A Catalogue of Books in English Later than 1700, Vol. 1 / Forming a portion of the library of Robert Hoe
Author: Unknown
Date: 2011-02-14T00:00:00+00:00
Keywords: English literature -- 18th century -- Bibliography; English literature -- 19th century -- Bibliography; English literature -- First editions -- Bibliography -- Catalogs; American literature -- First editions -- Bibliography -- Catalogs; Rare books -- New York (State) -- New York -- Bibliography -- Catalogs; Private libraries -- New York (State) -- New York -- Catalogs

The Project Gutenberg eBook of A Catalogue of Books in English Later than 1700, Vol. 1

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: A Catalogue of Books in English Later than 1700, Vol. 1

Compiler: Carolyn Shipman

Other: Robert Hoe

Release date: February 14, 2011 [eBook #35272]

Language: English

Other information and formats: www.gutenberg.org/ebooks/35272

Credits: Produced by Curtis Weyant, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by the Posner Memorial Collection
(http://posner.library.cmu.edu/Posner/))

*** START OF THE PROJECT GUTENBERG EBOOK A CATALOGUE OF BOOKS IN ENGLISH LATER THAN 1700, VOL. 1 ***

Transcriber's Note

Led by the belief that the spelling and punctuation of each entry is based directly on the original title pages no intentional 'corrections' have been made to the content. The text in this e-book is as close to the original printed text as pgdp proofing and postprocessing could get it. In some entries larger spaces are used as spacers between bibliographic fields instead of punctuation. These have been retained to the best of our ability and are represented as non-breaking spaces.

A CATALOGUE OF
Books in English
later than 1700, forming
a portion of the Library
of Robert Hoe New
York 1905

EX
LIBRIS
ROBERT
HOE

VOLUME I

CATALOGUE

VOLUME I

ONE HUNDRED COPIES ONLY, INCLUDING
THREE UPON IMPERIAL
JAPANESE VELLUM. PRINTED BY
THE UNIVERSITY PRESS, CAMBRIDGE

A Catalogue of Books
in English
Later than 1700

Forming a Portion of the Library
of Robert Hoe

VOLUME I

Privately Printed
New York · 1905

THIS CATALOGUE WAS COMPILED BY
CAROLYN SHIPMAN

THE CATALOGUE

ABBADIE, Jaques.—Chemical Change in the Euchariſt. In four letters ſhewing the relations of faith to ſenſe, from the French of Jaques Abbadie, by John M. Hamerſley, . . . London: Sampson Low, Son, and Marston, . . . Published for the Editor. [1867]   4to, vellum boards, red edges.

À BECKETT, Gilbert Abbott.—The Comic History of England. By Gilbert Abbott à Becket. [vignette] With ten coloured etchings, and one hundred and twenty woodcuts, by John Leech. . . . [London]   Published at the Punch Office, . . . MDCCCXLVII. 8vo, two volumes, cloth, uncut edges.

À BECKETT, Gilbert Abbott.—The Comic History of Rome. By Gilbert Abbott à Beckett. Illustrated by John Leech. [London] Bradbury and Evans. [n. d.] 8vo, cloth, uncut edges.

First edition. Ten steel plates, coloured, engraved title and ninety-eight other woodcut illustrations.

ABÉLARD AND HÉLOISE.—A Nineteenth Century, and familiar history of the Lives, Loves, & Misfortunes, of Abeillard and Heloisa, A Matchless Pair, who flourished in the twelfth century: a Poem, in twelve cantos. Illustrated with ten engravings. By Robert Rabelais, the Younger. . . . London: printed for J. Bumpus, . . . 1819. 8vo, half red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

The engravings are in aquatint by Landseer and Lewis after the designs of Thurston.

ACLAND, Sir Henry.—See Ruskin and Acland.

ACT OF PARLIAMENT.—[First page] Anno Regni Decimo Quarto Georgii III. Regis. 1774. Regulation of Maſſa-chuſet's Bay. [woodcut arms] An Act of Parliament Paſſed in the Fourteenth Year of the Reign of His Majeſty King George the Third. 1774. An Act for the better regulating the Government of the Province of the Maſſachuſet's Bay, in New-England. &c. [Colophon] Boston: Printed by M. Draper, Printer to His Excellency the Governor, and the Honorable His Majeſty's Council, 1774. Folio, brown morocco, uncut edges, by The Club Bindery.

No title, A1-A2, and B1-B3 (verso blank). Pages 1-9.

ADAMSON, John.—Memoirs of the Life and Writings of Luis de Camoens. By John Adamson. . . . London: printed for Longman . . . MDCCCXX. Royal 8vo, two volumes, citron levant morocco, back and sides in gold and green mosaic, gilt top, uncut edges, by David.

Large paper copy, with nine portraits of Camoens, three in two states, proofs before and after letters, and nine illustrations after the designs of Harding and others, proofs on India paper. All but two of these plates are inserted.

ADDISON, Joseph.—A Poem to his Majesty [William III.], Preſented to the Lord Keeper. By Mr. Addison, of Mag. Coll. Oxon. London: Printed for Jacob Tonſon, at the Judge's-Head near the Inner-Temple-Gate in Fleetſtreet, MDCXCV. Folio, figured silk. Bound with Yalden's "Conquest of Namur," 1695.

First edition.

Collation: Title, A1 (verso blank). Dedication to Sir John Sommers, Lord Keeper of the Great Seal, A2. Poem, B1-D1 in twos. Pages 1-10.

ADDISON and STEELE. [First page] Numb. I The Spectator. [Two lines from Horace] To be Continued every Day. Thurſday, March 1, 1711. [Two columns of text] [At the bottom of the verso] London: Printed for Sam. Buckley, at the Dolphin in Little Britain: and Sold by A. Baldwin in Warwick Lane. Folio, two volumes, green vellum, gilt sides, uncut edges.

The complete file of the "Spectator" as originally issued in numbers, seven volumes, Nos. I-DLV from Thursday, March 1, 1711, through Saturday, December 6, 1712, every day except Sunday. It was resumed on Friday, June 18, 1714 and published Mondays, Wednesdays and Fridays through No. 635 (misprinted 636) Monday, December 20, 1714. The numbering of Vol. VIII. is incorrect: 578 is misprinted 579; 584-586, 590-592, 596-598 misprinted 585-587, 591-593, 597-599; 602-604 misprinted 603-605, there is no 607, and 620 is misprinted 610.

Volume VIII. has the imprint: "London: Printed by S. Buckley in Amen Corner, and J. Tonson in the Strand; where Advertisements will be taken in." The first two numbers (556 and 557) contain the announcement: "To be continued every Monday, Wedneſday, and Friday."

Each number consists of one folio leaf, similar to Number I described above, with a classical quotation varying each day. The words "To be Continued every Day" were not printed after the first number, and in No. XVI the imprint on the verso was increased by the addition: "where Advertiſements are taken in; as also by Charles Lillie, Perfumer, at the Corner of Beauford-Buildings in the Strand." Nos. XVII and CCCCLXXIV do not contain the addition, and it is discontinued from CCCCXCIX to the end of Volume VII.

"Price Two-pence" first appears at the bottom of No. CCCCXLIV.

Inserted are two legal papers containing contracts and agreements between the publisher and Addison and Steele.

There was a ninth volume, from Monday, Jan. 3, 1715, through August 5, a spurious continuation by William Bond.

The present copy was formerly in the libraries of Lord Hope and the Earl of Munster.

ADDISON, Joseph.—Cato. A Tragedy. As it is Acted at the Theatre-Royal in Drury-Lane, by Her Majesty's Servants. By Mr. Addison. [six lines in Latin from Seneca] London: Printed for J. Tonson at Shakeſpear's Head over-againſt Catherine-Street in the Strand. MDCCXIII. 4to, blue straight-grain morocco, Janseniste, gilt edges, by The Club Bindery.

First edition. A-I in fours, half-title on A1, title on A2. The Prologue is by Pope, the Epilogue by Dr. Garth.

ADDISON, Joseph.—Poems on Several Occasions. With a Dissertation upon The Roman Poets. By Mr. Addison. London: Printed for E. Curll . . . 1719. [Second title] A Dissertation upon the moſt celebrated Roman Poets. Written originally in Latin by Joseph Addiſon, Eſq; Made English by Christopher Hayes, Eſq; London, Printed for E. Curll. . . . M DCC XVIII. 8vo, red morocco, gilt edges, by The Club Bindery.

First edition. Portrait by Van der Gucht after Kneller and a plate by E. Kirkall after La Vergne.

The signatures and pagination of the Poems and the Dissertation are different.

ADDISON, Joseph.—The Works of the Right Honourable Joseph Addison, a new edition, with notes by Richard Hurd, D.D., Lord Bishop of Worcester. London: printed for T. Cadell and W. Davies. . . . 1811. Royal 8vo, six volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Large paper copy. Illustrated by the insertion of fifty plates in addition to the usual illustrations, including twenty-six portraits of the author, and engravings after the designs of Stothard, Smirke, Westall, Corbould, etc., many in two states and nearly all proofs, either on India paper, or before letters.

ADDISON, Joseph.—The Miscellaneous Works of Joseph Addison. . . . Oxford, published by D. A. Talboys. MDCCCXXX. Crown 8vo, four volumes, half brown morocco, gilt back, gilt top, uncut edges.

Large paper copy.

ADDISON, Joseph.—Days with Sir Roger de Coverley a reprint from "The Spectator" with illustrations by Hugh Thomson. London: Macmillan and Co. . . . 1892. . . . Royal 8vo, buckram, uncut edges.

Large paper copy.

ADVENTURER, The.—See British Essayists.

ÆSCHYLUS.—The Agamemnon of Æschylus. Translated from the Greek, illustrated by a Dissertation on Grecian Tragedy, etc. By John S. Harford . . . [vignette]. London: John Murray MDCCCXXXI. 8vo, half green morocco, gilt back, gilt top, uncut edges.

Engraved title and seventeen plates, chiefly from antique gems.

ÆSOP.—Select Fables of Esop and other Fabulists. In three books. . . . [vignette]. Birmingham, Printed by John Baskerville, for R. and J. Dodsley. . . . 1761. Price bound Five Shillings. 8vo, red levant morocco, gilt back and sides, gilt over uncut edges, by The Club Bindery.

Dodsley's first edition. Frontispiece, fifteen plates in compartments, and seven vignettes by Grignion after Wale. Life of Æsop by de Meziriac and Essay on Fable by R. Dodsley.

ÆSOP.—Select Fables of Esop and other Fabulists in three books. Birmingham, Printed by John Baskerville, for R. and J. Dodsley . . . 1764. 8vo, green morocco, gilt back and sides, gilt edges, by Derome the younger, with his ticket.

Second edition. Frontispiece and six smaller illustrations by Grignion after the designs of Wale.

ÆSOP.—Select Fables of Esop and other Fabulists. In three books . . . Birmingham, Printed by John Baskerville for R. and J. Dodsley &c. [n. d.] 8vo, red levant morocco, gilt back, gilt edges, by F. Bedford.

Frontispiece, and one hundred and fifty-nine illustrations on fifteen plates, also seven vignettes.

ÆSOP.—The Fables of Æsop, with a Life of the Author: and Embellished with one Hundred & twelve Plates. London: Printed for John Stockdale . . . 1793. Imperial 8vo, two volumes, olive levant morocco, gilt back, quintuple fillet on the sides, gilt over uncut edges, by Cuzin.

The illustrations are by Landseer, Audinet, Bromley, Anker Smith, Grainger, and others.

ÆSOP.—The Fables of Æsop, 1793. Imperial 8vo, two volumes, green levant morocco, back and sides richly ornamented in gold and mosaic, gilt edges, by Rivière.

Another copy.

ÆSOP, &c.—The Fables of Æsop, and others, with designs on wood, by Thomas Bewick . . . Newcastle: Printed by E. Walker . . . 1818. Imperial 8vo, green levant morocco, gilt back and side panels in the manner of Roger Payne, gilt edges, by Bedford.

Imperial paper copy, with portrait of Bewick by Nicholson after Ramsay, and the certificate or receipt signed by Thomas and Robert Elliot Bewick.

ÆSOP.—The Fables of Æsop selected, told anew and their history traced by Joseph Jacobs done into pictures by Richard Heighway. London Macmillan & Co. New York 1894. Imperial 8vo, buckram, uncut edges.

Large paper copy, one hundred printed.

AIKIN, John.—Essays on Song-Writing; with a Collection of such English Songs as are most eminent for poetical merit. By John Aikin. A new edition, with additions and corrections, and a Supplement, by R. H. Evans [vignette] London: printed for R. H. Evans . . . 1810. 8vo, calf, gilt back, gilt over uncut edges, by Matthews.

AIKIN, Lucy.—The Life of Joseph Addison. By Lucy Aikin. London: printed for Longman . . . [&c] . . . 1843. Post 8vo, two volumes, cloth, uncut edges.

Portrait by J. Brown after Kneller.

AINSWORTH, William Harrison.—Rookwood: a romance. . . . London: Richard Bentley, . . . (successor to Henry Colburn.) 1834. Post 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition. Presentation copy from the author, with his book-plate on a fly-leaf.

AINSWORTH, William Harrison.—Jack Sheppard: a Romance. By W. Harrison Ainsworth, Esq. . . . with illustrations by George Cruikshank. London: Richard Bentley, . . . 1839. Post 8vo, three volumes, green levant morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with portrait and duplicate set of the twenty-six plates from the original numbers.

AINSWORTH, William Harrison.—Jack Sheppard: a Romance. By W. Harrison Ainsworth, Esq. . . . with illustrations by George Cruikshank. London: G. Routledge & Co. . . . M DCCC LIV. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Champs.

First octavo edition, with fifteen plates.

AINSWORTH, William Harrison.—Old Saint Paul's: a Tale of the Plague and the Fire. By William Harrison Ainsworth. . . . With illustrations by John Franklin. . . . London: Hugh Cunningham, . . . 1841. Post 8vo, three volumes, red levant morocco, gilt back, side fillets, gilt over uncut edges.

First edition, with twenty plates.

AINSWORTH, William Harrison.—Old Saint Paul's: a Tale of the Plague and the Fire. By William Harrison Ainsworth Esq . . . New Edition, with Illustrations by John Franklin and H. K. Browne. London: Parry, Blenkarn & Co . . . 1847. 8vo, half red levant morocco, gilt back, gilt top, uncut edges, by Champs.

First octavo edition, with twenty-one plates, including the engraved title.

AINSWORTH, William Harrison.—The Miser's Daughter: a tale. By William Harrison Ainsworth, . . . With [20] Illustrations by George Cruikshank. . . . London: Cunningham and Mortimer, [T. C. Savill, Printer] . . . 1842. Post 8vo, three volumes, maroon levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

AINSWORTH, William Harrison.—Windsor Castle. An Historical Romance, by W. Harrison Ainsworth . . . New Edition. Illustrated by George Cruikshank and Tony Johannot, with designs on wood, by W. Alfred Delamotte. London: Henry Colburn . . . MDCCCXLIV. 8vo, citron levant morocco, back panel and side corner ornaments, gilt top, uncut edges, by Reymann.

First octavo edition, with a portrait of the author, engraved title, eighteen plates, and eighty-seven woodcuts.

AINSWORTH, William Harrison.—Mervyn Clitheroe. By William Harrison Ainsworth. Illustrated by Hablot K. Browne. London: George Routledge & Co., . . . 1858. . . . 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First edition. Frontispiece, engraved title, and twenty-two other plates.

AKENSIDE, Mark.—The Pleasures of Imagination. A Poem. In three books. London: Printed for R. Dodsley . . . M.DCC.XLIV. 4to, green levant morocco, gilt back, gilt edges, by Bedford.

AKENSIDE, Mark.—The Pleasures of Imagination. By Mark Akenside, M.D. To which is prefixed a critical Essay on the Poem, by Mrs. Barbauld. London: printed for T. Cadell, Jun . . . MDCCXCV. Post 8vo, half brown levant morocco, gilt back, gilt top, uncut edges, by Allo.

Portrait of the author (inserted) and four plates engraved on copper from the designs of Stothard.

AKENSIDE, Mark.—Odes on Several Subjects. London: Printed for R. Dodsley . . . And Sold by M. Cooper . . . M.DCC.XLV. 4to, mottled calf, gilt back, gilt edges, by Rivière.

AKENSIDE, Mark.—The Poetical Works of Mark Akenside [with a Memoir by the Rev. Alexander Dyce, and a portrait of Akenside]   London   William Pickering 1835. Foolscap 8vo, cloth, uncut edges.

AKENSIDE, Mark.—The Poetical Works of Mark Akenside [with Life of the poet by the Rev. Alex. Dyce] London. Bell and Daldy . . . 1866. Crown 8vo, brown levant morocco, gilt back, gilt edges, by Matthews.

Large paper copy, with four portraits of the author and fifteen other plates inserted, for the most part proofs.

ALCIATUS, Andreas.—Andreæ Alciati Emblematum Fontes Quatuor; Namely an account of the original collection made at Milan, 1522, and photo-lith fac-similes of the editions, Augsburg 1531, Paris 1534, and Venice 1546. Edited by Henry Green, . . . with A Sketch of Alciat's Life and Bibliographical Observations respecting the Early Reprints. Published for the Holbein Society by A. Brothers, . . . Manchester, &c. . . . M.DCCC.LXX. 4to, cloth, uncut edges.

ALCIATUS, Andreas.—Andreæ Alciati Emblematum Flumen abundans; or, Alciat's Emblems in their full Stream. Being a photo-lith fac-simile reprint of The Lyons Edition, by Bonhomme, 1551; And of Titles, &c., of Similar Editions, 1548-1551. Edited by Henry Green, . . . With An Introduction and an Alphabetical List of all the Latin Mottoes. Published for the Holbein Society by A. Brothers, . . . Manchester; &c. . . . M.DCCC.LXXI. 4to, cloth, uncut edges.

ALDRICH, Thomas Bailey.—The Poems of Thomas Bailey Aldrich. Household Edition with illustrations. Boston . . . Houghton, Mifflin and Company . . . 1885. 12mo, tree calf, gilt back, gilt edges.

ALEMAN, Mateo.—The Life of Guzman d'Alfarache; or, the Spanish Rogue. To which is added, The Celebrated Tragi-Comedy, Celestina . . . Written in Spanish By Mateo Aleman. Done into English from the New French Version, and compar'd with the Original. By several Hands. Adorn'd with Sculptures by Gaspar Bouttats. London, Printed for R. Bonwick, . . . 1708-1707. 8vo, two volumes, red levant morocco, gilt back, gilt edges, by Rivière.

Frontispiece and sixteen plates engraved on copper.

ALEMAN, Mateo.—See Mendoza, Diego Hurtado.

ALEXANDER, Francesca.—Christ's Folk in the Apennine. Reminiscences of her friends among the Tuscan Peasantry. By Francesca Alexander. Edited by John Ruskin, . . . I. The Peace of Polissena. II. 'Ponsatevi Voi!' III. The Mother of the Orphans. IV. The Nun's School in Florence. George Allen, Sunnyside, Orpington, Kent. 1887. 8vo, four parts, original paper covers.

ALEXANDER, William.—A Journey to Beresford Hall the seat of Charles Cotton Esqre. the celebrated author and angler. By W. Alexander . . . London. John Russell Smith . . . MDCCCXLI. 4to, original cloth.

One hundred copies printed, being a facsimile of the original manuscript with a title-page and frontispiece lithographed, and (inserted) a coloured portrait of Walton, as well as a proof mezzotint of Cotton.

ALISON, Sir Archibald.—History of Europe from the Commencement of the French Revolution to the Restoration of the Bourbons in MDCCCXV. By Archibald Alison . . . New Edition with Portraits William Blackwood and Sons Edinburgh and London MDCCCXLIX-L. Royal 8vo, fourteen volumes bound in seventeen, half blue morocco, uncut edges.

In addition to the portraits published with this work, nearly fifteen hundred plates have been added, portraits, views, military costumes, battle-scenes, etc., etc. Nearly every plate is in proof state, generally before letters, and the majority on India paper. Forty drawings in water-colour and sepia have been added, including a portrait of Tom Paine by Collins.

ALLEN, Charles Dexter.—A Talk On Book-Plates   A Paper read by Charles Dexter Allen at a Meeting of the Club of Odd Volumes of Boston, Massachusetts Boston   The Club of Odd Volumes 1901. 4to, half brown morocco, uncut edges.

No. 36 of fifty-five copies printed.

ALLSTON, Washington.—Lectures on Art, and Poems, by Washington Allston. Edited by Richard Henry Dana, Jr.   New York: Baker and Scribner MDCCCL. 12mo, blue levant morocco, back and sides paneled with quintuple lines, gilt edges, by Motte.

ALMANAC—The Ladies Diary: or Woman's Almanack, For the Year of our Lord, 1751. Being the Third after Bissextile, or Leap-Year. Containing an Improvement of Arts and Sciences, For the Use and Pleasure of the Fair-Sex. Being the Forty Eighth Almanack publish'd of this Kind. . . . Printed by A. Wilde, for the Company of Stationers, 1751. Small 8vo, original blue morocco, covered with tooling in the "cottage" pattern, with flap, silver catch, and pockets.

ALMANAC.—The Comic Almanack, for 1835; [and each succeeding year to 1853] an Ephemeris in Jest and Earnest, containing "all things fitting for such a work." By Rigdum Funnidos, Gent. Adorned with a dozen of "righte merrie" cuts, pertaining to the months, sketched and etched by George Cruikshank. [&c] London: imprinted for Charles Tilt . . . [1835-1853]. Post 8vo, nineteen years bound in five volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

A complete set of the original issue, with covers preserved. The title-pages show no alteration of importance until 1841, when the imprint changes to "Tilt and Bogue," again changing, in 1844, to "David Bogue." In 1848-49 the size is reduced one third, and the abbreviated title has the line, "Edited by Horace Mayhew." In 1850 the Almanac renews its original size, and H. G. Hine is introduced by name as the co-illustrator with Cruikshank. The last year of publication is "Edited by Robert B. Brough."

From the commencement to 1847 Cruikshank contributed twelve plates to each year, but in 1848 the number was reduced to six, in 1849 to five (including a folded frontispiece), and the four concluding years have each a folded frontispiece in colours, as well as six plates. Each year a large number of woodcut illustrations supplement the plates.

The original issue of Thackeray's "Stubbs's Calendar," or the "Fatal Boots" appeared in the volume for 1839, and his "Barber Cox" the year following.

ALMANAC.—The Book-Lover's Almanac for the year 1893 with illustrations by Henriot. Duprat & Co. New York 1893. Small 4to, original covers, uncut edges.

Japan paper copy, two hundred printed, with twelve coloured plates, a frontispiece, and floral borders.

ALMANAC.—The Book-Lover's Almanac for the year 1894, with etchings by Robida, and other illustrations. New York: Duprat & Co. 1894 . . . Second year. Small 4to, original covers, uncut edges.

Japan paper copy, one hundred and fifty printed, with four etchings, seven studies in designs for ex-libris by Henriot, and vignettes by E. Mas.

ALMANAC.—The Book-Lover's Almanac for 1895. Duprat & Co. New York. Small 4to, original covers, uncut edges.

Japan paper copy, one hundred printed, with four plates and other illustrations.

ALMANAC.—The Book-Lover's Almanac for the year 1896. Duprat & Co. publishers   New York. Small 4to, original covers, uncut edges.

Japan paper copy, one hundred printed, No. 12, with thirty illustrations, the frontispiece in two states, black and coloured. A border of printer's marks surrounds each page of text.

ALMANAC.—The Book-Lover's Almanac for 1897 Duprat & Co., . . . New York. Small 4to, original covers, by Louis J. Rhead, uncut edges.

Japan paper copy, one hundred printed, with title-page and page border by W. H. Lippincott, and thirteen other illustrations, two of them coloured.

AMADIS OF GAUL.—See Southey, Robert.

AMES, Joseph.—Typographical Antiquities: Being an Historical Account of Printing in England: With some Memoirs of our Antient Printers, and A Register of the Books printed by them, from The Year MCCCCLXXI to the Year MDC. with an Appendix concerning Printing in Scotland and Ireland To the same Time. By Joseph Ames, . . . London: Printed by W. Faden, and sold by J. Robinson, . . . MDCCXLIX. 4to, old red morocco, rich gilt back and sides, gilt edges.

Engraved frontispieces, portrait of Caxton, and facsimiles.

AMICIS, Edmondo de.—Holland And Its People By Edmondo de Amicis Zuyder Zee Edition [33 illustrations] New York . . . G. P. Putnam's Sons The Knickerbocker Press   1885. Royal 8vo, one volume extended to two, blue levant morocco, gilt back, side borders, gilt over uncut edges, with the original covers bound in, by The Club Bindery.

No. 21 of twenty-five copies printed, with an extra set of proof etchings printed upon satin. Extra illustrated by the insertion of eighty-eight portraits and views, including etchings by Hollar, Ostade, many scenic illustrations, proofs on India paper, engravings of famous paintings, etc.

AMORY, Thomas.—The Life of John Buncle, Esq. by Thomas Amory, Gent. A new edition. . . . London: Septimus Prowett, . . . MDCCCXXV. Crown 8vo, three volumes, cloth, uncut edges.

Southey's copy, with his autograph on the title-page, and the date, "London, 14 June, 1828."

ANACREON: with Thomas Stanley's translation. Edited by A. H. Bullen. Illustrated by J. R. Weguelin. London: Lawrence & Bullen . . . MDCCCXCIII. 4to, cloth, uncut edges.

No. 185 of one thousand copies printed, with ten plates.

ANCIENT METRICAL TALES.—See Hartshorne, C. H.

ANCIENT PHILOSOPHERS.—The Lives And moſt remarkable Maxims Of the Antient Philosophers. London: Printed for B. Barker, . . . and R. Francklin, . . . 1726. Price Bound 2s. 6d. 12mo, sprinkled calf, gilt back, gilt over uncut edges, by Bedford.

ANDERDON, J. L.—The River Dove with some quiet thoughts on the happy practice of Angling. London: William Pickering   1847. Post 8vo, cloth, uncut edges.

ANDERDON, J. L.—The River Dove. 1847. Post 8vo, green calf, gilt back, gilt edges.

Another copy.

ANDERSEN, Hans Christian.—Danish Fairy Legends and Tales by Hans Christian Andersen. London   William Pickering   1846. Post 8vo, half orange morocco, uncut edges.

ANDERSON, Alexander.—A general History of Quadrupeds. The figures engraved on wood, chiefly copied from the original of T. Bewick, By A. Anderson. First American edition, With an Appendix, containing some American animals not hitherto described. New York: printed by G. & R. Waite, . . . 1804. 8vo, brown levant morocco, gilt back and edges, by Rivière.

ANDERSON, Alexander.—A Collection of one hundred and seventy Engravings by Alexander Anderson, M.D. executed on wood after his Ninetieth Year. Privately printed by Charles L. Moreau. New York. 1872. 8vo, cloth.

Twelve copies, printed for the first time from the original blocks, with an Introduction by E. A. Duyckinck.

ANDERSON, Hugh.—See Tailfer, Patrick.

ANDERSON, James.—The Constitutions of the Antient and Honourable Fraternity of Free and Accepted Masons, containing their History, Charges, Regulations, &c. collected and digested, by Order of the Grand Lodge, from their old Records, faithful Traditions, and Lodge-Books, for the Use of Lodges, by James Anderson D.D. and carefully revised, continued, and enlarged by John Entick M.A. A New Edition, with Alterations and Additions, by a Committee appointed by the Grand Lodge. London: Printed for Brother W. Johnston . . . MDCCLXVII   In the Vulgar Year of Masonry 5767. 4to, old red morocco, the back and sides covered with gilt tooling of birds, flowers, etc., doubled with green morocco, wide floral border, gilt edges, by Robert Black in 1767.

Frontispiece by Cole after Boitard.

A remarkable specimen of Scotch bookbinding, from the collection of the Earl of Gosford. Reproduced in Quaritch's Fac-similes of Book-Binding.

ANDREWS, Miles Peter.—Fire and Water! a comic opera: in two acts. Performed at the Theatre Royal in the Hay-Market. By Miles Peter Andrews. London: Printed for T. Cadell, . . . m.dcc.lxxx. 8vo, red morocco, gilt edges, by The Club Bindery.

First edition. A-F in fours, half-title on A 1.

ANDREWS, William Loring.—A Choice Collection of Books from the Aldine Presses in the possession of * * * * * * with a short introductory account of the Aldus family, taken mostly from Horne's Introduction to Bibliography. New York: privately printed. [De Vinne Press] MDCCCLXXXV. 12mo, original vellum covers, uncut edges.

One of fifty copies printed upon vellum, with two illustrations.

ANDREWS, William Loring.—Jean Grolier de Servier, Viscount d'Aguisy Some account of his Life and of his famous Library   By William Loring Andrews. New York   MDCCCXCII. The De Vinne Press. 4to, cloth, uncut edges.

One hundred and forty copies printed on hand-made paper, with fourteen illustrations, some in gold and colours.

ANDREWS, William Loring.—Roger Payne and his Art   a short account of his life and work as a binder   By William Loring Andrews   New York printed at the De Vinne Press   1892. 8vo, cloth, uncut edges.

Holland paper copy, one hundred and twenty printed, with eleven plates.

ANDREWS, William Loring.—Roger Payne and his Art.   1892. 8vo, cloth, uncut edges.

Another copy. One of ten printed on Japan paper, with eleven plates, nine in gold and colours.

Presentation copy from the author.

ANDREWS, William Loring.—The Bradford Map   The City of New York at the time of the granting of the Montgomerie Charter   a description thereof compiled by William Loring Andrews to accompany a fac-simile of an actual survey made by James Lyne and printed by William Bradford in 1731    New York   printed at the De Vinne press   1893. 8vo, cloth, gilt top, uncut edges.

Eleven full-page plates and numerous illustrations in the text. One hundred and forty-two copies printed.

ANDREWS, William Loring.—A Stray Leaf from the Correspondence of Washington Irving and Charles Dickens by William Loring Andrews. Printed at the De Vinne Press New-York, 1894 and embellished with engravings on copper and zinc. Small 4to, cloth, uncut edges.

One of fifteen copies printed on Japan paper, with the frontis-piece in three states.

ANDREWS, William Loring.—"Among my Books" Printed for William Loring Andrews At the De Vinne Press. New-York. 1894. 8vo, cloth, uncut edges.

One of ten copies printed on Japan paper, with twenty-seven illustrations, some in gold and colours.

ANDREWS, William Loring.—An Essay on the Portraiture of the American Revolutionary War being An Account of a number of the Engraved Portraits connected therewith, remarkable for their rarity or otherwise interesting by William Loring Andrews   To which is added an Appendix containing lists of Portraits of Revolutionary characters to be found in various English and American publications of the eighteenth and the early part of the nineteenth century   Illustrated with reproductions by the Photogravure Process of twenty of the Original Engravings   New York    Printed by Gilliss Brothers for the Author and sold by Dodd, Mead & Co. MDCCCXCVI. 8vo, cloth, uncut edges.

One of fifteen copies printed on Japan paper, with eighteen plates.

ANDREWS, William Loring.—The Journey of the Iconophiles around New York in search of the historical and picturesque   Printed at New York in the year of our Lord, eighteen hundred and ninety-seven . . . and of the discovery of the Island of Manhattan by Hendrik Hudson the two hundred and eighty-eighth. 8vo, light brown levant morocco, gilt edges, by The Club Bindery.

One of eighty-seven copies on Japan paper, with twelve full-page plates by E. D. French.

ANDREWS, William Loring.—New Amsterdam New Orange   New York   a chronologically arranged account of engraved views of the city from the first picture published in MDCLI until the year MDCCC by William Loring Andrews [arms of New Amsterdam and New York in colour]   Published and for sale by Dodd, Mead and Company, New York   Anno Domini MDCCCXCVII. 8vo, cloth, gilt top, uncut edges.

Thirty-six full-page plates and fifteen other illustrations.

One of thirty copies printed on Japan paper, with extra impressions of the fourteen engravings on copper by E. Davis French and of the Duke's plan in colour.

ANDREWS, William Loring.—A Prospect of the Colledges in Cambridge in New England . . . engraved by Wm. Burgis in 1726 the description compiled by William Loring Andrews   Published and for sale by Dodd, Mead and Company   New York   MDCCCXCVII. 8vo, cloth, gilt top, uncut edges.

One of twenty-five copies printed on Japan paper, with six illustrations.

ANDREWS, William Loring.—Fragments of American History illustrated solely by the works of those of our own engravers who flourished in the XVIIIth century   Privately printed for William Loring Andrews   New York   MDCCCXCVIII. 8vo, half calf, gilt back, gilt top, uncut edges.

Presentation copy from the author, eighty printed on hand-made paper, with eighteen reproductions of rare engravings, four being in colours.

ANDREWS, William Loring.—A Trio of Eighteenth Century French Engravers of Portraits in Miniature. Ficquet. Savart. Grateloup. William Loring Andrews [The Gilliss Press]   MDCCCXCVIIII. 8vo, vellum boards, uncut edges.

One of one hundred and sixty-one copies on Japan paper, with twenty-eight illustrations.

ANDREWS, William Loring.—James Lyne's Survey or, as it is more commonly known The Bradford Map a plan of the City of New York at the time of the granting of the Montgomery Charter in 1731   An Appendix to an account of the same compiled in 1893 by William Loring Andrews. New York   Dodd, Mead & Company [The Gilliss Press]   MDCCCC. 8vo, cloth, uncut edges.

One of thirty-two copies printed on Japan paper, with three facsimile maps.

ANDREWS, William Loring.—Gossip About Book Collecting by William Loring Andrews   New York published by Dodd, Mead and Company. . . . [The Gilliss Press]   M :: C :: M. 8vo, two volumes, original paper covers, gilt top, uncut edges.

Thirty-two copies printed on Japan paper, with twelve illustrations, of which six are coloured.

ANDREWS, William Loring.—Paul Revere and his Engraving by William Loring Andrews   New York   Charles Scribner's Sons   MCMI. 8vo, vellum boards, gilt top, uncut edges.

One of thirty-five copies printed on Japan paper, with engraved title by E. D. French, seventeen full-page plates, one of them printed in colour, and fifteen other illustrations.

ANDREWS, William Loring.—The Iconography of the Battery and Castle Garden by William Loring Andrews [vignette] New York   Charles Scribner's Sons   MCMI. 8vo, cloth, gilt top, uncut edges.

One hundred and thirty-five copies printed on American hand-made paper, with twenty illustrations, three of them in colour.

ANDREWS, William Loring.—Bibliopegy in the United States and Kindred subjects by William Loring Andrews   Dodd, Mead and Company New York 1902. 8vo, original boards, uncut edges.

One hundred and forty-one copies printed on Van Gelder paper, with thirty illustrations, some coloured.

ANNUAL ANTHOLOGY.—See Southey, Robert.

ANTIDOTE.—An Antidote against Melancholy. Being a Collection of Fourscore Merry Songs, wherein Thoſe on the same Subject and Key, are placed in an agreeable Succeſſion, In Relation to the Different Measures of Time, After the Manner of Suits of Lessons. The Music of them all entirely new, and ſeveral of the Songs never before ſet to Music. London: Printed for Daniel Browne, . . . MDCCXLIX. Post 8vo, tree calf, gilt back, gilt edges.

ANTI-JACOBIN.—Poetry of the Anti-Jacobin. London: printed for J. Wright, . . . 1799. Foolscap 8vo, half purple levant morocco, uncut edges.

ANTI-JACOBIN.—Poetry of the Anti-Jacobin: comprising the celebrated political & satirical poems, parodies, and jeux-d'esprit of the Right Hon. George Canning, the Earl of Carlisle, Marquis Wellesley, the Right Hon. J. H. Frere, W. Gifford, Esq. the Rt. Hon. W. Pitt, G. Ellis, Esq. and others. With explanatory notes, by Charles Edmonds. Second edition, considerably enlarged. With six etchings by the famous caricaturist James Gillray. London G. Willis, . . . MDCCCLIV. Post 8vo, cloth, uncut edges.

ANTOMMARCHI, F.—The Last Days of the Emperor Napoleon. By Doctor F. Antommarchi, his physician. . . . London: printed for Henry Colburn, . . . 1825. 8vo, two volumes, blue morocco, gilt back, gilt edges.

Original sepia drawing of Napoleon on horseback, inserted.

APULEIUS.—Cupid and Psyche: a mythological tale, from the Golden Ass of Apuleius. Second edition. [translated by Hudson Gurney]   London: printed for J. Wright . . . 1800. Royal 8vo, half calf, gilt back, gilt top, uncut edges, by Kaufmann.

Large paper copy. Printed by Bulwer, with two plates after the designs of Cipriani.

ARABIAN NIGHTS.—The Arabian Nights . . . Translated by the Reverend Edward Forster. With engravings, from pictures by Robert Smirke . . . London: printed for William Miller . . . 1802. 8vo, five volumes, half morocco, gilt top, uncut edges.

George Daniel's copy on large paper (?), with ten plates by Corbould, Kirk, etc., and a portrait of Smirke, in addition to the regular series of twenty-four illustrations.

ARABIAN NIGHTS.—The Thousand and One Nights, commonly called, in England, the Arabian Nights' Entertainments. A new translation from the Arabic, with Copious Notes. By Edward William Lane . . . illustrated with many hundred engravings on wood, from original designs by William Harvey . . . London: Charles Knight and Co MDCCCXXXIX-XL-XLI. Royal 8vo, three volumes, gilt back, gilt edges, by Bedford.

First edition.

ARABIAN NIGHTS.—The Thousand and One Nights   The Arabian Nights Entertainments   With an Introduction illustrative of the religion, manners, and customs of the Mohammedans by Jonathan Scott, . . . With Nineteen Original Etchings by Ad. Lalauze   London   J. C. Nimmo and Bain . . . 1883. 8vo, four volumes, cloth, uncut edges.

No. 71 of one hundred and fifty large paper copies printed, with proof etchings on Japan paper.

ARABIAN NIGHTS.—See Burton, Sir Richard and Payne, John.

ARISTÆNETUS.—See Propertius.

ARISTOPHANES.—The Comedies of Aristophanes translated into familiar blank verse, with notes, preliminary observations on each play, etc. By C. A. Wheelwright . . . to which is added a dissertation on the old Greek comedy from the German of Wachsmuth. Oxford: D. A. Talboys . . . MDCCCXXXVII. 8vo, two volumes, cloth, uncut edges.

ARISTOTLE.—[Works, translated from the Greek by Thomas Taylor] London: printed for the translator, . . . by Robert Wilks, . . . 1806. [-1812] Royal 4to, ten volumes, cloth, uncut edges.

The contents are as follows: I. The Physics or Physical Auscultation, 1806; II. The Organon or Logical Treatises, 1807; III. Treatises on the Heavens, on Generation and Corruption, and on Meteors, 1807; IV. Treatises on the Soul, etc., 1808; V. The History of Animals and Treatise on Physiognomy, 1809; VI. Treatises on the Parts and Progressive Motion of Animals, Problems, and Treatise on Indivisible Lines, 1810; VII. Rhetoric, Poetic, and Nicomachean Ethics, 1811; VIII. Great, and Eudemian, Ethics, Politics, and Economics, 1811; IX. Metaphysics, etc., 1812; X. Dissertation on the Philosophy of Aristotle, 1812.

ARISTOTLE.—The Politics and Economics of Aristotle, translated, with notes, original and selected, and analyses. To which are prefixed, an introductory essay and a life of Aristotle; By Dr. Gillies. By Edward Walford. . . . London: Henry G. Bohn, . . . MDCCCVIII. Post 8vo, half brown morocco, gilt top, uncut edges.

ARISTOTLE.—Aristotle's History of Animals. In ten books. Translated by Richard Cresswell, . . . London: Henry G. Bohn, . . . 1862. Post 8vo, half brown morocco, gilt top, uncut edges.

ARMORIAL BOOK PLATES.—147 Examples [one coloured] of Armorial Book Plates. From various Collections. (Second Series.) London: W. Griggs & Sons, . . . 1892. Royal 4to, half cloth, decorated sides.

ARMSTRONG, John.—Miscellanies; by John Armstrong, M.D. . . . London, Printed for T. Cadell, . . . MDCCLXX. Small 8vo, two volumes, red levant morocco, gilt back, gilt edges, by David.

First edition.

ARNE, Thomas Augustine.—Phœbe at Court, an operetta, of two acts. written originally by R. Lloyd, Esq. The Dialect neceſſarily contracted and turned into Hudibraſtic Verſe for Recitative, new songs added, and the music entirely new; composed by Dr. Arne. London: printed by Cox and Bigg, in the Savoy. MDCCLXXVI. [Price One Shilling and Sixpence.] 4to, calf, gilt back, gilt edges, by Pratt.

First edition. A-K in twos, title on A1. Altered from Lloyd's "Capricious Lovers."

ARNETT, John Andrews.—Bibliopegia; or, the Art of Bookbinding, in all its branches. Illustrated with engravings. By John Andrews Arnett. London: Richard Groombridge . . . 1835. 12mo, half red levant morocco, Janseniste, gilt top, uncut edges, by Rivière.

ARNETT, John Andrews.—Bibliopegia, 1835. 12mo, green levant morocco, gilt back, gilt top, uncut edges, by Joly..

Another copy.

ARNETT, John Andrews.—An Inquiry into the Nature and Form of the Books of the Ancients; with a History of the Art of Bookbinding, from the times of the Greeks and Romans to the present day; interspersed with bibliographical references to men and books of all ages and countries. Illustrated with numerous engravings. By John Andrews Arnett. London: Richard Groombridge. . . . 1837. 12mo, cloth, uncut edges.

ARNOLD, Sir Edwin.—The Light of Asia or the Great Renunciation (Mahabhinishkramana) being the Life and Teaching of Gautama, Prince of India and Founder of Buddhism (as told in verse by an Indian Buddhist) by Sir Edwin Arnold . . . A new [Lotus] edition London: Trübner & Co., . . . 1889. Square 8vo, original covers, uncut edges.

Etched portrait by Damman, and woodcuts.

No. 49 of one hundred and twenty-six copies printed.

ARNOLD, Matthew.—The Strayed Reveller, and other poems. By A. London: B. Fellowes . . . 1849. Post 8vo, cloth, uncut edges.

First edition. One hundred copies printed. Withdrawn from circulation after a few copies had been sold.

ARNOLD, Matthew.—Poems. By Matthew Arnold. Third edition. London: Longman, Brown, Green, Longmans, & Roberts. 1857. Post 8vo, cloth, uncut edges.

ARNOLD, Matthew.—Merope. A Tragedy. By Matthew Arnold   London: Longman, Brown, Green, Longmans, & Roberts. MDCCCLVIII. Foolscap 8vo, cloth, uncut edges.

First edition.

ARNOLD, Matthew.—New Poems by Matthew Arnold. London   Macmillan and Co. MDCCCLXVII. Post 8vo, cloth, uncut edges.

First edition.

ARNOLD, Matthew.—New Poems by Matthew Arnold. Second edition. London Macmillan and Co. MDCCCLXVIII. Post 8vo, cloth, uncut edges.

ARNOLD, Matthew.—Poems by Matthew Arnold . . . London   Macmillan and Co.   MDCCCLXIX. Post 8vo, two volumes, cloth, uncut edges.

ARNOLD, Thomas.—Christian Life, its course, its hindrances, and its helps. Sermons, preached mostly in the chapel of Rugby School. By Thomas Arnold, . . . London: B. Fellowes, . . . 1841. 8vo, cloth, uncut edges.

First edition.

ARNOLD, Thomas.—Fragment on the Church. Second edition: in which are contained appendices on the same subject. By Thomas Arnold, . . . London: B. Fellowes, . . . 1845. 8vo, cloth, uncut edges.

ARNOLD, Thomas.—The Miscellaneous Works of Thomas Arnold, . . . Collected and republished. [by Arthur Penrhyn Stanley] London: B. Fellowes, . . . 1845. 8vo, cloth, uncut edges.

ARNOLD, Thomas.—History of Rome. By Thomas Arnold, . . . Fourth edition. London: B. Fellowes; F. and J. Rivington; &c. . . . 1845. [-1846.] 8vo, three volumes, cloth, uncut edges.

The title-pages of Volumes II and III say "third edition," and the latter is dated 1846.

ARNOLD, Thomas.—Introductory Lectures on Modern History, delivered in Lent term, m dccc xlii. With the Inaugural Lecture delivered in December, m dccc xli. By Thomas Arnold, . . . Fourth edition. London: B. Fellowes, . . . 1849. 8vo, cloth, uncut edges.

ARNOLD, Thomas.—See Stanley, A. P.

ARNOLD, William Harris.—A Record of First Editions of Bryant, Emerson, Hawthorne, Holmes, Longfellow, Lowell, Thoreau, Whittier. Collected by William Harris Arnold With An Essay on Book-madness by Leon H. Vincent. Printed at the Marion Press. Jamaica . . . 1901 . . . 4to, cloth, uncut edges.

Facsimiles of title-pages.

ASHBEE, H. S.—See Graham, Alexander.

ASTLE, Thomas.—The Origin and Progress of Writing, as well hieroglyphic as elementary, illustrated by engravings taken from marbles, manuscripts and charters, ancient and modern: also some account of the origin and progress of printing. Second edition, with additions. By Thomas Astle, . . . London: printed by T. Bensley, . . . for J. White, . . . 1803. Folio, russia, gilt back and sides.

Large paper copy. Portrait and thirty-one plates of characters, some in colour.

ATHENÆUS.—The Deipnosophists or Banquet of the Learned of Athenæus. Literally translated By C. D. Yonge, B.A. with an appendix of poetical fragments, rendered into English verse by various authors, and a general index. . . . London: Henry G. Bohn, . . . MDCCCLIV. Post 8vo, three volumes, half brown morocco, gilt top, uncut edges.

ATKINSON, T. D.—See Foster, J. E.

AUCASSIN AND NICOLETE done into English by Andrew Lang. London: 1887 published by David Nutt . . . 8vo, citron levant morocco, gilt back and side panels, à l'oiseau, gilt top, uncut edges, by Chambolle-Duru.

Japan paper copy on large paper, sixty-three printed. No. 20, with woodcut border to title, etched frontispiece by Head, and nine etchings by Bida, proofs on India paper (inserted).

AUCASSIN AND NICOLETTE, a love story; edited in old French and rendered in modern English (with Introduction, Glossary, etc.) by F. W. Bourdillon, M.A. London Kegan Paul, Trench, & Co. MDCCCLXXXVII. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

AUCASSIN & NICOLETE: Being a Love Story translated out of the Ancient French by Andrew Lang. Roycrofters . . . East Aurora, New York mdcccxcix. 12mo, green ooze calf, uncut edges.

AUDUBON, John James.—The Birds of America, from drawings made in the United States and their territories. By John James Audubon, . . . New York: published by J. J. Audubon. . . . 1840. Royal 8vo, seven volumes, green levant morocco, gilt back, side corners, gilt edges, with the original covers bound in, by Bedford.

Five hundred coloured plates.

AUDUBON and BACHMAN.—The Quadrupeds of North America. By John James Audubon and the Rev. John Bachman . . . New York   published by V.G. Audubon. 1849 [MDCCCLI-1854]. Royal 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges.

One hundred and fifty-five coloured plates.

AUDUBON and BACHMAN.—The Quadrupeds of North America. 1849-54. Royal 8vo, three volumes, green levant morocco, emblematic gilt back, side corners, gilt edges, with the original covers bound in, by Bedford.

Another copy.

AUSTEN, Jane.—Pride and Prejudice: a Novel . . . by the author of "Sense and Sensibility." London: Printed for T. Egerton . . . 1813. 12mo, three volumes, half green levant morocco, gilt top, uncut edges, by Rivière.

First edition.

AUSTEN, Jane.—Emma: a novel. In three volumes. By the Author of "Pride and Prejudice," &c. &c. . . . London: printed for John Murray, [by C. Roworth] 1816. 12mo, three volumes, blue levant morocco, gilt back, uncut edges, by The Club Bindery.

First edition. Dedicated to His Royal Highness, the Prince Regent.

AUSTEN, Jane.—Northanger Abbey: and Persuasion. By the author of "Pride and Prejudice," "Mansfield-Park," &c. With a biographical notice of the author. . . . London: John Murray, . . . 1818. 12mo, four volumes in two, blue levant morocco, gilt back, side borders, gilt top, uncut edges, by The Club Bindery.

First editions. The Notice is dated London, December 13, 1817, and the Postscript, December 20.

AUSTIN, Alfred.—The Season: a Satire. By Alfred Austin. With [tinted] frontispiece of "The Modern Muse," by Thomas George Cooper. . . . London: Robert Hardwicke, . . . 1861. Post 8vo, half grey morocco, gilt back, gilt top, uncut edges.

AVERY, Samuel Putnam.—Some Account of the "Gibbs-Channing" Portrait of George Washington Painted by Gilbert Stuart   Privately Printed   New York. [DeVinne Press] 1900. 8vo, cloth, gilt top, uncut edges.

One of two hundred copies printed, with portrait.

AYRE, William.—Memoirs of the Life and Writings of Alexander Pope, Eſq; Faithfully Collected from Authentic Authors, Original Manuscripts, and the Testimonies of many Persons of Credit and Honour: with Critical Observations. Adorned with the Heads of divers Illustrious Persons, treated of in theſe Memoirs, curiouſly engrav'd by the beſt Hands. In Two Volumes. By William Ayre, Eſq; London: Printed by his Majesty's Authority, For the Author, and Sold by the Book-ſellers of London and Weſtminſter. M DCC XLV. Small 8vo, two volumes, red straight-grain morocco, gilt edges, by The Club Bindery.

Thirteen portraits engraved by Parr.

AYTOUN, William Edmondstoune, editor.—The Ballads of Scotland edited by William Edmondstoune Aytoun, . . . Second edition revised and augmented . . . William Blackwood and Sons, Edinburgh and London M DCCC LIX. Post 8vo, two volumes, cloth, uncut edges.

AYTOUN, William Edmondstoune.—Lays of the Scottish Cavaliers and other poems by William Edmonstoune Aytoun . . . Twelfth edition. William Blackwood and Sons Edinburgh and London MDCCCLIX. Post 8vo, cloth, uncut edges.

B., G.—Love the Leveller: or the Pretty Purchaſe. Acted at the Theatre Royal, in Bridges-Street, Covent-Garden. Written by G. B. Gent. [Two lines from Hor. Sat. L. 1.]   London, Printed for E. Rumbal, and are to be ſold by J. Nutt, . . . 1704. 4to, blue levant morocco, gilt back, gilt edges, by David.

First edition. A-K2 in fours, title on A1.

BABBAGE, Charles.—The Ninth Bridgewater Treatise. A fragment. By Charles Babbage, Esq. . . . London: John Murray, . . . MDCCCXXXVII. 8vo, cloth, uncut edges.

BACHMAN, John.—See Audubon, J. J.

BAILEY, Philip James.—Festus: a Poem   London   William Pickering MDCCCXXXIX. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

First edition, with many portions that were suppressed in the later editions.

BAILEY, Philip James.—Festus a Poem. By Philip James Bailey . . . Second Edition   London   William Pickering   1845. Post 8vo, green morocco, gilt back, gilt top, uncut edges, by Matthews.

BAILLIE, Joanna.—The Family Legend: a tragedy. By Joanna Baillie. Edinburgh: Printed by James Ballantyne and Co. for John Ballantyne and Co. . . . and Longman, Hurst, Rees, and Orme, . . . 1810. 8vo, Scotch plaid silk, gilt edges.

First edition. Dedicated to Walter Scott.

BAILLIE, Joanna.—Dramas, by Joanna Baillie. London: printed for Longman, . . . 1836. 8vo, three volumes, half orange levant morocco, gilt top, uncut edges, by Smith-Mansell.

BAINBRIDGE, George C.—The Fly Fisher's Guide, illustrated by coloured plates, representing upwards of forty of the most useful Flies, accurately copied from nature. By Geo. C. Bainbridge Esq . . . Third Edition. London: Longman &c. . . . 1834. 8vo, blue levant morocco, rose decoration on back and side panels, a rose as central ornament within a border worked with dotted tools, gilt edges, by David.

Nine plates of fish and flies, all but one coloured.

BAIRD, Henry M.—History of the Rise of the Huguenots. By Henry M. Baird, . . . London: Hodder and Stoughton, . . . M DCCCLXXX. Crown 8vo, two volumes, half maroon levant morocco, gilt top, uncut edges.

BAKER, REED, and JONES.—Biographia Dramatica; or, a companion to the playhouse: containing Historical and critical Memoirs, and original Anecdotes, of British and Irish Dramatic Writers, from the commencement of our theatrical exhibitions; among whom are some of the most celebrated actors: also an alphabetical account, and chronological lists, of their works, the dates when printed, and observations on their merits: together with an introductory view of the rise and progress of the British Stage. Originally compiled, to the year 1764, by David Erskine Baker. Continued thence to 1782, by Isaac Reed . . . And brought down to the End of November 1811 . . . by Stephen Jones. London: printed for Longman . . . 1812. 8vo, four volumes, half green morocco, gilt back, gilt top, uncut edges.

BAKER, REED, and JONES.—Biographia Dramatica. 1812. 8vo, four volumes, russia, gilt fillets, gilt top, uncut edges, by Alfred Matthews.

J. Payne Collier's copy, annotated by the Duke of Devonshire with his own additions and transcriptions from his catalogue of all the notes of J. P. Kemble.

BALLADS.—A Collection of Old Ballads. Corrected from the beſt and moſt Ancient Copies Extant. With Introductions Historical, Critical, or Humorous. Illuſtrated with [41] Copper Plates. . . . London: Printed for J. Roberts, and D. Leach; and sold by J. Brotherton &c. . . . M dcc xxiii. [-M dcc xxv.] 12mo, three volumes, calf, gilt edges.

Volume I is second edition.

BALLADS.—A Collection of Old Ballads. Corrected from the best and most Ancient Copies extant. With Introductions Historical and Critical or Humourous. Illustrated with Copper Plates . . . London . . . MDCCXXIII (reprint). 8vo, three volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Large paper copy. A reprint of the original edition.

BALLADS.—Popular Ballads and Songs, from Tradition, Manuscripts, and scarce editions; with translations of similar pieces from the Ancient Danish Language, and a few originals by the Editor. By Robert Jameeson. Edinburgh: printed for Archibald Constable and Co . . . 1806. 8vo, two volumes, calf, gilt back, gilt edges, by Matthews.

BALLADS.—A Book of Roxburghe Ballads, edited by John Payne Collier . . . London: Longman &c. . . . 1847. 4to, red levant morocco, gilt back, side borders, doubled with red morocco, borders, gilt edges, by The Club Bindery.

John Payne Collier's copy, with India proofs of the woodcuts by Fairholt, and many manuscript additions and notes.

BALLADS.—The Book of British Ballads . . . Edited by S. C. Hall. London: Jeremiah How   MDCCCXLVII-IV. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by J. Wright.

Both series complete. Illustrated by Ward, Kenny Meadows, Pickersgill, Tenniel, Corbould, Gilbert, Fairholt, Selous, Paton, Crowquill, Creswick, Frith, and others.

BALLADS.—English and Scottish Ballads. Edited by Francis James Child. Boston: Little, Brown, and Company. M.DCCC.LX. 12mo, eight volumes, calf, gilt top, uncut edges.

BALLADS.—Four Books of Choice Old Scotish Ballads, M.DCCC.XXIII.—M.DCCC.XLIV. Edinburgh: Reprinted for Private Circulation. M.DCCC.LXVIII. Crown 8vo, half green levant morocco, gilt back, gilt top, uncut edges.

Portrait of Charles Kirkpatrick Sharpe.

One of one hundred and fifty-five copies printed.

BALLADS.—A Book of Old English Ballads with an Accompaniment of Decorative Drawings by George Wharton Edwards: And an Introduction by Hamilton W. Mabie   New York   The Macmillan Company [1896]. 12mo, buckram, gilt top, uncut edges.

BALLADS OF SCOTLAND.—See Aytoun, W. E.

BALLADS AND SONGS OF LANCASHIRE.—See Harland, John.

BALLANTINE, James.—The Life of David Roberts, R. A. compiled from his journals and other sources by James Ballantine with etchings and facsimiles of pen-and-ink sketches by the artist [and portrait] Edinburgh   Adam and Charles Black, . . . M DCCC LXVI. 4to, cloth, gilt top, uncut edges.

BALMANNO, Mary.—Pen and Pencil, by Mrs Balmanno. New York: D. Appleton & Co   1858. 4to, cloth, gilt top, uncut edges.

Many of the woodcuts, including the Etruscan Vase, page 212, are by Anderson.

BALZAC, Honoré.—Balzac's Contes Drolatiques. Droll Stories collected from the Abbeys of Touraine. Translated [by Henry Van Laun] into English, complete and unabridged. [vignette] Illustrated with 425 designs By Gustave Doré. London: Chatto and Windus, . . . 1874. 8vo, cloth, gilt top, uncut edges.

First edition.

BANDELLO, Matteo.—The Novels of Matteo Bandello Bishop of Agen now first done into English Prose and Verse by John Payne . . . London: M DCCC XC: printed for the Villon Society by private subscription and for private circulation only. 4to, six volumes, vellum boards, gilt top, uncut edges.

Large paper copy, No. 13.

BANNATYNE CLUB.—The Bannatyne Club. Lists of Members and the Rules, with a Catalogue of the Books printed for the Bannatyne Club since its Institution in 1823. Edinburgh: M.DCCC.LXVII. 8vo, cloth, uncut edges.

BARBAULD, Anna Lætitia.—See Richardson, Samuel. Correspondence, 1804.

BARHAM, Richard Harris Dalton.—The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby Esquire   London. Richard Bentley. M DCCC XL. [-M DCCC XLII.-M DCCC XLVII]. 8vo, three volumes, green levant morocco, gilt back, side borders, gilt top, uncut edges, by The Club Bindery.

First edition of the three series, with two portraits, three engraved titles, and seventeen other plates by Cruikshank and Leech.

BARHAM, Richard Harris Dalton.—The Life and Remains of Theodore Edward Hook. By the Rev. R. H. Dalton Barham, . . . London: Richard Bentley, . . . 1849. Crown 8vo, two volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

First edition. Portraits by G. Cook after Bennett and W. Greatbatch after E. W. Eddis, and a full-page woodcut.

BARHAM, Richard Harris Dalton.—The Life and Letters of the Rev. Richard Harris Barham, author of The Ingoldsby Legends: with a selection from his Miscellaneous Poems. By his Son. London: Richard Bentley . . . 1870. Crown 8vo, two volumes, half red morocco, gilt back, gilt top, uncut edges.

Portrait by J. Brown after R. J. Lane.

BARKER, Edmund Henry.—Literary Anecdotes and contemporary reminiscences, of Professor Porson and others: from the manuscript papers of the late E. H. Barker . . . London: Printed and Published by J. R. Smith, . . . 1852. 8vo, two volumes, cloth, uncut edges.

Autograph of the author and numerous plates inserted.

BARLAAM AND JOSAPHAT   English Lives of Buddha   Edited and Induced by Joseph Jacobs   London. M DCCC XCVI. Published by David Nutt, . . . Royal 8vo, half vellum, uncut edges.

Frontispiece by H. Ryland in two states, black and bistre. No. 22 of sixty large paper copies printed.

BARLOW, Joel.—The Columbiad, a Poem. By Joel Barlow   Printed by Fry and Kammerer for C. and A. Conrad and Co . . . Philadelphia, 1807. 4to, red levant morocco, gilt back and side panels, gilt top, uncut edges, by Zaehnsdorf.

Portrait and eleven copper-plate engravings by A. Smith, etc., after Fulton and Smirke, some of the plates in four states, proofs both on India and plate paper, before and after letters, and in addition sixteen inserted plates, four being first proofs by W. Blake, portrait of Louis XVI by Bartolozzi, the Burning of New York, and others of the series by Barbier, and five portraits of Washington, including that of Roger after Tardieu.

BARRÈRE, A.—Argot and Slang   A new French and English dictionary of the cant words, quaint expressions, slang terms and flash phrases used in high and low life of old and new Paris by A. Barrère . . . with a frontis-piece drawn by Godefroy Durand   London   privately printed at the Chiswick Press by C. Whittingham and Co   1887. 4to, boards, uncut edges.

BARRY, Alfred.—The Life and Works of Sir Charles Barry, . . . By Rev. Alfred Barry, . . . London: John Murray, . . . 1867. . . . 8vo, cloth, uncut edges.

Portrait on steel, and thirty-nine woodcut illustrations.

BARYE, Antoine Louis.—Catalogue of the Works of Antoine-Louis Barye exhibited at the American Art Galleries, . . . New York under the auspices of the Barye Monument Association also of paintings by J. F. Millet, Th. Rousseau &c. . . . his contemporaries and friends for the benefit of the Barye Monument Fund November 15th, 1889, to January 15th, 1890 . . . [New York, 1890]. 4to, boards, uncut edges.

Limited edition, with portrait after F. Millet and facsimile.

BASILE, Giovanni Battista.—Il Pentamerone; or The Tale of Tales. Being a translation by the late Sir Richard Burton, . . . of Il Pentamerone; Overo lo Cunto de li Cunte, trattenemiento de li Peccerille, of Giovanni Battista Basile, Count of Torone (Gian Alessio Abbattutis). . . . London: Henry and Co., . . . 1893. Royal 8vo, two volumes, cloth, uncut edges.

No. 23 of one hundred and sixty-five large paper copies printed.

BATE, Henry.—The Rival Candidates: a comic opera In Two Acts; as it is now performing at the Theatre Royal in Drury-Lane. By the Rev. Henry Bate. London: Printed: Sold by T. Becket, . . . and by W. Griffin, . . . M,DCC,LXXV. 8vo, morocco, gilt edges, by The Club Bindery.

First edition. Dedicated to Mrs. Garrick.

BATTY, Robert.—French Scenery from Drawings made in 1819 by Captain Batty . . . London . . . Rodwell & Martin . . . MDCCCXXII. Folio, green morocco, gilt back and side panels, gilt edges, by Matthews.

Large paper copy, with the sixty-four plates in two states, engraver's etchings and finished plates, proofs on India paper before letters.

BATTY, Robert.—Scenery of the Rhine, Belgium and Holland, from Drawings by Captn. Batty . . . London. Robert Jennings 1826. Folio, purple morocco, gilt back and sides (with arms).

Large paper copy. Sixty large plates and two vignettes engraved by Goodall, Le Keux, Heath, Finden, J. Landseer, Woolnoth, etc., each plate in two states, the engraver's etching and finished proof, each on India paper.

The text is in English and French.

BATTY, Robert.—Scenery of the Rhine, Belgium and Holland, 1826. Folio, green morocco, gilt back and side panels, gilt edges, by Matthews.

Another copy printed on large paper, with the sixty plates and two vignettes, proofs on India paper in two states, the engraver's etching and the finished plate before letters.

BATTY, Robert.—Select Views of some of the principal Cities of Europe. From original paintings by Lieut. Coll Batty. F.R.S. With Illustrative Notices   London: Moon, Boys, and Graves . . . 1832. Royal folio, red morocco, back and sides heavily tooled, crest and shield in the centre, gilt edges.

Large paper copy, with the thirty-five plates each in two states, unfinished and finished proofs on India paper; an outline plate, with references to each.

BEAMES, Thomas.—The Rookeries of London: Past, Present, and Prospective. By Thomas Beames . . . London: Thomas Bosworth . . . m.dccc.l. 12mo, half green levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

Woodcut illustrations.

BEARDSLEY, Aubrey.—The Early Work of Aubrey Beardsley with a prefatory note by H. C. Marillier. John Lane. . . . London and New York. M DCCC XCIX. Royal 4to, decorated buckram, gilt top, uncut edges.

One hundred and twenty copies printed on Japanese vellum, with two portraits and one hundred and fifty-five other illustrations.

BEATTIE, James.—Original Poems and Translations. By James Beattie, A.M. London: Printed; and sold by A. Millar . . . M DCC LX. 8vo, red levant morocco, gilt back and sides (original gilt edges), by The Club Bindery.

First edition. Presentation copy on thick paper, from the author.

BEATTIE, James.—The Minstrel; or, the Progress of Genius: in two books. With some other poems. By James Beattie . . . London: printed by T. Gillet, for C. Dilly . . . MDCCXCVII. Post 8vo, half red levant morocco, gilt back, gilt top, uncut edges.

Four plates engraved by Fittler, Neagle, and Heath, after the designs of Burney.

BEATTIE, James.—The Minstrel: or, the Progress of Genius. With some other poems. By James Beattie, LL.D. A new edition, to which are prefixed, Memoirs of the Life of the Author. By Alex. Chalmers, . . . London: printed for J. Mawman, . . . by T. Bensley, . . . 1806. 12mo, half orange levant morocco, gilt back, gilt top, uncut edges.

Portrait by J. Heath, and four plates by Heath, Fittler, and Neagle, after E. F. Burney.

BEATTIE, James.—The Minstrel; or, the Progress of Genius: in two parts. With Some Other Poems. By James Beattie, LL.D. With designs by Mr. Thurston: and engraved on wood by Mr. Clennel. Alnwick: Printed by Catnach and Davison . . . 1807. 4to, light brown levant morocco, gilt back, side corners, gilt top, uncut edges, by The Club Bindery.

Large paper copy, with five portraits of Beattie inserted, and numerous other illustrations by Westall, etc., including proofs in two, three, and four states.

BEATTIE, James.—The Poetical Works of James Beattie [with a Memoir by the Rev. Alexander Dyce, and a portrait of Beattie.] London William Pickering 1831. Foolscap 8vo, cloth, uncut edges.

BEATTY, Charles.—The Journal of a Two Months Tour; with a view of Promoting Religion among the Frontier Inhabitants of Pennsylvania, and of Introducing Christianity among the Indians to the Westward of the Alegh-geny Mountains. To which are added, Remarks on the Language and Customs of some particular Tribes among the Indians, with a brief Account of the various Attempts that have been made to civilize and convert them, from the first Settlement of New England to this Day; By Charles Beatty . . . London: Printed for William Davenhill . . . M DCC LXVIII. 8vo, blue levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

BEAUTY: or the Art of Charming. A Poem . . . London: Printed for Lawton Gilliver . . . MDCCXXXV. Folio, red levant morocco, by The Club Bindery. Bound with ten other works.

BEAUTY: or the Art of Charming. 1735. Folio, red morocco, uncut edges, by The Club Bindery. Bound with James Bramston's "Man of Taste," 1733.

Another copy, uncut.

BECKER, W. A.—Gallus: or Roman Scenes of the Time of Augustus; with notes and excursuses illustrative of the manners and customs of the Romans. By Professor W. A. Becker. Translated by the Rev. Frederick Metcalfe. London: John W. Parker . . . M DCCC XLIV. Crown 8vo, cloth, uncut edges.

Two folded plates, coloured.

BECKER, W. A.—Charicles. Illustrations of the Private Life of the Ancient Greeks with notes and excursuses. From the German of Professor Becker. A new edition collated and enlarged. London   John W Parker and Son . . . 1854. Crown 8vo, cloth, uncut edges.

BECKFORD, William.—An Arabian Tale, [Vathek] from an unpublished manuscript: with Notes critical and explanatory. London: Printed for J. Johnson, . . . MDCCLXXXVI. 8vo, citron levant morocco, gilt back, gilt edges, by Holloway.

Large paper copy of the first edition in English, with portrait and two plates inserted, all proofs.

The notes are by Mr. Henley.

BECKFORD, William.—Vathek. A Londres: chez Clarke . . . 1815. 8vo, blue levant morocco, gilt back, gilt top, uncut edges, by Cuzin.

Large paper copy, with a vignette "eye and turban" on the title-page, and three inserted plates by Isaac Taylor, Westall and Heim, proofs on India paper.

The first English edition in the French language. Originally written in French, the editions printed in Paris and Lausanne became so scarce that the author consented to this publication of the first text.

BECKFORD and JOHNSON.—The History of the Caliph Vathek By William Beckford, . . . With Preface and Notes, Critical and Explanatory also Rasselas Prince of Abyssinia By Samuel Johnson, . . . With Four Etchings and Portrait of Beckford by A. H. Tourrier Etched by Damman. London   J. C. Nimmo and Bain . . . 1883. 8vo, two works in one volume, cloth, uncut edges.

No. 71 of one hundred and fifty large paper copies printed, with proof etchings on Japan paper.

BECKFORD, William.—Biographical Memoirs of Extraordinary Painters. By the author of "Vathek" A new Edition. London: Richard Bentley . . . 1834. 12mo, half green morocco, gilt back, gilt top, uncut edges, by C. Lewis.

Engraved frontispiece.

BECKFORD, William.—Italy; with sketches of Spain and Portugal. By the author of "Vathek." London: Richard Bentley, . . . 1834. 8vo, two volumes, half brown levant morocco, gilt back, gilt top, uncut edges.

First edition.

BECKFORD, William.—Italy; with sketches of Spain and Portugal. By the author of "Vathek." Third edition. London: Richard Bentley, . . . 1835. 8vo, two volumes, original boards, uncut edges.

Presentation copy from the author.

BECKWITH, Arthur.—Majolica and Fayence: Italian, Sicilian, Majorcan, Hispano-Moresque and Persian. By Arthur Beckwith. With photo-engraved illustrations. New York: D. Appleton and Company, . . . 1877. 12mo, cloth.

BEDDOES, Thomas Lovell.—The Brides' Tragedy. By Thomas Lovell Beddoes of Pembroke College, Oxford. London: Printed for F. C. & J. Rivington . . . 1822. 8vo, calf, gilt back, gilt edges, by Rivière.

First edition. A1-A4, and B-K1 in eights, title on A1.

BEDDOES, Thomas Lovell.—The Poems posthumous and collected of Thomas Lovell Beddoes. London   William Pickering   1851. Small 8vo, two volumes, red levant morocco, gilt back, gilt over uncut edges, by David.

A Memoir of one hundred and thirty pages, signed "B," prefaces the first volume.

BEDFORD, Arthur.—The Great Abuse of Musick. In Two Parts. Containing An Account of the Use and Design of Musick among the Antient Jews, Greeks, Romans, and others; with their Concern for, and Care to prevent the Abuse thereof. And also An Account of the Immorality and Profaneness, which is occasioned by the Corruption of that most Noble Science in the Present Age. By Arthur Bedford, . . . London: Printed by J. H. for John Wyatt, . . . 1711. 8vo, blue morocco, gilt back, sides elaborately tooled in gold, heightened with colours to the "cottage" pattern, gilt edges, by Mearne.

BELCHER, Sir Edward.—The Last of the Arctic Voyages; being a narrative of the Expedition in H. M. S. Assistance, under the command of Captain Sir Edward Belcher, C. B., in search of Sir John Franklin, during the years 1852-53-54. With notes on the natural history, by Sir John Richardson, Professor Owen, Thomas Bell, J. W. Salter, and Lovell Reeve. . . . London: Lovell Reeve, . . . 1855. Royal 8vo, two volumes, half red morocco, gilt back, gilt top, uncut edges.

Four charts, thirty-six plates, many of them coloured, and twenty-five wood-engravings.

BELL, Sir Charles.—The Anatomy and Philosophy of Expression as connected by the Fine Arts. By Sir Charles Bell . . . Third edition, enlarged. London: John Murray . . . M.DCCC.XLIV. Imperial 8vo, half blue levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Forty-five engravings by Scriven, etc., after the designs of the author.

BELL, Sir Charles.—The Hand its mechanism and vital endowments as evincing design by Sir Charles Bell K.G.H. . . . [Fourth edition] London    William Pickering   1837. 8vo, cloth, uncut edges.

Bridgewater Treatise No. 4. Woodcuts.

BELL, Thomas.—A History of British Quadrupeds, including the Cetacea. By Thomas Bell, . . . Illustrated by nearly 200 woodcuts. London: John Van Voorst, . . . M.DCCC.XXXVII. Imperial 8vo, cloth, uncut edges.

Large paper copy.

BELL, Thomas.—A History of British Reptiles. By Thomas Bell, . . . [vignette] Illustrated by more than forty woodcuts. London: John Van Voorst, . . . M.DCCC.XXXIX. Imperial 8vo, cloth, uncut edges.

Large paper copy.

BELOE, William.—Anecdotes of Literature and Scarce Books. By the Rev. William Beloe . . . London: printed for F. C. and J. Rivington . . . 1807-'8-'10-'11-'12. 8vo, six volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Pratt.

BELOE, William.—The Sexagenarian; or, the Recollections of a Literary Life . . . Second edition. London: printed for F. C. and J. Rivington . . . 1818. 8vo, two volumes, half russia, uncut edges.

A manuscript key to the characters is inserted.

BENJAMIN, Park.—See Holmes, O. W. The Harbinger.

BENTLEY BALLADS.—The Bentley Ballads, comprising the Tipperary Hall Ballads, now first republished from "Bentley's Miscellany," (1846). With preface and notes biographical and critical by John Sheehan, . . . An entirely New Edition. London: Richard Bentley, . . . 1869. Crown 8vo, half red levant morocco, gilt back, gilt top, uncut edges, by Pratt.

Frontispiece-title by J. Brown after G. Cruikshank.

BEOWULF.—The Anglo-Saxon Poems of Beowulf the Travellers Song and the Battle of Finnesburh edited by John M. Kemble . . . [also] a Translation . . . with a copious Glossary Preface and philological notes by John M. Kemble . . . London   William Pickering   1835-7. Foolscap 8vo, two volumes, cloth, uncut edges.

BÉRANGER, P. J. de.—Songs of Beranger translated by the author of the "Exile of Idria" etc. [J. C. H. Bourne] With a sketch of the Life of Béranger up to the present time   London   William Pickering   1837. Post 8vo, cloth, uncut edges.

Presentation copy from the translator to Thomas Campbell.

BERINGTON, Joseph.—The History of the Lives of Abeillard and Heloisa; comprising a period of eighty-four years, From 1079 to 1163. With their genuine Letters, from the collection of Amboise. . . . By the Rev. Joseph Berington. Birmingham: printed by M. Swinney; for G. G. J. Robinson, . . . and R. Faulder, . . . m.dcc.lxxxvii. 4to, calf, gilt back.

BERRY, Mary.—Extracts from the Journals and Correspondence of Miss Berry from the year 1783 to 1852. Edited by Lady Theresa Lewis. Second Edition. London: Longmans, Green, and Co . . . 1866. 8vo, three volumes, cloth, uncut edges.

Three frontispiece portraits and a view of the Berry residence, engraved on steel.

BEST, Thomas.—A Concise Treatise on the Art of Angling, confirmed by actual experience, and minute observations. With the proper Methods for Breeding and Feeding Fish, and of making Fish-Ponds, Stews, &c. with several Arcana, never before made Public. To which is added The Complete Fly-Fisher; the Game-Laws relative to Angling: and Prognostics of the Weather, independent of the Barometer. By Thomas Best. . . . The Fourth Edition, corrected and improved. London: Printed for B. Crosby . . . 1798. 12mo, half brown levant morocco, gilt top, uncut edges, by Rivière.

Frontispiece engraved by Wooding.

BEST, W. T.—Eighty Chorales Newly Harmonized in Four Parts, with Organ Accompaniment, by W. T. Best. . . . London: J. Alfred Novello, . . . [n. d.] Oblong 4to, cloth.

BEVERLEY, Robert.—The History and Preſent State of Virginia, In Four Parts. I. The History of the Firſt Settlement of Virginia, and the Government thereof, to the preſent Time. II. The Natural Productions of Conveniences of the Country, ſuited to Trade and Improvement. III. The Native Indians, their Religion, Laws, and Cuſtoms, in War and Peace. IV. The preſent State of the Country, as to the Polity of the Government, and the Improvements of the Land. By a Native and Inhabitant of the Place. London: Printed for R. Parker, . . . M DCC V. 8vo, brown levant morocco, gilt back, side border, gilt edges, by The Club Bindery.

First edition: dedicated to Robert Harley, Speaker of the House of Commons, and "One of Her Majeſty's Principal Secretaries of State."

Frontispiece and fourteen plates by Gribelin, reduced from originals by De Bry in Hariot's Virginia, and a folded table at the end. Each of the four parts has separate pagination.

BEVERLEY, Robert.—The History of Virginia, In Four Parts. I. The History of the First Settlement of Virginia, and the Government thereof, to the Year 1706. II. The natural Productions and Conveniences of the Country, suited to Trade and Improvement. III. The Native Indians, their Religion, Laws, and Customs, in War and Peace. IV. The Present State of the Country, as to the Polity of the Government, and the Improvements of the Land, the 10th. of June 1720. By a Native and Inhabitant of the Place. The Second Edition revis'd and enlarg'd by the Author. London: F. Fayram and J. Clarke . . . and T. Bickerton . . . 1722. 8vo, green straight-grain morocco, gilt back, gilt top, uncut edges, by Bedford.

Frontispiece and fourteen plates by Gribelin, as in the first edition. The pagination of the four parts is continuous.

BEWICK, Thomas.—A General History of Quadrupeds. The figures engraved on wood by T. Bewick, [wood cut]   Newcastle upon Tyne: printed by and for S. Hodgson, B. Beilby, & T. Bewick . . . 1790. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by David.

First edition. One hundred and eighty-six cuts of animals and numerous tail-pieces. Four hundred and fifty-six pages, the last two leaves Addenda, "The American Elk," with cut, and "Wild Cattle," with tail-piece.

BEWICK, Thomas.—A General History of Quadrupeds. 1790. Royal 8vo, citron levant morocco, uncut edges, by The Club Bindery.

Another copy, printed on large paper, and formerly owned by Marmaduke Tunstall, who commissioned Bewick to make the famous woodcut of the Chillingham Bull. Tunstall has pencilled notes on several pages.

BEWICK, Thomas.—A General History of Quadrupeds. The figures engraved on wood by T. Bewick. The second edition. [cut] Newcastle upon Tyne: printed by and for S. Hodgson, R. Beilby, & T. Bewick, . . . 1791. [Price nine shillings in boards.] 8vo, light brown levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Thick paper copy. 483 pages instead of 456, as in the first edition, and no Addenda. "The American Elk" in the Addenda of the first edition is incorporated in the text, and "Wild Cattle" is omitted. Fourteen varieties of Bat are added, with three cuts, and two tail-pieces, the second the same as the last of the first edition.

BEWICK, Thomas.—A General History of Quadrupeds. The figures engraved on wood by T. Bewick. The third edition. [cut] Newcastle upon Tyne: printed by and for S. Hodgson, R. Beilby, & T. Bewick. . . . 1792. . . . 8vo, citron levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

BEWICK, Thomas.—A general History of Quadrupeds. The figures engraved on wood by T. Bewick. The fourth edition. Newcastle upon Tyne: printed by and for S. Hodgson, R. Beilby, and T. Bewick, . . . 1800. Price 15s. Royal 8vo, green levant morocco, gilt back, side borders, gilt top, uncut edges, by L. Broga.

Large paper copy.

BEWICK, Thomas.—A General History of Quadrupeds. The figures engraved on wood by Thomas Bewick. The fifth edition. Newcastle-upon-Tyne: printed by Edward Walker . . . 1807. Imperial 8vo, green levant morocco, gilt back and side panels after the manner of Roger Payne, gilt edges, by Bedford.

Imperial paper copy with the following plates inserted: A print from the last work of Bewick, the unfinished block "Waiting for Death," with the original wrapper and printed description, the large print of Kyloe Ox, unique impressions of the Chillingham Bull cut on India paper and three other states, portrait of Bewick by Meyer after Ramsay, facsimile letter and a drawing.

BEWICK, Thomas.—A General History of Quadrupeds. 1807. Imperial 8vo, half russia, uncut edges.

Another copy on largest and thick paper.

BEWICK, Thomas.—A General History of Quadrupeds. The figures engraved on wood by Thomas Bewick. The seventh edition. Newcastle upon Tyne: printed by Edw. Walker, for T. Bewick . . . 1820. 4to, red levant morocco, Janseniste, gilt over uncut edges, by Marius Michel.

Large paper copy, with portrait of Bewick, proof on India paper before letters.

BEWICK, Thomas.—(I.) History of British Birds. The figures engraved on wood by T. Bewick. Vol. I. containing the History and Description of Land Birds. [cut] Newcastle: printed by Sol. Hodgson, for Beilby & Bewick:. . . [Price 13s. in Boards.] 1797. (II.) History of British Birds. The figures engraved on wood by T. Bewick. Vol. II. containing the History and Description of Water Birds. [cut] Newcastle: printed by Edward Walker, for T. Bewick: . . . [Price 15s. in Boards.] 1804. 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First issue of the first edition, with the misprint above the date, "13s in Boards" instead of "15s" as in Volume II. The last page of Volume I contains an advertisement of the third edition of "A General History of Quadrupeds," 1792, "Lately was published," etc. In some issues of this edition the last page is blank, in some the fourth edition of "Quadrupeds" is advertised.

BEWICK, Thomas.—History of British Birds. 1797-1804. Royal 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by David.

Another copy of the first issue, printed on large and thick paper, with inserted portrait of Bewick by Summerfield after Murphy.

Bound at the end of Volume II is the Supplement, 1821, also printed on large and thick paper.

BEWICK, Thomas.—History of British Birds. 1797-1804. 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Second issue of the first edition, printed upon thick paper. The misprint "13s" above the date is corrected to "15s," and Volume II is priced 18s. The last page of Volume I contains an advertisement of the fourth edition of "A General History of Quadrupeds," 1800, "In the Preſs, and ſpeedily will be publiſhed," etc.

BEWICK, Thomas.—A History of British Birds. The figures engraved on wood by T. Bewick . . . containing the History and Description of Land [and Water] Birds Newcastle . . . Edward Walker . . . 1805. Royal 8vo, two volumes, green levant morocco, gilt back and side panels in the manner of Roger Payne, gilt edges with many rough leaves, by Bedford.

Large paper copy of the second edition, with inserted portrait engraved by T. Ranson after a painting by W. Nicholson.

BEWICK, Thomas.—A History of British Birds. 1805. Imperial 8vo, two volumes, red levant morocco, gilt back, side corners, gilt top, uncut edges, by Bedford.

Another copy, uncut, printed upon largest paper.

BEWICK, Thomas.—A Supplement to the History of British Birds. The figures engraved on wood by T. Bewick. Part I. containing the history and description of land birds. [Part II. containing the history and description of water birds.] [cut] Newcastle: printed by Edward Walker, . . . for T. Bewick . . . 1821. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Thick paper copy of the first edition, with final leaf of advertisement of "History of Quadrupeds" and "Fables of Æsop."

BEWICK, Thomas.—A Supplement to the History of British Birds. 1821. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Another copy, printed upon somewhat thinner paper.

BEWICK, Thomas.—A Supplement to the History of British Birds. 1821. Royal 8vo, bound with Volume II of "British Birds," on page 47.

Another copy, printed upon large paper.

BEWICK, Thomas.—Select Fables: with cuts, designed and engraved by Thomas and John Bewick, and others, previous to the year 1784: together with a Memoir; and a descriptive Catalogue of the Works of Messrs. Bewick. Newcastle: printed by S. Hodgson . . . M.DCCC.XX. Royal 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Matthews.

Large paper copy, with a portrait of Thomas Bewick, proof on India paper.

BEWICK, Thomas.—Select Fables; 1820. Imperial 8vo, green levant morocco, gilt back and side panels in the manner of Roger Payne, gilt edges, by Bedford.

Another copy, printed upon largest paper, with proof portrait of Bewick added.

BEWICK, William.—See Landseer, Thomas.

BIBLIOGRAPHICA   Volume I   [23 plates] London: Kegan Paul, Trench, Trübner & Co. . . . 1895. Imperial 8vo, four parts, paper, uncut edges.

BICKERDYKE, John.—The Book of the All-Round Angler. A comprehensive treatise on angling in both fresh and salt water. By John Bickerdyke. With over 150 engravings. London: L. Upcott Gill . . . 1888. 8vo, half brown Roxburghe morocco, gilt top, uncut edges.

Large paper copy, two hundred and one printed.

BICKERSTAFFE, Isaac.—The Romp. A musical entertainment in two acts. Altered from Love in the City, By Mr. Bickerstaff. As it has been acted at The Theatres Royal in Dublin and York, and now performed at the Theatre-Royal in Drury-Lane. London: Printed for W. Lowndes, . . . and J. Barker, . . . 1786. [Price One Shilling.] 8vo, half blue levant morocco, gilt top, uncut edges.

First edition. A-D in fours, title on A1. Portrait of Dora Jordan in the character of Priscilla Tomboy, engraved by Angus after a drawing from life by Stothard.

"Love in a City" was printed in 8vo, 1767.

BIERSTADT, Oscar A.—The Library of Robert Hoe   a contribution to the history of Bibliophilism in America by O. A. Bierstadt . . . with one hundred and ten illustrations taken from manuscripts in the collection. New York   Duprat & Co, . . . 1895. 8vo, citron levant morocco, back and sides elaborately tooled in fleurs-de-lys ornaments, etc., gilt top, uncut edges, by The Club Bindery.

No. 322 of three hundred and fifty copies printed on Japan paper. Extra plates and facsimiles added.

BIERSTADT, Oscar A.—The Library of Robert Hoe. 1895. 8vo, green levant morocco, back and sides richly tooled, an original design with monogram, doubled with red morocco, floral border, gilt top, uncut edges, by The Club Bindery.

Another copy. No. 100 of three hundred and fifty printed on Japan paper.

BIGELOW, John.—Some Recollections of the late Edouard Laboulaye by John Bigelow   Privately printed   [New York, 1889]. 16mo, cloth, uncut edges.

Presentation copy from the author.

BIJOU.—The Bijou; or Annual of Literature and the Arts. London William Pickering, . . . 1828—MDCCCXXIX   MDCCCXXX. Post 8vo, three volumes, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Proof copies, with the plates on India paper. See Cameo.

BINNS, R. W.—A Century of Potting in the City of Worcester   being the history of the Royal Porcelain Works, from 1751 to 1851, to which is added   A short account of the Celtic, Roman, and Mediæval Pottery of Worcester. By R. W. Binns, . . . second edition. Illustrated. London: Bernard Quaritch, . . . MDCCCLXXVII. 8vo, half olive morocco, gilt top, uncut edges.

BINNY, John.—See Mayhew and Binny.

BIOGRAPHICAL MIRROR.—The Biographical Mirrour, comprising a series of ancient and modern English Portraits, of eminent and distinguished persons, from original pictures and drawings. [vignette] London: Published by S. and E. Harding, . . . 1795-98. 4to, three volumes in one, half russia, gilt back, gilt top, uncut edges.

One hundred and fifty-one portraits. Volume III was printed for Silvester Harding, n. d.

BIRCH, Jonathan.—Fifty-One Original Fables, with Morals and Ethical Index, written by J. C. [Job Crithannoh, anagram of Jonathan Birch] Embellished with eighty-five Original designs by R. Cruikshank, engraved on wood by Slader, D. Dodd, S. Williams, Bonner, and others. Also a Translation of Plutarch's Banquet of the Seven Ages, revised for this work   London: printed for Hamilton, Adams and Co. . . . M.DCCC.XXXIII. 8vo, blue levant morocco, Janseniste, gilt edges, by Louise Reymann.

BIRCH, Samuel.—History of Ancient Pottery. By Samuel Birch . . . Egyptian, Assyrian, and Greek [Etruscan and Roman]   Illustrated with coloured plates [12] and numerous engravings [207]   London: John Murray . . . 1858. 8vo, two volumes, cloth.

Autograph letter of the author inserted.

BIRCH, Samuel.—History of Ancient Pottery, Egyptian, Assyrian, Greek, Etruscan, and Roman. By Samuel Birch, . . . new and revised edition. With coloured plates and woodcuts. London: John Murray, . . . 1873. 8vo, cloth, uncut edges.

BIRCH, Walter de Gray.—The History, Art and Palæography of the manuscript styled the Utrecht Psalter: by Walter de Gray Birch, . . . [3 folded plates]   London: Samuel Bagster and Sons, . . . M.DCCC.LXXVI. 8vo, cloth.

BIRDWOOD, George C M.—The Industrial Arts of India. By George C. M. Birdwood, . . . with maps and woodcuts. . . . Published for the Committee of Council on Education by Chapman and Hall, . . . [1880]. Post 8vo, two volumes in one, cloth, uncut edges.

BIRRELL, Augustine.—Life of Charlotte Brontë by Augustine Birrell London   Walter Scott . . . 1887. Crown 8vo, cloth, gilt top, uncut edges.

BLACK, Charles Christopher.—. . . Michael Angelo Buonarroti   Sculptor, Painter, Architect   the Story of his Life and Labours by Charles Christopher Black, . . . [20 plates] London   Macmillan and Co.   1875. Royal 8vo, decorated cloth, gilt edges.

BLACKBURN, Charles F.—Rambles in Books by Charles F. Blackburn [portrait] . . . London: Sampson Low Marston & Company . . . M DCCC XCIII. Post 8vo, cloth, gilt top, uncut edges.

No. 282 of five hundred copies printed.

BLACKER, William.—Blacker's Art of Fly Making, &c., comprising Angling & Dyeing of Colours, with engravings of Salmon & Trout Flies, shewing the process of the gentle craft as taught in the pages. With Descriptions of Flies for the Season of the Year as they come out on the water. Rewritten and revised by the author Blacker, himself, fishing tackle maker of 54 Dean St. Soho, London 1855. 18mo, green levant morocco, Janseniste, gilt top, uncut edges, by Trioullier.

Frontispiece, engraved title, seventeen coloured plates of artificial flies, and three plates of tackle.

BLACKIE, John Stuart.—On Self-Culture. Intellectual, Physical, and Moral . . . by John Stuart Blackie . . . Second edition. Edinburgh Edmonston and Douglas   1874. Post 8vo, cloth, uncut edges.

BLACKIE, John Stuart.—Life of Robert Burns by John Stuart Blackie London   Walter Scott . . . 1888. Crown 8vo, cloth, gilt top, uncut edges.

BLACKMORE, Richard D.—Lorna Doone: A Romance of Exmoor. By R. D. Blackmore, . . . London: Sampson Low, Son, & Marston, . . . 1869. . . . Crown 8vo, three volumes, blue cloth, uncut edges.

First edition. Blackmore's own copy.

BLADEN, Martin.—Solon: or, Philosophy No Defence againſt Love. A tragi-comedy. With the Maſque of Orpheus and Euridice. Written by Captain Martin Bladen. . . . London: Printed for R. Smith, . . . and ſold by J. Nutt . . . 1705. . . . 4to, blue morocco, gilt edges, by The Club Bindery.

Never acted, and printed without the author's knowledge.

BLADES, William.—The Life and Typography of William Caxton, England's first printer, with evidence of his typographical connection with Colard Mansion, the printer at Bruges. Compiled from original sources by William Blades. Published by Joseph Lilly . . . London 1861 [-1863]. 4to, two volumes, green levant morocco, gilt back, gilt edges, by Bedford.

Fifty-seven plates, specimens of Caxton's types, etc.

BLADES, William.—The Life and Typography of William Caxton. 1861-63. 4to, two volumes, half morocco, gilt top, uncut edges.

Another copy, with portrait and fifty-nine facsimile plates on India paper.

BLADES, William.—A List of Medals, Jettons, Tokens, &c. in connection with Printers and the Art of Printing by William Blades. London. 1869. Foolscap 8vo, cloth, uncut edges.

Ninety-three plates, including three double ones.

One of one hundred copies printed. Presentation copy from the author.

BLADES, William.—How to tell a Caxton with some hints where and how the same might be found. By William Blades, . . . [16 plates]   London: Henry Sotheran & Co., . . . 1870. Foolscap 8vo, boards, uncut edges.

BLADES, William.—The Enemies of Books. By William Blades, Typograph. . . . Trübner & Co., . . . 1880. Post 8vo, green levant morocco, gilt back, side corners, centre ornaments, gilt over uncut edges, by Katherine Adams.

Frontispiece portrait of John Bagford and six other plates.

BLADES, William.—The Pentateuch of Printing, with a Chapter on Judges. By William Blades. With a Memoir of the Author, and List of his Works, by Talbot B. Reed.   [59 illustrations]   London: Elliot Stock, . . . 1891. 4to, half brown morocco, gilt top, uncut edges.

Large paper copy.

BLAIR, Robert.—The Grave, a poem. By Robert Blair. Illustrated by Twelve Etchings executed [by Louis Schiavonetti] from Original Designs, [by William Blake]   London: printed by T. Bensley, . . . 1808. Folio, brown levant morocco, uncut edges, by The Club Bindery.

Proof copy of the first edition, most of which was printed in quarto. Besides the twelve designs are a portrait on India paper after T. Phillips, and an engraved title.

BLAIR, Robert.—The Grave, a poem. By Robert Blair. Illustrated by Twelve Etchings [by Lewis Schiavonetti] executed from original designs, [by William Blake]   To which is added a Life of the Author. [also Biographical Sketches of Schiavonneti and Robert Hartley Cromek.] London: printed by T. Bensley, . . . for the proprietor, R. Ackermann, . . . &c. . . . 1813. Royal 4to, half brown levant morocco, gilt back, gilt top, uncut edges, by Allo.

Portrait by Schiavonetti after T. Phillips.

BLAKE, William.—Songs of Innocence   1789   The Author & Printer W Blake   Post 8vo, light brown levant morocco, gilt and mosaic back, side borders in floral mosaic design of citron, blue and green morocco on a red ground, doubled with red morocco, corner ornaments in floral mosaic, gilt over uncut edges, by The Club Bindery.

Coloured by Blake and presented by him to his physician.

The plates are arranged as follows, by pages:

Page 1. Blank. 2. Frontispiece of Piper. 3. Title of "Songs of Innocence," as above. 4. Blank. 5. Introduction, "Piping down the valleys wild," etc. 6. Blank. 7. The Shepherd. 8. Infant Joy. 9-10. Cradle Song. 11. Laughing Song. 12-13. The Little Black Boy. 14. The Voice of the Ancient Bard. 15-16. The Ecchoing Green. 17. Nurses Song, "When the voices of children are heard on the green, And laughing is heard on the hill." 18. Holy Thursday, "'T was on a Holy Thursday." 19. On Anothers Sorrow. 20-21. Spring. 22. The School Boy. 23. A Dream. 24-25. The Little Girl Lost, "In Futurity I prophetic see." 25-26. The Little Girl Found, "All the night in woe." 27. The Blossom. 28. The Lamb. 29. The Little Boy lost. 30. The Little Boy found. 31-32. Night. 33. The Chimney Sweeper, "When my mother died," etc. 34. The Divine Image.

BLAKE, William.—Songs of Innocence. 1789. Post 8vo, original calf, gilt back, side borders, centre ornaments.

Another copy, also coloured by Blake, and more delicately than the preceding, pale green and blue predominating.

The plates are the same as in the preceding copy. On the basis of the numbers in that copy, their arrangement is as follows: 1, 2, 3, 4, 5, 6, 7, 12-13, 14, 9-10, 27, 24-25, 25-26, 28, 17, 8, 19, 29, 30, 33, 20-21, 22, 11, 23, 18, 34, 15-16, 31-32.

John Linnell's copy.

BLAKE, William.—The Marriage of Heaven and Hell. [1790] Royal 8vo, Spanish calf, gilt back, side borders.

The arrangement is as follows, by pages:—

1. Title-page. 2. Blank. 3. The Argument. 4. Blank. 5. "As a new heaven is begun," with two drawings. 6. The voice of the Devil, with one drawing. 7-8. "Those who restrain desire," with one drawing. 8-9. A Memorable Fancy, "As I was walking among the fires of hell." 9-12. Proverbs of Hell, one drawing. 13. "The ancient Poets," etc., two drawings. 14-15. A Memorable Fancy, "The Prophets Isaiah and Ezekiel." 16. "The ancient tradition," etc., one drawing. 17. A Memorable Fancy, "I was in a Printing house in Hell," one drawing. 18-19. "The Giants who formed this world," one drawing. 19-22. A Memorable Fancy, "An Angel came to me," one drawing. 23-24. "I have always found," etc., one drawing. 24-26. A Memorable Fancy, "Once I saw a Devil," one drawing. 27-29. A Song of Liberty. 30. Blank.

BLAKE, William.—The Marriage of Heaven and Hell. 4to, half morocco, gilt top, uncut edges.

One hundred copies reproduced from the original in the collection of Lord Houghton.

BLAKE, William.—Songs of Experience   1794   The Author & Printer W Blake. Post 8vo, maroon straight-grain morocco, gilt back, side panels, corner ornaments, gilt edges.

The plates are arranged as follows, by leaves, the versos being blank:

1. Title-page. 2. Introduction. 3. Earth's Answer. 4. The Clod & the Pebble. 5. The Chimney Sweeper, "A little black thing among the snow." 6. A Poison Tree. 7. Infant Sorrow. 8. The Tyger. 9. The Fly. 10. The Sick Rose. 11. The Human Abstract. 12. A Little Girl Lost, "Children of the Future Age." 13-14. The Little Girl Lost, "In futurity I prophetic see" [found also in both copies of "Songs of Innocence"]. 14-15. The Little Girl Found, "All the night in woe" [found in "Songs of Innocence"]. 16. The Garden of Love. 17. The Angel. 18. My Pretty Rose Tree, Ah! Sunflower, and The Lilly. 19. A Little Boy Lost, "Nought loves another as itself." 20. To Tirzah. 21. London. 22. The Little Vagabond. 23. Holy Thursday, "Is this a holy thing to see." 24. Nurses Song, "when the voices of children are heard on the green, And whisperings are in the dale" [a different version from that in "Songs of Innocence"]. 25. The School Boy, "I love to rise in a summer morn."

BLAKE, William.—Songs of Innocence and Songs of Experience   by William Blake   London: R. Brimley Johnson. Guildford: A. C. Curtis. M DCCC I. Square 16mo, red levant morocco, side border of mosaic in green and blue morocco, doubled with red morocco, wide floral borders of gilt and green mosaic, the intervals filled with dots, vellum guards, gauffred gilt top, uncut edges, by the Guild of Women-Binders.

Aquatint frontispiece after Blake.

BLAKE, William.—Songs of Innocence and Experience with other poems   By W Blake   London   Basil Montagu Pickering . . . 1866   Foolscap 8vo, cloth, uncut edges.

First issue, printed without the name of the Editor, Richard Herne Shepherd. Fifty copies were printed containing the cancelled lines on pages 89 and 100, where the asterisks occur in this copy.

"Long John Brown and Little Mary Bell" is here printed for the first time. It was omitted in the Appendix to Gilchrist's "Life of Blake," for the reasons stated there.

The present copy was the Editor's, and contains the substance of the preceding notes, in his handwriting.

BLAKE, William.—Milton, a Poem in 12 Books. The Author & Printer W. Blake   1804. To Justify the Ways of God to Men. 4to, original calf binding.

Forty-five pages, ten being entirely illustration, thirteen partly so, and the rest in script text with background in many colours.

In all probability the best of three copies of this book known to exist, though it is said that Blake made twelve copies in all. The other known copies are in the British Museum and Lenox Library. Mr. Muir, who reproduced the copy in the British Museum, places this example as better than either of the others, the scheme of colour being more perfect.

BLAKE, William.—Illustrations of The Book of Job   Invented & Engraved by William Blake   1825   London   Published . . . March 8: 1825, by William Blake. . . . Folio, half red morocco, uncut edges, by The Club Bindery.

Large paper copy. Engraved title and twenty-one proof plates on India paper.

BLAKE, William.—Poetical Sketches   By William Blake now first reprinted from the original edition of 1783   edited and prefaced by Richard Herne Shepherd   London   Basil Montagu Pickering . . . 1868. Post 8vo, cloth, uncut edges.

BLAKE, William.—The Poems of William Blake   comprising Songs of Innocence and of Experience together with poetical sketches and some copyright poems not in any other edition   London   Basil Montagu Pickering . . . 1874. Post 8vo, cloth, uncut edges.

BLAKE, William.—Volume I. (I.) Number 31   Songs of Innocence. W. Blake    1789 [rep. 1885] (II.) Number 6. Songs of Experience. Wm Blake   1794 [rep. 1885] (III.) Number 33. The Book of Thel. Wm Blake   1789 [rep. 1885] (IV.) Number 35. Visions of the Daughters of Albion. W Blake 1793 [repr. 1885] (V.) Number 12. The Marriage of Heaven and Hell. Willm Blake. 1790 [rep. 1885]

Volume II. (I.) Copy No. 15. Milton, a poem in 2 books, By Wm. Blake, 1804, facsimiled at Edmonton, anno 1886, By Wm. Muir, J. D. Watts, H. T. Muir, and E. Druitt. For whom Bernard Quaritch, . . . is agent. (II.) No. 2. The Gates of Paradise, by Wm. Blake, Lambeth, 1793. Facsimiled at Edmonton, anno 1888, By Mary Hughes and Wm. Muir. Bernard Quaritch, . . . (III.) No. 5. The First Book of Urizen, by Wm. Blake, Lambeth, 1794. Facsimiled at Edmonton in 1888 by Wm. Muir, H. T. Muir, J. D. Watts, and A. F. Westcott, from the splendid original belonging to Mr. Macgeorge, of Glasgow. . . . Blake calls this the "First" Book, but he composed no Second. . . . Bernard Quaritch, . . . (IV.) Copy No. 1. There is no Natural Religion. By Wm. Blake. Facsimilied at Edmonton Anno 1886 by Wm. Muir, E. Druitt, H. T. Muir, and J. D. Watts. . . . 4to, two volumes, half green straight-grain morocco, uncut edges, with the original covers bound in, by The Club Bindery.

BLAKE, William.—Facsimile of what is believed to be the last replica of The Songs of Innocence and of Experience executed by William Blake With an Introduction   By Edwin J. Ellis . . . London   Bernard Quaritch, . . . 1893. Royal 4to, half brown morocco, uncut edges.

No. 28 of fifty copies in water-colours, on printed outlines, touched with gold, in exact imitation of Blake's own work.

BLAKE, William.—The Poems of William Blake edited by W. B. Yeats. London: Laurence & Bullen, . . . 1893. Post 8vo, half vellum, gilt top, uncut edges.

Portrait. No. 53 of two hundred copies printed on large paper.

BLAKE, William.—Selections from the Writings of William Blake with an introductory essay by Laurence Housman   London   C. Kegan Paul, Trench, Trübner & Co. Ltd.   MDCCCXCIII. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed, with a frontispiece.

BLAKE, William.—[Illustrations to Dante's "Inferno."] Oblong 4to, half cloth, gilt top.

Seven plates on India paper.

BLAKE, William.—See Blair, Robert.

BLAKEY, Robert, editor.—The Angler's Song Book. Compiled and Edited by Robert Blakey . . . London: George Cox . . . 1855. 8vo, green morocco, gilt back and side panels, gilt edges, by Matthews.

Presentation copy from the author to Octave Delepierre. Printed on paper of various colours and tints.

BLAKEY, Robert.—Historical Sketches of the Angling Literature of all Nations. By Robert Blakey . . . to which is added A Bibliography of English Writers on Angling   London: John Russell Smith . . . MDCCCLVI. 12mo, calf, gilt and inlaid back, gilt edges.

BLEECKER and FAUGERES.—The Posthumous Works of Ann Eliza Bleecker, in prose and verse. To which is added, A Collection of Essays, prose and poetical, by Margaretta V. Faugeres. New York: Printed by T. and J. Swords . . . 1793. 12mo, red calf, gilt back and sides, gilt edges, by Pratt.

Portrait by Tiebout.

BLENNERHASSETT, Lady.—Madame de Staël   her friends, and her influence in politics and literature. By Lady Blennerhassett. With a portrait of Madame de Staël. . . . London: Chapman and Hall . . . 1889. 8vo, three volumes, cloth, uncut edges.

A slightly abridged translation by J. E. Gordon Cumming.

"BLINKINSOP, VICESIMUS."—See Hook, Theodore.

BLOEMART, Abraham.—Twenty-five Etchings by Abraham Bloemart, original impressions, depicting Beggars, Soldiers, &c. 12mo, red morocco, gilt top, uncut edges, by Stikeman.

BLOODGOOD, S. DeWitt.—The Sexagenary: or, Reminiscences of the American Revolution. . . . Albany, . . . J. Munsell, . . . 1866. 8vo, half blue morocco, gilt top, uncut edges.

One of fifty copies printed upon large paper, with three inserted portraits.

BLOOMFIELD, Robert.—(I.) The Farmer's Boy; a rural poem. By Robert Bloomfield. . . . [vignette] London: printed for Vernor and Hood, . . . by T. Bensley, . . . MDCCC. (II.) Rural Tales, Ballads, and Songs: By Robert Bloomfield, . . . London: printed for Vernor and Hood, . . . and Longman and Rees, . . . By T. Bensley, . . . 1802. 4to, two works in one volume, green levant morocco, gilt back and sides, gilt edges, by Bedford.

First editions. In addition to the woodcuts by Bewick, over one hundred engravings have been inserted, including nine portraits of the author, also forty-five views and sixty miniature vignettes, for the greater part proofs on India paper.

BLOOMFIELD, Robert.—The Farmer's Boy. 1800. 4to, green levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

Another copy, with the title on India paper.

BLOOMFIELD, Robert.—The Farmer's Boy; a rural poem. By Robert Bloomfield. The fourteenth edition. London: printed for Longman . . . 1820. 12mo, half green levant morocco, gilt back, gilt top, uncut edges.

Nine woodcut illustrations by Bewick.

BLOOMFIELD, Robert.—May Day with the Muses. By Robert Bloomfield, . . . [vignette] London: printed for the author; and for Baldwin, Cradock, and Joy. 1822. 12mo, boards, uncut edges.

Eight woodcut vignettes.

BLOOMFIELD, Robert.—Poems by Robert Bloomfield, the Farmer's Boy. With thirteen illustrations, designed and drawn by T. Sidney Cooper, J. Callcott Horsley, J. Frederick Tayler, and Thomas Webster, . . . engraved by Thurston Thompson. London: John Van Voorst, . . . M DCCC XLV. Post 8vo, cloth, uncut edges.

BLUNDERELLA: or, the Impertinent. A tale. . . . To which is Added The Beau Monde, or, the Pleaſures of St. James's. A new ballad. To the Tune of, Oh! London, is a fine Town, &c. London: Printed for A. Dodd, . . . M DCCXXX. Folio, cloth, uncut edges, by The Club Bindery.

BLUNT, Wilfrid Scawen.—The Love Songs of Proteus with frontispiece by the author. London C. Kegan Paul & Co. . . . MDCCCLXXXI. Foolscap 8vo, cloth, uncut edges.

BLUNT, Wilfrid Scawen.—The Love Lyrics & Songs of Proteus by Wilfrid Scawen Blunt, with the Love Sonnets of Proteus by the same author. Now reprinted in their full text with many Sonnets omitted from the earlier editions   [Reeves & Turner]   London   MDCCCXCII. Small 4to, parchment covers, uncut edges.

Three hundred copies printed by William Morris at the Kelmscott Press.

BLUNT, Wilfrid Scawen.—In Vinculis. By Wilfrid Scawen Blunt. London Kegan Paul, Trench & Co. . . . MDCCCLXXXIX. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed, with etched portrait of the author, Japan proof.

BOADEN, FORSTER, and others.—(I.) An Inquiry into the Authenticity of various Pictures and Prints, which, from the decease of the poet to our own times, have been offered to the public as Portraits of Shakspeare: containing a careful examination of the evidence on which they claim to be received; by which the pretended portraits have been rejected, the genuine confirmed and established. Illustrated by accurate and finished engravings, by the ablest artists, from such originals as were of indisputable authority. By James Boaden, . . . London: printed for Robert Triphook, . . . 1824. (II.) A Few Remarks by Henry Rumsey Forster on the Chandos portrait of Shakspeare, recently purchased at Stowe, for the Right Hon. The Earl of Ellesmere. And a letter upon the Same, by H. Rodd. London: [No. 28 of] fifty copies printed for private distribution, 1849. (III.) On the Principal Portraits of Shakspeare. (From "Notes & Queries," April 23, 1864). By George Scharf. (IV.) An Inquiry into the History, Authenticity, and Characteristics of the Shakspere Portraits; the death mask   Martin Droeshout's engraving, the Chandos picture, the Janssen, and others of that period; together with the Stratford monument, Roubiliac's, and the one in Westminster Abbey. Royal 4to, four works in one volume (the last three inlaid to 4to), half red levant morocco, gilt back, gilt top, uncut edges, by Bradstreet's.

Large paper copy. Besides the seven portraits published with the first work, there are inserted five views, one facsimile, and ten other portraits, including those engraved by R. Cooper, Neagle, Scriven, J. Cochran, Lud. Du Guernier, W: Sharp, and W. Holl.

The second and fourth works contain woodcuts.

BOADEN, James.—The Life of Mrs. Jordan; including original private correspondence, and numerous anecdotes of her contemporaries. By James Boaden . . . London: Edward Bull . . . 1831. 8vo, two volumes, boards, uncut edges.

First edition. Portrait of Mrs. Jordan by Worthington after Romney, another (inserted) in the character of the Country Girl, and a facsimile.

BOCCACCIO, Giovanni.—The Decameron; or, ten days entertainment of Boccaccio. Translated from the Italian. To which are prefixed, Remarks on the life and writings of Boccaccio; and an advertisement, By the Author of Old Nick [Edward Dubois] . . . London: printed for . . . all Booksellers. 1845. 8vo, calf, gilt back, citron edges, by Bedford.

Portrait and ten plates by Stothard inserted.

BOCCACCIO, Giovanni.—The Decameron or Ten Days' Entertainment of Boccaccio. A revised translation, by W. K. Kelly. London: Henry G. Bohn . . . M DCCC LV. Post 8vo, half blue morocco, uncut edges.

Portrait of Boccaccio by Hinchliff after Van Dalen.

BOCCACCIO, Giovanni.—The Decameron of Giovanni Boccacci (Il Boccaccio) now first completely done into English Prose and Verse by John Payne . . . London: M DCCC LXXXVI: printed for the Villon Society by private subscription and for private circulation only, 4to, three volumes, vellum boards, gilt top, uncut edges.

Large paper copy, No. 23.

BOCCACCIO, Giovanni.—A translation of Giovanni Boccaccio's Life of Dante with an introduction and a note on the portraits of Dante by G. R. Carpenter. The Grolier Club of the City of New York   MDCCCC. 8vo, original boards, uncut edges.

Three hundred copies printed, with portrait of Dante, and folded plate of Florence.

BOCCACCIO, Giovanni.—A translation of Giovanni Boccaccio's Life of Dante. 1900. 8vo, brown levant morocco, rich gilt back and side borders, doubled with vellum, gilt borders, vellum guards, gilt over uncut edges, by The Club Bindery.

Another copy. One of three printed upon vellum.

BOHN, Henry G.—The Biography and Bibliography of Shakespeare. By Henry G. Bohn. [1863] 4to, red levant morocco, doubled with russia, russia guards, gilt top, uncut edges, by Zaehnsdorf.

Nineteen plates. Published by the Philobiblon Society, and dedicated to its members. The author's own copy.

BOHN, Henry G.—The Biography and Bibliography of Shakespeare. [1863] Small 4to, red levant morocco, back and sides blind tooled, gilt top, uncut edges, by Alfred Matthews.

Another copy.

BOHN, Henry G., editor.—A Dictionary of Quotations from the English Poets. By Henry G. Bohn, . . . London: printed for private distribution. 1867. 4to, red levant morocco, doubled with russia, russia guards, gilt top, uncut edges, by Zaehnsdorf.

BOOKBINDING.—A Collection of Facsimiles from examples of historic or artistic bookbinding, illustrating the history of binding as a branch of the decorative arts. [111 coloured plates] London: Bernard Quaritch, . . . 1889. Royal 8vo, half red straight-grain morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by Stikeman.

BOOKBINDING.—Catalogue raisonnée   Works on Bookbinding practical and historical   Examples of Bookbindings of the XVIth to XIXth centuries from the collection of Samuel Putnam Avery, A. M.   exhibited at Columbia University Library M DCCCC III [Compiled by Charles Alexander Nelson]   Privately printed   [at the De Vinne Press] New York   [1903]. 12mo, cloth, gilt top, uncut edges.

Frontispiece on Japan paper from a water-colour drawing and autograph note by Maurice Leloir.

One of one hundred copies printed for Mr. Avery, with Addenda and frontispiece not in the first edition. Presentation copy.

BOOK OF FUN.—The Book of Fun. London   J. Gilbert. 12mo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

This volume comprises: "The Illustrated English Grammar; or, Lindley Murray Simplified"; "The Comic Speaker"; "Illustrated Arithmetic; or, Cyphering made Comical"; and "The Comic History of Rome." Lithographic title-page, numerous woodcut illustrations, and the original cloth covers.

BOOK OF GEMS.—The Book of Gems. The Poets and Artists of Great Britain. Edited by S. C. Hall. London: Saunders and Otley . . . 1836-'7-'8. 8vo, three volumes, calf, gilt back and sides, gilt top, uncut edges, by Rivière.

First edition. One hundred and forty-nine vignette illustrations engraved on steel by Finden, Greatbach, Goodall, Cousins, etc., after the designs of Mulready, Eastlake, Lawrence, Etty, Prout, Beechey, Stanfield, Wilkie, Reynolds, Maclise, Turner, Stothard, Flaxman, Leslie, Constable, Gainsborough, Landseer, and others.

BOOSEY, Thomas.—Piscatorial Reminiscences and Gleanings by an Old Angler and Bibliopolist [T. Boosey]. To which is added a Catalogue of Books on Angling [by William Pickering]   London   William Pickering 1835. 16mo, cloth, uncut edges.

Frontispiece. The Catalogue of Books on Angling has a separate title, dated 1836.

BOOTH, Edwin.—Excerpts from the many good words uttered in honor of Edwin Booth   At the Supper given on Saturday Night, March 30, 1889, by Augustin Daly and A. M. Palmer. Printed for The Players. New York 1889. 4to, cloth, uncut edges.

BOOTH, Mary L.—History of the City of New York by Mary L. Booth . . . Illustrated . . . New York   W. R. C. Clark . . . 1867. Imperial 8vo, two volumes, boards, uncut edges.

First edition. No. 49 of one hundred large paper copies printed.

BORROW, George.—Faustus: his Life, Death, and Descent into Hell. Translated from the German. . . . London: W. Simpkin and R. Marshall. 1825. Post 8vo, half russia, gilt top, uncut edges.

First edition. Coloured frontispiece.

BORROW, George.—Romantic Ballads, translated from the Danish; and Miscellaneous Pieces; by George Borrow. Norwich: printed and published by S. Wilkin . . . 1826. 8vo, half red morocco, gilt top, uncut edges.

First edition. Original autograph poems of Borrow and Allan Cunningham inserted.

BORROW, George.—Targum. or Metrical Translations from thirty languages and dialects. By George Borrow . . . St. Petersburg. Printed by Schulz and Beneze. 1835. 8vo, blue levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George, translator.—The Talisman. From the Russian of Alexander Pushkin. With other Pieces. St. Petersburg. Printed by Schulz and Beneze. 1835. 8vo, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

BORROW, George, translator.—Embéo e Majaró Lucas. Broto-boro randado andré la chipe griega, acána chibado andré o Romanó, ó chipe es zincales de Sesé. El Evangelio segun S. Lucas, traducido al Romaní, ó dialecto de los Gitanos de España. 1837. 16mo, blue levant morocco, gilt back, gilt top, by Rivière.

First edition.

BORROW, George.—The Zincali; or, an account of the Gypsies of Spain. With an original collection of their songs and poetry, and a copious dictionary of their language. By George Borrow, . . . London: John Murray, . . . 1841. Crown 8vo, two volumes, cloth, uncut edges.

First edition.

BORROW, George.—The Bible in Spain; or, the journeys, adventures, and imprisonments of an Englishman, in an attempt to circulate the scriptures in the Peninsula. By George Borrow, . . . London: John Murray, . . . 1843. Crown 8vo, three volumes, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Lavengro; the Scholar—the Gypsy—the Priest. By George Borrow, . . . London: John Murray, . . . 1851. Crown 8vo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition. Portrait by W. Holl after H. W. Phillips.

BORROW, George.—The Romany Rye; a sequel to "Lavengro." By George Borrow, . . . London: John Murray, . . . 1857. . . . Crown 8vo, two volumes, maroon levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George, translator.—The Sleeping Bard; or Visions of the World, Death, and Hell, by Elis Wyn. Translated from the Cambrian British by George Borrow, . . . London: John Murray, . . . 1860. 8vo, brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Wild Wales: its people, language, and scenery. By George Borrow, . . . London: John Murray, . . . 1862. . . . Crown 8vo, three volumes, light brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BORROW, George.—Romano Lavo-Lil: Word-book of the Romany; or, English Gypsy Language. With many pieces in gypsy, illustrative of the way of speaking and thinking of the English gypsies; with specimens of their poetry, and an account of certain gypsyries or places inhabited by them, and of various things relating to gypsy life in England. By George Borrow, . . . London: John Murray, . . . 1874. Crown 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BOSWELL, James.—The Journal of a Tour to the Hebrides, with Samuel Johnson, L.L.D. By James Boswell, Esq. containing some Poetical Pieces by Dr Johnson, relative to the Tour, and never before published; a Series of his Conversation, Literary Anecdotes, and Opinions of Men and Books: with an Authentick Account of the Distresses and Escape of the Grandson of King James II, in the Year 1746   London: printed by Henry Baldwin, for Charles Dilly . . . M.DCC.LXXXV. 8vo, original russia binding, gilt back panels, edges entirely untrimmed.

Boswell's own copy, with manuscript corrections and additions in his autograph.

BOSWELL, James.—The Life of Samuel Johnson, LL.D. comprehending an account of his studies and numerous works, in chronological order; a series of his epistolary correspondence and conversations with many eminent persons; and various original pieces of his composition, never before published. The whole exhibiting a view of literature and literary men in Great-Britain, for near half a century, during which he flourished. . . . By James Boswell, Esq. . . . London: printed by Henry Baldwin, for Charles Dilly, . . . M DCC XCI. 4to, two volumes, blue levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition. Portrait by J. Heath after Sir Joshua Reynolds, to whom the work is dedicated. Inserted is an autograph letter from William Forbes to Miss Boswell.

BOSWELL, James.—The Life of Samuel Johnson, L.L.D.   By James Boswell, Esq.   Oxford, Published by Talboys and Wheeler; and William Pickering, London   M DCCC XXVI. Royal 8vo, four volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Bedford.

One of the fifty large paper copies. Portrait of Boswell by Worthington after Reynolds, proof on India paper, and a facsimile.

BOSWELL, James.—The Life of Samuel Johnson, 1826. Royal 8vo, four volumes, red levant morocco, gilt back, gilt over uncut edges, by Bedford.

Another copy. One of fifty printed on large paper, illustrated by the insertion of three hundred and fifty-eight engravings, comprising thirty-two portraits of Johnson. One hundred and twenty-five are either proofs on India paper or before letters. Two original drawings by Harding, etc., and fifteen views and facsimiles are among the illustrations.

BOSWELL, James.—The Life of Samuel Johnson, LL.D. including a Journal of his Tour to the Hebrides; by James Boswell, Esq.   To which are added, Anecdotes by Hawkins, Piozzi, Murphy, Tyers, Reynolds, Steevens, &c. and notes by various hands [also Johnsoniana]   London: John Murray . . . M DCCC XXXV. Foolscap 8vo, ten volumes, cloth, uncut edges.

Forty-five portraits, views, and facsimile autographs engraved on steel.

BOTTA, Anne Charlotte Lynch.—Memoirs of Anne C. L. Botta written by her friends with selections from her correspondence and from her writings in prose and poetry . . . [portrait]   New-York   J. Selwin Tait & Sons . . . m dccc xc iv. 12mo, cloth, gilt top, uncut edges.

BOURNELLE.—Annotations on the Tatler. Written in French By Monſieur Bournelle; and Tranſlated into Engliſh By Walter Wagſtaff, Eſq; Part I. . . . London: Printed for Bernard Lintott, . . . 1710. 12mo, half blue calf, uncut edges.

BOURRIENNE, Louis Antoine Fauvelet de.—Private Memoirs of Napoleon Bonaparte, during the periods of the Directory, the Consulate, and the Empire. By M. de Bourrienne, private secretary to the Emperor. . . . London: Henry Colburn and Richard Bentley, . . . 1830. 8vo, four volumes, blue morocco, gilt back, gilt edges.

BOUTERWEK, Frederick.—History of Spanish and Portuguese Literature. By Frederick Bouterwek . . . Translated from the Original German, by Thomasina Ross. . . . London: Boosey and Sons . . . 1823. 8vo, two volumes, half citron morocco, gilt back, gilt top, uncut edges.

BOWES, James L.—A Vindication of the Decorated Pottery of Japan. by James L. Bowes . . . [Liverpool]   Printed for private circulation. Not for sale. MDCCCXCI. 8vo, original boards.

Three plates, two printed in colours.

BOWLKER, Richard.—The Art of Angling Improved, in all its parts, Eſpecially Fly-fishing: containing A particular Account of the ſeveral Sorts of Freſh-Water Fish, with their moſt proper Baits. Also The Names, Colours, and Seaſons of all the moſt Uſeful Flies. With Directions for making each Fly Artificially In the moſt Exact manner, &c. The whole Interſpers'd with many Curious and Uncommon Obſervations. By Richard Bowlker. [Line from Martial] Worcester: Printed by M. Olivers, in High-Street. [1746]. 12mo, old sprinkled calf, gilt fillets.

First edition.

Collation: Title, A1 (verso blank). Dedication to Henry Arthur, Earl of Powis, and Baron Herbert of Cherbury, A2. Text, B1-N4 (verso blank) in fours. Pages 1-95.

BOWMAN and IRWIN.—Sherman and his Campaigns: a military biography. By Col. S. M. Bowman and Lt.-Col. R. B. Irwin. New York: Charles B. Richardson. . . . 1865. 8vo, half brown morocco, gilt back, gilt top, uncut edges, by Matthews.

Eight portraits and four maps.

BOWYER, William.—See Nichols, John.

BOYER, Abel.—Achilles: or, Iphigenia in Aulis. A Tragedy. as It is Acted at the Theatre Royal in Drury-lane. Written by Mr. Boyer. [Two lines from Horace] London. Printed for Tho. Bennet, at the Half-moon in St. Pauls Church-yard. 1700. 4to, half green calf.

First edition. A-G in fours, title on A1.

BOYER, Abel.—The Victim, or, Achilles and Iphigenia in Aulis: a Tragedy. As it was Acted at the Theatre-Royal, in Drury-Lane. Written by Mr. Boyer . . . The Second Edition. To which is added, An Advertisement about the late Irregular Reviving of this Tragedy; with a Copy of Verses to the Plagiary. London: Printed for James Knapton . . . MDCCXIV. 18mo, brown levant morocco, gilt back, gilt edges, by Rivière.

Translated from Racine. See Johnson, Charles.

BRADLEY, John W.—A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists, with references to their works, and notices of their patrons, From the Establishment of Christianity to the Eighteenth Century. Compiled from various sources, many hitherto inedited. By John W. Bradley, . . . London: Bernard Quaritch, . . . 1887.-'8-'9. 8vo, three volumes, half red morocco, uncut edges.

BRADLEY, John W.—The Life and Works of Giorgio Giulio Clovio, Miniaturist, with notices of his contemporaries, and of the art of book decoration in the sixteenth century. By John W. Bradley, . . . with eighteen plates. London: Bernard Quaritch, . . . 1891. Royal 8vo, half red morocco, gilt top, uncut edges.

Large paper copy.

BRADSTREET, Anne.—The Poems of Mrs. Anne Bradstreet (1612-1672) together with her prose remains with an introduction by Charles Eliot Norton   The Duodecimos   [New York, the De Vinne Press] M DCCC XCVII. 12mo, boards, uncut edges.

Etched frontispiece-portrait and eleven other illustrations. Edited by Frank E. Hopkins. No. 46 of one hundred and thirty-two copies printed on hand-made paper.

BRAMSTON, James.—The Art of Politicks, In Imitation of Horace's Art of Poetry. [vignette of Horace] London: Printed for Lawton Gilliver, . . . M DCC XXIX. 8vo, brown straight-grain morocco, Janseniste, gilt edges, by The Club Bindery.

Grotesque frontispiece with the legend "—Risum teneatis amici?" illustrating the opening lines of the poem,

"If to a Human Face Sir James [Thornhill] should draw
A Gelding's Mane, and Feathers of Maccaw,
A Lady's Boſom, and a Tail of Cod,
Who could help laughing at a Sight ſo odd?
Juſt ſuch a Monſter, Sirs, pray think before ye,
When you behold one Man both Whig and Tory,"

A-F in fours, title on A1.

Bound with this work are Swift's "Epistle to a Lady," B1-B4 recto; "On Reading Dr. Young's Satire," B4 verso-C1 recto; "On Poetry," C1 verso-D3 recto. "On the Words, Brother-Proteſtants, and Fellow-Chriſtians," D3 verso-D4 (verso blank), without title-page.

BRAMSTON, James.—The Man of Taste. Occasion'd by an Epistle Of Mr. Pope's On that Subject. By the Author of the Art of Politicks. London: Printed by J. Wright, for Lawton Gilliver . . . 1733. . . . Folio, red morocco, uncut edges, by The Club Bindery. Bound with "Beauty: or, the Art of Charming," 1735.

First edition, with engraving by G. Van der Gucht on the verso of the half-title.

BRAY, Anna Eliza.—Life of Thomas Stothard, R.A., with Personal Reminiscences. By Mrs. Bray. With numerous illustrations from his works. London: John Murray . . . 1851. 4to, green morocco, gilt back, gilt edges.

BRAY, Anna Eliza.—Life of Thomas Stothard, 1851. 4to, boards, uncut edges.

Another copy.

BRAY, Anna Eliza.—Life of Thomas Stothard, 1851. 4to, enlarged to seven volumes, folio, red levant morocco, gilt back and sides, gilt edges, by Matthews.

Another copy, enlarged by inlaying the text on Whatman's drawing paper to folio (14 × 10-1/2 inches), and further illustrated by the insertion of seven hundred and thirty-five plates, etc., and an autograph letter of Stothard. The illustrations include forty-one original drawings and studies, forty portraits, six hundred and fifty engravings after Stothard's designs and his original etchings. Nearly all the plates are proofs, some in three or four states from the trial proof to the finished plate, and in addition many prints retouched by Stothard with his autograph instructions on the margin.

BREVAL, John Durant, Capt.—The Petticoat: an Heroi-Comical Poem. In Two Books. By Mr. [Joseph] Gay . . . London: Printed for R. Burleigh in Amen Corner, MDCCXVI. 8vo, red levant morocco, gilt edges.

First edition, written over Breval's pseudonym.

BREVAL, John Durant, Captain.—The Progress of a Rake: or, the Templar's Exit. In ten cantos, in Hudibraſtick Verse. containing. I. His coming out of the Weſt of England, being put under the Care of his Uncle, a Middleſex Juſtice. II. His Learning at Weſtminſter-School; and his creeping to Bed with the Maid, for fear of the Spirits. III. His going to Braſen-Noſe College at Oxford; being expell'd for his Debaucheries; and Return into the Country; with his Whoring, Roaring, Ranting, Swearing, Fighting, &c. IV. His coming again to London; falling among Pettifoggers, and Solicitors; and the Diſputes among his Friends, whether he ſhould be a Prieſt, a Lawyer, or a Phyſician. V. His following all three ſucceſſively; and his vaſt Improvement in each Faculty, eſpecially that of a Cuſhion-thumper. VI. His Natural Philoſophy; other natural Parts, and natural Impudence. VII. His Converſation with old Bauds, young Whores, and Town Sharpers. VIII. His ruining his Reputation, Eſtate, and Conſtitution. IX. His Pains, and Repentance; Sickneſs without Pity; and Miſery without Mercy. X. His Death by a Halter; Burial by a Dung-hil; and Funeral-Sermon by a converted Rake of Covent-Garden. The whole interſpers'd with innocent Mirth, good Morals, and too much of the Author's own Experience. By the Author of The Harlot's Progress. ["Joseph Gay," i.e., Captain John Durant Breval]   London: Printed for B. Dickinſon. . . . and R. Montague . . . : And Sold by E. Nutt, and J. Brotherton . . . ; A. Dodd . . . ; J. Brindly . . . ; J. Jolliff . . . ; Mr. Critchly . . . ; and J. Stagg. . . . 1732   [Price One Shilling.] 8vo, green morocco, gilt edges. Bound with "Spiller's Jests" and three other works.

George Daniel's copy, with the following note on the fly-leaf: "'The Progress of a Rake' I believe to be very rare."

BREVAL, John Durant, Captain.—The Harlot's Progress: or, the Humours of Drury-Lane. Being the Life of the noted Moll Hackabout, in ſix Hudibraſtick Cantos, with a curious Print to each Canto, engrav'd from the Originals of Mr. Hogarth. I. Her coming to Town in the York Waggon; and being betray'd by an old Baud into the Arms of Colonel Ch[arteri]s; with several Comical Dialogues, &c. II. Her being kept by a Jew; with her Intrigues in his Houſe. III. Her living in a Baudy-Houſe in Drury-Lane. A diverting Liſt of the Decorations of her Lodging. Her being detected by Sir J——n G——n, &c. IV. Her Uſage at Tothil-Fields Bridewell; and the Humours of the Place. V. Her Sickneſs and Death. Diſputes between two noted Quacks. Her laſt Will. VI. Her Burial. Characters of the principal Perſons who conſtituted the Funeral Pomp, &c. The Fifth Edition. To which is now firſt added, a curious Riddle, which Moll learned of the Jew, while in his keeping, and which the learned Col. Ch——s could never anſwer to her full Satisfaction. N.B. Thoſe who have had of the former Impreſſions, may have the Riddle ſingly, at the Price of Six Pence. London: Printed for R. Montagu . . . ; and ſold by Mrs. Nut . . . ; Mrs. Dod . . . ; Mr. Brindley . . . ; Mr. Jollife . . . ; and Mr. Stag . . . [n. d.] Price Two Shillings. 8vo, green levant morocco, gilt edges. Bound with "Spiller's Jests" and three other works.

Copper-plate frontispiece, and six aquatints after Hogarth.

George Daniel's copy.

The first edition was an octavo, published in 1732.

BREWER, J. S.—The Reign of Henry VIII from his accession to the death of Wolsey. Reviewed and illustrated from original documents by the late J. S. Brewer, . . . Edited by James Gairdner . . . With portrait. London: John Murray, . . . 1884. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

BRIDGES, Robert.—Prometheus the Firegiver by Robert Bridges   Printed at the private press of H. Daniel Ffllow of Worcester College   Oxford 1883. 4to, half vellum, uncut edges.

First edition. No. 98 of one hundred copies printed.

BRIDGES, Robert.—Prometheus the Firegiver. By Robert Bridges. London George Bell and Sons . . . 1884. Post 8vo, cloth, uncut edges.

BRIDGES, Robert.—Eros & Psyche   a poem in twelve measures by Robert Bridges   the story done into English from the Latin of Apuleius . . . London: George Bell and Sons   1885. Square crown 8vo, half vellum, uncut edges.

BRIDGES, Robert.—The Feast of Bacchvs by Robert Bridges. Privately printed by H. Daniel: Oxford: 1889. 4to, half parchment, uncut edges.

No. 19 of one hundred and five copies printed.

BRIDGES, Robert.—The Growth of Love. Printed by H. Daniel: Oxford: 1890. 4to, boards, uncut edges.

No. 62 of one hundred copies printed.

BRIDGES, Robert.—Eden   an oratorio by Robert Bridges set to music by C. V. Stanford. London   Geo Bell & Sons . . . 1891. 12mo, boards, uncut edges.

No. 86 of one hundred and ten copies printed on hand-made paper.

BRIDGES, Robert.—Eden. 1891. 12mo, boards, gilt top, uncut edges.

Another copy. No. 101 of one hundred and ten copies printed.

BRIDGES, Robert.—Achilles in Scyros by Robert Bridges. London: Geo. Bell & Sons 1892. 12mo, parchment, uncut edges.

Large paper copy, one hundred and fifty-six printed.

BRIDGES, Robert.—The Humours of the Court   A Comedy and other poems. New York   Macmillan and Co . . . 1893. 8vo, buckram, uncut edges.

One hundred copies printed on hand-made paper.

BRITISH CLASSICS.—[Half title] The British Classics . . . 1803 [-1810] [Imprint on engraved titles] London. Printed by C. Whittingham, . . . Publiſhed by John Sharpe, . . . [W. Suttaby] 1804 [-1803-1810]. 12mo, twenty-four volumes, blue levant morocco, gilt back, gilt top, uncut edges, by Allo.

Large paper copy.

The Tatler, four volumes, 1804, contains twenty plates, including the frontispieces, by Neagle, Schiavonetti, Fittler, Anker Smith, and others after Stothard, Fuseli, Tresham, Westall, Singleton, etc.

The Spectator, eight volumes, 1803, contains forty plates by the same artists and others.

The Guardian, two volumes, 1804, contains ten plates after R. Smirke.

The Adventurer, four volumes, with half-titles dated 1807 and engraved titles 1806, 1806, 1807, and 1805, contains four portraits by Schiavonetti after Reynolds and Highmore and twelve plates after Westall.

The Rambler, four volumes, 1809, "Published by W. Suttaby," contains a portrait of Dr. Johnson by Schiavonetti after Reynolds and fifteen plates after R. Smirke.

The Idler, two volumes, 1810, "Published by W. Suttaby," contains a portrait of Sir Joshua Reynolds by Schiavonetti after Reynolds and seven plates after Richard Cook.

BRITISH DRAMA.—The British Drama; comprehending the best Plays in the English language. [Edited by Sir Walter Scott] London: published by William Miller . . . printed by James Ballantyne, Edinburgh. 1804. Royal 8vo, five volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

Comprising Comedies, two volumes, Tragedies, two volumes, and Operas and Farces, one volume.

BRITISH DRAMA.—The Ancient British Drama. London: printed for William Miller . . . by James Ballantyne and Co   Edinburgh 1810. Royal 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

Sir Walter Scott is believed to have edited these volumes. The matter is chiefly taken from Dodsley's Old Plays.

BRITISH ESSAYISTS.—The British Essayists; with Prefaces, historical and biographical, by A. Chalmers. [with a general Index] London: printed for Nichols and Son &c. 1817. 12mo, forty-five volumes, calf, gilt back and sides.

Portraits of Steele, Addison, Pope, Johnson, Swift, Horace Walpole, Joseph and Thomas Warton, Bonnell Thornton, Chesterfield, Mackenzie, Colman, Hawksworth, Edward Moore, Hughes, and Bishop Berkeley.

BRITISH ESSAYISTS.—The British Essayists: with prefaces, historical and biographical. By A. Chalmers, . . . Boston: Little, Brown, and Company. 1866. 12mo, thirty-eight volumes, half green morocco, uncut edges.

No. 52 of one hundred copies printed on large paper, with fourteen portraits on India paper.

The contents are as follows: Vols. I-IV, Tatler; V-XII, Spectator; XIII-XV, Guardian; XVI-XVIII, Rambler; XIX-XXI, Adventurer; XXII-XXIV, World; XXV-XXVI, Connoisseur; XXVII, Idler; XXVIII-XXIX, Mirror; XXX-XXXI, Lounger; XXXII-XXXIV, Observer; XXXV-XXXVII, Looker-on; XXXVIII, Index.

BRITISH POETS.—4to, red levant morocco, gilt back, side panel, gilt edges.

Twelve drawings by J. Thurston in India ink, sepia, and pencil, being portraits of John Gower, Chaucer, Shakespeare, Jonson, Massinger, Shirley, John Fletcher, Milton, D'Urfey, Young, Gray, and George Colman.

BRITISH THEATRE.—[A Collection of one hundred and eighty Plays &c. from the series edited by Bell and Cawthorn, with the addition of six Dramas written by James Wild. London   1791-'2-'3-'4-'5-'6-'7 and 1804-'6. Crown 8vo, forty-one volumes, red morocco, gilt back and sides, gilt edges.

Large paper copy.

Includes Cawthorn's Minor British Theatre complete in six volumes; the whole illustrated with one hundred and seventy-six portraits and scenes, proofs lettered and before letters.

BRITISH THEATRE.—Bell's British Theatre. Consisting of the most esteemed English Plays. . . . London: printed for, and under the direction of, George Cawthorn, . . . 1797. 8vo, thirty-four volumes, green morocco, gilt back, crest on the sides, gilt edges, by J. Clarke.

Large paper copy, with proof impressions of the plates, including portraits of famous actors and actresses.

BRITISH THEATRE.—Bell's British Theatre, 1797. 8vo, Volumes I-XXII, red levant morocco, Janseniste, gilt top, uncut edges, by Triquilier.

Another copy, also upon large paper, and uncut.

BRITTON, John.—Picturesque Antiquities of the English Cities illustrated by a series of engravings of Antient Buildings, Street Scenery, etc. with historical and descriptive accounts of each subject. By John Britton . . . London: Longman . . . 1830. Royal 4to, blue levant morocco, gilt back, gilt edges, by Bedford.

Large paper copy, with India proof impressions of the sixty plates after Bartlett, and numerous woodcuts.

BRODRICK, Thomas.—Historia Sacra: or the Holy History; giving An Exact and Comprehensive Account Of all the Feasts and Fasts of the Church of England, after a New and Curious Method; With their various Etymologies and Appellations, And the true Reasons and Grounds of their Celebration; . . . London: Printed for John Wyat, . . . 1705. 8vo, old blue morocco, gilt back, sides richly tooled in compartments introducing the rose, thistle, and tulip, gilt edges.

Portrait of the author by W. Sherwin and fifty plates, including, in the Appendix, the illustrations to the Gunpowder Plot, the Execution of Charles I, and the Restoration of Charles II.

BRONTË, Charlotte.—Poems by Currer, Ellis, and Acton Bell. London: Smith, Elder and Co . . . 1846. Post 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Jane Eyre. An Autobiography. Edited by Currer Bell. London: Smith, Elder, and Co., . . . 1847. Crown 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Shirley. A Tale. By Currer Bell. London: Smith, Elder and Co., . . . 1849. Crown 8vo, three volumes, half green levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—Villette. By Currer Bell. London: Smith, Elder & Co., . . . 1853. Crown 8vo, three volumes, half blue levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BRONTË, Charlotte.—The Professor, A Tale. By Currer Bell. . . . London: Smith, Elder & Co . . . 1857. Crown 8vo, two volumes, half green levant morocco, gilt and mosaic back, gilt top, uncut edges, by Champs.

First edition.

BROOKE, Henry.—See Moore, Edward.

BROOKES, Richard.—The Art of Angling, Rock and Sea-Fishing: With the Natural History of River, Pond and Sea-Fish. Illustrated with 133 Cutts. London: Printed by and for John Watts . . . MDCCXL. 12mo, calf, gilt back and edges, by Bedford.

First edition.

BROOKES, Richard.—The Art of Angling. By R. Brookes, M.D. Now Improved with Additions, And formed into a Dictionary. . . . Illustrated with One Hundred and Thirty-five Cuts, exactly describing the different kinds of Fish that are found in the Fresh or Salt Waters. The Whole forming A Sportsman's Magazine; And comprising all that is curious and valuable in The Art of Angling. . . . London, Printed for T. Lowndes . . . MDCCLXVI. 12mo, red levant morocco, gilt back, gilt edges, by Cuzin.

The additional cuts in this edition are the frontispiece and the vignette at the head of the first page.

BROUGHAM and VAUX, Henry Peter, Lord.—Historical Sketches of Statesmen who flourished in the time of George III. to which is added, Remarks on Party, and an Appendix. . . . By Henry Lord Brougham, . . . London: Charles Knight & Co., . . . MDCCCXXXIX. [-MDCCCXLIII.]. Royal 8vo, three volumes, cloth, uncut edges.

The First Series is second edition, and the Third is dated 1843. Thirty-four portraits.

BROUGHAM and VAUX, Henry Peter, Lord.—Albert Lunel; or, the Château of Languedoc. . . . London: Charles Knight & Co., . . . 1844. Post 8vo, three volumes, red morocco, gilt back, gilt top, uncut edges, by Matthews.

Dedicated to Samuel Rogers. Suppressed on the eve of publication.

BROUGHAM, and VAUX, Henry Peter, Lord.—Lives of Men of Letters and Science, who flourished in the time of George III. By Henry, Lord Brougham, F.R.S., . . . With [14] portraits, engraved on steel. London: Charles Knight and Co., . . . 1845. [-46.] Royal 8vo, two volumes, cloth, uncut edges.

BROWN, John.—Horæ Subsecivæ. By John Brown, M.D. . . . A second series. Edinburgh: Edmonston and Douglas. 1861. Crown 8vo, cloth, uncut edges.

BROWN, John J.—The American Angler's Guide; or, Complete Fisher's Manual, for the United States: containing the opinions and practices of experienced Anglers of both hemispheres; with the various modes adopted in Ocean, River, Lake and Pond Fishing . . . Fourth Edition, revised, corrected, and greatly improved, with the Addition of a Second Part . . . New York: H. Long & Brother . . . and John J. Brown & Co . . . 1850. 8vo, orange morocco, gilt back with emblematic tool in the panels, gilt edges, by Matthews.

Every page illustrated with engravings either on steel, stone, or wood.

BROWN, John William.—The Life of Leonardo da Vinci, with a critical account of his works, by John William Brown, Esq. . . . London: William Pickering. M DCCC XXVIII. 8vo, blue levant morocco, gilt back, side corners, centre ornaments, gilt top, uncut edges, by Rivière.

Besides the portrait of da Vinci and the Lord's Supper engraved by W. H. Worthington, on India paper, thirty-five other illustrations, including eleven portraits of da Vinci, have been inserted in this volume, some in three states.

BROWN, Thomas.—A Description of Mr. D[ryde]n's Funeral. A Poem. The Third Edition, with Additions. London, Printed for A. Baldwin in Warwicklane, M.DCC. Price 6d. Folio, cloth, uncut edges, by The Club Bindery.

BROWN, Thomas.—The Works of Mr. Thomas Brown, Serious and Comical, In Prose and Verse . . . The Fourth Edition, Corrected, and much Enlarged from his Originals never before publish'd. With A Key to all his Writings. London, Printed for Sam. Briscoe, . . . 1715. 12mo, four volumes in two, old red morocco, gilt back and sides, gilt edges.

Frontispieces.

BROWN, Thomas.—The Works of Mr. Thomas Brown, serious and comical, In prose and verse: with his Remains. In Four Volumes Compleat. With The Life and Character of Mr. Brown, and his Writings, By James Drake, M. D. And a Key to the Whole. The Ninth Edition, carefully corrected. Adorned with a new Set of Copper-Plates. London: Printed for Al. Wilde, C. Hitch and L. Hawes, . . . M.DCC.LX. 12mo, four volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

Twenty-seven plates by E. Kirkall and R. Smith.

BROWNE, Irving.—Doctor Polyanthus, or, Where there's a Will there's a Way; a farce in two acts. By Irving Browne. Privately printed. [Troy, n.d.]. 8vo, original paper wrappers.

Presentation copy from the author.

BROWNE, Irving.—Ballads of A Book-worm Being a Rythmic Record of Thoughts, Fancies, & Adventures a-collecting   By Irving Browne   Done into a printed book by the Roycrofters, . . . East Aurora, . . . m dccc xcix. 12mo, boards, uncut edges.

No. 471 of eight hundred and fifty copies "illumined by hand."

BROWNE, Matthew.—Chaucer's England. By Matthew Browne. . . . London: Hurst and Blackett, . . . 1869. Crown 8vo, two volumes, original cloth, uncut edges.

First edition, with a steel portrait of Chaucer and numerous woodcut illustrations.

BROWNING, Elizabeth Barrett.—An Essay on Mind, with other Poems. London: James Duncan . . . MDCCCXXVI. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First edition.

BROWNING, Elizabeth Barrett.—The Seraphim, and other Poems. By Elizabeth B. Barrett. London: Saunders and Otley . . . 1838. Small 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BROWNING, Elizabeth Barrett.—Poems. By Elizabeth Barrett Barrett . . . London: Edward Moxon . . . MDCCCXLIV. Small 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

BROWNING, Elizabeth Barrett.—The Earlier Poems of Elizabeth Barrett Browning. 1826-1833. London   Bartholomew Robson: . . . M.DCCC.LXXVIII. Crown 8vo, cloth, uncut edges.

BROWNING, Elizabeth Barrett.—Elizabeth Barrett Browning's Poetical Works . . . New-York: Dodd, Mead and Company   MDCCCLXXXIV. 12mo, five volumes, citron levant morocco, back and side panels inlaid with blue morocco and ornamented with scroll and floral tooling, gilt tops, uncut edges, by David.

No. 6 of twenty copies printed on Japan paper. Portrait by S. Hollyer.

BROWNING, Elizabeth Barrett.—Elizabeth Barrett Browning's Poetical Works. 1884. 12mo, five volumes, blue levant morocco, gilt back and side panels, with corner ornament, gilt edges, by David.

Another copy. No. 1 of four printed on vellum.

BROWNING, Robert.—Sordello. By Robert Browning. London: Edward Moxon, . . . M DCCC XL. Post 8vo, cloth, uncut edges.

First edition.

BROWNING, Robert.—(I.) Bells and Pomegranates. No. I.—Pippa Passes. By Robert Browning, author of "Paracelsus." London: Edward Moxon, [Bradbury and Evans, Printers] . . . M DCCC XLI. (II.) Bells and Pomegranates. No. II.—King Victor and King Charles. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLII. (III.) Bells and Pomegranates. No. III.—Dramatic Lyrics. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLII. (IV.) Bells and Pomegranates. No. IV.—The Return of the Druses. A Tragedy. In five acts. By Robert Browning. . . . London: Edward Moxon, . . . M DCCC XLIII. (V.) Bells and Pomegranates. No. V.—A Blot in the 'Scutcheon. A Tragedy, in three acts. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLIII. (VI.) Bells and Pomegranates. No. VI.—Colombe's Birthday. A Play, in five acts. By Robert Browning, . . . [Three lines from Hanmer] London: Edward Moxon, . . . M DCCC XLIV. (VII.) Bells and Pomegranates. No. VII. Dramatic Romances & Lyrics. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLV. (VIII.) Bells and Pomegranates. No. VIII. and last. Luria; and A Soul's Tragedy. By Robert Browning, . . . London: Edward Moxon, . . . M DCCC XLVI. Royal 8vo, red levant morocco, gilt back, wide side borders in conventional floral design, gilt top, uncut edges, by Rivière.

First edition.

"A Blot in the 'Scutcheon" was first acted at the Theatre Royal, Drury Lane, February 11, 1843, with Helen Faucit as Mildred Tresham. "Colombe's Birthday" is dedicated to Barry Cornwall, March, 1844, "Dramatic Romances and Lyrics" to John Kenyon, November, 1845, and "Luria" to Walter Savage Landor, March 29, 1846.

There are two final leaves of advertisements.

BROWNING, Robert.—Men and Women. By Robert Browning. . . . London: Chapman and Hall, . . . 1855. Post 8vo, two volumes, cloth, uncut edges.

First edition.

BROWNING, Robert.—Selections from the Poetry of Robert Browning. With an Introduction by Richard Grant White. New York: Dodd, Mead & Company. . . . [1883]. 8vo, citron levant morocco, gilt back, and corner ornaments on the sides, gilt edges, by Cuzin.

The portrait of Browning is in two states, before and after the letters.

No. 34 of seventy copies printed on large, Japanese paper.

BROWNING, Robert.—Asolando: fancies and facts. By Robert Browning. London: Smith, Elder, & Co., . . . 1890. Post 8vo, red levant morocco, back and sides beautifully tooled, rose-vine decoration, gilt edges, by Lloyd.

First edition.

BRYAN, Michael.—A biographical and critical Dictionary of Painters and Engravers, from the revival of the art under Cimabue, and the alledged discovery of engraving by Finiguerra, to the present time: with the ciphers, monograms, and marks, used by each engraver; and an ample list of their principal works. Together with two indexes, alphabetical and chronological. To which is prefixed, an introduction, containing A Brief Account of the Painters of Antiquity. By Michael Bryan. . . . [5 plates] London: printed for Carpenter and Son, . . . 1816. Imperial 4to, two volumes, cloth, uncut edges.

Large and thick paper copy.

BRYAN and STANLEY.—A biographical and critical Dictionary of Painters and Engravers, from the revival of the art under Cimabue, and the alleged discovery of engraving by Finiguerra, to the present time: with the ciphers, monograms, and marks, used by each engraver: by Michael Bryan. A new edition, revised, enlarged, and continued to the present time, comprising above one thousand additional memoirs, and large accessions to the lists of pictures and engravings, also new plates of ciphers and monograms, by George Stanley. London: H. G. Bohn, . . . M DCCC LVIII. Royal 8vo, cloth.

Portrait of Bryan by W. Haines after A. Pope, and nine plates of monograms.

BRYANT, William Cullen.—The Embargo, or sketches of the times; a satire. By a youth of thirteen. Boston: printed for the purchasers. 1808. 12mo, red levant morocco, gilt back, gilt top, by Alfred Matthews.

First edition.

BRYANT, William Cullen.—The Embargo; or, sketches of the times. A satire. The second edition, corrected and enlarged. Together with the Spanish Revolution, and other poems. By William Cullen Bryant. Boston: printed for the author, by E. G. House, . . . 1809. 16mo, red levant morocco, gilt back, gilt top, by Alfred Matthews.

Presentation copy with inscription "L. Hyde's From the Author 1811."

BRYANT, William Cullen.—Poems by William Cullen Bryant. Cambridge: printed by Hilliard and Metcalf. 1821. 12mo, red levant morocco, gilt back, uncut edges, by Rivière.

First edition, concluding with "Thanatopsis."

BRYANT, LONGFELLOW, and others.—Miscellaneous Poems selected from the United States Literary Gazette. Boston: Cummings, Hilliard and Company, and Harrison Gray. 1826. 18mo, blue levant morocco, gilt back, side border, gilt top, uncut edges, by Alfred Matthews.

Contains twenty-three poems by Bryant and fourteen by Longfellow.

BRYANT, William Cullen, and others.—Tales of the Glauber-Spa. By several American authors. [Bryant, Miss Sedgwick, Paulding, Sands, and Leggett.] . . . New York: printed and published by J. & J. Harper, . . . M DCCC XXXII. 12mo, two volumes, blue levant morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by Rivière.

First edition.

BRYANT, William Cullen.—Poems by William Cullen Bryant [including many now first collected]   New York: published by E. Bliss, . . . M.DCCC.XXXII. 12mo, blue levant morocco, gilt back, gilt top, uncut edges, by David.

Part of this edition was issued with a Boston imprint.

BRYANT, William Cullen.—Poems by William Cullen Bryant, an American. Edited by Washington Irving. London: J. Andrews . . . MDCCCXXXII. Crown 8vo, green morocco, gilt back and side panels, gilt top, uncut edges, by Matthews.

Four portraits of Bryant and one of Irving inserted.

This edition is famous for a change made by Irving in the "Song of Marion's Men," as follows,—

"The foeman trembles in his camp,"

instead of as in the original.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Third edition. [Newly revised, with additions]   New York: Harper & brothers, . . . 1836. 12mo, citron levant morocco, gilt back, gilt over uncut edges, by David.

Engraved title-frontispiece by Cushman after Weir.

The copies dated "third edition, 1836," were copyrighted in the same year; those dated "fourth edition" were copyrighted in 1835.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Collected and arranged by the author. Illustrated with seventy-one engravings, from drawings by eminent artists. New York: D. Appleton & Co. . . . [n. d.]. 4to, half green levant morocco, gilt top, uncut edges, by Rivière.

Portrait by Thomas Dalziel after Lawrence, and seventy other woodcuts by the Brothers Dalziel after Birket Foster, J. Tenniel, Edward and Thomas Dalziel, Harrison Weir, and others.

BRYANT, William Cullen.—The Fountain and other poems. By William Cullen Bryant. New York & London: Wiley and Putnam.   1842. 12mo, citron levant morocco, gilt back, gilt over rough edges, by David.

First edition.

BRYANT, William Cullen.—Poems by William Cullen Bryant. With illustrations by E. Leutze, engraved by American artists. Fourth Edition. Philadelphia: Carey and Hart. 1848. 8vo, brown morocco, gilt back and sides, gilt edges.

Portrait by J. Cheney from a drawing by S. W. Cheney, and nineteen other plates.

BRYANT, William Cullen.—Poems by William Cullen Bryant. Collected and arranged by the author. New York: D. Appleton and Company . . . M.DCCC.LV. 12mo, two volumes, cloth, uncut edges.

BRYANT, William Cullen.—Thirty Poems   William Cullen Bryant   New York: D. Appleton and Company . . . MDCCCLXIV. 12mo, cloth, uncut edges.

Autograph of "William Cullen Bryant. March 1864" on the fly-leaf.

BRYANT, William Cullen.—Thirty Poems. 1864. 12mo, citron levant morocco, gilt back and sides, gilt over uncut edges, by The Club Bindery.

Another copy.

BRYANT, William Cullen.—The Song of the Sower. By William Cullen Bryant. Illustrated with forty-two engravings on wood. New York: D. Appleton & Company   MDCCCLXXI. 4to, green morocco, gilt back, gilt edges, by Matthews.

First edition.

BRYANT and GAY.—A popular History of the United States, from the first discovery of the Western Hemisphere by the Northmen, to the end of the first century of the union of the states. Preceded by a sketch of the pre-historic period and the age of the mound builders. By William Cullen Bryant and Sydney Howard Gay. . . . Fully illustrated. New York: Scribner, Armstrong, and Company. 1876. [1878, 1879, 1881.] Royal 8vo, four volumes, half red straight-grain morocco, gilt top, uncut edges, by Stikeman.

First edition. Portrait of Bryant by Charles Burt, sixteen other steel plates, and numerous full-page woodcuts and illustrations in the text.

BRYDGES and HASLEWOOD.—The British Bibliographer. By Sir Egerton Brydges . . . and Joseph Haslewood. London: printed for R. Triphook . . . by T. Bensley . . . 1810-'12-'14. 8vo, four volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Allo.

Two hundred and fifty copies printed. Six portraits inserted.

BRYDGES, Sir Samuel Egerton.—Bertram, a poetical tale. By Sir Egerton Brydges . . . Kent: Printed at the private Press of Lee Priory . . . 1814. Royal 8vo, mottled calf, gilt back, gilt over uncut edges, by Bedford.

One hundred copies printed, with woodcuts.

BRYDGES, Sir Samuel Egerton.—Restituta; or Titles, Extracts, and Characters of Old Books in English Literature revived. By Sir Egerton Brydges . . . London: printed by T. Bensley . . . for Longman . . . 1814-'15-'16. 8vo, four volumes, half brown morocco, gilt top, uncut edges.

Two hundred and fifty copies printed.

BRYDGES, Sir Samuel Egerton.—Censura Literaria. Containing Titles, Abstracts, and Opinions of Old English Books, with original disquisitions, articles of biography, and other literary antiquities. By Sir Egerton Brydges, . . . Second Edition. With the articles classed in chronological order under their separate heads. London: printed for Longman, . . . 1815. 8vo, ten volumes (in five), half green levant morocco, gilt top, uncut edges, by Smith-Mansell.

Two hundred and fifty copies printed.

BRYDGES, Sir Samuel Egerton.—Sir Ralph Willoughby: an historical tale of the sixteenth century. In which are inserted the dedicatory Sonnets of Edmund Spenser, with sketches of character, by the author of Coningsby. Florence   Printed by I. Magheri   1820. 12mo, red morocco, gilt back, gilt over uncut edges, by Mackenzie.

Large paper copy.

BRYDGES, Sir Samuel Egerton.—An Impartial Portrait of Lord Byron, as a poet and a man, compared with all the evidences and writings regarding him, up to 1825. By Sir Egerton Brydges, . . . Paris: published by A. and W. Galignani, . . . 1825. 12mo, half red morocco, gilt back.

BRYDGES, Sir Samuel Egerton.—The Autobiography, Times, Opinions, and Contemporaries of Sir Egerton Brydges, . . . [vignette] . . . London: Cochrane and M'Crone. MDCCCXXXIV. 8vo, two volumes, half red levant morocco, gilt back, gilt top, uncut edges.

First edition.

BUCHANAN, Robert.—The Fleshly School of Poetry and other phenomena of the day   By Robert Buchanan . . . Strahan & Co. . . . London   1872. Crown 8vo, original paper covers.

BUCHANAN, Robert.—The City of Dream an Epic Poem by Robert Buchanan . . . London   Chatto & Windus . . . 1888. Post 8vo, cloth, uncut edges.

Frontispiece and vignette.

BUCKINGHAM and CHANDOS, Richard Grenville, (Second) Duke of.—Memoirs of the Court and Cabinets of George the Third. From original family documents. By the Duke of Buckingham and Chandos . . . London: Hurst and Blackett . . . 1853.-5. 8vo, four volumes, cloth, uncut edges.

Portraits of George, Marquis of Buckingham, Lord Grenville, the Hon. Thomas Grenville, and C. J. Fox.

BUCKLAND, William.—Geology and Mineralogy considered with reference to Natural Theology by the Rev. William Buckland, D.D. . . . London William Pickering   1836. 8vo, two volumes, cloth, uncut edges.

First edition. Bridgewater Treatise, No. VI.

BUCKLE, Henry Thomas, editor.—[Half-title] Library illustrative of Social Progress. From the original editions collected by the late Henry Thomas Buckle, . . . No. 1. [and 2] "Exhibition of Female Flagellants." [No. 3. "Lady Bumtickler's Revels." No. 4. "The Use of Flogging in Venereal Affairs." No. 5. "Madame Birchini's Dance." No. 6. "Sublime of Flagellation." No. 7. "Fashionable Lectures"]   [London, n. d.]. Crown 8vo, seven volumes, boards, uncut edges.

BUCKLEY, Theodore Alois.—The Natural History of Tuft-hunters [vignette] and toadies. Illustrated by H. G. Hine. [50 woodcuts]   London: D. Bogue, . . . M DCCC XLVIII. 16mo, half green levant morocco, gilt back, gilt top, uncut edges, with the original front cover bound in.

BUDGET OF MOMUS.—The Budget of Momus or a preservative against Melancholy, [vignette] London. Printed for J. Coxhead, . . . [n. d.]. 12mo, mottled calf, gilt back, gilt top, uncut edges, by Bedford.

BULLEN, George, editor.—Caxton Celebration, 1877. Catalogue of the Loan Collection of Antiquities, Curiosities, and Appliances connected with the Art of Printing South Kensington. Edited by George Bullen, . . . London: printed at the Elzevir Press. Royal 4to, cloth, uncut edges.

No. 9 of twelve copies printed on hand-made paper.

BULWER-LYTTON, Sir Edward.—Eugene Aram. A tale. By the author of "Pelham," . . . London: Henry Colburn and Richard Bentley, . . . 1832. Post 8vo, three volumes, original boards, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Ernest Maltravers by the author of "Pelham," . . . London Saunders and Otley, . . . 1837. Post 8vo, three volumes, original boards, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Alice or The Mysteries a sequel to "Ernest Maltravers." By the author of "Pelham," . . . London Saunders and Otley, . . . 1838. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Zanoni. By the author of "Night and Morning," . . . London: Saunders & Otley, . . . 1842. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Last of the Barons by the author of "Rienzi." . . . London   Saunders and Otley, . . . 1843. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—Harold, the last of the Saxon Kings; by the author of "Rienzi;" &c. . . . London: Richard Bentley, . . . 1848. Post 8vo, three volumes, original half cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Caxtons   a family picture by Sir E. Bulwer Lytton, Bart. . . . William Blackwood and Sons Edinburgh and London M DCCC XLIX. Post 8vo, three volumes, original cloth, uncut edges.

First edition.

BULWER-LYTTON, Sir Edward.—The Poetical and Dramatic Works of Sir Edward Bulwer Lytton . . . London: Chapman and Hall . . . 1852-3-4. Post 8vo, five volumes, cloth, uncut edges.

First collected edition, with portrait and engraved titles on steel.

BULWER-LYTTON, Sir Edward.—See Schiller, Friedrich.

[BUNBURY, H.]—Annals of Horsemanship: containing accounts of accidental experiments, and experimental accidents, both successful and unsuccessful: communicated by various correspondents to Geoffrey Gambado, . . . together with most instructive remarks thereon, and answers thereto, by that accomplished genius. And now first published by the Editor of the Academy for Grown Horsemen. Illustrated with cuts by the most eminent artists. London: printed for W. Dickinson, &c. . . . MDCCXCI. 4to, brown levant morocco, gilt back and sides, gilt top, uncut edges, by The Club Bindery.

First edition, with seventeen plates after Bunbury's designs. Ascribed also to Francis Grose, with caricatures by Bunbury.

BURGON, John William.—The Life and Times of Sir Thomas Gresham; compiled chiefly from his correspondence preserved in Her Majesty's state-paper office: including notices of his contemporaries. With illustrations. By John William Burgon. . . . London: Robert Jennings, . . . M DCCC XXXIX. 8vo, two volumes, half maroon morocco, gilt top, uncut edges.

Portrait by R. Woodman, proof before letters, facsimile, eight other full-page illustrations, and numerous woodcuts in the text.

BURGOYNE, John.—The Heiress. A Comedy in five acts. As performed at the Theatre-Royal Drury-Lane. . . . London: printed for J. Debrett, MDCCLXXXVI. 8vo, red levant morocco, gilt back, gilt edges, by Rivière.

First edition. Title and A-O in fours. Dedication to the Earl of Derby, dated Hartford Street, Feb. 1, 1786, and Prologue in verse by the Rt. Hon. Richard Fitzpatrick.

BURGOYNE, John.—The Dramatic and Poetical Works of the late Lieut. Gen. J. Burgoyne; to which is prefixed, Memoirs of the Author. Embellished with [4] copper-plates. London: printed by C. Whittingham . . . 1808. 8vo, two volumes, red levant morocco, Janseniste, gilt top, uncut edges, by Smith-Mansell.

Large paper copy.

BURKE, Bernard.—The Knightage of Great Britain and Ireland, [woodcuts] London: Edward Churton, . . . [Bradbury and Evans]   1841. 12mo, ivory calf, back and sides covered with a graceful floral and scroll design in mosaic of various colours, inside panel of mosaic and gilt representing a cathedral window, purple silk guards, gilt edges.

Dedication copy of John Maude with his arms painted in colour on vellum, a duplicate frontispiece-title by H. Beckwith after J. E. Jones, and a duplicate page of dedication, both coloured.

BURLINGTON FINE ARTS CLUB. Exhibition of Portrait Miniatures. [36 plates] London: printed for the Burlington Fine Arts Club. 1889. 4to, buckram.

BURLINGTON FINE ARTS CLUB. Exhibition of Bookbindings. London: printed for the Burlington Fine Arts Club. 1891. Royal 4to, cloth, uncut edges.

One hundred and thirteen coloured plates.

BURLINGTON FINE ARTS CLUB. Catalogue of a Collection of European Enamels    From the Earliest date to the End of the XVII. Century. London: printed for the Burlington Fine Arts Club. 1897. Imperial 4to, green buckram, uncut edges.

Seventy-two plates, some coloured.

BURLINGTON FINE ARTS CLUB. Exhibition of English Mezzotint Portraits from circa 1750 to circa 1830   London   printed for the Burlington Fine Arts Club   1902. Folio, blue buckram, uncut edges.

Thirty plates after Van Dyck, Romney, Reynolds, Gainsborough, Lawrence, and others.

BURNABY, Charles.—The Reform'd Wife. A Comedy: As it is Acted, At the Theatre-Royal, in Drury-Lane. London, Printed for Thomas Bennet, at the Half-Moon, in St. Paul's Church-Yard, 1700. 4to, half sprinkled calf, gilt back, gilt top, uncut edges.

A-G4 in fours, title on A1. Dedicated to Lord Lorn.

BURNAND, Sir Francis Cowley.—The Incompleat Angler. After Master Izaak Walton. Edited by F. C. Burnand . . . and illustrated by Harry Furniss. London: Bradbury, Agnew, & Co . . . 1887. 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

Thirty-one coloured illustrations.

BURNET, John.—Practical Hints on Light and Shade in Painting. Illustrated by Examples from the Italian, Flemish, and Dutch Schools. By John Burnet. . . . London: printed for the proprietor, and sold by James Carpenter and Son, . . . 1826. 4to, boards, uncut edges.

Large paper copy: thirty-nine illustrations [eight plates] on India paper.

BURNET, John.—[General title] A Treatise on Painting. In four parts. Consisting of an Essay on the Education of the Eye with reference to Painting, and practical hints on Composition, Chiaroscuro, and Colour. The whole illustrated by Examples from the Italian, Venetian, Flemish, and Dutch Schools. By John Burnet, . . . London: James Carpenter, . . . [Chiswick Press] 1837. (I.) An Essay on the Education of the Eye with reference to Painting. Illustrated by [8] copper plates and [5] wood cuts. . . . Second edition. London: James Carpenter, . . . 1837. (II.) Practical Hints on Composition in Painting. Illustrated by Examples from the Great Masters of the Italian, Flemish, and Dutch Schools. . . . Fifth edition. [9 plates] London: printed for the Proprietor, and sold by James Carpenter and Son, . . . 1836. (III.) Practical Hints on Light and Shade in Painting. . . . Fifth edition. [8 plates] London: James Carpenter, . . . 1838. (IV.) Practical Hints on Colour in Painting. Illustrated by Examples from the Works of the Venetian, Flemish, and Dutch Schools. . . . Fourth edition. [8 plates] London: printed for the proprietor, . . . 1835. Royal 4to, four parts in one volume, cloth, uncut edges.

120 figures on 33 plates.

BURNET and CUNNINGHAM.—Turner and his Works: illustrated with [10] Examples from his Pictures, and critical remarks on his principles of painting. By John Burnet, F.R.S. . . . the Memoir by Peter Cunningham, F.S.A. . . . Re-edited by Henry Murray, F.S.A. London: James S. Virtue, . . . 1859. Royal 4to, cloth, uncut edges.

Second edition. Dedicated to Samuel Rogers.

BURNET, Thomas.—A Second Tale of a Tub: or, The Hiſtory of Robert Powel the Puppet-Show-Man. . . . London: Printed for J. Roberts . . . 1715. . . . 8vo, red levant morocco, gilt fillets on the sides, gilt edges, by The Club Bindery.

Frontispiece and preliminary leaf containing the Imprimatur, dated Oct. 16, 1714.

A satire on Sir Robert Walpole, sometimes attributed to Thomas Duffet. The Jolley copy.

BURNEY, Charles.—A General History of Music, from the earliest ages, to the present period. To which is prefixed, a Dissertation on the Music of the Ancients. By Charles Burney . . . London, printed for the Author . . . MDCCLXXVI.-LXXXIX. 4to, four volumes, calf, gilt back.

Brilliant portrait of the author engraved by Bartolozzi after Reynolds, and ten other plates, including five by Bartolozzi after the designs of Cipriani.

Dr. Samuel Johnson is believed to have written the Preface.

BURNEY, Charles.—Memoirs of Doctor Burney, arranged from his own manuscripts, from family papers, and from personal recollections. By his Daughter, Madame d'Arblay. . . . London: Edward Moxon . . . [Bradbury and Evans]   1832. Crown 8vo, three volumes, original boards, uncut edges.

BURNEY, Fanny.—See D'Arblay, Madame.

BURNS, Robert.—Poems chiefly in the Scottish Dialect, by Robert Burns. [Four lines of English verse]   Kilmarnock: printed by John Wilson. M,DCC,LXXXVI. 8vo, green straight-grain morocco, gilt back, gilt top, uncut edges, the original blue covers bound in, blue straight-grain morocco case, by Bedford.

First edition. Autograph letter of Burns (two pages) inserted.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. Kilmarnock: printed by John Wilson, M.DCC.LXXXVI [rep. 1867]. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 12 of fifty largest paper copies printed.

Eighty-seven plates have been inserted in this copy, many proofs, and some of Stothard's illustrations retouched for the engraver. At the end is bound a facsimile of the original manuscript of the "Jolly Beggars," Glasgow, 1823.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Edinburgh: printed for the author, and sold by William Creech. M,DCC,LXXXVII. 8vo, citron levant morocco, gilt back, side panels, gilt top, uncut edges, by The Club Bindery.

First issue of the first Edinburgh edition, with the misprints "ſtinking" and "haggis" in the last stanza on page 263.

Portrait by Beugo after A. Nasmyth, and an original water-colour drawing by Uwins, representing the witches in the church in "Tam O' Shanter."

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Edinburgh: printed for the author, and sold by William Creech. M,DCC,LXXXVII. 8vo, half green levant morocco, gilt top, uncut edges, by Zaehnsdorf.

Second issue of the first Edinburgh edition, with the errors on page 263 corrected to "ſkinking" and "Haggis."

Portrait by Beugo after A. Nasmyth.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. The third edition. London: printed for A. Strahan; T. Cadell in the Strand; and W. Creech, Edinburgh. M DCC LXXXVII. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First London edition, copied from the first issue of the first Edinburgh edition, with the misprints in the last stanza of the poem "To a Haggis," on page 267.

Portrait by Beugo after A. Nasmyth.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. Philadelphia: printed for, and sold by Peter Stewart and George Hyde M,DCC,LXXXVIII. 12mo, olive levant morocco, richly tooled on back and sides, gilt edges, by Lortic.

First American edition, published in April. The text of this edition gives unmistakable evidence that it was printed from the first issue of the first Edinburgh edition, with the two errors in the lines, "To a Haggis."

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. To which are added, Scots Poems, selected from the works of Robert Ferguson. New York: printed by J. and A. M'Lean, Franklin's Head, No. 41, Hanover-Square. M,DCC,LXXXVIII. Post 8vo, green levant morocco, gilt back, wide side borders of interlacing fillets and foliage, doubled with green morocco, green silk guard, gilt top, uncut edges, by The Club Bindery.

Second American edition, published in June. Printed from the first issue of the first Edinburgh edition, with the two errors in the poem "To a Haggis," last stanza, page 187.

Portrait by Scot.

BURNS, Robert.—Poems, chiefly in the Scottish dialect. By Robert Burns. Belfast: printed and sold by William Magee, . . . M,DCC,XC. 12mo, green morocco, gilt and mosaic back, side panels in mosaic of orange, red, ivory, and maroon morocco, the intervals studded with dots, corner ornaments in gilt and red mosaic, gilt edges, by "E. S. Aurifex" [Sir Edward Sullivan].

The misprints in the last stanza of the poem, "To a Haggis," are repeated, page 187.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. . . . The second edition considerably enlarged. Edinburgh: printed for T. Cadell, London, and William Creech, Edinburgh. M.DCC.XCIII. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Portrait by Beugo after Nasmyth.

BURNS, Robert.—Poems. 1793. 8vo, two volumes in one, original half calf, uncut edges, in a maroon morocco case.

Another copy, on the verso of the half-title of which is the following presentation inscription: "Mr. White will accept of this Book as a mark of the moſt sincere Friendship, from a man who has ever had too much respect for his Friends, & too much contempt for his enemies, to flatter either the one or the other—The Author."

In the back of the book is pasted a folio sheet containing stanzas "To the Memory of Robert Burns. By T. White, author of St. Guerdun's Well," dated Dumfries, 1796.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns . . . A new edition, considerably enlarged. Edinburgh: printed for T. Cadell jun. and W. Davies, London; and William Creech, Edinburgh. MDCCXCVIII. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Portrait by Beugo after Nasmyth.

BURNS, Robert.—Poems ascribed to Robert Burns, the Ayrshire bard, not contained in any edition of his works hitherto published. Glasgow, printed by Chapman & Lang, for Thomas Stewart, . . . 1801. 8vo, green levant morocco, gilt fillets, gilt top, uncut edges, by The Club Bindery.

BURNS, Robert.—(I.-IV.) The Works of Robert Burns; with an account of his life, and a criticism on his writings. To which are prefixed, some observations on the character and condition of the Scottish Peasantry. . . . The second edition. London: printed for T. Cadell, Jun. and W. Davies, . . . 1801. Printed by R. Noble, . . . (V.) Reliques of Robert Burns; consisting chiefly of original letters, poems, and critical observations on Scottish songs. Collected and published by R. H. Cromek. . . . London: printed by J. M'Creery, for T. Cadell, and W. Davies, . . . 1808. 8vo, five volumes, calf, gilt back.

Large paper copy. Portrait by Neagle after Nasmyth.

BURNS, Robert.—Select Scotish Songs, ancient and modern; with critical observations and biographical notices, by Robert Burns. Edited By R. H. Cromek . . . [vignette]   London: printed for T. Cadell and W. Davies, . . . By J. M'Creery, . . . 1810. Crown 8vo, two volumes in one, half blue levant morocco, gilt top, uncut edges, by Zaehnsdorf.

BURNS, Robert.—Poems by Robert Burns: with an account of his Life And Miscellaneous remarks on his writings. Containing also many poems and letters, Not printed in Dr. Currie's edition . . . Edinburgh: printed for the Trustees of the late James Morison, by John Moir . . . 1811. Royal 8vo, two volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

Twenty plates by Burnet and (inserted) four portraits and eleven additional plates, seven being India proofs.

BURNS, Robert.—The Works of Robert Burns; with his life, by Allan Cunningham. . . . London: John Cochrane and Co. . . . 1834. Post 8vo, eight volumes, cloth, uncut edges.

Portrait, frontispieces, and engraved titles, sixteen plates in all.

BURNS, Robert.—The Poetical Works of Robert Burns [with a Memoir by Sir Harris Nicolas, and a portrait of Burns]   London   William Pickering 1839. Foolscap 8vo, three volumes, cloth, uncut edges.

BURNS, Robert.—The Works of Robert Burns; with a complete life of the poet, and an essay on his genius and character, by Professor Wilson. Also numerous notes, annotations, and appendices. Embellished by eighty-one portraits and landscape illustrations. . . . Blackie and Son, . . . Glasgow, . . . M DCCC XLVI. Royal 8vo, two volumes, cloth, gilt top, uncut edges.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. [Posthumous Poems]   Kilmarnock: printed by James M'Kie   M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. Forty-six plates inserted, including eight portraits of Burns, one an original drawing.

BURNS, Robert.—Poems, chiefly in the Scottish Dialect. By Robert Burns. [Poems as they appeared in the early Edinburgh edition]   Kilmarnock: printed by James M'Kie M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. Ninety-eight plates inserted, including eight portraits.

BURNS, Robert.—Songs, chiefly in the Scottish Dialect. By Robert Burns. Kilmarnock: printed by James M'Kie. M.DCCCLXIX. Imperial 8vo, green levant morocco, gilt back and sides, gilt edges, by Bedford.

No. 15 of thirty copies printed on largest paper. In this copy ninety plates have been inserted, including seven portraits of Burns, and illustrations on copper and steel after designs by Stothard and others. Many of the plates are in two states, before and after letters, a fair proportion being on India paper.

BURNS, Robert.—The Poetical Works of Robert Burns edited from the best printed and manuscript authorities, with glossarial index and a biographical memoir   By Alexander Smith. . . . London: Macmillan & Co.    1879. Post 8vo, two volumes, boards, uncut edges.

Portrait on India paper by G. B. Shaw after J. Nasmith. One of five hundred copies printed.

BURNS, Robert.—Selected Poems of Robert Burns with an introduction by Andrew Lang. London   Kegan Paul, Trench, Trübner & Co. Ltd. MDCCCXCI. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

BURNS, Robert.—Letters addressed to Clarinda, &c. By Robert Burns, the Ayrshire poet. Never before Published. Glasgow: Printed by Niven, Napier and Rhull; For T. Stewart . . . 1802. Small 8vo, green morocco, gilt back and sides, gilt edges, by Bedford.

BURTON, John Hill.—The Book-Hunter etc. By John Hill Burton. William Blackwood & Sons   Edinburgh . . . MDCCCLXII. Foolscap 8vo, half morocco, uncut edges.

First edition.

BURTON, John Hill.—The Book-Hunter etc. 1862. Square 8vo, half olive morocco, uncut edges.

Large paper copy of the first edition, twenty-five printed.

BURTON, John Hill.—The Book Hunter, etc. By John Hill Burton . . . A new edition with a Memoir of the Author   William Blackwood and Sons Edinburgh: . . . MDCCCLXXXII. 4to, light brown levant morocco, gilt and mosaic back, mosaic side compartments in maroon and green morocco, richly tooled, silk linings, gilt over uncut edges, by The Club Bindery.

One thousand copies printed. Etched portrait of the author by W. B. Hole.

BURTON, John Hill.—A History of the Reign of Queen Anne by John Hill Burton, . . . William Blackwood and Sons   Edinburgh and London   M DCCC LXXX . . . 8vo, three volumes, cloth, uncut edges.

BURTON, Sir Richard F.—(I.) Benares: M DCCC LXXXV: printed by the Kamashastra Society for private subscribers only. . . . A plain and literal translation of the Arabian Nights' Entertainments, now entituled the Book of the Thousand Nights and a Night with introduction explanatory notes on the manners and customs of Moslem men and a terminal essay upon the history of The Nights by Richard F. Burton (XI.) Benares: M DCCC LXXXVI: printed &c. . . . Supplemental Nights to the Thousand Nights and a Night with notes anthropological and explanatory by Richard F. Burton. 8vo, sixteen volumes, original cloth, red top.

The Supplement consists of six volumes.

BURTON, Sir Richard.—See Basile, Giovanni Battista.

BURY, Lady Charlotte.—Diary illustrative of the Times of George the Fourth, interspersed with original letters from the late Queen Caroline, and from various other distinguished persons. . . . London: Henry Colburn, . . . m dccc xxxviii. 8vo, two volumes, half red levant morocco, gilt top, uncut edges.

BURY, Richard de.—Philobiblon, a Treatise on the Love of Books, by Richard de Bury, . . . First American edition, with the literal English translation of John B. Inglis. Collated and corrected, with notes, by Samuel Hand. Albany: Joel Munsell. M DCCC LXI. Crown 8vo, half brown morocco, gilt back, gilt top, uncut edges.

One of thirty large paper copies printed.

BURY, Richard de.—The Philobiblon of Richard de Bury Bishop of Durham Treasurer and Chancellor of Edward III   Edited and Translated by Ernest C. Thomas . . . London   Kegan Paul, Trench and Co. [Chiswick Press] 1888. 8vo, original paper, uncut edges.

No. 33 of fifty large paper copies printed.

BURY, Richard de.—(I.) Ricardi de Bury Philobiblon ex Optimis Codicibus Recensuit Versione Anglica necnon et Prolegomenis Adnotationibusque Auxit Andreas Fleming West in Collegio Princetoniæ Professor Pars Prima. Textus. Novi Eboraci ❧ Typis et Impensis Societatis Grolierianæ    MDCCCLXXXIX. (II-III.) The Philobiblon of Richard de Bury edited from the best manuscripts and translated into English with an introduction and notes by Andrew Fleming West . . . Part second . . . [Part third] New York   printed for the Grolier Club   1889. 4to, three volumes, citron levant morocco, gilt back, side panels, doubled with citron morocco, borders and corner ornaments, vellum guards, gilt top, uncut edges, by David.

One of two hundred and ninety-seven copies printed.

BURY, Richard de.—Philobiblon. 1889. 4to, three volumes, red levant morocco, gilt back, side borders, doubled with vellum, borders, gilt over uncut edges, in maroon levant morocco cases, by Cuzin.

One of three copies printed upon vellum.

BUTLER, Charles.—The Life of Hugo Grotius: with brief minutes of the civil, ecclesiastical, and literary history of the Netherlands. By Charles Butler . . . London: John Murray . . . M.DCCC.XXVI. 8vo, half brown levant morocco, gilt back, gilt top, uncut edges.

BUTLER, Frances Anne.—See Kemble, Fanny.

BUTLER, Joseph, Bishop.—The Analogy of Religion, Natural and Revealed, to the Constitution and Courſe of Nature. To which are added Two brief Dissertations: I. Of Personal Identity. II. Of the Nature of Virtue. By Joseph Butler, LL.D. Rector of Stanhope, in the Biſhoprick of Durham. . . . London: Printed for James, John and Paul Knapton, at the Crown in Ludgate Street. M DCC XXXVI. 4to, red levant morocco, gilt back, side borders, gilt edges, by The Club Bindery.

First edition, with the half-title.

BUTLER, Joseph, Bishop.—The Analogy of Religion, natural and revealed to the constitution and course of Nature. By Joseph Butler L.L.D. late Lord Bishop of Durham. With Analytical Index by Edward Steere . . . London. Bell and Daldy . . . 1857. 8vo, blue levant morocco, gilt back, gilt edges, by Bedford.

BUTLER, Joseph, Bishop.—The Works of . . . Joseph Butler . . . late Lord Bishop of Durham. To which is prefixed, a Preface, giving some account of the character and writings of the author. By Samuel Halifax, D.D., late Lord Bishop of Gloucester. Oxford: at the University Press MDCCCXLIX. 8vo, two volumes, calf, gilt back, by Hayday.

BUTLER, Lilly.—A Discourse, proving, That the Faith and Practice of True Christians, Are no Just Matter of Shame or Reproach. Being Eight Sermons Preached at the Cathedral Church of St. Paul, in the Year 1709, at the Lecture Founded by the Honourable Robert Boyle, Esq;. By Lilly Butler, . . . London: Printed for Brabazon Aylmer, . . . 1711. 8vo, old blue morocco, gilt back and sides, with the crowned cipher of Queen Anne on both covers, gilt edges.

From the collection of Francis Wrangham, with his autograph on the title-page.

BUTLER, William Allen.—Home Poems and Rhymes for the Nursery with "Sea Scribblings" and "The Animal Book"   by William Allen Butler   Printed for private circulation   New York   printed at the De Vinne Press 1897. 12mo, cloth, gilt top, uncut edges.

One hundred and fifty copies printed, with portrait and one other illustration.

BYERLEY, Thomas.—Relics of Literature. By Stephen Collet. [Thomas Byerley]   London: Thomas Boys . . 1823. 8vo, half olive morocco, gilt top, uncut edges.

Byerley had still another nom de guerre. He was the "Reuben Percy" of the Percy Anecdotes.

The two hundred subjects in this volume include Book Destroyers, the Ancient Value of Books, Voltaire and the Booksellers, etc., etc. A leaf of facsimile autographs precedes the title.

BYERLEY, Thomas.—See Percy Anecdotes.

BYROM, John.—Miscellaneous Poems, by John Byrom, M.A. F.R.S. sometime Fellow of Trinity College, Cambridge, And Inventor of The Universal English Short-Hand. . . . Manchester: Printed by J. Harrop. M DCC LXXIII. 8vo, two volumes, original calf.

Inserted is a portrait of Dr. Byron [sic] "A Sketch after spending an Evening at a Coffee House."

BYRON, George Gordon, Lord.—Hours of Idleness, a series of poems, original and translated, By George Gordon, Lord Byron, a minor . . . Newark: Printed and sold by S. and J. Ridge; . . . 1807. 8vo, maroon morocco, gilt back, gilt edges.

Large paper copy of the first edition of Byron's first publication.

BYRON, George Gordon, Lord.—Hours of Idleness: a Series of Poems, original and translated. By Lord Byron . . . London: printed for Sherwin and Co. . . . 1820. 12mo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Thick paper copy, with frontispiece.

BYRON, George Gordon, Lord.—English Bards, and Scotch Reviewers. A Satire.

I had rather be a kitten, and cry, mew!
Than one of these same metre ballad-mongers.

Shakspeare.

Such shameless Bards we have; and yet 't is true,
There are as mad, abandon'd Critics too.

Pope.

London: printed for James Cawthorn, British Library, No. 24, Cockspur Street. [1809]. 12mo, blue levant morocco, gilt back, side borders, gilt top, uncut edges, the original brown paper front cover bound in, by The Club Bindery.

Presumably the first edition, with a misprint "Aulhor," line 4 of the Preface.

BYRON, George Gordon, Lord.—English Bards, and Scotch Reviewers. A Satire . . . London: Printed for James Cawthorn . . . [1809.]   12mo, green straight-grain morocco, gilt back, gilt top, uncut edges, by Bedford.

Presumably the second edition, with the misprint "Aulhor," line 4 of the Preface, corrected. A thick paper copy.

The type of the title-page is larger and heavier than in the preceding edition; the ornament above the imprint is two arrow-like figures joined by a slender thread, whereas in the first edition it is two parallel lines, the upper much the heavier of the two. "Printed" here begins with a large "P" and "James Cawthorn" is in larger type.

The text is reset throughout. The ornament on B1 recto has here a star-like centre; in the first edition it is an elongated diamond. The parallel head-lines beginning on page 2 are here heavier. On page 5, line 47, "wizard" is spelled with one "z"; in the first edition with two. "Dispatch" in the same line is spelled with an "i"; in the first with an "e." Other slight variations of punctuation, etc., are observable on nearly every page.

The present copy has a half-title.

BYRON, George Gordon, Lord.—English Bards and Scotch Reviewers. By Lord Byron with the additional passages from the subsequent editions Illustrated with Forty Engravings   [London]   1815. 4to, blue straight-grain morocco, gilt edges.

Unique copy, from the Drury collection, with special title-page as above, the original text inlaid to quarto. Manuscript interpolations written in a neat hand show the various changes in the poem. The portraits are well selected and include a coloured print of Madame Catalani.

BYRON, George Gordon, Lord.—The Giaour, a fragment of a Turkish Tale. By Lord Byron . . . London: . . . John Murray . . . 1813. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Lara, a tale. Jacqueline, a tale. London: printed for J. Murray . . . 1814. Small 8vo, red levant morocco, gilt back, gilt top, uncut edges, by David.

First edition.

BYRON, George Gordon, Lord.—The Corsair, a tale. By Lord Byron. London: . . . John Murray . . . 1814. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Hebrew Melodies. By Lord Byron. London: printed for John Murray . . . 1815. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Prisoner of Chillon, and other poems. By Lord Byron. London: printed for John Murray . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Siege of Corinth. A Poem. Parisina. A Poem. London: printed for John Murray . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Lord Byron's Farewell to England; with three other poems, viz. Ode to St. Helena, To my Daughter, on the morning of her birth, and To the Lily of France. . . . London: published by J. Johnston, . . . 1816. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Manfred, a dramatic poem. By Lord Byron. London: John Murray . . . 1817. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Mazeppa, a poem. By Lord Byron. London: John Murray . . . 1819. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Don Juan. . . . London: printed by Thomas Davison, Whitefriars. 1819. 4to, green straight-grain morocco, gilt back and sides, gilt top, by Birdsall & Son, Northampton.

First edition of Cantos I and II.

BYRON, George Gordon, Lord.—Don Juan . . . London: printed by Thomas Davison . . . 1819. Don Juan, Cantos III, IV, and V. London: printed by Thomas Davison . . . 1821. Don Juan. Cantos VI.-VII.- and VIII . . . London, 1823: Printed for John Hunt . . . Don Juan. Cantos IX.-X.- and XI . . . London, 1823: Printed for John Hunt . . . Don Juan. Cantos XII.-XIII.- and XIV. London, 1823: Printed for John Hunt . . . Don Juan. Cantos XV. and XVI. London, 1824: Printed for John and H. L. Hunt . . . 8vo, six volumes in three, green morocco, gilt ornaments on back and sides, gilt top, uncut edges, by Birdsall.

First octavo edition, and first editions of all but the first two Cantos. The second volume has the original wrapper with the following inscription in Byron's handwriting: "From the Author to T. Grant with his best regards."

BYRON, George Gordon, Lord.—Waltz: an apostrophic hymn. By Horace Hornem, Esq. (The noble author of Don Juan.) . . . London: printed and published by W. Clark, . . . 1821. 8vo, silk covers, uncut edges, by The Club Bindery.

BYRON, George Gordon, Lord.—Marino Faliero, Doge of Venice. An historical tragedy, in five acts. With notes. The Prophecy of Dante, a poem. By Lord Byron. London: John Murray . . . 1821. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Letter to **** ******, on the Rev. W. L. Bowles' Strictures on the Life and Writings of Pope. By the Right Hon. Lord Byron. . . . London: John Murray, . . . 1821. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—Sardanapalus, a tragedy. The Two Foscari, a tragedy. Cain, a mystery. By Lord Byron. London: John Murray . . . 1821. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

First edition. Portrait of Byron engraved by Page.

BYRON, George Gordon, Lord.—Werner, a tragedy. By Lord Byron. London: John Murray . . . 1823. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition. Published in December, 1822.

BYRON, George Gordon, Lord.—The Age of Bronze; or, Carmen Seculare et Annus haud mirabilis. . . . London, 1823: printed for John Hunt, . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Island, or Christian and his Comrades. By the Right Hon. Lord Byron. London, 1823: printed for John Hunt . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Parliamentary Speeches of Lord Byron. Printed from the copies prepared by His Lordship for publication. London: printed for Rodwell and Martin, . . . 1824. 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Deformed Transformed; a drama. By the Right Hon. Lord Byron. London, 1824: printed for J. and H. L. Hunt, . . . 8vo, silk covers, uncut edges, by The Club Bindery.

First edition.

BYRON, George Gordon, Lord.—The Works of Lord Byron: with his Letters and Journals, and his Life, by Thomas Moore . . . London: John Murray . . . 1832-'33. Foolscap 8vo, seventeen volumes, cloth, uncut edges.

First issue. Portrait and thirty-three frontispieces and vignettes.

BYRON, George Gordon, Lord.—The Poetical Works of Lord Byron . . . London: John Murray, . . . M DCCC XXXIX. 8vo, eight volumes, original cloth, uncut edges.

Portrait by E. Finden after T. Phillips, and one hundred and thirty-four portraits and views, including frontispieces by E. and W. Finden, etc., after the designs of Stanfield, Westall, Turner, and others.

BYRON, George Gordon, Lord.—Poetical Works. 1839. . . . 8vo, eight volumes extended to fifteen, green levant morocco, gilt back, gilt edges, by Matthews.

Another copy, extra-illustrated by the insertion of five hundred and thirty selected engravings, for the most part proofs on India paper and generally before letters, and an autograph, Pass "below the Bar of the House of Lords" in favour of John Galt, by Byron. The plates include the Stothard, Finden, Johannot, Westall, Turner, Corbould, and other series, a brilliant group of portraits, and many unpublished plates. The portraits include sixteen of Byron.

BYRON, George Gordon, Lord.—Childe Harold's Pilgrimage. A Romaunt. By Lord Byron. London: John Murray . . . MDCCCXLI. Royal 8vo, brown morocco, back and sides panelled in mosaic with foliated ornaments, inside border, tapestry panels and end leaves, gilt over uncut edges, by Marius Michel.

Proofs on India paper of the sixty-two engravings by Finden, after the designs of Creswick, Warren, Aylmer, etc.

BYRON, George Gordon, Lord.—Poetry of Byron chosen and arranged by Matthew Arnold. [vignette]   London   Macmillan and Co.   1881. 8vo, cloth, uncut edges.

Large paper copy.

BYRON, George Gordon, Lord.—Fugitive Pieces by George Gordon Lord Byron a fac-simile reprint of the suppressed edition of 1806   London printed for private circulation [Chiswick Press]   1886. Royal 4to, boards, gilt top, uncut edges.

No. 51 of one hundred copies printed.

BYRON, George Gordon, Lord.—Memoirs of the Life and Writings of the right honourable Lord Byron with anecdotes of some of his contemporaries. London: printed for Henry Colburn and Co. 1822. 8vo, boards, uncut edges.

Portrait by G. H. Harlowe, on India paper.

BYRON, George Gordon, Lord.—Conversations of Lord Byron with the Countess of Blessington . . . London: published for Henry Colburn, by R. Bentley, . . . 1834. 8vo, red levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Portrait of Byron after Count d'Orsay.

BYRON, George Gordon, Lord.—See Clinton, George. Hunt, Leigh. The Liberal.

CAMBRIDGE, Richard Owen.—The Scribleriad: an heroic poem. In six books [vignette]   London: Printed for R. Dodsley . . . M DCC LI. Royal 4to, olive levant morocco, Janseniste, gilt edges.

First edition: with notes by George Chalmers. Seven plates by L. P. Boitard after J. Wall and Boitard, and vignette of Tully on the title, by C. Mosley after H. Gravelot.

CAMEO.—The Cameo; a Melange of Literature and the Arts selected from the Bijou. London   William Pickering. MDCCCXXXI. Post 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Fifteen plates after Lawrence, Wilkie, Reynolds, etc.

CAMPBELL, John, Lord.—The Lives of the Lord Chancellors and Keepers of the Great Seal of England, from the earliest times till the reign of King George IV. By John Lord Campbell, . . . Third edition. London: John Murray, . . . 1848. [-1869]. 8vo, eight volumes, cloth, uncut edges.

CAMPBELL, John, Lord.—Lives of Lord Lyndhurst and Lord Brougham, Lord Chancellors and Keepers of the Great Seal of England. By the late John Lord Campbell, . . . London: John Murray, . . . 1869. 8vo, cloth, uncut edges.

CAMPBELL, John, Lord.—The Lives of the Chief Justices of England. From the Norman Conquest till the death of Lord Mansfield. By John Lord Campbell . . . London: John Murray . . . 1849. [-1857]   8vo, three volumes, cloth, uncut edges.

CAMPBELL, Thomas.—The Pleasures of Hope; with other Poems. By Thomas Campbell. Edinburgh: printed for Mundell & Son; . . . 1799. Small 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Ramage.

First edition. Four plates engraved by Scott, Somerville, and Mitchell after the designs of Graham.

CAMPBELL, Thomas.—(I.) The Pleasures of Hope, with other poems. By Thomas Campbell . . . London: printed for Longman, . . . 1825. (II.) Gertrude of Wyoming, and other poems. By Thomas Campbell . . . Ninth edition. London: printed for Longman, . . . 1825. 12mo, two volumes in one, gilt back and sides, gilt edges, the fore edge bearing a beautifully painted landscape in the neighbourhood of Eton College.

The first of these volumes has an engraved title and three plates, the second an engraved title and two plates, all by Heath after Westall's designs.

CAMPBELL, Thomas.—Theodric; a domestic tale; and Other Poems. By Thomas Campbell. London: printed for Longman, . . . 1824. Small 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Ramage.

First edition, printed on thick paper.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. London: Henry Colburn, . . . 1828. 8vo, two volumes, red levant, gilt back panels and side borders, gilt top, uncut edges, by Rivière.

Portrait by J. Burnet after Sir Thomas Lawrence and in addition forty portraits and scenes, for the most part proofs on India paper, including fifteen portraits of Campbell, Westall's illustrations to the Poems, proofs before and after the letters.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. London: Edward Moxon . . . MDCCCXXXVII. Small 4to, red levant morocco, back and corner ornaments, gilt top, uncut edges, by Ramage.

Portrait and twenty vignettes after the designs of Turner.

CAMPBELL, Thomas.—Poetical Works. 1837. Small 4to, citron levant morocco, gilt back, gilt over uncut edges, by Brany.

Another copy. Inserted are a portrait of Campbell by Holl and an illustration to the "Pleasures of Hope" by Westall, proof on India paper.

CAMPBELL, Thomas.—The Pilgrim of Glencoe, and other poems. By Thomas Campbell. London: Edward Moxon . . . MDCCCXLII. Small 4to, blue levant morocco, gilt back, gilt top, uncut edges, by Stikeman.

Sixty-seven plates inserted, many India proofs, including ten portraits, views by Turner, vignettes, etc.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. With notes, and a biographical sketch, by the Rev. W. A. Hill, . . . Illustrated by thirty-seven wood-cuts. From designs by Harvey. London: Edward Moxon, . . . 1851. Post 8vo, cloth, uncut edges.

Portrait by W. H. Watt after Lawrence.

CAMPBELL, Thomas.—The Poetical Works of Thomas Campbell. With a Memoir. . . . Boston: Little, Brown, and Company. 1866. 12mo, half green cloth, uncut edges.

No. 13 of one hundred large paper copies printed, with portrait on India paper.

CAMPBELL, Thomas.—Specimens of the British Poets; with Biographical and Critical Notices, and an Essay on English Poetry. By Thomas Campbell. London: John Murray . . . 1819. 8vo, seven volumes, green levant morocco, gilt back, gilt tops, uncut edges, by Matthews.

Illustrated by the insertion of fifty-two portraits of the Poets, thirty being on India paper, many proofs before letters. Included is the rare portrait of Sir Thomas Overbury by Payne, James I. by Gaywood, and Southerne by Evans.

CAMPBELL, Thomas.—Specimens of the British Poets. 1819. 8vo, seven volumes, half citron levant morocco, gilt back, gilt top, uncut edges, by Allo.

Another copy, with one hundred and fifty-three portraits and vignettes inserted, ninety being proofs on India paper, and many before letters.

CAMPBELL, Thomas.—Life of Mrs. Siddons. By Thomas Campbell. London: Effingham Wilson . . . 1834. 8vo, two volumes, cloth, uncut edges.

Portrait of Mrs. Siddons by Lupton after Sir Thomas Lawrence.

CAMPBELL, Thomas.—Life of Mrs. Siddons. 1834. 8vo, two volumes, citron levant morocco, gilt and mosaic back and sides elaborately tooled in the manner of Dérome, gilt over uncut edges, by David.

Another copy, illustrated by the insertion of one hundred and eighty-six portraits, etc., including forty-one portraits of Mrs. Siddons, a brilliant mezzotint of E. Kean, coloured portrait of Kynaston, and a water-colour drawing of Glasgow Cathedral. A large number of the plates are in proof state.

CAMPBELL, Thomas.—Life of Mrs. Siddons. 1834. 8vo, two volumes, extended to four, red morocco, gilt edges.

William Upcott's copy, containing in addition to the portrait of Mrs. Siddons, by Lupton after Sir Thomas Lawrence, two hundred and fourteen portraits, of which sixty are of Mrs. Siddons, including the oval by Ogborn after Harding, in two states, red (proof) and black, and the "Grecian Daughter" by Trotter after Lawrence. Autographs and letters of Mrs. Bracegirdle, Henry and Cecilia Siddons, E. Carll, Thomas Davies, the Duchess of Devonshire and many others have been inserted, several Bills of the Play, 1766, etc., a "pass" to the Gallery, written by Sarah Siddons, a water-colour drawing of the actress's home at Westbourne and a sepia drawing of her tomb at Paddington Church, together with a number of contemporary newspaper announcements, etc.

CANNING, George.—Speeches of the Right Hon. George Canning delivered on public occasions in Liverpool. With a portrait of Mr. Canning, [by W. T. Fry after George Hargreaves] Liverpool: Thos. Kaye, . . . 1825. 8vo, half cloth, uncut edges.

CARCANET.—The Carcanet, a literary album, containing select passages from the most distinguished English writers. London   William Pickering    MDCCCXXVIII. 18mo, half red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Engraved title with vignette.

CAREY, Henry.—The Dramatick Works of Henry Carey. [Large ornament] London: Printed by S. Gilbert, M dcc xliii. 4to, red morocco, gilt edges, by The Club Bindery.

Contains 1. Amelia, an opera set to music by John Frederick Lampe. 2. Teraminta, an opera set to music by John Christopher Smith. 3. The Dragon of Wantley, a burlesque opera with music by Lampe. 4. The Dragoness, a burlesque opera with music by Lampe. 5. Chrononhotonthologos, a tragedy. 6. The Contrivances, a ballad opera. 7. The Honest Yorkshire-Man, a ballad opera. 8. Nancy: or, the Parting Lovers. An Interlude set to music by the Author.

"CARLETON, George, Captain."—See Defoe, Daniel.

CARLETON, Will.—Farm Ballads. By Will Carleton. Illustrated. New York: Harper & Brothers, . . . [1882] 8vo, brown morocco, gilt edges.

CARLYLE, Thomas.—Past and Present. By Thomas Carlyle . . . London: Chapman and Hall . . . MDCCCXLIII. 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

First edition.

CARLYLE, Thomas.—Past and Present. By Thomas Carlyle . . . second edition. London: Chapman and Hall . . . MDCCCXLV. 12mo, cloth, uncut edges.

CARLYLE, Thomas.—Critical and Miscellaneous Essays: collected and republished. By Thomas Carlyle . . . third edition. London: Chapman and Hall . . . MDCCCXLVII. 12mo, four volumes, cloth, uncut edges.

CARLYLE, Thomas.—The French Revolution: a History. By Thomas Carlyle . . . third edition   London: Chapman and Hall . . . M.DCCC.XLVIII. 12mo, three volumes, cloth, uncut edges.

CARLYLE, Thomas, editor.—Latter-Day Pamphlets. Edited by Thomas Carlyle. London: Chapman and Hall . . . 1850. Small 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

First edition. Includes The Present Time, Model Prisons, Downing Street, The New Downing Street, Stump-Orator, Parliaments, Hudson's Statue and Jesuitism.

CARLYLE and EMERSON.—The Correspondence of Thomas Carlyle and Ralph Waldo Emerson 1834-1872 . . . Boston   James R. Osgood and Company 1883. 8vo, two volumes, boards, uncut edges.

No. 143 of three hundred and fifty copies printed, with two etched portraits by S. A. Schoff.

CARLYLE, Thomas.—[Works]   Boston   Dana Estes and Charles E. Lauriat 1884. 8vo, twenty volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Bradstreet's.

One of thirty-five copies printed on Japanese paper, with 33 portraits and 28 maps.

CARLYLE, Thomas.—Sartor Resartus: the Life and Opinions of Herr Teufelsdröckh in three books by Thomas Carlyle   London   Kegan Paul, Trench & Co.   MDCCCLXXXIX. Crown 8vo, original covers, uncut edges.

One of fifty large paper copies printed, with etched portrait of the author.

CARLYLE, Thomas.—Two Note Books of Thomas Carlyle from 23d March 1822 to 16th May 1832. edited by Charles Eliot Norton   New York   The Grolier Club   MDCCCXCVIII. 8vo, half morocco, gilt top, uncut edges.

One of three hundred and eighty-seven copies printed, with two portraits of Carlyle etched by Alfred Jones, and facsimiles of the original manuscript.

CARPENTER, William Hooker.—Pictorial Notices: consisting of a Memoir of Sir Anthony Van Dyck, with a Descriptive Catalogue of the Etchings executed by him: and a variety of interesting particulars relating to other Artists patronized by Charles I . . . By William Hooker Carpenter. London: James Carpenter . . . 1844. 4to, calf, gilt back and side panels, gilt top, uncut edges.

Two portraits by William Carpenter, and in addition forty-six inserted plates, consisting of portraits by Van Dyck engraved by P. de Jode, Bolswert, Gallé, etc., etc., including a proof of the portrait of Peter Oliver.

"CARROLL, Lewis."—See Dodgson, Charles.

CARTER, Charles Franklin.—The Missions of Nueva California   An Historical Sketch by Charles Franklin Carter with illustrations from drawings by the author, from photographs, and reproductions of old prints   San Francisco   The Whitaker and Ray Company . . . 1900. Royal 8vo, half cloth, uncut edges.

CARTER, R.—See Lowell, J. R. The Pioneer.

CARTWRIGHT, Julia.—The Life and Art of Sandro Botticelli by Julia Cartwright (Mrs. Ady) . . . New York: E. P. Dutton and Co.   London: Duckworth and Co. [Chiswick Press] 1904. 4to, cloth, gilt top, uncut edges.

Forty-two full-page plates, and thirty-seven illustrations in the text.

CARY, Henry Francis.—Lives of English Poets, from Johnson to Kirke White, designed as a continuation of Johnson's Lives. By the late Rev. Henry Francis Cary, . . . London: Henry G. Bohn, . . . M DCCC XLVI. Post 8vo, cloth, uncut edges.

CARY, Henry Francis.—The Early French Poets, a series of notices and translations, by the late Rev. Henry Francis Cary, . . . With an introductory sketch of the history of French poetry, by his son the Rev. Henry Cary, . . . London: Henry G. Bohn, . . . M DCCC XLVI. Post 8vo, cloth, uncut edges.

CARY, John.—Cary's New Itinerary; or, an accurate delineation of the Great Roads both direct and cross, throughout England and Wales; with many of the principal Roads in Scotland . . . London: Printed for John Cary . . . 1798. 8vo, red morocco, back and sides richly tooled, wide inside border, green silk panel and linings, gilt over uncut edges, by Roger Payne.

Printed on India paper. Dedicated to the Earl of Chesterfield and a presentation copy from that nobleman.

CASTELLANI, Carlo.—Early Venetian Printing illustrated [portrait] . . . London: John C. Nimmo . . . M. DCCC. XCV. Folio, cloth, gilt top, uncut edges.

CASTIGLIONE, A. P., translator and editor.—Il Cortegiano, or The Courtier: written by Conte Baldſſar Castiglione. And a new version of the ſame into English. Together with Several of his Celebrated Pieces, as well Latin as Italian, both in Prose and Verse. To which is prefix'd, the Life of the Author. By A. P. Castiglione, of the ſame Family. London: Printed by W. Bowyer, for the Editor. MDCCXXVII. 4to, brown levant morocco, gilt back and sides, gilt edges, by Rivière.

Portrait of the author engraved by Vertue. The original text and English translation are printed in parallel columns.

CASTLE, Egerton.—English Book-Plates   An illustrated handbook for Students of Ex-Libris by Egerton Castle . . . London: George Bell & Sons, . . . [Chiswick Press]   M dccc xcij. 8vo, vellum boards, uncut edges.

Frontispiece in red and black, and numerous woodcuts in the text. No. 20 of sixty-five copies printed on Japanese vellum.

CATALOGUE.—Effigies of the most famous English Writers from Chaucer to Johnson Exhibited at the Grolier Club   New-York, December, 1891. [DeVinne Press] 8vo, original covers, uncut edges.

One of two hundred large paper copies printed, with two reproductions.

CATALOGUE.—Catalogue of an exhibition of Illuminated and Painted Manuscripts together with a few early printed books with illuminations—also some examples of Persian Manuscripts—with plates in facsimile and an introductory essay   New-York the Grolier Club [De Vinne Press] 1892. 8vo, olive levant morocco, Janseniste, uncut edges, by R. W. Smith.

One of three hundred and fifty copies printed, with twenty-two plates in facsimile.

CATALOGUE.—❧ Catalogue of Original and Early Editions of ſome of the Poetical and Proſe Works of Engliſh Writers from Langland to Wither   With Collations & Notes & Eighty-ſeven Facſimiles of Title-pages and Frontiſpieces   Being a contribution to the Bibliography of Engliſh Literature   ¶ Imprinted at New-York for the Grolier Club, [De Vinne Press]   Mdcccxciij. 8vo, original half brown morocco, uncut edges.

One of four hundred copies printed.

CATALOGUE.—❧ Catalogue of Original and Early Editions. 1893. 8vo, red levant morocco, Janseniste, uncut edges.

Another copy; one of three printed on vellum.

CATALOGUE.—The catalogue of books from the libraries or collections of celebrated bibliophiles and illustrious persons of the past with arms or devices upon the bindings exhibited at the Grolier Club in the month of January 1895   New-York   published by the Grolier Club [De Vinne Press]    MDCCCXCV. 8vo, cloth, uncut edges.

One of three hundred and fifty copies printed, with twenty-four illustrations.

CATALOGUE.—The catalogue of books from the libraries or collections of celebrated bibliophiles &c   1895. 8vo, red levant morocco, gilt back, side panels, doubled with vellum, gilt edges, by The Club Bindery.

Another copy, one of three printed on vellum.

CATALOGUE.—A description of the Early Printed Books owned by The Grolier Club with a brief account of their printers and the history of typography in the fifteenth century   Printed for the Grolier Club New-York, [De Vinne Press] May, MDCCCXCV. Folio, half calf, uncut edges.

One of four hundred copies printed, with twenty-five facsimiles   The books described are from the collection of David Wolfe Bruce.

CATALOGUE.—A description of the Early Printed Books owned by the Grolier club. 1895. Folio, light brown levant morocco, gilt back, side borders, doubled with vellum, vellum guards, gilt edges, by The Club Bindery.

Another copy, one of three printed on vellum.

CATALOGUE of an exhibition illustrative of a Centenary of artistic Lithography—1796-1896—With 244 examples by 160 different artists. Illustrated with 20 photo-engravings, from the originals by Bonington, Cassatt, Chauvel, Daumier, Decamps, Engelmann, Fantin-Latour, Gavarni, Hanfstaengl, Homer, Jacque, Jacob, Millet, Newsam, Olis, Prout, Raffet, Vernet, and Wagenbauer   At the Grolier Club . . . New York [De Vinne Press]   March M.D.CCC.XCVI. 8vo, original paper wrappers, uncut edges.

One of four hundred copies printed.

CATALOGUE of Etchings and Dry Points by Rembrandt selected for exhibition at the Grolier Club of the city of New York   April-May, 1900    New York   published by the Grolier Club [De Vinne Press]   M C M. Square 8vo, cloth, uncut edges.

One of three hundred and ten copies printed, with etched frontispiece.

CATALOGUE of an Exhibition of first and other editions of the Works of John Dryden (1631-1700) together with a few engraved portraits and two oil paintings—commemorative of the two hundredth anniversary of his death   New York   the Grolier Club [De Vinne Press]   1900. 8vo, boards, uncut edges.

One of two hundred copies printed, with frontispiece.

CATALOGUE of an Exhibition of selected works of the Poets Laureate of England   New York   the Grolier Club [De Vinne Press]   MCMI. 8vo, boards, uncut edges.

One of three hundred copies printed, with portrait of Ben Jonson by S. Arlent Edwards after Honthorst.

CATHOLIC RELIGION.—An Essay upon the Reasonableness and Usefulness of the Catholick Religion. Humbly offered to the serious Consideration of such Persons as may be unhappily seduced, either into Atheistick Doubts &c   London, Printed and Sold by J. Roberts . . . 1722. 8vo, original green morocco, back and sides covered with a floral design of English workmanship, gilt edges.

CATLIN, George.—Letters and Notes on the Manners, Customs, and Condition of the North American Indians. By Geo. Catlin. Written during eight years' travel amongst the wildest tribes of Indians in North America. In 1832, 33, 34, 35, 36, 37, 38, and 39. In two volumes, with four hundred illustrations, carefully engraved from his original paintings. . . . London: published by the author, . . . printed by Tosswill and Myers, . . . 1841. . . . Royal 8vo, two volumes, half red levant morocco, gilt top, uncut edges, by Pratt.

CATO.—Cato's Moral Distichs Englished in Couplets. Philadelphia: Printed and Sold by B. Franklin, 1735. 4to (12 leaves), green levant morocco, gilt back, corner ornaments on the sides (Roger Payne style), uncut edges, by Rivière.

"CATO PARVUS."—See Dibdin, T. F.

CATULLUS, Caius Valerius.—The Poems of Caius Valerius Catullus translated. With a Preface and Notes by the Hon. George Lamb . . . London: John Murray . . . 1821. Post 8vo, two volumes in one, calf, gilt back, gilt top, uncut edges.

CATULLUS, Caius Valerius.—The Poems of Catullus. Translated into English Verse with an introduction and notes by Theodore Martin. London    Parker Son and Brown . . . 1861. Crown 8vo, cloth, uncut edges.

CATULLUS, Caius Valerius.—The Attis of Caius Valerius Catullus Translated into English Verse, with Dissertations On the Myth of Attis, on the Origin of Tree-Worship, and on the Galliambic Metre By Grant Allen, B. A., formerly Postmaster of Merton College, Oxford. London. MDCCCXCII. Published by David Nutt . . . Royal 8vo, half vellum, uncut edges.

No. 22 of sixty large paper copies printed.

CATULLUS, Caius Valerius.—The Carmina of Caius Valerius Catullus   Now first completely Englished into Verse and Prose, the Metrical Part by Capt. Sir Richard F. Burton, . . . and the Prose Portion, Introduction, and Notes Explanatory and Illustrative by Leonard C. Smithers   London: M DCCC XCIIII: printed for the Translators: . . . for private subscribers only. 8vo, half vellum, uncut edges.

Portrait by Blake after Della Rosa. No. 146 of one thousand copies printed.

CAULFIELD, James.—Calcographiana: the Print-sellers Chronicle and Collectors Guide to the Knowledge and Value of Engraved British Portraits. By James Caulfield   London: Printed by and for G. Smeeton 1814. 8vo, brown morocco, gilt back and sides, gilt edges, by J. MacKenzie.

Illustrated by the insertion of ninety portraits, including originals by Faithorne, White and Magdalen de Passe, also the portrait of Henry, Prince of Wales, from the Hieroologia.

From the collection of John Allan.

CAURTIER, Peter L.—See Courtier, Peter L.

CAVALCASELLE, G. B.—See Crowe and Cavalcaselle.

CAXTON CELEBRATION.—See Bullen, George.

CELLINI, Benvenuto.—Memoirs of Benvenuto Cellini, a Florentine artist; written by himself. Containing a variety of information respecting the arts, and the history of the sixteenth century. Third edition. Corrected and enlarged from the last Milan edition. With the notes and observations of G. P. Carpani, now first translated by Thomas Roscoe, . . . London: printed for Henry Colburn and Co.   M DCCC XXIII. 8vo, two volumes, half green morocco, gilt top, uncut edges.

Portrait by J. Collyer after G. Vasari.

CERVANTES-SAAVEDRA, Miguel de.—Don Quixote de la Mancha. Translated from the Spanish of Miguel de Cervantes Saavedra. Embellished with engravings from pictures painted by Robert Smirke . . . London: printed for T. Cadell and W. Davies . . . by W. Bulwer and Co . . . 1818. 4to, four volumes, russia, gilt back and sides.

Largest paper, with proofs on India paper of the forty-eight plates and twenty-six vignettes, engraved by Anker Smith, Heath, Engleheart, Warren, Raimbach, Fittler, etc.

CERVANTES-SAAVEDRA, Miguel de.—The Exemplary Novels of Miguel de Cervantes Saavedra, the Author of Don Quixote de la Mancha, published at Madrid in 1613; so called, because in each of them he proposed Useful Example, to be either imitated or avoided   London: printed for T. Cadell . . . 1822. 8vo, two volumes, calf, citron edges over rough leaves, by Bedford.

CERVANTES-SAAVEDRA, Miguel de.—The History and Adventures of the renowned Don Quixote: from the Spanish of Miguel de Cervantes Saavedra. By T. Smollett, M. D. To which is prefixed a Memoir of the Author, by Thomas Roscoe. Illustrated by George Cruikshank. . . . London: Effingham Wilson, . . . 1833. Post 8vo, three volumes, half maroon levant morocco, gilt top, uncut edges, by V. Krafft.

Three imaginary portraits by J. Smith after Meadows, and fifteen other plates by Cruikshank.

CERVANTES-SAAVEDRA, Miguel de.—Don Quixote de la Mancha. Translated from the Spanish of Miguel de Cervantes Saavedra, by Charles Jarvis, Esq. carefully revised and corrected. Illustrated by Tony Johannot. London: J. J. Dubochet & Co., . . . 1837. [1838, 1839]. Royal 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Matthews.

Extra-illustrated by the insertion of a few portraits, views, etc.

CERVANTES-SAAVEDRA, Miguel de.—The Exemplary Novels of Miguel de Cervantes Saavedra: to which are added El Buscapié, or, the Serpent; and La Tia Fingida, or, the Pretended Aunt. Translated from the Spanish by Walter K. Kelly. London: Henry G. Bohn . . . MDCCCLV. Post 8vo, half blue morocco, uncut edges.

Portrait of Cervantes by Hinchliff after Van der Gucht.

CESNOLA, Louis Palma di.—Cyprus: its ancient cities, tombs, and temples. A narrative of researches and excavations during ten years' residence in that island   By General Louis Palma di Cesnola, . . . with maps and illustrations. New York: Harper & Brothers, . . . 1878. 8vo, cloth, gilt top, uncut edges.

Presentation copy from the author.

CHAFFERS, William.—Marks and Monograms on Pottery & Porcelain of the renaissance and modern periods, with Historical Notices of each Manufactory, preceded by an introductory essay on the Vasa Fictilia of the Greek, Romano-British, and Mediæval eras. By William Chaffers, . . . Fourth Edition, revised and considerably augmented. with 3000 potters' marks and illustrations. London: Bickers & Son, . . . CIↃ.IↃ.CCC.LXXIV. Royal 8vo, half brown morocco, gilt top, uncut edges.

The Printer's copy, one of two printed on thick paper, with many of the plates in colour.

CHAFFERS, William.—The Collector's Hand Book of Marks and Monograms on Pottery & Porcelain . . . with nearly 3000 marks. By William Chaffers . . . London: Bickers and Son, . . . 1874. 8vo, cloth.

CHALKLEY, Thomas.—A Collection of the Works of Thomas Chalkley. [Part II. Containing His Epistles, and other Writings.] Philadelphia: Printed by B. Franklin, and D. Hall, MDCCXLIX. 8vo, two volumes, red levant morocco, gilt back, gilt edges, by Bedford.

CHALMERS, Thomas.—On the Power Wisdom and Goodness of God as manifested in the Adaptation of external Nature to the moral and intellectual Constitution of Man by the Rev. Thomas Chalmers D.D. . . . [Second edition]   London   William Pickering   1833. 8vo, two volumes, cloth, uncut edges.

Bridgewater Treatise No. I.

CHAMBERS, Robert.—(I.) Vestiges of the Natural History of Creation. Third Edition   London: John Churchill . . . MDCCCXLV. (II.) Explanations: a Sequel to "Vestiges of the Natural History of Creation." By the author of that work. London: John Churchill . . . MDCCCXLV. 12mo, two volumes, cloth, uncut edges.

CHAMPION and OWEN.—Two Centures of Ceramic Art in Bristol being a History of the Manufacture of "The True Porcelain" by Richard Champion with a biography compiled from private correspondence journals and family papers; containing unpublished letters of Edmund Burke, Richard and William Burke the Duke of Portland, the Marquis of Rockingham and others   With an account of the Delft, Earthenware and Enamel Glass Works from original sources   By Hugh Owen, . . . Illustrated with one hundred and sixty engravings   London   Bell and Daldy, . . . 1873. Royal 8vo, cloth, uncut edges.

Portrait of Champion by W. T. Davey.

CHANDOS THE HERALD.—The Black Prince. An historical poem, written in French, by Chandos Herald; with a translation and notes by the Rev. Henry Octavius Coxe, . . . Printed for the Roxburghe Club. London: W. Nicol, . . . M DCCC XLII. Royal 4to, half brown morocco, uncut edges.

Engraved title and facsimile.

CHANTRY, John.—A Book of Portraicture. John Chantry, sculp. 1663. Sold by Godfrey Richards at the signe of the Peacock in Cornhil neere the Royall Exchange. London. Oblong 4to, half green morocco, gilt back, gilt top, uncut edges, by R. W. Smith.

Twenty-one plates engraved by Chantry after the designs of Godfrey Richards.

CHAP-BOOKS, 1744 &c—(I.) The Delightful New Academy of Complements. . . . [cut] York: Printed and Sold by Thomas G   (II.) Anacreon's Feast. To which are added, 1. A New Iriſh and Scotch Song. 2. The German Mare. 3. A New Song on Alderman Wilkes. [cut] [Colophon]   Worcester: Printed for S. Gamidge; &c. . . . [n. d.]   (III.) The Baffled Knight; Or, The Lady's Policy. [cut] . . . Worcester: . . . S. Gamidge: &c. . . . [n. d.] . . . (IV.) The Berkshire Tragedy: or, the Whittham Miller. . . . [cut]    York: Pirnted for John Keed, 1744. (V.) Britannia's Charter A choice Collection of New Songs. . . . [cut] Printed for S. Gamidge, . . . Worceſter. . . . [n. d.]. (VI.) The Witty and Entertaining Exploits of Sir Geo. Buhanan, commonly called the King's Fool. Printed by S. Gamidge, in Worceſter; &c. . . . [n. d.]   (VII.) The Wandering Young Gentlewoman; or Catskin. To which is added, The Sailor's Return   [cut]    Ludlow: Printed by J. Turner. [n. d.] (VIII.) A Collection of New Songs. Containing, 1. Jockey and Jenny. &c. . . . Sold by S. Gamidge, in Worcester. [n. d.] (IX.) A Choice Collection of Scotch Songs. Part the First. . . . [cut]   Sold by S. Gamidge, in Worceſter; . . . [n. d.] (X.) Part the Fourth of a Choice Collection of Scotch Songs. . . . [cut]    Worcester: Printed for S. Gamidge; &c—[n. d.] (XI.) A Collection of New Songs. Containing. 1. An Ode to Echo. . . . [cut containing "Num. VI."] Sold by S. Gamidge, . . . Worceſter. [n. d.] (XII.) A Collection of New Songs. Containing. 1. Cymon and Iphigenia. . . . [cut containing "Num. VIII"] Sold by S. Gamidge, . . . Worceſter, . . . [n. d.] (XIII.) Cupid's Magazine. Being a Choice Collection of Songs. . . . London: Printed for C. Sheppard, . . . [n. d.] [cut] . . . (XIV.) The Life and Adventures of Capt. John Deane. . . . [cut] Sold by S. Gamidge, in Worceſter. [n. d.] (XV.) The Devonshire Nymph; Or, The Knight's Happy Choice. . . . [cut] Sold by S. Gamidge, . . . Worceſter. [n. d.] (XVI.) A diverting Dialogue both Serious and Comical: That paſſed the other day between a noted Shoemaker and his Wife, living in this Neighbourhood. [cut] Een tered according to Order [n. d.] (XVII.) Fair Maudlin; or, the Merchant's Daughter of Briſtol. [cut] . . . [Colophon] Printed for S. Gamidge, . . . Worceſter. [n. d.] (XVIII.) The Five Strange Wonders of the World: or, a New Merry Book of All Fives. . . . Sold by S. Gamidge, in Worceſter; . . . [n. d.] (XIX.) The Gloceſtershire Tragedy; Being an Account of Miss Mary Smith, of Thornbury, who Poisoned her Father, Sir John Smith, For Love of a young Man. . . . Printed and Sold by Howard and Evans, . . . London. [n. d.] (XX.) The Golden Bull; or, The Crafty Princeſs. . . . [cut] . . . [n. p., n. d.] (XXI.) Undutiful Daughter: or the Hampſhire Wonder. . . . [cut] Printed by C. James . . . [London, n.d.]   (XXII.) A Mournful Tragedy. Being A True Copy of Verses, ſhewing the unparallelled Sufferings of the Heer Van Ussell, a Dutchman, his Lady, two Children, and ſixteen Sailors, who underwent ſuch hardſhips at Sea, as forced them to kill and eat one another. [cut] Sold by S. Gamidge, in Worcester, [n. d.]   (XXIII.) The Overthrow of Proud Holofernes; And the Triumph of Virtuous Queen Judith. [cut]   Worcester: Printed for S. Gamidge . . . [n. d.]   (XXIV.) The Hull Tragedy, or Unnatural Ingratitude. . . . Sold by S. Gamidge, . . . Worceſter. . . . (XXV.) Joaks upon Joaks, or No Joak like a true Joak. Containing, The Merry Pranks of The Earls of Warwick and Pembroke, Lord Rochester, Lord Mohun, &c. Sold by S. Gamidge, . . . Worceſter; &c. . . . [n. d.]   (XXVI.) The Pleaſant and Delightful History of Lawrence Lazy: containing His Birth and Slothful Breeding: . . . [cut] Printed, for James Hodges, at the Looking-Glaſs on London-Bridge. (XXVII.) The Liverpool Tragedy. [n. d.] (XXVIII.) Love At the firſt Sight: Or, the Gay In a Flutter; . . . London: Printed by T. Thomas, near St. Pauls. [n. d.] (XXIX.) A Collection of Love-Letters. To which is added The History of Sylvia. [cut] Sold by S. Gamidge, . . . Worcester. . . . [n. d.] (XXX.) The Amuſement, Being a Collection of Thirteen Love Songs. [n. d.] (XXXI.) The Loyal Martyrs: or, Bloody Inquisitor. . . . Worcester: Printed for S. Gamidge; . . . [n. d.] (XXXII.) The Maiden's Prize; or, Batchelor's Puzzle. . . . Printed for S. Gamidge, . . . Worceſter. [n. d.] (XXXIII.) The Miraculous Farmer: or, No Cock like the Weſt-Country Cock. [cut] Ludlow: Printed by J. Turner. [n. d.] (XXXIV.) The Nottingham Tragedy. . . . London: Prinsed by J. Johnſon. [n. d.] (XXXV.) The Oxfordſhire Tragedy; or, Roſanna's Overthrow. . . . [cut] Printed for S. Gamidge, in Worceſter. . . . [n. d.] (XXXVI.) A choice Penny-worth of Wit; . . . [n. d.] (XXXVII.) Pills to purge Melancholy: or, England's Witty and Ingenious Jeſter. . . . [cut] Sold by S. Gamidge, . . . Worcester . . . [n. d.] (XXXVIII.) Plymouth Tragedy: or, Fair Susan's Overthrow. . . . [cut] [n. d.] (XXXIX.) The Politick Chambermaid: or, The Merchant Outwitted. . . . [cut]   Sold by S. Gamidge, in Worceſter; . . . [n. d.] (XL.) The Somerſetſhire Tragedy: or, The Unnatural Mother. Sold by S. Gamidge, in Worceſter; . . . [n. d.] (XLI.) The History and Lives Of all the moſt Notorious Pirates, and their Crews. . . . [cut] Sold by S. Gamidge, in Worceſter; . . . [n. d.] 8vo, forty-one works in one volume, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

CHAP-BOOKS, 1814-1817.—(I.) The Coalman's Courtship to the Creel-wife's daughter. In three parts. . . . Stirling: printed and sold by M. Randall. [n. d.] (II.) Odd History of a Scottish Thief, who imposed on the city of London, Bristol, &c. under the title of a Lord's eldest son. Also A Wonderful Escape from Death. [cut] [Stirling]   Printed by M. Randall. [n. d.] (III.) The London Spy. Or the Frauds of London described. Being a complete discourse of all the Dark Transactions In and about that Great City. Edinburgh: Printed for the Booksellers. 1816. (IV.) The Exploits of Wise Willie, and Witty Eppie the Ale-Wife, of Buchaven. [cut]   Stirling: Printed and Sold by M. Randall. [n. d.] (V.) Thrummy Cap: a tale. To which are added. Young Whip Stich, and the Gig Demolished. [cut] Stirling: Printed and Sold by M. Randall. [n. d.] (VI.) History of the King and the Cobler. In two parts. . . . A New Edition enlarged. [cut]   Sold wholesale by J. Fraser & Co. . . . Stirling. [n. d.] (VII.) The Comical Transactions of Lothian Tom. In six parts. . . . [cut]   Paisley: Printed by J. Neilson. 1815. (VIII.) Fun upon Fun! or, the Comical Merry Tricks of Leper the Taylor. In two parts. . . . [cut]   Paisley: Printed by J. Neilson. 1815. (IX.) The History of the Seven Wiſe Maſters of Rome. . . . Falkirk: printed by T Johnston. 1816. (X.) The History of Moll. Flanders. . . . [cut] Paisley, printed by J. Neilson, 1815. (XI.) The History of John Cheap the Chapman, . . . In three parts. [cut] Glasgow: Published and Sold by R. Hutchinson & Co. . . . 1817. (XII.) The Comical History of Simple John and his Twelve Misfortunes; . . . [cut] Glasgow: . . . R. Hutchinson & Co. . . . 1817. (XIII.) The History of The Wicked Life and Horrid Death of Dr. John Faustus. . . . [cut] Printed in the year 1816. (XIV.) The Laird of Cool's Ghost. . . . [cut] Paisley: . . . J. Neilson. 1815. (XV.) The Ancient and Modern History of Buck-Haven in Fifeshire. . . . [cut] Glasgow: . . . R. Hutchinson & Co. . . . 1817 (XVI.) The Pleaſant History of Poor Robin, the Merry Sadler of Walden. . . . [cut] Printed in the year 1817. (XVII.) The Friar & Boy, or, the Young Piper's Pleasant Pastime. . . . Stirling, Printed and Sold by M. Randall. [n. d.] (XVIII.) The Merry Tales of the Wise Men of Gotham. . . . Stirling: . . . M. Randall. [n. d.] (XIX.) Wanton Tom: or, the Merry History of Tom Stitch The Tailor. . . . Stirling: printed by M. Randall. [n. d.] (XX.) The Life and Transations of Mrs. Jane Shore, Concubine to K. Edward 4th, . . . [cut] Paisley: . . . J. Neilson. 1816. (XXI.) The Comical Sayings of Paddy from Cork, with His Coat Button'd Behind, . . . [cut] Paisley: . . . J. Neilson, 1815. (XXII.) The Dominie Depos'd; or some Reflections On his Intrigue with a young Lass, . . . With the Sequel. By William Forbes, . . . To which is added, Maggy Johnston's Elegy. [cut] Glasgow: . . . R. Hutchinson & Co. . . . [n. d.] (XXIII.) The Merry and Diverting Exploits of George Buchanan, commonly called The King's Fool. . . . [cut] Paisley: . . . J. Neilson. 1815. (XXIV.) The Whole Proceedings of Jockey and Maggy: . . . Carefully corrected and revised by the Author. Stirling: . . . M. Randall. 1814. 12mo, twenty-four works in one volume, green levant morocco, Janseniste, gilt top, uncut edges, by Alfred Matthews.

Twenty-four old popular tracts, all reprinted from earlier editions at Edinburgh, Glasgow, Stirling, Falkirk, and Paisley, from 1814 to 1817. They all relate to Scotland and Scottish manners, with the exception of two or three, viz., The Friar and the Boy, The London Spy, and The History of Poor Robin. Thirty-seven curious woodcuts.

John Payne Collier's copy, with his notes on the fly-leaf.

CHAP-BOOKS, 1815-1828.—(I.) The History of the Haverel Wives, or the Folly of Witless Women Displayed . . . [cut] Stirling: printed by William Macnie, . . . [n. d.] (II.) Fun upon Fun: or the comical and merry Tricks of Leper, the Taylor, . . . [cut] Stirling: printed by William Macnie, . . . 1828. (III.) The Comical Sayings of Paddy from Cork, . . . [cut] Paisley: printed by J. Neilson . . . [n. d.] (IV.) The Laird of Cool's Ghost . . . [cut] Paisley: printed by J. Neilson. 1815. (V.) The Intrepid & Daring Adventures of Sixteen British Seamen to which is added, a cure for the toothach. [cut] Paisley: printed and published by G. Caldwell. 1837. (VI.) The History of Moll Flanders . . . [cut] Paisley, printed by J. Neilson, 1815. (VII.) The History of the Devil, Ancient and Modern . . . [cut] Ayr: Printed and Sold by D. Macarter & Co. 1817. (VIII.) Account of The Royal Visit of George the IVth to Scotland. [cut] Kilmarnock: Printed by H. Crawford, . . . 1822. (IX.) The Last Words of Christian Ker, . . . By Mr. Archibald Deans, . . . Kilmarnock: printed by H. Crawford, . . . 1819. (X.) Honesty the Best Policy: Exemplified in the Life of the English Water-man. [cut] Kilmarnock: Printed by H. Crawford, . . . 1822. (XI.) The Comical History of the King and the Cobler. [cut] Kilmarnock: printed by H. Crawford, . . . [n. d.] (XII.) The History of Jack and the Giants . . . [cut] Kilmarnock: Printed by H. Crawford, . . . 1821. (XIII.) The History of Redmond O'Hanlon, captain of the Irish Robbers . . . [cut] Kilmarnock: printed by H Crawford. 1820. (XIV.) The Way to Wealth; or, Poor Richard's maxims improved, . . . Falkirk: printed for the booksellers. [n. d.] (XV.) The Travels & Adventures of Willm. Lithgow, in Europe, Asia, & Africa, during nineteen years. [cut] Falkirk: printed by T. Johnstone. 1819. (XVI.) The Pleasing Art of Money-catching and the way to thrive, by Turning a Penny to Advantage: . . . Falkirk: printed for the booksellers. [n. d.] (XVII.) A Description of North America, and the British Settlements in Canada: . . . [cut] Falkirk: printed by T. Johnston: 1817. (XVIII.) The Art of Courtſhip, or, the school of love . . . [cut] [n. d.] (XIX.) The Comical Transactions of Lothian Tom . . . [cut] Paisley: Printed by J. Neilson. 1815. (XX.) The witty and entertaining Exploits of George Buchannan, who was commonly called the King's Fool . . . Edinburgh: Printed by J. Morren, . . . [n. d.] 8vo, twenty works in one volume, red morocco, gilt back, gilt top, uncut edges, by Alfred Matthews.

CHAP-BOOKS. 1817-1818.—(I.) The Sleeping Beauty in the Wood, an entertaining tale. [cut] Edinburgh; Printed and Sold by J. Morren, Cowgate. [n. d.] (II.) Prophecies of Thomas the Rhymer, . . . containing the wonderful fulfilment of many of his predictions; and those not yet accomplished. Collected, Examined, and now Promulgated By Mr. Allan Boyd, . . . With, subjoined, an account of The Battle of Bannockburn, . . . And, Impartiality, a Turkish Tale. Sold wholesale by J. Fraser & Co. printers, Stirling, [n. d.] (III.) A Groat's worth of Wit for a Penny: or, the Interpretation of Dreams, Moles, &c. [cut] Edinburgh: Printed for the Booksellers in Town and Country. [n. d.] (IV.) The Adventures of Thrummy Cap: a tale. To which are added, The London Tailor on horseback: and The Gig Demoliſh'd. [cut] Falkirk: printed & Sold by T. Johnston, 1817. (V.) The Scots Piper's Queries, or John Falkirk's carriches. To which is added His Comical and Witty Jokes. When in Courtſhip with an old Fiddler's Widow, . . . Edinburgh, Printed by J. Morren, [n. d.] (VI.) The Comical Transactions of Lothian Tom. In six parts. Wherein is contained A collection of Roguish Exploits, Done by Him, both in Scotland and England. Stirling: Printed and Sold by M. Randall. [n. d.] (VII.) The Life & Transactions of Mrs. Jane Shore. Concubine to King Edward IV. containing an account of Her Parentage, Wit and Beauty, her Marriage with Mr Shore, the King,s Viſits to her; her going to Court, leaving her Husband; her great diſtreſs and miſery after the King's death, &c. [cut] Edinburgh: printed by J. Morren. [n. d.] (VIII.) The comical history of the Collier's Wedding, at Benwell, near New Castle upon Tyne. By Edward Chicken. . . . Edinburgh: printed for the booksellers. 1818. (IX.) The History of the Devil, ancient and modern, in two parts. . . . Edinburgh; Printed by J. Morren, Campbell's close, Cowgate. [n. d.] (X.) The interesting History of the amiable Lady Jane Gray, who Reigned only Nine Days Queen of England. [cut] Falkirk: printed by T. Johnston. 1818. (XI.) The History of the Seven Wise Masters, of Rome. . . . [cut] Stirling. Printed and Sold by M. Randall. [n. d.] (XII.) The Fortunes & Misfortunes of the famous Moll Flanders. Who was born in Newgate, . . . [cut] Edinburgh, Printed by J. Morren, [n. d.] (XIII.) The History of the Frolickſome Courtier, and the Jovial Tinker. [cut] Stirling: Printed and Sold by C. Randall. [n. d.] (XIV.) The witty and entertaining Exploits of George Buchannan, who was commonly called the King's Fool. . . . Edinburgh: Printed and Sold by J. Morren, . . . [n. d.] (XV.) The Merry Tales, of the Wise Men of Gotham. . . . [cut] Stirling: Printed by M. Randall. [n. d.] (XVI.) The History of the famous Valentine and Orson [cut] . . . Edinburgh: Printed for the Company of Flying Stationers. (XVII.) Fun upon Fun. Or t h Comical and Merry Tricks of Leper the Taylor. In two parts. [cut] Edinburgh; Printed and Sold by J. Morren, . . . [n. d.] (XVIII.) A wonderful account of Mr. George Spearing, A Lieutenant in the Navy, who fell into a Coal Pit in Northwoodside, near Glasgow; . . . Also, The Surprising manner of his Deliverance, . . . To which is added, A Hymn of Praise for his Deliverance. Published by himself, for the information of his Friends and the Public. Kilmarnock: Printed for the Booksellers. [n. d.] (XIX.) The Comical Adventures of the late comedian, Mr James Spiller, At Epsom, in England. A true humorous tale. To which is added, the pleasant story of Obadiah Mousetrap. . . . Edinburgh: Printed and Sold by J. Morren, . . . [n. d.] (XX.) The Comical Sayings of Pady from Cork. With his coat button'd behind. . . . To which is added his creed for all Romish believers. [cut] Edinburgh: Printed, by J. Morren, . . . [n. d.] (XXI.) The History of Whittington and his cat. [cut] Edinburgh: Printed for the Booksellers in Town and Country. (XXII.) The History of Fortunatus. To which are added, the lives and adventures of Ampedo, and Andolocia, His two Sons. [cut] Edinburgh: Printed for the Booksellers in Town and Country [n. d.] (XXIII.) A true tale of Robin Hood; setting forth the life and death Of that Renowned Out-law Robert, Earl of Huntington, vulgarly called Robin Hood. . . . Carefully collected out of the trueſt Writers of our Engliſh chronicles; . . . By Martin Parker, Gent. [cut] Haddington: Printed by G. Miller: . . . [n. d.] 12mo, twenty-three works in one volume, red morocco, gilt top, uncut edges, by Matthews.

Presentation copy to Joseph Haslewood, September, 1823.

CHAP-BOOKS, 1826, &c—(I.) The Haughs of Crumdel; Giving a full account of that Memorable Battle fought by the Great Montrose and the Clans, against Oliver Cromwell; To which are added, The Broom of Cowdenknowes, The Highland Plaid. [cut] Stirling: Printed and Sold, Wholesale and Retail, by W. Macnie, . . . [n. d.] (II.) The Tragedy of Sir James the Rose. [cut] Stirling: Printed and Sold, . . . by W. Macnie, . . . [n. d.] (III.) The Blackamoor of the Wood; being a Tragical end of a gallant Lord and virtuous Lady; . . . [cut] Stirling: Printed by W. Macnie. [n. d.] (IV.) The Woodman; To which are added, The Galley Slave, I'm well sair'd wi' spunk, Jock of Hazeldean, William's Farewell, Jenny the Maid of the Moor, Oh! Lady Fair. [cut] Stirling: Printed and Sold, . . . By W. Macnie, . . . [n. d.] (V.) Hills o' Gallowa; To which are added, Last May a braw wooer, Green grow the rashes, O, Sweet the rose blaws. [cut] Stirling: Printed by W. Macnie. 1826. (VI.) Soldier's Dream; To which are added, Hap me with thy Petticoat, At the Dead of the Night, Bonny Mally Stewart, Lochaber no More, Down the Burn Davie. [cut] Stirling: Printed and Sold, . . . by W. Macnie, . . . [n. d.] (VII.) Bundle and Go; . . . [cut] Stirling: . . . W. Macnie, . . . [n. d.] (VIII.) Sair sair was my heart; . . . [cut] Stirling: . . . W. Macnie. 1826. (IX.) The bonny lass of Banaphie; To which is added, The Banks of Clyde. [cut] Stirling   Printed by W. Macnie. 1826. (X.) The Duke of Gordon's Daughters; To which is added, The Challenge. [cut] Stirling: . . . W. Macnie, . . . [n. d.] (XI.) Allan Tine o'Harrow; . . . [cut] Stirling: . . . W. Macnie, . . . [n. d.] (XII.) Welcome Charlie o'er the Main; To which are added, The day Returns, &c. . . . [cut] Stirling: Printed and Sold, . . . by W. Macnie, . . . 1826. (XIII.) Captain Wedderburn's Courtship. . . . [cut] Stirling: . . . W. Macnie, . . . [n. d.] (XIV.) The Same as XIII. (XV.) The Bonny Lassie's Plaidy awa, Flora's Lament for Charlie, . . . [cut] Stirling: . . . W. Macnie, . . . [n. d.] (XVI.) Andrew Lammie, or, Mill of Tiftie's Annie. [cut] Stirling: Printed and Sold, . . . by W. Macnie, . . . [n. d.] (XVII.) A Garland of New Songs. Muirland Willie . . . [cut] Printed by J. Marſhall, . . . [n. d.] (XVIII.) No. 12. Excellent New Songs, viz. The Soldier's Return, &c. . . . [cut] Alnwick: Printed and Sold by W. Davison. . . . [n. d.] 12mo, eighteen works in one volume, half green morocco, uncut edges.

CHAP-BOOKS.—The Haughs of Crumdel &c. The Tragedy of Sir James the Rose. The Blackamoor of the Wood   The Woodman &c   Hills o' Gallowa; &c Soldier's Dream &c   Bundle and Go; &c   Sair, sair was my heart   The bonny lass of Banaphie &c   The Duke of Gordon's Daughters &c   Allan Tine O'Harrow &c   Welcome Charlie o'er the Main &c   and five others Stirling . . . W. Macnie   1826. 12mo, seventeen pieces in one volume, half bound, uncut edges.

CHAP-BOOKS, American.—(I.) An Exact Account of the Trial and Execution of Captain Jeane Who was hang'd in Chains on the 13th of laſt Month, for the moſt vile and unheard of cruel Murder of Richard Peyne, his Cabbin-boy, in his Paſſage homewards from South Carolina, in which is repeated his particular Barbarities   all which being ſo inhuman that after the Judge had pronounced Sentence of Death againſt him, he said, A more cruel and horrible Crime he never heard of, and and hoped ſuch another would never come before him again. Licenced and entered according to order   (II.) The Great and Wonderful News From America, On the arrival of Captain Williams, Commander of the Ship, called the Dolphin, who was Seven Weeks and three Days in their Paſſage from Hallifax, in North America, being bound for Briſtol, but by contrary Winds was forced to put in at Parkgate: with an account how he brought with him the moſt Wonderful Jew together with his moſt Surprizing Examination before four Reverend Divines, to which is added, a Hymn which he is heard to ſing when he is by himself. [cut] (III.) The Havannah's Garland, Conſiſting of three excellent New Songs. I. On the Siege and Taking of Havannah. II. O to be married if this the Way. III. The Ale-Wife's Supplication. [cut] Licenſed and entered according to order. (IV.) The Poor Unhappy Tranſported Felon's Sorrowful Account of His Fourteen Years Tranſportation at Virginia, in America. In six parts. Being A remarkable and succinct Hiſtory of the Life of James Revel, the unhappy Sufferer. . . . Licenſed and enterter'd according to Order. 12mo, four volumes, citron levant morocco, Janseniste, uncut edges, in a blue levant morocco case, by Rivière.

CHARLES I.—A Catalogue and Description of King Charles the First's capital Collection of

pictures,
limnings,
statues,

bronzes,
medals, and
Other curiosities;

Now firſt publiſhed from an Original Manuscript in the Ashmolean Musæum at Oxford. The whole tranſcribed and prepared for the Press, and a great part of it printed, by the late ingenious Mr. Vertue, and now finiſhed from his Papers. London, Printed for W. Bathoe, . . . M DCC LVII. 4to, red straight-grain morocco, gilt back, gilt edges, by Rivière.

CHARLEY CHALK; or, the career of an artist: being Sketches from Real Life; comprising a narrative of his extraordinary adventures in Great Britain and Ireland, France and Greece. With illustrations by Jacob Parallel. London: G. Berger, . . . [n. d.]. 8vo, citron levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

Frontispiece, vignette title-page, and eighteen plates.

CHATELAIN, Heli, editor.—Folk-tales of Angola   Fifty tales, with Ki-mbundu text literal English translation introduction, and notes collected and edited by Heli Chatelain . . . Boston and New York Published for The American Folk-Lore Society by Houghton, Mifflin and Company . . . 1894. 8vo, cloth, gilt top.

CHATELAIN, Madame de.—The Silver Swan. A Fairy Tale. By Madame de Chatelain   London: Grant and Griffith . . . M.DCCC.XLVII. Square post 8vo, brown levant morocco, gilt back, sextuple fillet inside, silk linings, gilt edges, and the original covers bound in, by Rivière.

Four coloured plates by John Leech.

CHATTERTON, Thomas.—The Works of Thomas Chatterton. . . . containing his Life, by G. Gregory D.D., and Miscellaneous Poems. London: printed by Biggs and Cottle . . . for T. N. Longman and O. Rees &c. 1803. 8vo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges.

Edited by Southey and Cottle, and published for the benefit of Miss Newton, Chatterton's niece. Facsimiles and other plates, and (inserted) a portrait of Chatterton, proof on India paper.

CHATTERTON, Thomas.—The Poetical Works of Thomas Chatterton with Notices of his Life, history of the Rowley controversy, a selection of his letters, and notes critical and explanatory. . . . Cambridge: printed for W. P. Grant. M DCCC XLII. Crown 8vo, two volumes, half maroon morocco, gilt top, uncut edges.

Large paper copy. Engraved title-pages and three facsimiles.

CHATTO, William Andrew.—The Angler's Souvenir, by P. Fisher, Esq, [William Andrew Chatto]   Assisted by several eminent Piscatory Characters, with Illustrations by Beckwith & Topham. London, Charles Tilt . . . 1835. Small 8vo, green morocco, gilt back, gilt top, uncut edges, by Matthews.

Engraved title, dedication, and thirty-one steel plates on India paper. The text is printed within appropriate woodcut borders.

CHATTO, William Andrew.—The Angler's Souvenir. 1835. Small 8vo, original cloth, uncut edges.

Another copy, with the plates on India paper.

CHATTO, William Andrew.—The Angler's Souvenir by P. Fisher Esq. London, Henry G. Bohn, . . . 1845. Small 8vo, green calf, gilt back and edges.

The illustrations to this book are in proof state, and in addition are inserted Gosden's facsimile-title to the first edition of Walton's Angler, the frontispieces (proofs) to Pickering's miniature edition of Walton, portraits of Walton and Cotton from the Pickering edition of 1836, and other plates of Fish, etc., from various editions of the Complete Angler, with the Milkmaid's Song and other extracts in manuscript, ornamented, fifty-four plates in all.

CHATTO, William Andrew.—Scenes and Recollections of Fly-Fishing, in Northumberland, Cumberland, and Westmoreland. By Stephen Oliver, the Younger. London: Chapman and Hall . . . 1834. Foolscap 8vo, cloth, uncut edges.

Printed by Whittingham, with numerous woodcut illustrations.

CHATTO, William Andrew.—See Jackson and Chatto.

CHAVES, A.—The Cares of Love, or, a Night's Adventure. a Comedy. As it is now Acted at the Theatre-Royal in Little Lincolns-Inn Fields, By Her Majesties Servants. [One line from Ovid]   London: Printed for W. Davis . . . and J. Chantry, . . . 1705. Price 1s. 6d. 4to, green straight-grain morocco, gilt back, gilt and blind-tooled side borders, gilt edges, by Zaehnsdorf.

First edition. A-H3 in fours, final leaf of Advertisement, H4, title on A1. Dedication to Sir William Read, the mountebank oculist, Prologue by Booth, who took the part of Florencio.

CHESTERFIELD, Earl of.—Miscellaneous Works of the late Philip Dormer Stanhope, Earl of Chesterfield: consisting of Letters to his Friends, never before printed, and various other articles. To which are prefixed Memoirs of his Life, tending to illustrate the civil, literary and political History of his Time. By M. Maty . . . The Second Edition . . . with an Appendix, containing Sixteen Characters of Great Personages. &c London: printed for Edward and Charles Dilly . . . MDCCLXXIX. 8vo, four volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Pratt.

Portraits engraved by Bartolozzi, Sherwin, etc.

CHESTERFIELD, Earl of.—Letters written by the Earl of Chesterfield to his Son. [portrait] London: printed for Thomas Tegg . . . [at the Chiswick Press] 1827. 12mo, three volumes, green morocco, gilt back, side panels, gilt edges.

With several other pieces, on various subjects, published by Mrs. Eugenia Stanhope from the originals.

CHESTERFIELD, Earl of.—The Letters [and Works] of Philip Dormer Stanhope, Earl of Chesterfield; including numerous letters now first published from the original manuscripts. Edited, with Notes, by Lord Mahon . . . London: Richard Bentley . . . 1845-'53. 8vo, five volumes, cloth, uncut edges.

Five steel portraits.

CHESTERFIELD TRAVESTIE; or, School for Modern Manners. Embellished with ten caricatures, engraved by Woodward from original Drawings by Rowlandson . . . London: Printed by T. Plummer . . . for Thomas Tegg . . . 1808. Post 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

The ten plates by Rowlandson are coloured, and the original paper covers are preserved.

CHIENE, John.—Lectures on Surgical Anatomy by John Chiene, M. D. &c. . . . illustrated by 31 plates (78 figures) drawn on stone [and tinted or coloured] by Charles Berjeau, from original dissections   Edinburgh David Douglas   1878 . . . 8vo, cloth, uncut edges.

CHILD, Francis James.—See Lowell, J. R.

CHIPPENDALE, Thomas.—The Gentleman and Cabinet-Maker's Director. Being a large collection of the most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . . to which is prefixed, a short explanation of the Five Orders of Architecture, and Rules of Perspective; with Proper Directions for executing the most difficult Pieces, the Mouldings being exhibited at large, and the Dimensions of each Design specified: the whole comprehended in One hundred and sixty copper-plates, neatly engraved . . . By Thomas Chippendale . . . The second edition. London, printed by J. Haberkorn . . . for the Author . . . MDCCLV. Royal folio, mottled calf, gilt back and side panels, gilt edges, by Rivière.

CHRISTIE, James.—An Inquiry into the Early History of Greek Sculpture. By the late James Christie, . . . London: printed by William Clowes, . . . MDCCCXXXIII. 4to, boards.

India proof portrait.

CHRISTIE, Richard Copley.—Etienne Dolet the Martyr of the Renaissance a biography by Richard Copley Christie, . . . [portrait] London Macmillan and Co. 1880 . . . 8vo, cloth, uncut edges.

Six illustrations.

CHRISTIE, Richard Copley.—Étienne Dolet The Martyr of the Renaissance 1508-1546 a biography by Richard Copley Christie . . . New [second] edition, revised and corrected [wood cut portrait] London   Macmillan and Co., . . . 1899 . . . Square 8vo, cloth, uncut edges.

CHRISTMAS with the Poets: a Collection of Songs, Carols, and Descriptive Verses, relating to the Festival of Christmas, from the Anglo-Norman period to the present time. Embellished with fifty tinted illustrations by Birket Foster, and with initial letters and other ornaments   London: David Bogue . . . MDCCCLI. Royal 8vo, green morocco, gilt back, gilt edges, by Matthews.

Printed within gold borders, the ornamental initials also in gold.

CHURCHILL, Charles.—(I.) Poems. By C. Churchill. Containing The Rosciad. The Apology. Night. The Prophecy of Famine. An Epistle to William Hogarth. And The Ghost, in four books. London: printed for the author, by Dryden Leach . . . MDCCLXIII. (II.) Poems. By C. Churchill. Containing The Conference. The Author. The Duellist. Gotham, in three books. The Candidate. The Farewell. The Times. Independence. And Fragment of Journey. Volume II. London: Printed for John Churchill . . . and W. Flexney . . . MDCCLXV. 4to, two volumes, old red morocco, gilt back, side borders, gilt edges.

First edition. Volume I is a presentation copy from the author.

CHURCHILL, Charles.—The Works of C. Churchill. . . . [vignette by I. Taylor] The fifth edition. London: Printed for John Churchill (Executor to the late C. Churchill.); and W. Flexney, . . . M DCC LXX IV. Post 8vo, four volumes, calf, gilt back, citron edges.

The same vignette on the four title-pages, and one plate in Volume I.

CHURCHILL, Charles.—The Poetical Works of Charles Churchill, with copious notes and a Life of the Author by W. Tooke [portrait] London William Pickering   1844. Foolscap 8vo, three volumes, cloth, uncut edges.

CIBBER, Theophilus.—The Lives of the Poets of Great Britain and Ireland to the time of Dean Swift. Compiled from ample Materials scattered in a Variety of Books, and especially from the MS. Notes of the late ingenious Mr Coxeter and others, collected for this Design, by Mr Cibber. London: Printed for R. Griffiths . . . MDCCLIII. 12mo, five volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

The title-pages to Volumes IV and V read, after "Ireland," "By Mr Cibber and other Hands."

These Lives were chiefly written by a Scotchman named Shiels, and embrace 213 names, from the period of Chaucer to the middle of the eighteenth century.

CICERO, Marcus Tullius.—M. T. Cicero's Cato Major, or his Discourse of Old-Age: With Explanatory Notes. Philadelphia: Printed and Sold by B. Franklin, MDCCXLIV. Small 4to, green levant morocco, gilt back and sides, gilt top, uncut edges, by Bedford.

CLARK, Edward L.—Daleth or the Homestead of the Nations Egypt illustrated By Edward L. Clark   Boston   Ticknor and Fields   1864. 8vo, cloth, gilt top, uncut edges.

Eleven coloured plates and numerous illustrations in the text.

CLARK, John Willis.—The Care of Books   An Essay on the Development of Libraries and their Fittings, from the earliest times to the end of the Eighteenth Century   By John Willis Clark, . . . [156 illustrations] Cambridge at the University Press   1901. Imperial 8vo, buckram, gilt top, uncut edges.

CLARKE, William.—Repertorium Bibliographicum; or some Account of the Most Celebrated British Libraries . . . London: William Clarke, . . . MDCCCXIX. Royal 8vo, red morocco, gilt edges.

Large paper copy, fifty printed, with India proof impressions of the plates. Bound at the end: "A Dialogue in the Shades, and a Ballad entitled Rare Doings at Roxburghe-Hall. London 1821."

Also "A Diary of Roger Payne, with an engraved Sketch of a Monument to be erected to his Memory by the Bibliomaniacal Club, 1821," and a portrait (inserted).

CLAUDIN, Antoine.—The First Paris Press   an account of the books printed for G. Fichet and J. Heynlin in the Sorbonne 1470-1472   By A. Claudin   London   printed for the Bibliographical Society at the Chiswick Press   February 1898 for 1897. 4to, original paper wrappers, uncut edges.

Frontispiece by J. Hyatt after a miniature, and ten facsimiles.

No. VI of Illustrated Monographs issued by the Bibliographical Society.

CLAYTON, Ellen Creathorne.—Queens of Song: being memoirs of some of the most celebrated female vocalists who have appeared on the lyric stage, from the earliest days of opera to the present time. To which is added a chronological list of all the operas that have been performed in Europe. By Ellen Creathorne Clayton. . . . With six portraits. London: Smith, Elder and Co., . . . M. DCCC. LX III. 8vo, two volumes, half red levant morocco, gilt top, uncut edges, by The Club Bindery.

CLAYTON, Ellen Creathorne.—English Female Artists. By Ellen C. Clayton, . . . London: Tinsley Brothers, . . . 1876. . . . 8vo, two volumes, cloth, uncut edges.

CLINTON, George.—Memoirs of the Life and Writings of Lord Byron. By George Clinton, . . . London: James Robins and Co. . . . M DCCC XXVII. 8vo, half calf, gilt back, gilt top, uncut edges.

Portrait and thirty-four woodcuts by G. Bonner, and a facsimile.

CLIO and EUTERPE.—(I.) Clio and Euterpe or British Harmony   A Collection of Celebrated Songs and Cantatas   By the most approv'd Masters Curiouſly Engrav'd With the Thorough Baſs for the Harpsicord and Transposition for the German Flute   Embeliſh'd with Deſigns adapted to each Song. In two volumes   Volume the first containing near two Hundred Airs. London. Sold by the Proprietor Henry Roberts Engraver & Printseller . . . [n.d.] (II.) Clio and Euterpe . . . In two volumes Volume the second containing near two Hundred Airs   London   Sold by the Proprietor Henry Roberts . . . M DCC LIX   III. Clio and Euterpe . . . In III Volumes   Volume the Third containing near two Hundred Airs London   Sold by the Proprietor Henry Robert . . . M DCC LXII. 8vo, three volumes, red levant morocco, gilt back, gilt edges, by Bedford.

These volumes are engraved throughout, and have the same frontispiece, the one in Volume I being in an earlier state than the other two. Each has three pages of Contents, the third containing at the end a vignette by T. Bonnor. Volumes I and II have 200 pages of musical score and words, each page headed by a vignette. Volume III has 200 pages of text, but only 105 vignettes.

COBBOLD, Richard.—The History of Margaret Catchpole, a Suffolk girl. With [8] illustrations [by J. Harris after the author]   London: Henry Colburn, . . . 1845. Crown 8vo, three volumes, figured red and blue silk, uncut edges, by The Club Bindery.

COBBOLD, Richard.—Mary Anne Wellington, the Soldier's Daughter, Wife, and Widow. By the Rev. Richard Cobbold . . . London: Henry Colburn, . . . 1846. Crown 8vo, three volumes, figured silk, uncut edges, by The Club Bindery.

Eight plates from the author's designs.

COCKTON, Henry.—The Life and Adventures of Valentine Vox, the Ventriloquist. By Henry Cockton. . . . London: Robert Tyas, . . . MDCCCXL. 8vo, calf, gilt back, side corners, gilt top, uncut edges, by Tout.

First edition: with sixty etchings by T. Onwhyn.

COLDEN, Cadwallader.—The History of the Five Indian Nations Depending on the Province of New-York In America. Printed and Sold by William Bradford in New York, 1727. Small 8vo, red levant morocco, gilt back and sides, gilt edges, by Bedford.

COLERIDGE, Hartley.—Essays and Marginalia. By Hartley Coleridge. Edited by his brother [Derwent Coleridge]   London: Edward Moxon . . . 1851. Foolscap 8vo, two volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

Portrait.

COLERIDGE, Hartley.—Poems by Hartley Coleridge. With a Memoir of his Life by his Brother . . . [Derwent Coleridge]   Second Edition   London: Edward Moxon . . . 1851. Foolscap 8vo, two volumes, red levant morocco, back panels, gilt and blue mosaic, gilt top, uncut edges, by Champs.

Portrait of the author in his tenth year by W. Holl after Sir David Wilkie.

COLERIDGE, Hartley.—Lives of Northern Worthies. By Hartley Coleridge. Edited by his Brother. A new edition, with the Observations of the Author, and the marginal observations of S. T. Coleridge   London: Edward Moxon . . . 1852. Foolscap 8vo, three volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Henry Nelson.—Introductions to the Study of the Greek Classic Poets. . . . By Henry Nelson Coleridge . . . Second edition. [map]   London: John Murray . . . MDCCCXXXIV. Foolscap 8vo, boards, uncut edges.

COLERIDGE, Samuel Taylor.—The Fall of Robespierre. an historic drama. By S. T. Coleridge, of Jesus College, Cambridge. Cambridge: printed by Benjamin Flower, for W. H. Lunn, and J. and J. Merrill; and Sold by J. March, Norwich. 1794. [Price one shilling.] 8vo, Spanish calf, gilt back, side borders, gilt edges, by Rivière.

First edition. A1-A2, B-E5 in fours, final leaf of advertisement, E6, title on A1. Dedication to H. Martin, dated Jesus College, September 22, 1794.

COLERIDGE, Samuel Taylor.—Osorio, a Tragedy. 1797. 4to, half green levant morocco, gilt top, uncut edges, by Pratt.

The original manuscript of "Remorse," written by Coleridge at Sheridan's request. It was sent to Drury Lane Theatre in October, 1797, but was not accepted, and remained there until the fire of 1809, when it was one of the few objects saved.

Rewritten under the title "Remorse," the play ran for twenty nights.

The manuscript covers the rectos of one hundred and four leaves, between each two of which are one or more blank leaves for annotations and portions of the printed drama.

COLERIDGE, Samuel Taylor.—Osorio: a Tragedy as originally written in 1797 by Samuel Taylor Coleridge. Now first printed . . . London: John Pearson . . . 1873. Post 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Remorse. A Tragedy, in five acts. By S. T. Coleridge . . . London: printed for W. Pople, . . . 1813. Price Three Shillings. 8vo, half calf, uncut edges.

First edition. Two leaves and A-K in fours. Prologue in verse by Charles Lamb.

This copy is interleaved throughout, and contains many corrections and notes in the handwriting of Coleridge. The author has also written on the title-page "(A corrected Copy)   Mr Arnold from his greatly obliged Friend, S. T. Coleridge. 'Più vorrëi: più non posso.'"

COLERIDGE, Samuel Taylor.—Christabel: Kubla Khan, a vision; The Pains of Sleep. By S. T. Coleridge, Esq. London: printed for John Murray, . . . by William Bulmer and Co. . . . 1816. 8vo, citron levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

Large paper copy of the first edition.

COLERIDGE, Samuel Taylor.—Sibylline Leaves: a Collection of Poems. By S. T. Coleridge. London: Rest Fenner . . . 1817. 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

First edition.

COLERIDGE, Samuel Taylor.—Zapolya: a Christmas tale, in two parts: The Prelude entitled "The Usurper's Fortune;" and The Sequel entitled "The Usurper's Fate." By S. T. Coleridge, Esq. London: printed for Rest Fenner, . . . 1817. 8vo, calf, gilt back, gilt top, uncut edges, with the original covers bound in, by Rivière.

First edition. W. Motherwell's copy, with his autograph.

COLERIDGE, Samuel Taylor.—Biographia Literaria; or Biographical Sketches of my literary life and opinions. By S. T. Coleridge, Esq. . . . London: Rest Fenner, . . . 1817. 8vo, two volumes, red levant morocco, Janseniste, gilt top, uncut edges, by Chambolle-Duru.

Large paper copy of the first edition.

COLERIDGE, Samuel Taylor.—Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions by Samuel Taylor Coleridge. Second edition prepared for publication in part by the late Henry Nelson Coleridge, completed and published by his Widow. London: William Pickering   1847. Foolscap 8vo, three volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

Fourteen portraits, etc., inserted.

COLERIDGE, Samuel Taylor.—Aids to Reflection in the formation of a manly character on the several grounds of prudence, morality, and religion: illustrated by select passages from our elder divines, especially from Archbishop Leighton. By S. T. Coleridge. . . . London: printed for Taylor and Hessey, . . . 1825. Crown 8vo, brown levant morocco, gilt top, uncut edges, by The Club Bindery.

First edition. Two final leaves of advertisement.

COLERIDGE, Samuel Taylor.—Aids to Reflection by Samuel Taylor Coleridge. Edited by Henry Nelson Coleridge   [Sixth edition, enlarged]    London   William Pickering   1848. Foolscap 8vo, two volumes, red levant morocco, gilt back and blue mosaic in panels, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—The Poetical Works of S. T. Coleridge, including the Dramas of Wallenstein, Remorse, and Zapolya. London: William Pickering. MDCCCXXVIII. 8vo, three volumes, red morocco, gilt top, uncut edges, by Hayday.

No. 5 of twelve copies printed on large paper, with autograph attestation of William Pickering.

COLERIDGE, Samuel Taylor.—The Poetical and Dramatic Works of S. T. Coleridge, London: William Pickering, 1847. Foolscap 8vo, three volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—The Poetical and Dramatic Works of Samuel Taylor Coleridge founded on the author's latest edition of 1834 with many additional pieces now first included and with a collection of various readings. London   Basil Montagu Pickering . . . 1877. 8vo, four volumes, boards, uncut edges.

No. 16 of twenty-four large paper copies printed on Whatman paper.

COLERIDGE, Samuel Taylor.—The Poetical Works of Samuel Taylor Coleridge edited with a biographical introduction by James Dykes Campbell London Macmillan and Co. . . . 1893 . . . Crown 8vo, cloth, uncut edges.

Portrait after Peter Vandyke.

COLERIDGE, Samuel Taylor.—The Poetry of Samuel Taylor Coleridge edited by Richard Garnett, . . . London Lawrence and Bullen, . . . 1898. Post 8vo, half vellum, gilt top, uncut edges.

Portrait after a drawing by C. R. Leslie.

No. 60 of one hundred copies printed on large paper.

COLERIDGE, Samuel Taylor.—The Literary Remains of Samuel Taylor Coleridge. Collected and edited by Henry Nelson Coleridge London, William Pickering 1836-'8-'9. 8vo, four volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Letters, Conversations and Recollections of S. T. Coleridge. London: Edward Moxon, . . . 1836. 8vo, two volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—The Friend: a series of Essays to aid in the formation of fixed principles in Politics, Morals, and Religion, with Literary Amusements interspersed: By Samuel Taylor Coleridge. Third Edition: with the author's last Corrections, and an Appendix, and with a synoptical Table of the contents of the work. By Henry Nelson Coleridge . . . London: William Pickering 1837. Foolscap 8vo, three volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—(I.) On the Constitution of the Church and State according to the idea of each. (II.) Lay Sermons. I The Statesman's Manual   II "Blessed are ye that sow beside all waters." By Samuel Taylor Coleridge, edited from the author's corrected copies with Notes by Henry Nelson Coleridge   London   William Pickering   1839. Foolscap 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Confessions of an Inquiring Spirit and Some Miscellaneous Pieces by Samuel Taylor Coleridge. Edited from the author's MS. by Henry Nelson Coleridge   London. William Pickering 1849. Foolscap 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Notes and Lectures upon Shakespeare and Some of the Old Poets and Dramatists, with other Literary Remains of S. T. Coleridge. Edited by Mrs. H. N. Coleridge. London: William Pickering, 1849. Foolscap 8vo, two volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Essays on his Own Times forming a Second Series of The Friend. By Samuel Taylor Coleridge. Edited by his Daughter. London: William Pickering   1850. Foolscap 8vo, three volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Specimens of the Table Talk of the late Samuel Taylor Coleridge. Third Edition London: John Murray . . . 1851. Foolscap 8vo, red levant morocco, back in gilt and blue mosaic, gilt top, uncut edges, by Champs.

Portrait by Finden after Phillips.

COLERIDGE, Samuel Taylor.—Notes on English Divines. By Samuel Taylor Coleridge. Edited by the Rev. Derwent Coleridge   London: Edward Moxon . . . 1853. Foolscap 8vo, two volumes, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—Notes, Theological, Political, and Miscellaneous. By Samuel Taylor Coleridge. Edited by the Rev. Derwent Coleridge   London: Edward Moxon . . . 1853. Foolscap 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

COLERIDGE, Samuel Taylor.—See Gillman, James. (Life.) Wordsworth and Coleridge.

COLERIDGE, Sara.—Phantasmion London: William Pickering   1837. Post 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

"COLLET, Stephen."—See Byerley, Thomas.

COLLIER, Jane.—An Essay on the Art of ingeniouſly Tormenting; with proper rules for The Exercise of that Pleaſant Art.

Humbly addreſſed,
In the Firſt Part, | In the Second Part,
To the | { | Master | To the | { | Wife
Husband, &c. | Friend, &c.

With ſome General Instructions for Plaguing all your Acquaintance. [Line from Shakespeare]   London: Printed for A. Millar, . . . M. DCC. LIII. 8vo, blue levant morocco, Janseniste, gilt edges, by The Club Bindery.

Large paper copy of the first edition, with frontispiece by Hogarth.

COLLIER, John Payne.—The Poetical Decameron, or ten conversations on English Poets and Poetry, particularly of the Reigns of Elizabeth and James I. By J. Payne Collier . . . Printed for Archibald Constable and Co. Edinburgh; . . . 1820. 8vo, two volumes, red morocco, gilt top, uncut edges, by Stikeman.

COLLIER, John Payne.—Lives of the Original Actors in Shakespeare's Plays. By J. Payne Collier. [London] Printed for the Shakespeare Society. 1853. 8vo, cloth, uncut edges.

The second title, "Memoirs of the Principal Actors in the Plays of Shakespeare," is dated 1846.

COLLIER, John Payne.—A Bibliographical and Critical Account of the Rarest Books in the English Language, alphabetically arranged, which during the last fifty years have come under the observation of J. Payne Collier. F.S.A. New York, David G. Francis . . . 1866. 8vo, four volumes, red levant morocco, gilt back and side panels, gilt top, uncut edges, by Bedford.

Large paper copy. Collier's last literary labour, and one of the two copies printed on drawing-paper, at the Riverside Press. Seven autograph letters of the author are inserted.

COLLIER, John Payne.—A Bibliographical and Critical Account of the Rarest Books in the English Language 1866. 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Matthews.

One of five copies printed on India paper.

COLLIER, John Payne.—Trilogy. Conversations between three friends on the emendations of Shakespeare's text contained in Mr. Collier's corrected folio, 1632, and employed by recent editors of the poet's works. Printed for Private Circulation only. Part I.—Comedies. [Part II.—Histories. Part III.—Tragedies.]   London: T. Richards, 37, Great Queen Street. [1874]   4to, three parts in one volume, red levant morocco, gilt fillets, gilt top, uncut edges, with the original covers bound in, by The Club Bindery.

COLLIER, John Payne.—The History of English Dramatic Poetry to the time of Shakespeare: and Annals of the Stage to the Restoration. By J. Payne Collier, Esq., F.S.A. A new edition. [woodcut] . . . London: George Bell & Sons, . . . 1879. 4to, three volumes, half brown morocco, uncut edges.

COLLIER, John Payne.—See Cunningham, Planché, and Collier.

Wheatley, Henry B.

COLLINS, William.—Odes on several Descriptive and Allegoric Subjects. By William Collins . . . London: Printed for A. Miller, . . . M.DCC.XLVII. 8vo, red morocco, gilt back, gilt edges, by Rivière.

The author destroyed most of this edition.

COLLINS, William.—The Poetical Works of Mr. William Collins. With Memoirs of the Author; and Observations on His Genius and Writings. By J. Langhorne . . . London: Printed for T. Becket and P. A. Dehondt, . . . MDCCLXV. Post 8vo, old half calf.

Presentation copy "To Jean Lorimer, a small but sincere mark of friendship from Robt Burns. The autograph of Jane Lorimer with the date 1794 follows this inscription. Other lines in the autograph of the Scotch poet occupy the front fly-leaf, as well as an "Ode to Fancy" facing the title.

COLLINS, William.—The Poetical Works of William Collins, enriched with elegant engravings. To which is prefixed a life of the author, by Dr. Johnson. Second edition. London: printed by T. Bensley . . . 1800. Crown 8vo, half red levant morocco, Janseniste, gilt top, uncut edges.

Twenty illustrations by Harding and Gardiner.

COLLINS, William.—The Poetical Works of William Collins; with the life of the author by Dr Johnson; observations on his writings by Dr Langhorne; and biographical and critical notes, by the Rev. Alexander Dyce . . . London, William Pickering . . . MDCCC.XXVII. Crown 8vo, cloth, uncut edges.

COLLINS, William.—Poetical Works. 1827. 8vo, citron levant morocco, back panels and side corners richly decorated, and inlaid in green and red morocco, gilt top, uncut edges, by Bedford.

Another copy. No. 3 of nine copies printed on large and tinted paper. Illustrated by the insertion of forty plates, for the most part proofs on India paper, and many before letters, including engravings by Bartolozzi, the Westall illustrations, etc., etc.

COLLINS, William.—The Poetical Works of William Collins [with a Memoir by Sir Harris Nicolas, and a portrait of Collins.]   London   William Pickering   1830. Foolscap 8vo, cloth, uncut edges.

COLLINS, William Wilkie.—Memoirs of the Life of William Collins, Esq., R.A. with selections from his journals and correspondence. By his son W. Wilkie Collins. London: Longman, . . . MDCCCXLVIII. 12mo, two volumes, original cloth, uncut edges.

Portrait of the artist and frontispiece-titles.

COLLINS, William Wilkie.—The Woman in White. By Wilkie Collins. London: Sampson Low, Son, & Co . . . 1860. 12mo, three volumes, cloth, uncut edges.

First edition.

COLLINS, William Wilkie.—Armadale. By Wilkie Collins. With twenty illustrations by George H. Thomas. . . . London: Smith, Elder and Co., . . . 1866. . . . 8vo, two volumes, cloth, uncut edges.

First edition.

COLLINS, William Wilkie.—Poor Miss Finch. a Novel. By Wilkie Collins . . . London: Richard Bentley and Son. 1872. Crown 8vo, three volumes, cloth, uncut edges.

First edition.

COLMAN, George.—The Dramatick Works of George Colman . . . London, Printed for T. Becket, . . . MDCCLXXVII. 8vo, four volumes, sprinkled calf, gilt back, citron edges, by Bedford.

COLMAN, George, the younger.—Broad Grins; by George Colman, the younger; comprising, with new additional Tales in Verse, those formerly published under the title of "My Night-gown and Slippers" . . . The Sixth edition. London: . . . T. Cadell and W. Davies . . . 1815. Post 8vo, maroon levant morocco, gilt back and side panels, gilt top, uncut edges, by Alfred Matthews.

Steel portrait of the author (inserted) and numerous woodcut illustrations.

COLONIAL SOCIETY.—The Colonial Society of America. Instituted New York 1881   [Philadelphia, Wm. F. Fell & Co., 1881]. 4to, half red straight-grain morocco, gilt top, uncut edges, by R. Rutter.

Printed on vellum, with trial pages and illustrations in various states. Unique, not published, and printed tentatively, for Dr. J. Stockton-Hough.

COLONIAL SOCIETY.—The Colonial Society of America. 1881. 4to, light brown levant morocco, filleted panels on the back, narrow side borders, gilt top, uncut edges, by The Club Bindery.

The only complete copy printed on vellum. It contains several proofs before letters, and the plates of the crest with two crowns, used for only a few proofs before alteration and not found in any of the few copies of the regular edition. The two illustrations and the cancelled title-page are on paper.

Inserted is an autograph letter from Dr. John Stockton-Hough.

COLONNA, Francesco.—The Strife of Love in a Dream being the Elizabethan version of the first book of the Hypnerotomachia of Francesco Colonna A new edition   by Andrew Lang, . . . London   published by David Nutt . . . M DCCC X C. Royal 8vo, boards, uncut edges.

One of five hundred copies printed.

COLUMBUS LETTER.—The Letter of Columbus on the Diſcovery of America A Facſimile of the Pictorial Edition, with a New and Literal Tranſlation, and a Complete Reprint of the Oldeſt Four Editions in Latin. Printed by Order of the Trustees of the Lenox Library New-York, [De Vinne Press] M DCCC XCII. 8vo, cloth, uncut edges.

No. 22 of two hundred and fifty copies printed on hand-made paper.

COLVIN, Sidney.—See Cust and Colvin.

COMBE, Taylor.—A Description of the Collection of Ancient Terracottas in the British Museum; with engravings. [vignette]   London: printed by W. Bulmer and Co . . . 1810. Royal 4to, calf, gilt back, gilt edges, by Bedford.

Large paper copy. Seventy-nine copper-plate engravings, on forty plates, by Schiavonetti, Worthington, Moses, Bromley, Heath, etc., in addition to the vignette on the title-page.

COMBE, William.—The English Dance of Death, from the designs of Thomas Rowlandson, with metrical illustrations, by the author of "Doctor Syntax.". . . London: printed by J. Diggens, . . . 1815. 8vo, two volumes, russia, gilt back, side panels of interlaced fillets, centre ornaments, gilt edges, by Petit.

Fifty-six coloured plates, including frontispieces and title-pages.

COMBE, William.—The Dance of Life, a poem, by the author of "Doctor Syntax"; illustrated with [26] coloured engravings, by Thomas Rowlandson. . . . London: published by R. Ackermann, [printed by J. Diggens] . . . 1817. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition: with last leaf of Advertisement.

COMBE, William.—The History of Johnny Quæ Genus, the little foundling of the late Doctor Syntax: A Poem, by the author of the Three Tours. . . . London: published by R. Ackermann, . . . 1822. 8vo, calf, gilt back, side corners, gilt top, uncut edges.

Twenty-four coloured plates after Rowlandson.

COMBE, William.—(I.) The Tour of Doctor Syntax In Search of the Picturesque ["Picturesque" in a vignette] A Poem. . . . Pubd. by R. Ackermann, London, 1823. (II.) The Second Tour of Doctor Syntax, In Search of Consolation; a poem. . . . London: published by R. Ackermann, . . . 1823. (III.) The Third Tour of Doctor Syntax, In Search of a Wife. A poem. [vignette]   London, Pubd. 1823, by R. Ackermann, . . . 12mo, three volumes, original boards, uncut edges.

Eighty coloured plates, including two frontispiece-titles. Volume II contains the only printed title.

COMBE, William.—The Tour of Doctor Syntax, In Search of the Picturesque; a poem. . . . Third edition. London: R. Ackermann, . . . [n. d.] Royal 8vo, three volumes, cloth, gilt top, uncut edges.

Eighty coloured plates dated 1815-21 by Rowlandson, including title to Volume I, which reads "Sixth edition with new plates." The text of Volume I reads "ninth edition" on page 1. The Preface in Volume III is dated May 1, 1821.

COMIC DRAWING.—The Comic Drawing for the Million. [27 woodcuts] London: Gilbert, . . . [n. d.] 12mo, original boards.

COMIC ETIQUETTE.—The Comic Etiquette; or Manners for the Million. By "a nice young man." With numerous [12] illustrations. London: Gilbert, . . . [n. d.] 12mo, original boards.

COMIC GEOGRAPHY.—The Comic Geography; [cut] or, world "turned inside out." [13 woodcuts]   [n. p., n. d.] 12mo, original boards.

COMIC HISTORY.—The Comic History of England [21 woodcuts]   [n. p., n. d.] 12mo, original boards.

COMIC HISTORY.—The Comic History of Rome, and the Rumuns. [27 woodcuts]    London: Gilbert, . . . [n. d.] 12mo, original boards.

COMMUNION.—Order for the Adminiſtration of the Holy Communion and Occaſional Offices according to the Uſe of the Church of England London   William Pickering   1848. 4to, vellum boards, gilt tooled, uncut edges.

COMMUNION.—The New Week's Preparation For a Worthy receiving of the Lord's Supper, As Recommended and Appointed By the Church of England . . . The Thirty-sixth Edition. London: Printed by Assignment from the Executors of the late Edwd. Wicksteed, for Jno. Hinton, . . . 12mo, original green morocco, gilt back, sides richly tooled within and around a mosaic ornament, gilt edges.

Engraved title and frontispiece.

CONDORCET, Marquis de.—See Paine, Thomas.

CONFESSION OF FAITH.—A Confession of Faith Owned and Conſented to by the Elders and Meſſengers Of the Churches In the Colony of Connecticut in New-England, Aſſembled by Delegation at Say Brook   September 9th 1708. . . . New-London in N. E. Printed by Thomas Short, 1710. 12mo, original sheep.

CONGRESSIONAL JOURNALS.—Extracts from the Journals of Congress relative to the Capture and Condemnation of Prizes, and the Fitting out Privateers; together with the Rules and Regulations of the Navy, And Instructions to the Commanders of Private Ships of War. Philadelphia: Printed by John Dunlap, M,DCC,LXXVI. 8vo, half green morocco, gilt back, gilt top, uncut edges, by Bedford.

CONSTABLE, John.—See Leslie, C. R.

CONNOISSEUR, The.—See British Essayists.

CONTINENTAL CONGRESS.—Extracts From the Votes and Proceedings Of the American Continental Congress, Held at Philadelphia on the 5th of September 1774. Containing The Bill of Rights, a List of Grievances, Occasional Resolves, the Association, an Address to the People of Great-Britain, and a Memorial to the Inhabitants of the British American Colonies. Published by order of the Congress. Philadelphia: Printed by William and Thomas Bradford, October 27th. M.DCC.LXXIV. 8vo, sprinkled calf, gilt back, uncut edges, by Pratt.

CONWAY, Moncure Daniel.—Barons of the Potomack and the Rappahannock by Moncure Daniel Conway   New York   The Grolier Club [The De Vinne Press]    1892. 8vo, boards, uncut edges.

One of three hundred and sixty copies printed on Italian hand-made paper.

CONWAY, William Martin.—Early Flemish Artists and their predecessors on the Lower Rhine   by William Martin Conway . . . With Twenty-nine Illustrations   London   Seeley & Co., . . . 1887 . . . Crown 8vo, cloth.

COOKE, William.—Memoirs of Samuel Foote, Esq. with a Collection of his genuine Bon-Mots, Anecdotes &c. mostly original. And Three of his Dramatic Pieces, Not published in his Works . . . By William Cooke, Esq. London: printed for Richard Phillips . . . 1805. Post 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

Portrait engraved by Caroline Watson after F. Colson.

COOPER, James Fenimore.—The Spy; a tale of the neutral ground; referring to some particular occurrences during the American War: also pourtraying American Scenery and manners. . . . London: G. and W. B. Whittaker, . . . 1822. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Last of the Mohicans; a narrative of 1757. By the author of "The Spy," &c. . . . London: John Miller, . . . 1826. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Prairie, a tale, by the author of The Spy &c. . . . London: Henry Colburn, . . . 1827. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Red Rover, a tale. By the author of "The Spy," &c. . . . London: Henry Colburn, . . . 1828. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Bravo. A Venetian Story. By the author of "The Pilot", &c. . . . London: Henry Colburn and Richard Bentley, . . . 1831. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Headsman; or, the Abbaye des Vignerons. A tale. By the author of "The Bravo," &c. &c. . . . London: Richard Bentley, . . . (successor to Henry Colburn.) 1833. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—Eve Effingham; or, Home. By J. Fenimore Cooper, Esq. . . . London: Richard Bentley, . . . 1838. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—Mercedes of Castile: or, the Voyage to Cathay. By the Author of "The Bravo", "The Headsman," "The Last of the Mohicans," &c. . . . In two volumes. . . . Philadelphia: Lea and Blanchard. 1840. 12mo, two volumes, original brown cloth.

First edition.

COOPER, James Fenimore.—The Deerslayer: or, the First War-path. By the Author of "The Last of the Mohicans", "The Pathfinder", "The Pioneers", and "The Prairie". . . . In two volumes. . . . Philadelphia: Lea & Blanchard. 1841. 12mo, two volumes, half brown levant morocco, gilt top, by Stikeman.

First edition.

COOPER, James Fenimore.—Wyandotté; or, the Hutted Knoll. By J. Fenimore Cooper, Esq., . . . London: Richard Bentley, . . . 1843. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—Satanstoe; or, the Family of Littlepage. A tale of the colony. By J. Fenimore Cooper, Esq. . . . London: Richard Bentley, . . . 1845. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COOPER, James Fenimore.—The Chain-bearer; or, the Littlepage Manuscripts. By J. Fenimore Cooper, Esq. . . . London: Richard Bentley, . . . 1845. 12mo, three volumes, red morocco, gilt top, uncut edges, by The Club Bindery.

First English edition.

COPPER PLATE MAGAZINE &c—(I.) The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints, consisting of sublime and interesting Views in Great Britain and Ireland, Beautifully Engraved by the Most Eminent Artists from the Paintings and Drawings of the First Masters. London. Printed for Harrison and Co. . . . [1792-1802]   (II.) Select Views of the Principal Buildings and other interesting and picturesque objects in the Cities of Bath and Bristol, and their environs. Drawn and engraved by W. Watts. With Topographical Illustrations. London: printed by Bensley and Son, . . . for R. Bowyer, . . . 1819. Royal 8vo, six volumes in three, citron morocco, gilt back, side borders, gilt edges, by J. Wright.

Five volumes of the Copper Plate Magazine, with 250 engravings. The views of Bath and Bristol contain fifteen plates, proofs on India paper.

CORDELIER.—Tales of the Cordelier metamorphosed, as narrated in a manuscript from the Borromeo collection; and in the Cordelier Cheval of M. [Alexis] Piron. With translations. [vignette]   London: Printed at the Shakspeare Press, by W. Bulmer and W. Nicol. 1821. 4to, red morocco, gilt back, side panels, gilt top, uncut edges, by R. W. Smith.

One of sixty-four copies privately printed by George Hibbert, with eleven etchings on India paper by J. R. Cruikshank.

The Italian text is on the upper half of the page, the English on the lower. Piron's "Cordelier-Cheval" is on pages 39-54.

COREY, John.—The Metamorphosis: or, the Old Lover Out-witted. A Farce. As it is now Acted at the New Theatre in Lincolns-Inn-Fields. Written Originally by the Famous Moliere. London: Printed for Bernard Lintott at the Middle-Temple Gate in Fleet-ſtreet. 1704. Priee 1s. 6d. 4to, green levant morocco, gilt back, gilt edges, by Zaehnsdorf.

First edition. A-H in fours, title on A1. Dedication to Clayton Milbourn, first Prologue and Epilogue by Charles Johnson.

COREY, John.—A Cure for Jealousie. A Comedy. As it was Acted at the New Theatre in Little Lincolns-Inn-Fields, by His Majestys Servants. [Three lines from Horace]   London: Printed for Richard Harrison, at his Shop in New-Inn, without Temple Barr: 1701: 4to, half cloth.

First edition. A-H in fours, title on A1. Dedicated to Edmund Fullwood.

CORIDON'S SONG And other Verſes from various sources   With Illuſtrations by Hugh Thomson And an Introduction by Austin Dobson London   Macmillan and Co. . . . 1894. Imperial 8vo, buckram, uncut edges.

One of one hundred and fifty-two large paper copies printed.

"CORNWALL, Barry."—See Procter, Bryan Waller.

CORSER, Thomas.—Collectanea Anglo-Poetica: or, a bibliographical and descriptive Catalogue of a portion of a collection of Early English Poetry, with occasional extracts and remarks biographical and critical. By the Rev. Thomas Corser, . . . [Manchester]   Printed for the Chetham Society. M.DCCC.LX. [-M.DCCC.LXXXIII] 4to, eleven volumes, cloth, uncut edges.

Portrait by J. Hargreaves after H. Walker.

Presentation copy from the author to W. C. Hazlitt.

CORY, Isaac Preston.—Ancient Fragments of the Phœnician, Chaldæan, Egyptian, Tyrian, Carthaginian, Indian, Persian, and other writers; with an introductory dissertation: and an inquiry into the philosophy and trinity of the ancients. By Isaac Preston Cory . . . Second edition. London: William Pickering. 1832. 8vo, half green levant morocco, gilt back, gilt top, uncut edges.

CORY, Isaac Preston.—Metaphysical Inquiry into the Method, Objects and Result of Ancient and Modern Philosophy by Isaac Preston Cory . . . London: William Pickering. 1833. Post 8vo, half blue morocco, gilt top, uncut edges.

COSTELLO, Louisa Stuart, editor.—Specimens of the Early Poetry of France from the time of the Troubadours and Trouveres to the reign of Henri Quatre by Louisa Stuart Costello . . . London. William Pickering 1835. Crown 8vo, half green morocco, uncut edges.

Four plates in gold and colours from ancient miniatures.

COSTELLO, Louisa Stuart.—The Rose Garden of Persia. By Louise Stuart Costello: . . . London: Longman, Brown, Green, & Longmans. m dccc xlv. Post 8vo, maroon levant morocco, gilt back, sides covered with panels tooled in geometrical designs, gilt edges, by Rivière.

First edition, with illuminated pages and coloured borders.

COTTLE, Joseph.—Early Recollections; chiefly relating to the late Samuel Taylor Coleridge, during his long residence in Bristol. By Joseph Cottle   London: Longman . . . 1837. Crown 8vo, two volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

Six portraits by Woodman.

COTTON, William.—Sir Joshua Reynolds, and his Works. Gleanings from his diary, unpublished manuscripts, and from other sources. By William Cotton, . . . Edited by John Burnet, . . . London: Longman, Brown, Green, Longmans, and Roberts, . . . 1856. 8vo, original cloth, uncut edges.

Three portraits drawn by Julian Brewer, facsimiles and wood-cuts.

COUCH, Jonathan.—A History of the Fishes of the British Islands. By Jonathan Couch, . . . [252 coloured plates, from drawings by the author]    London: Groombridge and Sons, . . . M DCCC LXVIII. [-IX] Royal 8vo, four volumes, cloth, uncut edges.

COURTIER, Peter L.—The Lyre of Love . . . London: printed by Charles Whittingham . . . for John Sharpe . . . 1806. Crown 8vo, two volumes in one, green morocco, gilt back, wide border on the sides, gilt edges.

Large paper copy, with proof impressions of the frontispieces by Cosway and Westall.

COUSIN, Victor.—The Philosophy of the Beautiful from the French of Victor Cousin translated with notes and an introduction by Jesse Cato Daniel . . . London William Pickering 1848. Post 8vo, cloth, uncut edges.

COWLEY, Hannah Parkhouse.—The Belle's Stratagem, a comedy, as acted at the Theatre-Royal in Covent-Garden. By Mrs. Cowley. London: Printed for T. Cadell, . . . 1782. 8vo, red morocco, gilt edges, by The Club Bindery.

First edition. Title, dedication to the Queen and B-M2 in fours.

COWLEY, Hannah Parkhouse.—The Town before you, a Comedy, as acted at the Theatre-Royal, Covent-Garden. By Mrs. Cowley. London: printed by G. Woodfall, for T.N. Longman . . . 1795. 8vo, brown levant morocco, gilt back, gilt edges, by Rivière.

First edition. A2-H4 in eights, title on A2.

COWPER, William, editor.—Olney Hymns, in three books. Book I. On select Texts of Scripture. Book II. On occasional Subjects. Book III. On the Progress and Changes of the Spiritual Life. . . . London: Printed and Sold by W. Oliver . . . J. Buckland . . . and J. Johnson . . . MDCCLXXIX. 12mo, calf, gilt back, gilt edges, by Bedford.

First edition. Many of the Hymns are by Cowper, and this copy has his autograph on the fly-leaf.

COWPER, William.—Poems by William Cowper, Of the Inner Temple, Esq. . . . London: Printed for J. Johnson, . . . 1782. 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

First edition.

COWPER, William.—The History of John Gilpin, As related by the late Mr. Henderson. Shewing How he went farther than he intended, and came Home safe at last. [woodcut]   London: Printed for W. Lane, Leadenhall-Street, London: and sold by all other Booksellers. (Price Two-Pence.)   [1785]. Small 8vo, brown levant morocco, gilt back, gilt edges, by Rivière.

First printed anonymously in the "Public Advertiser," (November?) 1782. Recited in 1785 in Freemason's Hall by Henderson, the comedian, it attained so great a popularity that it was frequently printed. Cowper wrote to his friend Unwin, November 4, 1782:—"You are perfectly at liberty to deal with them [Gilpin and his feats] as you please. Auctore tantùm anonymo, imprimantur; and when printed, send me a copy."

According to Southey, "The ballad, which had then become the town talk, was reprinted from the newspaper, wherein it had lain three years dormant."

The present edition is in chap-book form, and was presumably published ("Price Two-Pence") in consequence of the popularity of the ballad due to Henderson's recitation of it. There is no means of determining which is the first edition. Probably several editions were published in the present form for distribution when the poem was recited.

COWPER, William.—The History of John Gilpin, How he went farther than he intended, and came Home safe at last. [woodcut]   London: Printed for J. Fielding Pater-noster-Row   (Price Three-pence.)   [1785]. Small 8vo, red levant morocco, Janseniste, gilt edges, by Rivière.

Another chap-book edition.

COWPER, William.—The diverting history of John Gilpin: showing how he went farther than he intended, and came safe home again. With six illustrations by George Cruikshank, Engraved on Wood by Thompson, Branston, Wright, Slader, and White. London: Charles Tilt . . . MDCCCXXVIII. Square 12mo, calf, gilt back, gilt top, uncut edges, with the original covers bound in, by Rivière.

COWPER, William.—The Task, a poem, in six books. By William Cowper, . . . To which are added, by the same author, An Epistle to Joseph Hill, Esq: Tirocinium, or a Review of Schools, and the History of John Gilpin. London: printed for J. Johnson, . . . 1785. 8vo, green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First edition of the "Task," and the first appearance of "John Gilpin" among Cowper's Works.

In a letter subsequent to April 22, 1785, Cowper wrote to Mr. Newton: "When I sent the copy of the Task to Johnson [his publisher], I desired, indeed, Mr. Unwin to ask him the question, whether or not he would choose to make it a part of the volume? This I did merely with a view to promote the sale of it. Johnson answered, 'By all means.' Some months afterward, he enclosed a note to me in one of my packets, in which he expressed a change of mind, alleging, that to print John Gilpin would only be to print what had been hackneyed in every magazine, in every shop, and at the corner of every street. I answered, that I desired to be entirely governed by his opinion; and that if he chose to waive it, I should be better pleased with the omission. Nothing more passed between us upon the subject, and I concluded that I should never have the immortal honour of being generally known as the author of John Gilpin. In the last packet, however, down came John, very fairly printed, and equipped for public appearance. The business having taken this turn, I concluded that Johnson had adopted my original thought, that it might prove advantageous to the sale; and as he had had the trouble and expense of printing it, I corrected the copy, and let it pass."—Southey's Life of Cowper, Volume II, pages 86-87.

Southey continues (page 96): "If Johnson had persisted in his first intention of excluding that ballad [John Gilpin] from the volume, because it had already been printed in so many forms and dispersed everywhere through town and country, he would have committed a greater mistake than when he suppressed Mr. Newton's preface. Upon second thoughts he not only admitted it, but specified it in the title-page and in the advertisement.". . .

"The first volume [Poems, 1782] had sold so slowly that it was not thought prudent to publish the Task and its appendants as a second; but the first, with a complete list of its contents, was advertised at the end of the book; and of the many who were induced to read the Task because it was written by the author of John Gilpin, not a few were led to inquire for the previous volume because it was by the author of the Task. In the second edition which was called for in the ensuing year, the two volumes were connected as first and second, and in the numerous editions that have succeeded each other they have never been disunited."

COWPER, William.—Poems, by William Cowper . . . A new Edition London: printed for J. Johnson . . . 1798. Foolscap 8vo, two volumes, sprinkled calf, gilt back, yellow edges, by Bedford.

Ten engravings on copper by Angus, Heath, Medland, Parker, and others, after the designs of Stothard, with a duplicate set coloured in imitation of the original drawings.

COWPER William.—Poems. 1798. Foolscap 8vo, two volumes, boards, uncut edges.

George Daniel's copy, with ten plates after the designs of Stothard.

COWPER, William.—The Poetical Works of William Cowper . . . London William Pickering 1830. Post 8vo, three volumes, cloth, uncut edges.

Portrait by H. Robinson.

COWPER, William.—The Works of William Cowper, Esq. comprising his poems, correspondence, and translations. With a Life of the author, by the editor. Robert Southey, Esq . . . London: Baldwin and Cradock . . . 1835-6-7. Foolscap 8vo, fifteen volumes, cloth, uncut edges.

Eleven portraits and twenty-nine frontispieces and vignettes.

COWPER, William.—Poems: by William Cowper. With a biographical and critical introduction, by the Rev. Thomas Dale: and seventy-five illustrations, engraved by J. Orrin Smith, from drawings by John Gilbert. London: Tilt and Bogue . . . MDCCCXLI. Small 4to, two volumes, half green morocco, gilt top, uncut edges.

COWPER, William.—The Poetical Works of William Cowper [with a Memoir by Sir Harris Nicolas, and a portrait of Cowper.]   London   William Pickering   1843. Foolscap 8vo, three volumes, cloth, uncut edges.

COWPER, William.—The Poetical Works of William Cowper [with a Memoir] London. William Pickering   1853. 8vo, two volumes, russia, gilt back, gilt over red edges, by Matthews.

Portrait engraved by H. Robinson.

COWPER, William.—Poetical Works. 1853. 8vo, two volumes bound in four, blue levant morocco, gilt back and side panels, with red mosaic in the corners, gilt over uncut edges, by Matthews.

Another copy, illustrated by the insertion of one hundred and fifty-six fine portraits and scenes illustrative of the Poems; also a singularly interesting letter of four pages from Cowper to Lady Hesketh. The illustrations include all the known series, comprising Cruikshank's vignettes to John Gilpin, India proofs, the plates by Storer, Westall, Harvey, etc., many fine portraits and views, the great majority on India paper, and frequently in two states, before and after letters.

COWPER, William.—Poetical Works. 1853. 8vo, two volumes, red levant morocco, gilt back, rich border on the sides, silk linings, gilt edges, by Rivière.

Another copy, illustrated by the insertion of two hundred and six engravings on steel, copper, and wood, including seventeen portraits of Cowper. These illustrations include the series by Storer and Greig, Stothard, George Cruikshank (the six plates to John Gilpin), Westall, Harvey, etc., and are with few exceptions proofs on India paper, in two and three states.

COWPER, illustrated by a series of views, in, or near, the Park of Weston-Underwood, Bucks. Accompanied with copious descriptions, and a brief sketch of the poet's life. London: Printed by J. Swan, . . . 1803. Royal 4to, half blue straight-grain morocco, gilt top, uncut edges.

Large paper copy. Portrait, engraved title and twelve other plates by James Storer and John Greig.

COWPER, William.—Memoir of the Early Life of William Cowper, Esq. written by Himself, And never before published. With an appendix, containing some of Cowper's religious letters, And other interesting Documents, illustrative of the Memoir. London: printed for R. Edwards, . . . 1816. Post 8vo, blue straight-grain morocco, gilt back, side corners, uncut edges, by The Club Bindery.

Portrait by J. Kennerley.

COXE, Edward.—Miscellaneous Poetry: by Edward Coxe, Esq; of Hampstead-Heath, Middlesex. . . . Bath, printed by R. Cruttwell; . . . 1805. 8vo, original boards, uncut edges.

Presentation copy from the author to Henry Rhodes.

COXE, William.—Memoirs of Horatio, Lord Walpole. Selected from his Correspondence and Papers, and connected with the History of the Times, from 1678 to 1757. Illustrated with portraits. By William Coxe . . . London, Printed at the Oriental Press . . . for T. Cadell, Jun. and W. Davies . . . 1802. Royal 4to, red levant morocco, gilt back, gilt top, uncut edges, by Motte.

Large paper copy. Twenty-one portraits by Collyer, Birrell, Taylor, etc., after drawings by Harding, Gardiner, etc., proofs in three states, on satin and plate paper, also with the plate coloured.

COXE, William.—Sketches of the Lives of Correggio, and Parmegiano. London: Printed for Longman, . . . 1823. 8vo, original boards, uncut edges.

Portrait of Correggio engraved by W. Bond.

CRABBE, George.—(I.) The Library. a poem. London: printed for J. Dodsley, . . . M.DCC.LXXXI. [Price 2s.]   (II.) The Village: a poem. In two books. by the Revd. George Crabbe, Chaplain to His Grace the Duke of Rutland, &c. London: printed for J. Dodsley, . . . M.DCC.LXXXIII. (III.) The News-paper: a poem. by The Reverend George Crabbe, Chaplain to His Grace the Duke of Rutland. [Six lines in Latin from Ovid] London: printed for J. Dodsley, . . . M. DCC. LXXXV. [Price 2s.]   4to, three works in one volume, brown morocco, gilt back, gilt edges.

First editions. Preliminary and final blank leaves to "The Village." "The Newspaper" is dedicated to Edward, Lord Thurlow, Lord High Chancellor of Great Britain from "Belvoir Castle, February 20th, 1785." E4 of this work is a leaf of advertisement.

CRABBE, George.—Tales of the Hall. By the Rev. George Crabbe, LL.B. . . . London: John Murray, . . . 1819. 8vo, two volumes, original boards, uncut edges.

First edition. Dedicated to the Duchess of Rutland.

CRABBE, George.—The Works of the Rev. George Crabbe . . . London: John Murray . . . 1823. 8vo, five volumes, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition, illustrated by the insertion of ten portraits, three views, thirty-one plates by Heath after Westall, and nine by Adlard after Corbould. Six of the Westall plates are in two states, India proofs before and after letters; the rest are before the letters, and one is the engraver's etching. The portraits are for the most part proofs.

CRABBE, George.—The Poetical Works of the Rev. George Crabbe: with his Letters and Journals, and his Life, by his Son . . . London: John Murray . . . MDCCCXXXIV. Post 8vo, eight volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

Frontispieces and vignettes by Finden after Stanfield.

CRADOCK, Joseph.—Zobeide. A tragedy. As it is Acted at the Theatre-Royal in Covent-Garden. . . . London: Printed for T. Cadell, . . . M DCC LXXI. 8vo, morocco, gilt edges, by The Club Bindery.

First edition, dedicated to Lady Scarsdale. Prologue by Goldsmith, Epilogue by Murphy. A-M2 in fours.

CRAIG, W. M.—A Course of Lectures on Drawing, Painting, and Engraving, considered as branches of elegant education. Delivered in the saloon of the Royal Institution, in successive seasons, and read subsequently at the Russell Institution, By W. M. Craig, . . . [woodcut]   London: printed for Longman, Hurst, Rees, Orme, and Brown, . . . 1821. 8vo, half red levant morocco, gilt back, gilt top, uncut edges, by Allo.

Aquatint frontispiece in five states. The dedication is dated January 1, 1822.

CRANE, Walter.—Renascence a Book of Verse by Walter Crane. London: Elkin Mathews . . . 1891. 4to, boards, uncut edges.

No. 13 of sixty-five large paper copies printed.

CRANE, Walter.—The Claims of Decorative Art by Walter Crane   London Lawrence and Bullen . . . M DCCC XCII. 4to, decorated cloth, uncut edges.

No. 87 of one hundred and ten fine paper copies printed.

CRAUFURD, David.—Love at firſt Sight. a Comedy, Acted at the New Theatre in Little Lincoln's-Inn-Fields. by Her Majeſties Servants. Written by David Craufurd, Gent. [Line of Latin]   London: Printed for R. Baſſet, . . . William Turner. . . . and John Chantry . . . [1704] [Five lines of Advertisement]. 4to, citron levant morocco, gilt back and edges, by Zaehnsdorf.

First edition. A-K2 in fours, half-title on A1, title on A2.

CRAWFORD, Francis Marion.—A Rose of Yesterday by F. Marion Crawford London   Macmillan and Co., . . . 1897 . . . Crown 8vo, cloth, uncut edges.

First edition.

CRIPPS, Wilfred Joseph.—Old French Plate: with tables of the Paris date-letters, and fac-similes of other marks. A Handbook for the Collector. By Wilfred Joseph Cripps, . . . with illustrations. London: John Murray, . . . 1880. 8vo, cloth.

CROKER, Thomas Crofton, editor.—The Popular Songs of Ireland. Collected and edited, with introductions and notes, by T. Crofton Croker, Esq. London: Henry Colburn . . . M.DCCC.XXXIX. 12mo, green calf, gilt back, scored sides, gilt top, uncut edges, by Matthews.

CROLY and DAGLEY.—Gems, principally from the Antique, drawn and etched by Richard Dagley . . . with Illustrations in Verse by the Rev. George Croly . . . London: printed for Hurst, Robinson, and Co. . . . 1822. Post 8vo, orange levant morocco, gilt top, uncut edges, by Smith-Mansell.

Twenty-one plates.

CROLY, George.—The Poetical Works of the Rev. George Croly . . . embellished with twenty etchings by Dagley from Antique Gems. London: Willis and Sotheran . . . [1830] Crown 8vo, two volumes, green calf, gilt back, gilt edges.

CROMEK, R. H., editor.—Remains of Nithsdale and Galloway Song: with historical and traditional notices relative to the manners and customs of the peasantry. Now first published by R. H. Cromek . . . London: printed for T. Cadell and W. Davies . . . 1810. 8vo, half red morocco, gilt back, gilt top, uncut edges, by Bradstreet.

Large paper copy, with the title-page printed on India paper.

CROSS, John Walter.—See Eliot, George.

CROWE, Catherine.—The Night Side of Nature; or, Ghosts and Ghost Seers. By Catherine Crowe. . . . London: T. C. Newby, . . . 1848. Crown 8vo, two volumes, cloth, uncut edges.

CROWE and CAVALCASELLE.—A new History of Painting in Italy from the Second to the Fourteenth Century. Drawn up from fresh Materials after recent researches in the Archives of Italy; as well as from personal inspection of the Works of Art scattered throughout Europe. By J. A. Crowe & G. B. Cavalcaselle London: John Murray . . . 1864. 8vo, three volumes, cloth, uncut edges.

CROWE and CAVALCASELLE.—A History of Painting in North Italy; Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century. Drawn up from fresh materials &c. . . . By J. A. Crowe & G. B. Cavalcaselle . . . With illustrations. London: John Murray . . . 1871. 8vo, two volumes, cloth, uncut edges.

CROWE and CAVALCASELLE.—The Early Flemish Painters. Notices of Their Lives and Works. By J. A. Crowe and G. B. Cavalcaselle. Second edition London: John Murray, . . . 1872. 8vo, cloth, uncut edges.

Seventeen illustrations.

CROWE and CAVALCASELLE.—Titian: his Life and his Times. With some Account of his Family, chiefly from new and unpublished records. By J. A. Crowe and G. B. Cavalcaselle . . . With portrait and illustrations. London: John Murray . . . 1877. 8vo, two volumes, cloth, uncut edges.

Steel portrait and eighteen woodcuts.

CROWE and CAVALCASELLE.—Raphael: his life and works, with particular reference to recently discovered records, and an exhaustive study of extant drawings and pictures. By J. A. Crowe and G. B. Cavalcaselle, . . . London: John Murray, . . . 1882. 8vo, two volumes, half red morocco, gilt back, gilt top, uncut edges, by Rivière.

CROWE, Sir Joseph.—Reminiscences of Thirty-five Years of my Life By Sir Joseph Crowe . . . With [2] plans London   John Murray . . . 1895. 8vo, cloth, gilt top, uncut edges.

CRUIKSHANK, George.—George Cruikshank's Illustrations of

Humphrey Clinker. | Joseph Andrews.
Roderick Random. | Amelia.
Peregrine Pickle. | Vicar of Wakefield.
Tom Jones. | Sir Lancelot Greaves.

Forty-one plates, with extracts describing each subject. London: Charles Tilt, . . . M DCCC XXXVI. Post 8vo, olive morocco, gilt edges, by The Club Bindery.

The first nine plates have the imprint, "London, Printed for Cochrane and Pickersgill, 1831," Nos. 10 to 29, "for James Cochrane & Co. 1831," and Nos. 30-41, "for James Cochrane & Co. 1832."

CRUIKSHANK, George.—George Cruikshank's Table-book. Edited by Gilbert Abbott à Beckett. Illustrated by George Cruikshank. London: published at the Punch Office, . . . m dccc xlv. Royal 8vo, red levant morocco, gilt back, gilt edges, by The Club Bindery.

Twelve steel plates, woodcut title-page, and numerous illustrations in the text.

CRUIKSHANK, Robert.—Cruikshank at Home: a New Family Album of Endless Entertainment. With numerous illustrations engraved on wood . . . [three volumes]   The Odd Volume; or Book of Variety: illustrated by Two Odd Fellows,—Seymour and Cruikshank London: Henry G. Bohn . . . 1845. Post 8vo, four volumes in two, half citron levant morocco, gilt top, uncut edges.

In consequence of a disagreement between the brothers Cruikshank, the designs intended for a fourth series of "Cruikshank at Home," incorporated with the work of Seymour, produced "The Odd Volume."

CUMBERLAND, G.—Inventions by G. Cumberland [London] Publish'd Jan 1. 1795. Royal 4to, half brown levant morocco, gilt back, gilt top, uncut edges, by V. Krafft.

Engraved frontispiece title and 23 other outline plates. The Preface is dated June, 1796.

CUMBERLAND, George.—An Essay on the utility of collecting the best works of the ancient engravers of the Italian school; accompanied by A Critical Catalogue with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London, by George Cumberland.—London. Printed by W. Nicol, . . . 1827. 4to, half red levant morocco, gilt top, uncut edges, by Matthews.

Portrait of the author and double plate of engraver's marks.

CUMBERLAND, George.—Outlines from the Ancients. [with an Introduction by G. C. umberland] [London 1829]   Folio, half blue morocco, gilt back.

Sixty plates, proofs on India paper, engraved by F. C. Lewis.

CUMBERLAND, Richard.—The Mysterious Husband. A tragedy in five acts. As it is acted at the Theatre-Royal, Covent-Garden. By Richard Cumberland, Esq. London: printed for C. Dilly, . . . and J. Walter, . . . m. dcc. lxxxiii. 8vo, red morocco, by The Club Bindery.

First edition.

CUMBERLAND, Richard.—The Posthumous Dramatic Works of the late Richard Cumberland, Esq . . . London: printed for G. and W. Nicol, . . . by W. Bulmer and Co . . . 1813. 8vo, two volumes, half calf, gilt back, uncut edges.

Edited by T. W. Jansen.

CUNDALL, Joseph, editor.—On Bookbindings ancient and modern edited by Joseph Cundall . . . [woodcut]   London: George Bell and Sons . . . 1881. 4to, half blue morocco, gilt top, uncut edges.

Twenty-eight plates.

CUNNINGHAM, Allan.—Sir Marmaduke Maxwell, a dramatic poem; the Mermaid of Galloway; the Legend of Richard Faulder; and Twenty Scottish Songs. By Allan Cunningham . . . London: printed for Taylor and Hessey, . . . 1822. 12mo, half brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

CUNNINGHAM, Allan, editor.—The Songs of Scotland, ancient and modern; with an introduction and notes, Historical and Critical, and Characters of the Lyric Poets. . . . By Allan Cunningham, . . . London: printed for John Taylor, . . . 1825. Crown 8vo, four volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Allo.

CUNNINGHAM, Allan.—The Lives of the most eminent British Painters, Sculptors, and Architects. By Allan Cunningham. Second edition. London: John Murray, . . . MDCCCXXX. Foolscap 8vo, six volumes, original cloth, uncut edges.

Illustrated with thirty-one steel portraits and nine woodcuts.

CUNNINGHAM, Allan, editor.—The Cabinet Gallery of Pictures, selected from the Splendid Collections of Art, public and private, which adorn Great Britain; with biographical and critical descriptions by Allan Cunningham. London: John Major . . . MDCCCXXXIII. Royal 8vo, two volumes, red levant morocco, gilt back and sides, gilt top, uncut edges.

First issue. Large paper copy. Seventy-three engravings, proofs on India paper. The plate of the Blind Fiddler, by Wilkie, inserted in this copy, is not mentioned in the index, though the publishers evidently projected it as one of the series. A letter inserted from Edmund Hodgson explains the usual defection.

CUNNINGHAM, Allan.—The Life of Sir David Wilkie; with his journals, tours, and critical remarks on Works of Art; and a selection from his correspondence. By Allan Cunningham. London: John Murray . . . 1843. 8vo, three volumes, citron levant morocco, gilt and mosaic back, gilt edges, by Bedford.

Illustrated by the insertion of one hundred and seventy portraits, and plates engraved from Wilkie's paintings, of which a large number are brilliant proofs, some in two states.

CUNNINGHAM, Allan.—Poems and Songs by Allan Cunningham. With an introduction, glossary, and notes by Peter Cunningham. London: John Murray . . . 1847. Small 8vo, cloth, uncut edges, with the original covers.

CUNNINGHAM, Henry Winchester.—Christian Remick   an early Boston artist    A Paper read by Henry Winchester Cunningham At a Meeting of the Club of Odd Volumes of Boston, Massachusetts, February 24, 1904   Boston the Club of Odd Volumes [University Press]   1904. 4to, half brown morocco, uncut edges.

No. 64 of one hundred copies printed.

CUNNINGHAM, John.—Poems, chiefly Pastoral. By John Cunningham . . . London: Printed for the Author; . . . M.DCC.LXVI. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Allo.

Frontispiece by Isaac Taylor, and (inserted) a portrait of the author, proof on India paper.

CUNNINGHAM, PLANCHÉ, and COLLIER.—Inigo Jones. A life of the architect; by Peter Cunningham, Esq. Remarks on some of his sketches for masques and dramas; by J. R. Planché, Esq. and Five Court Masques; edited from the original mss. of Ben Jonson, John Marston, etc. by J. Payne Collier, Esq.   accompanied by facsimiles [15] of drawings by Inigo Jones; and by a portrait from a painting by Vandyck. London: printed for the Shakespeare Society. 1848. 8vo, original cloth, uncut edges.

CUNNINGHAM, Peter.—The Story of Nell Gwyn: and the Sayings of Charles the Second. Related and collected By Peter Cunningham, . . . [vignette] . . . London: Bradbury & Evans, . . . M DCCC LII. Post 8vo, cloth, uncut edges.

First separate edition, with woodcuts. Originally published in "The Gentleman's Magazine," 1851.

CUNNINGHAM and LAING.—Inigo Jones and Ben Jonson: being the Life of Inigo Jones. By Peter Cunningham. Illustrated with numerous facsimiles of his designs for masques. And Ben Jonson's Conversations with Drummond of Hawthornden. Edited By David Laing. [London]   Printed for the Shakespeare Society, . . . 1853. 8vo, cloth, uncut edges.

Portrait of Inigo Jones, by W. Holl after Vandyke. The first sub-title is dated 1848, the second, 1842.

CUNNINGHAM, Peter.—See Burnet and Cunningham.

CUPID.—The Cupid: a collection of love songs reprinted from the first edition   Privately printed for subscribers only at   The Moray Press Derby   1891. 8vo, blue levant morocco, Janseniste, doubled with brown morocco ornamented with a gilt and chiselled panel of floral and peacock design, blue silk guards, gilt top, uncut edges, with the original covers bound in, by Pomey.

One hundred copies printed on Van Gelder paper. Fifteen illustrations on Japan paper by Paul Avril, Milius, and others.

CURRAN, John Philpot.—A new and enlarged collection of Speeches, by the Right Honourable John Philpot Curran, . . . containing several of importance, in no former collection; with Memoirs of Mr. Curran, and his portrait. London: printed for William Hone, . . . 1819. 8vo, half olive morocco, gilt top, uncut edges.

Bound with Hone's "Annals of the Revolution in France," 1830.

CURTIS, George William.—Washington Irving: A Sketch. By George William Curtis. New York: The Grolier Club   MDCCCXCI. 4to, red morocco, with Club seal on the sides, gilt top, uncut edges.

Portraits of Matilda Hoffman and Irving, and cut of Cockloft Hall Summer House.

One of three hundred and forty-four copies printed.

CURTIS, George William.—Prue & I   by George William Curtis illustrated from drawings by Albert Edward Storner . . . Harper & Brothers   New York   MDCCCXCII. 8vo, vellum, uncut edges.

Two hundred and fifty copies printed, with etched frontispiece signed by the artist. A signature of the artist is also inserted.

CUST and COLVIN.—History of the Society of Dilettanti compiled by Lionel Cust, . . . and edited by Sidney Colvin, . . . Printed for the Society   London   Macmillan and Co., . . . 1898. 8vo, buckram, uncut edges.

No. 139 of three hundred and fifty copies printed, with seventeen illustrations.

DALLAS, Robert Charles.—Recollections of the Life of Lord Byron, from the year 1808 to the end of 1814; exhibiting his early character and opinions, detailing the progress of his literary career, and including various unpublished passages of his works. Taken from authentic documents, in the possession of the author. By the late R. C. Dallas, Esq. to which is prefixed, an account of the circumstances leading to the suppression of Lord Byron's correspondence with the author, and his letters to his mother, lately announced for publication. London: printed for Charles Knight, . . . MDCCCXXIV. 8vo, boards, uncut edges.

Facsimile frontispiece.

DALLAWAY, James.—Of Statuary and Sculpture among the Antients. With some account of specimens preserved in England. By James Dallaway, . . . London: printed by T. Bensley and Son, . . . for J. Murray, . . . 1816. Royal 8vo, blue straight-grain morocco, gilt back, side borders, uncut edges.

Large paper copy: twenty-nine outline etchings printed in red.

[DALTON, ——] The Gentleman in Black. With Illustrations, by George Cruikshank. Engraved by J. Thompson and C. Landells. London: William Kidd . . . MDCCCXXXI. 12mo, cloth, uncut edges.

A portion of this work appeared originally in a periodical called "The Literary Magnet."

DANA and WILSON.—The Life of Ulysses S. Grant, General of the Armies of the United States. By Charles A. Dana, . . . and J.H. Wilson, . . . Published by Gurdon Bill & Company, Springfield, Mass. &c. . . . 1868. 8vo, half blue morocco, gilt back, gilt top, uncut edges, by W. Matthews.

Portrait by F.T. Stuart, and three maps.

DANA, Richard H.—Poems; by Richard H. Dana. Boston, Bowles and Dearborn . . . 1827. 18mo, brown levant morocco, gilt back, side border, gilt edges, by The Club Bindery.

First edition.

DANCE OF DEATH.—The Dance of Death exhibited in elegant engravings on wood with a Dissertation on the several representations of that subject but more particularly on those ascribed to Macaber and Hans Holbein. By Francis Douce &c. London: William Pickering   1833. 8vo, brown levant morocco, gilt back, side panels, doubled with dark brown silk, narrow borders, silk guards, gilt edges, by The Club Bindery.

Forty-nine woodcut illustrations from the Lyons series, and six others. Large paper copy.

DANCE OF DEATH.—Holbein's Dance of Death, with an historical and literary introduction. London: John Russell Smith, . . . m. d. ccc. xlix. Post 8vo, cloth, gilt top, uncut edges.

Frontispiece and fifty-three illustrations on India paper.

DANCE OF DEATH.—The celebrated Hans Holbein's Alphabet of Death, illustrated with old borders engraved on wood with Latin sentences and English quatrains selected by Anatole de Montaiglon [cut]   Paris. Printed for Edwin Tross [by Firmin Didot brothers]   M.DCCC.LVI. Small 4to, half brown morocco, gilt top, uncut edges.

Vellum paper copy. The engraved borders, etc., are by Leon Le Maire, and are partly copied from the well-known Horæ of Simon Vostre.

DANCE OF DEATH.—Holbein's Dance of Death exhibited in elegant engravings on wood, With a Dissertation on the several Representations of that Subject, By Francis Douce, . . . also, Holbein's Bible Cuts, consisting of ninety illustrations on wood, with introduction by Thos. Frognall Dibdin. London: Henry G. Bohn, . . . 1858. Post 8vo, cloth, uncut edges.

DANIEL, George.—The Modern Dunciad   Virgil in London and other poems London   William Pickering   1835. Post 8vo, cloth, uncut edges.

DANIEL, George.—The Modern Dunciad. 1835. Post 8vo, green straight-grain morocco, back and sides tooled in the manner of Roger Payne, with the initials G. D., gilt edges, by C. Lewis.

George Daniel's own copy, in which he has inserted his own private portrait, proof on India paper, also portraits of Samuel Johnson, proof before the letters, R. Owen, L. Sterne, Scott and his family, etc.

DANIEL, George.—Merrie England in the Olden Time. By George Daniel . . . London: Richard Bentley . . . 1842. Crown 8vo, two volumes, cloth, uncut edges.

First edition, with five plates by Leech and twenty-three woodcut illustrations.

DANIEL, George.—Democritus in London with the mad Pranks and comical Conceits of Motley and Robin Good-fellow to which are added notes festivous etc. London   William Pickering   1852. Post 8vo, cloth, uncut edges.

First edition.

DANTE ALLEGHIERI.—The Vita Nuova of Dante, translated, with an introduction and notes, by Theodore Martin. London: Parker Son, and Brown, . . . 1862. Small 4to, cloth, uncut edges.

Portrait of Dante.

DANTE ALLEGHIERI.—The Comedy of Dante Alleghieri. Part I—The Hell. Translated into English blank verse by William Michael Rossetti, with introductions and notes. London . . . Macmillan and Co. 1865. Post 8vo, cloth, uncut edges.

First edition.

DANTE.—See Boccaccio, Giovanni. Rossetti, Dante Gabriel. Rossetti, William Michael.

D'ANVERS, N.—An Elementary History of Art. Architecture—Sculpture—Painting by N. D'Anvers . . . second edition with introduction by Professor Roger Smith. London. Sampson Low, . . . 1882. Crown 8vo, half brown levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

One hundred and eighty-five woodcut illustrations.

D'ARBLAY, Madame.—Evelina, or, a Young Lady's entrance into the World. [By Fanny Burney]   London: Printed for T. Lowndes . . . M.DCC.LXXVIII. 12mo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges, by David.

First edition.

D'ARBLAY, Madame.—Cecilia, or Memoirs of an Heiress. By the author of Evelina. London: Printed for T. Payne and Son . . . MDCCLXXXII. 12mo, five volumes, green levant morocco, gilt back, gilt top, uncut edges, by David.

First edition.

D'ARBLAY, Madame.—Camilla: or, a Picture of Youth. By the author of Evelina and Cecilia. London: Printed for T. Payne . . . and T. Cadell Jun. and W. Davies . . . 1796. 12mo, five volumes, red levant morocco, gilt back, uncut edges, by Rivière.

First edition.

D'ARBLAY, Madame.—The Wanderer; or, Female Difficulties. By the Author of Evelina; Cecilia; and Camilla. In five volumes. . . . London: printed for Longman, Hurst, Rees, Orme, and Brown, . . . 1814. 12mo, five volumes, green levant morocco, gilt fillets, gilt top, uncut edges, by The Club Bindery.

First edition. Dedication to Dr. Burney, dated March 14, 1815, and signed F. B. d'Arblay.

D'ARBLAY, Madame.—The Romance of Private Life. By Miss Burney. . . . London: Henry Colburn, . . . 1839. Post 8vo, three volumes, original boards, uncut edges.

First edition.

D'ARBLAY, Madame.—Diary and Letters of Madame d'Arblay . . . Edited by her Niece . . . London: Henry Colburn . . . 1843-2-6. Crown 8vo, seven volumes, cloth, uncut edges.

In addition to the seven portraits and two facsimiles belonging to this edition, one hundred and eight additional portraits have been inserted.

DARIUS'S FEAST: or, The Force of Truth. A Poem, Addressed To the Right Honourable the Earls of Salisbury and Exeter. London: Printed by Lawton Gilliver . . . 1734. Folio, red levant morocco, by The Club Bindery. Bound with ten other works.

DARLEY, Felix Octavius Carr.—Sketches Abroad with Pen and Pencil. By Felix O. C. Darley. The [85] Drawings engraved on Wood by J. Augustus Bogert and James L. Langridge. New York: published by Hurd and Houghton, . . . 1868. 12mo, half red morocco, gilt back, gilt top, uncut edges, by Matthews.

DAVENPORT, Cyril.—. . . English Embroidered Bookbindings by Cyril Davenport, . . . London   Kegan Paul, Trench, Trübner and Company, . . . 1899. 4to, green silk, back and sides embroidered in a floral and scroll design of yellow, pink, lavender, and green, gilt over uncut edges, by The Club Bindery.

Japanese vellum copy, fifty printed. Fifty-two plates, some coloured, and illustrations in the text.

DAVENPORT, Cyril.—Thomas Berthelet Royal Printer and Bookbinder to Henry VIII. King of England with special reference to his bookbindings by Cyril Davenport . . . Chicago   published by the Caxton Club   M DCCCC I. Royal 4to, half cloth, uncut edges.

One of two hundred and fifty-two copies printed. Eighteen plates, for the most part coloured.

DAVEY, Samuel.—See Scott and Davey.

DAVIDSON, John.—Plays by John Davidson being: an unhistorical pastoral: a romantic farce: Bruce a chronicle play: Smith a tragic farce: and Scaramouch in Naxos a pantomime [vignette]   London: Elkin Mathews and John Lane . . . 1894. 4to, cloth, uncut edges.

Frontispiece.

DAVIES, C. M.—History of Holland, from the beginning of the Tenth to the end of the Eighteenth Century. By C. M. Davies. London: John W. Parker . . . M.DCCC.XLI. 8vo, three volumes, red levant morocco, gilt back, gilt over uncut edges, by Holloway.

Original issue with the genuine title-pages.

Illustrated by the insertion of one hundred and fifty-eight portraits, etc., brilliant copper-plate engravings, by Crispin de Pass, Wierix, Houbraken (some unlettered proofs), Sadeler, Ficquet, Savart, Peter de Jode, Marcenay de Ghuy (unlettered proofs), Delaram, Raphael Morghen, Moncornet, etc.

DAVIS, William.—A Journey [and Second Journey] Round the Library of a Bibliomaniac: or, cento of notes and reminiscences concerning rare, curious, and valuable Books. By William Davis . . . London: Printed for W. Davis . . . 1821-25. Crown 8vo, two volumes in one, half green morocco, gilt back, gilt top, uncut edges, by Rivière.

The two series complete.

DAVY, Sir Humphrey.—Salmonia: or Days of Fly Fishing. In a series of Conversations. With some account of the Habits of Fishes belonging to the genus Salmo. London: John Murray . . . MDCCCXXIX. Small 8vo, green levant morocco, gilt back, side borders, gilt top, uncut edges, by Zaehnsdorf.

First edition: illustrated by the insertion of twenty-five portraits, forty-six views of lakes, etc., seventeen vignettes of fish, for the most part on India paper, and some India proof woodcuts laid on the beginning and end of chapters, in addition to the six plates and numerous woodcuts of fish belonging to the book.

DAY, Thomas.—The History of Sandford and Merton, a work Intended for the Use of Children . . . London; Printed for J. Stockdale, . . . MDCCLXXXIII.-VI-IX. Small 8vo, three volumes, half green levant morocco, gilt back, gilt top, by Roger de Coverly.

First edition. Frontispieces by Cooper after Stothard, etc., from a later edition.

DEFOE, Daniel.—The True-Born Engliſhman. A Satyr. [Five lines in Latin]   Printed in the Year MDCCI. 4to, brown levant morocco, gilt back, side panels, gilt edges, by Rivière.

First edition (?).

The second edition has a Preface in which Defoe vindicates himself from the charge of depreciating his countrymen.

The ninth edition was also printed in 1701, and it is said that 80,000 copies were sold in the streets. The King honoured Defoe for the first time with an audience.

Collation: Title, A1 (verso blank). Preface beginning, "The End of Satyr is Reformation," A2. Part I, A3-D3 recto in fours. Part II, D3 verso-H4. Pages 1-60; 30 and 31 reversed, 48-49 misprinted 58-59.

DEFOE, Daniel.—(I.) Reasons against a War with France, or an Argument shewing That the French King's Owning the Prince of Wales as King of England, Scotland and Ireland; is No Sufficient Ground of A War. London    Printed in the year, 1701. (II.) The Double Welcome. A Poem to the Duke of Marlbro'. London: Printed, and Sold by B. Bragg . . . 1705. (III.) A Fair Shell, but A Rotten Kernel: or, A Bitter Nut for A Factious Monkey. . . . London, Printed: And Sold by B. Bragge, . . . 1705. . . . 4to, three works in one volume, brown morocco, gilt edges, by The Club Bindery.

First editions.

DEFOE, Daniel.—The Mock Mourners. A Satyr, By way of Elegy on King William. By the Author of The True-born Engliſhman. London, Printed 1702. 4to, green levant morocco, gilt fillets, uncut edges.

First edition.

A, two leaves, B-D in fours, E and ¶, two leaves each. Dedicated to the Queen.

DEFOE, Daniel.—A Hymn to the Pillory. London: Printed in the Year, MDCCIII. 4to, brown levant morocco, gilt back, side panels, uncut edges, by David.

First edition.

DEFOE, Daniel.—The Storm: or, a collection Of the most Remarkable Casualties and Disasters which happen'd in the Late Dreadful Tempest, [Nov. 26, 1703] both by Sea and Land . . . London: Printed for G. Sawbridge . . . MDCCIV. 8vo, half brown levant morocco, Janseniste, gilt top, uncut edges, by Stikeman.

First edition.

[DEFOE, Daniel].—(I.) Moderation Diſplay'd: a poem. [Three lines from Lucret. lib. 5.]   By the Author of Faction Diſplay'd. London: Printed in the Year 1704. (II.) The Sequel: or Moderation Further Diſplay'd, a poem. By the Author of Faction Diſplay'd. [Two lines from Aul. per. 2. Sat. 2.]   Printed in the Year 1705. 4to, two works in one volume.

Both works: two leaves and B-D2 in fours.

"Faction Displayed" is attributed to Defoe and also to W. Shippen.

DEFOE, Daniel.—The Consolidator: or, Memoirs of Sundry Tranſactions from the World in the Moon. Tranſlated from the Lunar Language, By the Author of The True-born Engliſh Man. London: Printed, and are to be Sold by Benj. Bragg . . . 1705. 8vo, red morocco, gilt edges, by The Club Bindery.

First edition; with the half-title marked "A."

DEFOE, Daniel.—The Dyet of Poland, a Satyr. Printed At Dantzick, in the Year MDCCV. 4to, blue levant morocco, gilt back, gilt edges, by David.

First edition.

DEFOE, Daniel.—The History of the Wars, Of his Preſent Majesty Charles XII. King of Sweden; From his Firſt Landing in Denmark, To His Return from Turkey to Pomerania. By a Scots Gentleman in the Sweedish Service. London: Printed for A. Bell in Cornhil, . . . 1715. 8vo, red levant morocco, gilt back, gilt edges, by The Club Bindery.

First edition.

DEFOE, Daniel.—(I.) The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver'd by Pyrates. Written by Himself. [frontispiece]   London: Printed for W. Taylor . . . MDCCXIX. (II.) The Farther Adventures of Robinson Crusoe; Being the Second and Last Part of his Life, And of the Strange Surprizing Accounts of his Travels Round three Parts of the Globe. Written by Himself. To which is added a Map of the World, in which is Delineated the Voyages of Robinson Crusoe. London: Printed for W. Taylor . . . MDCCXIX. (III.) Serious Reflections during the Life And Surprising Adventures of Robinson Crusoe: with his Vision of the Angelick World. Written by Himself. [folded frontispiece]    London: Printed for W. Taylor, . . . 1720. 8vo, three volumes, red levant morocco, gilt back and sides, gilt edges, by Bedford.

First editions.

DEFOE, Daniel.—The Life and strange surprizing Adventures of Robinson Crusoe, of York, Mariner, Who lived eight and twenty years all alone in an uninhabited Island on the Coast of America near the mouth of the Great River of Oroonoque, having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With an account how he was at last as strangely delivered by Pyrates. Written by himself. [with a Life of the author by George Chalmers]   London: printed for John Stockdale . . . 1790. Royal 8vo, two volumes, olive morocco, gilt back, gilt top, uncut edges, by Pratt.

Large paper copy with a portrait, fourteen plates and two vignette titles engraved by Medland after the designs of Stothard.

DEFOE, Daniel.—La Vie et les Aventures De Robinson Crusoë, Par Daniel Defoe; traduction Revue et corrigée sur la Edition donnée par Stockdale en 1790, augmentée de la vie de l' Auteur, qui n'avoit pas encore paru; Edition Ornée de 19 gravures [en couleur] par Delignon, d'après les dessins originaux de Stothart, d'une Carte Géographique, et accompagnée d'un vocabulaire de Marine. . . . [coloured vignette]   A Paris Chez H. Verdière, . . . [1800.]   8vo, three volumes, calf, gilt back, side panels, gilt edges.

DEFOE, Daniel.—The Life and Adventures of Robinson Crusoe. Embellished with engravings from designs by Thomas Stothard . . . London: printed for T. Cadell and W. Davies . . . 1820. Royal 8vo, two volumes, red levant morocco, back and sides richly tooled, gilt edges, with some rough leaves, by C. Lewis.

Large paper copy, with twenty plates and two vignettes engraved by C. Heath.

DEFOE, Daniel.—Engravings illustrative of Robinson Crusoe, from drawings by Thomas Stothard, engraved by C. Heath. [London, Cadell and Davies, . . . 1820.] Folio, half green morocco portfolio.

Twenty-two proofs on India paper.

DEFOE, Daniel.—Robinson Crusoe, par Daniel De Foe, traduction de l'Anglais, entièrement revue et corrigée par F. D'A. A Paris, chez Crevot . . . MDCCCXXV. 8vo, two volumes, blue straight-grain morocco, back and sides gilt and blind tooled, gilt edges.

Large paper copy, illustrated by six plates after the designs of Deveria, each in three states, viz., engraver's etching, India proof, and plain print, also the original drawings.

DEFOE, Daniel.—The Life and surprising Adventures of Robinson Crusoe, of York, Mariner. With introductory verses by Bernard Barton, and illustrated with numerous engravings from drawings by George Cruikshank expressly designed for this edition. . . . London: printed at the Shakspeare Press, by W. Nicol, for John Major, . . . 1831. Post 8vo, two volumes, green levant morocco, Janseniste, gilt over uncut edges, by Louise Reymann.

Large paper copy, with frontispieces on India paper, by Aug. Fox and W. Raddon after Cruikshank, and thirty-seven woodcuts in the text.

DEFOE, Daniel.—The Life and Adventures of Robinson Crusoe. With a biographical sketch of De Foe, written expressly for this edition, and illustrations from original designs. . . . London: Cochrane and Pickersgill, . . . 1831. Post 8vo, two volumes, half maroon levant morocco, gilt top, uncut edges, by V. Krafft.

Portrait by Freeman, and sixteen other plates.

DEFOE, Daniel.— . . . The Life and Adventures of Robinson Crusoe Mariner, of Hull by Daniel Defoe With Biographical Memoir and Illustrative Notes [by John Ballantyne] . . . With Eight Etchings by M. Mouilleron and Portrait by L. Flameng   London   J. C. Nimmo and Bain . . . 1882. 8vo, two volumes, cloth, uncut edges.

No. 71 of one hundred and fifty large paper copies printed, with proof etchings on Japan paper.

DEFOE, Daniel.—The History of the Life and Adventures of Mr. Duncan Campbell, a Gentleman, who, tho' Deaf and Dumb, writes down any Stranger's Name at firſt Sight; with their future Contingencies of Fortune. Now Living In Exeter Court over-againſt the Savoy in the Strand. [Three lines from Cicero] London: Printed for E. Curll: And ſold by W. Mears and T. Jauncy. . . , W. Meadows. . . , A. Bettesworth. . . , W. Lewis. . . , and W. Graves . . . M. DCC. XX. 8vo, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

First edition. Portrait by Price after Hill, and three plates. After page 240, an entirely different fount of type is used from that in the first part of the book.

DEFOE, Daniel.—The Fortunes and Misfortunes Of the Famous Moll Flanders, &c. Who was born in Newgate, and during a Life of continu'd Variety for Threeſcore Years, beſides her childhood, was Twelve year a Whore, five times a wife (whereof once to her own Brother) Twelve year a Thief, Eight year a Tranſported Felon in Virginia, at laſt grew Rich, liv'd Honeſt, and died a Penitent. Written from her own Memorandums. London: Printed for, and Sold by W. Chetwood, . . . M DDC XXI. [M DCC XXI] 8vo, red levant morocco, narrow side borders, gilt edges, by The Club Bindery.

First edition, with the blank leaf, A8.

DEFOE, Daniel.—A Journal of the Plague Year: being Obſervations or Memorials, Of the moſt Remarkable Occurrences, As well publick as private, which happened in London During the laſt Great Visitation In 1665. Written by a Citizen who continued all the while in London. Never made publick before London: Printed for E. Nutt. . . ; J. Roberts. . . ; A. Dodd. . . ; and J. Graves. . . . 1722. 8vo, red levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

First edition, with the half-title.

DEFOE, Daniel.—A Narrative Of all the Robberies, Eſcapes, &c. of John Sheppard: Giving an Exact Deſcription of the manner of his wonderful Eſcape from the Castle in Newgate, and of the Methods he took afterward for his Security. Written by himſelf during his Confinement in the Middle Stone-Room, after his being retaken in Drury-Lane. To which is added, A true Repreſentation of his Eſcape from the Condemn'd Hold, curiouſly engraven on a Copper Plate. The whole Publiſh'd at the particular Requeſt of the Priſoner. London: Printed and Sold by John Applebee, . . . 1724. (Price Six Pence.) 8vo, brown levant morocco, gilt fillets, gilt edges, by The Club Bindery.

A perfect copy, with frontispiece, "The manner of Escape," a second plate, inserted, "Jack Shepherd in the Stone Room in Newgate," probably from Charles Johnson's "History of the Lives and Actions of the most famous Highwaymen," etc., and, also inserted, a plate in seven compartments by N. Parr, representing scenes relative to Newgate.

The Narrative is dated "Middle-Stone-Room in Newgate, Novem. 10. 1724," and ends with a "Postscript," D3 (verso blank). Seven editions were printed in 1724, on November 17, 18, 19, 20, 21, 28 and December 12.

DEFOE, Daniel.—A Tour Thro' the whole Island of Great Britain, Divided into Circuits or Journies. giving A Particular and Diverting Account of whatever is Curious and worth Observation, Viz. I. A Description of the Principal Cities and Towns, their Situation, Magnitude, Government, and Commerce. II. The Cuſtoms, Manners, Speech, as alſo the Exerciſes, Diverſions, and Employment of the People. III. The Produce and Improvement of the Lands, the Trade, and Manufactures. IV. The Sea Ports and Fortifications, the Courſe of Rivers, and the Inland Navigation. V. The Publick Edifices, Seats, and Palaces of the Nobility and Gentry. With Uſeful Observations upon the Whole. Particularly fitted for the Reading of ſuch as deſire to Travel over the Island. By a Gentleman. London: Printed, and Sold by G. Strahan, . . . W. Mears, . . . R. Francklin, . . . S. Chapman, . . . R. Stagg, . . . and J. Graves, . . . M DCC XXIV. [M DCC XXV. and M DCC XXVII.] 8vo, three volumes, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

First edition of Volumes I and II, second of Volume III. Volume I contains a folded plate of the Siege of Colchester in 1648, and consists of three letters, with separate pagination and signatures, the last leaf containing Addenda and Errata. Volume II contains a folded map of England and Wales, by Herman Moll, Geographer, and consists of three letters, the third with separate pagination and signatures, and an Index of xxxvi pages to the first two volumes. Volume III contains a folded map of Scotland by Moll. The three letters, pages 1-239, are followed by an "Introduction to the Account and Description of Scotland," pages 1-230, two Indexes (21 pages) and 5 pages of Advertisements.

DEFOE, Daniel.—The Fortunate Miſtreſs: Or, A History Of The Life And Vaſt Variety of Fortunes Of Mademoiſelle de Beleau, Afterwards Call'd The Counteſs de Wintſelſheim, in Germany. Being the Perſon known by the Name of the Lady Roxana, in the Time of King Charles II. London: Printed for T. Warner . . . ; W. Meadows . . . ; W. Pepper . . . ; S. Harding . . . ; and T. Edlin. . . . 1724. 8vo, red levant morocco, rich gilt back and side borders, doubled with red morocco, gilt borders, red silk guards, gilt edges, by The Club Bindery.

First edition. Full-length portrait of Roxana.

DEFOE, Daniel.—The Life and Adventures of Roxana, the fortunate mistress; or, most unhappy wife.

I. An Account of her Birth in France, in 1683.

II. Her Marriage in London with a Brewer, who ran out his Eſtate, and left her in a deſtitute Condition with five Children.

III. Her cohabiting with her Landlord, their Journey to Paris, where her Gallant was robbed, and murdered.

IV. Her being in Love with by the Prince of —— by whom ſhe had a Son; her going with the Prince to the Palace of Mendon, where she ſaw her Huſband, who had entered in the Gens d'Arms Guard, the Prince leaves her.

V. The Dealings ſhe had with a Dutch Merchant and a Jew, the latter of whom wanted to defraud her of a great Parcel of her Jewels, her Return, in a dangerous Storm to England; her going afterwards to Rotterdam, where ſhe ſees the Dutch Merchant, to whom ſhe ſoon after became a Bedfellow.

VI. Her return to England again, living a great Lady, where ſhe had the Name of Roxana. Her Marriage with the Dutch Merchant in London, who was naturalized, and created a Baronet; the Miſeries ſhe and her Maid Amy fell afterwards into.

Embelliſhed with curious Copper Plates. London: Printed for H. Owen, . . . and C. Sympson, . . . M DCC LV. Small 8vo, blue levant morocco, gilt back and edges, by Chambolle-Duru.

Portrait by Parr, and folded plate, "Roxana in her Turkish Habit."

A later edition of "The Fortunate Mistress," divided into chapters, as the first edition was not, and containing two leaves of Contents. The text of the first edition ends on page 344, in the middle of chapter xvii, but the work has been extended by the unknown editor through page 463 into twenty-two chapters in the manner of Defoe. (Chapter xx is misprinted xix.) The last page contains a paragraph headed "The Continuation of the Life of Roxana, by Iſabel Johnſon, who had been her Waiting-Maid, from the Time ſhe was thrown into Jail, to the Time of her Death." The text of the last page of the first edition is not here included.

DEFOE, Daniel.—A new Voyage round the World, by a Course never ſailed before. being a Voyage undertaken by ſome Merchants, who afterwards propoſed the Setting up an Eaſt-India Company in Flanders. Illuſtrated with Copper Plates.   London:   Printed for A. Bettesworth, . . . and W. Mears, . . . M.dcc.xxv. 8vo, red straight-grain morocco, gilt edges, by The Club Bindery.

First edition, in two parts, with separate pagination and signatures. Frontispiece by J. Clark, and three other plates.

DEFOE, Daniel.—A new Voyage round the World. 1725. 8vo, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

Another copy.

DEFOE, Daniel.—An Essay upon Literature: or, An Enquiry into the Antiquity and Original of Letters; proving That the two Tables, written by the Finger of God in Mount Sinai, was the firſt Writing in the World; and that all other Alphabets derive from the Hebrew. With a ſhort View of the Methods made uſe of by the Antients, to ſupply the want of Letters before, and improve the uſe of them, after they were known. London; Printed for Tho. Bowles, . . . John Clark, . . . and John Bowles, . . . M.DCC.XXVI. 8vo, red morocco, gilt back, side corners, gilt edges, by The Club Bindery.

First edition.

DEFOE, Daniel.—The Political Hiſtory of the Devil, as well ancient as modern: in two parts. Part I. Containing a State of the Devil's Circumſtances, and the various Turns of his Affairs, from his Expulſion out of Heaven, to the Creation of Man; with Remarks on the ſeveral Miſtakes concerning the Reaſon and Manner of his Fall. Alſo his Proceedings with Mankind ever ſince Adam, to the firſt planting of the Chriſtian Religion in the World. Part II. Containing his more private Conduct, down to the preſent Times: His Government, his Appearances, his Manner of Working, and the Tools he works with. [Four lines of English verse] London: Printed for T. Warner, . . . 1726. 8vo, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

First edition, with frontispiece.

DEFOE, Daniel.—A System of Magick; or, a History of the Black Art. Being an Hiſtorical Account of Mankind's moſt early Dealing with the Devil; and how the Acquaintance on both Sides firſt began. . . . London, Printed: And Sold by J. Roberts . . . mdcc xxvii. Crown 8vo, red levant morocco, gilt edges, by The Club Bindery.

Frontispiece by J. Van der Gucht after Eberlein.

DEFOE, Daniel.—An Essay on the Hiſtory and Reality of Apparitions. Being An Account of what they are, and what they are not; whence they come, and whence they come not. As also How we may diſtinguish between the Apparitions of Good and Evil Spirits, and how we ought to Behave to them. With A great Variety of Surprizing and Diverting Examples, never Publiſh'd before. . . . London, Printed: And Sold by J. Roberts. . . . M DCC XXVII. 8vo, red morocco, gilt edges, by The Club Bindery.

First edition, with six plates by J. Van der Gucht.

DEFOE, Daniel.—Conjugal Lewdneſs: or, Matrimonial Whoredom. [Ten lines of verse beginning "Looſe Thoughts, at firſt, like ſubterranean Fires"] London: Printed for T. Warner, . . . M dcc xxvii. 8vo, panelled calf, gilt back and sides, gilt edges, by Rivière.

First edition, issued January 30.

DEFOE, Daniel.—A Treatise concerning The Use and Abuse of the Marriage Bed: shewing I. The Nature of Matrimony, its Sacred Original, and the true Meaning of its Inſtitution. II. The groſs Abuſe of Matrimonial Chaſtity, from the wrong Notions which have poſſeſſed the World, degenerating even to Whoredom. III. The Diabolical Practice of attempting to prevent child-bearing by Phyſical Preparations. IV. The fatal Conſequences of clandeſtine or forced Marriage, thro' the Perſuaſion, Intereſt, or Influence of Parents and Relations, to wed the Perſon they have no Love for, but oftentimes an Averſion to. V. Of unequal Matches, as to the Diſproportion of Age; and how ſuch, many ways, occaſion a Matrimonial Whoredom. VI. How married Perſons may be guilty of Conjugal Lewdneſs, and that a Man may, in effect, make a Whore of his own Wife. Alſo, many other Particulars of Family Concern. [Ten lines of verse as in the first issue]   London; Printed for T. Warner, . . . M. dcc. xxvii. Price 5 s. 8vo, Spanish calf, gilt back, gilt edges, by Pratt.

Second issue of "Conjugal Lewdness," printed June 10, with a new title-page, but the same sheets, including the uncorrected Errata at the end.

DEFOE, Daniel.—The Memoirs of an Engliſh Officer, Who ſerv'd in the Dutch War in 1672. to the Peace of Utrecht, in 1713. Containing Several Remarkable Transactions both by Sea and Land, and in divers Countries, but chiefly thoſe wherein the Author was perſonally concern'd. Together with A Description of many Cities, Towns, and Countries, in which he reſided; their Manners and Cuſtoms, as well Religious as Civil, interſpers'd with many curious Observations on their Monaſteries and Nunneries, more particularly of the famous one in Montſerat. On the Bull-Feasts, and other publick Diverſions; as also on the Genius of the Spaniſh People, amongſt whom he continued ſeveral Years a Priſoner of War. No Part of which has before been made publick. By Capt. George Carleton. London, Printed for E. Symon, . . . M DCC XXVIII. 8vo, blue levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

Large paper copy of the first edition. Dedicated to Spencer, Lord Wilmington.

DEFOE, Daniel.—The Life and Adventures of Mrs. Chriſtian Davies, commonly call'd Mother Ross; Who, in ſeveral Campaigns Under King William and the Late Duke of Marlborough, In the Quality of A Foot-Soldier and Dragoon, Gave many ſignal Proofs of an unparallell'd Courage and perſonal Bravery. Taken from her own Mouth when A Penſioner of Chelſea-Hoſpital, And known to be true by Many who were engaged in thoſe great Scenes of Action. London: Printed for and Sold by R. Montagu, . . . 1740. 8vo, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

First edition. In two parts, with separate pagination and signatures, and the final leaf of advertisement, Q4.

DEFOE, Daniel.—The Novels and Miscellaneous Works of Daniel De Foe. With a Biographical Memoir of the Author, Literary Prefaces to the various pieces, illustrative notes, etc., including all contained in the edition attributed to the late Sir Walter Scott, with considerable additions. Oxford: Printed by D. A. Talboys, for Thomas Tegg . . . London 1840-'41. Foolscap 8vo, twenty volumes, red levant morocco, gilt back, gilt top, uncut edges, by David.

The twentieth volume contains a Life of Defoe by George Chalmers, and a chronological list of his works.

[DELEPIERRE, Joseph Octave.]—Joseph Octave Delepierre   Born, 12 March 1802; Died, 18 August 1879   In Memoriam   For friends only   [London, 1879.] 4to, brown levant morocco, doubled with russia, russia guards, gilt top, uncut edges, by Zaehnsdorf.

Published by the Philobiblon Society. Portrait.

DELILLE (or DELISLE), Jacques.—The Gardens, a poem. Translated from the French of the Abbé de Lille. By Mrs. Montolieu. The second edition. London: printed by T. Bensley . . . 1805. Royal 8vo, half red levant morocco, gilt top, uncut edges, by Krafft.

Whatman paper copy with four plates and four vignettes, engraved by Bartolozzi.

DE LOLME, John Louis.—The History of the Flagellants, or The Advantages of Diſcipline; Being a Paraphrase and Commentary On the Historia Flagellantium of the Abbé Boileau, Doctor of the Sorbonne, Canon of the Holy Chapel, &c. By Somebody who is not of the Sorbonne. . . . [vignette]   London: Printed for Fielding and Walker, . . . M DCC LXXVII. Royal 4to, half cloth, gilt top, many lower edges uncut.

Four plates and four vignettes by Le Roy after Le Clerc.

DENNIS, George.—The Cities and Cemeteries of Etruria. By George Dennis    London: John Murray . . . 1848. 8vo, two volumes, cloth, uncut edges.

First edition, with ten maps and one hundred and five illustrations.

DENNISTOUN, James.—Memoirs of the Dukes of Urbino, illustrating the Arms, Arts, and Literature of Italy from 1440 to 1630. By James Dennistoun. London: Longman &c   1851. 8vo, three volumes, cloth, uncut edges.

Thirty-four illustrations on steel and wood.

DENNISTOUN, James.—Memoirs of Sir Robert Strange, Knt., engraver . . . and of his brother-in-law Andrew Lumisden, private secretary to the Stuart princes, . . . By James Dennistoun . . . London: Longman, . . . 1855. Post 8vo, two volumes, original cloth, uncut edges.

Portrait of Sir Robert by W. C. Edwards after J. B. Greuse, and three other plates.

DE QUINCEY, Thomas.—Confessions of an English Opium-Eater. London: printed for Taylor and Hessey . . . 1822. 12mo, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

DE QUINCEY, Thomas.—Confessions of an English Opium-Eater reprinted from the first edition, with notes of De Quincey's Conversations by Richard Woodhouse, and other additions   Edited by Richard Garnett. London   Kegan Paul, Trench, & Co . . . MDCCCLXXXV. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

DERBY, George Horatio.—Phœnixiana by Capt. George Horatio Derby ("John Phœnix") edited by John Vance Cheney   Chicago   The Caxton Club   mdcccxcvii. 16mo, two volumes, cloth, gilt top, uncut edges.

One of one hundred and sixty-five copies printed on American hand-made paper. Etched portrait by W. H. W. Bicknell, and fifteen other illustrations, five in colours.

DE TOCQUEVILLE, Alexis.—Democracy in America. By Alexis de Tocqueville. Translated by Henry Reeve, Esq. Edited, with notes, The Translation Revised and in great part Rewritten, and the Additions made to the recent Paris Editions now first translated, By Francis Bowen, . . . Cambridge: Sever and Francis. 1864. 8vo, two volumes, cloth, uncut edges.

DE VINNE, Theodore Low.—The Invention of Printing. A Collection of Facts and Opinions descriptive of early prints and playing cards, the block-books of the fifteenth century, the legend of Lourens Janszoon Coster, of Haarlem, and the work of John Gutenberg and his associates. Illustrated with facsimiles of early types and wood-cuts. [145] By Theo. L. De Vinne. . . . New York: Francis Hart and Co. . . . 1876. 8vo, cloth, uncut edges.

DE VINNE, Theodore Low.—Historic Printing Types a lecture read before the Grolier Club of New-York, January 25, 1885, with additions and new illustrations by Theo. L. De Vinne   New-York   The Grolier Club MDCCCLXXXVI. 4to, red levant morocco, gilt back, side panels, gilt top, uncut edges, by William Matthews.

One of two copies printed on vellum. A presentation copy from the author.

DE VINNE, Theodore Low.—Christopher Plantin and the Plantin-Moretus Museum at Antwerp by Theo. L. De Vinne with illustrations by Joseph Pennell, and others   Printed for the Grolier Club   New York   1888. 8vo, brown levant morocco, gilt back, side panels of interlacing fillets, corner ornaments, gilt top, uncut edges, with the original paper covers bound in, by Rivière.

One of three hundred copies printed on paper.

DE VINNE, Theodore Low.—The Practice of Typography a treatise on the processes of type-making the point system, the names, sizes styles and prices of Plain Printing Types by Theodore Low De Vinne   New York   The Century Co.   1900. 12mo, cloth.

Presentation copy from the author.

DE VINNE, Theodore Low.—The Practice of Typography Correct Composition a treatise on spelling abbreviations, the compounding and division of words, the proper use of figures and numerals, italic and capital letters, notes, etc. with Observations on Punctuation and Proof-reading by Theodore Low De Vinne, . . . New York   The Century Co.   1901. 12mo, cloth.

Presentation copy from the author.

DE VINNE, Theodore Low.—Title-pages as seen by a Printer with numerous illustrations in facsimile and some observations on the early and recent printing of books by Theodore Low De Vinne   The Grolier Club of the City of New York   M C M I. 8vo, original half red straight-grain morocco, uncut edges.

Three hundred and twenty-five copies printed on Italian hand-made paper.

DE VINNE, Theodore Low.—The Practice of Typography   A Treatise on Title-pages with numerous illustrations in facsimile and some observations on the early and recent printing of books by Theodore Low De Vinne, . . . New York   The Century Co.   1902. 12mo, cloth.

Presentation copy from the author.

DE VINNE, Theodore Low.—The Practice of Typography   Modern Methods of Book Composition   a treatise on type-setting by hand and by machine and on the proper arrangement and imposition of pages by Theodore Low DeVinne, A. M.   New York   The Century Co.   1904. 12mo, cloth.

Presentation copy from the author.

DIALOGUE.—The Dialogue or Communing between the Wise King Salomon and Marcolphus. Edited by E. Gordon Duff   London: Lawrence & Bullen . . . MDCCCXCII. Square 8vo, cloth, uncut edges.

Three hundred and fifty copies printed, with woodcut frontispiece, etc., and facsimile of the original Antwerp edition, probably put forth in 1492.

DIBDIN, Charles.—The Cobler: or, A Wife of Ten Thouſand. A ballad opera. In two acts. As it is performed at the Theatre-Royal, Drury-Lane. London: Printed for T. Becket, . . . 1774. . . . 8vo, morocco, by The Club Bindery.

First edition.

DIBDIN, Charles.—Songs, naval and national, of the late Charles Dibdin; with a Memoir and Addenda. Collected and arranged by Thomas Dibdin . . . with characteristic Sketches by George Cruikshank   London: John Murray . . . 1841. Post 8vo, half brown levant morocco, gilt and mosaic back, gilt top, uncut edges, by Krafft.

DIBDIN, Thomas Frognall.—An Introduction to the Knowledge of the Most Rare and Valuable Editions of the Greek and Latin Classics, with some Account of Polyglot Bibles and the best editions of the Greek Septuagint and Testament. By Tho. Frognall Dibdin . . . Second edition, enlarged & corrected. London: Printed for the Author . . . 1804. Royal 8vo, brown morocco, gilt back, gilt over uncut edges, by Bedford.

Large paper copy, fifty printed, with a portrait of Bishop Fell, a vignette designed by the author, and three facsimile plates.

DIBDIN, Thomas Frognall.—An Introduction to the Knowledge of rare and valuable editions of the Greek and Latin Classics. Together with an account of polyglot Bibles, polyglot Psalters, Hebrew Bibles, Greek Bibles and Greek Testaments; the Greek Fathers, and the Latin Fathers. By the Rev. Thomas Frognall Dibdin, . . . Fourth Edition; greatly enlarged and corrected. . . . London: printed for Harding and Lepard, . . . and G. B. Whittaker, . . . 1827. 8vo, two volumes, red levant morocco, gilt back, gilt edges, by William Matthews.

DIBDIN, Thomas Frognall.—Specimen Bibliothecæ Brittanicæ. Specimen of a Digested Catalogue of Rare, Curious, and Useful Books in the English Language, or appertaining to British Literature and Antiquities. By the Rev. T. F. Dibdin. London: 1808. 8vo, boards, uncut edges.

Forty copies privately printed.

DIBDIN, Thomas Frognall.—Specimen of an English De Bure. London. 1810. 8vo, boards, uncut edges.

One of fifty copies privately printed.

DIBDIN, Thomas Frognall.—Typographical Antiquities; or the History of Printing in England, Scotland, and Ireland: containing Memoirs of our Ancient Printers, and a register of the books printed by them. Begun by the late Joseph Ames, . . . Considerably augmented by William Herbert, . . . And now greatly enlarged, with Copious Notes, and illustrated with appropriate engravings; Comprehending the History of English Literature, and a View of the Progress of the Art of Engraving, in Great Britain; By the Rev. Thomas Frognall Dibdin. . . . London: printed by William Savage, . . . for William Miller, . . . [1810]-1819. Folio, four volumes, pigskin, gilt top, uncut edges, by The Club Bindery.

Large paper copy, sixty-six printed, with twenty-three mezzo-tint portraits, etc., and numerous facsimiles.

DIBDIN, Thomas Frognall.—Here begyneth a little tome and hathe to name The Lincolne Nosegay: beynge a brefe table of certaine bokes in the posession of Maister Thomas Dibdin clerk. Which bookes be to be sold to him who shal gyue the moste for ye same   London: Printed by W. Bulmer and Co, . . . [1811] 8vo, citron levant morocco, gilt back, sides covered with flowers and leaf sprays in compartments, doubled with blue morocco, inside border, gilt end papers, gilt edges, by Lewis.

The genuine edition. Thirty-six copies printed. The nineteen books described went into the Spencer and Heber collections.

DIBDIN, Thomas Frognall.—Bibliography, a Poem, in Six Books. With Preface and Notes. London: 1812. 8vo, boards, uncut edges.

Fifty copies, privately printed, the greater part destroyed by fire.

DIBDIN, Thomas Frognall.—Bibliotheca Spenceriana; or a Descriptive Catalogue of the books printed in The Fifteenth Century, and of many valuable first editions, in the Library of George John Earl Spencer, K. G. . . . by the Reverend Thomas Frognall Dibdin. . . . London: printed for the author, by W. Bulmer and Co. Shakspeare Press. . . . 1814-[1815] Royal 8vo, four volumes, brown morocco, gilt back, side corners, gilt edges, by Bedford.

Frontispiece, the quarterings of Lord Spencer's arms, by V. Woodthorpe after Sir Isaac Heard, dedicatory page engraved by Woodthorpe, and numerous facsimiles.

DIBDIN, Thomas Frognall.—The Bibliographical Decameron; or Ten Days Pleasant Discourse upon Illuminated Manuscripts and Subjects connected with Early Engraving, Typography and Bibliography by the Rev. T. F. Dibdin   London: Printed for the Author by W. Bulmer & Co. Shakespeare Press   1817. Royal 8vo, three volumes, red morocco, gilt back, sunken panels on the sides, gilt tooled, doubled with red morocco, gilt borders, gilt edges, by Lewis.

DIBDIN, Thomas Frognall.—A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, by the Rev. Tho. Frognall Dibdin . . . London: printed for the Author by W. Bulmer and W. Nicol, Shakespeare Press &c. 1821. Royal 8vo, three volumes, red levant morocco, gilt back, side panels and corners, gilt edges, by Bedford.

In addition to the eighty-three plates published with this book, two hundred and thirty-six have been added, embracing the Lewis etchings, proofs on India paper, sixty-eight portraits, including the author by Thomson after Phillips, Evelyn by Worthington after Walker, Aldus and Paulus Manutius, etc. With a few exceptions, every plate inserted is a proof on India paper.

DIBDIN, Thomas Frognall.—A Bibliographical, Antiquarian and Picturesque Tour &c., 1821. Royal 8vo, three volumes, half russia, gilt back, uncut edges.

Another copy printed upon large paper.

DIBDIN, Thomas Frognall.—Voyage Bibliographique, Archéologique et Pittoresque en France, par le Rev. Th. Frognall Dibdin . . . Traduit de l'Anglais, avec des Notes, par Théod. Licquet . . . A Paris, chez Crapelet . . . MDCCCXXV. Imperial 8vo, four volumes, red levant morocco, gilt back, gilt edges, by Capé.

Large paper copy, with portrait of the author by Thomson after Phillips, India proof, and seventy other portraits and views inserted, including many proofs after Turner and others.

DIBDIN, Thomas Frognall.—Aedes Althorpianæ; or an Account of the Mansion, Books, and Pictures, at Althorp; the residence of George John Earl Spencer, K. G. to which is added a Supplement to the Bibliotheca Spenceriana. By the Rev. Thomas Frognall Dibdin, . . . London: printed by W. Nicol, . . . Shakspeare Press, . . . 1822. Royal 8vo, two volumes in one, brown morocco, gilt back, side corners, gilt edges, by Bedford.

Frontispiece-portrait of Lord Spencer by W. Finden after Thomas Phillips, on India paper, twenty-nine other portraits and views, five illustrations on India paper in the text, and numerous facsimiles.

DIBDIN, Thomas Frognall.—A Descriptive Catalogue of the Books printed in the Fifteenth Century, lately forming part of the library of the Duke di Cassano Serra, and now the property of George John Earl Spencer, K. G. with a general index of authors and editions contained in the present volume, and in the Bibliotheca Spenceriana and Ædes Althorpianæ. By the Reverend Thomas Frognall Dibdin, . . . London: printed for the author by William Nicol, Shakspeare Press, . . . 1823. Royal 8vo, brown morocco, gilt back, side corners, gilt edges, by Bedford.

DIBDIN, Thomas Frognall.—Bibliophobia. Remarks on the present languid and depressed state of Literature and the book trade. In a Letter addressed to the author of the Bibliomania. By Mercurius Rusticus. With notes by Cato Parvus. . . . London: Henry Bohn, . . . 1832. 8vo, boards, uncut edges.

Presentation copy from the Author to William Palmer.

DIBDIN, Thomas Frognall.—Reminiscences of a Literary Life; [with Anecdotes of Books, and of Book Collectors] by the Reverend Thos. Frognall Dibdin D. D. London: John Major . . . MDCCCXXXVI. 8vo, two volumes, tree calf, gilt back, gilt edges, by Rivière.

Ten steel portraits and plates and many woodcuts. Includes the Index, which is generally missing.

DIBDIN, Thomas Frognall.—Reminiscences of a Literary Life. 1836. 8vo, two volumes, blue morocco, gilt fillets, gilt edges, by The Club Bindery.

Another copy, printed upon large paper, and with a few additional portraits, some proofs.

DIBDIN, Thomas Frognall.—A Bibliographical, Antiquarian and Picturesque Tour in the Northern Counties of England and in Scotland. By the Reverend Thomas Frognall Dibdin   London: printed for the Author by C. Richards . . . MDCCCXXXVIII. Royal 8vo, two volumes, green morocco, gilt back and sides, gilt edges.

One of the few copies with the ninety plates and vignettes, proofs on India paper.

DIBDIN, Thomas Frognall.—A Bibliographical . . . Tour in the Northern Counties. 1838. Royal 8vo, two volumes extended to three, red levant morocco, rich gilt back and side corners, gilt edges, by Bedford.

Large paper copy, extra-illustrated by the insertion of one hundred and fifty-two plates. The original illustrations are in duplicate, and there are many other rare proof portraits and views, besides thirteen of the cancelled pages.

DIBDIN, Thomas Frognall.—(I.) Bibliomania; or Book-Madness; a bibliographical romance. Illustrated with cuts. By Thomas Frognall Dibdin, . . . New and improved Edition, to which are now added preliminary observations, and a supplement including a key to the assumed characters in the drama, [vignette by S. Freeman]   London: Henry G. Bohn, . . . M DCCC XLII. (II.) The Bibliomania; or Book-Madness; containing some account of the history, symptoms, and cure of this fatal disease. In an epistle to Richard Heber, Esq. by the Rev. Thomas Frognall Dibdin, . . . London: reprinted from the first edition, published in 1809. 8vo, two works in one volume, half russia, gilt back, gilt top, uncut edges, by Rivière.

Frontispiece, vignette on the title, and numerous woodcuts.

DICKENS, Charles.—The Village Coquettes: A Comic Opera, in two acts. By Charles Dickens. The Music by John Hullah. London: Richard Bentley . . . 1836. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Sunday under Three Heads. As it is; As Sabbath Bills would make it; As it might be made. By Timothy Sparks. London: Chapman and Hall, . . . 1836. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Strange Gentleman: A Comic Burletta, in two Acts. By "Boz." First performed at the St. James Theatre, on Thursday, September 29. 1836. London: Chapman and Hall . . . MDCCCXXXVII. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Sketches of Young Ladies; in which these interesting members of the Animal Kingdom are classified according to their several instincts, habits, and general characteristics. By "Quiz." With six illustrations by "Phiz". London: Chapman and Hall . . . MDCCCXXXVII. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Posthumous Papers of the Pickwick Club. By Charles Dickens. With forty-three illustrations by R. Seymour and Phiz. London: Chapman and Hall . . . MDCCCXXXVII. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Posthumous Papers of the Pickwick Club. By Charles Dickens. With a frontispiece from a design by C. R. Leslie, . . . engraved by J. Thompson. London: Chapman and Hall, . . . MDCCCXLVII. 8vo, calf, gilt back, gilt top, uncut edges, with the original green paper covers bound in, by Rivière.

DICKENS, Charles.—Sketches of Young Gentlemen. Dedicated to the Young Ladies. With six illustrations by "Phiz." London: Chapman and Hall . . . MDCCCXXXVIII. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Memoirs of Joseph Grimaldi. Edited by "Boz" with illustrations by George Cruikshank. London: Richard Bentley . . . 1838. Crown 8vo, two volumes, calf gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition, with the ornamental part of the original binding bound in, portrait of Grimaldi, and thirteen plates.

DICKENS, Charles.—Oliver Twist; or the Parish Boy's Progress. By "Boz." London: Richard Bentley . . . 1838. Crown 8vo, three volumes, calf, gilt back, side panels, gilt top, uncut edges, by Rivière.

First edition. Twenty-four plates by Cruikshank.

DICKENS, Charles.—The Adventures of Oliver Twist; or The Parish Boy's Progress. By Charles Dickens. With twenty-four illustrations on steel, by George Cruikshank. A new edition, revised and corrected. London: published for the author, by Bradbury & Evans, . . . MDCCCXLVI. 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

First octavo edition, with the original covers inserted.

DICKENS, Charles.—Sketches by Boz illustrative of every-day life and every-day people. With forty illustrations by George Cruikshank. New edition, complete. London: Chapman and Hall, . . . 1839. 8vo, cloth, uncut edges.

DICKENS, Charles.—The Life and Adventures of Nicholas Nickleby. By Charles Dickens. With illustrations by Phiz. London: Chapman and Hall . . . MDCCCXXXIX. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition, with a portrait of the author by Maclise, and thirty-nine plates by H. K. Browne.

DICKENS, Charles.—Sketches of Young Couples; with an urgent remonstrance to the gentlemen of England (being bachelors or widowers) on the present alarming Crisis. By the Author of "Sketches of Young Gentlemen". With six illustrations by "Phiz". London: Chapman and Hall MDCCCXL. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles, editor.—The Pic Nic Papers. By various hands. Edited by Charles Dickens, . . . With [14] Illustrations by George Cruikshank, Phiz, &c. . . . London: Henry Colburn, . . . M DCCC XLI. Crown 8vo, three volumes, cloth, uncut edges.

First edition.

DICKENS, Charles.—Master Humphrey's Clock. By Charles Dickens. With illustrations by George Cattermole and Hablot Browne. London: Chapman and Hall   MDCCCXL-XLI. Royal 8vo, three volumes, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—American Notes for General Circulation. By Charles Dickens. London: Chapman and Hall   MDCCCXLII. Crown 8vo, two volumes, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—A Christmas Carol. In prose. Being A Ghost Story of Christmas. By Charles Dickens. With illustrations by John Leech. London: Chapman & Hall, . . . M DCCC XLIII. Post 8vo, original cloth, gilt edges.

First edition, with four coloured plates and four woodcuts by Linton.

DICKENS, Charles.—The Life and Adventures of Martin Chuzzlewit. By Charles Dickens. With illustrations by Phiz. London: Chapman and Hall MDCCCXLIV. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Chimes: A Goblin Story of some Bells that rang an Old Year out and a New Year in. By Charles Dickens. Thirteenth Edition. London: Chapman and Hall . . . MDCCCXLV. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

Frontispiece, engraved title by Maclise, and eleven other illustrations by Leech, Doyle and Stanfield.

DICKENS, Charles.—The Battle of Life, a Love Story. By Charles Dickens. London: Bradbury & Evans . . . MDCCCXLVI. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Cricket on the Hearth, a Fairy Tale of Home. By Charles Dickens. London: Printed and published for the Author by Bradbury and Evans   M DCCC XLVI. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Pictures from Italy. By Charles Dickens. The vignette illustrations on wood by Samuel Palmer. London: . . . Bradbury & Evans . . . MDCCCXLVI. Post 8vo, calf gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Haunted Man and the Ghost's Bargain. A Fancy for Christmas Time. By Charles Dickens. London: Bradbury & Evans . . . 1848. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

DICKENS, Charles.—Dombey and Son. By Charles Dickens. With illustrations by H. K. Browne. London: Bradbury and Evans, . . . 1848. 8vo, one volume in two, red levant morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by The Club Bindery.

First edition. The engraved title is in extenso, reading, "Dealings with the firm of Dombey and Son, Wholesale, Retail and for Exportation."

DICKENS, Charles.—The Personal History of David Copperfield. By Charles Dickens. With illustrations by H. K. Browne. London: Bradbury & Evans . . . 1850. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—A Child's History of England. By Charles Dickens. With a frontispiece by F. M. Topham. London: Bradbury & Evans   1852 ['53-'54]   Post 8vo, three volumes, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

DICKENS, Charles.—Bleak House. By Charles Dickens. With illustrations [39] by H. K. Browne. London: Bradbury and Evans . . . 1853. 8vo, brown levant morocco, gilt back and sides, gilt top, uncut edges, with the original blue covers bound in, by The Club Bindery.

First edition.

DICKENS, Charles.—Hard Times, for these Times. By Charles Dickens. London: Bradbury & Evans . . . 1854. Post 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Little Dorrit. By Charles Dickens. With illustrations by H. K. Browne. London: Bradbury and Evans . . . 1857. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—The Story of Little Dombey   By Charles Dickens. London: Bradbury & Evans, . . 1858. Foolscap 8vo, green levant morocco, gilt back, gilt over uncut edges, by The Club Bindery.

First edition.

DICKENS, Charles.—The Poor Traveller: Boots at the Holly-tree Inn: and Mrs. Gamp. By Charles Dickens. London: Bradbury & Evans, . . . 1858. Foolscap 8vo, green levant morocco, gilt back, gilt edges, with the original green paper wrappers bound in, by The Club Bindery.

First edition.

DICKENS, Charles.—A Tale of Two Cities. By Charles Dickens. With illustrations by H. K. Browne. London: Chapman and Hall   MDCCCLIX. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—[The Original Christmas Numbers to "All the Year Round", containing the "Christmas Books" by Charles Dickens. London 1859-1867]   Royal 8vo, half olive levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

DICKENS, Charles.—[The Original Numbers from "All the Year Round" containing "The Uncommercial Traveller"   London   1860]   Royal 8vo, half olive levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

DICKENS, Charles.—The Uncommercial Traveller by Charles Dickens. London: Chapman and Hall, . . . MDCCCLXI. Post 8vo, red morocco, gilt top, uncut edges, by The Club Bindery.

First edition.

DICKENS, Charles.—Great Expectations. By Charles Dickens   London: Chapman and Hall . . . M DCCC LXI. Crown 8vo, three volumes, calf, gilt back, side panels, gilt top, uncut edges, by Rivière.

DICKENS, Charles.—Our Mutual Friend. By Charles Dickens. With illustrations [40] by Marcus Stone. London: Chapman and Hall, . . . 1865. 8vo, two volumes, brown levant morocco, gilt back and sides, gilt top, uncut edges, with the original blue covers bound in, by The Club Bindery.

First edition.

DICKENS, Charles.—The Mystery of Edwin Drood. By Charles Dickens. With twelve illustrations by S. L. Fildes, and a Portrait. London: Chapman and Hall . . . 1870. 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

First edition.

DICKENS, Charles.—Hunted Down: A Story by Charles Dickens. With some account of Thomas Griffiths Wainewright, the Poisoner. London: John Camden Hotten   [1871] 8vo, calf, gilt back and side panels, gilt top, uncut edges, by Rivière.

DICKENS, Charles.—See Forster, John. (Life.)

DIDEROT, Denis.—See Gessner, S.

DIGBY, Kenelm Henry.—The Broad Stone of Honour; or Rules for the Gentlemen of England. London: Printed (with alterations from the first edition) for C. & J. Rivington . . . 1823. 8vo, blue morocco, back and sides richly tooled, gilt edges, by Lewis.

Large paper copy of the second edition, published anonymously, while the author was a Protestant. On becoming a Roman Catholic, he rewrote the work.

DIGBY, Kenelm Henry.—The Broad Stone of Honour: or, the true Sense and Practice of Chivalry. The first book, Godefridus. [The second book, Tancredus, M.D CCC. XXVIII. The third book, Morus, M. DCCC. XXVIII. The fourth book, Orlandus. M.DCCC.XXIX.]   By Kenelm Henry Digby, Esq. [vignette]   London, M DCCC. XXIX. [-XXVIII.] Sold by Joseph Booker, . . . 12mo, four volumes, original boards, uncut edges.

DILKE, Lady Emilia F. S.—French Painters of the XVIIIth Century   By Lady Dilke . . . [75 illustrations]   London: George Bell and Sons . . . [Chiswick Press]   1899. Imperial 8vo, cloth, gilt top, uncut edges.

DILKE, Lady Emilia F. S.—French Architects and Sculptors of the XVIIIth Century   By Lady Dilke . . . [20 illustrations]   London: George Bell and Sons . . . [Chiswick Press]   1900. Imperial 8vo, cloth, gilt top, uncut edges.

DILKE, Lady Emilia F. S.—French Furniture and Decoration in the XVIIIth Century   By Lady Dilke . . . [67 illustrations]   London: George Bell and Sons . . . [Chiswick Press]   1901. Imperial 8vo, cloth, gilt top, uncut edges.

DILKE, Lady Emilia F. S.—French Engravers and Draughtsmen of the XVIIIth Century   By Lady Dilke . . . London: George Bell and Sons . . . 1902. Imperial 8vo, gilt top, uncut edges.

Fifty illustrations.

DILLON, John.—Retribution; or, the Chieftain's Daughter. A tragedy, in five acts. By John Dillon. Performed at the Theatre Royal Covent Garden. London: printed for Longman, &c. . . . 1818. 8vo, morocco, by The Club Bindery.

First edition.

DILWORTH, W. H.—The Life of Alexander Pope, Eſq; with A View of his Writings. and Many curious Anecdotes of his noble patrons. As well as of his Cotemporary Wits, Friends, and Foes. By W. H. Dilworth. London: Printed for G. Wright, 1759. 12mo, red morocco, gilt edges, by The Club Bindery.

Portrait by Aveline.

DIRCKS, Henry.—The Life, Times, and Scientific Labours of the second Marquis of Worcester. To which is added, a reprint of his Century of Inventions, 1663, with a Commentary thereon, by Henry Dircks, . . . London: Bernard Quaritch, . . . 1865. 8vo, cloth, uncut edges.

Two steel portraits by J. Cochran, a plan, and numerous woodcuts from drawings and sketches made, and ciphers and autographs traced, by the author.

DISRAELI, Benjamin.—The Wondrous Tale of Alroy. The Rise of Iskander . . . London: Saunders and Otley, . . . 1833. Crown 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

First edition.

DISRAELI, Benjamin.—. . . Vivian Grey. London: published for Henry Colburn . . . Septr. 1833. 12mo, five volumes in four, blue levant morocco, gilt back, gilt over uncut edges, by David.

Prefixed to the first volume is the "Key to Vivian Grey . . . London: printed for William Marsh . . . 1827," with the original covers and two inserted portraits.

DISRAELI, Benjamin.—The Revolutionary Epick. The work of Disraeli the Younger, author of "The Psychological Romance." London: Edward Moxon, . . . MDCCCXXXIV. 4to, calf, gilt back, gilt edges, by Bedford.

First edition. Fifty copies printed.

DISRAELI, Benjamin.—The Letters of Runnymede.—London: John Macrone, . . . MDCCCXXXVI. Crown 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

First edition.

DISRAELI, Benjamin.—The Tragedy of Count Alarcos. By the author of "Vivian Grey." London: Henry Colburn, Publisher, . . . [Printed by J. L. Cox and Sons] . . . 1839. 8vo, red straight-grain morocco, gilt top, uncut edges, by The Club Bindery.

First edition. A1-A4 and B-H6 in eights, title on A1, two final leaves of Advertisement, H7 and H8.

Dedication to Lord Francis Egerton, dated London, May, 1839, and signed "Δ."

DISRAELI, Benjamin.—Sybil; or, the Two Nations. By B. Disraeli . . . London: Henry Colburn . . . 1845. Crown 8vo, three volumes, blue levant morocco, gilt back, gilt over uncut edges, by David.

First edition.

DISRAELI, Benjamin.—Tancred; or, the New Crusade. By B. Disraeli . . . London: Henry Colburn . . . 1847. 12mo, three volumes, blue levant morocco, gilt back, gilt over uncut edges, by David.

First edition, with portrait inserted.

DISRAELI, Benjamin.—Lothair. By the Right Honorable B. Disraeli . . . London: Longmans, Green, and Co . . . 1870. Crown 8vo, three volumes, blue levant morocco, gilt back, gilt over uncut edges, by David.

First edition.

DISRAELI, Benjamin.—Endymion by the author of Lothair. London: Longmans, Green, and Co . . . 1880. Crown 8vo, three volumes, blue levant morocco, gilt back, gilt over uncut edges, by David.

First edition.

D'ISRAELI, Isaac.—An Essay on the Manners and Genius of the Literary Character. By I. D'Israeli. London: Printed for T. Cadell, Junr. and W. Davies. 1795. . . . Crown 8vo, boards, uncut edges.

First edition.

D'ISRAELI, Isaac.—Miscellanies; or, Literary Recreations. By I. D'Israeli. London: printed for T. Cadell and W. Davies. 1796. . . . Crown 8vo, half brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

Thick paper copy of the first edition.

D'ISRAELI, Isaac.—Romances, [Arabian, Roman, and Arcadian] by I. D'Israeli. London: Printed for Cadell and Davies, &c. . . . 1799. . . . Post 8vo, blue levant morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with frontispiece by A. Smith.

D'ISRAELI, Isaac.—Flim-Flams! or the life and errors of my Uncle and his friends with illustrations and obscurities, by Messieurs Tag, Rag, and Bobtail. A literary romance . . . with eleven plates, a new edition, with material alterations and additions. London: printed for John Murray, . . . 1806. Post 8vo, three volumes, half brown morocco, gilt back, gilt top, uncut edges.

Second edition, the eleven plates by Dagley, all coloured.

D'ISRAELI, Isaac.—Calamities of Authors; including some inquiries respecting their moral and literary characters. By the author of "Curiosities of Literature"   London: printed for John Murray . . . 1812. Crown 8vo, two volumes, calf, gilt back, by Bedford.

First edition.

D'ISRAELI, Isaac.—Quarrels of Authors; or, some memoirs for our literary history, including Specimens of Controversy to the reign of Elizabeth. By the author of "Calamities of Authors," . . . London: printed for John Murray . . . 1814. Crown 8vo, three volumes, calf, gilt back, by Bedford.

First edition.

D'ISRAELI, Isaac.—Quarrels of Authors. 1814. . . . Crown 8vo, three volumes, half russia, gilt top, uncut edges.

Another copy. Portrait of D'Israeli by Ridley after Drummond inserted.

D'ISRAELI, Isaac.—Curiosities of Literature. Sixth edition . . . London: John Murray, . . . 1817. 8vo, three volumes, half russia, gilt back, gilt top, uncut edges.

D'ISRAELI, Isaac.—A Second Series of Curiosities of Literature: consisting of researches in literary, biographical, and political history; of critical and philosophical inquiries; and of secret history. By I. D'Israeli . . . London: John Murray, . . . 1823. 8vo, three volumes, half russia, gilt back, gilt top, uncut edges.

D'ISRAELI, Isaac.—Curiosities of Literature, by I. D'Israeli, Esq., . . . Illustrated by Bolton Corney, Esq., . . . Second edition, revised and acuminated. To which are added, Ideas on Controversy: Deduced from the practice of a Veteran; and adapted to the meanest capacity. London: Richard Bentley, . . . 1838. Crown 8vo, red straight-grain morocco, gilt back, side borders, gilt top, uncut edges, by The Club Bindery.

D'ISRAELI, Isaac.—The Literary Character, illustrated by the history of Men of Genius, drawn from their own feelings and confessions. By I. D'Israeli. Third edition, considerably enlarged and improved . . . London: John Murray . . . 1822. Crown 8vo, two volumes, calf, gilt back, by Bedford.

D'ISRAELI, Isaac.—Commentaries on the Life and Reign of Charles the First, King of England. By I. D'Israeli . . . London: Henry Colburn . . . 1828-30-31. 8vo, five volumes, boards, uncut edges.

D'ISRAELI, Isaac.—Amenities of Literature, consisting of sketches and characters of English Literature. By I. D'Israeli . . . London: Edward Moxon, . . . MDCCCXLI. 8vo, three volumes, half blue morocco, gilt back, gilt top, uncut edges.

DIX, John.—The Life of Thomas Chatterton, including his unpublished poems and correspondence. By John Dix. London: Hamilton, Adams, & Co., . . . MDCCCXXXVII. 8vo, citron levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

Large paper copy, with portrait of Chatterton by Woodman after Branwhite.

DIXON, William Hepworth.—Spiritual Wives. By William Hepworth Dixon. . . . [portrait]   London: Hurst and Blackett, . . . 1868. . . . 8vo, two volumes, cloth, uncut edges.

DOBREE, Samuel.—The Book of Death. London: Printed by W. Bulmer and Co . . . 1819. 8vo, boards, uncut edges.

Sixty copies privately printed, with two plates on India paper.

DOBSON, Henry Austin.—Vignettes in Rhyme and Vers de Société (now first collected) by Austin Dobson. Henry S. King & Co . . . London 1873. Post 8vo, cloth, uncut edges.

First edition.

DOBSON, Henry Austin.—Proverbs in Porcelain and other verses. By Austin Dobson. Henry S. King & Co., London. 1877. Post 8vo, cloth, uncut edges.

First edition.

DOBSON, Henry Austin.—Proverbs in Porcelain   to which is added "Au Revoir" a dramatic vignette. By Austin Dobson. London   Kegan Paul, Trench, Trübner, & Co. . . . 1893. 12mo, cloth, uncut edges.

Twenty-four illustrations.

DOBSON, Henry Austin, editor.—Eighteenth Century Essays Selected and Annotated by Austin Dobson. London   Kegan Paul, Trench, & Co. MDCCCLXXXII. Crown 8vo, blue levant morocco, gilt back, side borders, gilt top, uncut edges, by The Club Bindery.

Large paper copy, fifty printed, with frontispiece on India paper.

DOBSON, Henry Austin.—Old-World Idylls and other verses   By Austin Dobson . . . London   Kegan Paul, Trench & Co   M DCCC LXXXIII. Post 8vo, cloth, gilt top, uncut edges.

First edition.

DOBSON, Henry Austin.—Old-World Idylls and other verses by Austin Dobson. London   Kegan Paul, Trench & Co.   M DCCC LXXXVI. Foolscap 8vo, cloth, uncut edges.

Frontispiece.

DOBSON, Henry Austin.—Old-World Idylls and other verses   By Austin Dobson   London   Kegan Paul, Trench & Co.   MDCCCLXXXVIII. Foolscap 8vo, cloth, uncut edges.

Eighth edition, with a frontispiece by Abbey.

DOBSON, Henry Austin.—Thomas Bewick and his Pupils by Austin Dobson with ninety-five illustrations   London   Chatto and Windus, . . . 1884. Royal 4to, half vellum, uncut edges.

Special edition. No. 51 of two hundred copies printed for England.

DOBSON, Henry Austin.—At the Sign of the Lyre By Austin Dobson   London    Kegan Paul, Trench & Co.   M DCCCLXXXV. Foolscap 8vo, cloth, gilt top, uncut edges.

First edition, with a frontispiece by Abbey.

DOBSON, Henry Austin.—At the Sign of the Lyre. 1885. Crown 8vo, original covers, gilt top, uncut edges.

Large paper copy, fifty printed, with a frontispiece by Abbey.

DOBSON, Henry Austin.—Life of Oliver Goldsmith by Austin Dobson London   Walter Scott . . . 1888. Crown 8vo, cloth, gilt top, uncut edges.

First edition.

DOBSON, Henry Austin.—Horace Walpole a memoir with an appendix of books printed at the Strawberry Hill Press by Austin Dobson with illustrations by Percy and Leon Moran   New York   Dodd, Mead and Company [De Vinne Press]   1890. 8vo, half vellum, uncut edges.

First edition.

No. 156 of four hundred and twenty-five copies printed on Dickinson paper.

DOBSON, Henry Austin.—Horace Walpole. 1890. 8vo, boards, uncut edges.

No. 17 of fifty copies printed on Japan paper.

DOBSON, Henry Austin.—Horace Walpole. 1890. 8vo, red levant morocco, Janseniste, uncut edges, by R. W. Smith.

One of four copies printed upon vellum, with ten original drawings by Léon Moran, and a set of the plates, in three states, inserted.

DOBSON, Henry Austin.—Four Frenchwomen by Austin Dobson with a frontispiece   London   Chatto & Windus, . . . 1890. 4to, blue levant morocco, gilt back, side borders, center panel, doubled with blue figured silk, silk guards, gilt over uncut edges, by The Club Bindery.

First edition. No. 29 of fifty large paper copies printed; illustrated by the insertion of over twenty portraits on Japan and India paper.

DOBSON, Henry Austin.—William Hogarth by Austin Dobson . . . London Sampson Low, Marston and Company . . . 1891. 4to, half brown levant morocco, gilt top, uncut edges, by The Club Bindery.

First edition. Frontispiece portrait, eleven other photogravures, and numerous full-page and vignette woodcuts.

DOBSON, Henry Austin.—William Hogarth. 1891. 4to, olive levant morocco, gilt panels on the back, side borders, gilt top, uncut edges, by The Club Bindery.

Another copy, extra-illustrated by the insertion of one hundred and three plates after the designs of Hogarth.

DOBSON, Henry Austin.—William Hogarth. 1891. 4to, one volume extended to two, light brown levant morocco, gilt fillets on the back, side panels, doubled with green silk, gilt borders, silk guards, gilt over uncut edges, by The Club Bindery.

No. 36 of one hundred and fifty large paper copies printed.

Besides the frontispiece portrait, forty-four full-page illustrations, some on Japan paper, and thirteen vignettes on India paper, one hundred and ninety plates have been inserted, portraits of Hogarth and engravings by T. Cook and others after his designs.

DOBSON, Henry Austin.—William Hogarth. 1891. 4to, red levant morocco, gilt back, doubled with green morocco, narrow borders, gilt edges, by The Club Bindery.

No. 138 of one hundred and fifty copies printed, with proofs of the plates on India and Japan paper.

Presentation copy from the author.

DOBSON, Henry Austin.—The Ballad of Beau Brocade and other Poems of the XVIIIth Century by Austin Dobson with fifty Illustrations by Hugh Thomson   London   Kegan Paul, Trench, Trübner, & Co.   M DCCC X CII. Royal 8vo, cloth, uncut edges.

No. 279 of four hundred and fifty large paper copies printed, with full-page illustrations on Japan paper and vignettes on India paper.

DOBSON, Henry Austin.—Eighteenth Century Vignettes by Austin Dobson . . . London   Chatto & Windus, . . . 1892. 4to, half vellum, uncut edges.

First edition. No. 120 of two hundred and fifty specially illustrated, large paper copies printed, with seven plates.

DOBSON, Henry Austin.—Eighteenth Century Vignettes by Austin Dobson. Illustrated. New York   Dodd, Mead and Company. 1892. 8vo, cloth, uncut edges.

Large paper copy, two hundred and fifty printed, with fourteen portraits, etc., on Japan paper.

DOBSON, Henry Austin.—Eighteenth Century Vignettes   Second Series   By Austin Dobson . . . London   Chatto & Windus, . . . 1894. 4to, half vellum, uncut edges.

First edition. No. 24 of two hundred specially illustrated, large paper copies printed; sixteen illustrations.

DOBSON, Henry Austin.—The Story of Rosina and other Verses by Austin Dobson   Illustrated by Hugh Thomson   London   Kegan Paul, Trench, Trübner & Co.   M DCCC XCV. 4to, buckram, uncut edges.

No. 28 of two hundred and fifty large paper copies printed, with illustrations on Japan and India paper.

DOBSON, Henry Austin.—Poems on several occasions by Austin Dobson. New edition revised and enlarged   With Illustrations. New York: Dodd, Mead and Company . . . 1895. 8vo, two volumes, red levant morocco, quadruple fillet on back and sides, gilt top, uncut edges, by The Club Bindery.

Japan paper copy, fifty printed, with portrait by W. Strang and etchings by Lalauze in two states, proofs and unfinished proofs, the latter signed by the artists.

DOBSON, Henry Austin.—A Postscript to Dr. Goldsmith's Retaliation, being an epitaph on Samuel Johnson, LL.D.   [Oxford, Clarendon Press] Printed in June, 1896. 4to, half red morocco.

Half-title and three pages of text, at the beginning of which is the following note:

"[After the Fourth Edition of Doctor Goldsmith's Retaliation was printed, the Publiſher received a ſupplementary Epitaph on the Wit and Punſter Caleb Whitefoord. Though it is found appended to the later iſſues of the Poem, it has been ſuſpected that Whitefoord wrote it himſelf. It may be that the following, which has recently come to light, is another of his forgeries.]"

Mr. Dobson writes in a letter: "I wrote the 'Postscript' in 1896, to be read at the Johnson dinner at Pembroke College, Oxford. Johnson had not been treated in Goldsmith's Retaliation, and I thought I might add a 'Postscript' like the one which is now appended to that poem, on Caleb Whitefoord, which many think Whitefoord wrote himself. I printed it in 4to to read, and the Clarendon Press reprinted it in 4to to sell. In 1897 it was reproduced in an annual called The Pageant. Then it took its place in my Poems."

DOBSON, Henry Austin.—Verses read at the dinner of the Omar Khayyám Club On Thursday, 25th March, 1897   By Austin Dobson   London   printed at the Chiswick Press   MDCCCXCVII. 8vo, half red morocco, uncut edges, with the original covers bound in.

No. 67 of one hundred copies printed for Edmund Gosse in March, 1897, to be presented to the members of the Omar Khayyám Club as a memento of his Presidency.

DOBSON, Henry Austin.—Carmina Votiva and other Occasional Verses by Austin Dobson . . . London   printed for private circulation   1901. Post 8vo, brown levant morocco, gilt back, side borders, gilt over uncut edges, with the original covers bound in, by The Club Bindery.

No. 7 of a limited edition.

DOBSON, Henry Austin.—See Lang, Andrew. The Library.

DODGSON, Charles.—Alice's Adventures in Wonderland. By Lewis Carroll. With forty-two illustrations by John Tenniel. London: Macmillan and Co. 1866. . . . Crown 8vo, cloth, gilt edges.

First published edition. A few copies were printed in New York, 1865.

DODINGTON, George Bubb.—The Diary of the late George Bubb Dodington, Baron of Melcombe Regis: From March 8, 1749, to February 6, 1761. With an Appendix containing some curious and interesting papers, Which are either referred to, or alluded to, in the Diary. A new edition. By Henry Penruddocke   Wyndham . . . Salisbury: printed and sold by E. Easton: . . . MDCCLXXXIV. 8vo, half blue levant morocco, gilt back, gilt top, uncut edges, by Allô.

DODSLEY, Robert.—The Oeconomy of Human Life. Translated from an Indian Manuscript, written by an ancient Bramin. To which is prefixed, An Account of the Manner in which the said Manuscript was discover'd. In A Letter from an English Gentleman, now residing in China, to the Earl of * * * *   London: Printed for M. Cooper, . . . 1751. Small 8vo, brown levant morocco, gilt back, gilt top, uncut edges, by Ramage. Bound with Goldsmith's "Bee."

First edition, with engraved frontispiece.

DODSLEY, Robert.—The Œconomy of Human Life. Translated from an Indian manuscript, written by an ancient Bramin. To which is prefixed an account of the manner in which the said manuscript was discovered. In a Letter from an English gentleman now residing in China to the Earl of E * * * *. London: printed by T. Rickaby, for S. and E. Harding, . . . 1795. Royal 8vo, calf, gilt back, side panels.

Forty-nine vignettes by Gardiner and others after Harding.

One of twenty-five copies printed upon large paper, with some proof plates.

DODSLEY, Robert.—The Œconomy of Human Life, translated from an Indian Manuscript, written by an Ancient Bramin [by Robert Dodsley] to which is prefixed an account of the manner in which the said Manuscript was discovered. In a Letter from an English Gentleman now residing in China to the Earl of E. * * * *. London. Printed by T. Rickaby, for E Harding . . . 1798. Small 8vo, half brown levant morocco, gilt back, gilt top, uncut edges.

Large paper copy. In addition to the forty-nine vignettes after the style of Bartolozzi, with which this book is identified, several other proof illustrations have been added.

DORAN, John.—New Pictures and Old Panels. By Dr. Doran, . . . London: Richard Bentley, . . . 1859. Crown 8vo, half brown levant morocco, gilt back, gilt top, uncut edges, by V. Krafft.

Portrait of Doran, and fifty-nine inserted portraits and views.

DORAN, John.—"Their Majesties' Servants". Annals of the English Stage from Thomas Betterton to Edmund Kean by Dr. Doran. F.S.A. Edited and revised by Robert W. Lowe with fifty copperplate portraits and eighty wood engravings. London. John C. Nimmo . . . MDCCCLXXXVIII. Royal 8vo, three volumes, cloth, uncut edges.

Large paper copy, three hundred printed, with the portraits in two states, on Japan and India paper. The plates were intended to develop a new process of reproduction, but had to be finished by the burin.

DOUCE, Francis.—Illustrations of Shakespeare, and of Ancient Manners: with Dissertations on the Clowns and Fools of Shakespeare; on the collection of Popular Tales entitled Gesta Romanorum; and on the English Morris Dance. By Francis Douce. The Illustrations on Wood by J. Berryman [and nine plates]   London: Longman . . . MDCCCVII. 8vo, two volumes, half brown morocco, gilt top, uncut edges.

DOUCE, Francis.—See Dance of Death.

DOUGLAS, David.—See Tailfer, Patrick.

DOWSON, Ernest Christopher.—The Pierrot of the Minute   a dramatic phantasy in one act Written by Ernest Dowson   With a Frontispiece, Initial Letter, Vignette, and Cul-de-lampe by Aubrey Beardsley   London    Leonard Smithers . . . MDCCCXCVII. Royal 8vo, cloth, gilt top.

One of three hundred copies printed.

DOYLE, Sir Arthur Conan.—The Adventures of Sherlock Holmes. By A. Conan Doyle. [Illustrated]   London: George Newnes, . . . 1892. . . . 8vo, original cloth, gilt edges.

First edition.

D'OYLY, Sir Charles.—Tom Raw, the Griffin: a Burlesque Poem, in twelve cantos: illustrated by twenty-five engravings, descriptive of the Adventures of a Cadet in the East India Company's service . . . by a Civilian and an Officer of the Bengal establishment   London: printed for R. Ackermann . . . M.DCCC.XXVIII. Royal 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Amand.

The twenty-five plates, coloured, are somewhat in the manner of Rowlandson.

DRAKE, Joseph Rodman.—The Culprit Fay and other poems. By Joseph Rodman Drake. New York: George Dearborn, . . . 1835. 8vo, blue levant morocco, Janseniste, gilt top, uncut edges, by Rivière.

First edition. Portrait, frontispiece-title, three inserted plates and two vignettes, proofs on India paper.

DRAKE and HALLECK.—The Croakers, by Joseph Rodman Drake and Fitz-Greene Halleck. First Complete Edition. New York   MDCCCLX. Royal 8vo, blue morocco, back and sides in gilt tools and mosaic, gilt top, uncut edges, by Pawson and Nicholson.

Portraits of the authors, and (inserted) an autograph letter from Halleck and forty-one portraits and views of New York.

No. 2 of the Bradford Club publications, and No. 127 of one hundred and fifty subscriber's copies printed.

DRAKE and HALLECK.—The Croakers. 1860. Royal 8vo, green levant morocco, gilt fillets, gilt edges, by The Club Bindery.

No. 7 of one hundred Club copies printed, extra-illustrated by the insertion of sixty-six plates, including portraits and early views of New York, many in proof state.

DRAKE, Joseph Rodman.—See Halleck, Fitz-Greene.

DRAKE, Nathan.—Essays, biographical, critical, and historical, illustrative of the Tatler, Spectator, and Guardian. By Nathan Drake, M.D. . . . London: printed by C. Whittingham, . . . for John Sharpe, . . . 1805. Post 8vo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges.

Large paper copy, with three portraits in Volume I, by P. W. Tomkins, F. Bartolozzi, and N. Schiavonetti after H. Thomson, J. Richardson, and Kneller; and twelve portraits in Volume III after Kneller, Woolaston, Zinck and five others. In Volume II are two inserted views.

The portraits in the eight volumes of "The Spectator" (see British Classics) were designed to illustrate the present work, in which are pages of references.

DRAKE, Nathan.—Essays, biographical, critical, and historical, illustrative of the Rambler, Adventurer, & Idler, and of the various periodical papers which, In Imitation of the Writings of Steele and Addison, have been published Between the Close of the eighth volume of the Spectator, and the commencement of the year 1809. By Nathan Drake, M.D. . . . Printed by J. Seeley, Buckingham, for W. Suttaby, . . . London. 1809. [-1810.] Post 8vo, two volumes, blue levant morocco, gilt back, gilt top, uncut edges.

Large paper copy, with a view and a portrait of Warton by N. Schiavonetti after Reynolds.

DRAKE, Nathan.—Evenings in Autumn; a Series of Essays, narrative and miscellaneous. By Nathan Drake . . . London: printed for Longman . . . 1822. Crown 8vo, two volumes, half citron levant morocco, gilt top, uncut edges.

DRAKE, Nathan.—Noontide Leisure; or, Sketches in Summer, outlines from nature and imagination, and including a Tale of the Days of Shakespeare. By Nathan Drake . . . London: printed for T. Cadell . . . 1824. Crown 8vo, two volumes, half citron levant morocco, gilt back, gilt top, uncut edges.

DRAKE, Nathan.—Mornings in Spring; or retrospections, biographical, critical, and historical. By Nathan Drake . . . London: John Murray . . . MDCCCXXVIII. Crown 8vo, two volumes, half citron levant morocco, gilt top, uncut edges.

DRAMATISTS.—English Comic Dramatists edited by Oswald Crawfurd   London    Kegan Paul Trench & Co., MDCCCLXXXIII. Crown 8vo, red levant morocco, blind-tooled back and side corners, gilt top, uncut edges, by Alfred Matthews.

No. 49 of fifty large paper copies printed, illustrated by the insertion of two sepia drawings and nine portraits, some proofs and some on India paper.

DRURY, Drew.—Illustrations of Natural History. Wherein are exhibited Upwards of Two Hundred and Forty Figures of Exotic Insects, According to their different Genera; Very few of which have hitherto been figured by any Author, Being engraved and coloured from Nature, with the greatest Accuracy, and under the Author's own Inspection, On Fifty Copper-Plates. With a particular Description of each Insect: Interspersed with Remarks and Reflections on the Nature and Properties of many of them. By D. Drury. To which is added A Translation into French . . . London: Printed for the Author, And sold by B. White, . . . 1770-1773-1782. 4to, three volumes, half brown levant morocco, Janseniste, gilt top, uncut edges, by David.

The title, as above, refers chiefly to the first volume: the second volume contains 220 figures on 50 plates and the third, 200 figures on 50 plates; in all, 660 figures on 150 plates.

DU BOIS, Edward, translator.—The Wreath; composed of selections from Sappho, Theocritus, Bion, and Moschus. Accompanied by a prose translation, with notes. To which are added Remarks on Shakespeare, &c and a comparison between Horace and Lucian. By Edward Du Bois . . . London: printed by T. Bensley . . . 1799. Royal 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Large paper copy, with a frontispiece and thirty-two inserted plates, proofs on India paper and before letters, some in two states.

DU BOIS, Edward.—My Pocket Book; or, Hints for "A Ryghte Merrie and Conceitede" Tour, in quarto; To be called "The Stranger in Ireland", In 1805. By a Knight Errant. . . . A new edition. In which will be found, amongst other pleasant and satirical Novelties, An Introduction; A Description of the Plates; Illustrative Anecdotes from my "Tour through Holland" in 1806; an Appendix, containing three MSS. found in St. Patrick's Abbey; and An Essay in Defence of bad Spelling. London: printed for Vernor, Hood, and Sharpe, &c. . . . 1808. 12mo, Scotch plaid silk, uncut edges, by The Club Bindery.

Fourth edition, with five tinted plates.

DU BOIS, Henri Pène.—American Book bindings in the Library of Henry William Poor Described by Henri Pène du Bois   Illustrated in Gold-leaf and Colors by Edward Bierstadt   Printed at the Marion Press   Jamaica . . . 1903. 8vo, cloth, uncut edges.

No. 15 of thirty-five copies printed on Imperial Japan paper.

DUEL.—The Duel; a Poem: Inscribed to the Right-Honourable W—— P——y Esq; . . . London: Printed for A. Moore, . . . and sold by A. Dodd, . . . E. Nutt, . . . and J. Joliffe, . . . [n.d.]   Folio, red levant morocco, by The Club Bindery. Bound with ten other works.

DUER, William A.—Reminiscences of an Old Yorker. By the late William A. Duer, LL.D., President of Columbia College, etc. New York: printed for W. L. Andrews, 1867. 4to, cloth, uncut edges.

No. 27 of thirty-five copies printed.

DUFF, Edward Gordon.—Early Printed Books by E. Gordon Duff, London: Kegan Paul, Trench, Trübner & Co., . . . MDCCCXCIII. 8vo, half vellum, uncut edges.

No. 15 of one hundred and fifty large paper copies printed: with woodcut title and eleven facsimile plates on Japan paper.

DUFF, PLOMER, and PROCTOR.—Handlists of English Printers 1501-1556. Part I. By E. Gordon Duff. [Part II. by E. Gordon Duff, H. R. Plomer and R. Proctor.]   London: printed by Blades, East & Blades, for the Bibliographical Society, September, 1895. [-December, 1896.] 4to, two volumes, original paper covers, uncut edges.

Part I treats of Wynkyn de Worde, Julian Notary, R. & W. Faques, and John Skot; Part II, of R. Pynson, R. Copland, J. Rastell, P. Treveris, R. Bankes, L. Andrewe, W. Rastell, T. Godfray, and J. Byddell.

DUFF, Edward Gordon.—William Caxton by E. Gordon Duff, M. A. . . . Chicago   The Caxton Club   M C M V. 4to, half cloth, uncut edges.

One of two hundred and fifty-two copies printed on American hand-made paper, with twenty-five illustrations.

DUFIEF, Nicolas Gouïn.—. . . Nature Displayed in her mode of Teaching Language to Man; being a new and infallible Method of acquiring Languages with unparalleled rapidity; deduced from the analysis of the human mind, and consequently suited to every capacity: adapted to the French by N. G. Dufief . . . The ninth edition. London: printed for the author, . . . 1828. 8vo, two volumes, ivory levant, richly decorated on back and sides with flowers and leaf spray, and the arms of Charles X on both covers, wide inside borders with shield in corners, silk linings, gilt over uncut edges, by C. Lewis.

Special copy printed and bound for presentation to Charles X of France, with India proof portrait of the author engraved by Edwin inserted, the presentation inscription, and facsimiles on silk, etc.

DUFRESNOY, Charles Alphonse.—The Art of Painting of Charles Alphonse du Fresnoy. Translated into English Verse by William Mason, M. A. With Annotations by Sir Joshua Reynolds . . . York: Printed by A. Ward . . . M. DCC.LXXXIII. 4to, old green morocco, with the arms of Horace Walpole on each cover, gilt edges.

Horace Walpole's copy with notes in his handwriting. He has also added portraits of Dryden, Pope, Gray, Mason, and Reynolds, a view of Strawberry Hill, and his book-plate.

DUNLAP, William.—History of the Rise and Progress of the Arts of Design in the United States. By William Dunlap . . . New York: George P. Scott and Co. . . . 1834. 8vo, two volumes, boards, uncut edges.

DUNLAP, William.—Thirty Years Ago; or the Memoirs of a Water Drinker. By the Author of Memoirs of George Frederick Cooke, &c. . . . New York: published by Bancroft & Holley, . . . 1836. Crown 8vo, two volumes, cloth, uncut edges.

DUNLOP, John.—The History of Fiction: being a critical account of the most celebrated Prose Works of Fiction, from the earliest Greek Romances to the Novels of the present age. By John Dunlop. Edinburgh: Printed by James Ballantyne and Co. . . . 1814. Crown 8vo, three volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Pratt.

First edition.

DUNLOP, John.—The History of Fiction: being a critical account of the most celebrated prose works of fiction, from the earliest Greek romances to the novels of the present age. By John Dunlop . . . Second edition. Edinburgh: Printed by James Ballantyne and Co. for Longman, Hurst, Rees, . . . 1816. Post 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges.

DUNLOP, John.—History of Roman Literature from its earliest period to the Augustan Age . . . By John Dunlop . . . Second edition. London: printed for Longman . . . 1824. [-1828] 8vo, three volumes, half maroon levant morocco, gilt back, gilt top, uncut edges.

DUNTON, John.—The Life and Errors of John Dunton, citizen of London; with the lives and characters of more than a thousand contemporary divines, and other persons of literary eminence. To which are added, Dunton's conversation in Ireland; Selections from his other genuine works; and a faithful portrait of the author . . . Printed by and for J. Nichols, Son, and Bentley . . . London   1818. 8vo, two volumes, half calf, gilt back, gilt top, uncut edges.

DUNTON, John.—See Harley Pamphlets.

DUPPA, Richard.—The Life of Michel Angelo Buonarroti, with his Poetry and Letters. By R. Duppa, . . . Second Edition. London: printed for John Murray, &c. . . . M. DCCC. VII. Royal 4to, half red morocco, uncut edges.

Portrait by F. Bartolozzi, and forty-nine plates, six of them double and one folded.

DUPPA and de QUINCY.—. . . Michel Angelo, by R. Duppa, L.L.B. Raffaello, by Quatremere de Quincy . . . London: David Bogue, . . . MDCCCXLVI. 8vo, half cloth, uncut edges.

The second biography was translated by William Hazlitt. A medallion portrait of Michael Angelo is prefixed to the volume.

DURAND, John.—The Life and Times of A. B. Durand by John Durand With illustrations   New York   Charles Scribner's Sons   1894. 4to, buckram, gilt top, uncut edges.

Portrait of Taine, to whom the work is dedicated, and fifteen other illustrations.

DÜRER, Albrecht.—The Passion of our Lord Jesus Christ pourtrayed by Albert Durer. Edited by Henry Cole . . . London: Joseph Cundall . . . [printed by C. Whittingham at the Chiswick Press]   1844. Small 4to, brown morocco, back and sides covered with blind tooling adapted from a German binding of the XVth century, gilt edges, by Clarke and Bedford.

Thirty-seven illustrations in facsimile of Dürer's "Small Passion."

With the exception of two subjects, this work is taken from the thirty-seven original blocks drawn upon by Dürer for the engraver.

DÜRER, Albrecht.—The Passion of our Lord Jesus Christ. 1844. 8vo, red velvet, overlapped and doubled with silk, the sides decorated with brass ornaments, center showing the monogram of Dürer, clasp, gilt edges.

Printed entirely on vellum.

DUSIMITIER, Pierre Eugène.—Portraits of the Generals, Ministers, Magistrates, Members of Congress, and others, Who have rendered themselves Illustrious in the Revolution of the United States of North America. Drawn from the life, By M. Dusimitier, Painter, And Member of the Philosophical Society of Philadelphia. and engraved by the most eminent artists in London. London: Published by R. Wilkinson, . . . and J. Debrett, . . . MDCCLXXXIII. 4to, half russia, gilt back.

Twelve portraits, brilliant original impressions, engraved by B. B. E., and the original cover on which the continuation of the series was announced.

DWIGHT, Timothy.—The Conquest of Canäan; a poem, in Eleven Books. By Timothy Dwight . . . Hartford: Printed by Elisha Babcock. M.DCC.LXXXV. 12mo, brown levant morocco, gilt back, gilt edges, by Rivière.

Portrait of the author by Leney after Trumbull.

DYCE, Alexander, editor.—Specimens of British Poetesses; selected and chronologically arranged, by the Rev. Alexander Dyce. London: T. Rodd, . . . 1825. Crown 8vo, half brown morocco, gilt back, gilt top, uncut edges.

DYCE, Alexander.—Remarks on Mr. J. P. Collier's and Mr. C. Knight's editions of Shakespeare. By the Rev. Alexander Dyce. . . . London: Edward Moxon, . . . M DCCC XLIV. 8vo, cloth, uncut edges.

DYCE, Alexander.—See Sonnets.

DYER, Charles George.—Biographical Sketches of the Lives and Characters of illustrious and eminent Men. By Charles George Dyer. Illustrated with whole length portraits. . . . London: published by C. G. Dyer, &c. . . . 1819. 8vo, boards, uncut edges.

Forty-eight plates by J. Romney and T. Priscott after Reynolds, Bartolozzi, Zoffany, Vandyke, Vertue, and others.

DYER, John.—The Fleece: a poem. In four books. By John Dyer, LL.B. [vignette]   London: Printed for R. and J. Dodsley, in Pall-Mall. M. DCC. LVII. 4to, blue levant morocco, gilt back and sides, gilt top, uncut edges, by The Club Bindery.

First edition.

EASTLAKE, Sir Charles Lock.—Materials for a History of Oil Painting. By Charles Lock Eastlake . . . London: printed for Longman, . . . 1847. [-1869] 8vo, two volumes, original cloth, uncut edges.

EASTLAKE, Sir Charles Lock.—A History of the Gothic Revival   An attempt to show how the taste for mediæval architecture which lingered in England during the two last centuries has since been encouraged and developed by Charles L. Eastlake . . . London   Longmans, Green, and Co. . . . 1872. 8vo, cloth, gilt top.

Thirty-six full-page woodcuts, and twelve illustrations in the text.

EASTLAKE, Sir Charles Lock.—See Kugler, Franz Theodor.

EASTLAKE, Lady, editor.—Life of John Gibson, R. A. Sculptor. Edited by Lady Eastlake. London: Longmans, Green, and Co.   1870. 8vo, cloth, uncut edges.

Portrait of Gibson engraved by Adlard.

EATON, Charlotte A.—Rome, in the nineteenth century; . . . By Charlotte A. Eaton. Fifth edition. To which is now first added a complete index, and thirty-four engraved illustrations. . . . London: Henry G. Bohn, . . . 1852. Post 8vo, two volumes, cloth, uncut edges.

EBSWORTH, J. W.—Cavalier Lyrics: 'for church and crown'. By J. W. Ebsworth, . . . London and Hertford: Stephen Austin and Sons: now first imprinted, for private circulation. 1887. 8vo, paper, uncut edges.

No. 51 of one hundred and fifty copies printed; with woodcut frontispiece.

EDGEWORTH, Maria.—Tales and Novels by Maria Edgeworth. London: printed for Baldwin and Cradock: . . . 1832. Post 8vo, eighteen volumes, cloth, uncut edges.

Frontispieces and special engraved titles for each volume.

EDWARDS, Charles Lincoln.—Bahama Songs and Stories   A contribution to folk-lore by Charles L. Edwards, . . . [4 illustrations]   Boston and New York   Published for The American Folk-Lore Society by Houghton, Mifflin and Company . . . 1895. 8vo, cloth, gilt top.

EDWARDS, Edward.—Memoirs of Libraries; Including a Hand Book of Library Economy. By Edward Edwards. London: Trübner & Co. 1859. 8vo, two volumes, blue levant morocco, gilt back, gilt top, uncut edges, by F. Bedford.

Large paper copy, with numerous illustrations.

EDWARDS, Edward.—Libraries and Founders of Libraries. By Edward Edwards. London: Trübner and Co.   1865. 8vo, blue levant morocco, gilt back, gilt top, uncut edges, by F. Bedford.

Large paper copy, thirty printed.

EDWARDS, Edward.—The Life of Sir Walter Raleigh based on contemporary documents preserved in the Rolls House, the Privy Council Office, Hatfield House, the British Museum, and other manuscript repositories, British and foreign. Together with his letters: now first collected. By Edward Edwards. . . . Macmillan and Co. 1868. . . . 8vo, two volumes, half green morocco, gilt back, gilt top, uncut edges.

Portrait by C. H. Jeens after Francis Zucchero, armorial bearings, genealogical table, and two facsimiles.

EFFIGIES POETICÆ.—See Proctor, B. W.

EGAN, Pierce.—Life in London; or, the Day and Night Scenes of Jerry Hawthorn, Esq. and his elegant Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis. By Pierce Egan, . . . Dedicated to His most Gracious Majesty King George the Fourth. [woodcut]   Embellished with thirty-six [coloured] scenes from real life, designed and etched by I. R. & G. Cruikshank; And enriched also with numerous original Designs on Wood, by the same Artists. London: printed for Sherwood, Neely, and Jones, . . . 1821. Royal 8vo, green levant morocco, gilt back, gilt top, uncut edges, with the original covers bound in, by Rivière.

First edition.

EGLESFIELD, Francis.—Monarchy Revived; being the Personal History of Charles the Second, from his earliest years to his restoration to the throne. Reprinted from the edition of 1661. With fourteen portraits. London: printed for Charles Baldwyn . . . MDCCCXXII. Royal 8vo, red calf, gilt top, uncut edges, by Matthews.

Large paper copy. The portraits, engraved by R. Cooper, are proofs on India paper.

ELIOT, George.—Scenes of Clerical Life by George Eliot . . . William Blackwood and Sons   Edinburgh . . . MDCCCLVIII. 8vo, two volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Adam Bede by George Eliot   William Blackwood and Sons Edinburgh . . . MDCCCLIX. Crown 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—The Mill on the Floss by George Eliot   William Blackwood and Sons, Edinburgh . . . MD CCC LX. Crown 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Silas Marner: the Weaver of Raveloe by George Eliot William Blackwood and Sons, Edinburgh . . . MDCCCLXI. 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Romola by George Eliot   London: Smith, Elder and Co. MDCCCLXIII. Crown 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Romola by George Eliot with illustrations by Sir Frederick Leighton, . . . London. Smith, Elder, and Co., . . . 1880. Imperial 8vo, two volumes, buckram, uncut edges.

No. 752 of one thousand copies printed, with twenty-four plates and numerous vignettes on India paper.

ELIOT, George.—Felix Holt the Radical by George Eliot   William Blackwood and Sons   Edinburgh . . . MDCCCLXVI. Crown 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—The Spanish Gypsy, a Poem, by George Eliot. William Blackwood and Sons, Edinburgh . . . MDCCCLXVIII. 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Middlemarch; a Study of Provincial Life by George Eliot    William Blackwood and Sons, Edinburgh . . . MDCCCLXXI-II. Crown 8vo, four volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—The Legend of Jubal and other Poems by George Eliot William Blackwood and Sons   Edinburgh . . . MDCCCLXXIV. Post 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—Daniel Deronda by George Eliot. A new edition . . . William Blackwood and Sons, Edinburgh . . . MDCCCLXXVI. Crown 8vo, four volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

ELIOT, George.—Impressions of Theophrastus Such by George Eliot William Blackwood and Sons, Edinburgh . . . MDCCCLXXIX. Crown 8vo, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition.

ELIOT, George.—George Eliot's Life as related in her Letters and Journals. Arranged and edited by her husband J. W. Cross   William Blackwood and Sons   Edinburgh . . . MDCCCLXXXV. Post 8vo, three volumes, calf, gilt back, gilt top, uncut edges, by Rivière.

First edition. Three portraits, proofs on India paper, and eight woodcut illustrations.

ELLIOTT, Grace Dalrymple.—Journal of my Life during the French Revolution. By Grace Dalrymple Elliott. London: Richard Bentley, . . . 1859. 8vo, cloth, uncut edges.

Three portraits after Cosway, Sir Joshua Reynolds, etc.

ELLIS, Edwin J.—Fate in Arcadia and other poems by Edwin J. Ellis with [33] illustrations by the Author   London   1892. Ward & Downey. . . . Imperial 8vo, cloth, gilt top, uncut edges.

ELLIS, George.—History of the Late Revolution in the Dutch Republic London, printed for Edwards . . . 1789. 4to, red morocco, gilt back, silk linings, by H. Walther, with his ticket.

Large paper copy.

ELLIS, Henry.—Original Letters illustrative of English History; including numerous royal letters: from autographs in the British Museum, and one or two other collections. With notes and illustrations by Henry Ellis, . . . London   printed for Harding, Triphook, and Lepard. MDCCCXXV. [-MDCCCXLVI.] Crown 8vo, eleven volumes, half brown morocco, gilt back, gilt top, uncut edges.

The three volumes of the First Series are dated 1825, "second edition;" the four volumes of the Second Series, "printed for Harding and Lepard," 1827; the four volumes of the Third Series, published by Richard Bentley, 1846. Six portraits by G. Thomson, T. A. Dean, B. Holl, J. Cooke, and S. Freeman after H. Corbould, Nicholas Hilliard, and T. Wageman.

ELMES, James.—The Arts and Artists, or Anecdotes and Relics of the Schools of Painting, Sculpture, & Architecture, by James Elmes [vignette]   London: John Knight & Henry Lacy . . . MDCCCXXV. Post 8vo, three volumes, half blue levant morocco, gilt back, gilt top, uncut edges, by Allô.

Engraved title-pages, fourteen portraits, and two plates of autographs in facsimile.

ELMES, James.—Sir Christopher Wren and his times. With illustrative sketches and anecdotes of the Most distinguished Personages in the seventeenth century. By James Elmes . . . London:—Chapman & Hall, . . . MDCCCLII. 8vo, cloth, uncut edges.

Steel portrait of Wren.

ELTON, Charles Isaac, and Mary Augusta.—The Great Book-Collectors . . . London   Kegan Paul, &c. . . . MDCCCXCIII. 8vo, half vellum, uncut edges.

Large paper copy, one hundred and fifty printed, with ten illustrations.

ELWOOD, Anne Katharine.—Memoirs of the Literary Ladies of England, from the commencement of the last century. By Mrs. Elwood . . . London: Henry Colburn . . . 1843. 12mo, two volumes, half citron levant morocco, gilt top, uncut edges.

Two portraits.

ELZE, Karl.—Lord Byron a biography with a critical essay on his place in literature   By Karl Elze translated with the author's sanction, and edited with notes   With Portrait and Facsimile. London. John Murray, . . . 1872. 8vo, cloth, uncut edges.

EMBLEMS OF MORTALITY; representing, in upwards of fifty cuts, Death seizing all ranks and degrees of people; Imitated from a Painting in the Cemetery of the Dominican Church at Basil, in Switzerland: With an Apostrophe to each, tranſlated from the Latin and French. Intended as well for the Information of the Curious, as the Inſtruction and Entertainment of Youth. To which is prefixed A copious Preface, containing an hiſtorical Account of the above, and other Paintings on this Subject, now or lately exiſting in divers Parts of Europe. London: Printed for T. Hodgson, . . . M DCC LXXXIX. 12mo, blue straight-grain morocco, gilt back and side corners in the manner of Roger Payne, gilt edges, by Bedford.

First edition. Woodcut frontispiece and fifty-one cuts of Holbein's Dance of Death, modernized and engraved by Bewick. After the third edition, the blocks were destroyed by fire.

EMBLEMS, for the Entertainment and Improvement of Youth: containing Hieroglyphical and Enigmatical Devices, relating to all Parts and Stations of Life; together with Explanations and Proverbs, in French, Spaniſh, Italian, and Latin, alluding to them, and Tranſlated into English: The Whole curiously Engrav'd on 62 Copper Plates. Sold by R. Ware . . . [n.d.] 8vo, old blue calf, gilt back, side borders, panels blind-tooled in diamonds.

Frontispiece, "Delectando Moneo," engraved title, and 62 plates, each in 15 compartments. Plates xli and xlviii are transposed, but not the text.

EMERSON, Ralph Waldo.—Nature . . . Boston: James Munroe and Company. MDCCCXXXVI. 12mo, original cloth.

First edition, with autograph letter of the author inserted.

EMERSON, Ralph Waldo.—(I.) Essays: by R. W. Emerson. Boston: James Munroe and Company. MDCCCXLI. (II.) Essays: second series. By R. W. Emerson. Boston: James Munroe and Company. MDCCCXLIV. 12mo and 16mo, two volumes, red levant morocco, gilt back, gilt over untrimmed edges, by David.

First edition of both series.

EMERSON, Ralph Waldo.—Poems. By R. W. Emerson. Boston: James Munroe and Company. 1847. 16mo, green levant morocco, back and sides covered with trefoil and star ornaments, gilt over uncut edges, by the Doves Bindery. 1894.

First edition.

EMERSON, Ralph Waldo.—Poems by Ralph Waldo Emerson. London: Chapman, Brothers, . . . M.DCCC.XLVII. 12mo, citron levant morocco, Janseniste, gilt top, uncut edges, by Alfred Matthews.

English copyright edition.

EMERSON, Ralph Waldo.—Representative Men: seven lectures. By R. W. Emerson. Boston: Phillips, Sampson and Company, . . . 1850. 12mo, maroon morocco, gilt back, gilt top, uncut edges, by Stikeman.

First edition.

EMERSON, Ralph Waldo.—Miscellanies; embracing Nature, Addresses, and Lectures. By R. W. Emerson. Boston: Phillips, Sampson, and Company. M.DCCC.LVI. 12mo, red morocco, gilt back, gilt top, uncut edges, by Stikeman.

First edition.

EMERSON, Ralph Waldo.—English Traits. By R. W. Emerson. Boston: Phillips, Sampson, and Company. 1856. 12mo, green morocco, gilt back and side panels, gilt top, uncut edges, by Stikeman.

First edition.

EMERSON, Ralph Waldo.—The Conduct of Life. By R. W. Emerson. Boston: Ticknor and Fields. M DCCC LX. 12mo, original cloth.

First edition.

EMERSON, Ralph Waldo.—Society and Solitude. Twelve Chapters. By Ralph Waldo Emerson. Boston: Fields, Osgood, & Co. 1870. 12mo, original cloth.

First edition.

EMERSON, Ralph Waldo.—Letters and Social Aims. By Ralph Waldo Emerson. Boston: James R. Osgood and Company, . . . 1876. 12mo, original cloth.

First edition.

EMERSON, Ralph Waldo.—See Carlyle and Emerson.

ENGINEERS.—Personal Recollections of English Engineers, and of the introduction of the railway system into the United Kingdom. By a Civil Engineer, author of the "Trinity of Italy." London: Hodder and Stoughton, . . . M DCCCLXVIII. 8vo, cloth, uncut edges.

ENGLISH DRAMA.—The New English Drama, [113 Comedies, Tragedies, Operas, Farces, and Melodramas] with prefatory remarks, biographical sketches, and notes, Critical and Explanatory; Being the only Edition existing which is faithfully marked with the stage business and stage directions, As Performed At the Theatres Royal. Edited By W. Oxberry, Comedian. . . . London. Published for the Proprietors by W. Simpkin and R. Marshall, . . . C. Chapple, . . . and sold by W. and J. Lowndes, . . . 1818. [-1824] 12mo, twenty-two volumes, half red levant morocco, gilt back, gilt top, uncut edges, by Pratt.

Large paper copy, with portraits of celebrated players.

ENGLISH LYRICS   London   Kegan Paul, Trench & Co., . . . MDCCCLXXXIII. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

ENGLISH ODES   selected by Edmund W. Gosse   London   C. Kegan Paul & Co., . . . MDCCCLXXXI. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed, with a frontispiece on India paper.

ENGLISH POETS.—Passages from Modern English Poets. Illustrated by the Junior Etching Club. Forty-seven etchings. [by Tenniel, Whistler, Millais, &c.] London: published by Day & Son, . . . [1862] 4to, cloth, gilt edges.

ENGRAVINGS.—India Proofs from the Annuals. Literary Souvenir, &c. Seventy five plates after Corbould, Westall, Smirke, Stephanoff, Leslie, &c.   London   1827. Folio, half red levant morocco, gilt back, gilt top, uncut edges, by R. W. Smith.

EPICTETUS.—The Works of Epictetus. Consisting of his Discourses, in four books, the Enchiridion, and Fragments. A translation from the Greek based on that of Elizabeth Carter, by Thomas Wentworth Higginson. Boston: Little, Brown, and Company. [University Press] 1866. 8vo, cloth, uncut edges.

One of seventy-five large paper copies printed.

EPICTETUS   [Reprinted from the translation of George Long] London Arthur L. Humphreys   1897. 4to, two volumes, original paper wrappers, uncut edges.

ERASMUS, Desiderius.—Proverbs, chiefly taken from the Adagia of Erasmus, with explanations; and further illustrated by corresponding examples from the Spanish, Italian, French & English Languages. By Robert Bland . . . London: printed for T. Egerton . . . 1814. Crown 8vo, two volumes in one, blue morocco, back and sides richly gilded, embossed gilt edges, by J. Wright.

ESTCOURT, Richard.—The Fair Example: or the Modiſh Citizens. a Comedy. As it was Acted at the Theatre Royal in Drury Lane. By Mr. Estcourt. [One line in Latin, four in English]   London, Printed for Bernard Lintott . . . 1706. Price 1s. 6d. 4to, blue calf, gilt back, gilt edges, by Zaehnsdorf.

First edition. A-K in fours, title on A1, A2 misprinted H2. Dedicated to Christopher Rich, Chief Patentee, Governor and Manager of the Theatre Royal.

EVANS, Abel.—Vertumnus. an Epistle to Mr. Jacob Bobart, Botany Profeſſor to the Univerſity of Oxford, and Keeper of the Phyſick-Garden. By the Author of The Apparition. [Two lines from Virgil]   Oxford: Printed by L. L. for Stephen Fletcher Book-ſeller: . . . 1713. 8vo, red straight-grain morocco, gilt edges, by The Club Bindery.

Engraved frontispiece of a triumphal arch erected to King Charles and the Earl of Danby, celebrated in the poem (page 21) as the generous patron who planted while Bobart tilled.

Title and A-D in fours.

EVANS, John.—The Progress of Human Life: Shakspeare's Seven Ages of Man; illustrated by a series of extracts in prose and poetry. . . . By John Evans, . . . Second Edition. [cut]   Chiswick: Printed by Charles Whittingham; . . . 1823. Crown 8vo, half cloth, uncut edges.

EVELYN, Alexander John.—English Alice, a poem in five cantos, by Alexander John Evelyn, Esq. London: William Pickering. 1852. Post 8vo, cloth, uncut edges.

EVERETT, Edward.—The Life of George Washington. By Edward Everett. New York: Sheldon and Company . . . 1860. 8vo, cloth, uncut edges.

Large paper copy.

[EYTON, Joseph Walter King.]—Catalogue of the Library of Joseph Walter King Eyton . . . London   1848. 4to, blue levant morocco, gilt back and sides, gilt edges, by Rivière.

Large paper copy, fifty printed, with coloured frontispiece and seven book-plates of the owner, a facsimile of one of Roger Payne's remarkable bills for binding, and India proof impressions of portraits of Bishop Andrews, Thomas Frognall Dibdin, and Thomas Sharpe.

FACETIÆ: being a general Collection of the Jeux d'Esprits which have been illustrated by Robert Cruikshank . . . containing nearly sixty engravings. London: William King . . . M.DCCC.XXXI. 12mo, two volumes, brown levant morocco, gilt back, gilt edges, by Rousselle.

Some of the thirteen separate titles bear the date 1830. The series includes "The Devil's Walk," by Coleridge and Southey; "The Real Devil's Walk"; "The High-Mettled Racer," by Charles Dibdin; and "Monsieur Tonson," by John Taylor.

FACTION.—An Essay on Faction . . . London, Printed for J. Peele . . . MDCCXXXII. Folio, red levant morocco, by The Club Bindery. Bound with ten other works.

FAGAN, Louis.—The Life of Sir Anthony Panizzi, K. C. B., late Principal Librarian of the British Museum, Senator of Italy, &. &c. by Louis Fagan, . . . With an Etching and other Illustrations by the Author. . . . London: Remington & Co., . . . 1880. . . . 8vo, two volumes, half green levant morocco, gilt back, gilt top, uncut edges, by Zaehnsdorf.

FAGAN, Louis.— . . . The Art of Michel' Angelo Buonarroti as Illustrated by the various Collections in the British Museum. By Louis Fagan. . . . With [18] illustrations and a frontispiece [portrait] by the author. London: Dulau & Co., . . . M. DCCC. LXXXIII. Royal 8vo, half green morocco, gilt top, uncut edges.

FAGAN, Louis.—Collectors' Marks by Louis Fagan . . . With Frontispiece [etched portrait of Thomas Earl of Arundel] by the Author. London: Field & Tuer . . . 1883. Square 8vo, vellum, uncut edges.

Twenty-eight plates of "Collectors' Marks."

FAGAN, Louis.—A Descriptive Catalogue of the Engraved Works of William Faithorne, by Louis Fagan, . . . 1888. Bernard Quaritch [Gutenberg Presse] . . . London. Royal 8vo, cloth, uncut edges.

FAIRHOLT, Frederick W.—An Illustrated Descriptive Catalogue of the collection of Antique Silver Plate formed by Albert, Lord Londesborough; now the property of Lord Londesborough. By Frederick W. Fairholt, . . . Printed for private reference, by T. Richards, . . . M.DCCCLX. 4to, cloth.

Twenty steel plates and several woodcut illustrations.

FAIRHOLT, Frederick W.—See Irving and Fairholt.

FAIR SUICIDE.—The Fair Suicide: being an Epistle from a Young Lady to the Person who was the Cause of her Death. London, Printed for Richard Wellington . . . MDCCXXXIII. Folio, red levant morocco, by The Club Bindery. Bound with ten other works.

FAIRY FEAST.—The Fairy Feast, Written by the Author of A Tale of a Tub, and the Mully of Mountown. London: Printed in the year, 1704. Folio, cloth, by The Club Bindery.

These two poems are not found among Swift's Poetical Works, 1833, although written "by the Author of A Tale of a Tub."

FALCONER, William.—The Shipwreck, a poem by William Falconer a Sailor: . . . The text illustrated by additional notes, and corrected from the first and second editions, with a life of the author, by James Stanier Clarke, . . . London. Printed for William Miller, . . . By T. Bensley, . . . 1804. 8vo, boards, uncut edges.

FALCONER, William.—The Shipwreck, a poem, by William Falconer, a Sailor: . . . the text illustrated by additional notes, and corrected from the first and second editions; with a Life of the Author, by J. S. Clarke, . . . London: printed for William Miller, . . . 1811. 8vo, Etruscan calf, gilt back, gilt edges, with painting of a landscape under the gilding.

Four full-page plates and six vignettes by James Fittler after Nicholas Pocock.

FALCONER, William.—The Poetical Works of William Falconer [with a Memoir by the Rev. John Mitford.]   London.   William Pickering   1836. Foolscap 8vo, cloth, uncut edges.

FALK, VON MÜLLER, and others.—Characteristics of Goethe, From the German of Falk, von Müller, &c. With notes, original and translated, illustrative of German literature, by Sarah Austin. . . . London: published by Effingham Wilson, . . . 1833. Crown 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Allô.

Portrait on India paper, and two other frontispieces.

FANE, Julian.—Poems by the Hon. Julian Fane   London   William Pickering   1852. Post 8vo, cloth, uncut edges.

FANSHAWE, Catherine Maria.—Memorials of Miss Catherine Maria Fanshawe. [Edited by W. Harness.]   Privately Printed. [London, 1865]   Royal 4to, half brown morocco, gilt top.

FARMER and HENLEY, editors.—Slang and its Analogues Past and Present. A Dictionary, Historical and Comparative, of the Heterodox Speech of all Classes of Society for more than Three Hundred Years. With synonyms in English, French, German, Italian, etc. Compiled and edited by John S. Farmer, . . . [and W. E. Henley]   [London]   Printed for subscribers only. M DCCC XC. [-XCVI] 4to, seven volumes, half red calf, uncut edges.

No. 509 of seven hundred and fifty copies printed. Volume II is dated 1891, III, 1893, IV, 1896 (the last two edited by Farmer and W. E. Henley), V, 1902, VI, 1903, VII, 1904.

FARMER, John S., editor.—National Ballad and Song   Merry Songs and Ballads prior to the year A. D. 1800 edited by John S. Farmer . . . Privately printed for subscribers only M D CCC XCVII. 4to, five volumes, boards, uncut edges.

FARRAGO. [By "Pilgrim Plowden"]   Printed for the author. Price 2s. 6d. ſtitcht. To be ſold only by Lawton Gilliver . . . London. 1733. 8vo, red straight-grain morocco, gilt and blind-tooled back and side borders, gilt edges.

FAU, J.—The Anatomy of the External Forms of Man, intended for the use of Artists, Painters and Sculptors. By Doctor J. Fau. Atlas Containing Twenty-Eight [coloured] Drawings from Nature; . . . Edited with Additions by Robert Knox, M. D. . . . London: Hippolyte Bailliere, . . . 1849. 4to, half cloth, gilt top, uncut edges.

FAUGERES, Margaretta V.—See Bleecker and Faugeres.

FEA, Allan.—The Flight of the King Being A Full True and Particular Account of the Miraculous Escape of His Most Sacred Majesty King Charles II. after the Battle of Worcester   By Allan Fea With Numerous Sketches & Photographs by the Author & 16 Portraits in Photogravure   John Lane, . . . London & New York   m:d·ccc·xcvii. 8vo, cloth, gilt top, uncut edges.

FELISSA; or, the Life and Opinions of a Kitten of Sentiment. . . . [12 coloured plates]   London: printed for J. Harris, . . . 1811. 12mo, silk, uncut edges, by The Club Bindery.

FELLOWES, W. D.—A Visit to the Monastery of La Trappe, in 1817: with Notes taken during a tour through le Perchie, Normandy, Bretagne, Poitou, Anjou, le Bocage, Touraine, Orleanois, and the environs of Paris. By W. D. Fellowes, Esq. Illustrated with numerous coloured engravings, from drawings made on the spot. London: printed for William Stockdale, . . . 1818. 8vo, figured brown silk, uncut edges, by The Club Bindery.

Twelve coloured plates, one etching, one outline plate, and one vignette on India paper.

FELLTHAM, Owen.—Resolves, Divine Moral and Political by Owen Felltham Esq.   London, Pickering   1840. Post 8vo, citron morocco, back and side panels, gilt top, uncut edges.

Title-page within a border and rubricated.

FEMALE FACTION.—The Female Faction: or, the Gay Subſcribers. A poem. . . . London: Printed for J. Roberts, . . . M. dcc. xxix. . . . Folio, cloth, by The Club Bindery.

FENELON, François de Salignac de La Mothe.—The Lives And most remarkable Maxims Of the Antient Philosophers   London: Printed for B. Barker . . . and R. Francklin . . . 1726. 12mo, sprinkled calf, gilt back, gilt over uncut edges, by Bedford.

FENN, George Manville.—Benjamin Franklin Stevens   By G. Manville Fenn    London printed at the Chiswick Press for private distribution   1903. Crown 8vo, buckram, uncut edges.

Seven illustrations.

FENTON, Elijah.—Poems on Several Occaſions. [large printer's ornament]   London: Printed for Bernard Lintot . . . 1717. 8vo, blue straight-grain morocco, gilt back, side corners, gilt edges, by The Club Bindery.

First edition. Engraved frontispiece by E. Kirkall, and arms of the Earl of Orrery, to whom the work is dedicated.

FERGUSON, James.—(I-II.) The Illustrated Handbook of Architecture: being a concise and popular account of the different styles of architecture prevailing in all ages and countries. By James Ferguson, . . . with 850 illustrations on wood. London: John Murray, . . . 1855. (III.) History of the Modern Styles of Architecture: being a sequel to the Handbook of Architecture . . . with 312 illustrations. London: John Murray, . . . 1862. 8vo, three volumes, russia, gilt back, gilt edges, by Bedford.

First edition of both series.

FERGUSSON, James.—The Illustrated Handbook of Architecture: being a concise and popular account of the different styles of architecture prevailing in All Ages and all Countries. By James Fergusson, . . . Second Edition, with nearly 900 illustrative engravings. London: John Murray, . . . 1859. 8vo, half green morocco, gilt top, uncut edges.

FERGUSSON, James.—(I.-II.) A History of Architecture in all countries, from the earliest times to the present day. By James Fergusson . . . second edition. [1015 illustrations] London: John Murray, . . . 1874 (III.) History of Indian and Eastern Architecture; by James Fergusson, . . . [394 illustrations]   London: John Murray, . . . 1876 (IV.) History of the Modern Styles of Architecture: being a sequel to the Handbook of Architecture. By James Fergusson . . . with 312 illustrations. London: John Murray, . . . 1862. 8vo, four volumes, half morocco, gilt top, uncut edges.

FERRIAR, John.—Illustrations of Sterne: with other essays and verses. By John Ferriar, M.D.   Second edition   London: printed for Cadell and Davis . . . 1812. Small 8vo, two volumes, sprinkled calf, gilt top, uncut edges, by Bedford.

FIDDES, Richard.—A Prefatory Epistle Concerning ſome Remarks To be publiſhed on Homer's Iliad: Occaſioned by The Proposals of Mr. Pope towards a new Engliſh Verſion of that Poem. To the Reverend Dr. Swift, Dean of St. Patrick's. By Richard Fiddes, B.D. Chaplain to the Right Honourable the Earl of Oxford. [Line in Greek]   London: Printed for John Wyat, . . . and Henry Clements, . . . 1714. 12mo, half brown morocco, gilt top, uncut edges.

FIELDING, Henry.—(I.) Love in Several Masques. A Comedy, As it is Acted at the Theatre-Royal, by His Majesty's Servants. Written by Mr. Fielding. . . . London: Printed for John Watts, . . . 1728.

(II.) The Temple Beau. A Comedy. As it is Acted at the Theatre in Goodman's-Fields. Written by Mr. Fielding. . . . London: Printed for J. Watts, . . . M DCC XXX.

(III.) The Coffee-Houſe Politician; or, the Justice Caught in his own Trap. A Comedy. As it is Acted at the Theatre Royal in Lincoln's-Inn-Fields. Written by Mr. Fielding. London: Printed for J. Watts, . . . M DCC XXX. . . .

(IV.) The Grub-Street Opera. As it is Acted at the Theatre in the Hay-Market. By Scriblerus Secundus. . . . To which is added, The Masquerade, a poem. Printed in Mdcc xxviii. London, Printed, and ſold by J. Roberts, . . . M DCC XXX I. . . .

(V.) The Universal Gallant: or, the Different Husbands. A Comedy. As it is Acted at the Theatre-Royal in Drury-Lane. By His Majesty's Servants. By Henry Fielding, Eſq; . . . London: Printed for John Watts, . . . M DCCXXXV. . . .

(VI.) Miss Lucy in Town. A Sequel to The Virgin Unmaſqued. A Farce; With Songs. As it is Acted at the Theatre-Royal In Drury-lane, By His Majesty's Servants. London: Printed for A. Millar, . . . 1742. . . .

(VII.) Tumble-down Dick: or, Phaeton in the Suds. A Dramatick Entertainment of Walking, in Serious and Fooliſh Characters: Interlarded with Burleſque, Groteſque, Comick Interludes, call'd Harlequin a Pick-Pocket. As it is Perform'd at the New Theatre in the Hay-Market. Being ('tis hop'd) the laſt Entertainment that will ever be exhibited on any Stage. Invented by the Ingenious Monsieur Sans Esprit: The Muſick compos'd by the Harmonious Signior Warblerini. And the Scenes painted by the Prodigious Mynheer van Bottom-flat. . . . London: Printed for J. Watts . . . M DCC XLIV. . . .

(VIII.) The Intriguing Chambermaid. A Comedy of two acts. As it is Acted at the Theatre-Royal in Drury-Lane, By His Majesty's Servants. Taken from the French of Regnard, By Henry Fielding, Eſq; . . . London: Printed for J. Watts . . . M DCCL. . . .

(IX.) The Letter-writers: Or, a New Way to Keep a Wife at Home. A farce, In three acts. As it is Acted at the Theatre in the Hay-Market. Written by Henry Fielding, Eſq; . . . London: Printed for J. Watts . . . M DCCL. 8vo, nine works in one volume, brown morocco, gilt back, gilt edges.

First editions. The running head-line of "The Coffee-House Politician" is "Rape upon Rape."

FIELDING, Henry.—The Dramatic Works of Henry Fielding, Eſq. . . . London, Printed for A. Millar, . . . M DCC LV. Post 8vo, three volumes, Spanish calf, gilt back, citron edges.

First collected edition.

The sub-titles have different dates, and the plays contained in each volume are not those indicated on the general titles.

I. 1. The Covent Garden Tragedy, 1754. 2. Historical Register for 1736, 1741. 3. The Mock Doctor, 1761. 4. The Lottery, 5th ed., 1761. 5. Tumble-down Dick, 1744. 6. The Intriguing Chambermaid, 1761. 7. Miss Lucy in Town, 2nd ed., 1756. 8. The Debauchees, 3rd ed., 1750. 9. The Universal Gallant, 1735.

II. 1. Pasquin, 3rd ed., 1754. 2. The Miser, 4th ed., 1761. 3. Grub-Street Opera, 1731. 4. The Masquerade, 1728. 5. The Letter-writers, or a New Way to Keep a Wife Home, 1750. 6. Life and Death of Tom Thumb, 4th ed., 1751. 7. Author's Farce, 3rd ed., 1750.

III. 1. Don Quixote in England, 1754. 2. The Modern Husband, 2nd ed., 1732. 3. An Old Man taught Wisdom, or the Virgin Unmasked, 4th ed., 1749. 4. Love in Several Masques, 1728. 5. The Coffee-House Politician, or the Justice Caught in his own Trap (the running-title is Rape upon Rape; or, the Justice caught in his own Trap), 1730. 6. The Temple Beau, 1730.

Volume II contains a plate by Van der Gucht after Hogarth.

FIELDING, Henry.—The History of the Adventures of Joseph Andrews, And of his Friend Mr. Abraham Adams. Written in Imitation of The Manner of Cervantes, Author of Don Quixote. London: Printed for A. Millar . . . M.DCC.XLII. 12mo, two volumes, brown levant morocco, gilt back, gilt edges, by Rivière.

First edition.

FIELDING, Henry.—The Adventures of Joseph Andrews. By Henry Fielding, Esq. with [4] illustrations by George Cruikshank. London: James Cochrane and Co., . . . 1832. Post 8vo, half maroon levant morocco, gilt top, uncut edges, by V. Krafft.

FIELDING, Henry.—Miscellanies, by Henry Fielding: . . . London: Printed for the Author: And sold by A. Millar . . . MDCCXLIII. 8vo, three volumes, brown levant morocco, centre ornaments on the sides, gilt edges, by Rivière.

Large paper copy of the first edition.

FIELDING, Henry.—The History of Tom Jones, a Foundling . . . By Henry Fielding. London: Printed for A. Millar . . . MDCCXLIX. 12mo, six volumes, old calf.

First edition.

FIELDING, Henry.—The History of Tom Jones, a Foundling. By Henry Fielding, Esq; . . . Paris: Printed by Fr. Amb. Didot the eldest . . . M.DCC.LXXX. 8vo, four volumes, blue levant morocco, gilt back, gilt top, uncut edges, by David.

Holland paper copy from the collection of A. A. Renouard, with his autograph in the third volume.

Illustrated by the addition of six portraits of Fielding and over one hundred plates, proofs on India paper and before letters, etc., by Moreau le jeune, Borel, Unwins, Stothard, Clennell, Johannot, Corbould, etc., many in two and three states.

FIELDING, Henry.—The History of Tom Jones, a Foundling. By Henry Fielding, Esq. with a Memoir of the Author by Thomas Roscoe Esq. and Illustrations by George Cruikshank   London: James Cochrane and Co. . . . 1831. Post 8vo, two volumes, green levant morocco, gilt back, gilt top, uncut edges, by Chambolle-Duru.

Portrait, eight plates by Cruikshank, also (inserted) the illustrations by Moreau (coloured) and Johannot, proofs on India paper.

FIELDING, Henry.—An Enquiry Into the Causes of the late Increaſe of Robbers, &c. with some Proposals for Remedying this Growing Evil. In which The Preſent Reigning Vices are impartially expoſed; and the Laws that relate to the Proviſion for the Poor, and to the Puniſhment of Felons are largely and freely examined. . . . By Henry Fielding, Eſq; Barriſter at Law, and One of His Majeſty's Juſtices of the Peace for the County of Middleſex, and for the City and Liberty of Weſtminſter. London: Printed for A. Millar, . . . M. DCC. LI. [Price 2s. 6d.]   8vo, red levant morocco, uncut edges, by The Club Bindery.

First edition. Dedicated to Philip Lord Hardwick, Lord High Chancellor.

FIELDING, Henry.—Amelia. By Henry Fielding, Esq; . . . London: Printed for A. Millar, . . . M.DCC.LII. 12mo, four volumes, old calf, gilt back.

First edition.

FIELDING, Henry.—The History of Amelia. By Henry Fielding, Esq. With [8] illustrations by George Cruikshank. . . . London: James Cochrane and Co., . . . 1832. Post 8vo, two volumes, half maroon levant morocco, gilt top, uncut edges, by V. Krafft.

FIELDING, Henry.—(I.) A Clear State of the Case of Elizabeth Canning, Who hath ſworn that ſhe was robbed and almoſt ſtarved to Death by a Gang of Gipſies and other Villains in January laſt, for which one Mary Squires now lies under Sentence of Death. [Three lines from Cicero. Parad.]   By Henry Fielding, Eſq; London: Printed for A. Millar . . . M. DCC. LIII. (Price One Shilling.) (II.) A clear State of the Case of Elizabeth Canning, . . . [same text as above]   The second edition. London: Printed for A. Millar . . . M. DCC. LIII. (Price One Shilling.) 8vo, three works in one volume, brown morocco, gilt back, gilt top, uncut edges. Bound with these two editions is Dr. Hill's "Story of Elizabeth Canning considered."

Etched portrait by Worlidge inserted.

FIELDING, Henry.—The Journal of a Voyage to Lisbon, By the late Henry Fielding, Esq; London: Printed for A. Millar, . . . MDCCLV. 12mo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

FIELDING, Henry.—The Journal of a Voyage to Lisbon by Henry Fielding with introduction and notes by Austin Dobson. London printed and issued by Charles Whittingham & Co . . . MDCCCXCII. 12mo, half vellum, uncut edges.

One of twenty-five copies printed on Japanese vellum paper, with a portrait of Fielding.

FIELDING, Henry.—The Works of Henry Fielding, Esq; with The Life of the Author [by Arthur Murphy]. A New Edition, in ten volumes. To which is now added, The Fathers; or, The Good-natured Man. London: Printed for W. Strahan &c. MDCCLXXXIV. 8vo, ten volumes, calf, gilt back, gilt edges, by Bedford.

Portrait, by Basire after Hogarth, and twelve plates by Collyer after Rooker's designs.

FIELDING, Henry.—The Works of Henry Fielding, Esq. with an Essay on his life and genius, by Arthur Murphy, . . . A new edition, . . . London: Printed for F. C. and J. Rivington, &c. . . . 1821. 8vo, ten volumes, original boards, uncut edges.

Portrait after Hogarth. Printed from the quarto edition of 1762.

FIELDING, Henry.—The Fathers: or, The Good-Natur'd Man. A comedy. As it is Acted at the Theatre Royal, in Drury-Lane. By the late Henry Fielding, Esq. author of Tom Jones, etc. London: Printed for T. Cadell, . . . M DCC LXXVIII. (Price One Shilling and Six Pence.) 8vo, sprinkled calf, gilt back, some edges uncut.

First edition. A-P in fours, title on A1. Written many years before Fielding's death, and mentioned by him in the preface to his Miscellanies, 1743, as "The Good Natured Man." Dedication by John Fielding to the Duke of Northumberland, Prologue and Epilogue by Garrick.

FIELDING, Sir John.—See Jest-Books.

FIELDING, Sarah.—The Lives of Cleopatra and Octavia. By The Author of David Simple. London: Printed for the Author, And Sold by Andrew Millar, . . . R. and J. Dodsley, . . . and J. Leake, . . . M. DCC. LVII. 4to, blue levant morocco, gilt back, side borders, gilt edges.

FIELDING, Theodore Henry Adolphus.—The Theory and Practice of Painting in Oil and Water Colours, for landscape and portraits; including the preparation of colours, vehicles, varnishes, etc., method of painting in wax, or encaustic; remarks on the chemical properties and permanency of colours, etc.; and a Manual of Lithography. Illustrated with [18] plain and coloured plates. By T.H. Fielding, . . . Fifth edition. London: David Bogue, . . . M DCCC LII. Royal 8vo, half green levant morocco, gilt back, gilt top, uncut edges.

FIELDS, James Thomas.—Poems by James T. Fields. Boston: William D. Ticknor & Company. MDCCC XLIX. 12mo, original cloth, uncut edges.

First edition.

FILSON, John.—The Discovery, Settlement And present state of Kentucke: and An Essay towards the Topography, and Natural History of that important Country. To which is added, An Appendix, Containing, I. The Adventures of Col. Daniel Boon, one of the first Settlers, comprehending every important Occurrence in the political History of that Province. II. The Minutes of the Piankashaw Council, held at Post St. Vincents, April 15, 1784. III An Account of the Indian Nations inhabiting within the Limits of the Thirteen United States, their Manners and Customs, and Reflections on their Origin. IV. The Stages and Distances between Philadelphia and the Falls of the Ohio, from Pittsburg to Pensacola, and several other Places.—The Whole illustrated by a new and accurate Map of Kentucke and the Country adjoining, drawn from actual Surveys. By John Filson. Wilmington: Printed by James Adams. 1784. 8vo and 4to, green levant morocco, gilt top, uncut edges; the book by Bradstreet's, the map by Joly.

The excessively rare Map, for many years believed to be a mistaken promise of the title-page, is found with this copy, though bound separately. Manuscript by Daniel Boone and portrait inserted.

FIRDUSI (FIRDAUSI: ABUL KASIM MANSUR).—The Epic of Kings Stories retold from Firdusi by Helen Zimmern   with two etchings by L. Alma Tadema,—and a prefatory poem by Edmund W. Gosse   London   T. Fisher Unwin   M DCCC LXXXII. 4to, decorated cloth, gilt top, uncut edges.

Large paper copy.

FISHER, Joseph.—Eighty-four Etched Fac-similes, on a reduced scale, after the Original Studies by Michael Angelo and Raffaelle in the University Galleries, Oxford. Etched and published by Joseph Fisher . . . Second Series. Oxford, M DCCC LXII. 8vo, cloth, uncut edges.

FISHER, Richard.—Catalogue of a Collection of Engravings, Etchings, and Woodcuts. [with sixty-five illustrations] 1879. [Printed by John C. Wilkins.] Royal 8vo, half maroon morocco, gilt top, uncut edges.

FISHER, Richard.—Introduction to a Catalogue of the Early Italian Prints in the British Museum by Richard Fisher—London   printed at the Chiswick Press   1886. Royal 8vo, cloth, uncut edges.

FISHER'S GARLAND.—A Collection of Right Merrie Garlands for North Country Anglers. Newcastle: printed for Emerson Charnley   MDCCCXXXVI. 8vo, half green morocco, gilt top, uncut edges.

Woodcuts by Bewick.

These "Garlands" begin with the "Tyne Fisher's Farewell to his Favourite Stream," 1824, followed by the Fisher's Garland from 1821 to 1832, and end with "The Angler's Progress; a Poem" [by Herman Boaz], each with a separate title and woodcut, the dates from 1820 to 1832.

Robert Roxby and Thomas Doubleday wrote the Fisher's Garland for 1821-3-4-5-6-'30, and '32, William Gill Thompson, 1822, '31 (and the "Tyne Fisher's Farewell"), William Green in 1827, Thomas Doubleday, 1828 and '29.

FISHER'S GARLAND.—A Collection of Right Merrie Garlands for North Country Anglers. Edited by Joseph Crawhall and continued to this present year   Newcastle-on-Tyne: George Rutland . . . 1864. 8vo, half Roxburghe morocco, gilt top, uncut edges.

Woodcuts by Bewick, etc.

The authors were Herman Boaz, Robert Roxby, Thomas Doubleday, William Gill Thompson, William Green, Robert Nichol, and William Andrew Chatto.

FISHING.—The Whole Art of Fishing. Being A Collection and Improvement of all that has been written upon this Subject: with many New Experiments. Shewing The Different Ways of Angling, and the beſt Methods of taking Freſh-water Fish. To which is added, The Laws of Angling. [Twelve lines from Pope]   London, Printed for E. Curll, . . . 1714. Price 2s. or 2s. 6d. Small 8vo, panelled calf, gilt back.

Frontispiece by H. Halsbergh.

FITZGERALD, Edward.—Euphranor a dialogue on youth   London   William Pickering   1851. 16mo, cloth.

First edition.

FITZGERALD, Edward.—See Omar Khayyám.

FITZGERALD, Percy.—The Life of David Garrick; from original family papers, and numerous published and unpublished sources. By Percy Fitzgerald . . . [two portraits]   London: Tinsley Brothers . . . 1868. 8vo, two volumes, cloth, uncut edges.

FITZGERALD, Percy.—The Romance of the English Stage. By Percy Fitzgerald . . . London: Richard Bentley & Son . . . 1874. 8vo, two volumes, half green morocco, gilt top, uncut edges.

FLAUBERT, Gustave.—Bouvard and Pécuchet authorised edition translated from the French with an introduction by D. F. Hannigan, . . . illustrated with nine original designs after S. Gorski   London   H. S. Nichols . . . 1896 . . . 8vo, decorated green satin, gilt top, uncut edges.

One hundred copies printed upon Japan paper, with illustrations in two states, blue and bistre.

FLAXMAN, John.—Compositions from the Tragedies of Æschylus designed by Iohn Flaxman engraved by Thomas Piroli   London   Published for I. Flaxman Junr. Jan. 12. 1795, by J. Matthews . . . Oblong 4to, boards, uncut edges.

Engraved title and thirty other outline plates.

FLAXMAN, John.—Lectures on Sculpture. By John Flaxman . . . with a brief memoir of the author. London: John Murray . . . MDCCCXXIX. Royal 8vo, red morocco, gilt and blind-tooled, gilt edges.

Portrait of Flaxman on India paper and fifty-one plates. The plates are numbered from one to fifty-two, but plate eighteen was cancelled.

From the library of Sir Thomas Lawrence, with his autograph.

FLAXMAN, John.—Lectures on Sculpture. 1829. . . . Royal 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

Another copy.

FLAXMAN, John.—See Homer.

FLETCHER, William Younger.—English Book-bindings in the British Museum    illustrations of sixty-three examples selected on account of their beauty or historial interest   with introduction and descriptions   by William Younger Fletcher . . . The plates printed in facsimile by W. Griggs . . . London   Kegan Paul, Trench, Trübner and Company, . . . 1895. 4to, cloth, gilt top, uncut edges.

No. 137 of five hundred copies printed.

Sixty-six plates in colour.

FLETCHER, William Younger.—Foreign Book-bindings in the British Museum    illustrations of sixty-three examples selected on account of their beauty or historical interest   with introduction and descriptions   by William Younger Fletcher . . . The plates printed in facsimile by W. Griggs . . . London   Kegan Paul, Trench, Trübner and Company, . . . 1896. 4to, cloth, gilt top, uncut edges.

No. 71 of five hundred copies printed. Sixty-five coloured plates.

FLETCHER, William Younger.—English Book Collectors by William Younger Fletcher . . . London   Kegan Paul, Trench, Trübner and Company, . . . 1902. 4to, vellum boards, gilt top, uncut edges.

No. 40 of fifty copies printed on Japanese paper. Woodcut title-page and forty-six illustrations.

FLORA. Songs in the Opera of Flora, with the Humorous Scenes of Hob, design'd by ye Celebrated Mr Gravelot, & engrav'd by G. Bickham junr. The Music proper for ye Violin, German, & Common Flute, Harpsichord or Spinet with a New Base, & thoro' Base to each Song. London. Sold by T. Cooper . . . 1737. 8vo, brown levant morocco, gilt back, gilt edges, by Bedford.

Twenty-eight engraved pages, twenty-five with illustrations by Gravelot.

FLOWERS OF FABLE, from Northcote, Æsop, Croxall, Gellert, Dodsley, Gay, La Fontaine, Lessing, Krasicki, Herder, Merrick, Cowper, etc. With numerous engravings. New York: Harper & Brothers, . . . 1847. 16mo, original silk binding, gilt edges.

FOOTE, Samuel.—The Maid of Bath; a comedy in three acts: as performed at the Theatre-Royal in the Haymarket [1771]: written by the late Samuel Foote, Eſq. and published by Mr. Colman. London: Printed for W. Lowndes, and S. Bladon. 1795. 8vo, Scotch plaid silk.

Prologue by Garrick, Epilogue by Cumberland. Title and B-E4 in eights.

FOOTE, Samuel.—The Dramatic Works of Samuel Foote, Esq. to which is prefixed a Life of the Author . . . London: printed for A. Millar . . . M,DCC,XCVII. 12mo, two volumes, sprinkled calf, gilt back, gilt top, uncut edges, by Bedford.

FOOTE, Samuel.—The Works of Samuel Foote, Esq. with Remarks on each Play, and an Essay on the Life and Writings of the Author, By John Bee Esq. . . . London: Sherwood, Gilbert, and Piper . . . 1830. 12mo, three volumes, sprinkled calf, gilt back, gilt top, uncut edges, by Bedford.

Portrait of Foote after Reynolds.

FOOTE and HOOK.—Bon-Mots of Samuel Foote and Theodore Hook edited by Walter Jerrold with grotesques by Aubrey Beardsley   London: Published by J. M. Dent and Company . . . MDCCCXCIV. Foolscap 8vo, buckram, uncut edges.

No. 77 of one hundred large paper copies printed, with portraits of Foote and Hook.

FORD, Richard.—Twelve Etchings, after drawings and engravings by Parmigianino, and Andrea Meldolla: in the collection of Richard Ford. London   1822. 4to, original boards.

The twelve etchings by Ford are in two, three, and four states, and eight additional etchings, also by Ford, show various stages of progress. The issue was limited and privately printed. This copy contains the autograph of Ford and his presentation inscription to Henry Wellesley.

FORSTER, Henry Rumsey.—See Boaden, Forster, and others.

FORSTER, John.—The Life and Adventures of Oliver Goldsmith. A biography: in four books [portrait]   By John Forster, . . . London: Bradbury & Evans, . . . and Chapman & Hall, . . . 1848. Crown 8vo, original cloth, gilt edges.

First edition. Numerous woodcuts.

FORSTER, John.—The Life and Times of Oliver Goldsmith. By John Forster . . . second edition. London: Bradbury and Evans . . . 1854. 8vo, two volumes in four, green levant morocco, gilt back and sides, gilt edges, by William Matthews.

Illustrated by the insertion of two hundred and five portraits, including many fine proofs and plates in two states.

FORSTER, John.—The Life of Charles Dickens. By John Forster . . . London: Chapman and Hall . . . 1872 [1873-'74]. 8vo, three volumes, cloth, uncut edges.

Six portraits, and numerous other illustrations.

FORSYTH, William.—Hortensius: or, the Advocate, an historical essay. By William Forsyth . . . London: John Murray . . . 1849. 12mo, cloth, uncut edges.

FORSYTH, William.—History of Trial by Jury. By William Forsyth . . . London: John W. Parker and Son . . . M.DCCC.LII. 8vo, cloth, uncut edges.

FORSYTH, William.—History of the Captivity of Napoleon at St. Helena; from the letters and journals of the late Lieut.-Gen. Sir Hudson Lowe, and official documents not before made public. By William Forsyth, . . . With Portrait and Map. [and two other illustrations]   London: John Murray, . . . 1853. . . . 8vo, three volumes, cloth, uncut edges.

FORTNUM, C. Drury E.—A descriptive Catalogue of Maiolica Hispano-Moresco, Persian, Damascus, and Rhodian wares, in the South Kensington Museum. With Hiſtorical Notices, Marks, & Monograms. By C. Drury E. Fortnum, . . . London: printed by George E. Eyre and William Spottiswoode, . . . 1873. Royal 8vo, half brown morocco, gilt top, uncut edges.

Twelve coloured plates and numerous woodcuts.

FORTNUM, C. Drury E.—Maiolica a historical treatise on the glazed and enamelled earthenwares of Italy, with marks and monograms also some notice of the Persian Damascus, Rhodian, and Hispano-Moresque Wares by C. Drury E. Fortnum with illustrations [21 plates, including coloured frontispiece]   Oxford at the Clarendon Press   1896. Royal 4to, cloth, gilt top, uncut edges.

FOSS, Henry.—See Payne and Foss.

FOSTER and TAYLOR.—Birket Foster's [30] Pictures of English Landscape. (Engraved by the Brothers Dalziel) with Pictures in Words by Tom Taylor. London: Routledge, Warne, and Routledge. . . . MDCCC LXIII. 4to, green levant morocco, gilt back and sides, gilt edges.

FOSTER, John.—An Essay of the Evils of Popular Ignorance: and a discourse on the communication of Christianity to the people of Hindoostan. By John Foster. Third edition. London: Holdsworth and Ball . . . 1834. 8vo, half green morocco, gilt back, gilt top, uncut edges.

FOSTER and ATKINSON, editors.—An illustrated Catalogue of the Loan Collection of Plate exhibited in the Fitzwilliam Museum May 1895 by J. E. Foster, . . . and T. D. Atkinson   Cambridge   Deighton Bell & Co and Macmillan & Bowes for the Cambridge Antiquarian Society   1896. Royal 4to, cloth, gilt top, uncut edges.

No. 156 of two hundred and sixty copies printed. Sixteen plates and fifteen illustrations in the text.

FOUCHÉ, Joseph.—The Memoirs of Joseph Fouché, Duke of Otranto, Minister of the General Police of France. With a portrait. [engraved by Vincent from the rare print suppressed by the French Police]   Translated from the French. . . . London: printed for Charles Knight, . . . M DCCC XXV. 8vo, two volumes, blue morocco, gilt back, gilt edges.

First edition.

FOUQUÉ, Lamotte.—Peter Schlemihl: from the German of Lamotte Fouqué. With [8] plates by George Cruikshank. London: G. and W. B. Whittaker . . . 1824. 12mo, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition. Though attributed to Fouqué, the real author was Adalbert von Chamisso. Fouqué, however, suggested the plot.

FOUQUÉ, La Motte.—See Woltmann and Fouqué.

FRANCIS, John W.—Old New York: or, Reminiscences of the Past Sixty Years. By John W. Francis, . . . with a memoir of the author, by Henry T. Tuckerman. New York: W. J. Widdleton, . . . M DCCC LXV. Royal 8vo, unbound.

Large paper copy. Two portraits and a view.

FRANCKLIN, Thomas.—Matilda: a tragedy. As it is performed at the Theatre-Royal in Drury-Lane. By the Author of the Earl of Warwick. London: Printed for T. Cadell, . . . 1775. . . . 8vo, morocco, by The Club Bindery.

First edition.

FRANKLIN, Benjamin.—An Account Of the Newly Invented Pennsylvanian Fire-Places: wherein Their Construction and Manner of Operation is particularly explained; Their Advantages above every other Method of Warming Rooms demonstrated; And all Objections that have been raised against the Use of Them, answered and obviated. With Directions for putting them up, and for Using them to the best Advantage. And a Copper-Plate, in which the several Parts of the Machine are exactly laid down, from a Scale of equal Parts. Philadelphia: Printed and Sold by B. Franklin. 1744. 8vo, blue levant morocco, gilt back and sides, by The Club Bindery.

Includes the folded plate as well as the original covers.

FRANKLIN, Benjamin.—Poor Richard improved: being an Almanack and Ephemeris of the Motions of the Sun and Moon; the true Places and Aspects of the Planets; the Rising and Setting of the Sun; and the Riſing, Setting and Southing of the Moon, for the Year of our Lord 1757: [1758:] Being the Firſt [Second] after Leap-Year. . . . By Richard Saunders, Philom. Philadelphia: Printed and Sold by B. Franklin, and D. Hall. 12mo, two volumes, light brown levant morocco, gilt top, uncut edges, in a brown straight-grain morocco case, by Bedford.

FRANKLIN, Benjamin.—The Way to Wealth or Poor Richard Improved by Benjamin Franklin. Paris. Printed for Ant. Aug. Renouard . . . M.DCC.XCV. 8vo, blue morocco, back richly tooled, panelled sides, silk linings, gilt over uncut edges, by Bozerian.

Large and thick paper copy: six printed, with proof impression of the portrait by Tardieu after Duplessis. The greater part of this book is accompanied by a French translation. Following the well-known Epitaph are twenty-eight pages preceded by the sub-title, "Observations sur les Sauvages du Nord de l'Amérique, par Franklin," with a separate pagination and not included in the Table.

Charles Nodier's copy.

FRANKLIN, Benjamin.—The Way to Wealth. 1795. 12mo, citron levant morocco, gilt back, gilt edges, by David.

Another copy printed upon large paper, with proof impression of the portrait of Franklin by Tardieu after Duplessis.

FRANKLIN, Benjamin.—The Way to Wealth or Poor Richard Improved by Benj. Franklin. Paris, Printed for Ant. Aug. Renouard, [by P. Causse at Dijon] . . . M.DCC.XCV. 12mo, red levant morocco, gilt back, side corners after the manner of Roger Payne, uncut edges, by Rivière.

Large paper copy, with two impressions of the exquisite portrait of Franklin by Alex. Tardieu after Duplessis, one a proof before the name on the tablet.

FRANKLIN, Benjamin.—[Poor Richard. Bowles's Moral Pictures; Being Lessons for the Young and the Old, on Industry, Temperance, Frugality, &c. or Poor Richard Illustrated. By the late Dr. Benj. Franklin.] 4to, half green morocco, gilt edges.

A portfolio containing the twenty-four original water-colour drawings by Dighton, with the engravings published by Bowles; also original water-colour drawings of Franklin and his press, and two engraved portraits.

FRANKLIN, Benjamin.—The Private Life of the late Benjamin Franklin, LL. D. late Minister Plenipotentiary from the United States of America to France, &c. &c. &c. Originally written by Himſelf, and now translated from the French. To which are added, some account of his public life, a variety of anecdotes concerning him, by M. M. Brissot, Condorcet, Rochefoucault, Le Roy, &c. &c. and the eulogium of M. Fauchet, . . . London: printed for J. Parsons, . . . 1793. 8vo, half maroon levant morocco, gilt top, uncut edges, by The Club Bindery.

FRANKLIN, Benjamin.—The Works of Benjamin Franklin; containing several political and historical tracts not included in any former edition, and many letters official and private not hitherto published; with notes and a life of the author. By Jared Sparks. . . . Boston: Hilliard Gray, and Company. 1840. Royal 8vo, ten volumes, brown levant morocco, gilt back, gilt top, uncut edges, by Matthews.

Large paper copy.

Twenty-two plates, including five portraits.

FRANKS, David.—See New York Directory.

FRANKUM, Richard.—The Bee and the Wasp. A Fable.—In Verse. With [4] designs and etchings, by G. Cruikshank. . . . London: Charles Tilt, . . . 1832. Small 8vo, half blue calf, gilt back, gilt top, uncut edges, with the original yellow paper covers bound in.

First edition.

FRANKUM, Richard.—The Bee and the Wasp   a fable in verse with [4] illustrations designed and etched by George Cruikshank   London   Basil Montagu Pickering . . . 1861. Small 4to, original boards, uncut edges.

Second edition. The preface is signed R. F.

FREER, Martha Walker.—The Life of Marguerite d'Angoulême, Queen of Navarre, Duchesse d'Alencon and de Berry, sister of Francis I., King of France. From numerous unpublished sources, including MS. documents in the Bibliotheque Imperiale, and the Archives du Royaume de France, and also the private correspondence of Queen Marguerite with Francis I., &c. . . . By Martha Walker Freer. . . . [Mrs. John Robinson]   London: Hurst and Blackett, . . . 1854. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with three steel plates.

FREER, Martha Walker.—The Life of Jeanne d'Albret, Queen of Navarre. . . . By Martha Walker Freer, . . . London: Hurst and Blackett, . . . 1855. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with two steel plates.

FREER, Martha Walker.—Elizabeth de Valois, Queen of Spain, and the Court of Philip II. From numerous unpublished sources, in the Archives of France, Italy, and Spain. By Martha Walker Freer. London: Hurst and Blackett . . . 1857. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition. Portraits of Elizabeth de Valois and Catherine de Medici, engraved by A. T. Heath.

FREER, Martha Walker.—Henry III. King of France and Poland: his Court and Times. From numerous unpublished sources, including MS. Documents in the Bibliotheque Impériale, and the Archives of France and Italy, etc. By Martha Walker Freer. London: Hurst and Blackett . . . 1858. Post 8vo, three volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition. Three portraits engraved by Baker.

FREER, Martha Walker.—History of the Reign of Henry IV. King of France and Navarre . . . Part I. Henry IV and the League. By Martha Walker Freer. . . . London: Hurst and Blackett, . . . 1860. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with two steel plates.

FREER, Martha Walker.—Henry IV. and Marie de Medici. Part II. of the History of the Reign of Henry IV. King of France and Navarre . . . By Martha Walker Freer . . . London: Hurst and Blackett . . . 1861. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition: with portraits of Marguerite de Valois and Marie de Medici.

FREER, Martha Walker.—The Last Decade of a Glorious Reign. Part III. of the History of the Reign of Henry IV. King of France and Navarre . . . By Martha Walker Freer . . . London: Hurst and Blackett . . . 1863. Post 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition. Portraits of the Marquise de Verneuil and the Princesse de Condé and her children.

FREER, Martha Walker.—The Married Life of Anne of Austria, Queen of France, Mother of Louis XIV. and Don Sebastian, King of Portugal. Historical Studies. From numerous unpublished sources, . . . By Martha Walker Freer, . . . London: Tinsley Brothers, . . . 1864. 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with steel portrait of the Queen.

FREER, Martha Walker.—The Regency of Anne of Austria, Queen Regent of France, Mother of Louis XIV. from numerous unpublished sources, . . . By Martha Walker Freer, . . . London: Tinsley Brothers, . . . 1866. 8vo, two volumes, blue morocco, gilt top, uncut edges, by The Club Bindery.

First edition, with steel portrait.

FRENEAU, Philip.—Poems Written between the Years 1768 & 1794, by Philip Freneau, of New Jersey: A New Edition, Revised and Corrected by the Author; Including a conſiderable number of Pieces never before published. . . . Monmouth [N. J.] printed At the Preſs of the Author, at Mount-Pleasant, near Middletown-Point; M, DCC, XCV: and, of—American Independence—XIX. 8vo, calf, gilt back, gilt edges, by Matthews.

FRENEAU, Philip.—Poems written and published during the American Revolutionary War, and now republished from the original manuscripts; interspersed with translations from the ancients, and other pieces not heretofore in print. By Philip Freneau. . . . The third edition, in two volumes. . . . Philadelphia: from the press of Lydia R. Bailey, . . . 1809. 12mo, two volumes, brown levant morocco, doubled with dark green russia, tooled in gilt, russia guards, gilt edges, by Zaehnsdorf.

Two frontispieces, King Tammany and Captain Paul Jones's Victory, engraved by Joh. Eckstein.

According to Freneau's declaration in a letter to Jefferson, May 27, 1809, this is the first edition of his poems that received his personal attention, "the other two having been published, while I was wandering over gloomy Seas, until embargoed by the necessity of the times." Later he wrote to Madison, "That Edition [1809] was published by Subscription merely for the benefit of, and to assist Mrs. Bailey, an unfortunate but deserving widowed female, niece to General Steele, and this consideration alone induced me to pay some attention to that third Edition."

FRENEAU, Philip.—A Bibliography of the separate and collected works of Philip Freneau together with an account of his newspapers   By Victor Hugo Paltsits . . . New York   Dodd, Mead and Company   1903. 12mo, original gray paper covers.

FRERE, John Hookham.—The Works of the Right Honourable John Hookham Frere in verse and prose . . . Memoir by the Right Hon. Sir Bartle Frere    Second Edition   Revised with Additions   London   Basil Montagu Pickering . . . 1874. 8vo, three volumes, cloth, uncut edges.

Portrait. Large paper copy.

FRITH, William.—John Leech   His Life and Work by William Powell Frith, R.A. With portrait and numerous illustrations . . . London   Richard Bentley and Son . . . 1891. 8vo, two volumes, vellum cloth, uncut edges.

First edition. Presentation copy from the author, with inscription.

FROUDE, James Anthony.—History of England from the Fall of Wolsey to the Death of Elizabeth. By James Anthony Froude, . . . London: John W. Parker and Son, . . . 1856. [-1870] 8vo, twelve volumes, cloth, uncut edges.

Volumes I-II are dated 1856; III-IV, 1858; V-VI, 1860; VII-VIII, 1866, "fourth edition" with portrait of Queen Elizabeth engraved by C. H. Jeens; XI-XII, 1870, "a new edition."

FROUDE, James Anthony.—Short Studies on Great Subjects. By James Anthony Froude, . . . London: Longmans, Green, and Co. 1868. [-1871, 1877, 1883.] 8vo, four volumes, cloth, uncut edges.

FROUDE, James Anthony.—The Cat's Pilgrimage by James Anthony Froude, . . . [vignette]   With six illustrations by J. B.   Edinburgh: Edmonston and Douglas. 1870. 4to, original boards.

Reprinted from "Short Studies of Great Subjects."

FULCHER, George Williams.—Life of Thomas Gainsborough, R. A.   By the late George Williams Fulcher, edited by his son. London: Longman . . . Foolscap 8vo, cloth, uncut edges.

Frontispiece, title, and birthplace of Gainsborough engraved on steel.

FULLER, Margaret.—Memoirs of Margaret Fuller Ossoli. Boston: Phillips, Sampson and Company. MDCCCLII. 12mo, two volumes, cloth.

The chapters on Concord and Boston were written by Ralph Waldo Emerson.

FULTON, Robert.—A Treatise on the Improvement of Canal Navigation; exhibiting the numerous advantages to be derived from small canals. And boats of two to five feet wide, containing from two to five tons burthen. With a description of the Machinery of facilitating Conveyance by Water through the moſt Mountainous Countries, independent of Locks and Aqueducts: including Obſervations on the great Importance of Water Communications, with thoughts on, and designs for, aqueducts and bridges of iron and wood. Illustrated with seventeen plates. By R. Fulton, Civil Engineer. London. Publiſhed by I. and J. Taylor . . . 1796. 4to, brown levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

First edition: with forty figures on seventeen plates, and two final leaves of advertisement.

Inserted are two portraits, one after the original painting by Chappel, the other by W. S. Leney after Benjamin West.

FULTON, Robert.—Torpedo War, and Submarine Explosions. By Robert Fulton, . . . New York: printed by William Elliot, . . . 1810. Oblong 4to, brown levant morocco, gilt back and sides, gilt edges, by The Club Bindery.

Eight figures on five plates. Presentation copy from the Author to Dr. Thornton, with inscription on the fly leaf.

FUSELI, Henry.—See Pilkington, Matthew.

GAINE, Hugh.—The Journals of Hugh Gaine Printer   edited by Paul Leicester Ford . . . New York   Published by Dodd, Mead & Company . . . MCMII. Royal 8vo, two volumes, half vellum, uncut edges.

One of thirty copies printed on Imperial Japan paper: with portrait and thirty-six other illustrations.

GAINSBOROUGH, Thomas.—A Collection of Prints illustrative of English Scenery, from the drawings and sketches of Thos. Gainsborough, R. A. in the various collections of the Right Honourable Baroness Lucas; Viscount Palmerston; George Hibbert, Esq.; Dr. Monro and several other gentlemen    London: engraved by W. F. Wells and J. Laporte; and published by John and Josiah Boydell, . . . [n. d.]   Folio, old red straight-grain morocco, gilt back and sides, gilt edges.

Sixty plates, for the most part coloured.

GALE, Norman.—Marsh Marigolds, by the author of Primulas and Pansies, etc. Rugby: George E. Over . . . 1888. Royal 8vo, original covers, uncut edges.

One of sixty copies printed.

GALE, Norman.—Anemones, a collection of simple songs from Unleavened Bread, Primulas and Pansies, Marsh Marigolds, with Fresh Flowers from the Author's Garden   Rugby: George E. Over . . . 1889. Royal 8vo, original covers, uncut edges.

One of sixty copies printed.

GALE, Norman.—Meadowsweet. By the author of Marsh Marigolds. Rugby: printed by George E. Over, at the Rugby Press. [1889]   12mo, original covers, uncut edges.

No. 30 of fifty copies printed in red, black, and gold.

GALE, Norman.—Thistledown Essays whereof the tale is Six penned in the Studies of Rusticus & one who is a Friend of his. Rugby: George E. Over    1890. Crown 8vo, original covers, uncut edges.

One of twenty-two large paper copies printed, with title printed in gold and colour.

GALE, Norman.—Cricket Songs and other trifling verses penned by one of the Authors of "Thistledown." . . . Rugby: George E. Over. 1890. Crown 8vo, original covers, uncut edges.

One of twenty large paper copies printed, in gold and green.

GALE, Norman.—Cricket Songs by Norman Gale. Methuen and Co., . . . London 1894. 8vo, half vellum, uncut edges.

No. 13 of fifteen copies printed on Japanese vellum paper.

GALE, Norman.—Here be Blue and White Violets from the garden wherein grew Meadowsweet. Rugby: printed by George E. Over. [1891] Crown 8vo, original covers, uncut edges.

One of twenty-five large paper copies printed, with etched frontispiece in two states, black and green; by Herbert Dicksee.

GALE, Norman.—Prince Redcheek. Printed by G. E. Over, at The Rugby Press. [1891] Post 8vo, original covers, uncut edges.

Fifty copies printed.

GALE, Norman.—Gorillas   Rugby   Printed by George E. Over, The Rugby Press. [1891] Post 8vo, original covers, uncut edges.

Sixty copies printed.

GALE, Norman.—A June Romance. Norman Gale. Rugby printed and published by George E. Over. [1892] 12mo, original covers, uncut edges.

One of twenty-three large paper copies printed.

GALE, Norman.—A Country Muse by Norman R. Gale. London David Nutt . . . [Rugby Press] 1892. 16mo, cloth, uncut edges.

Five hundred copies printed.

GALE, Norman.—A Country Muse. New Series by Norman R. Gale . . . London David Nutt . . . 1893. 8vo, half vellum, uncut edges.

One of seventy-five large paper copies printed.

GALE, Norman.—A Cotswold Village by Norman Gale   Fifteen copies privately printed at the Rugby Press June 1893. 8vo, original covers, uncut edges.

Presentation copy from the author, with autograph inscription.

GALE, HAYES, and LE GALLIENNE.—A Fellowship in Song Alfred Hayes [From Midland Meadows] Richard Le Gallienne [Nightingales] Norman Gale [A Verdant County] Rugby George E. Over . . . 1893. Post 8vo, original covers, uncut edges.

Large paper copy.

GALE, Norman.—Orchard Songs by Norman Gale. London. Elkin Mathews & John Lane . . . 1893. Post 8vo, vellum, uncut edges.

Special edition on hand-made paper, one hundred and fifty printed.

GALT, John.—The Autobiography of John Galt . . . London: Cochrane and M'Crone . . . 1833. 8vo, two volumes, half blue morocco, gilt back, gilt top, uncut edges.

Portrait of Galt by Graves after Irvine.

GAMBADO, Geoffrey.—See Bunbury, H.

GAMMER GURTON'S GARLAND: or, the Nursery Parnassus. A choice collection of pretty songs and verses, for the amusement of all little good children who can neither read nor run. London: printed for R. Triphook, . . . By Harding and Wright, . . . 1810. 8vo, tree calf, gilt back, gilt edges, by Rivière.

On the verso of the title is a note: "Parts I. and II. were first collected and printed by a literary gentleman deceased; who supposed he had preserved each piece according to its original idiom: an opinion not easily refuted, if worth supporting. Parts. III. and IV. are now first added."

GAMMER GURTON'S GARLAND.—See Ritson, Joseph.

GARCILASSO DE LA VEGA.—See Vega, Garcilasso de la.

GARDEN, Alexander.—Anecdotes of the Revolutionary War in America, with Sketches of Character of Persons the most distinguished, in the Southern States, for Civil and Military Services. By Alexander Garden. Charleston: Printed for the Author   1822. 8vo, brown calf, gilt back, gilt top, uncut edges, by Bedford.

GARDEN, Alexander.—Anecdotes of the American Revolution, illustrative of the Talents and Virtues of the Heroes and Patriots, who Acted the Most Conspicuous Parts therein. By Alexander Garden. Second Series. Charleston . . . A. E. Miller . . . 1828. 12mo, half red levant morocco, gilt back, gilt top, uncut edges, by Allô.

GARNETT, Richard, translator.—Iphigenia in Delphi a dramatic poem With Homer's "Shield of Achilles" and other Translations from the Greek by Richard Garnett . . . T. Fisher Unwin . . . London . . . MDCCCXC. 12mo, vellum, uncut edges.

No. 19 of thirty copies printed on Japan paper, with frontispiece.

GARNETT, Richard, editor.—Three hundred Notable Books added to the Library of the British Museum under the keepership of Richard Garnett 1890-1899   Printed by T. and A. Constable for the Editors and Subscribers   March M DCCC XCIX. Royal 8vo, half red morocco, gilt top, uncut edges.

Portrait and woodcuts.

GARRICK, David.—The Lying Valet; In Two Acts. As it is performed gratis, At The Theatre in Goodman's-Fields. By D. Garrick. London: Printed for and Sold by Paul Vaillant,. . . ; and J. Roberts, . . . 1742. (Price One Shilling.) 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition. Acted later at the Theatre Royal in Drury Lane. An alteration of "All without Money," the second of Motteux's five plays "The Novelty. Every Act a Play," 1697.

Half-title, title, and "Dramatis Personæ," three leaves, and B-H1 in fours.

GARRICK, David.—Lethe. A dramatic satire. By David Garrick. As it is Performed at the Theatre-Royal in Drury-Lane, By His Majesty's Servants. London: Printed for and Sold by Paul Vaillant, . . . M DCC XLIX. 8vo, brown morocco, gilt edges, lower ones uncut, by The Club Bindery.

First edition.

Half-title and title, and B-G2 in fours.

GARRICK, David.—The Gamesters: a comedy. Alter'd from Shirley. As it is Perform'd, By His Majesty's Servants, at the Theatre-Royal in Drury-Lane. London: Printed for J. and R. Tonson, . . . M DCC LVIII. . . . 8vo, morocco, by The Club Bindery.

First edition.

GARRICK, David.—The Farmer's Return from London. An Interlude. As it is Performed at the Theatre Royal in Drury-Lane. London: Printed by Dryden Leach, For J. and R. Tonson, in the Strand. MDCCLXII. 4to, brown levant morocco, gilt back and sides, gilt edges, by Zaehnsdorf.

First edition: frontispiece by James Basire after Hogarth. Written for Mrs. Pritchard's benefit. Garrick took the part of the Farmer.

Half-title, A1, title, A2, and B-D in twos.

GARRICK, David.—The Poetical Works of David Garrick, Esq. now first collected . . . with Explanatory Notes. London: Printed for George Kearsley, at Johnson's Head, Fleet-street, MDCCLXXXV. Small 8vo, two volumes, citron levant morocco, gilt back, gilt top, uncut edges, by Joly.

GARRICK, David.—The Dramatic Works of David Garrick, Esq. To which is prefixed a Life of the Author . . . London: Printed for A. Millar . . . MDCCXCVIII. 12mo, three volumes, calf, gilt back, gilt top, uncut edges, by Bedford.

Portrait of Garrick by W. Sharp, inserted, artist's proof.

GARRICK, David.—See Colman and Garrick.

GASKELL, Elizabeth Cleghorn Stevenson.—The Life of Charlotte Bronte . . . By E. C. Gaskell . . . London: Smith, Elder & Co., . . . 1857. Crown 8vo, two volumes, red levant morocco, gilt back, gilt top, uncut edges, by Champs.

First edition, with portrait by Armytage. Certain passages were afterwards suppressed because of statements challenged by persons concerned.

GASKELL, Elizabeth Cleghorn Stevenson.—Cranford [Knutsford] by Mrs. Gaskell with a Preface by Anne Thackeray Ritchie and illustrations by Hugh Thomson London Macmillan and Co. . . . 1891. Royal 8vo, buckram, uncut edges.

Large paper copy.

GAY, John.—The Present State of Wit, in a Letter to a Friend in the Country. London Printed in the Year, M DCC XI. (Price 3d.) Small 8vo, red straight-grain morocco, gilt fillets, by The Club Bindery.

First edition. The Letter is signed J. G. and dated Westminster, May 3, 1711. Contains half-title and Postscript, C4.

GAY, John.—The Wife of Bath. A comedy. As it is Acted at the Theatre-Royal in Drury-Lane, by Her Majesty's Servants. By Mr. Gay . . . London: Printed for Bernard Lintott, . . . MDCCXIII. 4to, half brown levant morocco.

First edition. A-I in fours, half-title on A1, title on A2.

GAY, John.—The Shepherd's Week. In six Pastorals. By Mr J. Gay . . . London, Printed: And Sold by Ferd. Burleigh . . . MDCCXIV. 8vo, red levant morocco, gilt fillets, gilt edges, by The Club Bindery.

First edition. Seven plates by Lud. Du Guernier.

GAY, John.—The Shepherd's Week. 1714. 8vo, citron levant morocco, gilt back, side panels, gilt edges, by The Club Bindery.

Large paper copy.

GAY, John.—Trivia: or the Art of Walking the Streets of London. By Mr. Gay . . . [device of crossed keys] London: Printed for Bernard Lintott, . . . [n. d.] 8vo, calf, gilt back, gilt edges, by Bedford.

First edition: large and thick paper copy.

Three head-piece vignettes by Gribelin, and the device of the publisher on the title-page. In the second edition, also n. d., the head-piece on the first page, the view of a London street, is substituted for the title device.

GAY, John.—Trivia. [n. d.] 8vo, calf, gilt back, gilt top, uncut edges, by Bedford.

Another issue of the first edition, and probably later, as the plates of the tail-pieces appear to be worn. For the three engraved vignettes by Gribelin on pages 1, 21, and 53—view of a London street, musical instruments, and Pegasus rising into the clouds—woodcut headbands are substituted, the first containing an eagle, the second two cherubs supporting a basket of flowers, the third flowers and foliage.

The title and letter-press of the two issues are identical, and the three errata on A2 verso are uncorrected.

GAY, John.—(I.) Two Epistles; One, to the Right Honourable Richard Earl of Burlington; The Other, to a Lady. By Mr. Gay. London, Printed for Bernard Lintot, . . . Price 6d. [n. d.] (II.) An Epistle to a Lady, Occaſion'd by the Arrival of Her Royal Highness the Princess of Wales. The Fifth Edition. London, Printed for Bernard Lintot, . . . [n. d.] 8vo, red straight-grain morocco, gilt fillets, gilt edges, by The Club Bindery.

A2-D2 in eights, and two leaves of advertisement, D3 and D4, title on A2.

GAY, John.—Poems on Several Occasions. By Mr. John Gay. . . . London: Printed for Jacob Tonson, . . . and Bernard Lintot, . . . M D CC XX. 4to, two volumes in one, red morocco, gilt fillets on the side, uncut edges, by The Club Bindery.

First edition, with frontispiece by W. Kent, and two other plates. The pagination is continuous.

GAY, John.—Poems on several occasions. By Mr. John Gay . . . London: Printed for J. and R. Tonson, . . . MDCCLXVII. 12mo, two volumes, red levant morocco, uncut edges, by The Club Bindery.

Large paper copy. Nine plates engraved by Fourdrinier and Isaac Taylor after the designs of Du Guernier.

GAY, John.—(I.) Fables. By Mr. Gay [mask vignette by P. F.] London: Printed for J. Tonson and J. Watts. MDCCXXVII. (II.) Fables. By the late Mr. Gay. Volume the Second. [vignette portrait] London: Printed for J. and P. Knapton, in Ludgate-Street; and T. Cox, under the Royal-Exchange. MDCCXXXVIII. 4to, two volumes, brown levant morocco, gilt back, side panels, gilt edges, by Rivière.

First edition.

Volume I contains a mask vignette on the title-page by Fourdrinier, an introductory vignette and vignettes to each Fable (50) by Fourdrinier, Van der Gucht, and others, from the designs of Kent and Wootton; Volume II has a frontispiece by Scotin, the monument of Gay, a vignette of Gay on the title-page by Scotin, and the illustrations (16) are full-page, by the same engraver after the designs of Gravelot.

GAY, John.—Fables by the late Mr. Gay. In one volume complete. London, Printed for J. and R. Tonson, &c. . . . MDCCLXVII. Crown 8vo, two parts in one volume, red levant morocco, uncut edges, by The Club Bindery.

Dedicated to William Duke of Cumberland. Frontispiece and sixty-seven other plates.

GAY, John.—Fables by John Gay. With a Life of the Author, and embellished with seventy plates. London: Printed for John Stockdale . . . 1793. Imperial 8vo, two volumes bound in one, green levant morocco, back and sides richly ornamented in gold and mosaic, gilt edges, by Rivière.

Twelve of the illustrations are by William Blake.

GAY, John.—Fables. 1793. Imperial 8vo, two volumes, citron levant morocco, gilt back and side panels, gilt top, uncut edges, by The Club Bindery.

Another copy, 10-15/16 inches tall.

GAY, John.—Fables by John Gay, with a Life of the Author, And embellished with a Plate to each Fable. [vignette] London Printed by Darton & Harvey, for F. & C. Rivington, . . . M DCC XCIII. 8vo, red morocco, gilt back, narrow side borders, gilt edges, by C. Lewis.

Large paper copy, with frontispiece by G. Neagle, title-vignette and thirty-four other plates, each with two illustrations, all proofs.

GAY and MOORE.—Fables by John Gay, in two parts; to which are added Fables by Edward Moore Paris, printed by P. Didot, the elder . . . [1800] 16mo, green vellum, uncut edges.

One of two copies printed on vellum: from the collection of Junot, Duc d'Abrantes.

GAY, John.—Fables by Mr. John Gay with a Memoir by Austin Dobson. London Kegan Paul, Trench & Co., . . . MDCCCLXXXII. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed, with a portrait.

GAY, John.—The Beggar's Opera. As it is Acted at the Theatre-Royal in Lincolns-Inn-Fields. Written by Mr. Gay . . . To which is Added, The Musick Engrav'd on Copper-Plates. London: Printed for John Watts, . . . MDCCXXVIII. [Price 1s. 6d.] 8vo, light brown levant morocco, gilt edges.

First authorized edition. Two leaves, B-D in eights, E, four leaves, F, one leaf, G and H, four leaves each.

GAY, John.—The Beggar's Opera. As it is Acted at the Theatre-Royal in Lincolns-Inn-Fields. Written by Mr. Gay . . . The Third Edition: With the Overture in Score, The Songs, and the Basses, (The Ouverture and Basses Compos'd by Dr. Pepusch) Curiously Engrav'd on Copper Plates. London: Printed for John Watts, . . . MDCCXXIX. 4to, light brown levant morocco, gilt back, gilt edges, by Rivière.

Text: A-I2 in fours, Musical score, A-E4 in fours, F, two leaves, and G, one leaf. Title printed in red and black on A1.

GAY, John.—Polly: an Opera. Being the second part of the Beggar's Opera. Written by Mr. Gay . . . London: Printed for the Author. MDCCXXIX. 4to, light brown levant morocco, gilt back, gilt edges, by Rivière.

First edition.

Title printed in red and black and A-K in fours. Musical score, A-D in fours.

GAY, John.—Achilles. an Opera. As it is Perform'd at the Theatre-Royal in Covent-Garden. [Two lines from Ovid, one from Horace] Written by the late Mr. Gay. With the Musick prefix'd to each Song. London: Printed for J. Watts . . . M DCC XXX III. Price One Shilling and Six Pence. 8vo, red levant morocco, gilt fillets, gilt top, uncut edges, by The Club Bindery.

First edition. Half-title, A1; title, A2; text, A3-A4 and B-F2 in fours, advertisements, F3-F4.

GAY, John.—Achilles in Petticoats. an opera. As it is performed at the Theatre-Royal, in Covent-Garden. . . . Written by Mr. Gay, with alterations. The Music entirely new by Dr. Arne. London, Printed for W. Strahan, T. Lowndes, T. Caslon, T. Becket, W. Nicoll, and R. Snagg. M DCC LXXIV. 8vo, red straight-grain morocco, gilt fillets, gilt edges, by The Club Bindery.

An alteration by George Colman of Gay's "Achilles," 1733. A-F3 in fours, F4 blank, half-title on A1, title on A2.

GAY, John.—The Diſtreſs'd Wife. A Comedy. By the late Mr. Gay, author of the Beggar's Opera. London: Printed for Thomas Astley, . . . 1743. 8vo, red morocco, uncut edges, by The Club Bindery.

First edition. A-L in fours, half-title on A1.

GAY, John.

Plays written by Mr. John Gay,
viz.
The Captives, a Tragedy.
The Beggar's Opera.
Polly, or, the Second Part of the Beggar's Opera.
Achilles, an Opera.
The Distress'd Wife, a Comedy.
The Rehearsal at Goatham, a Farce.

To which is added, An Account of the Life and Writings of the Author.

London: Printed for J. and R. Tonson, . . . M DCC LX. Crown 8vo, red levant morocco, uncut edges, by The Club Bindery.

First edition: with portrait.

GAY, John.—Plays written by Mr John Gay, viz. The Captives, a tragedy. The Beggar's Opera. Polly, or the Second Part of the Beggar's Opera. Achilles, an opera. The Distress'd Wife, a comedy. The Rehearsal at Gotham, a farce. To which is prefixed an Account of the Life and Writings of the Author. London: Printed for W. Strahan . . . MDCCLXXII. 12mo, calf, gilt back.

Second edition. Portrait, with quotation from Martial beneath it.

GAY, John.—The Miscellaneous Works of Mr John Gay. London. Printed for John Bell . . . MDCCLXXIII. 12mo, six volumes, sprinkled calf, gilt back, yellow edges, by Bedford.

Frontispiece engraved by Fourdrinier, portrait, etc. Sub-titles as follows:

Vol. I. Poems on Several Occasions. By Mr. John Gay, Lintot and Tonson, 1753.

II. The same, 1752.

IV. Plays written by Mr. John Gay. Life and a portrait. W. Strahan &c., 1772.

VI. Fables by the late Mr. Gay: 56 illustrations, W. Strahan, 1772.

GAY, John.—Gay's Chair. Poems, never before printed, written by John Gay, author of the Beggar's Opera, Fables, &c. with a sketch of his life, from the MSS. of the Rev. Joseph Baller his nephew. Edited by Henry Lee, author of Poetic Impressions, Caleb Quotem, &c. To which are added Two New Tales, the World, and Gossip, by the editor. London: Longman, . . . 1820. Small 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Bedford.

The original MS. of Baller's Life of Gay, and the commission as Lieutenant of Gay's elder brother Jonathan (signed by the Duke of Marlborough), are inserted in this volume, also MSS. of "The Maid's Petition" and "Answer to a Predestinarian," the former said to be in the handwriting of Gay.

GAY, John.—The Poetical Works of John Gay. With a Life of the Author by Dr. Johnson. Boston: Little, Brown and Company . . . M.DCCCLIV. 16mo, two volumes, green morocco, gilt back, gilt top, uncut edges, by Matthews.

Portrait of Gay in oval.

GAY, John.—The Poetical Works of John Gay. With a Memoir [by Samuel Johnson] Boston: Little, Brown, and Company 1866. 8vo, two volumes, green levant morocco, gilt back with purple mosaic, gilt top, uncut edges, by David.

No. 13 of one hundred copies printed on large paper.

Portrait of Gay, proof on India paper, and (inserted) a series of thirty-three outline illustrations engraved by Muss for an edition of Gay's Fables that was never published; also two portraits of Gay and ten other proof plates, one in four states.

GAY, John.—The Poetical Works of John Gay edited with a life and notes by John Underhill . . . London: Lawrence and Bullen . . . 1893. Post 8vo, two volumes, half vellum, gilt top, uncut edges.

Portrait. No. 96 of two hundred copies printed on large paper.

GAY, John.—See Pope, Alexander. Miscellaneous Poems. 1712. Swift, Jonathan. Miscellanies, 1742.

"GAY, Joseph."—See Breval, John Durant.

GAY, Sydney Howard.—See Bryant, William Cullen. 1876-1881.

GED, William.—Biographical Memoirs of William Ged; including a particular account of his progress in the Art of Block-Printing. London, printed by and for J. Nichols. MDCCLXXXI. 8vo, calf, gilt back.

First edition: edited by J. Nichols.

Ged was the inventor of stereotype printing in Great Britain, and his efforts to introduce the art brought nothing but ruin. Foules and Mack were engaged at the time on a similar plan, which they had to abandon.

GED, William.—Biographical Memoirs of William Ged; including a particular account of his progress in the art of Block Printing. Newcastle: printed by S. Hodgson, . . . M DCCC XIX. 8vo, russia, gilt back and sides, gilt top, uncut edges, by Matthews.

One hundred and sixty copies printed. Woodcut frontispiece-title. Edited by Thomas Hodgson.

GELL, Sir William and John P. Gandy.—Pompeiana: the Topography, Edifices, and Ornaments of Pompeii. By Sir William Gell . . . and John P. Gandy . . . London: printed for Rodwell and Martin 1817-1819. 4to, red levant morocco, gilt back panels, side corners, gilt edges, by F. Bedford.

Large paper copy of the First Series. The charming head-pieces are duplicated on separate sheets, proofs on India paper, the large plates are in two states, the unfinished etching and the finished plate, generally on India, and the frescoes are duplicated in colour.

GELL, Sir William.—Pompeiana: the Topography, Edifices and Ornaments of Pompeii, the Result of Excavations since 1819. By Sir William Gell . . . London: Jennings and Chaplin   MDCCCXXXII. 4to, two volumes, red levant morocco, gilt back panels, side corners, gilt edges, by F. Bedford.

Only twenty-five copies were printed in this form, and of these only a portion were absolutely perfected. The portrait and other engravings in this Second Series are in two states, both on India paper, the first being the engraver's etching before all letters.

GENERAL CASHIERED.—The General Caſhier'd: a Play, As Deſign'd for the Stage. Humbly Inſcrib'd to His Highneſs Prince Eugene of Savoy. London: Printed for J. Baker, . . . 1712. (Price 1s. 6d.) 4to, green levant morocco, gilt back, gilt edges, some lower ones uncut, by Zaehnsdorf.

First edition. A2-K3 in fours, title on A2.

GENEST, John.—Some Account of the English Stage, from the Restoration in 1660 to 1830. . . . Bath: printed by H. E. Carrington. . . . 1832. 8vo, ten volumes, original cloth, uncut edges.

GERMAN NOVELISTS, The.—See Roscoe, Thomas.

GESSNER, Salomon.—The Death of Abel in five books attempted From the German of Mr. Gessner. London, Publiſhed Jany. 7th. 1797. by T. Heptinstall . . . [Printed by C. Whittingham] Royal 8vo, boards, uncut edges.

Large paper copy, with portrait, engraved title, and four plates by Blackberd after Stothard.

Following "The Death of Abel" are "New Idyls, by S. Gessner. With a Letter to M. Fuslin, on Landscape Painting; and The Two Friends of Bourbon, a moral tale, by M. Diderot," with two plates, also by Blackberd after Stothard.

GHOST.—The Surprizing Appearance of a Ghost, With the Message he brought from the unseen and eternal World: being A brief Paraphrase and Improvement, (agreeable to our Time and Day) on the 4th. Chap. of Job, the 13th, 14th, 15th, 16th, 17th, 18th, 19th, 20th, & 21st Verses. viz. I. On the Appearance of a Spirit to Eliphaz. II. On the Holiness and Justice of God, and the Pride and Imperfection of Man: (Ver. 17.) III. On the Distrust of God towards his rational Creatures, more especially Man: (Ver. 18, 19.) IV. On the Destruction of Man, occasioned by Mortality: (Ver. 20.) V. On the Excellency of Man; and it's Defects, without true Wisdom: (Ver. 21) VI. A Poem on the Day of Judgment: VII. Another, on the transcendent Joys of Heaven. Boston: Printed by Fowle and Draper, . . . 1759. 12mo, brown levant morocco, gilt back and sides, uncut edges, in a blue levant morocco case, by Rivière.

GIBBON, Edward.—The History of the Decline and Fall of the Roman Empire. By Edward Gibbon. Oxford, Talbays and Wheeler; and William Pickering, London   MDCCCXXVII. Royal 8vo, eight volumes, red levant morocco, Janseniste, gilt over uncut edges, by Brany.

One of fifty large paper copies, with proof portraits and frontispieces added.

GIBBONS, Thomas.—Britannia's Alarm: a poem, Occaſioned by the Present Rebellion. To which is added, a Fable of the Vine and Bramble. By Thomas Gibbons. . . . London: Printed for R. King, . . . J. Buckland, and M. Cooper . . . and M. Marshal . . . M DCC XLV. . . . Small 8vo, paper wrappers, by The Club Bindery.

First edition, with half-title. Presentation copy from the author, with inscription on the title-page.

GIBBONS, Thomas.—An Elegy on the Death Of the Reverend Mr. Peter Goodwin, who departed this life November 27, 1747. in the LXIVth year of his Age. By Thomas Gibbons. . . . London: Printed for J. Oswald, . . . M dcc xlviii. Small 8vo, paper wrappers, by The Club Bindery.

Title in a mourning border, and mourning bands at the beginning and end of the poem.

GIBSON, Strickland.—Early Oxford Bindings by Strickland Gibson [40 plates] Printed for the Bibliographical Society at the Oxford University Press January 1903. 4to, original paper covers, uncut edges.

GIFT, The.—See Leslie, Eliza.

GILBERT, Davies, editor.—Some Ancient Christmas Carols, with the tunes to which they were formerly sung in the West of England. Collected by Davies Gilbert, . . . London: printed by John Nichols and Son, . . . 1822. 8vo, half olive morocco, gilt top, uncut edges. Bound with Hone's "Ancient Mysteries" and one other work.

First edition.

GILBERT, Josiah.—Cadore or Titian's Country. By Josiah Gilbert, . . . London: Longmans, Green, and Co. 1869. Imperial 8vo, cloth, uncut edges.

Thirty-five plates and nine woodcuts in the text.

GILCHRIST, Alexander.—Life of William Etty, R. A. By Alexander Gilchrist, . . . London: David Bogue, . . . MDCCCLV. Small 8vo, two volumes, original cloth, uncut edges.

GILCHRIST, Alexander.—Life of William Blake, "pictor ignotus." With selections from his poems and other writings by the late Alexander Gilchrist, . . . illustrated from Blake's own works, in facsimile by W. J. Linton, and in photolithography; with a few of Blake's original plates. London. . . : Macmillan and Co. 1863. 8vo, two volumes, cloth, uncut edges.

First edition.

GILCHRIST, Alexander.—Life of William Blake with selections from his poems and other writings by Alexander Gilchrist . . . a new and enlarged edition illustrated from Blake's own works with additional letters and a memoir of the author . . . London Macmillan and Co. 1880. 8vo, two volumes, cloth, uncut edges.

In this edition the full-page illustrations are printed on India paper.

GILLISS, Walter.—The Story of a Motto and a Mark   being a brief sketch of a few printers' "marks" and containing the facts concerning the mark of the Gilliss Press   by Walter Gilliss. New York The Gilliss Press   M C M II. 12mo, vellum boards, uncut edges.

One of twelve copies printed on French vellum paper. Presentation copy from the author.

GILLMAN, James.—The Life of Samuel Taylor Coleridge. By James Gillman. London, William Pickering   1838. 8vo, red levant morocco, back panels in gilt and blue mosaic, gilt top, uncut edges, by Champs.

Only Volume I was published.

GIOVANNI.—The Pecorone of Ser Giovanni now first translated into English by W. G. Waters illustrated by E. R. Hughes, . . . London: Laurence and Bullen, . . . M DCCC XC VII. 4to, half vellum, uncut edges.

No. 55 of one hundred and ten copies printed on Japanese vellum, with twelve plates.

GLANVILLE, John.—Variety; or Poetical Prolusions. By John Glanville . . . London: printed for the author, by G. Sidney . . . 1811. 8vo, boards, uncut edges.

The author in his preface states that the best of this "variety" is from "the glowing pen of Mr. Samuel Blake Frome." A frontispiece is prefixed.

GLOVER, Richard.—Leonidas, a poem, by Richard Glover. Adorned with plates. . . . The sixth edition. London: Printed by T. Bensley; for F. J. Du Roveray, . . . 1798. 8vo, two volumes, green levant morocco, gilt fillets on the back, side borders, gilt top, uncut edges, by The Club Bindery.

Large paper copy.

Frontispiece-portrait by Fittler from a drawing by Burney after a portrait by Hone, with proof on India paper added, and six other plates, by Bartolozzi after W. Hamilton, Delatre after Burney, and J. Neagle, Holloway, and J. Heath after Stothard, with proofs of the Bartolozzi and Holloway engravings added. Five other plates have been inserted, two by P. W. Tomkins after Tresham, both of them in three states; two by C. Warren after J. Thurston, two states; and one by Smith after Thurston, in two states.

GODWIN, Mary Wollstonecraft.—A Vindication of the Rights of Woman: with Strictures on political and moral Subjects. By Mary Wollstonecraft. London: printed for J. Johnson . . . 1792. 8vo, half brown levant morocco, gilt back, gilt top, uncut edges, by Bedford.

First edition. Two portraits of the author are inserted, one a proof on India paper, by Heath after Opie.

GODWIN, Mary Wollstonecraft.—Défense des Droits des Femmes, suivie de quelques Considérations sur des sujets politiques et moraux. Ouvrage traduit de l'Anglais de Mary Wollstonecraft . . . A Paris, chez Buisson . . . 1792. 8vo, half brown levant morocco, gilt back, gilt top, uncut edges.

GODWIN, Mary Wollstonecraft.—Original Stories, from real life; with conversations, calculated to regulate the affections, and form the mind to truth and goodness. London: Printed for J. Johnson, . . . M. DCC. LXXXVIII. 12mo, brown straight-grain morocco, gilt back, side corners, gilt edges, by The Club Bindery.

First edition.

GODWIN, Mary Wollstonecraft.—Original Stories from Real Life; with Conversations, calculated to Regulate the Affections, and form the mind to truth and goodness. By Mary Wollstonecraft. A new edition. London: printed for J. Johnson, . . . 1796. 12mo, half brown morocco, gilt back, gilt top, uncut edges.

Illustrated with six plates designed and engraved by William Blake.

GODWIN, Mary Wollstonecraft.—Maria, ou le malheur d'être femme, ouvrage posthume de Mary Wollstonecraft Godwin: imité de l'anglais par B. Ducos. A Paris, Chez Maradan, . . . An VI-1798. 12mo, half green levant morocco, gilt back, gilt top, uncut edges.

GODWIN, Mary Wollstonecraft.—Posthumous Works of the Author of a Vindication of the Rights of Woman . . . London: Printed for J. Johnson, . . . and G. G. and J. Robinson, . . . 1798. Small 8vo, four volumes, half blue morocco, gilt back, gilt top, uncut edges.

GODWIN, Mary Wollstonecraft.—A Defence of the Character and Conduct of the late Mary Wollstonecraft Godwin, founded on principles of Nature and Reason, as applied to the peculiar circumstances of her case; in a series of letters to A Lady . . . London: printed for James Wallis, . . . By Slatter and Munday, Oxford. 1803. Small 8vo, half brown morocco, gilt back, gilt top, uncut edges.

GODWIN, William.—Memoirs of the Author of a Vindication of the Rights of Woman. By William Godwin. London: printed for J. Johnson, . . . and G. G. and J. Robinson, . . . 1798. Small 8vo, green straight-grain morocco, gilt back, side panels, gilt top, uncut edges, by The Club Bindery.

Portrait of Mary Wollstonecraft Godwin by Heath after Opie.

GODWIN, William.—Mandeville. A Tale of the Seventeenth century in England. By William Godwin. . . . In three volumes. . . . Edinburgh: printed for Archibald Constable and Co. and Longman, Hurst, Rees, Orme, and Brown, London. 1817. 12mo, three volumes, half brown levant morocco, gilt back, brown figured silk sides, gilt top, uncut edges, by The Club Bindery.

First edition. The dedication to John Philpot Curran is dated October 25, 1817.

GOETHE, Johann Wolfgang von.—Faustus, A Dramatic Mystery; the Bride of Corinth; the First Walpurgis Night. Translated from the German of Goethe, and illustrated with notes, by John Anster, . . . London: printed for Longman, Rees, Orme, Brown, Green, & Longman, . . . 1835.[-1864.] Crown 8vo, two volumes, calf, gilt back, gilt edges, by F. Bedford.

GOETHE, Johann Wolfgang von.—(I.) Faust: A Tragedy, By J. Wolfgang von Goethe. Translated into English verse By J. Birch . . . [Embellished with twenty-nine engravings on steel, after Moritz Retszch.] London: Black and Armstrong. . . . MDCCCXXXIX. (II.) Faust: a tragedy, in two parts, . . . The second part. Translated into English verse, By Jonathan Birch, . . . Embellished with eleven engravings on steel, By John Brain, after Moritz Retszch. London: Chapman and Hall, . . . MDCCCXLIII. Royal 8vo, original cloth, uncut edges.

GOETHE, Johann Wolfgang von.—Faust: a dramatic poem, by Goethe. Translated into English verse by Theodore Martin. William Blackwood and Sons, Edinburgh and London. [Whittingham Press.] MDCCCLXV. Crown 8vo, cloth, uncut edges.

GOETHE, Johann Wolfgang von.—Reynard the Fox after the German version of Goethe by Thomas James Arnold . . . London, Nattali and Bond, . . . 1855. 8vo, citron morocco, back and sides covered with tooling in a geometrical design, gilt edges, by Bedford.

Engraved frontispiece-title, with the imprint, "William Pickering, 1853," and twelve steel plates after the designs of Joseph Wolf.

GOETHE, Johann Wolfgang von.—Poems and Ballads of Goethe. Translated by W. Edmondstoune Aytoun, D.C.L. and Theodore Martin. Second Edition William Blackwood and Sons: Edinburgh . . . MDCCCLX. Post 8vo, calf, gilt back.

GOETHE, Johann Wolfgang von.—[First page] Goethe's Helena. Translated by Theodore Martin. [n. p., n. d.] Crown 8vo, half brown straight-grain morocco, gilt top.

Thirty-one pages of text, with no title-page, date, or place of publication. Presentation copy from the Translator, with inscription on the first page.

GOLDSMITH, Oliver, translator.—The Memoirs of a Protestant, Condemned to the Galleys of France, For His Religion. Written by Himself. Comprehending an Account of the various Diſtreſſes he ſuffered in Slavery; and his Conſtancy in ſupporting almoſt every Cruelty that bigotted zeal could inflict or Human Nature ſuſtain; alſo a Deſcription of the Galleys, and the Service in which they are employed. The Whole interſperſed with Anecdotes relative to the General Hiſtory of the Times, for a Period of Thirteen Years; during which the Author continued in Slavery, 'till he was at laſt ſet free, at the Interceſſion of the Court of Great Britain. In two volumes. . . . Tranſlated from the Original, juſt publiſhed at the Hague, By James Willington. [Oliver Goldsmith] London: Printed for R. Griffiths, . . . and E. Dilly, . . . M. DCC. LVIII. 12mo, two volumes, blue levant morocco, gilt back, gilt edges, by The Club Bindery.

These are the Memoirs of Jean Marteilhe of Bergerac. Goldsmith took the name of James Willington, an old classmate at Trinity College, from "prudential motives," and the book is actually a translation.

Inserted is a receipt dated Jan. 11, 1758, and signed Oliver Goldsmith, to the effect that he received of Mr. Edward Dilly £6. 13. 4 for his third share of Goldsmith's translation of the book.

GOLDSMITH, Oliver.—The Bee. Being Essays on the most Interesting Subjects . . . London: Printed for J. Wilkie, . . . MDCCLIX. Small 8vo, brown levant morocco, gilt back, gilt top, by Ramage. Bound with Dodsley's "Œconomy of Human Life."

First edition, issued in eight numbers, from October 6 to November 24, 1759.

GOLDSMITH, Oliver.—An Enquiry into the present state of Polite Learning in Europe. [vignette] London:   Printed for R. and J. Dodsley, . . . M.DCC.LIX. Small 8vo, red niger skin, gilt back, wide side borders, uncut edges, by The Club Bindery.

First edition, entirely uncut. Inserted is an autograph letter from Goldsmith to John Dodsley, dated Gray's Inn, March 10, 1764, and asking for ten guineas "as a favour."

GOLDSMITH, Oliver.—An Enquiry into the present state of Polite Learning in Europe. By Oliver Goldsmith, M.B. The second edition, Reviſed and Corrected. London: Printed for J. Dodsley, . . . M DCC LXXIV. 8vo, red niger skin, gilt back, wide side borders, uncut edges, by The Club Bindery.

GOLDSMITH, Oliver.—The Mystery Revealed; Containing a Series of Transactions and Authentic Testimonials, Respecting the supposed Cock-Lane Ghost; Which have hitherto been concealed from the Public . . . London: Printed for W. Bristow, . . . MDCCXLII. [MDCCLXII] 8vo, brown levant morocco, gilt back, rich side ornaments, gilt edges, by Chambolle-Duru.

First edition. The date 1742 is a typographical error; it should be 1762, the LX being transposed. Forster, in his Life of Goldsmith, states that this pamphlet "has not survived"—a sufficient proof of its rarity.

GOLDSMITH, Oliver.—The Art of Poetry on a new plan: Illuſtrated with a great Variety of Examples from the beſt English Poets; and of Translations from the Ancients: Together with ſuch Reflections and critical Remarks as may tend to form in our Youth an elegant Taste, and render the Study of this Part of the Belles Lettres more rational and pleaſing. London: Printed for J. Newbery, . . . M dcc lxii. 12mo, two volumes, calf, gilt and mosaic back, gilt top, uncut edges, by Bedford.

First edition. Frontispiece engraved by Ant. Walker.

GOLDSMITH, Oliver.—The Life of Richard Nash, Of Bath, Eſq; Extracted principally from His Original Papers. . . . London: Printed for J. Newbery, . . . and W. Frederick, at Bath. MDCCLXII. 8vo, maroon levant morocco, gilt back, side panels, doubled with blue morocco, wide borders of architectural design, gilt top, uncut edges, by Meunier.

Portrait by A. Walker after a painting by Hoare, and two final leaves of advertisement.

Not republished in the Miscellaneous Works.

GOLDSMITH, Oliver.—The Citizen of the World; or Letters from a Chinese Philosopher, Reſiding in London, to his Friends in the East. . . . London: Printed for the Author; and Sold by J. Newbery and W. Bristow, in St. Paul's Church-yard; J. Leake and W. Frederick, at Bath; B. Collins, at Saliſbury; and A. M. Smart and Co. at Reading. M DCC LXII. 12mo, two volumes, blue levant morocco, gilt and mosaic back, side borders and centre ornaments, doubled with blue silk, gilt borders, silk guards, uncut edges, by The Club Bindery.

Presumably the first issue of the first edition, "Printed for the Author." These letters were first published in the "Ledger."

GOLDSMITH, Oliver.—The Citizen of the World; or Letters from a Chinese Philosopher, Reſiding in London, to his Friends in the East. . . . London: Printed for J. Newbery, . . . MDCC LXII. 12mo, two volumes, brown morocco, gilt edges, by The Club Bindery.

Presumably the second issue of the first edition. The same sheets as the first issue, with a new title-page.

[GOLDSMITH, Oliver.]—The History of England, in a series of letters from a nobleman to his son. . . . London, Printed for J. Newbery, . . . M DCC LXIV. 12mo, two volumes, red straight-grain morocco, gilt edges, by The Club Bindery.

Sometimes attributed to the Earl of Orrery and to George Lord Lytelton.

GOLDSMITH, Oliver.—The History of England, from The Earliest Times to the Death of George II. By Dr. Goldsmith. . . . London, Printed for T. Davies, . . . M DCC LXX I. 8vo, four volumes, red morocco, uncut edges, by The Club Bindery.

First edition.

GOLDSMITH, Oliver.—The Traveller, or a Prospect of Society. A Poem. Inscribed to the Rev. Mr. Henry Goldsmith. By Oliver Goldsmith, M.B. London: Printed for J. Newbery, in St. Paul's Church-yard. MDCCLXV. 4to, light green levant morocco, gilt back, gilt edges, by Bedford.

First edition.

Collation: Half-title, A1 (verso blank). Title, A2 (verso blank). "To the Rev. Henry Goldsmith," signed "Your moſt affectionate Brother," a1-a2. Pages i-iv. Poem, B1-G1 in twos. Pages 1-22. Advertisement, G2.

GOLDSMITH, Oliver.—The Traveller. 1765. 4to, citron levant morocco, gilt and mosaic back, scroll border of green and red mosaic on the sides, foliage and pointillé tooling, doubled with citron morocco, yellow figured silk guards, gilt edges, by The Club Bindery.

Another copy of the first edition, with inserted portrait of Goldsmith after Sir Joshua Reynolds.

GOLDSMITH, Oliver.—The Traveller, or a Prospect of Society. A Poem. Inscribed to the Rev. Mr. Henry Goldsmith. By Oliver Goldsmith, M. B. The second edition. London: Printed for J. Newbury, in St. Pauls Church-yard. M DCC LXV. 4to, green levant morocco, side borders, doubled with green morocco, uncut edges, by The Club Bindery.

This is not a new issue of the date 1765, but a new edition. The type is lighter faced, and occasional changes of phraseology occur, e.g., line 12, page 3, in the first edition, "Amidſt the ſtore, 't were thankleſs to repine" here reads "Amidſt the ſtore, ſhould thankleſs pride repine?"

On the half-title is the inscription, "with the Author's best esteem."

Collation: Half-title, A1 (verso blank). Title, A2 (verso blank). Dedication, a1-a2. Poem, B1-G2 (verso blank) in twos. Pages 1-23.

GOLDSMITH, Oliver.—Essays. By Mr. Goldsmith. Collecta revireſcunt. [vignette] London: Printed for W. Griffin in Fetter Lane, M DCCLXV. 12mo, Spanish calf, gilt back, gilt edges, by Bedford.

One of two editions printed in 1765, with engraved title-page.

Collation: Title designed and engraved by Isaac Taylor, one leaf (verso blank). Preface, A1-A4. (verso blank). Text, twenty-seven Essays, B1-L10 in twelves. Pages 1-236.

GOLDSMITH, Oliver.—Essays. By Mr. Goldsmith. Collecta revireſcunt. London: Printed for W. Griffin, in Fetter-Lane. MDCCLXV. 12mo, red levant morocco, gilt back, gilt edges, partly untrimmed, by Rivière.

Portrait, engraved by Scott, inserted. One of two editions printed in 1765. The Preface occupies one leaf instead of four, as in the preceding edition, and the signatures are in sixes instead of twelves. The type throughout is smaller, making the text occupy 187 pages instead of 236.

Collation: Title with woodcut ornament of two horns of plenty, between which is a face surrounded by rays of light, one leaf (verso blank). Preface, one leaf. Text, twenty-seven Essays, B1-R4 (verso blank) in sixes. Pages 1-187.

GOLDSMITH, Oliver.—Essays by Mr. Goldsmith. Collecta revirescunt. London. Printed for I. & F. Rivington, . . . MDCCLXXV. 12mo, orange levant morocco, Janseniste, gilt top, uncut edges, by Smith-Mansell.

Engraved title-page.

GOLDSMITH, Oliver.—The Vicar of Wakefield: a tale. Supposed to be written by Himself . . . Salisbury: Printed by B. Collins, For F. Newbery, in Pater-Noster-Row, London. MDCCLXVI. 12mo, two volumes, original calf, gilt back, side border.

First edition; the second was printed in London in the same year.

Presentation copy "from the Author."

GOLDSMITH, Oliver.—The Vicar of Wakefield. A Tale . . . By Dr. Goldsmith . . . London: printed by Sammells and Ritchie, for E. Harding, . . . and J. Good, . . . MDCCXCII. 8vo, red levant morocco, gilt back and sides, gilt top, uncut edges, by Rivière.

Three inserted portraits of Goldsmith and six plates by Stothard, all proofs.

GOLDSMITH, Oliver.—The Vicar of Wakefield; a tale, by Doctor Goldsmith. Illustrated with twenty-four [coloured] designs, by Thomas Rowlandson . . . London: published by R. Ackermann, . . . 1823. Royal 8vo, red levant morocco, gilt back, gilt edges, by Cuzin.

GOLDSMITH, Oliver.—The Vicar of Wakefield. A tale. By Oliver Goldsmith, M.D. With [2] illustrations by George Cruikshank. . . . London: James Cochrane and Co., . . . 1832. Post 8vo, half maroon levant morocco, gilt top, uncut edges, by V. Krafft.

Portrait by Freeman after Sir Joshua Reynolds.

GOLDSMITH, Oliver.—The Vicar of Wakefield. By Oliver Goldsmith. With thirty-two illustrations, by William Mulready, . . . London: John Van Voorst . . . MDCCCXLIII. Small 4to, cloth, uncut edges.

GOLDSMITH, Oliver.—The Vicar of Wakefield. 1843. Small 4to, blue levant morocco, rich gilt back and sides, doubled with red morocco, wide dentelle borders, gilt over uncut edges, by Bedford.

Another copy, extra-illustrated by the insertion of a duplicate set of the Mulready illustrations, engraved by Thompson, proofs on India paper, Stothard's plates (proofs), the Johannot plates (India proofs), etc., seventy-seven inserted plates in all, the majority proof impressions.

GOLDSMITH, Oliver.—The Vicar of Wakefield. by Oliver Goldsmith. With thirty-two illustrations, by William Mulready, R. A. London: John van Vorst, . . . MDCCCLV. 4to, green levant morocco, gilt back, gilt top, uncut edges, by Rivière.

GOLDSMITH, Oliver.—The Vicar of Wakefield a Tale. By Oliver Goldsmith. Illustrated by George Thomas. London: published for Joseph Cundall MDCCCLV. 8vo, red morocco, gilt back and sides, gilt edges, by Hayday.

Forty woodcut illustrations, and numerous head-pieces, etc., by T. Macquoid.

GOLDSMITH, Oliver.—Le Vicaire de Wakefield . . . par Goldsmith, traduit en Français avec le texte Anglais en regard, par Charles Nodier . . . précédé d'une Notice par le même sur la vie et les ouvrages de Goldsmith, et suivi de quelques Notes. Paris, Bourgueleret . . . 1858. 8vo, blue calf, gilt back and sides, gilt edges, by Bauzonnet.

Portrait of Goldsmith and ten plates by Tony Johannot, proofs before letters, also numerous woodcut illustrations.

GOLDSMITH, Oliver.—The Vicar of Wakefield. By Oliver Goldsmith. New York: Frank H. Dodd, . . . 1865. 16mo, half blue straight-grain morocco, gilt top, uncut edges.

GOLDSMITH, Oliver.—Le Vicaire de Wakefield par Olivier Goldsmith. Traduction de M. Aignan revue par Rémond. Illustrations anglaises par M. Georges Thomas. Fleurons et vignettes par M. Macquoid. Paris, Delarue [n. d.] Square 8vo, green morocco, gilt back and sides, gilt edges.

Printed on rose-tinted paper.

GOLDSMITH, Oliver.—The Vicar of Wakefield By Oliver Goldsmith with prefatory memoir by George Saintsbury And One Hundred and fourteen Coloured Illustrations [coloured vignette] London John C. Nimmo . . . 1886. 8vo, blue levant morocco, gilt back, gilt top, by Stikeman.

Extra-illustrated by the insertion of a portrait, proof before letters, and eleven plates, including the series by A. Revel after Tony Johannot.

GOLDSMITH, Oliver.—The Vicar of Wakefield By Oliver Goldsmith with a Preface by Austin Dobson and Illustrations by Hugh Thomson   London Macmillan & Co . . . MDCCCXC. Royal 8vo, buckram, uncut edges.

Large paper copy of the first issue, with the suppressed woodcut on page 95.

GOLDSMITH, Oliver.—The Beauties of English Poesy. Selected by Oliver Goldsmith . . . London: Printed for William Griffin, . . . 1767. 12mo, two volumes, blue levant morocco, gilt back and sides, gilt edges, by Smith-Mansell.

First edition.

GOLDSMITH, Oliver.—The Good Natur'd Man: a Comedy. As Performed at the Theatre Royal in Covent-Garden. By Mr. Goldsmith. London: Printed for W. Griffin . . . MDCCLXVIII. 8vo, green levant morocco, gilt back, side borders, gilt top, uncut edges, by Rivière.

First edition. Title, Preface, and Prologue by Dr. Johnson, three leaves. Text, B-L1 in fours, Epilogue, L2.

GOLDSMITH, Oliver.—The Roman History, From the Foundation of the City of Rome, To the Destruction of the Western Empire. By Dr. Goldsmith. . . . London: Printed for S. Baker and G. Leigh, &c. . . . M DCC LXIX. 8vo, two volumes, red morocco, uncut edges, by The Club Bindery.

First edition.

GOLDSMITH, Oliver.—The Life of Henry St. John, Lord Viscount Bolingbroke. London: Printed for T. Davies, . . . 1770. 8vo, red niger skin, gilt back, side panels, doubled with olive silk, silk guards, uncut edges, with the original blue wrappers bound in, by The Club Bindery.

First edition.

GOLDSMITH, Oliver.—The Life of Thomas Parnell, D. D. Archdeacon of Clogher. Compiled from original papers and memoirs: in which are included several letters Of Mr. Pope, Mr. Gay, Dr. Arbuthnot, &c. &c. By Dr. Goldsmith. London: Printed for T. Davies, . . . M DCC LXX. 8vo, red levant morocco, gilt back, side borders, gilt edges, by The Club Bindery.

First edition.

GOLDSMITH, Oliver.—The Deserted Village, a poem. By Dr. Goldsmith. London: Printed for W. Griffin, at Garrick's Head, in Catharine-ſtreet, Strand. . . . MDCCLXX. Small 8vo, boards, uncut edges, in brown levant morocco case, gilt back, floral ornament on the sides.

Second issue of the first octavo edition, with the misprint "head," page 9, line 1, corrected to "hand."

The poem was issued in two sizes in 1770, octavo and quarto, but it cannot be absolutely determined which was the first edition. The former is without question by far the rarer, and as there is an issue of this edition containing the misprint "head," which is not found in the quarto, it is fair to suppose that the octavo is the earlier.

Collation: Half-title, "The Deserted Village," A1 (verso blank). Title, A2 (verso blank). Dedication to Sir Joshua Reynolds, A3. Text, A4-B6 in sixes. Pages i-vi. and 7-24.

GOLDSMITH, Oliver.—The Deserted Village, a poem. By Dr Goldsmith. London: Printed for W. Griffin, at Garrick's Head, in Catharine-ſtreet, Strand. M DCC LXX. Small 8vo, green levant morocco, rich gilt back and wide side borders, doubled with green morocco, borders, green silk guards, uncut edges, with the original wrappers bound in, by The Club Bindery.

Another 8vo edition of 1770, entirely reset, with larger type and different ornaments. The type on the title-page is much narrower faced, the period after "poem" is raised above the line, and there is no period after "Dr." The dedication is preceded by a band of small printer's ornaments, terminating at each side in a fleur-de-lis. In the other edition, two parallel lines, the upper one the heavier, precede the dedication. As in the other edition, the misprint "head," page 9, line 1, is corrected to "hand."

Collation: The same as the preceding edition.

GOLDSMITH, Oliver.—The Deserted Village, a poem. By Dr. Goldsmith [vignette "The sad historian of the pensive plain," by Isaac Taylor] London: Printed for W. Griffin, at Garrick's Head, in Catharine-ſtreet, Strand. M DCC LXX. 4to, blue levant morocco, gilt and mosaic back, sides decorated with interlaced mosaic ribbon design in compartments, doubled with blue morocco, borders, red silk guards, uncut edges, by The Club Bindery.

An unusually large and entirely uncut copy of the first quarto edition. The misprint "head," page 3, line 7, is corrected to "hand."

Collation: Half-title, "The Deserted Village. [Price 2s.]," A1 (verso blank). Title, with vignette, A2 (verso blank). Dedication to Sir Joshua Reynolds, A3-A4 (verso blank). Text, B1-B4 and D1-G2 (verso blank) in twos. Pages 1-23.

GOLDSMITH, Oliver.—The Deserted Village. 1770. 4to, green levant morocco, gilt back, side borders, doubled with green morocco, borders, silk guards, gilt edges, by The Club Bindery.

Another copy, somewhat taller than the preceding.

GOLDSMITH, Oliver.—The Deserted Village. By Oliver Goldsmith. Illustrated by the Etching Club. London: published for Joseph Cundall . . . MDCCCLVII. Small 4to, green morocco, gilt back and side panels, gilt edges, by Hayday.

Thirty-five woodcut illustrations, drawn from the original etchings by E. K. Johnson, and engraved by Harral, Bolton, and Cooper.

GOLDSMITH, Oliver.—She Stoops to Conquer: or, The Mistakes of a Night. A Comedy. As it is acted at the Theatre-Royal in Covent-Garden. Written by Doctor Goldsmith. London: Printed for F. Newbery . . . MDCCLXXIII. 8vo, citron levant morocco, gilt back, doubled with citron morocco with rich gold frame, gilt over rough edges, by Chambolle-Duru.

First issue of the first edition, with the numerous errors in pagination and the absence of Diggory (Mr. Saunders) from the Dramatis Personæ.

Collation: Title, A1 (verso blank). Dedication "To Samuel Johnson, LL D," signed "Your moſt ſincere friend, And admirer, Oliver Goldsmith," A2 recto. Prologue by David Garrick, A2 verso and A3 recto. Epilogue by Goldsmith, A3 recto and verso. Epilogue by J. Craddock, A4 (verso Dramatis Personæ). Text, B1-P1 in fours. Pages 1-74 (65 misprinted 56), 83, 68-69, 86-87, 72-73, 90-91, 76-77, 94-95, 80, and 97-114.

GOLDSMITH, Oliver.—She Stoops to Conquer: or The Mistakes of a Night. A Comedy. As it is acted at the Theatre-Royal in Covent-Garden. Written by Doctor Goldsmith. London: Printed for F. Newbery, in St. Paul's Church-Yard. MDCCLXXIII. 8vo, blue levant morocco, gilt back, gilt edges, by Rivière.

Second issue of the first edition, with the pagination corrected.

The title-page and text are the same sheets as in the first issue, but the preliminary matter has been reset, possibly also the Epilogue, and Diggory's name added to the Dramatis Personæ, from which it was omitted by mistake in the first issue.

Collation: Title, one leaf (verso blank). Dedication to Dr. Johnson, Prologue, Epilogue, and Dramatis Personæ, two leaves. Text, B1-P1 in fours. Epilogue, P2 (verso blank). Pages 1-106, last leaf unnumbered.

GOLDSMITH, Oliver.—Retaliation: a poem. By Doctor Goldsmith. including epitaphs on the most Diſtinguiſhed Wits of this Metropolis. [vignette portrait of Goldsmith] London: Printed for G. Kearsly, . . . M. DCC. LXXIV. 4to, red levant morocco, gilt back, side borders, gilt edges, by Rivière.

First edition: published posthumously.

In the first collected edition of the "Poems and Plays," 1777, the following note appears on the verso of the half-title of this poem:

"Dr. Goldsmith and ſome of his friends occaſionally dined at the St. James's coffee-houſe.—One day it was propoſed to write epitaphs on him. His country, dialect, and perſon, furniſhed ſubjects of witticiſm. He was called on for Retaliation, and at their next meeting, produced the following poem."

Collation: Half-title, A1 (verso blank). Title with medallion portrait, A2 (verso blank). "To Mr. Kearsly, Book-seller, in Fleet-Street," B1-B2 (verso blank). Pages i-iii. Text, C1-E2 in twos. Pages 1-16.

GOLDSMITH, Oliver.—A Survey of Experimental Philosophy, Conſidered in its present state of improvement.   Illustrated with cuts. . . . By Oliver Goldsmith, M.B. London: Printed for T. Carnan and F. Newbery . . . MDCCLXXVI. 8vo, two volumes, red levant morocco, Janseniste, uncut edges, by The Club Bindery.

First edition: with twenty-four plates engraved by Proud.

GOLDSMITH, Oliver.—The Haunch of Venison, a poetical epistle to Lord Clare. By the late Dr. Goldsmith. With a Head of the Author, Drawn by Henry Bunbury, Eſq; and Etched by Bretherton. London: Printed for J. Ridley, . . . and G. Kearsly, . . . MDCCLXXVI. 4to, green levant morocco, gilt and mosaic back, side panels in ribbon and foliage designs of blue, brown, citron, and ivory mosaic, doubled with green morocco, gilt and mosaic borders, vellum guards, uncut edges, by The Club Bindery.

First edition: with half-title and etched portrait.

GOLDSMITH, Oliver.—Poems and Plays, by Oliver Goldsmith, M. B. To which is prefixed, the Life of the Author. Printed for Wm. Wilson Bookſeller & Stationer at Homer's head No. 6 Dame Street the Corner of Palace Street, Dublin. M,DCC,LXXVII. Small 8vo, red levant morocco, gilt back, side borders, gilt edges, by The Club Bindery.

First collected edition. Thomas Jolley's copy, with his book-plate, and a manuscript note, "given me by Edmd. Malone Esq: Thos. Jolley—1811." All the text of imprint on the title-page, except the date, is in an oval vignette. Preceding the Life by W. Glover is a medallion portrait of Goldsmith by Esdall. A plate illustrating "She Stoops to Conquer" has been inserted.

The date on the half-title of "The Deserted Village" should be 1770 instead of 1769, and that of "She Stoops to Conquer," 1773 instead of 1772.

Collation: Title with vignette, one leaf (verso blank). Contents, one leaf (verso blank). Life by Glover, B1-B5. W. Woty's Epitaph on the death of Goldsmith, B6 (verso blank). Pages i.-xi. Half-title, "Poems, by Dr. Goldsmith," B7 (verso blank). Four poems, B8-C4 (verso blank). Half-title, "The Hermit, a ballad. first printed in M DCC LXV," C5 (verso blank). Letter respecting "The Hermit," C6. "The Hermit," and two other poems, C7-D3. Half-title, "The Traveller; or, a Prospect of Society. a poem. first printed in M, DCC,LXV," D4 (verso blank). "To the Rev. Henry Goldsmith," D5-D6 (verso blank). "The Traveller," D7-E6 (verso blank). Half-title, "The Deserted Village, a poem. first printed in M, DCC,LXIX," E7 (verso blank). "To Sir Joshua Reynolds," E8. "The Deserted Village," F1-F7. Three other poems, F8-G1. Half-title, "The Haunch of Venison, a poetic epistle, to Lord Clare. first printed in MDCCLXXV.," G2 (verso blank). Text, G3-G5 recto, Songs, etc, five poems, G5 verso-G7 (verso blank). Half-title, "Retaliation: a poem. first printed in M, DCC, LXXIV. after the author's death," G8 (verso Note). Poem, H1-H5 (verso blank). Half-title, "Plays, by Dr. Goldsmith," H6 (verso blank). Second half-title, "The Good-natur'd man: a comedy. as performed at the Theatre-Royal in Covent-Garden. first printed in M, DCC, LXVIII," H7 (verso blank). Preface, H8. Prologue by Dr. Johnson, I, 1, ending with "Dramatis Personæ." Text, I, 2-P5 (verso blank). Half-title, "She Stoops to Conquer: or, the Mistakes of a Night. a comedy. as it is acted at the Theatre-Royal, Covent-Garden. first printed in M, DCC, LXXII," P6 (verso blank). Dedication to Dr. Johnson, P7 recto. Prologue by Garrick, P7 verso-P8 (verso "Dramatis Perſonæ"). Text, Q1-Z2, ending with the second Epilogue by J. Craddock. Pages 1-328.

GOLDSMITH, Oliver.—Poems and Plays. By Oliver Goldsmith, M. B. to which is Prefixed The Life of the Author. London. Printed for B. Newbery and T. Johnson, . . . MDCCLXXX. 12mo, calf, gilt back, gilt edges, by F. Bedford.

Portrait, engraved title, and three other plates.

GOLDSMITH, Oliver.—The Poetical and Dramatic Works of Oliver Goldsmith, M. B. now first collected. With an account of the life and writings of the author. London: printed by H. Goldney . . . MDCCLXXX. 8vo, two volumes, citron levant morocco, gilt back, sides richly tooled, double panel, floral design, gilt over uncut edges, by Meunier.

Portrait by Cook.

GOLDSMITH, Oliver.—The Poetical and Dramatic Works of Oliver Goldsmith, M.B. A new edition. With an account of the life and writings of the author. In two volumes. London: printed by H. Goldney, for Messieurs Rivington, T. Carnan, E. Newbery, and W. Nicoll, &c. . . . M DCC LXXXVI. Small 8vo, two volumes, Spanish calf, gilt back.

Portrait by Cook. The dedication to Sir Joshua Reynolds is signed by T. Evans and dated Strand, January 1, 1780.

GOLDSMITH and PARNELL.—Poems by Goldsmith and Parnell. [vignette] London: printed by W. Bulmer and Co. Shakespeare Printing Office, . . . 1795. 4to, original boards, uncut edges.

First edition, printed upon Whatman paper. Eight woodcut vignettes and five full-page illustrations by Thomas and John Bewick, after R. and J. Johnson.

The text consists of The Deserted Village, The Traveller, the Hermit, and the Lives of Goldsmith and Parnell by Isaac Reed and Goldsmith, respectively.

GOLDSMITH and PARNELL.—Poems by Goldsmith and Parnell. 1795. 4to, green morocco, gilt back and sides, silk linings, gilt edges, by Staggemeier.

One of three copies printed on vellum, with one of the five full-page cuts in duplicate.

GOLDSMITH and PARNELL.—Poems by Goldsmith and Parnell. London: printed for T. Cadell and W. Davies . . . 1804. Royal 8vo, boards, uncut edges.

Printed on Whatman paper, with woodcut illustrations by the Bewicks.

GOLDSMITH, Oliver.—The Poems of Oliver Goldsmith. A new edition. Adorned with plates. London: Printed by T. Bensley, . . . for F. J. Du Roveray, . . . 1800. 8vo, citron levant morocco, gilt back, side panels, centre ornaments, doubled with red morocco, gilt borders in the manner of Derome, gilt over uncut edges, by Bedford.

Largest paper copy. Frontispiece-portrait by Anker Smith after E. F. Burney, and six plates by T. Medland, Neagle, J. Heath, and A. Smith after Wheatley and Hamilton, all with proofs added. Besides these, one hundred extra illustrations have been inserted, including seventeen portraits of Goldsmith, the Bewick and Westall series of illustrations, and two original drawings, one in sepia of Dr. Dodd and one in water-colours of the Covent Garden Theatre. Most of the plates are in proof state, and at page 112 is a brilliant impression of the mezzotint of General Wolfe by Spooner after Smith.

GOLDSMITH, Oliver.—The Poetical Works of Oliver Goldsmith, M.B. with the Life of the Author. Embellished with wood cuts by T. Bewick. Glocester printed and sold by D. Walker . . . 1809. Foolscap 8vo, boards, uncut edges.

GOLDSMITH, Oliver.—The Poetical Works of Oliver Goldsmith. With Remarks, attempting to ascertain, chiefly from local observation, the Actual Scene of the Deserted Village; and illustrative engravings, by Mr. Alkin, from drawings taken upon the spot. By Rev. R. H. Newell, B. D. Fellow of St. John's College, Cambridge. London: printed by Ellerton and Henderson, . . . for Suttaby, Evance, and company, . . . 1811. 4to, olive levant morocco, gilt back, gilt top, uncut edges, by The Club Bindery.

Six tinted plates, and an engraved leaf of dedication to William Payne, with a vignette at the foot.

GOLDSMITH, Oliver.—The Miscellaneous Works of Oliver Goldsmith, with an account of his Life and Writings . . . Edited by Washington Irving, Esq. Paris: published by A. and W. Galignani . . . [Printed by Jules Didot] 1825. Royal 8vo, four volumes, blue morocco, gilt back and sides, with the arms of Charles X on the sides, gilt edges, by Purgold.

Large paper copy, with finished and unfinished proofs on India paper of the portraits of Goldsmith and Irving, engraved by Wedgwood from originals by Reynolds and Sieurac.

GOLDSMITH, Oliver.—The Miscellaneous Works of Oliver Goldsmith, M. B. including a variety of pieces now first collected. By James Prior, . . . London: John Murray, . . . M DCCC XXX VII. 8vo, four volumes, boards, uncut edges.

Four engraved frontispiece-titles by E. Finden after T. Creswick.

GOLDSMITH, Oliver.—The Poetical Works of Oliver Goldsmith London William Pickering 1839. Foolscap 8vo, cloth, uncut edges.

Memoir by the Rev. John Mitford, and a portrait of Goldsmith.

GOLDSMITH, Oliver.—The Poetical Works of Oliver Goldsmith, . . . Illustrated by wood engravings from the designs of . . . Members of the Etching Club. With a Biographical Memoir and Notes on the Poems. Edited by Bolton Corney . . . London: Longman . . . 1846. 4to, blue levant morocco, gilt back, gilt over uncut edges, by Chambolle-Duru.

Thirty-eight woodcut illustrations by Creswick, Redgrave, Cope, and others.

GOLDSMITH, Oliver.—The Poetical Works of Oliver Goldsmith With Thirty Illustrations by John Absolon, Birket Foster, James Godwin, and Harrison Weir. London Cundall & Addey, . . . 1851. Post 8vo, cloth, uncut edges.

GOLDSMITH, Oliver.—The Works of Oliver Goldsmith.   Edited by Peter Cunningham . . . London: John Murray . . . 1854. 8vo, four volumes, blue levant morocco, gilt back, gilt edges, by Matthews.

Illustrated by the insertion of one hundred and thirteen plates, including fifty-two portraits, the remainder illustrating "The Vicar of Wakefield" and other works; engraved by Stothard, Burney, Westall, Johannot, etc. Most of the plates are proofs, and some are in two and three states.

GOLDSMITH, Oliver.—The Poems and Plays of Oliver Goldsmith. Edited by Austin Dobson with [6] etchings by John Jellicoe & Herbert Railton. London J. M. Dent and Co . . . 1889. Crown 8vo, two volumes, cloth, uncut edges.

One of two hundred and fifty large paper copies printed.

GOLDSMITH, Oliver.—A Pretty Book of Pictures for Little Masters and Misses, or, Tommy Trip's History of Beasts and Birds. With a familiar description of each in verse and prose. To which is prefix'd the History of little Tom Trip himself, of his Dog Jouler, and of Woglog the great Giant. Written by Oliver Goldsmith . . . embellished with charming engravings on wood from the original blocks engraved by Thomas Bewick . . . London: printed for, and Published by, Edwin Pearson . . . MDCCCLXVII. 4to, red straight-grain morocco, gilt back, gilt top, uncut edges, by Bedford.

Two hundred and fifty copies printed, with seventy-seven woodcuts on India paper.

GOLDSMITH, Oliver.—See Dobson, Austin. Forster, John. Goody Twoshoes. Percy, Bishop. Scarron, Paul.

GOLDZIHER, Ignaz.—Mythology among the Hebrews and its historical development by Ignaz Goldziher . . . Translated from the German, with additions by the author   by Russell Martineau, . . . London Longmans, Green, and Co. 1877 . . . 8vo, cloth, uncut edges.

GOMEZ, Madeleine Angelique Poisson de.—La Belle Assemblée: being a curious Collection of some very Remarkable Incidents which happen'd to Persons of the First Quality in France. Interspers'd with Entertaining and Improving Observations made by them on several Passages in History, both Ancient and Modern. Written in French for the Entertainment of the King, and dedicated to him by Madam de Gomez. Adorn'd with Copper-Plates. . . . The Eighth edition. London: Printed for H. Woodfall . . . MDCCLXV. 12mo, four volumes in two, sprinkled calf, citron edges.

Twenty plates by Basire.

GOODY TWOSHOES.—The History of little Goody Twoshoes; otherwise called Mrs. Margery Twoſhoes. with The Means by which ſhe acquired her Learning and Wiſdom, and in Conſequence thereof her Eſtate. Set forth at large for the Benefit of thoſe,

Who from a State of Rags and Care,
Who having Shoes but half a Pair,
Their Fortune and their Fame would fix,
And gallop in their Coach and Six.

See the original Manuſcript in the Vatican at Rome, and the Cuts by Michael Angelo; illuſtrated with the Comments of our great modern Criticks. The First Worcester edition. Printed at Worcester, Maſſachuſetts. By Isaiah Thomas, And sold, Wholeſale and Retail, at his Book Store. M DCC LXXXVII. 16mo, calf, gilt back and sides, gilt top, uncut edges.

Woodcut frontispiece and thirty-four illustrations in the text.

Sometimes attributed to Oliver Goldsmith.

GORDON, John Brown.—Reminiscences of the Civil War by General John B. Gordon of the Confederate Army with [3] portraits. New York   Charles Scribner's Sons 1903. 8vo, cloth, gilt top, uncut edges.

GORING, Charles.—Irene; or, the Fair Greek, a tragedy: As it is Acted at the Theatre Royal in Drury-lane, By Her Majesty's Sworn Servants. London: Printed for John Bayley at the Judge's Head in Chancery-Lane, near Fleetſtreet. 1708. 4to, red levant morocco, gilt back, gilt edges, by David.

First edition. A1-A4, a1-a4, and B1-I2 in fours, half-title on A1, title on A2. Dedicated to Henry, Duke of Beaufort.

GORRINGE, Henry H.—Egyptian Obelisks by Henry H. Gorringe . . . Fifty-one full-page illustrations thirty-two artotypes, eighteen engravings, and one chromolithograph   Published by the Author . . . New York [1882] 4to, cloth, uncut edges.

GORTON, John.—A general Biographical Dictionary. By John Gorton, . . . A new edition, to which is added a supplementary volume completing the work to the present time. . . . London: Henry G. Bohn, . . . 1851. 8vo, four volumes, half blue morocco, gilt top, uncut edges.

GOSPEL.—The Gospel according to Matthew, Mark, and Luke   London Kegan Paul, Trench & Co., . . . MDCCCLXXXV. Crown 8vo, original covers, uncut edges.

Large paper copy, fifty printed.

GOSSE, Edmund.—From Shakespeare to Pope an inquiry into the causes and phenomena of the rise of classical poetry in England. By Edmund Gosse. New York Dodd, Mead & Company   1885. Small 8vo, half brown morocco, gilt back, gilt top, uncut edges, by Stikeman.

Original manuscript of the Preface inserted.

GOSSE, Edmund.—Firdausi in Exile and other poems by Edmund Gosse London Kegan Paul, Trench, & Co., MDCCCLXXXV. Crown 8vo, original covers, uncut edges.

One of fifty large paper copies printed, with a frontispiece.

GOSSE, Edmund.—Life of William Congreve by Edmund Gosse, . . . London Walter Scott, . . . 1888. Crown 8vo, cloth, gilt top, uncut edges.

GOSSE, Edmund.—See English Odes.

GOURGAUD, Gaspard.—Napoleon and the Grand Army in Russia, or a critical examination of the Work of Count Ph. de Segur, by General Gourgaud, late principal orderly officer and aid-de-camp to the Emperor Napoleon. . . . London: Martin Bossange and Co., . . . 1825. 8vo, blue morocco, gilt back, gilt edges.

GOZZI, Count Carlo.—The Memoirs of Count Carlo Gozzi translated into English by John Addington Symonds With Essays on Italian Impromptu Comedy, Gozzi's Life, The Dramatic Fables, and Pietro Longhi By the Translator with portrait and six original etchings By Adolphe Lalauze also eleven subjects illustrating Italian Comedy by Maurice Sand engraved on copper by A. Manceau, and coloured by hand . . . London. John C. Nimmo . . . MDCCCXC. Royal 8vo, two volumes, original cloth, uncut edges.

No. 71 of two hundred and ten large paper copies printed, with the seven etchings in duplicate.

GRAHAM and ASHBEE.—Travels in Tunisia With a Glossary, a Map, a Bibliography, and Fifty Illustrations. By Alexander Graham, . . . and H. S. Ashbee, . . . London: Dulau & Co., . . . 1887. . . . Royal 8vo, cloth, gilt top, uncut edges.

Presentation copy from Mr. Ashbee.

GRAHAM, Maria.—Memoirs of the Life of Nicholas Poussin. By Maria Graham . . . London: printed for Longman, . . . 1820. 8vo, half blue morocco, gilt back, gilt top, uncut edges.

Portrait of Poussin and folded plate of his house.

GRAHAME, James.—The History of the United States of North America, from the Plantation of the British Colonies till their Revolt and Declaration of Independence. By James Grahame, Esq. London: Smith, Elder and Co. . . . 1836. 8vo, four volumes, half green levant morocco, gilt top, uncut edges.

GRAMMONT, Count.—See Hamilton, Count Anthony.

GRANGER, James.—A Biographical History of England, From Egbert the Great to the Revolution: consisting of characters disposed in different classes, and adapted to a methodical catalogue of engraved British heads; intended as an essay towards reducing our biography to system, and a help to the knowledge of portraits; interspersed with a variety of anecdotes, and memoirs of a great number of persons, not to be found in any other biographical work. With a Preface, shewing the utility of a collection of engraved portraits to supply the defect, and answer the various purposes, of medals. By the Rev. J. Granger, . . . Fifth edition, with upwards of four hundred additional lives. . . . London: printed for William Baynes and Son, . . . 1824. Royal 8vo, six volumes, half russia, uncut edges.

Two hundred and ninety-four portraits of the Richardson series inserted, and twenty-nine from other sources.

GRANT, Francis.—Life of Samuel Johnson by Lieut.-Col. F. Grant. London Walter Scott . . . 1887. Crown 8vo, cloth, gilt top, uncut edges.

GRANT, Ulysses Simpson.—Personal Memoirs of U. S. Grant. . . . [with maps and illustrations] New York: Charles L. Webster & Company. 1885. 8vo, two volumes, cloth, uncut edges.

GRAY, George J.—The Earlier Cambridge Stationers & Bookbinders and The First Cambridge Printer by George J. Gray   Printed for the Bibliographical Society at the Ox. ford University Press October 1904. 4to, original paper wrappers, uncut edges.

No. XIII. of Illustrated Monographs issued by the Bibliographical Society. Twenty-nine plates.

GRAY, Thomas.—An Elegy wrote in a Country Church Yard. London: Printed for R. Dodsley . . . And sold by M. Cooper . . . 1751. 4to, blue levant morocco, gilt back, gilt edges, by Bedford.

First edition, with bands containing emblems of Death at head and foot of title, repeated at the head of the fifth page.

GRAY, Thomas.—An Elegy written in a Country Church yard. A new edition. London: Printed for J. Dodsley, . . . M DCC LXXI. [Price Six Pence.] 8vo, red levant morocco, gilt fillets, uncut edges.

Engraved frontispiece and two vignettes.

GRAY, Thomas.—Elegy written in a Country Church-yard. [vignette] London: John van Vorst, [printed by Samuel Bentley] MDCCCXXXVI. 4to, original blue cloth, gilt edges.

Dedication to Samuel Rogers, and Preface by John Martin dated London, October 10, 1834.

Vignette on the title-page by Powis after Constable, and thirty-two other illustrations after Constable, Stothard, Cattermole, Charles and Thomas Landseer, Westall, Callcott, Mulready, Copley and Thales Fielding, and others.

GRAY, Thomas.—Odes by Mr. Gray. ΦΩΝΑΝΤΑ ΣΨΝΕΤΟΙΣΙ . . . Pindar, Olymp. II. [vignette of Strawberry Hill] Printed at Strawberry-Hill, For R. and J. Dodsley in Pall-Mall. M DCC LVII. 4to, red levant morocco, gilt fillets, gilt top, uncut edges.

First edition, and the first work issued by the Strawberry Hill Press.

Half-title, A1, title, A2, and B-E3 in twos.

GRAY, Thomas.—Poems by Mr. Gray. London: Printed for J. Dodsley, . . . MDCCLXVIII. 8vo, red levant morocco, gilt back, side corners, gilt top, uncut edges, by Joly.

First collected edition.

GRAY, Thomas.—The Poems of Mr. Gray. With Notes by Gilbert Wakefield . . . London: printed for G. Kearsley . . . 1786. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Two portraits and twelve other plates inserted, one in two states.

GRAY, Thomas.—Poems by Mr. Gray. Parma printed by Bodoni M DCCXC III. Royal 8vo, boards, uncut edges.

One of two hundred copies printed.

Portrait of Gray sitting, by J. Hopwood after Richardson.

GRAY, Thomas.—Poems. 1793. 4to, red levant morocco, gilt back, side panels, corner ornaments, gilt top, uncut edges, by Ramage.

Large paper copy, one hundred printed, with four inserted plates.

GRAY, Thomas.—The Poetical Works of Thomas Gray . . . with some account of his life and writings. The whole carefully revised; and illustrated by notes. To which are annexed, Poems addressed to, and in memory of, Mr Gray; several of which were never before collected. Second edition, considerably enlarged and improved. London: printed by C. Whittingham . . . 1800. Foolscap 8vo, red morocco, gilt back and side panels, gilt edges, by Bozerian the younger.

Portrait of Gray and six plates, after the designs of Burney, including the caricature of "Tophet" [Mr. Tyson].

GRAY, Thomas.—The Poems of Gray. A new edition. Adorned with plates. London: Printed by T. Bensley, . . . for F. J. Du Roveray, . . . 1800. Crown 8vo, blue levant morocco, gilt back and sides, gilt top, uncut edges, by The Club Bindery.

Besides the frontispiece-portrait by A. Smith after Burney, and six plates by Neagle, Heath, and Holloway after Hamilton and Fuseli, eleven plates, some proofs on India paper, have been inserted, including four portraits of Gray and engravings after the Westall designs.

GRAY, Thomas.—Poems. 1800. 8vo, citron straight-grain morocco, gilt back, blind-tooled and brown mosaic borders on the sides, gilt edges.

Large paper copy. Portrait and six plates.

GRAY, Thomas.—Poems. 1800. 8vo, green levant morocco, gilt back, side panels, doubled with red morocco, gilt border in the manner of Derome, gilt over uncut edges, by Bedford.

Another copy, printed upon largest paper, and extra-illustrated by the insertion of one hundred and twelve proof portraits and views, many proofs in different states and a fragment of manuscript. The portraits include eleven of Gray, one engraved by Caroline Watson.

GRAY, Thomas.—Poems. 1800. 8vo, green levant morocco, gilt back, side panels, doubled with red morocco, borders in the manner of Derome, gilt over uncut edges, by Matthews.

Another copy, printed upon largest paper, and extra-illustrated by the insertion of over seventy plates, including numerous portraits of Gray, duplicates in the earliest state of the illustrations published with the book, and many other plates, proofs on India paper and before letters.

GRAY, Thomas.—The Works of Thomas Gray, containing his Poems and Correspondence, with Memoirs of his Life and Writings. A New Edition, containing some Additions, not before printed, with Notes of the various editors. London: printed for Harding, Triphook, and Lepard . . . M.DCCCXXV. 8vo, two volumes, red levant morocco, gilt back, wide side borders, gilt over uncut edges, by Holloway.

Large paper copy, with fifty-five extra plates inserted, for the most part in proof state, including all the known portraits of Gray. Some of the plates are in three states.

GRAY, Thomas.—The Poetical Works of Thomas Gray. London: printed for John Sharpe, . . . by C. and C. Whittingham, Chiswick. M DCCC XXVI. Post 8vo, cloth, uncut edges.

Engraved frontispiece-title and five other plates by W. Finden after Richard Westall.

GRAY, Thomas.—The Works of Thomas Gray London William Pickering   1836 [-1843]   Post 8vo, five volumes, red levant morocco, gilt back, gilt over uncut edges, by Bedford.

Thick paper copy. Portrait engraved by Adcock, and Memoir by the Rev. John Mitford.

GRAY, Thomas.—The Works of Thomas Gray. 1836-43. Post 8vo, five volumes, brown levant morocco, gilt back, gilt top, uncut edges, by Bedford.

Large and thick paper copy, only twenty printed.

GRAY, Thomas.—The Poetical Works of Thomas Gray   London William Pickering   1836. Foolscap 8vo, cloth, uncut edges.

Portrait and Memoir by the Rev. J. Mitford.

GRAY, Thomas.—Gray's Poetical Works, English and Latin, Illustrated; and edited with introductory stanzas by the Rev. John Moultrie . . . Eton, E. P. Williams . . . M.DCCCXLV. 8vo, green morocco, gilt back and side panels, gilt edges, by Hayday.

Portrait and seven steel engravings by Radclyffe, also four woodcuts by Sly.

GRAY, Thomas.—Five original water-colour drawings illustrating Gray's poems, by Richard Westall, accompanied by the engravings from them by W. Radclyffe, J. H. Robinson, George Corbould, R. Rhodes, and W. Finden; also a portrait of Gray, proof on India paper, by Anker Smith after Burney. 4to, green levant morocco, gilt back, side panels, gilt edges, by W. Matthews.

GREAT-BRITAIN AND AMERICA.—The Case of Great-Britain and America, addressed to the King and both Houses of Parliament . . . London: Printed, Philadelphia, Re-Printed by William and Thomas Bradford, . . . MDCCLXIX. 8vo, red levant morocco, gilt back, side panel, uncut edges, by Zaehnsdorf.

GREATHEED, Bertie.—The Regent: a tragedy. As it is acted at the Theatre Royal in Drury-Lane. London: printed for J. Robson and W. Clarke, . . . M. DCC. LXXXVIII. 8vo, morocco, by The Club Bindery.

First edition. Dedication to Mrs. Siddons, Epilogue by Mrs. Piozzi.

GREELEY, Horace.—The American Conflict: a History of the Great Rebellion in the United States of America, 1860-'64: its causes, incidents, and results: intended to exhibit especially its moral and political phases, with the drift and progress of American opinion respecting Human Slavery, From 1776 to the Close of the War for the Union. By Horace Greeley. Illustrated by portraits on steel of generals, statesmen, and other eminent men: [two frontispieces] views of places of historic interest. maps, diagrams of battle-fields, naval actions, etc.: from official sources. . . . Hartford: published by O. D. Case & Company. . . . 1865. [-1867] Royal 8vo, two volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Matthews.

Twelve steel plates containing one hundred and forty-three portraits, and seventy-nine other illustrations.

GREELEY, Horace.—Recollections of a Busy Life by Horace Greeley   New York   J. B. Ford and Company . . . 1868. 8vo, half green levant morocco, gilt back, gilt top, uncut edges, by Matthews.

GREEN, Henry.—Shakespeare and the Emblem Writers; an exposition of their similarities of thought and expression. Preceded by a view of emblem-literature down to A. D. 1616. By Henry Green, M. A. With numerous Illustrative Devices from the Original Authors. [vignette] London: Trübner & Co., . . . 1870. . . . Royal 8vo, decorated cloth, uncut edges.

Large paper copy, with seventeen plates and numerous illustrations in the text.

GREEN, Henry.—Andrea Alciati and his Books of Emblems a biographical and bibliographical study by Henry Green, M. A. London Trübner & Co. M. DCCC. LXXII. 8vo, cloth, uncut edges.

Only two hundred and fifty copies printed. Title in a woodcut border, portrait, and eighteen other illustrations.

GREEN, John Richard.—History of the English People. By John Richard Green, . . . London: Macmillan and Co. 1877. [1878, 1879, 1880] 8vo, four volumes, cloth, uncut edges.

First edition: with fifteen maps.

GREEN, Matthew.—The Spleen. An Epistle Inſcribed to his particular Friend Mr. C. J. . . . By the late Mr. Matthew Green, of the Cuſtom-houſe, London. London; Printed: And ſold by A. Dodd, . . . and at all the Pamphlet-Shops in Town. M. dcc. xxx vii. . . . Small 8vo, paper wrappers, by The Club Bindery.

GREENAWAY, Kate.—Marigold Garden Pictures and Rhymes By Kate Greenaway printed in colours by Edmund Evans London George Routledge and Sons . . . n.d. 4to, half cloth, citron edges.

GREG, Walter Wilson.—A List of English Plays written before 1643 and printed before 1700. By Walter Wilson Greg. London: printed for the Bibliographical Society, by Blades, East & Blades. March, 1900, for 1899. 4to, original paper covers, uncut edges.

GREG, Walter Wilson.—A List of Masques, Pageants, &c. supplementary to A List of English Plays, By Walter Wilson Greg. London: printed for the Bibliographical Society, By Blades, East & Blades. February, 1902, for 1901. 4to, original paper wrappers, uncut edges.

GREGORY, J. W.—See Hutchinson, Gregory, and Lydekker.

GRENVILLE, George.—See Nugent, Lord.

GRENVILLE, Thomas.—See Payne and Foss.

GRESSET, Jean Baptiste Louis de.—See Snow, Robert.

GREVILLE, Charles Cavendish Fulke.—The Greville Memoirs. A Journal of the Reigns of King George IV. and King William IV. By the late Charles C. F. Greville, . . . Edited by Henry Reeve . . . London: Longmans, Green & Co., . . . 1874. 8vo, three volumes, cloth, uncut edges.

First edition.

GREVILLE, Charles Cavendish Fulke.—The Greville Memoirs (Second part) A Journal of the Reign of Queen Victoria from 1837 to 1852. By Charles C. F. Greville . . . London: Longmans, Green, and Co., . . . 1885. 8vo, three volumes, cloth, uncut edges.

First edition.

GREVILLE, Charles Cavendish Fulke.—The Greville Memoirs (Third part.) A Journal of the Reign of Queen Victoria from 1852 to 1860. By the late Charles C. F. Greville, . . . London: Longmans, Green, and Co. 1887. 8vo, two volumes, cloth, uncut edges.

First edition.

GREY, Douglas.—See Wilson and Grey.

GREY, Lady Jane.—See Nicolas, Sir Nicholas Harris.

GRIFFITH, Elizabeth.—The School for Rakes: a comedy. As it is Performed at the Theatre-Royal in Drury-Lane. London. Printed for T. Becket and P. A. De Hondt, . . . M DCC LXIX. . . . 8vo, morocco, by The Club Bindery.

First edition.

GRIFFITHS, A. F., editor.—Bibliotheca Anglo-Poetica: or a Descriptive Catalogue of a rare and rich collection of Early English Poetry: in the possession of Longman & Co. Illustrated by occasional extracts and remarks, critical and biographical. London: printed by Thomas Davison, for the Proprietors of the Collection. 1815. Imperial 8vo, blue levant morocco, gilt top, uncut edges.

One of fifty copies printed on large paper, with coloured frontispiece and woodcuts.

The collection here described was commenced by T. Park and completed by Thomas Hill.

GRIMM, Herman.—Life of Michael Angelo, by Herman Grimm. Translated with the author's sanction by Fanny Elizabeth Bunnètt . . . Boston: Little, Brown, and Company 1866. Royal 8vo, two volumes, green levant morocco, gilt back, gilt over uncut edges, by R. W. Smith.

No. 3 of fifty large paper copies printed. Illustrated by the insertion of one hundred and twenty portraits and views, and an original drawing of St. Mark's, Venice. Thirty of the plates are proofs on India paper, and others are proofs before letters.

GRIMSTON, William Luckyn, (First) Viscount.—The Lawyer's Fortune: or, Love in a Hollow Tree. A comedy. London: Printed and Sold by E. Hill, . . . M, DCC, XXXVI. Small 8vo, brown morocco, gilt edges, by The Club Bindery.

This play, first printed in quarto, 1705, was written when the author was only thirteen years of age. He tried to buy up the edition, but was only partially successful. In 1710, when he was Parliamentary candidate for St. Alban's, Sarah, Duchess of Marlborough caused this edition to be printed at her own expense, with a woodcut (page 9) representing the author as an elephant walking a tight-rope. This edition also he bought up as far as possible.

Engraved frontispiece of a hollow tree.

Title, A1 (verso blank). "To the Right Sensible, the Lord Flame" [Samuel Johnson], signed "The Publisher," A2. "The Preface," A3-A4 (verso "Dramatis Perſonæ"). Text, B1-K3 in fours.

GROSE, Francis.—See Bunbury, H.

GROTE, George.—Plato, and the other companions of Sokrates. By George Grote, . . . London: John Murray, . . . 1865. . . . 8vo, three volumes, half brown levant morocco, gilt back, gilt top, uncut edges, by Rivière.

First edition.

GROTE, Harriet Lewin.—Memoir of the Life of Ary Scheffer. By Mrs. Grote. London: John Murray, . . . 1860. 8vo, original cloth, uncut edges.

First edition. Portrait and facsimile.

GROWOLL, Adolf.—American Book Clubs their beginnings and history, and a bibliography of their publications by A. Growoll New York Dodd, Mead and Company 1897. 12mo, half olive calf, uncut edges.

No. 64 of three hundred copies printed on hand-made paper.

GUARAS, Antonio de.—The Accession of Queen Mary: being the contemporary narrative of Antonio de Guaras, a Spanish merchant resident in London. Edited with an introduction, translation, notes, and an appendix of documents, including a contemporary Ballad in facsimile, by Richard Garnett . . . London: Lawrence and Bullen . . . 1892. Square 8vo, cloth, uncut edges.

Three hundred and fifty copies printed.

GUARDIAN, The.—See British Classics and British Essayists.

GUEULETTE, Thomas Simon.—The Thousand and One Quarters of an Hour (Tartarian Tales) edited by Leonard C. Smithers London H. S. Nichols and Co. . . . M DCCC XCIII. Royal 8vo, flexible vellum boards, gilt top, uncut edges.

One of seventy-five copies printed on hand-made paper.

GUICCIOLI, Countess Teresa.—. . . My Recollections of Lord Byron; and those of eye-witnesses of his life. "The long promised work of the Countess Guiccioli . . . London: Richard Bentley, . . . 1869. 8vo, two volumes, original cloth, uncut edges.

GUIZOT, François Pierre Guillaume.—The Fine Arts their nature and relations By M. Guizot. Translated with the assistance of the author By George Grove. With illustrations drawn on wood by George Scharf, Jun. London: Thomas Bosworth. 1853. 8vo, cloth, uncut edges.

GUTCH, John, editor.—Collectanea Curiosa; or Miscellaneous Tracts, relating to the History and Antiquities of England and Ireland, the Universities of Oxford and Cambridge, and a variety of other Subjects. Chiefly collected, and now first published, from the Manuscripts of Archbishop Sancroft . . . Oxford, at the Clarendon Press . . . MDCCLXXXI. 8vo, two volumes, Cambridge panelled calf, gilt back, gilt top, uncut edges, by Bedford.

GUTCH, John Mathew, editor.—A lytell Geste of Robin Hode with other ancient & modern ballads and songs relating to this celebrated yeoman to which is prefixed his history and character, grounded upon other documents made use of by his former biographer, "Mister Ritson." Edited by John Mathew Gutch, . . . and adorned with cuts by F. W. Fairholt, . . . [vignette] London: Longman, Brown, Green, & Longmans. M. DCCC. XLVII. Crown 8vo, two volumes, cloth, uncut edges.

Portrait of Ritson, another plate, and numerous woodcuts in the text.

[GUTENBERG, John.]—John Gutenberg, Firſt Maſter Printer, His Acts, and moſt remarkable Diſcourſes, and his Death. From the German, By C. W. London: Trübner and Co. . . . 1860. 4to, half brown morocco, gilt top, uncut edges.

One hundred copies printed.

*** END OF THE PROJECT GUTENBERG EBOOK A CATALOGUE OF BOOKS IN ENGLISH LATER THAN 1700, VOL. 1 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- A CATALOGUE OF Books in English later than 1700, forming a portion of the Library of Robert Hoe New York 1905

- A Catalogue of Books in English Later than 1700

- THE CATALOGUE

- THE FULL PROJECT GUTENBERG™ LICENSE