The Project Gutenberg eBook of Akra the Slave

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Akra the Slave

Creator: Wilfrid Wilson Gibson

Release date: February 8, 2013 [eBook #42051]

Language: English

Other information and formats: www.gutenberg.org/ebooks/42051

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK AKRA THE SLAVE ***

Cover

AKRA THE SLAVE

BY

WILFRID WILSON GIBSON

LONDON

ELKIN MATHEWS, VIGO STREET

MCMX

Six years ago, I wrote this story down,

While yet the light of Eastern skies

Was in my eyes,

And still my heart, aglow with memories

Of sun-enraptured seas,

And that old sea-girt town.

Where, down dark alleys of enchanted night,

We stole, until we came

To where the great dome glimmered white.

And every minaret,

A shaft of pearly flame,

Beneath the cloudy moon...

Six years ago!

Ah! soon--too soon,

Our tale, too, will be told:

And yet, and yet,

From this old Eastern tale we know,

Love's story never can grow old,

Till Love, himself, forget.

AKRA THE SLAVE

He thought to see me tremble

And totter as an oar-snapt reed,

When he spake death to me--

My courage, toppled in the dust,

Even as the head of cactus

The camel-keeper slashes

That his beasts may browse, unscathed,

The succulent, wounded green.

He thought to have me, broken,

And grovelling at his feet;

Mouthing and mumbling to his sandal-ties,

In stammering dread of death--

Aye! even as a king,

Who, having from death's hand,

Received his crown and kingdom,

For ever treads in terror of the hour

When death shall jog his elbow,

Twitch the purple from his shoulders,

And claim again the borrowed crown.

But, little need have I to fear

The crouching, lean camp-follower,

Unto whose ever-gaping maw,

Day after day, I flung

The spoils of bow and arrow,

Ere I was taken captive--

I, who have often, at my mother's breast,

Awakened in the night-time,

To see death leering on me from the cave-mouth,

A gaunt and slinking shape

That snuffed the dying embers,

Blotting out the friendly stars--

I, who, a scarce-weaned boy,

Have toddled, gay and fearless,

Down the narrow jungle-track,

Through bodeful forest-darkness, panther-eyed;

And have felt cold snakes uncoiling

And gliding 'neath my naked sole,

From clammy slumber startled;

While, with sharp snap and crackle,

Beast-trodden branches strained behind me,

My father's hand scarce snatching me

Before the spring of crouching death!

But, naught of this the King could know,

He only knew that, on that far-off morning,

When first I came before him, captive,

Among my captive brothers,

And, as he lightly held, in idle fingers,

Above my unbowed head,

In equal poise

Death's freedom

Or the servitude of life,

I clutched at life:

And cared but little that his lips

Should curl, to see me, broken,

A slave among his slaves.

Yet, never slave of his was I;

Nor did I take my new life from his nod--

I ... I who could have torn

The proud life out of him,

Before his guards could stay me...

Had she not sat beside him, on her throne.

And he, who knew not then,

Nor ever, till to-day,

Has known me aught but slave,

Remembering that time,

Spake doom of death to me,

Idly, as to a slave:

And I await the end of night,

And dawn of death,

Even as a slave awaits...

Nay! as the unvanquished veteran

Awaits the hour of victory.

In silence, wheels the night,

Star-marshalled, over dreaming Babylon;

And none in all the sleeping city stirs,

Save the cloaked sentries on the outer walls

Who tread out patience 'twixt the gates of brass,

Numb with scarce-baffled slumber,

Or, maybe, some unsleeping priest of Bel,

A lonely warder of eternity,

Who watches on the temple's seventh stage,

With the unslumbering gods.

Yet, may not she, the Queen,

Whose beauty, slaying my body,

Brings my soul to immortal birth,

Although she does not know

Of my last vigil on the peak of life--

Yet, may not she awaken, troubled

By strange, bewildering dreams,

With heart a little fearful of the dawn

Of day, yet unrevealed?

There is no sound at all,

Save only the cool plashing

Of fountains in the courtyard

Without my lonely cell:

For fate has granted to me

This last, least consolation of sweet sound

Though in the plains I perish,

I shall hear the noise of waters,

The noise of running waters,

As I die.

My earliest lullaby shall sing

My heart again to slumber.

And, even now, I hear

Stream-voices, long-forgotten, calling me

Back to the hills of home;

And, dreaming, I remember

The little yellow brooks

That ever, day and night,

Gush down the mountains singing,

Singing by the caves:

And hearkening unto them,

Once more a tiny baby,

A wee brown fist I dabble

In the foaming cool,

Frothing round my wrist,

Spurting up my arm,

Spraying my warm face;

And then again I chuckle,

As I see an empty gourd,

Fallen in the swirling waters,

Bobbing on the tawny eddies,

Swiftly out of sight.

And yet most clearly to remembrance comes

That far-off night, in early Spring,

When, loud with melted snow from Northern peaks,

The torrent roared and fretted;

While, couched within the cavern,

The clamour kept me wakeful;

And, even when I slept,

Tumbled, tumultuous, through my dreams,

And seemed to surge about me,

As the brawl of armèd men.

And once I sprang from slumber,

Hot and startled,

Dreaming that I felt

A warm breath on my cheek,

As if a jackal nuzzled me;

Or some dread, slinking foe

Made certain of my sleeping

Before he plunged the steel.

But nothing stirred within the glimmering cavern,

Where, all around me, lay my sleeping kindred;

And, when I stole without, with noiseless footsteps,

To rouse the smouldering watchfire into flame,

And cast fresh, crackling brushwood on the blaze,

I caught no glint of arms betwixt the branches,

Nor any sound or rumour, save

The choral noise of cold hill-waters,

Cold hill-waters singing,

Singing to the stars.

And so I turned me from the brooding night;

And, couched again upon the leopard-skins,

I slept, till dawn, in dream-untroubled sleep.

I woke to see the cold sky kindling red,

Beyond the mounded ash of the spent fire;

And lay, a moment, watching

The pearly light, caught, trembling,

In dewy-beaded spiders' webs

About the cave-mouth woven.

Then I arose;

And left my kindred, slumbering--

My mother, by my father,

And, at her breast, her youngest babe,

With dimpled fingers clutching at her bosom;

And, all around them, lying

Their sons and daughters, beautiful in sleep,

With parted lips,

And easy limbs outstretched

Along the tumbled bedskins:

And while they slumbered yet in shades of night,

I sprang out naked

Into eager dawn.

The sun had not yet scaled the eastern ridge:

And still the vales were hidden from my eyes

By snowy wreaths of swathing mist:

But, high upon a scar

That jutted sheer and stark,

In cold grey light,

There stood an antelope,

With lifted muzzle snuffing the fresh day;

When scenting me afar,

He plunged into the mist

With one quick, startled bound:

And, from the smoking vapour,

Arose a gentle pattering,

As, down the rocky trail,

The unseen herd went trotting

Upon their leader's heels.

And from the clear horizon

The exultant sun sprang god-like:

And on a little mound I stood,

With eager arms outstretched,

That, over my cold body,

The first warm golden beams

Of his life-giving light might fall.

And thus, awhile, I stood.

In radiant adoration tranced,

Until I caught the call of waters;

And, running downwards to the stream,

That plunged into a darkling pool,

Where, in the rock was scooped a wide, deep basin;

Upon the glassy brink,

A moment, I hung, shivering,

And gazing down through deeps of lucent shadow;

And then I leapt headlong,

And felt the cloven waters

Closing, icy-cold, above me,

And, again, with sobbing breath,

Battled to the light and air:

And I ran into the sunshine,

Shaking from my tingling limbs

Showers of scintillating drops

Over radiant, dewy beds

Of the snowy cyclamen,

And dark-red anemone,

Till my tawny body glowed

With warm, ruddy, pulsing life.

And then again I sought the stream,

And plunged; and now, more boldly,

I crossed the pool, with easy stroke;

And climbed the further crag;

And, turning, plunged again.

And so, I dived and swam,

Till pangs of hunger pricked

My idle fancy homeward:

And eagerly I climbed the hill;

When, not a sling's throw from the cavern,

Stooping to pluck a red anemone,

To prank the wet, black tangle of my hair,

I heard a shout;

And looking up,

I saw strange men

With lifted spears

Bear down on me:

And as I turned,

A javelin sang

Above my shrinking shoulder,

And bit the ground before me.

But, swift as light I sped,

Until I reached the pool,

And leapt therein:

And he who pressed most hotly on my heels,

Fell stumbling after.

Still I never slackened,

Although I heard a floundering splash,

And then the laughter of his comrades:

And, as I swam for life,

Betwixt my thrusting heels,

Another spear that clove the crystal waters

Glanced underneath my body,

And in the stream-bed quivered bolt upright,

Caught in a cleft of rock.

With frantic arm I struck

Straight as a snake across the pool,

And climbed the further bank;

And plunging through deep brake,

Ran wildly onward,

Startling as I went

A browsing herd of antelope,

That, bounding, fled before me down the valley

And after them I raced,

As though the hunter,

Not the hunted,

Until the chase sang in my blood,

And braced my straining thews.

I knew not if men followed,

Yet, on I sped, impetuously,

As speeds the fleet-foot onaga,

That breasts the windy morning,

With lifted head, and nostrils wide,

Exultant in his youth.

So, on and ever on,

Scarce knowing why I ran--

Enough for me to feel

Earth beaten back behind my heels,

And hear the loud air singing

The blood-song in my ears:

Till, stumbling headlong over

An unseen, fallen branch,

I rolled in a deep bed of withered leaves;

And lay, full-length in shuddering ecstasy

Of hot, tumultuous blood that rioted

Through every throbbing vein.

But when again, I breathed more easily,

And my wild, fluttering heart kept slower beat,

Hot-foot, my thoughts ran, wondering, backward:

And I arose and followed them

With swift and stealthy pace,

Until I reached the stream.

Along the bank I stole with wary step,

Until I came to where the waters

Narrowed, raging through a gorge,

Nigh the threshold of my home:

And across the thunderous flood,

From crag to crag I leapt:

And then I climbed a cedar,

From whose close ambush I could watch

Who came or went about the cavern-mouth.

I lay along a level branch:

And, through the thick, dark screen,

I peered with eager eyes:

But no one crossed my sight.

The whole land lay before me, drowsing

In deepest noonday slumber:

No twig stirred in the breathless blaze;

And underneath the boughs no serpent rustled:

And, in the earth and air,

Naught waked, save one lone eagle, nigh the sun,

With wings, unbaffled, beating

Up the blue, unclouded heavens.

A dreamless, suave security

Seemed brooding o'er the valley's golden slumber,

Whence rang or flashed no hint of lurking peril.

I dropped to earth,

And crouching low,

I stole yet nearer

Through the brake:

Till, drawing nigh the cavern-mouth,

I heard the sound of half-hushed sobbing:

And then I saw, within the gloom,

My mother and my sisters clustering round

My father's body, lying stark and dead,

A spear-wound in his breast.

And as I crept to them, they did not hear me,

Nor ever lift their heads;

But, shuddering, crouched together,

With drooping breasts half-hid in falling hair,

By that familiar form

In such strange slumber bound.

Only the baby, on her shoulder slung,

Saw me, and crowed me greeting,

As I stooped down to touch my weeping mother,

Who, turning suddenly,

With wild tear-fevered eyes;

Arose with whispered warning;

But, even then, too late.

Already, from behind,

Around my throat

An arm was flung;

And heavily I fell:

Yet, with a desperate wrench,

I slipped the clutch of my assailant:

And picking up a slingstone that lay handy,

I crashed it through his helm;

And dead he dropped.

And now upon me all his fellows thronged,

Like hounds about an antelope;

And gripped my naked limbs,

And dragged me down,

A struggling beast, among them:

And desperately I fought,

As fights the boar at bay,

When all the yelling pack,

With lathered lips, and white teeth gnashing,

Is closing in upon him;

And in his quivering flank, and gasping throat,

He feels the fangs of death:

Till, overcome at last,

They bound me hand and foot,

With knotted, leathern thongs;

And dragged me out to where, beneath the trees,

Trussed in like manner, with defiant eyes,

My brothers lay, already, side by side.

They laid me in the shade;

And flicked my wincing spirit

With laughter and light words:

"Now is the roe-buck taken!"

Then another,

On whose dark, sullen face there burned a livid weal

"A buck in flight's a panther brought to bay!"

And then his fellow:

"True enough! and yet,

For such young thews they give good gold--

They give good gold in Babylon!"

And, laughing thus, they left us,

To lie through hours of aching silence,

Until, at length, the cool of evening fell;

When they returned from slumber;

And loosed the ankle-cords that we might stand;

And bade our mother feed us;

And she, with tender fingers, held

The milk-bowl to our parching lips;

And thrust dried dates betwixt our teeth;

And wept, to see us standing there,

With helpless hands, before her.

Then, bringing out their mules, they saddled them;

And tied us to the girths on either hand.

They drove my weeping sisters from the cavern;

And sought to tear my mother from her home;

But she escaped them;

And they let her bide

Amid the ruins of her life,

Whose light had dropped, so suddenly,

From out the highest heavens:

And, when I turned to look on her,

And win from her a last farewell,

I saw her, sitting desolate betwixt

Her silent husband and her wailing babe,

With still, strange eyes,

That stared upon the dead, unseeing,

While her own children went from her,

Scarce knowing that they left her, nevermore

To look upon her face.

Thus, we set out, as over

The darkening, Southern crags

The new moon's keen, curved blade was thrust:

My sisters trooping on before us,

Like a drove of young gazelles,

Which, in the dead of night,

With pards in leash, and torches flaring,

The hunters have encompassed.

They moved with timid steps,

And little runs;

Stumbling, with stifled cries;

And starting, panic-shot,

From every lurking shadow--

Behind them, terror's lifted lash:

Before them, ever crouching,

The horror of the unknown night--

While, as they moved before us,

The moonlight shivered off their shrinking shoulders

And naked, glancing limbs,

In shimmering, strange beauty.

And closely on their heels,

I, with my brothers, foremost in the file,

Marched, tethered 'twixt the plodding beasts,

Whose stolid riders sat,

Each with his javelin on the pummel couched,

In watchful silence, with dark eyes alert.

And once, nigh driven crazy

By the tugging of the thongs,

I sprang into the air,

As down a rocky steep we scrambled;

And strove to burst the galling bonds,

Or hurl my guards on one another;

But, all too sure of foot, the beasts,

And too securely girths and cords

Held me, and I stumbled.

Instantly a thong

Struck my wincing shoulders,

Blow on thudding blow.

I bit my lips; and strode on silently;

Nor fought again for freedom.

So on we journeyed through the night,

And down familiar mountain-tracks,

Through deep, dark forest,

Ever down and down;

Fording the streams, whose moon-bright waters flowed,

In eddies of delicious, aching cool,

About our weary thighs.

And, once, when in mid-torrent,

That swirled, girth-high about the plunging beasts,

A startled otter, glancing

Before their very hoofs,

Affrighted them; and, rearing,

With blind and desperate floundering,

They nearly dragged us down to death:

And, ere we righted,

With a fearful cry,

My eldest sister from the bevy broke;

And struck down-stream

With wild arm lashing desperately,

Until the current caught her;

And she sank, to rise no more.

And on again we travelled,

Down through the darkling woodlands:

And once I saw green, burning eyes,

Where, on a low-hung bough,

A night-black panther crouched,

As though to pounce upon my sisters;

But, the sudden crack of whips,

Startling him, he snarled;

And turned with lashing tail,

Crashing through dense brushwood.

When, once, again we came unto a clearing,

The night was near its noon:

And all the vales that lay before us

Were filled with moving, moonlit mists,

That seemed phantasmal waters

Of that enchanted world,

Where we, in dreams, sail over still lagoons,

Throughout eternal night,

And under unknown stars.

Still, on we fared, unresting,

Until the low moon paled;

When, halting on a mountain-spur,

We first looked down on Babylon,

Far in the dreaming West,

A cluster of dim towers,

Scarce visible to wearied eyes.

We camped within a sheltering cedar-grove;

And all the day, beneath the level boughs,

Upon the agelong-bedded needles lay,

Half-slumbering, with fleeting, fretful dreams

That could not quite forget the chafing cords,

That held our arms in aching numbness:

But, ere the noon, in sounder sleep I sank,

Dreaming I floated on a still, deep pool,

Beneath dark, overhanging branches;

And seemed to feel upon my cheek

The cool caress of waters;

While, far above me, through the night of trees,

Noon glimmered faintly as the glint of stars.

As thus I lay, in indolent ecstasy,

O'er me, suddenly, the waters

Curved, and I was dragged,

Down and down,

Through gurgling deeps

Of swirling, drowning darkness...

When I awoke in terror;

And strove to sit upright;

But, tautly, with a jerk,

The thongs that held me to my brothers,

Dragged me back to earth.

Awhile I lay, with staring eyes, awake,

Watching a big, grey spider, crouched overhead,

In ambush 'neath a twig, beside her web,

Oft sallying out, to bind yet more securely,

The half-entangled flies.

And then, once more, I slumbered;

And dreamed a face leant over me,

More fair than any face

My waking eyes had ever looked upon.

Its beauty burned above me,

Not dusky like my sisters' faces,

But pale as the wan moon,

Reflected in a flood

Of darkly flowing waters,

Or as the creaming froth,

That, born amid the thunder of the fall,

Floats on the river's bosom in the sunshine,

Bubble after bubble,

Perishing in air.

So, a moment, over me,

With frail and fleeting glimmer

Of strange elusive, evanescent light,

The holy vision hovered.

And yet, whenever, with a fervent longing,

I sought to look into the darkling eyes,

The face would fade from me,

As foam caught in an eddy:

Until, at last, I wakened,

And, wondering, saw a pale star gleaming

Betwixt the cedar-branches.

And soon our captors stirred:

And we arose, to see

The walls and towers of Babylon, dark

Against the clear rose of the afterglow,

Already in the surge of shadows caught,

As night, beneath us, slowly Westward swept,

Flooding the dreaming plain that lay before us,

Vast, limitless, bewildering,

And strange to mountain-eyes.

As down the slope we went,

And when, at last, we left behind

The hills and singing waters,

A vague, oppressive fear

Of those dim, silent leagues of level land,

Fell on me; and I almost seemed

To bear upon my shoulders

The vaster dome of overwhelming night;

And, trembling like a child,

I looked askance at my two captors,

As they rode on in heedless silence,

Their swarthy faces sharp

Against the lucent sky.

And then, once more,

The old, familiar watchfires of the stars

Brought courage to my bosom;

And the young moon's brilliant horn

Was exalted in the sky:

And soon, the glooming wilderness

Awoke with glittering waters,

As a friendly wind sang unto me

Among the swaying reeds:

While, cloud on cloud,

The snowy flocks of pelican

Before our coming rose;

And, as they swerved to Southward,

The moonlight shivered off their flashing pinions.

So, on we marched, till dawn, across the plain;

And, on and on,

Beneath the waxing moon,

Each night we travelled Westward;

Until, at last, we halted

By the broad dull-gleaming flood

Of mighty, roaring Tigris;

And aroused from midnight slumber

The surly, grumbling ferrymen,

And crossed the swollen waters

Upon the great, skin rafts:

Then on again we fared,

Until the far, dim towers soared in the dawnlight

And we encamped beside a stream,

Beneath dry, rustling palms.

And heavily I slumbered:

And only wakened once, at noon,

When, lifting up my head,

I saw the towers of Babylon, burning blue,

Far off, in the blind heat:

And slept again, till sunset,

When we took our Westward course

Along the low bank of a broad canal,

That glimmered wanly 'neath a moonless sky.

Higher, and higher still,

As we drew slowly nearer,

Arose the vasty walls and serried towers,

That seemed to thrust among the stars,

And on embattled summits bear the night,

Unbowed beneath their burden,

As easily as, with unruffled brows,

And limber, upright bodies,

The village-daughters carry

At eve the brimming pitchers,

Poised upon their heads.

And when, above us, the wide-looming walls

Shut out the Western stars;

Beneath their shade, at midnight, we encamped,

To await till dawn should open

The city gates for us.

That night we did not sleep,

But, crouched upon the ground,

We watched the moon rise over Babylon,

Till, far behind us, o'er the glittering waste,

Was flung the wall's huge shadow,

And the moving shades of sentries,

Who, unseen above our heads,

Paced through the night incessantly.

Thus long we sat, hushed with awed expectation,

And gazing o'er the plain that we had travelled,

As, gradually, the climbing moon,

Escaping from the clustering towers,

Revealed far-gleaming waters,

And the sharp, shrill cry of owls,

Sweeping by on noiseless plumes,

Assailed the vasty silence,

Shivering off like darts

From some impenetrable shield.

And, as we waited,

Sometimes, fearfully,

I gazed up those stupendous, soaring walls

Of that great, slumbering city, wondering

What doom behind the bastioned ramparts slept,

What destiny, beneath the brooding night,

Awaited me beyond the brazen gates.

But, naught the blind, indifferent stars revealed,

Though towards the long night's ending,

Half-dazed with gazing up that aching height,

A drowsiness fell over me,

And in a restless waking-trance I lay,

Dreaming that Life and Death before me stood.

And, as each thrust towards me a shrouded cup,

Implacable silence bade me choose and drink.

But, as I stretched a blind, uncertain hand

To take the cup of death,

I wakened, and dawn trembled,

At last, beyond the Eastern hills,

And, star by star, night failed;

And eagerly the sun leapt up the sky,

And, as his flashing rays

Smote kindling towers and flaming gates of brass,

Across the reedy moat

A clattering drawbridge fell,

And wide the glittering portals slowly swung:

And there came streaming out in slow procession

A sleepy caravan of slouching camels,

Groaning and grumbling as they strode along

Beneath their mountainous burdens,

Upon whose swaying summits,

Impassively, the blue-robed merchants sat.

They passed us slowly by,

And then we took the bridge,

And, while our captors parleyed with the guards,

Who stood, on either hand,

With naked swords,

I turned my head,

And saw for the last time, far Eastward,

The cold, snow-brilliant peaks,

Beyond my dim, blue, native hills.

And, as I looked, my thoughts flew homeward,

And I, one dreaming moment,

Stood by my mourning mother in the cavern

Of desolation, looking on the dead.

And then, between the brazen gate-posts,

And underneath the brazen lintel,

At last we entered Babylon.

Before us, yet another wall arose,

And, turning sharply

Down a narrow way,

The living breath of heaven seemed shut from us

As though beneath the beetling crags

Of some deep mountain-gorge--

By cliffs of wall, on either hand,

That soared up to the narrow sky,

Which with dim lustre lit

The shimmering surface of enamelled brick,

Whereon, through giant groves,

Blue-coated hunters chased the boar,

Or 'loosed red-tasselled falcon

After flying crane.

But soon we reached another gate,

Sword-guarded, and we entered,

And plunged into the traffic

Of clamorous merchantmen,

Speeding their business ere the heat of day.

And as we jostled, slowly,

Through bewildering bazaars,

The porters and the idler wayfarers

All turned to look upon our shame,

With cold, unpitying eyes,

And indolent, gaping mouths,

Or jested with our captors,

Until we left the busier thoroughfares,

And walked through groves of cypress and of ilex,

Where not a sound or rumour troubled

The silence of the dark-plumed boughs

And glimmering deeps of peace,

Save only the cool spurt of waters

That, from a myriad unseen jets,

Fretted the crystal airs of morning,

And fell in frolic showers

Of twinkling, rainbow drops,

That plashed in unseen basins;

And through the blaze of almond-orchards,

Tremulous with blossom

That flickered in a rosy, silken snow

Of falling petals over us,

And wreathed about our feet

In soft and scented drifts;

Beneath pomegranate trees in young, green leaf,

And through vast gardens, glowing with strange flowers,

Such as no April kindled into bloom

Among the valleys of my native hills.

We came unto a court of many fountains,

Where, leaping off their jaded mules,

Our captors loosed the thongs that held us,

But left our wrists still bound.

And one with great clay pitchers came,

And over our hot bodies, travel-stained,

Poured out cool, cleansing waters

In a gurgling, crystal stream,

And flung coarse robes of indigo

About our naked shoulders.

And here we left behind us

The maidens and the younger boys,

And passing through a gateway,

Came out upon a busy wharf,

Where, southward, midway through the city,

The broad Euphrates flows,

His dark flood thronged with merchant-dhows,

And fishing-boats of reed and bitumen,

Piled high with glistering barbel, freshly-caught;

And foreign craft, with many-coloured sails,

And laden deep with precious merchandise,

That, over wide, bewildering waters,

Across the perilous world,

The adventurous, dark-bearded mariners,

Who swear by unknown gods in alien tongues,

Bring ever to the gates of Babylon.

We crossed the drawbridge, round whose granite piers

Swirled strong, Spring-swollen waters,

Loud and tawny,

And, through great brazen portals,

Passed within the palace gates,

When first I saw afar the hanging-gardens,

Arch on arch,

And tier on tier,

Against a glowing sky.

Two strapping Nubians, like young giants

Hewn from blue-black marble

By some immortal hand in immemorial ages,

Led us slowly onward.

The dappled pard-skins, slung across their shoulders,

Scarcely hid the ox-like thews,

Beneath the dark skin rippling,

As they strode along before us.

Through courts of alabaster,

And painted corridors,

And chambers fair with flowery tapestries

They led us, wondering, till at last we came

Into a vast, dim hall of glimmering gold,

The end of all our journeying.

And, as we halted on the threshold,

My eyes could see but little for a moment,

In the dusky, heavy air,

Through the ceaseless cloud of incense,

Rising from the smouldering braziers

To the gold, grey-clouded dome,

Tingling strangely in my nostrils,

As I came from morning airs;

Then slowly filling them with drowsy fume,

When, looking up with half-dazed eyes,

I saw the King upon his golden throne:

And through my body

Raged rebellious blood,

In baffled riot beating

At my corded wrists,

As if to burst the galling bonds,

That I might hurl that lean, swart face,

So idly turning towards us,

With thin curled lips,

And cold, incurious eyes,

To headlong death--

Yea! even though I tumbled

The towers of Babylon round about my head.

And, when our captors bowed their foreheads low,

Obsequious to the throne,

I stood upright,

And gazed my loathing on that listless form--

The gay, embroidered robe,

The golden cap, that prankt the crispèd locks,

The short, square beard, new-oiled and barbered--

But, in a flash,

A heavy blow

Fell on my head,

And struck me to my knees

Before the sleek, indifferent king.

And then, on either hand,

With gripping palms upon my shoulders set,

The Nubians towered above me

Like mighty men of stone.

And savagely I struggled,

Half-stunned, to rise again;

When, as I vainly battled

In their unrelenting clutch,

My eyes lit for the first time on the Queen,

Who sat upon the daïs, by her lord

Half-shadowed, on a throne of ivory,

And all the hate died in me, as I saw

The face that hovered over me in dream,

When I had slept beneath the low-boughed cedar:

The moon-pale brows, o'er which the clustered hair

Hung like the smoke of torches, ruddy-gold,

Against a canopy of peacock plumes:

The deep brown, burning eyes,

From which the soul looked on me in fierce pity.

And, as I gazed on that exultant beauty,

The hunter and the slayer of men

Was slain within me instantly,

And I forgot the mountains and my home;

My desolate mother, and my father's death;

My captive sisters ... and the thronèd King!

I was as one, that moment,

New-born into the world

Full-limbed and thewed,

Yet, with the wondering heart

Of earth-bewildered childhood.

And, unto me, it seemed

That, as the Queen looked down on me,

There stole into her eyes

Some dim remembrance of old dreams,

That in their brown depths flickered

With strange, elusive light,

Like stars that tremble in still forest-pools.

One spake--

I scarce knew whom, nor cared--

And bade me choose,

Before the throne,

Between a life of slavery,

Or merciful, swift death--

Death, that but a moment since,

I would have dragged, exulting, on me--

And with my eyes still set on the Queen's face,

I answered:

"I will serve":

And scarcely heeded that my wrists were loosed.

And, huddled in a stifling hut,

That night, among my fellows,

I could not sleep at all:

But gazed, wild-eyed, till dawn upon that face,

Which hovered o'er me, like the moon of dreams;

And seemed to draw the wandering tides of life

In one vast wave, which ever strove

To climb the heavens wherein she moved,

That it might break in triumphing foam about her.

Not then, nor ever afterwards,

Was I a slave, among my fellow-slaves,

But one, who, with mean drudgery,

And daily penance serves

Before a holy altar,

That, sometimes, as he labours, his glad eyes

May catch a gleam of the immortal light

Within the secret shrine;

Yea! and, maybe, shall look, one day, with trembling,

On the bright-haired, imperishable god.

And, even when, day after day,

I bore the big reed-baskets, laden

With wet clay, digged beyond the Western moat,

Although I seemed to tread,

As treads the ox that turns the water-wheel,

A blindfold round of servitude,

My quenchless vision ever burned before me:

And when, in after days, I fed

The roaring oven-furnaces;

And toiled by them through sweltering days,

Though over me, at times, would come

Great longing for the hill-tops,

And the noise of torrent-waters:

Or when, more skilled, I moulded

The damp clay into bricks;

And spread the colour and the glaze;

And in strength-giving heat of glowing kilns,

I baked them durable,

Clean-shaped, and meet for service:

My vision flamed yet brighter;

And unto me it seemed

As if my gross and useless clay were burned

In a white ecstasy of lustral fire,

That, in the fashioning of the house of love,

I might serve perfectly the builder's need.

Thus, many months, I laboured;

Till, one day, at the noontide hour of rest,

I lay; and with a sharpened reed--

As temple-scribes write down the holy lore

On tablets of wet clay--

On the moist earth beside me,

I limned a young fawn, cropping

A bunch of tender, overhanging leaves.

And, as I slowly drew,

I dreamt a little sadly of the days,

When I, too, roamed, untethered,

And drinking in, unquestioning,

The sunshine and the air,

And all the rapture of the earth that turns,

New every morning to the wondering sun,

Refashioned in still nights of starry dews:

But one, the while, unseen of me,

Watched my unconscious hand, approving:

And I was set, next morning,

Among the craftsmen, who so deftly limned

The hunts and battles for the palace walls.

And, happily, with them I lived

A life of loving labour, for each line

Flowed from the knowledge of my heart:

I drew the startled ostrich

Fleeing from the far-flung noose:

The brindled lynx; the onaga

In dewy-plashing flight;

The bristling boar, at bay,

Crouched in a deadly ring of threatening spears,

With streaming nostrils, and red eyes ablaze;

The striped hyæna; the gaunt, green-eyed wolf;

The skulking jackal; the grey, brush-tailed fox;

The hunting leopard and the antelope,

In mid-chase tense,

With every thew astrain;

The dappled panther; the brown-eyed gazelle,

Butting with black horns through the tangled brake

The nimble hare, alert, with pricked-up ears;

The tiger, crouched, with yellow eyes afire;

The shaggy mountain-goat,

Perched on the utmost crag,

Against the afterglow of lucent ruby,

Or, poised with bunching hoofs

In mid-spring over a dark, yawning chasm;

Or the black stallion, with his tameless troop,

Fording a mountain-river in the dawn.

And, sometimes, as we toiled,

A terrible fleeting rapture

Would come upon me, when the Queen

Passed by us with her maidens;

Or paused, a moment, gazing,

With tranced and kindling eyes upon our labours:

But never did I dare, at any time,

To lift my eyes to hers,

And look, as soul on soul,

As on the day her beauty brought to birth

The strange new life within me.

In silence she would ever leave us;

And ever with her passing perished

The light and colour of my work;

So that my heart failed, daunted by that glimpse

Of the ever-living beauty.

And, sometimes, I would carve in ruddy teak,

Or ivory, from the Indian merchants bought,

Or in the rare, black basalt, little beasts

To please the idle fancies of the King;

Or model in wet clay, and cast in bronze,

Great bulls and lions for the palace-courts;

Or carve him seals of lapis-lazuli,

Of jasper, amethyst and serpentine,

Chalcedony--carnelian, chrysoprase,

Agate, sardonyx, and chalcedonyx--

Green jade, and alabaster;

Or cut in stones that flashed and flickered

Like a glancing kingfisher,

Or, in the sun-filled amber,

The kite with broad wings spread,

Or little fluttering doves that pecked

A golden bunch of dates:

And then of these in settings of fine gold

Made fillets, rings and ear-rings.

Thus, one day,

Dreaming, as ever, of the Queen,

I wrought a golden serpent for her hair:

And when I brought it to the King, next morn,

Where he sat brooding over chess,

He bade me bear it to the Queen, myself,

And so, I went unto her, where she sat,

Among her singing maidens, at the loom,

Weaving a silken web of Tyrian dye.

I laid the trinket at her feet, in silence:

And she arose, and set it in her hair,

Whose living lustre far outshone

The cold, dead metal I had fashioned,

As she stood before me, dreaming,

In her robe of flowing blue;

Then looked a moment on me with kind eyes.

And though she spoke no word,

I turned, and fled, in trembling,

Before the light that shivered through me,

And struck my soul with shuddering ecstasy:

And, still, through many days,

Although I did not look again

Upon those dreaming eyes,

Their visionary light

Within my soul, revealed eternity.

Thus, have the mortal years

Flowed onward to the perfect end--

This day of days,

That never night shall quench,

Nor darkness vanquish:

And, at dawn,

I die.

And yet, this morning, as I slowly climbed

The steep, ascending stages

That lead up to the hanging-gardens--

Where, tier on tier,

The great brick arches bore

Their April wealth of blossoms,

Plumed with palm and dusky cypress--

I little knew that I

Who came to carve a garland

Round a fountain's porphry basin,

Should scale so soon the utmost peak of life.

Throughout the morn I toiled,

Until an hour ere noon--

For no one, save the King and Queen,

May walk in those high gardens, after midday--

When, underneath a cypress shade,

I paused, a moment, resting;

And looking down upon the basking city,

Beneath me slumbering deeply--

Garden on garden glowing, grove on grove,

Like some green fabric, shot with myriad hues,

And chequered with white clusters of flat roofs,

Aquiver in clear heat:

And then I gazed up through the aching azure,

At the restless kites that hover

Ever over Babylon:

And, as I watched one broad-winged bird that hung

Above the seven-coloured pyramid

Of Bel's great temple,

With wide pinions spread,

As though it kept eternal vigil over

The golden image in the golden shrine,

I thought of eagles poised

Above the peaks of glittering snows,

Beyond the Eastern plains.

Half-dreaming, thus, I lay,

Lulled by the tinkling waters,

Till, unawares, sleep slowly overcame me;

And noonday drifted by:

And still, I slept, unheeding:

And, in my sleep,

I looked on Beauty in a quiet place

Of forest gloom and immemorial dream:

When, something rousing me from slumber,

With waking eyes that yet seemed dream-enchanted,

I looked upon the Queen,

Where, in a secret close,

Set thickly round with screens of yew and ilex,

She stood upon the dark, broad brim

Of a wide granite basin, gazing down,

With dreaming eyes, into the glooming cool,

Unraimented, save of the flickering gleam,

Reflected from the lucent waters,

That flowed before her silently:

And slowly, from her feet,

The cold light rippled up her body, till,

Entangled in the meshes of her hair,

It flooded the calm rapture of her face:

When, dreaming still, she lifted up her eyes,

Unseeing; and I looked upon her soul,

Unveiled, in naked immortality,

Untrammelled by the trappings of brief time,

And cloaks of circumstance.

How long I looked upon the perfect beauty,

I cannot tell--

Each moment, flowing to eternity,

Bearing me further from time's narrow shores;

Though, yet, a little while,

From those unshadowed deeps time sought to hold me.

Suddenly, I felt

A ghostly arrow pierce my life;

And I leapt up, and turning,

I saw the King beside me,

With steely, glittering eyes

Shooting barbed anger,

Though he coldly spake,

With evil, curling lips:

"Slave, thou art dead!"

And yet I did not quail:

But, looking 'twixt his brows,

I answered: and he blenched before my words:

"Nay! I have seen:

"And am newborn, a King!"

And then his craven fingers

Went quaking to his wagging beard,

As if he felt my clutch upon his throat:

Yet, though, with one quick blow,

I might have hurled him down to death,

I never stirred:

And, eyeing me, he summoned

The negro-eunuchs, who kept watch below:

But I, ere they could spring up the first stage,

Went forth to meet them;

And they bound my wrists.

And so, down from the hills, my life has flowed,

Until, at fullest flood, it meets the sea.

With calm and unregretful heart, I wait

Till dawn shall loose the arrow from the bow.

I, who, with eager, faltering hand have sought

To fashion a little beauty, in the end,

Have looked on the perfect beauty, and I die--

Even as the priest, who, in the heart of night,

Trembling before the thunder-riven shrine,

Looks on the face of God, and perishes.

I die...

And yet, maybe, when earth lies heavily

Upon the time-o'ertoppled towers,

And tumbled walls, and broken gates of brass;

And the winds whisper one another:

"Where, Oh! where is Babylon?"

In the dim underworld of dreaming shades,

My soul shall seek out beauty

And look, once more,

Upon the unveiled vision...

And not die.

Night passes: and already in the court,

Amid the plash of fountains,

There sounds the pad of naked feet approaching.

With slow, deliberate pace,

As though they trod out all my perished years,

The Nubians come, to lead me out to death.

Slowly the great door opens;

And clearer comes the call of waters;

Cool airs are on my brow ...

Lo! ... in the East, the dawn.

LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED.

*** END OF THIS PROJECT GUTENBERG EBOOK AKRA THE SLAVE ***

*** END OF THE PROJECT GUTENBERG EBOOK AKRA THE SLAVE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE FULL PROJECT GUTENBERG™ LICENSE