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Title: The Dales of Arcady

Author: Dorothy Una Ratcliffe

Release date: August 14, 2011 [eBook #37086]

Most recently updated: January 8, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/37086

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK THE DALES OF ARCADY ***

THE

DALES OF ARCADY

BY

DOROTHY UNA RATCLIFFE

ERSKINE MACDONALD, LTD.

LONDON, W.C.1

All Rights Reserved

First published November 1918

DEDICATED TO

THE FIRST YORKSHIREMAN I SET EYES ON

DADDY

CONTENTS

Prologue

Daleshire

On Otley Chevin

The Song of Nidderdale

Song of the Mists

Wander-Thirst

The Road

The Swaling of the Moor

The Moors in Summer

My Herbary

Rushes

Satan and I

To the Wind

Saadi and the Rose

The Difference

Song of the Primroses

Lilies

The Pear-Tree

Beggar's Gold

On Early Rising

Jewels

Bargaining

Song of Good-Bye

King Yesterday

Kissing

Philosophy

A Thrush's Song

A February Day

Laus Deo

"Past-Ten-O'Clock-Land"

To Memory

A War Prayer for a Little Boy

Star-Scandal

The First of July

"The Ideal Man"

To the Coming Spring

Question

The Dales of Arcady

A War-time Grace

Queen Mab's Awakening

PROLOGUE

The youngest Goddess sat in a corner of the Universe and sulked.

For æons, she had watched the older Goddesses play each in turn with the Earth-Ball, and every time the Ball passed her way, someone said,

"She is too young, and, if she played with the Ball, might injure it."

Another added,

"Even our honourable Sister E—— created baleful Etna in her ardent desire to give a beauteous mountain to flowering Sicily, and C——, when she designed the azure Mediterranean, raised her little finger all too hurriedly, causing the whirlpool so dreaded by Grecian sailors."

But the youngest Goddess had waited long and was becoming mutinous.

Her great grey eyes, like silent moorland tarns fringed with shadowy larches, were fixed on the handiwork of the Goddess who at that moment held the Ball.

She noticed the blue line thoughtfully traced across a vast tract of land, the line men call the River Amazon, and she watched the Designer proudly hold the Ball aloft to show her handiwork to her sisters.

"Surely it is the finest river we have yet traced!"

"Nay! let me see it."

"Can it be greater than that which Mortals call the Ganges?"

Then, as the Designer of the Amazon threw the Ball above the head of the youngest Goddess toward the lap of a weary, responsible-looking sister, the youngest Goddess leapt above the little silvern stars, and caught it in her lithe white arms.

A look of consternation went round the Universe.

"She is too young to play!"

But the youngest Goddess claspt the Ball to her breast.

"Let me play, just once," she pleaded. "I will make no earthquakes, no volcanoes, no geysers, nothing that could spoil the beauty of the Ball."

Then an old Goddess—so old that she could remember God calling order out of chaos, hobbled towards her.

"Child! thou hast seized the Ball, and play with it thou wilt, but disturb not the handiwork of thine elder sisters. Thou canst pattern only where they have not worked."

So the youngest Goddess held the Ball up to the glance of God to get a great light upon it, and by chance found one small space covered with heather and bilberry, a wild sad waste.

"Here, I may play! Oh! my sisters, I would make something rarer and more beautiful of my little wild heath than any of you have dreamed of for other parts of the Ball."

Lovingly she laid her outstretched hand upon the bosom of the moorland, and when she lifted it the uplands bore the soft imprint, and a little river flowed where each finger had rested.

Thus were created

Airedale,

Wharfedale,

Nidderdale,

Wensleydale, and

Swaledale.

And because the fingers of the youngest Goddess quivered with pleasure they are merry little dancing rivers, and even play underground as they ripple to the Ouse.

In this wise she fulfilled her desire to make something rarer and more beautiful of her moorland waste than her sisters had ever dreamed of for any other part of the Ball.

But, being very young, she boasted of her wondrous achievement, and, as a punishment, the other Goddesses prevented her from ever playing with the Ball again.

That is the reason there is only one Daleshire.

DALESHIRE

To E. A. B.

When sad home-longings, like little waifs,

Come to my heart, in a stranger-land,

No thought of a house sweeps over me,

No pleasant thorp does my heart demand;

For the great blue open wold it cries,

For the road that over the moorland lies.

For heather lands where the plovers wing,

Where frail mists gather about the hills

Like mystic shapes that eerily cling,

Where the air is hushed for the snipe-loved rills:

All these my tired heart greets as "Home,"

When and wherever I'm forced to roam.

In the dales the pollarded willows flower:

I hear the wings of a mating thrush;

The river has gained its spated hour,

Its mad, magnificent, tumbling rush;

Ready to break their hearts or sing,

My own sweet dales are expecting spring.

No flower-girt cottage means home to me,

No stately, splendid ancestral pile,

No cosy house builded pleasantly

Does my wandering-weary heart beguile,

But the homesick heart of me longs to hail

My county of lovering moor and dale!

BEAMSLEY BEACON.

ON OTLEY CHEVIN

Over the rough-hewn limestone wall,

I watched the serpenting river crawl

Adown the dale, thro' dimpled fields,

Daisy-brimmed, where Almscliffe shields

With rocky crest

The lambs that play on the old Earth's breast.

Gently I felt God's hand in mine,

As the sun came forth with a strength benign:

"I have one request to make, dear God:

That when my body is 'neath the sod,

My spirit still

May over this country roam at will."

On the wings of the wind I heard Him sigh:

"Unheedingly many—so many—pass by,

Tho' the world is full of My fairest thought,

Of all that My servant Time hath wrought,

It is so rare

To hear that My work is surpassing fair."

"O! Grant my prayer, and let me stay

In this land where Thy little rivers stray,

For I love them, God, with a love so true,

Remembering they are a part of You.

O! Speak and bless!"

And the wind from the uplands echoed "Yes."

WHARFEDALE.

THE SONG OF NIDDERDALE

As I came past the Brimham Rocks

I heard the thrushes calling,

And saw the pleasant, winding Nidd

In peaty ripples falling.

Its banks were gay with witching flowers,

And all the folk did hail

Me back again so cheerily

To bonnie Nidderdale.

The blackbirds in the birchen holts

The live-long day were singing,

Where countless azure hyacinths

Their perfumed bells were ringing.

And Guisecliff stands in loneliness

Between the moor and vale,

Protecting with its rocky scaur

My bonnie Nidderdale.

And as I passed thro' Pateley Brigg,

A woman carolled blithely,

And up and down the cobbled streets

The bairnies skipped so lithely.

The sky was blue, and silken clouds,

Each like an elfin sail,

Swept o'er the waking larchen woods

Of bonnie Nidderdale.

Where grey-stone dykes, and greyer garths

Look down on Ramsgill village,

The thieving, gawmless, gay tomtits

The little gardens pillage.

Grey Middlesmoor is perched upon

The fellside azure pale,

A mist-girt, lonely sentinel

O'er bonnie Nidderdale.

Above the dowly intake lands

The great wide moor is calling,

Of heathered bens and brackened glens,

Where peat-born rills are brawling.

O! land of ever-changing skies,

Where wild winds storm and wail,

There is nowhere a land more loved

Than bonnie Nidderdale.

NIDDERDALE.

SONG OF THE MISTS

When Twilight beckons from the ghyll

We follow, follow up the hill;

Garth, holt, and meadow we caress,

Enwreathing all with loveliness;

Small, silver, mauve-blue butterflies

Are born of our brief summer sighs;

Frail harebells in our arms we bring,

To curtsey to the reigning ling;

Bairnies who watch for us to rise

Steal azure from us for their eyes;

And poets find their Land of Dreams

Lost in the moonlight of our streams.

THE HOLE OF HORCUM, NEAR WHITBY.

WANDER-THIRST

There's a drop of Romany blood in me,

And days there are when it swirls and leaps

Like a river's race or a surging sea,

Stirring to life all my calmer deeps.

Then wandering, wandering must I go

And the great, wide, open places know.

For out in the world the woods are awake,

And I hear the voice of the calling Wind,

My wonderful wooer, my rough, sweet mate,

And follow I must! Perchance I'll find

His whip that drives the clouds o'er the fells,

And cracks in the corrie, like short, sharp bells.

The wild Ever-during is calling for me,

A missel's song and a curlew's cry,

Blent with a rivulet's minstrelsy,

And the crooning voice of the fir-top's sigh.

'Tis the great god Pan that I seek to find

Borne on the wings of my lover Wind.

"O! make me one with the wondrous earth,

God of the woods and the laughing rills!

Make me one with the lucent mirth

Of the Sun as he rides o'er the gorse-loved hills.

When I am gone and my singing is mute

Give to my Lover my silent lute."

ROSEBERRY TOPPING.

THE ROAD

Over the moor in the velvet dusk

Mysteriously it lies.

White thro' the heath and the swart fir woods

White 'neath the twilit skies.

'Tis hid in the folds of the purple hills,

Seeking a fern-fringed burn:

But it mounts again, then is lost once more,

With a tremulous, misting turn.

Where blue mists gather beneath the moon

It shows as a silvern stream.

O Path of Life, you are out of sight,

And lost in a wistful dream.

JUGGER HOWE DALE.

THE SWALING* OF THE MOOR

Oh! Moorland in September

To love and to remember.

The air is still and sunlit,

The moor's a russet bed,

The bracken's turning beryl,

The whortle leaves are red.

Here stand five sister pine-trees,

Gold-nimbussed by the sun;

And near, a slender rowan,

Its scarlet reign begun.

A runnel near is singing

A song of liquid glee,

A saucy, joyous blackbird

Tilts bubbling notes at me.

Then in a magic circle

Seven thick white smokes upcurl,

And forks of flame triumphant

Like crimson flags unfurl.

They rise with grace, and slowly—

Flower incense from the ling,

Repaying summer splendour

By an autumn offering.

Oh! Moorland in September

To love and to remember.

WEST END, BLUBBERHOUSES.

* The annual burning of the heather.

THE MOORS IN SUMMER

Up to the moorlands a lingtit has flown—

(Another meadow has yet to be mown

Before the sun goes under the hill).

I will hie me down, for a drink, to the rill:

A wheatear mimics the whinchat's call,

And a cuckoo cries from the Woods of Wath

As a heron soars over the verdant strath,

And an ousel pipes from the grey stone wall.

I drink in a dream—

The water flows from a Fairy Stream.

For the smell of the ling my heart is a-yearn,

And the sharp, sweet tang of a moorland burn.

The lingtit waited anent a gate

Where foxgloves held their midsummer fête,

Then on she sped o'er the feathery green

Of the bracken fronds, flying beneath and between,

Till she reached a dyke where the bents and moors

Stretched out to the sky in a rolling sea

Of wave upon wavelet of purpling glee,

O'er a land where the wistful lapwing lures.

I sought to rest

On the moorland's soft, sweet, heathery breast,

When out of the bilberries, spick and clean,

A small man stepped, in a coat of green.

He bowed to the earth, with an old-world grace,

Then lifted his eyes to my sun-tanned face:

"So you are the Mortal who drank from our rill,

A cordial welcome to Bilberry Hill!"

He peered again, and he watched mine eyes,

Then turning, he whistled the lapwing's note.

For a moment the melody seemed to float

O'er the heather; and then with increased surprise

I saw a troop

Of little green men around me group.

They all bowed low, "I thought you had fled

The Yorkshire Uplands, green men!" I said.

They smiled at each other. Their leader broke

The hush of the heather, and thus he spoke:

"Ling-men! her eyes are the eyes of the fells,

Grey as the clouds and blue as the bells

Of the harebell. See! how they flash and play

As the rivulet does 'neath the rowan and birk;

'Tis a glance in which there's loving a-lurk;

A glance that only is born on the brae.

Ling-men! I am sure

A changeling is she, and belongs to the moor.

Her way she lost as a weeny bairn.

Men found her, and town-ways they made her learn.

Capture her heart so she cannot roam

Far away from her grouse-loved home,

Weave from the cottony grasses a chain

That will pull at her heart with a wild, dear pain;

Fashion a gyve from the wings of the lark,

Manacles make from the bumble-bees' croon,

To keep her a captive from June to June,

To render her ours in the light, in the dark!"

They wove a spell

Which encircled me round from fell to fell.

O! it bound my heart for ever and aye,

To the lands where the Bilberry Ling-men play.

DALLOWGILL MOOR.

MY HERBARY

I know a little garden very old,

High-walled, with wandering paths of greenest box;

Beyond the doorway lies the rolling wold,

The open moorland, and the Brimham Rocks.

Here find a home all nigh-forgotten herbs;

The sage and rosemary nod side by side;

A giant lavender no pruning curbs,

With us each year the honesties abide.

Under a hawthorn, ruby-gemmed in May,

A bank of marjorams lie at their ease;

Here, lad's-love sigh their fragrant hearts away,

Whilst rippling lieds of water never cease.

Beside the cherry-tree the balsams flower,

The rue and mint bloom out a life-time meek;

A pleasant place it is at sunrise hour,

When sportful finches wing in hide-and-seek.

And where the aged, moss-grown sundial lies,

The peacock pert unfolds his wheel-rim tail,

Showing a hundred jewelled Argus eyes:

With harsh, shrill cry he bids the day "All hail."

More is he fitted for the fountained sward

Than for my herbary of butterflies;

No! I proclaim the lovelier throstle, Lord,

The only one my simples recognise.

PATELEY BRIDGE, NIDDERDALE.

RUSHES

Rushes by the river

Rear their heads of brown;

In the wind they quiver

With a warning frown.

"Do you want them, Fairest?

At thy feet they lie;

They were guarding, Rarest,—

Sentinels!—They die."

Wild things are not willing

To be captive ta'en:

"Cutting's almost killing,"

Is their sad refrain.

"Rushes in their beauty

Greenly-proud should stand:

Guarding is their duty—

River from the land."

DARLEY, NIDDERDALE.

SATAN* AND I

To-day there is no one as happy as I,

Who am free of the hills, of the dales, of the sky,

As I ride o'er the moors while the lapwings cry.

I ride thro' the whin, watch the rabbits run,

Then slowly I turn to bask in the sun—

Then gallop away o'er the crest, like fun.

And Satan, you fiend, with your knowing ways

And tricks, that you dream of for days and days,

And mem'ries of maddening hours of the chase;

Do you feel the liberty of the wind,

That wakes the fern-land with kisses kind,

And seeks with caresses our lips to find?

To-day, for us both to be out is joy,

Tho' I am a girl with the soul of a boy,

And you are a horse, whom the spurs annoy.

To just be alive is a blessing rare,

In a world of beauty, endlessly fair;

For Satan and I, we have no care.

ALMSCLIFFE CRAG, WHARFEDALE.

* The name of my horse.

TO THE WIND

Strong, powerful Sweetheart-Wind,

In tireless love-storm surging;

Great, bold, tempestuous Wind,

Ever thy passion urging.

Hold me close in thine arms,

O! strengthening ecstasy:

Wild, sweet, capturing arms—

Love! I am yearning for thee.

Eyes, hair, bosom caress,

My rowan-red lips now kiss;

Life-giving, wilful caress,

O! marvellous moorland bliss.

Great, strong lover o' mine,

I long for thy grand embrace;

Fierce, brave lover o' mine,

I yield to thee my heart's grace.

GREENHOW HILL.

SAADI AND THE ROSE

O summer, with thy magic gift of flowers

And soft bird voices, musicking the breeze,

While yet thy roses stir the lazy air

My soul wings back thro' centuries, as hours.

It journeys till it 'lights within a court

Where roses riot o'er veined-marble walls,

Where peacocks strut along the broad white steps,

Or over broideries by fair hands wrought.

Within the palace, divanned, rests a king,

Who watches listlessly the fountain's jet;

And at his feet the poet Saadi stands

And hears intent th' captured bulbuls sing.

A slave with soul on freedom bent he stands,

His eyes ablaze with restless ecstasy,

While all around him breathes magnificence

Of power imperial over many lands.

Within his slender hand he holds a rose;

Raising his head, he murmurs, "Mighty King!

Do good unto thy servant while thou canst:

Thou may'st not always mitigate his woes.

"Like to this fleeting glory, carmined deep,

The season of thy power is transient:

Do good, whilst yet thou canst—'before thine eyes

Close in thy last, forgetting, silent sleep."

O blood-red rose! Thy petals bring to me

The sunlit beauty of the Persian Court,

The voice of Saadi, pleading with the king

His freedom granted on thy crimson plea.

A ROSE-GARDEN IN AIREDALE.

THE DIFFERENCE

When the factories all are silenced,

And night brings her balm of sleep,

What are your last dear waking thoughts

Ere you drift into slumber deep?

Why, Darling Mine! they are all of work,

As your mind reviews the day:

Of the men you meet, of progress made,

Of struggles to make your way.

But I—when I nestle among the sheets,

Ere sleep my tired eyes woo,

Just count and repeat the loving words

That have fall'n to-day from you!

AIREDALE.

SONG OF THE PRIMROSES

Listen to the infant breeze,

Clutching at the nippled trees,

Where our yellow flowers are blowing,

Where the rivulet is flowing.

Over all the blue-cupped sky

Silver brooding clouds swim by;

See! The firstling swallow flying,

Later, owlets will be crying.

Come and mark the painter sun

Daub the earth with golden fun;

Hear the larches' fingers snapping,

As if goblin hands were clapping.

Smell the rain-sweet, thymy earth,

Feel the wonder of rebirth!

Far away a cuckoo's calling,

Notes that sound like twin bells falling.

Then a clearer voice replies

To his echo ere it dies,

And the blackbirds' voices mingle

With th' Eistedfodd in the dingle.

Gold-green poplars slowly wave

O'er the Winter's mossy grave;

Ferns are pointing curly fingers

Where the dead year's bracken lingers.

We have seen a hedgehog hide

Prickle-less to greet his bride;

Watched the baby otter shiver

Ere he plunged into the river.

We are critics of the bees,

Watch how they despoil and seize

From each cowslip saffron bounty;

Uncaught robbers of the county!

All the keenings of the bat,

Whimperings of the water-rat;

All the hopes of sister flowers

Come to us by gossip showers.

Tortoise-shelled butterflies,

On their dew-pearl'd wingful sighs,

Bear the news of elfin squabbles;

"Wounded Oberon still hobbles."

We are darlings of the Spring,

All her secrets she doth bring,

Runes of magic she discloses

To her confidant-Primroses.

ENVOI

We shall feel her joy-winged sigh,

When she hears the Summer's cry:

We shall droop and die of grieving,

When our lovely Spring is leaving.

LITTONDALE.

LILIES

When I am old, so very old

That all my own have passed away,

And I await Life's evening-gold,

A little figure, lone and grey;

I'll keep a garden, green and bright,

Then I'll forget approaching night.

A garden dear—with quaint-cut yews—

Bound by a hedge of bronzing beech,

And just before them I shall choose

The great white lilies that beseech,

With upturned faces, pure and staid,

Love from the little Mother Maid.

And close beside the lichened wall,

Lilies, aflame like scarlet fire,

Shall watch the little swallows fall

From out their nestlet in the byre;

And where the path strays to the stream,

The golden ones shall dying dream.

Then where the garden greets the wood,

A host of lily-bells shall ring

Their message clear that "all is good

Where God reigns over everything."

My garden-beauty, all shall see,

Is mirrored from Eternity.

A GARDEN IN AIREDALE.

THE PEAR-TREE

A rain of petals the pear-trees give,

As a pearly toll for the right to live.

Fragile petals that gently fall,

Like tears down the face of the old grey wall.

Around the bole, where the grasses grow,

Is a circle white as of melting snow.

An enchanted circle, flower-entwined,

Where hyacinth fingers the grasses bind.

The youngling thrushes soon learn how

To alight and shake the flowers from each bough.

The swallows tell their babes such tales!

That the tree is a ship with flower-white sails,

Anchored to Earth in the harbour of May;

But one moonless night she will sail away,

And a prim green tree will take the place

Of the phantom ship with its sails of lace.

Then in autumn the Orchardist Time will come,

And bear the fruit away to his home.

And later on he will heave a sigh,

That the little white tree some day must die.

So I write this verse to the little Pear-tree,

That both be remembered—it and me.

COXWOLD.

BEGGAR'S GOLD

I

Around me sounded effort manifold,

As creaking cranes swung ponderously slow,

At intervals I heard the hiss of steam,

The rhythmic beating of an iron's blow:

I thought,—this energy will sometime be

Transmuted into that which all men crave,

The magic metal, Gold, great Titan Gold,

Whom men make monarch when he should be slave.

And as I mused, above the jarring clang,

I heard a faint sweet sound of flutterings,

A tender movement, musical and low,

As of a fledgeling trying its young wings.

A gentle zephyr blew the casement wide,

A woman glided past the tapestry,

With russet golden hair, all gowned in gold.

She looked about her hesitatingly;

I heard her voice as if thro' beechen boughs,

Caressive as a moor-born singing burn,

And thro' it ran the lisping of the pines,

The lovely lilt of some gold-dying fern.

II

(She sang):

"Ye seek the gold of the city;

Ye cheat, ye brag, ye lie;

In quest of its sordid yellow

Ye hunger until ye die.

I offer ye gold for the having:

The mint of October's glow,

To warm your souls with its wonder,

Your souls, in their greed-bound snow.

Gold of the hedges I offer,

Marvellous gold of the ghyll,

Rowan-red gold from the forest,

Take from me, ye who will.

Gold ye need for your bodies,

O men of the smoke-chained town.

But know, that my gold's for the asking,

Gold for a Beggar's Crown."

III

She silently sped

As a star at morn

In the saffron track,

Of the day, dew-born,

Leaving a longing

Intensely strong

To own for myself

The gold of the song.

The city I'll leave

With footstep bold,

To seek for myself

The Beggar's Gold.

IV

I woke and found a leaf upon the floor,

And two more golden leaves outside the door.

AIREDALE.

ON EARLY RISING

THE LOVER:

Why not rise with dawn, my Lady?

Why miss these sweet hours?

Come with me: the ghyll is shady,

Carpeted with flowers;

Why miss these sweet hours?

Now thou liest a-bed, my jewel,

How canst thou still sleep?

To encase thyself is cruel—

Beauty thus to keep.

How canst thou still sleep?

HIS LADY:

At this hour, my simple lover,

I prefer to rest

Than to watch the tireless plover

Rise from dewy nest;

I prefer to rest.

Beauty such as mine, my lover,

(This I know is right)

Even thou wilt soon discover

Is more meet for night

(This I know is right).

THE SONG-MAKER:

In the daytime chirp the thrushes;

But the nightingale

Waits until the moonlit hushes

To pour forth her tale;

Wiser nightingale!

JEWELS

O! Gold I lack; I am a man

Who cannot give as others can;

No costly gems of value rare

Are mine to give, my Lady Fair!

Yet would I give, and of my best,

So delve the kingdom of mine eyes:

What say'st thou to a rope of pearls

Strung from the cirro-clouded skies?

A sunlit beck, just after rain,

Should from its ripples lend a chain

Of sparkling diamonds, very meet

To grace thy wrist, my Lady Sweet.

A peaty tarn, lost 'mong the hills,

Of beryl tint should make a ring;

The moors should yield a coronet

Of amethyst, from summer ling.

*****

Rubies? Already thou hast two!

They are the gems for which I sue.

RIBBLESDALE.

BARGAINING

There are many, many forests lying north, south, east, and west,

There are many, many rivers moving slowly to the sea,

But there's a wood of budding beech that claims the heart of me,

And there's a little singing beck that falls from heathered crest.

O! I would give the universe to own that singing stream,

And watch the stars a-hiding from the rosy-fingered morn,

While cuckoos wake the fellside, and daffodils are born—

O! any one can have the world, so I may keep my stream—

Yet would I barter beechen wood and little singing beck

If I could fold my arms once more around my sweetheart's neck.

NIDDERDALE.

SONG OF GOOD-BYE

The ship is speeding fast from out the bay,

Instead of thine, I feel a kiss of spray;

My face is lashed by salt winds from the sea,

My eyes are wet with parting now from thee.

O Husband Sweetheart! send to me a thought—

Some loving word, perchance my lips have taught!

The evening fades to purple, darkly blue,

The air is chill, a few white stars creep through

The steely buckler of the northern sky;

One lonely sound recurs—a sew-mew's cry.

O Husband Sweetheart! send thy heart to me

Across this tireless, surging, tossing sea!

To-night we're severed, many miles apart:

I wonder, canst thou rest, my Dearest Heart?

In Court of Dreams perhaps we'll briefly meet

And kiss upon the Borderland of Sleep.

O Husband Sweetheart! say for me a prayer—

God give you peace, and have you in His care!

OFF THE YORKSHIRE COAST.

KING YESTERDAY

You and King Yesterday both have fled

To the Land-of-the-beautiful-days-that-are-dead.

How full of bird music the dewy-fair Morn

When Yesterday, King of the Past, was born;

How rosy with roses the passionate noon

When you and King Yesterday ruled sweet June;

How royal with splendour the crimsoning west

As Yesterday bravely grew old with zest;

And eve was a glamour of emerald light

When Yesterday greeted the world "Good-night."

Oh! You and King Yesterday gently wean

My thoughts to the Country-it-might-have-been.

KISSING

Thou canst not kiss without consent,

For know, dear Thief, a kiss is lent;

And if thou takest one to-day,

With interest must thou repay:

One now, next week I'll count in fives,—

Thou'lt owe some scores in Paradise!

TANFIELD, WENSLEYDALE.

PHILOSOPHY

Some tell me "Life is a weariful thing,

That Sorrow remains, while joy takes wing."

But Sorrow and I already have met:

His face is wan and his lips are set;

He cometh and goeth on silent feet,

Yet between his visits are moments sweet,

Moments that come like a blackbird's dart,

When Happiness holds me close to his heart;

When I sense the rapture of swinging skies

And know the thrill of the spring's surprise,

As I lie on the mothering Earth's deep breast

And clasp my tremulous bosom, lest

Some unknown loveliness I might miss,

Or forgetful be of the West Wind's kiss.

Like the blackbird's notes in the early hours

Which fall like a peal of silver flowers,

Joy rings his bells in my waiting ears,

And Sorrow departs to his silent meres.

"And if he returns?"—my soul will sing

Remembering Joy who has taken wing!

RILSTONE FELL.

A THRUSH'S SONG

(To My First Love, Daddy)

A thrush's call

Has chanced to fall

Into my heart

Where dwell apart

Dear memories

Of summer skies,

Of heartsome days,

Of flower-fair ways,

Of kisses shy

With people high.

What did I ken

Of lovers then,

Of lover-laws,

Of lover-saws?

The sweet, sweet earth

Was giving birth

To lovely things

With songs and wings;

And yonder thrush

On yonder bush

Brings home to me

The little years of memory.

A FEBRUARY DAY

(There is a country saying that spring has not come until you can set your foot on seven daisies at once)

"O! How do you know

When spring has come?

Still falls the snow

And the birds are dumb."

The grass will wear

A greener tone,

The thrush will dare

To carol alone.

The silver rain

Will warmly fall,

The woods will gain

The blackbird's call.

But the way to tell,

And the only way,

Is to find a dell

Where the breezes play,

And seek and seek

Where the daisy-bloom

Shows white and meek

Like a baby moon.

And when your foot treads

With tender fear

On seven white heads,—

Then spring is here.

COXWOLD.

LAUS DEO

(For My Little God-son)

God Darling! Listen to my song,

The one I sing the whole day long,

Of thanks to Thee for every good,

Whether at home, in field, or wood.

I thank Thee for the lovely spring,

And for Thy little birds that sing;

I thank Thee for the summer's sun,

When 'mong the roses I can run.

I thank Thee for the sickle time,

When corn is ripe, and apples prime.

I thank Thee for the deep white snow,

When I tobogganing can go.

I thank Thee for the bright sweet day,

For hours of love and work and play;

I thank Thee for the deep blue night

When I and flower-buds fold up tight.

NIDDERDALE.

"PAST-TEN-O'CLOCK-LAND"

"It was Moonlight Land and Past-ten-o'clock Land and we were in it and of it."—KENNETH GRAHAM.

There's a lovely land that is all your own,

If your years but number ten,

Where the cherryblossom's ever in flower,

And found in "Past-ten-o'clock Glen."

There's a river with musical water-falls,

You paddle as long as you please,

And the daisies don't die as you pick them,

When found on "Past-ten-o'clock Leas."

And the rivulet leads to a harbour,

Full of the quaintest of ships,

One wish will transport you to China,

Or other "Past-ten-o'clock Trips."

Away in dim mountains of amber,

Which drop sheer down to the waves,

Fierce brigands, be-weaponed and ear-ringed,

Live in "Past-ten-o'clock Caves."

O! the folk understand you and love you,

You never can do any wrong—

You can shoot the cat with a catapult,

Or shout the "Past-ten-o'clock Song."

You can play you are really an otter,

And get as wet as you like;

You can lie in wait as a Redskin does,

In a deep "Past-ten-o'clock Dyke."

It's a lovely land that is all your own,

If you're only ten years old,

But when you are more, you are apt to forget

"Past-Ten-o'clock-Dreams of Gold!"

BARDEN FELL, WHARFEDALE.

TO MEMORY

Mem'ry, sweet witch! you brought him to my door.

I heard you knock, and saw your fingers ope

The rosy gateway of a lingering hope,

And I beheld his dear face as of yore.

You held him by the hand I oft caressed,

And seemed so small a sprite by his tall side,

As in his leathern coat you tried to hide,

The same old coat my cheek so often pressed.

Then searchingly his deep blue eyes found mine,

As if to plead against forgetfulness,

With all the old-time loving kindliness:

And then you led him back without one sign.

Sweet little Mem'ry, lead him back once more,

And, knocking, bring him in, and close the door.

A WAR PRAYER FOR A LITTLE BOY

Morning

The day is just beginning,

But all the long night through,

The sailor-men were watching

Out in the dark night blue.

Dear God! when my turn comes,

May my watch be as true.

Evening

The long, still night is coming,

But whilst I've been at play,

The soldier-men were fighting

Thro' all the live-long day.

Dear God! when my turn comes,

Please keep me brave as they.

ROBIN HOOD'S BAY.

STAR-SCANDAL

One summer eve, my own dear love and I

Sat arm-entwined beneath a rowan-tree.

A little wind flew past us with a sigh,

And all the velvet leaves waved merrily.

Then, as mine eyes escaped his ardent glance,

I saw a star peep o'er the purple hill

And climb up to the topmost branch and dance,

And wink at its reflection in the rill.

"Come, kiss me once, O timorous-hearted Love.

Full many thousand kisses dost thou owe.

Prithee but one, thy pretty love to prove;

No one in all the world shall ever know."

No one? That spying star but told a poet,

And in a song he let the whole world know it.

THE FIRST OF JULY 1916

For the Mothers, Wives, and Sweethearts

of the 15th West Yorks ("Leeds Pals")

I

'Tis passing wonderful that they,

The little boys of yesterday,

Should suddenly become such men

That England rings with praise of them.

But tho' their names are writ in blood

—Deepening crimson flood on flood—

Their impositions writ awry

And copybooks are hardly dry;

And Sweetheart Life had scarcely kissed

The boy to man, when the blue mist

Of twilight lifted; and the dawn

Announced that rosy day was born.

As pink-curled clouds lit up the sky

A little gentle breeze whisked by

Caressing all the poppy-heads—

Rippling fields of budding reds—

Splashes of yellow sunned the earth

Where mustard meadows flowered mirth;

And cornflowers blue ran out to meet

The blue around God's Mercy-seat.

O! all the world and all the sky

Made it a sacrifice to die.

II

'Tis passing wonderful that they,

The little boys of yesterday,

Who cuddled to dear Mother-hearts

With darling rosy-fingered arts,

Did cheer with strong expectancy

The shattering artillery;

And smilingly went o'er the top

Unflinchingly without a stop

Into the poppied "No Man's Land."

Wave after wave, band after band,

Through the terror of bursting shells,

Through the noise of a thousand hells,

Through th' unmanning groans of pain,

Through the blood of the splendid slain

Lying under a blue-cupped sky,

As wave after wave swept bravely by.

From flowers of blue to the Endless Blue

Hundreds of souls are passing thro',

And the poppies weep o'er the red-spilled lives:

O! at home are the mothers, the waiting wives.

III

'Tis passing wonderful that they,

The little boys of yesterday

Who played with us, who teased us too,

Should such tremendous actions do.

No praise, no honour is too high

For those who gave so cheerfully:

Gave up the wonder of the spring,

Gave up the wealth that summers bring,

Gave up the gold of autumn's store,

Leaving us richer than before.

Unflinching bravery of soul!

Ring out your splendid deathless toll,

Ring down the years untiringly

In the hearts of the children-yet-to-be.

The carillon of your ideals

You'll hear again in their sweet peals;

God grant that we may squarely fight

For all you held to be upright.

LEEDS, July 1st, 1917.

"THE IDEAL MAN"

He should be strong—as strong as Thor of old;

And faults of strength 'twere better he possessed

Than quavering mind or any lack of zest

When the time needs a right arm coolly bold.

Truth should to him be what the unpent song

Is to the soaring lark; with kindly thought

For everything that cold Misfortune's sought;

With earnest faith to fight a cause proved wrong.

A heart that finds the best in every man;

Impatient he should be at all delay

Or if not giv'n at once his own sweet way—

(But then a fault or two is Nature's plan),

Yet I would wish his chiefest fault should be

A wilfulness to see no fault in me!

SEMER WATER.

TO THE COMING SPRING

Hope and Spring! You are sisters!

In my woodlands

The primroses are peeping

With pale, sweet golden eyes,

In spite of Winter's weeping.

In my woodlands

A thrush has just swung, dipping,

In search of his spring voice;

The trees stand dripping, dripping.

In my woodlands

Harsh Winter coldly shivers;

The windflower, white adventurer,

With hope of springtime quivers.

Soon my woodlands,

Bearing bannerets of Spring,

Will be every moment musical

With birds that, mating, sing.

Hope and Spring! You are sisters!

Oh, Spring! Spring!

Since the Autumn died in glory,

How I have yearned for your coming

Thro' the cloistral fog-bound days,

Your beauty seemed a story

That would never be told again.

Spring! of the pearly cloud-skies

Soft-curled as a baby's hand,

Turquoise as children's eyes,

Of rainbow-tinctured days

And twittering song of the eaves!

Spring! You desired vision,

The wind in your primrose hair,

Your eyes, too, weepingly ready,

Your face, an anemone fair;

Your train, a burgeoning pattern

Be-sprent with woodland flowers,

Blackthorn, daffies, bluebells,

Marking the flight of our hours.

Spring! Tho' it still is Winter,

In your mystic sleep you smile,

Yet the primroses and the thrush on wing

Know that even in sleep you sing;

You wondrous, envassaling, longed-for Maid!

Oh! If Death came now I should be afraid:

I have longed for you so the dark months thro',

That I must see the pulsing glory of you;

And your little hand-maidens in their turn—

For each at their 'pointed times I yearn.

Virginal snowdrop,

Firstling of Spring!

Crocus, herald of purple and gold,

Wistful windflowers,

Celandined stars,

Every one to my heart I fold.

Snow-soft blackthorn,

You wild, fair sweet,

The scent of you brings

A flutter of wings;

And, almond blossom,

You stole at dawn

The pale dream vest

Of the infant morn.

Of a pool of blue I dream—

Hyacinths, waving in ripples of blue.

There is nothing so fair the whole world thro'

As when quivering sun and quivering wind

Jocundly, joyously, leapingly find

A young green wood in a lazuli dream.

O Spring, if I lay on my dying bed

I should wait to die, till your glory had fled,

I could not go ere the cuckoo had cried

His impudent call to the countryside:

Not till the swallows had loyally come

To their nesting place, in my liefest home,

And then I should wait for the blackbird's note

To leap from his melody-stirring throat.

Ah! And to feel the April rain

Pattering on my face again.

God grant that I do not die in the Spring,

When my whole soul rebels to live and sing;

As we all must die, so let me die

When the grey November fogs are nigh;

Not for a longer space of heaven

Would I forfeit one day, nay, one single hour,

One sweet bird-cry, or one haunting flower,

Of my beautiful, longed-for, fleeting Spring.

Hope and Spring! You are sisters!

'Tis Winter still,

But you stir in sleep

Tho' the cold gusts blow

And the bare trees weep.

But the early primrose

And flitting thrush

Have watched you smile

And have seen you blush.

And tho' it is long

Ere yet you rise,

And the blue of your glance

Reflect in the skies;

My heart is awake

And ready to sing

The moment you beckon,

Sweet, glorious Spring!

Hope and Spring! You are sisters!

PATELEY BRIDGE, NIDDERDALE,

QUESTION

O Seats of ancient learning, Philosophers and Sages!

A child has put a question, which I cannot find in pages

Of any tome in any land: and so the answer's missed.

"Where do all the kisses go, after they are kissed?"

THE DALES OF ARCADY

FIRST DAY

Hearken! The South Wind's voice.

My lover returns, and the valleys rejoice.

The bees fly upward to watch his flight,

The butterflies quiver with glad delight,

As he teasingly touches their jewelled wings.

O! at his bidding the whitethroat swings

In thrillant blue. A thrush's call

Blends with a blackbird's madrigal.

I steadily gazed at my silent pen,

Attempting to keep from my straying ken

An Eden of woods, of bosoming hills,

Of verdant hedges, of wandering rills.

How can one work

When a Lover amid the flowers will lurk?

He tip-toes in thro' the window-door,

And whisks my papers on to the floor;

With flower-steeped hands he caresses my hair,

And whispers alluringly,

"Fair, most Fair,

Slip your slender hand in mine, my Sweeting,

Hear! the skylarks cleave the blue with greeting,

Hear the blackcap on the thorn at even

Trill truths that echo to the highest heaven,

Leave your world of carking care, time-haunted,

For a country ever spring-enchaunted."

He leads me on to the dewy grass,

Where maiden primroses troop and pass;

With a gleesome kiss in his arms he swings

Me up 'twixt his eagle-wide rainbow wings:

Over a willowy coppice he goes

Flicking the hedges of milk-white sloes,

Over the blazon of heralding gorse,

Deftly he steers his ethereal course

Over anemone hillocks, o'er leas,

Hyacinth-dimpled, o'er buttercupped leas,

Over the ings where forget-me-not eyes

Borrow the blue of azureal skies;

Over the meadow-flats, higher and higher,

Sweeping the strings of the cloud-strung lyre.

The lilt of the planets is in mine ear,

Crystal dropping on crystal clear:

"O Wind, my Lover,

My mortal eyes must you surely cover:

Such beauty will make me beauty-blind,

Protect mine eyes, O my Lover Wind."

Then, as I lost my indrawn breath,

He swirled me down to the earth beneath,

Down thro' the depths of a forest of pine,

On to a carpet of celandine.

The goldcrests twittered, the squirrels chased,

While the lofty pines, brown arms enlaced,

Lisped a dryad-taught melody, sung by the sea.

Known in the valleys of Arcady.

For a little space did my Lover sleep,

While the gold-mailed sun with me did keep

A radiant watch; but when Eventide

In saffron-rose wrapped the woodland side,

He started up, and he kissed my neck,

Then, bidding me rise at his instant beck,

We passed where the sovran oak-trees nod,

Where never a human foot has trod,

Where birches sway in slenderest grace,

That never have seen a mortal's face;

Where rivulets hasten in sweet surprise,

A wonder beneath my wond'ring eyes;

A lakelet trembled beneath my glance,

The lily-white elfins ceased their dance;

A cherry-tree flung confetti down,

And framed for my head a loving crown.

Soft-toned bells

Called to each other across the fells.

While music played on a reeded flute

Stilled the air, and the birds were mute.

"O leaf-loving Zephyr, whence cometh the mirth

Of this melody? Owns my mothering Earth

A piper who pipes so alluringly

Of beauty that is, of beauty to be?

Onward! o'er thousands of blushet-shy daisies,

To find this piper of beautiful phrases."

'Mong flocks of goats, and of leaping lambs,

The piper sat. Two fierce-horned rams

Made a fleecy cushion whereon he sat,

And a sleeping ewe made a creamy mat

For his hoofed feet. His music ceased.

Green were his eyes, and they seemed well pleased

As they lit on our forms:

"O! Pan, great Pan!

This mortal thy kingdom of beauty would span,

And she would learn of the singing seasons'

Wonderful featness; of all the reasons.

The hill and the wood and the rippling rill

The air with different melodies fill;

Where bonnibel April latest was sent,

When May filled the world with her wonderment!

Who teaches the cuckoo his twin-bell call?

The opening notes of a festival

To jubilate the reign of the summer

Beauteous, queenliest, rosy-robed comer.

O Pan! I bring

A mortal whose soul is afire to sing."

Pan smiled—a smile like a twisted oak—

Then beckoned to me, while the forest spoke,

"Evoë, great Pan," sang the lark on high,

"Evoë, great Pan," from the uttermost sky;

I drew near and stood beside his knee:

He handed his reeded flute to me,

And kept his eyes, of a forest green,

On my trembling hands. O! well, I ween,

He knew that my amateur hands were weak,

For the spirit of me was meek, so meek,

And his green eyes glimmered with rising glee.

My masterful Lover whispered to me,

"Put your lips to the flute with mine,

Heedless of self-hood, in song be divine."

And placing near mine his golden-sweet mouth,

A rondeau he sang of the forest's youth.

Pan spoke at last: "Child! wander and learn

The lilt of the bird and the song of the burn:

And when thou hast learned from the burn and the bird

Thou'lt find me again" (the forest heart stirred).

"Hail! child from the plaintful Kingdom of Man."

The mountain-tops shouted, "Evoë, great Pan!"

The rivers sang deeply, "Evoë, great Pan!"

And whisperingly I, "Evoë, great Pan!"

SECOND DAY

The rose-trees show but a tuft of green

Where a stern, cold pruning-knife has been,

But they promise a summer of fragrant wealth:

How the small buds come to the light by stealth

Like pixies shy; yet a pruning knife

Leads every browny-bare branch to life.

Slowly I passed thro' the rustic gate,

Where wine-red roses will hold June fête;

The wind stole out from the blossoming row

Of the cherry-trees, and he whispered low:

"Are you content to be bound by a wall,

E'en tho' it boundeth things beautiful?

Tho' cherry and apple bloom over it fall,

Always it is, and it hath been, a wall.

'Tis true that thro' it there is a wicket,

But what can it know of the wild grown thicket

That grows where its pathway may never wander:

Out of this garden—the blue land yonder?"

And a cuckoo called; and the echo ran,

"Evoë, Evoë, Evoë, great Pan!"

Then my Lover lifted me up in his arms,

And swiftly arose. How the grey-roofed farms

Receded into the cup-like earth!

And I chanted a canzone of Springtime and Birth,

Which called o'er the sea to the firstling swallow,

Who flew beside us o'er height and hollow,

Till others came from their home of the Sun,

And the farm-folk cried, "Dear Summer's begun."

Hundreds and thousands followed our flight—

ALL ENGLAND WILL HAVE A SWALLOW TO-NIGHT.

By the old elm's portal of Arcady

My Lover alighted and whispered to me,

"O lily of laughter! O sister of flowers!

Wander alone in Arcadian bowers,

And I will return when the sun goes down,

And wing you home to your grey, grey town.

I kiss your little white hands and feet:

Farewell!" And he rose, on wings so fleet

Over the nests in the cradling larch,

Over the bow of the rainbow's arch.

Where conifers grow in fine profusion,

And birches quiver in sweet confusion,

Where hawthorn waits with a danseuse grace

To burst on the scene with her milk-white face,

And pirouette near some stately spruce,

Scattering around him pearly dews,

Where rabbits scamper thro' grasses lush,

And a pheasant's screech breaks the noon-day hush,

I journeyed on, till the sun began

His westering course.

"Evoë, great Pan!

Never a note of your pipings to-day

Has guided my steps thro' the sylvan way.

O! where must I seek in this Paradise?"

"Evoë, Evoë," a linnet sighs,

"Seek where the sisterly marshes are,

Where the marigold twinkles, a golden star,

Where willow and alder hide the river,

Where timid reed-warblers tremble and shiver."

The sky showed pink thro' the branches grey,

And then I heard, as if far away,

A tremulous song, a music of fears

That was strung together by trills of tears,

A quivering star glowed, curtained by leaves,

And the hullets called from some distant eaves.

I found Pan crouched by the river's edge,

His hoofed feet hid by the rushy sedge,

And I listened his plaint.

"O great god Pan,

You sing with the broken heart of a man!

Your song is of Syrinx, who, æons ago,

Escaped from your loving. Alas! that you know

The music of love, and the music of lack,

And you mourn for the hours that cannot come back,—

But I would learn of merrier things:

The melody murmurs of fluttering wings,

The secrets that fill the nightingaled glades,

The music that stirs in the leaf-colonnades."

He piped for a minute, then, turning to me,

With a wry, queer smile, said: "In Arcady

No song goes forth to the listening earth

That comes not thro' travail and tears to birth:

The river weeps as it leaves the fell,

And the note cries out as it mourns the bell;

The bird that praises the young, fair dawn,

Sings of his loss on the twilit lawn,

And those that hymn of the coming spring

Lament for her too, when she taketh wing.

The song of songs is of Death and of Love—

I sing of Syrinx, my own ... lost ... love."

He piped again, and the blue mists frail

Swayed in the dusk to the tender wail,

And I dreamed—till I felt on my damp, moist hair,

My Love's cool hand, and his whisper, "Fair,"

Then I felt his arms, and I knew the skies,

Whilst over the mountains I saw Dawn arise,

And another sweet day its course began,

While the hidden stars sang, "Evoë, great Pan!"

And the lark in the blue, "Evoë, great Pan!"

And wistfully I, "Evoë, great Pan!"

A WAR-TIME GRACE

Dear God, your rain and shining sun

Have all their lovely duties done:

The rain makes grow the golden wheat

And so provides the bread we eat.

The cow gives us the milk we drink

Because she loves your sun, I think.

Please, grant that other children may

Have milk and bread enough this day.

NIDDERDALE.

QUEEN MAB'S AWAKENING

SCENE: The Meeting of the Waters, in Bolton Woods, Wharfedale.

QUEEN MAB lies sleepily in a mossy hollow, guarded by a quivering frond of last year's bracken. After a little yawn she discontentedly gazes at THE THRUSH who is singing continuously, whilst balancing himself on a twig of the leafless hawthorn above her.

QUEEN MAB (almost peevishly for a Queen):

Thou saucy bird, to wake me from my slumber,

The spring still tarries, and I would not wake

To live thro' cloud-spun days, thro' endless nights;

To watch the weeping rain, until I too

Would mix my tears with hers. To see the hills

Bow their nude forms beneath the lashing hail,

To hear the strong trees groan.

I will not wake.

THE THRUSH (practising trills between each line and minor arpeggios after each verse):

Queen Mab! Queen Mab!

Listen my lay!

A windflower leapt

In the hedge to-day.

One of thy dimples

Lent its mirth

To lessen the gloom

Of the snow-tired earth.

A white-faced flower's

In the hedge to-day,

Queen Mab! Queen Mab!

Listen my lay!

QUEEN MAB (impetuously):

Please, hush thy noisy song a little while.

Maybe a windflower shows her shy white face,

But I have seen anemones in snow,

Hiding their eyes (false messengers of Spring),

Justly ashamed of their own perfidy.

Therefore, sing softly.

QUEEN MAB curls herself up among her emerald cushions, closes her azure eyes, and sleeps for several days.

THE THRUSH (his voice a degree sweeter and surer):

Queen Mab! Queen Mab!

Awake! Awake!

A primrose blooms

In the woodland brake.

From thy sleepy lips

Has tumbled a smile

Which lies a-blossoming

Near the stile.

A primrose blooms

In the woodland brake!

Queen Mab! Queen Mab!

Awake! Awake!

A blue tit from a neighbourly silver birch softly mimics the trills after the last line.

QUEEN MAB (half opening her eyes):

O tiresome bird, one primrose does not bring

The warm sweet days for which I yearning wait.

Know, I have seen the hillside amber-pied

With primroses, and yet a fierce gale swept

Adown the dale. Primroses are brave,

But, tho' they blossom, leave me to my dreams.

Once more she nestles among the jade-green moss and sleeps for a week.

THE THRUSH (louder and clearer):

Queen Mab! Queen Mab!

From thy faerie dream

Has sped a laugh

Like a sunny gleam

Which springs to earth

A daffy-down-dill

That merrily flouts

At the purling rill,

Thy laugh has sped

O'er the hillside grey:

Queen Mab! Queen Mab!

Listen my lay!

The cuckoo calls wistfully from down-dale, but QUEEN MAB does not hear him.

QUEEN MAB (stretching her small white arms and yawning dreamily):

Methinks the air feels warmer, and the sky

Seems bluer, yet mine eyes are loath to ope.

I will not wake at once:

How the birds sing!

I did not think the world held so much song.

That note's a blackbird's; that's a finch's call;

A wren has whispered secrets to his mate;

Two doves are cooing where green curtains hang,

Half shyly, lest their love-songs should be heard;

Yet, 'tis not spring until the cuckoo cries.

The cuckoo's voice is heard nearer, coming from Bolton Abbey, and a second voice answers,

Cuckoo! Cuckoo!

From Barden Fell.

THE THRUSH (his voice jubilantly strong):

Queen Mab! Queen Mab!

Thy hyacinth eyes

Have filled the coppice

With azure sighs.

My loved little queen

Of windflower feet,

Of daffodil-laughter

So primrose-sweet!

The rippling wood

Is a bluey lake.

Queen Mab! Queen Mab!

Awake! Awake!

QUEEN MAB (wide awake now, springs from her couch and curtsies to the World, north, south, east, and west, then raises her arms to the Sun):

Gold Sun, I greet thee; do not hide thy face

Too soon behind the wistful little hills.

Thou art my lover, faithless, fickle, fair,

And leav'st me all too soon; my kingdom's naught

Without thy splendid presence; stay awhile.

Old World, old wrinkled granddame, thee I greet;

Thy loving smile renews thy youth once more.

For months I slept upon thy broad brown breast;

I thank thee, granddame, for so good a rest.

Ye birds that whistle, hares that limping run,

And little soft-eared rabbits, velvet shod,

Great wayward mortals, with unseeing eyes,

I greet you one and all, for Spring has come.

Laugh with the sun, muse with the silver showers;

Laugh and make merry, Spring is all too fleet,

And soon will dance away on flower-loved feet.

Exit QUEEN MAB in search of her court of butterflies. Above the bird-music is heard the insistent cry of the cuckoo, till the fells re-echo with his calling.

BOLTON WOODS, WHARFEDALE.

Printed by Hazell, Watson & Viney, Ld., London and Aylesbury.

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Table of Contents

PROLOGUE

DALESHIRE

ON OTLEY CHEVIN

THE SONG OF NIDDERDALE

SONG OF THE MISTS

WANDER-THIRST

THE ROAD

THE SWALING* OF THE MOOR

THE MOORS IN SUMMER

MY HERBARY

RUSHES

SATAN* AND I

TO THE WIND

SAADI AND THE ROSE

THE DIFFERENCE

SONG OF THE PRIMROSES

LILIES

THE PEAR-TREE

BEGGAR'S GOLD

I

II

III

IV

ON EARLY RISING

JEWELS

BARGAINING

SONG OF GOOD-BYE

KING YESTERDAY

KISSING

PHILOSOPHY

A THRUSH'S SONG

A FEBRUARY DAY

LAUS DEO

"PAST-TEN-O'CLOCK-LAND"

TO MEMORY

A WAR PRAYER FOR A LITTLE BOY

STAR-SCANDAL

THE FIRST OF JULY 1916

I

II

III

"THE IDEAL MAN"

TO THE COMING SPRING

QUESTION

THE DALES OF ARCADY

A WAR-TIME GRACE

QUEEN MAB'S AWAKENING

THE FULL PROJECT GUTENBERG™ LICENSE