The Parenticide Club
Date: 2003-02-02T00:00:00+00:00
Keywords: Short stories; American; Horror tales; Murderers -- Fiction; Parricide -- Fiction

The Project Gutenberg eBook of The Parenticide Club

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Parenticide Club

Author: Ambrose Bierce

Release date: February 1, 2003 [eBook #3715]
Most recently updated: January 8, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/3715

Credits: Produced by Paul J. Hollander. HTML version by Al Haines.

*** START OF THE PROJECT GUTENBERG EBOOK THE PARENTICIDE CLUB ***

THE PARENTICIDE CLUB

by

Ambrose Bierce

CONTENTS

My Favorite Murder
Oil of Dog
An Imperfect Conflagration
The Hypnotist

MY FAVORITE MURDER

Having murdered my mother under circumstances of singular atrocity, I was arrested and put upon my trial, which lasted seven years. In charging the jury, the judge of the Court of Acquittal remarked that it was one of the most ghastly crimes that he had ever been called upon to explain away.

At this, my attorney rose and said:

"May it please your Honor, crimes are ghastly or agreeable only by comparison. If you were familiar with the details of my client's previous murder of his uncle you would discern in his later offense (if offense it may be called) something in the nature of tender forbearance and filial consideration for the feelings of the victim. The appalling ferocity of the former assassination was indeed inconsistent with any hypothesis but that of guilt; and had it not been for the fact that the honorable judge before whom he was tried was the president of a life insurance company that took risks on hanging, and in which my client held a policy, it is hard to see how he could decently have been acquitted. If your Honor would like to hear about it for instruction and guidance of your Honor's mind, this unfortunate man, my client, will consent to give himself the pain of relating it under oath."

The district attorney said: "Your Honor, I object. Such a statement would be in the nature of evidence, and the testimony in this case is closed. The prisoner's statement should have been introduced three years ago, in the spring of 1881."

"In a statutory sense," said the judge, "you are right, and in the Court of Objections and Technicalities you would get a ruling in your favor. But not in a Court of Acquittal. The objection is overruled."

"I except," said the district attorney.

"You cannot do that," the judge said. "I must remind you that in order to take an exception you must first get this case transferred for a time to the Court of Exceptions on a formal motion duly supported by affidavits. A motion to that effect by your predecessor in office was denied by me during the first year of this trial. Mr. Clerk, swear the prisoner."

The customary oath having been administered, I made the following statement, which impressed the judge with so strong a sense of the comparative triviality of the offense for which I was on trial that he made no further search for mitigating circumstances, but simply instructed the jury to acquit, and I left the court, without a stain upon my reputation:

"I was born in 1856 in Kalamakee, Mich., of honest and reputable parents, one of whom Heaven has mercifully spared to comfort me in my later years. In 1867 the family came to California and settled near Nigger Head, where my father opened a road agency and prospered beyond the dreams of avarice. He was a reticent, saturnine man then, though his increasing years have now somewhat relaxed the austerity of his disposition, and I believe that nothing but his memory of the sad event for which I am now on trial prevents him from manifesting a genuine hilarity.

"Four years after we had set up the road agency an itinerant preacher came along, and having no other way to pay for the night's lodging that we gave him, favored us with an exhortation of such power that, praise God, we were all converted to religion. My father at once sent for his brother, the Hon. William Ridley of Stockton, and on his arrival turned over the agency to him, charging him nothing for the franchise nor plant—the latter consisting of a Winchester rifle, a sawed-off shotgun, and an assortment of masks made out of flour sacks. The family then moved to Ghost Rock and opened a dance house. It was called 'The Saints' Rest Hurdy-Gurdy,' and the proceedings each night began with prayer. It was there that my now sainted mother, by her grace in the dance, acquired the sobriquet of 'The Bucking Walrus.'

"In the fall of '75 I had occasion to visit Coyote, on the road to Mahala, and took the stage at Ghost Rock. There were four other passengers. About three miles beyond Nigger Head, persons whom I identified as my Uncle William and his two sons held up the stage. Finding nothing in the express box, they went through the passengers. I acted a most honorable part in the affair, placing myself in line with the others, holding up my hands and permitting myself to be deprived of forty dollars and a gold watch. From my behavior no one could have suspected that I knew the gentlemen who gave the entertainment. A few days later, when I went to Nigger Head and asked for the return of my money and watch my uncle and cousins swore they knew nothing of the matter, and they affected a belief that my father and I had done the job ourselves in dishonest violation of commercial good faith. Uncle William even threatened to retaliate by starting an opposition dance house at Ghost Rock. As 'The Saints' Rest' had become rather unpopular, I saw that this would assuredly ruin it and prove a paying enterprise, so I told my uncle that I was willing to overlook the past if he would take me into the scheme and keep the partnership a secret from my father. This fair offer he rejected, and I then perceived that it would be better and more satisfactory if he were dead.

"My plans to that end were soon perfected, and communicating them to my dear parents I had the gratification of receiving their approval. My father said he was proud of me, and my mother promised that although her religion forbade her to assist in taking human life I should have the advantage of her prayers for my success. As a preliminary measure looking to my security in case of detection I made an application for membership in that powerful order, the Knights of Murder, and in due course was received as a member of the Ghost Rock commandery. On the day that my probation ended I was for the first time permitted to inspect the records of the order and learn who belonged to it—all the rites of initiation having been conducted in masks. Fancy my delight when, in looking over the roll of membership, I found the third name to be that of my uncle, who indeed was junior vice-chancellor of the order! Here was an opportunity exceeding my wildest dreams—to murder I could add insubordination and treachery. It was what my good mother would have called 'a special Providence.'

"At about this time something occurred which caused my cup of joy, already full, to overflow on all sides, a circular cataract of bliss. Three men, strangers in that locality, were arrested for the stage robbery in which I had lost my money and watch. They were brought to trial and, despite my efforts to clear them and fasten the guilt upon three of the most respectable and worthy citizens of Ghost Rock, convicted on the clearest proof. The murder would now be as wanton and reasonless as I could wish.

"One morning I shouldered my Winchester rifle, and going over to my uncle's house, near Nigger Head, asked my Aunt Mary, his wife, if he were at home, adding that I had come to kill him. My aunt replied with her peculiar smile that so many gentlemen called on that errand and were afterward carried away without having performed it that I must excuse her for doubting my good faith in the matter. She said I did not look as if I would kill anybody, so, as a proof of good faith I leveled my rifle and wounded a Chinaman who happened to be passing the house. She said she knew whole families that could do a thing of that kind, but Bill Ridley was a horse of another color. She said, however, that I would find him over on the other side of the creek in the sheep lot; and she added that she hoped the best man would win.

"My Aunt Mary was one of the most fair-minded women that I have ever met.

"I found my uncle down on his knees engaged in skinning a sheep. Seeing that he had neither gun nor pistol handy I had not the heart to shoot him, so I approached him, greeted him pleasantly and struck him a powerful blow on the head with the butt of my rifle. I have a very good delivery and Uncle William lay down on his side, then rolled over on his back, spread out his fingers and shivered. Before he could recover the use of his limbs I seized the knife that he had been using and cut his hamstrings. You know, doubtless, that when you sever the tendo Achillis the patient has no further use of his leg; it is just the same as if he had no leg. Well, I parted them both, and when he revived he was at my service. As soon as he comprehended the situation, he said:

"'Samuel, you have got the drop on me and can afford to be generous. I have only one thing to ask of you, and that is that you carry me to the house and finish me in the bosom of my family.'

"I told him I thought that a pretty reasonable request and I would do so if he would let me put him into a wheat sack; he would be easier to carry that way and if we were seen by the neighbors en route it would cause less remark. He agreed to that, and going to the barn I got a sack. This, however, did not fit him; it was too short and much wider than he; so I bent his legs, forced his knees up against his breast and got him into it that way, tying the sack above his head. He was a heavy man and I had all that I could do to get him on my back, but I staggered along for some distance until I came to a swing that some of the children had suspended to the branch of an oak. Here I laid him down and sat upon him to rest, and the sight of the rope gave me a happy inspiration. In twenty minutes my uncle, still in the sack, swung free to the sport of the wind.

"I had taken down the rope, tied one end tightly about the mouth of the bag, thrown the other across the limb and hauled him up about five feet from the ground. Fastening the other end of the rope also about the mouth of the sack, I had the satisfaction to see my uncle converted into a large, fine pendulum. I must add that he was not himself entirely aware of the nature of the change that he had undergone in his relation to the exterior world, though in justice to a good man's memory I ought to say that I do not think he would in any case have wasted much of my time in vain remonstrance.

"Uncle William had a ram that was famous in all that region as a fighter. It was in a state of chronic constitutional indignation. Some deep disappointment in early life had soured its disposition and it had declared war upon the whole world. To say that it would butt anything accessible is but faintly to express the nature and scope of its military activity: the universe was its antagonist; its methods that of a projectile. It fought like the angels and devils, in mid-air, cleaving the atmosphere like a bird, describing a parabolic curve and descending upon its victim at just the exact angle of incidence to make the most of its velocity and weight. Its momentum, calculated in foot-tons, was something incredible. It had been seen to destroy a four year old bull by a single impact upon that animal's gnarly forehead. No stone wall had ever been known to resist its downward swoop; there were no trees tough enough to stay it; it would splinter them into matchwood and defile their leafy honors in the dust. This irascible and implacable brute—this incarnate thunderbolt—this monster of the upper deep, I had seen reposing in the shade of an adjacent tree, dreaming dreams of conquest and glory. It was with a view to summoning it forth to the field of honor that I suspended its master in the manner described.

"Having completed my preparations, I imparted to the avuncular pendulum a gentle oscillation, and retiring to cover behind a contiguous rock, lifted up my voice in a long rasping cry whose diminishing final note was drowned in a noise like that of a swearing cat, which emanated from the sack. Instantly that formidable sheep was upon its feet and had taken in the military situation at a glance. In a few moments it had approached, stamping, to within fifty yards of the swinging foeman, who, now retreating and anon advancing, seemed to invite the fray. Suddenly I saw the beast's head drop earthward as if depressed by the weight of its enormous horns; then a dim, white, wavy streak of sheep prolonged itself from that spot in a generally horizontal direction to within about four yards of a point immediately beneath the enemy. There it struck sharply upward, and before it had faded from my gaze at the place whence it had set out I heard a horrid thump and a piercing scream, and my poor uncle shot forward, with a slack rope higher than the limb to which he was attached. Here the rope tautened with a jerk, arresting his flight, and back he swung in a breathless curve to the other end of his arc. The ram had fallen, a heap of indistinguishable legs, wool and horns, but pulling itself together and dodging as its antagonist swept downward it retired at random, alternately shaking its head and stamping its fore-feet. When it had backed about the same distance as that from which it had delivered the assault it paused again, bowed its head as if in prayer for victory and again shot forward, dimly visible as before—a prolonging white streak with monstrous undulations, ending with a sharp ascension. Its course this time was at a right angle to its former one, and its impatience so great that it struck the enemy before he had nearly reached the lowest point of his arc. In consequence he went flying round and round in a horizontal circle whose radius was about equal to half the length of the rope, which I forgot to say was nearly twenty feet long. His shrieks, crescendo in approach and diminuendo in recession, made the rapidity of his revolution more obvious to the ear than to the eye. He had evidently not yet been struck in a vital spot. His posture in the sack and the distance from the ground at which he hung compelled the ram to operate upon his lower extremities and the end of his back. Like a plant that has struck its root into some poisonous mineral, my poor uncle was dying slowly upward.

"After delivering its second blow the ram had not again retired. The fever of battle burned hot in its heart; its brain was intoxicated with the wine of strife. Like a pugilist who in his rage forgets his skill and fights ineffectively at half-arm's length, the angry beast endeavored to reach its fleeting foe by awkward vertical leaps as he passed overhead, sometimes, indeed, succeeding in striking him feebly, but more frequently overthrown by its own misguided eagerness. But as the impetus was exhausted and the man's circles narrowed in scope and diminished in speed, bringing him nearer to the ground, these tactics produced better results, eliciting a superior quality of screams, which I greatly enjoyed.

"Suddenly, as if the bugles had sung truce, the ram suspended hostilities and walked away, thoughtfully wrinkling and smoothing its great aquiline nose, and occasionally cropping a bunch of grass and slowly munching it. It seemed to have tired of war's alarms and resolved to beat the sword into a plowshare and cultivate the arts of peace. Steadily it held its course away from the field of fame until it had gained a distance of nearly a quarter of a mile. There it stopped and stood with its rear to the foe, chewing its cud and apparently half asleep. I observed, however, an occasional slight turn of its head, as if its apathy were more affected than real.

"Meantime Uncle William's shrieks had abated with his motion, and nothing was heard from him but long, low moans, and at long intervals my name, uttered in pleading tones exceedingly grateful to my ear. Evidently the man had not the faintest notion of what was being done to him, and was inexpressibly terrified. When Death comes cloaked in mystery he is terrible indeed. Little by little my uncle's oscillations diminished, and finally he hung motionless. I went to him and was about to give him the coup de grace, when I heard and felt a succession of smart shocks which shook the ground like a series of light earthquakes, and turning in the direction of the ram, saw a long cloud of dust approaching me with inconceivable rapidity and alarming effect! At a distance of some thirty yards away it stopped short, and from the near end of it rose into the air what I at first thought a great white bird. Its ascent was so smooth and easy and regular that I could not realize its extraordinary celerity, and was lost in admiration of its grace. To this day the impression remains that it was a slow, deliberate movement, the ram—for it was that animal—being upborne by some power other than its own impetus, and supported through the successive stages of its flight with infinite tenderness and care. My eyes followed its progress through the air with unspeakable pleasure, all the greater by contrast with my former terror of its approach by land. Onward and upward the noble animal sailed, its head bent down almost between its knees, its fore-feet thrown back, its hinder legs trailing to rear like the legs of a soaring heron.

"At a height of forty or fifty feet, as fond recollection presents it to view, it attained its zenith and appeared to remain an instant stationary; then, tilting suddenly forward without altering the relative position of its parts, it shot downward on a steeper and steeper course with augmenting velocity, passed immediately above me with a noise like the rush of a cannon shot and struck my poor uncle almost squarely on the top of the head! So frightful was the impact that not only the man's neck was broken, but the rope too; and the body of the deceased, forced against the earth, was crushed to pulp beneath the awful front of that meteoric sheep! The concussion stopped all the clocks between Lone Hand and Dutch Dan's, and Professor Davidson, a distinguished authority in matters seismic, who happened to be in the vicinity, promptly explained that the vibrations were from north to southwest.

"Altogether, I cannot help thinking that in point of artistic atrocity my murder of Uncle William has seldom been excelled."

OIL OF DOG

My name is Boffer Bings. I was born of honest parents in one of the humbler walks of life, my father being a manufacturer of dog-oil and my mother having a small studio in the shadow of the village church, where she disposed of unwelcome babes. In my boyhood I was trained to habits of industry; I not only assisted my father in procuring dogs for his vats, but was frequently employed by my mother to carry away the debris of her work in the studio. In performance of this duty I sometimes had need of all my natural intelligence for all the law officers of the vicinity were opposed to my mother's business. They were not elected on an opposition ticket, and the matter had never been made a political issue; it just happened so. My father's business of making dog-oil was, naturally, less unpopular, though the owners of missing dogs sometimes regarded him with suspicion, which was reflected, to some extent, upon me. My father had, as silent partners, all the physicians of the town, who seldom wrote a prescription which did not contain what they were pleased to designate as Ol. can. It is really the most valuable medicine ever discovered. But most persons are unwilling to make personal sacrifices for the afflicted, and it was evident that many of the fattest dogs in town had been forbidden to play with me—a fact which pained my young sensibilities, and at one time came near driving me to become a pirate.

Looking back upon those days, I cannot but regret, at times, that by indirectly bringing my beloved parents to their death I was the author of misfortunes profoundly affecting my future.

One evening while passing my father's oil factory with the body of a foundling from my mother's studio I saw a constable who seemed to be closely watching my movements. Young as I was, I had learned that a constable's acts, of whatever apparent character, are prompted by the most reprehensible motives, and I avoided him by dodging into the oilery by a side door which happened to stand ajar. I locked it at once and was alone with my dead. My father had retired for the night. The only light in the place came from the furnace, which glowed a deep, rich crimson under one of the vats, casting ruddy reflections on the walls. Within the cauldron the oil still rolled in indolent ebullition, occasionally pushing to the surface a piece of dog. Seating myself to wait for the constable to go away, I held the naked body of the foundling in my lap and tenderly stroked its short, silken hair. Ah, how beautiful it was! Even at that early age I was passionately fond of children, and as I looked upon this cherub I could almost find it in my heart to wish that the small, red wound upon its breast—the work of my dear mother—had not been mortal.

It had been my custom to throw the babes into the river which nature had thoughtfully provided for the purpose, but that night I did not dare to leave the oilery for fear of the constable. "After all," I said to myself, "it cannot greatly matter if I put it into this cauldron. My father will never know the bones from those of a puppy, and the few deaths which may result from administering another kind of oil for the incomparable ol. can. are not important in a population which increases so rapidly." In short, I took the first step in crime and brought myself untold sorrow by casting the babe into the cauldron.

The next day, somewhat to my surprise, my father, rubbing his hands with satisfaction, informed me and my mother that he had obtained the finest quality of oil that was ever seen; that the physicians to whom he had shown samples had so pronounced it. He added that he had no knowledge as to how the result was obtained; the dogs had been treated in all respects as usual, and were of an ordinary breed. I deemed it my duty to explain—which I did, though palsied would have been my tongue if I could have foreseen the consequences. Bewailing their previous ignorance of the advantages of combining their industries, my parents at once took measures to repair the error. My mother removed her studio to a wing of the factory building and my duties in connection with the business ceased; I was no longer required to dispose of the bodies of the small superfluous, and there was no need of alluring dogs to their doom, for my father discarded them altogether, though they still had an honorable place in the name of the oil. So suddenly thrown into idleness, I might naturally have been expected to become vicious and dissolute, but I did not. The holy influence of my dear mother was ever about me to protect me from the temptations which beset youth, and my father was a deacon in a church. Alas, that through my fault these estimable persons should have come to so bad an end!

Finding a double profit in her business, my mother now devoted herself to it with a new assiduity. She removed not only superfluous and unwelcome babes to order, but went out into the highways and byways, gathering in children of a larger growth, and even such adults as she could entice to the oilery. My father, too, enamored of the superior quality of oil produced, purveyed for his vats with diligence and zeal. The conversion of their neighbors into dog-oil became, in short, the one passion of their lives—an absorbing and overwhelming greed took possession of their souls and served them in place of a hope in Heaven—by which, also, they were inspired.

So enterprising had they now become that a public meeting was held and resolutions passed severely censuring them. It was intimated by the chairman that any further raids upon the population would be met in a spirit of hostility. My poor parents left the meeting broken-hearted, desperate and, I believe, not altogether sane. Anyhow, I deemed it prudent not to enter the oilery with them that night, but slept outside in a stable.

At about midnight some mysterious impulse caused me to rise and peer through a window into the furnace-room, where I knew my father now slept. The fires were burning as brightly as if the following day's harvest had been expected to be abundant. One of the large cauldrons was slowly "walloping" with a mysterious appearance of self-restraint, as if it bided its time to put forth its full energy. My father was not in bed; he had risen in his night clothes and was preparing a noose in a strong cord. From the looks which he cast at the door of my mother's bedroom I knew too well the purpose that he had in mind. Speechless and motionless with terror, I could do nothing in prevention or warning. Suddenly the door of my mother's apartment was opened, noiselessly, and the two confronted each other, both apparently surprised. The lady, also, was in her night clothes, and she held in her right hand the tool of her trade, a long, narrow-bladed dagger.

She, too, had been unable to deny herself the last profit which the unfriendly action of the citizens and my absence had left her. For one instant they looked into each other's blazing eyes and then sprang together with indescribable fury. Round and round, the room they struggled, the man cursing, the woman shrieking, both fighting like demons—she to strike him with the dagger, he to strangle her with his great bare hands. I know not how long I had the unhappiness to observe this disagreeable instance of domestic infelicity, but at last, after a more than usually vigorous struggle, the combatants suddenly moved apart.

My father's breast and my mother's weapon showed evidences of contact. For another instant they glared at each other in the most unamiable way; then my poor, wounded father, feeling the hand of death upon him, leaped forward, unmindful of resistance, grasped my dear mother in his arms, dragged her to the side of the boiling cauldron, collected all his failing energies, and sprang in with her! In a moment, both had disappeared and were adding their oil to that of the committee of citizens who had called the day before with an invitation to the public meeting.

Convinced that these unhappy events closed to me every avenue to an honorable career in that town, I removed to the famous city of Otumwee, where these memoirs are written with a heart full of remorse for a heedless act entailing so dismal a commercial disaster.

AN IMPERFECT CONFLAGRATION

Early one June morning in 1872 I murdered my father—an act which made a deep impression on me at the time. This was before my marriage, while I was living with my parents in Wisconsin. My father and I were in the library of our home, dividing the proceeds of a burglary which we had committed that night. These consisted of household goods mostly, and the task of equitable division was difficult. We got on very well with the napkins, towels and such things, and the silverware was parted pretty nearly equally, but you can see for yourself that when you try to divide a single music-box by two without a remainder you will have trouble. It was that music-box which brought disaster and disgrace upon our family. If we had left it my poor father might now be alive.

It was a most exquisite and beautiful piece of workmanship—inlaid with costly woods and carven very curiously. It would not only play a great variety of tunes, but would whistle like a quail, bark like a dog, crow every morning at daylight whether it was wound up or not, and break the Ten Commandments. It was this last mentioned accomplishment that won my father's heart and caused him to commit the only dishonorable act of his life, though possibly he would have committed more if he had been spared: he tried to conceal that music-box from me, and declared upon his honor that he had not taken it, though I know very well that, so far as he was concerned, the burglary had been undertaken chiefly for the purpose of obtaining it.

My father had the music-box hidden under his cloak; we had worn cloaks by way of disguise. He had solemnly assured me that he did not take it. I knew that he did, and knew something of which he was evidently ignorant; namely, that the box would crow at daylight and betray him if I could prolong the division of profits till that time. All occurred as I wished: as the gaslight began to pale in the library and the shape of the windows was seen dimly behind the curtains, a long cock-a-doodle-doo came from beneath the old gentleman's cloak, followed by a few bars of an aria from Tannhauser, ending with a loud click. A small hand-axe, which we had used to break into the unlucky house, lay between us on the table; I picked it up. The old man seeing that further concealment was useless took the box from under his cloak and set it on the table. "Cut it in two if you prefer that plan," said he; "I tried to save it from destruction."

He was a passionate lover of music and could himself play the concertina with expression and feeling.

I said: "I do not question the purity of your motive: it would be presumptuous of me to sit in judgment on my father. But business is business, and with this axe I am going to effect a dissolution of our partnership unless you will consent in all future burglaries to wear a bell-punch."

"No," he said, after some reflection, "no, I could not do that; it would look like a confession of dishonesty. People would say that you distrusted me."

I could not help admiring his spirit and sensitiveness; for a moment I was proud of him and disposed to overlook his fault, but a glance at the richly jeweled music-box decided me, and, as I said, I removed the old man from this vale of tears. Having done so, I was a trifle uneasy. Not only was he my father—the author of my being—but the body would be certainly discovered. It was now broad daylight and my mother was likely to enter the library at any moment. Under the circumstances, I thought it expedient to remove her also, which I did. Then I paid off all the servants and discharged them.

That afternoon I went to the chief of police, told him what I had done and asked his advice. It would be very painful to me if the facts became publicly known. My conduct would be generally condemned; the newspapers would bring it up against me if ever I should run for office. The chief saw the force of these considerations; he was himself an assassin of wide experience. After consulting with the presiding judge of the Court of Variable Jurisdiction he advised me to conceal the bodies in one of the bookcases, get a heavy insurance on the house and burn it down. This I proceeded to do.

In the library was a book-case which my father had recently purchased of some cranky inventor and had not filled. It was in shape and size something like the old-fashioned "ward-robes" which one sees in bed-rooms without closets, but opened all the way down, like a woman's night-dress. It had glass doors. I had recently laid out my parents and they were now rigid enough to stand erect; so I stood them in this book-case, from which I had removed the shelves. I locked them in and tacked some curtains over the glass doors. The inspector from the insurance office passed a half-dozen times before the case without suspicion.

That night, after getting my policy, I set fire to the house and started through the woods to town, two miles away, where I managed to be found about the time the excitement was at its height. With cries of apprehension for the fate of my parents, I joined the rush and arrived at the fire some two hours after I had kindled it. The whole town was there as I dashed up. The house was entirely consumed, but in one end of the level bed of glowing embers, bolt upright and uninjured, was that book-case! The curtains had burned away, exposing the glass-doors, through which the fierce, red light illuminated the interior. There stood my dear father "in his habit as he lived," and at his side the partner of his joys and sorrows. Not a hair of them was singed, their clothing was intact. On their heads and throats the injuries which in the accomplishment of my designs I had been compelled to inflict were conspicuous. As in the presence of a miracle, the people were silent; awe and terror had stilled every tongue. I was myself greatly affected.

Some three years later, when the events herein related had nearly faded from my memory, I went to New York to assist in passing some counterfeit United States bonds. Carelessly looking into a furniture store one day, I saw the exact counterpart of that book-case. "I bought it for a trifle from a reformed inventor," the dealer explained. "He said it was fireproof, the pores of the wood being filled with alum under hydraulic pressure and the glass made of asbestos. I don't suppose it is really fireproof—you can have it at the price of an ordinary book-case."

"No," I said, "if you cannot warrant it fireproof I won't take it"—and I bade him good morning.

I would not have had it at any price: it revived memories that were exceedingly disagreeable.

THE HYPNOTIST

By those of my friends who happen to know that I sometimes amuse myself with hypnotism, mind reading and kindred phenomena, I am frequently asked if I have a clear conception of the nature of whatever principle underlies them. To this question I always reply that I neither have nor desire to have. I am no investigator with an ear at the key-hole of Nature's workshop, trying with vulgar curiosity to steal the secrets of her trade. The interests of science are as little to me as mine seem to have been to science.

Doubtless the phenomena in question are simple enough, and in no way transcend our powers of comprehension if only we could find the clew; but for my part I prefer not to find it, for I am of a singularly romantic disposition, deriving more gratification from mystery than from knowledge. It was commonly remarked of me when I was a child that my big blue eyes appeared to have been made rather to look into than look out of—such was their dreamful beauty, and in my frequent periods of abstraction, their indifference to what was going on. In those peculiarities they resembled, I venture to think, the soul which lies behind them, always more intent upon some lovely conception which it has created in its own image than concerned about the laws of nature and the material frame of things. All this, irrelevant and egotistic as it may seem, is related by way of accounting for the meagreness of the light that I am able to throw upon a subject that has engaged so much of my attention, and concerning which there is so keen and general a curiosity. With my powers and opportunities, another person might doubtless have an explanation for much of what I present simply as narrative.

My first knowledge that I possessed unusual powers came to me in my fourteenth year, when at school. Happening one day to have forgotten to bring my noon-day luncheon, I gazed longingly at that of a small girl who was preparing to eat hers. Looking up, her eyes met mine and she seemed unable to withdraw them. After a moment of hesitancy she came forward in an absent kind of way and without a word surrendered her little basket with its tempting contents and walked away. Inexpressibly pleased, I relieved my hunger and destroyed the basket. After that I had not the trouble to bring a luncheon for myself: that little girl was my daily purveyor; and not infrequently in satisfying my simple need from her frugal store I combined pleasure and profit by constraining her attendance at the feast and making misleading proffer of the viands, which eventually I consumed to the last fragment. The girl was always persuaded that she had eaten all herself; and later in the day her tearful complaints of hunger surprised the teacher, entertained the pupils, earned for her the sobriquet of Greedy-Gut and filled me with a peace past understanding.

A disagreeable feature of this otherwise satisfactory condition of things was the necessary secrecy: the transfer of the luncheon, for example, had to be made at some distance from the madding crowd, in a wood; and I blush to think of the many other unworthy subterfuges entailed by the situation. As I was (and am) naturally of a frank and open disposition, these became more and more irksome, and but for the reluctance of my parents to renounce the obvious advantages of the new regime I would gladly have reverted to the old. The plan that I finally adopted to free myself from the consequences of my own powers excited a wide and keen interest at the time, and that part of it which consisted in the death of the girl was severely condemned, but it is hardly pertinent to the scope of this narrative.

For some years afterward I had little opportunity to practice hypnotism; such small essays as I made at it were commonly barren of other recognition than solitary confinement on a bread-and-water diet; sometimes, indeed, they elicited nothing better than the cat-o'-nine-tails. It was when I was about to leave the scene of these small disappointments that my one really important feat was performed.

I had been called into the warden's office and given a suit of civilian's clothing, a trifling sum of money and a great deal of advice, which I am bound to confess was of a much better quality than the clothing. As I was passing out of the gate into the light of freedom I suddenly turned and looking the warden gravely in the eye, soon had him in control.

"You are an ostrich," I said.

At the post-mortem examination the stomach was found to contain a great quantity of indigestible articles mostly of wood or metal. Stuck fast in the esophagus and constituting, according to the Coroner's jury, the immediate cause of death, one door-knob.

I was by nature a good and affectionate son, but as I took my way into the great world from which I had been so long secluded I could not help remembering that all my misfortunes had flowed like a stream from the niggard economy of my parents in the matter of school luncheons; and I knew of no reason to think they had reformed.

On the road between Succotash Hill and South Asphyxia is a little open field which once contained a shanty known as Pete Gilstrap's Place, where that gentleman used to murder travelers for a living. The death of Mr. Gilstrap and the diversion of nearly all the travel to another road occurred so nearly at the same time that no one has ever been able to say which was cause and which effect. Anyhow, the field was now a desolation and the Place had long been burned. It was while going afoot to South Asphyxia, the home of my childhood, that I found both my parents on their way to the Hill. They had hitched their team and were eating luncheon under an oak tree in the center of the field. The sight of the luncheon called up painful memories of my school days and roused the sleeping lion in my breast. Approaching the guilty couple, who at once recognized me, I ventured to suggest that I share their hospitality.

"Of this cheer, my son," said the author of my being, with characteristic pomposity, which age had not withered, "there is sufficient for but two. I am not, I hope, insensible to the hunger-light in your eyes, but—"

My father has never completed that sentence; what he mistook for hunger-light was simply the earnest gaze of the hypnotist. In a few seconds he was at my service. A few more sufficed for the lady, and the dictates of a just resentment could be carried into effect. "My former father," I said, "I presume that it is known to you that you and this lady are no longer what you were?"

"I have observed a certain subtle change," was the rather dubious reply of the old gentleman; "it is perhaps attributable to age."

"It is more than that," I explained; "it goes to character—to species. You and the lady here are, in truth, two broncos—wild stallions both, and unfriendly."

"Why, John," exclaimed my dear mother, "you don't mean to say that I am—"

"Madam," I replied, solemnly, fixing my eyes again upon hers, "you are."

Scarcely had the words fallen from my lips when she dropped upon her hands and knees, and backing up to the old man squealed like a demon and delivered a vicious kick upon his shin! An instant later he was himself down on all-fours, headed away from her and flinging his feet at her simultaneously and successively. With equal earnestness but inferior agility, because of her hampering body-gear, she plied her own. Their flying legs crossed and mingled in the most bewildering way; their feet sometimes meeting squarely in midair, their bodies thrust forward, falling flat upon the ground and for a moment helpless. On recovering themselves they would resume the combat, uttering their frenzy in the nameless sounds of the furious brutes which they believed themselves to be—the whole region rang with their clamor! Round and round they wheeled, the blows of their feet falling "like lightnings from the mountain cloud." They plunged and reared backward upon their knees, struck savagely at each other with awkward descending blows of both fists at once, and dropped again upon their hands as if unable to maintain the upright position of the body. Grass and pebbles were torn from the soil by hands and feet; clothing, hair, faces inexpressibly defiled with dust and blood. Wild, inarticulate screams of rage attested the delivery of the blows; groans, grunts and gasps their receipt. Nothing more truly military was ever seen at Gettysburg or Waterloo: the valor of my dear parents in the hour of danger can never cease to be to me a source of pride and gratification. At the end of it all two battered, tattered, bloody and fragmentary vestiges of mortality attested the solemn fact that the author of the strife was an orphan.

Arrested for provoking a breach of the peace, I was, and have ever since been, tried in the Court of Technicalities and Continuances whence, after fifteen years of proceedings, my attorney is moving heaven and earth to get the case taken to the Court of Remandment for New Trials.

Such are a few of my principal experiments in the mysterious force or agency known as hypnotic suggestion. Whether or not it could be employed by a bad man for an unworthy purpose I am unable to say.

*** END OF THE PROJECT GUTENBERG EBOOK THE PARENTICIDE CLUB ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE PARENTICIDE CLUB

- Ambrose Bierce

- CONTENTS

- My Favorite Murder Oil of Dog An Imperfect Conflagration The Hypnotist

- MY FAVORITE MURDER
- OIL OF DOG
- AN IMPERFECT CONFLAGRATION
- THE HYPNOTIST

- THE FULL PROJECT GUTENBERG™ LICENSE