'er mine own element my course I take—

All oceans smile on Lancelot of the Lake!"

He said, and waved his hand: around the boat59

The curlews hover'd, as it shot to sea.

The wild men, lingering, watch'd the lessening float,

Till in the far expanse lost desolately,

Then slowly towards the hut they bent their way,

And the lone waves moan'd up the lifeless bay.

Pass we the voyage. Hunger-worn, to shore60

Gain'd man and steed; there food and rest they found

In humble roofs. The course, resumed once more,

Stretch'd inland o'er not unfamiliar ground:

The wanderer smiles, by tower and town, to see

Cymri's old oak rebloom in Brettanie.

Nathless, no pause, save such as needful rest61

Demands, delays him in the friendly land.

No tidings here of Arthur gain'd, his breast

Springs to the goal of the quick-moving hand,

Howbeit not barren of adventurous days,

Sweet danger found him in the devious ways.

What foes encounter'd, or what damsels freed—62

What demon spells in lonely forests braving,

Leave we to songs yet vocal to the reed

On ev'ry bank, beloved by poets, waving;

Our task unborrow'd from the muse of old,

Takes but the tale by nobler bards untold.

Now as he journeys, frequent more and more63

The traces of the steps he tracks are found;

Fame, like a light, shines broadening on before

His path, and cleaves the shadows on the ground;

High deeds and gentle, bruited near and far,

Show where that soul went flashing as a star.

At length he gains the Ausonian Alpine walls;64

Here, castle, convent, town, and hamlet fade;

Lone, through the rolling mists, the hoof-tread falls;

Lone, earth's mute giants loom amidst the shade:

Yet still, as sure of hope, he tracks the king,

Up steep, through gorge, where guides the crystal ring.

One day—along by gloomy chasms his course—65

He saw before him indistinctly pass

Through the dun fogs, what seem'd a phantom horse,

Like that which oft, amidst the dank morass,

Bestrid by goblin-meteor, starts the eye—

So fleshless flitting—wan and shadowy.

By a bare rock it paused, and feebly neigh'd.66

As the good knight, descending, seized the rein;

Dew-rusted mail the shrunken front array'd;

The rich selle rotted with the moulder-stain;

And on the selle were slung helm, axe, and mace;

And the great lance lay careless near the place.

Then first the seeker's stricken spirit fell;67

Too well that helmet, with its dragon crest,

Speaks of the mighty owner; and too well

That steed, so oft by snowy hands carest,

When bright-eyed Beauty from the balcon bent

To crown the victor-lord of tournament.

Near and afar he searched—he called in vain,68

By crag and combe, nought answering, and nought seen;

Return'd, the charger long refused the rein,

Clinging, poor slave, where last its lord had been.

At length the slow, reluctant hoofs obey'd

The soothing words; so went they through the shade:

Following the gorge that wound the Alpine wall,69

Like the huge fosse of some Cyclopean town,

(While roaring round, invisible cataracts fall);

On the black rocks twilight comes ghostly down,

And deep and deeper still the windings go,

And dark and darker as to worlds below.

Night halts the course, resumed at earliest day,70

Through day pursued, till the last sunbeams fell

On a broad mere whose margin closed the way.

Hark! o'er the waters swung the holy bell

From a grey convent on the rising ground,

Amidst the subject hamlet stretch'd around.

Here, while both man and steeds the welcome rest71

Under the sacred roof of Christ receive,

We turn once more to Ægle and her guest.

Lo! the sweet valley in the flush of eve!

Lo! side by side, where through the rose-arcade,

Steals the love star, the hero and the maid!

Silent they gaze into each other's eyes,72

Stirring the inmost soul's unquiet sleep;

So pierce soft star-beams, blending wave and skies,

Some holy fountain trembling to its deep!

Bright to each eye each human heart is bare,

And scarce a thought to start an angel there!

Love to the soul, whate'er the harsh may say,73

Is as the hallowing Naïad to the well—

The linking life between the forms of clay

And those ambrosia nurtures; from its spell

Fly earth's rank fogs, and Thought's ennobled flow

Shines with the shape that glides in light below.

Seize, O beloved, the blooms the Hour allows!74

Alas, but once can flower the Beautiful!

Hark, the wind rustles through the trembling boughs,

And the stem withers while the buds ye cull!

Brief though the prize, how few in after hours

Can say, "at least the Beautiful was ours!"

Two loves (and both divine and pure) there are;75

One by the roof-tree takes its root for ever,

Nor tempests rend, nor changeful seasons mar—

It clings the stronger for the storm's endeavour;

Beneath its shade the wayworn find their rest,

And in its boughs the calm bird builds its nest.

But one more frail (in that more prized, perchance),76

Bends its rich blossoms over lonely streams

In the untrodden ways of wild Romance,

On earth's far confines, like the Tree of Dreams,[13]

Few find the path;—O bliss! O woe to find!

What bliss the blossom!—ah! what woe the wind!

Oh, the short spring!—the eternal winter!—All77

Branch,—stem all shatter'd; fragile as the bloom!

Yet this the love that charms us to recall

Life's golden holiday before the tomb;

Yea! this the love which age again lives o'er,

And hears the heart beat loud with youth once more!

Before them, at the distance, o'er the blue78

Of the sweet waves which girt the rosy isle,

Flitted light shapes the inwoven alleys through:

Remotely mellow'd, musical the while,

Floated the hum of voices, and the sweet

Lutes chimed with timbrels to dim-glancing feet.

The calm swan rested on the breathless glass79

Of dreamy waters, and the snow-white steer

Near the opposing margin, motionless,

Stood, knee-deep, gazing wistful on its clear

And life-like shadow, shimmering deep and far,

Where on the lucid darkness fell the star.

Near them, upon its lichen-tinted base,80

Gleam'd one of those fair fancied images

Which art hath lost—no god of Idan race,

But the wing'd symbol which, by Caspian seas,

Or Susa's groves, its parable addrest

To the wild faith of Iran's Zendavest.[14]

Light as the soul, whose archetype it was81

The Genius touch'd, yet spurn'd the pedestal;

Behind, the foliage, in its purple mass,

Shut out the flush'd horizon; clasping all,

Nature's hush'd giants stood to guard and girth

The only home of peace upon the earth.

And when, at last, from Ægle's lips, the voice82

Came soft as murmur'd hymns at closing day,

The sweet sound seem'd the sweet air to rejoice—

To give the sole charm wanting,—to convey

The crowning music to the Musical;

As with the soul of love infusing all!

And to the Northman's ear that antique tongue,83

Which from the Augur's lips fell weird and cold,

Seem'd as the thread in fairy tales,[15] which strung

Enchanted pearls, won from the caves of old,

And woven round a sunbeam;—so was wrought

O'er cordial love the pure and delicate thought.

She spoke of youth's lost years, so lone before,84

And coming to the present, paused and blush'd;

As if Time's wing were spell-bound evermore,

And Life, the restless, in the hour were hush'd:

The pause, the blush, said more than words, "And thou

Art found!—thou lov'st me!—Fate is powerless now!"

That hand in his—that heart his own entwining85

With its life's tendrils,—youth his pardon be,

If in his heaven no loftier star were shining—

If round the haven boom'd unheard the sea—

If in the wreath forgot the thorny crown,

And the harsh duties of severe renown.

Blame we as well the idlesse of a dream,86

As that entranced oblivion from the reign

Of the Great Curse, which glares in every beam

Of labouring suns to the stern race of Cain;

So life from earth did Nature here withdraw,

That the strange peace seem'd but earth's common law.

Yet some excuse all stronger spirits take87

For all repose from toil (to strength the doom)

How sweet in that fair heathen soil to wake

The living palm God planted on the tomb!

And so, and long, did Passion's subtle art

Mask with the soul the impulse of the heart.

Wonderous and lovely in that last retreat88

Of the old Gods,—the simple speech to hear

Tell of the Messenger whose beauteous feet

Had gilt the mountain-tops with tidings clear

Of veilless Heaven, while Ægle, thoughtful said,

"This, love makes plain—yes, love can ne'er be dead!"

Now, as Night gently deepens round them, while89

Oft to the moon upturn their happy eyes—

Still, hand in hand, they range the lullèd isle.

Air knows no breeze, scarce sighing to their sighs;

No bird of night shrieks bode from drowsy trees,

Nought lives between them and the Pleïades;

Save where the moth strains to the moon its wing,90

Deeming the Reachless near;—the prophet race

Of the cold stars forewarn'd them not; the Ring

Of great Orion, who for the embrace

Of Morn's sweet Maid had died,[16] look'd calm above

The last unconscious hours of human love.

Each astral influence unrevealing shone91

O'er the dark web its solemn thread enwove;

Mars shot no anger from his fatal throne,

No beam spoke trouble in the House of Love;

Their closing path the treacherous smile illumed;

And the stern Star-kings kiss'd the brows they doom'd.—

'Tis morn once more; upon the shelving green92

Of the small isle, alone the Cymrian stood

With his full heart,—when, suddenly, between

Him and the sun, the azure solitude

Was broken by a dark and rapid wing,

And a dusk bird swoop'd downward to the King.

And the King's cheek grew pale, for well to him93

(As now the raven, settling, touch'd his feet),

Was known the mystic messenger:—where, grim

O'er the Black Valley,[17] demon shadows fleet

Glass'd on the lake whose horror scares away

Each harmless wing that skims the golden day.

The Prophet's dauntless childhood stray'd and found94

The weird bird muttering by the waves of dread;

Three days and nights upon the haunted ground

The raven's beak the solemn infant fed:

And ever after (so the legend ran)

The lone bird tended on the lonely man.

O'er the Man's temples fell the snows of age,95

As fresh the lustrous ebon of the Bird,—

Less awe had credulous terror of the sage

Than that familiar by the Fiend conferr'd—

So thought the crowd; nor knew what holy lore

Lives in all things whose instinct is to soar.

Hoarse croaks the bird, and, with its round bright eye,96

Fixes the gaze of the recoiling King;

Slowly the hand, that trembles, cuts the tie

Which binds the white scroll gleaming from the wing,

And these the words, "Weak Loiterer from thy toil,

The Saxon's march is on thy father's soil."

Bounded the Prince!—As when the sudden sun97

Looses the ice-chains on the halted rill,

Smites the dumb snow-mass, and the cataracts run

In molten thunder down the clanging hill,

So from his heart the fetters burst; and strong

In its rough course the great soul rush'd along.

As looks a warrior on the fort he scales,98

His glance darts round the everlasting steeps—

Not there escape!—the wildest fancy quails

Before those heights on which the whitening deeps

Of measureless heaven repose:—below their frown,

Planed as a wall, shears the smooth granite down.

Marvel, indeed, how ev'n the enchanted wing99

Had o'er such rampires won to the abode:

But not for marvel paused the kindled King,

Swift, as Pelides stung to war, he strode;

While the dark herald, with its sullen scream,

Rose, and fled, dismal as an evil dream.

Carved as for Love, a slender boat rock'd o'er100

The ripple with the murmuring marge at play,

He loosed its chain, he gain'd the adverse shore,

Startled the groups that flutter'd round his way,

Awed by the knitted brow and flashing eyes

Of him they deem'd the native of the skies.

As towards the fane, which closed on hardy life101

The granite path to Labour's world behind,

O'er trampled flowers, strode the stern Child of Strife,

He saw the melancholy priest reclined

Under the shade of hush'd Dodonian boughs,

Bending, o'er mystic scrolls, calm, mournful brows.—

Loud on that musing leisure broke the cry102

Of the imperious Northman, "Rise, unbar

Your granite gates—the eagle seeks the sky,

The captive freedom, and the warrior war!"

Slow rose the Augur, and this answer gave,

"Man, see thy world—its outlet is the grave!

"Thou hast our secret! Thou must share our fates:103

The Alps and Orcus guard ourselves—and thee!

To what new Mars shall Janus ope the gates?

Thou speak'st of war, and then demand'st the key!"

Scornful he turn'd—but thrill'd with wrath to feel

His sacred arm lock'd in a grasp of steel.

"Trifle not, host,—Fate calls me to depart;104

On my shamed soul a prophet's voice hath cried!

Nor Alps nor Orcus like a loyal heart

Ensures the secret trustful lips confide."

The Augur sneer'd—"A loyal heart, forsooth!

And what says Ægle of the stranger's truth?"

"Let Ægle answer," cried the noble lover;105

"Let Ægle judge the trust I hold from Heaven.

I faithless!—I—a King?—my labours over,

From mine own soil the surge of carnage driven,

And I will come, as kings should come, to claim

A mate for empire, and a meed for fame!"—

Long mused the Augur, and at length replied,106

His guile scarce mask'd in his malignant gaze,

"Take, as thou say'st, an answer from thy bride—

Then, if still wearied of untroubled days—

No more from Mantu[18] Pales shall control;

And one free gate shall open on thy soul!"

He said, and drew his large robe round his form,107

And wrathful swept along, as o'er the sky

A cloud sweeps dark, secret with hoarded storm;

Behind him went the guest as silently;

Afar the gazing wonderers whisper'd, while

They cross'd the girdling wave and reach'd the isle.

With violet buds, bright Ægle, in her bower,108

Knits the dark riches of her lustrous hair;

Her heart springs eager to the magic hour

When to loved eyes 'tis glorious to be fair:

Gleams of a neck, proud as the swan's, escape

The light-spun tunic rounded to the shape.

The airy veil, its silver cloud dividing,109

Falls, and floats fragrant, from the violet crown.

What happy thought is in that breast presiding

Like some serenest bird that settles down

(Its wanderings over) on calm summer eves

Into its nest, amid the secret leaves?

What happy thought in those large tranquil eyes110

Speaks of a bliss remote from human fear?

Speaks of a soul which like a star supplies

Its own circumfluent lustrous atmosphere;

Weaves beam on beam around its peace, and glows

Soft through the splendour which itself bestows?

Who ever gazed on perfect happiness,111

Nor felt it as the shadow cast from God?

It seems so still in its sublime excess,

So brings all heaven around its hush'd abode,

That in its very beauty awe has birth,

Dismay'd by too much glory for the earth.

Across the threshold now abruptly strode112

Her youth's stern guardian. "Child of RASENA,"

He said, "the lover on thy youth bestow'd

For the last time on earth thine eyes survey,

Unless thy power can chain the faithless breast,

And sated bliss deigns gracious to be blest."

"Not so!" cried Arthur, as his loyal knee113

Bent to the earth, and with the knightly truth

Of his right hand he clasp'd her own;—"to be

Thine evermore; youth mingled with thy youth,

Age with thine age; in thy grave mine; above,

Soul with thy soul—this is the Christian's love!

"Oft wouldst thou smile, believing smile, to hear114

Thy lover speak of knighthood's holy vow—

That vow holds falsehood more abhorr'd than fear,—

And canst thou doubt both love and knighthood now?"

His words rush'd on—told of the threaten'd land,

The fates confided to the sceptred hand,

Here gathering woes, and there suspended toil;115

And the stern warning from the distant seer.

"Thine be my people—thine this bleeding soil;

Queen of my realm, its groaning murmurs hear!

Then ask thyself, what manhood's choice should be;

False to my country, were I worthy thee?"

Dim through her struggling sense the light came slow,116

Struck from those words of fire. Alas, poor child!

What, in thine isle of roses, shouldst thou know

Of earth's grave duties?—of that stormy wild

Of care and carnage—the relentless strife

Of man with happiness, and soul with life?

Thou who hadst seen the sun but rise and set117

O'er one Saturnian Arcady of rest,

Snatch'd from the Age of Iron? Ever, yet,

Dwells that fine instinct in the noble breast,

Which each high truth intuitive receives,

And what the Reason grasps not, Faith believes.

So in mute woe, one hand to his resign'd,118

And one press'd firmly on her swelling heart,

Passive she heard, and in her labouring mind

Strove with the dark enigma—"part!—to part!"

Till, having solved it by the beams that broke

From that clear soul on hers, struggling she spoke:—

"Thou bidst me trust thee!—This is my reply:119

Trust is my life—to trust thee is to live!

And ev'n farewell less bitter than thy sigh

For something Ægle is too poor to give.

Thou speak'st of dread and terror, strife and woe;

And I might wonder why they tempt thee so;

"And I might ask how more can mortals please120

The heavens, than thankful to enjoy the earth?

But through its mist my soul, though faintly, sees

Where thine sweeps on beyond this mountain girth,

And, awed and dazzled, bending I confess

Life may have holier ends than happiness!

"Yes, as thou offerest joy upon the shrine121

Of some bright good, all human joys above,

So does my heart its altar seek in thine,

Content to bleed:—Thee, not myself, I love!"

Sighing, she ceased; and yet still seem'd to sigh,

As doth the wave on which the zephyrs die.

Then, as she felt his tears upon her hand,122

Sorrow woke sorrow, and her face she bow'd:

As when the silver gates of heaven expand,

And on the earth descends the melting cloud,

So sunk the spirit from sublimer air,

And all the woman rush'd on her despair.

"To lose thee—oh, to lose thee! To live on123

And see the sun—not thee! Will the sun shine,

Will the birds sing, flowers bloom, when thou art gone?

Desolate, desolate! Thy right hand in mine,

Swear, by the Past, thou wilt return!—Oh, say,

Say it again!"——voice died in sobs away!

Mute look'd the Augur, with his deathful eyes,124

On the last anguish of their lock'd embrace.

"Priest," cried the lover, "canst thou deem this prize

Lost to my future?—No, though round the place

Yon Alps took life, with all the dire array

Of demon legions, Love would force the way.

"Hear me, adored one!" On the silent ear125

The promise fell, and o'er the unconscious frame

Wound the protecting arm.—"Since neither fear

Of the great Powers thou dost blaspheming name,

Nor the soft impulse native in man's heart

Restrains thee, doom'd one—hasten to depart.

"Come, in thy treason merciful at least,126

Come, while those eyes by pitying slumbers bound,

See not thy shadow pass from earth!"——The priest

Spoke,—and now call'd the infant handmaids round;

But o'er that form with arms that vainly cling,

And words that idly comfort, bends the King.

"Nay, nay, look up! It is these arms that fold;—127

I still am here;—this hand, these tears, are mine."

Then, when they sought to loose her from his hold,

He waived them back with a fierce jealous sign;

O'er her hush'd breath his listening ear he bow'd,

And the awed children round him wept aloud.

But when the soul broke faint from its eclipse,128

And his own name came, shaping life's first sigh,

His very heart seem'd breaking in the lips

Press'd to those faithful ones;—then tremblingly,

He rose;—he moved;—he paused;—his nerveless hand

Veil'd the dread agony of man unmann'd.

Thus, from the chamber, as an infant meek129

The priest's slight arm led forth the mighty King;

In vain wide air came fresh upon his cheek,

Passive he went in his great sorrowing;

Hate, the mute guide,—the waves of death, the goal;—

So, following Hermes, glides to Styx a soul.

BOOK V.

ARGUMENT.

The Council-hall in Carduel—The twelve Knights of the Round Table described, viz., the three Knights of Council, the three Knights of Battle, the three Knights of Eloquence, and the three Lovers—Merlin warns the chiefs of the coming Saxons, and enjoins the beacon-fires to be lighted—The story returns to Arthur—The dove has not been absent, though unseen—It comes back to Arthur—The Priest leads the King through the sepulchral valley into the temple of the Death-god—Description of the entrance of the temple, with the walls on which is depicted the progress of the guilty soul through the realms below—The cave, the raft, and the stream which conducts to the cataract—Arthur enters the boat, and the dove goes before him—Ægle awakes from her swoon, and follows the King to the temple—Her dialogue with the Augur—She disappears in the stream—Meanwhile Lancelot wanders in the valleys on the other side of the Alps, and is led to the cataract by the magic ring—The apparition of the dove—He follows the bird up the skirts of the cataract—He finds Arthur and Ægle, and conveys them to the convent—The Christian hymn, and the Etrurian dirge—Arthur and Lancelot seated by the lake—The Lady of the Lake appears in her pinnace to Lancelot—The King's sight is purged from its film by the bitter herb, and he enters the magic bark.

In the high Council Hall of Carduel,1

Beside the absent Arthur's ivory throne

(What time the earlier shades of evening fell),

Wan-silvering through the hush, the cresset shone

O'er the arch-seer,—as, 'mid the magnates there,

Rose his large front, august with prophet care;

Rose his large front above the luminous guests,2

The deathless TWELVE of that heroic Ring,

Which, as the belt wherein Orion rests,

Girded with subject stars the starry king;

Without, strong towers guard Rome's elaborate wall;

Within is Manhood!—strongest tower of all.

First, Muse of Cymri, name the Council three[1]3

Who, of maturer years and graver mien,

Wise in the past, conceived the things to be,

And temper'd impulse quick with thought serene;

Nor young, nor old—no dupes to rushing Hope,

Nor narrowing to tame Fear th' ignoble scope.

Of these was Cynon of the highborn race,4

A cold but dauntless—calm but earnest man;

With deep eyes shining from a thoughtful face,

And spare slight form, for ever in the van

When ripening victories crown'd laborious deeds;

Reaper of harvest—sower not of seeds;

For scarcely his the quick far-darting soul5

Which, like Apollo's shaft, strikes lifeless things

Into divine creation; but, the whole

Once rife, the skill which into concord brings

The jarring parts; shapes out the rudely wrought,

And calls the action living from the thought.

Next Aron see—not rash, yet gaily bold,6

With the frank polish of chivalric courts;

Him from the right, no fear of wrong controll'd;

And toil he deem'd the sprightliest of his sports;

O'er War's dry chart, or Wisdom's mystic page,

Alike as smiling, and alike as sage;

With the warm instincts of the knightly heart,7

That rose at once if insult touch'd the realm,

He spurn'd each state-craft, each deceiving art,

And rode to war, no vizor to his helm;

This proved his worth, this line his tomb may boast—

"Who hated Cymri, hated Aron most!"

But who with eastern hues and haughty brow,8

Stern with dark beauty sits apart from all?

Ah, couldst thou shun thy friends, Elidir!—thou

Scorning all foes, before no foe shalt fall!

On thy wrong'd grave one hand appeasing lays

The humble flower—oh, could it yield the bays!

Courts may have known than thou a readier tool,9

States may have found than thine a subtler brain,

But states shall honour many a formal fool,

And many a tawdry fawner courts may gain,

Ere King or People in their need shall see

A soul so grand as that which fled with thee!

For thou wert more than true; thou wert a Truth!10

Open as Truth, and yet as Truth profound;

Thy fault was genius—that eternal youth

Whose weeds but prove the richness of the ground—

And dull men envied thee, and false men fear'd,

And where soar'd genius, there convention sneer'd.

Ah, happy hadst thou fallen, foe to foe,11

The bright race run—the laurel o'er thy grave!

But hands perfidious strung the ambush bow,

And the friend's shaft the rankling torture gave—

The last proud wish its agony to hide,

The stricken deer to covert crept and died.

Next came the Warrior Three.[2] Of glory's charms12

(Glory, the bride of heroes) nobly vain,

Dark Mona's Owaine[3] shines with golden arms,

The Roland of the Cymrian Charlemain,

Scath'd by the storm the holy chief survives,

For Fame makes holy all its lightning rives.

Beside, with simplest garb and sober mien,13

Solid as iron, not yet wrought to steel,

In his plain manhood Cornwall's chief[4] is seen,

Who (if wild tales some glimpse of truth reveal)

Gave Northern standards to the Indian sun—

And wreaths from palms that shaded Evian won.

Lo, he whose Fame outshines the Fabulous!14

Sublime with eagle front, and that grey crown

Which Age, the arch-priest, sets on laurell'd brows;

Lo, Geraint, bending with a world's renown!

Yet those grey hairs one ribald scoffer found;—

The moon sways ocean and provokes the hound.

Next the three Chiefs of Eloquence;[5] the kings15

Whose hosts are thoughts, whose realm the human mind,

Who out of words evoke the souls of things,

And shape the lofty drama of mankind;

Wit charms the fancy, wisdom guides the sense;

To make men nobler—that is Eloquence!

As from the Mount of Gold, auriferous flows16

The Lydian wave, thy pomp of period shines,

Resplendent Drudwas—glittering as it goes

High from the mount, but labouring through the mines,

And thence the tides, enriching while they run,

Glass every fruit that ripens to the sun.

But, like the vigour of a Celtic stream,17

Eliwlod's rush of manly sense along,

Fresh with the sparkles of a healthful beam,

And quick with impulse like a poet's song.

How listening crowds that knightly voice delights—

If from those crowds are banish'd all but knights!

The third, though young, well worthy of his place,18

Was Gawaine, courteous, blithe, and debonnair,

Arch Mercury's wit, with careless Cupid's face;

Frank as the sun, but searching as the air,

Who with bland parlance prefaced doughtiest blows,

And mildly arguing—arguing brain'd his foes.

Next came the three—in mystic Triads hight19

"The KNIGHTS OF LOVE;"[6] some type, the name conveys,

For where no lover, there methinks no knight;

All knights were lovers in King Arthur's days:

Caswallawn; Trystan of the lion rock;[7]

And, leaning on his harp, calm Caradoc!

Thus class'd, distinct in peace,—let war dismay,20

Straight in one bond the divers natures blend—

So varying tints in tranquil sunshine play,

But form one iris if the rains descend;

And, fused in light against the clouds that lower,

Forbid the deluge while they own the shower!

On the bright group the Prophet rests his gaze,21

Then the deep voice sonorous thrills aloud—

"In Carduel's vale the steers unheeded graze,

To jocund winds the yellowing corn is bow'd,

By hearths of mirth the waves of Isca flow,

And Heaven above smiles down on peace below.

"But far looks forth the warder from the tower,22

And to the halls of Cymri's antique kings

A soul that sees the future in the hour

The desolation of its burthen brings;

Hollow sounds earth beneath the clanging tread:

Yon fields shall yield no harvest but the Dead!

"And waves shall rush in crimson to the deep,23

The Meteor Horse shall pale autumnal skies—

From RAURAN'S lairs the joyous wolves shall leap—

From EIFLE'S crags the screaming eagles rise—

Yea! while I speak, these halls the havoc nears!

Red sets the sun behind the storm of spears!

"The Sons of Woden sound no tromp before24

Their march! No herald comes their war to tell!

No plea for slaughter, dress'd in clerkly lore,

Makes death seem justice! As the rain-clouds swell,

When air is stillest, in BÂL HUAN'S halls;

The herbage waves not till the tempest falls!

"Of old ye know them; ye the elect remains25

Of perish'd races—rock-saved; anchoring here

The ark of empire!

For your latest fanes,

For your last hearths, for all to freemen dear,

And to God sacred; take the shield and brand!

Accurst each Cymrian who survives hisland!"

"Accursed each Cymrian who survives his land!"26

Echo'd deep tones, hollow as blasts escaped

From Boreal caverns, and in every hand

The hilts of swords to sainted croziers shaped

Were grimly griped—as by that symbol sign

Hallowing the human wrath to war divine.

The Prophet mark'd the deep unclamorous vow27

Of the pent passion; and the morning light

Of young Humanity flash'd o'er the brow

Dark with that wisdom which, like Nature's night,

Communes with stars and dreams; it flash'd and waned,

And the vast front its awful hush regain'd.

"Princes, I am but as a voice; be you28

As deeds! The wind comes through the hollow oak,

And stirs the green woods that it wanders through,

Now wafts the seeds, now wings the levin-stroke,

Now kindles, now destroys:—that Wind am I,

Homeless on earth; the mystery of the sky!

"But when the wind in noiseless air hath sunk,29

Behold the sower tends and rears the seeds;

Behold the woodman shapes the fallen trunk;

The viewless voice hath waked the human deeds;

Born of the germs, flowers bloom and harvests spring;

The pine uprooted speeds the Ocean King.

"Warriors, since absent (not from wanton lust30

Of errant emprize, but by Fate ordain'd,

For all lone labouring, worthy of his trust)

He whose young lips in thirst of glory drain'd

All that of arts Mavortian elder Rome

Taught, to assail the foe, or guard the home;

"Be ye his delegates, and oft with prayer31

Bring angels round his wild and venturous way;

As one great orb gives life and light to air,

So times there are when all a people's day

Shines from a single life! This known, revere

The exile; mourn not—let his soul be here.

"Yours then, high chiefs, the conduct of the war,32

But heed this counsel (won or wrung from Fate),

Strong rolls the tide when curb'd its channels are,

Strong flows a force that but defends a state;

In Carduel's walls concentre Cymri's power,

And chain the Dragon to this charmèd tower.

"This night the moon should see the beacon brand33

Link fire to fire from Beli's Druid pile;

Rock call on rock, till blazes all the land

From Sabra's wave to Mona's parent isle!

Let Fredom write in characters of fire,

'Who climbs my throne ascends his funeral pyre!'"

The Prophet ceased; and rose with stern accord34

The warrior senate. Sudden every shield

Leapt into lightning from the clashing sword;

And choral voices consentaneous peal'd—

"Hail to our guests! the wine of war is red;

Fire fight the banquet—steel prepare the bed!"

While thus the peril threat'ning land and throne,35

Unharm'd, unheeding, dreaming goes the King,

Where from the brief Elysium, Acheron

Awaits the victim whom its priest shall bring.

And where art thou, meek guardian of the brave?

Though fails the eagle, still the dove may save!

When, lured by signs that seem'd his aid to implore,36

From his good steed the lord of knighthood sprung,

[And left it wistful by the dismal door,

Since the cragg'd roof too low descending hung

For the great war-horse in its barb'd array;

And little dream'd he of the long delay,—]

His path the dove nor favour'd nor forbade;37

Motionless, folding on sharp rocks its wing,

With its soft eyes it watch'd, resign'd and sad,

Where fates, ordain'd for sorrow, led the King;

Nor did he miss (till earth regain'd the day)

The plumèd angel vanish'd from his way.

Then oft, in truth, and oft in blissful hours,38

Miss'd was that faithful guide through stormier life.

Ah common lot! how oft, mid summer flowers,

We miss the soother of the winter strife;

How oft we mourn in Fortune's sunlit vale

Some silenced heart with which we shared the gale!

But absent not the dove, albeit unseen;39

In some still foliage it had found its nest:

At night it hover'd where his steps had been,

Pale through the moonbeams in the air of rest;

By the lull'd wave and shadowy banks it pass'd,

Lingering where love with Ægle linger'd last.

And when with chiller dawn resought the lone40

And leafy gloom in which it shunn'd the day,

Beneath those boughs you might have heard it moan,

Low-wailing to itself its plaintive lay;

Till with the sun rose all the songs that fill

Morn with delight; and then the dove was still.

But now, as towards the Temple of the Shades41

The King went heavily—a gleam of light

Shot through the gloaming of the cedarn glades,

And the dove glided to his breast: the sight

Came like a smile from Heaven upon the King,

And his heart warm'd beneath the brooding wing.

Strange was the thrill of joy, beyond belief,42

Sent from the soft touch of those plumes of down!

He was not all deserted in his grief,

The brows of Fate relax'd their iron frown;

And his soul quicken'd to that glorious power

Which fronts the future and subdues the hour;

The joy it brought, the dove refused to share;43

As it it felt the tempest in the sky,

Trembling, it nestled to its shelter there,

Nor lifted to the light its drooping eye.

Not, as its wont, to guide it came; but brave

With him the ills from which it could not save.

Now lost the lovelier features of the land,44

Dull waves replace the fount, dark pines the bowers,

Grey-streeted tombs, far stretch'd on either hand,

Rear the dumb city of the Funeral Powers.

Massive and huge, behold the dome of dread,

Where the stern Death-god frowns above the dead.

Hewn from a rock, stand the great columns square,45

With triglyphs wrought and ponderous pediment;

Such as yet greet the musing wanderer, where,

Near the old Fane to which Etruria sent

Her sovereign twelve, the thick-sown violet blooms,

In Castel d'Asso's vale of hero-tombs.[8]

Passing a bridge that spann'd the barrier wave,46

They reach'd the Thebes-like porch;—the Augur here,

First entering, leaves the King. Within the nave

Now swell the flutes (which went before the bier

What time the funeral chaunt of Pagan Rome

Knell'd some throne-shatterer to his six-feet home).

Jar back the portals—long, in measured line,47

There stand within the mute Auruspices,

In each pale hand a torch; and near the shrine

Sit on still thrones, the guardian deities;

Here SETHLANS,[9] sovereign of life's fix'd domains—

There fatal NORTHIA with the iron chains.

Between the two the Death-god broods sublime;48

On his pale brow the inexorable peace

Which speaks of power beyond the shores of time;

Calm, not benign like the sweet gods of Greece,—

Calm as the mystery which in Memphian skies

Froze life's warm current from a sphinx's eyes.

With many a grausame shape unutterable,49

Limn'd were the cavernous sepulchral walls;

Life-like they stalk'd, the Populace of Hell,

Through the pale pomp of Acherontian halls;

Distinct as when the Trojan's living breath

Vex'd the wide silence in the wastes of death.

Shown was the Progress of the guilty Soul50

From earth's warm threshold to the throne of doom;

Here the black genius to the dismal goal

Dragg'd the wan spectre from the unshelt'ring tomb;

While from the side it never more may warn

The better angel, sorrowing, fled forlorn.

Hideous with horrent looks and goading steel51

The fiend drives on the abject cowering ghost

Where (closed the eighth) sev'n yawning gates reveal

The sev'nfold anguish that awaits the Lost;

By each the gryphon flaps his ravening wings,

And dire Chimæra whets her hungry stings.

Here, ev'n that God, of all the kindliest one,52

Life of all life (in Tusca's later creed

Blent with the orient worship of the Sun,

Or His who loves the madding nymphs to lead

On the Fork'd Hill), abjures his genial smile,[10]

And, scowls transform'd, the Typhon of the Nile.

Closed the eighth gate—for there, the happy dwell!53

No glimpse of joy beyond makes horror less.

But that closed gate upon the exiled hell

Sets hell's last seal of misery—Hopelessness!

Nathless, despite the Dæmon's chasing thong,

Here, as if hoping still, the hopeless throng.

Before the northern knight each nightmare dream54

Of Theban soothsayer or Chaldean mage,

Thus kindling in the torches' breathless beam,

As if incarnate with resistless rage,

And hell's true malice, starts from wall to wall;

He signs the cross, and looks unmoved on all.

Before the inmost Penetralian doors,55

Holding a cypress-branch, the Augur stands;

The King's firm foot strides echoless the floors,

And with dull groan the temple veil expands;

Slow-moving on the brandish'd torches shine

Red o'er the wave that yawns behind the shrine;

Red o'er the wave, as, under vaulted rock,56

Dark as Cocytus, the false smoothness flows;

But where the light fades—there is heard the shock

As hurrying down the headlong torrent goes;

With mocking oars, a raft sways, moor'd beside—

What keel save Charon's ploughs that dismal tide?

Proud Arthur smiled upon the guileful host,57

As welcome danger roused him and restored.—

"Friend," quoth the King, "methinks your streams might boast

A gentler margin and a fairer ford!"

"As birth to man," replied the priest, "the cave,

O guest, to thee! as death to man the wave.

"Doth it appal thee? thou canst yet return!58

There love, there sunny life;—and yonder"—"Fame,

Cymri, and God!" said Arthur. "Paynim, learn

Death has two victors, deathless both—THE NAME,

THE SOUL; to each a realm eternal given,

This rules the earth, and that achieves the heaven."

He said, and seized a torch with scornful hand;59

The frail raft rock'd to his descending tread;

Upon the prow he fix'd the glowing brand,

And the raft drifted down the waves of dread.

So with his fortunes went confiding forth

The knightly Cæsar of the Christian North.

Then, from its shelter on his breast, the dove60

Rose, and sail'd slow before with doubtful wing;

The dun mists rolling round the vaults above,

Below, the gulf with torch-fires crimsoning;

Wan through the glare, or white amidst the gloom,

Glanced Heaven's mute daughter with the silver plume.

Meanwhile to Ægle: from the happier trance,61

And from the stun of the first human ill

Labouring returns her soul!—As lightnings glance

O'er battle-fields, with sated slaughter still,

The fitful reason flickering comes and goes

O'er the past struggle—o'er the blank repose.

At length with one long, eager, searching look,62

She gazed around, and all the living space

With one great loss seem'd lifeless!—then she strook

Her clench'd hand on her heart; and o'er her face

Settled ineffable that icy gloom,

Which only falls when hope abandons doom.

Why breaks the smile—why waves the exulting hand?63

Why to the threshold moves that step serene?

The brow superb awes back the maiden band,

From the roused woman towers sublime the queen.

She pass'd the isle—and beam'd upon the crowd,

Bright as the May-moon when it bursts the cloud.

Brief and imperious rings her question; quick64

A hundred hands point, answering, to the fane.

As on she sweeps, behind her, fast and thick,

Gather the groups far following in her train.

Behind some bird unknown, of glorious dyes,

So swarm the meaner people of the skies.

Oh, the great force, that sleeps in woman's heart!65

She will, at least, behold that form once more;

See its last vestige from her world depart,

And mark the spot to haunt and wander o'er,

Rased in that impulse of the human breast

All the cold lessons on its leaves impress'd;—

Snapp'd in the strength of the divine desire66

All the vain swathes with which convention thralls;—

Nature breaks forth, and at her breath of fire

The elaborate snow-pile's molten temple falls;

And meaner priestcrafts fly before that Truth,

Whose name is Passion, and whose altar, Youth!

Unknown the egress, dreamless of the snare,67

Sole aim to look the last on the adored:

She gains the fane—she treads the aisle—and there

The deathlights guide her to the bridal lord;

On, through pale groups around the yawning cave,

She comes—and looks upon the livid wave.

She comes—she sees afar amidst the dark,68

That fair, serene, undaunted, godlike brow—

Sees on the lurid deep the lonely bark

Drift through the circling horror;—sees, and now

On light's far verge it hovers, wanes, and fades,

As roars the hungering cataract up the shades.

Voiceless she look'd, and voiceless look'd and smiled69

On her the priest: strange though the marvel seem,

The old man, childless, loved her more than child;

She link'd each thought—she colour'd every dream;

But Love, the varying Genius, guides, in turn,

The soft to pity, to revenge the stern.

Not his the sympathy which soothes the woe,70

But that which, wrathful, feels, and shares, the wrong.

He in the faithless view'd alone the foe;

The weak he righted when he smote the strong:

In one dread crime a twofold virtue seen,

Here saved the land, and there avenged the queen.

So through the hush his hissing murmur stole—71

"Ay, Ægle, blossom on the stem of kings,

Not to fresh altars glides the perjurer's soul,

Not to new maids the vows still thine he brings!

No rival mocks thee from the bloodless shore,

The dead, at least, are faithful evermore."

As when around the demigod of love,72

Whom men Prometheus call, relentless fell

The flashing fires of Zeus, and Heaven above

Open'd in flame, in flame expanded Hell;

While gazing dauntless on the Thunderer's frown,

Sunk from the Earth, the Earth's Light-bringer down;

So, while both worlds before its sight lay bare,73

And o'er one ruin burst the lightning shook,

Love, the Arch-Titan, in sublime despair,

Faced the rent Hades from the shatter'd rock;

And saw in Heaven, the future Heaven foreshown,

When Love shall reign where Force usurps the throne.

The Woman heard, and gathering majesty74

Beam'd on her front, and crown'd it with command;

The pale priest shrunk before her tranquil eye,

And the light touch of her untrembling hand—

"Enjoy," she said, with voice as clear as low,

"Enjoy thy hate; where love survives I go.

"Sweetly thou smilest—sweetly, gentle Death,75

Kinder than life;—that severs, thou unitest!

To realms He spoke of goes this living breath,

A living soul, wherever space is brightest—

Fair Love—I trusted, now I claim, thy troth!

Blest be thy couch, for it hath room for both!"

She said, and from each hand that would restrain76

Broke, in the strength of her sublime despair;

Swift as the meteor on the northern main

Fades from the ice-lock'd sea-kings' livid stare—

She sprang; the robe a sudden glimmer gave,

And o'er the vision swept the closing wave.

Return, wild Song, to Lancelot! Behold77

Our Lord's lone house beside the placid mere!

There pipes the careless shepherd to his fold,

Or from the crags the shy capellæ peer

Through the green rents of many a hanging brake,

Which sends its quivering shadow to the lake.

And by the pastoral margins mournfully78

Wanders from dawn to eve the earnest knight;

And ever to the ring he turns his eye,

And ever does the ring perplex the sight;

The fairy hand that knew no rest before,

Rests now as fix'd as if its task were o'er.

Towards the far head of the calm water turn'd79

The unmoving finger; yet, when gain'd the place,

No path for human foot the knight discern'd—

Abrupt and huge, the rocks enclosed the space.

His scath'd front veil'd in everlasting snows,

High above eagles Alpine Atlas rose.

No cleft! save that a giant torrent clove,80

For its fierce hurry to the lake it fed;

Check'd for a while in chasms conceal'd above,

Thence all its pomp the dazzling horror spread,

And from the beetling ridges, smooth and sheer,

Flash'd in one mass, down-roaring to the mere.

Still to that spot the fairy hand inclined,81

And daily there with wistful searching eyes

Wander'd the knight; each day no path to find.

What step can scale that ladder to the skies?

What portals yawn in those relentless walls?—

Still the hand points where still the cataract falls.

One noon, as thus he gazed in stern despair82

On rock and torrent;—from the tortured spray,

And through the mists, into cerulean air,

A dove descending rush'd its arrowy way;

Swift as a falling star, which, falling, brings

Woe on the helmet-crown of Dorian kings![11]

Straight to the wanderer's hand bore down the bird,83

With plumage crisp'd with fear, and piercing plaint;

Oft had he heedful, in his wanderings, heard

Of the great Wrong-Redresser, whom a saint

In the dove's guise directed—"Hail," he cried,

"I greet the token—I accept the guide!"

And sudden as he spoke, arose the wing,84

(Warily veering towards the dexter flank

Of the huge chasm, through which leapt thundering

From Nature's heart her savage); on the bank

Of that fell stream, in root, and jag, and stone,

It traced the ladder to the glacier's throne.

Slow sail'd the dove, and paused, and look'd behind,85

As labouring after, crag on crag, the knight

(Close on the deafening roar, and whirling wind

Lash'd from the surges), through the vaporous night

Of the grey mists, loom'd up the howling wild;

Strong in the charm the fairy gave the child.

With bleeding hands, that leave a moment's red86

On stone and stem wash'd by the mighty spray,

He gains at length the inter-alpine bed,

Whose lock'd Charybdis checks the torrent's way,

And forms a basin o'er abysmal caves,

For the grim respite of the headlong waves.

Torrents below—the torrents still above!87

Above less awful—as precipitous peak

And splinter'd ledge, and many a curve and cove

In the compress'd, indented margins, break

That crushing sense of power, in which we see

What, without Nature's God, would Nature be!

Before him stretch'd the maëlstrom of the abyss;88

And, in the central torrent, giant pines,

Uprooted from the bordering wilderness

By some gone winter's blast—in flashing lines

Shot through the whirl—then, pluck'd to the profound,

Vanish'd and rose, swift eddying round and round.

But on the marge as on the wave thou art,89

O conquering Death!—what human, hueless face

Rests pillow'd on a silenced human heart?

What arm still clasps in more than love's embrace

That form for which yon vulture flaps its wing?

Kneel, Lancelot, kneel, thine eyes behold thy King!

Alas! in vain—still in the Death-god's cave,90

Ere yet the torrent snatch'd the hurrying stream,

Beside a crag grey-shimmering from the wave,

And near the brink by which the pallid beam

Show'd one pent path along the rugged verge,

By which to leave the raft and 'scape the surge,—

Alas! in vain, that haven to the ark91

The dove had given!—just won the refuge-place,

When, thrice emerging from the sheeted dark,

White glanced a robe, and livid rose a face!

He saw, he sprang, he near'd, he grasp'd the vest!

And both the torrent grappled to its breast.

Yet in the immense and superhuman force,92

Love and despair bestow upon the bold,

The strong man battled with the Titan's course,

Grip'd rock and layer, and ledge, with snatching hold,

Bruised, bleeding, broken, onwards, downwards driven,

No wave his treasure from his grasp had riven

Saved, saved—at last before his reeling eyes93

(Into the pool, that check'd the Fury, hurl'd)

Shone, as he rose, through all the hurtling skies,

The dove's white wing; and ere the maëlstrom whirl'd

The madden'd waters to the central shock,

Show'd the gnarl'd roots of the redeeming rock.

Less sense than instinct caught the wing that shone,94

The crags that shelter'd;—the wild billows gave

The failing limbs a force no more their own,

And as he turn'd and sunk, the swerving wave

Swoop'd round, dash'd on, and to the isthmus sped,

Still breast to breast, the living and the dead!

Long vain were Lancelot's cares and knightly skill,95

Ere, through slow veins congeal'd, pulsed back the blood;

The very wounds, the valour of the will,

The peaks that broke the fury of the flood

Had help'd to save; alas, the strong to save!

For Strength to toil, till Love re-opes the grave.

Twice down the dismal path (the dove his guide)96

The fairy nursling bore his helpless load;

A chamois-hunter, in the vale descried,

Aided the convoy to the house of God.

Dark—wroth—convulsed, the earth-bound spirit lay;

Calm from the bier beside it, smiled the clay!

O Song—for Lydian elegy too stern,97

Song, cradled in the Celt's rough battle-shield;

Rather from thee should man, the soldier, learn

To hide the wounds—heroic while conceal'd;

From foes without the mean the palm may win,

What tries the noble is the war within!

Let the King's woe its muse in Silence claim,98

When sense return'd, and solitary life

Sate in the Shadow!—shade or sun the same,

Toil hath brief respite; man is made for strife,

Woman for rest!—rest, bright with dreams, is given,

Child of the heathen, in the Christian heaven!

And to the Christian prince's plighted bride,99

The simple monks the Christian's grave accord,

With lifted cross and swinging censer, glide

To passing bells—the hermits of the Lord;

And at that hour, in her own native vale,

Her own soft race their mystic loss bewail.

Methinks I see the Tuscan Genius yet,100

Lured, lingering by the clay it loved so well,

And listening to the two-fold dirge that met

In upper air;—here Nazarene anthems swell

Triumphal pæans!—there, the Alps behind,

Etrurian Næniæ,[12] load the lagging wind.

Pauses the startled genius to compare101

The notes that mourn the life, at best so brief,

With those that welcome to empyreal air

The bright escaper from a world of grief?

Marvelling what creed, beyond the happy vale,

Can teach the soul the loathèd Styx to hail!

THE ETRURIAN NÆNIÆ.

Where art thou, pale and melancholy ghost?

No funeral rites appease thy tombless clay;

Unburied, glidest thou by the dismal coast,

O exile from the day?

There, where the voice of love is heard no more,

Where the dull wave moans back the eternal wail,

Dost thou recall the summer suns of yore,

Thine own melodious vale?

Thy Lares stand on thy deserted floors,

And miss their last sweet daughter's holy face;

What hand shall wreathe with flowers the threshold doors?

What child renew the race?

Thine are the nuptials of the dreary shades,

Of all thy groves what rests?—the cypress tree!

As from the air a strain of music fades,

Dark silence buries thee!

Yet no, lost child of more than mortal sires,

Thy stranger bridegroom bears thee to his home,

Where the stars light the Æsars' nuptial fires

In Tina's azure dome;

From the fierce wave the god's celestial wing

Rapt thee aloft along the yielding air;

With amaranths fresh from heaven's eternal spring,

Bright Cupra[13] braids thy hair,

Ah, in those halls for us thou wilt not mourn,

Far are the Æsars' joys from human woe:

But not the less forsaken and forlorn

Those thou hast left below!

Never, oh never more, shall we behold thee,

The last spark dies upon the sacred hearth;

Art thou less lost, though heavenly arms enfold thee—

Art thou less lost to earth?

Slow swells the sorrowing Næniæ's chanted strain:

Time, with slow flutes, our leaden footsteps keep;

Sad earth, whate'er the happier heaven may gain,

Hath but a loss to weep.

THE CHRISTIAN FUNERAL HYMN

Sing we Halleluiah—singing

Halleluiah to the Three;

Where, vain Death, oh, where thy stinging?

Where, O Grave, thy victory?

As a sun a soul hath risen,

Rising from a stormy main;

When a captive breaks the prison,

Who but slaves would mourn the chain

Fear for age subdued by trial,

Heavy with the years of sin:

When the sunlight leaves the dial,

And the solemn shades begin;—

Not for youth!—although the bosom

With a sharper grief be wrung;

For the May wind strews the blossom,

And the angel takes the young!

Saved from sins, while yet forgiven;—

From the joys that lead astray,

From the earth at war with heaven,

Soar, O happy soul, away!

From the human love that fadeth,

In the falsehood or the tomb;

From the cloud that darkly shadeth;

From the canker in the bloom;

Thou hast pass'd to suns unsetting,

Where the rainbow spans the flood,

Where no moth the garb is fretting,

Where no worm is in the bud.

Let the arrow leave the quiver,

It was fashioned but to soar;

Let the wave pass from the river,

Into ocean evermore!

Mindful yet of mortal feeling,

In thy fresh immortal birth;

By the Virgin mother kneeling,

Plead for those beloved on earth.

Whisper them thou hast forsaken,

"Woe but borders unbelief!"

Comfort smiles in faith unshaken:

Shall thy glory be their grief?

Let one ray on them descending,

From the prophet Future stream;

Bliss is daylight never ending,

Sorrow but a passing dream.

O'er the grave in far communion,

With the choral Seraphim,

Chaunt in notes that hail reunion,

Chaunt the Christian's funeral hymn;—

Singing Halleluiah—singing

Halleluiah to the Three;

Where, vain Death, oh where thy stinging?

Where, O Grave, thy victory?

So rests the child of creeds before the Greek's,102

In our Lord's holy ground—between the walls

Of the grey convent and the verdant creeks

Of the sequester'd mere; afar the falls

Of the fierce torrent from her native vale,

Vex the calm wave, and groan upon the gale.

Survives that remnant of old races still,103

In its strange haven from the surge of Time?

There yet do Camsee's songs at sunset thrill,

At the same hour when here, the vesper chime

Hymns the sweet Mother? Ah, can granite gate,

Cataract, and Alp, exclude the steps of Fate?

World-wearied man, thou knowest not on the earth104

What regions lie beyond, yet near, thy ken!

But couldst thou find them, where would be the worth?

Life but repeats its triple tale to men.

Three truths unite the children of the sod—

All love—all suffer—and all feel a God!

By Ægle's grave the royal mourner sate,105

And from his bended eyes the veiling hand

Shut out the setting sun; thus, desolate,

He sate, with Memory in her spirit-land,

And took no heed of Lancelot's soothing words,

Vain to the oak, bolt-shatter'd, sing the birds!

Vain is their promise of returning spring!106

Spring may give leaves, can spring reclose the core?

Comfort not sorrow—sorrow's self must bring

Its own stern cure!—All wisdom's holiest lore,

The "KNOW THYSELF" descends from heaven in tears;

The cloud must break before the horizon clears.

The dove forsook not:—now its poisèd wing,107

Bathed in the sunset, rested o'er the lake;

Now brooded o'er the grave beside the King;

Now with hush'd plumes, as if it fear'd to wake

Sleep, less serene than Death's, it sought his breast,

And o'er the heart of misery claim'd its nest.

Night falls—the moon is at her full;—the mere108

Shines with the sheen pellucid; not a breeze!

And through the hush'd and argent atmosphere

Sharp rise the summits of the breathless trees.

When Lancelot saw, all indistinct and pale,

Glide o'er the liquid glass a mistlike sail.

Now, first from Arthur's dreams of fever gain'd,109

And since (for grief unlocks the secret heart)

Briefly confess'd, the triple toil ordain'd

The knightly brother knew;—so with a start

He strain'd the eyes, to which a fairy gave

Vision of fairy forms, along the wave.

Then in his own the King's cold hand he took,110

And spoke—"Arise, thy mission calls thee now!

Let the dead rest—still lives thy country!—look,

And nerve thy knighthood to redeem its vow.

This is the lake whose waves the falchion hide,

And yon the bark that becks thee to the tide!"

The mourner listless rose, and look'd abroad,111

Nor saw the sail;—though nearer, clearer gliding,

The Fairy nurseling, by the vapoury shroud

And vapoury helm, beheld a phantom guiding.

"Not this," replied the King, "the lake decreed;

Where points thy hand, but floats a broken reed!

"Where are the dangers on that placid tide?112

Where are the fiends that guard the enchanted boon

Behold, where rests the pilgrim's plumèd guide

On the cold grave—beneath the quiet moon!

So night gives rest to grief—with labouring day

Let the dove lead, and life resume, the way!"

Then answer'd Lancelot—for he was wise113

In each mysterious Druid parable:—

"Oft in the things most simple to our eyes,

The real genii of our doom may dwell—

The enchanter spoke of trials to befal;

And the lone heart has trials worse than all!

"Weird triads tell us that our nature knows114

In its own cells the demons it should brave;

And oft the calm of after glory flows

Clear round the marge of early passion's grave!"

And the dove came ere Lancelot ceased to speak,

To its lord's hand—a leaflet in its beak,

Pluck'd from the grave! Then Arthur's labouring thought115

Recall'd the prophet words—and doubt was o'er;

He knew the lake that hid the boon he sought

Both by the grave, and by the herb it bore;

He took the bitter treasure from the dove,

And tasted Knowledge at the grave of Love,

And straight the film fell from his heavy eyes;116

And moor'd beside the marge, he saw the bark,

And by the sails that swell'd in windless skies,

The phantom Lady in the robes of dark.

O'er moonlit tracks she stretch'd the shadowy hand,

And lo, beneath the waters bloom'd the land!

Forests of emerald verdure spread below,117

Through which proud columns glisten far and wide,

On to the bark the mourner's footsteps go;

The pale King stands by the pale phantom's side;

And Lancelot sprang—but sudden from his reach

Glanced the wan skiff, and left him on the beach.

Chain'd to the earth by spells, more strong than love,118

He saw the pinnace steal its noiseless way,

And on the mast there sate the steadfast dove,

With white plume shining in the steadfast ray—

Slow from the sight the airy vessel glides,

Till Heaven alone is mirror'd on the tides.

BOOK VI.

ARGUMENT.

Description of the Cymrian fire-beacons—Dialogue between Gawaine and Caradoc—The raven—Merlin announces to Gawaine that the bird selects him for the aid of the King—The knight's pious scruples—He yields reluctantly, and receives the raven as his guide—His pathetic farewell to Caradoc—He confers with Henricus on the propriety of exorcising the raven—Character of Henricus—The knight sets out on his adventures—The company he meets, and the obligation he incurs—The bride and the sword—The bride's choice and the hound's fidelity—Sir Gawaine lies down to sleep under the fairy's oak—What there befalls him—The fairy banquet—The temptation of Sir Gawaine—The rebuke of the fairies—Sir Gawaine, much displeased with the raven, resumes his journey—His adventure with the Vikings, and how he comforts himself in his captivity.

On the bare summit of the loftiest peak—1

Crowning the hills round Cymri's Iscan home,

Rose the grey temple of the Faith Antique,

Before whose priests had paused the march of Rome,

When the Dark Isle reveal'd its drear abodes,

And the last Hades of Cimmerian gods;

While dauntless Druids, by their shrines profaned,2

Stretch'd o'er the steel-clad hush, their swordless hands,[1]

And dire Religion, horror-breathing, chain'd

The frozen eagles,—till the shuddering bands

Shamed into slaughter, broke the ghastly spell,

And, lost in reeks of carnage, sunk the hell

Quiver'd on column-shafts the poisèd rock,3

As if a breeze could shake the ruin down;

But storm on storm had sent its thunder-shock,

Nor reft the temple of its mystic crown—

So awe of Power Divine on human breasts

Vibrates for ever, and for ever rests.

Within the fane awaits a giant pyre,4

Around the pyre assembled warriors stand;

A pause of prayer;—and suddenly the fire

Flings its broad banner reddening o'er the land.

Shoot the fierce sparks and groan the crackling pines,

Toss'd on the Wave of Shields the glory shines.

Lo, from dark night flash Carduel's domes of gold,5

Glow the jagg'd rampires like a belt of light.

And to the stars springs up the dragon-hold,

With one lone image on the lonely height—

O'er those who saw a thrilling silence fell;

There, the still Prophet watch'd o'er Carduel!

Forth on their mission rush'd the wings of flame;6

Hill after hill the land's grey warders rose;

First to the Mount of Bards the splendour came,

Wreath'd with large halo Trigarn's stern repose;

On, post by post, the fiery courier rode,

Blood-red Edeirnion's dells of verdure glow'd;

Uprose the hardy men of Merioneth,7

When, o'er the dismal strata parch'd and bleak,

Like some revived volcano's lurid breath

Sprang the fierce fire-jet from the herbless peak;

Flash'd down on meeting streams the Basalt walls,

In molten flame Rhaiadyr's thunder falls.

Thy Faban Mount, Caernarvon, seized the sign,8

And pass'd the watchword to the Fairies' Hill;

All Mona blazed—as if the isle divine

To Bel, the sun-god, drest her altars still;

Menai reflects the prophet hues, and far

To twofold ocean knells the coming war.

Then wheeling round, the lurid herald swept9

To quench the stars yet struggling with the glare

Blithe to his task, resplendent Golcun leapt—

The bearded giant rose on Moel-y-Gaer—

Rose his six giant brothers,—Eifle rose,

And great Eryri lit his chasms of snows.

So one vast altar was that father-land!10

But nobler altars flash'd in souls of men,

Sublimer than the mountain-tops, the brand

Found pyres in every lowliest hamlet glen

Soon on the rocks shall die the grosser fire—

Souls lit to freedom burn till suns expire.

Slowly the chiefs desert the blazing fane,11

(Sure of steel-harvests from the dragon seed)

Descend the mountain and the walls regain;

As suns to systems, there to each decreed

His glorious task,—to marshal star on star,

And weave with fate the harmonious pomp of war.

Last of the noble conclave, linger'd two;12

Gawaine the mirthful, Caradoc the mild,

And, as the watchfires thicken'd on their view.

War's fearless playmate raised his hand and smiled,

Pointing to splendours, linking rock to rock;—

And while he smiled—sigh'd earnest Caradoc.

"Now by my head—(an empty oath and light!)13

No taller tapers ever lit to rest

Rome's stately Cæsar;—sigh'st thou, at the sight,

For cost o'er-lavish, when so mean the guest?"

"Was it for this the gentle Saviour died?

Is Cain so glorious?" Caradoc replied.

"Permit, Sir Bard, an argument on that,"14

True to his fame, said golden-tongued Gawaine,

"The hawk may save his fledglings from the cat,

Nor yet deserve comparisons with Cain;

And Abel's fate, to hands unskill'd, proclaims

The use of practice in gymnastic games.

"Woes that have been are wisdom's lesson-books—15

From Abel's death, the men of peace should learn

To add an inch of iron to their crooks

And strike, when struck, a little in return—

Had Abel known his quarterstaff, I wot,

Those Saxon Ap-Cains ne'er had been begot!"

More had he said, but a strange, grating note,16

Half laugh—half croak, was here discordant heard;

An ave rose—but died within his throat,

As close before him perch'd the enchanter's bird,

With head aslant, and glittering eye askew,

It near'd the knight—the knight in haste withdrew.

"All saints defend me, and excuse a jest!"17

Mutter'd Sir Gawaine—"bird or fiend avaunt:

Oh, holy Abel, let this matter rest,

I do repent me of my foolish taunt!"

With that the cross upon his sword he kist,

And stared aghast—the bird was on his wrist.

"Hem—vade Satanas!—discede! retro,"18

The raven croak'd, and fix'd himself afresh;

"Avis damnata!—salus sit in Petro,"

Ten pointed claws here fasten'd on his flesh;

The knight, sore smarting, shook his arm—the bird

Peck'd in reproach, and kept its perch unstirr'd.

Quoth Caradoc—whose time had come to smile,19

And smile he did in grave and placid wise—

"Let not thine evil thoughts, my friend, defile

The harmless wing descended from the skies."

"Skies!!!" said the knight—"black imps from skies descend

With claws like these!—the world is at an end!"

"Now shame, Gawaine, O knight of little heart,20

How, if a small and inoffensive raven

Dismay thee thus, couldst thou have track'd the chart

By which Æneas won his Alban-haven?

On Harpies, Scylla, Cerberus, reflect—

And undevour'd—rejoice to be but peckt."

"True," said a voice behind them,—"gentle bard,21

In life as verse, the art is—to compare."

Gawaine turn'd short, gazed keenly, and breathed hard

As on the dark-robed magian stream'd the glare

Of the huge watch-fire—"Prophet," quoth Gawaine,

"My friend scorns pecking—let him try the pain!

"Please to call back this—offspring of the skies!22

Unworthy I to be his earthly rest!"

"Methought," said Merlin, "that thy King's emprize

Had found in thine a less reluctant breast;

Again is friendship granted to his side—

Thee the bird summons, be the bird thy guide."

Dumb stared the knight—stared first upon the seer,23

Then on the raven,—who, demure and sly,

Turn'd on his master a respectful ear,

And on Gawaine a magisterial eye.

"What hath a king with ravens, seer, to do?"

"Odin, the king of half the world, had two.

"Peace—if thy friendship answer to its boast,24

Arm, take thy steed and with the dawn depart—

The bird will lead thee to the ocean coast;

Strange are thy trials, stalwart be thy heart."

"Seer," quoth Gawaine, "my heart I hope is tough

Nor needs a prop from this portentous chough.

"You know the proverb—'birds of the same feather,'25

A proverb much enforced in penal laws,[2]—

In certain quarters were we seen together

It might, I fear, suffice to damn my cause:

You cite examples apt and edifying—

Odin kept ravens!—well, and Odin's frying!"

The enchanter smiled, in pity or in scorn;26

The smile was sad, but lofty, calm, and cold—

"The straws," he said, "on passing winds upborne

Dismay the courser—is the man more bold?

Dismiss thy terrors, go thy ways, my son,

To do thy duty is the fiend to shun.

"Not for thy sake the bird is given to thee,27

But for thy King's."—"Enough," replied the knight,

And bow'd his head. The bird rose jocundly,

Spread its dark wing and rested in the light—

"Sir Bard," to Caradoc the chosen said

In the close whisper of a knight well bred:

"Vow'd to my King—come man, come fiend, I go,28

But ne'er expect to see thy friend again,

That bird carnivorous hath designs I know

Most Anthropophagous on doom'd Gawaine;

I leave you all the goods that most I prize—

Three steeds, six hawks, four gre-hounds, two blue eyes.

"Beat back the Saxons—beat them well, my friend,29

And when they're beaten, and your hands at leisure,

Set to your harp a ditty on my end—

The most appropriate were the shortest measure:

Forewarn'd by me all light discourses shun,

And mostly—jests on Adam's second son."

He said, and wended down the glowing hill.30

Long watch'd the minstrel with a wistful gaze,

Then join'd the musing seer—and both were still,

Still 'mid the ruins—girded with the rays:

Twin heirs of light and lords of time, grey Truth

That ne'er is young—and Song the only youth.

At dawn Sir Gawaine through the postern stole,31

But first he sought one reverend friend—a bishop,

By him assoil'd and shrived, he felt his soul

Too clean for cooks that fry for fiends to dish up;

And then suggested, lighter and elater,

To cross the raven with some holy water.

Henricus—so the prelate sign'd his name—32

Was lord high chancellor in things religious;

With him church militant in truth became

(Nam cedant arma togæ) church litigious;

He kept his deacons notably in awe

By flowers epistolar perfumed with law.

No man more stern, more fortiter in re,33

No man more mild, more suaviter in modo;

When knots grew tough, it was sublime to see

Such polish'd shears go clippingly in nodo;

A hand so supple, pliant, glib, and quick,

Ne'er smooth'd a band, nor burn'd a heretic.

He seem'd to turn to you his willing cheek,34

And beg you not to smite too hard the other;

He seized his victims with a smile so meek,

And wept so fondly o'er his erring brother,

No wolf more righteous on a lamb could sup,

You vex'd his stream—he grieved—and eat you up.

"Son," said Henricus, "what you now propose35

Is wise and pious—fit for a beginning;

But sinful things, I fear me, but disclose,

In sin, perverted appetite for sinning;

Hopeless to cure—we only can detect it,

First cross the bird and then (he groan'd) dissect it!"

Till now, the raven perch'd on Gawaine's chair36

Had seem'd indulging in a placid doze,

And if he heard, he seem'd no jot to care

For threats of sprinkling his demoniac clothes,

But when the priest the closing words let drop

He hopp'd away as fast as he could hop.

Gain'd a safe corner, on a pile of tomes,37

Tracts against Arius—bulls against Pelagius,

The church of Cymri's controverse with Rome's—

Those fierce materials seem'd to be contagious,

For there, with open beak and glowering eye,

The bird seem'd croaking forth, "Dissect me! try!"

This sight, perchance, the prelate's pious plan38

Relax'd; he gazed, recoil'd, and faltering said,

"'Tis clear the monster is the foe of man,

His beak how pointed! and his eyes how red!

Demons are spirits;—spirits, on reflexion,

Are forms phantasmal, that defy dissection."

"Truly," sigh'd Gawaine, "but the holy water!"39

"No," cried the Prelate, "ineffective here.

Try, but not now, a simple noster-pater,

Or chaunt a hymn. I dare not interfere;

Act for yourself—and say your catechism;

Were I to meddle, it would cause a schism."

"A schism!"—"The church, though always in the right,40

Holds two opinions, both extremely able;

This makes the rubric rest on gowns of white,

That makes the church itself depend on sable;

Were I to exorcise that raven-back

'Twould favour white, and raise the deuce in black.[3]

"Depart my son—at once, depart, I pray,41

Pay up your dues, and keep your mind at ease,

And call that creature—no, the other way—

When fairly out, a credo, if you please;—

Go,—pax vobiscum;—shut the door I beg,

And stay;—On Friday, flogging,—with an egg!"

Out went the knight, more puzzled than before;42

And out, unsprinkled, flew the Stygian bird;

The bishop rose, and doubly lock'd the door;

His pen he mended, and his fire he stirr'd;

Then solved that problem—"Pons Diaconorum,"

White equals black, plus x y botherorum.

So through the postern stole the troubled knight;43

Still as he rode, from forest, mount, and vale,

Rung lively horns, and in the morning light

Flash'd the sheen banderoll, and the pomp of mail,

The welcome guests of War's blithe festival,

Keen for the feast, and summon'd to the hall.

Curt answer gave the knight to greeting gay,44

And none to taunt from scurril churl unkind,

Oft asking, "if he did mistake the way?"—

Or hinting, "war was what he left behind;"

As noon came on, such sights and comments cease,

Lone through the pastures rides the knight in peace.

Grave as a funeral mourner rode Gawaine—45

The bird went first in most indecent glee,

Now lost to sight, now gamb'ling back again—

Now munch'd a beetle, and now chaced a bee—

Now pluck'd the wool from meditative lamb,

Now pick'd a quarrel with a lusty ram.

Sharp through his visor, Gawaine watch'd the thing,46

With dire misgivings at that impish mirth:

Day wax'd—day waned—and still the dusky wing

Seem'd not to find one resting-place on earth.

"Saints," groan'd Gawaine, "have mercy on a sinner,

And move that devil—just to stop for dinner!"

The bird turn'd round, as if it understood.47

Halted the wing, and seem'd awhile to muse;

Then dives at once into a dismal wood,

And grumbling much, the hungry knight pursues,

To hear (and hearing, hope once more revives),

Sweet-clinking horns, and gently-clashing knives.

An opening glade a pleasant group displays;48

Ladies and knights amidst the woodland feast;

Around them, reinless, steed and palfrey graze;

To earth leaps Gawaine—"I shall dine at least."

His casque he doffs—"Good knights and ladies fair,

Vouchsafe a famish'd man your feast to share."

Loud laugh'd a big, broad-shoulder'd, burly host;49

"On two conditions, eat thy fill," quoth he;

"Before one dines, 'tis well to know the cost—

Thou'lt wed my daughter, and thou'lt fight with me."

"Sir Host," said Gawaine, as he stretch'd his platter,

"I'll first the pie discuss, and then—the matter."

The ladies look'd upon the comely knight50

His arch bright eye provoked the smile it found;

The men admired that vasty appetite,

Meet to do honour to the Table Round;

The host, reseated, sent the guest his horn,

Brimm'd with pure drinks distill'd from barley corn.

Drinks rare in Cymri, true to milder mead,51

But long familiar to Milesian lays,

So huge that draught, it had dispatch'd with speed

Ten Irish chiefs in these degenerate days:

Sir Gawaine drain'd it, and Sir Gawaine laugh'd,

"Cool is your drink, though scanty is the draught;

"But, pray you pardon (sir, a slice of boar),52

Judged by your accent, mantles, beards, and wine,

(If wine this be) ye come from HUERDAN'S[4] shore,

To aid, no doubt, our kindred Celtic line;

Ye saw the watch-fires on our hills at night

And march to Carduel? read I, sirs, aright?"

"Stranger," replied the host, "your guess is wrong,53

And shows your lack of history and reflection;

Huerdan with Cymri is allied too long,

We come, my friend, to sever the connection:

But first (your bees are wonderful for honey),

Yield us your hives—in plainer words your money."

"Friend," said the golden-tongued Gawaine, "methought54

Your mines were rich in wealthier ore than ours."

"True," said the host, superbly, "were they wrought!

But shall Milesians waste in work their powers?

Base was that thought, the heartless insult masking,"

"Faith," said Gawaine, "gold's easier got by asking."

Upsprung the host, upsprung the guests in ire—55

Unsprung the gentle dames, and fled affrighted;

High rose the din, than all the din rose higher

The croak of that curs'd raven quite delighted;

Sir Gawaine finish'd his last slice of boar,

And said, "Good friends, more business and less roar.

"If you want peace—shake hands, and peace, I say,56

If you want fighting, gramercy! we'll fight."

"Ho," cried the host, "your dinner you must pay—

The two conditions."—"Host, you're in the right,

To fight I'm willing, but to wed I'm loth:

I choose the first."—"Your word is bound to both:

"Me first engaged, if conquer'd you are—dead,57

And then alone your honour is acquitted:

But conquer me, and then you must be wed;

You ate!—the contract in that act admitted."

"Host," cried the knight, half-stunn'd by all the clatter,

"I only said I would discuss the matter.

"But if your faith upon my word reposed,58

That thought alone King Arthur's knight shall bind."

Few moments more, and host and guest had closed—

For blows come quick when folks are so inclined:

They foin'd, they fenced, changed play, and hack'd, and hew'd—

Paused, panted, eyed each other and renew'd;

At length a dexterous and back-handed blow59

Clove the host's casque and bow'd him to his knee.

"Host," said the Cymrian to his fallen foe;

"But for thy dinner wolves should dine on thee;

Yield—thou bleed'st badly—yield and ask thy life."

"Content," the host replied—"embrace thy wife!"

"O cursed bird," cried Gawaine, with a groan,60

"To what fell trap my wretched feet were carried!

My darkest dreams had ne'er this fate foreshown—

I sate to dine, I rise—and I am married!

O worse than Esau, miserable elf,

He sold his birthright—but he kept himself."

While thus in doleful and heart-rending strain61

Mourn'd the lost knight, the host his daughter led,

Placed her soft hand in that of sad Gawaine—

"Joy be with both!"—the bridegroom shook his head!

"I have a castle which I won by force—

Mount, happy man, for thither wends our course:

"Page, bind my scalp—to broken scalps we're used.62

Your bride, brave son, is worthy of your merit;

No man alive has Erin's maids accused,

And least that maiden, of a want of spirit;

She plies a sword as well as you, fair sir,

When out of hand, just try your hand on her."

Not once Sir Gawaine lifts his leaden eyes,63

To mark the bride by partial father praised,

But mounts his steed—the gleesome raven flies

Before; beside him rides the maid amazed:

"Sir Knight," said she at last, with clear loud voice,

"I hope your musings do not blame your choice?"

"Damsel," replied the knight of golden tongue,64

As with some effort be replied at all,

"Sith our two skeins in one the Fates have strung,

My thoughts were guessing when the shears would fall;

Much irks it me, lest vow'd to toil and strife,

I doom a widow where I make a wife.

"And sooth to say, despite those matchless charms65

Which well might fire our last new saint, Dubricius,

To-morrow's morn must snatch me from thine arms;

Led to far lands by auguries, not auspicious—

Wise to postpone a bond, how dear soever,

Till my return."—"Return! that may be never:

"What if you fall? (since thus you tempt the Fates)66

The yew will flourish where the lily fades;

The laidliest widows find consoling mates

With far less trouble than the comeliest maids;

Wherefore, Sir Husband, have a cheerful mind,

Whate'er may chance your wife will be resign'd."

That loving comfort, arguing sense discreet,67

But coldly pleased the knight's ungrateful ear,

But while devising still some vile retreat,

The trumpets flourish and the walls frown near;

Just as the witching night begins to fall

They pass the gates and enter in the hall.

Soon in those times primæval came the hour68

When balmy sleep did wasted strength repair,

They led Sir Gawaine to the lady's bower,

Unbraced his mail, and left him with the fair;

Then first, demurely seated side by side,

The dolorous bridegroom gazed upon the bride.

No iron heart had he of golden tongue,69

To beauty none by nature were politer;

The bride was tall and buxom, fresh and young,

And while he gazed, his tearful eyes grew brighter;

"'For good, for better,' runs the sacred verse,

Sith now no better—let me brave the worse."

With that he took and kiss'd the lady's hand,70

The lady smiled, and Gawaine's heart grew bolder,

When from the roof by some unseen command,

Flash'd down a sword and smote him on the shoulder—

The knight leapt up, sore-bleeding from the stroke,

While from the lattice caw'd the merriest croak!

Aghast he gazed—the sword within the roof71

Again had vanish'd; nought was to be seen—

He felt his shoulder, and remain'd aloof.

"Fair dame," quoth he, "explain what this may mean."

The bride replied not, hid her face and wept;

Slow to her side, with caution, Gawaine crept.

"Nay, weep not, sweetheart, but a scratch—no more,"72

He bent to kiss the dew-drops from his rose,

When presto down the glaive enchanted shore—

Gawaine leapt back in time to save his nose.

"Ah, cruel father," groan'd the lady then,

"I hoped, at least, thou wert content with ten!"

"Ten what?" said Gawaine.—"Gallant knights like thee,73

Who fought and conquer'd my deceitful sire;

Married, as thou, to miserable me,

And doom'd, as thou, beneath the sword to expire—

By this device he gains their arms and steeds,

So where force fails him, there the fraud succeeds."

"Foul felon host," the wrathful knight exclaims,74

"Foul wizard bird, no doubt in league with him!

Have they no dread lest all good knights and dames

Save fiends their task, and rend them limb from limb?

But thou for Gawaine ne'er shalt be a mourner,

Thou keep the couch, and I—yon farthest corner!"

This said, the prudent knight on tiptoe stealing75

Went from his bride as far as he could go,

Then laid him down, intent upon the ceiling;

Noses, once lost, no second crop will grow—

So watch'd Sir Gawaine, so the lady wept,

Perch'd on the lattice-sill the raven slept.

Blithe rose the sun, and blither still Gawaine;76

Steps climb the stair, a hand unbars the door—

"Saints," cries the host, and stares upon the twain,

Amazed to see that living guest once more.—

"Did you sleep well?"—"Why, yes," replied the knight,

"One gnat, indeed;—but gnats were made to bite.

"Man must leave insects to their insect law;—77

Now thanks, kind host, for board and bed and all—

Depart I must,"—the raven gave a caw.

"And I with thee," chimed in that damsel tall.

"Nay," said Gawaine, "I wend on ways of strife."

"Sir, hold your tongue—I choose it; I'm your wife."

With that the lady took him by the hand,78

And led him, fall'n of crest, adown the stair;

Buckled his mail, and girded on his brand,

Brimm'd full the goblet, nor disdain'd to share—

The host saith nothing or to knight or bride;

Forth comes the steed—a palfrey by its side.

Then Gawaine flung from the untasted board79

His manchet to a hound with hungry face;

Sprung to his selle, and wish'd, too late, that sword

Had closed his miseries with a coup de grace.

They clear the walls, the open road they gain;

The bride rode dauntless—daunted much Gawaine.

Gaily the fair discoursed on many things,80

But most on those ten lords—his time before,

Unhappy wights, who, as old Homer sings,

Had gone, "Proiapsoi," to the Stygian shore;

Then, each described and praised,—she smiled and said,

"But one live dog is worth ten lions dead."

The knight prepared that proverb to refute.81

When the bird beckon'd down a delving lane,

And there the bride provoked a new dispute:

That path was frightful—she preferr'd the plain.

"Dame," said the knight, "not I your steps compel—

Take thou the plain!—adieu! I take the dell."

"Ah, cruel lord," with gentle voice and mien82

The lady murmur'd, and regain'd his side;

"Little thou know'st of woman's faith, I ween,

All paths alike save those that would divide;

Ungrateful knight—too dearly loved!"—"But then,"

Falter'd Gawaine, "you said the same to ten!"

"Ah no; their deaths alone their lives endear'd83

Slain for my sake, as I could die for thine;"

And while she spoke so lovely she appear'd

The knight did, blissful, towards her cheek incline—

But, ere a tender kiss his thanks could say,

A strong hand jerk'd the palfrey's neck away.

Unseen till then, from out the bosky dell84

Had leapt a huge, black-brow'd, gigantic wight;

Sudden he swung the lady from her selle,

And seized that kiss defrauded from the knight,

While, with loud voice and gest uncouth, he swore

So fair a cheek he ne'er had kiss'd before!

With mickle wrath Sir Gawaine sprang from steed,85

And, quite forgetful of his wonted parle,

He did at once without a word proceed

To make a ghost of that presuming carle.

The carle, nor ghost nor flesh inclined to yield,

Took to his club, and made the bride his shield.

"Hold, stay thine hand!" the hapless lady cried,86

As high in air the knight his falchion rears;

The carle his laidly jaws distended wide,

And—"Ho," he laugh'd, "for me the sweet one fears,

Strike, if thou durst, and pierce two hearts in one,

Or yield the prize—by love already won."

In high disdain, the knight of golden tongue87

Look'd this way, that, revolving where to smite;

Still as he look'd, and turn'd, the giant swung

The unknightly buckler round from left to right.

Then said the carle—"What need of steel and strife?

A word in time may often save a life,

"This lady me prefers, or I mistake,88

Most ladies like an honest hearty wooer;

Abide the issue, she her choice shall make;

Dare you, sir rival, leave the question to her?

If so, resheath your sword, remount your steed,

I loose the lady, and retire."—"Agreed,"

Sir Gawaine answer'd—sure of the result,89

And charm'd the fair so cheaply to deliver;

But ladies' hearts are hidden and occult,

Deep as the sea, and changeful as the river.

The carle released the fair, and left her free—

"Caw," said the raven, from the willow tree.

A winsome knight all know was fair Gawaine90

(No knight more winsome shone in Arthur's court:)

The carle's rough features were of homeliest grain,

As shaped by Nature in burlesque and sport;

The lady look'd and mused, and scann'd the two,

Then made her choice—the carle had spoken true.

The knight forsaken, rubb'd astounded eyes,91

Then touch'd his steed and slowly rode away—

"Bird," quoth Gawaine, as on the raven flies,

"Be peace between us, from this blessed day;

One single act has made me thine for life,—

Thou hast shown the path by which I lost a wife!"

While thus his grateful thought Sir Gawaine vents,92

He hears, behind, the carle's Stentorian cries;

He turns, he pales, he groans—"The carle repents!

No, by the saints, he keeps her or he dies!"

Here at his stirrups stands the panting wight—

"The lady's hound, restore the hound, sir knight."

"The hound," said Gawaine, much relieved, "what hound?"93

And then perceived he that the dog he fed,

With grateful steps the kindly guest had found,

And there stood faithful.—"Friend," Sir Gawaine said,

"What's just is just! the dog must have his due,

The dame had hers, to choose between the two."

The carle demurr'd; but justice was so clear,94

He'd nought to urge against the equal law;

He calls the hound, the hound disdains to hear,

He nears the hound, the hound expands his jaw;

The fangs were strong and sharp, that jaw within,

The carle drew back—"Sir knight, I fear you win."

"My friend," replies Gawaine, the ever bland,95

"I took thy lesson, in return take mine;

All human ties, alas, are ropes of sand,

My lot to-day, to-morrow may be thine;

But never yet the dog our bounty fed

Betray'd the kindness, or forgot the bread."[5]

With that the courteous hand he gravely waved,96

Nor deem'd it prudent longer to delay;

Tempt not the reflow, from the ebb just saved!

He spurr'd his steed, and vanish'd from the way.

Sure of rebuke, and troubled in his mind,

An alter'd man, the carle his fair rejoin'd,

That day the raven led the knight to dine97

Where merry monks spread no abstemious board;

Dainty the meat, and delicate the wine,

Sir Gawaine felt his sprightlier self restored;

When towards the eve the raven croak'd anew,

And spread the wing for Gawaine to pursue.

With clouded brow the pliant knight obey'd,98

And took his leave and quaff'd his stirrup cup;

And briskly rode he through glen and glade,

Till the fair moon, to speak in prose, was up;

Then to the raven, now familiar grown,

He said—"Friend bird, night's made for sleep, you'll own.

"This oak presents a choice of boughs for you,99

For me a curtain and a grassy mound."

Straight to the oak the obedient raven flew,

And croak'd with merry, yet malignant sound.

The luckless knight thought nothing of the croak,

And laid him down beneath the Fairy's Oak.

Of evil fame was Nannau's antique tree,100

Yet styled "the hollow oak of demon race;"[6]

But blithe Gwyn ab Nudd's elfin family

Were the gay demons of the slander'd place;

And ne'er in scene more elfin, near and far,

On dancing fairies glanced the smiling star.

Whether thy chafing torrents, rock-born Caine,101

Flash through the delicate birch and glossy elm,

Or prison'd Mawddach[7] clangs his triple chain

Of waters, fleeing to the happier realm,

Where his course broad'ning smiles along the land;—

So souls grow tranquil as their thoughts expand.

High over subject vales the brow serene102

Of the lone mountain look'd on moonlit skies;

Wide glades far opening into swards of green,

With shimmering foliage of a thousand dyes,

And tedded tufts of heath, and ivyed boles

Of trees, and wild flowers scenting bosky knolls.

And herds of deer as slight as Jura's roe,[8]103

Or Irân's shy gazelle, on sheenest places,

Group'd still, or flitted the far alleys through;

The fairy quarry for the fairy chaces;

Or wheel'd the bat, brushing o'er brake and scaur,

Lured by the moth, as lures the moth the star.

Sir Gawaine slept—Sir Gawaine slept not long,104

His ears were tickled, and his nose was tweak'd;

Light feet ran quick his stalwart limbs along,

Light fingers pinch'd him, and light voices squeak'd.

He oped his eyes, the left and then the right,

Fair was the scene, and hideous was his fright!

The tiny people swarm around, and o'er him,105

Here on his breast they lead the morris-dance,

There, in each ray diagonal before him,

They wheel, leap, pirouette, caper, shoot askance,

Climb row on row each other's pea-green shoulder,

And point and mow upon the shock'd beholder.

And some had faces lovelier than Cupido's,106

With rose-bud lips, all dimpling o'er with glee;

And some had brows as ominous as Dido's,

When Ilion's pious traitor put to sea;

Some had bull heads, some lions', but in small,

And some (the finer drest) no heads at all.

By mortal dangers scared, the wise resort107

To means fugacious, licet et licebit;

But he who settles in a fairy's court,

Loses that option, sedet et sedebit;

Thrice Gawaine strove to stir, nor stirr'd a jot,

Charms, cramps, and torments nail'd him to the spot.

Thus of his limbs deprived, the ingenious knight108

Straightway betook him to his golden tongue—

"Angels," quoth he, "or fairies, with delight

I see the race my friends the bards have sung

Much honour'd that, in any way expedient,

You make a ball-room of your most obedient."

Floated a sound of laughter, musical—109

As when in summer noon, melodious bees

Cluster o'er jasmine roofs, or as the fall

Of silver bells, on the Arabian breeze;

What time with chiming feet in palmy shades

Move, round the soften'd Moor, his Georgian maids.

Forth from the rest there stepped a princely fay—110

"And well, sir mortal, dost thou speak," quoth he,

"We elves are seldom froward to the gay,

Rise up, and welcome to our companie."

Sir Gawaine won his footing with a spring,

Low bow'd the knight, as low the fairy king.

"By the bright diadem of dews congeal'd,111

And purple robe of pranksome butterfly,

Your royal rank," said Gawaine, "is reveal'd,

Yet more, methinks, by your majestic eye;

Of kings with mien august I know but two,

Men have their Arthur,—happier fairies, you."

"Methought," replied the elf, "thy first accost112

Proclaim'd thee one of Arthur's peerless train;

Elsewhere alas!—our later age hath lost

The blithe good-breeding of King Saturn's reign,

When, some four thousand years ago, with Fauns,

We Fays made merry on Arcadian lawns.

"Time flees so fast it seems but yesterday!113

And life is brief for fairies as for men."

"Ha," said Gawaine, "can fairies pass away?"

"Pass like the mist on Arran's wave, what then?

At least we're young as long as we survive;

Our years six thousand—I have number'd five.

"But we have stumbled on a dismal theme,114

As always happens when one meets a man—

Ho! stop that zephyr!—Robin, catch that beam!

And now, my friend, we'll feast it while we can."

The moonbeam halts, the zephyr bows his wing,

Light through the leaves the laughing people spring.

Then Gawaine felt as if he skirr'd the air,115

His brain grew dizzy, and his breath was gone;

He stopp'd at last, and such inviting fare

Never plump monk set lustful eyes upon.

Wild sweet-briars girt the banquet, but the brake

Oped where in moonlight rippled Bala's lake.

Such dainty cheer—such rush of revelry—116

Such silver laughter—such arch happy faces—

Such sportive quarrels from excess of glee—

Hush'd up with such sly innocent embraces,

Might well make twice six thousand years appear

To elfin minds a sadly nipp'd career!

The banquet o'er, the royal Fay intent117

To do all honour to King Arthur's knight,

Smote with his rod the bank on which they leant,

And Fairy-land flash'd glorious on the sight;

Flash'd, through a silvery, soft, translucent mist,

The opal shafts and domes of amethyst;

Flash'd founts in shells of pearl, which crystal walls118

And phosphor lights of myriad hues redouble;

There, in the blissful subterranean halls,

When morning wakes the world of human trouble,

Glide the gay race; each sound our discord knows,

Faint-heard above, but lulls them to repose.

O Gawaine, blush! Alas! that gorgeous sight,119

But woke the latent mammon in the man,

While fairy treasures shone upon the knight,

His greedy thoughts on lands and castles ran.

He stretch'd his hands, he felt the fingers itch,

"Sir Fay," quoth he, "you must be monstrous rich!"

Scarce fall the words from those unlucky lips,120

Than down rush'd darkness, flooding all the place;

His feet a fairy in a twinkling trips;

The angry winglets swarm upon his face;

Pounce on their prey the tiny torturers flew,

And sang this moral while they pinch'd him blue:

CHORUS OF PREACHING FAIRIES.

Joy to him who fairy treasures

With a fairy's eye can see;

Woe to him who counts and measures

What the worth in coin may be.

Gems from wither'd leaves we fashion

For the spirit pure from stain;

Grasp them with a sordid passion

And they turn to leaves again.

CHORUS OF PINCHING FAIRIES.

Here and there, and everywhere,

Tramp and cramp him inch by inch;

Fair is fair,—to each his share

You shall preach, and we will pinch.

CHORUS OF PREACHING FAIRIES.

Fairy treasures are not rated

By their value in the mart;

In thy bosom, Earth, created

For the coffers of the heart.

Dost thou covet fairy money?

Rifle but the blossom bells—

Like the wild bee, shape the honey

Into golden cloister-cells.

CHORUS OF PINCHING FAIRIES.

Spirit hear it, flesh revere it!

Stamp the lesson inch by inch!

Rightly merit, flesh and spirit,

This the preaching, that the pinch!

CHORUS OF PREACHING FAIRIES.

Wretched mortal, once invited,

Fairy land was thine at will;

Every little star had lighted

Revels when the world was still.

Every bank a gate had granted.

To the topaz-paven halls—

Every wave had roll'd enchanted,

Chiming from our music-falls.

CHORUS OF PINCHING FAIRIES.

Round him winging, sharp and stinging,

Clip him, nip him, inch by inch,

Sermons singing, wisdom bringing,

Point the moral with a pinch.

CHORUS OF PREACHING FAIRIES.

Now the spell is lost for ever,

And the common earth is thine;

Count the traffic on the river,

Weigh the ingots in the mine;

Look around, aloft, and under,

With an eye upon the cost;

Gone the happy world of wonder!

Woe, thy fairy land is lost!

CHORUS OF PINCHING FAIRIES.

Nature bare is, where thine air is,

Custom cramps thee inch by inch,

And when care is, human fairies

Preach and—vanish, at a pinch!

Sudden they cease—for shrill crow'd chanticleer;121

Grey on the darkness broke the glimmering light;

Slowly assured he was not dead with fear

And pinches, cautious peer'd around the knight;

He found himself replaced beneath the oak,

And heard with rising wrath the chuckling croak.

"O bird of birds most monstrous and malific,122

Were these the inns to which thou wert to lead!

Now gash'd with swords, now claw'd by imps horrific;

Wives—wounds—cramps—pinches! Precious guide, indeed!

Ossa on Pelion piling, crime on crime:

Wretch, save thy throttle, and repent in time!"

Thus spoke the knight—the raven gave a grunt,123

(That raven liked not threats to life or limb!)

Then with due sense of the unjust affront,

Hopp'd supercilious forth, and summon'd him—

His mail once more the aching knight indued,

Limp'd to his steed, and ruefully pursued.

The sun was high when all the glorious sea124

Flash'd through the boughs that overhung the way,

And down a path, as rough as path could be,

The bird flew sullen, delving towards the bay;

The moody knight dismounts, and leads with pain

The stumbling steed, oft backing from the rein.

One ray of hope alone illumed his soul,125

"The bird will lead thee to the ocean coast,"

The wizard's words had clearly mark'd the goal;

The goal once won—of course the guide was lost;

While thus consoled, its croak the raven gave,

Folded its wings and hopp'd into a cave.

Sir Gawaine paused—Sir Gawaine drew his sword;126

The bird unseen scream'd loud for him to follow—

His soul the knight committed to our Lord,

Stepp'd on—and fell ten yards into a hollow;

No time had he the ground thus gain'd to note,

Ere six strong hands laid gripe upon his throat.

It was a creek, three sides with rocks enclosed,127

The fourth stretch'd, opening on the golden sand;

Dull on the wave an anchor'd ship reposed;

A boat with peaks of brass lay on the strand;

And in that creek caroused the grisliest crew

Thor ever nurst, or Rana[9] ever knew.

But little cared the knight for mortal foes.128

From those strong hands he wrench'd himself away,

Sprang to his feet and dealt so dour his blows,

Cleft to the chin a grim Berseker lay,

A Fin fell next, and next a giant Dane—

"Ten thousand pardons!" said the bland Gawaine.

But ev'n in that not democratic age129

Too large majorities were stubborn things,

Nor long could one man strive against the rage

Of half a hundred thick-skull'd ocean kings—

Four felons crept between him and the rocks,

Lifted four clubs and fell'd him like an ox.

When next the knight unclosed his dizzy eyes,130

His feet were fetter'd and his arms were bound—

Below the ocean and above the skies;

Sails flapp'd—cords crackled; long he gazed around;

Still where he gazed, fierce eyes and naked swords

Peer'd through the flapping sails and crackling cords—

A chief before him leant upon his club,131

With hideous visage bush'd with tawny hair.

"Who plays at bowls must count upon a rub,"

Said the bruised Gawaine, with a smiling air;

"Brave sir, permit me humbly to suggest

You make your gyves too tight across the breast."

Grinn'd the grim chief, vouchsafing no reply;132

The knight resumed—"Your pleasant looks bespeak

A mind as gracious;—may I ask you why

You fish for Christians in King Arthur's creek?"

"The kings of creeks," replied that hideous man,

"Are we, the Vikings and the sons of Ran!

"Your beacon fires allured us to your strands,133

The dastard herdsmen fled before our feet,

Thee, Odin's raven guided to our hands;

Thrice happy man, Valhalla's boar to eat!

The raven's choice suggests it's God's idea,

And marks thee out—a sacrifice to Freya!"

As spoke the Viking, over Gawaine's head134

Circled the raven with triumphal caw;

Then o'er the cliffs, still hoarse with glee, it fled.

Thrice a deep breath the knight relieved did draw,

Fair seem'd the voyage—pleasant seem'd the haven;

"Bless'd saints," he cried, "I have escaped the raven!"

BOOK VII.

ARGUMENT.

Arthur and the Lady of the Lake—They land on the Meteor Isle—which then sinks to the Halls below—Arthur beholds the Forest springing from a single stem—He tells his errand to the Phantom, and rejects the fruits that It proffers him in lieu of the Sword—He is conducted by the Phantom to the entrance of the caves, through which he must pass alone—He reaches the Coral Hall of the Three Kings—The Statue crowned with thorns—The Asps and the Vulture, and the Diamond Sword—The choice of the Three Arches—He turns from the first and second arch, and beholds himself, in the third, a corpse—The sleeping King rises at Arthur's question—"if his death shall be in vain?"—The Vision of times to be—Cœur de Lion and the age of Chivalry—The Tudors—Henry VII.—the restorer of the line of Arthur and the founder of civil Freedom—Henry VIII. and the Revolution of Thought—Elizabeth and the Age of Poetry—The union of Cymrian and Saxon, under the sway of "Crowned Liberty"—Arthur makes his choice, and attempts, but in vain, to draw the Sword from the Rock—The Statue with the thorn-wreath addresses him—Arthur called upon to sacrifice the Dove—His reply—The glimpse of Heaven—The trance which succeeds, and in which the King is borne to the sea shores.

As when, in Autumn nights and Arctic skies,1

An angel makes the cloud his noiseless car,

And, through cerulean silence, silent flies

From antique Hesper to some dawning star,

So still, so swift, along the windless tides

Her vapour-sail the Phantom Lady guides.

Along the sheen, along the glassy sheen,2

Amid the lull of lucent night they go;

Till, in the haven of an islet green,

Murmuring through reeds, the gentle waters flow:

The shooting pinnace gains the gradual strand,

Hush'd as a shadow glides the Shape to land.

The Cymrian, following, scarcely touch'd the shore3

When slowly, slowly sunk the meteor-isle,

Fathom on fathom, to the sparry floor

Of alabaster shaft and porphyr-pile,

Built as by Nereus for his own retreat,

Or the Nymph-mother of the silver feet.[1]

Far, through the crystal lymph, the pillar'd halls4

Went lengthening on in vista'd majesty;

The waters sapp'd not the enchanted walls,

Nor shut their roofless silence from the sky;

But every beam that lights this world of ours

Broke sparkling downward into diamond showers.

And the strange magic of the place bestow'd5

Its own strange life upon the startled King,

Round him, like air, the subtle waters flow'd;

As round the Naiad flows her native spring;

Domelike collapsed the azure;—moonlight clear

Fill'd the melodious silvery atmosphere—

Melodious with the chaunt of distant falls6

Of sportive waves, within the waves at play,

And infant springs that bubble up the halls

Through sparry founts (on which the broken ray

Weaves its slight iris), hymning while they rise

To that smooth calm their restless life supplies,

Like secret thoughts in some still poet's soul,7

That swell the deep while yearning to the stars:—

But overhead a trembling shadow stole,

A gloom that leaf-like quiver'd on the spars,

And that quick shadow, ever moving, fell

From a vast Tree with root immoveable;

In link'd arcades, and interwoven bowers8

Swept the long forest from that single stem!

And, flashing through the foliage, fruits or flowers

In jewell'd clusters, glow'd with every gem

Golgonda hideth from the greed of kings;

Or Lybian gryphons guard with drowsy wings.

Here blush'd the ruby, warm as Charity,9

There the mild topaz, wrath-assuaging, shone

Radiant as Mercy; like an angel's eye,

Or a stray splendour from the Father's throne

The sapphire chaste a heavenly lustre gave

To that blue heaven reflected on the wave.

Never from India's cave, or Oman's sea10

Swart Afrite stole for scornful Peri's brow,

Such gems as, wasted on that Wonder-tree,

Paled Sheban treasures in each careless bough;

And every bough the gliding wavelet heaves,

Quivers to music with the quivering leaves.

Then first the Sovereign Lady of the deep11

Spoke;—and the waves and whispering leaves wore still,

"Ever I rise before the eyes that weep

When, born from sorrow, Wisdom wakes the will;

But few behold the shadow through the dark,

And few will dare the venture of the bark.

"And now amid the Cuthites' temple halls12

O'er which the waters undestroying flow,

Heark'ning the mysteries hymn'd from silver falls

Or from the springs that, gushing up below,

Gleam to the surface, whence to Heaven updrawn,

They form the clouds that harbinger the Dawn,—

"Say what the treasures which my deeps enfold13

That thou would'st bear to the terrestrial day?"

Then Arthur answer'd—and his quest he told,

The prophet mission which his steps obey—

"Here springs the forest from the single stem:

I seek the falchion welded from the gem!"

"Pause," said the Phantom, "and survey the tree!14

More worth one fruit that weighs a branchlet down,

Than all which mortals in the sword can see.

Thou ask'st the falchion to defend a crown—

But seize the fruit, and to thy grasp decreed

More realms than Ormuzd lavish'd on the Mede;

"Than great Darius left his doomèd son,15

From Scythian wastes to Abyssinian caves;

From Nimrod's tomb in silenced Babylon

To Argive islands fretting Asian waves;

Than changed to sceptres the rude Lictor-rods,

And placed the worm call'd Cæsar with the gods!

"Pause—take thy choice—each gem a host can buy,16

Seize—and yoke kings to War's triumphant car!

The Child of Earth, no Genii here defy,

The fruits unguarded, and the fiends afar—

But dark the perils that surround the Sword,

And slight its worth—ambitious if its Lord;

"True to the warrior on his native soil,17

Its blade would break in the Invader's clasp;

A weapon meeter for the sons of Toil,

When plough-shares turn to falchions in their grasp;—

Leave the rude boor to battle for his hearth—

Expand thy scope;—Ambition asks the Earth!"

"Spirit or Sorceress," said the frowning King,18

"Panic like the Sun illumes an Universe;

But life and joy both Fame and Sun should bring;

And God ordains no glory for a curse.

The souls of kings should be the towers of law,

We right the balance, if the sword we draw!

"Not mine the crowns the Persian lost or won,19

Tiaras glittering over kneeling slaves;

Mine be the sword that freed at Marathon,

The unborn races by the Father-graves—

Or stay'd the Orient in the Spartan pass,

And carved on Time thy name, Leonidas."

The Sibyl of the Sources of the Deep20

Heard nor replied, but, indistinct and wan,

Went as a Dream that through the worlds of Sleep

Leads the charm'd soul of labour-wearied man;

And ev'n as man and dream, so, side by side,

Glideth the mortal with the gliding guide.

Glade after glade, beneath that forest tree21

They pass,—till sudden, looms amid the waves,

A dismal rock, hugely and heavily,

With crags distorted vaulting horrent caves;

A single moonbeam through the hollow creeps:

Glides with the beam the Lady of the deeps.

Then Arthur felt the Dove that at his breast22

Lay nestling warm—stir quick and quivering,

His soothing hand the crisped plumes caress'd;—

Slow went they on, the Lady and the King:

And, ever as they went, before their way

O'er prison'd waters lengthening stretch'd the ray.

Now the black jaws as of a hell they gain;23

The Lake's pale Hecate pauses. "Lo," she said,

"Within, the Genii thou invadest reign.

Alone thy feet the threshold floors must tread—

Lone is the path when glory is the goal;—

Pass to thy proof—O solitary soul!"

She spoke to vanish—but the single ray24

Shot from the unseen moon, still palely breaketh

The awe that rests with midnight on the way;

Faithful as Hope when Wisdom's self forsaketh—

The buoyant beam the lonely man pursued—

And, feeling God, he felt not Solitude.

No fiend obscene, no giant spectre grim25

(Born or of Runic or Arabian Song),

Affronts the progress through the gallery dim,

Into the sudden light which flames along

The waves, and dyes the stillness of their flood

To one red horror like a lake of blood.

And now, he enters, with that lurid tide,26

Where time-long corals shape a mighty hall:

Three curtain'd arches on the dexter side,

And on the floors a ruby pedestal,

On which, with marble lips, that life-like smiled,

Stood the fair Statue of a crownèd Child:

It smiled, and yet its crown was wreath'd of thorns,27

And round its limbs coil'd foul the viper's brood;

Near to that Child a rough crag, deluge-torn,

Jagg'd, with sharp shadow abrupt, the luminous flood;

And a huge Vulture from the summit, there,

Watch'd, with dull hunger in its glassy stare.

Below the Vulture in the rock ensheathed,28

Shone out the hilt-beam of the diamond glaive;

And all the hall one hue of crimson wreathed,

And all the galleries vista'd through the wave;

As flush'd the coral fathom-deep below,

Lit into glory from the ruby's glow.

And on three thrones there sate three giant forms,29

Rigid the first, as Death;—with lightless eyes,

And brows as hush'd as deserts, when the storms

Lock the tornado in the Nubian skies;—

Dead on dead knees the large hands nerveless rest,

And dead the front droops heavy on the breast.

The second shape, with bright and kindling eye30

And aspect haughty with triumphant life,

Like a young Titan rear'd its crest on high,

Crown'd as for sway, and harness'd as for strife;

But, o'er one-half his image, there was cast

A shadow from the throne where sate the last.

And this, the third and last, seem'd in that sleep31

Which neighbours waking in a summer's dawn,

When dreams, relaxing, scarce their captive keep;

Half o'er his face a veil transparent drawn,

Stirr'd with quick sighs unquiet and disturb'd,

Which told the impatient soul the slumber curb'd.

Thrill'd, but undaunted, on the Adventurer strode32

Then spoke the youthful Genius with the crown

And armour: "Hail to our august abode!

Guardless we greet the seeker of Renown.

In our least terror cravens Death behold,

But vainly frown our direst for the bold."

"And who are ye?" the wondering King replied,33

"On whose large aspects reigns the awe sublime

Of fabled judges, that o'er souls preside

In Rhadamanthian Halls?" "The Lords of Time,"

Answer'd the Giant, "And our realms are three,

The WHAT HAS BEEN, WHAT IS, and WHAT SHALL BE!

"But while we speak my brother's shadow creeps34

Over the life-blood that it freezes fast;

Haste, while the king that shall discrown me sleeps,

Nor lose the Present—lo, how dead the Past!

Accept the trials, Prince beloved by Heaven,

To the deep heart—(that nobler reason,) given.

"Thou hast rejected in the Cuthites' halls35

The fruits that flush Ambition's dazzling tree,

The Conqueror's lust of blood-stain'd coronals;—

Again thine ordeal in thy judgment be!

Nor here shall empire need the arm of crime—

But Fate achieve the lot, thou ask'st from Time.

"Behold the threefold Future at thy choice,36

Choose right, and win from Fame the master-spell."

Then the concealing veils, as ceased the voice,

From the three arches with a clangor fell,

And clear as scenes with Thespian wonders rife

Gave to his view the Lemur-shapes of life.

Lo the fair stream amidst that pleasant vale,37

Wherein his youth held careless holiday;

The stream is blithe with many a silken sail,

The vale with many a proud pavilion gay,

And in the centre of the rosy ring,

Reclines the Phantom of himself—the King.

All, all the same as when his golden prime38

Lay in the lap of Life's soft Arcady;

When the light love beheld no foe but Time,

When but from Pleasure heaved the prophet sigh,

And Luxury's prayer was as "a Summer day,

'Mid blooms and sweets to wear the hours away."

"Behold," the Genius said, "is that thy choice39

As once it was?" "Nay, I have wept since then,"

Answer'd the mortal with a mournful voice,

"When the dews fall, the stars arise for men!"

So turn'd he to the second arch to see

The imperial peace of tranquil majesty;—

The kingly throne, himself the dazzling king;40

Bright arms, and jewell'd vests, and purple stoles;

While silver winds, from many a music-string,

Rippled the wave of glittering banderolls:

From mitred priests and ermined barons, clear

Came the loud praise which monarchs love to hear!

"Doth this content thee?" "Ay," the Prince replied,41

And tower'd erect, with empire on his brow;

"Ay, here at once a Monarch may decide,

Be but the substance worthy of the show!

Show me the men whose toil the pomp creates,

Pomp is the robe,—Content the soul, of States!"

Slow fades the pageant, and the Phantom stage42

As slowly fill'd with squalid, ghastly forms;

Here, over fireless hearths cower'd shivering Age

And blew with feeble breath dead embers;—storms

Hung in the icy welkin; and the bare

Earth lay forlorn in Winter's charnel air.

And Youth all labour-bow'd, with wither'd look,43

Knelt by a rushing stream whose waves were gold,

And sought with lean strong hands to grasp the brook,

And clutch the glitter lapsing from the hold,

Till with mad laugh it ceased, and, tott'ring down,

Fell, and on frowning skies scowl'd back the frown.

No careless Childhood laugh'd disportingly,44

But dwarf'd, pale mandrakes with a century's gloom

On infant brows, beneath a poison-tree

With skeleton fingers plied a ghastly loom,

Mocking in cynic jests life's gravest things,

They wove gay King-robes, muttering "What are Kings?"

And through that dreary Hades to and fro,45

Stalk'd all unheeded the Tartarean Guests;

Grim Discontent that loathes the Gods, and Woe

Clasping dead infants to her milkless breasts;

And madding Hate, and Force with iron heel,

And voiceless Vengeance sharp'ning secret steel.

And, hand in hand, a Gorgon-visaged Pair,46

Envy and Famine, halt with livid smile,

Listening the demon-orator Despair,

That, with a glozing and malignant guile,

Seems sent the gates of Paradise to ope,

And lures to Hell by simulating Hope.

"Can such things be below and God above?"47

Falter'd the King;—Replied the Genius—"Nay,

This is the state that sages most approve;

This is Man civilized!—the perfect sway

Of Merchant Kings;—the ripeness of the Art

Which cheapens men—the Elysium of the Mart.

"Twixt want and wealth is placed the Reign of Gold;48

The reign for which each race advancing sighs,

And none so clamour to be bought or sold

As those gaunt shadows—Trade's grim merchandize.

Dread not their curse—for their delirious sight

Hails in the yellow pest 'The march of Light.'"

"Better for nations," cried the wrathful King.49

"The antique chief, whose palace was the glen,

Whose crown the plumage of the eagle's wing,

Whose throne the hill-top, and whose subjects—men,

Than that last thraldom which precedes decay,

For Avarice reigns not till the hairs are grey.

"Is it in marts that manhood finds its worth?50

When merchants reign'd—what left they to admire?

Which hath bequeath'd the nobler wealth to earth,

The steel of Sparta, or the gold of Tyre?

Beneath the night-shade let the mandrakes grow—

Hide from my sight that Lazar-house of woe."

So, turn'd with generous tears in manly eyes51

The hardy Lord of heaven-taught Chivalry;

Lo the third arch and last!—In moonlight, rise

The Cymrian rocks dark-shining from the sea,

And all those rocks, some patriot war, far gone,

Hallows with grassy mound and starlit stone.

And where the softest falls the loving light,52

He sees himself, stretch'd lifeless on the sward,

And by the corpse, with sacred robes of white

Leans on his ivory harp a lonely Bard;

Yea, to the Dead the sole still watchers given

Are the Fame-Singer and the Hosts of Heaven.

But on the kingly front the kingly crown53

Rests;—the pale right hand grasps the diamond glaive;

The brow, on which ev'n strife hath left no frown,

Calm in the halo Glory gives the Brave.

"Mortal, is this thy choice?" the Genius cried.

"Here Death; there Pleasure; and there Pomp!—decide!"

"Death," answer'd Arthur, "is nor good nor ill54

Save in the ends for which men die—and Death

Can oft achieve what Life may not fulfil,

And kindle earth with Valour's dying breath;

But oh, one answer to one terror deign,

My land—my people!—is that death in vain?"

Mute droop'd the Genius, but the unquiet form55

Dreaming beside its brother king, arose.

Though dreaming still: as leaps the sudden storm

On sands Arabian, as with spasms and throes

Bursts the Fire-mount by soft Parthenopé,

Rose the veil'd Genius of the Things to be!

Shook all the hollow caves;—with tortur'd groan,56

Shook to their roots in the far core of hell;

Deep howl'd to deep—the monumental throne

Of the dead giant rock'd;—each coral cell

Flash'd quivering billowlike. Unshaken smiled,

From the calm ruby base the thorn-crown'd Child.

The Genius rose; and through the phantom arch57

Glided the Shadows of His own pale dreams;

The mortal saw the long procession march

Beside that image which his lemur seems:

An armèd King—three lions on his shield[2]—

First by the Bard-watch'd Shadow paused and kneel'd.

Kneel'd there his train—upon each mailèd breast58

A red cross stamp'd; and, deep as from a sea

With all its waves, full voices murmur'd, "Rest

Ever unburied, Sire of Chivalry!

Ever by Minstrel watch'd, and Knight adored,

King of the halo-brow, and diamond sword!"

Then, as from all the courts of all the earth,59

The reverent pilgrims, countless, clustering came;

They whom the seas of fabled Sirens girth,

Or Baltic freezing in the Boreal flame;

Or they, who watch the Star of Bethlem quiver

By Carmel's Olive mount, and Judah's river.

From violet Provence comes the Troubadour;60

Ferrara sends her clarion-sounding son;

Comes from Iberian halls the turban'd Moor

With cymbals chiming to the clarion;

And, with large stride, amid the gaudier throng,

Stalks the vast Scald of Scandinavian song.

Pass'd he who bore the lions and the cross,61

And all that gorgeous pageant left the space

Void as a heart that mourns the golden loss

Of young illusions beautiful. A Race

Sedate supplants upon the changeful stage

Light's early sires,—the Song-World's hero-age.

Slow come the Shapes from out the dim Obscure,62

A noon-like quiet circles swarming bays,

Seas gleam with sails, and wall-less towns secure,

Rise from the donjon sites of antique days;

Lo, the calm sovereign of that sober reign!

Unarm'd,—with burghers in his pompless train.

And by the corpse of Arthur kneels that king,63

And murmurs, "Father of the Tudor, hail!

To thee nor bays, nor myrtle wreath I bring;

But in thy Son, the Dragon-born prevail,

And in my rule Right first deposes Wrong,

And first the Weak undaunted face the Strong."

He pass'd—Another, with a Nero's frown64

Shading the quick light of impatient eyes,

Strides on—and casts his sceptre, clattering, down,

And from the sceptre rushingly arise

Fierce sparks; along the heath they hissing run,

And the dull earth glows lurid as a sun.

And there is heard afar the hollow crash65

Of ruin;—wind-borne, on the flames are driven:

But where, round falling shrines, they coil and flash,

A seraph's hand extends a scroll from heaven,

And the rude shape cries loud, "Behold, ye blind,

I who have trampled Men have freed the Mind!"

So laughing grim, pass'd the Destroyer on;66

And, after two pale shadows, to the sound

Of lutes more musical than Helicon,

A manlike Woman march'd:—The graves around

Yawn'd, and the ghosts of Knighthood, more serene

In death, arose, and smiled upon the Queen.

With her (at either hand) two starry forms67

Glide—than herself more royal—and the glow

Of their own lustre, each pale phantom warms

Into the lovely life the angels know,

And as they pass, each Fairy leaves its cell,

And GLORIANA calls on ARIEL!

Yet she, unconscious as the crescent queen68

Of orbs whose brightness makes her image bright,

Haught and imperious, through the borrow'd sheen,

Claims to herself the sovereignty of light;

And is herself so stately to survey,

That orbs which lend, but seem to steal, the ray.

Elf-land divine, and Chivalry sublime,69

Seem there to hold their last high jubilee—

One glorious Sabbat of enchanted Time,

Ere the dull spell seals the sweet glamoury.

And all those wonder-shapes in subject ring

Kneel where the Bard still sits beside the King.

Slow falls a mist, far booms a labouring wind,70

As into night reluctant fades the Dream;

And lo, the smouldering embers left behind

From the old sceptre-flame, with blood-red beam,

Kindle afresh, and the thick smoke-reeks go

Heavily up from marching fires below.

Hark! through sulphureous cloud the jarring bray71

Of trumpet-clangours—the strong shock of steel;

And fitful flashes light the fierce array

Of faces gloomy with the calm of zeal,

Or knightlier forms, on wheeling chargers borne;

Gay in despair, and meeting zeal with scorn.

Forth from the throng came a majestic Woe,72

That wore the shape of man—"And I"—It said

"I am thy Son; and if the Fates bestow

Blood on my soul and ashes on my head;

Time's is the guilt, though mine the misery—

This teach me, Father—to forgive and die!"

But here stern voices drown'd the mournful word,73

Crying—"Men's freedom is the heritage

Left by the Hero of the Diamond Sword,"

And others answer'd—"Nay, the knightly age

Leaves, as its heirloom, knighthood, and that high

Life in sublimer life called loyalty."

Then, through the hurtling clamour came a fair74

Shape like a sworded seraph—sweet and grave;

And when the war heaved distant down the air

And died, as dies a whirlwind, on the wave,

By the two forms upon the starry hill,

Stood the Arch Beautiful, august and still.

And thus It spoke—"I, too, will hail thee, 'Sire,'75

Type of the Hero-age!—thy sons are not

On the earth's thrones. They who, with stately lyre,

Make kingly thoughts immortal, and the lot

Of the hard life divine with visitings

Of the far angels—are thy race of Kings.

"All that ennobles strife in either cause,76

And, rendering service stately, freedom wise,

Knits to the throne of God our human laws—

Doth heir earth's humblest son with royalties

Born from the Hero of the diamond sword,

Watch'd by the Bard, and by the Brave adored.

Then the Bard, seated by the halo'd dead,77

Lifts his sad eyes—and murmurs, "Sing of Him!"

Doubtful the stranger bows his lofty head,

When down descend his kindred Seraphim;

Borne on their wings he soars from human sight,

And Heaven regains the Habitant of Light.

Again, and once again, from many a pale78

And swift-succeeding, dim-distinguish'd, crowd,

Swells slow the pausing pageant. Mount and vale

Mingle in gentle daylight, with one cloud

On the fair welkin, which the iris hues

Steal from its gloom with rays that interfuse.

Mild, like all strength, sits Crownèd Liberty,79

Wearing the aspect of a youthful Queen:

And far outstretch'd along the unmeasured sea

Rests the vast shadow of her throne; serene

From the dumb icebergs to the fiery zone,

Rests the vast shadow of that guardian throne.

And round her group the Cymrian's changeless race80

Blent with the Saxon, brother-like; and both

Saxon and Cymrian from that sovereign trace

Their hero line;—sweet flower of age-long growth;

The single blossom on the twofold stem;—

Arthur's white plume crests Cerdic's diadem.

Yet the same harp that Taliessin strung81

Delights the sons whose sires the chords delighted;

Still the old music of the mountain tongue

Tells of a race not conquer'd but united;

That, losing nought, wins all the Saxon won,

And shares the realm "where never sets the sun."

Afar is heard the fall of headlong thrones,82

But from that throne as calm the shadow falls;

And where Oppression threats and Sorrow groans

Justice sits listening in her gateless halls,

And ev'n, if powerless, still intent, to cure,

Whispers to Truth, "Truths conquer that endure."

Yet still on that horizon hangs the cloud,83

And on the cloud still rests the Cymrian's eye;

"Alas," he murmur'd, "that one mist should shroud,

Perchance from sorrow, that benignant sky!"

But while he sigh'd the Vision vanishèd,

And left once more the lone Bard by the dead.

"Behold the close of thirteen hundred years;84

Lo, Cymri's Daughter on the Saxon's throne!

Free as their air thy Cymrian mountaineers,

And in the heavens one rainbow cloud alone,

Which shall not pass, until, the cycle o'er,

The soul of Arthur comes to earth once more.

"Dost thou choose Death?" the giant Dreamer said.85

"Ay, for in death I seize the life of fame,

And link the eternal millions with the dead,"

Replied the King—and to the sword he came

Large-striding;—grasp'd the hilt;—the charmèd brand

Clove to the rock, and stirr'd not to his hand.

The Dreaming Genius has his throne resumed;86

Sit the Great Three with Silence for their reign,

Awful as earliest Theban kings entomb'd,

Or idols granite-hewn in Indian fane;

When lo, the dove flew forth, and circling round,

Dropp'd on the thorn-wreath which the Statue crown'd.

Rose then the Vulture with its carnage-shriek,87

Up coil'd the darting Asps; the bird above;

Below the reptiles:—poison-fang and beak,

Nearer and nearer gather'd round the dove;

When with strange life the marble Image stirr'd,

And sudden pause the Asps—and rests the Bird.

"Mortal," the Image murmur'd, "I am He,88

Whose voice alone the enchanted sword unsheathes,

Mightier than yonder Shapes—eternally

Throned upon light, though crown'd with thorny wreaths;

Changeless amid the Halls of Time; my name

In heaven is YOUTH, and on the earth is FAME,

"All altars need their sacrifice; and mine89

Asks every bloom in which thy heart delighted.

Thorns are my garlands—wouldst thou serve the shrine,

Drear is the faith to which thy vows are plighted.

The Asp shall twine, the Vulture watch the prey,

And Horror rend thee, let but Hope give way.

"Wilt thou the falchion with the thorns it brings?"90

"Yea—for the thorn-wreath hath not dimm'd thy smile."

"Lo, thy first offering to the Vulture's wings,

And the Asp's fangs!"—the cold lips answer'd, while

Nearer and nearer the devourers came,

Where the Dove resting hid the thorns of fame.

And all the memories of that faithful guide,91

The sweet companion of unfriended ways,

When danger threaten'd, ever at his side,

And ever, in the grief of later days,

Soothing his heart with its mysterious love,

Till Ægle's soul seem'd hovering in the Dove,—

All cried aloud in Arthur, and he sprang92

And sudden from the slaughter snatch'd the prey;

"What!" said the Image, "can a moment's pang

To the poor worthless favourite of a day

Appal the soul that yearns for ends sublime,

Aid sighs for empire o'er the world's of Time?

"Wilt thou resign the guerdon of the Sword?93

Wilt thou forego the freedom of thy land?

Not one slight offering will thy heart accord?

The hero's prize is for the martyr's hand."

Safe on his breast the King replaced the guide,

Raised his majestic front, and thus replied:

"For Fame and Cymri, what is mine I give.94

Life;—and brave death prefer to ease and power;

But not for Fame or Cymri would I live

Soil'd by the stain of one dishonour'd hour;

And man's great cause was ne'er triumphant made,

By man's worst meanness—Trust for gain betray'd.

"Let then the rock the Sword for ever sheathe,95

All blades are charmèd in the Patriot's grasp!

He spoke, and lo! the Statue's thorny wreath

Bloom'd into roses—and each baffled asp

Fell down and died of its own poison-sting,

Back to the crag dull-sail'd the death-bird's wing.

And from the Statue's smile, as when the morn96

Unlocks the Eastern gates of Paradise,

Ineffable joy, in light and beauty borne,

Flow'd; and the azure of the distant skies

Stole through the crimson hues the ruby gave,

And slept, like Happiness, on Glory's wave.

"Go," said the Image, "thou hast won the Sword;97

He who thus values Honour more than Fame

Makes Fame itself his servant, not his lord;

And the man's heart achieves the hero's claim.

But by Ambition is Ambition tried,

None gain the guerdon who betray the guide!"

Wondering the Monarch heard, and hearing laid98

On the bright hilt-gem the obedient hand;

Swift at the touch, leapt forth the diamond blade,

And each long vista lighten'd with the brand;

The speaking marble bow'd its reverent head,

Rose the three Kings—the Dreamer and the Dead;

Voices far off, as in the heart of heaven,99

Hymn'd, "Hail, Fame-Conqueror in the Halls of Time;"

Deep as to hell the flaming vaults were riven;

High as to angels, space on space sublime

Open'd, and flash'd upon the mortal's eye

The Morning Land of Immortality.

Bow'd down before the intolerable light,100

Sank on his knees the King; and humbly veil'd

The Home of Seraphs from the human sight;

Then the freed soul forsook him, as it hail'd

Through Flesh, its prison-house,—the spirit-choir;

And fled as flies the music from the lyre.

And all was blank, and meaningless, and void;101

For the dull form, abandon'd thus below,

Scarcely it felt the closing waves that buoy'd

Its limbs, light-drifting down the gentle flow—

And when the conscious life return'd again,

Lo, noon lay tranquil on the ocean main.

As from a dream he woke, and look'd around,102

For the lost Lake and Ægle's distant grave;

But dark, behind, the silent headlands frown'd;

And bright, before him, smiled the murmuring wave;

His right hand rested on the falchion won;

And the Dove pruned her pinions in the sun.

BOOK VIII.

ARGUMENT.

Lancelot continues to watch for Arthur till the eve of the following day, when a Damsel approaches the Lake—Lancelot's discreet behaviour thereon, and how the Knight and the Damsel converse—The Damsel tells her tale—Upon her leaving Lancelot, the fairy ring commands the Knight to desert his watch, and follow the Maiden—The story returns to Arthur, who, wandering by the sea-shore, perceives a bark with the Raven flag of the sea-kings—The Dove enjoins him to enter it—The Ship is deserted, and he waits the return of the Crew—Sleep falls upon him—The consoling Vision of Ægle—What befalls Arthur on waking—Meanwhile Sir Gawaine pursues his voyage to the shrine of Freya, at which he is to be sacrificed—How the Hound came to bear him company—Sir Gawaine argues with the Viking on the inutility of roasting him—The Viking defends that measure upon philosophical and liberal principles, and silences Gawaine—The Ship arrives at its destination—Gawaine is conducted to the shrine of Freya—The Statue of the Goddess described—Gawaine's remarks thereon, and how he is refuted and enlightened by the Chief Priest—Sir Gawaine is bound, and in reply to his natural curiosity the Priest explains how he and the Dog are to be roasted and devoured—The sagacious proceedings of the Dog—Sir Gawaine fails in teaching the Dog the duty of Fraternization—The Priest re-enters, and Sir Gawaine, with much satisfaction, gets the best of the Argument—Concluding Stanzas to Nature.

Lone by the lake reclined young Lancelot—1

Night pass'd, the noonday slept on wave and plain;

Lone by the lake watch'd patient Lancelot;

Like Faith assured that Love returns again.

Noon glided on to eve; when from the brake

Brushed a light step, and paused beside the lake.

How lovely to the margin of the wave2

The shy-eyed Virgin came! and, all unwitting

The unseen Knight, to the frank sunbeam gave

Her sunny hair—its snooded braids unknitting;

And, fearless, as the Naiad by her well,

Sleeked the loose tresses, glittering where they fell.

And, playful now, the sandal silks unbound,3

Oft from the cool fresh wave with coy retreat

Shrinking,—and glancing with arch looks around,

The crystal gleameth with her ivory feet,

Like floating swan-plumes, or the leaves that quiver

From water-lilies, under Himera's river.

Ah happy Knight, unscath'd, such charms espying,4

As brought but death to the profane of yore,

When Dian's maids to angry quivers flying

Pierced the bold heart presuming to adore!

Alas! the careless archer they disdain,

Can slay as surely, though with longer pain.

But worthy of his bliss, the loyal Knight,5

Pure from all felon thoughts as Knights should be,

Revering, anger'd at his own delight,

The lone, unconscious, guardless modesty,

Rose, yet unseen, and to the copse hard by,

Stole with quick footstep and averted eye.

But as one tremour of the summer boughs6

Scares the shy fawn, so with that faintest sound

The Virgin starts, and back from rosy brows

Flings wide the showering gold; and all around

Casts the swift trouble of her looks, to see

The white plume glisten through the rustling tree.

As by some conscious instinct of the fear7

He caused, the Knight turns back his reverent gaze;

And in soft accents, tuned to Lady's ear

In gentle courts, her purposed flight delays;

So nobly timid in his look and tone

As if the power to harm were all her own.

"Lady and liege, O fly not thus thy slave;8

If he offend, unwilling the offence,

For safer not upon the unsullying wave

Doth thy pure image rest, than Innocence

On the clear thoughts of noble men!" He said;

And low, with downcast lids, replied the maid.

[Oh, from those lips how strangely musical9

Sounds the loathed language of the Saxon foe!]

"Though on mine ear the Cymrian accents fall,

And in my speech, O Cymrian, thou wilt know

The Daughter of the Saxon; marvel not,

That less I fear thee in this lonely spot

"Than hadst thou spoken in my mother-tongue,10

Or worn the aspect of my father-race."

Here to her eyes some tearful memory sprung,

And youth's glad sunshine vanish'd from her face;

Like the changed sky, the gleams of April leave,

Or the quick coming of an Indian eve.

Moved, yet embolden'd by that mild distress,11

Near the fair shape the gentle Cymrian drew,

Bent o'er the hand his pity dared to press,

And soothed the sorrow ere the cause he knew.

Frank were those times of trustful Chevisaunce,[1]

And hearts when guileless open to a glance.

So see them seated by the haunted lake,12

She on the grassy bank, her sylvan throne,

He at her feet—and out from every brake

The Forest-Angels singing:—All alone

With Nature and the Beautiful—and Youth

Pure in each soul as, in her fountain, Truth!

And thus her tale the Teuton maid begun:13

"Daughter of Harold, Mercia's Earl, am I.

Small need to tell to Knighthood's Christian son

What creed of wrath the Saxons sanctify.

With songs first chaunted in some thunder-field,

Stern nurses rock'd me in my father's shield.

"Motherless both,—my playmate, sole and sweet,14

Years—sex, the same, was Crida's youngest child,

(Crida, the Mercian Ealder-King) our feet

Roved the same pastures when the Mead-month[2] smiled;

By the same hearth we paled to Saga runes,

When wolves descending howl'd to icy moons.

"As side by side, two osiers o'er a stream,15

When air is still, with separate foliage bend;

But let a breezelet blow, and straight they seem

With trembling branches into one to blend:

So grew our natures,—when in calm, apart;

But in each care, commingling, heart to heart.

"Her soul was bright and tranquil as a bird16

That hangs with silent wing in breathless heaven,

The plumes of mine the faintest zephyr stirr'd,

Light with each impulse by the moment given;

Blithe as the insect of the summer hours,

Child of the beam, and playmate of the flowers.

"Thus into youth we grew, when Crida bore17

Home from fierce wars a British Woman-slave,

A lofty captive, who her sorrow wore

As Queens a mantle; yet not proud, though grave,

And grave as if with pity for the foe,

Too high for anger, too resign'd for woe.

"Our hearts grew haunted by that patient face,18

And much we schemed to soothe the sense of thrall.

She learn'd to love us,—let our love replace

That she had lost,—and thank'd her God for all,

Even for chains and bondage:—awed we heard,

And found the secret in the Gospel Word.

"Thus, Cymrian, we were Christians. First, the slave19

Taught that bright soul whose shadow fell on mine;

Thus we were Christians;—but, as through the cave

Flow hidden river-springs, the Faith Divine

We dared not give to-day—in stealth we sung

Hymns to the Cymrian's God, in Cymri's tongue.

"And for our earlier names of heathen sound20

We did such names as saints have borne receive;

One name in truth, though with a varying sound;

Genevra I—and she sweet Genevieve,—

Words that escaped from other ears, unknown,

But spoke as if from angels to our own.

"Soon with thy creed we learn'd thy race to love,21

Listening high tales of Arthur's peerless fame,

But most such themes did my sweet playmate move;

To her the creed endear'd the champion's name,

With angel thoughts surrounded Christ's young chief,

And gave to Glory haloes from Belief.

"Not long our teacher did survive, to guide22

Our feet, delighted in the new-found ways;

Smiling on us—and on the cross—she died,

And vanish'd in her grave our infant days;

We grew to woman when we learn'd to grieve,

And Childhood left the eyes of Genevieve.

"Oft, ev'n from me, musing she stole away,23

Where thick the woodland girt the ruin'd hall

Of Cymrian kings, forgotten;—through the day

Still as the lonely nightingale midst all

The joyous choir that drown her murmur:—So

Mused Crida's daughter on the Saxon's foe.

"Alas! alas! (sad moons have waned since then!)24

One fatal morn her forest haunt she sought

Nor thence return'd: whether by lawless men

Captured, or flying of her own free thought,

From heathen shrines abhorr'd;—all search was vain,

Ne'er to our eyes that smile brought light again."

Here paused the maid, and tears gush'd forth anew,25

Ere faltering words rewove the tale once more;

"Roused from his woe, the wrathful Crida flew

To Thor's dark priests, and Odin's wizard lore.

Task'd was each rune that sways the demon hosts,

And the strong seid[3] compell'd revealing ghosts.

"And answer'd priest and rune, and the pale Dead,26

'That in the fate of her, the Thor-descended,

The Gods of Cymri wove a mystic thread,

With Arthur's life and Cymri's glory blended,

And Dragon-Kings, ordain'd in clouded years,

To seize the birthright of the Saxon spears.

"'By Arthur's death, and Carduel's towers o'erthrown,27

Could Thor and Crida yet the web unweave,

Protect the Saxon's threaten'd gods;—alone

Regain the lost one, and exulting leave

To Hengist's race the ocean-girt abodes,

Till the Last Twilight[4] darken round the Gods.'

"This heard and this believed, the direful King28

Convenes his Eorl-born and prepares his powers,

Relates the omens, and the tasks they bring,

And points the Valkyrs to the Cymrian towers.

Dreadest in war—and wisest in the hall,

Stands my great Sire—the Saxon's Herman-Saul.[5]

"He to secure allies beyond the sea29

Departs—but first (for well he loved his child)

He drew me to his breast, and tenderly

Chiding my tears, he spoke, and speaking smil'd,

'Whate'er betides thy father or thy land,

Far from our dangers Astrild[6] woos thy hand.

"'Beorn, the bold son of Sweyn, the Göthland king30

Whose ocean war-steeds on the Baltic deeps

Range their blue pasture—for thy love shall bring

As nuptial-gifts, to Cymri's mountain keeps

Arm'd men and thunder. Happy is the maid,

Whose charms lure armies to her Country's aid

What, while I heard, the terror and the woe,31

Of one who, vow'd to the meek Christian God,

Found the Earth's partner in the Heaven's worst foe!

For ne'er o'er blazing altars Slaughter trod

Redder with blood of saints remorsely slain,

Than Beorn, the Incarnate Fenris[7] of the main.

"Yet than such nuptials more I fear'd the frown32

Of my dread father;—motionless I stood,

Rigid in horror, mutely bending down

The eyes that dared not weep.—So Solitude

Found me, a thing made soul-less by despair,

Till tears broke way, and with the tears flow'd prayer."

Again Genevra paused: and, beautiful33

As Art hath imaged Faith, look'd up to heaven,

With eyes that glistening smiled. Along the lull

Of air, waves sigh'd—the winds of stealing Even

Murmur'd, birds sung, the leaflet rustling stirr'd;

His own loud heart was all the list'ner heard.

"Scarce did my Sire return (his mission done),34

To loose the Valkyrs on the Cymrian foe,

Then came the galley which the sea-king's son

Sent for the partner of his realms of snow;

Shuddering, recoiling, forth I stole at night,

To the wide forest with wild thoughts of flight.

"I reach'd the ruin'd halls wherein so oft35

Lost Genevieve had mused lone hours away,

When halting wistful there, a strange and soft

Slumber fell o'er me, or, more sooth to say,

A slumber not, but rather on my soul

A life-dream clear as hermit-visions stole.

"I saw an aged and majestic form,36

Robed in the spotless weeds thy Druids wear,

I heard a voice deep as when coming storm

Sends its first murmur through the heaving air:

'Return,' it said, 'return, and dare the sea,

The Eye that sleeps not looks from heaven on thee.'

"The form was gone, the Voice was hush'd, and grief37

Fled from my heart; I trusted and obey'd:

Weak still, my weakness leant on my belief;

I saw the sails unfurl, the headlands fade;

I saw my father, last upon the strand,

Veiling proud sorrow with his iron hand.

"Swift through the ocean clove the flashing prows38

And half the dreaded course was glided o'er,

When, as the wolves, which night and winter rouse

In cavernous lairs, from seas without a shore

Clouds swept the skies; and the swift hurricane

Rush'd from the North along the maddening main.

"Startled from sleep upon the verge of doom,39

With wild cry, shrilling through the wilder blast,

Uprose the seamen, ghostlike through the gloom,

Hurrying and helpless; while the sail-less mast

Now lightning-wreathed, now indistinct and pale

Bow'd, or, rebounding, groan'd against the gale,

"And crash'd at last;—its sullen thunder drown'd40

In the great storm that snapp'd it. Over all

Swept the long surges, and a gurgling sound

Told where some wretch, that strove in vain to call

For aid, where all were aidless, through the spray

Emerging, gasp'd, and then was whirl'd away.

"But I, who ever wore upon my heart41

The symbol cross of Him who walk'd the seas,

Bow'd o'er that sign my head; and pray'd apart:

When through the darkness, on his crawling knees,

Crept to my side the chief, and crouch'd him there,

Mild as an infant, listening to my prayer.

"And, clinging to my robes, 'Thee have I seen,'42

Faltering he said, 'when round thee coil'd the blue

Lightning, and rush'd the billow-swoop, serene

And scathless smiling; surely then I knew

That, strong in charms or runes that guard and save,

Thou mock'st the whirlwind and the roaring grave!

"'Shield us, young Vala, from the wrath of Ran,43

And calm the raging Helheim of the deep.'

As from a voice within, I answer'd, 'Man,

Nor rune nor charm locks into mortal sleep

The Present God; by Faith all ills are braved;

Trust in that God; adore Him, and be saved."

"Then, pliant to my will, the ghastly crew44

Crept round the cross, amid the howling dark—

Dark, save when swift and sharp, and griding[8] through

The cloud-mass, clove the lightning, and the bark

Flash'd like a floating hell; low by that sign

All knelt, and voices hollow-chimed to mine.

"Thus as we pray'd, lo, open'd all the Heaven,45

With one long steadfast splendour——calmly o'er

The God-Cross resting: then the clouds were riven

And the rains fell; the whirlwind hush'd its roar,

And the smooth'd billows on the ocean's breast,

As on a mother's, sighing, sunk to rest.

"So came the dawn: o'er the new Christian fold,46

Glad as the Heavenly Shepherd, smiled the sun;

Then to those grateful hearts my tale I told,

The heathen bonds the Christian maid should shun,

And pray'd in turn their aid my soul to save

From doom more dismal than a sinless grave.

"They, with one shout, proclaim their law my will,47

And veer the prow from northern snows afar,

Soon gentler winds the murmuring canvas fill,

Fair floats the bark where guides the western star.

From coast to coast we pass'd, and peaceful sail'd

Into lone creeks, by yon blue mountains veil'd.

"Here all wide-scatter'd up the inward land48

For stores and water, range the blithesome crew;

Lured by the smiling shores, one gentler band

I join'd awhile, then left them, to pursue

Mine own glad fancies, where the brooklet clear

Shot singing onwards to the sunlit mere.

"And so we chanced to meet!" She ceased, and bent49

Down the fresh rose-hues of her eloquent cheek;

Ere Lancelot spoke, the startled echo sent

Loud shouts reverberate, lengthening, plain to peak;

The sounds proclaim the savage followers near,

And straight the rose-hues pale,—but not from fear.

Slowly Genevra rose, and her sweet eyes50

Raised to the Knight's, frankly and mournfully;

"Farewell," she said, "the wingèd moment flies,

Who shall say whither?—if this meeting be

Our last as first, O Christian warrior, take

The Saxon's greeting for the Christian's sake.

"And if, returning to thy perill'd land,51

In the hot fray thy sword confront my Sire,

Strike not—remember me!" On her fair hand

The Cymrian seals his lips; wild thoughts inspire

Words which the lips may speak not:—but what truth

Lies hid when youth reflects its soul in youth!

Reluctant turns Genevra, lingering turns,52

And up the hill, oft pausing, languid wends.

As infant flame through humid fuel burns,

In Lancelot's heart with honour, love contends;

Longs to pursue, regain, and cry, "Where'er

Thou wanderest, lead me; Paradise is there!"

But the lost Arthur!—at that thought, the strength53

Of duty nerved the loyal sentinel:

So by the lake watch'd Lancelot;—at length

Upon the ring his looks, in drooping, fell,

And see, the hand, no more in dull repose,

Points to the path in which Genevra goes!

Amazed, and wrathful at his own delight,54

He doubts, he hopes, he moves, and still the ring

Repeats the sweet command, and bids the Knight

Pursue the Maid as if to find the King.

Yielding at last, though half remorseful still,

The Cymrian follows up the twilight hill.

Meanwhile along the beach of the wide sea,55

The dove-led pilgrim wander'd,—needful food,

The Mænad's fruits from many a purple tree

Flush'd for the vintage, gave; with musing mood,

Lonely he strays till Æthra[9] sees again

Her starry children smiling on the main.

Around him then, curved grew the hollow creek;56

Before, a ship lay still with lagging sail;

A gilded serpent glitter'd from the beak,

Along the keel encoil'd with lengthening trail;

Black from a brazen staff, with outstretch'd wings

Soar'd the dread Raven of the Runic kings.

Here paused the Wanderer, for here flew the Dove57

To the tall mast, and, murmuring, hover'd o'er;

But on the deck no watch, no pilot move,

Life-void the vessel as the lonely shore.

Far on the sand-beach drawn, a boat he spied,

And with strong hand he launch'd it on the tide.

Gaining the bark, still not a human eye58

Peers through the noiseless solitary shrouds;

So, for the crew's return, all patiently

He sate him down, and watch'd the phantom clouds

Flit to and fro, where o'er the slopes afar

Reign storm-girt Arcas,[10] and the Mother Star.

Thus sleep stole o'er him, mercy-hallow'd sleep;59

His own loved Ægle, lovelier than of old,

Oh, lovelier far—shone from the azure deep—

And like the angel dying saints behold,

Bent o'er his brow, and with ambrosial kiss

Breathed on his soul her own pure spirit-bliss.

"Never more grieve for me," the Vision said,60

"Behold how beautiful thy bride is now!

Who to yon Heaven from heathen Hades led

Me, thine Immortal? Mourner, it was thou!

Why shouldst thou mourn? In the empyreal clime

We know no severance, for we own no time.

"Both in the Past and Future circumfused,61

We live in each;—all life's more happy hours

Bloom back for us;—all prophet Fancy mused

Fairest in days to come, alike are ours:

With me not yet—I ever am with thee,

Thy presence flows through my eternity.

"Think thou hast bless'd the earth, and oped the heaven62

To her baptized, reborn, through thy dear love,—

In the new buds that bloom for thee, be given

The fragrance of the primal flower above!

In Heaven we are not jealous!—But in aught

That heals remembrance and revives the thought,

"That makes the life more beautiful, we bind63

Those who survive us in a closer chain;

In all that glads we feel ourselves enshrined;

In all that loves, our love but lives again."

Anew she kiss'd his brow, and at her smile

Night and Creation brighten'd! He the while,

Stretch'd his vain arms, and clasp'd the mocking air,64

And from the rapture woke![11]—All fiercely round

Group savage forms, amidst the lurid glare

Of lifted torches, red; fierce tongues resound,

Discordant, clamouring hoarse—as birds of prey

Scared by man's footstep in some desolate bay.

Mild through the throng a bright-hair'd Virgin came,65

And the roar hush'd;—while to the Virgin's breast

Soft-cooing fled the Dove. His own great name

Rang through the ranks behind; quick footsteps press'd

(As through arm'd lines a warrior) to the spot,

And to the King knelt radiant Lancelot.

Here for a while the wild and fickle song66

Leaves the crown'd Seeker of the Silver Shield;

Thy fates, O Gawaine, done to grievous wrong

By the black guide perfidious, be reveal'd,

Nearing, poor Knight, the Cannibalian shrine,

Where Freya scents thee, and prepares to dine.

Left by a bride, and outraged by a raven,67

One friend still shared the injured captive's lot;

For, as the vessel left the Cymrian haven,

The faithful hound, whom he had half forgot,

Swam to the ship, clomb up the sides on board,

Snarl'd at the Danes, and nestled by his lord.

The hirsute Captain, not displeased to see a68

New bonne bouche added to the destined roast

His floating larder had prepared for Freya,

Welcomed the dog, as Charon might a ghost;

Allow'd the beast to share his master's platter,

And daily eyed them both,—and thought them fatter!

Ev'n in such straits, the Knight of golden tongue69

Confronts his foe with arguings just and sage,

Whether in pearls from deeps Druidic strung,

Or link'd synthetic from the Stagirite's page,

Labouring to show him how absurd the notion,

That roasting Gawaine would affect the Ocean.

But that enlighten'd though unlearnèd man,70

Posed all the lore Druidical or Attic;

"One truth," quoth he, "instructs the Sons of Ran

(A seaman race are always democratic),

That truth once known, all else is worthless lumber:

'THE GREATEST PLEASURE OF THE GREATEST NUMBER.'

"No pleasure like a Christian roasted slowly,71

To Odin's greatest number can be given;

The will of freemen to the gods is holy;

The People's voice must be the voice of Heaven.

On selfish principles you chafe at capture,

But what are private pangs to public rapture?

"You doubt that giving you as food for Freya72

Will have much mark'd effect upon the seas;

Let's grant you right:—all pleasure's in idea;

If thousands think it, you the thousands please.

Your private interest must not be the guide,

When interests clash majorities decide."

These doctrines, wise, and worthy of the race73

From whose free notions modern freedom flows,

Bore with such force of reasoning on the case,

They left the Knight dumbfounded at the close;

Foil'd in the weapons which he most had boasted,

He felt sound logic proved he should be roasted.

Discreetly waiving farther conversations,74

He, henceforth, silent lived his little hour;

Indulged at times such soothing meditations,

As, "Flesh is grass,"—and "Life is but a flower."

For men, like swans, have strains most edifying,

They never think of till the time for dying.

And now at last, the fatal voyage o'er,75

Sir Gawaine hears the joyous shout of "Land!"

Two Vikings lead him courteously on shore:

A crowd as courteous wait him on the strand.

Fifes, viols, trumpets braying, screaming, strumming,

Flatter his ears, and compliment his coming.

Right on the shore the gracious temple stands,76

Form'd like a ship, and budded but of log;

Thither at once the hospitable bands

Lead the grave Knight and unsuspicious dog,

Which, greatly pleased to walk on land once more,

Swells with unprescient bark the tuneful roar.

Six Priests and one tall Priestess clothed in white,77

Advance—and meet them at the porch divine;

With seven loud shrieks, they pounce upon the Knight,—

Whisk'd by the Priests behind the inmost shrine,

While the tall Priestess asks the congregation

To come at dawn to witness the oblation.

Though somewhat vex'd at this so brief delay—78

Yet as the rites, in truth, required preparing,

The flock obedient took themselves away;—

Meanwhile the Knight was on the Idol staring,

Not without wonder at the tastes terrestrial

Which in that image hail'd a shape celestial.

Full thirty ells in height—the goddess stood79

Based on a column of the bones of men,

Daub'd was her face with clots of human blood,

Her jaws as wide as is a tiger's den;

With giant fangs as strong and huge as those

That cranch the reeds, through which the sea-horse goes.

"Right reverend Sir," quoth he of golden tongue,80

"A most majestic gentlewoman this!

Is it the Freya,[12] whom your scalds have sung,

Goddess of love and sweet connubial bliss?

If so—despite her very noble carriage,

Her charms are scarce what youth desires in marriage."

"Stranger," said one who seem'd the hierarch-priest—81

"In that sublime, symbolical creation,

The outward image but conveys the least

Of Freya's claims on human veneration—

But (thine own heart if Love hath ever glow'd in),

Thou'lt own that Love is quite as fierce as Odin!

"Hence, as the cause of full one half our quarrels,82

Freya with Odin shares the rites of blood;—

In this—thou seest a hidden depth of morals,

But by the vulgar little understood;—

We do not roast thee in an idle frolic!

But as a type mysterious and symbolic."

The Hierarch motions to the priests around,83

They bind the victim to the Statue's base,

Then, to the Knight they link the wondering hound,

Some three yards distant—looking face to face.

"One word," said Gawaine—"ere your worships quit us,

How is it meant that Freya is to eat us?"

"Stranger," replied the Priest, "albeit we hold84

Such questions idle, and perhaps profane;

Yet much the wise will pardon to the bold—

When what they ask 'tis easy to explain—

Still typing Truth, and shaped with sacred art,

We place a furnace in the statue's heart.

"That furnace heated by mechanic laws85

Which gods to priests for godlike ends permit,

We lay the victim bound across the jaws,

And let him slowly turn upon a spit;

The jaws—(when done to what we think their liking)

Close;—all is over:—The effect is striking!"

At that recital, made in tone complacent,86

The frozen Knight stared speechless and aghast,

Stared on those jaws to which he was subjacent,

And felt the grinders cranch on their repast.

Meanwhile the Priest said—"Keep your spirits up,

And ere I go, say when you'd like to sup?"

"Sup!" falter'd out the melancholy Knight,87

"Sup! pious Sir—no trouble there, I pray!

Good though I grant my natural appetite,

The thought of Freya's takes it all away:

As for the dog—poor, unenlighten'd glutton,

Blind to the future,—let him have his mutton."

'Tis night: behold the dog and man alone!88

The man hath said his thirtieth noster pater,

The dog has supp'd, and having pick'd his bone

(The meat was salted), feels a wish for water;

Puts out in vain a reconnoitring paw,

Feels the cord, smells it, and begins to gnaw.

Abash'd Philosophy, that dog survey!89

Thou call'st on freemen—bah! expand thy scope;

"Aide-toi toi-même, et Dieu t'aidera!"

Doth thraldom bind thee?—gnaw thyself the rope.—

Whatever Laws, and Kings, and States may be;

Wise men in earnest can be always free.

By a dim lamp upon the altar stone90

Sir Gawaine mark'd the inventive work canine;

"Cords bind us both—the dog has gnaw'd his own;

O Dog skoinophagous[13]—a tooth for mine!—

And both may 'scape that too-refining Goddess

Who roasts to types what Nature meant for bodies."

Sir Gawaine calls the emancipated hound,91

And strives to show his own illegal ties;

Explaining how free dogs, themselves unbound,

With all who would be free should fraternize—

The dog look'd puzzled, lick'd the fetter'd hand,

Prick'd up his ears—but would not understand.

The unhappy Knight perceived the hope was o'er,92

And did again to fate his soul resign;

When hark! a footstep, and an opening door,

And lo, once more, the Hierarch of the shrine,

The dog his growl at Gawaine's whisper ceased,

And dog and Knight, both silent, watch'd the priest.

The subtle captive saw with much content93

No sacred comrades had that reverend man;

Beneath a load of sacred charcoal bent,

The Priest approach'd; when Gawaine thus began:

"It shames me much to see you thus bent double,

And feel myself the cause of so much trouble.

"Doth Freya's kitchen, ventrical and holy,94

Afford no meaner scullion to prepare

The festive rites?—on you depends it wholly

To heat the oven and to dress the fare?"

"To hands less pure are given the outward things,

To Hierarchs only, the interior springs,"

Replied the Priest—"and till my task be o'er,95

All else intruding, wrath divine incur."

Sir Gawaine heard and not a sentence more

Sir Gawaine said, than—"Up and seize him, Sir,"

Sprung at the word, the dog; and in a trice

Griped the Priest's throat and lock'd it like a vice.

"Pardon, my sacred friend," then quoth the Knight,96

"You are not strangled from an idle frolic,

When bit the biter, you'll confess the bite

Is full of sense, mordacious but symbolic;

In roasting men, O culinary brother,

Learn this grand truth—'one turn deserves another!'"

Extremely pleased, the oratoric Knight97

Regain'd the vantage he had lost so long,

For sore, till then, had been his just despite

That Northern wit should foil his golden tongue.

Now, in debate how proud was his condition,

The opponent posed and by his own position!

Therefore, with more than his habitual breeding,98

Resumed benignantly the bland Gawaine,

While much the Priest, against the dog's proceeding

With stifling gasps protested, but in vain—

"Friend—(softly, dog; so—ho!) Thou must confess

Our selfish interests bid us coalesce.—

"Unknit these cords; and, once unloosed the knot,99

I pledge my troth to call the hound away,

If thou accede—a show of hands! if not

That dog at least I fear must have his day."

High in the air, both hands at once appear!

"Carried, nem. con.,—Dog, fetch him,—gently, here!"

Not without much persuasion yields the hound!100

Loosens the throat, to gripe the sacred vest.

"Priest," quoth Gawaine, "remember, but a sound,

And straight the dog—let fancy sketch the rest!"

The Priest, by fancy too dismay'd already,

Fumbles the knot with fingers far from steady.

Hoarse, while he fumbles, growls the dog suspicious,101

Not liking such close contact to his Lord

(The best of friends are sometimes too officious,

And grudge all help save that themselves afford).

His hands set free, the Knight assists the Priest,

And, finis, funis, stands at last released.

True to his word—and party coalitions,102

The Knight then kicks aside the dog, of course;

Salutes the foe, and states the new conditions

The facts connected with the times enforce;

All coalitions nat'rally denote

The State-Metempsychosis—change of coat!

"Ergo," quoth Gawaine,—"first, the sacred cloak;103

Next, when two parties, but concur pro temp.

Their joint opinions only should be spoke

By that which has most cause to fear the hemp.

Wherefore, my friend, this scarf supplies the gag

To keep the cat symbolic—in the bag!"

So said, so done, before the Priest was able104

To prove his counter interest in the case,

The Knight had bound him with the victim's cable!

Closed up his mouth and cover'd up his face,

His sacred robe with hands profane had taken,

And left him that which Gawaine had forsaken.

Then Gawaine stepp'd into the blissful air,105

Oh, the bright wonder of the Northern Night!

With Ocean's heart of music heaving there,

Under its starry robe!—and all the might

Of rock and shore, and islet deluge-riven,

Distinctly dark against the lustrous heaven!

Calm lay the large rude Nature of the North,106

Glad as when first the stars rejoicing sang,

And fresh as when from kindling Chaos forth

(A thought of God) the young Creation sprang;

When man in all the present Father found,

And for the Temple, paused and look'd around!

Nature, thou earliest Gospel of the Wise,107

Thou never-silent Hymner unto God!

Thou Angel-Ladder lost amid the skies,

Though at the foot we dream upon the sod!

To thee the Priesthood of the Lyre belong—

They hear Religion and reply in Song!

If he hath held thy worship undefiled108

Through all the sins and sorrows of his youth,

Let the Man echo what he heard as Child

From the far hill-tops of melodious Truth,

Leaving on troubled hearts some lingering tone

Sweet with the solace thou hast given his own!

BOOK IX.

ARGUMENT.

Invocation to the North—Winter, Labour, and Necessity, as agents of Civilization—The Polar Seas described—The lonely Ship; its Leader and Crew—Honour due from Song to the Discoverer!—The battle with the Walruses—The crash of the floating Icebergs—The ship ice-locked—Arthur's address to the Norwegian Crew—They abandon the vessel and reach land—The Dove finds the healing herb—Returns to the Ship, which is broken up for log-huts—The winter deepens—The sufferings and torpor of the crew—The effect of Will upon life—Will preserves us from ills our own, not from sympathy with the ills of others—Man in his higher development has a two-fold nature—in his imagination and his feelings—Imagination is lonely, Feeling social—The strange affection between the King and the Dove—The King sets forth to explore the desert; his joy at recognizing the print of human feet—The attack of the Esquimaux—The meeting between Arthur and his friend—The crew are removed to the ice-huts of the Esquimaux—The adventures of Sir Gawaine continued—His imposture in passing himself off as a priest of Freya—He exorcises the winds which the Norwegian hags had tied up in bags—And accompanies the Whalers to the North Seas—The storm—How Gawaine and his hound are saved—He delivers the Pigmies from the Bears, and finally establishes himself in the Settlement of the Esquimaux—Philosophical controversy between Arthur and Gawaine, relative to the Raven—Arthur briefly explains how he came into the Polar Seas in search of the Shield of Thor—Lancelot and Genevra having sailed for Carduel—Gawaine informs Arthur that the Esquimaux have a legend of a Shield guarded by a Dwarf—The first appearance of the Polar Sun above the horizon.

Throned on the dazzling and untrodden height,1

Form'd of the frost-gems ages[1] labour forth

From the blanch'd air,—crown'd with the pomp of light

I' the midst of dark,—stern Father of the North,

Thee I invoke, as, awed, my steps profane

The dumb gates opening on thy death-like reign!

Here did the venturous Ithacan[2] explore,2

Amidst the dusky, wan, Cimmerian waste,

By Ocean's farthest bounds—the spectre shore

Trod by the Dead, and vainly here embraced

The Phantom Mother. Pause, look round, survey

The ghastly realm beyond the shafts of Day.

Magnificent Horror!—How like royal Death3

Broods thy great hush above the seeds of Life!

Under the snow-mass cleaves thine icy breath,

And, with the birth of fairy forests rife,

Blushes the world of white;[3]—the green that glads

The wave, is but the march of myriads;

There, immense, moves uncouth leviathan;4

There, from the hollows of phantasmal isles,

The morse[4] emerging rears the face of man,

There, the huge bear scents, miles on desolate miles,

The basking seal;—and ocean shallower grows,

Where, through its world, a world, the kraken goes.

Father of races, marching at the van5

Of the great league and armament of Thought;—

When Eastern stars grew dim to drooping man,

And waned the antique light Prometheus brought,

The North beheld the new Alcides rise,

Unbind the Titan and relight the skies.

Imperial WINTER, hail!—All hail with thee6

Labour, the stern Perfecter of Mankind,

Shaping the ends of human destiny

Out of the iron of the human mind:

For in our toils our fates we may survey!

And where rests Labour there begins decay.

Winter, and Labour, and Necessity,7

Behold the Three that make us what we are!

Forced to invent—aspirers to the High,

Nerved to endure—the conquerors of the Far—

So the crude nebula in movement hurl'd,

Takes form in moving, and becomes a world.

Dumb Universe of Winter—there it lies8

Dim through the mist, a spectral skeleton!

Far in the wan verge of the solid skies

Hangs day and night the phantom of a moon;

And slowly moving on the horizon's brink

Floats the vast ice-field with its glassy blink.[5]

But huge adown the liquid Infinite9

Drift the sea Andes—by the patient wrath

Of the strong waves uprooted from their site

In bays forlorn—and on their winter path

(Themselves a winter) glide, or heavily, where

They freeze the wind, halt in the inert air.

Nor bird nor beast lessens with visible10

Life, the large awe of space without a sun;

Though in each atom life unseen doth dwell

And glad with gladness God the Living One.

HE breathes—but breathless hang the airs that freeze!

HE speaks—but noiseless list the silences!

A lonely ship—lone in the measureless sea,11

Lone in the channel through the frozen steeps,

Like some bold thought launch'd on infinity

By early sage—comes glimmering up the deeps!

The dull wave, dirge-like, moans beneath the oar;

The dull air heaves with wings that glide before.

From earth's warm precincts, through the sunless gate12

That guards the central vapour-home of Dark,

Into the heart of the vast Desolate,

Lone flies the Dove before the lonely bark.

While the crown'd seeker of the glory-spell

Looks to the angel and disdains the hell.

Huddled on deck, one-half that hardy crew13

Lie shrunk and wither'd in the biting sky,

With filmy stare and lips of livid hue,

And sapless limbs that stiffen as they lie:

While the dire pest-scourge of the frozen zone[6]

Rots through the vein, and gnaws the knotted bone.

Yet still the hero-remnant, sires perchance14

Of Rollo's Norman knighthood, dauntless steer

Along the deepening horror and advance

Upon the invisible foe, loud chanting clear

Some lusty song of Thor, the Hammer-God,

When o'er those iron seas the Thunderer trod,

And pierced the halls of Lok! Still while they sung,15

The sick men lifted dim their languid eyes,

And palely smiled, and with convulsive tongue

Chimed to the choral chant, in hollow sighs;

Living or dying, those proud hearts the same

Swell to the danger, and foretaste the fame.

On, ever on, labours the lonely bark,16

Time in that world seems dead. Nor jocund sun

Nor rosy Hesperus dawns; but visible Dark

Stands round the ghastly moon. For ever on

Labours the lonely bark, through lock'd defiles

That crisping coil around the drifting isles.

Honour, thrice honour unto ye, O Brave!17

And ye, our England's sons, in the later day,

Whose valour to the shores of Hela gave

Names,—as the guides where suns deny the ray!

And, borne by hope and vivid strength of soul,

Made Man's last landmark Nature's farthest goal!

Whom, nor the unmoulded chaos, with its birth18

Of uncouth monsters, nor the fierce disease,

Nor horrible famine, nor the Stygian dearth

Of Orcus dead'ning adamantine seas,

Scared from the Spirit's grand desire,—TO KNOW!

The Galileos of new worlds below!

Man the Discoverer—whosoe'er thou art,19

Honour to thee from all the lyres of song!

Honour to him who leads to Nature's heart

One footstep nearer! To the Muse belong

All who enact what in the song we read;

Man's noblest poem is Man's bravest deed.

On, ever on,—when veering to the West20

Into a broader desert leads the Dove;

A larger ripple stirs the ocean's breast,

A hazier vapour undulates above;

Along the ice-fields move the things that live,

Large in the life the misty glamours give.

In flocks the lazy walrus lay around21

Gazing and stolid; while the dismal crane

Stalk'd curious near;—and on the hinder ground

Paused indistinct the Fenris of the main,

The insatiate bear,—to sniff the stranger blood,—

For Man till then had vanish'd since the flood,

And all of Man were fearless!—On the sea22

The vast leviathans came up to breathe,

With their young giants leaping forth in glee,

Or leaving whirlpools where they sank beneath.

And round and round the bark the narwal[7] sweeps,

With white horn glistening through the sluggish deeps.

Uprose a bold Norwegian, hunger-stung,23

As near the icy marge a walrus lay,

Hurl'd his strong spear, and smote the beast, and sprung

Upon the frost-field on the wounded prey;—

Sprung and recoil'd—as writhing with the pangs,

The bulk crawl'd towards him with its flashing fangs.

Roused to fell life—around their comrade throng,24

Snorting wild wrath, the shapeless, grisly swarms—

Like moving mounts slow masses trail along;

Aghast the man beholds the larva-forms—

Flies—climbs the bark—the deck is scaled—is won;

And all the monstrous march heaves lengthening on.

"Quick to your spears!" the kingly leader cries.25

Spears flash on flashing tusks; groan the strong planks

With the assault: front after front they rise

With their bright[8] stare; steel thins in vain their ranks,

And dyes with blood their birth-place and their grave;

Mass rolls on mass, as rolls on wave a wave.

These strike and rend the reeling sides below;26

Those grappling clamber up and load the decks,

With looks of wrath so human on the foe,

They seem to horror like the mangled wrecks

Of what were men in worlds before the Ark!

Thus raged the immane and monster war—when, hark,

Crash'd through the dreary air a thunder peal!27

In their slow courses meet two ice-rock isles

Clanging; the wide seas far-resounding reel;

The toppling ruin rolls in the defiles;

The pent tides quicken with the headlong shock:

Broad-billowing heave the long waves from the rock;

Far down the booming vales precipitous28

Plunges the stricken galley,—as a steed

Smit by the shaft runs reinless,—o'er the prows

Howl the lash'd surges; Man and monster freed

By power more awful from the savage fray,

Here roaring sink—there dumbly whirl away.

The water runs in maëlstroms;—as a reed29

Spins in an eddy and then skirs along,—

Dragg'd round and round, emerged and vanishèd

The mighty ship amidst the mightier throng

Of the revolving hell. With abrupt spring

Bounding at last—on it shot maddening.

Behind it, thunderous swept the glacier masses,30

Shivering and splintering, hurtling each on each:

Narrower and narrower press the frowning passes:—

Jamm'd in the farthest gorge the bark may reach,

Where the grim Scylla rocks the direful way,

The fierce Charybdis flings her mangled prey.

As if a living thing, in every part31

The vessel groans—and with a dismal chime

Cracks to the cracking ice; asunder start

The brazen ribs:—and clogg'd and freezing, climb

Through cleft and chink, as through their native caves,

The gelid armies of the hardening waves.

One sigh whose lofty pity did embrace32

The vanish'd many, the surviving few,

The Cymrian gave—then with a cheering face

He spoke, and breathed his soul into the crew:

"Ye whom the haught desire of Fame, whose air

Is storm, and tales of what your fathers were,

"What time their valour wrought such deeds below33

As made the valiant lift them to the gods,

Impell'd with me to spare all meaner foe,

And vanquish'd Nature in the fiend's abodes;—

Droop not nor faint!—Reserved, perchance, to give

Themes to such song as bids your Odin live:—

"A voice from those now gone in darkness down,34

Bids us endure!—Of all they ask'd in life

Our death would rob their lofty shades—RENOWN!

The wave hath pluck'd us from the monster strife,

Lo where the icebay frees us from the wave,

And yields a port in what we deem'd a grave!

"Up and at work all hands to lash the bark35

With grappling-hook, and cord, and iron band

To yon firm peak, the Ararat of our ark,

Then with good heart pierce to the vapour-land;

For the crane's scream, and the bear's welcome roar

Tell where the wave joins solid to the shore."

Swift as he spoke, the gallant Northmen sprang36

On the sharp ice,—drew from the frozen blocks

The mangled wreck;—with many a barbèd fang

And twisted cable to the horrent rocks

Moor'd: and then, shouting up the solitude

Their guiding star, the Dove's pale wing, pursued.

Round the dim bases of the glacier peaks,37

They see the silvery Arctic fox at play,

Sure sign of land,—aloft with ghastly shrieks,

Wheel the wan sea-gulls, luring to his prey

The ravening glaucus[9] sudden shooting o'er

The din of wings from the gray gleaming shore.

At length they reach the land,—if land that be38

Which seems so like the frost-piles of the deep,

That where commenced the soil and ceased the sea

Shows dim, as is the bound between the sleep

And waking of some wretch whose palsied brain

Dulls him to ev'n the slow return of pain.

Advancing farther, burst upon the eye39

Patches of green miraculously isled

In the white desert. Oh! the rapture cry

That greeted God, and gladden'd through the wild!

The very sight suffices to restore,

Green Earth—green Earth—the Mother smiles once more!

Blithe from the turf the Dove the blessèd leaves[10]40

That heal the slow plague of the sunless dearth

Bears to each sufferer whom the curse bereaves

Ev'n of all hope, save graves in that dear earth.

Woo'd by the kindly King they taste, to know

How to each ill God plants a cure below.

Long mused the anxious hero, if to dare41

Once more the fearful sea—or from the bark

Shape ragged huts, and wait, slow-lingering there,

Till Eos issuing from the gates of Dark

Unlock the main? dread choice on either hand—

The liquid Acheron, or the Stygian land.

At length, resolved to seize the refuge given,42

Once more he leads the sturdiest of the crew

Back to the wreck—the planks, asunder riven,

And such scant stores as yet the living few

May for new woes sustain, are shoreward borne;

And hasty axes shape the homes forlorn.

Now, every chink closed on the deathful air,43

In the dark cells the weary labourers sleep;

Deaf to the fierce roar of the hungering bear,

And the dull thunders clanging on the deep—

Till on their waking sense the discords peal,

And to the numb hand cleaves unfelt the steel.

What boots long told the tale of life one war44

With the relentless iron Element?

More, day by day, the mounting snows debar

Ev'n search for food,—yet oft the human scent

Lures the wild beast, which, mangling while it dies,

Bursts on the prey, to fall itself the prize!

But as the winter deepens, ev'n the beast45

Shrinks from its breath, and with the loneliness

To Famine leaves the solitary feast.

Suffering halts patient in its last excess.

Closed in each tireless, lightless, foodless cave

Cowers a dumb ghost unconscious of its grave.

Nature hath stricken down in that waste world46

All—save the Soul of Arthur! That, sublime,

Hung on the wings of heavenward faith unfurl'd,

O'er the far light of the predicted Time;

Believe thou hast a mission to fulfil,

And human valour grows a Godhead's will!

Calm to that fate above the moment given47

Shall thy strong soul divinely dreaming go,

Unconscious as an eagle, entering heaven,

Where its still shadow skims the rooks below;

High beyond this, its actual world is wrought,

And its true life is in its sphere of thought.

Yet who can 'scape the infection of the heart?48

Who, though himself invulnerably steel'd,

Can boast a breast indifferent to the dart

That threats the life his love in vain would shield?

When some large nature, curious, we behold

How twofold comes it from the glorious mould!

How lone, and yet how living in the All!49

When it imagines how aloof from men!

How like the ancestral Adam ere the fall,

In Eden bowers the painless denizen!

But when it feels—the lonely heaven resign'd—

How social moves the man among mankind!

Forth from the tomblike hamlet strays the King,50

Restless with ills from which himself is free;

In that dun air the only living thing

He skirts the margin of the soundless sea;

No—not alone, the musing Wanderer strays;

For still the Dove smiles on the dismal ways.

Nor can tongue tell, nor thought conceive how far51

Into that storm-beat heart, the gentle bird

Had built the halcyon's nest. How precious are

In desolate hours, the Affections!—How, unheard

Mid Noon's melodious myriads of delight,

Thrills the low note that steals the gloom from night!

And, in return, a human love replying52

To his caress, seem'd in those eyes to dwell,

That mellow murmur, like a human sighing,

Seem'd from those founts that lie i' the heart to swell.

Love wants not speech; from silence speech it builds,

Kindness like light speaks in the air it gilds.

That angel guide! His fate while leading on,53

It follow'd each quick movement of his soul.

As the soft shadow from the setting sun

Precedes the splendour passing to its goal,

Before his path the gentle herald glides,

Its life reflected from the life it guides.

Was Arthur sad? how sadden'd seem'd the Dove!54

Did Arthur hope? how gaily soar'd its wings!

Like to that sister spirit left above,

The half of ours, which, torn asunder, springs

Ever through space, yearning to join once more

The earthlier half, its own and Heaven's before;[11]

Like an embodied living Sympathy55

Which hath no voice and yet replies to all

That wakes the lightest smile, the faintest sigh,—

So did the instinct and the mystery thrall

To the earth's son the daughter of the air;

And pierce his soul—to place the sister there.

She was to him as to the bard his muse56

The solace of a sweet confessional:

The hopes—the fears which manly lips refuse

To speak to man, those leaves of thought that fall

With every tremulous zephyr from the Tree

Of Life, whirl'd from us down the darksome sea;—

Those hourly springs and winters of the heart57

Weak to reveal to Reason's sober eye,

The proudest yet will to the muse impart,

And grave in song the record of a sigh.

And hath the muse no symbol in the Dove?—

Both give what youth most miss'd in human love!

Over the world of winter strays the King,58

Seeking some track of hope—some savage prey

Which, famish'd, fronts and feeds the famishing;

Or some dim outlet in the darkling way

From the dumb grave of snows which form with snows

Wastes wide as realms through which a spectre goes.

Amazed he halts:—Lo, on the rimy layer59

That clothes sharp peaks—the print of human feet!

An awe thrill'd through him, and thus spoke in prayer,

"Thee, God, in man once more then do I greet?

Hast thou vouchsafed the brother to the brother,

Links which reweave thy children to each other?

"Be they the rudest of the clay divine,60

Warm with the breath of soul, how faint so ever,

Yea, though their race but threat new ills to mine,

All hail the bond thy sons cannot dissever!

Bow'd to thy will, of life or death dispose,

But if not human friends, grant human foes!"

Thus while he pray'd, blithe from his bosom flew61

The guiding Dove, along the frozen plain

Of a mute river, winding vale-like through

Rocks lost in vapour from the voiceless main.

And as the man pursues, more thickly seen,

The foot-prints tell where man before has been.

Sudden a voice—a yell, a whistling dart!62

Dim through the fog, behold a dwarf-like band

(As from the inner earth, its goblins) start;

Here threatening rush, there hoarsely gibbering stand!

Halts the firm hero; mild but undismay'd,

Grasps the charm'd hilt, but will not bare the blade.

And with a kingly gesture eloquent,63

Seems to command the peace, not shun the fray;

Daunted they back recoil, yet not relent;

As Indians round the forest lord at bay,

Beyond his reach they form the deathful ring,

And every shaft is fitted to the string.

When in the circle a grand shape appears,64

Day's lofty child amid those dwarfs of Night,

Ev'n through the hides of beasts (its garb) it rears

The glorious aspect of a son of light.

Hush'd at that presence was the clamouring crowd;

Dropp'd every hand and every knee was bow'd.

Forth stepp'd the man, advancing towards the King;65

And his own language smote the Cymrian's ear,

"What fates, unhappy one, a stranger bring

To shores,"—he started, stopp'd,—and bounded near;

Gazed on that front august, a moment's space,—

Rush'd,—lock'd the wanderer in a long embrace;

Weeping and laughing in a breath, the cheek,66

The lip he kiss'd—then kneeling, clasp'd the hand;

And gasping, sobbing, sought in vain to speak—

Meanwhile the King the beard-grown visage scann'd:

Amazed—he knew his Carduel's comely lord,

And the warm heart to heart as warm restored!

Speech came at length: first mindful of the lives,67

Claiming his care and perill'd for his sake,

Not yet the account that love demands and gives

The generous leader paused to yield and take;

Brief words his follower's wants and woes explain;—

"Light, warmth, and food.—Sat verbum," quoth Gawaine.

Quick to his wondering and Pigmæan troops—68

Quick sped the Knight; he spoke and was obey'd;

Vanish once more the goblin-visaged groups

And soon return caparison'd for aid;

Laden with oil to warm and light the air,

Flesh from the seal, and mantles from the bear.

Back with impatient rapture bounds the King,69

Smiling as he was wont to smile of yore;

While Gawaine, blithesome as a bird of spring,

Sends his sweet laughter ringing to the shore;

Pains through that maze of questions, "How and Why?"

And lost in joy stops never for reply.

Before them roved wild dogs too numb to bark,70

Led by one civilized majestic hound,

Who scarcely deign'd his followers to remark,

Save, when they touch'd him, by a snarl profound;

Teaching that plebs, as history may my readers,

How curs are look'd on by patrician leaders.

Now gain'd the huts, silent with drowsy life,71

That scarcely feels the quick restoring skill;

Train'd with stern elements to wage the strife,

The pigmy race are Nature's conquerors still.

With practised hands they chafe the frozen veins,

And gradual loose the chill heart from its chains;

Heap round the limbs the fur's thick warmth of fold,72

And with the cheerful oil revive the air.

Slow wake the eyes of Famine to behold

The smiling faces and the proffer'd fare;

Rank though the food, 'tis that which best supplies

The powers exhausted by the withering skies.

This done, they next the languid sufferers bear73

(Wrapp'd from the cold) athwart the vapoury shade,

Regain the vale, and show the homes that there

Art's earliest god, Necessity, hath made;

Abodes hewn out from winter, winter-proof,

Ice-blocks the walls, and hollow'd ice the roof![12]

Without, the snowy lavas, hard'ning o'er,74

Hide from the beasts the buried homes of men,

But in the dome is placed the artful door

Through which the inmate gains or leaves the den.

Down through the chasm each lowers the living load,

Then from the winter seals the pent abode.

There ever burns, sole source of warmth and light,75

The faithful lamp the whale or walrus gives,

Thus, Lord of Europe, in the heart of Night,

Unjoyous not, thy patient brother lives!

To thee desire, to him possession sent,

Thine worlds of wishes,—his that inch, Content!

But Gawaine's home, more dainty than the rest,76

Betray'd his tastes exotic and luxurious

The walls of ice in furry hangings dress'd

Form'd an apartment elegant if curious!

Like some gigantic son of Major Ursa

Turn'd inside out by barbarous vice versâ.

Here then he lodged his royal guest and friend,77

And having placed a slice of seal before him,

Quoth he, "Thou ask'st me for my tale, attend;

Then give me thine, Heus renovo dolorem!"

Therewith the usage villanous and rough,

Schemed in cold blood by that malignant chough;

The fraudful dinner (its dessert a wife);78

The bridal roof with nose assaulting glaive;

The oak whose leaves with pinching imps were rife;

The atrocious trap into the Viking's cave;

The chief obdurate in his damn'd idea,

Of proving Freedom by a roast to Freya;

The graphic portrait of the Nuptial goddess;79

And diabolic if symbolic spit;

The hierarch's heresy on types and bodies;

And how at last he posed and silenced it;

All facts traced clearly to that corvus niger,

Were told with pathos that had touch'd a tiger,

So far the gentle sympathising Nine80

In dulcet strains have sung Sir Gawaine's woes;

What now remains they bid the historic line

With Dorian dryness unadorn'd disclose;

So counsel all the powers of fancy stretch,

Then leave the judge to finish off the wretch!

Along the beach Sir Gawaine and the hound81

Roved all the night, and at the dawn of day

Came unawares upon a squadron bound

To fish for whales, arrested in a bay

For want of winds, which certain Norway hags

Had squeezed from heaven and bottled up in bags.[13]

Straight when the seamen, fretting on the shore,82

Behold a wanderer clad as Freya's priest,

They rush, and round him kneeling, they implore

The runes, by which the winds may be released:

The spurious priest a gracious answer made,

And told them Freya sent him to their aid;

Bade them conduct himself and hound on board,83

And broil two portions of their choicest meat.

"The spell," quoth he, "our sacred arts afford

To free the wind is in the food we eat;

We dine, and dining exorcise the witches,

And loose the bags from their infernal stitches.

"Haste then, my children, and dispel the wind;84

Haste, for the bags are awfully inflating!"

The ship is gain'd. Both priest and dog have dined;

The crews assembled on the decks are waiting.

A heavier man arose the audacious priest,

And stately stepp'd he west and stately east!

Mutely invoked St. David and St. Brân85

To charge a stout north-western with their blessing;

Then clear'd his throat and lustily began

A howl of vowels huge from Taliessin.

Prone fell the crews before the thundering tunes,

In words like mountains roll'd the enormous runes!

The excited hound, symphonious with the song,86

Yell'd as if heaven and earth were rent asunder;

The rocks Orphéan seem'd to dance along;

The affrighted whales plunged waves affrighted under;

Polyphlosboian, onwards booming bore

The deaf'ning, strident, rauque, Homeric roar!

As lions lash themselves to louder ire,87

By his own song the Knight sublimely stung

Caught the full œstro of the poet's fire,

And grew more stunning every note he sung!

In each dread blast a patriot's soul exhales,

And Norway quakes before the storm of Wales.

Whether, as grateful Cymri should believe,88

That blatant voice heroic burst the bags,

(For sure it might the caves of Boreas cleave

Much more the stitchwork of such losel hags!)

Or heaven, on any terms, resolved on peace;

The wind sprang up before the Knight would cease.

Never again hath singer heard such praise89

As Gawaine heard; for never since hath song

Found out the secret how the wind to raise!—

Around the charmer now the seamen throng,

And bribe his blest attendance on their toil,

With bales of bear-skin and with tuns of oil.

Well pleased to leave the inhospitable shores,90

The artful Knight yet slowly seem'd to yield.—

Now through the ocean plunge the brazen prores;

They pass the threshold of the world congeal'd;

Surprise the snorting mammoths of the main;

And pile the decks with Pelions of the slain.

When, in the midmost harvest of the spoil,91

Pounce comes a storm unspeakably more hideous

Than that which drove upon the Lybian soil

Anchises' son, the pious and perfidious,

When whooping Notus, as the Nine assure us,

Rush'd out to play with Africus and Eurus.

Torn each from each, or down the maëlstrom whirl'd,92

Or grasp'd and gulph'd by the devouring sea,

Or on the ribs of hurrying icebergs hurl'd,

The sunder'd vessels vanish momently.

Scarce through the blasts which swept his own, Gawaine

Heard the crew shrieking "Chant the runes again!"

Far other thoughts engaged the prescient knight,93

Fast to a plank he lash'd himself and hound;

Scarce done, than, presto, shooting out of sight,

The enormous eddy spun him round and round,

Along the deck a monstrous wave had pour'd,

Caught up the plank and toss'd it overboard.

What of the ship became, saith history not.94

What of the man—the man himself shall show.

"Like stone from sling," quoth Gawaine, "I was shot

Into a ridge of what they call a floe,[14]

There much amazed, but rescued from the waters,

Myself and hound took up our frigid quarters.

"Freed from the plank, drench'd, spluttering, stunn'd, and bruised,95

We peer'd about us on the sweltering deep,

And seeing nought, and being much confused,

Crept side by side and nestled into sleep.

The nearest kindred most avoid each other,

So to shun Death, we visited his brother,

"Awaked at last, we found the waves had stranded96

A store of waifs portentous and nefarious;

Here a dead whale was at my elbow landed,

There a sick polypus, that sea-Briareus,

Stretch'd out its claws to incorporate my corpus;

While howl'd the hound half buried by a porpoise!

"Nimbly I rose, disporpoising my friend;—97

Around me scatter'd lay more piteous wrecks,

With every wave the accursed Tritons send

Some sad memento of submergent decks,

Prows, rudders, casks, ropes, blubber, hides, and hooks,

Sailors, salt beef, tubs, cabin boys, and cooks.

"Graves on the dead, with pious care bestow'd,98

(Graves in the ice hewn out with mickle pain

By axe and bill, which with the waifs had flow'd

To that strange shore) I next collect the gain;

Placed in a hollow cleft—and cover'd o'er;—

Then Knight and hound proceeded to explore.

"Far had we wander'd, for the storm had join'd99

To a great isle of ice, our friend the floe,

When as the day (three hours its length!) declined,

Out bray'd a roar; I stared around, and lo

A flight of dwarfs about the size of sea-moths,

Chased by two bears that might have eat behemoths!

"Arm'd with the axe the Tritons had ejected,100

I rush'd to succour the Pigmæan nation,

In strife our valour, I have oft suspected,

Proportions safety to intoxication,

As drunken men securely walk on walls

From which the wretch who keeps his senses falls;

"Let but the noble frenzy seize the brain,101

And strength divine seems breathed into the form;

The rill when swollen swallows up a plain,

The breeze runs mad before it blows a storm;

To do great deeds, first lose your wits,—then do them!

In fine—I burst upon the bears, and slew them!

"The dwarfs, deliver'd, kneel, and pull their noses;[15]102

In tugs which mean to say 'The Pigmy Nation

A vote of thanks respectfully proposes

From all the noses of the corporation!'

Your Highness knows 'Magister Artis Venter:'

On signs for breakfast my replies concenter!

"Quick they conceive, and quick obey; the beasts103

Are skinn'd, and drawn, and quarter'd in a trice,

But Vulcan leaves Diana to the feasts,

And not a wood-nymph consecrates the ice—

Bear is but so-so, when 'tis cook'd the best,

But bear just skinn'd and perfectly undrest!

"Then I bethink me of the planks and casks104

Stow'd in the cleft—for fuel quantum suff:

I draw the dwarfs—sore chattering, from their tasks,

Choose out the morsels least obdurely tough;

With these I load the Pigmies—bid them follow—

Regain the haven, and review the hollow.

"But when those minnow-men beheld the whale105

It really was a spectacle affecting!

They shout, they sob, they leap—embrace the tail,

Peep in the jaws; then, round me re-collecting,

Draw forth these noselings from their hiding places,

Which serve as public speakers to their faces!

"While I revolve what this salute may mean,106

They rush once more upon the poor balæna,

Clutch—rend—gnaw—bolt the blubber; but the lean

Reject as drying to the duodena!

This done,—my broil they aid me to obtain,

And, while I eat—the noses go again!

"My tale is closed—the grateful Pigmies lead107

Myself and hound across the ice defiles;

Regain their people and recite my deed,

Describe the monsters and display the spoils;

With royal rank my feats the dwarfs repay,

And build the palace which you now survey!

"The vanquish'd bears are trophied on the wall;108

The oil you scent once floated in the whale;

I had a vision to illume the hall

With lights less fragrant,—human hopes are frail!

With cares ingenious from the bruins' fat,

I made some candles,—which the ladies ate!

"'Tis now your turn to tell the tale, Sir King,—109

And by the way our comrade, Lancelot?

I hope he found a raven in the ring!

Monstrum horrendum!—Sire, I question not

That in your justice you have heard enough

When we get home—to crucify that chough!"

"Gawaine," said Arthur, with his sunny smile,110

"Methinks thy heart will soon absolve the raven,

Thy friend had perish'd in this icy isle

But for thy voyage to the Viking's haven,

In every ill which gives thee such offence,

Thou seest the raven, I the Providence!"

The Knight reluctant shook his learned head;111

"So please you, Sire, you cannot find a thief

Who picks our pouch, but Providence hath led

His steps to pick it;—yet, to my belief,

There's not a judge who'd scruple to exhibit

That proof of Providence upon a gibbet!

"The chough was sent by Providence:—Agreed:112

We send the chough to Providence, in turn!

Yet in the hound and not the chough, indeed,

Your friendly sight should Providence discern;

For had the hound been just a whit less nimble,

Thanks to the chough, your friend had been a symbol!"

"Thy logic," answer'd Arthur, "is unsound,113

But for the chough thou never had'st been married;

But for the wife thou ne'er hadst seen the hound;—

The Ab initio to the chough is carried:

The hound is but the effect—the chough the cause,"

The generous Gawaine murmur'd his applause.

"Do veniam Corvo! Sire, the chough's acquitted!"114

"For Lancelot next," quoth Arthur, "be at ease,

The task fulfill'd to which he was permitted,

The ring veer'd home—I left him on the seas.

Ere this, be sure he hails the Cymrian shore,

And gives to Carduel one great bulwark more."

Then Arthur told of fair Genevra flying115

From the scorn'd nuptials of the heathen fane;

Her Runic bark to his emprise supplying

The steed that bore him to the Northern main;

While she, with cheeks that blush'd and looks that fell,

Implored a Christian's home in Carduel.

The gentle King well versed in woman's heart,116

And all the vestal thoughts that tend its shrine,

On Lancelot smiled—and answer'd, "Maid, depart;

Though o'er our roofs the thunder clouds combine,

Yet love shall guard, whatever war betide,

The Saxon's daughter—or the Cymrian's bride."

A stately ship from glittering Spezia bore117

To Cymrian ports the lovers from the King;

Then on, the Seeker of the Shield, once more,

With patient soul pursued the heavenly wing.

Wild though that crew, his heart enthralls their own;—

The great are kings wherever they are thrown.

Nought of that mystery which the Spirit's priest,118

True Love, draws round the aisles behind the veil,

Could Arthur bare to that light joyous breast,—

Life hath its inward as its outward tale,

Our lips reveal our deeds,—our sufferings shun;

What we have felt, how few can tell to one!

The triple task—the sword not sought in vain,119

The shield yet hidden in the caves of Lok,

Of these spoke Arthur,—"Certes," quoth Gawaine,

When the King ceased—"strange legends of a rock

Where a fierce Dwarf doth guard a shield of light,

Oft have I heard my pigmy friends recite;

"Permit me now your royal limbs to wrap120

In these warm relics of departed bears;

And while from Morpheus you decoy a nap,

My skill the grain shall gather from the tares.

The Pigmy tongue my erudite pursuits

Have traced ad unguem—to the nasal roots!"

Slumbers the King—slumber his ghastly crew:121

How long they know not, guess not—night and dawn

Long since commingled in one livid hue:

Like that long twilight o'er the portals drawn,

Behind whose threshold spreads eternity!

When the sleep burst, and sudden in the sky

Stands the great Sun!—Like the first glorious breath122

Of Freedom to the slave, like Hope upon

The hush of woe, or through the mists of death

A cheerful Angel—comes to earth the Sun!

Ice still on land—still vapour in the air,

But light—the victor Lord—but Light is there!

On siege-worn cities, when their war is spent,123

From the far hill as, gleam on gleam, arise

The spears of some great aiding armament—

Grow the dim splendours, broadening up the skies,

Till bright and brighter, the sublime array

Flings o'er the world the banners of the Day!

Behold them where they kneel! the starry King,124

The dwarfs of night, the giants of the sea!

Each with the other linked in solemn ring,

Too blest for words!—Man's sever'd Family,

All made akin once more beneath those eyes

Which on their Father smiled in Paradise!

BOOK X.

ARGUMENT.

The Polar Spring—The Boreal Lights and apparition of a double sun—The Rocky Isle—The Bears—The mysterious Shadow from the Crater of the extinct Volcano—The Bears scent the steps of Man: their movements described—Arthur's approach—The Bears emerge from their coverts—The Shadow takes form and life—The Demon Dwarf described—His parley with Arthur—The King follows the Dwarf into the interior of the volcanic rock—The Antediluvian Skeletons—The Troll-Fiends and their tasks—Arthur arrives at the Cave of Lok—The Corpses of the armed Giants—The Valkyrs at their loom—The Wars that they weave—The Dwarf addresses Arthur—The King's fear—He approaches the sleeping Fiend, and the curtains close around him—Meanwhile Gawaine and the Norwegians have tracked Arthur's steps on the snow, and arrive at the Isle—Are attacked by the Bears—The noises and eruption from the Volcano—The re-appearance of Arthur—The change in him—Freedom and its characteristics—Arthur and his band renew their way along the coast; ships are seen—How Arthur obtains a bark from the Rugen Chieftain; and how Gawaine stores it—The Dove now leads homeward—Arthur reaches England; and, sailing up a river, enters the Mercian territory—He follows the Dove through a forest to the ruins built by the earliest Cimmerians—The wisdom and civilization of the ancestral Druidical races, as compared with their idolatrous successors at the time of the Roman Conquerors, whose remains alone are left to our age—Arthur lies down to rest amidst the moonlit ruins—The Dove vanishes—The nameless horror that seizes the King.

Spring on the Polar Seas!—not violet-crown'd1

By dewy Hours, nor to cerulean halls

Melodious hymn'd, yet Light itself around

Her stately path, sheds starry coronals.

Sublime she comes, as when, from Dis set free,

Came, through the flash of Jove, Persephoné:

She comes—that grand Aurora of the North!2

By steeds of fire her glorious chariot borne,

From Boreal courts the meteors flaming forth,

Ope heav'n on heav'n, before the mighty Morn:

And round the rebel giants of the night

On earth's last confines bursts the storm of light.

Wonder and awe! lo, where against the Sun3

A second Sun[1] his lurid front uprears!

As if the first-born lost Hyperion,

Hurl'd down of old, from his Uranian spheres,

Rose from the hell-rocks on his writhings pil'd,

And glared defiance on his Titan child.

Now life, the polar life, returns once more,4

The reindeer roots his mosses from the snows;

The whirring sea-gulls shriek along the shore;

Through oozing rills the cygnet gleaming goes;

And, where the ice some happier verdure frees,

Laugh into light frank-eyed anemones.

Out from the seas still solid, frown'd a lone5

Chaos of chasm and precipice and rock,

There, while the meteors on their revels shone,

Growling hoarse glee, in many a grauly flock,

With their huge young, the sea-bears sprawling play'd

Near the charr'd crater some mute Hecla made.

Sullen before that cavern's vast repose,6

Like the lorn wrecks of a despairing race

Chased to their last hold by triumphant foes,

Darkness and Horror stood! But from the space

Within the cave, and o'er the ice-ground wan,

Quivers a Shadow vaguely mocking man.

Like man's the Shadow falls, yet falling loses7

The shape it took, each moment changefully;

As when the wind on Runic waves confuses

The weird boughs toss'd from some prophetic tree.

Fantastic, goblin-like, and fitful thrown,

Comes the strange Shadow from the drear Unknown.

It is not man's—for they, man's savage foes,8

Whose sense ne'er fails them when the scent is blood,

Sport in the shadow the Unseen One throws,

Nor hush their young to sniff the human food;

But, undisturbed as if their home were there,

Pass to and fro the light-defying lair.

So the bears gamboll'd, so the Shadow play'd,9

When sudden halts the uncouth merriment.

Now man, in truth, draws near, man's steps invade

The men-devourers!—Snorting to the scent,

Lo, where they stretch dread necks of shaggy snow,

Grin with white fangs, and greed the blood to flow!

Grotesquely undulating, moves the flock,10

Low grumbling as the grisly ranks divide;

Some heave their slow bulk peering up the rock,

Some stand erect, and shift from side to side

The keen quick ear, the red dilating eye,

And steam the hard air with a hungry sigh.

At length unquiet and amazed—as rings11

On to their haunt direct, the dauntless stride,

With the sharp instinct of all savage things

That doubt a prey by which they are defied,

They send from each to each a troubled stare;

And huddle close, suspicious of the snare.

Then a huge leader, with concerted wile,12

Creeps lumbering on, and, to his guidance slow

The shaggèd armies move, in cautious file;

Till one by one, in ambush for the foe,

Drops into chasm and cleft,—and vanishing

With stealthy murther girds the coming King!

He comes,—the Conqueror in the Halls of Time,13

Known by his silver herald in the Dove,

By his imperial tread, and front sublime

With power as tranquil as the lids of Jove,—

All shapes of death the realms around afford:—

From Fiends God guard him!—from all else his sword

For he, with spring the huts of ice had left14

And the small People of the world of snows:

Their food the seal, their camp, at night, the cleft,

His bold Norwegians follow where he goes;

Now in the rear afar, their chief they miss,

And grudge the danger which they deem a bliss.

Ere yet the meteors from the morning sky15

Chased large Orion,—in the hour when sleep

Reflects its ghost-land stillest on the eye,

Had stol'n the lonely King; and o'er the deep

Sought, by the clue the dwarfmen-legends yield,

And the Dove's wing—the demon-guarded Shield.

The Desert of the Desolate is won.16

Still lurks, unseen, the ambush horrible—

Nought stirs around beneath the twofold sun

Save that strange Shadow, where before it fell,

Still falling;—varying, quivering to and fro,

From the black cavern on the glaring snow.

Slow the devourers rise, and peer around:17

Now crag and cliff move dire with savage life,

And rolling downward,—all the dismal ground

Shakes with the roar and bristles with the strife:

Not unprepared—(when ever are the brave?)

Stands the firm King, and bares the diamond glaive.

Distinct through all the meteors, streams the brand,18

Light'ning along the air, the sea, the rock,

Bright as the arrow in that heavenly hand

Which slew the Python! Blinded halt the flock,

And the great roar, but now so rough and high,

Sinks into terror wailing timidly.

Yet the fierce instinct and the rabid sting19

Of famine goad again the check'd array;

And close and closer in tumultuous ring,

Reels on the death-mass crushing towards its prey.

A dull groan tells where first the falchion sweeps—

When into shape the cave-born Shadow leaps!

Out from the dark it leapt—the awful form!20

Manlike, but sure not human! on its hair

The ice-barbs bristled: like a coming storm

The breath smote lifeless every wind in air;

Dread form deform'd, as ere the birth of Light,

Some son of Chaos and the Antique Night!

At once a dwarf and giant—trunk and limb21

Knit in gnarl'd strength as by a monstrous chance,

Never chimera more grotesque and grim,

Paled Ægypt's priesthood with its own romance,

When, from each dire delirium Fancy knows,

Some Typhon-type of Powers destroying rose.

At the dread presence, ice a double cold22

Conceived; the meteors from their dazzling play

Paused; and appall'd into their azure hold

Shrunk back with all their banners; not a ray

Broke o'er the dead sea and the doleful shore,

Winter's steel grasp lock'd the dumb world once more.

Halted the war—as the wild multitude23

Left the King scatheless, and their leaders slain;

And round the giant dwarf the baleful brood

Came with low howls of terror, wrath, and pain,

As children round their father. They depart,

But strife remains; Fear and the Human Heart;

For Fear was on the bold! Then spoke aloud24

The horrent Image: "Child of hateful Day,

What madness snares thee to the glooms that shroud

The realms abandon'd to my secret sway?

Why on mine air first breathes the human breath?

Hath thy far world no fairer path to Death?"

"All ways to Death, but one to Glory leads,25

That which alike through earth, or air, or wave,

Bears a bold thought to goals in noble deeds,"

Said the pale King. "And this, methinks, the cave

Which hides the Shield that rock'd the sleep of one

By whom ev'n Fable shows what deeds were done!

"I seek the talisman which guards the free,26

And tread where erst the Sire of freemen trod."[2]

"Ho!" laugh'd the dwarf, "Walhalla's child was He!

Man gluts the fiend when he assumes the god."—

"No god, Deceiver, though man's erring creeds

Make gods of men when godlike are their deeds;

"And if the Only and Eternal One27

Hath, ere his last illuminate Word Reveal'd,

Left some grand Memory on its airy throne,

Nor smote the nations when to names they kneel'd—

It is that each false god was some great truth!—

To races Heroes are as Bards to youth!"

Thus spoke the King, to whom the Enchanted Lake,28

Where from all sources Wisdom ever springs,

Had given unknown the subtle powers that wake

Our intuitions into cloudiest things,

Won but by those, who, after passionate dreams,

Taste the sharp herb and dare the solemn streams.

The Demon heard; and as a moon that shines,29

Rising behind Arcturus, cold and still

O'er Baltic headlands black with rigid pines,—

So on his knit and ominous brows a chill

And livid smile, revealed the gloomy night,

To leave the terror sterner for the light.

Thus spoke the Dwarf, "Thou wouldst survive to tell30

Of trophies wrested from the halls of Lok,

Yet wherefore singly face the hosts of Hell?

Return, and lead thy comrades to the rock;

Never to one, on earth's less dreadful field,

The prize of chiefs do War's fierce Valkyrs yield."

"War," said the King, "is waged on mortal life31

By men with men;—that, dare I with the rest:

In conflicts awful with no human strife,

Mightiest methinks, that soul the loneliest!

When starry charms from Afrite caves were won,

No Judah march'd with dauntless Solomon!"

Fell fangs the demon gnash'd, and o'er the crowd32

Wild cumbering round his feet, with hungry stare

Greeding the man, his drooping visage bow'd;

"Go elsewhere, sons—your prey escapes the snare:

Yours but the food which flesh to flesh supplies;

Here not the mortal but the soul defies."

Then striding to the cave, he plunged within;33

"Follow," he cried, and like a prison'd blast

Along the darkness, the reverberate din

Roll'd from the rough sides of the viewless Vast;

As goblin echoes, through the haunted hollow,

'Twixt groan and laughter, chimed hoarse-gibbering, "Follow!"

The King, recoiling, paused irresolute,34

Till through the cave the white wing went its way;

Then on his breast he sign'd the cross, and mute,

With solemn prayer, he left the world of day.

Thick stood the night, save where the falchion gave

Its clear sharp glimmer lengthening down the cave.

Advancing; flashes rush'd irregular35

Like subterranean lightning, fork'd and red:

From warring matter—wandering shot the star

Of poisonous gases; and the tortured bed

Of the' old Volcano show'd in trailing fires,

Where the numb'd serpent dragg'd its mangled spires.

Broader and ruddier on the Dove's pale wings36

Now glow'd the lava of the widening spaces;

Grinn'd from the rook the jaws of giant things,

The lurid skeletons of vanish'd races,

They who, perchance, ere man himself had birth,

Ruled the moist slime of uncompleted earth.

Enormous couch'd fang'd Iguanodon,[3]37

To which the monster-lizard of the Nile

Were prey too small,—whose dismal haunts were on

The swamps where now such golden harvests smile

As had sufficed those myriad hosts to feed

When all the Orient march'd behind the Mede.

There the foul, earliest reptile spectra lay,38

Distinct as when the chaos was their home;

Half plant, half serpent, some subside away

Into gnarl'd roots (now stone)—more hideous some,

Half bird—half fish—seem struggling yet to spring,

Shark-like the maw, and dragon-like the wing.

But, life-like more, from later layers emerge39

With their fell tusks deep-stricken in the stone,

Herds,[4] that through all the thunders of the surge,

Had to the Ark which swept relentless on

(Denied to them)—knell'd the despairing roar

Of sentenced races time shall know no more.

Under the limbs of mammoths went the path,40

Or through the arch immense of Dragon jaws,

And ever on the King, in watchful wrath,

Gazed the attendant Fiend, with artful pause

Where dread was deadliest; had the mortal one

Falter'd or quail'd, the Fiend his prey had won,

And rent it limb by limb; but on the Dove41

Arthur look'd steadfast, and the Fiend was foil'd.

Now, as along the skeleton world they move,

Strange noises jar, and flit strange shadows. Toil'd

The Troll's[5] swart people, in their inmost home

At work on ruin for the days to come.

A baleful race, whose anvils forge the flash42

Of iron murder for the limbs of war;

Who ripen hostile embryos, for the crash

Of earthquakes rolling slow to towers afar;

Or train from Hecla's fount the lurid rills,

To cities sleeping under shepherd hills;

Or nurse the seeds, through patient ages rife43

With the full harvest of that crowning fire,

When for the sentenced Three—Time, Death, and Life—

Our globe itself shall be the funeral pyre;

And, awed, in orbs remote some race unknown

Shall miss one star, whose smile had lit their own!

Through the Phlegræan glare, innumerous eyes,44

Fierce with the murther-lust, scowl ravening,

And forms on which had never look'd the skies

Stalk near and nearer, swooping round the King,

Till from the blazing sword the foul array

Shrink back, and wolf-like follow on the way.

Now through waste mines of iron, whose black peaks45

Frown o'er dull Phlegethons of fire below,

While, vague as worlds unform'd, sulphureous reeks

Roll on before them huge and dun,—they go.

Abrupt the vapours vanish, and the light

Bursts like a flood and rushes o'er the night.

A mighty cirque with lustre belts the mine;46

Its walls of iron glittering into steel;

Wall upon wall reflected flings the shrine

Of armour! Vizorless the Corpses kneel,

Their glazed eyes fix'd upon a couch where, screen'd

With whispering curtains, sleeps the Kingly Fiend:

Corpses of giants, who perchance had heard47

The tromps of Tubal, and had leapt to strife

Whose guilt provoked the Deluge: sepulchred

In their world's ruins, still a frown like life

Hung o'er vast brows,—and spears like turrets shone

In hands whose grasp had crush'd the Mastodon.

Around the couch, a silent solemn ring,48

They whom the Teuton call the Valkyrs sate.

Shot through pale webs their spindles glistening;

Dread tissues woven out of human hate

For heavenly ends!—for there is spun the woe

Of every war that ever earth shall know.

Below their feet a bottomless pit of gore49

Yawn'd, where each web, when once the woof was done,

Was scornful cast. Yet rising evermore

Out of the surface, wander'd airy on

(Till lost in upper space), pale wingèd seeds,

The future heaven-fruit of the hell-born deeds;

For out of every evil born of time,50

God shapes a good for his eternity.

Lo where the spindles, weaving crime on crime,

Form the world-work of Charlemains to be;—

How in that hall of iron lengthen forth

The fates that ruin, to rebuild, the North!

Here, one stern Sister smiling on the King,51

Hurries the thread that twines his Nation's doom;

And, farther down, the whirring spindles sing

Around the woof which from his Baltic home

Shall charm the avenging Norman, to control

The shatter'd races into one calm whole.

Already here, the hueless lines along,52

Grows the red creed of the Arabian horde;

Already here, the arm'd Chivalric Wrong

Which made the cross the symbol of the sword,

Which thy worst idol, Rome, to Judah gave,

And worshipp'd Mars upon the Saviour's grave!

Already the wild Tartar in his tents,53

Dreamless of thrones—and the fierce Visigoth[6]

Who on Colombia's golden armaments

Shall loose the hell-hounds,—nurse the age-long growth

Of Desolation—as the noiseless skein

Clasps in its web, thy far descendants, Cain!

Already, in the hearts of sires remote54

In their rude Isle, the spell ordains the germ

Of what shall be a Name of wonder, wrought

From that fell feast which Glory gives the worm,

When Rome's dark bird shall shade with thunder wings

Calm brows that brood the doom of breathless kings![7]

Already, though the sad unheeded eyes55

Of Bards alone foresee, and none believe,

The lightning boarded from the farthest skies

Into the mesh the race-destroyers weave,

When o'er our marts shall graze a stranger's fold,

And the new Tarshish rot, as rots the old.

Yea, ever there, each spectre hand the birth56

Weaves of a war—until the angel-blast

(Peal'd from the tromp that knells the doom of earth)

Shall start the livid legions from their last;

And man, with arm uplifted still to slay,

Reel on some Alp that rolls in smoke away!

Fierce glared the dwarf upon the silent King,57

"There is the prize thy visions would achieve!

There, where the hush'd inexorable ring

Murder the myriads in the webs they weave,

Behind the curtains of Incarnate War,

Whose lightest tremour topples thrones afar,—

"Which ev'n the Valkyrs with their bloodless hands58

Dare never draw aside,—go seek the Shield!

Yet be what follows known!—yon kneeling bands

Whose camps were Andes, and whose battle-field

Left plains, now empires, rolling seas of gore,

Shall near the clang and heap to life once more.

"Roused from their task, revengeful shall arise59

The never-baffled 'Choosers of the Slain;'

The Fiend thy hand shall wake, unclose the eyes

That flash'd on heavenly hosts their storms again,

And thy soul wither in the mighty frown

Before whose night an earlier sun sunk down.

"The rocks shall close all path for flight save one,60

Where now the Troll-fiends wait to rend their prey,

And each malign and monster skeleton,

Reclothed with life as in the giant day

When yonder seas were valleys, scent thy gore,

And grin with fangs that gnash for food once more.

"Ho, dost thou shudder, pale one? Back and live."61

Thrice strove the King for speech, and thrice in vain;

For he was man, and till our souls survive

The instincts born of flesh, shall Horror reign

In that Unknown beyond the realms of Sense,

Where the soul's darkness seems the man's defence.

Yet as when through uncertain troublous cloud62

Breaks the sweet morning star, and from its home

Smiles lofty peace, so through the phantom crowd

Of fears the Eos of the world to come,

FAITH, look'd—revealing how earth-nourish'd are

The clouds, and how beyond their reach the star!

Mute on his knee, amidst the kneeling dead63

He sank—the dead the dreaming fiend revered,

And he, the living God! Then terror fled,

And all the king illumed the front he rear'd.

Firm to the couch on which the fiend reposed

He strode;—the curtains, murmuring, round him closed.

Now while this chanced, without the tortured rock64

Raged fierce the war between the rival might

Of beast and man; the dwarf king's ravenous flock

And Norway's warriors led by Cymri's knight.

For by the foot-prints through the snows explored,

On to the rock the bands had track'd their lord.

Repell'd, not conquer'd, back to crag and cave,65

Sullen and watchful still, the monsters go;

And solitude resettles on the wave,

But silence not; around, aloft, alow

Roar the couch'd beasts, and answering from the main,

Shrieks the shrill gull and booms the dismal crane.

And now the rock itself from every tomb66

Of its dead world within, sends voices forth,

Sounds direr far, than in its rayless gloom

Crash on the midnight of the farthest North.

From beasts our world hath lost, the strident yell,

The shout of giants and the laugh of hell.

Reels all the isle; and every ragged steep67

Hurls down an avalanche;—all the crater-cave

Glows into swarthy red, and fire-showers leap

From rended summits, hissing to the wave

Through its hard ice; or in huge crags, wide-sounding

Spring where they crash—on rushing and rebounding.

Dizzy and blind, the staggering Northmen fall68

On earth that rocks beneath them like a bark;

Loud and more loud the tumult swells with all

The Acheron of the discord. Swift and dark

From every cleft the smoke-clouds burst their way,

Rush through the void, and sweep from heaven the day.

Smitten beneath the pestilential blast69

And the great terror, senseless lay the band,

Till the arrested life, with throes at last,

Gasp'd back: and holy over sea and land

Silence and light reposed. They look'd above

And calm in calmèd air beheld the Dove!

And o'er their prostrate lord was poised the wing;70

And when they rush'd and reach'd him, shouting joy,

There came no answer from the corpse-like King;

And when his true knight raised him, heavily

Droop'd his pale front upon the faithful breast,

And the closed lids seem'd leaden in their rest.

And all his mail was dinted, hewn, and crush'd,71

And the bright falchion dim with foul dark gore;

And the strong pulse of the strong hand was hush'd;

Like a spent storm, that might, which seem'd before

Charged with the bolts of Jove, now from the sky

Drew breath more feeble than an infant's sigh.

And there was solemn change on that fair face,72

Nor, whatsoe'er the fear or scorn had been,

Did the past passion leave its haggard trace;

But on the rigid beauty awe was seen,

As one who on the Gorgon's aspect fell

Had gazed, and freezing, yet survived the spell!

Not by the chasm in which he left the day,73

But through a new-made gorge the fires had cleft,

As if with fires themselves were forced the way,

Had rush'd the King;—and sense and sinew left

The form that struggled till the strife was o'er:

So faints the swimmer when he gains the shore.

But on his arm was clasp'd the wondrous prize:74

Dimm'd, tarnish'd, grimed, and black with gore and smoke,

Still the pure metal, through each foul disguise,

Like starlight scatter'd on dark waters, broke;

Through gore, through smoke it shone—the silver Shield,

Clear as dawns Freedom from her battle-field!

Days follow'd days, ere from that speechless trance75

(Borne to green inlets isled amid the snows

Where led the Dove), the King's reviving glance

Look'd languid round on watchful, joyful brows;

Ev'n while he slept, new flowers the earth had given,

And on his heart brooded the bird of heaven!

But ne'er as voice and strength and sense return'd,76

To his good knight the strife that won the Shield

Did Arthur tell; deep in his soul inurn'd

(As in the grave its secret) nor reveal'd

To mortal ear that mystery which for ever

Flow'd through his thought, as through the cave a river;

Whether to Love, how true soe'er its faith, 77.

Whether to Wisdom, whatsoe'er its skill,

Till his last hour the struggle and the scath

Remain'd unutter'd and unutterable;

But aye, in solitude, in crowds, in strife,

In joy, that memory lived within his life:

It made not sadness, though the calm, grave smile78

Never regain'd the flash that youth had given,—

But as some shadow from a sacred pile

Darkens the earth from shrines that speak of heaven,

That gloom the grandeur of religion wore,

And seem'd to hallow all it rested o'er.

Such Freedom is, O Slave, that would be free!79

Never her real struggles into life

Hath History told! As it hath been shall be

The Apocalypse of Nations; nursed in strife

Not with the present, nor with living foes,

But where the centuries shroud their long repose.

Out from the graves of earth's primæval bones,80

The shield of empire, patient Force must win:

What made the Briton free? not crashing thrones

Nor parchment laws. The charter must begin

In Scythian tents, the steel of Nomad spears;

To date the freedom, count three thousand years!

Neither is Freedom mirth! Be free, O slave,81

And dance no more beneath the lazy palm.

Freedom's mild brow with noble care is grave,

Her bliss is solemn as her strength is calm;

And thought mature each childlike sport debars

The forms erect whose look is on the stars.

Now as the King revived, along the seas82

Flow'd back, enlarged to life, the lapsing waters;

Kiss'd from their slumber by the loving breeze,

Glide, in light dance, the Ocean's silver daughters—

And blithe and hopeful o'er the sunny strands,

Listing the long-lost billow, rove the bands.

At length, O sight of joy!—the gleam of sails83

Bursts on the solitude! more near and near

Come the white playmates of the buxom gales.—

The whistling cords, the sounds of man, they hear.

Shout answers shout;—light sparkles round the oar—

And from the barks the boat skims on to shore.

It was a race from Rugen's friendly soil,84

Leagued by old ties with Cymri's land and king,

Who, with the spring-time, to their wonted spoil

Of seals and furs had spread the canvas wing

To bournes their fathers never yet had known;—

And found, amazed, hearts bolder than their own.

Soon to the barks the Cymrian and their bands85

Are borne: Bright-hair'd, above the gazing crews,

Lone on the loftiest deck, the leader stands,

To whom the King (his rank made known) renews

All that his tale of mortal hope and fear

Vouchsafes from truth to thrill a mortal's ear;

And from the barks whose sails the chief obey,86

Craves one to waft where yet the fates may guide.—

With rugged wonder in his large survey,

That calm grand brow the son of Ægir[8] eyed,

And seem'd in awe, as of a god, to scan

Him who so moved his homage, yet was man.

Smoothing his voice, rough with accustom'd swell87

Above the storms, and the wild roar of war,

The Northman answer'd, "Skalds in winter tell

Of the dire dwarf who guards the Shield of Thor,

For one whose race, with Odin's blent, shall be,

Lords of the only realm which suits the Free,

"Ocean!—I greet thee, and this strong right hand88

Place in thine own to pledge myself thy man.

Choose as thou wilt for thee and for thy band,

Amongst the sea-steeds in the stalls of Ran.

Need'st thou our arms against the Saxon foe?

Our flag shall fly where'er thy trumpets blow!"

"Men to be free must free themselves," the King89

Replied, proud-smiling. "Every father-land

Spurns from its breast the recreant sons that cling

For hope to standards winds not theirs have fann'd.

Thankful through thee our foe we reach;—and then

Cymri hath steel eno' for Cymrian men!"

While these converse, Sir Gawaine, with his hound,90

Lured by a fragrant and delightsome smell

From roasts—not meant for Freya,—makes his round,

Shakes hands with all, and hopes their wives are well.

From spit to spit with easy grace he walks,

And chines astounded vanish while he talks.

At earliest morn the bark to bear the King,91

His sage discernment delicately stores,

Rejects the blubber and disdains the ling

For hams of rein-deers and for heads of boars,

Connives at seal, to satisfy his men,

But childless leaves each loud-lamenting hen.

And now the bark the Cymrian prince ascends,92

The large oars chiming to the chanting crew,

(His leal Norwegian band) the new-found friends

From brazen trumpets blare their loud adieu.

Forth bounds the ship, and Gawaine, while it quickens,

The wind propitiates—with three virgin chickens.

Led by the Dove, more brightly day by day,93

The vernal azure deepens in the sky;

Far from the Polar threshold smiles the way—

And lo, white Albion shimmers on the eye,

Nurse of all nations, who to breasts severe

Takes the rude children, the calm men to rear.

Doubt and amaze with joy perplex the King:94

Not yet the task achieved, the mission done,

Why homeward steers the angel pilot's wing?

Of the three labours rests the crowning one;

Unreach'd the Iron Gates—Death's sullen hold—

Where waits the Child-guide with the locks of gold.

Yet still the Dove cleaves homeward through the air;95

Glides o'er the entrance of an inland stream;

And rests at last on bowers of foliage, where

Thick forests close their ramparts on the beam,

And clasp with dipping boughs a grassy creek,

Whose marge slopes level with the brazen beak.

Around his neck the shield the Adventurer slung;96

And girt the enchanted sword. Then, kneeling, said

The young Ulysses of the golden tongue,

"Not now to phantom foes the dove hath led:

For, if I err not, this a Mercian haven,

And from the dove peeps forth at last the raven!

"Not lone, nor reckless, in these glooms profound,97

Tempt the sure ambush of some Saxon host;

If out of sight, at least in reach of sound,

Let our stout Northmen follow up the coast;

Then if thou wilt, from each suspicious tree

Shake laurels down, but share them, Sire, with me!"

"Nay," answer'd Arthur, "ever, as before,98

Alone the Pilgrim to his bourne must go;

But range the men conceal'd along the shore;

Set watch, from these green turrets, for the foe;

Moor'd to the marge where broadest hangs the bough,

Hide from the sun the glitter of the prow:—

And so farewell!" He said; to land he leapt;99

And with dull murmur from its verdant waves,

O'er his high crest the billowy forest swept.

As towards some fitful light the swimmer cleaves

His stalwart way,—so through the woven shades

Where the pale wing now glimmers and now fades.

With strong hand parting the tough branches, goes100

Hour after hour the King; till light at last

From skies long hid, in ambient silver flows

Through opening glades, the length of gloom is past,

And the dark pines receding stand around

A silent hill with antique ruins crown'd.

Day had long closed; and from the mournful deeps101

Of old volcanoes spent, the livid moon

Which through the life of planets lifeless creeps

Her ghostly way, deaf to the choral tune

Of spheres rejoicing, on those ruins old

Look'd down, herself a ruin,—hush'd and cold.

Mutely the granite wrecks the King survey'd,102

And knew the work of hands Cimmerian,

What time in starry robes, and awe array'd,

Grey Druids spoke the oracles of man—

Solving high riddles to Chaldean Mage,

Or the young wonder of the Samian Sage.

A date remounting far beyond the day103

When Roman legions met the scythèd cars,

When purer founts sublime had lapsed away

Through the deep rents of unrecorded wars,

And bloodstain'd altars cursed the mountain sod,[9]

Where the first faith had hail'd the Only God.

For all now left us of the parent Celt,104

Is of that later and corrupter time,—

Not in rude domeless fanes those Fathers knelt,

Who lured the Brahman from his burning clime,

Who charm'd lost science from each lone abyss,

And wing'd the shaft of Scythian Abaris.[10]

Yea, the grandsires of our primæval race105

Saw angel tracks the earlier earth upon,

And as a rising sun, the morning face

Of Truth more near the flush'd horizon shone;

Filling ev'n clouds with many a golden light,

Lost when the orb is at the noonday height.

Through the large ruins (now no more), the last106

Perchance on earth of those diviner sires,

With noiseless step the lone descendant pass'd;

Not there were seen BÂL-HUAN'S amber pyres;

No circling shafts with barbarous fragments strewn,

Spoke creeds of carnage to the spectral moon.

But Art, vast, simple, and sublime, was there107

Ev'n in its mournful wrecks,—such Art foregone

As the first Builders, when their grand despair

Left Shinar's tower and city half undone,

Taught where they wander'd o'er the newborn world.—

Column, and vault, and roof, in ruin hurl'd,

Still spoke of hands that founded Babylon!108

So in the wrecks, the Lord of young Romance

By fallen pillars laid him musing down.

More large and large the moving shades advance,

Blending in one dim silence sad and wan

The past, the present, ruin and the man.

Now, o'er his lids life's gentlest influence stole,109

Life's gentlest influence, yet the likest death!

That nightly proof how little needs the soul

Light from the sense, or being from the breath,

When all life knows a life unknown supplies,

And airy worlds around a Spirit rise.

Still through the hazy mist of stealing sleep,110

His eyes explore the watchful guardian's wing,

There, where it broods upon the moss-grown heap,

With plumes that all the stars are silvering.

Slow close the lids—reopening with a start

As shoots a nameless terror through his heart.

That strange wild awe which haunted Childhood thrills,111

When waking at the dead of Dark, alone,

A sense of sudden solitude which chills

The blood;—a shrinking as from shapes unknown;

An instinct both of some protection fled,

And of the coming of some ghastly dread.

He look'd, and lo, the Dove was seen no more,112

Lone lay the lifeless wrecks beneath the moon,

And the one loss gave all that seem'd before

Desolate,—twofold desolation!

How slight a thing, whose love our trust has been,

Alters the world, when it no more is seen!

He strove to speak, but voice was gone from him.113

As in that loss new might the terror took,

His veins congeal'd; and, interfused and dim,

Shadow and moonlight swam before his look;

Bristled his hair; and all the strong dismay

Seized as an eagle when it grasps its prey.

Senses and soul confused, and jarr'd, and blent,114

Lay crush'd beneath the intolerable Power;

Then over all, one flash, in lightning, rent

The veil between the Immortal and the Hour;

Life heard the voice of unembodied breath,

And Sleep stood trembling face to face with Death.

BOOK XI.

ARGUMENT.

The Siege of Carduel—The Saxon forces—Stanzas relative to Ludovick the Vandal, in explanation of the failure of his promised aid, and in description of the events in Vandal-land—The preparations of the Saxon host for the final assault on the City, under cover of the approaching night—The state of Carduel—Discord—Despondence—Famine—The apparent impossibility to resist the coming Enemy—Dialogue between Caradoc and Merlin—Caradoc hears his sentence, and is resigned—He takes his harp and descends into the town—The progress of Song; in its effects upon the multitude—Caradoc's address to the people he has roused, and the rush to the Council Hall—Meanwhile the Saxons reach the walls——The burst of the Cymrians—The Saxons retire into the plain between the Camp and the City, and there take their stand—The battle described—The single combat between Lancelot and Harold—Crida leads on his reserve; the Cymrians take alarm and waver—The prediction invented by the noble devotion of Caradoc—His fate—The enthusiasm of the Cymrians, and the retreat of the enemy to their Camp—The first entrance of a Happy Soul into Heaven—The Ghost that appears to Arthur, and leads him through the Cimmerian tomb to the Realm of Death—The sense of time and space are annihilated—Death, the Phantasmal Everywhere—Its brevity and nothingness—The condition of soul is life, whether here or hereafter—Fate and Nature identical—Arthur accosted by his Guardian Angel—After the address of that Angel (which represents what we call Conscience), Arthur loses his former fear both of the realm and the Phantom—He addresses the Ghost, which vanishes without reply to his question—The last boon—The destined Soother—Arthur recovering, as from a trance, sees the Maiden of the Tomb—Her description—The Dove is beheld no more—Strange resemblance between the Maiden and the Dove—Arthur is led to his ship, and sails at once for Carduel—He arrives on the Cymrian territory, and lands with Gawaine and the Maiden, near Carduel, amidst the ruins of a hamlet devastated by the Saxons—He seeks a Convent, of which only one tower, built by the Romans, remains—From the hill-top he surveys the walls of Carduel and the Saxon encampment—The appearance of the holy Abbess, who recognizes the King, and conducts him and his companions to the subterranean grottos built by the Romans for a summer retreat—He leaves the Maiden to the care of the Abbess, and concerts with Gawaine the scheme for attack on the Saxons—The Virgin is conducted to the cell of the Abbess—Her thoughts and recollections, which explain her history—Her resolution—She attempts to escape—Meets the Abbess, who hangs the Cross round her neck, and blesses her—She departs to the Saxon Camp.

King Crida's hosts are storming Carduel!1

From vale to mount one world of armour shines,

Round castled piles for which the forest fell,

Spreads the white war-town of the Teuton lines;

To countless clarions countless standards swell;

King Crida's hosts axe storming Carduel!

There, all its floods the Saxon deluge pours;2

All the fierce tribes; from those whose fathers first,

With their red seaxes from the southward shores,

Carved realms for Hengist,—to the bands that burst

Along the Humber, on the idle wall

Rome built for manhood rotted by her thrall.

There, wild allies from many a kindred race,3

In Cymrian lands hail Teuton thrones to be:

Dark Jutland wails her absent populace,—

And large-limb'd sons, his waves no more shall see,

Leave Danube desolate! afar they roam

Where halts the Raven there to find a home!

But wherefore fail the Vandal's promised bands?4

Well said the Greek, "Not till his latest hour

Deem man secure from Fortune;" in our hands

We clutch the sunbeam when we grasp at power;—

No strength detains the unsubstantial prize,

The light escapes us as the moment flies.

And monarchs envied Ludovick the Great!5

And wisdom's seers his wiles did wisdom call,

And Force stood sentry at his castle gate,

And Mammon soothed the murmurers in the hall;

For Freedom's forms disguised the despot's thought—

He ruled by synods—and the synods bought!

Yet empires rest not or on gold or steel;6

The old in habit strike the gnarlèd root;

But vigorous faith—the young fresh sap of zeal,

Must make the life-blood of the planted shoot—

And new-born states, like new religions, need

Not the dull code, but the impassion'd creed.

Give but a cause, a child may be a chief!7

What cause to hosts can Ludovick supply?

Swift flies the Element of Power, Belief,

From all foundations hollow'd to a lie.

One morn, a riot in the streets arose,

And left the Vandal crownless at the close.

A plump of spears the riot could have crush'd!8

"Defend the throne, my spearmen!" cried the king.

The spearmen arm'd, and forth the spearmen rush'd,

When, woe! they took to reason on the thing!

And then conviction smote them on the spot,

That for that throne they did not care a jot.

With scuff and scum, with urchins loosed from school,9

Thieves, gleemen, jugglers, beggars, swell'd the riot;

While, like the gods of Epicurus, cool

On crowd and crown the spearmen look'd in quiet,

Till all its heads that Hydra call'd "The Many,"

Stretch'd hissing forth without a stroke at any.

At first Astutio, wrong but very wise,10

Disdain'd the Hydra as a fabled creature,

The vague invention of a Poet's lies,

Unknown to Pliny and the laws of Nature—

Nor till the fact was past philosophizing,

Saith he, "That's Hydra, there is no disguising!

"A Hydra, Sire, a Hercules demands;11

So if not Hercules, assume his vizard."

The advice is good—the Vandal wrings his hands,

Kicks out the Sage—and rushes to a wizard.

The wizard waves his wand—disarms the sentry

And (wondrous man) enchants the mob—with entry.

Thus fell, though no man touch'd him, Ludovick,12

Tripp'd by the slide of his own slippery feet.

The crown cajoled from Fortune by a trick,

Fortune, in turn, outcheated from the cheat;

Clapp'd her sly cap the glittering bauble on,

Cried "Presto!"—raised it—and the gaud was gone.

Ev'n at the last, to self and nature true,13

No royal heart the breath of danger woke;

To mean disguise habitual instinct flew,

And the king vanish'd in a craftsman's cloak.

While his brave princes scampering for their lives,

Relictis parmulis—forgot their wives!

King Mob succeeding to the vacant throne,14

Chose for his ministers some wild Chaldeans,—

Who told the sun to close the day at noon,

Nor sweat to death his betters the plebeians;

And bade the earth, unvex'd by plough and spade,

Bring forth its wheat in quarterns ready made.

The sun refused the astronomic fiat;15

The earth declined to bake the corn it grew;

King Mob then order'd that a second riot

Should teach Creation what it had to do.

"The sun shines on, the earth demands the tillage—

Down Time and Nature, and hurrah for pillage!"

Then rise en masse the burghers of the town;16

Each patriot breast the fires of Brutus fill;

Gentle as lambs when riot reach'd the crown,

They raged like lions when it touch'd the till.

Rush'd all who boasted of a shop to rob,

And stout King Money soon dethroned King Mob.

This done, much scandalised to note the fact17

That o'er the short tyrannic rise the tall,

The middle-sized a penal law enact

That henceforth height must be the same in all;

For being each born equal with the other,

What greater crime than to outgrow your brother?

Poor Vandals, do the towers, when foes assail,18

So idly soar above the level wall?

Harmonious Order needs its music-scale;

The Equal were the discord of the All.

Let the wave undulate, the mountain rise;

Nor ask from Law what Nature's self denies.

O vagrant Muse, deserting all too long,19

Freedom's grand war for frenzy's goblin dream,

The hour runs on, and redemands from song,

And from our Father-land the mighty theme.

The Pale Horse rushes and the trumpets swell,

King Crida's hosts are storming Carduel!

Within the inmost fort by pine trees made,20

The hardy women kneel to warrior gods.

For where the Saxon armaments invade,

All life abandons their resign'd abodes.

The tents they pitch the all they prize contain;

And each new march is for a new domain.

To the stern gods the fair-hair'd women kneel,21

As slow to rest the red sun glides along;

And near and far, hammers, and clanking steel,

Neighs from impatient barbs, and runic song

Mutter'd o'er mystic fires by wizard priests,

Invite the Valkyrs to the raven feasts.

For after nine long moons of siege and storm,22

Thy hold, Pendragon, trembles to its fall!

Loftier the Roman tower uprears its form,

From the crush'd bastion and the shatter'd wall.

And but till night those iron floods delay

Their rush of thunder:—Blood-red sinks the day.

Death halts to strike, and swift the moment flies:23

Within the walls (than all without more fell),

Discord with Babel tongues confounds the wise,

And spectral Panic, like a form of hell

Chased by a Fury, fleets,—or, stone-like, stands

Dull-eyed Despondence, palsying nerveless hands.

And Pride, that evil angel of the Celt,24

Whispers to all "'tis servile to obey,"

Robs order'd Union of its starry belt,

Rends chief from chief and tribe from tribe away,

And leaves the children wrangling for command

Round the wild death-throes of the Father-land.

In breadless marts, the ill-persuading fiend25

Famine, stalks maddening with her wolfish stare;

And hearts, on whose stout anchors Faith had lean'd,

Bound at her look to treason from despair,

Shouting, "Why shrink we from the Saxon's thrall?

Is slavery worse than Famine smiting all?"

Thus, in the absence of the sunlike king,26

All phantoms stalk abroad; dissolve and droop

Light and the life of nations—while the wing

Of Carnage halts but for its rushing swoop.

Some moan, some rave, some laze the hours away;—

And down from Carduel blood-red sunk the day!

Leaning against a broken parapet27

Alone with Thought, mused Caradoc the Bard,

When a voice smote him, and he turn'd and met

A gaze prophetic in its sad regard.

Beside him, solemn with his hundred years,

Stood the arch hierarch of the Cymrian seers.

"Dost thou remember," said the Sage, "that hour28

When seeking signs to Glory's distant way,

Thou heard'st the night bird in her leafy bower,

Singing sweet death-chaunts to her shining prey,

While thy young poet-heart, with ravish'd breath,

Hung on the music, nor divined the death?"[1]

"Ay," the bard answer'd, "and ev'n now methought29

I heard again the ambrosial melody!"

"So," sigh'd the Prophet, "to the bard, unsought,

Come the far whispers of Futurity!

Like his own harp, his soul a wind can thrill,

And the chord murmur, though the hand be still.

"Wilt thou for ever, even from the tomb,30

Live, yet a music, in the hearts of all;

Arise and save thy country from its doom;

Arise, Immortal, at the angel's call!

The hour shall give thee all thy life implor'd,

And make the lyre more glorious than the sword.

"In vain through yon dull stupor of despair31

Sound Geraint's tromp and Owaine's battle cry;

In vain where yon rude clamour storms the air,

The Council Chiefs stem madd'ning mutiny;

From Trystan's mail the lion heart is gone,

And on the breach stands Lancelot alone!

"Drivelling the wise, and impotent the strong;32

Fast into night the life of Freedom dies;

Awake, Light-Bringer, wake bright soul of song,

Kindler, reviver, re-creator rise!

Crown thy great mission with thy parting breath,

And teach to hosts the Bard's disdain of death!"

Thrill'd at that voice the soul of Caradoc;33

He heard, and knew his glory and his doom.

As when in summer's noon the lightning shock

Smites some fair elm in all its pomp of bloom,

'Mid whose green boughs each vernal breeze had play'd,

And air's sweet race melodious homes had made;

So that young life bow'd sad beneath the stroke34

That sear'd the Fresh and still'd the Musical,

Yet on the sadness Thought sublimely broke:

Holy the tree on which the bolt doth fall!

Wild flowers shall spring the sacred roots around,

And nightly fairies tread the haunted ground;

There, age by age, shall youth with musing brow,35

Hear Legend murmuring of the days of yore;

There, virgin love more lasting deem the vow

Breathed in the shade of branches green no more;

And kind Religion keep the grand decay

Still on the earth while forests pass away.

"So be it, O voice from Heaven," the Bard replied,36

"Some grateful tears may yet embalm my name,

Ever for human love my youth hath sigh'd

And human love's divinest form is fame.

Is the dream erring? shall the song remain?

Say, can one Poet ever live in vain?"

As the warm south on some unfathom'd sea,37

Along the Magian's soul, the awful rest

Stirr'd with the soft emotion: tenderly

He laid his hand upon the brows he blest,

And said, "Complete beneath a brighter sun

That course, The Beautiful, which life begun.

"Joyous and light, and fetterless through all38

The blissful, infinite, empyreal space,

If then thy spirit stoopeth to recall

The ray it shed upon the human race,

See where the ray had kindled from the dearth,

Seeds that shall glad the garners of the earth!

"Never true Poet lived and sung in vain!39

Lost if his name, and wither'd if his wreath,

The thoughts he woke—an element remain

Fused in our light and blended with our breath;

All life more noble, and all earth more fair.

Because that soul refined man's common air!"[2]

Then rose the Bard, and smilingly unslung40

His harp of ivory sheen, from shoulders broad,

Kissing the hand that doom'd his life, he sprung

Light from the shatter'd wall,—and swiftly strode

Where, herdlike huddled in the central space,

Droop'd, in dull pause, the cowering populace.

There, in the midst he stood! The heavens were pale41

With the first stars, unseen amidst the glare

Cast from large pine-brands on the sullen mail

Of listless legions and the streaming hair

Of women, wailing for the absent dead,

Or bow'd o'er infant lips that moan'd for bread.

From out the illumed cathedral hollowly42

Swell'd, like a dirge, the hymn; and through the throng

Whose looks had lost all commerce with the sky,

With lifted rood the slow monks swept along,

And vanish'd hopeless; From those wrecks of man

Fled ev'n Religion: Then the BARD began.

Slow, pitying, soft it glides, the liquid lay,43

Sad with the burthen of the Singer's soul

Into the heart it coil'd its lulling way;

Wave upon wave the golden river stole:

Hush'd to his feet forgetful Famine crept,

And Woe, reviving, veil'd the eyes that wept.

Then stern, and harsh, clash'd the ascending strain,44

Telling of ills more dismal yet in store;

Rough with the iron of the grinding chain,

Dire with the curse of slavery evermore;

Wild shrieks from lips belov'd pale warriors hear,

Her child's last death-groan rends the mother's ear;

Then trembling hands instinctive griped the swords;45

And men unquiet sought each other's eyes;

Loud into pomp sonorous swell the chords,

Like linkèd legions march the melodies;

Till the full rapture swept the Bard along,

And o'er the listeners rush'd the storm of song!

And the Dead spoke! from cairns and kingly graves46

The Heroes call'd;—and Saints from earliest shrines;

And the Land spoke!—Mellifluous river-waves;

Dim forests awful with the roar of pines;

Mysterious caves from legion-haunted deeps;

And torrents flashing from untrodden steeps;—

THE LAND OF FREEDOM call'd upon the Free!47

All Nature spoke; the clarions of the wind;

The organ swell of the majestic sea;

The choral stars! the Universal Mind

Spoke, like the voice from which the world began,

"No chain for Nature and the Soul of Man!"

Then loud through all, as if mankind's reply,48

Burst from the Bard the Cymrian battle hymn!

That song which swell'd the anthems of the sky,

The Alleluia of the Seraphim;

When Saints led on the Children of the Lord,

And smote the Heathen with the Angel's sword.[3]

As leaps the warfire on the beacon hills,49

Leapt in each heart the lofty flame divine;

As into sunlight flash the molten rills,

Flash'd the glad claymores,[4] lightening line on line;

From cloud to cloud as thunder speeds along,

From rank to rank rush'd forth the choral song.—

Woman and child—all caught the fire of men,50

To its own heaven that Alleluia rang,

Life to the spectres had return'd again;

And from the grave an armèd Nation sprang!

Then spoke the Bard,—each crest its plumage bow'd,

As the large voice went lengthening through the crowd

"Hark to the measur'd march!—The Saxons come!51

The sound earth quails beneath the hollow tread;

Your fathers rush'd upon the swords of Rome

And climb'd her war-ships, when the Cæsar fled!

The Saxons come! why wait within the wall?

They scale the mountain—let its torrents fall!

"Mark, ye have swords, and shields, and armour, YE!52

No mail defends the Cymrian Child of Song,[5]

But where the warrior—there the Bard shall be!

All fields of glory to the Bard belong!

His realm extends wherever godlike strife

Spurns the base death, and wins immortal life.

"Unarm'd he goes—his guard the shields of all,53

Where he bounds foremost on the Saxon spear!

Unarm'd he goes, that, falling, ev'n his fall

Shall bring no shame, and shall bequeath no fear!

Does his song cease?—avenge it by the deed,

And make his sepulchre—a nation freed!"

He said, and where the chieftains wrangling sate,54

Led the grand army marshall'd by his song,

Into the hall—and on the wild debate,

King of all kings, A PEOPLE, pour'd along;

And from the heart of man—the trumpet cry

Smote faction down, "Arms, arms, and Liberty!"—

Meanwhile roll'd on the Saxon's long array;55

On to the wall the surge of slaughter roll'd;

Slow up the mount—slow heaved its labouring way;

The moonlight rested on the domes of gold;

No warder peals alarum from the Keep,

And Death comes mute, as on the realm of Sleep;

When, as their ladders touch'd the ruin'd wall,56

And to the van, high-towering, Harold strode,

Sudden expand the brazen gates, and all

The awful arch as with the lava glow'd;

Torch upon torch the deathful sweep illumes,

The burst of armour and the flash of plumes!

Rings Owaine's shout;—rings Geraint's thunder-cry,57

The Saxon's death-knell in a hundred wars;

And Cador's laugh of triumph;—through the sky

Rush tossing banderolls swift as shooting stars,

Trystan's white lion—Lancelot's cross of red,

And Tudor's[6] standard with the Saxon's head.

And high o'er all, its scalèd splendour rears58

The vengeful emblem of the Dragon Kings.

Full on the Saxon bursts the storm of spears;

Far down the vale the charging whirlwind rings,

While through the ranks its barbèd knightood clave,

All Carduel follows with its roaring wave.

And ever in the van, with robes of white59

And ivory harp, shone swordless Caradoc!

And ever floated in melodious might,

The clear song buoyant o'er the battle shock;

Calm as an eagle when the Olympian King

Sends the red bolt upon the tranquil wing.

Borne back, and wedged within the ponderous weight60

Of their own jarr'd and multitudinous crowd,

Recoil'd the Saxons! As adown the height

Of some grey mountain, rolls the cloven cloud,

Smit by the shafts of the resistless day,—

Down to the vale sunk dun the rent array.

Midway between the camp and Carduel,61

Halting their slow retreat, the Saxons stood:

There, as the wall-like ocean ere it fell

On Ægypt's chariots, gather'd up the flood;

There, in suspended deluge, solid rose,

And hung expectant o'er the hurrying foes!

Right in the centre, rampired round with shields,62

King Crida stood,—o'er him, its livid mane

The horse whose pasture is the Valkyr's fields

Flung wide;—but, foremost through the javelin-rain,

Blazed Harold's helm, as when, through all the stars

Distinct, pale soothsayers see the dooming Mars.

Down dazzling sweeps the Cymrian Chivalry;63

Round the bright sweep closes the Saxon wall;

Snatch'd from the glimmer of the funeral sky,

Raves the blind murder; and enclasp'd with all

Its own stern hell, against the iron bar

Pants the fierce heart of the imprison'd War.

Only by gleaming banners and the flash64

Of some large sword, the vex'd Obscure once more

Sparkled to light. In one tumultous clash

Merg'd every sound—as when the maëlstrom's roar

By dire Lofoden, dulls the seaman's groan,

And drowns the voice of tempests in its own.

The Cymrian ranks,—disparted from their van,65

And their hemm'd horsemen,—stubborn, but in vain,

Press through the levell'd spears; yet, man by man,

And shield to shield close-serried, they sustain

The sleeting hail against them hurtling sent,

From every cloud in that dread armament.

But now, at length, cleaving the solid clang,66

And o'er the dead men in their frowning sleep,

The rallying shouts of chiefs confronted rang,—

"Thor and Walhalla!"—answer'd swift and deep

By "Alleluia!" and thy chanted cry,

Young Bard sublime, "For Christ and Liberty!"

Then the ranks open'd, and the midnight moon67

Stream'd where the battle, like the scornful main,

Ebb'd from the dismal wrecks its wrath had strewn.

Paused either host;—lo, in the central plain

Two chiefs had met, and in that breathless pause,

Each to its champion left a Nation's cause.

Now, Heaven defend thee, noble Lancelot!68

For never yet such danger thee befel,

Though loftier deeds than thine emblazon not

The peerless Twelve of golden Carduel,

Though oft thy breast hath singly stemm'd a field,—

As when thy claymore clang'd on Harold's shield!

And Lancelot knew not his majestic foe,69

Save by his deeds; by Cador's cloven crest;

By Modred's corpse; by rills of blood below,

And shrinking helms above;—when from the rest,

Spurring,—the steel of his uplifted brand

Drew down the lightning of that red right hand.

Full on the Saxon's shield the sword descends;70

The strong shield clattering shivers at the stroke,

And the bright crest with all its plumage bends

As to the blast with all its boughs an oak:

As from the blast an oak with all its boughs,

Retowering slow, the crest sublime arose.

Grasp'd with both hands, above the Cymrian swung71

The axe that Odin taught his sons to wield,

Thrice through the air the circling iron sung,

Then crash'd resounding:—horse and horseman recl'd,

Though slant from sword and casque the weapon shore,

Down sword and casque the weight resistless bore.

The bright plume mingles with the charger's mane;72

Light leaves the heaven, and sense forsakes the breath;

Aloft the axe impatient whirrs again,—

The steed wild-snorting bounds and foils the death;

While on its neck the reins unheeded flow,

It shames and saves its Lord, and flies the foe.

"Lo, Saxons, lo, what chiefs these Walloons[7] lead!"73

Laugh'd hollow from his helm the scornful Thane.

Then towards the Christian knights he spurr'd his steed,

When midway in his rush—rushes again

The foe that rallied while he seem'd to fly,

As wheels the falcon ere it swoops from high;—

And as the falcon, while its talons dart74

Into the crane's broad bosom, splits its own

On the sharp beak, and, clinging heart to heart,

Both in one plumage blent, spin whirling down,—

So in that shock each found, and dealt the blow;

Horse roll'd on horse, fell grappling foe on foe.

First to his feet the slighter Cymrian leapt,75

And on the Saxon's breast set firm his knee;

Then o'er the heathen host a shudder crept,

Rose all their voices,—wild and wailingly;

"Woe, Harold, woe!" as from one bosom came,

The groan of thousands, and the mighty name.

The Cymrian starts, and stays his lifted hand,76

For at that name from Harold's vizor shone

Genevra's eyes! Back in its sheath the brand

He plunged:—sprang Harold—and the foe was gone,—

Lost where the Saxons rush'd along the plain,

To save the living or avenge the slain.

Spurr'd to the rescue every Cymrian knight,77

Again confused, the onslaught raged on high;

Again the war-shout swell'd above the fight,

Again the chant "for Christ and Liberty,"

When with fresh hosts unbreath'd, the Saxon king

Forth from the wall of shields leapt thundering.

Behind the chief the dreadful gonfanon78

Spread;—the Pale Horse went rushing down the wind.—

"On where the Valkyrs point to Carduel, on!

On o'er the corpses to the wolf consign'd!

On, that the Pale Horse, ere the night be o'er

Stall'd in yon tower, may rest his hoofs of gore!"

Thus spoke the king, and all his hosts replied;79

Fill'd by his word and kindled by his look—

(For helmless with his grey hair streaming wide,

He strided through the spears)—the mountains shook—

Shook the dim city—as that answer rang!

The fierce shout chiming to the buckler's clang!

Aghast, the Cymrians see, like Titan sons80

New-born from earth,—leap forth the sudden bands:

As when the wind's invisible tremour runs

Through corn-sheaves ripening for the reaper's hands,

The glittering tumult undulating flows,

And the field quivers where the panic goes.

The Cymrians waver—shrink—recoil—give way,81

Strike with weak hands amazed; half turn to flee;

In vain with knightly charge the chiefs delay

The hostile mass that rolls resistlessly,

And the pale hoofs for aye had trampled down

The Cymrian freedom and the Dragon Crown,

But for that arch preserver, under heaven,82

Of names and states, the Bard! the hour was come

To prove the ends for which the lyre was given:—

Each thought divine demands its martyrdom.

"Where round the central standard rallying flock

The Dragon Chiefs—paused and spoke Caradoc!

"Ye Cymrian men!" Hush'd at the calm sweet sound,83

Droop'd the wild murmur, bow'd the loftiest crest,

Meekly the haughty paladins group'd round

The swordless hero with the mailless breast,

Whose front, serene amid the spears, had taught

To humbled Force the chivalry of Thought.

"Ye Cymrian men—from Heus the Guardian's tomb84

I speak the oracular promise of the Past.

Fear not the Saxon! Till the judgment doom

Free on their hills the Dragon race shall last,

If from you heathen, ye this night can save

One spot not wider than a single grave.

"For thus the antique prophecy decrees,—85

'When where the Pale Horse crushes down the dead,

War's sons shall see the lonely child of peace

Grasp at the mane to fall beneath the tread—

There, where he falleth let his dust remain,

There, bid the Dragon rest above the slain;

"'There, let the steel-clad living watch the clay,86

Till on that spot their swords the grave have made,

And the Pale Horse shall melt in cloud away,

No stranger's step the sacred mound invade:

A people's life that single death shall save,

And all the land be hallow'd by a grave.'

"So be the Guardian's prophecy fulfill'd,87

Advance the Dragon, for the grave is mine."

He ceased: while yet the silver accents thrill'd

Each mailèd bosom down the listening line,

Bounded his steed, and like an arrow went

His plume, swift glancing through the armament.

On through the tempest went it glimmering,88

On through the rushing barbs and levell'd spears;

On where, far streaming o'er the Teuton king,

Its horrent pomp the ghastly standard rears.

On rush'd to rescue all to whom his breath

Left what saves Nations,—the disdain of death!

Alike the loftiest knight and meanest man,89

All the roused host, but now so panic-chill'd,

All Cymri once more as one Cymrian,

With the last light of that grand spirit fill'd,

Through rank on rank, mow'd down, down trampled, sped,

And reach'd the standard—to defend the dead.

Wrench'd from the heathen's hand, one moment bow'd90

In the bright Christian's grasp the gonfanon;

Then from a dumb amaze the countless crowd

Swept,—and the night as with a sudden sun

Flash'd with avenging steel; life gain'd its goal,

And calm from lips proud-smiling went the soul!

Leapt from his selle, the king-born Lancelot;91

Leapt from the selle each paladin and knight;

In one mute sign that where upon that spot

The foot was planted, God forbade the flight:

There shall the Father-land avenge the son,

Or heap all Cymri round the grave of one.

Then, well-nigh side by side—broad floated forth92

The Cymrian Dragon and the Teuton Steed,

The rival Powers that struggle for the North;

The gory Idol—the chivalric Creed;

Odin's and Christ's confronting flags unfurl'd,

As which should save and which destroy a world!

Then fought those Cymrian men, as if on each93

All Cymri set its last undaunted hope;

Through the steel bulwarks round them yawns the breach;

Vistas to freedom bright'ning onwards ope;

Crida in vain leads band on slaughter'd band,

In vain revived falls Harold's ruthless hand;

As on the bull the pard will fearless bound,94

But if the horn that meets the spring should gore,

Awed with fierce pain, slinks snarling from the ground;—

So baffled in their midmost rush, before

The abrupt assault, the savage hosts give way;—

Yet will not own that man could thus dismay.

"Some God more mighty than Walhalla's king,95

Strikes in yon arms"—the sullen murmurs run,

And fast and faster drives the Dragon wing—

And shrinks and cowers the ghastly gonfanon;

They flag—they falter—lo, the Saxons fly!—

Lone rests the Dragon in the dawning sky!

Lone rests the Dragon with its wings outspread,96

Where the pale hoofs one holy ground had trod,

There the hush'd victors round the martyr'd dead,

As round an altar, lift their hearts to God.

Calm is that brow as when a host it braved,

And smiles that lip as on the land it saved!

Pardon, ye shrouded and mysterious Powers,97

Ye far-off shadows from the spirit-clime,

If for that realm untrodden by the Hours,

Awhile we leave this lazar-house of Time;

With Song remounting to those native airs

Of which, though exiled, still we are the heirs.

Up from the clay and towards the Seraphim,98

The Immortal, men called Caradoc, arose.

Round the freed captive whose melodious hymn

Had hail'd each glimmer earth, the dungeon, knows,

Spread all the aisles by angel worship trod;

Blazed every altar, conscious of the God.

All the illumed creation one calm shrine;99

All space one rapt adoring ecstasy;

All the sweet stars with their untroubled shine,

Near and more near, enlarging through the sky;

All opening gradual on the eternal sight,

Joy after joy, the depths of their delight.

Paused on the marge, Heaven's beautiful New-born,100

Paused on the marge of that wide happiness;

And as a lark that, poised amid the morn,

Shakes from its wing the dews—the plumes of bliss,

Sunn'd in the dawn of the diviner birth,

Shook every sorrow memory bore from earth:

Knowledge (that on the troubled waves of sense101

Breaks into sparkles)—pour'd upon the soul

Its lambent, clear, translucent affluence,

And cold-eyed Reason loosed its hard control;

Each godlike guess beheld the truth it sought;

And Inspiration flash'd from what was Thought.

Still'd evermore the old familiar train102

That fill the frail Proscenium of our deeds,

The unquiet actors on that stage, the brain,

Which, in the spangles of their tinsell'd weeds,

Mime the true soul's majestic royalties,

And strut august in Wonder's credulous eyes;—

Ambition's madness in the vain desires,103

Which seek a goddess but to clasp a cloud;

And human Passion that with fatal fires

Consumes the shrine to which its faith is vow'd;

And even Hope, that fairest nurse of Grief,

Crown'd with young flowers,—a blight in every leaf;

All these are still—abandon'd to the worm,104

Their loud breath jars not on the calm above!

Only survived, as if the single germ

Of the new life's ambrosian being,—LOVE.

Ah, if the bud can give such bloom to Time,

What is the flower when in its native clime?

Love to the radiant Stranger left alone105

Of all the vanish'd hosts of memory;

While broadening round, on splendour splendour shone,

To earth soft-pitying dropt the veilless eye,

And saw the shape, that love remember'd still,

Couch'd 'mid the ruins on the moonlit hill.

And, with the new-born vision, piercing all106

Things past and future, view'd the fates ordain'd;

The fame achieved amidst the Coral Hall;

From war and winter Freedom's symbol gain'd,

What rests?—the Spirit from its realm of bliss,

Shot, loving down,—the guide to Happiness!

Pale to the Cymrian King the Shadow came,107

Its glory left it as the earth it near'd,

In livid likeness as its corpse the same,

Wan with its wounds the awful ghost appear'd.

Life heard the voice of unembodied breath,

And Sleep stood trembling side by side with Death.

"Come," said the Voice, "Before the Iron Gate108

Which hath no egress, waiting thee, behold

Under the shadow of the brows of Fate,

The childlike playmate with the locks of gold."

Then rose the mortal, following, and, before,

Moved the pale shape the angel's comrade wore.

Where, in the centre of those ruins grey,109

Immense with blind walls columnless, a tomb

For earlier kings, whose names had pass'd away,

Chill'd the chill moonlight with its mass of gloom,

Through doors ajar to every prying blast

By which to rot imperial dust had past.

The Vision went, and went the living King;110

Then strange and hard to human hear to tell

By language moulded but by thoughts that bring

Material images, what there befel!

The mortal enter'd Eld's dumb burial place,

And at the threshold, vanish'd Time and Space.

Yea, the hard sense of time was from the mind111

Rased and annihilate;—yea, space to eye

And soul was presenceless? What rest behind?

Thought and the Infinite! the eternal I,

And its true realm the Limitless, whose brink

Thought ever nears: What bounds us when we think?

Yea, as the dupe in tales Arabian,112

Dipp'd but his brow beneath the beaker's brim,

And in that instant all the life of man

From youth to age roll'd its slow years on him,

And while the foot stood motionless—the soul

Swept with deliberate wing from pole to pole,

So when the man the Grave's still portals pass'd,113

Closed on the substances or cheats of earth,

The Immaterial, for the things it glass'd,

Shaped a new vision from the matter's dearth:

Before the sight that saw not through the clay,

The undefined Immeasurable lay.

A realm not land, nor sea, nor earth, nor sky,114

Like air impalpable, and yet not air;—

"Where am I led?" ask'd Life with hollow sigh.

"To Death, that dim phantasmal EVERY WHERE,"

The Ghost replied. "Nature's circumfluent robe,

Girding all life—the globule or the globe."

"Yet," said the Mortal, "if indeed this breath115

Profane the world that lies beyond the tomb;

Where is the Spirit-race that peoples death?

My soul surveys but unsubstantial gloom,

A void—a blank—where none preside or dwell,

Nor woe nor bliss is here, nor heaven nor hell."

"And what is death?—a name for nothingness,"[8]116

Replied the Dead; "the shadow of a shade;

Death can retain no spirit!—woe and bliss,

And heaven and hell, are for the living made;

An instant flits between life's latest sigh

And life's renewal;—that it is to die!

"From the brief Here to the eternal There117

We can but see the swift flash of the goal;

Less than the space between two waves of air,

The void between existence and a soul;

Wherefore, look forth; and with calm sight endure

The vague, impalpable, inane Obscure:

"Lo, by the Iron Gate a giant cloud118

From which emerge (the form itself unseen)

Vast adamantine brows sublimely bow'd

Over the dark,—relentlessly serene;

Thou canst not view the hand beneath the fold,

The work it weaveth none but God behold.

"Yet ever from this Nothingness of Death,119

That hand shapes out the myriad pomps of life;

Receives the matter when resign'd the breath,

Calms into Law the elemental strife;

On each still'd atom forms afresh bestows

(No atom lost since first Creation rose).

"Thus seen, what men call Nature, thou surveyest,120

But matter boundeth not the still one's power;

In every deed its presence thou displayest.

It prompts each impulse, guides each wingèd hour,

It spells the Valkyrs to their gory loom,

It calls the blessing from the bane they doom:

"It rides the steed, it saileth with the bark,121

Wafts the first corn-seed to the herbless wild,

Alike directing through the doom of dark,

The age-long nation and the new-born child;

Here the dread Power, yet loftier tasks await,

And NATURE, twofold, takes the name of FATE.

"Nature or Fate, Matter's material life.122

Or to all spirit the spiritual guide,

Alike with one harmonious being rife,

Form but the whole which only names divide;

Fate's crushing power, or Nature's gentle skill,

Alike one Good—from one all-loving Will."

While thus the Shade benign instructs the King,123

Near the dark cloud the still brows bended o'er,

They come: a soft wind with continuous wing

Sighs through the gloom and trembles through the door,

"Hark to that air," the gentle Phantom said,

"In each faint murmur flit unseen the dead,—

"Pass through the gate, from life the life resume,124

As the old impulse flies to heaven or hell."

While spoke the Ghost, stood forth amidst the gloom,

A lucent Image, crown'd with asphodel,

The left hand bore a mirror crystal-bright,

A wand star-pointed glitter'd in the right.

"Dost thou not know me?—me, thy second soul?"125

Said the bright Image, with its low sweet voice,

"I who have led thee to each noble goal,

Mirror'd thy heart, and starward led thy choice?

To teach thee wisdom won in Labour's school,

I lured thy footsteps to the forest pool,

"Show'd all the woes which wait inebriate power,126

And woke the man from youth's voluptuous dream;

Glass'd on the crystal—let each stainless hour

Obey the wand I lift unto the beam;

And at the last, when yonder gates expand,

Pass with thine angel, Conscience, hand in hand."

Spoke the sweet Splendour, and as music dies127

Into the heart that hears, subsides away;

Then Arthur lifted his serenest eyes

Towards the pale Shade from the celestial day,

And said, "O thou in life belov'd so well,

Dream I or wake?—As those last accents fell,

"So fears that, spite of thy mild words, dismay'd,128

Fears not of death, but that which death conceals,

Vanish;—my soul that trembled at thy shade,

Yearns to the far light which the shade reveals,

And sees how human is the dismal error

Thad hideth God, when veiling death with terror.

"Ev'n thus some infant, in the early spring,129

Under the pale buds of the almond-tree,

Shrinks from the wind that with an icy wing

Shakes showering down white flakes that seem to be

Winter's wan sleet,—till the quick sunbeam shows

That those were blossoms which he took for snows.

"Thou to this last and sovran mystery130

Of my mysterious travail guiding sent,

Dear as thou wert, I will not mourn for thee,

Thou wert not shaped for earth's hard element—

Our ends, our aims, our pleasure, and our woe,

Thou knew'st them all, but thine we could not know.

"Forgive that none were worthy of thy worth!131

That none took heed, upon the plodding way,

What diamond dew was on the flowers of earth,

Till in thy soul drawn upward to the day.

But now, why gape the wounds upon thy breast?

What guilty hand dismiss'd thee to the Blest?

"For blest thou art, beloved and lost? Oh, speak,132

Say thou art with the Angels?"—As at night

Far off the pharos on the mountain-peak

Sends o'er dim ocean one pale path of light,

Lost in the wideness of the weltering Sea,

So, that one gleam along eternity

Vouchsafed, the radiant guide (its mission closed)133

Fled, and the mortal stood amidst the cloud!

All dark above, lo at his feet reposed

Beneath the Brow's still terror o'er it bow'd,

With eyes that lit the gloom through which they smiled,

A Virgin shape, half woman and half child!

There, bright before the iron gates of Death,134

Bright in the shadow of the awful Power

Which did as Nature give the human breath,

As Fate mature the germ and nurse the flower

Of earth for heaven,—Toil's last and sweetest prize,

The destined Soother lifts her fearless eyes!

Through all the mortal's fame enraptured thrills135

A subtler tide, a life ambrosial,

Bright as the fabled element which fills

The veins of Gods to whom in Ida's hall

Flush'd Hebe brims the urn. The transport broke

The charm that gave it—and the Dreamer woke.

Was it in truth a Dream? He gazed around,136

And saw the granite of sepulchral walls;

Through open doors, along the desolate ground,

O'er coffin dust—the morning sunbeam falls;

On mouldering relics life its splendour flings,

The arms of warriors and the bones of kings.—

He stood within that Golgotha of old,137

Whither the Phantom first had led the soul.

It was no dream! lo, round those locks of gold

Rest the young sunbeams like an auriole;

Lo, where the day, night's mystic promise keeps,

And in the tomb a life of beauty sleeps!

Slow to his eyes, those lids reveal their own,138

And, the lips smiling even in their sigh,

The Virgin woke! Oh, never yet was known,

In bower or plaisaunce under summer sky,

Life so enrich'd with nature's happiest bloom

As thine, thou young Aurora of the tomb!

Words cannot paint thee, gentlest cynosure139

Of all things lovely in that loveliest form,

Souls wear—the youth of woman! brows as pure

As Memphian skies that never knew a storm;

Lips with such sweetness in their honey'd deeps

As fills the rose in which a fairy sleeps;

Eyes on whose tenderest azure aching hearts140

Might look as to a heaven, and cease to grieve;

The very blush,—as day, when it departs,

Haloes in flushing, the mild cheek of eve,—

Taking soft warmth in light from earth afar,

Heralds no thought less holy than a star.

And Arthur spoke! O ye, all noble souls,141

Divine how knighthood speaks to maiden fear!

Yet, is it fear which that young heart controuls

And leaves its music voiceless on the ear?—

Ye, who have felt what words can ne'er express,

Say then, is fear as still as happiness?

By the mute pathos of an eloquent sign,142

Her rosy finger on her lip, the maid

Seem'd to denote that on that coral shrine

Speech was to silence vow'd. Then from the shade

Gliding—she stood beneath the golden skies,

Fair as the dawn that brighten'd Paradise.

And Arthur look'd, and saw the Dove no more;143

Yet, by some wild and wondrous glamoury,

Changed to the shape the new companion wore,

His soul the missing Angel seem'd to see;

And, soft and silent as the earlier guide,

The soft eyes thrill, the silent footsteps glide.

Through paths his yester steps had fail'd to find,144

Adown the woodland slope she leads the king,—

And pausing oft, she turns to look behind,

As oft had turn'd the Dove upon the wing;

And oft he question'd, still to find reply

Mute on the lip, yet struggling to the eye.

Far briefer now the way, and open more145

To heaven, than those his whilom steps had won;

And sudden, lo! his galley's brazen prore

Beams from the greenwood burnish'd in the sun;

Up from the sward his watchful cruisers spring,

And loud-lipp'd welcome girds with joy the King.

Now plies the rapid oar, now swells the sail;146

All day, and deep into the heart of night,

Flies the glad bark before the favouring gale;

Now Sabra's virgin waters dance in light

Under the large full moon, on margents green,

Lone with charr'd wrecks where Saxon fires have been.

Here furls the sail, here rests awhile the oar,147

And from the crews the Cymrians and the maid

Pass with mute breath upon the mournful shore;

For, where yon groves the gradual hillock shade,

A convent stood when Arthur left the land.

God grant the shrine hath 'scaped the heathen's hand!

Landing, on lifeless hearths, through roofless walls148

And casement gaps, the ghost-like starbeams peer;

Welcomed by night and ruin, hollow falls

The footstep of a King!—Upon the ear

The inexpressible hush of murder lay,—

Wide yawn'd the doors, and not a watch dog's bay!

They pass the groves, they gain the holt, and lo!149

Rests of the sacred pile but one grey tower,

A fort for luxury in the long-ago

Of gentile gods, and Rome's voluptuous power.

But far on walls yet spared, the moonbeams fell,—

Far on the golden domes of Carduel!

"Joy," cried the King, "behold, the land lives still!"150

Then Gawaine pointed, where in lengthening line

The Saxon watch-fires from the haunted hill

(Shorn of its forest old) their blood-red shine

Fling over Isca, and with wrathful flush

Gild the vast storm-cloud of the armèd hush.

"Ay," said the King, "in that lull'd Massacre151

Doth no ghost whisper Crida—'Sleep no more!'

"Hark, where I stand, dark murder-chief, on thee

I launch the doom! ye airs, that wander o'er

Ruins and graveless bones, to Crida's sleep

Bear Cymri's promise, which her king shall keep!"

As thus he spoke, upon his outstretch'd arm152

A light touch trembled,—turning he beheld

The maiden of the tomb; a wild alarm

Shone from her eyes; his own their terror spell'd.

Struggling for speech, the pale lips writhed apart,

And, as she clung, he heard her beating heart;

While Arthur marvelling soothed the agony153

Which, comprehending not, he still could share,

Sudden sprang Gawaine—hark! a timorous cry

Pierced yon dim shadows! Arthur look'd, and where

On artful valves revolved the stony door,

A kneeling nun his knight is bending o'er.

Ere the nun's fears the knightly words dispel,154

As towards the spot the maid and monarch came,

On Arthur's brow the slanted moonbeams fell,

And the nun knew the King, and call'd his name,

And clasp'd his knees, and sobb'd through joyous tears,

"Once more; once more! our God his people hears!"

Kin to his blood—the welcome face of one155

Known as a saint throughout the Christian land,

Arthur recall'd, and as a pious son

Honouring a mother—on that sacred hand

Bent low, in murmuring—"Say, what mercy saves

Thee, blest survivor in this shrine of graves?"

Then the nun led them through the artful door,156

Mask'd in the masonry, adown a stair

That coil'd its windings to the grottoed floor

Of vaulted chambers desolately fair;

Wrought in the green hill, like an Oread's home,

For summer heats by some soft lord of Rome,

On shells, which nymphs from silver sands might cull,157

On paved mosaics, and long-silenced fount,

On marble waifs of the far Beautiful

By graceful spoiler garner'd from the mount

Of vocal Delphi, or the Elean town,

Or Sparta's rival of the violet-crown—

Shone the rude cresset from the homely shrine158

Of that new Power, upon whose Syrian Cross

Perish'd the antique Jove! And the grave sign

Of the glad faith (which, for the lovely loss

Of poet-gods, their own Olympus frees

To men!—our souls the new Uranides),

High from the base on which of old reposed159

Grape-crown'd Iacchus, spoke the Saving Woe!

The place itself the sister's tale disclosed.

Here, while, amidst the hamlet doom'd below,

Raged the fierce Saxon—was retreat secured;

Nor gnaw'd the flame where those deep vaults immured.

To peasants, scatter'd through the neighbouring plains,160

The secret known;—kind hands with pious care

Supply such humble nurture as sustains

Lives most with fast familiar; thus and there

The patient sisters in their faith sublime,

Felt God was good, and waited for His time.

Yet ever when the crimes of earth and day161

Slept in the starry peace, to the lone tower

The sainted abbess won her nightly way,

And gazed on Carduel!—'Twas the wonted hour

When from the opening door the Cymrian knight

Saw the pale shadow steal along the light.

Musing, the King the safe retreat survey'd,162

And smooth'd his brow from times most anxious care;

Here—from the strife secure, might rest the maid

Not meet the tasks that morn must bring to share;

She, while he mused, the nun's mild aspect eyed,

And crept with woman's trust to woman's side.

"King," said the gentle saint, "from what far clime163

Comes this fair stranger, that her eyes alone

Answer our mountain tongue?"—"May happier time,"

Replied the King, "her tale, her land, make known!

Meanwhile, O kind recluse, receive the guest

To whom these altars seem the native rest."

The sister smiled, "In sooth those looks," she said,164

"Do speak a soul pure with celestial air;

And in the morrow's awful hour of dread

Her heart methinks will echo to our prayer,

And breathe responsive to the hymns that swell

The Christian's curse upon the infidel.

"But say, if truth from rumour vague and wild165

To this still world the friendly peasants bring,

'That grief and wrath for some lost heathen child,

Urge to yon walls the Mercian's direful king?'"—

"Nay," said the Cymrian, "doth ambition fail

When force needs falsehood, of the glozing tale?

"And—but behold she droops, she faints, outworn166

By the long wandering and the scorch of day!"

Pale as a lily when the dewless morn,

Parch'd in the fiery dog-star, wanes away

Into the glare of noon without a cloud,

O'er the nun's breast that flower of beauty bow'd.

Yet still the clasp retain'd the hand that press'd,167

And breath came still, though heaved in sobbing sighs.

"Leave her," the sister said, "to needful rest,

And to such care as woman best supplies;

And may this charge a conqueror soon recall,

And change the refuge to a monarch's hall!"

Though found the asylum sought, with boding mind168

The crowning guerdon of his mystic toil

To the kind nun the unwilling King resign'd;

Nor till his step was on his mountain soil

Did his large heart its lion calm regain,

And o'er his soul no thought but Cymri reign.

As towards the bark the friends resume their way,169

Quick they resolve the conflict's hardy scheme;

With half the Northmen, at the break of day

Shall Gawaine sail where Sabra's broadening stream

Admits a reeded creek, and, landing there,

Elude the fleet the neighbouring waters bear;

Through secret paths with bush and bosk o'ergrown,170

Wind round the tented hill, and win the wall;

With Arthur's name arouse the leaguer'd town,

Give the pent stream the cataract's rushing fall,

Sweep to the camp, and on the Pagan horde

Urge all of man that yet survives the sword.

Meanwhile on foot the king shall guide his band171

Round to the rearward of the vast array

Where yet large fragments of the forest stand

To shroud with darkness the avenger's way;—

Thence, when least look'd for, burst upon the foe,

On war's own heart direct the sudden blow;

Thus, front and rear assail'd, their numbers less172

(Perplex'd, distraught) avail the heathen's power.

Dire was the peril, and the sole success

In the nice seizure of the season'd hour;

The high-soul'd rashness of the bold emprise;

The fear that smites the fiercest in surprise;

Whatever worth the enchanted boons may bear,173

The hero heart by which those boons were won;

The stubborn strength of that supreme despair,

When victory lost is all a land undone;

In the Man's cause, and in the Christian's zeal,

And the just God that sanctions Freedom's steel.

Meanwhile, along a cavelike corridor174

The stranger guest the gentle abbess led;

Where the voluptuous hypocaust of yore

Left cells for vestal dreams saint-hallowèd.

Her own, austerely rude, affords the rest

To which her parting kiss consigns the guest.

But welcome not for rest that loneliness!175

The iron lamp the imaged cross displays;

And to that guide for souls, what mute distress

Lifts the imploring passion of its gaze?

Fear like remorse—and sorrow dark as sin?

Enter that mystic heart and look within!

What broken gleams of memory come and go176

Along the dark!—a silent starry love

Lighting young Fancy's virgin waves below,

But shed from thoughts that rest ensphered above!

Oh, flowers whose bloom had perfumed Carmel, weave

Wreathes for such love as lived in Genevieve!

A May noon resteth on the forest hill;177

A May noon resteth over ruins hoar;

A maiden muses on the forest hill,

A tomb's vast pile o'ershades the ruins hoar,

With doors now open to each prying blast,

Where once to rot imperial dust had pass'd;

Through those dark portals glides the musing maid,178

And slumber drags her down its airy deep.

O wondrous trance! in Druid robes array'd,

What form benignant charms the life-like sleep?

What spells low-chaunted, holy-sweet, like prayer

Plume the light soul, and waft it through the air?

Comes a dim sense as of an angel's being,179

Bathed in ambrosial dews and liquid day;

Of floating wings, like heavenward instincts, freeing

Through azure solitudes a spirit's way.—

An absence of all earthly thought, desire,

Aim—hope, save those which love and which aspire;

Each harder sense of the mere human mind180

Merged into some protective prescience;

Calm gladness, conscious of a charge consign'd

To the pure ward of guardian innocence;

And the felt presence, in that charge, of one

Whose smile to life is as to flowers the sun.

Go on, thou troubled Memory, wander on!181

Dull, o'er the bounds of the departing trance,

Droops the lithe wing the airier life hath known;

Yet on the confines of the dream, the glance

Sees—where before he stood—the Enchanter stand,

Bend the vast brow and stretch the shadowy hand.

And, human sense reviving, on the ear182

Fall words ambiguous, now with happy hours

And plighted love,—and now with threats austere

Of demon dangers—of malignant Powers

Whose force might yet the counter charm unbind,

If loosed the silence to her lips enjoin'd.

Then, as that Image faded from the verge183

Of life's renew'd horizon—came the day;

Yet, ere the last gleams of the vision merge

Into earth's common light, their parting ray

On Arthur's brow the faithful memories leave,

And the Dove's heart still beats in Genevieve!

Still she the presence feels,—resumes the guide,184

Till slowly, slowly waned the prescient power

That gave the guardian to the pilgrim's side;—

And only rested, with her human dower

Of gifts sublime to soothe, but weak to save,

And blind to warn,—the Daughter of the Grave.

Yet the lost dream bequeathed for evermore185

Thoughts that did, like a second nature, make

Life to that life the Dove had hover'd o'er

Cling as an instinct,—and, for that dear sake,

Danger and Death had found the woman's love

In realms as near the Angels as the Dove.

And now and now is she herself the one186

To launch the bolt on that beloved life?

Shuddering she starts, again she hears the nun

Denounce the curse that arms the awful strife;

Again her lips the wild cry stifle,—"See

Crida's lost child, thy country's curse, in me!"

Or—if along the world of that despair187

Fleet other spectres—from the ruin'd steep

Points the dread arm, and hisses through the air

The avenger's sentence on the father's sleep!

The dead seem rising from the yawning floor,

And the shrine steams as with a shamble's gore.

Sudden she springs, and, from her veiling hands,188

Lifts the pale courage of her calmèd brow;

With upward eyes, and murmuring lips, she stands,

Raising to heaven the new-born hope:—and now

Glides from the cell along the galleried caves,

Mute as a moonbeam flitting over waves.

Now gain'd the central grot; now won the stair;189

The lamp she bore gleam'd on the door of stone;

Why halt? what hand detains?—she turn'd, and there,

On the nun's serge and brow rebuking, shone

The tremulous light; then fear her lips unchain'd

From that stern silence by the Dream ordain'd,

And at those holy feet the Saxon fell190

Sobbing, "Oh, stay me not! Oh, rather free

These steps that fly to save his Carduel!

Throne, altars, life—his life! In me, in me,

To these strange shrines, thy saints in mercy bring

Crida's lost Child!—Way, way to save thy king!"

The sister listen'd; gladness, awe, amaze,191

Fused in that lambent atmosphere of soul,

FAITH in the wise All-Good!—so melt the rays

Of varying Iris in the lucid whole

Of light;—"Thy people still to Thee are dear,

O Lord," she murmur'd, "and Thy hand is here!"

"Yes," cried the suppliant, "if my loss deplored,192

My fate unguess'd—misled and arm'd my sire;

When to his heart his child shall be restored,

Sure, war itself will in the cause expire!

Ruth come with joy,—and in that happy hour

Hate drop the steel, and Love alone have power?"

Then the nun took the Saxon to her breast,193

Round the bow'd neck she hung her sainted cross,

And said, "Go forth—O beautiful and blest!

And if my king rebuke me for thy loss,

Be my reply the gain that loss bestow'd,—

Hearths for his people, altars for his God!"

She ceased;—on secret valves revolv'd the door;194

On the calm hill-top breath'd the dawning air;

One moment paused the steps of Hope, and o'er

The war's vast slumber look'd the Soul of Prayer.

So halts the bird that from the cage hath flown;—

A light bough rustled, and the Dove was gone.

BOOK XII.

ARGUMENT.

Preliminary Stanzas—Scene returns to Carduel—a day has passed since the retreat of the Saxons into their encampment—The Cymrians take advantage of the enemy's inactivity, to introduce supplies into the famished city—Watch all that day, and far into the following night, is kept round the corpse of Caradoc—Before dawn, the burial takes place—The Prophet by the grave of the Bard—Merlin's address to the Cymrians, whom he dismisses to the walls, in announcing the renewed assault of the Saxons—Merlin then demands a sacrifice from Lancelot—gives commissions to the two sons of Faul the Aleman, and takes Faul himself (to whom an especial charge is destined) to the city—The scene changes to the Temple Fortress of the Saxons—The superstitious panic of the heathen hosts at their late defeat—The magic divinations of the Runic priests—The magnetic trance of the chosen Soothsayer—The Oracle he utters—He demands the blood of a Christian maid—The pause of the priests and the pagan king—The abrupt entrance of Genevieve—Crida's joy—The priests demand the Victim—Genevieve's Christian faith is evinced by the Cross which the Nun had hung round her neck—Crida's reply to the priests—They dismiss one of their number to inflame the army, and so insure the sacrifice—The priests lead the Victim to the Altar, and begin their hymn, as the Soothsayer wakes from his trance—The interruption and the compact—Crida goes from the Temple to the summit of the tower without—The invading march of the Saxon troops under Harold described—The light from the Dragon Keep—The Saxons scale the walls, and disappear within the town—The irruption of flames from the fleet—The dismay of that part of the army that had remained in the camp—The flames are seen by the rest of the heathen army in the streets of Carduel—The approach of the Northmen under Gawaine—The light on the Dragon Keep changes its hue into blood-red, and the Prophet appears on the height of the tower—The retreat of the Saxons from the city—The joy of the Chief Priest—The time demanded by the compact has expired—He summons Crida to complete the sacrifice—Crida's answer—The Priest rushes back into the Temple—The offering is bound to the Altar—Faul! the gleam of the enchanted glaive—The appearance of Arthur—The War takes its last stand within the heathen temple—Crida and the Teuton kings—Arthur meets Crida hand to hand—Meanwhile Harold saves the Gonfanon, and follows the bands under his lead to the river-side—He addresses them, re-forms their ranks, and leads them to the brow of the hill—His embassy to Arthur—The various groups in the heathen temple described—Harold's speech—Arthur's reply—Merlin's prophetic address to the chiefs of the two races—The End.

Flow on, flow on, fair Fable's happy stream,1

Vocal for aye with Eld's first music-chaunt,

Where, mirror'd far adown the chrystal, gleam

The golden domes of Carduel and Romaunt;

Still one last look on knighthood's peerless ring,

On moonèd Dream-land and the Dragon King!—

Detain me yet amid the lovely throng,2

Hold yet thy Sabbat, thou melodious spell!

Still to the circle of enchanted song

Charm the high Mage of Druid parable,

The Fairy, bard-led from her Caspian Sea,

And Genius, lured from caves in Araby!

Though me, less fair if less familiar ways,3

Sought in the paths by earlier steps untrod,

Allure—yet ever, in the marvel-maze,

The flowers afar perfume the virgin sod;

The simplest leaf in fairy gardens cull,

And round thee opens all the Beautiful!

Alas! the sunsets of our Northern main4

Soon lose the tints Hesperian Fancy weaves;

Soon the sweet river feels the icy chain,

And haunted forests shed their murmurous leaves;

The bough must wither, and the bird depart,

And winter clasp the world—as life the heart!

A day had pass'd since first the Saxons fled5

Before the Christian, and their war lay still;

From morn to eve the Cymrian riders spread

Where flocks yet graze on some remoter hill,

Pale, on the walls, fast-sinking Famine waits,

When hark, the droves come lowing through the gates!

Yet still, the corpse of Caradoc around,6

All day, and far into the watch of night,

The grateful victors guard the sacred ground;

But in that hour when all his race of light

Leave Eos lone in heaven,—earth's hollow breast

Oped to the dawn-star and the singer's rest.

Now, ere they lower'd the corpse, with noiseless tread7

Still as a sudden shadow, Merlin came

Through the arm'd crowd; and paused before the dead,

And, looking on the face, thrice call'd the name.

Then, hush'd through all an awed compassion ran,

And all gave way to the old quiet man.

For Cymri knew that of her children none8

Had, like the singer, loved the lonely sage;

All felt, that there a father call'd a son

Out from that dreariest void,—bereavèd age;

Forgot the dread renown, the mystic art,

And saw but sacred there—the human heart!

And thrice the old man kiss'd the lips that smiled,9

And thrice he call'd the name,—then to the grave,

Hush'd as the nurse that bears a sleeping child

To its still mother's breast,—the form he gave:

With tender hand composed the solemn rest,

And laid the harp upon the silent breast.

And then he sate him down, a little space10

From the dark couch, and so of none took heed;

But lifting to the twilight skies his face,

That secret soul which never man could read,

Far as the soul it miss'd, from human breath,

Rose—where Thought rises when it follows Death!

And swells and falls in gusts the funeral dirge11

As hollow falls the mould, or swells the mound;

And (Cymri's warlike wont) upon the verge

The orbèd shields are placed in rows around;

Now o'er the dead, grass waves;—the rite is done;

And a new grave shall greet a rising sun.

Then slowly turn'd, and calmly moved the sage,12

On the Bard's grave his stand the Prophet took.

High o'er the crowd in all his pomp of age

August, a glory brighten'd from his look;

Hope flash'd in eyes illumined from his own,

Bright, as if there some sure redemption shone.

Thus spoke the Seer: "Hosannah to the brave;13

Lo, the eternal heir-looms of your land!

A realm's great treasure-house! The freeman's grave

The hero creed that to the swordless hand

Thought, when heroic, gives an army's might;—

And song to nations as to plants the light!

"Cymrians, the sun yon towers will scarcely gild,14

Ere war will scale them! Here, your task is o'er.

Your walls your camp, your streets your battle-field;

Each house a fortress!—One strong effort more

For God, for Freedom—for your shrines and homes!

After the Martyr the Deliverer comes!"

He ceased; and such the reverence of the crowd,15

No lip presumed to question. Wonder hush'd

Its curious guess, and only Hope aloud

Spoke in the dauntless shout: each cheek was flush'd:

Each eye was bright;—each heart beat high; and all

Ranged in due ranks, resought the shatter'd wall:

Save only four, whom to that holy spot16

The Prophet's whisper stay'd:—of these, the one

Of knightly port and arms, was Lancelot;

But in the ruder three, with garments won

From the wild beast,—long hair'd, large limb'd, again

See Rhine's strong sons, the convert Alemen!

When these alone remain'd beside the mound,17

The Prophet drew apart the Paladin,

And said, "What time, feud, worse than famine, found

The Cymrian race, like some lost child of sin

That courts, yet cowers from death;—serene through all

The jarring factions of the maddening hall,

"Thou didst in vain breathe high rebuke to pride,18

With words sublimely proud. 'No post the man

Ennobles;—man the post! did He who died

To crown in death the end His birth began,

Assume the sceptre when the cross He braved?

Did He wear purple in the world He saved?

"'Ye clamour which is worthiest of command,—19

Place me, whose fathers led the hosts of Gaul,

Amongst the meanest children of your land;

Let me owe nothing to my fathers,—all

To such high deeds as raised, ere kings were known,

The boldest savage to the earliest throne!'

"But none did heed thee, and in scornful grief20

Went thy still footsteps from the raging hall,

Where, by the altar of the bright Belief

That spans this cloud-world when its sun-showers fall,

Assured at least thy bride in heaven to be,

Genevra pray'd—not life but death with thee.

"There, by the altar, did ye join your hands,21

And in your vow, scorning malignant Time,

Ye plighted two immortals! in those bands

Hope still wove flowers,—but earth was not their clime;

Then to the breach alone, resign'd, consoled,

Went Gaul's young hero.—Art thou now less bold?

"Thy smile replies! Know, while we speak, the King22

Is on the march; each moment that delays

The foeman, speeds the conqueror on its wing;

If, till the hour is ripe, the Saxon stays

His rush, then idly wastes it on our wall,

Not ours the homes that burn, the shrines that fall!

"But that delay vouchsafed not—comes in vain23

The bright achiever of enchanted powers;

He comes a king,—no people but the slain,

And round his throne will crash his blazing towers.

This is not all; for him, the morn is rife

With one dire curse that threatens more than life;—

"A curse, once launch'd, which withers every leaf24

In victory's crown, chills youth itself to age!

Here magic fails—for over love and grief

There is no glamour in the brazen page

Born of the mind, o'er mind extends mine art;—

Beyond its circle beats the human heart!

"Delay the hour—save Carduel for thy king;25

Avert the curse; from misery save thy brother!"

"Thrice welcome death," cried Lancelot, "could it bring

The bliss to bless mine Arthur! As the mother

Lives in her child, the planet in the sky,

Thought in the soul, in Arthur so live I."

"Prepare," the Seer replied, "be firm!—and yield26

The maid thou lovest to her Saxon Sire."

Like a man lightning-stricken, Lancelot reel'd,

And as if blinded by the intolerant fire,

Cover'd his face with his convulsive hand,

And groan'd aloud, "What woe dost thou demand?

"Yield her! and wherefore? Cruel as thou art!27

Can Cymri's king or Carduel's destiny

Need the lone offering of a loving heart,

Nothing to kings and states, but all to me?"

"Son," said the Prophet, "can the human eye

Trace by what wave light quivers from the sky;

"Explore some thought whose utterance shakes the earth28

Along the airy galleries of the brain;

Or say, can human wisdom test the worth

Of the least link in Fate's harmonious chain?

All doubt is cowardice—all trust is brave—

Doubt, and desert thy king;—believe and save."

Then Lancelot fix'd his keen eyes on the sage,29

And said, "Am I the sacrifice or she?

Risks she no danger from the heathen's rage,

She, the new Christian?"—"Danger more with thee!

Can blazing roofs and trampled altars yield

A shelter surer than her father's shield?

"If mortal schemes may foil the threatening hour,30

Thy heart's reward shall crown thine honour's test;

And the same fates that crush the heathen power

Restore the Christian to the conqueror's breast;

Yea, the same lights that gild the nuptial shrine

Of Arthur, shed a beam as bless'd on thine!"

"I trust and I submit," said Lancelot,31

With pale firm lip. "Go thou—I dare not—I!

Say, if I yield, that I abandon not!

Her form may leave a desert to my eye,

But here—but here!"—No more his lips could say,

He smote his bleeding heart, and went his way!

The Enchanter, thoughtful, turn'd, and on the grave32

His look relaxing fell,—"Ah, child, lost child!

To thy young life no youth harmonious gave

Music;—no love thine exquisite griefs beguiled;

Thy soul's deep ocean hid its priceless pearl:—

And he is loved and yet repines! O churl!"

And murmuring thus, he saw below the mound33

The stoic brows of the stern Alemen,

Their gaunt limbs strewn supine along the ground,

Still as gorged lions couch'd before the den

After the feast; their life no medium knows,—

Here headlong conflict, there inert repose!

"Which of these feet could overtake the roe?34

Which of these arms could grapple with the bear?"

"My first-born," answer'd Faul, "outstrips the roe;

My youngest crushes in his grasp the bear."

"Thou, then, the swift one, gird thy loins, and rise:

See o'er the lowland where the vapour lies,

"Far to the right, a mist from Sabra's wave;35

Amidst that haze explore a creek rush-grown,

Screen'd from the waters less remote, which lave

The Saxon's anchor'd barks, and near a lone

Grey crag where bitterns boom; within that creek

Gleams through green boughs a galley's brazen peak;

This gain'd, demand the chief, a Christian knight,36

The bear's rough mantle o'er his rusted mail;

Tell him from me, to tarry till a light

Burst from the Dragon keep;—then crowd his sail,

Fire his own ship—and, blazing to the bay,

Cleave through yon fleet his red destroying way;

"No arduous feat: the galleys are unmann'd,37

Moor'd each to each; let fire consume them all!

Then, the shore won, lead hitherwards the band

Between the Saxon camp and Cymrian wall.

What next behoves, the time itself will show,

Here counsel ceases;—there ye find the foe!"

Heard the wild youth, and no reply made he,38

But braced his belt and griped his spear, and straight

As the bird flies, he flew. "My son, to thee,"

Next said the Prophet, "a more urgent fate

And a more perilous duty are consign'd;

Mark, the strong arm requires the watchful mind.

"Thou hast to pass the Saxon sentinels;39

Thou hast to thread the Saxon hosts alone;

Many are there whom thy far Rhine expels

His swarming war-hive,—and their tongue thine own;

Take from yon Teuton dead the mail'd disguise,

Thy speech their ears, thy garb shall dupe their eyes;

"The watch-pass 'Vingólf'[1] wins thee through the van,40

The rest shall danger to thy sense inspire,

And that quick light in the hard sloth of man

Coil'd, till sharp need strike forth the sudden fire.

The encampment traversed, where the woods behind

Slope their green gloom, thy stealthy pathway wind;

"Keep to one leftward track, amidst the chase41

Clear'd for the hunter's sport in happier days;

Till scarce a mile from the last tent, a space

Clasping grey crommell stones, will close the maze.

There, in the centre of that Druid ring,

Arm'd men will stand around the Cymrian King:—

"Tell him to set upon the tallest pine42

Keen watch, and wait, until from Carduel's tower,

High o'er the wood a starry light shall shine;

Not that the signal, though it nears the hour,

But when the light shall change its hues, and form

One orb, blood-dyed, as sunsets red with storm;

"Then, while the foe their camp unguarded leave,43

And round our walls their tides tempestuous roll,

To yon wood pile, the Saxon fortress, cleave;

Be Odin's Idol the Deliverer's goal.

Say to the King, 'In that funereal fane

Complete thy mission, and thy guide regain!'"

While spoke the seer, the Teuton's garb of mail44

The son of Faul had donn'd, and bending now,

He kiss'd his father's cheek.—"And if I fail,"

He murmur'd, "leave thy blessing on my brow,

My father!" Then the convert of the wild

Look'd up to Heaven, and mutely bless'd his child.

"Thou wend with me, proud sire of dauntless men,"45

Resumed the seer:—"On thine arm let my age

Lean, as shall thine upon their children!"—Then

The loreless savage—the all-gifted sage,

By the strong bonds of will and heart allied;

Went towards the towers of Carduel side by side.

To Crida's camp the swift song rushing flies;46

Round Odin's shrine wild Priests, rune muttering,

Task the weird omens hateful to the skies;

Pale by the idol stands the grey-hair'd king;

And, from without, the unquiet armament

Booms in hoarse surge, its chafing discontent.

For in defeat (when first that multitude47

Shrunk from a foe, and fled the Cymrian sword)

The pride of man the wrath of gods had view'd;

Religious horror smote the palsied horde;

The field refused, till priest, and seid, and charm,

Explore the offence, and wrath divine disarm.

All day, all night, glared fires, dark-red and dull48

With mystic gums, before the Teuton god,

And waved o'er runes which Mimer's trunkless skull

Had whisper'd Odin—the Diviner's rod,

And rank with herbs which baleful odours breathed,

The bubbling hell-juice in the cauldron seethed.

Now towards that hour when into coverts dank49

Slinks back the wolf; when to her callow brood

Veers through still boughs, the owl; when from the bank

The glow-worm wanes; when heaviest droops the wood,

Ere the faint twitter of the earliest lark,—

Ere dawn creeps chill and timorous through the dark;

About that hour, of all the dreariest,50

A flame leaps up from the dull fire's repose,

And shoots weird sparks along the runes, imprest

On stone and elm-bark, ranged in ninefold rows;

The vine's deep flush the purpling seid assumes,

And the strong venom coils in maddening fumes.

Pale grew the elect Diviner's alter'd brows;51

Swell'd the large veins, and writhed the foaming lips;

And as some swart and fateful planet glows

Athwart the disc to which it brings eclipse;

So that strange Pythian madness, whose control

Seems half to light and half efface the soul,

Broke from the horror of his glazing look;52

His breath that died in hollow gusts away,

Seized by the grasp of unseen tempests, shook

To its rack'd base the spirit-house of clay;

Till the dark Power made firm the crushing spell,

And from the man burst forth the voice of hell.

"The god—the god! lo, on his throne he reels!53

Under his knit brows glow his wrathful eyes!

At his dread feet a spectral Valkyr kneels,

And shrouds her face! And cloud is in the skies,

And neither sun nor star, nor day nor night,

But in the cloud a steadfast Cross of Light!

"The god—the god! hide, hide me from his gaze!54

Its awful anger burns into the brain!

Spare me, O spare me! Speak, thy child obeys!

What rites appease thee, Father of the Slain?[2]

What direful omen do these signs foreshow?

What victim ask'st thou? Speak, the blood shall flow!'

Sunk the Possest One—writhing with wild throes;55

And one appalling silence dusk'd the place,

As with a demon's wing. Anon arose,

Calm as a ghost, the soothsayer: form and face

Rigid with iron sleep! and hollow fell

From stonelike lips the hateful oracle.

"A cloud, where Nornas nurse the thunder, lowers;56

A curse is cleaving to the Teuton race;

Before the Cross the stricken Valkyr cowers;

The Herr-god trembles on his column'd base;

A virgin's loss aroused the Teuton strife;

A virgin's love hath charm'd the Avenger's life;

"A virgin's blood alone averts the doom;57

Revives the Valkyr, and preserves the god.

Whet the quick steel—she comes, she comes, for whom

The runes glow'd blood-red to the soothsayer's rod!

O king, whose wrath the Odin-born array'd,

Regain the lost, and yield the Christian maid!"

As if that voice had quicken'd some dead thing58

To give it utterance, so, when ceased the sound,

The dull eye fix'd, and the faint shuddering

Stirr'd all the frame; then sudden on the ground

Fell heavily the lumpish inert clay,

From which the demon noiseless rush'd away.

Then the grey priests and the grey king creep near59

The corpselike man; and sit them mutely down

In the still fire's red vaporous atmosphere;

The bubbling caldron sings and simmers on;

And through the reeks that from the poison rise,

Looks the wolf's blood-lust from those cruel eyes.

So sat they, musing fell;—when hark, a shout60

Rang loud from rank to rank, re-echoing deep;

Hark to the tramp of multitudes without!

Near and more near the thickening tumults sweep;

King Crida wrathful rose: "What steps profane

Thy secret thresholds, Father of the Slain?"

Frowning he strode along the lurid floors,61

And loud, and loud the invading footsteps ring;

His hand impetuous flings apart the doors:—

"Who dare insult the god, and brave the king?"

Swift through the throng a bright-hair'd vision came;

Those stern lips falter with a daughter's name!

Those hands uplifted, or to curse or smite,62

Fold o'er a daughter's head their tremulous joy!

Oh, to the natural worship of delight,

How came the monstrous dogma—"To destroy!"

Sure, Heaven foreshow'd its gospel to the wild

In earth's first bond—the father and the child!

While words yet fail'd the bliss of that embrace,63

The muttering priests, unmoved, each other eyed;

Then to the threshold came their measured pace:—

"Depart, Profane," their Pagan pontiff cried,

"Depart, Profane, too near your steps have trod

To altars darken'd with an angry God.

"Dire are the omens! Skulda rides the clouds,64

Her sisters tremble[3] at the Urdar spring;

The hour demands us—shun the veil that shrouds

The Priests, the God, the Victim, and the King."

Shuddering, the crowds retreat, and whispering low,

Spread the contagious terrors where they go.

Then the stern Elders came to Crida's side,65

And from their lock'd embrace unclasp'd his hands:

"Lo," said their chieftain, "how the gods provide

Themselves the offering which the shrine demands!

By Odin's son be Odin's voice obey'd;

The lost is found—behold, and yield the maid!"

As when some hermit saint, in the old day66

Of the soul's giant war with Solitude,

From some bright dream which rapt his life away

Amidst the spheres, unclosed his eyes and view'd,

'Twixt sleep and waking, vaguely horrible,

The grisly tempter of the gothic hell;

So on the father's bliss abruptly broke67

The dreadful memory of his dismal god;

And, his eyes pleading ere his terrors spoke,

Look'd round the brows of that foul brotherhood.

Then his big voice came weak and strangely mild,

"What mean those words?—why glare ye on my child?

"Do ye not know her? Elders, she is mine,—68

My flesh, my blood, mine age's youngest-born!

Why are ye mute? Why point to yonder shrine?

Ay,"—and here haughty with the joy of scorn,

He raised his front.—"Ay, be the voice obey'd!

Priests, ye forget,—it was a Christian maid!"

He ceased and laugh'd aloud, as humbled fell69

Those greedy looks, and mutteringly replied

Faint voices, "True, so said the Oracle!"

When the Arch-Elder, with an eager stride

Reach'd child and sire, and cried, "See Crida, there,

On the maid's breast the cross that Christians wear!"

Those looks, those voices, thrill'd through Geneviève,70

With fears as yet vague, shapeless, undefined:

"Father," she murmur'd, "Father, let us leave

These dismal precincts; how those eyes unkind

Freeze to my soul; sweet father, let us go;

My heart to thine would speak! why frown'st thou so?"

"Tear from thy breast that sign, unhappy one!71

Sign to thy country's wrathful gods accurst!

Back, priests of Odin, I am Odin's son,

And she my daughter; in my war-shield nurst,

Rear'd at your altars! Trample down the sign,

O child, and say—the Saxon's God is mine!"

Infant, who came to bid a war relent,72

And rob ambition of its carnage-prize,

Is it on thee those sombre brows are bent?

For thee the death-greed in those ravening eyes?

Thy task undone, thy gentle prayer unspoken?

Ay, press the cross: it is the martyr's token!

She press'd the cross with one firm faithful hand,73

While one—(that trembled!)—clasp'd her father's knees;

As clings a wretch, that sinks in sight of land,

To reeds swept with him down the weltering seas,

And murmur'd, "Pardon; Him whose agony

Was earth's salvation, I may not deny!

"Him who gave God the name I give to thee,74

'FATHER,'—in Him, in Christ, is my belief!"

Then Crida turn'd unto the priests,—"Ye see,"

Smiling, he said, "that I have done with grief:

Behold the victim! be the God obey'd!

The son of Odin dooms the Christian maid!"

He said, and from his robe he wrench'd the hand,75

And, where the gloom was darkest, stalk'd away.

But whispering low, still pause the hellish band;

And dread lest Nature yet redeem the prey,

And deem it wise against such chance to arm

The priesthood's puissance with the host's alarm;

To bruit abroad the dark oracular threats,76

From which the Virgin's blood alone can save;

Gird with infuriate fears the murtherous nets,

And plant an army to secure a grave;

The whispers cease—the doors one gleam of day

Give—and then close;—the blood-hound slinks away.

Around the victim—where with wandering hand,77

Through her blind tears, she seems to search through space

For him who had forsaken—circling stand

The solemn butchers; calm in every face

And death in every heart; till from the belt

Stretch'd one lean hand and grasp'd her where she knelt.

And her wild shriek went forth and smote the shrine,78

Which echo'd, shrilling back the sharp despair,

Through the waste gaps between the shafts of pine

To th' unseen father's ear. Before the glare

Of the weird fire, the sacrifice they chain

To stones impress'd with rune and shamble-stain.

Then wait (for so their formal rites compel)79

Till from the trance that still his senses seals,

Awakes the soothsayer of the oracle;

At length with tortured spasms, and slowly, steals

Back the reluctant life—slow as it creeps

To one hard-rescued from the drowning deeps.

And when from dim, uncertain, swimming eyes80

The gaunt long fingers put the shaggy hair,

And on the priests, the shrine, the sacrifice,

Dwelt the fix'd sternness of the glassy stare,

Before the god they led the demon-man,

And circling round the two their hymn began.

So rapt in their remorseless ecstasy,81

They did not hear the quick steps at the door,

Nor that loud knock nor that impatient cry;

Till shook,—till crash'd, the portals on the floor,—

Crash'd to the strong hand of the fiery thane;

And Harold's stride came clanging up the fane.—

But from his side bounded a shape as light82

As forms that glide through Elfheim's limber air;

Swift to the shrine—where on those robes of white

The gloomy hell fires scowl'd their sullen glare,

Through the death-chaunting choir,—she sprang,—she prest,

And bow'd her head upon the victim's breast;

And cried, "With thee, with thee, to live or die,83

With thee, my Geneviève!" The Elders raised

Their hands in wrath, when from as stern an eye

And brow erect as theirs, they shrunk amazed—

And Harold spoke, "Ye priests of Odin, hear!

Your gods are mine, their voices I revere.

"Voices in winds, in groves, in hollow caves,84

Oracular dream, or runic galdra sought;

But ages ere from Don's ancestral waves

Such wizard signs the Scythian Odin brought,

A voice that needs no priesthood's sacred art,

Some earlier God placed in the human heart.

"I bow to charms that doom embattled walls:85

To dreams revealing no unworthy foe;

A warrior's god in Glory's clarion calls;

Where war-steeds snort, and hurtling standards flow;

But when weak women for strong men must die,

My Man's proud nature gives your Gods the lie!

"If—not yon seer by fumes and dreams beguiled,86

But Odin's self stood where his image stands,

Against the god I would protect my child!

Ha, Crida!—come!—thy child in chains!—those hands

Lifted to smite!—and thou, whose kingly bann

Arms nations,—wake, O statue, into man!"

For from his lair, and to his liegeman's side,87

Had Crida listening strode: When ceased the Thane,

His voice, comprest and tremulous, replied,—

"The life thou plead'st for doth these shrines profane.

In Odin's son a father lives no more;

Yon maid adores the God our foes adore."

"And I—and I, stern king!"—Genevra cries,88

"Her God is mine, and if that faith is crime,

Be just—and take a twofold sacrifice!"

"Cease," cried the Thane,—"is this, ye Powers, a time

For kings and chiefs to lean on idle blades,—

Our leaders dreamers, and our victims maids?

"Be varying gods by varying tribes addrest,89

I scorn no gods that worthy foes adore;

Brave was the arm that humbled Harold's crest,

And large the heart that did his child restore.

To all the valiant Gladsheim's Halls unclose;[4]

In Heaven the comrades were on Earth the foes.

"And if our Gods are wrath, what wonder, when90

Their traitor priests creep whispering coward fears;

Unnerve the arms and rot the hearts of men,

And filch the conquest from victorious spears?—

Yes, reverend elders, one such priest I found,

And cheer'd my bandogs on the meaner hound!"

"Be dumb, blasphemer," cried the Pontiff seer,91

"Depart, or dread the vengeance of the shrine;

Depart, or armies from these floors shall hear

How chiefs can mock what nations deem divine;

Then, let her Christian faith thy daughter boast,

And brave the answer of the Teuton host!"

A paler hue shot o'er the hardy face92

Of the great Earl, as thus the Elder spoke;

But calm he answer'd, "Summon Odin's race;

On me and mine the Teuton's wrath invoke!

Let shuddering fathers learn what priests can dream,

And warriors judge if I their Gods blaspheme!

"But peace and hearken.—To the king I speak:—93

With mine own lithsmen, and such willing aid

As Harold's tromps arouse,—yon walls I seek;

Be Cymri's throne the ransom of the maid.

On Carduel's wall if Saxon standards wave,

Let Odin's arms the needless victim save!

"Grant me till noon to prove what men are worth,94

Who serve the War God by the warlike deed;

Refuse me this, King Crida, and henceforth

Let chiefs more prized the Mercian armies lead;

For I, blunt Harold, join no cause with those

Who, wolves for victims, are as hares to foes!"

Scornful he ceased, and lean'd upon his sword;95

Whispering the Priests, and silent Crida, stood.

A living Thor to that barbarian horde

Was the bold Thane, and ev'n the men of blood

Felt Harold's loss amid the host's dismay

Would rend the clasp that link'd the wild array.

At length out spoke the priestly chief, "The gods96

Endure the boasts, to bow the pride, of men;

The Well of Wisdom sinks in Hell's abode;

The Læca shines beside the bautasten,[5]

And Truth too oft illumes the eyes that scorn'd,

By the death-flash from which in vain it warn'd.

"Be the delay the pride of man demands97

Vouchsafed, the nothingness of man to show!

The gods unsoften'd, march thy futile bands:

Till noon, we spare the victim;—seek the foe!

But when with equal shadows rests the sun—

The altar reddens, or the walls are won!"

"So be it," the Thane replied, and sternly smiled;98

Then towards the sister-twain, with pitying brow,

Whispering he came,—"Fair friend of Harold's child,

Let our own gods at least be with thee now;

Pray that the Asas bless the Teuton strife,

And guide the swords that strike for thy sweet life."

"Alas!" cried Geneviève, "Christ came to save,99

Not slay: He taught the weakest how to die;

For me, for me, a nation glut the grave!

That nation Christ's, and—No, the victim I!

Not now for life, my father, see me kneel,

But one kind look,—and then, how blunt the steel!"

And Crida moved not! Moist were Harold's eyes;100

Bending, he whisper'd in Genevra's ear,

"Thy presence is her safety! Time denies

All words but these;—hope in the brave; revere

The gods they serve;—by acts our faith we test;

The holiest gods are where the men are best."

"With this he turn'd, "Ye priests," he call'd aloud,101

"On every head within these walls, I set

Dread weregeld for the compact; blood for blood!"

Then o'er his brows he closed his bassinet,

Shook the black death-pomp of his shadowy plume,

And his arm'd stride was lost amidst the gloom.—

And still poor Geneviève with mournful eyes102

Gazed on the father, whose averted brows

Had more of darkness for her soul than lies

Under the lids of death. The murmurous

And lurid air buzzed with a ghostlike sound

From patient Murder's iron lip;—and round

The delicate form which, like a Psyche, seem'd103

Beauty sublimed into the type of soul,

Fresh from such stars as ne'er on Paphos beam'd,

When first on Love the chastening vision stole,—

The sister virgin coil'd her clasp of woe;

Ev'n as that Sorrow which the Soul must know

Till Soul and Love meet never more to part.104

At last, from under his wide mantle's fold,

The strain'd arms lock'd on his loud-beating heart

(As if the anguish which the king controll'd,

The man could stifle),—Crida toss'd on high;—

And nature conquer'd in the father's cry!

Over the kneeling form swept his grey hair;105

On the soft upturn'd eyes prest his wild kiss;

And then recoiling, with a livid stare,

He faced the priests, and mutter'd, "Dotage this!

Crida is old,—come—come;" and from the ring

Beckon'd their chief, and went forth tottering.

Out of the fane, up where the stair of pine106

Wound to the summit of the camp's rough tower,

King Crida pass'd. On moving armour shine

The healthful beams of the fresh morning hour;

He hears the barb's shrill neigh,—the clarion's swell,

And half his armies march to Carduel.

Far in the van, like Odin's fatal bird107

Wing'd for its feast, sails Harold's raven plume.

Now from the city's heart a shout is heard,

Wall, bastion, tower, their steel-clad life resume;

Far shout! faint forms! yet seem they loud and clear

To that strain'd eyeball and that feverish ear.

But not on hosts that march by Harold's side,108

Gazed the stern priest, who stood with Crida there;

On sullen gloomy groups—discatter'd wide,

Grudging the conflict they refused to share,

Or seated round rude tents and pilèd spears;

Circling the mutter of rebellious fears;

Or, near the temple fort, with folded arms109

On their broad breasts, waiting the deed of blood;

On these he gazed—to gloat on the alarms

That made him monarch of that multitude!

Not one man there had pity in his eye.

And the priest smiled,—then turn'd to watch the sky.

And the sky deepen'd, and the time rush'd on.110

And Crida sees the ladders on the wall;

And dust-clouds gather round his gonfanon;

And through the dust-clouds glittering rise and fall

The meteor lights of helms, and shields, and glaives;

Up o'er the rampires mount the labouring waves;

And joyous rings the Saxon's battle shout;111

And Cymri's angel cry wails like despair;

And from the Dragon Keep a light shines out,

Calm as a single star in tortured air,

To whose high peace, aloof from storms, in vain

Looks a lost navy from the violent main.

Now on the nearest wall the Pale Horse stands;112

Now from the wall the Pale Horse lightens down;

And flash and vanish, file on file, the bands

Into the rent heart of the howling town;

And the Priest paling frown'd upon the sun,—

Though the sky deepen'd and the time rush'd on.

When from the camp around the fane, there rose113

Ineffable cries of wonder, wrath, and fear;

With some strange light that scares the sunshine, glows

O'er Sabra's waves the crimson'd atmosphere;

And dun from out the widening, widening glare,

Like Hela's serpents, smoke-reeks wind through air.

Forth look'd the king, appall'd! and where his masts114

Soar'd from the verge of the far forest-land,

He hears the crackling, as when vernal blasts

Shiver Groninga's pines—"Lo, the same hand,"

Cried the fierce priest, "which sway'd the soothsayer's rod,

Writes now the last runes of thine angry god!"

And here and there, and wirbelling to and fro,115

Confused, distraught, pale thousands spread the plain;

Some snatch their arms in haste, and yelling go

Where the fleets burn; some creep around the fane

Like herds for shelter; prone on earth lie some

Shrieking, "The Twilight of the Gods hath come!"

And the great glare hath redden'd o'er the town,116

And seems the strife it gildeth to appall;

Flock back dim straggling Saxons, gazing down

The lurid valleys from the jagged wall,

Still as on Cuthite towers Chaldean seers,

When some red portent flamed into the spheres.

And now from brake and copse—from combe and dell,117

Gleams break;—steel flashes;—helms on helms arise;

Faint heard at first,—now near, now thunderous,—swell

The Cymrian mingled with the Baltic cries;

And, loud alike in each, exulting came

War's noblest music—a Deliverer's name.

"Arthur!—for Arthur!—Arthur is at hand!118

Woe, Saxons, woe!" Then from the rampart height

Vanish'd each watcher; while the rescue-band

Sweep the clear slopes; and not a foe in sight!

And now the beacon on the Dragon Keep:

Springs from pale lustre into hues blood-deep:

And on that tower stood forth a lonely man;119

Full on his form the beacon glory fell;

And joy revived each sinking Cymrian;

There, the still Prophet watch'd o'er Carduel!

Back o'er the walls, and back through gate and breach,

Now ebbs the war, like billows from the beach.

Along the battlements swift crests arise,120

Swift follow'd by avenging, smiting brands,

And fear and flight are in the Saxon cries!

The portals vomit bands on hurtling bands;

And lo, wide streaming o'er the helms,—again

The Pale Horse flings on angry winds its mane!

And facing still the foe, but backward borne121

By his own men, towers high one kingliest chief;

Deep through the distance roll his shout of scorn,

And the grand anguish of a hero's grief.

Bounded the Priest!—"The Gods are heard at last!—

Proud Harold flieth;—and the noon is past!

Come, Crida, come." Up as from heavy sleep122

The grey-hair'd giant raised his awful head;

As, after calmest waters, the swift leap

Of the strong torrent rushes to its bed,—

So the new passion seized and changed the form,

As if the rest had braced it for the storm.

No grief was in the iron of that brow;123

Age cramp'd no sinew in that mighty arm;

"Go," he said sternly, "where it fits thee, thou:

Thy post with Odin—mine with Managarm![6]

Let priests avert the dangers kings must dare;

My shrine yon Standard, and my Children—there!"

So from the height he swept—as doth a cloud124

That brings a tempest when it sinks below;

Swift strides a chief amidst the jarring crowd;

Swift in stern ranks the rent disorders grow;

Swift, as in sails becalm'd swells forth the wind,

The wide mass quickens with the one strong mind.

Meanwhile the victim, to the Demon vow'd,125

Knelt; every thought wing'd for the Angel goal,

And ev'n the terror which the form had bow'd

Search'd but new sweetness where it shook the soul.

Self was forgot, and to the Eternal Ear

Prayer but for others spoke the human fear.

And when at moments from that rapt communion126

With the Invisible Holy, those young arms

Clasp'd round her neck, to childhood's happy union

In the old days recall'd her; such sweet charms

Did Comfort weave, that in the sister's breast

Grief like an infant sobb'd itself to rest.

Up leapt the solemn priests from dull repose:127

The fires were fann'd as with a sudden wind;

While shrieking loud, "Hark, hark, the conquering foes!

Haste, haste, the victim to the altar bind!"

Rush'd to the shrine the haggard Slaughter-Chief.—

As the strong gusts that whirl the fallen leaf

I' the month when wolves descend, the barbarous hands128

Plunge on the prey of their delirious wrath,

Wrench'd from Genevra's clasp;—Lo, where she stands,

On earth no anchor,—is she less like Faith?

The same smile firmly sad, the same calm eye,

The same meek strength;—strength to forgive and die!

"Hear us, O Odin, in this last despair!129

Hear us, and save!" the Pontiff call'd aloud;

"By the Child's blood we shed, thy children spare!"

And the knife glitter'd o'er the breast that bow'd.

Dropp'd blade;—fell priest!—blood chokes a gurgling groan;

Blood,—blood not Christian, dyes the altar-stone!

Deep in the DOOMER'S breast it sank—the dart;130

As if from Fate it came invisibly;

Where is the hand?—from what dark hush shall start

Foeman or fiend?—no shape appalls the eye,

No sound the ear!—ice-lock'd each coward breath;

The Power the Deathsman call'd, hath heard him—Death!

"While yet the stupor stuns the circle there,131

Fierce shrieks—loud feet—come rushing through the doors:

Women with outstretch'd arms and tossing hair,

And flying warriors, shake the solemn floors;

Thick as the birds storm-driven on the decks

Of some lone ship—the last an ocean wrecks.

And where on tumult, tumult whirl'd and roar'd,132

Shrill'd cries, "The fires around us and behind,

And the last Fire-God and the Flaming-Sword!"[7]

And from without, like that destroying wind

In which the world shall perish, grides and sweeps

VICTORY—swift-cleaving through the battle deeps!—

VICTORY, by shouts of terrible rapture known,133

Through crashing ranks it drives in iron rain;

Borne on the wings of fire it blazes on;

It halts its storm before the fortress fane;

And through the doors, and through the chinks of pine,

Flames its red breath upon the paling shrine.

Roused to their demon courage by the dread134

Of the wild hour, the priests a voice have found;

To pious horror show their sacred dead,

Invoke the vengeance, and explore the ground,

When, like the fiend in monkish legends known,

Sprang a grim image on the altar-stone!

The wolf's hide bristled on the shaggy breast135

Over the brows, the forest buffalo

With horn impending arm'd the grisly crest,

From which the swart eye sent its savage glow:

Long shall the Saxon dreams that shape recall,

And ghastly legends teem with tales of FAUL![8]

Needs here to tell, that when, at Merlin's hest,136

Faul led to Harold's tent the Saxon maid,

The wrathful Thane had chased the skulking priest

From the paled ranks, that evil Bode[9] dismay'd:—

And the grim tidings of the rite to come

Flew lip to lip through that awed Heathendom.

Foretaught by Merlin of her mission there,137

Scarce to her father's heart Genevra sprung

Than (while most soften'd) her impassion'd prayer

Pierced to its human deeps; and, roused and stung

By that keen pity, keenest in the brave,—

Strength felt why strength is given, and rush'd to save:—

Amidst those quick emotions half forgot,138

Follow'd the tutor'd furtive Aleman;

On, when the portals crash'd, still heeded not,

Stole his light step behind the striding Thane.

From coign to shaft the practised glider crept,

A shadow, lost where shadows darkest slept.

And safe and screen'd the idol god behind,139

He who once lurk'd to slay, kept watch to save;—

Now there he stood! And the same altar shrined

The wild man, the wild god! and up the nave

Flight flow'd on flight; and near and loud, the name

Of "ARTHUR" borne as on a whirlwind came.

Down from the altar to the victim's side,140

While yet shrunk back the priests—the savage leapt,

And with quick steel gash'd the strong cords that tied;

When round them both the rallying vengeance swept;

Raised every arm;—O joy!—the enchanted glaive

Shines o'er the threshold! is there time to save?

A torch whirls hissing through the air—it falls141

Into the centre of the murderous throng!

Dread herald of dread steps! the conscious halls

Quake where the falchion flames and flies along;

Though crowd on crowd behold the falchion cleave!—

The Silver Shield rests over Geneviève!

Bright as the shape that smote the Assyrian,142

The fulgent splendour from the arms divine

Paled the hell-fires round God's elected Man,

And burst like Truth upon the demon-shrine.

Among the thousands stood the Conquering One,

Still, lone, and unresisted as a sun!

Now through the doors, commingling side by side,143

Saxon and Cymrian struggle hand in hand;

For there the war, in its fast ebbing tide,

Flings its last prey—there, Crida takes his stand;

There his co-monarchs hail a funeral pyre

That opes Walhalla from the grave of fire.

And as a tiger swept adown a flood144

With meaner beasts, that dyes the howling water

Which whirls it onward, with a waste of blood,

And gripes a stay with fangs that leave the slaughter,—

So where halts Crida, groans and falls a foe—

And deep in gore his steps receding go.

And his large sword has made in reeking air145

Broad space (through which, around the golden ring

That crownlike clasps the sweep of his grey hair,)

Shine the tall helms of many a Teuton king;

Lord of the West—broad-breasted Chevaline;

And Ymrick's son of Hengist's giant line;

Fierce Sibert, throned by Britain's kingliest river,146

And Elrid, honour'd in Northumbrian homes;

And many a sire whose stubborn soul for ever

Shadows the fields where England's thunder comes.

High o'er them all his front grey Crida rears,

As some old oak whose crest a forest clears.

High o'er them all, that front fierce Arthur sees,147

And knows the arch-invader of the land;

Swift through the chiefs—swift path his falchion frees;

Corpse falls on corpse before the avenger's hand;

For fair-hair'd Ælla, Cantia's maids shall wail;

Hurl'd o'er the dead, rings Elrid's crashing mail;

His follower's arms stunn'd Sibert's might receive,148

And from the death-blow snatch their bleeding lord;

And now behold, O fearful Geneviève,

O'er thy doom'd father shines the charmèd sword,

And shaking, as it shone, the glorious blade,

The hand for very wrath the death delay'd.

"At last, at last we meet, on Cymri's soil;149

And foot to foot! Destroyer of my shrines,

And murderer of my people! Ay, recoil

Before the doom thy quailing soul divines!

Ay—turn thine eyes,—nor hosts nor flight can save!

Thy foe is Arthur—and these halls thy grave!"

"Flight," laugh'd the king, whose glance had wander'd round,150

Where through the throng had pierced a woman's cry,

"Flight for a chief, by Saxon warriors crown'd,

And from a Walloon!—this is my reply!"

And, both hands heaving up the sword enorme,

Swept the swift orbit round the luminous form;

Full on the gem the iron drives its course,151

And shattering clinks in splinters on the floor;

The foot unsteadied by the blow's spent force,

Slides on the smoothness of the soil of gore;

Gore, quench the blood-thirst! guard, O soil, the guest!

For Freedom's heel is on the Invader's breast!

When, swift beneath the flashing of the blade,152

When, swift before the bosom of the foe,

She sprang, she came, she knelt,—the guardian maid!

And startling vengeance from the righteous blow,

Cried, "Spare, oh spare, this sacred life to me,

A father's life!—I would have died for thee!"

While thus within, the Christian God prevails,153

Without the idol temple, fast and far,

Like rolling storm-wrecks, shatter'd by the gales,

Fly the dark fragments of the Heathen War,

Where, through the fires that flash from camp to wave,

Escape the land that locks them in its grave?

When by the Hecla of their burning fleet154

Dismay'd amidst the marts of Carduel,

The Saxons rush'd without the walls to meet

The Vikings' swords, which their mad terrors swell

Into a host—assaulted, rear and van,

The foe scarce smote before the flight began.

In vain were Harold's voice, and name, and deeds,155

Unnerved by omen, priest, and shapeless fear,

And less by man than their own barbarous creeds

Appall'd,—a God in every shout they hear,

And in their blazing barks behold unfurl'd,

The wings of Muspell[10] to consume the world.

Yet still awhile the heart of the great Thane,156

And the stout few that gird the gonfanon,

Build a steel bulwark on the midmost plain,

That stems all Cymri,—so Despair fights on.

When from the camp the new volcanoes spring,

With sword and fire he comes,—the Dragon King!

Then all, save Harold, shriek to Hope farewell;157

Melts the last barrier; through the clearing space,

On towards the camp the Cymrian chiefs compel

The ardent followers from the tempting chase;

Through Crida's ranks to Arthur's side they gain,

And blend two streams in one resistless main.

True to his charge as chief, 'mid all disdain158

Of recreant lithsmen—Harold's iron soul

Sees the storm sweep beyond it o'er the plain;

And lofty duties, yet on earth, control

The yearnings for Walhalla:—Where the day

Paled to the burning ships—he tower'd away.

And with him, mournful, drooping, rent and torn,159

But captive not—the Pale Horse dragg'd its mane.

Beside the fire-reflecting waves, forlorn,

As ghosts that gaze on Phlegethon—the Thane

Saw listless leaning o'er the silent coasts,

The spectre wrecks of what at morn were hosts.

Tears rush'd to burning eyes, and choked awhile160

The trumpet music of his manly voice,

At length he spoke: "And are ye then so vile!

A death of straw! Is that the Teuton's choice?

By all our gods, I hail that reddening sky,

And bless the burning fleets which flight deny!

"Lo, yet the thunder clothes the charger's mane,161

As when it crested Hengist's helmet crown!

What ye have lost—an hour can yet regain;

Life has no path so short as to renown!

Shrunk if your ranks,—when first from Albion's shore

Your sires carved kingdoms, were their numbers more?

"If not your valour, let your terrors speak.162

Where fly?—what path can lead ye from the foes?

Where hide?—what cavern will not vengeance seek?

What shun ye? Death?—Death smites ye in repose!

Back to your king: from Hela snatch the brave—

We best escape, when most we scorn, the grave."

Roused by the words, though half reluctant still,163

The listless ranks reform their slow array,

Sullen but stern they labour up the hill,

And gain the brow!—In smouldering embers lay

The castled camp, and slanting sunbeams shed

Light o'er the victors—quiet o'er the dead.

Hush'd was the roar of war—the conquer'd ground164

Waved with the glitter of the Cymrian spears;

The temple fort the Dragon standard crown'd;

And Christian anthems peal'd on Pagan ears;

The Mercian halts his bands—their front surveys;

No fierce eye kindles to his fiery gaze.

One dull, dishearten'd, but not dastard gloom165

Clouds every brow,—like men compell'd to die,

Who see no hope that can elude the doom,

Prepared to fall but powerless to defy.

Not those the ranks, yon ardent hosts to face!

The Hour had conquer'd earth's all-conquering race.

The leader paused, and into artful show,166

Doubling the numbers with extended wing;

"Here halt," he said, "to yonder hosts I go

With terms of peace or war to Cymri's king."

He turn'd, and towards the Victor's bright array,

With tromp and herald, strode his bitter way.

Before the signs to war's sublime belief167

Sacred, the host disparts its hushing wave.

Moved by the sight of that renownèd chief,

Joy stills the shout that might insult the brave;

And princeliest guides the stately foeman bring,

Where Odin's temple shrines the Christian king.

The North's fierce idol, roll'd in pools of blood,168

Lies crush'd before the Cross of Nazareth.

Crouch'd on the splinter'd fragments of their god,

Silent as clouds from which the tempest's breath

Has gone,—the butchers of the priesthood rest.—

Each heavy brow bent o'er each stony breast.

Apart, the guards of Cymri stand around169

The haught repose of captive Teuton kings;

With eyes disdainful of the chains that bound,

And fronts superb—as if defeat but flings

A kinglier grandeur over fallen power:—

So suns shine larger in their setting hour.

From these remote, unchain'd, unguarded, leant170

On the gnarl'd pillar of the fort of pine,

The Saturn of the Titan armament,

His looks averted from the alter'd shrine

Whence iron Doom the antique Faith has hurl'd,

For that new Jove who dawns upon the world!

And one broad hand conceal'd the monarch's face;171

And one lay calm on the low-bended head

Of the forgiving child, whose young embrace

Clasp'd that grey wreck of Empire! All had fled

The heart of pride:—Thrones, hosts, the gods! yea all

That scaled the heaven, strew'd Hades with their fall!

But Natural Love, the household melody,172

Steals through the dearth,—resettling on the breast;

The bird returning with the silenced sky,

Sings in the ruin, and rebuilds its nest;

Home came the Soother that the storm exiled,—

And Crida's hand lay calm upon his child!

Beside her sister saint, Genevra kneeleth,173

Mourning her father's in her Country's woes;

And near her, hushing iron footsteps, stealeth

The noblest knight the wondrous Table knows—

Whispering low comfort into thrilling ears—

When Harold's plume floats up the flash of spears.

But the proud Earl, with warning hand and eye,174

Repels the yearning arms, the eager start;

Man amidst men, his haughty thoughts deny

To foes the triumph o'er his father's heart;

Quickly he turn'd—where shone amidst his ring

Of subject planets, the Hyperion King.

There Tristan grateful—Agrafayn uncouth,175

And Owaine comely with the battle-scar,

And Geraint's lofty age, to venturous youth

Glory and guide, as to proud ships a star,

And Gawaine sober'd to his gravest smile,—

Lean on the spears that lighten through the pile.

There stood the stoic Alemen sedate,176

Blocks hewn from man, which love with life inspired;

There, by the Cross, from eyes serene with Fate,

Look'd into space the Mage! and carnage-tired,

On Ægis shields, like Jove's still thunders, lay

Thine ocean giants, Scandinavia!

But lo, the front, where conquest's auriole177

Shone, as round Genius marching at the van

Of nations;—where the victories of the soul

Stamp'd Nature's masterpiece, perfected Man:

Fair as young Honour's vision of a king

Fit for bold hearts to serve, free lips to sing!

So stood the Christian Prince in Odin's hall,178

Gathering in one, Renown's converging rays;

But, in the hour of triumph, turn, from all

War's victor pomp, his memory and his gaze;

Miss that last boon the mission should achieve,

And rest where droops the dove-like Genevieve.

Now at the sight of Mercia's haughty lord,179

A loftier grandeur calms yet more his brow;

And leaning lightly on his sheathless sword,

Listening he stood, while spoke the Earl:—"I bow

Not to war's fortune, but the victor's fame;

Thine is so large, it shields thy foes from shame.

"Prepared for battle, proffering peace I come;180

On yonder hills eno' of Saxon steel

Remains, to match the Cymrian Christendom;

Not slaves with masters, men with men would deal.

We cannot leave your land, our chiefs in gyves,—

While chains gall Saxons, Saxon war survives.

"Our kings, our women, and our priests release,181

And in their name I pledge (no mean return)

A ransom worthy of both nations—Peace;

Peace with the Teuton! On your hills shall burn

No more the beacon; on your fields no more

The steed of Hengist plunge its hoofs in gore.

"Peace while this race remains—(our sons, alas,182

We cannot bind!) Peace with the Mercian men:

This is the ransom. Take it, and we pass

Friends from a foeman's soil: reject it,—then

Firm to this land we cling, as if our own,

Till the last Saxon falls, or Cymri's throne!"

Abrupt upon the audience dies the voice,183

And varying passions stir the murmurous groups;

Here, to the wiser; there, the haughtier choice:

Youth rears its crest; but age foreboding droops;

Chiefs yearn for fame; the crowds to safety cling;

The murmurs hush, and thus replies the King:—

"Foe, thy proud speech offends no manly ear.184

So would I speak, could our conditions change.

Peace gives no shame, where war has brought no fear;

We fought for freedom,—we disdain revenge;

The freedom won, no cause for war remains,

And loyal Honour binds more fast than chains.

"The Peace thus proffer'd, with accustom'd rites,185

Hostage and oath, confirm, ye Teuton kings,

And ye are free! Where we, the Christians, fight,

Our Valkyrs sail with healing on their wings;

We shed no blood but for our fatherland!—

And so, frank soldier, take this soldier's hand!"

Low o'er that conquering hand, the high-soul'd foe186

Bow'd the war plumed upon his raven crest;

Caught from those kingly words, one generous glow

Chased Hate's last twilight from each Cymrian breast;

Humbled, the captives hear the fetters fall,

Power's tranquil shadow—mercy, awes them all!

Dark scowl the Priests;—with vengeance priestcraft dies!187

Slow looks, where Pride yet struggles, Crida rears;

On Crida's child rest Arthur's soft'ning eyes,

And Crida's child is weeping happy tears;

And Lancelot, closer at Genevra's side,

Pales at the compact that may lose the bride.

When from the altar by the holy rood,188

Come the deep accents of the Cymrian Mage,

Sublimely bending o'er the multitude

Thought's Atlas temples crown'd with Titan age,

O'er Druid robes the beard's broad silver streams,

As when the vision rose on virgin dreams.

"Hearken, ye Scythia's and Cimmeria's sons,189

Whose sires alike by golden rivers dwelt,

When sate the Asas on their hunter thrones;

When Orient vales rejoiced the shepherd Celt;

While EVE'S young races towards each other drawn,

Roved lingering round the Eden gates of dawn.

"Still the old brother-bond in these new homes,190

After long woes shall bind your kindred races;

Here, the same God shall find the sacred domes;

And the same landmarks bound your resting-places,

What time, o'er realms to Heus and Thor unknown,

Both Celt and Saxon rear their common throne.

"Meanwhile, revere the Word the viewless Hand191

Writes on the leaves of kingdom-dooming stars;

Through Prydain's Isle of Pines, from sea to land,

Where yet Rome's eagle leaves the thunder scars,

The sceptre sword of Saxon kings shall reach,

And new-born nations speak the Teuton's speech;

"All save thy mountain empire, Dragon King!192

All save the Cymrian's Ararat—Wild Wales![11]

Here Cymrian bards to fame and God shall sing—

Here Cymrian freemen breathe the hardy gales,

And the same race that Heus the Guardian led,

Rise from these graves—when God awakes the dead!"

The Prophet paused, and all that pomp of plumes193

Bow'd as the harvest which the south wind heaves,

When, while the breeze disturbs, the beam illumes,

And blessings gladden in the trembling sheaves.

He paused, and thus renew'd: "Thrice happy, ye

Founders of shrines and sires of kings to be!

"Hear, Harold, type of the strong Saxon soul,194

Supple to truth, untameable by force,

Thy dauntless blood through Gwynedd's chiefs shall roll,[12]

Through Scotland's monarchs take its fiery course,

And flow with Arthur's, in the later days,

Through Ocean-Cæsars, either zone obeys.

"Man of the manly heart, reward the foe195

Who braved thy sword, and yet forbore thy breast,

Who loved thy child, yet could the love forego

And give the sire;—thy looks supply the rest,

I read thine answer in thy generous glance!

Stand forth—bold child of Christian Chevisaunce!"

Then might ye see a sight for smiles and tears,196

Young Lancelot's hand in Harold's cordial grasp,

While from his breast the frank-eyed father rears

The cheek that glows beneath the arms that clasp;

"Shrink'st thou," he said, "from bonds by fate reveal'd?—

Go—rock my grandson in the Cymrian's shield!"

"And ye," the solemn voice resumed, "O kings!197

Hearken, Pendragon, son of Odin, hear!

There is a mystery in the heart of things,

Which Truth and Falsehood seek alike with fear,

To Truth from heaven, to Falsehood, breathed from hell,

Comes yet to both the unquiet oracle.

"Not vainly, Crida, priest, and rune, and dream,198

Warn'd thee of fates commingling into one

The silver river and the mountain stream;

From Odin's daughter and Pendragon's son,

Shall rise the royalties of farthest years

Born to the birthright of the Saxon spears.

"The bright decree that seem'd a curse to hate,199

Blesses both races when fulfill'd by love;

From Cymri's Dragon England's power shall date,

And peace be born to Cymri from the Dove.[13]

Eternal links let nuptial garlands weave,

And Cymri's queen be Saxon Genevieve!"

Perplex'd, reluctant with the pangs of pride,200

And shadowy doubts from dark religion thrown,

Stern Crida, lingering, turn'd his face aside;

Then rise the elders from the idle stone;

From fallen chains the kindred Teutons spring,

Low murmurs rustle round the moody king;

On priest and warrior, while they whisper, dwells201

The searching light of that imperious eye;

Warrior and priest, the prophet word compels;

And overmasters like a destiny—

When towards the maid the radiant conqueror drew,

And said, "Enslaver, it is mine to sue!"

To Crida, then, "Proud chief, I do confess202

The loftier attribute 'tis thine to boast.

The pride of kings is in the power to bless,

The kingliest hand is that which gives the most;

Priceless the gift I ask thee to bestow,—

But doubly royal is a generous foe!"

Then forth—subdued, yet stately, Crida came,203

And the last hold in that rude heart was won:

"Hero, thy conquest makes no more my shame,

He shares thy glory who can call thee 'Son!'

So may this love-knot bind and bless the lands!"

Faltering he spoke—and join'd the plighted hands.

There flock the hosts as to a holy ground,204

There, where the dove at last may fold the wing!

His mission ended, and his labours crown'd,

Fair as in fable stands the Dragon King—

Below the Cross, and by his prophet's side,

With Carduel's knighthood kneeling round his bride.

What gallant deeds in gentle lists were done,205

What lutes made joyaunce sweet in jasmine bowers,

Let others tell:—Slow sets the summer sun;

Slow fall the mists, and closing, droop the flowers;

Faint in the gloaming dies the vesper bell,—

And Dream-land sleeps round golden Carduel.

NOTES TO KING ARTHUR.

BOOK I.

1.—Page 201, stanza iv.

While Cymri's dragon, from the Roman's hold,

Spread with calm wing o'er Carduel's domes of gold.

The Carduel of the FABLIAUX is not easily ascertained: it is here identified with Caerleon on the Usk, the favourite residence of Arthur, according to the Welch poets. This must have been a city of no ordinary splendour in the supposed age of Arthur, while still fresh from the hands of the Roman; since, so late as the twelfth century, Giraldus Cambrensis, in his well-known description, speaks as an eye-witness of the many vestiges of its former splendour. "Immense palaces, ornamented with gilded roofs, in imitation of Roman magnificence, a tower of prodigious size, remarkable hot baths, relics of temples," &c. (Giraldus Cambrensis, Sir R. Hoare's translation, vol. i. p. 103.) Geoffrey of Monmouth (1. ix. c. 12) also mentions, admiringly, the gilt roofs of Caerleon, a subject on which he might be a little more accurate than in those other details in his notable chronicle, not drawn from the same ocular experience. The luxurious Romans, indeed, had bequeathed to the chiefs of Britain abodes of splendour and habits of refinement which had no parallel in the Saxon domination. Sir F. Palgrave truly remarks, that even in the fourteenth century the edifices raised in Britain by the Romans were so numerous and costly as almost to excel any others on this side of the Alps. Caerleon (Isca Augusta) was the Roman capital of Siluria, the garrison of the renowned Second or Augustan legion, and the Palatian residence of the Prætor. It was not, however, according to national authority, founded by the Romans, but by the mythical Belin Mawr, three centuries before Cæsar's invasion. It is scarcely necessary to observe, that the dragon was the standard of the Cymry (a word, by the way, which I trust my Welch readers will forgive me for spelling Cymri).

2.—Page 203, stanza xviii.

And through the vale the shrill BON-LEF-HER rings.

The shout of war.

3.—Page 204, stanza xix.

So from the ROCK OF BIRDS the shout of war.

The Rock of Birds—CRAIG Y DERYN—so called from the number of birds (chiefly those of prey) that breed on them.

4.—Page 206, stanza xxxiii.

And found no billow where its beam could rest.

"Qual d'acqua chiara il tremolante lume," &c.—ARIOSTO, canto viii., stanza 71.

5.—Page 207, stanza xlv.

Where sate DUW-IOU, ere his reign was lost.

Duw-Iou (the Taranus of Lucan), the most solemn and august, though not the most popular of the Druidical divinities; answering to the classic Jupiter.

6.—Page 209, stanza liv.

And the Pale Horse rose ghastly o'er the dead.

The White Horse, the standard of the Saxons.

7.—Page 211, stanza lxx.

Shook to the foot-tread of invading Gaul.

PAUSAN. Phoc. c. 28.

8.—Page 212, stanza lxxvi.

Of polish'd Chivalry, the primal ten.

The ten manly games (Gwrolgampau).

9.—Page 212, stanza lxxvii.

Which HEUS, the Guardian, taught the Celt to wield.

HEUS is the same deity as ESUS, or HESUS, mentioned in Lucan, the Mars of the Celts. According to the Welch triads, HEUS (or HU—Hu Gadarn; i. e. the mighty Guardian, or Inspector) brought the people of Cymry first into this isle, from the summer country called Defrobanni (in the Tauric Chersonese), over the Hazy Sea (the German Ocean). Davies, in his Celtic Researches, observes that some commentator, at least as old as the twelfth century, repeatedly explains the situation of Defrobanni as "that on which Constantinople now stands." "This comment," adds Davies, "would not have been made without some authority; it belongs to an age which possessed many documents relating to the history of the Britons which are now no longer extant."

It would be extremely important towards tracing the origin of the Cymry, if authentic and indisputable records of such traditions of their migration from the East can be found in their own legends at an age before learned conjecture could avail itself of the passages in Herodotus and Strabo, which relate to the Cimmerians, and tend to identify that people with our Cymrian ancestors. We find in the first (1. i. c. 14), that the Cimmerians, chased from their original settlements by the Nomadic Scythians, came to Lydia, where they took Sardis (except the citadel). In this account Strabo, on the authority of Callisthenes and Callinus, confirms Herodotus.

In flying from their Scythian foes, the Cimmerians took their course by the sea-coasts to Sinope, and the Cimmerian Bosphorus, and as, after this flight, the old Cimmerian league was broken up, and the tribes dispersed, this gives us the evident date for such migrations as Hu Gadarn is supposed to head; and the coincidence between Welch traditions (if genuinely ancient) and classical authority becomes very remarkable. For the additional corroboration of the hypothesis thus suggested, which is afforded by the identity between the Cimmerians of Asia and the Cimbri of Gaul, see Strabo (1. vii. p. 424, the Oxford edition, 1807). It is curious to note in Herodotus (1. iv. c. 11) that the same domestic feuds which destroyed the Cymrian empire in Britain destroyed the Cimmerians in their original home. While the Scythians invaded them, they quarrelled amongst themselves whether to fight or fly, and settled the dispute by fighting each other, and flying from the enemy.

10.—Page 212, stanza lxxvii.

Our Titan sires from Defrobanni's plain.

"Our Titan sires,"—according to certain mythologists, the Celts, or Cimmerians, were the Titans.

11.—Page 214, stanza xciii.

Strides in the circles of unthinking men.

Imitated from Schiller.

12.—Page 215, stanza c.

And frank Gawaine,

Whom mirth for ever, like a fairy child,

Lock'd from the cares of life.

Some liberty, in the course of this poem, will be taken with the legendary character, less perhaps of the Gawaine of the Fabliaux, than of the Gwalchmai (Hawk of Battle) of the Welch bards. In both, indeed, this hero is represented as sage, courteous, and eloquent; but he is a livelier character in the Fabliaux than in the tales of his native land. The characters of many of the Cymrian heroes, indeed, vary according to the caprice of the poets. Thus Kai, in the Triads, one of the Three Diademed chiefs of battle and a powerful magician, is, in the French romances, Messire Queux, the chief of the cooks; and in the Mabinogion,[A] he is at one time but an unlucky knight of more valour than discretion, and at another time attains the dignity assigned to him in the Triads, and exults in supernatural attributes. And poor Gawaine himself, the mirror of chivalry, in most of the Fabliaux is, as Southey observes, "shamefully calumniated" in the MORT D'ARTHUR as the "false Gawaine." The Caradoc of this poem is not intended to be identified with the hero Caradoc Vreichvras. The name was sufficiently common in Britain (it is the right reading for Caractacus) to allow to the use of the poet as many Caradocs as he pleases.

13.—Page 216, stanza ciii.

Frank youth, high thoughts, crown'd Nature's kings in both.

Lancelot was, indeed, the son of a king, but a dethroned and a tributary one. The popular history of his infancy will be told in a subsequent book.

14.—Page 216, stanza cvii.

Welcome BAL-HUAN back to yon sweet sky.

Bal-Huan, the sun. Those heaps of stone found throughout Britain (Crugiau or Carneu), were sacred to the sun in the Druid worship, and served as beacons in his honour on May eve. May was his consecrated month. The rocking-stones which mark these sanctuaries were called amber-stones.

15.—Page 216, stanza cvii.

May fill with joy the VALE OF MELODY.

Cwm-pPenllafar, the Vale of Melody—so called (as Mr. Pennant suggests) from the music of the hounds when in full cry over the neighbouring Rock of the Hunter.

NOTES TO BOOK II.

1.—Page 218, stanza iii.

By lips as gay the Hirlas horn is quaft.

The Hirlas, or drinking-horn, made of the buffalo horn, enriched with gold or silver. The Hirlas song of "Owen Prince of Powys" is familiar to all lovers of Welch literature.

2.—Page 219, stanza viii.

Therein Sir Brut, expell'd from flaming Troy.

Caradoc's version of the descent of Brut differs somewhat from that of Geoffrey of Monmouth, but perhaps it is quite as true. According to Geoffrey, Brut is great-grandson to Æneas, and therefore not expelled from "flaming Troy." Caradoc follows his own (no doubt authentic) legends, also, as to the aboriginal population of the island, which, according to Geoffrey, were giants, not devils. The cursory and contemptuous way in which that delicious romance-writer speaks of these poor giants is inimitable—"Albion a nemine, exceptis paucis gigantibus, inhabitabatur."—"Albion was inhabited by nobody—except, indeed, a few giants!"

3.—Page 219, stanza viii.

And bids that Saint, who now speaks Welch on high.

Saint BRAN, the founder of one of the three sacred lineages of Britain, was the first introducer of Christianity among the Cymry.

4.—Page 223, stanza xxxv.

And thou, fair favourite in the Fairy court.

Gwyn-ab-nudd, the king of the fairies. He is, also, sometimes less pleasingly delineated as the king of the infernal regions; the Welch Pluto—much the same as, in the chivalric romance-writers, Proserpine is sometimes made the queen of the fairies.

5.—Page 226, stanza lv.

"Arthur my name, from YNYS VEL I come.

Ynys Vel; one of the old Welch names for England.

6.—Page 227, stanza lxv.

"A witch."—"All women till they're wed are witches!

The witch MOURGE, or MORGANA (historically ANNA), was Arthur's sister.

7.—Page 228, stanza lxxiv.

Loud neigh'd the destrier at the welcome clang.

Destrier;—This word has been objected to, but it is so familiarly used by our Anglo-Norman minstrels, as well as by the great Masters of romantic poetry, that I have ventured, though not without diffidence, to retain it. MONTAIGNE, in his chapter on "the Warhorses called Destriers," derives the word from the Latin Dextrarius.

NOTES TO BOOK III.

1.—Page 243, stanza xlviii.

Pass from the spear-storm to The Golden Hall!

Walhalla.

2.—Page 243, stanza xlix.

Were cross'd by SKULDA, in the baleful skein.

Skulda, the Norna, or Destiny, of the Future.

3.—Page 243, stanza xlix.

Of him who dares 'The Choosers of the Slain.'

The Valkyrs, the Choosers of the Slain, who ride before the battle, and select its victims; to whom, afterwards (softening their character), they administer in Walhalla.

4.—Page 245, stanza lx.

When Cæsar bridged with marching steel the Rhine.

Plut. in vit. Cæs.—CÆS. Comment. lib. iv.

5.—Page 246, stanza lxxi.

So bloom'd the Hours, when from the heaving sea.

Hom. Hymn.

6.—Page 246, stanza lxxii.

Or shy Napææ, startled from their sleep.

Napææ, the most bashful of all the rural nymphs; their rare apparition was supposed to produce delirium in the beholder.

7.—Page 247, stanza lxxv.

A wise Etrurian chief, forewarn'd ('twas said)

By his dark Cære, from the danger fled.

Cære of the twelve cities in the Etrurian league (though not originally an Etrurian population), imparted to the Romans their sacred mysteries: hence the word Cæremonia. This holy city was in close connection with Delphi. An interesting account of it under its earlier name "Agylla," will be found in Sir W. Gell's "Topography of Rome and its vicinity." The obscure passage in Plutarch's Life of Sylla, which intimates that the Etrurian soothsayers had a forewarning of the declining fates of their country, is well known to scholars; who have made more of it than it deserves.

I may as well observe that the adjective Lartian is derived from Lars (or lord), in contradistinction to the adjective Larian derived from Lar (or household god).

8.—Page 248, stanza lxxxi.

His rod the Augur waves above the ground,

And cries, "In Tina's name I bless the soil."

Tina was the Jove of the Etrurians. The mode in which this people (whose mysterious civilization so tasks our fancy and so escapes from our researches) appropriated a colony, is briefly described in the text. The Augur made lines in the air due north, south, east, and west, marked where the lines crossed upon the earth; then he and the chiefs associated with him sate down, covered their heads, and waited some approving omen from the gods. The Etrurian Augurs were celebrated for their power over the electric fluid. The vulture was a popular bird of omen in the founding of colonies. See NIEBUHR, MULLER, &c.

9.—Page 248, stanza lxxxiv.

Tombs only speak the Etrurian's language;—hurl'd.

The Etrurian language perished between the age of Augustus and that of Julian.—LEITCH'S Muller on Ancient Art.

10.—Page 248, stanza lxxxiv.

To dust the shrines of Naith;—the serpents hiss.

Naith, the Egyptian goddess.

11.—Page 249, stanza lxxxix.

The Hister's lyre still thrill'd with Camsee's lays.

Hister, the Etruscan minstrel.—CAMSEE, CAMESE, or CAMŒSE, the mythological sister of Janus (a national deity of the Etrurians), whose art of song is supposed to identify her with the Camœna or muse of the Latin poets.—ARRETIUM, celebrated for the material of the Etruscan vases.

12.—Page 249, stanza xciii.

and all the honours of the race

Lend their last bloom to smile in Ægle's face.

The Etrurians paid more respect to women than most of the classical nations, and admitted females to the throne. The Augur (a purely Etruscan name and office) was the highest power in the state. In the earlier Etruscan history, the Augur and the king were unquestionably united in one person. Latterly, this does not appear to have been necessarily (nor perhaps generally) the case. The king (whether we call him lars or lucumo), as well as the augur, was elected out of a certain tribe, or clan; but in the strange colony described in the poem, it is supposed that the rank has become hereditary in the family of the chief who headed it, as would probably have been the case even in more common-place settlements in another soil. Thus, the first Etrurian colonist, Tarchun, no doubt had his successors in his own lineage.

I cannot assert that Ægle is a purely Etruscan name; it is one common both with the Greeks and Latins. In Apollodorus (ii. 5) it is given to one of the Hesperides, and in Virgil (Eclog. vi. l. 20) to the fairest of the Naiads, the daughter of the sun; but it is not contrary to the conformation of the Etruscan language, as, by the way, many of the most popular Latinized Etruscan words are, such as Lucumo, for Lauchme; and even Porsena, or, as Virgil (contrary to other authorities) spells and pronounces it, Pors[~e]nna (a name which has revived to fresh fame in Mr. Macaulay's noble "Lays") is a sad corruption; for, as both Niebuhr and Sir William G. remark, the Etruscans had no o in their language. Pliny informs us that they supplied its place by the v. I apprehend that an Etrurian would have spelt Porsena Pvrsna.[B]

13.—Page 250, stanza xcvii.

The Gods had care of their Tagetian child!

Tages—the tutelary genius of the Etrurians. They had a noble legend that Tages appeared to Tarchun, rising from a furrow beneath his plough, with a man's head and a child's body; sung the laws destined to regulate the Etrurian colonist, then sunk, and expired. In Ovid's Metamorphoses (xvi. 533) Tages is said to have first taught the Etrurians to foretell the future.

14.—Page 250, stanza c.

The fane of Mantu form'd the opposing bound.

MANTU, or MANDU, the Etrurian God of the Shades.

15.—Page 251, stanza ciii.

He leaves the bright hall where the Æsars dwell.

Æsars, the name given collectively to the Etrurian deities.—SUET. AUG. 97. DIO. CASS. xxvi. p. 589.

16.—Page 251, stanza cv.

Of that bright Wanderer from the Olympian sky.

Apollo.

17.—Page 251, stanza cvii.

Those forms of dark yet lustrous loveliness.

Whatever the original cradle of the mysterious Etrurians, scholars, with one or two illustrious exceptions, are pretty well agreed that it must have been somewhere in the East; and the more familiar we become with the remains of their art, the stronger appears the evidence of their early and intimate connection with the Egyptians, though in themselves a race decidedly not Egyptian. See MICALI, Stor. deg. Antich. Pop. But in referring to this delightful and learned writer, to whom I am under many obligations in this part of my poem, I must own, with such frankness as respect for so great an authority will permit, that I think many of his assumptions are to be taken with great qualification and reserve.

NOTES TO BOOK IV.

1.—Page 255, stanza xi.

Like that in which the far SARONIDES.

Saronides—the Druids of Gaul: "The Samian Sage"—PYTHAGORAS.. The Augur is here supposed to speak Phœnician as the parent language of Arthur's native Celtic. See note 2.

2.—Page 255, stanza xi.

Exchanged dark riddles with the Samian sage.

Diodorus Siculus speaks with great respect of the SARONIDES as the Druid priests of Gaul; and Mr. Davis, in his Celtic Researches, insists upon it that Saronides is a British word, compounded from sêr, stars; and honydd, "one who discriminates or points out:" in fine, according to him, the Saronides are Seronyddion, i. e. astronomers. For the initiation of Pythagoras into the Druid mysteries, see CLEM. ALEX. Strom. L. i. Ex. Alex. Polyhist. It will be observed that the author here takes advantage of the well-known assertions of many erudite authorities that the Phœnician language is the parent of the Celtic, in order to obtain a channel of oral communication between Arthur and the Etrurian;[C] though, contented with those authorities, as sufficing for all poetic purpose, he prudently declines entering into a controversy equally abstruse and interminable, as to the affinity between the countrymen of Dido and the scattered remnants of the Briton. It is not surprising that the Augur should know Phœnician, for we have only to suppose that he maintained, as well as he could in his retreat, the knowledge common among his priestly forefathers. The intercourse between Etruria and the Phœnician states (especially Carthage) was too considerable not to have rendered the language of the last familiar to the learning of the first;—to say nothing of those more disputable affinities of origin and religion, which, if existing, would have made an acquaintance with Phœnicia necessary to the solution of their historical chronicles and sacred books. Nor, when the Augur afterwards assures Arthur that Ægle also understands Phœnician, is any extravagant demand made upon the credulity of the indulgent reader; for, those who have consulted such lights as research has thrown upon Etrurian records, are aware that their more high-born women appear to have received no ordinary mental cultivation.

3.—Page 256, stanza xiv.

In LUNA'S gulf, the sea-beat crews carouse.

Luna, a trading town on the gulf of Spezia, said to have been founded by the Etrurian Tarchun.—See STRABO, lib. v.; CAT. Orig. XXV. In a fragment of Ennius, Luna is mentioned. In Lucan's time it was deserted, "desertæ mœnia Lunæ."—LUC. i. 586.

4.—Page 256, stanza xiv.

Cœre foretold hath come RASENA!

Rasena was the name which the Etrurians gave to themselves.—TWISS'S NIEBUHR, vol. i. c. vii. MULLER, die Etrüsker: DION. i. 30.

5.—Page 256, stanza xviii.

The bliss that Northia singles for your lot.

Northia, the Etrurian deity which corresponds with the FORTUNE of the Romans, but probably with something more of the sterner attributes which the Greek and the Scandinavian gave to the FATES. I cannot but observe here on the similarity in sound and signification between the Etrurian Northia and the Norna of the Scandinavians. Norna with the last is the general term applied to Fate. The Etrurian name for the deities collectively—ÆSARS, is not dissimilar to that given collectively to their deities by the Scandinavians; viz. ÆSIR, or ASAS.

6.—Page 257, stanza xix.

Spite of the Knight of Thrace,—Sir Belisair.

Belisarius, whose fame was then just rising under Justinian. The Ostrogoth, Theodoric, was on the throne of Italy.

7.—Page 257, stanza xxii.

"Ah," said the Augur—"here, I comprehend

Egypt, and Typhon, and the serpent creed!

It is clear that all which the bewildered Augur could comprehend, in the theological relations by which Arthur (no doubt with equal glibness and obscurity) relieves his historical narrative, would be that, in "worsting Satan," the Emperor of Greece is demolishing the Typhon worship of the Egyptians, and enforcing the adoration of the Dorian Apollo—that deity who had passed a probation on earth, and expiated a mysterious sin by descending to the shades; and it would require a more erudite teacher than we can presume Arthur to be, before the Augur would cease to confuse with the Pagan divinity the Divine Founder of the Christian gospel.

8.—Page 259, stanza xxxiii.

Astolfo spoke from out the bleeding tree.

Ariosto, canto vi.

9.—Page 259, stanza xxxvi.

Lo, now where pure Sabrina on her breast.

Sabrina, the Severn; whose legendary tale Milton has so exquisitely told in the Comus.—ISCA, the Usk.

10.—Page 259, stanza xxxviii.

Drawn on the sands lay coracles of hide.

The ancient British boats, covered with coria or hydes—"The ancient Britons," as Mr. Pennant observes, "had them of large size, and even made short voyages in them, according to the accounts we receive from Lucan."—PENNANT, vol. i. p. 303.

11.—Page 260, stanza xl.

In Cymrian lands—where still the torque of gold.

The twisted chain, or collar, denoted the chiefs of all the old tribes known as Gauls to the Romans. It is by this badge that the critics in art have rightly decided that the statue called "The Dying Gladiator" is in truth meant to personify a wounded Gaul. The collar, or torque, was long retained by the chiefs of Britain—and allusions to it are frequent in the songs of the Welsh.

12.—Page 261, stanza xlviii.

The story heard, the son of royal BAN.

According to the French romance-writers, Lancelot was the son of King Ban of Benoic, a tributary to the Cymrian crown. The Welch claim him, however, as a national hero, in spite of his name, which they interpret as a translation from one of their own—Paladr-ddelt, splintered spear. (LADY C. GUEST'S Mabinogion, vol. i. p. 91.) In a subsequent page, Lancelot tells the tale (pretty nearly as it is told in the French romance) which obtained him the title of "Lancelot of the Lake."—See note in ELLIS'S edition of WAY'S Fabliaux, vol. ii. p. 206.

13.—Page 265, stanza lxxvi.

On earth's far confines, like the Tree of Dreams.

"In medio ramos," &c.—VIRGIL, lib. vi. 282.

"An elm displays her dusky arms abroad,

And empty dreams on every leaf are spread."—DRYDEN.

14.—Page 265, stanza lxxx.

To the wild faith of Iran's Zendavest.

Zendavest. Compare the winged genius of the Etrurians with the Feroher of the Persians, in the sculptured reliefs of Persepolis. (See HEEREN'S Historical Researches, art. Persians.) MICALI, vol. ii. p. 174, points out some points of similarity between the Persian and Etrurian cosmogony. It was peculiar to the Etrurians, amongst the classic nations of Europe, to delineate their deities with wings. Even when they borrowed some Hellenic god, they still invested him with this attribute, so especially Eastern.

15.—Page 266, stanza lxxxiii.

Seem'd as the thread in fairy tales, which strung.

In a legend of Bretagne, a fairy weaves pearls round a sunbeam, to convince her lover of her magical powers.

16.—Page 267, stanza xc.

Of Morn's sweet Maid had died, look'd calm above.

Hom. Odys., lib. v.

17.—Page 267, stanza xciii.

O'er the Black Valley, demon shadows fleet.

Cwm Idwal (in Snowdonia). "A fit place to inspire murderous thoughts,—environed with horrible precipices shading a lake lodged in its bottom. The shepherds fable that it is the haunt of demons, and that no bird dare fly over its damned waters."—PENNANT, vol. iii. p. 324.

18.—Page 269, stanza cvi.

No more from Mantu Pales shall control.

Mantu, the God of the Shades—PALES, the Pastoral Deity.

NOTES TO BOOK V.

1.—Page 273, stanza iii.

First, Muse of Cymri, name the Council Three.

Three counselling knights were in the court of Arthur, which were Cynon the son of Clydno Eiddin, Aron the son of Kynfarch ap Meirchion-gul, and Llywarch hen the son of Elidir Lydanwyn, &c.—Note in LADY CHARLOTTE GUEST'S edition of the Mabinogion, vol. i. p. 93. In the text, for the sake of euphony to English ears, for the name of Llywarch is substituted that of his father, Elidir.

2.—Page 275, stanza xii.

Next came the Warrior Three. Of glory's charms.

Three knights of battle were in the court of Arthur; Cadwr the Earl of Cornwall, Lancelot du Lac, and Owaine the son of Urien Rheged; and this was their characteristic, that they would not retreat from battle, neither for spear, nor for arrow, nor for sword; and Arthur never had shame in battle the day he saw their faces there, &c.—LADY C. GUEST'S Mabinog., vol. i. p. 91. In the poem, for Lancelot of the Lake, whose fame is not yet supposed to be matured, is substituted the famous Geraint, the hero of a former generation.

3.—Page 275, stanza xii.

Dark Mona's Owaine shines with golden arms.

Owaine's birth-place and domains are variously surmised: in the text they are ascribed to Mona (Anglesea). St. Palaye, concurrently both with French fabliasts and Welch bards, makes this hero very fond of the pomp and blazonry of arms, and attributes to him the introduction of buckles to spurs, furred mantles, and the use of gloves.

4.—Page 275, stanza xiii.

In his plain manhood Cornwall's chief is seen.

Cadwr.

5.—Page 275, stanza xv.

Next the three Chiefs of Eloquence; the kings.

There were three golden-tongued knights in the court of Arthur—Gwalchmai (Gawaine), Drudwas, and Eliwlod.[D]—LADY C. GUEST'S Mabinog., note, vol. i. p. 118.

6.—Page 276, stanza xix.

"The KNIGHTS OF LOVE;" some type the name conveys.

The three ardent lovers of the island of Britain—Caswallawn, Tristan, and Cynon (for the last, already placed amongst the counselling knights, Caradoc is substituted).—LADY C. GUEST'S Mabinog., vol. i. note to p. 94.

7.—Page 276, stanza xix.

Caswallawn; Trystan of the lion rock.

Trystan's birth-place, Lyonness, is supposed to have been that part of Cornwall since destroyed by the sea. See Southey's note to Morte d'Arthur, vol. ii. p. 477.

8.—Page 279, stanza xlv.

In Castel d'Asso's vale of hero-tombs.

Castel d'Asso (the Castellum Axia, in Cicero), the name now given to the valleys near Viterbo, which formed the great burial-place of the Etrurians. Near these valleys, and, as some suppose, on the site of Viterbo, was Voltumna (Fanum Voltumnæ), at which the twelve sovereigns of the twelve dynasties, and the other chiefs of the Etrurians, met in the spring of every year. Views of the rock-temples at Norchea, in this neighbourhood, are to be seen in INGHIRAMI'S Etrusc. Antiq.

9.—Page 280, stanza xlvii.

Here SETHLANS, sovereign of life's fix'd domains.

Sethlans, the Etrurian Vulcan. He appears sometimes to assume the attributes of Terminus, though in a higher and more ethereal sense—presiding over the bounds of life, as Terminus over those of the land.

10.—Page 280, stanza lii.

On the Fork'd Hill), abjures his genial smile.

Tinia, the Etrurian Bacchus (son of Tina), identified symbolically with the god of the infernal regions. In the funeral monuments he sometimes assumes the most fearful aspect. The above description of the Etrurian Hades, with its eight gates, is taken in each detail from vases and funeral monuments, most of which are cited by MICALI.

11.—Page 285, stanza lxxxii.

Woe on the helmet-crown of Dorian kings!

In moonless nights, every eighth year, the Spartan Ephors consulted the heavens; if there appeared the meteor, which we call the shooting-star, they adjudged their kings to have committed some offence against the gods, and suspended them from their office till acquitted by the Delphic oracle, or Olympian priests.—PLUT. Agis, 11; MULLER'S Dorians, b. iii. c. 6.

12.—Page 287, stanza c.

Etrurian Næniæ, load the lagging wind.

Næniæ, the funeral hymns borrowed by the Romans from the Etrurians.

13.—Page 288, stanza vi.

Bright Cupra braids thy hair.

Cupra, or Talna, corresponding with Juno, the nuptial goddess.

NOTES TO BOOK VI.

1.—Page 293, stanza ii.

Stretch'd o'er the steel-clad hush their swordless hands.

See Tacitus, lib. xiv. cap. 30, for the celebrated description of the attack on the Druids, in their refuge in Mona, under Publius Suetonius.

2.—Page 296, stanza xxv.

"You know the proverb—'birds of the same feather,'

A proverb much enforced in penal laws.

In Welch laws it was sufficient to condemn a person to be found with notorious offenders.

3.—Page 299, stanza xl.

'Twould favour white, and raise the deuce in black.

If the celebrated controversy between Black and White, which divided the Cymrian church in King Arthur's days, should seem to suggest a parallel instance in our own,—the Author begs sincerely to say that he is more inclined to grieve than to jest at a schism which threatens to separate from so large a body of the upholders of the English church the abilities and learning of no despicable portion of the English clergy. There is a division more dangerous than that between theologian and theologian—viz., a division between the Pastors and their flocks—between the teaching of the pulpit and the sympathy of the audience. Far from the Author be the rash presumption to hazard any opinion as to matters of doctrine, on which—such as Regeneration by Baptism—it cannot be expected that, for the sake of expediency or even concord, the remarkable thinkers who have emerged from the schools of Oxford should admit of compromise;—but he asks, with the respect due to zeal and erudition, whether it be worth while to inflame dispute, and risk congregations—for the colour of a gown?

4.—Page 300, stanza lii.

(If wine this be) ye come from HUERDAN'S shore.

Huerdan, i. e. Ireland, pronounced, in the Poem, as a dissyllable.

5.—Page 306, stanza xcv.

But never yet the dog our bounty fed

Betray'd the kindness or forgot the bread.

The whole of that part of Sir Gawaine's adventures, which includes the incidents of the sword and the hound, is borrowed (with alterations) from one of LE GRAND'S Fabliaux.

6.—Page 307, stanza c.

Of evil fame was Nannau's antique tree,

Yet styled the "hollow oak of demon race."

In the domain of Nannau (which now belongs to the Vaughans) was standing, to within a period comparatively recent, the legendary oak called Derwen Ceubren yr Ellyll—the hollow oak, the haunt of demons.

7.—Page 307, stanza ci.

Or prison'd Mawddach clangs his triple chain.

Mawddach, with its three waterfalls.

8.—Page 308, stanza ciii.

And herds of deer as slight as Jura's roe.

The deer in the park of Nannau are singularly small.

9.—Page 312, stanza cxxvii.

Thor ever nursed, or Rana ever knew.

Ran, or Rana, the malignant goddess of the sea, in Scandinavian mythology.

NOTES TO BOOK VII.

1.—Page 314, stanza iii.

Or the Nymph-mother of the silver feet.

'The silver-footed Thetis.'—HOMER.

2.—Page 322, stanza lvii.

An armèd King—three lions on his shield—

Richard Cœur de Lion;—poetically speaking, the mythic Arthur was the Father of the age of adventure and knighthood—and the legends respecting him reigned with full influence in the period which Richard Cœur de Lion here (generally and without strict prosaic regard to chronology) represents; from the lay of the Troubadour and the song of the Saracen—to the final concentration or chivalric romance in the muse of Ariosto.

NOTES TO BOOK VIII.

1.—Page 332, stanza xi.

Frank were those times of trustful Chevisaunce.

Chevisaunce.—SPENSER.

2.—Page 332, stanza xiv.

Roved the same pastures when the Mead-month smiled.

The MEAD-MONTH, June.

3.—Page 334, stanza xxv.

And the strong seid compell'd revealing ghosts.

Magic.

4.—Page 334, stanza xxvii.

Till the Last Twilight darken round the Gods.

At Ragnarök, or the Twilight of the Gods, the Aser and the Giants are to destroy each other, and the whole earth is to be consumed.

5.—Page 334, stanza xxviii.

Stands my great Sire—the Saxon's Herman-Saul.

Herman-Saul (or Saule), often corruptly written Irminsula, Armensula, &c., the name of the celebrated Teuton Idol, representing an armed warrior on a column, destroyed by Charlemagne, A.D. 772.

6.—Page 334, stanza xxix.

Far from our dangers Astrild woos thy hand.

Astrild, the Cupid of the Northern Mythology.

7.—Page 334, stanza xxxi.

Than Beorn, the Incarnate Fenris of the main.

Fenris, the Demon Wolf, Son of Asa Lok.

8.—Page 336, stanza xliv.

Dark, save when swift and sharp, and griding through.

Griding.—MILTON. "The griding sword with discontinuous wound," &c.

9.—Page 338, stanza lv.

Lonely he strays till Æthra sees again

Her starry children smiling on the main.

Both the Pleiades and the Hyades are said to be the daughters of Æthra, one of the Oceanides, by Atlas.

10.—Page 338, stanza lviii.

Reign storm-girt Arcas, and the Mother Star.

Ursa Major and Ursa Minor, near the North Pole, supposed by the Poets to be Arcas and his mother.

11.—Page 339, stanza lxiv.

And from the rapture woke!—All fiercely round, &c.

The reader will perhaps perceive, that the above passage, containing the Vision of Ægle, is partially borrowed from the apparition of Clorinda, in TASSO.—Cant. xii.

12.—Page 341, stanza lxxx.

Is it the Freya, whom your scalds have sung.

Freya is the goddess of love, beauty, and Hymen; the Scandinavian Venus.

13.—Page 343, stanza xc.

O Dog skoinophagous—a tooth for mine!—

Id est, "rope-eating"—a compound adjective borrowed from such Greek as Sir Gawaine might have learned at the then flourishing college of Caerleon. The lessons of education naturally recur to us in our troubles.

NOTES TO BOOK IX.

1.—Page 346, stanza i.

Form'd of the frost-gems ages labour forth

The mountains of hard and perfect ice are the gradual production, perhaps, of many centuries.—LESLIE'S Polar Seas and Regions.

2.—Page 346, stanza ii.

Here did the venturous Ithacan explore.

Ulysses. Odys., lib. xi.

3.—Page 347, stanza iii.

And, with the birth of fairy forests rife,

Blushes the world of white.

The phenomenon of the red snow on the Arctic mountains is formed by innumerable vegetable bodies; and the olive green of the Greenland Sea by Medusan animalcules, the number of which Mr. Scoresby illustrates by supposing that 80,000 persons would have been employed since the creation in counting it.—See LESLIE.

4.—Page 347, stanza iv.

The morse emerging rears the face of man.

The Morse, or Walrus, supposed to be the original of the Merman; from the likeness its face presents at a little distance to that of a human being.

5.—Page 347, stanza viii.

Floats the vast ice-field with its glassy blink.

The ice-blink seen on the horizon.

6.—Page 348, stanza xiii.

While the dire pest-scourge of the frozen zone.

Though the fearful disease known by the name of the scurvy is not peculiar to the northern latitudes; and Dr. Budd has ably disproved (in the Library of Practical Medicine) the old theory that it originated in cold and moisture; yet the disease was known in the north of Europe from the remotest ages, while no mention is made of its appearance in more genial climates before the year 1260.

7.—Page 349, stanza xxii.

And round and round the bark the narwal sweeps.

The Sea Unicorn.

8.—Page 350, stanza xxv.

front after front they rise

With their bright stare.

The eye of the Walrus is singularly bright.

9.—Page 351, stanza xxxvii.

The ravening glaucus sudden shooting o'er.

The Larus Glaucus, the great bird of prey in the Polar regions.

10.—Page 352, stanza xl.

Blithe from the turf the Dove the blessèd leaves.

Herbs which act as the antidotes to the scurvy (the cochlearia, &c.) are found under the snows, when all other vegetation seems to cease.

11.—Page 354, stanza liv.

The earthlier half, its own and Heaven's before.

In allusion to the well-known Platonic fancy, that love is the yearning of the soul for the twin soul with which it was united in a former existence, and which it instinctively recognizes below. Schiller, in one of his earlier poems, has enlarged on this idea with earnest feeling and vigorous fancy.

12.—Page 357, stanza lxxiii.

Ice-blocks the walls, and hollow'd ice the roof!

The houses of the Esquimaux who received Captain Lyon were thus constructed:—the frozen snow being formed into slabs of about two feet long and half a foot thick; the benches were made with snow, strewed with twigs, and covered with skins; and the lamp suspended from the roof, fed with seal or walrus oil, was the sole substitute for the hearth, and furnished light and fire for cooking.

The Esquimaux were known to the settlers and pirates of Norway by the contemptuous name of dwarfs or pigmies—(Skrœllings).

13.—Page 358, stanza lxxxi.

which certain Norway hags

Had squeezed from heaven and bottled up in bags.

A well-known popular superstition, not, perhaps, quite extinct at this day, amongst the Baltic mariners.

14.—Page 360, stanza xciv.

"I was shot

Into a ridge of what they call a floe.

The smaller kind of ice-field is called by the northern whale-fishers "a floe,"—the name is probably of very ancient date.

15.—Page 361, stanza cii.

"The dwarfs, deliver'd, kneel, and pull their noses.

A salutation still in vogue among certain tribes of the Esquimaux.

NOTES TO BOOK X.

1.—Page 366, stanza iii.

A second Sun his lurid front uprears!

The apparition of two or more suns in the polar firmament is well known. Mr. Ellis saw six—they are most brilliant at daybreak—and though diminished in splendour, are still visible even after the appearance of the real sun.

2.—Page 369, stanza xxvi.

And tread where erst the Sire of freemen trod.

Thor's visit to the realms of Hela and Lok forms a prominent incident in the romance of Scandinavian mythology.

3.—Page 370, stanza xxxvii.

Enormous couch'd fang'd Iguanodon.

Dr. Mantell, in his "Wonders of Geology," computes the length of the Iguanodon (formerly an inhabitant of the Wealds of Sussex) at one hundred feet.

4.—Page 371, stanza xxxix.

Herds, that through all the thunders of the surge.

The Deinotherium—supposed to have been a colossal species of hippopotamus.

5.—Page 371, stanza xli.

The Troll's swart people, in their inmost home.

In Scandinavian mythology, the evil spirits are generally called Trolls (or Trolds). The name is here applied to the malignant race of Dwarfs, whose homes were in the earth, and who could not endure the sun.

6.—Page 373, stanza liii.

Dreamless of thrones—and the fierce Visigoth.

Visigoth, poeticè for the Spanish ravagers of Mexico and Peru.

7.—Page 373, stanza liv.

Calm brows that brood the doom of breathless kings!

Napoleon.

8.—Page 377, stanza lxxxvi.

That calm grand brow the son of Ægir eyed.

Ægir, the God of the Ocean, the Scandinavian Neptune.

9.—Page 380, stanza ciii.

And bloodstain'd altars cursed the mountain sod.

The testimony to be found in classical writers as to the original purity of the Druid worship, before it was corrupted into the idolatry which existed in Britain at the time of the Roman conquest, is strongly corroborated by the Welsh triads. These triads, indeed, are of various dates, but some bear the mark of a very remote antiquity—wholly distinct alike from the philosophy of the Romans and the mode of thought prevalent in the earlier ages of the Christian era; in short, anterior to all the recorded conquests over the Cymrian people. These, like proverbs, appear the wrecks and fragments of some primæval ethics, or philosophical religion. Nor are such remarkable alone for the purity of the notions they inculcate relative to the Deity; they have often, upon matters less spiritual, the delicate observation, as well as the profound thought, of reflective wisdom. It is easy to see in them how identified was the Bard with the Sage—that rare union which produces the highest kind of human knowledge. Such, perhaps, are the relics of that sublimer learning which, ages before the sacrifice of victims in wicker idols, won for the Druids the admiration of the cautious Aristotle, as ranking among the true enlighteners of men—such the teachers who (we may suppose to have) instructed the mystical Pythagoras; and furnished new themes for meditation to the musing Brahman. Nor were the Druids of Britain inferior to those with whom the Sages of the western and eastern world came more in contact. On the contrary, even to the time of Cæsar, the Druids of Britain excelled in science and repute those in Gaul; and to their schools the Neophytes of the Continent were sent.

In the Stanzas that follow the description of the more primitive Cymrians, it is assumed that the rude Druid remains now existent (as at Stonehenge, &c.), are coeval only with the later and corrupted state of a people degenerated to idol-worship, and that the Cymrians previously possessed an architecture, of which no trace now remains, more suited to their early civilization. If it be true that they worshipped the Deity only in his own works, and that it was not until what had been a symbol passed into an idol, that they deserted the mountain-top and the forest for the temple, they would certainly have wanted the main inducement to permanent and lofty architecture. Still it may be allowed, at least to a poet, to suppose that men so sensible as the primitive Saronides, would have held their schools and colleges in places more adapted to a northern climate than their favourite oak groves.

10.—Page 380, stanza civ.

And wing'd the shaft of Scythian Abaris.

The arrow of Abaris (which bore him where he pleased) is supposed by some to have been the loadstone. And Abaris himself has been, by some ingenious speculators, identified with a Druid philosopher.

NOTES TO BOOK XI.

1.—Page 386, stanza xxviii.

Hung on the music, nor divined the death?

See Book ii. pp. 57, 58, from stanza xxvii. to stanza xxx.

2.—Page 388, stanza xxxix.

Because that soul refined man's common air!

Perhaps it is in this sense that Taliessin speaks in his mystical poem called "Taliessin's History," still extant:—

"I have been an instructor

To the whole universe.

I shall remain till the day of doom

On the face of the earth."

3.—Page 389, stanza xlviii.

And smote the Heathen with the Angel's sword.

The Bishops Germanus and Lupus, having baptized the Britains in the river Alyn, led them against the Picts and Saxons, to the cry of "Alleluia." The cry itself, uttered with all the enthusiasm of the Christian host, struck terror into the enemy, who at once took to flight. Most of those who escaped the sword perished in the river. This victory, achieved at Maes-Garmon, was called "Victoria Alleluiatica."—BRIT. ECCLES. ANTIQ., 335; BED., lib. i. c. i. 20.

4.—Page 389, stanza xlix.

Flash'd the glad claymores, lightening line on line.

"The claymore of the Highlanders of Scotland was no other than the cledd mawr (cle'mawr) of the Welch."—CYMRODORION, vol. ii. p. 106.

5.—Page 390, stanza lii.

No mail defends the Cymrian Child of Song.

No Cymrian bard, according to the primitive law, was allowed the use of weapons.

6.—Page 390, stanza lvii.

And Tudor's standard with the Saxon's head.

The old arms of the Tudors were three Saxons' heads.

7.—Page 393, stanza lxxiii.

"Lo, Saxons, lo, what chiefs these Walloons lead!"

Walloons,—the name given by the Saxons, in contumely, to the Cymrians.

8.—Page 399, stanza cxvi.

'And what is death?—a name for nothingness."

The sublime idea of the nonentity of death, of the instantaneous transit of the soul from one phase and cycle of being to another, is earnestly insisted upon by the early Cymrian bards, in terms which seem borrowed from some spiritual belief anterior to that which does in truth teach that the life of man once begun, has not only no end, but no pause—and, in the triumphal cry of the Christian, "O grave, where is thy victory!"—annihilates death.

NOTES TO BOOK XII.

1.—Page 417, stanza xl.

"The watch-pass 'Vingólf' wins thee thro' the van.

Vingolf. Literally, "The Abode of Friends;" the name for the place in which the heavenly goddesses assemble.

2.—Page 419, stanza liv.

What rites appease thee, Father of the Slain?

Father of the Slain, Valfader.—Odin.

3.—Page 420, stanza lxiv.

Her sisters tremble at the Urdar spring.

"Her sisters tremble," &c.,—that is, the other two Fates (the Present and the Past) tremble at the Well of Life.

4.—Page 424, stanza lxxxix.

To all the valiant Gladsheim's Halls unclose.

Gladsheim, Heaven: Walhalla ("the Hall of the Chosen") did not exclude brave foes who fell in battle.

5.—Page 425, stanza xcvi.

The Læca shines beside the bautasten.

The SCIN LÆCA, or shining corpse, that was seen before the bautasten, or burial-stone of a dead hero, was supposed to possess prophetic powers, and to guard the treasures of the grave.

6.—Page 429, stanza cxxiii.

Thy post with Odin—mine with Managarm!

Managarm, the Monster Wolf (symbolically, WAR). "He will be filled with the blood of men who draw near their end," &c. (PROSE EDDA).

7.—Page 430, stanza cxxxii.

And the last Fire-God and the Flaming Sword!

"And the last Fire-God and the Flaming Sword," i.e., Surtur the genius, who dwells in the region of fire (Muspelheim), whose flaming sword shall vanquish the gods themselves in the last day. (PROSE EDDA).

8.—Page 431, stanza cxxxv.

And ghastly legends teem with tales of FAUL!

Faul is indeed the name of one of the malignant Powers peculiarly dreaded by the Saxons.

9.—Page 431, stanza cxxxvi.

From the paled ranks, that evil Bode dismay'd.

"Bode," Saxon word for Messenger.

10.—Page 433, stanza clv.

The wings of Muspell to consume the world.

Muspell, Fire; the final destroyer.

11.—Page 439, stanza cxcii.

All save the Cymrian's Ararat—Wild Wales!

"Their Lord they shall praise,

And their language they shall preserve;

Their land they shall lose,

Except Wild Wales!"

PROPHECY OF TALIESSIN.

12.—Page 439, stanza cxciv.

Thy dauntless blood through Gwynedd's chiefs shall roll.

This prediction refers to the marriage of the daughter of Griffith ap Llewellyn (Prince of Gwynedd, or North Wales, whose name and fate are not unfamiliar to those who have read the romance of "Harold, the last of the Saxon Kings") with Fleance. From that marriage descended the Stuarts, and indeed the reigning family of Great Britain.

13.—Page 440, stanza cxcix.

From Cymri's Dragon England's power shall date,

And peace be born to Cymri from the Dove.

According to Welch genealogists, Arthur left no son: and I must therefore invite the believer in Merlin's prophecy to suppose that it was by a daughter that Arthur's line was continued, and the royalty of Britain restored to the Cymrian kings, through the House of Tudor; from the accession of which House may indeed be dated both the final and cordial amalgamation of the Welch with the English, and the rise of that power over the destinies of the civilized world, which England has since established. The reader will pardon me, by the way, if I have somewhat perplexed him, now and then, by a similarity between the names of "Genevieve" and "Genevra." Both are used by the writers of the French Fabliaux as synonymous with Guenever; and the more shrewd will perhaps perceive that the reason why the name of Lancelot's mistress has been made almost identical with that of Arthur's, is to vindicate the fidelity of the Cymrian Queen Guenever from that scandal which the levity of French romance has most improperly cast upon it, in connection with Lancelot. It is to be presumed that those ancient slanderers were misled by the confusion of names, and that it was his own Genevra, and not Arthur's Genevieve, who received Lancelot's homage.—But indeed my Lancelot is altogether a different personage from the Lancelot represented in the Fabliaux as Arthur's nephew.

FOOTNOTES

[A] I cannot quote the Mabinogion without expressing a grateful sense of the obligations Lady Charlotte Guest has conferred upon all lovers of our early literature, in her invaluable edition and translation of that interesting collection of British romances.

[B] Dryden, with an accurate delicacy of erudition for which one might scarcely give him credit, does not in his translation follow Virgil's quantity, Porsënna, but makes the word short, Porsëna.

[C] It may perhaps occur to the reader that Latin, with which Arthur (in an age so shortly subsequent to the Roman occupation of Britain) could scarcely fail to be well acquainted, might have furnished a better mode of communication between himself and the Augur. But the Latin language would have been very imperfectly settled at the time of the supposed Etrurian emigration; would have had small connection with the literature, sacred or profane, of the Etrurians; and would long have been despised as a rude medley of various tongues and dialects, by the proud and polished race which the Romans subjected.

[D] The w is to be pronounced as oo.

CORN-FLOWERS.

A COLLECTION OF POEMS.

"The Corn-flower opens as the sheaves are rife;

Song is the twin of golden Contemplation,

The Harvest-flower of life."

BOOK I.

NOTE.

Most of the Poems in this First Book have been recently composed, and hitherto unpublished; and those which have appeared before, have been, some materially altered, all carefully revised.

In the Second Book some Poems were written in early life, and have been but little altered; others—chiefly of a more thoughtful character—are of later date, and are now printed for the first time.

CORN-FLOWERS.

BOOK I.

THE FIRST VIOLETS.

Who that has loved knows not the tender tale

Which flowers reveal, when lips are coy to tell?

Whose youth has paused not, dreaming, in the vale

Where the rath violets dwell?

Lo, where they shrink along the lonely brake,

Under the leafless melancholy tree;

Not yet the cuckoo sings, nor glides the snake,

Nor wild thyme lures the bee;

Yet at their sight and scent entranced and thrall'd,

All June seems golden in the April skies;

How sweet the days we yearn for,—till fulfill'd:

O distant Paradise,

Dear Land to which Desire for ever flees;

Time doth no present to our grasp allow,

Say in the fix'd Eternal shall we seize

At last the fleeting Now?

Dream not of days to come—of that Unknown

Whither Hope wanders—maze without a clue;

Give their true witchery to the flowers;—thine own

Youth in their youth renew.

Avarice, remember when the cowslip's gold

Lured and yet lost its glitter in thy grasp.

Do thy hoards glad thee more than those of old?

Those wither'd in thy clasp,

From these thy clasp falls palsied.—It was then

That thou wert rich—thy coffers are a lie;

Alas, poor fool, Joy is the wealth of men,

And Care their penury.

Come, foil'd Ambition, what hast thou desired?

Empire and power?—O, wanderer, tempest-tost!

These once were thine, when life's gay spring inspired

Thy soul with glories lost.

Let the flowers charm thee back to that rich time

When golden Dreamland lay within thy chart,

When Love bestow'd a realm indeed sublime—

The boundless human heart.

Hark, hark again, the tread of bashful feet!

Hark the boughs rustling round the trysting-place!

Let air again with one dear breath be sweet,

Earth fair with one dear face.

Brief-lived first flowers—first love! The hours steal on

To prank the world in summer's pomp of hue,

But what can flaunt beneath a fiercer sun

Worth what we lose in you?

Oft by a flower, a leaf, in some loved book

We mark the lines that charm us most;—Retrace

Thy life;—recall its loveliest passage;—Look,

Dead violets keep the place!

THE IMAGE ON THE TIDE.

Not a sound is heard

But my heart by thine,

Breathe not a word,

Lay thy hand in mine.

How trembling, yet still,

On the lake's clear tide,

Sleep the distant hill,

And the bank beside.

The near and the far,

Intermingled flow;

The herb and the star

Imaged both below.

So deep and so clear,

Through the shadowy light,

The far and the near

In my soul unite;

The future and past,

Like the bank and hill,

On the surface glass'd,

Though they tremble still;

Disturb not the dream

Of this double whole;

The heav'n in the stream

On my soul thy soul.

The sense cannot count

(As the waters glass

The forest and mount

And the clouds that pass)

The shadows and gleams

In that stilly deep,

Like the tranquil dreams

Of a hermit's sleep.

One shadow alone

On my soul doth fall,—

And yet in the one

It reflects on All.

IS IT ALL VANITY?

Doubting of life, my spirit paused perplext

Let fall its fardell of laborious care,

And the sharp cry of my great trouble vext

Unsympathizing air.

Out on this choice of unrewarded toil,

This upward path into the realm of snow!

Oh for one glimpse of the old happy soil

Fragrant with flowers below!

For what false gold, like alchemists, we yearn,

Wasting the wealth we never can recall,

Joy and life's lavish prime;—and our return?

Ashes, cold ashes, all!

Could youth but dream what narrow burial-urns

Hopes that went forth to conquer worlds should hold,

How in a tomb the lamp Experience burns

Amidst the dust of old!—

Look back, how all the beautiful Ideal,

Sporting in doubtful moonlight, one by one

Fade from the rising of the hard-eyed Real,

Like Fairies from the sun.

Love render'd saintlike by its pure devotion;

Knowledge exulting lone by shoreless seas

And Feelings tremulous to each emotion,

As May leaves to the breeze.

And, oh, that grand Ambition, poet-nurst,

When boyhood's heart swells up to the Sublime,

And on the gaze the towers of Glory first

Flash from the peaks of Time!

Are they then wiser who but nurse the growth

Of joys in life's most common element,

Creeping from hour to hour in that calm sloth

Which Egoists call "Content?"

Who freight for storms no hopeful argosy,

Who watch no beacon wane on hilltops grey,

Who bound their all, where from the human eye

The horizon fades away?

Alas for Labour, if indeed more wise

To drink life's tide unwitting where it flows;

Renounce the arduous palm, and only prize

The Cnidian vine and rose!

Out from the Porch the Stoic cries "For shame!"

What hast thou left us, Stoic, in thy school?

"That pain or pleasure is but in the name?"

Go, prick thy finger, fool!

Never grave Pallas, never Muse severe

Charm'd this hard life like the free, zoneless Grace;

Pleasure is sweet, in spite of every sneer

On Zeno's wrinkled face.

What gain'd and left ye to this age of ours

Ye early priesthoods of the Isis, Truth,—

When light first glimmer'd from the Cuthite's towers;

When Thebes was in her youth?

When to the weird Chaldæan spoke the seer,

When Hades open'd at Heraclean spells,

When Fate made Nature her interpreter

In leaves and murmuring wells?

When the keen Greek chased flying Science on,

Upward and up the infinite abyss?—

Like perish'd stars your arts themselves have gone

Noiseless to nothingness!

And what is knowledge but the Wizard's ring,

Kindling a flame to circumscribe a ground?

The belt of light that lures the spirit's wing

Hems the invoker round.

Ponder and ask again "what boots our toil?"

Can we the Garden's wanton child gainsay,

When from kind lips he culls their rosy spoil

And lives life's holiday?

Life answers "No—if ended here be life,

Seize what the sense can give—it is thine all;

Disarm thee, Virtue, barren is thy strife;

Knowledge, thy torch let fall.

"Seek thy lost Psyche, yearning Love, no more!

Love is but lust, if soul be only breath;

Who would put forth one billow from the shore

If the great sea be—Death?"

But if the soul, that slow artificer

For ends its instinct rears from life hath striven,

Feeling beneath its patient webwork stir

Wings only freed in Heaven,

Then and but then to toil is to be wise;

Solved is the riddle of the grand desire

Which ever, ever, for the Distant sighs,

And must perforce aspire.

Rise, then, my soul, take comfort from thy sorrow;

Thou feel'st thy treasure when thou feel'st thy load;

Life without thought, the day without the morrow,

God on the brute bestow'd;

Longings obscure as for a native clime,

Flight from what is to live in what may be,

God gave the Soul.—Thy discontent with Time

Proves thine eternity.

THE TRUE JOY-GIVER.

Oh Œvoë, liber Pater,

Oh, the vintage feast divine,

When the God was in the bosom

And his rapture in the wine;

When the Faun laugh'd out at morning;

When the Mænad hymn'd the night;

And the Earth itself was drunken

With the worship of delight;

Oh Œvoë, liber Pater,

Whose orgies are upon

The hilltops of Parnassus,

The banks of Helicon;—

How often have I hail'd thee!

How often have I been

The bearer of the thyrsus,

When its wither'd leaves were green.

Then the boughs were purple gleaming

With the dewdrop and the star;

And chanting came the wood-nymph,

And flashing came the car.

Long faded are the garlands

Of the thyrsus that I bore,

When the wood-nymph chanted "Follow"

In the vintage-feast of yore.

My vineyards are the richest

Falernian slopes bestow;

Has the vineherd lost his cunning?

Has the summer lost its glow?

Oh, never on Falernium

The Care-Dispeller trod,

Its vine-leaves wreathe no thyrsus,

Its fruits allure no god.

For ever young, Lyæus;

For ever young his priest;

The Boy-god of the Morning,

The conqueror of the East,

His wine is Nature's life-blood;

His vineyards bloom upon

The hilltops of Parnassus,

The banks of Helicon.

But the hilltops of Parnassus

Are free to every age;

I have trod them with the Poet,

I have mapp'd them with the Sage;

And I'll take my pert disciple

To see, with humble eyes,

How the Gladness-bringer honours

The worship of the wise.

Lo, the arching of the vine-leaves;

Lo, the sparkle of the fount;

Hark, the carol of the Mænads;

Lo, the car is on the Mount!

"Ho, room, ye thyrsus-bearers,

Your playmate I have been!"

"Go, madman," laughs Lyæus,

"Thy thyrsus then was green."

And adown the gleaming alleys

The gladness-givers glide;

And the wood-nymph murmurs "Follow,"

To the young man by my side.

BELIEF; THE UNKNOWN LANGUAGE.

AN IDYLL.

By summer-reeds a music murmur'd low,

And straight the Shepherd-age came back to me;

When idylls breathed where Himera's waters flow,

Or on the Hœmus hill, or Rhodopè;[A]

As when the swans, by Moschus heard at noon,

Mourn'd their lost Bion on the Thracian streams;[B]

Or when Simæthea murmur'd to the moon

Of Myndian Delphis,[C]—old Sicilian themes.

Then softly turning, on the margent-slope

Which back as clear translucent waters gave,

Behold, a Shape as beautiful as Hope,

And calm as Grief, bent, singing o'er the wave.

To the sweet lips, sweet music seem'd a thing

Natural as perfume to the violet.

All else was silent; not a zephyr's wing

Stirr'd from the magic of the charmer's net.

What was the sense beneath the silver tone?

What the fine chain that link'd the floating measure?

Not mine, to say,—the language was unknown,

And sense was lost in undistinguish'd pleasure.

Pleasure, dim-shadow'd with a gentle pain

As twilight Hesper with a twilight shroud;

Or like the balm of a delicious rain

Press'd from the fleeces of a summer cloud.

When the song ceased, I knelt before the singer

And raised my looks to soft and childlike eyes,

Sighing? "What fountain, O thou nectar-bringer

Feeds thy full urn with golden melodies?

"Interpret sounds, O Hebé of the soul,

Oft heard, methinks, in Ida's starry grove,

When to thy feet the charmèd eagle stole,

And the dark thunder left the brows of Jove!"

Smiling, the Beautiful replied to me,

And still the language flow'd in words unknown;

Only in those pure eyes my sense could see

How calm the soul that so perplex'd my own.

And while she spoke, symphonious murmurs rose;

Dryads from trees, Nymphs murmur'd from the rills;

Murmur'd Mænalian Pan from dim repose

In the lush coverts of Pelasgic hills;

Murmur'd the voice of Chloris in the flower;

Bent, murmuring from his car, Hyperion;

Each thing regain'd the old Presiding Power,

And spoke,—and still the language was unknown.

Dull listener, placed amidst the harmonious Whole,

Hear'st thou no voice to sense divinely dark?

The sweetest sounds that wander to the soul

Are in the Unknown Language.—Pause, and hark!

THE PILGRIM OF THE DESERT.

Wearily flaggeth my Soul in the Desert;

Wearily, wearily.

Sand, ever sand, not a gleam of the fountain;

Sun, ever sun, not a shade from the mountain;

Wave after wave flows the sea of the Desert,

Drearily, drearily.

Life dwelt with life in my far native valleys,

Nightly and daily;

Labour had brothers to aid and beguile;

A tear for my tear, and a smile for my smile;

And the sweet human voices rang out; and the valleys

Echoed them gaily.

Under the almond-tree, once in the spring-time,

Careless reclining;

The sigh of my Leila was hush'd on my breast,

As the note of the last bird had died in its nest;

Calm look'd the stars on the buds of the spring-time,

Calm—but how shining!

Below on the herbage there darken'd a shadow;

Stirr'd the boughs o'er me;

Dropp'd from the almond-tree, sighing, the blossom;

Trembling the maiden sprang up from my bosom;

Then the step of a stranger came mute through the shadow,

Pausing before me.

He stood grey with age in the robe of a Dervise,

As a king awe-compelling;

And the cold of his eye like the diamond was bright,

As if years from the hardness had fashion'd the light,

"A draught from thy spring for the way-weary Dervise,

And rest in thy dwelling."

And my herds gave the milk, and my tent gave the shelter;

And the stranger spell-bound me

With his tales, all the night, of the far world of wonder,

Of the ocean of Oman with pearls gleaming under;

And I thought, "O, how mean are the tents' simple shelter

And the valleys around me!"

I seized as I listen'd, in fancy, the treasures

By Afrites conceal'd;

Scared the serpents that watch in the ruins afar

O'er the hoards of the Persian in lost Chil-Menar;—

Alas! ill that night happy youth had more treasures

Than Ormus can yield.

Morn came, and I went with my guest through the gorges

In the rock hollow'd;

The flocks bleated low as I pass'd them ungrieving,

The almond-buds strew'd the sweet earth I was leaving;

Slowly went Age through the gloom of the gorges,

Lightly Youth follow'd.

We won through the Pass—the Unknown lay before me,

Sun-lighted and wide;

Then I turn'd to my guest, but how languid his tread,

And the awe I had felt in his presence was fled,

And I cried, "Can thy age in the journey before me

Still keep by my side?"

"Hope and Wisdom soon part; be it so," said the Dervise,

"My mission is done."

As he spoke, came the gleam of the crescent and spear,

Chimed the bells of the camel more sweet and more near;—

"Go, and march with the Caravan, youth," sigh'd the Dervise,

"Fare thee well!"—he was gone.

What profits to speak of the wastes I have traversed

Since that early time?

One by one the procession, replacing the guide,

Have dropp'd on the sands, or have stray'd from my side;

And I hear never more in the solitudes traversed

The camel-bell's chime.

How oft I have yearn'd for the old happy valley,

But the sands have no track;

He who scorn'd what was near must advance to the far,

Who forsaketh the landmark must march by the star,

And the steps that once part from the peace of the valley

Can never come back.

So on, ever on, spreads the path of the Desert,

Wearily, wearily;

Sand, ever sand—not a gleam of the fountain;

Sun, ever sun—not a shade from the mountain;

As a sea on a sea, flows the width of the Desert,

Drearily, drearily.

How narrow content, and how infinite knowledge!

Lost vale, and lost maiden!

Enclosed in the garden the mortal was blest:

A world with its wonders lay round him unguest;

That world was his own when he tasted of knowledge—

Was it worth Aden?

THE KING AND THE WRAITH.

KING.

Who art thou, who art thou, indistinct as the spray

Rising up from a torrent in vapour and cloud?

Ghastly Phantom, obscuring the splendour of day

And enveloped in awe, as a corpse with a shroud?

WRAITH.

King, my form is thy shade,

And my life is thy breath;

Lo, thy likeness display'd

In the mirror of Death!

KING.

My veins are as ice! 'Tis my voice that I hear!

'Tis my form coming forth from the cloud that I see!

My voice?—can its sound be so dread to my ear?

My form?—can myself be so loathly to me?

WRAITH.

Never Man comes in sight

Of himself till the last;

In the flicker of light

When the fuel is past!

KING.

Nay, avaunt, lying Spectre, my fears are dispell'd,

For the likeness that fool'd me is fading away,

And I see, where the shape of a king was beheld,

But the coil of an earthworm that creeps into clay.

WRAITH.

As thy shade I began;

As thyself I depart;

And thy last looks, O Man,

See the worm that thou art!

LOVE AND DEATH.

O Strong as the eagle,

O mild as the dove,

How like and how unlike

O Death and O Love!

Knitting earth to the heaven,

The near to the far,

With the step in the dust,

And the eye on the star.

Ever changing your symbols

Of light or of gloom;

Now the rue on the altar,

The rose on the tomb.

From Love, if the infant

Receiveth his breath,

The love that gave life

Yields a subject to Death.

When Death smites the aged,

Escaping above

Flies the soul re-deliver'd

By Death unto Love.

And therefore in wailing

We enter on life;

And therefore in smiling

Depart from its strife.

Thus Love is best known

By the tears it has shed;

And Death's surest sign

Is the smile of the dead.

The purer the spirit,

The clearer its view,

The more it confoundeth

The shapes of the two;

For, if thou lov'st truly,

Thou canst not dissever

The grave from the altar,

The Now from the Ever;

And if, nobly hoping,

Thou gazest above,

In Death thou beholdest

The aspect of LOVE.

THE POET TO THE DEAD.

PART I.

RETROSPECTION FROM THE HALTING-PLACE.

Let me pause, for I am weary,

Weary of the trodden ways;

And the landscape spreads more dreary

Where it stretches from my gaze.

Many a prize I deem'd a blessing

When I started for the goal,

Midway in the course possessing

Adds a burthen to the soul.

By the thorn that scantly shadeth

From the slopèd sun reclin'd,

Let me look, before it fadeth

On the eastern hill behind;—

On the hill that life ascended,

While the dewy morn was young;

While the mist with light contended

And the early skylark sung.

Then, as when at first united,

Rose together Love and Day;

Nature with her sun was lighted,

And my soul with Viola!

O my young earth's lost Immortal!

Naiad vanish'd from the streams!

Eve, torn from me at the portal

Of my Paradise of Dreams!

On thy name, with lips that quiver,

With a voice that chokes, I call.—

Well! the cave may hide the river,

But the ocean merges all.

Yet, if but in self-deceiving,

Can no magic charm thy shade?

Come unto my human grieving,

Come, but as the human maid!

By the fount where love was plighted

Where the lone wave glass'd the skies;

By the hands that once united;

By the welcome of the eyes;

By the silence sweetly broken

When the full heart murmur'd low,

And with sighs the words were spoken

Ere the later tears did flow;

By the blush and soft confession;

By the wanderings side by side;

By the love-denied possession;

And the heavenlier, so denied;

By the faith yet undiverted;

By the worship sacred yet;

To the soul so long deserted,

Come, as when of old we met;

Blooming as my youth beheld thee

In the trysting-place of yore,—

Hark a footfall! I have spell'd thee,

Lo, thy living smile once more!

PART II.

THE MEETING-PLACE OF OLD.

Glides the brooklet through the rushes,

Now with dipping boughs at play,

Now with quicker music-gushes

Where the pebbles chafe the way.

Lonely from the lonely meadows

Slopes the undulating hill;

And the slowness of its shadows

But at sunset gains the rill:

Not a sign of man's existence,

Not a glimpse of man's abode,

Yet the church-spire in the distance

Links the solitude with God.

All so quiet, all so glowing,

In the golden hush of noon;

Nature's still heart overflowing

From the breathless lips of June.

Song itself the bird forsaketh,

Save from wooded deeps remote,

Mellowly and singly breaketh,

Mellowly, the cuckoo's note.

'Tis the scene where youth beheld thee;

'Tis the trysting-place of yore;

Yes, my mighty grief hath spell'd thee,

Blooming—living—mine once more!

PART III.

LOVE UNTO DEATH.

Hand in hand we stood confiding,

Boy and maiden, hand in hand,

Where the path, in twain dividing,

Reach'd the Undiscover'd Land.

Oh, the Hebé then beside me,

Oh, the embodied Dream of Youth,

With an angel's soul to guide me,

And a woman's heart to soothe!

Like the Morning in the gladness

Of the smile that lit the skies;

Liker Twilight in the sadness

Lurking deep in starry eyes!

Gaudier flowerets had effaced thee

In the formal garden set;

Nature in the shade had placed thee

With thy kindred violet;

As the violet to completeness

Coming evèn ere the day;

All thy life a silent sweetness

Waning with a warmer ray.

So, upon the verge of sorrow

Stood we, blindly, hand in hand,

Whispering of a happy morrow

In that undiscover'd land.

Thou, O meek one, fame foretelling,

Grown ambitious but for me;

While my heart, if proudly swelling,

Beat—ah, not for Fame, but thee!

In that summer-noon we parted,

Life redundant over all.

Once again—O broken-hearted—

When the autumn leaves did fall,

Meeting—life from life to sever!

Parting,—as depart the dead,

When the dark "Farewell for ever,"

Fades from marble lips, unsaid;

As upon a bark that slowly

Lessens lone adown the sea,

Looks abandon'd Melancholy—

Did thy still eyes follow me!

Wilful in thy self devotion,

Patient on the desert shore,

Gazing, gazing, till from ocean

Waned thy last hope evermore.

Gentle victim, they might bind thee,

But to fetter was to slay;

As a statue they enshrined thee,

At a sepulchre to pray;

Bade the bloodless lips not falter;

Bade the cold despair be brave;

Yes, the next morn at the altar!

But the next moon in the grave!

Little dream'd they when they bore thee

To the nuptial funeral shrine,

That to ME they did restore thee,

And release thy soul to mine!

Well thy noble heart might smother

Nature's agonizing cry,

What can perjure to another

Faith—if firm eno' to die!

Yet can ev'n the grave regain thee?

Gain as human love would see?

Darling—Pardon, I profane thee;

Angel, bend and comfort me!

PART IV.

LOVE AFTER DEATH.

Cold the loiterer who refuseth

At the well of life to drink,

Till the wave a sparkle loseth,

And the silver cord a link.

But the flagging of the forces

In the journey of the soul,

If the first draught waste the sources,

If the first touch break the bowl!—

On the surface bright with pleasure

Still thy distant shade was cast;

Ah! the heart was where the treasure,

And the Present with the Past.

If from Fame, the all-deceiver,

Toil contending garlands sought,

Oft our force if but our fever,

And our swiftness flight from Thought.

Hollow Pleasure, vain Ambition,

Give me back the impulse free—

Hope that seem'd its own fruition,

Life contented but to be,

When the earth with Heaven was haunted

In the shepherd age of gold,

And the Venus rose enchanted

From the sunny seas of old.

Cease, not mine the ignoble moral

Of an unresisted grief;

Can the lightning sear the laurel,

Or the winter fade its leaf?

Flowerless, fruitless, to the dying,

Green as when the sap began,

Bolt and winter both defying,—

So be manhood unto man.

Once I wander'd forth dejected

In the later times of gloom;

And the icy moon reflected

One still shadow o'er thy tomb.

There, in desolation kneeling,

Snows around me, stars above,

Came that second world of feeling,

Came that second birth of Love,

When regret grows aspiration,

When o'er chaos moves the breath;

And a new-born dim creation

Rising, wid'ning, dawns from death.

Then methought my soul was lifted

From the anguish and the strife;

With a finer vision gifted

For the Spirituals of Life;

For the links that, while they thrall us,

Upward mount in just degree,

Knitting even, if they gall us,

Life to Immortality;

For the subtler glories blending

With the common air we know,

Ansel hosts to heaven ascending

Up the ladder based below.

Straight each harsher iron duty

Did the sudden light illume;

Oh, what streams of solemn beauty

Take their sources in the tomb!

PART V.

THE PANTHEISM OF LOVE PASSING INTO THE IDEAL.

Then I rose, at dawn departing,

Wan the dead earth, wan the snow,

Wan the frost-beam dimly darting

Where the corn-seed lurk'd below;

From that night, as streams dividing

At the fountain till the sea,

Wildly chafing, gently gliding,

Life has twofold lives for me;

One by mart and forum passing,

Vex'd reflection of the crowd;

One the hush of forests glassing,

Or the changes of the cloud.

By the calmer stream, for ever

Dwell the ghosts that haunt the heart,

And the phantoms and the river

Make the Poet-World of Art.

There in all that Fancy gildeth,

Still thy vanish'd smile I see;

And each airy hall it buildeth

Is a votive shrine to thee!

Do men praise the labour?—gladden'd

That the homage may endure;

Do they scorn it?—only sadden'd

That thine altar is so poor.

If the Beautiful be clearer

As the seeker's days decline,

Should the Ideal not be nearer

As my soul approaches thine?

Thus the single light bereft me

Fused through all creation flows;

Gazing where a sun had left me,

Lo, the myriad stars arose!

PART VI.

THE MEMORY OF LOVE ASSOCIATES ITS CONSOLATIONS WITH ITS HOPES.

Now the eastern hill-top fadeth

From the arid wastes forlorn,

And the only tree that shadeth

Has the scant leaves of the thorn.

Not a home to smile before me,

Not a voice to cheer is heard;

Hush! the thorn-leaves tremble o'er me,—

Hark, the carol of a bird!

Unto air what charm is given?

Angel, as a link to thee,

Midway between earth and heaven

Hangs the delicate melody!

How it teacheth while it chideth,

Is the pathway so forlorn?

Mercy over man presideth,

And—the bird sings from the thorn.

Floating on, the music leads me,

As the pausing-place I leave,

And the gentle wing precedes me

Through the lullèd airs of eve.

Stay, O last of all the number,

Bathing happy plumes in light,

Till the deafness of the slumber,

Till the blindness of the night.

Only for the vault to leave thee,

Only with my life to lose;

Let my closing eyes perceive thee,

Fold thy wings amid the yews.

MIND AND SOUL.

Hark! the awe-whisperd'd prayer, "God spare my mind!"

Dust unto dust, the mortal to the clod;

But the high place, the altar that has shrined

Thine image,—spare, O God!

Thought, the grand link from human life to Thee,

The humble reed that by the Shadowy River

Responds in music to the melody

Of spheres that hymn for ever,—

The order of the mystic world within,

The airy girth of all things near and far;

Sense, though of sorrow,—memory, though of sin,—

Gleams through the dungeon bar,—

Vouchsafe me to the last!—Though none may mark

The solemn pang, nor soothe the parting breath,

Still let me seek for God amid the dark,

And face, unblinded, Death!

Whence is this fine distinction twixt the twain

Rays of the Maker in the lamp of clay

Spirit and Mind?—strike the material brain,

And soul seems hurl'd away.

Touch but a nerve, and Brutus is a slave;

A nerve, and Plato drivels! Was it mind,

Or soul, that taught the wise one in the cave,

The freeman in the wind?

If mind—O Soul! what is thy task on earth?

If soul! O wherefore can a touch destroy,

Or lock in Lethé's Acherontian dearth,

The Immortal's grief and joy?

Hark, how a child can babble of the cells

Wherein, beneath the perishable brow,

Fancy invents, and Memory chronicles,

And Reason asks—as now:

Mapp'd are the known dominions of the thought,

But who shall find the palace of the soul?

Along what channels shall the source be sought,

The well-spring of the whole?

Look round, vain questioner,—all space survey,

Where'er thou lookest, lo, how clear is Mind!

The laws that part the darkness from the day,

And the sweet Pleïads bind,

The thought, the will, the art, the elaborate power

Of the Great Cause from whence the All began,

Gaze on the star, or bend above the flower,

Still speak of Mind to man.

But the arch soul of soul—from which the law

Is but the shadow, who on earth can see?

What guess cleaves upward through the deeps of awe,

Unspeakable, to thee?

As in Creation lives the Father Soul,

So lives the soul He breathed amidst the clay;

Round it the thoughts on starry axles roll,

Life flows and ebbs away.

If chaos smote the universe again,

And new Chaldeans shudder'd to explore

Amidst the maddening elements in vain

The harmonious Mind of yore,

Would not God live the same?—the Unseen Spirit,

Whether that life or wills or wrecks Creation?—

So lives, distinct, the god-spark we inherit,

When Mind is desolation.

THE GUARDIAN ANGEL.

From Heaven what fancy stole

The dream of some good spirit, aye at hand,

The seraph whispering to the exile soul

Tales of its native land?

Who to the cradle gave

The unseen watcher by the mother's side,

Born with the birth, companion to the grave,

The holy angel-guide?

Is it a fable?—"No,"

I hear LOVE answer from the sunlit air,

"Still where my presence gilds the darkness—know

Life's angel-guide is there?"

Is it a fable?—Hark,

FAITH hymns from deeps beyond the palest star,

"I am the pilot to thy wandering bark,

Thy guide to shores afar."

Is it a fable?—sweet

From wave, from air, from every forest tree,

The murmur spoke, "Each thing thine eyes can greet

An angel-guide can be.

"From myriads take thy choice,

In all that lives a guide to God is given;

Ever thou hear'st some angel guardian's voice

When Nature speaks of Heaven!"

THE LOVE OF MATURER YEARS.

Nay, soother, do not dream thine art

Can altar Nature's stern decree;

Or give me back the younger heart,

Whose tablets had been clear to thee.

Why seek, fair child, to pierce the dark

That wraps the giant wrecks of old?

Thou wert not with me in the ark,

When o'er my life the deluge roll'd.

To thee, reclining by the verge,

The careless waves in music flow

To me the ripple sighs the dirge

Of my lost native world below.

Her tranquil arch as Iris builds

Above the Anio's torrent roar,

Thy life is in the life it gilds,

Born of the wave it trembles o'er.

For thee a glory leaves the skies

If from thy side a step depart;

Thy sunlight beams from human eyes,

Thy world is in one human heart.

And in the woman's simple creed

Since first the helpmate's task began,

Thou ask'st what more than love should need

The stern insatiate soul of Man.

No more, while youth with vernal gale

Breathes o'er the brief Arcadia still;—

But when the Wanderer quits the vale,

But when the footstep scales the hill,

But when with awe the wide expanse,

The Pilgrim's earnest eyes explore,

How shrinks the land of sweet Romance,

A speck—it was the world before!

And, hark, the Dorian fifes succeed

The pastoral reeds of Arcady:

Lo, where the Spartan meets the Mede,

Near Tempé lies—Thermopylé!

Each onward step in hardy life,

Each scene that memory halts to scan,

Demands the toil, records the strife,—

And love but once is all to man.

Weep'st thou, fair infant, wherefore weep?

Long ages since the Persian sung

"The zephyr to the rose should keep,

And youth should only love the young."

Ay, lift those chiding eyes of thine;

The trite, ungenerous moral scorn!

The diamond's home is in the mine,

The violet's birth beneath the thorn;

There, purer light the diamond gives

Than when to baubles shaped the ray;

There, safe at least the violet lives

From hands that clasp—to cast away.

Bloom still beside the mournful heart,

Light still the caves denied the star;

Oh Eve, with Eden pleased to part,

Since Eden needs no comforter!

My soft Arcadian, from thy bower

I hear thy music on the hill;

And bless the note for many an hour

When I too—am Arcadian still.

Whene'er the face of Heaven appears,

As kind as once it smiled on me,

I'll steal adown the mount of years,

And come—a youth once more, to thee.

From bitter grief and iron wrong

When Memory sets her captive free,

When joy is in the skylark's song,

My blithesome steps shall bound to thee;

When Thought, the storm-bird, shrinks before

The width of nature's clouded sea,

A voice shall charm it home on shore,

To share the halcyon's nest with thee:

Lo, how the faithful verse escapes

The varying chime that laws decree,

And, like my heart, attracted, shapes

Each wandering fancy back—to thee.

THE EVERLASTING GRAVE-DIGGER.

Methought I stood amidst a burial-place

And saw a phantom ply the sexton's trade,

Pale o'er the charnel bow'd the phantom's face,

Noiseless the phantom spade

Gleam'd in the stars.

Wondering I ask'd, "Whose grave dost thou prepare?"

The labouring ghost disdainful paused and said,

"To dig the grave is Death my father's care,

I disinter the dead

Under the stars."

Therewith he cast a skull before my feet,

A skull with worms encircled, and a crown,

And mouldering shreds of Beauty's winding-sheet.

Chilling and cheerless down

Shimmer'd the stars.

"And of the Past," I sigh'd, "are these alone

The things disburied? spare the dread repose,

Or bring once more the monarch to his throne,

To Beauty's cheek the rose."

Cloud wrapt the stars,

While the pale sexton answer'd, "Fool, away!

Thou ask'st of Memory that which Faith must give;

Mine is the task to disinter the clay,

Hers to bid life revive,"—

Cloud left the stars.

THE DISPUTE OE THE POETS.

An idyll scene of happy Sicily!

Out from its sacred grove on grassy slopes

Smiles a fair temple, vow'd to some sweet Power

Of Nature deified. In broad degrees

From flower-wreath'd porticos the shining stairs,

Through tiers of Myrtle in Corinthian urns,

Glide to the shimmer of an argent lake.

Calm rest the swans upon the glassy wave,

Save where the younger cygnets, newly-pair'd,

Through floating brakes of water-lilies, sail

Slowly in sunlight down to islets dim.

But farther on, the lake subsides away

Into the lapsing of a shadowy rill

Melodious with the chime of falls as sweet

As (heard by Pan in Arethusan glades)

The silvery talk of meeting Naïades.

Where cool the sunbeam slants through ilex-boughs,

The fane above them and the rill below,

Two forms recline; nor, e'er in Arcady

Did fairer Manhood win an Oread's love,

Or lift diviner brows to earliest stars.

The one of brighter hues, and darker curls

Clustering and purple as the fruit o' the vine,

Seem'd like that Summer-Idol of rich life

Whom sensuous Greece, inebriate with delight,

From Orient myth and symbol-worship brought

To blue Cithæron blithe with bounding faun

And wood-nymph wild,—Nature's young Lord, Iacchus!

Bent o'er the sparkling brook, with careless hand

From sedge or sward, he pluck'd or reed or flower,

Casting away light wreaths on playful waves;

While,—as the curious ripple murmur'd round

Its odorous prey, and eddying whirl'd it on

O'er pebbles glancing sheen to sunny falls,—

He laugh'd, as childhood laughs, in such frank glee

The very leaves upon the ilex danced

Joyous, as at some mirthful wind in May.

The other, though the younger, more serene,

And to the casual gaze severer far,

To that bright comrade-shape; by contrast seem'd

As serious Morn, star-crown'd on Spartan hills,

To Noon, when hyacinths flush through Enna's vales,

Or murmurous winglets hum 'mid Indian palms.

Such beauty his as the first Dorian bore

From the far birthplace of Homeric men,

Beyond the steeps of Boreal Thessaly,

When to the swart Pelasgic Autocthon

The blue-eyed Pallas came with lifted spear,

And, her twin type of the fair-featured North.

Phœbus, the archer with the golden hair.

Bright was the one as Syrian Adon-ai,

Charming the goddess born from roseate seas;

And while the other, leaning on his lyre,

Lifted the azure light of earnest eyes

From flower and wave to the remotest hill

On which the soft horizon melted down,

Ev'n so methought had gazed Endymion,

With looks estranged from the luxuriant day,

To the far Latmos steep—where holy dreams

Nightly renew'd the kisses of the Moon.

Entranced I stood, and held my breath to hear

The words that seem'd to warm upon their lips,

As if such contest as two Nightingales

Wage, emulous in music, on the peace

That surely dwelt between them, had anon

Forced its mellifluous anger:—

Then I learn'd

That the fair Two were orphans, rear'd to youth

Song and the lyre, where ringdoves coo remote,

And loitering bees cull sweets in Hyblan dells:

And that their discord, as their union, grew

Out of their rivalry in lyre and song.

Therewith did each in the accustom'd war

Of pastoral singers in Sicilian noons

Strive for his Right—(O Memory aid me now!)

In the sweet quarrel of alternate hymns.

ANTHIOS.

As the sunlight that plays on a stream,

As the zephyr that rustles a leaf,

On my soul comes the joy of the beam,

And a zephyr can stir it to grief.

Whether pleasure or pain be decreed,

My voice but in music is heard;

By the sunny wave murmurs the reed;

From the sighing leaf carols the bird.—

LYKEGENES.

Unto her hierarch Nature's voices come

But through the labyrinthine cells of Thought,

Not at the Porch, doth Isis hold her home,

Not to the Tyro are her mysteries taught;

The secret dews of many a starry night

Feed the vast ocean's stately ebb and flow;

The leaf is restless where the branch is slight,

Still are the boughs whose shades stretch far below.

ANTHIOS.

As the skylark that mounts

With the dawn to the sun,

As the flash from the founts

Of the swift Helicon,

Song comes;—and I sing!

Wouldst thou question me more?

Ask the wave or the wing

Why it sparkle or soar!

LYKEGENES.

Full be the soul if swift the inspiration!

The corn-flower opens as the sheaves are rife;

Song is the twin of golden Contemplation

The harvest-flower of life.

The Cloud-compeller's bolt the eagle bears,

But when the wings the strength divine have won,

Full many a flight around the rock prepares

The Aspirer towards the Sun;

Progressive heights to gradual effort given,

Till, all the plumes in light supreme unfurl'd,

It halts;—and knits unto the dome of heaven

This pendant ball—the World.

ANTHIOS.

Hail, O hail, Pierides,

Free Harmonia's zoneless daughters,

Whom abrupt the Mœnad sees

By the marge of moonlit waters,

Weaving joy in choral measure

To no law but your sweet pleasure;

Wanton winds in loosen'd hair

Lifting gold that gilds the air;

Say, beneath what starry skies

Lurk the herbs that purge the eyes?

On what hill-tops should we cull

The moly of the Beautiful?

What the charm the soul to capture

In the cestus-belt of rapture,

When the senses, trembling under,

Glass the Shadow-land of Wonder,

And no human hand is stealing

O'er the music-scale of Feeling?

As ceased the question rose delicious winds

Stirring the waves that kiss'd the tuneful reeds,

And all the wealth of sweets in bells of flowers;

So that, methought, out from all life, the Muse

Murmur'd responses low, and echo'd "FEELING!"

LYKEGENES.

Divine Corycides,

Whose chosen haunts are in mysterious cells,

And alleys dim through gleaming laurel-trees

Dusking the shrine of Delphian oracles,—

Under whose whispering shade

Sits the lone Pythian Maid,

Whose soul is as the glass of human things;

While up from bubbling streams

In mists arise the Dreams

Pale with the future of tiara'd kings—

Say, what the charm which from ambrosial domes

Draws the Immortal to Time's brazen towers,

When on the soul the gentle Thunderer comes—

Comes but in golden showers?

When, through the sealèd portals of the sense,

Fluent as air the Glory glides unsought;

And the serene effulgent Influence

Rains all the wealth of heaven upon the thought?

And as the questions ceased, fell every wind.

The ilex-boughs droop'd heavy as the hush

In which the prophet Doves brood weird and calm

Amid Dodonian groves;—the broken light

On crispèd waves grew smooth; on earth, in heaven,

The inexpressive majesty of Silence

Pass'd as some Orient sovereign to his throne,

When all the murmurs cease, and every brow

Bends down in awe, and not a breath is heard.

Yet spoke that stillness of the Eternal Mind

That thinks, and, thinking, evermore creates;

And Nature seem'd to answer Poesy

From her deep heart, in thought re-echoing "THOUGHT."

ANTHIOS.

Thou, whose silver lute contended

With the careless reed of Pan—

Thou whose wanton youth descended

To the vales Arcadian,

At whose coming heavenlier joy

Lighteth even Jove's abode,

Ever blooming as the boy

Through thine ages as the god;

Fair Apollo, if the singer

Be like thee the gladness-bringer;

If the nectar he distil

Make the worn earth useful still;

As thyself when thou wert driven

To the Tempè from the heaven,

As the infant over whom

Saturn bends his brows of gloom,

Roves he not the world a-maying,

From his Idan halls exiled;

Or with Time repose in playing

As with Saturn's looks the child.

Therewith from far, where unseen hamlets lay

In wooded valleys green, came mellowly

Laughter and infant voices, borne perchance

From the light hearts of happy Children, sporting

Round some meek Mother's knee;—ev'n so, methought

Did the familiar, human, innocent, gladness

Through golden Childhood answer Song, "THE CHILD."

LYKEGENES.

Lord of lustrating streams,

And altars pure, appalling secret Crime,

Eternal Splendour, whose all-searching beams

Illume with life the universe of Time,

All our own fates thy shrine reveals to us;

Thither comes Wisdom from the thrones of earth,

The unraveller of the sphinx—blind Œdipus,

Who knows not ev'n his birth!

On whom, Apollo, does thy presence shine

Through the clear daylight of translucent song?

Only to him who serveth at the shrine,

The priesthood can belong!

After due and deep probation,

Only dawns thy revelation

Unto the devout beseecher

Taught by thee to grow the teacher:

Shall the bearer of thy bow

Let the shafts at random go?

If the altar be divine,

Is the sacrifice a feast?

Should our hands the garland twine

For the reveller or the priest?

Therewith from out the temple on the hill

Broke the rich swell of fifes and choral lyres,

And the long melody of such large hymns,

As to the conquest of the Python-slayer,

Hallow'd thy lofty chant, Calliopé!

Thus from the penetralian aisles divine

The solemn God replied to Song, "THE PRIEST."

ANTHIOS.

And who can bind in formal duty

The Protean shapes of airy Beauty?

Who tune the Teian's lyre of gold

To priestly hymns in temples cold?

Accept the playmate by thy side,

Ordain'd to charm thee, not to guide.

The stream reflects each curve on shore,

And Song alike thy good and error;

Let Wisdom be the monitor,

But Song should be the mirror.

To truth direct while Science goes

With measured pace and sober eye;

The simplest wild-flower more bestows

Than Egypt's lore, on Poesy.

The Magian seer who counts the stars,

Regrets the cloud that veils his skies;

To me, the Greek, the clouds are cars

From which bend down divinities!

Like cloud itself this common day

Let Fancy make awhile the duller,

Its iris in the cloud shall play,

And weave thy world the pomp of colour.

He paused; as if in concord with the Song

Seem'd to flash forth the universe of hues

In the Sicilian summer: on the banks

Crocus, and hyacinth, and anemoné,

Superb narcissus, Cytherea's rose,

And woodbine lush, and lilies silver-starr'd;

And delicate cloudlets blush'd in lucent skies;

And yellowing sunbeams shot through purple waves;

And still from bough to bough the wings of birds,

And still from flower to flower the gorgeous dyes

Of the gay insect-revellers wandering went—

And as I look'd I murmur'd, "Singer, yes,

As COLOUR to the world, so song to life!"

LYKEGENES.

Conceal'd from Saturn's deathful frown

The wild Curetes strove,

By chant and cymbal clash, to drown

The infant cries of Jove.

But when, full-grown, the Thunder-king,

Triumphant o'er the Titan's fall,

And throned in Ida, look'd on all,

And all subjected saw;

Saw the sublime Uranian Ring,

And every joyous living thing,

Calm'd into love beneath his tranquil law;—

Then straight above, below, around,

His voice was heard in every sound;

The mountain peal'd it through the cave;

The whirlwind to the answering wave;

By loneliest stream, by deepest dell,

It murmur'd in mysterious Pan;

No less than in the golden shell

From which the falls of music well

O'er floors Olympian!

For Jove in all that breathes must dwell,

And speak through all to Man.

Singer, who asketh Hermes for his rod,

To lead men's souls into Elysian bowers,

To whose belief the alter'd earth is trod

Still by Kronidian Powers,

If through thy veins the purer tide hath been

Pour'd from the nectar-streams in Hebé's urn,

That thou mightst both without thee and within

Feel the pervading Jove—wouldst thou return

To the dark time of old,

When Earth-born Force the Heir of Heaven controll'd,

And with thy tinkling brass aspire

To stifle Nature's music-choir,

And drown the voice of God?

O Light, thou poetry of Heaven,

That glid'st through hollow air thy way,

That fill'st the starry founts of Even,

And all the azure seas of Day;

Give to my song thy glorious flow,

That while it glads it may illume,

Whether it gild the iris' bow,

And part its rays amid the gloom;

Or whether, one broad tranquil stream,

It break in no fantastic dyes,

But calmly weaving beam on beam,

Make Heaven distinct to human eyes;

A truth that floats serene and clear,

'Twixt Gods and men an atmosphere;

Less seen itself than bringing all to sight,

And to man's soul what to man's world is Light.

Then, as the Singer ceased, the western sun

Halted a moment o'er the roseate hill

Hush'd in pellucent air; and all the crests

Of the still groves, and all the undulous curves

Of far-off headlands stood distinctly soft

Against the unfathomable purple skies,

And linking in my thought the outward shows

Of Beauty with the inward types sublime,

By which through Beauty poets lead to Knowledge,

And are the lamps of Nature,

"Yes," I murmur'd,

"Song is to soul what unto life is LIGHT!"

But gliding now behind the steeps it flush'd,

The disk of day sunk gradual, gradual down,

And in the homage of the old Religion

To the departing Sun,—the rival two

Ceased their dispute, and bent sweet serious brows

In chorus with the cusps of bended flowers,

Sighing their joint "Farewell, O golden Sun!"

Now Hesper came, the gentle shepherd-star,

Bright as when Moschus sung to it;—along

The sacred grove, and through the Parian shafts

Of the pale temple, shot the glistening rays,

And trembled in the tremor of the wave:—

Then the fair rivals, as they silent rose,

Turn'd each to each in brotherlike embrace;

Lone amid starry solitude they stood,

In equal beauty clasp'd,—and both divine.[D]

GANYMEDE.

"When Ganymede was caught up to Heaven, he let fall his pipe, on which he was playing to his sheep."—ALEXANDER ROSS, Myst. Poet.

Upon the Phrygian hill

He sate, and on his reed the shepherd play'd.

Sunlight and calm: noon in the dreamy glade,

Noon on the lulling rill.

He saw not, where on high

The noiseless eagle of the Heavenly King

Rested,—till rapt upon the rushing wing

Into the golden sky.

When the bright Nectar Hall

And the still brows of bended gods he saw,

In the quick instinct both of shame and awe

His hand the reed let fall.

Soul! that a thought divine

Bears into heaven,—thy first ascent survey!

What charm'd thee most on earth is cast away;—

To soar—is to resign!

MEMNON.

Where Morning first appears,

Waking the rathe flowers in their Eastern bed,

Aurora still with her ambrosial tears,

Weeps for her Memnon dead.

Him the Hesperides

Nursed on the marge of their enchanted shore,

And still the smile that then the Mother wore

Dimples the orient seas.

He died; and lo, the while

The fire consumed his ashes, glorious things

With joyous songs, and rainbow-tinted wings,

Rose from the funeral pile.

He died; and yet became

A music; and his Theban image broke

Into sweet sounds that with each sunrise spoke

The Mighty Mother's name.

O type, thy truth declare!

Who is the Child of the Melodious Morn?

Who bids the ashes earth receives—adorn

With new-born choirs the air?

What can the Statue be

That ever answers with enchanted voices

Each rising sun that on its front rejoices?

Speak!—"I AM POETRY!"

THE ANGEL AND THE CHILD.

Upon a barren steep,

Above a stormy deep,

I saw an Angel watching the wild sea;

Earth was that barren steep,

Time was that stormy deep,

And the opposing shore—Eternity!

"Why dost thou watch the wave?

Thy feet the waters lave,

The tide engulfs thee if thou dost delay."

"Unscathed I watch the wave,

Time not the Angel's grave,

I wait until the ocean ebbs away."

Hush'd on the Angel's breast

I saw an Infant rest,

Smiling upon the gloomy hell below.

"What is the Infant press'd,

O Angel, to thy breast?"

"The child God gave me, in The Long Ago.

"Mine all upon the earth,

The Angel's angel-birth,

Smiling each terror from the howling wild."

Never may I forget

The dream that haunts me yet,

OF PATIENCE NURSING HOPE—THE ANGEL AND THE CHILD

TO A WITHERED TREE IN JUNE.

Desolate tree! why are thy branches bare?

What hast thou done

To win strange winter from the summer air,

Frost from the sun?

Thou wert not churlish in thy palmier year

Unto the herd;

Tenderly gav'st thou shelter to the deer,

Home to the bird.

And ever once, the earliest of the grove,

Thy smiles were gay,

Opening thy blossoms with the haste of love

To the young May.

Then did the bees, and all the insect wings

Around thee gleam;

Feaster and darling of the gilded things

That dwell i' the beam.

Thy liberal course, poor prodigal, is sped;

How lonely now!

How bird and bee, light parasites, have fled

The leafless bough!

"Tell me, sad tree, why are thy branches bare?

What hast thou done

To win strange winter from the summer air,

Frost from the sun?"

"Never," replied that forest-hermit lone

(Old truth and endless!)

"Never for evil done, but fortune flown,

Are we left friendless.

"Yet wholly, nor for winter nor for storm

Doth Love depart!

We are not all forsaken till the worm

Creeps to the heart!

"Ah, nought without, within thee if decay,

Can heal or hurt thee.

Nor boots it, if thy heart itself betray,

Who may desert thee!"

ON THE REPERUSAL OF LETTERS WRITTEN IN YOUTH.

Strange, as when vaguely through the autumn haze

Loom the pale scenes last view'd in summer skies,

Out from the mist the thoughts of sunny days

And golden youth arise.

Were ye, in truth, my thoughts?—along the years

Flies back the wondering and incredulous Mind,

In the still archives of lost hopes and fears

Your date and tale to find.

Gradual and slow, reweaving link to link,

Epoch, and place, and image it recalls,

And owns the thoughts it never more can think,—

Dim pictures in dim halls!

Dim pictures now; and once ye breathed and moved,

And took your life as proudly from the sun

As if immortals!—schemed, aspired, and loved,

And sunk to rest;—sleep on!

On a past self the present self amazed

Looks, and beholds no likeness!—Canst thou see

In the pale features of the phantom raised

One trace still true to thee?

'Twas said "The child is father to the man,"

By one whose world was but the shepherd's range.

What seas beyond thy vale, Arcadian,

Ebb and reflow with change!

In the great deeps of reason, heart, and soul,

Through shine or storm still roll the tides unfailing;

Each separate globule in the restless whole

In daily airs exhaling.

Thus evermore, albeit to erring eyes,

The same wild surface dash to shore the spray,

That seeming oneness every moment dies,

Drop after drop, away.

And stern indeed the prison of our doom

If self from self had no divine escape;

If each dead passion slept not in the tomb;

If childhood, age could shape.

Happy the man in whom with every year

New life is born, re-baptized in the past,—

In whom each change doth but as growth appear,

The loveliest change the last!

Full many a sun shall vanish from the skies

And still the aloe show but leaves of thorn;

Leaf upon leaf, and thorn on thorn, arise,

And lo—the flower is born!

THE DESIRE OF FAME.

WRITTEN AT THE AGE OF THIRTY.

I do confess that I have wish'd to give

My land the gift of no ignoble name.

And in that holier air have sought to live,

Sunn'd with the hope of Fame.

Do I lament that I have seen the bays

Denied my own, not worthier brows above,—

Foes quick to scoff, and friends afraid to praise,—

More active hate than love?

Do I lament that roseate youth has flown

In the hard labour grudged its niggard meed,

And cull from far and juster lands alone

Few flowers from many a seed?

No! for whoever with an earnest soul

Strives for some end from this low world afar,

Still upward travels, though he miss the goal,

And strays—but towards a star.

Better than fame is still the wish for fame,

The constant training for a glorious strife:

The athlete nurtured for the Olympian Game

Gains strength at least for life.

The wish for Fame is faith in holy things

That soothe the life, and shall outlive the tomb—

A reverent listening for some angel wings

That cower above the gloom.

To gladden earth with beauty, or men's lives

To serve with action, or their souls with truth,—

These are the ends for which the hope survives

The ignobler thirsts of youth.

No, I lament not, though these leaves may fall

From the sered branches on the desert plain,

Mock'd by the idle winds that waft; and all

Life's blooms, its last, in vain!

If vain for others, not in vain for me,—

Who builds an altar let him worship there;

What needs the crowd? though lone the shrine may be,

Not hallow'd less the prayer.

Eno' if haply in the after days,

When by the altar sleeps the funeral stone,

When gone the mists our human passions raise,

And Truth is seen alone:

When causeless Hate can wound its prey no more,

And fawns its late repentance o'er the dead,

If gentle footsteps from some kindlier shore

Pause by the narrow bed.

Or if yon children, whose young sounds of glee

Float to mine ear the evening gales along,

Recall some echo, in their years to be,

Of not all-perish'd song!

Taking some spark to glad the hearth, or light

The student lamp, from now neglected fires,—

And one sad memory in the sons requite

What—I forgive the sires.

THE LOYALTY OF LOVE.

I love thee, I love thee;

In vain I endeavour

To fly from thine image;

It haunts me for ever.

All things that rejoiced me

Now weary and pall;

I feel in thine absence

Bereft of mine all.

My heart is the dial;

Thy looks are the sun;

I count but the moments

Thou shinest upon.

Oh, royal, believe me,

It is to control

Two mighty dominions,

The Heart and the Soul.

To know that thy whisper

Each pang can beguile;

And feel that creation

Is lit by thy smile.

Yet every dominion

Needs care to retain—

Dost thou know when thou pain'st me

Or smile at the pain?

Alas! the heart-sickness,

The doubt and the dread,

When some word that we pine for

Cold lips have not said!

When no pulses respond to

The feelings we prove;

And we tremble to question

"If this can be love;"

At moments comparing

Thy heart with mine own,

I mourn not my bondage,

I sigh for thy throne.

For if thou forsake me,

Too well I divine

That no love could defend thee

From sorrow like mine.

And this, O ungrateful,

I most should deplore—

That the heart thou hadst broken

Could shield thee no more!

A LAMENT.

I stand where I last stood with thee!

Sorrow, O sorrow!

There is not a leaf on the trysting-tree;

There is not a joy on the earth to me;

Sorrow, O sorrow!

When shalt thou be once again what thou wert?

Oh, the sweet yesterdays fled from the heart!

Have they a morrow?—

Here we stood, ere we parted, so close side by side;

Two lives that once part, are as ships that divide

When, moment on moment, there rushes between

The one and the other, a sea;—

Ah, never can fall from the days that have been

A gleam on the years that shall be!

LOST AND AVENGED.

O God, give me rest from a thought!

I cannot escape it nor brave;

Dread ghost of a joy that I sought

To harrow my soul from its grave!

Farewell to the smile of the sun,

The cheerful Religion of Trust!

I centred my future in One,

And wake as it crumbles to dust!

Oh, blest are the tears that are shed

For love that was true to the last.

The future restores us the dead,

The false we expel from the past.—

Yet all, when I summon my pride

Thyself as I find thee to see,

Again there descends to my side

The angel I dreamt thee to be.

Again thou enchantest my ear;

My soul hangs again on thy breath,

And murmurs that melt in a tear

Repeat "I am thine unto death!"

Again is the light of thine eyes

The limpid reflection of Truth;

Thy smile gives me back to the skies

That lit the ideals of youth.

Oh, is it thyself that I mourn,

Or is it that dream of my heart

Which glides from the reach of my scorn,

And soars from the clay that thou art?

Well, go—take this comfort with thee,

(I know thou art vain of thy power,)

Thou hast blighted existence for me,

Thou hast left not a germ for the flower;

My star may escape the eclipse,

The music that tuned it is o'er;

The smile may return to my lips—

It fades from my heart evermore;

Yet dark on thy being will fall

A shade from the wreck of my own,

Long years shalt thou sigh over all

Thou hast in a day overthrown.

For none shall exalt thee as I!

Ah, none whom thy spells may control

Shall deck thee in hues from the sky,

And breathe in thy statue his soul.—

None build from the glories of song

The brighter existence above,

The realm which to poets belong,

The throne they bestow where they love.

Let earth its chill colours regain,

The moonlight depart from thy sea,

Explore through creation in vain

The fairy land vanish'd with me.

I take back the all I had given:

Thy charm, with my folly is o'er;

From the rank I assign'd thee in heaven

Descend to thy level once more.

O grief!—whether here or above,

Must my soul thus be sever'd from thine?

Ah, mourn—though I had not thy love—

The sin that bereaves thee of mine.

THE TREASURES BY THE WAYSIDE.

A TALE FOR SORROW.

The sky was dull, the scene was wild,

I wander'd up the mountain way;

And with me went a joyous child,

The man in thought, the child at play,

My heart was sad with many a grief;

Mine eyes with former tears were dim;

The child!—a stone, a flower, a leaf,

Had each its fairy wealth to him!

From time to time, unto my side

He bounded back to show the treasure;

I was not hard enough to chide,

Nor wise enough to share his pleasure.

We paused at last—the child began

Again his sullen guide to tease;

"They say you are a learnèd man—

So look, and tell me what are these?"

Aroused with pain, my listless eyes

The various spoils scarce wander o'er;

Than straight they hail a sage's prize

In what seem'd infant toys before:

This herb was one the glorious Swede

Had given a garden's wealth to find;

That stone had harden'd round a weed

The earliest deluge left behind.

Fit stores for science, Discontent

Had pass'd unheeding on the wild;

And Nature had her wonders lent

As things of gladness to the child!

Thus, through the present, Sorrow goes,

And sees its barren self alone;

While healing in the leaflet grows,

And Time blooms back within the stone.

O THOU, so prodigal of good,

Whose wisdom with delight is clad;

How clear should be to Gratitude

The golden duty—to be glad!

ADDRESS TO THE SOUL IN DESPONDENCY.

No, Soul! not in vain thou hast striven,

Unless thou abandon the strife;

Forsworn to the banners of Heaven,

If false in the battle of life.

Why—counting the gain or the loss—

The badge of the temple assume?

March on! if thy sign be the Cross,

Thy triumph must be at the Tomb.

Say, doth not the soldier rejoice

If placed by his chief at the van?

As spirit, submit to the choice

The noble would welcome as man.

"Farewell to the splendour of light!"

The Greek could exulting exclaim,

Resign'd to the Hades of Night,

To live in the air as A NAME.

Could he, for a future so vain,

Every pang in the present control,

Yet thou of a moment complain

In thine infinite life as a soul?

Like thee, do not millions receive

Their chalice embitter'd with gall?

If good be creation—believe

That good which is common to all!

In evil itself, to the glance

Of the wise, half the riddles are clear

Were wisdom but perfect, perchance,

The rest might in love disappear.

The thunder that scatters the pest

May be but a type of the whole;

And storms which have darken'd the breast

May bring but its health to the soul.

Can earth, where the harrow is driven,

The sheaf in the furrow foresee,—

Or thou guess the harvest of heaven

Where iron has enter'd in thee?

CORN-FLOWERS.

BOOK II.

THE SABBATH.

Fresh glides the brook and blows the gale,

Yet yonder halts the quiet mill;

The whirring wheel, the rushing sail,

How motionless and still!

Six days of toil, poor child of Cain,

Thy strength the slave of Want may be;

The seventh thy limbs escape the chain—

A God hath made thee free!

Ah, tender was the law that gave

This holy respite to the breast,

To breathe the gale, to watch the wave,

And know—the wheel may rest!

But where the waves the gentlest glide

What image charms, to lift, thine eyes?

The spire reflected on the tide

Invites thee to the skies.

To teach the soul its nobler worth

This rest from mortal toils is given;

Go, snatch the brief reprieve from earth

And pass—a guest to Heaven.

They tell thee, in their dreaming school,

Of Power from old dominion hurl'd,

When rich and poor, with juster rule,

Shall share the alter'd world.

Alas! since Time itself began,

That fable hath but fool'd the hour;

Each age that ripens Power in Man,

But subjects Man to Power.

Yet every day in seven, at least,

One bright republic shall be known;—

Man's world awhile hath surely ceased,

When God proclaims his own!

Six days may Rank divide the poor,

O Dives, from thy banquet-hall—

The seventh the Father opes the door,

And holds His feast for all!

THE HOLLOW OAK.

Hollow is the oak beside the sunny waters drooping;

Thither came, when I was young, happy children trooping;

Dream I now, or hear I now—far, their mellow whooping?

Gay below the cowslip bank, see the billow dances,

There I lay beguiling time—when I lived romances;

Dropping pebbles in the wave, fancies into fancies;—

Farther, where the river glides by the wooded cover,

Where the merlin singeth low, with the hawk above her

Came a foot and shone a smile—woe is me, the Lover!

Leaflets on the hollow oak still as greenly quiver,

Musical amid the reeds murmurs on the river;

But the footstep and the smile?—woe is me for ever!

LOVE AND FAME.

WRITTEN IN EARLY YOUTH.

I.

It was the May when I was born,

Soft moonlight through the casement stream'd,

And still, as it were yestermorn,

I dream the dream I dream'd.

I saw two forms from fairy land,

Along the moonbeam gently glide,

Until they halted, hand in hand,

My infant couch beside.

II.

With smiles, the cradle bending o'er,

I heard their whisper'd voices breathe—

The one a crown of diamond wore,

The one a myrtle wreath;

"Twin brothers from the better clime,

A poet's spell hath lured to thee;

Say which shall, in the coming time,

Thy chosen fairy be?"

III.

I stretch'd my hand, as if my grasp

Could snatch the toy from either brow;

And found a leaf within my clasp,

One leaf—as fragrant now!

If both in life may not be won,

Be mine, at least, the gentler brother—

For he whose life deserves the one,

In death may gain the other.

LOVE AT FIRST SIGHT.

I.

Into my heart a silent look

Flash'd from thy careless eyes,

And what before was shadow, took

The Light of summer skies.

The first-born love was in that look;

The Venus rose from out the deep

Of those inspiring eyes.

II.

My life, like some lone solemn spot

A spirit passes o'er,

Grew instinct with a glory not

In earth or heaven before.

Sweet trouble stirr'd the haunted spot,

And shook the leaves of every thought

Thy presence wander'd o'er!

III.

My being yearn'd, and crept to thine,

As if in times of yore

Thy soul had been a part of mine,

Which claim'd it back once more.

Thy very self no longer thine,

But merged in that delicious life,

Which made us ONE of yore!

IV.

There bloom'd beside thee forms as fair,

There murmur'd tones as sweet,

But round thee breathed the enchanted air

'Twas life and death to meet.

And henceforth thou alone wert fair,

And though the stars had sung for joy,

Thy whisper only sweet!

LOVE'S SUDDEN GROWTH.

I.

But yestermorn, with many a flower

The garden of my heart was dress'd;

A single tree has sprung to bloom,

Whose branches cast a tender gloom,

That shadows all the rest.

II.

A jealous and a tyrant tree,

That seeks to reign alone;

As if the wind's melodious sighs,

The dews and sunshine of the skies,

Were only made for One!

III.

A tree on which the Host of Dreams

Low murmur mystic things,

While hopes, those birds of other skies,

To dreams themselves chant low replies—

Ah, wherefore have they wings?

IV.

The seasons nurse the blight and storm,

The glory leaves the air—

The dreams and birds will pass away,

The blossom wither from the spray—

One day—the stem be bare—

V.

But mine has grown the Dryad's life,

Coeval with the tree;

The sun, the frost, the bloom, the fall,

My fate, sweet tree, must share them all,

To live and die with thee!

THE LOVE-LETTER.

As grains of gold that in the sands

Of Lydian waters shine,

The welcome sign of mountain lands

That veil the silent mine;

Thus may the river of my thought,

That glideth now to thee,

Reveal the wealth as yet unwrought,

Which Love has heap'd in me!

So strove I to enrich the scroll

To thy dear hands consign'd;

I thought to leave the lavish soul

No golden wish behind!

Ah, fool! to think an hour could drain

What life can scarce explore—

Enough, if guided by the grain,

Thy heart should seek the ore!

THE LANGUAGE OF THE EYES.

Those eyes—those eyes—how full of Heaven they are!

When the calm twilight leaves the heaven most holy;

Tell me, sweet eyes, from what divinest star

Did ye drink in your liquid melancholy?

Tell me, belovèd eyes!

Was it from yonder orb that ever by

The quiet moon, like Hope by Patience, hovers,

The star to which hath sped so many a sigh,

Since lutes in Lesbos hallow'd it to Lovers?

Was that your Fount, sweet Eyes?

Ye Sibyl books, in which the truths foretold

Inspire the Heart, your dreaming priest, with gladness,

Bright Alchemists that turn to thoughts of gold

The leaden cares ye steal away from sadness,

Teach only me, sweet Eyes!

Hush! when I ask ye how, at length, to gain

The cell where Love, the sleeper, yet lies hidden,

Loose not those arch lips from their rosy chain;

Be every answer, save your own, forbidden—

Feelings are words for Eyes!

DOUBT.

Bright laughs the sun; the birds, that are to air

Like song to life, are gaily on the wing;

In every mead the handmaid hours prepare

The delicates of spring;[E]

But, if she love me not!

To me at this fair season still hath been

In every wild-flower an exhaustless treasure,

And, when the young-eyed violet first was seen,

Methought to breathe was pleasure;—

But, if she love me not!

How, in thy twilight, Doubt, at each unknown

Dim shape, the superstitious Love will start;

How Hope itself will tremble at its own

Light shadow on the heart!—

Ah, if she love me not!

Well; I will know the worst, and leave the wind

To drift or drown the venture on the wave;

Life has two friends in grief itself most kind—

Remembrance and the Grave—

Mine, if she love me not!

THE ASSURANCE.

I am loved, I am loved—Jubilate!

Hark! hark! how the happy note swells

To and fro from the fairy bells,

With which the flowers melodiously

To their banquet halls invite the bee!—

"He is loved, he is loved—Jubilate!"

The echo at rest on her mountain-keep

Murmurs the sound in her broken sleep—

"He is loved, he is loved—Jubilate!"

And those gossips, the winds, have come to scout

What the earth is so happy about,

And they catch the sound, and circle it round—

"He is loved, he is loved—Jubilate!"

And the rivers, who, all the world must know,

Were in love with the stars ever since they could flow,

With a dimpled cheek and a joyous sigh,

Whisper it up to the list'ning sky,

"He is loved, he is loved—Jubilate!"

It is not the world that I knew before;

Where is the gloom that its glory wore?

Not a foe could offend, nor a friend betray,

Old Hatred hath gone to his grave to-day!

Hark! hark! his knell we toll,

Here's to the peace of his sinful soul!

On the earth below, in the heaven above,

Nothing is left me now but Love.

Love, Love, honour to Love,

I am loved, I am loved—Jubilate!

MEMORIES, THE FOOD OF LOVE.

When shall we come to that delightful day,

When each can say to each, "Dost thou remember?"

Let us fill urns with rose-leaves in our May,

And hive the thrifty sweetness for December!

For who may deem the throne of love secure,

Till o'er the Past the conqueror spreads his reign?

That only land where human joys endure,

That dim elysium where they live again!

Swell'd by a thousand streams the deeps that float

The bark on which we risk our all, should be.

A rill suffices for the idler's boat:

It needs an ocean for the argosy.

The heart's religion keeps, apart from time,

The sacred burial-ground of happy hours;

The past is holy with the haunting chime

Of dreamy sabbath bells from distant towers.

Oft dost thou ask me, with that bashful eye,

"If I shall love thee evermore as now!"

Feasting as fondly on the sure reply,

As if my lips were virgin of the vow.

Sweet does that question, "Wilt thou love me?" fall

Upon the heart that has forsworn its will:

But when the words hereafter we recall,

"Dost thou remember?" shall be sweeter still.

ABSENT, YET PRESENT.

As the flight of a river

That flows to the sea,

My soul rushes ever

In tumult to thee.

A twofold existence

I am where thou art;

My heart in the distance

Beats close to thy heart.

Look up, I am near thee,

I gaze on thy face;

I see thee, I hear thee,

I feel thine embrace.

As a magnet's control on

The steel it draws to it,

Is the charm of thy soul on

The thoughts that pursue it.

And absence but brightens

The eyes that I miss,

And custom but heightens

The spell of thy kiss.

It is not from duty,

Though that may be owed,—

It is not from beauty,

Though that be bestow'd;

But all that I care for,

And all that I know,

Is that, without wherefore,

I worship thee so.

Through granite as breaketh

A tree to the ray,

As a dreamer forsaketh

The grief of the day,

My soul in its fever

Escapes unto thee;

O dream to the griever,

O light to the tree!

A twofold existence

I am where thou art;

Hark, hear in the distance

The beat of my heart!

LOVERS' QUARRELS.

AN OLD MAXIM REFUTED.

They never loved as thou and I,

Who preach'd the laughing moral,

That aught which deepens love can lie

In true love's lightest quarrel.

They never knew, in times of fear,

The safety of affection,

Nor sought, when angry fate drew near,

Love's altar for protection.

They never knew how kindness grows

A vigil and a care,

Nor watch'd beside the heart's repose

In silence and in prayer;

For weaker love be storms enough

To frighten back desire;

We have no need of gales so rough

To fan our steadier fire.

'Twere sweet to kiss thy tears away,

If tears those eyes must know;

But sweeter still to hear thee say,

"Thou never badst them flow."

The wrongful word will rankling live

When wrong itself has ceased,

And love, that all things may forgive,

Can ne'er forget the least.

If pain can not from life depart,

There's pain enough around us;

The rose we wear upon the heart

Should have no thorn to wound us.

And hollow sounds the wildest vow,

If memory wake, the while,

The bitter taunt—the darken'd brow,

The stinging of a smile.

There is no anguish like the hour,

Whatever else befall us,

When one the heart has raised to power

Exerts it but to gall us.

Yet if—this calm too blest to last—

Some cloud, at times, must be,

I'm not so proud but I would cast

The fault alone on me.

So deeply blent with thy dear thought,

All faith in human kindness,

Methinks if thou couldst change in aught,

The only bliss were blindness.

But no—if rapture may not last,

It ne'er shall bring regret,

Nor leave one look in all the past

'Twere mercy to forget.

Repentance often finds, too late,

To wound us is to harden;

And love is on the verge of hate,

Each time it stoops for pardon.

THE LAST SEPARATION.

We shall not rest together, love,

When death has wrench'd my heart from thine;

The sun may smile thy grave above,

When clouds are dark on mine!

I know not why, since in the tomb

No instinct fires the silent heart—

And yet it seems a thought of gloom,

That even dust should part;

That, journeying through the toilsome past,

Thus hand in hand and side by side,

The rest we reach should, at the last,

The shapes we wore divide;

That the same breezes should not sigh

The self-same funeral boughs among,—

Nor o'er one grave, at daybreak, die

The night-bird's lonely song!

A foolish thought! the spirit goal

Is not where matter wastes away;

If soul at last regaineth soul,

What boots it where the dust decay?

A foolish thought, yet human too!

For love is not the soul's alone:

It winds around the form we woo—

The mortal we have known!

The eyes that speak such tender truth,

The lips that every care assuage,

The hand that thrills the heart in youth,

And smoothes the couch in age;

With these—The Human,—human love

Will twine its thoughts and weave its doom,

And still confound the life above

With death beneath the tomb!

And who shall tell, in yonder skies,

What earthlier instincts we retain;

What link, to souls released, supplies

The old material chain?

The stars that pierced this darksome state

May fade in that meridian shore;

And human love, like human hate,

Be memory—and no more!

Away the doubt! alas, how cold

Would all the promised heaven appear,

Did yearning love no more behold

What made its Eden here!

But wheresoe'er the spirit flies,

It haunts us in the shape it wore;

We give the angel in the skies

The mortal's smile of yore;

Yet, ah, when souls from life escape,

Material forms no more they know;

Not Heaven itself restores the shape

So fondly loved below!

Immortal spirits meet above;

But mine is still the human heart;

And in its faithful human love,

It mourns that dust should part!

THE POPE AND THE BEGGAR.

THE DESIRES THE CHAINS, THE DEEDS THE WINGS.

I saw a soul beside the clay it wore,

When reign'd that clay the Hierarch-Sire of Rome;

A hundred priests stood ranged the bier before,

Within St. Peter's dome.

And all was incense, solemn dirge, and prayer,

And still the soul stood sullen by the clay:

"O soul, why to thy heavenlier native air

Dost thou not soar away?"

And the soul answer'd, with a ghastly frown,

"In what life loved, death finds its weal or woe;

Slave to the clay's Desires, they drag me down

To the clay's rot below!"

It spoke, and where Rome's purple ones reposed,

They lower'd the corpse; and downwards from the sun

Both soul and body sunk—and darkness closed

Over that twofold one!

Without the church, unburied on the ground,

There lay, in rags, a beggar newly dead;

Above the dust no holy priest was found,

No pious prayer was said!

But round the corpse unnumber'd lovely things,

Hovering unseen by the proud passers by,

Form'd, upward, upward, upward, with bright wings,

A ladder to the sky!

"And what are ye, O beautiful?" "We are,"

Answer'd the choral cherubim, "His Deeds!"

Then his soul, sparkling sudden as a star,

Flash'd from its mortal weeds,

And, lightly passing, tier on tier, along

The gradual pinions, vanish'd like a smile!

Just then, swept by the solemn-visaged throng

From the Apostle's pile.

"Knew ye this beggar?" "Knew! a wretch, who died

Under the curse of our good Pope, now gone!"

"Loved ye that Pope?" "He was our Church's pride,

And Rome's most holy son!"

Then did I muse: such are men's judgments; blind

In scorn or love! In what unguess'd-of things,

Desires or Deeds—do rags and purple find

The fetters or the wings!

THE BEAUTIFUL DESCENDS NOT.

In Cyprus, looking on the lovely sky,

Lone by the marge of music-haunted streams,

A youthful poet pray'd: "Descend from high,

Thou of whose face each youthful poet dreams.

Once more, Urania, to the earth be given

The beauty that makes beautiful the heaven."

Swift to a silver cloudlet, floating o'er,

A rushing Presence rapt him as he pray'd;

What he beheld I know not, but once more

The midnight heard him sighing to the shade,

"Again, again unto the earth be given

The beauty that makes beautiful the heaven."

"In vain," a sweet voice answer'd from the star,

"Her grace on thee Urania did bestow:

Unworthy he the loftier realms afar,

Who woos the gods above to earth below;

Rapt to the Beautiful thy soul must be,

And not the Beautiful debased to thee!"

THE LONG LIFE AND THE FULL LIFE.

IMITATED FROM CLAUDIAN'S "OLD MAN OF VERONA."

In mine own hamlet, where, amidst the green,

By moss-grown pales white gleaming cots are seen,

There dwelt a peasant in his eightieth year,

Dear to my childhood—now to memory dear;

In the same hut in which his youth had pass'd

Dwelt his calm age, till earth received at last;

Where first his infant footsteps tottering ran,

Propp'd on his staff crawl'd forth the hoary man;

That quiet life no varying fates befell,

The patriarch sought no Laban's distant well;

Of Rothschild's wealth, of Wellesley's mighty name

To that seal'd ear no faintest murmur came.

His grand event was when the barn took fire,

His world the parish, and his king the squire.

Nor clock nor kalend kept account with time,

Suns told his days, his weeks the sabbath chime;

His spring the jasmine silvering round his door,

And reddening apples spoke of summer o'er.

To him the orb that set o'er yonder trees,

Tired like himself, lit no antipodes;

And the vast world of human fears and hopes

Closed to his sight where yon horizon slopes,—

That beech which now o'ershadows half the way,

He saw it planted in my grandsire's day;

Rooted alike where first they braved the weather,

He and the oaks he loved grew old together.

Not ten miles distant stands our County-hall—

To him remoter than to thee Bengal;

And the next shire appear'd to him to be

What seas that closed on Franklin seem to thee.

Thus tranquil on that happy ignorance bore

The green old age still hearty at fourscore;

To him, or me—with half the world explored,

And half his years—did life the more afford?

There the grey hairs, and here the furrow'd breast!

Ask, first—is life a journey or a rest?

If rest, old Man, long life indeed was thine;

But if a journey—oh, how short to mine!

THE MIND AND THE HEART.

"MA VIE C'EST UN COMBAT."

Why, ever wringing life from art

Do men my patient labour find?

I still the murmur of my heart,

My one consoler is my mind.

Though every toil but wakes the spell

To rouse the Falsehood and the Foe,

Can all the storms that chafe the well,

Disturb the silent TRUTH below?

The Mind can reign in Mind alone.—

O Pride, the hollow boast confess!

What slave would not reject a throne

If built amidst a wilderness?

Before my gaze I see my youth,

The ghost of gentler years, arise,

With looks that yearn'd for every truth,

And wings that sought the farthest skies.

Fresh from the golden land of dreams,

Before this waking world began,

How bright the radiant phantom seems

Beside the time-worn weary man!

How, then, the Heart rejoiced in all

That roused the quick aspiring Mind!

What glorious music Hope could call

From every Memory left behind!

Experience drew not then to earth

The looks that Fancy rear'd above,

And all that took their kindred birth

From thought or feeling,—blent in love.

In vain a seraph's hand had raised

The mask from Falsehood's fatal brow;

And still as fondly I had gazed

On looks that freeze to marble now.

Can aught that Mind bestows on toil

Replace the earlier heavenly ray,

That did but tremble o'er the soil,

To warm creation into May?

But now, in Autumn's hollow sigh,

The heart its waning season shows,

And all the clearness of the sky

Foretells the coming of the snows.

Farewell, sweet season of the Heart,

And come, O iron rule of Mind,

I see the Golden Age depart,

And face the war it leaves behind.

Me nevermore may Feeling thrall,

Resign'd to Reason's stoic reign—

But oh, how much of what we call

Content—is nothing but Disdain!

THE LAST CRUSADER.

Left to the Saviour's conquering foes,

The land that girds the Saviour's grave;

Where Godfrey's crosier-standard rose,

He saw the crescent-banner wave.

There, o'er the gently-broken vale,

The halo-light on Zion glow'd;

There Kedron, with a voice of wail,

By tombs[F] of saints and heroes flow'd;

There still the olives silver o'er

The dimness of the distant hill;

There still the flowers that Sharon bore,

Calm air with many an odour fill.

Slowly THE LAST CRUSADER eyed

The towers, the mount, the stream, the plain,

And thought of those whose blood had dyed

The earth with crimson streams in vain!

He thought of that sublime array,

The Hosts, that over land and deep

The Hermit marshall'd on their way,

To see those towers, and halt to weep![G]

Resign'd the loved familiar lands,

O'er burning wastes the cross to bear,

And rescue from the Paynim's hands

The empire of a sepulchre!

And vain the hope, and vain the loss,

And vain the famine and the strife;

In vain the faith that bore the Cross,

The valour prodigal of life!

And vain was Richard's lion-soul,

And guileless Godfrey's patient mind—

Like waves on shore, they reach'd the goal,

To die, and leave no trace behind!

"O God!" the last Crusader cried,

"And art thou careless of thine own?

For us thy Son in Salem died,

And Salem is the scoffer's throne!

"And shall we leave, from age to age,

To godless hands the Holy Tomb?

Against thy saints the heathen rage—

Launch forth thy lightnings, and consume!"

Swift, as he spoke, before his sight

A form flash'd, white-robed, from above;

All Heaven was in those looks of light,

But Heaven, whose native air is love.

"Alas!" the solemn Vision said,

"Thy God is of the shield and spear—

To bless the Quick and raise the Dead,

The Saviour-God descended here!

"Ask not the Father to reward

The hearts that seek, through blood, the Son;

O warrior! never by the sword

The Saviour's Holy Land is won!"

FOREBODINGS.

What are ye?—Strangers from the Phantom shore?

Lights that precede Funereal Destinies,

Ev'n as the Spectres of the Sun, before

He rises from the dearth of Arctic seas?

What demon presence haunts the haggard air?

What ice-wind checks the blood and lifts the hair?

What are ye?—"Nightmares known not to the sane,

A sick man's sickly dreams"—the Leech replies,

Then prates he much of viscera, spleen, and brain,

And lays the Ghost with Galen;—"To the wise

All things are matter;" well, we would be taught,

Come, Leech, dissect the brain;—Now show me Thought!

Shame!—to the body, must the soul fulfil

A slavery thus subjected and entire?

Must every crevice into light be still

Choked with the clod? Each dread, and each desire

Of things unknown, be track'd unto its germ

In some crazed fibre rotting to the worm?

Trust we the dry philosophies that sneer

Back every guess into the world of spirit,

And what were left the present to revere?

And where would fade the future we inherit?

Try Heaven and Hell by the physician's test,

And men know neither—while they well digest!

What mortal hand the airy line can draw

'Twixt Superstition in its shadowy terror

And still Religion in its starry awe?—

Truth when sublime flows least distinct from error;

Light of itself eludes our human eyes;

Let it take colour, and it spans the skies!

Doubtful Foreshadows, have ye then of yore

Never been prophets, murmuring weal or woe?

Beckoning no Sylla over seas of gore?

Warning no Julius of the fatal blow?

Seen in no mother-guise by that pale son

Who led the Mede, and sleeps in Marathon?[H]

You, the Earth-shakers from whose right hands war

Falls, as from Jove's the thunderbolt, obey;

Gaul's sceptic Cæsar had his guardian star,

Stout Cromwell's iron creed its chosen day.

'Tis in proportion as men's lives are great,

That, fates themselves,—they glass the shades of Fate.

The wisest sage the antique wisdom knew,

Gazing into blue space long silent hours,

Would commune with his Genius: as the dew

Recruits the river, so the unseen Powers

Of Nature feed with thoughts spiritual, soul.—

Belief alone links knowledge to The Whole.

Hail, then, each gleam, albeit of angry skies,

Terrible never to the noble sight!

Hail the dread lightning, if it lift the eyes

Up from the dust into the Infinite!

Look through thy grate, thou saddest captive, Doubt,

And thank the flash that shows a Heaven without.

ORAMA; OR, FATE AND FREEWILL.

Thin, shadowy, scarce divided from the light,

I saw a phantom at the birth of morn:

Its robe was sable, but a fleecy white

Flow'd silvering o'er the garb of gloom; a horn

It held within its hand; no faintest breath

Stirr'd its wan lips—death-like, it seem'd not Death.

My heart lay numb within me; and the flow

Of life, like water under icebergs, crept;

The pulses of my being seem'd to grow

One awe;—voice fled the body as it slept,

But from its startled depth arose the soul

And king-like spoke:—

"What art thou, that dost seem

To have o'er Immortality control?"

And the Shape answer'd, not by sound,

"A Dream!

A Dream, but not a Dream: the Shade of things

To come—a herald from the throne of Fate.

I ruled the hearts of earth's primæval kings,

I gave their life its impulse and its date:

Grey Wisdom paled before me, and the stars

Were made my weird interpreters—my hand

Aroused the whirlwind of the destined wars,

And bow'd the nations to my still command.

A Dream, but not a Dream;—a type, a sign,

Pale with the Future, do I come to thee.

The lot of Man is twofold; gaze on thine,

And choose thy path into eternity."

Thus spoke the Shade; and as when autumn's haze

Rolls from a ghostly hill, and gives to view

The various life of troubled human days,

So round the phantom, pale phantasma grew,

And landscapes rose on either side the still

River of Time, whose waves are human hours.—

"What," said my soul, "doth not the Omniscient Will

Foreshape, foredoom; if so, what choice is ours?"

The Ghost replied:—

"Deem'st thou the art divine

Less than the human? Doth inventive Man

All adverse means in one great end combine,

And close each circle where the thought began,

So that his genius, bent on schemes sublime,

Scarce notes the obstructions to its purposed goal,

But turns each discord of the changeful time

Into the music of a changeless whole?

And deem'st thou Him who breathes, and worlds arise,

But the blind agent of His own cold law?

Fool! doth yon river less reflect the skies

Because some wavelet eddies round a straw?

Still to Man's choice is either margin given

Beside the Stream of Time to wander free:

And still, as nourish'd by the dews of Heaven,

Glides the sure river to the solemn sea.

Choose as thou wilt!"—

Then luminously clear

Flash'd either margin from the vapoury shade;

What I beheld unmeet for mortal ear,—

Nor dare I tell the choice the mortal made.

But when the Shape had left me, and the dawn

Smote the high lattice with a starbeam pale,

As a blind man when from his sight withdrawn

The film of dark,—or as unto the gale

Leaps the live war-ship from the leaden calm,—

So joyous rose, look'd forth, and on to Fate

Bounded my soul! Yet nor the Olympian palm

Which fierce contestors hotly emulate,

Nor roseate blooms in Cytherean dell,

Nor laurel shadowing murmurous Helicon,

Strain'd my desire divinely visible

In the lone course it was my choice to run.

Wherefore was then my joy?—THAT I WAS FREE!

Not my life doom'd, as I had deem'd till then,

An iron link of grim Necessity,—

A sand-grain wedged amidst the walls of men;

The good, the ill, the happiness or woe,

That waited, not a thraldom pre-decreed,

But from myself as from their germ to grow,—

Let the Man suffer, still the Slave was freed!

Predestine earth, and heavenly Mercy dies;

The voice of sorrow wastes its wail on air;

Freewill restores the Father to the skies,

Unlocks from ice the living realm of prayer,

And gives creation what the human heart

Gives to the creature, life to life replying.

O epoch in my being, and mine art,

Known but to me!—How oft do thoughts undying

Like rainbows, spring between the cloud and beam,

Colouring the world yet painted on—a dream.

FOOTNOTES

[A] Theocrit. Id. 7.

[B] Mosch, Id. 3; Epitaph on Bion.

[C] Theocrit. Id. 2.

[D] The reader will perceive that this poem is intended to illustrate a dispute which can never, perhaps, be critically solved—viz., whether the true business of the poet be to delight or to instruct;—and he will therefore be disposed to forgive me if he recognize certain thoughts or expressions freely borrowed from the various poets, who may be said to represent either side of the question. Among the moderns, SCHILLER especially has suggested ideas and illustrations on behalf of the more earnest creed professed by LYKEGENES—while GOETHE has been pressed to the aid of ANTHIOS. The Greek poets have here and there suggested a line on either side. After this general acknowledgment of obligation, it would be but pedantic to specify each special instance of imitative paraphrase or direct translation.

[E] "The choicest delicates from yonder mead."—The Faithful Shepherdess.

[F] The valley Jehoshaphat, through which rolls the torrent of the Kedron, is studded with tombs.

[G] See Tasso, Ger. Lib. cant. iii. st. vi.

[H] Hippias, before the battle of Marathon, in which he was slain, dreamt a dream that he slept with his mother.—See Herodotus.

EARLIER POEMS.

CHIEFLY CRITICAL OR REFLECTIVE.[A]

EARLIER POEMS.

THE SOULS OF BOOKS.

I.

Sit here and muse!—it is an antique room—

High-roof'd with casements, through whose purple pane

Unwilling Daylight steals amidst the gloom,

Shy as a fearful stranger.

There THEY reign

(In loftier pomp than waking life had known),

The Kings of Thought!—not crown'd until the grave.

When Agamemnon sinks into the tomb,

The beggar Homer mounts the Monarch's throne!

Ye ever-living and imperial Souls,

Who rule us from the page in which ye breathe,

All that divide us from the clod ye gave!

Law—Order—Love—Intelligence—the Sense

Of Beauty—Music and the Minstrel's wreath!—

What were our wanderings if without your goals?

As air and light, the glory ye dispense,

Becomes our being—who of us can tell

What he had been, had Cadmus never taught

The art that fixes into form the thought—

Had Plato never spoken from his cell,

Or his high harp blind Homer never strung?—

Kinder all earth hath grown since genial Shakspeare sung!

II.

Hark! while we muse, without the walls is heard

The various murmur of the labouring crowd,

How still, within those archive-cells interr'd,

The Calm Ones reign!—and yet they rouse the loud

Passions and tumults of the circling world!

From them, how many a youthful Tully caught

The zest and ardour of the eager Bar;

From them, how many a young Ambition sought

Gay meteors glancing o'er the sands afar—

By them each restless wing has been unfurl'd,

And their ghosts urge each rival's rushing car!

They made yon Preacher zealous for the truth;

They made yon Poet wistful for the star;

Gave Age its pastime—fired the cheek of Youth—

The unseen sires of all our beings are,—

III.

And now so still! This, Cicero, is thy heart;

I hear it beating through each purple line.

This is thyself, Anacreon—yet thou art

Wreath'd, as in Athens, with the Cnidian vine.

I ope thy pages, Milton, and, behold

Thy spirit meets me in the haunted ground!

Sublime and eloquent, as while, of old,

"It flamed and sparkled in its crystal bound;"[B]

These are yourselves—your life of life! The Wise

(Minstrel or Sage) out of their books are clay;

But in their books, as from their graves, they rise,

Angels—that, side by side, upon our way,

Walk with and warn us!

Hark! the world so loud

And they, the movers of the world, so still!

What gives this beauty to the grave? the shroud

Scarce wraps the Poet, than at once there cease

Envy and Hate! "Nine cities claim him dead,

Through which the living Homer begg'd his bread!"

And what the charm that can such health distil

From wither'd leaves—oft poisons in their bloom?

We call some books immoral! Do they live?

If so, believe me, TIME hath made them pure.

In Books, the veriest wicked rest in peace—

God wills that nothing evil should endure;

The grosser parts fly off and leave the whole,

As the dust leaves the disembodied soul!

Come from thy niche, Lucretius! Thou didst give

Man the black creed of Nothing in the tomb!

Well, when we read thee, does the dogma taint?

No; with a listless eye we pass it o'er,

And linger only on the hues that paint

The Poet's spirit lovelier than his lore.

None learn from thee to cavil with their God;

None commune with thy genius to depart

Without a loftier instinct of the heart.

Thou mak'st no Atheist—thou but mak'st the mind

Richer in gifts which Atheists best confute—

FANCY AND THOUGHT! 'Tis these that from the sod

Lift us! The life which soars above the brute

Ever and mightiest, breathes from a great Poet's lute!

Lo! that grim Merriment of Hatred;[C]—born

Of him—the Master-Mocker of Mankind,

Beside the grin of whose malignant spleen,

Voltaire's gay sarcasm seems a smile serene,—

Do we not place it in our children's hands,

Leading young Hope through Lemuel's fabled lands?—

God's and man's libel in that foul yahoo!—

Well, and what mischief can the libel do?

O impotence of Genius to belie

Its glorious task—its mission from the sky!

Swift wrote this book to wreak a ribald scorn

On aught the man should love or Priest should mourn—

And lo! the book, from all its ends beguiled,

A harmless wonder to some happy child!

IV.

All books grow homilies by time; they are

Temples, at once, and Landmarks. In them, we

Who but for them, upon that inch of ground

We call "THE PRESENT," from the cell could see

No daylight trembling on the dungeon bar;

Turn, as we list, the globe's great axle round,

Traverse all space, and number every star,

And feel the Near less household than the Far!

There is no Past, so long as Books shall live!

A disinterr'd Pompeii wakes again

For him who seeks yon well; lost cities give

Up their untarnish'd wonders, and the reign

Of Jove revives and Saturn:—At our will

Rise dome and tower on Delphi's sacred hill;

Bloom Cimon's trees in Academe;[D]—along

Leucadia's headland sighs the Lesbian's song;

With Egypt's Queen once more we sail the Nile,

And learn how worlds are barter'd for a smile:—

Rise up, ye walls, with gardens blooming o'er,

Ope but that page—lo, Babylon once more!

V.

Ye make the Past our heritage and home:

And is this all? No: by each prophet-sage—

No; by the herald souls that Greece and Rome

Sent forth, like hymns, to greet the Morning Star

That rose on Bethlehem—by thy golden page,

Melodious Plato—by thy solemn dreams,

World-wearied Tully!—and above ye all,

By THIS, the Everlasting Monument

Of God to mortals, on whose front the beams

Flash glory-breathing day—our lights ye are

To the dark Bourne beyond; in you are sent

The types of Truths whose life is THE TO-COME;

In you soars up the Adam from the fall;

In you the FUTURE as the PAST is given—

Ev'n in our death ye bid us hail our birth;—

Unfold these pages, and behold the Heaven,

Without one grave-stone left upon the Earth!

LA ROCHEFOUCAULD AND CONDORCET.

Led by the Graces, through a court he moved,

"All men revered him, and all women loved;"[E]—

Happier than Paris, when to him there came

The three Celestials—Learning, Love, and Fame,

He found the art to soothe them all, and see

The Golden Apple shared amidst the Three.

Yet he, this man, for whom the world assumed

Each rose that in Gargettian[F] gardens bloom'd,

Left to mankind a legacy of all

That from earth's sweetness can extract a gall.

With him, indeed, poor Love is but a name—

Virtue a mask—Beneficence a game.

The Eternal Egotist, the Human Soul,

Sees but in Self the starting-post and goal.

Nipp'd in the frost of that cold, glittering air,

High thoughts are dwarf'd, and youth's warm dreams despair!

He lived in luxury, and he died in peace,

And saints in powder wept at his decease!

Man loves this sparkling satire on himself;—

Gaze round—see Rochefoucauld on every shelf!

Look on the other;—Penury made him sour,

His learnèd youth the hireling slave of power;

His Manhood cast amidst the stormiest time,

A hideous stage, half frenzy and all crime:—

Upon the Dungeon's floor of stone he died,

With Life's last Friend, his Horace, by his side!

Yet he—this Sage—who found the world so base,

Left what?—His "Progress of the Human Race."

A golden dream of man without a sin;

All virtue round him and all peace within!

Man does not love such portraits of himself,

And thrusts the unwelcome Flatterer from the shelf.

JEALOUSY AND ART.

If bright Apollo be the type of Art,

So is flay'd Marsyas that of Jealousy:

With the bare fibres which for ever smart

Under the sunbeams that rejoice the sky.

Had Marsyas ask'd not with the god to vie,

The god had praised the cunning of his flute.

Thou stealest half Apollo's melody,

Tune but thy reed in concert with his lute.

Each should enrich the other—each enhance

By his own gift the common Beautiful:

That every colour more may charm the glance,

All varying flowers the garland-weavers cull;

Adorn'd by Contrast, Art no rival knows,—

The violet steals not perfume from the rose.

THE MASTER TO THE SCHOLAR.

Write for the pedant Few, the vein shall grow

Cold at its source and meagre in its flow;

But for the vulgar Many wouldst thou write,

How coarse the passion, and the thought how trite!

"Nor Few, nor Many—riddles from thee fall?"

Author, as Nature smiles—so write;—for ALL!

THE TRUE CRITIC.

Taste is to sense, as Charity to soul,

A bias less to censure than to praise;

A quick perception of the arduous whole,

Where the dull eye some careless flaw surveys.

Every true critic—from the Stagirite

To Schlegel and to Addison—hath won

His fame by serving a reflected light,

And clearing vapour from a clouded sun.

Who envies him whose microscopic eyes

See but the canker in the glorious rose?

Not much I ween the Zoïlus we prize,

Though even Homer may at moments doze.

Praise not to me the sharp sarcastic sneer,

Mocking the Fane which Genius builds to Time.

High works are Sabbaths to the Soul! Revere

Even some rare discord in the solemn chime.

When on the gaze the Venus dawns divine,

The Cobbler comes the slipper to condemn;

The Slave alone descends into the mine

To work the dross—the Monarch wears the gem.

TALENT AND GENIUS.

Talent convinces—Genius but excites;

This tasks the reason, that the soul delights.

Talent from sober judgment takes its birth,

And reconciles the pinion to the earth;

Genius unsettles with desires the mind,

Contented not till earth be left behind;

Talent, the sunshine on a cultured soil;

Ripens the fruit, by slow degrees, for toil;

Genius, the sudden Iris of the skies,

On cloud itself reflects its wondrous dyes:

And to the earth, in tears and glory, given,

Clasps in its airy arch the pomp of Heaven!

Talent gives all that vulgar critics need—

And frames a horn-book for the Dull to read;

Genius, the Pythian of the Beautiful,

Leaves its large truths a riddle to the Dull—

From eyes profane a veil the Isis screens,

And fools on fools still ask—"What Hamlet means?"

EURIPIDES.

If in less stately mould thy thoughts were cast

Than thy twin Masters of the Grecian stage,

Lone, 'mid the loftier wonders of the Past,

Thou stand'st—more household to the Modern Age;—

Thou mark'st that change in Manners when the frown

Of the vast Titans vanish'd from the earth,

When a more soft Philosophy stole down

From the dark heavens to man's familiar hearth.

With thee came Love and Woman's influence o'er

Her sterner Lord; and Poesy, till then

A Sculpture, warm'd to Painting;[G] what before

Glass'd but the dim-seen Gods, grew now to men

Clear mirrors, and the Passions took their place,

Where a serene if solemn Awe had made

The scene a temple to the elder race:

The struggles of Humanity became

Not those of Titan with a God, nor those

Of the great Heart with that unbodied Name

By which our ignorance would explain our woes

And justify the Heavens,—relentless FATE;—

But, truer to the human life, thine art

Made thought with thought, and will with will debate,

And placed the God and Titan in the Heart;

Thy Phædra and thy pale Medea were

The birth of that most subtle wisdom, which

Dawn'd in the world with Socrates, to bear

Its last most precious offspring in the rich

And genial soul of Shakspeare. And for this

Wit blamed thee living, Dulness taunts thee dead.[H]

And yet the Pythian did not speak amiss

When in thy verse the latent truths she read,

And hail'd thee wiser than thy tribe.[I] Of thee

All genius in our softer times hath been

The grateful echo; and thy soul we see

Still through our tears—upon the later Scene.

Doth the Italian for his frigid thought

Steal but a natural pathos,—hath the Gaul

To mimes that ape the form of heroes taught

One step that reels not underneath the pall

Of the dark Muse—this praise we give, nor more

They just remind us—thou hast lived before!

But that which made thee wiser than the Schools

Was the long sadness of a much-wrong'd life;

The sneer of satire, and the gibe of fools,

The broken hearth-gods and the perjured wife.

For Sorrow is the messenger between

The Poet and Men's bosoms:—Genius can

Fill with unsympathizing Gods the Scene,

But Grief alone can teach us what is Man!

THE BONES OF RAPHAEL.

When the author was in Rome, in the year 1833, the bones of Raphael were discovered, and laid for several days in state in one of the churches.

Wave upon wave, the human ocean stream'd

Along the chancel of the solemn pile;

And, with a softer day, the tapers beam'd

Upon the Bier within the vaulted aisle:—

And, mingled with the crowd, I halted there

And ask'd a Roman scholar by my side,

What sainted dust invoked the common prayer?

"Stranger!" the man, as in disdain, replied,

"Nine days already hath the Disinterr'd

Been given again to mortal eye, and all

The great of Rome, the Conclave and the Pope,

Have flock'd to grace the second funeral

Of him whose soul, until it fled, like Hope,

Gave Beauty to the World:—But haply thou,

A dweller of the North, hast never heard

Of one who, if no saint in waking life,

Communed in dreams with angels, and transferr'd

The heaven in which we trust his soul is now

To the mute canvas.—Underneath that pall

Repose the bones of Raphael!"

Not a word

I answer'd, but in awe I drew more near,

And saw the crowd toil on in busy strife,

Eager which first should touch the holy bier,

I ask'd a boor, more earnest than the rest,

"Whose bones are these?"

"I know not what his name;

But, since the Pope and Conclave have been here,

Doubtless a famous Saint!"

The Boor express'd

The very thought the wandering stranger guess'd.

Which wiser, he, the Scholar, who had sneer'd

To hear the Stranger canonize the Dead;

Or they, the Boor, the Stranger, who revered

The Saint, where he the Artist?—Answer, Fame,

Whose Saints are not the Calendar's! Perchance

Tasso and Raphael, age to age, have given

The earth a lustre more direct from Heaven

Than San Gennaro, or thy Dennis, France;

Or English George!—Read History.[J]—

When the crowd

Were gone, I slipp'd some coins into the hand

Of a grave-visaged Priest, who took his stand

Beside the Bier, and bade him lift the shroud;

And there I paused, and gazed upon the all

The Worm had spared to Raphael.—He had died,

As sang the Alfieri of our land,

In the embrace of Beauty[K]—beautiful

Himself as Cynthia's lover!—That, the skull

Once pillow'd on soft bosoms, which still rise

With passionate life, in canvas;—in the void

Of those blank sockets shone the starry eyes,

That, like the stars, found home in heaven! The pall

With its dark hues, gave forth, in gleaming white,

The delicate bones; for still an undestroy'd

Beauty, amidst decay, appear'd to dwell

About the mournful relics; and the light,

In crownlike halo, lovingly did fall

On the broad brow,—the hush'd and ruin'd cell

Of the old Art—Nature's sweet Oracle!

Believe or not, no horror seem'd to wrap

What has most horror for our life—the Dead:

The sleep slept soft, as in a mother's lap,

As if the Genius of the Grecian Death,

That with a kiss inhaled the parting breath,

That, wing'd for Heaven, stood by the charnel porch,

Lowering, with looks of love, th' extinguish'd torch,

Had taken watch beside the narrow bed;

And from the wrecks of the beloved clay

Had scared, with guardian eyes, each ghastlier shape away!

Come, Moralist, with truths of tritest worth,

And tell us how "to this complexion" all

That beautify the melancholy earth

"Must come at last!" The little and the low,

The mob of common men, rejoice to know

How the grave levels with themselves the great:

For something in the envy of the small

Still loves the vast Democracy of Death!

But flatter not yourselves—in death the fate

Of Genius still divides itself from yours:

Yea, ev'n upon the earth! For Genius lives

Not in your life—it does not breathe your breath,

It does not share your charnels;—but insures

In death itself the life that life survives!

Genius to you what most you value gave,

The noisy forum and the glittering mart,

The solid goods and mammon of the world,

In these your life—and these with life depart!

Grudge not what Genius to itself shall claim—

A life that lived but in the dreams of Art,

A world whose sunshine was the smile from Fame.

These die not, Moralist, when all are hurl'd,

Fasces and sceptre, in the common grave:—

Genius, in life or death, is still the same—

Death but makes deathless what Life ask'd—THE NAME.

THE ATHENIAN AND THE SPARTAN.

A DIALOGUE.

THE ATHENIAN.

Stern Prisoner in thy rites of old,

To Learning blind, to Beauty cold,—

Never for thee, with garlands crown'd,

The lyre and myrtle circle round;

Dull to the Lesbian ruby's froth,

Thou revellest in thy verjuice broth.

With Phidian art our temples shine,

Like mansions meet for gods divine;

Thou think'st thy gods despise such toys,

And shrines are made—for scourging boys,

As triflers, thou canst only see

The Drama's Kings—our glorious Three.

No Plato fires your youth to thinking,

Your nobler school,—in Helots drinking!

Contented as your sires before—

The Little makes ye loathe The More.

We, ever pushing forward, still

Take power, where powerless, from the will;

We, ever straining at the All,

With hands that grasp when feet may fall,[L]—

Earth, ocean,—near and far,—we roam,

Where Fame, where Fortune,—there a home!

You hold all progress degradation,

Improvement but degeneration,

And only wear your scarlet coat

When self-defence must cut a throat.

Yet ev'n in war, your only calling,

A snail would beat your best at crawling;

We slew the Mede at Marathon,

While you were gazing at the moon![M]

Pshaw, man, lay by these antique graces,

True wisdom hates such solemn faces!

Spartans, if only livelier fellows,

Would make ev'n US a little jealous!

THE SPARTAN (calmly).

Friend, Spartans when they need improvement

Take models not from endless movement.

We found our sires the lords of Greece;—

Ask'd why? this answer—"Laws and Peace."

Enough for us to hold our own;

Who grasps at shadows risks the bone.

You're ever up, and ever down,—

There's something fix'd in True Renown.

The New has charms for men, I'm told;

Granted,—but all our gods are old.

Better to imitate a god

Than shift like men.

THE ATHENIAN (impatiently).

You are so odd!

There is no sense in these laconics.

Ho, Dromio! bring my last Platonics.

This mode of arguing, though emphatic,

Is quite eclipsed by the Socratic.

SPARTAN.

Friend—

ATHENIAN.

You have said. Now listen! Peace!

SPARTAN.

Friend—

ATHENIAN.

Gods! his tongue will never cease!

I tell you, man is made for walking,

Not standing still.

SPARTAN.

My friend—

ATHENIAN.

And talking!

Forward's my motto—life and motion!

SPARTAN.

Mine be the Rock, as thine the Ocean.

TIME.

Discuss, ye symbols of the twain

Great Creeds—THE STEADFAST AND IMPROVING;

The one shall rot that would remain,

The one wear out in moving!

THE

PHILANTHROPIST AND THE MISANTHROPE.

A DIALOGUE.

THE PHILANTHROPIST.

Yes, thou mayst sneer, but still I own

A love that spreads from zone to zone:

No time the sacred fire can smother!

Where breathes the man, I hail the brother.

Man! how sublime,—from Heaven his birth—

The God's bright Image walks the earth!

And if, at times, his footstep strays,

I pity where I may not praise.

THE MISANTHROPE.

Thou lov'st mankind. Pray tell me, then,

What history best excuses men?

Long wars for slight pretences made,

See murder but a glorious trade;

Each landmark from the savage state,

Doth virtue or a vice create?

Do ships speed plenty o'er the main?—

What swells the sail? The lust of gain!

What makes a law where laws were not?

Strength's wish to keep what Strength has got!

If rise a Few—the true Sublime,

Who lend the light of Heaven to Time,

What the return the Many make?

The poison'd bowl! the fiery stake!

Thou lov'st mankind,—come tell me, then,

Lov'st thou the past career of men?

THE PHILANTHROPIST.

Nay, little should I love mankind,

If their dark PAST my praise could find,

It is because—

THE MISANTHROPE.

A moment hold!

Enough gone times: our own behold!

What lessons doth a past of woe

And crime upon our age bestow?

How few amongst the tribes of earth

Are rescued from the primal wild;

What countless lands the ocean's girth,

By savage rites and gore defil'd!

Afric—a mart of human flesh;

Asia—a satrapy of slaves!

And yonder tracts from Nature fresh,

Worn empires fill with knaves?

Are men at home more good and wise?

My friend, thou read'st the daily papers;

Perchance, thou seest but laughing skies,

Where I but mists and vapours.

But much the same seems each disease.

What most improved? The doctor's fees!

The Law can still oppress the Weak,

The Proud still march before the Meek.

Still crabbed Age and heedless Youth;

Still Power perplex'd, asks "What is Truth?"

To no result our squabbles come:

To some what's best is worst to some.

The few the cake amongst them carve,

And labourers sweat and poets starve;

And Envy still on Genius feeds,

And not one modest man succeeds.

All much the same for prince and peasant—

I've done.—How dost thou love the PRESENT?

THE PHILANTHROPIST.

'Tis not man's Present or man's Past;

Beyond, man's friend his eye must cast.

Must see him break each galling fetter;

To gain the best, desire the better—

From Discontent itself we borrow

The glorious yearnings for the morrow;

Science and Truth like waves advance

Upon the antique Ignorance.

THE MISANTHROPE.

Like waves—the image not amiss!

They gain on that side—lose on this;

Pleased, after fifty ages, if

They gulp at last an inch of cliff.

THE PHILANTHROPIST.

You really cannot think by satire,

To mine the truths you cannot batter;

Man's destinies are brightening slowly,

With them entwined each thought most holy.

What though the PAST my horror moves,

No Eden though the PRESENT seems,

Who loves Mankind, their FUTURE loves,

And trusts, and lives—

THE MISANTHROPE.

In dreams!

WISDOM.

In both extremes there seems convey'd,

A truth to own, and yet deny;

But what between the extremes has made

The master-difference?

HOPE.

I!—

What wert thou, Wisdom, but for me?

Though thou the Past, the Present see,

Through ME alone, the eye can mark

The Future dawning on the dark.

I plant the tree, and till the soil;

I show the fruit,—where thou the toil;

Where thou despondest, I aspire—

Thine sad Content, mine bright Desire.

Under my earthlier name of HOPE,

The love to things unborn is given,

But call me FAITH—behold I ope

The flaming gates of Heaven!

Take ME from Man, and Man is both

The Dastard and the Slave;

And Love is lust, and Peace a sloth,

And all the Earth a Grave!

THE IDEAL WORLD.

ARGUMENT.

SECTION I.

The Ideal World—Its realm is everywhere around us—Its inhabitants are the immortal personifications of all beautiful thoughts—To that World we attain by the repose of the senses.

SECTION II.

Our dreams belong to the Ideal—The diviner love for which youth sighs, not attainable in life—But the pursuit of that love, beyond the world of the senses, purifies the soul, and awakes the Genius—Instances in Petrarch—Dante.

SECTION III.

Genius, lifting its life to the Ideal becomes itself a pure idea—It must comprehend all existence: all human sins and sufferings—But, in comprehending, it transmutes them—The Poet in his twofold being—The actual and the ideal—The influence of Genius over the sternest realities of earth—Over our passions—wars and superstitions—Its identity is with human progress—Its agency, even where unacknowledged, is universal.

SECTION IV.

Forgiveness to the errors of our benefactors.

SECTION V.

The Ideal is not confined to Poets—Algernon Sydney recognizes his Ideal in liberty, and believes in its triumph where the mere practical man could behold but its ruins—Yet liberty in this world must ever be an Ideal, and the land that it promises can be found but in death.

SECTION VI.

Yet all have two escapes into the Ideal World; viz. Memory and Hope—Example of Hope in youth, however excluded from action and desire—Napoleon's son.

SECTION VII.

Example of Memory as leading to the Ideal—Amidst life, however humble, and in a mind however ignorant—the village widow.

SECTION VIII.

Hence in Hope, Memory, and Prayer, all of us are Poets.

THE IDEAL WORLD.

I.

Around "this visible diurnal sphere,"

There floats a world that girds us like the space;

On wandering clouds and gliding beams career

Its ever-moving, murmurous Populace.

There, all the lovelier thoughts conceived below,

Ascending live, and in celestial shapes.

To that bright World, O Mortal, wouldst thou go?—

Bind but thy senses, and thy soul escapes:

To care, to sin, to passion close thine eyes;

Sleep in the flesh, and see the Dreamland rise!

Hark, to the gush of golden waterfalls,

Or knightly tromps at Archimagian walls!

In the green hush of Dorian Valleys mark

The River Maid her amber tresses knitting:—

When glow-worms twinkle under coverts dark,

And silver clouds o'er summer stars are flitting,

With jocund elves invade "the Moone's sphere,

Or hang a pearl in every cowslip's ear;"[N]

Or, list! what time the roseate urns of dawn

Scatter fresh dews, and the first skylark weaves

Joy into song—the blithe Arcadian Faun

Piping to wood-nymphs under Bromian leaves,

While, slowly gleaming through the purple glade,

Come Evian's panther car, and the pale Naxian Maid.

Such, O Ideal World, thy habitants!

All the fair children of creative creeds—

All the lost tribes of Phantasy are thine—

From antique Saturn in Dodonian haunts,

Or Pan's first music waked from shepherd reeds,

To the last sprite when heaven's pale lamps decline,

Heard wailing soft along the solemn Rhine.

II.

Thine are the Dreams that pass the Ivory Gates,

With prophet shadows haunting poet eyes!

Thine the beloved illusions youth creates

From the dim haze of its own happy skies.

In vain we pine—we yearn on earth to win

The being of the heart, our boyhood's dream.

The Psyche and the Eros ne'er have been,

Save in Olympus, wedded!—As a stream

Glasses a star, so life the ideal love;

Restless the stream below—serene the orb above!

Ever the soul the senses shall deceive;

Here custom chill, there kinder fate bereave:

For mortal lips unmeet eternal vows!

And Eden-flowers for Adam's mournful brows!

We seek to make the moment's angel-guest

The household dweller at a human hearth;

We chase the bird of Paradise, whose nest

Was never found amid the bowers of earth.[O]

Yet loftier joys the vain pursuit may bring,

Than sate the senses with the boons of time;

The bird of Heaven hath still an upward wing,

The steps it lures are still the steps that climb,

And in the ascent, although the soil be bare,

More clear the daylight and more pure the air.

Let Petrarch's heart the human mistress lose,

He mourns the Laura, but to win the Muse:

Could all the charms which Georgian maids combine

Delight the soul of the dark Florentine,

Like one chaste dream of childlike Beatrice

Awaiting Hell's stern pilgrim in the skies,

Snatch'd from below to be the guide above,

And clothe Religion in the form of Love?[P]

III.

O, thou true Iris! sporting on thy bow

Of tears and smiles—Jove's herald, Poetry!

Thou reflex image of all joy and woe—

Both fused in light by thy dear phantasy!

Lo! from the clay how Genius lifts its life,

And grows one pure Idea—one calm soul!

True, its own clearness must reflect our strife;

True, its completeness must comprise our whole:

But as the sun transmutes the sullen hues

Of marsh-grown vapours into vermeil dyes,

And melts them later into twilight dews,

Shedding on flowers the baptism of the skies;

So glows the Ideal in the air we breathe—

So from the fumes of sorrow and of sin,

Doth its warm light in rosy colours wreathe

Its playful cloudland, storing balms within.

Survey the Poet in his mortal mould

Man amongst men, descended from his throne!

The moth that chased the star now frets the fold,

Our cares, our faults, our follies are his own.

Passions as idle, and desires as vain,

Vex the wild heart, and dupe the erring brain.

From Freedom's field the recreant Horace flies

To kiss the hand by which his country dies;

From Mary's grave the mighty Peasant turns,

And hoarse with orgies rings the laugh of Burns.

While Rousseau's lips a lackey's vices own,—

Lips that could draw the thunder on a throne!

But when, from Life the Actual, GENIUS springs,

When, self-transform'd by its own Magic rod,

It snaps the fetters and expands the wings,

And drops the fleshly garb that veil'd the god,

How the mists vanish as the form ascends!—

How in its aureole every sunbeam blends!

By the Arch-Brightener of Creation seen,

How dim the crowns on perishable brows!

The snows of Atlas melt beneath the sheen,

Through Thebaid caves the rushing splendour flows,

Cimmerian glooms with Asian beams are bright,

And Earth reposes in a belt of light.

Now stern as Vengeance shines the awful form,

Arm'd with the bolt and glowing through the storm;

Sets the great deeps of human passion free,

And whelms the bulwarks that would breast the sea.

Roused by its voice the ghastly Wars arise,

Mars reddens earth, the Valkyrs pale the skies;

Dim Superstition from her hell escapes,

With all her shadowy brood of monster shapes;

Here Life itself lie scowl of Typhon[Q] takes;

There Conscience shudders at Alecto's snakes;

From Gothic graves at midnight yawning wide,

In gory cerements gibbering spectres glide;

And where o'er blasted heaths the lightnings flame,

Black secret hags "do deeds without a name!"

Yet through its direst agencies of awe,

Light marks its presence and pervades its law,

And, like Orion when the storms are loud,

It links creation while it gilds a cloud.

By ruthless Thor, free Thought, frank Honour stand,

Fame's grand desire, and zeal for Fatherland;

The grim Religion of Barbarian Fear,

With some Hereafter still connects the Here,

Lifts the gross sense to some spiritual source,

And thrones some Jove above the Titan Force,

Till, love completing what in awe began,

From the rude savage dawns the thoughtful man.

Then, O behold the glorious Comforter!

Still bright'ning worlds, but gladd'ning now the hearth,

Or like the lustre of our nearest star,

Fused in the common atmosphere of earth.

It sports like hope upon the captive's chain;

Descends in dreams upon the couch of pain;

To wonder's realm allures the earnest child;

To the chaste love refines the instinct wild;

And as in waters the reflected beam,

Still where we turn, glides with us up the stream;

And while in truth the whole expanse is bright,

Yields to each eye its own fond path of light,

So over life the rays of Genius fall,—

Give each his track because illuming all.

IV.

Hence is that secret pardon we bestow

In the true instinct of the grateful heart,

Upon the Sons of Song. The good they do

In the clear world of their Uranian art

Endures for ever; while the evil done

In the poor drama of their mortal scene,

Is but a passing cloud before the sun;

Space hath no record where the mist hath been.

Boots it to us, if Shakspeare err'd like man?

Why idly question that most mystic life?

Eno' the giver in his gifts to scan;

To bless the sheaves with which thy fields are rife,

Nor, blundering, guess through what obstructive clay

The glorious corn-seed struggled up to day.

V.

But not to you alone, O Sons of Song,

The wings that float the loftier airs along.

Whoever lifts us from the dust we are,

Beyond the sensual to spiritual goals;

Who from the MOMENT and the SELF afar

By deathless deeds allures reluctant souls,

Gives the warm life to what the Limner draws,

Plato but thought what godlike Cato was.[R]

Recall the wars of England's giant-born,

Is Elyot's voice—is Hampden's death in vain?

Have all the meteors of the vernal morn

But wasted light upon a frozen main?

Where is that child of Carnage, Freedom, flown?

The Sybarite lolls upon the Martyr's throne,

Lewd, ribald jests succeed to solemn zeal;

And things of silk to Cromwell's men of steel.

Cold are the hosts the tromps of Ireton thrill'd,

And hush'd the senates Vane's large presence fill'd.

In what strong heart doth the old manhood dwell?

Where art thou Freedom?—Look—in Sidney's cell!

There still as stately stands the living Truth,

Smiling on age as it had smiled on youth.

Her forts dismantled, and her shrines o'erthrown,

The headsman's block her last dread altar-stone,

No sanction left to Reason's vulgar hope—

Far from the wrecks expands her prophet's scope.

Millennial morns the tombs of Kedron gild,

The hands of saints the glorious walls rebuild,—

Till, each foundation garnish'd with its gem,

High o'er Gehenna flames Jerusalem!

O thou blood-stain'd Ideal of the free,

Whose breath is heard in clarions—Liberty!

Sublimer for thy grand illusions past,

Thou spring'st to Heaven—Religion at the last.

Alike below, or commonwealths, or thrones,

Where'er men gather some crush'd victim groans;

Only in death thy real form we see,

All life is bondage—souls alone are free.

Thus through the waste the wandering Hebrews went,

Fire on the march, but cloud upon the tent.

At last on Pisgah see the prophet stand,

Before his vision spreads the PROMISED LAND;

But where reveal'd the Canaan to his eye?—

Upon the mountain he ascends to die.

VI.

Yet whatsoever be our bondage here,

All have two portals to the Phantom sphere,—

Who hath not glided through those gates that ope,

Beyond the Hour, to MEMORY or to HOPE!

Give Youth the Garden,—still it soars above—

Seeks some far glory—some diviner love.

Place Age amidst the Golgotha—its eyes

Still quit the graves, to rest upon the skies;

And while the dust, unheeded, moulders there,

Track some lost angel through cerulean air.

Lo! where the Austrian binds, with formal chain,

The crownless son of earth's last Charlemain—

Him, at whose birth laugh'd all the violet vales

(While yet unfallen stood thy sovereign star,

O Lucifer of Nations)—hark, the gales

Swell with the victor-shout from hosts, whose war

Rended the Alps, and crimson'd Memphian Nile—

"Way for the coming of the Conqueror's Son:

Woe to the Merchant-Carthage of the Isle!

Woe to the Scythian Ice-world of the Don!

O Thunder Lord, thy Lemnian bolts prepare,

The Eagle's eyrie hath its eagle heir!"

Hark, at that shout from north to south, grey Power

Quails on its weak, hereditary thrones;

And widow'd mothers prophesy the hour

Of future carnage to their cradled sons.

What! shall our race to blood be thus consign'd,

And Até claim an heirloom in mankind?

Are these red lots unshaken in the urn?

Years pass—approach, pale Questioner—and learn

Chain'd to his rock, with brows that vainly frown,

The fallen Titan sinks in darkness down!

And sadly gazing through his gilded grate,

Behold the child whose birth, was as a fate!

Far from the land in which his life began;

Wall'd from the healthful air of hardy man;

Rear'd by cold hearts, and watch'd by jealous eyes,

His guardians jailors, and his comrades spies.

Each trite convention courtly fears inspire

To stint experience and to dwarf desire,

Narrows the action to a puppet stage,

And trains the eaglet to the starling's cage.

On the dejected brow and smileless cheek,

What weary thought the languid lines bespeak:

Till drop by drop, from jaded day to day,

The sickly life-streams ooze themselves away.

Yet oft in HOPE a boundless realm was thine,

That vaguest Infinite—the Dream of Fame;

Son of the sword that first made kings divine,

Heir to man's grandest royalty—a Name!

Then didst thou burst upon the startled world,

And keep the glorious promise of thy birth;

Then were the wings that bear the bolt unfurl'd,

A monarch's voice cried, "Place upon the Earth!"

A new Philippi gain'd a second Rome,

And the Son's sword avenged the greater Cæsar's doom.

VII.

But turn the eye to Life's sequester'd vale,

And lowly roofs remote in hamlets green.

Oft in my boyhood where the moss-grown pale

Fenced quiet graves, a female form was seen;

Each eve she sought the melancholy ground,

And lingering paused, and wistful look'd around;

If yet some footstep rustled through the grass,

Timorous she shrunk, and watch'd the shadow pass.

Then, when the spot lay lone amidst the gloom,

Crept to one grave too humble for a tomb,

There silent bow'd her face above the dead,

For, if in prayer, the prayer was inly said;

Still as the moonbeam, paused her quiet shade,

Still as the moonbeam, through the yews to fade.

Whose dust thus hallow'd by so fond a care?

What the grave saith not—let the heart declare.

On yonder green two orphan children play'd;

By yonder rill two plighted lovers stray'd.

In yonder shrine two lives were blent in one,

And joy-bells chimed beneath a summer sun.

Poor was their lot—their bread in labour found;

No parent bless'd them, and no kindred own'd;

They smiled to hear the wise their choice condemn;

They loved—they loved—and love was wealth to them!

Hark—one short week—again the holy bell!

Still shone the sun, but dirge-like boom'd the knell;

And when for that sweet world she knew before

Look'd forth the bride,—she saw a grave the more.

Full fifty years since then have pass'd away,

Her cheek is furrow'd, and her hair is grey.

Yet when she peaks of him (the times are rare),

Hear in her voice how youth still trembles there!

The very name of that young life that died,

Still heaves the bosom, and recalls the bride.

Lone o'er the widow's hearth those years have fled,

The daily toil still wins the daily bread;

No books deck sorrow with fantastic dyes:

Her fond romance her woman heart supplies;

And, to the sabbath of still moments given,

(Day's taskwork done)—to memory, death, and heaven,

There may—(let poets answer me!) belong

Thoughts of such pathos as had beggar'd song.

VIII.

Yes, while thou hopest, music fills the air;

While thou rememberest, life reclothes the clod;

While thou canst feel the electric chain of prayer,

Breathe but a thought, and be a soul with God!

Let not these forms of matter bound thine eye,

He who the vanishing point of Human things

Lifts from the landscape—lost amidst the sky,

Has found the Ideal which the poet sings—

Has pierced the pall around the senses thrown,

And is himself a poet—though unknown.

EPIGRAPH.

"COGITO—ERGO SUM."

Self of myself, unto the future age

Pass, murmuring low whate'er thine own has taught,

"I think, and therefore am,"—exclaim'd the Sage:

As now the Man, so henceforth be the page;

A life, because a thought.

Through various seas, exploring shores unknown,

A soul went forth, and here bequeaths its chart—

Here Doubt retains the question, Grief the groan,

And here may Faith still shine, as when she shone

And saved a sinking heart.

From the lost nectar-streams of golden youth,

From rivers loud with Babel's madding throng,

From wells whence Lore invokes reluctant Truth,

And that blest pool the wings of angels smooth,

Life fills mine urns of song.

Calmly to time I leave these images

Of things experienced, suffer'd, felt, and seen;

Fruits shed or tempest-torn from changeful trees,

Shells murmuring back the tides in distant seas—

Signs where a Soul has been.

As for the form Thought takes—the rudest hill

Echoes denied to gardens back may give;

Life speaks in all the forms which Thought can fill;

If thought once born can perish not—here still

I think, and therefore live!

FOOTNOTES

[A] These Poems, with one exception, have received but little alteration since they were first composed, and are taken from the little volume called "Eva, &c." The Poem called "THE IDEAL WORLD," to which I refer as an exception, appeared in a much ruder form in the earlier editions of the "Pilgrims of the Rhine," to which it served as a Preface. I recast, and, indeed, re-wrote it for the last edition of that work, from which (with slight corrections, and the omission of the verses which connected the poem with the tale by which it was first accompanied) it is now reprinted.

[B] "Comus."

[C] "Gulliver's Travels."

[D] Plut. in "Vit. Cim."

[E] "The men respect you, and the women love you."—Such was the subtle compliment paid by Prior to one equally ambitious of either distinction; viz. Henry St. John, Lord Bolingbroke.

[F] Epicurean.

[G] The celebrated comparison between Sculpture and the Ancient Painting and the Modern Dramatic Poetry, is not applicable to Euripides, who has a warmth and colour of passion which few, indeed, of the moderns have surpassed, and from which most of the modern writers have mediately, if not directly, borrowed their most animated conceptions.

[H] Among the taunting accusations which Aristophanes, in his Comedy of the Frogs, lavishes upon Euripides, through the medium of Æschylus, is that of having introduced female love upon the stage! Æschylus, indeed, is made, very inconsistently, considering his Clytemnestra (Ran. 1. 1042) to declare that he does not know that he ever represented a single woman in love. At a previous period of the comedy, Euripides is also ridiculed, through a boast ironically assigned to his own lips, for having debased Tragedy by the introduction of domestic interest—(household things, οικεΐα πράγματα). Upon these and similar charges have later critics, partly in England, especially in Germany, sought by duller diatribes to perpetuate a spirit of depreciation against the only ancient tragic poet who has vitally influenced the later stage. The true merit of Euripides is seen in the very ridicule of Aristophanes.

[I] "Wise Sophocles, wiser Euripides, wisest of all, Socrates," was the well-known decision of the Delphian Oracle. Yet the wisdom of Euripides was not in the philosophical sentences with which he often mars the true philosophy of the drama. His wisdom is his pathos.

[J] Gibbon, after a powerful sketch of the fraud, the corruption, and the vices of George the Cappadocian, thus concludes:—"The odious stranger, disguising every circumstance of time and place, assumed the mask of a martyr, a saint, and a Christian hero; and the infamous George of Cappadocia has been transformed into the renowned St. George of England, the patron of arms, of chivalry, and the garter."—Gibbon's Decline and Fall, vol. iv. c. xxiii.

[K]

"Italian Beauty! didst thou not inspire

Raphael, who died in thy embrace?"—BYRON.

[L] Thucyd. lib. 1, c. 68-71 (The Speech of the Corinthians).

[M] Herod. lib. 6, c. 120.

[N] Midsummer's Night Dream.

[O] According to a belief in the East, which is associated with one of the loveliest and most familiar of Oriental superstitions the bird of Paradise is never seen to rest upon the earth—and its nest is never to be found.

[P] It is supposed by many of the commentators on Dante, that in the form of his lost Beatrice, who guides him in his Vision of Heaven, the poet allegorizes Religious Faith.

[Q] The gloomy Typhon of Egypt assumes many of the mystic attributes of the Principle of Life which, in the Grecian Apotheosis of the Indian Bacchus, is represented in so genial a character of exuberant joy and everlasting youth.

[R] "What Plato thought, and godlike Cato was."—POPE.

FICTION.

STANDARD EDITION OF THE

NOVELS AND ROMANCES OF SIR EDWARD BULWER LYTTON, BART., M.P.

Uniformly printed in crown 8vo, corrected and revised throughout, with new Prefaces.

20 vols. in 10, price £3 3s. cloth extra; or any volumes separately, in cloth binding, as under:—

s.

d.

RIENZI: THE LAST OF THE TRIBUNES

3

6

PAUL CLIFFORD

3

6

PELHAM: OR, THE ADVENTURES OF A GENTLEMAN

3

6

EUGENE ARAM. A TALE

3

6

LAST OF THE BARONS

5

0

LAST DAYS OF POMPEII

3

6

GODOLPHIN

3

0

PILGRIMS OF THE RHINE

2

6

NIGHT AND MORNING

4

0

ERNEST MALTRAVERS

3

6

ALICE; OR, THE MYSTERIES

3

6

THE DISOWNED

3

6

DEVEREUX

3

6

ZANONI

3

6

LEILA; OR, THE SIEGE OF GRANADA

2

0

HAROLD

4

0

LUCRETIA

4

0

THE CAXTONS

4

0

MY NOVEL (2 vols.)

8

0

Or the Set complete in 20 vols.

£3

11

6

"

half-calf extra

5

5

0

"

half-morocco

5

11

6

"No collection of prose fictions, by any single author, contains the same variety of experience—the same amplitude of knowledge and thought—the same combination of opposite extremes, harmonized by an equal mastership of art; here, lively and sparkling fancies; there, vigorous passion or practical wisdom. These works abound in illustrations that teach benevolence to the rich, and courage to the poor; they glow with the love of freedom; they speak a sympathy with all high aspirations, and all manly struggle; and where, in their more tragic portraitures, they depict the dread images of guilt and woe, they so clear our judgment by profound analysis, while they move our hearts by terror or compassion, that we learn to detect and stifle in ourselves the evil thought which we see gradually unfolding itself into the guilty deed."—Extract from Bulwer Lytton and his Works.

The above are printed on superior paper, bound in cloth. Each volume is embellished with an Illustration; and this Standard Edition is admirably suited for private, select, and public Libraries.

The odd Numbers and Parts to complete volumes may be obtained; and the complete series is now in course of issue in Three-halfpenny Weekly Numbers, or in Monthly Parts, Sevenpence each.

THE LIBRARY EDITION OF

THE RIGHT HON. B. DISRAELI'S NOVELS.

Uniformly printed in crown 8vo. Price 3s. 6d. each, cloth extra.

THE YOUNG DUKE.

TANCRED.

VENETIA.

CONTARINI FLEMING.

HENRIETTA TEMPLE.

CONIGSBY.

SYBIL.

ALROY.

IXION.

VIVIAN GREY.

Standard and Popular Works.

A CHEAP RE-ISSUE OF THE STANDARD EDITION OF

BULWER LYTTON'S (SIR E.) NOVELS AND TALES.

Uniformly printed in crown 8vo, and bound, with printed cloth covers and Illustrations.

LIST OF THE SERIES:—

Price 2s. 6d. each.

RIENZI.

PAUL CLIFFORD.

PELHAM.

EUGENE ARAM.

ZANONI.

ERNEST MALTRAVERS.

ALICE.

DISOWNED.

DEVEREUX.

LUCRETIA.

LAST DAYS OF POMPEII.

Price 3s. each.

NIGHT AND MORNING.

CAXTONS.

HAROLD

MY NOVEL (2 vols.)

Price 1s. 6d. each.

PILGRIMS OF THE RHINE.

LEILA.

Price 3s. 6d. boards.

THE LAST OF THE BARONS.

Price 2s. boards.

GODOLPHIN.

"England's greatest novelist."—Blackwood's Magazine.

THE RAILWAY EDITION OF

THE RIGHT HON. B. DISRAELI'S NOVELS.

In fcap 8vo, price 1s. 6d. each, boards.

THE YOUNG DUKE.

TANCRED.

VENETIA.

CONTARINI FLEMING.

CONIGSBY.

SYBIL.

ALROY.

IXION.

In fcap 8vo, price 2s. each, boards.

HENRIETTA TEMPLE.

VIVIAN GREY.

"We commend Messrs. Routledge's cheap edition of the right hon. gentleman's productions to every one of the 'New Generation' who wishes to make himself master of many suppressed passages in history, the every-day doings of the faërie realms of politics and fashion, and the profound views of a clear-sighted statesman on the tendencies and aspects of an age in which he has played, and is still playing, so conspicuous a part."—Morning Herald.

"Mr. Disraeli's novels sparkle like a fairy tale—the dialogues are wonderfully easy, and characterized by 'a turn of phrase that is peculiar to men of fashion, now that the wits' are defunct. His tales, too, abound in knowledge of the world, introduced in a natural and unobtrusive manner."—Literary Gazette.

TRANSCRIBER'S NOTE: Footnotes have been moved to the end of the book/poem in which they are referred. Other than that, the original text has been presented as such in this HTML version.

*** END OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF SIR EDWARD BULWER LYTTON, BART. M.P. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

KING ARTHUR.

PREFACE.

NOTE.

BOOK I.

ARGUMENT.

BOOK II.

ARGUMENT.

BOOK III.

ARGUMENT.

BOOK IV.

ARGUMENT.

BOOK V.

ARGUMENT.

BOOK VI.

ARGUMENT.

BOOK VII.

ARGUMENT.

BOOK VIII.

ARGUMENT.

BOOK IX.

ARGUMENT.

BOOK X.

ARGUMENT.

BOOK XI.

ARGUMENT.

BOOK XII.

ARGUMENT.

NOTES TO KING ARTHUR.

BOOK I.

NOTES TO BOOK II.

NOTES TO BOOK III.

NOTES TO BOOK IV.

NOTES TO BOOK V.

NOTES TO BOOK VI.

NOTES TO BOOK VII.

NOTES TO BOOK VIII.

NOTES TO BOOK IX.

NOTES TO BOOK X.

NOTES TO BOOK XI.

NOTES TO BOOK XII.

CORN-FLOWERS.

A COLLECTION OF POEMS.

BOOK I.

NOTE.

CORN-FLOWERS. BOOK I.

THE FIRST VIOLETS.

THE IMAGE ON THE TIDE.

IS IT ALL VANITY?

THE TRUE JOY-GIVER.

BELIEF; THE UNKNOWN LANGUAGE.

AN IDYLL.

THE PILGRIM OF THE DESERT.

THE KING AND THE WRAITH.

LOVE AND DEATH.

THE POET TO THE DEAD.

PART I. RETROSPECTION FROM THE HALTING-PLACE.

PART II. THE MEETING-PLACE OF OLD.

PART III. LOVE UNTO DEATH.

PART IV. LOVE AFTER DEATH.

PART V. THE PANTHEISM OF LOVE PASSING INTO THE IDEAL.

PART VI. THE MEMORY OF LOVE ASSOCIATES ITS CONSOLATIONS WITH ITS HOPES.

MIND AND SOUL.

THE GUARDIAN ANGEL.

THE LOVE OF MATURER YEARS.

THE EVERLASTING GRAVE-DIGGER.

THE DISPUTE OE THE POETS.

GANYMEDE.

MEMNON.

THE ANGEL AND THE CHILD.

TO A WITHERED TREE IN JUNE.

ON THE REPERUSAL OF LETTERS WRITTEN IN YOUTH.

THE DESIRE OF FAME.

WRITTEN AT THE AGE OF THIRTY.

THE LOYALTY OF LOVE.

A LAMENT.

LOST AND AVENGED.

THE TREASURES BY THE WAYSIDE.

A TALE FOR SORROW.

ADDRESS TO THE SOUL IN DESPONDENCY.

CORN-FLOWERS. BOOK II.

THE SABBATH.

THE HOLLOW OAK.

LOVE AND FAME.

WRITTEN IN EARLY YOUTH.

LOVE AT FIRST SIGHT.

LOVE'S SUDDEN GROWTH.

THE LOVE-LETTER.

THE LANGUAGE OF THE EYES.

DOUBT.

THE ASSURANCE.

MEMORIES, THE FOOD OF LOVE.

ABSENT, YET PRESENT.

LOVERS' QUARRELS.

AN OLD MAXIM REFUTED.

THE LAST SEPARATION.

THE POPE AND THE BEGGAR.

THE DESIRES THE CHAINS, THE DEEDS THE WINGS.

THE BEAUTIFUL DESCENDS NOT.

THE LONG LIFE AND THE FULL LIFE.

IMITATED FROM CLAUDIAN'S "OLD MAN OF VERONA."

THE MIND AND THE HEART.

"MA VIE C'EST UN COMBAT."

THE LAST CRUSADER.

FOREBODINGS.

ORAMA; OR, FATE AND FREEWILL.

FOOTNOTES

EARLIER POEMS.

CHIEFLY CRITICAL OR REFLECTIVE.[A]

EARLIER POEMS.

THE SOULS OF BOOKS.

LA ROCHEFOUCAULD AND CONDORCET.

JEALOUSY AND ART.

THE MASTER TO THE SCHOLAR.

THE TRUE CRITIC.

TALENT AND GENIUS.

EURIPIDES.

THE BONES OF RAPHAEL.

THE ATHENIAN AND THE SPARTAN.

A DIALOGUE.

THE PHILANTHROPIST AND THE MISANTHROPE.

A DIALOGUE.

THE IDEAL WORLD.

ARGUMENT.

THE IDEAL WORLD.

EPIGRAPH.

"COGITO—ERGO SUM."

FOOTNOTES

FICTION.

STANDARD EDITION OF THE

NOVELS AND ROMANCES OF SIR EDWARD BULWER LYTTON, BART., M.P. Uniformly printed in crown 8vo, corrected and revised throughout, with new Prefaces.

THE LIBRARY EDITION OF

THE RIGHT HON. B. DISRAELI'S NOVELS. Uniformly printed in crown 8vo. Price 3s. 6d. each, cloth extra.

Standard and Popular Works.

A CHEAP RE-ISSUE OF THE STANDARD EDITION OF

BULWER LYTTON'S (SIR E.) NOVELS AND TALES. Uniformly printed in crown 8vo, and bound, with printed cloth covers and Illustrations.

THE RAILWAY EDITION OF

THE RIGHT HON. B. DISRAELI'S NOVELS.

THE FULL PROJECT GUTENBERG™ LICENSE