An Ideal Kitchen: Miss Parloa's Kitchen Companion / A Guide for All Who Would Be Good Housekeepers
Date: 2017-01-05T00:00:00+00:00
Keywords: Kitchen utensils; Home economics; Cooking; American; Kitchens

The Project Gutenberg eBook of An Ideal Kitchen: Miss Parloa's Kitchen Companion

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: An Ideal Kitchen: Miss Parloa's Kitchen Companion

Author: Maria Parloa

Release date: January 5, 2017 [eBook #53892]
Most recently updated: October 23, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/53892

Credits: Produced by Emmy, MFR and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK AN IDEAL KITCHEN: MISS PARLOA'S KITCHEN COMPANION ***

AN IDEAL KITCHEN.

Mind your Ps & Qs

And the three best Ps to mind are

MISS

PARLOA’S Kitchen Companion. 1 vol., crown 8vo, cloth or waterproof binding, $2.50.

It is thoroughly practical; it is perfectly reliable; it is marvellously comprehensive; it is copiously illustrated; it is in short overflowing with good qualities, and is just the book that all housekeepers need to guide them.

MISS

PARLOA’S New Cook Book and Marketing Guide. 1 vol., 12mo, cloth, $1.50.

This is one of the most popular Cook Books ever printed, containing 1,724 receipts and items of instruction. The directions are clear and concise, and the chapters on marketing and kitchen furnishing very useful.

MISS

PARLOA’S Camp Cookery. How to Live in a Camp. 1 vol., 18mo, cloth, 50 cents.

A most comprehensive little manual. Every one who intends camping out during the coming summer should have it right at hand for constant reference.

For sale by all booksellers, or sent postpaid by
ESTES AND LAURIAT, Boston, Mass.

AN IDEAL KITCHEN.

Miss Parloa’s Kitchen Companion.

A GUIDE FOR ALL WHO WOULD BE
GOOD HOUSEKEEPERS.

By MARIA PARLOA,

FOUNDER OF THE ORIGINAL COOKING-SCHOOL IN BOSTON; PRINCIPAL
OF THE SCHOOL OF COOKERY IN NEW YORK; AND AUTHOR OF
“MISS PARLOA’S NEW COOK-BOOK,” “THE APPLEDORE
COOK-BOOK,” “FIRST PRINCIPLES OF HOUSEHOLD
MANAGEMENT,” “CAMP COOKERY,” ETC.

TWENTIETH EDITION

ILLUSTRATED.

BOSTON:
ESTES AND LAURIAT,
PUBLISHERS.

Copyright, 1887,
By Maria Parloa.

University Press:
John Wilson and Son, Cambridge, U.S.A.

AN
IDEAL KITCHEN.

How few people who build houses give proper attention to the plan and construction of the kitchen! Pains may be taken to have the exterior of the building attractive, the halls broad, the parlors spacious and finely finished, the dining-room bright and inviting, the chambers airy and sunny, but the plan of the kitchen generally receives much less thought than its importance deserves, if one be seeking to make the house as nearly perfect as is practicable. The trouble is not wholly due to unwillingness to expend more money than may have been at first appropriated. A little extra thought alone is needed to effect many improvements on the average kitchen when a house is in process of construction, but this extra thought usually is missing. Of course, in order to have a model kitchen, one must be willing to pay a good price for it; yet the price will not be so high that one will ever regret the expenditure; indeed, most persons will promptly admit that the money has been used as profitably as that used for any other part of the house. The object of this chapter is to show how a model kitchen may be arranged; and although few people may adopt the recommendations as a whole, it is hoped that every reader may find some suggestions of value, to be followed whether the house be already built or yet to be erected.

The first matter to be considered is the size of the room. While it is important to have ample space for range, sink, dresser, tables, and chairs, and for free movements, it also is important to avoid having the room so large as to oblige one to take many steps to and from range, sink, table, and pantry. A good size is 16 × 16 or 15 × 17 feet.

Be particular to have the ventilation as good as possible; for the comfort of not only those who have duties in the kitchen, but of the entire household, is in a measure dependent upon it. If the ventilation be poor, the strength of those who work in the room will needlessly become exhausted, and they are likely to get irritated easily. Moreover, odors of cooking will escape to other parts of the house instead of passing to the open air. The room should be high, and have large windows that can be raised or dropped easily. If the kitchen be located in a one-story extension, almost perfect ventilation may be secured by means of a ventilator in the roof or by a skylight; or it may be found easy to have a ventilator placed in the chimney. If expense be no obstacle, it will be well to have a separate chimney for the kitchen, as this is one of the surest ways of preventing odors of food from reaching other rooms. Although the room may be admirably arranged and finished, it will not be a model apartment unless there be good ventilation and an abundance of light. Most kitchens have some dark corners, but there should be none.

Excepting the ceilings, every part of the room, as well as of the pantry and the adjoining closets, should be finished in a way that permits of washing. A hard-wood floor is desirable. Avoid spruce. Hard pine, if carefully selected, makes a good floor; but the best wood is maple or birch, in strips not more than three inches wide. If soft wood be used, splinters will in time get torn up. Oil-cloth often is used for covering the floor. It may look bright and clean, but is too cold, and frequently causes rheumatism. Lignum, which somewhat resembles oil-cloth, but is thicker and warmer, is as good a covering as can be found. It is clean and durable. Tiles are sometimes recommended for the floor of a kitchen; they can be kept clean and will wear well, but they tire the feet, and for that reason should not be used.

It is well to have the woodwork in a kitchen oiled. A wainscot is desirable. Have the walls painted a rather light color. If one can afford it, the walls about the range and sink should be tiled. At the outset tiles may appear costly, but after experience one finds it is really a saving to use them. They can easily be kept perfectly clean, and will last as long as the house itself. English or Dutch tiles should be used, and there is nothing more appropriate than the blue and white. The price for furnishing and setting such tiles is from seventy cents to a dollar per square foot. Probably the time will come when nobody will think of finishing a house without them.

Do not be satisfied with a small sink. Have one of good size, and of iron, with a sloping and grooved shelf at one end, on which to drain dishes after washing them. Let the sink rest on iron legs. The space under it should not be enclosed, as every dark place is a source of temptation to a slovenly domestic.

One caution in regard to the sink: have the strainer screwed down firm. Anything that will not pass through the strainer should not go into the pipes. The hinged or loose strainer gives but little protection, as the temptation to lift it and let sediment pass through is very great. With an immovable strainer and the use, once a fortnight, of the hot solution of soda described in the chapter on “Care of Utensils,” there will be no trouble with pipes, unless it be caused by wear or freezing. After using the hot soda, flush the pipes with cold water. This plan has been followed in the care of the plumbing of a large house for many years, with the most satisfactory results. Put hooks under the sink, for dish-cloths, dish-pans, etc. Unless there be tiles above, below, and at the sides of the sink, all this space should be finished in hard wood. If tiles be used, have a broad capping of hard wood extend across the upper edge of the top row, in which to place brass hooks for the various small utensils in frequent use at the sink.

Between the doors leading to the china closet and the hall have a dresser. Here can be kept the kitchen table-ware and some utensils. Near the back part of each shelf have a groove, so that plates and platters may be placed on edge without danger of their falling. There also should be two drawers, and below the drawers two closets containing shelves. The doors of the upper part of the dresser should be made in part of glass, and instead of swinging on hinges they should slide one in front of the other.

Allow enough room for the tables, so as to avoid crowding and confusion when a meal is being prepared or served. Swinging tables are convenient, as they occupy no space when not in use. At one end of the sink have a table, about 2½ × 3½ feet, containing one drawer for knives, forks, and spoons, and one for towels. This table should be placed on castors, so that it can easily be moved to the centre of the room. There should be a small table, about the height of the range, for use as a resting-place for utensils when omelets, waffles, griddle-cakes, etc., are made. Its top should be covered with zinc. When not in use this table may be moved to some other part of the room. There should be one more table in the kitchen, between two windows if the space will permit,—a settle table, which serves as a seat when not in use for ironing or some other purpose. Above the table have two shelves,—one for a clock, and the other for cook-books, the grocer’s and marketman’s order-books, etc. It is a good idea to have the corners of all the tables rounded, so that nobody shall be hurt by striking against them.

Have broad window-seats, in order to keep a few pots of flowers, herbs, or other plants in the room. Flowers brighten a kitchen wonderfully, and seem to grow better there than in any other part of the house. One other point about the windows; they should be supplied with wire screens in summer. Swarms of flies will get in unless this precaution be taken. The same barrier is needed at the outside door as much as at the windows.

The most important piece of furniture is the range. Many housekeepers find it difficult to decide which is better, a set or a portable range. Each has merits. Less room is required for set ranges; broiling and roasting can be done before the fire, and a constant supply of hot water is insured. But set ranges are rather slow to respond to draughts and checks; they consume a great deal of coal; the hearth becomes hot, and uncomfortable to stand on; and there is but one side of the range to approach, which necessitates the frequent lifting and moving of heavy utensils.

Now, a portable range can be so placed as to permit of one’s walking almost around it; it can be used as advantageously as a set range, with about half the same quantity of coal; there is a prompt response to the opening or closing of a draught; one’s feet do not get heated by standing near it; there are no dark corners; the need of moving utensils is to a large extent avoided, and it can be so managed that there shall be a hot oven at any time of the day. But roasting must be done in the oven, and broiling over the coals, and the supply of hot water is limited.

With a set range there must be a broad hearth of tiles, slate, or best face-brick. If a portable range be used, only a large piece of zinc will be required under it.

THE PANTRY.

And now the pantry. It should be about 12 × 8 feet. The window should have a wire screen, and inside folding blinds will be found a great convenience,—indeed, they are a necessity. A large, strong table, containing two drawers, should be placed at this window. There should be hooks at the ends of the table, from which to suspend the pastry-board, the board on which cold meats are cut, and that on which bread and cake are cut. In one drawer the rolling-pin, knives, pastry and cake cutters, and a few other utensils may be kept; and in the other drawer, spices, flavoring extracts, etc.

At one end of the room the wall should be covered with hooks on which to hang saucepans. At the same end, about a foot from the floor, there should be a broad shelf on which to keep heavy pots and kettles, turned upside down to keep out dust. Two feet above this shelf there should be a narrow one for the covers of the utensils just mentioned. By following this plan one can keep all these articles together and always in sight, and no time need be lost in searching for any of them.

There will be space in this end of the room for small shelves for the glass jars in which to keep materials used frequently, such as tapioca, barley, rice, baking-powder, soda, cream-of-tartar, ginger, split peas, etc. Here, also, may be kept small pasteboard boxes containing herbs.

In the window-frame put brass hooks, on which to hang the egg-beater, spoons, graded measuring-cups, a whisk, etc.

At the lower end of the pantry have a strong rack, a few inches from the floor, on which to place flour-barrels. This plan insures the circulation of air under the barrels, keeping their contents sweet. About a foot above the barrels have a wall closet, with shelves about twenty inches wide. This should be supplied with a lock, as it is designed for keeping cooked food and such groceries as raisins, currants, and citron, in glass jars, besides fresh fruit. The door or doors should be made partly of wire.

Extending the length of one side of the room have a tier of shelves, beginning about a foot from the floor and running as high as the top of the wall closet. Tin cans of meal and sugar, stone jars of salt, and jugs of molasses and vinegar may be kept on the lower shelves; and mixing-bowls, mixing-pans, stone-china measuring-cups, etc.,—indeed, all utensils for which no other place has been provided,—may be kept on the upper shelves.

In some place near the door of the pantry have a hook or a roller for a towel, in order to avoid taking steps across the kitchen whenever the hands require wiping.

Now, if a kitchen and pantry be built or reconstructed on this plan, the cooking can be done with comfort, and the washing of dishes will not seem so burdensome as it does in the ordinary kitchen. Even if one find it impracticable to follow all or many of the suggestions made, pains ought to be taken—whatever the plan of the kitchen be—to concentrate the work, obtain good light, good ventilation, and ample table-room; and all measures which are calculated to insure cleanliness and to make the kitchen an attractive place should be adopted. There must be a closet near by for brooms, brushes, dusters, etc.; and there should be a cold room near the kitchen, in which to keep most of the perishable stores. In case there be no room of this kind, it will be well to keep the refrigerator in the pantry.

THE STOREROOM.

A storeroom well arranged and properly managed is a source of economy, security, and comfort to a housekeeper. It should be kept locked except when stores are being put in or taken out. Light should be furnished by a small window. For a household of moderate size a room 7 × 5 feet will suffice. In the ground-plan given on page 10 no provision is made for such a room on the first floor, but there would be space for one if the china closet were made smaller and there were no closets in the back hall.

Broad shelves should run all round the room, and there should be a movable set of broad, firm steps—say two or three steps—for use in reaching the upper shelves. The floor and shelves should be planed smooth, that there may be no grooves nor defective places where any substance which may be spilled will lodge, giving a disagreeable odor to the room. The shelves must be made strong, so that no danger shall arise from putting a great weight of stores on them. A tier of three shelves will be enough. Have a space of about twenty inches between the shelves. Do not have any of the woodwork painted. The walls may be plastered or sheathed. If plastered, they may be whitened each spring, if necessary. This will freshen and sweeten the room. The shelves and floor may be cleaned once a month, and the other woodwork washed twice a year. Care must be taken not to use much water. The room should be kept dry, as well as clean, cool, and dark.

Use the lower shelves for such supplies as are frequently drawn upon, and the upper ones for those stores which are used the least. On the upper shelves there may also be kept such kitchen utensils as may be required to replace those which become worthless,—such as bowls and cups, saucepans, etc., which a wise housekeeper will always keep in reserve.

If flour be kept in a barrel in the storeroom, there should be a strong rack, a few inches from the floor (as recommended for the pantry), on which to place the barrel; the idea being to get a free circulation of air under the barrel and prevent dampness. Such groceries as molasses, granulated sugar, vinegar, wine, cider, washing-soda, etc., may be kept on the floor. A strip of wood into which are screwed half a dozen or more hooks, may be fastened on one side of the room, and on it can be hung the brushes, brooms, etc., required to replace those which become worn out.

Following is a list of supplies which should be kept in the storeroom. In sections of the country where such articles as shrimp and lobster can always be found fresh it will not be necessary to use canned goods. Again, in those places where fish and oysters are never found fresh, it is well, on account of the saving in cost, to buy them by the quantity, as one would buy canned peas, tomatoes, mushrooms, etc. In some parts of the country the people depend almost wholly upon condensed milk rather than upon the fresh fluid. If canned milk must be used, a considerable saving can be made by buying a large quantity at one time. Then, too, if one be so placed that it would not be possible to obtain an extra quantity of milk in an emergency, it will be well to keep a few cans of condensed milk on hand.

Time and money will be saved by purchasing by the dozen such canned goods as peas, tomatoes, mushrooms, peaches, apricots, as well as gelatine, etc. Soap and Sapolio, candles and starch, all should be bought by the box. It is well to have peas of two qualities,—the small French peas for use as a vegetable, and the larger and cheaper kind for making soups and purées. Truffles, caviare, sardines, anchovies in various forms, and a few other things, are luxuries in which many housekeepers never indulge; and in any case a small can or bottle is all that one will require in a storeroom, provided one lives in or near a large city where such articles can be obtained.

In the list of supplies which follows these remarks are mentioned many things not actually essential, but which are very useful in giving variety to the fare. It may surprise some readers that dried or smoked fish, ham, bacon, salt pork, brown soap, and some other articles are not included in the list. The reason is, that they have moisture or a strong odor, two things to be avoided in a storeroom where delicate groceries are kept. A cold room where there is a free circulation of air is a better place for them.

Experience has proved that tin boxes are the best receptacles for all kinds of food that would attract mice or weevils. Tin boxes are, to be sure, much more expensive than wooden buckets; but as they are lasting and perfectly secure, it is, in the end, economical to buy them. Each box should be labelled; and if they be made to order, it will be well to have the labels painted on them at the time. Such boxes as cracker-manufacturers use will answer for this purpose, and a housekeeper may obtain them through her grocer if no more convenient way presents itself. When made to order, tin boxes are expensive.

First Shelf.—Graham, corn meal, both white and yellow, oatmeal, rye meal, hominy, buckwheat, rice, soda, cream-of-tartar, tapioca, powdered and block sugar, dried peas, beans, barley, picked raisins, currants that have been cleaned, eggs, cheese, gelatine, tea, coffee, chocolate, starch, bluing, candles; all the articles, except the last three and the gelatine, to be kept in tin boxes.

Second Shelf.—Olive oil, vanilla, lemon, orange, and almond extracts, Santa Cruz rum, eau-de-vie de Dantzic, maraschino, brandy, white wine, tarragon vinegar, olives, capers, liquid rennet; table salt, macaroni, spaghetti, vermicelli, crackers, lime-water, stove-polish, Sapolio, Castile soap, toilet soap, chloride of lime.

Preserved ginger, pickles, anchovy paste, chutney sauce, extract of meat in small jars, arrowroot, cornstarch, potted ham, tongue, and chicken, French paste for coloring soups and sauces, devilled ham, anchovies in oil and in salt, Russian caviare, sardines, orange marmalade, jellies, canned and preserved fruits, almonds, citron, candied lemon and orange peel, tomato, walnut, and mushroom ketchup, essence of anchovy, curry-powder, white and red pepper, essence of shrimp, Worcestershire or Leicestershire sauce, and these whole spices,-nutmegs, cloves, cinnamon, mace, allspice, pepper-corns, and ginger; these ground spices,—mace, cinnamon, clove, allspice, ginger; these whole herbs,—sage, savory, thyme, parsley, sweet-marjoram, summer savory, tarragon; these ground herbs,—sage, summer savory, thyme, parsley, sweet-marjoram.

Third Shelf.—These canned vegetables,—button onions, cauliflower, peas, string beans, shelled beans, mixed vegetables, tomatoes, and corn; also, canned cèpes, mushrooms, truffles, salmon, lobster, shrimp, chicken and tongue, and dessert biscuit, prunes, twine, chamois skin, whiting, household ammonia, clothes-pins.

Floor.—Molasses, cider, vinegar, granulated sugar, wine, coarse salt for freezing, washing-soda for the plumbing.

THE COLD STOREROOM.

This room should be on the north side of the house, and should have two small windows, on two sides of the room, if possible. A broad beam should extend across one end of the room, at least one foot from the wall. Strong meat-hooks should be fastened in this beam, on which to hang ham, bacon, smoked tongue, smoked salmon, and fresh meat or poultry that is to be kept a day or more. At the other end of the room there should be broad, strong shelves on which to put the tubs or jars in which pork, lard, pickles, etc., are kept. All the things which should be kept very cold, such as fruits, vegetables, preserves, etc., may be stored in this room.

If one have a good light cellar, the cold storeroom may be arranged there. The entrance should be near the kitchen stairs. In most modern cellars the furnace gives so much heat that a separate place is required for storage purposes. If one be about to build a house, it will be well to take this matter under consideration. Have a separate cellar under the kitchen, and keep it for vegetables and a storeroom. In the larger cellar have the furnace, fuel-bins, and a workshop, if one be needed. If the cellar extend the entire length of the house, a cold room may be made by building a brick partition at the end of the cellar farthest from the furnace. The room, whether on the ground floor or downstairs, should be so arranged that it can be made light when necessary. The windows should have inside blinds.

In most households the cellar will be found to be the most desirable place for a cold room, because the temperature will be more even than in a place above ground. Dry atmosphere, light, and ventilation are the special points to keep in mind. Even in an old house, where the light is insufficient, large windows may be put in, and the trouble thus easily remedied. Perfect cleanliness and frequent airing are necessary for the preservation of food in this room.

Of course, it is desirable to have the room divided into two parts,—a thin partition will suffice,—that the milk and butter in one compartment shall not absorb the flavor of meats, fish, fruits, or vegetables kept in the other. If there be no refrigerator in the pantry, have one in this room. Ice will not melt so quickly here as in other parts of the house.

A writer who has given considerable thought to the subject of ventilation says that “a great mistake is sometimes made in ventilating cellars and milk-houses. The object of ventilation is to keep the cellars cool and dry, but this object often fails of being accomplished by a common mistake, and instead the cellar is made both warm and damp. A cool place should never be ventilated unless the air admitted is cooler than the air within, or is at least as cool as that, or only a very little warmer. The warmer the air the more moisture it holds in suspension. Necessarily, the cooler the air the more this moisture is condensed and precipitated. When a cool cellar is aired on a warm day, the entering air being in motion appears cool; but as it fills the cellar the cooler air with which it becomes mixed chills it, the moisture is condensed, and dew is deposited on the cold walls, and may often be seen running down them in streams. Then the cellar is damp, and soon becomes mouldy. To avoid this, the windows should only be opened at night, and late,—the last thing before retiring. There is no need to fear that the night air is unhealthful; it is as pure as the air of midday, and is really drier. The cool air enters the apartment during the night and circulates through it. The windows should be closed before sunrise in the morning, and kept closed and shaded through the day. If the air of the cellar be damp, it may be thoroughly dried by placing in it a peck of fresh lime in an open box. A peck of lime will absorb about seven pounds, or more than three quarts, of water; and in this way a cellar or milkroom may soon be dried, even in the hottest weather.”

THE CHINA CLOSET.

Between the kitchen and dining-room there should be a closet where the dining-room dishes (except rare glass and china) can be kept, and where the glassware, silver, and delicate china—if not all the china—can be washed. A window is needed in this room. Have the floor made of hard wood, unless it is to be covered. If covered, use lignum. A woollen carpet never should be laid in a china closet. The walls may be sheathed, or plastered and painted. Everything considered, sheathing with well-finished hard wood is the best plan.

On one side of the room have closets about three feet high, beginning at the floor. Above the closets have broad shelves. These should have deep grooves, so that meat dishes may be placed on edge and inclined against the wall. On the opposite side of the room have a similar tier of shelves, with drawers, instead of closets, under the lowest. If the room be planned like that in the design given, there will be space between the two tiers of shelves already mentioned for still another tier, although it will be better to save this space for the steps needed for reaching the high shelves. These steps should be broad, as a precaution against accidents to anybody and damage to dishes.

The shelves should be made of smooth hard wood, which is easily kept clean. It adds considerably to the cost of the room, but also considerably to the convenience, to have sliding glass doors in front of the shelves. They will exclude a great deal of the dust which otherwise would collect.

At one end of the room, near the window, have a sink for washing dishes,—not such a sink as that in the kitchen, but a rather small basin, say of copper, about eighteen inches long, twelve wide, and eight or nine deep. Copper is especially recommended because it wears better than zinc. A soapstone sink or a porcelain-lined pan would be desirable but for the greater liability of breaking dishes. It is a good idea to have a small cedar tub—they are made with brass hoops, and look very neat—for the washing of the most delicate china and glassware, which is likely to get marred or broken if crowded into a pan with other heavier articles.

On each side of the sink have a swinging table, on which to place dishes. The tables will at times be convenient when making salads and other similar dishes. Above the table nearest the kitchen have a slide in the wall, that dishes may be passed to and from the kitchen. This small space will not admit odors or the hot air as the door would if kept open. In case there be two or more servants in the household, the door from the closet to the kitchen need not be opened at all while a meal is served, all dishes being passed through the slide.

The small closets in the room are for the sugar, tea, condiments, and the cake, bread, and cracker boxes. There should be one small closet for the articles used in cleaning the table-ware, such as soap, whiting, alcohol, ammonia, brushes, chamois skin, etc. The drawers under the shelves are intended for the table linen, clean dish-towels, etc.

A towel-rack that can be fastened to the window-casing is a necessity. In case the walls be plastered or tiled, a broad moulding of wood should be placed just above the sink. Brass hooks screwed into this moulding will prove to be a great convenience.

This room is often called the butler’s pantry.

Miss Parloa’s
Cook Books

Can be procured from any bookseller in the United States.

Her name in connection with cooking is a household word.

*** END OF THE PROJECT GUTENBERG EBOOK AN IDEAL KITCHEN: MISS PARLOA'S KITCHEN COMPANION ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- AN IDEAL KITCHEN.

- AN IDEAL KITCHEN.

- THE PANTRY.

- THE STOREROOM.

- THE COLD STOREROOM.

- THE CHINA CLOSET.

- THE FULL PROJECT GUTENBERG™ LICENSE