Horses and Men: Tales, long and short, from our American life
Date: 2019-08-14T00:00:00+00:00
Keywords: Short stories; American; American fiction -- 20th century

The Project Gutenberg eBook of Horses and Men: Tales, long and short, from our American life

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Horses and Men: Tales, long and short, from our American life

Author: Sherwood Anderson

Release date: August 14, 2019 [eBook #60097]
Most recently updated: October 17, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/60097

Credits: Produced by Tim Lindell, Barry Abrahamsen, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from images made available by the
HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK HORSES AND MEN: TALES, LONG AND SHORT, FROM OUR AMERICAN LIFE ***

The cover image was created by the transcriber and is placed in the public domain.

HORSES AND MEN

OTHER BOOKS BY

SHERWOOD ANDERSON

Windy McPherson’s Son, A novel
Marching Men, A novel
Mid-American Chants, Chants
Winesburg, Ohio, A book of tales
Poor White, A novel
The Triumph of the Egg, A book of tales
Many Marriages, A novel

HORSES AND MEN
Tales, long and short, from
our American life
BY
SHERWOOD ANDERSON

NEW YORK
B. W. HUEBSCH, Inc.
MCMXXIII

COPYRIGHT, 1923, BY

B. W. HUEBSCH, INC.

PRINTED IN U.S.A.

TO THEODORE DREISER
In whose presence I have sometimes had
the same refreshed feeling as when in
the presence of a thoroughbred horse.

Some of the tales in this book have been printed in

The Little Review, The New Republic, The Century,

Harper’s, The Dial, The London Mercury and Vanity

Fair, to which magazines the author makes due
acknowledgment.

FOREWORD

Did you ever have a notion of this kind—there is an orange, or say an apple, lying on a table before you. You put out your hand to take it. Perhaps you eat it, make it a part of your physical life. Have you touched? Have you eaten? That’s what I wonder about.

The whole subject is only important to me because I want the apple. What subtle flavors are concealed in it—how does it taste, smell, feel? Heavens, man, the way the apple feels in the hand is something—isn’t it?

For a long time I thought only of eating the apple. Then later its fragrance became something of importance too. The fragrance stole out through my room, through a window and into the streets. It made itself a part of all the smells of the streets. The devil!—in Chicago or Pittsburgh, Youngstown or Cleveland it would have had a rough time.

That doesn’t matter.

The point is that after the form of the apple began to take my eye I often found myself unable to touch at all. My hands went toward the object of my desire and then came back.

There I sat, in the room with the apple before me, and hours passed. I had pushed myself off into a world where nothing has any existence. Had I done that, or had I merely stepped, for the moment, out of the world of darkness into the light?

It may be that my eyes are blind and that I cannot see.

It may be I am deaf.

My hands are nervous and tremble. How much do they tremble? Now, alas, I am absorbed in looking at my own hands.

With these nervous and uncertain hands may I really feel for the form of things concealed in the darkness?

DREISER

Heavy, heavy, hangs over thy head,

Fine, or superfine?

Theodore Dreiser is old—he is very, very old. I do not know how many years he has lived, perhaps forty, perhaps fifty, but he is very old. Something grey and bleak and hurtful, that has been in the world perhaps forever, is personified in him.

When Dreiser is gone men shall write books, many of them, and in the books they shall write there will be so many of the qualities Dreiser lacks. The new, the younger men shall have a sense of humor, and everyone knows Dreiser has no sense of humor. More than that, American prose writers shall have grace, lightness of touch, a dream of beauty breaking through the husks of life.

O, those who follow him shall have many things that Dreiser does not have. That is a part of the wonder and beauty of Theodore Dreiser, the things that others shall have, because of him.

Long ago, when he was editor of the Delineator, Dreiser went one day, with a woman friend, to visit an orphan asylum. The woman once told me the story of that afternoon in the big, ugly grey building, with Dreiser, looking heavy and lumpy and old, sitting on a platform, folding and refolding his pocket-handkerchief and watching the children—all in their little uniforms, trooping in.

“The tears ran down his cheeks and he shook his head,” the woman said, and that is a real picture of Theodore Dreiser. He is old in spirit and he does not know what to do with life, so he tells about it as he sees it, simply and honestly. The tears run down his cheeks and he folds and refolds the pocket-handkerchief and shakes his head.

Heavy, heavy, the feet of Theodore. How easy to pick some of his books to pieces, to laugh at him for so much of his heavy prose.

The feet of Theodore are making a path, the heavy brutal feet. They are tramping through the wilderness of lies, making a path. Presently the path will be a street, with great arches overhead and delicately carved spires piercing the sky. Along the street will run children, shouting, “Look at me. See what I and my fellows of the new day have done”—forgetting the heavy feet of Dreiser.

The fellows of the ink-pots, the prose writers in America who follow Dreiser, will have much to do that he has never done. Their road is long but, because of him, those who follow will never have to face the road through the wilderness of Puritan denial, the road that Dreiser faced alone.

Heavy, heavy, hangs over thy head,

Fine, or superfine?

TALES OF THE BOOK

Page |
ix | Foreword
xi | Dreiser
3 | I’m a Fool
21 | The Triumph of a Modern
31 | “Unused”
139 | A Chicago Hamlet
185 | The Man Who Became a Woman
231 | Milk Bottles
245 | The Sad Horn Blowers
287 | The Man’s Story
315 | An Ohio Pagan

I’M A FOOL

I’M A FOOL

IT was a hard jolt for me, one of the most bitterest I ever had to face. And it all came about through my own foolishness, too. Even yet sometimes, when I think of it, I want to cry or swear or kick myself. Perhaps, even now, after all this time, there will be a kind of satisfaction in making myself look cheap by telling of it.

It began at three o’clock one October afternoon as I sat in the grand stand at the fall trotting and pacing meet at Sandusky, Ohio.

To tell the truth, I felt a little foolish that I should be sitting in the grand stand at all. During the summer before I had left my home town with Harry Whitehead and, with a nigger named Burt, had taken a job as swipe with one of the two horses Harry was campaigning through the fall race meets that year. Mother cried and my sister Mildred, who wanted to get a job as a school teacher in our town that fall, stormed and scolded about the house all during the week before I left. They both thought it something disgraceful that one of our family should take a place as a swipe with race horses. I’ve an idea Mildred thought my taking the place would stand in the way of her getting the job she’d been working so long for.

But after all I had to work, and there was no other work to be got. A big lumbering fellow of nineteen couldn’t just hang around the house and I had got too big to mow people’s lawns and sell newspapers. Little chaps who could get next to people’s sympathies by their sizes were always getting jobs away from me. There was one fellow who kept saying to everyone who wanted a lawn mowed or a cistern cleaned, that he was saving money to work his way through college, and I used to lay awake nights thinking up ways to injure him without being found out. I kept thinking of wagons running over him and bricks falling on his head as he walked along the street. But never mind him.

I got the place with Harry and I liked Burt fine. We got along splendid together. He was a big nigger with a lazy sprawling body and soft, kind eyes, and when it came to a fight he could hit like Jack Johnson. He had Bucephalus, a big black pacing stallion that could do 2.09 or 2.10, if he had to, and I had a little gelding named Doctor Fritz that never lost a race all fall when Harry wanted him to win.

We set out from home late in July in a box car with the two horses and after that, until late November, we kept moving along to the race meets and the fairs. It was a peachy time for me, I’ll say that. Sometimes now I think that boys who are raised regular in houses, and never have a fine nigger like Burt for best friend, and go to high schools and college, and never steal anything, or get drunk a little, or learn to swear from fellows who know how, or come walking up in front of a grand stand in their shirt sleeves and with dirty horsey pants on when the races are going on and the grand stand is full of people all dressed up—What’s the use of talking about it? Such fellows don’t know nothing at all. They’ve never had no opportunity.

But I did. Burt taught me how to rub down a horse and put the bandages on after a race and steam a horse out and a lot of valuable things for any man to know. He could wrap a bandage on a horse’s leg so smooth that if it had been the same color you would think it was his skin, and I guess he’d have been a big driver, too, and got to the top like Murphy and Walter Cox and the others if he hadn’t been black.

Gee whizz, it was fun. You got to a county seat town, maybe say on a Saturday or Sunday, and the fair began the next Tuesday and lasted until Friday afternoon. Doctor Fritz would be, say in the 2.25 trot on Tuesday afternoon and on Thursday afternoon Bucephalus would knock ’em cold in the “free-for-all” pace. It left you a lot of time to hang around and listen to horse talk, and see Burt knock some yap cold that got too gay, and you’d find out about horses and men and pick up a lot of stuff you could use all the rest of your life, if you had some sense and salted down what you heard and felt and saw.

And then at the end of the week when the race meet was over, and Harry had run home to tend up to his livery stable business, you and Burt hitched the two horses to carts and drove slow and steady across country, to the place for the next meeting, so as to not over-heat the horses, etc., etc., you know.

Gee whizz, Gosh amighty, the nice hickorynut and beechnut and oaks and other kinds of trees along the roads, all brown and red, and the good smells, and Burt singing a song that was called Deep River, and the country girls at the windows of houses and everything. You can stick your colleges up your nose for all me. I guess I know where I got my education.

Why, one of those little burgs of towns you come to on the way, say now on a Saturday afternoon, and Burt says, “let’s lay up here.” And you did.

And you took the horses to a livery stable and fed them, and you got your good clothes out of a box and put them on.

And the town was full of farmers gaping, because they could see you were race horse people, and the kids maybe never see a nigger before and was afraid and run away when the two of us walked down their main street.

And that was before prohibition and all that foolishness, and so you went into a saloon, the two of you, and all the yaps come and stood around, and there was always someone pretended he was horsey and knew things and spoke up and began asking questions, and all you did was to lie and lie all you could about what horses you had, and I said I owned them, and then some fellow said “will you have a drink of whiskey” and Burt knocked his eye out the way he could say, off-hand like, “Oh well, all right, I’m agreeable to a little nip. I’ll split a quart with you.” Gee whizz.

But that isn’t what I want to tell my story about. We got home late in November and I promised mother I’d quit the race horses for good. There’s a lot of things you’ve got to promise a mother because she don’t know any better.

And so, there not being any work in our town any more than when I left there to go to the races, I went off to Sandusky and got a pretty good place taking care of horses for a man who owned a teaming and delivery and storage and coal and real-estate business there. It was a pretty good place with good eats, and a day off each week, and sleeping on a cot in a big barn, and mostly just shovelling in hay and oats to a lot of big good-enough skates of horses, that couldn’t have trotted a race with a toad. I wasn’t dissatisfied and I could send money home.

And then, as I started to tell you, the fall races come to Sandusky and I got the day off and I went. I left the job at noon and had on my good clothes and my new brown derby hat, I’d just bought the Saturday before, and a stand-up collar.

First of all I went down-town and walked about with the dudes. I’ve always thought to myself, “put up a good front” and so I did it. I had forty dollars in my pocket and so I went into the West House, a big hotel, and walked up to the cigar stand. “Give me three twenty-five cent cigars,” I said. There was a lot of horsemen and strangers and dressed-up people from other towns standing around in the lobby and in the bar, and I mingled amongst them. In the bar there was a fellow with a cane and a Windsor tie on, that it made me sick to look at him. I like a man to be a man and dress up, but not to go put on that kind of airs. So I pushed him aside, kind of rough, and had me a drink of whiskey. And then he looked at me, as though he thought maybe he’d get gay, but he changed his mind and didn’t say anything. And then I had another drink of whiskey, just to show him something, and went out and had a hack out to the races, all to myself, and when I got there I bought myself the best seat I could get up in the grand stand, but didn’t go in for any of these boxes. That’s putting on too many airs.

And so there I was, sitting up in the grand stand as gay as you please and looking down on the swipes coming out with their horses, and with their dirty horsey pants on and the horse blankets swung over their shoulders, same as I had been doing all the year before. I liked one thing about the same as the other, sitting up there and feeling grand and being down there and looking up at the yaps and feeling grander and more important, too. One thing’s about as good as another, if you take it just right. I’ve often said that.

Well, right in front of me, in the grand stand that day, there was a fellow with a couple of girls and they was about my age. The young fellow was a nice guy all right. He was the kind maybe that goes to college and then comes to be a lawyer or maybe a newspaper editor or something like that, but he wasn’t stuck on himself. There are some of that kind are all right and he was one of the ones.

He had his sister with him and another girl and the sister looked around over his shoulder, accidental at first, not intending to start anything—she wasn’t that kind—and her eyes and mine happened to meet.

You know how it is. Gee, she was a peach! She had on a soft dress, kind of a blue stuff and it looked carelessly made, but was well sewed and made and everything. I knew that much. I blushed when she looked right at me and so did she. She was the nicest girl I’ve ever seen in my life. She wasn’t stuck on herself and she could talk proper grammar without being like a school teacher or something like that. What I mean is, she was O. K. I think maybe her father was well-to-do, but not rich to make her chesty because she was his daughter, as some are. Maybe he owned a drug store or a drygoods store in their home town, or something like that. She never told me and I never asked.

My own people are all O. K. too, when you come to that. My grandfather was Welsh and over in the old country, in Wales he was—But never mind that.

The first heat of the first race come off and the young fellow setting there with the two girls left them and went down to make a bet. I knew what he was up to, but he didn’t talk big and noisy and let everyone around know he was a sport, as some do. He wasn’t that kind. Well, he come back and I heard him tell the two girls what horse he’d bet on, and when the heat was trotted they all half got to their feet and acted in the excited, sweaty way people do when they’ve got money down on a race, and the horse they bet on is up there pretty close at the end, and they think maybe he’ll come on with a rush, but he never does because he hasn’t got the old juice in him, come right down to it.

And then, pretty soon, the horses came out for the 2.18 pace and there was a horse in it I knew. He was a horse Bob French had in his string but Bob didn’t own him. He was a horse owned by a Mr. Mathers down at Marietta, Ohio.

This Mr. Mathers had a lot of money and owned some coal mines or something, and he had a swell place out in the country, and he was stuck on race horses, but was a Presbyterian or something, and I think more than likely his wife was one, too, maybe a stiffer one than himself. So he never raced his horses hisself, and the story round the Ohio race tracks was that when one of his horses got ready to go to the races he turned him over to Bob French and pretended to his wife he was sold.

So Bob had the horses and he did pretty much as he pleased and you can’t blame Bob, at least, I never did. Sometimes he was out to win and sometimes he wasn’t. I never cared much about that when I was swiping a horse. What I did want to know was that my horse had the speed and could go out in front, if you wanted him to.

And, as I’m telling you, there was Bob in this race with one of Mr. Mathers’ horses, was named “About Ben Ahem” or something like that, and was fast as a streak. He was a gelding and had a mark of 2.21, but could step in .08 or .09.

Because when Burt and I were out, as I’ve told you, the year before, there was a nigger, Burt knew, worked for Mr. Mathers and we went out there one day when we didn’t have no race on at the Marietta Fair and our boss Harry was gone home.

And so everyone was gone to the fair but just this one nigger and he took us all through Mr. Mathers’ swell house and he and Burt tapped a bottle of wine Mr. Mathers had hid in his bedroom, back in a closet, without his wife knowing, and he showed us this Ahem horse. Burt was always stuck on being a driver but didn’t have much chance to get to the top, being a nigger, and he and the other nigger gulped that whole bottle of wine and Burt got a little lit up.

So the nigger let Burt take this About Ben Ahem and step him a mile in a track Mr. Mathers had all to himself, right there on the farm. And Mr. Mathers had one child, a daughter, kinda sick and not very good looking, and she came home and we had to hustle and get About Ben Ahem stuck back in the barn.

I’m only telling you to get everything straight. At Sandusky, that afternoon I was at the fair, this young fellow with the two girls was fussed, being with the girls and losing his bet. You know how a fellow is that way. One of them was his girl and the other his sister. I had figured that out.

“Gee whizz,” I says to myself, “I’m going to give him the dope.”

He was mighty nice when I touched him on the shoulder. He and the girls were nice to me right from the start and clear to the end. I’m not blaming them.

And so he leaned back and I give him the dope on About Ben Ahem. “Don’t bet a cent on this first heat because he’ll go like an oxen hitched to a plow, but when the first heat is over go right down and lay on your pile.” That’s what I told him.

Well, I never saw a fellow treat any one sweller. There was a fat man sitting beside the little girl, that had looked at me twice by this time, and I at her, and both blushing, and what did he do but have the nerve to turn and ask the fat man to get up and change places with me so I could set with his crowd.

Gee whizz, craps amighty. There I was. What a chump I was to go and get gay up there in the West House bar, and just because that dude was standing there with a cane and that kind of a necktie on, to go and get all balled-up and drink that whiskey, just to show off.

Of course she would know, me setting right beside her and letting her smell of my breath. I could have kicked myself right down out of that grand stand and all around that race track and made a faster record than most of the skates of horses they had there that year.

Because that girl wasn’t any mutt of a girl. What wouldn’t I have give right then for a stick of chewing gum to chew, or a lozenger, or some liquorice, or most anything. I was glad I had those twenty-five cent cigars in my pocket and right away I give that fellow one and lit one myself. Then that fat man got up and we changed places and there I was, plunked right down beside her.

They introduced themselves and the fellow’s best girl, he had with him, was named Miss Elinor Woodbury, and her father was a manufacturer of barrels from a place called Tiffin, Ohio. And the fellow himself was named Wilbur Wessen and his sister was Miss Lucy Wessen.

I suppose it was their having such swell names got me off my trolley. A fellow, just because he has been a swipe with a race horse, and works taking care of horses for a man in the teaming, delivery, and storage business, isn’t any better or worse than any one else. I’ve often thought that, and said it too.

But you know how a fellow is. There’s something in that kind of nice clothes, and the kind of nice eyes she had, and the way she had looked at me, awhile before, over her brother’s shoulder, and me looking back at her, and both of us blushing.

I couldn’t show her up for a boob, could I?

I made a fool of myself, that’s what I did. I said my name was Walter Mathers from Marietta, Ohio, and then I told all three of them the smashingest lie you ever heard. What I said was that my father owned the horse About Ben Ahem and that he had let him out to this Bob French for racing purposes, because our family was proud and had never gone into racing that way, in our own name, I mean. Then I had got started and they were all leaning over and listening, and Miss Lucy Wessen’s eyes were shining, and I went the whole hog.

I told about our place down at Marietta, and about the big stables and the grand brick house we had on a hill, up above the Ohio River, but I knew enough not to do it in no bragging way. What I did was to start things and then let them drag the rest out of me. I acted just as reluctant to tell as I could. Our family hasn’t got any barrel factory, and, since I’ve known us, we’ve always been pretty poor, but not asking anything of any one at that, and my grandfather, over in Wales—but never mind that.

We set there talking like we had known each other for years and years, and I went and told them that my father had been expecting maybe this Bob French wasn’t on the square, and had sent me up to Sandusky on the sly to find out what I could.

And I bluffed it through I had found out all about the 2.18 pace, in which About Ben Ahem was to start.

I said he would lose the first heat by pacing like a lame cow and then he would come back and skin ’em alive after that. And to back up what I said I took thirty dollars out of my pocket and handed it to Mr. Wilbur Wessen and asked him, would he mind, after the first heat, to go down and place it on About Ben Ahem for whatever odds he could get. What I said was that I didn’t want Bob French to see me and none of the swipes.

Sure enough the first heat come off and About Ben Ahem went off his stride, up the back stretch, and looked like a wooden horse or a sick one, and come in to be last. Then this Wilbur Wessen went down to the betting place under the grand stand and there I was with the two girls, and when that Miss Woodbury was looking the other way once, Lucy Wessen kinda, with her shoulder you know, kinda touched me. Not just tucking down, I don’t mean. You know how a woman can do. They get close, but not getting gay either. You know what they do. Gee whizz.

And then they give me a jolt. What they had done, when I didn’t know, was to get together, and they had decided Wilbur Wessen would bet fifty dollars, and the two girls had gone and put in ten dollars each, of their own money, too. I was sick then, but I was sicker later.

About the gelding, About Ben Ahem, and their winning their money, I wasn’t worried a lot about that. It come out O.K. Ahem stepped the next three heats like a bushel of spoiled eggs going to market before they could be found out, and Wilbur Wessen had got nine to two for the money. There was something else eating at me.

Because Wilbur come back, after he had bet the money, and after that he spent most of his time talking to that Miss Woodbury, and Lucy Wessen and I was left alone together like on a desert island. Gee, if I’d only been on the square or if there had been any way of getting myself on the square. There ain’t any Walter Mathers, like I said to her and them, and there hasn’t ever been one, but if there was, I bet I’d go to Marietta, Ohio, and shoot him tomorrow.

There I was, big boob that I am. Pretty soon the race was over, and Wilbur had gone down and collected our money, and we had a hack down-town, and he stood us a swell supper at the West House, and a bottle of champagne beside.

And I was with that girl and she wasn’t saying much, and I wasn’t saying much either. One thing I know. She wasn’t stuck on me because of the lie about my father being rich and all that. There’s a way you know.... Craps amighty. There’s a kind of girl, you see just once in your life, and if you don’t get busy and make hay, then you’re gone for good and all, and might as well go jump off a bridge. They give you a look from inside of them somewhere, and it ain’t no vamping, and what it means is—you want that girl to be your wife, and you want nice things around her like flowers and swell clothes, and you want her to have the kids you’re going to have, and you want good music played and no rag time. Gee whizz.

There’s a place over near Sandusky, across a kind of bay, and it’s called Cedar Point. And after we had supper we went over to it in a launch, all by ourselves. Wilbur and Miss Lucy and that Miss Woodbury had to catch a ten o’clock train back to Tiffin, Ohio, because, when you’re out with girls like that you can’t get careless and miss any trains and stay out all night, like you can with some kinds of Janes.

And Wilbur blowed himself to the launch and it cost him fifteen cold plunks, but I wouldn’t never have knew if I hadn’t listened. He wasn’t no tin horn kind of a sport.

Over at the Cedar Point place, we didn’t stay around where there was a gang of common kind of cattle at all.

There was big dance halls and dining places for yaps, and there was a beach you could walk along and get where it was dark, and we went there.

She didn’t talk hardly at all and neither did I, and I was thinking how glad I was my mother was all right, and always made us kids learn to eat with a fork at table, and not swill soup, and not be noisy and rough like a gang you see around a race track that way.

Then Wilbur and his girl went away up the beach and Lucy and I sat down in a dark place, where there was some roots of old trees, the water had washed up, and after that the time, till we had to go back in the launch and they had to catch their trains, wasn’t nothing at all. It went like winking your eye.

Here’s how it was. The place we were setting in was dark, like I said, and there was the roots from that old stump sticking up like arms, and there was a watery smell, and the night was like—as if you could put your hand out and feel it—so warm and soft and dark and sweet like an orange.

I most cried and I most swore and I most jumped up and danced, I was so mad and happy and sad.

When Wilbur come back from being alone with his girl, and she saw him coming, Lucy she says, “we got to go to the train now,” and she was most crying too, but she never knew nothing I knew, and she couldn’t be so all busted up. And then, before Wilbur and Miss Woodbury got up to where we was, she put her face up and kissed me quick and put her head up against me and she was all quivering and—Gee whizz.

Sometimes I hope I have cancer and die. I guess you know what I mean. We went in the launch across the bay to the train like that, and it was dark, too. She whispered and said it was like she and I could get out of the boat and walk on the water, and it sounded foolish, but I knew what she meant.

And then quick we were right at the depot, and there was a big gang of yaps, the kind that goes to the fairs, and crowded and milling around like cattle, and how could I tell her? “It won’t be long because you’ll write and I’ll write to you.” That’s all she said.

I got a chance like a hay barn afire. A swell chance I got.

And maybe she would write me, down at Marietta that way, and the letter would come back, and stamped on the front of it by the U.S.A. “there ain’t any such guy,” or something like that, whatever they stamp on a letter that way.

And me trying to pass myself off for a bigbug and a swell—to her, as decent a little body as God ever made. Craps amighty—a swell chance I got!

And then the train come in, and she got on it, and Wilbur Wessen he come and shook hands with me, and that Miss Woodbury was nice too and bowed to me, and I at her, and the train went and I busted out and cried like a kid.

Gee, I could have run after that train and made Dan Patch look like a freight train after a wreck but, socks amighty, what was the use? Did you ever see such a fool?

I’ll bet you what—if I had an arm broke right now or a train had run over my foot—I wouldn’t go to no doctor at all. I’d go set down and let her hurt and hurt—that’s what I’d do.

I’ll bet you what—if I hadn’t a drunk that booze I’d a never been such a boob as to go tell such a lie—that couldn’t never be made straight to a lady like her.

I wish I had that fellow right here that had on a Windsor tie and carried a cane. I’d smash him for fair. Gosh darn his eyes. He’s a big fool—that’s what he is.

And if I’m not another you just go find me one and I’ll quit working and be a bum and give him my job. I don’t care nothing for working, and earning money, and saving it for no such boob as myself.

THE TRIUMPH OF A MODERN

OR, SEND FOR THE LAWYER

THE TRIUMPH OF A MODERN
OR, SEND FOR THE LAWYER

INASMUCH as I have put to myself the task of trying to tell you a curious story in which I am myself concerned—in a strictly secondary way you must of course understand—I will begin by giving you some notion of myself.

Very well then, I am a man of thirty-two, rather small in size, with sandy hair. I wear glasses. Until two years ago I lived in Chicago, where I had a position as clerk in an office that afforded me a good enough living. I have never married, being somewhat afraid of women—in the flesh, in a way of speaking. In fancy and in my imagination I have always been very bold but in the flesh women have always frightened me horribly. They have a way of smiling quietly as though to say——. But we will not go into that now.

Since boyhood I have had an ambition to be a painter, not, I will confess, because of a desire to produce some great masterpiece of the arts, but simply and solely because I have always thought the life painters lead would appeal to me.

I have always liked the notion (let’s be honest if we can) of going about, wearing a hat, tipped a little to the side of my head, sporting a moustache, carrying a cane and speaking in an off-hand way of such things as form, rhythm, the effects of light and masses, surfaces, etc., etc. During my life I have read a good many books concerning painters and their work, their friendships and their loves and when I was in Chicago and poor and was compelled to live in a small room alone, I assure you I carried off many a dull weary evening by imagining myself a painter of wide renown in the world.

It was afternoon and having finished my day’s work I went strolling off to the studio of another painter. He was still at work and there were two models in the room, women in the nude sitting about. One of them smiled at me, I thought a little wistfully, but pshaw, I am too blasé for anything of that sort.

I go across the room to my friend’s canvas and stand looking at it.

Now he is looking at me, a little anxiously. I am the greater man, you understand. That is frankly and freely acknowledged. Whatever else may be said against my friend he never claimed to be my equal. In fact it is generally understood, wherever I go, that I am the greater man.

“Well?” says my friend. You see he is fairly hanging on my words, as the saying goes; in short, he is waiting for me to speak with the air of one about to be hanged.

Why? The devil! Why does he put everything up to me? One gets tired carrying such responsibility upon one’s shoulders. A painter should be the judge of his own work and not embarrass his fellow painters by asking questions. That is my method.

Very well then. If I speak sharply you have only yourself to blame. “The yellow you have been using is a little muddy. The arm of this woman is not felt. In painting one should feel the arm of a woman. What I advise is that you change your palette. You have scattered too much. Pull it together. A painting should stick together as a wet snow ball thrown by a boy clings to a wall.”

When I had reached the age of thirty, that is to say two years ago, I received from my aunt, the sister of my father to be exact, a small fortune I had long been dreaming I might possibly inherit.

My aunt I had never seen, but I had always been saying to myself, “I must go see my aunt. The old lady will be sore at me and when she dies will not leave me a cent.”

And then, lucky fellow that I am, I did go to see her just before she died.

Filled with determination to put the thing through I set out from Chicago, and it is not my fault that I did not spend the day with her. Even although my aunt is (as I am not fool enough not to know that you know) a woman I would have spent the day with her but that it was impossible.

She lived at Madison, Wisconsin, and I went there on Saturday morning. The house was locked and the windows boarded up. Fortunately, at just that moment, a mail carrier came along and, upon my telling him that I was my aunt’s nephew, gave me her address. He also gave me some news concerning her.

For years she had been a sufferer from hay-fever and every summer had to have a change of climate.

That was an opportunity for me. I went at once to a hotel and wrote her a letter telling of my visit and expressing, to the utmost of my ability, my sorrow in not having found her at home. “I have been a long time doing this job but now that I am at it I fancy I shall do it rather well,” I said to myself.

A sort of feeling came into my hand, as it were. I can’t just say what it was but as soon as I sat down I knew very well I should be eloquent. For the moment I was positively a poet.

In the first place, and as one should in writing a letter to a lady, I spoke of the sky. “The sky is full of mottled clouds,” I said. Then, and I frankly admit in a brutally casual way, I spoke of myself as one practically prostrated with grief. To tell the truth I did not just know what I was doing. I had got the fever for writing words, you see. They fairly flowed out of my pen.

I had come, I said, on a long and weary journey to the home of my only female relative, and here I threw into the letter some reference to the fact that I was an orphan. “Imagine,” I wrote, “the sorrow and desolation in my heart at finding the house unoccupied and the windows boarded up.”

It was there, sitting in the hotel at Madison, Wisconsin, with the pen in my hand, that I made my fortune. Something bold and heroic came into my mood and, without a moment’s hesitation, I mentioned in my letter what should never be mentioned to a woman, unless she be an elderly woman of one’s own family, and then only by a physician perhaps—I spoke of my aunt’s breasts, using the plural.

I had hoped, I said, to lay my tired head on her breasts. To tell the truth I had become drunken with words and now, how glad I am that I did. Mr. George Moore, Clive Bell, Paul Rosenfeld, and others of the most skillful writers of our English speech, have written a great deal about painters and, as I have already explained, there was not a book or magazine article in English and concerning painters, their lives and works, procurable in Chicago, I had not read.

What I am now striving to convey to you is something of my own pride in my literary effort in the hotel at Madison, Wisconsin, and surely, if I was, at that moment an artist, no other artist has ever had such quick and wholehearted recognition.

Having spoken of putting my tired head on my aunt’s breasts (poor woman, she died, never having seen me) I went on to give the general impression—which by the way was quite honest and correct—of a somewhat boyish figure, rather puzzled, wandering in a confused way through life. The imaginary but correct enough figure of myself, born at the moment in my imagination, had made its way through dismal swamps of gloom, over the rough hills of adversity and through the dry deserts of loneliness, toward the one spot in all this world where it had hoped to find rest and peace—that is to say upon the bosom of its aunt. However, as I have already explained, being a thorough modern and full of the modern boldness, I did not use the word bosom, as an old-fashioned writer might have done. I used the word breasts. When I had finished writing tears were in my eyes.

The letter I wrote on that day covered some seven sheets of hotel paper—finely written to the margins—and cost four cents to mail.

“Shall I mail it or shall I not?” I said to myself as I came out of the hotel office and stood before a mail box. The letter was balanced between my finger and thumb.

“Eeny, meeny, miny, mo,

Catch a nigger by the toe.”

The forefinger of my left hand—I was holding the letter in my right hand—touched my nose, mouth, forehead, eyes, chin, neck, shoulder, arm, hand and then tapped the letter itself. No doubt I fully intended, from the first, to drop it. I had been doing the work of an artist. Well, artists are always talking of destroying their own work but few do it, and those who do are perhaps the real heroes of life.

And so down into the mail box it went with a thud and my fortune was made. The letter was received by my aunt, who was lying abed of an illness that was to destroy her—she had, it seems, other things beside hay-fever the matter with her—and she altered her will in my favor. She had intended leaving her money, a tidy sum yielding an income of five thousand a year, to a fund to be established for the study of methods for the cure of hay-fever—that is to say, really you see, to her fellow sufferers—but instead left it to me. My aunt could not find her spectacles and a nurse—may the gods bring her bright days and a good husband—read the letter aloud. Both women were deeply touched and my aunt wept. I am only telling you the facts, you understand, but I would like to suggest that this whole incident might well be taken as proof of the power of modern art. From the first I have been a firm believer in the moderns. I am one who, as an art critic might word it, has been right down through the movements. At first I was an impressionist and later a cubist, a post-impressionist, and even a vorticist. Time after time, in my imaginary life, as a painter, I have been quite swept off my feet. For example I remember Picasso’s blue period ... but we’ll not go into that.

What I am trying to say is that, having this faith in modernity, if one may use the word thus, I did find within myself a peculiar boldness as I sat in the hotel writing room at Madison, Wisconsin. I used the word breasts (in the plural, you understand) and everyone will admit that it is a bold and modern word to use in a letter to an aunt one has never seen. It brought my aunt and me into one family. Her modesty never could have admitted anything else.

And then, my aunt was really touched. Afterward I talked to the nurse and made her a rather handsome present for her part in the affair. When the letter had been read my aunt felt overwhelmingly drawn to me. She turned her face to the wall and her shoulders shook. Do not think that I am not also touched as I write this. “Poor lad,” my aunt said to the nurse, “I will make things easier for him. Send for the lawyer.”

“UNUSED”

“UNUSED”

A TALE OF LIFE IN OHIO

“UNUSED,” that was one of the words the Doctor used that day in speaking of her. He, the doctor, was an extraordinarily large and immaculately clean man, by whom I was at that time employed. I swept out his office, mowed the lawn before his residence, took care of the two horses in his stable and did odd jobs about the yard and kitchen—such as bringing in firewood, putting water in a tub in the sun behind a grape arbor for the doctor’s bath and even sometimes, during his bath, scrubbing for him those parts of his broad back he himself could not reach.

The doctor had a passion in life with which he early infected me. He loved fishing and as he knew all of the good places in the river, several miles west of town, and in Sandusky Bay, some nineteen or twenty miles to the north, we often went off for long delightful days together.

It was late in the afternoon of such a fishing day in the late June, when the doctor and I were together in a boat on the bay, that a farmer came running to the shore, waving his arms and calling to the doctor. Little May Edgley’s body had been found floating near a river’s mouth half a mile away, and, as she had been dead for several days, as the doctor had just had a good bite, and as there was nothing he could do anyway, it was all nonsense, his being called. I remembered how he growled and grumbled. He did not then know what had happened but the fish were just beginning to bite splendidly, I had just landed a fine bass and the good evening’s fishing was all ahead of us. Well, you know how it is—a doctor is always at everyone’s beck and call.

“Dang it all! That’s the way it always goes! Here we are—as good a fishing evening as we’ll find this summer—wind just right and the sky clouding over—and will you look at my dang luck? A doctor in the neighborhood and that farmer knows it and so, just to accommodate me, he goes and stubs his toe, like as not, or his boy falls out of a barn loft, or his old woman gets the toothache. Like as not it’s one of his women folks. I know ’em! His wife’s got an unmarried sister living with her. Dang sentimental old maid! She’s got a nervous complaint—gets all worked up and thinks she’s going to die. Die nothing! I know that kind. Lots of ’em like to have a doctor fooling around. Let a doctor come near, so they can get him alone in a room, and they’ll spend hours talking about themselves—if he’ll let ’em.”

The doctor was reeling in his line, grumbling and complaining as he did so and then, suddenly, with the characteristic cheerfulness that I had seen carry him with a smile on his lips through whole days and nights of work and night driving over rough frozen earth roads in the winter, he picked up the oars and rowed vigorously ashore. When I offered to take the oars he shook his head. “No kid, it’s good for the figure,” he said, looking down at his huge paunch. He smiled. “I got to keep my figure. If I don’t I’ll be losing some of my practice among the unmarried women.”

As for the business ashore—there was May Edgley, of our town, drowned in that out of the way place, and her body had been in the water several days. It had been found among some willows that grew near the mouth of a deep creek that emptied into the bay, had lodged in among the roots of the willows, and when we got ashore the farmer, his son and the hired man, had got it out and had laid it on some boards near a barn that faced the bay.

That was my own first sight of death and I shall not forget the moment when I followed the doctor in among the little group of silent people standing about and saw the dead, discolored and bloated body of the woman lying there.

The doctor was used to that sort of thing, but to me it was all new and terrifying. I remember that I looked once and then ran away. Dashing into the barn I went to lean against the feedbox of a stall, where an old farm-horse was eating hay. The warm day outside had suddenly seemed cold and chill but in the barn it was warm again. Oh, what a lovely thing to a boy is a barn, with the rich warm comforting smell of the cured hay and the animal life, lying like a soft bed over it all. At the doctor’s house, while I lived and worked there, the doctor’s wife used to put on my bed, on winter nights, a kind of soft warm bed cover called a “comfortable.” That’s what it was like to me that day in the barn when we had just found May Edgley’s body.

As for the body—well, May Edgley had been a small woman with small firm hands and in one of her hands, tightly gripped, when they had found her, was a woman’s hat—a great broad-brimmed gaudy thing it must have been, and there had been a huge ostrich feather sticking out of the top, such an ostrich feather as you see sometimes sticking out of the hat of a kind of big flashy woman at the horse races or at second-rate summer resorts near cities.

It stayed in my mind, that bedraggled ostrich feather, little May Edgley’s hand had gripped so determinedly when death came, and as I stood shivering in the barn I could see it again, as I had so often seen it perched on the head of big bold Lil Edgley, May Edgley’s sister, as she went, half-defiantly always, through the streets of our town, Bidwell, Ohio.

And then as I stood shivering with boyish dread of death in that old barn, the farm-horse put his head through an opening at the front of the stall and rubbed his soft warm nose against my cheek. The farmer, on whose place we were, must have been one who was kind to his animals. The old horse rubbed his nose up and down my cheek. “You are a long ways from death, my lad, and when the time comes for you you won’t shiver so much. I am old and I know. Death is a kind comforting thing to those who are through with their lives.”

Something of that sort the old farm-horse seemed to be saying and at any rate he quieted me, took the fear and the chill all out of me.

It was when the doctor and I were driving home together that evening in the dusk, and after all arrangements for sending May Edgley’s body back to town and to her people had been made, that he spoke of her and used the word I am now using as the title for her story. The doctor said a great many things that evening that I cannot now remember and I only remember how the night came softly on and how the grey road faded out of sight, and then how the moon came out and the road that had been grey became silvery white, with patches of inky blackness where the shadows of trees fell across it. The doctor was one sane enough not to talk down to a boy. How often he spoke intimately to me of his impressions of men and events! There were many things in the fat old doctor’s mind of which his patients knew nothing, but of which his stable boy knew.

The doctor’s old bay horse went steadily along, doing his work as cheerfully as the doctor did his and the doctor smoked a cigar. He spoke of the dead woman, May Edgley, and of what a bright girl she had been.

As for her story—he did not tell it completely. I was myself much alive that evening—that is to say the imaginative side of myself was much alive—and the doctor was as a sower, sowing seed in a fertile soil. He was as one who goes through a wide long field, newly plowed by the hand of Death, the plowman, and as he went along he flung wide the seeds of May Edgley’s story, wide, far over the land, over the rich fertile land of a boy’s awakening imagination.

Chapter I

THERE were three boys and as many girls in the Edgley family of Bidwell, Ohio, and of the girls Lillian and Kate were known in a dozen towns along the railroad that ran between Cleveland and Toledo. The fame of Lillian, the eldest, went far. On the streets of the neighboring towns of Clyde, Norwalk, Fremont, Tiffin, and even in Toledo and Cleveland, she was well known. On summer evenings she went up and down our main street wearing a huge hat with a white ostrich feather that fell down almost to her shoulder. She, like her sister Kate, who never succeeded in attaining to a position of prominence in the town’s life, was a blonde with cold staring blue eyes. On almost any Friday evening she might have been seen setting forth on some adventure, from which she did not return until the following Monday or Tuesday. It was evident the adventures were profitable, as the Edgley family were working folk and it is certain her brothers did not purchase for her the endless number of new dresses in which she arrayed herself.

It was a Friday evening in the summer and Lillian appeared on the upper main street of Bidwell. Two dozen men and boys loafed by the station platform, awaiting the arrival of the New York Central train, eastward bound. They stared at Lillian who stared back at them. In the west, from which direction the train was presently to come, the sun went down over young corn fields. A dusky golden splendor lit the skies and the loafers were awed into silence, hushed, both by the beauty of the evening and by the challenge in Lillian’s eyes.

Then the train arrived and the spell of silence was broken. The conductor and brakeman jumped to the station platform and waved their hands at Lillian and the engineer put his head out of the cab.

Aboard the train Lillian found a seat by herself and as soon as the train had started and the fares were collected the conductor came to sit with her. When the train arrived at the next town and the conductor was compelled to attend to his affairs, the brakeman came to lean over her seat. The men talked in undertones and occasionally the silence in the car was broken by outbursts of laughter. Other women from Bidwell, going to visit relatives in distant towns, were embarrassed. They turned their heads to look out at car windows and their cheeks grew red.

On the station platform at Bidwell, where darkness was settling down over the scene, the men and boys still lingered about speaking of Lillian and her adventures. “She can ride anywhere she pleases and never has to pay a cent of fare,” declared a tall bearded man who leaned against the station door. He was a buyer of pigs and cattle and was compelled to go to the Cleveland market once every week. The thought of Lillian, the light o’ love traveling free over the railroads filled his heart with envy and anger.

The entire Edgley family bore a shaky reputation in Bidwell but with the exception of May, the youngest of the girls, they were people who knew how to take care of themselves. For years Jake, the eldest of the boys, tended bar for Charley Shuter in a saloon in lower Main Street and then, to everyone’s surprise, he bought out the place. “Either Lillian gave him the money or he stole it from Charley,” the men said, but nevertheless, and throwing moral standards aside, they went into the bar to buy drinks. In Bidwell vice, while openly condemned, was in secret looked upon as a mark of virility in young manhood.

Frank and Will Edgley were teamsters and draymen like their father John and were hard working men. They owned their own teams and asked favors of no man and when they were not at work did not seek the society of others. Late on Saturday afternoons, when the week’s work was done and the horses cleaned, fed and bedded down for the night they dressed themselves in black suits, put on white collars and black derby hats and went into our main street to drink themselves drunk. By ten o’clock they had succeeded and went reeling homeward. When in the darkness under the maple trees on Vine or Walnut Streets they met a Bidwell citizen, also homeward bound, a row started. “Damn you, get out of our way. Get off the sidewalk,” Frank Edgley shouted and the two men rushed forward intent on a fight.

One evening in the month of June, when there was a moon and when insects sang loudly in the long grass between the sidewalks and the road, the Edgley brothers met Ed Pesch, a young German farmer, out for an evening’s walk with Caroline Dupee, daughter of a Bidwell drygoods merchant, and the fight the Edgley boys had long been looking for took place. Frank Edgley shouted and he and his brother plunged forward but Ed Pesch did not run into the road and leave them to go triumphantly homeward. He fought and the brothers were badly beaten, and on Monday morning appeared driving their team and with faces disfigured and eyes blackened. For a week they went up and down alleyways and along residence streets, delivering ice and coal to houses and merchandise to the stores without lifting their eyes or speaking. The town was delighted and clerks ran from store to store making comments, they longed to repeat within hearing of one of the brothers. “Have you seen the Edgley boys?” they asked one another. “They got what was coming to them. Ed Pesch gave them what for.” The more excitable and imaginative of the clerks spoke of the fight in the darkness as though they had been on hand and had seen every blow struck. “They are bullies and can be beaten by any man who stands up for his rights,” declared Walter Wills, a slender, nervous young man who worked for Albert Twist, the grocer. The clerk hungered to be such another fighter as Ed Pesch had proven himself. At night he went home from the store in the soft darkness and imagined himself as meeting the Edgleys. “I’ll show you—you big bullies,” he muttered and his fists shot out, striking at nothingness. An eager strained feeling ran along the muscles of his back and arms but his night time courage did not abide with him through the day. On Wednesday when Will Edgley came to the back door of the store, his wagon loaded with salt in barrels, Walter went into the alleyway to enjoy the sight of the cut lips and blackened eyes. Will stood with hands in pockets looking at the ground. An uncomfortable silence ensued and in the end it was broken by the voice of the clerk. “There’s no one here and those barrels are heavy,” he said heartily. “I might as well make myself useful and help you unload.” Taking off his coat Walter Wills voluntarily helped at the task that belonged to Will Edgley, the drayman.

If May Edgley, during her girlhood, rose higher than any of the others of the Edgley family she also fell lower. “She had her chance and threw it away,” was the word that went round and surely no one else in that family ever had so completely the town’s sympathy. Lillian Edgley was outside the pale of the town’s life, and Kate was but a lesser edition of her sister. She waited on table at the Fownsby House, and on almost any evening might have been seen walking out with some traveling man. She also took the evening train to neighboring towns but returned to Bidwell later on the same night or at daylight the next morning. She did not prosper as Lillian did and grew tired of the dullness of small town life. At twenty-two she went to live in Cleveland where she got a job as cloak model in a large store. Later she went on the road as an actress, in a burlesque show, and Bidwell heard no more of her.

As for May Edgley, all through her childhood and until her seventeenth year she was a model of good behavior. Everyone spoke of it. She was, unlike the other Edgleys, small and dark, and unlike her sisters dressed herself in plain neat-fitting clothes. As a young girl in the public school she began to attract attention because of her proficiency in the classes. Both Lillian and Kate Edgley had been slovenly students, who spent their time ogling boys and the men teachers but May looked at no one and as soon as school was dismissed in the afternoon went home to her mother, a tall tired-looking woman who seldom went out of her own house.

In Bidwell, Tom Means, who later became a soldier and who has recently won high rank in the army because of his proficiency in training recruits for the World War, was the prize pupil in the schools. Tom was working for his appointment to West Point, and did not spend his evenings loafing on the streets, as did other young men. He stayed in his own house, intent on his studies. Tom’s father was a lawyer and his mother was third cousin to a Kentucky woman who had married an English baronet. The son aspired to be a soldier and a gentleman and to live on the intellectual plane, and had a good deal of contempt for the mental capacities of his fellow students, and when one of the Edgley family set up as his rival he was angry and embarrassed and the schoolroom was delighted. Day after day and year after year the contest between him and May Edgley went on and in a sense the whole town of Bidwell got back of the girl. In all such things as history and English literature Tom swept all before him but in spelling, arithmetic, and geography May defeated him without effort. At her desk she sat like a little terrier in the presence of a trap filled with rats. A question was asked or a problem in arithmetic put on the blackboard and like a terrier she jumped. Her hand went up and her sensitive mouth quivered. Fingers were snapped vigorously. “I know,” she said, and the entire class knew she did. When she had answered the question or had gone to the blackboard to solve the problem the half-grown children along the rows of benches laughed and Tom Means stared out through a window. May returned to her seat, half triumphant, half ashamed of her victory.

The country lying west of Bidwell, like all the Ohio country down that way, is given to small fruit and berry raising, and in June and after school has been dismissed for the year all the younger men, boys, and girls, with most of the women of the town go to work in the fruit harvest. To the fields immediately after breakfast the citizens go trooping away. Lunches are carried in baskets and until the sun goes down everyone stays in the fields.

And in the berry fields as in the schoolroom May was a notable figure. She did not walk or ride to the work with the other young girls, or join the parties at lunch at the noon hour, but everyone understood that that was because of her family. “I know how she feels, if I came from a family like that I wouldn’t ask or want other people’s attention,” said one of the women, the wife of a carpenter, who trudged along with the others in the dust of the road.

In a berry field, belonging to a farmer named Peter Short, some thirty women, young men and tall awkward boys crawled over the ground, picking the red fragrant berries. Ahead of them, in a row by herself, went May, the exclusive, the woman who walked by herself. Her hands flitted in and out of the berry vines as the tail of a squirrel disappears among the leaves of a tree when one walks in a wood. The other pickers went slowly, stopping occasionally to eat berries and talk and when one had crawled a little ahead of the others he stopped and waited, sitting on his haunches. The pickers were paid in proportion to the number of quarts picked during the day but, as they often said, “pay was not everything.” The berry picking was in a way a social function, and who were the pickers, wives, sons and daughters of prosperous artisans, to kill themselves for a few paltry dollars?

With May Edgley they understood it was different. Everyone knew that she and her mother got practically no money from John Edgley, the father—from the boys, Jake, Frank and Will—or from the girls, Lillian and Kate, who spent their takings on clothes for themselves. If she were to be decently dressed, she had to earn the money for the purpose during the vacation time when she could stay out of school. Later it was understood she planned to be a school teacher herself, and to attain to that position it was necessary that she keep herself well dressed and show herself industrious and alert in affairs.

Tirelessly, therefore, May worked and the boxes of berries, filled by her ever alert fingers, grew into mountains. Peter Short with his son came walking down the rows to gather the filled crates and put them aboard a wagon to be hauled to town. He looked at May with pride in his eyes and the other pickers lumbering slowly along became the target for his scorn. “Ah, you talking women and you big lazy boys, you’re not much good,” he cried. “Ain’t you ashamed of yourselves? Look at you there, Sylvester and Al—letting yourself be beat, twice over, by a girl so little you could almost carry her home in your pocket.”

It was in the summer of her seventeenth year that May fell down from her high place in the life of the town of Bidwell. Two vital and dramatic events had happened to her that year. Her mother died in April and she graduated from the high school in June, second only in honors to Tom Means. As Tom’s father had been on the school board for years the town shook its head over the decision that placed him ahead of May and in everyone’s eyes May had really walked off with the prize. When she went into the fields, and when they remembered the fact of her mother’s recent death, even the women were ready to forget and forgive the fact of her being a member of the Edgley family. As for May, it seemed to her at that moment that nothing that could happen to her could very much matter.

And then the unexpected. As more than one Bidwell wife said afterwards to her husband. “It was then that blood showed itself.”

A man named Jerome Hadley first found out about May. He went that year to Peter Short’s field, as he himself said, “just for fun,” and he found it. Jerome was pitcher for the Bidwell baseball nine and worked as mail clerk on the railroad. After he had returned from a run he had several days’ rest and went to the berry field because the town was deserted. When he saw May working off by herself he winked at the other young men and going to her got down on his knees and began picking at a speed almost as great as her own. “Come on here, little woman,” he said, “I’m a mail clerk and have got my hand in, sorting letters. My fingers can go pretty fast. Come on now, let’s see if you can keep up with me.”

For an hour Jerome and May went up and down in the rows and then the thing happened that set the town by the ears. The girl, who had never talked to others, began talking to Jerome and the other pickers turned to look and wonder. She no longer picked at lightning speed but loitered along, stopping to rest and put choice berries into her mouth. “Eat that,” she said boldly passing a great red berry across the row to the man. She put a handful of berries into his box. “You won’t make as much as seventy-five cents all day if you don’t get a move on you,” she said, smiling shyly.

At the noon hour the other pickers found out the truth. The tired workers had gone to the pump by Peter Short’s house and then to a nearby orchard to sit under the trees and rest after the eating of lunches.

There was no doubt something had happened to May. Everyone felt it. It was later understood that she had, during that noon hour in June and quite calmly and deliberately, decided to become like her two sisters and go on the town.

The berry pickers as usual ate their lunches in groups, the women and girls sitting under one tree and the young men and boys under another. Peter Short’s wife brought hot coffee and tin cups were filled. Jokes went back and forth and the girls giggled.

In spite of the unexpectedness of May’s attitude toward Jerome, a bachelor and quite legitimate game for the unmarried women, no one suspected anything serious would happen. Flirtations were always going on in the berry fields. They came, played themselves out, and passed like the clouds in the June sky. In the evening, when the young men had washed the dirt of the fields away and had put on their Sunday clothes, things were different. Then a girl must look out for herself. When she went to walk in the evening with a young man under the trees or out into country lanes—then anything might happen.

But in the fields, with all the older women about—to have thought anything at all of a young man and a girl working together and blushing and laughing, would have been to misunderstand the whole spirit of the berry picking season.

And it was evident May had misunderstood. Later no one blamed Jerome, at least none of the young fellows did. As the pickers ate lunch May sat a little apart from the others. That was her custom and Jerry lay in the long grass at the edge of the orchard also a little apart. A sudden tenseness crept into the groups under the trees. May had not gone to the pump with the others when she came in from the field but sat with her back braced against a tree and the hand that held the sandwich was black with the soil of her morning labors. It trembled and once the sandwich fell out of her hand.

Suddenly she got to her feet and put her lunch basket into the fork of a tree, and then, with a look of defiance in her eyes, she climbed over a fence and started along a lane past Peter Short’s barn. The lane ran down to a meadow, crossed a bridge and went on beside a waving wheatfield to a wood.

May went a little way along the lane and then stopped to look back and the other pickers stared at her, wondering what was the matter. Then Jerome Hadley got to his feet. He was ashamed and climbed awkwardly over the fence and walked away without looking back.

Everyone was quite sure it had all been arranged. As the girls and women got to their feet and stood watching, May and Jerome went out of the lane and into the wood. The older women shook their heads. “Well, well,” they exclaimed while the boys and young men began slapping each other on the back and prancing grotesquely about.

It was unbelievable. Before they had got out of sight of the others under the tree Jerome had put his arm about May’s waist and she had put her head down on his shoulder. It was as though May Edgley who, as all the older women agreed, had been treated almost as an equal by all of the others had wanted to throw something ugly right in their faces.

Jerome and May stayed for two hours in the wood and then came back together to the field where the others were at work. May’s cheeks were pale and she looked as though she had been crying. She picked alone as before and after a few moments of awkward silence Jerome put on his coat and went off along a road toward town. May made a little mountain of filled berry boxes during that afternoon but two or three times filled boxes dropped out of her hands. The spilled fruit lay red and shining against the brown and black of the soil.

No one saw May in the berry fields after that, and Jerome Hadley had something of which to boast. In the evening when he came among the young fellows he spoke of his adventure at length.

“You couldn’t blame me for taking the chance when I had it,” he said laughing. He explained in detail what had occurred in the wood, while other young men stood about filled with envy. As he talked he grew both proud and a little ashamed of the public attention his adventure was attaining. “It was easy,” he said. “That May Edgley’s the easiest thing that ever lived in this town. A fellow don’t have to ask to get what he wants. That’s how easy it is.”

Chapter II

IN Bidwell, and after she had fairly flung herself against the wall of village convention by going into the wood with Jerome, May lived at home, doing the work her mother had formerly done in the Edgley household. She washed the clothes, cooked the food and made the beds. There was, for the time, something sweet to her in the thoughts of doing lowly tasks and she washed and ironed the dresses in which Lillian and Kate were to array themselves and the heavy overalls worn by her father and brothers with a kind of satisfaction in the task. “It makes me tired and I can sleep and won’t be thinking,” she told herself. As she worked over the washtubs, among the beds soiled by the heavy slumbers of her brothers who on the evening before had perhaps come home drunk, or stood over the hot stove in the kitchen, she kept thinking of her dead mother. “I wonder what she would think,” she asked herself and then added. “If she hadn’t died it wouldn’t have happened. If I had someone, I could go to and talk with, things would be different.”

During the day when the men of the household were gone with their teams and when Lillian was away from town May had the house to herself. It was a two-storied frame building, standing at the edge of a field near the town’s edge, and had once been painted yellow. Now, water washing from the roofs had discolored the paint, and the side walls of the old building were all mottled and streaked. The house stood on a little hill and the land fell sharply away from the kitchen door. There was a creek under the hill and beyond the creek a field that at certain times during the year became a swamp. At the creek’s edge willows and elders grew and often in the afternoon, when there was no one about, May went softly out at the kitchen door, looking to be sure there was no one in the road that ran past the front of the house, and if the coast was clear went down the hill and crept in among the fragrant elders and willows. “I am lost here and no one can see me or find me,” she thought, and the thought gave her intense satisfaction. Her cheeks grew flushed and hot and she pressed the cool green leaves of the willows against them. When a wagon passed in the road or someone walked along the board sidewalk at the road-side she drew herself into a little lump and closed her eyes. The passing sounds seemed far away and to herself it seemed that she had in some way escaped from life. How warm and close it was there, buried amid the dark green shadows of the willows. The gnarled twisted limbs of the trees were like arms but unlike the arms of the man with whom she had lain in the wood they did not grasp her with terrifying convulsive strength. For hours she lay still in the shadows and nothing came to frighten her and her lacerated spirit began to heal a little. “I have made myself an outlaw among people but I am not an outlaw here,” she told herself.

Having heard of the incident with Jerome Hadley, in the berry field, Lillian and Kate Edgley were irritated and angry and one evening when they were both at the house and May was at work in the kitchen they spoke about it. Lillian was very angry and had decided to give May what she spoke of as “a piece of her mind.” “What’d she want to go in the cheap for?” she asked. “It makes me sick when I think of it—a fellow like that Jerome Hadley! If she was going to cut loose what made her want to go on the cheap?”

In the Edgley family it had always been understood that May was of a different clay and old John Edgley and the boys had always paid her a kind of crude respect. They did not swear at her as they sometimes did at Lillian and Kate, and in secret they thought of her as a link between themselves and the more respectable life of the town. Ma Edgley was respectable enough but she was old and tired and never went out of the house and it was in May the family held up its head. The two brothers were proud of their sister because of her record in the town school. They themselves were working men and never expected to be anything else but, they thought, “that sister of ours has shown the town that an Edgley can beat them at their own game. She is smarter than any of them. See how she has forced the town to pay attention to her.”

As for Lillian—before the incident with Jerome Hadley, she continually talked of her sister. In Norwalk, Fremont, Clyde and the other towns she visited she had many friends. Men liked her because, as they often said, she was a woman to be trusted. One could talk to her, say anything, and she would keep her mouth shut and in her presence one felt comfortably free and easy. Among her secret associates were members of churches, lawyers, owners of prosperous businesses, heads of respectable families. To be sure they saw Lillian in secret but she seemed to understand and respect their desire for secrecy. “You don’t need to make no bones about it with me. I know you got to be careful,” she said.

On a summer evening, in one of the towns she was in the habit of visiting, an arrangement was made. The man with whom she was to spend the evening waited until darkness had come and then, hiring a horse at a livery stable, drove to an appointed place. Side curtains were put on the buggy and the pair set forth into the darkness and loneliness of country roads. As the evening advanced and the more ardent mood of the occasion passed, a sudden sense of freedom swept over the man. “It is better not to fool around with a young girl or with some other man’s wife. With Lillian one does not get found out and get into trouble,” he thought.

The horse went slowly, along out of the way roads—bars were let down and the couple drove into a field. For hours they sat in the buggy and talked. The men talked to Lillian as they could talk to no other woman they had ever known. She was shrewd and in her own way capable and often the men spoke of their affairs, asking her advice. “Now what do you think, Lil’—if you were me would you buy or sell?” one of them asked.

Other and more intimate things crept into the conversations. “Well, Lil’, my wife and I are all right. We get along well enough, but we ain’t what you might speak of as lovers,” Lillian’s temporary intimate said. “She jaws me a lot when I smoke too much or when I don’t want to go to church. And then, you see, we’re worried about the kids. My oldest girl is running around a lot with young Harry Garvner and I keep asking myself, ‘Is he any good?’ I can’t make up my mind. You’ve seen him around, Lil’, what do you think?”

Having taken part in many such conversations Lillian had come to depend on her sister May to furnish her with a topic of conversation. “I know how you feel. I feel that way about May,” she said. More than a hundred times she had explained that May was different from the rest of the Edgleys. “She’s smart,” she explained. “I tell you what, she’s the smartest girl that ever went to the high school in Bidwell.”

Having so often used May as an example of what an Edgley could be Lillian was shocked when she heard of the affair in the berry field. For several weeks she said nothing and then one evening in July when the two were alone in the house together she spoke. She had intended to be motherly, direct and kind—if firm, but when the words came her voice trembled and she grew angry. “I hear, May, you been fooling with a man,” she began as they sat together on the front porch of the house. It was a hot evening and dark and a thunder storm threatened and for a long time after Lillian had spoken there was silence and then May put her head into her hands and leaning forward began to cry softly. Her body rocked back and forth and occasionally a dry broken sob broke the silence. “Well,” Lillian added sharply, being determined to terminate her remarks before she also broke into tears, “well, May, you’ve made a darn fool of yourself. I didn’t think it of you. I didn’t think you’d turn out a fool.”

In the attempt to control her own unhappiness and to conceal it, Lillian became more and more angry. Her voice continued to tremble and to regain control of it she got up and went inside the house. When she came out again May still sat in the chair at the edge of the porch with her head held in her hands. Lillian was moved to pity. “Well, don’t break your heart about it, kid. I’m only an old fool after all. Don’t pay too much attention to me. I guess Kate and I haven’t set you such a good example,” she said softly.

Lillian sat on the edge of the porch and put her hand on May’s knee and when she felt the trembling of the younger woman’s body a sharp mother feeling awakened within her. “I say, kid,” she began again, “a girl gets notions into her head. I’ve had them myself. A girl thinks she’ll find a man that’s all right. She kinda dreams of a man that doesn’t exist. She wants to be good and at the same time she wants to be something else. I guess I know how you felt but, believe me, kid, it’s bunk. Take it from me, kid, I know what I’m talking about. I been with men enough. I ought to know something.”

Intent now on giving advice and having for the first time definitely accepted her sister as a comrade Lillian did not realize that what she now had to say would hurt May more than her anger. “I’ve often wondered about mother,” she said reminiscently. “She was always so glum and silent. When Kate and I went on the turf she never had nothing to say and even when I was a kid and began running around with men evenings, she kept still. I remember the first time I went over to Fremont with a man and stayed out all night. I was ashamed to come home. ‘I’ll catch hell,’ I thought but she never said nothing at all and it was the same way with Kate. She never said nothing to her. I guess Kate and I thought she was like the rest of the family—she was banking on you.”

“To Ballyhack with Dad and the boys,” Lillian added sharply. “They’re men and don’t care about anything but getting filled up with booze and when they’re tired sleeping like dogs. They’re like all the other men only not so much stuck on themselves.”

Lillian became angry again. “I was pretty proud of you, May, and now I don’t know what to think,” she said. “I’ve bragged about you a thousand times and I suppose Kate has. It makes me sore to think of it, you an Edgley and being as smart as you are, to fall for a cheap one like that Jerome Hadley. I bet he didn’t even give you any money or promise to marry you either.”

May arose from her chair, her whole body trembling as with a chill, and Lillian arose and stood beside her. The older woman got down to the kernel of what she wanted to say. “You ain’t that way are you, sis—you ain’t going to have a kid?” she asked. May stood by the door, leaning against the door jamb and the rain that had been threatening began to fall. “No, Lillian,” she said. Like a child begging for mercy she held out her hand. Her face was white and in a flash of lightning Lillian could see it plainly. It seemed to leap out of the darkness toward her. “Don’t talk about it any more, Lillian, please don’t. I won’t ever do it again,” she pleaded.

Lillian was determined. When May went indoors and up the stairway to her room above she followed to the foot of the stairs and finished what she felt she had to say. “I don’t want you to do it, May,” she said, “I don’t want you to do it. I want to see there be one Edgley that goes straight but if you intend to go crooked don’t be a fool. Don’t take up with a cheap one, like Jerome Hadley, who just give you soft talk. If you are going to do it anyway you just come to me. I’ll get you in with men who have money and I’ll fix it so you don’t have no trouble. If you’re going to go on the turf, like Kate and I did, don’t be a fool. You just come to me.”

In all her life May had never achieved a friendship with another woman, although often she had dreamed of such a possibility. When she was still a school girl she saw other girls going homeward in the evening. They loitered along, their arms linked, and how much they had to say to each other. When they came to a corner, where their ways parted, they could not bear to leave each other. “You go a piece with me tonight and tomorrow night I’ll go a piece with you,” one of them said.

May hurried homeward alone, her heart filled with envy, and after she had finished her time in the school and, more than ever after the incident in the berry field—always spoken of by Lillian as the time of her troubles—the dream of a possible friendship with some other woman grew more intense.

During the summer of that last year of her life in Bidwell a young woman from another town moved into a house on her street. Her father had a job on the Nickel Plate Railroad and Bidwell was at the end of a section of that road. The railroad man was seldom at home, his wife had died a few months before and his daughter, whose name was Maud, was not well and did not go about town with the other young women. Every afternoon and evening she sat on the front porch of her father’s house, and May, who was sometimes compelled to go to one of the stores, often saw her sitting there. The newcomer in Bidwell was tall and slender and looked like an invalid. Her cheeks were pale and she looked tired. During the year before she had been operated upon and some part of her internal machinery had been taken away and her paleness and the look of weariness on her face, touched May’s heart. “She looks as though she might be wanting company,” she thought hopefully.

After his wife’s death an unmarried sister had become the railroad man’s housekeeper. She was a short strongly built woman with hard grey eyes and a determined jaw and sometimes she sat with the new girl. Then May hurried past without looking, but, when Maud sat alone, she went slowly, looking slyly at the pale face and drooped figure in the rocking chair. One day she smiled and the smile was returned. May lingered a moment. “It’s hot,” she said leaning over the fence, but before a conversation could be started she grew alarmed and hurried away.

When the evening’s work was done on that evening and when the Edgley men had gone up town, May went into the street. Lillian was away from home and the sidewalk further up the street was deserted. The Edgley house was the last one on the street, and in the direction of town and on the same side of the street, there was—first a vacant lot, then a shed that had once been used as a blacksmith shop but that was now deserted, and after that the house where the new girl had come to live.

When the soft darkness of the summer evening came May went a little way along the street and stopped by the deserted shed. The girl in the rocking chair on the porch saw her there, and seemed to understand May’s fear of her aunt. Arising she opened the door and peered into the house to be sure she was unobserved and then came down a brick walk to the gate and along the street to May, occasionally looking back to be sure she had escaped unnoticed. A large stone lay at the edge of the sidewalk before the shed and May urged the new girl to sit down beside her and rest herself.

May was flushed with excitement. “I wonder if she knows? I wonder if she knows about me?” she thought.

“I saw you wanted to be friendly and I thought I’d come and talk,” the new girl said. She was filled with a vague curiosity. “I heard something about you but I know it ain’t true,” she said.

May’s heart jumped and her hands trembled. “I’ve let myself in for something,” she thought. The impulse to jump to her feet and run away along the sidewalk, to escape at once from the situation her hunger for companionship had created, almost overcame her and she half arose from the stone and then sat down again. She became suddenly angry and when she spoke her voice was firm, filled with indignation. “I know what you mean,” she said sharply, “you mean the fool story about me and Jerome Hadley in the woods?” The new girl nodded. “I don’t believe it,” she said. “My aunt heard it from a woman.”

Now that Maud had boldly mentioned the affair, that had, May knew, made her an outlaw in the town’s life May felt suddenly free, bold, capable of meeting any situation that might arise and was lost in wonder at her own display of courage. Well, she had wanted to love the new girl, take her as a friend, but now that impulse was lost in another passion that swept through her. She wanted to conquer, to come out of a bad situation with flying colors. With the boldness of another Lillian she began to speak, to tell lies. “It just shows what happens,” she said quickly. A re-creation of the incident in the wood with Jerome had come to her swiftly, like a flash of sunlight on a dark day. “I went into the woods with Jerome Hadley—why? You won’t believe it when I tell you, maybe,” she added.

May began laying the foundation of her lie. “He said he was in trouble and wanted to speak with me, off somewhere where no one could hear, in some secret place,” she explained. “I said, ‘If you’re in trouble let’s go over into the woods at noon.’ It was my idea, our going off together that way. When he told me he was in trouble his eyes looked so hurt I never thought of reputation or nothing. I just said I’d go and I been paid for it. A girl always has to pay if she’s good to a man I suppose.”

May tried to look and talk like a wise woman, as she imagined Lillian would have talked under the circumstances. “I’ve got a notion to tell what that Jerome Hadley talked to me about all the time when we were in there—in the woods—but I won’t,” she declared. “He lied about me afterwards because I wouldn’t do what he wanted me to, but I’ll keep my word. I won’t tell you any names but I’ll tell you this much—I know enough to have Jerome Hadley sent to jail if I wanted to do it.”

May watched her companion. To Maud, whose life had always been a dull affair, the evening was like going to a theatre. It was better than that. It was like going to the theatre where the star is your friend, where you sit among strangers and have the sense of superiority that comes with knowing, as a person much like yourself, the hero in the velvet gown with the sword clanking at his side. “Oh, do tell me all you dare. I want to know,” she said.

“It was about a woman he was in trouble,” May answered. “One of these days maybe the whole town will find out what I alone know.” She leaned forward and touched Maud’s arm. The lie she was telling made her feel glad and free. As on a dark day, when the sun suddenly breaks through clouds, everything in life now seemed bright and glowing and her imagination took a great leap forward. She had been inventing a tale to save herself but went on for the joy of seeing what she could do with the story that had come suddenly, unexpectedly, to her lips. As when she was a girl in school her mind worked swiftly, eagerly. “Listen,” she said impressively, “and don’t you never tell no one. Jerome Hadley wanted to kill a man here in this town, because he was in love with the man’s woman. He had got poison and intended to give it to the woman. She is married and rich too. Her husband is a big man here in Bidwell. Jerome was to give the poison to the woman and she was to put it in her husband’s coffee and, when the man died, the woman was to marry Jerome. I put a stop to it. I prevented the murder. Now do you understand why I went into the woods with that man?”

The fever of excitement that had taken possession of May was transmitted to her companion. It drew them closer together and now Maud put her arm about May’s waist. “The nerve of him,” May said boldly, “he wanted me to take the stuff to the woman’s house and he offered me money too. He said the rich woman would give me a thousand dollars, but I laughed at him. ‘If anything happens to that man I’ll tell and you’ll get hung for murder,’ that’s what I said to him.”

May described the scene that had taken place there in the deep dark forest with the man, intent upon murder. They fought, she said, for more than two hours and the man tried to kill her. She would have had him arrested at once, she explained, but to do so involved telling the story of the poison plot and she had given her word to save him, and if he reformed, she would not tell. After a long time, when the man saw she was not to be moved and would neither take part in the plot or allow it to be carried out, he grew quieter. Then, as they were coming out of the woods, he sprang upon her again and tried to choke her. Some berry pickers in a field, among whom she had been working during the morning, saw the struggle.

“They went and told lies about me,” May said emphatically. “They saw us struggling and they went and said he was making love to me. A girl there, who was in love with Jerome herself and was jealous when she saw us together, started the story. It spread all over town and now I’m so ashamed I hardly dare to show my face.”

With an air of helpless annoyance May arose. “Well,” she said, “I promised him I wouldn’t tell the name of the man he was going to murder or nothing about it and I won’t. I’ve told you too much as it is but you gave me your word you wouldn’t tell. It’s got to be a secret between us.” She started off along the sidewalk toward the Edgley house and then turned and ran back to the new girl, who had got almost to her own gate. “You keep still,” May whispered dramatically. “If you go talking now remember you may get a man hung.”

Chapter III

A NEW life began to unfold itself to May Edgley. After the affair in the berry field, and until the time of the conversation with Maud Welliver, she had felt as one dead. As she went about in the Edgley household, doing the daily work, she sometimes stopped and stood still, on the stairs or in the kitchen by the stove. A whirlwind seemed to be going on around her while she stood thus, becalmed—fear made her body tremble. It had happened even in the moments when she was hidden under the elders by the creek. At such times the trunks of the willow trees and the fragrance of the elders comforted but did not comfort enough. There was something wanting. They were too impersonal, too sure of themselves.

To herself, at such moments, May was like one sealed up in a vessel of glass. The light of days came to her and from all sides came the sound of life going on but she herself did not live. She but breathed, ate food, slept and awakened but what she wanted out of life seemed far away, lost to her. In a way, and ever since she had been conscious of herself, it had been so.

She remembered faces she had seen, expressions that had come suddenly to peoples’ faces as she passed them on the streets. In particular old men had always been kind to her. They stopped to speak to her. “Hello, little girl,” they said. For her benefit eyes had been lifted, lips had smiled, kindly words had been spoken, and at such moments it had seemed to her that some tiny sluiceway out of the great stream of human life had been opened to her. The stream flowed on somewhere, in the distance, on the further side of a wall, behind a mountain of iron—just out of sight, out of hearing—but a few drops of the living waters of life had reached her, had bathed her. Understanding of the secret thing that went on within herself was not impossible. It could exist.

In the days after the talk with Lillian the puzzled woman in the yellow house thought much about life. Her mind, naturally a busy active one, could not remain passive and for the time she dared not think much of herself and of her own future. She thought abstractly.

She had done a thing and how natural and yet how strange the doing of it had been. There she was at work in a berry field—it was morning, the sun shone, boys, young girls, and mature women laughed and talked in the rows behind her. Her fingers were very busy but she listened while a woman’s voice talked of canning fruit. “Cherries take so much sugar,” the voice said. A young girl’s voice talked endlessly of some boy and girl affair. There was a tale of a ride into the country on a hay wagon, and an involved recital of “he saids” and “I saids.”

And then the man had come along the rows and had got down on his knees to work beside herself—May Edgley. He was a man out of the town’s life, and had come thus, suddenly, unexpectedly. No one had ever come to her in that way. Oh, people had been kind. They had smiled and nodded, and had gone their own ways.

May had not seen the sly winks Jerome Hadley had bestowed on the other berry pickers and had taken his impulse to come to her as a simple and lovely fact in life. Perhaps he was lonely like herself. For a time the two had worked together in silence and then a bantering conversation began. May had found herself able to carry her end of a conversation, to give and take with the man. She laughed at him because, although his fingers were skilled, he could not fill the berry boxes as fast as herself.

And then, quite suddenly, the tone of the conversation had changed. The man became bold and his boldness had excited May. What words he had said. “I’d like to hold you in my arms. I’d like to have you alone where I could kiss you. I’d like to be alone with you in the woods or somewhere.” The others working, now far away along the rows, young girls and women, too, must also have heard just such words from the lips of men. It was the fact that they had heard such words and responded to them in kind that differentiated them from herself. It was by responding to such words that a woman got herself a lover, got married, connected herself with the stream of life. She heard such words and something within herself stirred, as it was stirring now in herself. Like a flower she opened to receive life. Strange beautiful things happened and her experience became the experience of all life, of trees, of flowers, of grasses and most of all of other women. Something arose within her and then broke. The wall of life was broken down. She became a living thing, receiving life, giving it forth, one with all life.

In the berry field that morning May had gone on working after the words were said. Her fingers automatically picked berries and put them in the boxes slowly, hesitatingly. She turned to the man and laughed. How wonderful that she could control herself so.

Her mind had raced. What a thing her mind was. It was always doing that—racing, running madly, a little out of control. Her fingers moved more slowly. She picked berries and put them in the man’s box, and now and then gave him large fine round berries to eat and was conscious that the others in the field were looking in her direction. They were listening, wondering, and she grew resentful. “What did they want? What did all this have to do with them?”

Her mind took a new turn. “What would it be like to be held in the arms of a man, to have a man’s lips pressed down upon her lips. It was an experience all women, who had lived, had known. It had come to her own mother, to the married women, working with her in the field, to young girls, too, to many much younger than herself.” She imagined arms soft and yet firm, strong arms, holding her closely, and sank into a dim, splendid world of emotion. The stream of life in which she had always wanted to float had picked her up—it carried her along. All life became colorful. The red berries in the boxes—how red they were, the green of the vines, what a living green! The colors merged—they ran together, the stream of life was flowing over them, over her.

What a terrible day that had been for May. Later she could not focus her mind upon it, dared not do so. The actual experience with the man in the forest had been quite brutal—an assault had been made upon her. She had consented—yes—but not to what happened. Why had she gone into the woods with him? Well, she had gone, and by her manner she had invited, urged him to follow, but she had not expected anything really to happen.

It had been her own fault, everything had been her own fault. She had got up from among the berry pickers, angry at them—resentful. They knew too much and not enough and she had hated their knowledge, their smartness. She had got up and walked away from them, looking back, expecting him.

What had she expected? What she had expected could not get itself put into words. She knew nothing of poets and their efforts, of the things they live to try to do, of things men try to paint into canvasses, translate into song. She was an Ohio woman, an Edgley, the daughter of a teamster, the sister of Lillian Edgley who had gone on the turf. May expected to walk into a new world, into life—she expected to bathe herself in the living waters of life. There was to be something warm, close, comforting, secure. Hands were to arise out of darkness and grasp her hands, her hands covered with the stain of red berries and the yellow dust of fields. She was to be held closely in the warm place and then like a flower she was to break open, throw herself, her fragrance into the air.

What had been the matter with her, with her notion of life? May had asked herself that question a thousand times, had asked it until she was weary of asking, could not ask any more. She had known her mother—thought she had known her—if she had not, no Edgley had. Had none of the others cared? Her mother had met a man and had been held in his arms, she had become the mother of sons and daughters, and the sons and daughters had gone their own way, lived brutally. They had gone after what they thought they wanted from life, directly, brutally—like animals. And her mother had stood aside. How long ago she must have died, really. It was then only flesh and blood that went on living, working, making beds, cooking, lying with a husband.

It was plain that was true of her mother—it must have been true. If it were not true why had she not spoken, why had no words come to her lips. Day after day May had worked with her mother. Well, then she was a virgin, young, tender and her mother had not kissed her, had not held her closely. No word had been said. It was not true, as Lillian had said, that her mother had counted on her. It was because of death that she was silent, when Lillian and then Kate went on the turf. The dead did not care! The dead are dead!

May wondered if she herself had passed out of life, if she had died. “It may be,” she thought, “I may never have lived and my thinking I was alive may only have been a trick of mind.”

“I’m smart,” May thought. Lillian had said that, her brothers had said it, the whole town had said it. How she hated her own smartness.

The others had been proud of it, glad of it. The whole town had been proud of her, had hailed her. It was because she was smart, because she thought quicker and faster than others, it was because of that the women schoolteachers had smiled at her, because of that old men spoke to her on the streets.

Once an old man had met her on the sidewalk in front of one of the stores and taking her by the hand had led her inside and had bought her a bag of candy. The man was a merchant in Bidwell and had a daughter who was a teacher in the schools, but May had never seen him before, had heard nothing of him, knew nothing about him. He came up to her out of nothingness, out of the stream of life. He had heard about May, of her quick active mind, that always defeated the other children in the school room, that in every test came out ahead. Her imagination played about his figure.

At that time May went every Sunday morning to the Presbyterian Sunday School, as there was a tradition in the Edgley family that Ma Edgley had once been a Presbyterian. None of the other children had ever gone, but for a time she did and they all seemed to want her to go. She remembered the men, the Sunday School teachers were always talking about. There was a gigantic strong old man named Abraham who walked in God’s footsteps. He must have been huge, strong, and good, too. His children were like the sands of the seas for numbers, and was that not a sign of strength. How many children! All the children in the world could not be more than that! The man who had taken hold of her hand and had led her into the store to buy the candy for her was, she imagined just such another. He also must own lands and be the father of innumerable children and no doubt he could ride all day on a fast horse and never get off his own possessions. It was possible he thought her one of his innumerable children.

There was no doubt he was a mighty man. He looked like one and he had admired her. “I’m giving you this candy because my daughter says you are the smartest girl in school,” he said. She remembered that another man stood in the store and that, as she ran away with the bag of candy gripped in her small fingers, the old man, the mighty one, turned to him. He said something to the man. “They are all cattle except her, just cattle,” he had said. Later she had thought out what he meant. He meant her family, the Edgleys.

How many things she had thought out as she went back and forth to school, always alone. There was always plenty of time for thinking things out—in the late afternoons as she helped her mother with the housework and in the long winter evenings when she went to bed early and for a long time did not go to sleep. The old man in the store had admired her quick brain—for that he had forgiven her being an Edgley, one of the cattle. Her thoughts went round and round in circles. Even as a child she had always felt shut in, walled in from life. She struggled to escape out of herself, out into life.

And now she was a woman who had experienced life, tested it, and she stood, silent and attentive on the stairway of the Edgley house or by the stove in the kitchen and with an effort forced herself to quit thinking. On another street, in another house, a door banged. Her sense of hearing was extraordinarily acute, and it seemed to her she could hear every sound made by every man, woman, and child in town. The circle of thoughts began again and again she fought to think, to feel her way out of herself. On another street, in another house a woman was doing housework, just as she had been doing—making beds, washing dishes, cooking food. The woman had just passed from one room of her house to another and a door had shut with a bang. “Well,” May thought, “she is a human being, she feels things as I do, she thinks, eats food, sleeps, dreams, walks about her house.”

It didn’t matter who the woman was. Being or not being an Edgley made no difference. Any woman would do for the purposes of May’s thoughts. All people who lived, lived! Men walked about too, and had thoughts, young girls laughed. She had heard a girl in school, when no one was speaking to her—paying any attention to her—burst suddenly into loud laughter. What was she laughing about?

How cruelly the town had patronized May, setting her apart from the others, calling her smart. They had cared about her because of her smartness. She was smart. Her mind was quick, it reached out. And she was one of the Edgleys—“cattle,” the bearded man in the store had said.

And what of that—what was an Edgley—why were they cattle? An Edgley also slept, ate food, had dreams, walked about. Lillian had said that an Edgley man was like all other men, only less stuck on himself.

May’s mind fought to realize herself in the world of people, she wanted to be a part of all life, to function in life—did not want to be a special thing—smart—patted on the head—smiled at because she was smart.

What was smartness? She could work out problems in school quickly, swiftly, but as each problem was solved she forgot it. It meant nothing to her. A merchant in Egypt wanted to transport goods across the desert and had 370 pounds of tea and such another number of pounds of dried fruits and spices. There was a problem concerning the matter. Camels were to be loaded. How far away? The result of all her quick thinking was some number like twelve or eighteen, arrived at before the others. There was a little trick. It consisted in throwing everything else out of the mind and concentrating on the one thing—and that was smartness.

But what did it matter to her about the loading of camels? It might have meant something could she have seen into the mind, the soul of the man who owned all that merchandise and who was to carry it so far, if she could have understood him, if she could have understood anyone, if anyone could have understood her.

May stood in the kitchen of the Edgley house, quiet, attentive—for ten minutes, a half hour. Once a dish she held in her hand fell to the floor and broke, awakening her suddenly and to awaken was like coming back to the Edgley house after a long journey, during which she had traveled far, over mountains, rivers, seas—it was like coming back to a place she wanted to leave for good.

“And all the time,” she told herself, “life swept on, other people lived, laughed, achieved life.”

And then, through the lie she had told Maud Welliver, May stepped into a new world, a world of boundless release. Through the lie and the telling of it she found out that, if she could not live in the life about her, she could create a life. If she was walled in, shut off from participation in the life of the Ohio town—hated, feared by the town—she could come out of the town. The people would not really look at her, try to understand her and they would not let her look down into themselves.

The lie she had told was the foundation stone, the first of the foundation stones. A tower was to be built, a tall tower on which she could stand, from the ramparts of which she could look down into a world created by herself, by her own mind. If her mind was really what Lillian, the teachers in the school, all the others, had said she would use it, it would become the tool which in her hands, would force stone after stone into its place in her tower.

In the Edgley house May had a room of her own, a tiny room at the back of the house and there was one window looking down into the field, that every spring and fall became a swamp. In the winter sometimes it was covered with ice and boys came there to skate. On the evening she had told Maud Welliver the great lie—recreated the incident in the wood with Jerome Hadley—she hurried home and went up to her room and, pulling a chair to the window, sat down. What a thing she had done! The encounter with Jerome Hadley in the wood had been terrible—she had been unable to think about it, did not dare to think about it, and trying not to think had almost upset her reason.

And now it was gone. The whole thing had really never happened. What had happened was this other thing, or something like that, something no one knew about. There had really been an attempt at murder. May sat by the window and smiled sadly. “I stretched it a little,” she thought. “Of course I stretched it, but what was the use trying to tell what happened. I couldn’t make it understood. I can’t understand it myself.”

All through the weeks that had passed since that day in the wood May had been obsessed by the notion that she was unclean, physically unclean. Doing the housework she wore calico dresses—she had several of them and two or three times a day she changed her dress and the soiled dress she could not leave hanging in a closet until washday but washed the dress at once and hung it on a line in the back yard. The wind blowing through it gave her a comforting feeling.

The Edgleys had no bathroom or bathtub. Few people in towns in her day owned any such luxurious appendages to life. And a washtub was kept in the woodshed by the kitchen door and what baths were taken were taken in the tub. It was a ceremony that did not often occur in the family, and when it did occur the tub was filled from the cistern and set in the sun to warm. Then it was carried into the shed. The candidate for cleanliness went into the shed and closed the door. In the winter the ceremony took place in the kitchen and Ma Edgley came at the last moment and poured a kettle of boiling water into the cold water in the tub. In the summer in the shed that was not necessary. The bather undressed and put his clothes about, on the piles of wood, and there was a great splashing.

During that summer May took a bath every afternoon, but did not bother to put the water out in the sun. How good it felt to have it cold! Often when there was no one about, she filled the tub and got into it again before going to bed. Her small body, dark and strong, sank into the cold water and she took strong soap and scrubbed her legs, her breasts, her neck where Jerome Hadley’s kisses had alighted. Her neck and breasts she wished she could scrub quite away.

Her body was strong and wiry. All the Edgleys, even Ma Edgley, had been strong. They were all, except May, large people and in her the family strength seemed to have concentrated. She was never physically weary and after the time of her intensive thinking began, and when she often slept little at night her body seemed to grow constantly stronger. Her breasts grew larger and her figure changed slightly. It grew less boyish. She was becoming a woman.

After the telling of the lie, May’s body became for a time no more than a tree growing in a forest through which she walked. It was something through which life made itself manifest; it was a house within which she lived, a house, in which, and in spite of the enmity of the town, life went on. “I’m not dead like those who die while their bodies are still alive,” May thought, and there was intense comfort in the thought.

She sat by the window of her room in the darkness thinking. Jerome Hadley had tried to commit a murder and how often such attempts must have been made in the history of other men and women—and how often they must have succeeded. The spirit within was killed. Boys and girls grew up full of notions, brave notions too. In Bidwell, as in other towns, they went to schools and Sunday schools. Words were said—they heard many brave words—but within themselves, within their own tiny houses, all life was uncertain, hesitating. They looked abroad and saw men and women, bearded men, kind strong women. How many were dead! How many of the houses were but empty haunted places! Their town was not the town they had thought it and some day they would have to find that out. It was not a place of warm friendly closeness. Feeling instinctively the uncertainty of life, the difficulty of arriving at truth the people did not draw together. They were not humble in the face of the great mystery. The mystery was to be solved with lies, with truth put away. A great noise must be made. Everything was to be covered up. There must be a great noise and bustle, the firing of cannons, the roll of drums, the shouting of many words. The spirit within must be killed. “What liars people are,” May thought breathlessly. It seemed to her that all the people of her town stood before her, were in a way being judged by her, and her own lie, told to defeat a universal lie, now seemed a small, a white innocent thing.

There was a very tender delicate thing within her, many people had wanted to kill—that was certain. To kill the delicate thing within was a passion that obsessed mankind. All men and women tried to do it. First the man or woman killed the thing within himself, and then tried to kill it in others. Men and women were afraid to let the thing live.

May sat in the darkness in her room in the Edgley house having such thoughts as had never come to her before and the night seemed alive as no other night of her life had been. For her gods walked abroad in the land. The Edgley house was but a poor little affair of boards—of thin walls—and she looked out, in the dim wavering light of the night, into a field, that at times during the year became a bog where cattle sank in black mud to their knees. Her town was but a dot on the huge map of her country—she knew that. It was not necessary to travel to find out. Had she not been at the top of her class in geography? In her country alone lived some sixty, eighty, a hundred million people—she could not remember the number—it changed yearly. When the country was new millions of buffalo walked up and down on the plains. She was a she-calf among the buffalo but she had found lodgment in a town, in a house made of boards and painted yellow, but the field below the house was dry now and long grass grew there. However, tiny pools remained and frogs lived in them and croaked loudly while crickets sang in the dry grass. Her life was sacred—the house in which she lived, the room in which she sat, became a church, a temple, a tower. The lie she had told had started a new force within her and the new temple, in which she was to live, was now being built.

Thoughts like giant clouds, seen in a dim night sky, floated through her mind. Tears came to her eyes and her throat seemed to be swelling. She put her head down on the window sill and convulsive sobs shook her.

That was, she knew, because she had been brave enough and quick-witted enough to tell the lie, to re-establish the romance of existence within herself. The foundation stone for the temple had been laid.

May did not think anything out clearly, did not try to do that. She felt—she knew her own truth. Words heard, read in books in school, in other books loaned her by the schoolteachers, words said casually, without feeling—by thin-lipped, flat-breasted young women who were teachers at the Sunday school, words that had seemed as nothing to her when said, now made a great sound in her mind. They were repeated to her in stately measure by some force, seemingly outside herself and were like the steady rhythmical tread of an army marching on earth roads. No, they were like rain on the roof over her head, on the roof of the house that was herself. All her life she had lived in a house and the rains had come unheeded—and the words she had heard and now remembered were like rain drops falling on roofs. There was a subtle perfume remaining. “The stone which the builders refused is become the headstone of the corner.”

As the thoughts marched through May’s mind her small shoulders shook with sobs, but she was happy—strangely happy and something within herself was singing. The singing was a song that was always alive somewhere in the world, it was the song of life, the song that crickets sang, the song the frogs croaked hoarsely. It ran away out of her room, out of the darkness into the night, into days, into far lands—it was the old song, the sweet song.

May kept thinking about buildings and builders. “The stone which the builders refused is become the headstone of the corner.” Someone had said that and others had felt what she now felt—they had had the feeling she could not put into words and they had tried putting it into words. She was not alone in the world. It was not a strange path she walked in life, but many had walked it, many were walking it now. Even as she sat in the window, thinking so strangely, many men and women in many places and many lands sat at other windows having the same thoughts. In a world, where many men and women had killed the thing within themselves, the path of the rejected was the true path and how many had walked the path! The trees along the way were marked. Signs had been hung up by those who wanted to show others the way. “The stone which the builders refused is become the headstone of the corner.”

Lillian had said, “men are no good,” and it was clear Lillian had also killed the thing within herself, had let it be killed. She had let some Jerome Hadley kill it, and then she had grown slowly and steadily more and more angry at life, had come to hate life, had thrown it away. And the thing had happened to her mother, too. That was the reason for her life of silence—death walking about. “The dead rise up to strike the dead.”

The story May had told to Maud Welliver was not a lie—it was the living truth. He had tried to kill and had come near succeeding. May had walked in the valley of the shadow of death. She knew that now. Her own sister, Lillian, had come to her when she walked with Death and wanted Life. “If you are going to go on the turf I’ll get you in with men who have money,” Lillian had said. She had got no closer to understanding than that.

May decided that after all she would not try to be Maud Welliver’s friend. She would see her and talk to her but, for the present, she would keep herself to herself. The living thing within her had been wounded and needed time to recover. Of all the feelings, the strong emotion, that swept through her on that evening, cleansing her internally, as she had been trying by splashing in the tub in the woodshed to cleanse herself externally, one impulse got itself definitely expressed. “I’ll go it alone, that’s what I’ll do,” she murmured between sobs as she sat by the window with her head in her hands, and heard the sweet song of the insects, singing of life in the darkness of the fields.

Chapter IV

“THERE was a man here. For weeks he lay sick to the point of death, in our house, and all the time I did not dare sleep. Night and day I was on the watch. How often at night I have crept down across this very field, in the middle of the night, in the darkness looking for the black, trying to discover if he was still on the trail.”

It was early summer and May sat talking with Maud Welliver by a tree in the field back of the Edgley’s kitchen door—building steadily her tower of romance. Two or three times each week, since that first talk by the blacksmith shop, Maud had managed to get to the Edgley house unobserved by her aunt. In her passionate devotion to the little dark-skinned woman, who had lived through so many and such romantic adventures in life, she was ready to risk anything, even to the wrath of her father’s iron-jawed housekeeper.

To the Edgley house she came always at night, and the necessity of that was understood by May and perhaps better understood by Lillian Edgley. On the next day, after the meeting by the blacksmith shop, Maud’s father had spoken his mind concerning the Edgleys. The Welliver family sat at supper in the evening. “Maud,” John Welliver began, looking sternly at his daughter, “I don’t want you should have anything to do with that Edgley family that lives on this street.” The railroad man cursed the ill luck that had led him to take a house on the same street where such cattle lived. One of his brother employees on the road, he said, had told him the story of the Edgleys. “They are such an outfit,” he declared wrathfully. “God only knows why they are allowed to stay here. They should be tarred and feathered and run out of town. Why, to live on the same street with them is like living in the midst of cattle.”

The railroad man looked hard at his daughter. To him she was a young woman and a virgin, and by these tokens walked a dangerous trail through life. On dark streets, adventurous men lay in wait for all such women and they employed other women, of the Edgley stripe, to decoy innocent virgins into their hands. There was much he would have liked to say to his daughter but not much he could say. Among themselves men could speak openly of such women as the Edgley sisters. They were a thing—well. To tell the truth—during young manhood almost every man went to see such women, went with other men into a house inhabited by such women. To go to such a place one needed to have been drinking a little. It happened. Several young men were together and went from place to place drinking. “Let’s go down the line,” one of them said. The men went straggling off along a street, two by two. Little was said and they were all a little ashamed of their mission. Then they came to a house, always on a dark foul street, and one of the young men, a bold fellow, knocked at the door. A fat woman, with a hard face, came to let them in and they went into a room and stood about, looking foolish. “O, girls,—company,” the fat woman shouted and several women came and stood about. The women looked bored and tired.

John Welliver had himself been to such places. Well, that was when he was a young workman. Later a man met a good woman and married her, tried to forget the other women, did forget them. In spite of all the things said, most men after marriage went straight. They had a living to make and children growing up and there was no time for any such nonsense. Among his fellow workmen, the railroad man often spoke of the kind of women he believed the three Edgley women to be. “It’s my notion,” he said, “that it’s better to have such places in order that good women may be let alone, but they ought to be off by themselves somewhere. A good woman never ought to see or know about such cattle.”

In the presence of his daughter and of his sister, the housekeeper, now that the subject of the Edgleys had been broached the railroad man was embarrassed. He kept his eye on the plate before him and stole a shy look at his daughter’s face. How white and pure it looked. “I wish I had kept my mouth shut,” he thought—but a sense of the necessity of the occasion led him on. “My Maud might be led to take up with the Edgley women, knowing nothing,” he thought. “Well,” he said, “there are three women in that family and they are all alike. There is one, who works at the hotel—where she meets traveling men—and the oldest one doesn’t work at all. And there is another, too, the youngest that everyone thought was going to turn out all right because she stood high in school and is said to be smart. Everyone thought she would be different but she isn’t, you see. Why, right before everyone, in a berry field, where she was at work, she went into a wood with a man.”

“I know about it and I’ve told Maud,” the railroad man’s sister said sharply. “We don’t need to talk about it no more.”

Maud Welliver had listened with flushed cheeks to her father’s words, and even as he talked had made up her mind she would see May again and soon. Since coming to Bidwell she had not left the house at night, but now she felt suddenly quite strong and well. When the supper was finished and darkness came on she got up from her chair on the porch and spoke to her aunt, at work inside the house. “I feel better than I have for months, aunty,” she said, “and I’m going for a little walk. You know the doctor said I was to walk all I could and I can’t walk during the day on account of the heat. I’ll just go uptown a little while.”

Maud went cautiously along the sidewalk toward the business section of town and then crossed over and returning on the opposite side, stole along, walking on the grass at the edge of lawns. What an adventure! She felt like one being admitted into some strange world filled with romance. For her May Edgley’s tales had become golden apples of existence, to taste which she would risk anything. “What a person!” she thought as she crept forward in the darkness, lifting and putting down her feet on the grass like a kitten compelled to walk in water. She thought of May Edgley’s adventure in the wood with Jerome Hadley. How stupid her father had been, how stupid everyone in the town of Bidwell! “It must be so with men and women everywhere,” she thought vaguely. “They go on thinking they know what’s happening, and they know nothing.” She thought of May Edgley, small and a woman, alone in the forest with a man—a dark determined man, intent upon murder. The man held in his hand a little package containing a white powder. A few grains of it in a cup of coffee and a human life would go out. A man who walked and talked and went about the streets of Bidwell with other men would become a white lifeless bit of clay. Maud had been at several times in her life close to the door of death. She imagined a scene. There was a rich man’s home with soft carpets, woven of priceless stuffs, brought from the Orient. One walking on the carpets made no sound. The feet sank softly into the velvety stuff and soft-voiced servants moved about. A man entered and sat at breakfast. The movies had not at that time come to Bidwell but Maud had read many popular novels and several times, at Fort Wayne, had been to the theatre.

There was a woman in the rich man’s house—his guilty wife. She was slender and willowy. Ah, there was something serpentine about her. In Maud’s imagination she lay on a silken couch beside the table, at which the man now sat down to eat his breakfast. A wood fire burned in the fireplace. The woman’s hand stole forward and a tiny pinch of the white powder went into the coffee cup; then she raised a white hand and stroked the man’s cheek. She closed her eyes and lay back on the silken couch. The dastardly deed was done and the woman did not care. She was not even curious as to how death would come. She yawned and waited.

The man drank his coffee and arising moved about the room and then a sudden pallor came upon his cheeks. It was quite noticeable as he was a ruddy-cheeked man with soft grey hair—a strong commanding figure of a man, a leader among men. Maud pictured him as the president of a great railroad system. She had never seen a railroad president but her father had often spoken of the president of the Nickle Plate and had described him as a big fine looking fellow.

What a thing is passion, so terrible, so strange. It takes such unimaginable turns. The woman on the silken couch, the willowy serpentine woman, had turned from her husband, from the commander of men, from the strong man, the powerful one who swept all before him, and had given her illicit but powerfully fascinating love to a railroad mail clerk.

Maud had seen Jerome Hadley. When the Wellivers had first come to Bidwell she, with her aunt and father, had been driven about town with a real-estate man and his wife. They were looking for a house in which to live and as they drove about the real-estate man’s wife, who sat on the back seat of a surrey with Maud and her aunt, had pointed to Jerome Hadley, walking past in the street, and had told in a whisper the story of his going into the wood with May Edgley. Maud was half sick on that day and had not listened. The railroad journey from Fort Wayne to Bidwell had given her a headache.

However, she had looked at Jerome. He had sloping shoulders, pale grey eyes and sandy hair, and when he walked he toed out badly and his trousers were baggy. And for that man the woman on the silken couch, the railroad president’s wife, was ready to commit murder. What an unexplainable, what a strange thing is love! The windings and twistings of its pathway through life cannot be followed by the human mind.

The scene being enacted in Maud Welliver’s mind played itself out. The strong man in the richly furnished room put his hand to his throat and staggered. He reeled from side to side and clutched at the backs of chairs. The noiseless servants had all gone out of the room. The woman half arose from the couch as the man fell to the floor and in falling struck his head on the corner of a table so that his blood ran out upon the silken carpets. The woman smiled sardonically. It was terrible. She cared not the least in the world and a slow cruel smile came and remained fixed on her face. Then there was the sound of running feet. The servants were coming, they were running, running desperately. The woman lay back on the couch and yawned again. “I had better scream and then faint,” she thought and she did the two things, did them with the air of a tired actor rehearsing a well known part for a play. It was all for love, for a strange and mysterious thing called passion. She did it for Jerome Hadley’s sake, that she might be free to walk with him the illicit paths of love.

Maud Welliver tiptoed cautiously forward on the lawns on the further side of Duane Street in Bidwell, looking across at the dark house where she had come to live. In Fort Wayne she had known nothing like this. What a terrible thing might have happened in Bidwell but for May Edgley! The scene in the rich man’s home faded and was replaced by another. She saw May standing in the forest with Jerome Hadley. How he had changed! He stood alert, intent, determined, holding the poison package in his hand and he was threatening, threatening and pleading. In the other hand he held money, a great package of bills. He thrust the bills forward and pleaded with May Edgley and then grew angry and threatened again.

Before him stood the small, white-faced woman, frightened now, but terribly determined also. The word “never” was upon her lips. And now the man threw the money away into the bushes and sprang forward. His hand was at the woman’s throat, the murderous hand of the infuriated mail clerk. It pressed hard. May fell to the ground.

Jerome Hadley did not quite dare let the woman die. Too many people had seen the two go into the wood together. He stood over her until she had a little recovered and then the threatening and pleading began again, but all the time the little woman stood firm, shaking her head and saying the brave word “never.” “Kill me if you will,” she said, “but I’ll take no part in this murder. My reputation is gone and I am an outlaw among men and women but I’ll take no part in this murder, and if you go on with it I will betray you.”

The September evening when May uttered the startling sentences, regarding a strange man and a mysterious black, set down at the head of this section of the story of her adventures, was warm and clear. Brightly the stars shone in the sky and in the field back of the Edgley’s kitchen door all the little ponds had become dry. Since that first evening when she had met May a great change had taken place in Maud. May had led her up to the ramparts of the tower of romance and as often as possible now the two sat together under a tree in the field or on the floor by the open window in May’s room. To the field they went through the kitchen door, along the creek where the elders and willows grew and over stones in the bed of the creek itself, to a wire fence. How alone and how far away from the life of the town they were in the field at night! Buggies and the few automobiles then owned in Bidwell passed on distant roads, and over the town, soft lights played on the sky and soft lights seemed to play over the spirits of the two women. On a distant street, that led down to the town waterworks, a group of young men went tramping along on a board sidewalk. They were singing a song. “Listen, May,” Maud said. The voices died away and another sound came. Jerry Haden, a cripple who walked with a crutch and who delivered evening papers, went along quickly, his crutch making a sharp clicking sound on the sidewalks. What a hurry he was in. “Click! click!” went the crutch.

It was a time and place for the growth of romance. A desire to reach out to life, to command life grew within Maud. One evening she, alone and unaided, mounted the tower of romance and told May of how a young man in Fort Wayne had wanted to marry her. “He was the son of the president of a railroad company,” she said. The matter was of no importance and she only spoke of it to show what men were like. For a long time he came to the house almost every evening and when he did not come he sent flowers and candy. Maud had cared nothing for him. There was a certain air he had that wearied her. He seemed to think himself in some way of better blood than the Wellivers. The idea was absurd. Maud’s father knew his father and knew that he had once been no more than a section hand on the railroad. His pretensions wearied Maud and she finally sent him away.

Maud told May, on several evenings of the imaginary young man whom, because of his pride of blood, she had cast adrift, and on the September evening wanted to speak of something else. For two or three evenings she had been on the point of saying what was in her mind but could not bring the matter to her lips. It trembled within her like a wild bird caught and held in her hand, as, in the dim light, she looked at May. “She won’t do it. I’ll never get her to do it,” she thought.

In Fort Wayne, before she came to Bidwell, and when she had just graduated from the high school Maud had for a time walked upon the border line of love, had stood for a moment in the very pathway of Cupid’s darts. Near the house where the Wellivers then lived there was a grocery run by an alert erect little man of forty-five, whose wife had died. Maud often went to the store to buy supplies for the Welliver home and one evening she arrived just as the grocer, a man named Hunt, was locking the store for the night. He unlocked the door and let her in. “You won’t mind if I don’t light the lights again,” he said. He explained that the grocerymen of Fort Wayne had made an agreement among themselves that they would sell no goods after seven in the evening. “If I light the lights and people see us in here they will be coming in and wanting to be waited on,” he explained.

Maud stood in the uncertain light by a counter while the grocer wrapped her packages. At the back of the store there was a lamp fastened to a bracket on the wall and burning dimly and the soft yellow light fell on her hair and on her white smiling face as the grocer fumbled in the darkness back of the counter and from time to time looked up at her. How beautiful her long pale face in that light! He was stirred and delayed the matter of getting the packages wrapped. “My wife and I were not very happy together but I was happy when I lived alone with my mother,” he thought. He let Maud out at the door, locked it and went along beside her carrying the packages. “I’m going your way,” he said vaguely. He began to speak of his boyhood in a town in Ohio and told of how he had married at the age of twenty-three and had come to Fort Wayne where his wife’s father owned the store that was now his own. He spoke to Maud as to one who knew most of the details of his life. “Well, my wife and her father are both dead and I own the place—I’ve come out all right,” he said. “I wonder why I left my mother. I thought more of her than anyone else in the world but I got married and went away and left her, went away and left her, to live alone until she died,” he said. They came to a corner and he put the packages into Maud’s arms. “You got me started thinking of mother. You’re like her,” he said suddenly and then hurried away.

Maud had got into the habit of going to the store, just at closing time in the evening and when she did not come the grocer was upset. He closed the store and, walking to a nearby corner, stood under an awning before a hardware store, also closed for the night, and looked down along the street where Maud lived. Then he took a heavy silver watch from his pocket and looked at it. “Huh!” he exclaimed and went off along another street to his boarding house, stopping several times in the first block to look back.

It was early June and the Wellivers had lived in Bidwell, for four months and, during the last year of her life at Fort Wayne Maud had been so continually ill that she had seldom seen the grocer, but now a letter had come from him. The letter came from the city of Cleveland. “I am here at a convention of the K of Ps,” he wrote, “and I have met a man here who is a widower like myself. We are in the same room at the hotel. I want to stop to see you on the way home and would like to bring my friend along. Can’t you get another girl and we’ll all spend an evening together. If you can do it, you get a surrey and meet us at the seven-fifty train next Friday evening. I’ll pay for the surrey of course and we’ll go off somewhere to the country. I’ve got something very important I want to say to you. You write me here and let me know if it’s all right.”

Maud sat in the field beside May and thought of the letter. An answer must be sent at once. In fancy she saw the little bright-eyed grocer standing before May, the hero of the passage in the wood with Jerome Hadley, the woman who lived the romance of which she herself dreamed. At the post office during the afternoon she had heard two young men talking of a dance to be given at a place called the Dewdrop. It was to be held on Friday evening, and a bold impulse had led her to go to a livery stable and make inquiry about the place. It was twenty miles away and on the shores of Sandusky Bay. “We will go there,” she had thought, and had engaged the surrey and horses and now she was face to face with May and the thought of the little grocer and his companion frightened her. Freeman Hunt the widower had a bald head and a grey mustache. What would his friend be like? Fear made Maud’s body tremble and when she tried to speak, to tell May of her plan, the words would not come. “She’ll never do it. I’ll never get her to do it,” she thought again.

“There was a man here. For weeks he lay sick to the point of death in our house and all the time I did not dare sleep.”

May Edgley was building high her tower of romance. Having several times listened, as Maud told of the imaginary son of the railroad president who had been determined to marry her, she had set about making a romantic lover of her own. Books she had read, the remembrance of childhood tales of love and romantic adventure poured in upon her mind. “There was a man here. He was just twenty-four but what a life he had led,” she said absentmindedly. She appeared to be lost in thought and for a long time was silent. Then she got suddenly to her feet and ran to where two large maple trees stood on a little hill in the midst of the field. Maud also got to her feet and her body shook with a new fear. The grocer was forgotten. May returned and again sat on the grass. “I thought I saw someone snooping there behind that tree,” she said. “You see I have to be careful. A man’s life depends on my being careful.”

Warning Maud that whatever happened she was not to tell the secret, now for the first time to be told to another, May launched into her tale. On a dark night, when it was raining and when the trees shook in the wind, she had got out of bed in the Edgley house and had opened her window to behold the storm. She could not imagine what had led her to do it. It was something she had never done before. To tell the truth a voice outside herself seemed to be calling her, commanding her. Well, she had thrown up the window and had stood looking out. How the wind screamed and shrieked! Furies seemed abroad in the night. The house itself trembled on its foundations and great trees bent almost to the ground. Now and then there was a flash of lightning and she could see the whole outdoors as plain as day—“I could even see the leaves on the tree.” May had thought the world must be coming to an end but for some strange reason she was not in the least afraid. It was impossible to explain the feeling she had on that night. Well, she couldn’t sleep. Something, outside there, in the darkness, seemed to be calling, calling to her. “All of this happened more than two years ago, when I was just a young girl in school,” she explained.

On that night when the storm raged May had seen, during one of the flashes of lightning, a man running desperately across the very field, where now she and Maud sat so quietly. Even from where she stood by the window in the upstairs room she could see that he was white and that his face was drawn and tired from long running. Behind him, perhaps a dozen strides behind, was another man, a giant black, with a club in his hand. In a moment May knew, she knew everything, knowledge came into her mind and illuminated it as the lightning had illuminated the scene in the field. The giant black with the club was about to kill the other man, the white man in the field. In a moment she knew she would see a murder done. The fleeing man could not escape. At every stride the black gained. There came a second flash of lightning and then the white man stumbled and fell. May threw up her hands and screamed. She had always been ashamed of the fact but why deny it—she fainted.

What a night that had turned out to be! Even to speak of it made May shudder, even yet. Her father had heard her scream and came running to her room. She recovered—she sat up—in a few quick words she told her father what she had seen.

Well, you see, her father and she had got out of the house somehow. They were both in their night dresses and in the woodshed back of the house her father had fumbled about and had got hold of an axe. It was the only weapon of any kind he could lay his hands on about the place.

And there they were, in the darkness. No more flashes of lightning came and it began to rain. It poured. The rain came in torrents and the wind blew so that the trees seemed to be shouting to each other, calling to each other like friends lost in some dark pit.

There was plenty of shouting after that but neither May nor her father was afraid. They were perhaps too excited for fear to take hold of them. May didn’t know exactly how she felt. No words could describe how she felt.

Followed by her father she ran, down the little hill back of the kitchen, got across the creek, stumbled and fell several times, picked herself up and ran on again. They came to the fence at the edge of the field. Well, they got over somehow. It was strange how the field, across which they had both walked so many times in the daytime (as a child May had always played there) and she thought she knew every blade of grass, every little pond, and hillock,—it was strange how it had changed. It was exactly as though she and her father had run out upon a wide treeless plain. They ran, it seemed for hours and hours, and still they were in the field. Later when May thought of the experiences of that night she understood how men came to write fairy tales. Why, the ground in the field might have been made of rubber that stretched out as they ran.

They could see no trees, no buildings—nothing. For a time she and her father kept close together, running desperately, into nothingness, into a wall of darkness.

Then her father got lost from her, was swallowed up in the darkness.

What a roaring of voices went on. Trees somewhere, away off in the distance, were shouting to each other. The very blades of grass seemed to be talking—in excited whispers, you understand.

It was terrible! Now and then May could hear her father’s voice. He just swore. “Gol darn you,” he shouted over and over. The words were grunted forth.

Then there was another and terrible voice—it must have been the voice of the black, intent upon murder. May could not understand what he said. He, of course, just shouted words in some strange foreign language—a gibberish of words.

Then May stopped running. She was too exhausted to run any more and sat down on the ground at the edge of one of the little ponds. Her hair had all fallen about her face. Well, she wasn’t afraid. The thing that had happened was too big to be afraid of. It was like being in the presence of God and one couldn’t be afraid. How could one? A blade of grass isn’t afraid in the presence of the sun, coming up. That’s the way May felt—little you see—a tiny thing in the vast night—nothing.

How wet she was! Her clothes clung to her. All about the voices went on and on and the storm raged. She sat with her feet in a puddle of water and things seemed to fly past her, dark figures running, screaming, swearing, saying strange words. She herself did not doubt—when she thought of it all after it was over—that the giant black and her father had both run past her a dozen times, had passed so close to her that she might have put out her hand and touched them.

How long did she sit there in the darkness? That was something she never knew and her father was like her about it too. Later he couldn’t have said, for the life of him, how long he ran about in the darkness, trying to strike something with the axe. Once he ran against a tree. Well, he drew back and sank the axe into the tree. Sometime—in the daytime—May would show Maud the tree with the great gash in it. Her father sank the axe so deeply into the body of the tree that he had work getting it out again and even in the midst of his excitement he had to laugh to think of what a silly fool he had been.

And there was May sitting with her feet in the puddle, the hair clinging to her bare shoulders, her head in her hands, trying to think, trying perhaps to catch some meaningful word in the strange roar of voices. Well, what was she thinking about? She didn’t know.

And then a hand touched her, a white strong firm hand. It just crept up out of the darkness, seemed to come out of the very ground under her. There was one thing sure—although she lived to be a thousand years old, May would never know why she didn’t scream, faint away, get up and run madly, butting her head against things.

“Love is a strange thing,” she told Maud Welliver, as the two sat in the field that warm clear starlit evening. Her voice trembled. “I knew a man had come to whom I would be faithful unto death,” she explained.

That was the beginning of the strangest and most exciting time in May’s whole life. Never had she thought she would tell anyone in the world about it, at least not until the time came for her marriage, and when all the dangers that still faced the man she loved had passed like a cloud.

On that terrible night, and while the storm still raged, the hand that had crept so strangely and unexpectedly into hers had at once quieted and reassured her. It was too dark to see the face and the body of the man’s back of the hand, but for some reason she knew at once that he was beautiful and good. She loved the man at once and completely, that was the truth. Later he had told her that his own experience was the same. For him also there came a great peace of the spirit, after his hand found hers in the midst of that roaring darkness.

They got out of that field and into the Edgley house somehow, crawled along together and when they got to the house they did not light a lamp or anything but sat on the floor of May’s room hand in hand, talking in low quiet tones. After a long time, perhaps an hour, May’s father came home. He had got out of the field and had wandered on a country road and as he went along he heard stealthy footsteps behind him. That was the black following the wrong man and it’s a wonder he didn’t kill John Edgley. What happened was that the drayman began to run and got into a grove of trees and there lost his pursuer. Then he took off his shoes and managed to find his way home barefooted. The black having followed the wrong man turned out to be a good thing. The man up in May’s room was free, for the first time in more than two years, he was free.

It had turned out that the man was quite badly injured, the black having, in his excitement, aimed a blow at his head that would have done for him had it struck fair. However, the blow glanced off and only bruised his head and made it bleed and as he sat in the darkness on the floor in May’s room with his hand in hers, telling her his story, the blood kept dropping thump, thump, on the floor. May had thought, at the time, it was water falling from her hair. It just went to show what a man he was, afraid of nothing, enduring everything without a murmur. Later he was sick with a fever for weeks and May never left his room, but gradually nursed him back to health and strength, and no one in Bidwell had ever known of his presence in the house. Later he left town at night, on a dark night when, to save yourself, you couldn’t see your hand before your face.

As to the man’s story—it had never been told to anyone and if May told it to Maud Welliver it was because she had to have at least one friend who knew all. Even her father, who had risked his life, did not know.

May put her hands over her face and leaned forward and for a long time she was silent. In the grass the insects kept singing and on a distant street Maud could hear the footsteps of people walking. What a world she had come into when she left Fort Wayne and came to Bidwell! Indiana was not like Ohio! The very air was different. She breathed deeply and looked about into the soft darkness. Had she been alone she could not have stood being in a place where such wonderful things as had just been described to her could happen. How quiet it was in the field now. She put out a hand softly and touched May’s dress and tried to think but her own thoughts were vague, they swam away into a strange world. To go to a theatre, to read books, to hear of the commonplace adventures of other people—how dull and uneventful her life had been before she knew May. Once her father had been in a wreck on the railroad and by a miracle had escaped uninjured and, when company came to the Welliver house, he always told of the wreck, how the cars were piled up and how he, walking over the tops of cars in the darkness of a rainy night was pitched off and went flying, head over heels, only by a pure miracle to land on his feet in dense bushes, uninjured, only badly shaken up. May had thought the tale exciting, she had been stupid enough to think it exciting. What contempt she now had for such weak commonplace adventures. What a vast change knowing May Edgley had made in her life!

“You won’t tell. You promise on your life you won’t tell.” May’s hand gripped Maud’s and the two women sat in silence, intent, shaken with some vast emotion that seemed to run over the dry grass in the field, through the branches of distant trees, and that seemed to effect even the stars in the sky. To Maud the stars appeared about to speak. They came down close out of the sky. “Be cautious,” they seemed to be saying. Had she lived in old times, in Judea, and had she been permitted to go into the room where Jesus sat at the last supper with his disciples, she could not have felt more completely humble and thankful that she, of all the people in the world had been permitted to be where she was at the moment.

“He was a prince in his own country,” May said suddenly breaking the silence that had become so intense that in another moment Maud thought she would have screamed. “He lived, Oh, far away.” In his own country the father, a king, had decided to marry the prince to the princess of a neighboring kingdom, and on the same day his sister was to marry the brother of his betrothed. Neither he nor his sister had ever seen the man and woman they were to marry. Princes and princesses don’t, you know. That is the way such things are arranged when princes and princesses are concerned.

“He thought nothing about it, was all ready for the marriage, and then one night something came into his head and he had an almost overpowering desire to see the woman, who was to be his wife, and the man who was to be his sister’s husband. Well, he went at night and crept up the side of a great wall to the window of a tower, and through the window saw the man and woman. How ugly they were—horrible! He shuddered. For a time he thought he would let go his hold on the stone face of the wall and be dashed to bits on the rocks beneath. He was ready to die with horror—didn’t care much.

“And then he thought of his sister, the beautiful princess. Whatever happened she had to be saved from such a marriage.

“And so home the prince went and confronted his father and there was a terrible scene, the father swearing the marriage would have to be consummated. The neighboring king was powerful and his kingdom was of vast extent and the marriage would make the son, born of the marriage, the most powerful king in the whole world. The prince and the king stood in the castle and looked at each other. Neither of them would give in an inch.

“There was one thing of which the prince was sure—if he did not marry his sister would not have to. If he went away there would be a quarrel between the two old kings. He was sure of that.

“First though he gave the king, his father, his chance. ‘I won’t do it,’ he declared and he stuck to his word. The king was furious. ‘I’ll disinherit you,’ he cried, and then he ordered his son to go out of his presence and not to come back until he had made up his mind to go ahead with the marriage.

“What the king did not expect was that he would be taken at his word. For what the young man, the prince, did, you see, was to just walk out of the castle and right on out into the world.

“Poor man, his hands were then as soft as a woman’s,” May explained. “You see in all his former life he had never even lifted his hand to do a thing. When he dressed he didn’t even button his own clothes. A prince never did.

“And so the prince ran away and managed, after unbelievable hardships, to make his way to a seaport, where he got a place as sailor on a ship just leaving for foreign parts. The captain of the ship did not know, and the other sailors did not know that he was a king’s son, nor did they know that a great outcry was going up and horsemen riding madly over the whole country, trying to find the lost prince.

“So he got away and was a sailor and in the castle his father was so furious he would not speak to anyone. He shut himself up in a room of the castle and just swore and swore.

“And then one day he called to him a giant black, one who had been his slave since he was born, and was the strongest, the fleetest of foot and the smartest man too, of all the king’s servants. ‘Go over land and sea,’ shouted the king. ‘Go into all strange far away lands and amongst all peoples. Do not let me ever see your face again until you have found my son and have brought him back to marry the woman I have decided shall be his wife. If you find him and he will not come strike him down if you must, but do not kill him. Stun him and bring him to me. Do not let me see your face again until you have done my bidding.’ He threw a handful of gold at the black’s feet. That was to pay the fares on railroads and buy his meals at hotels,” May explained.

“And all the time the king’s son was sailing on and on, over unknown seas. He passed icebergs, islands and continents, and saw great whales and at night heard the growling of wild beasts on strange shores.

“He wasn’t afraid, not he. And all the time he kept getting stronger and his hands got harder, and he could do more work and do it quicker than almost any man on the ship. Almost every day the captain called him aside. ‘Well,’ he said, ‘you are my bravest and best sailor. How shall I reward you?’

“But the young prince wanted no reward. He was so glad to escape from that horrible king’s daughter. How homely she was. Why her teeth stuck out of her mouth like tusks and she was all covered with wrinkles and haggard.

“And the ship sailed and sailed, and it hit a hidden rock, sticking up in the bottom of the ocean, and was split right in two. All but the prince were drowned.

“He swam and swam and came at last to an island that had a mountain on it, and no one lived there, and the mountain was filled with gold. After a long time a passing ship took him off but he told no one of the golden mountain. He sailed and sailed and came to America, and started out to get money to buy a ship and go get the gold and go back to his own country, rich enough so he could marry almost anyone he chose. He had worked and worked and saved money, and then the giant black got on his trail. He tried to escape, time after time he tried to escape. He had been trying that time May found him half-dead in the field.

“The way that came about was that he was on a train passing through Bidwell at night and it was the nine-fifty, that didn’t stop but only threw off a mail sack. He was on that train and the black was on it, too, and, as the train went flying through Bidwell in the terrible storm, the prince opened a door and jumped and the black jumped after him. They ran and ran.

“By a miracle neither of them was hurt by the leap from the train, and then they had got into the field where May had seen them.

“I can’t think what kept me awake on that night,” May said again. She arose and walked toward the Edgley house. “We are betrothed. He has gone to earn money to buy a ship and get the gold. Then he will come for me,” she said in a matter of fact tone.

The two women went to the wire fence, crawled over and got into the Edgley back yard. It was nearly midnight and Maud Welliver had never before been out so late. In the Welliver house her aunt and father sat waiting for her, frightened and nervous. “If she doesn’t come soon I’ll get the police to look for her. I’m afraid something dreadful has happened.”

Maud did not, however, think of her father or of the reception that awaited her in the Welliver house. Other and more sombre thoughts occupied her mind. She had come on that evening to the Edgley house, intending to ask May to go with her on the excursion to the Dewdrop with the two grocers, and that was now an impossibility. One who was loved by a prince, who was secretly betrothed to a prince, would never let herself be seen in the company of a grocer, and, beside May, Maud knew no other woman in Bidwell she felt she could ask to go on the trip, on which she did not feel she could go alone. The whole thing would have to be given up. With a catch in her throat she realized what the trip had meant to her. In Fort Wayne, in the presence of the grocer Hunt, she had felt as she had never felt in the presence of another man. He was old, yes, but there was something in his eyes when he looked at her that made her feel strange inside. He had written that he had something to say to her. Now it could never be said.

In the darkness the two women passed around the Edgley house and came to the front gate, and then Maud gave way to the grief struggling for expression within. May was astonished and tried to comfort her. “What’s the matter? What’s the matter?” she asked anxiously. Stepping through the gate she put an arm about Maud Welliver’s shoulders and for a long time the two figures rocked back and forth in the darkness, and then May managed to get her to come to the Edgley front porch and sit beside her. Maud told the story of the proposed trip and of what it had meant to her—spoke of it as a thing of the past, as a hopeless dream that had faded. “I wouldn’t dare ask you to go,” she said.

It was ten minutes later when Maud got up to go home and May was silent, absorbed in her own thoughts. The tale of the prince was forgotten and she thought only of the town, of what it had done to her, what it would do again when the chance offered. The two grocers were both, however, from another place and knew nothing of her. She thought of the long ride to the shore of Sandusky Bay. Maud had conveyed to her some notion of what the trip meant to her. May’s mind raced. “I could not be alone with a man. I wouldn’t dare,” she thought. Maud had said they would go in a surrey and there was something, that could be used now, in the story she had told about the prince. She could insist that, because of the prince, Maud was not to leave her alone with another man, with the strange grocer, not for a moment.

May arose and stood irresolutely by the front door of the Edgley house and watched Maud go through the gate. How her shoulders drooped. “Oh, well, I’ll go. You fix it up. Don’t you tell anyone in the world, but I’ll go,” she said and then, before Maud Welliver could recover from her surprise, and from the glad thrill that ran through her body, May had opened the door and had disappeared into the Edgley house.

Chapter V

THE Dewdrop, where the dance Maud and May were to attend was to be held was, in May Edgley’s day and no doubt is now, a dreary enough place. An east and west trunk line here came down almost to the water’s edge, touching and then swinging off inland again, and on a narrow strip of land between the tracks and the bay several huge ice houses had been built. To the west of the ice houses were four other buildings, buildings less huge but equally stark and unsightly. The shore of the bay, turned beyond the ice houses, leaving the four latter buildings standing at some distance from the railroad, and during ten months of the year they were uninhabited and stared with curtainless windows—that looked like great dead eyes—out over the water.

The buildings had been erected by an ice company, with headquarters at Cleveland, for the housing of its workmen during the ice-cutting season, and the upper floors, reached by outside stairways, had rickety balconies running about the four sides. The balconies served as entry ways to small sleeping rooms each provided with a bunk built against the inner wall and filled with straw.

Still further west was the village of Dewdrop itself, a place of some eight or ten small unpainted frame houses, inhabited by men who combined fishing with small farming, and on the shore before each house a small sailing craft was drawn, during the winter months, far up on the sand out of the reach of storms.

All summer long the Dewdrop remained a quiet sleepy place and, far away, over the water, smoke from factory chimneys in the growing industrial city of Sandusky, at the foot of the bay, could be seen—a cloud of smoke that drifted slowly across the horizon and was torn and tossed by a wind. On summer days, on the long beaches a few fishermen launched their boats and went to visit the nets while their children played in the sand at the water’s edge. Inland the farming country—black land, partially covered at certain seasons of the year with stagnant water—was not very prosperous and the road leading down to the Dewdrop from the towns of Fremont, Bellevue, Clyde, Tiffin, and Bidwell was often impassable.

On June days, however, in May Edgley’s time, parties came down along the road to the beach and there was the screaming of town children, the laughter of women and the gruff voices of men. They stayed for a day and an evening and went, leaving upon the beach many empty tin cans, rusty cooking utensils and bits of paper that lay rotting at the base of trees and among the bushes back from the shore.

The hot months of July and August came and brought a little life. The summer crew came to take the ice out of the ice houses and load it into cars. They came in the morning and departed in the evening, and, as they were quiet workmen with families of their own, did nothing to disturb the quiet of the place. At the noon hour they sat in the shade of one of the ice houses and ate their luncheons while they discussed such problems as whether it was better for a workman to pay rent or to own his own house, going into debt and paying on the installment plan.

Night came and an adventurous girl, daughter of one of the fishermen, went to walk on the beach. Thanks to wind and rain the beach kept itself always quite clean. Great tree stumps and logs had been carried up on to the sand by winter storms but the wind and water had mellowed these and touched them with delightful color. On moonlight nights the old roots, clinging to the tree trunks, were like gaunt arms reached up to the sky, and on stormy nights these moved back and forth in the wind and sent a thrill of terror through the breast of the girl. She pressed her body against the wall of one of the ice houses and listened. Far away, over the water, were the massed lights of the great town of Sandusky and over her shoulder the few feeble lights of her own fishing town. A group of tramps had dropped off a freight train that afternoon and were making a night of it about the empty workingmen’s lodging houses. They had jerked doors off their hinges and were throwing them down from the balconies above and soon a great fire would be lit and all night the fishing families would be disturbed by oaths and shouts. The adventurous girl ran swiftly along the beach but was seen by one of the road adventurers. The fire had been lighted and he took a burning stick in his hand and hurled it over her head. “Run little rabbit,” he called as the burning stick, after making a long arch through the air, fell with a hiss into the water.

That was a prelude to the coming of winter and the time of terror. In the hard month of January, when the whole bay was covered with thick ice, a fat man in a heavy fur overcoat, got off a train, that stopped beside the ice houses, and from a car at the front of the train a great multitude of boxes, kegs and crates were pitched into the deep snow at the track side. The world of the cities was coming to break the winter silence of the Dewdrop and the fur coated man and his helpers had come to set the stage for the drama. Hundreds of thousands of tons of ice were to be cut and stored in sawdust in the great ice houses and for weeks, the quiet secluded spot would be astir with life. The silence would be torn by cries, oaths, bits of drunken song—fights would be started and blood would flow.

The fat man waded through the snow to the four empty houses and began to look about. From the little cluster of native houses thin columns of smoke went up into the winter sky. He spoke to one of his helpers. “Who lives in those shacks?” he asked. He himself had much money invested at the Dewdrop but visited the place but once each year and then stayed but a few days. He walked through the big dining room and along the upper galleries where the ice cutters slept, swearing softly. During the year much of his property had been destroyed. Windows had been broken and doors torn from their hinges and he took pencil and paper from his pocket and began to figure. “We’ll have to spend all of three hundred dollars this year,” he meditated. The thoughts of the money, thus thrown away, brought a flush to his cheeks and he looked again along the shore towards the tiny houses. Almost every year he decided he would go to the houses and do what he called “raising the devil.” If doors were torn from hinges and windows smashed these people must have done it. No one else lived at the Dewdrop. “Well I suppose they are a rough gang and I’d better let them alone,” he concluded, “I’ll send a couple of carpenters down tomorrow and have them do just what has to be done. It’s better to keep the ice cutters filled up with beer than to waste money giving them luxurious quarters.”

The fat man went away and other men came. Fires were lighted in the kitchens of the great boarding houses, carpenters nailed doors back on hinges and replaced broken windows and the Dewdrop was ready again for its season of feverish activity.

The fisher folk hid themselves completely away. On the day when the first of the ice cutters arrived one of them spoke to his assembled family. He looked at his daughter, a somewhat comely girl of fifteen, who could sail a boat through the roughest storm that ever swept down the bay. “I want you to keep out of sight,” he said. One winter night a fire had broken out in the dining room of the smallest of the houses where the ice cutters boarded and the fishermen with their wives had gone to help put it out. That was an event they could never forget. As the men worked, carrying buckets of water from a hole cut in the ice of the bay, a group of young roughs, from Cleveland, tried to drag their wives into another of the houses. Screams and cries arose on the winter air and the men ran to the defense of their women. A battle began, some of the ice cutters fighting on the side of the fishermen, some on the side of the young roughs, but the fishermen never knew they had helpers in the struggle. Out of a mass of swearing, laughing men they had managed to drag their women and escape to their own houses and the thoughts of what might have happened, had they been unsuccessful, had brought the fear of man upon them. “I want you to keep out of sight,” the fisherman said to his assembled family, but as he said it he looked at his daughter. He imagined her dragged into the upper galleries of the boarding houses and handed about among the city men—something like that had come near happening to her mother. He stared hard at his daughter and she was frightened by the look in his eyes. “You,” he began again, “now you—well you keep yourself out of sight. Those men are looking for just such girls as you.” The fisherman went out of the room and his daughter stood by a window. Sometimes, on Sundays, during the ice-cutting time, the men who had not gone to spend the day in the city walked in the afternoon along the beach past the houses of the fishermen and, more than once, she had peeked out at them from behind a curtain. Sometimes they stopped before one of the houses and shouted and a wit among them exercised his powers. “Hey, the house,” he shouted, “is there any woman in there wants a louse for a lover.” The wit leaped upon the shoulders of one of his companions and with his teeth snatched the cap off his head. Turning towards the house he made an elaborate bow. “I’m only a little louse but I’m cold. Let me crawl into your nest,” he shouted.

There were six young men from Bidwell who went to the dance given at the Dewdrop on the June evening when May went there with Maud and the two widowed grocers, homeward bound from the K. of P. convention at Cleveland. The dance was held in one of the large rooms, on the first floor of one of the boarding houses, one of the rooms used as a dining and drinking place by the ice cutters in the months of January and February. A group of farmers’ sons gave the dance and Rat Gould, a one-eyed fiddler from Clyde, came with two other fiddlers, to furnish the music. The dance was open to all who paid fifty cents at the door, and women paid nothing. Rat Gould had announced it at other dances given at Clyde, Bellevue, Castalia and on the floors of newly build barns. There was an idea. At all dances, where Rat had officiated, for several weeks previously, the announcement had been made. “There will be a dance at the Dewdrop two weeks from next Friday night,” he had cried out in a shrill voice. “A prize will be given. The best dressed lady gets a new calico dress.”

Three of the young men from Bidwell who came to the dance, were railroad employees, brakemen on freight trains. They, like John Welliver, worked for the Nickel Plate and their names were Sid Gould, Herman Sanford and Will Smith. With them, to the dance, went Harry Kingsley, Michael Tompkins and Cal Mosher, all known in Bidwell as young sports. Cal Mosher tended bar at the Crescent Saloon near the Nickel Plate station in Bidwell and Michael Tompkins and Harry Kingsley were house painters.

The going of the six young men to the dance was unpremeditated. They had met at the Crescent Saloon early on that June evening and there was a good deal of drinking. There had been a ball game between the baseball teams of Clyde and Bidwell during the week before, and that was talked over, and, thinking and speaking of the defeat of the Bidwell team, all six of the young men grew angry. “Let’s go over to Clyde,” Cal Mosher said. The young men went to a livery stable and hired a team and surrey and set out, taking with them a plentiful supply of whiskey in bottles. It was decided they would make a night of it. As they drove along Turner’s Pike, between Bidwell and Clyde they stopped before farmhouses. “Hey, go to bed you rubes. Get the cows milked and go on to bed,” they shouted. Michael Tompkins, called Mike, was the wit of the party and he decided upon a stroke to win applause. At one of the farmhouses he went to the door and told the woman who came to answer his knock that a friend of hers wanted to speak to her in the road and the woman, a plump red-cheeked farmer’s wife, came boldly out and stood in the road beside the surrey. Mike crept up behind her and throwing his arms about her neck pulled her quickly backward. The woman screamed with fright as Mike kissed her on the cheek and, jumping into the surrey, Mike joined in the laughter of his companions. “Tell your husband your lover has been here,” he shouted at the woman, now fleeing toward the house. Cal Mosher slapped him on the back. “You got a nerve, Mike,” he said filled with admiration. He slapped his knees with his hands. “She’ll have something to talk about for ten years, eh? She won’t get over talking about that kiss Mike gave her for ten years.”

At Clyde, the Bidwell young men went into Charley Shuter’s saloon and there got into trouble. Sid Gould was pitcher for the Bidwell team and during the game at Clyde, during the week before, had been hurt by a swiftly pitched ball that struck him on the side of the head as he stood at bat. He had been unable to continue pitching, and the man who took his place was unskillful and the game was lost, and now, standing at the bar in Charley Shuter’s saloon, Sid remembered his injury and began to talk in a loud voice, challenging another group of young men at another end of the bar. Charley Shuter’s bartender became alarmed. “Here, now, don’t you go starting nothing. Don’t you go trying to start nothing in this place,” he growled.

Sid turned to his friends. “Well, the cowardly pup, he beaned me,” he said. “Well, I had the team, this town thinks so much of, eating out of my hand. For five innings they never got a smell of a hit. Then what did they do, eh? They fixed it up with their cowardly pitcher to bean me—that’s what they did.”

One of the young men of Clyde, loafing the evening away in the saloon, was an outfielder on the Clyde ball team and as Sid talked he went out at the front door. From store to store and from saloon to saloon he ran hurriedly, whispering, sending messengers out in all directions. He was a tall blue-eyed soft-voiced man but he had now become intensely excited. A dozen other young men gathered about him and the crowd started for Shuter’s saloon but when they had got there the young men from Bidwell had come out to the sidewalk, had unhitched their horses from the railing before the saloon door and were preparing to depart. “Yah, you,” bawled the blue-eyed outfielder. “Don’t tell lies and then sneak out of town. Stand up and take your medicine.”

The fight at Clyde was short and sharp and when it had lasted three minutes, and when Sid Gould had lost two teeth and two of his companions had acquired bleeding heads, they managed to struggle into the surrey and start the horses. The blue-eyed outfielder, white with wrath and disappointment, sprang on the steps. “Come back, you cheap skates,” he cried. The surrey rattled off over the cobblestones and several Clyde young men ran in the road behind. Sid Gould drew back his arm and caught the outfielder a swinging blow on the nose and the blow knocked him out of the surrey to the road so that a wheel ran over his legs. Leaning out, and mad now with joy, Sid issued a challenge. “Come over to Bidwell, one at a time, and I’ll clean up your whole town alone. All I want is to get at you fellows one or two at a time,” he challenged.

In the road north of Clyde, Cal Mosher, who was driving, stopped the horses and there was a discussion as to whether the journey should be continued on to the town of Fremont, in search of new and perhaps more enticing adventures, or whether it would be better to go back to Bidwell and mend broken teeth, cut lips and blackened eyes. Sid Gould, the most badly injured member of the party, settled the matter. “There’s a dance down at the Dewdrop tonight. Let’s go down there and stir up the farmers. This night is just started for me,” he said, and the heads of the horses were turned northward. On the back seat Will Smith and Harry Kingsley fell into a troubled sleep, Herman Sanford and Michael Tompkins attempted a song and Cal Mosher talked to Sid. “We’ll get up another game with that bunch from Clyde,” he said. “Now you listen and I’ll tell you how to work it. You pitch the game, see. Well, you fan every man that faces you for eight innings. That will show them up, show what mutts they are. Then, when it comes to the ninth inning, you start to bean ’em. You can lay out three or four of that gang before the game ends in a scrap, and when that time comes we’ll have our own gang on hand.”

At the Dewdrop, when the six young men from Bidwell arrived at about eleven o’clock, the dance was in full swing. The doors and windows to the dining room of one of the big frame boarding houses had been thrown open and the floor carefully swept, and over the windows and doorways green branches of trees had been hung. The night was fine—with a moon—and, on a white beach, twenty feet away, the waters of the bay made a faint murmuring sound. At one end of the dance hall and on a little raised platform sat Rat Gould with his brother Will, a small grey-haired man who played a base viol larger than himself. Two other men, fiddlers like Rat himself filled out the orchestra. Nearly every dance announced was a square dance and Rat did the “calling off,” his shrill voice rising above the shuffle of feet and the low continuous hum of conversations. “Swing your pardners round and round. Bow your heads down to the ground. Kick your heels and let her fly. The night is fine and the moon’s on high,” he sang.

In a corner of the big room with her escort, the grocer, from the town of Muncie in Indiana, sat May Edgley. He was a rather heavy and fleshy man of forty-five, whose wife had died during the year before, and for the first time since that event he was with a woman and the thought had excited him. There was a round bald spot on the top of his head and blushes kept running up his cheeks, into his hair and out upon the bald spot, like waves upon a beach. May had put on a white dress, bought for the ceremony of graduation from the Bidwell high school and, the owner being out of town, had borrowed from Lillian,—unknown to her—a huge white hat, decorated with a long ostrich feather, of the variety known as a willow plume.

She had never before been to a dance and her escort had not danced since boyhood but at Maud Welliver’s suggestion they had tried to take part in a square dance. “It’s easy,” Maud had said. “All you got to do is to watch and do what everyone else is doing.”

The attempt turned out a failure, and all the other dancers giggled and laughed at the fat man from Muncie as he rolled and capered about. He ran in the wrong direction, grabbed other men’s partners, whirled them about and even got into the wrong set. A madness of embarrassment seized him and he rushed for May, as one hurries into the house at the coming of a sudden storm, and taking her by the arm started to get off the floor, out of sight of the laughing people—but Rat Gould shouted at him. “Come back, fat man,” he shrieked and the grocer, not knowing what else to do, started to whirl May about. She also laughed and protested but before she could make him understand that she did not want to dance any more his feet flew out from under him and he sat down, pulling May down to sit upon his round paunch.

For May that evening was terrible and the time spent at the dance hung fire like a long unused and rusty old gun. It seemed to her that every passing minute was heavily freighted with possibilities of evil for herself. In the surrey, coming out from Bidwell, she had remained silent, filled with vague fears and Maud Welliver was also silent. In a way she wished May had not come. Alone with Grover Hunt on such a night, she felt she might have had something to say, but all the time, in her mind floated vague visions of May—alone in the wood with Jerome Hadley, May struggling for life there, in the darkness of the field on that other night—and grasping the hand of a prince. Grover Hunt’s hand took hold of hers and he also became silent with embarrassment. When they had got to the Dewdrop, and when they had danced in two square dances, Maud went to May. “Mr. Hunt and I are going to take a little walk together,” she said. “We won’t be gone long.” Through a window May saw the two figures go off along the beach in the moonlight.

The man who had brought May to the dance was named Wilder, and he also wanted May to go walk with him, into the moonlight outside, but could not bring himself to the point of asking so bold a favor. He lit a cigar and held it outside the window, taking occasional puffs and blowing the smoke into the outer air and told May of the K. of P. convention at Cleveland, of a ride the delegates had taken in automobiles and of a dinner given in their honor by the business men of Cleveland. “It was one of the largest affairs ever held in the city,” he said. The Mayor had come and there was present a United States Senator. Well, there was one man there. He was a fat fellow who could say such funny things that everyone in the room rocked with laughter. He was the master of ceremonies and all evening kept telling the funniest stories. As for the Muncie grocer, he had been unable to eat. Well, he laughed until his sides ached. Grocer Wilder tried to reproduce one of the tales told by the Cleveland funny man. “There were two farmers,” he began, “they went to the city of Philadelphia, to a church convention, and at the same time and in the same city a convention of brewers was being held. The two farmers got into the wrong place.”

May’s escort stopped talking and growing suddenly red, leaned out at the window and puffed hard at his cigar. “Well, I can’t remember,” he declared. It had come into his mind that the story he had started to tell was one a man could not tell to a woman. “Gee, I nearly put me foot into it! I came near making a break,” he thought.

May looked from her escort to the men and women dancing on the floor. In her eyes fear lurked. “I wonder if anyone here knows me, I wonder if anyone knows about me and Jerome Hadley,” she thought. Fear, like a little hungry mouse, gnawed at May’s soul. Two red-cheeked country girls sitting on a nearby bench put their heads together and whispered “Oh, I don’t believe it,” one of them shouted and they both gave way to a spasm of giggles. May turned to look at them and something gripped at her heart. A young farm hand, with a shiny red face and with a white handkerchief tied about his neck, beckoned to another young man and the two went outside into the moonlight. They also whispered and laughed. One of them turned to look back at May’s white face and then they lit cigars and walked away. May could no longer hear the voice of grocer Wilder telling of his adventures at the convention at Cleveland. “They know me, I’m sure they know me. They have heard that story. Something dreadful will happen to me before the night is over,” she thought.

May had always wanted to be in some such place as the one to which she had now come, some place where many strange people had congregated and where she could move freely about among strange people. Before the Jerome Hadley incident, and the giving up of the idea of becoming a schoolteacher she had thought a great deal of what she would do when she became a teacher. Everything had been carefully planned. She would get a place as teacher in some town or in the country, far from Bidwell and from the Edgleys and there she would live her own life and make her own way. There would be no handicap of birth and she could stand upon her own feet. Well, that would be a chance. Her natural smartness would at last count for something real and in the new place she would go about to dances and to other social gatherings. Being the schoolteacher, and in a way responsible for the future of their children, people would be glad to invite her into their houses, and all she wanted was a chance, the opportunity to step unknown into the presence of people who had never been to Bidwell and had never heard of the Edgleys.

Then she would show what she could do! She would go—well, to a dance or to a house where many people had congregated to have a good time. She would move about, saying things, laughing, keeping everyone on tiptoes. What things her quick mind would make up to say! Words would become little sharp swords with which she played. How many pictures her mind had made of herself in the midst of such an assemblage. It was not her fault if she found herself the centre toward which all eyes looked and, in spite of the fact that she was the outstanding figure in any assemblage of people among whom she went, she would always remain modest. After all, she would not say things that would hurt people. Indeed she would not do that! Such a thing would not be necessary. It would all be very lovely. Several people would be talking and up she would come and for a moment she would listen, to catch the drift of what was being said, and then her own word would be said. Well it would startle people. She would have a new, a novel, a startling but attractive point of view on any subject that was brought up. Her mind was extraordinarily quick. It would attend to things.

With her fancy thus filled with the thoughts of the possibilities of herself as a glowing social figure May turned toward her escort who, puzzled by her apparent indifference, was striving manfully to remember the funny things the Cleveland man had said at the dinner given for the K. of Ps. Many of the man’s stories could not be repeated to a lady—it had been what is called a stag dinner—but others could be. Of the ones that could be told anywhere—they were called parlor stories—he remembered one and launched into it. May pitied him. He forgot the point, could not remember where the story began and ended. “Well,” he began, “there was a man and woman on a train. It was on a train on the B. and O. No, I think the man said it was on the Lake Shore and Michigan Southern. Perhaps they were riding on a train on the Pennsylvania Railroad. I have forgotten what the woman said to the man. It was about a dog another woman was trying to conceal in a basket. They do not allow dogs in passenger cars on railroads, you know. Something very funny happened. I thought I would die laughing when the man told about it.”

“If I had that story to tell I could make something out of it,” May thought. She imagined herself telling the story of the man and the woman and the dog. How she would decorate it, add little touches. That fat man in Cleveland might have been funny but had she been entrusted with the telling of the story, she was sure he would have been outdone. Her mind began to recast the story and then the fear, that had all evening been lurking within, came back and she forgot the man, the woman and the dog on the train. Again her eyes searched the faces in the room and when a new man or woman came in she trembled. “Suppose Jerome Hadley were to come here tonight,” she thought and the thought made her ill. It was a thing that might happen. Jerome was a young man and a bachelor and he no doubt went about to places, to dances and to shows at the Bidwell Opera House, and he might now, at any moment, come into the very room in which she was sitting and walk directly to her. In the berry field he had been bold and had not cared what he said and, if he came to the dance, he would walk directly to her and might even take her by the arm. “I want you,” he would say. “Come outside with me.”

May tried to think what she would do if such a thing happened. Would she struggle and refuse to go, thus attracting the attention of everyone in the room, or would she go quietly and make her struggle with the man outside alone in the darkness? Her mind ran into a tangle of thoughts. It was true that Jerome Hadley had done something quite terrible to her, had tried to kill something within her, but after all she had surrendered to him. She had lain with the man—filled with fear, trembling to be sure—but the thing had been done. In a strange sort of way she belonged to Jerome Hadley and suppose he were to come and demand again that she submit. Could she refuse? Had she become, and in spite of herself, the property of the man?

With her head a whirlpool of thought May stared, half wildly, about. If in her own room in the Edgley house, and when she had hidden herself away by the willows by the creek, she had built herself a tower of romance in which she could live and from the windows of which she could look down upon life, striving to understand it, to understand people, the tower was now being destroyed. Hands were tearing at it, strong, determined hands. She had felt them as she sat in the surrey with Maud and the two grocers, outbound from Bidwell. Then as now she wondered why she had consented to come to the dance. Well, she had come because not to come would bring a disappointment to Maud Welliver, the only woman who had come in any way close to herself, and now she was at the dance and Maud had gone away, outdoors into darkness. She had gone away with a man and it had been understood that would not happen. There was the matter of the prince, her lover. It had been understood that, because of the prince, Maud would not leave her alone with another man, and she had left, had gone outdoors with a grocer and had left another grocer sitting beside May.

Hands were tearing at her tower of romance, the tower she had built so slowly and painfully, the tower in which she had found the prince, the tower in which she had found a way to live and to be happy in spite of the ugliness of actuality. Dust arose from the walls. An army of men and women, male and female Jerome Hadleys, were charging down upon it. There would be rape and murder and how could she, left alone, withstand them. The prince had gone away. He was now far, far away, and the invaders would clamor over the walls. They would throw her down from the walls. The beautiful hangings in the tower, the rich silken gowns, the stones from strange lands, all the treasures of the tower would be destroyed.

May had worked herself into a state of mind that made her want to scream. In the room the dance went on, the shrill voice of Rat Gould called off and the fiddles made dance music to which heavy feet scraped over rough boards. By her side sat Grocer Wilder, still talking of the K. of P. convention at Cleveland and May felt that, in coming to the dance, she had raised a knife that in a moment would be plunged into her own breast. She arose to go out of the room, out into the night, out of the sight of people—but for a moment stood uncertain, looking vaguely about. Then she sat heavily down. Grocer Wilder also arose and his face grew red. “I’ve made a break,” he thought. He wondered what he had said that had offended May. “Maybe she didn’t want me to smoke,” he told himself and threw the end of his cigar out through a window. The moment reminded him of many moments of his married life. It was like having his wife back, this feeling of having offended a woman, without knowing in just what the offense lay.

And then, through a door at the front, the six Bidwell young men came into the room. They had stopped outside for a final drink out of the bottles carried in their hip pockets and, the appetite for drink being satisfied, another appetite had come into the ascendency. They wanted women.

Sid Gould, accompanied by Cal Mosher, led the way into the dance hall. His face had become badly swollen during the drive north from Clyde and he walked uncertainly.

He walked directly toward May, who turned her face to the wall and tried to hide herself. She looked like a rabbit, cornered by dogs, and when she turned on her seat and half knelt, trying to hide her face, the rim of Lillian Edgley’s white dress hat struck against the wall and the hat fell to the floor. Trembling with excitement she turned and picked it up. Her face was chalky white.

Sid Gould was well known in the Edgley household. One summer evening, in the year before May’s mother’s death, he had got into a row with the Edgleys. Being a little under the influence of drink and wanting a woman he shouted at Kate Edgley, walking through the streets of Bidwell with a traveling man, and a fight had been started in which the traveling man blackened Sid’s eyes. Later he was taken into the mayor’s office and fined and the whole affair had given the Edgley men and women a good deal of satisfaction and had been discussed endlessly at the table. Old John Edgley and the sons had sworn they also would beat the ball player. “Just let me catch him alone somewhere, so I don’t get stuck for no fine, and I’ll pound the head off’n him,” they declared.

In the dance hall, and when his eyes alighted upon the figure of May Edgley, Sid Gould remembered his beating at the hands of the traveling man and the ten dollar fine he had been compelled to pay for fighting on the street. “Well, look here,” he cried turning to his companions, now straggling into the room, “here’s one of the Edgley chickens, a long ways from the home coop.”

“There she is—that little chicken over there by the wall.” Sid laughed and leaning over slapped his knees with his hands. The twisted swollen face made the laugh a grotesque, something horrible. Sid’s companions gathered about him. “There she is,” he said, again pointing a wavering forefinger. “It’s the youngest of that Edgley gang, the one that’s just gone on the turf, the one that was so blamed smart in school. Jerome Hadley says she’s all right, and I say she’s mine. I saw her first.”

In the hall all became quiet and many eyes were turned toward the laughing man and the shrinking trembling woman by the wall. May tried to stand erect, to be defiant, but her knees shook so that she sat quickly down on the bench. Grover Wilder, now utterly confused, touched her on the arm, intending to ask for an explanation of her strange behavior, but at the touch of his finger she again sprang to her feet. She was like some little automatic toy that goes stiffly through certain movements when you touch some hidden spring. “What’s the matter, what’s the matter?” Grocer Wilder asked wildly.

Sid Gould walked to where May stood and took hold of her arm and she went meekly when he led her toward the door, walking demurely beside him. He was amazed, having expected a struggle. “Well,” he thought, “I got into trouble over that Kate Edgley but this one is different. She knows how to behave. I’ll have a good time with this kid.” He remembered the trial and the ten dollars he had been compelled to pay for his first attempt to get into the good graces of one of the Edgley women. “I’ll get the worth of my money now and I won’t pay this one a cent,” he thought. He turned to his companions still straggling at his heels. “Get out,” he cried. “Get your own women. I saw this one first. You go get one of your own.”

Sid and May had got outside and nearly to the beach before strength came back into May’s body and mind. She walked beside Sid on the white sand and toward the beach. “Don’t be afraid little kid. I won’t hurt you,” he said. May laughed nervously and he loosened the grip of his hand on her arm.

And then, with a cry of joy she sprang away from him and leaning quickly down grasped one of the pieces of driftwood with which the sand was strewn. The stick whistled through the air and descended upon Sid’s head, knocking him to his knees. “You, you!” he stuttered and then cried out. “Hey, rubes!” he called and two of his companions, who had been standing at the door of the dance hall, ran toward him. Swinging the stick about her head May ran past them and in her nervous fright struck Sid again. In her mind the thing that was happening was in some odd way connected with the affair in the wood with Jerome. It was the same affair. Sid Gould and Jerome were one man, they stood for the same thing, were the same thing. They were something strange and terrible she had to meet, with which she had to struggle. The thing they represented had defeated her once, had got the best of her. She had surrendered to it, had opened the gates that led into the tower of romance, that was herself, that walled in her own secret and precious life. Something terribly crude, without understanding had happened then—it must not, could not happen again! She had been a child and had understood nothing but now she did understand. There was a thing within herself that must not be touched by unclean hands. A terrible fear of people swept over her. There was Maud Welliver, whom she had tried to take as a friend, and Lillian who had tried to be a sister to her, had wanted to help her achieve life. As for Maud—she knew nothing, she was a child—and Lillian was crude, she understood nothing.

May’s mind put all men in a class with Jerome Hadley. There was something men wanted from women, that Jerome had wanted and now this other man, Sid Gould. They were all, like the Edgleys—Lillian and Kate and the two boys—people who went after the thing they wanted brutally, directly. That was not May’s way and she decided she wanted nothing more to do with such people. “I’ll never go back to Bidwell,” she kept saying over and over as she ran in the uncertain light along the beach.

Sid Gould’s companions, having run out of the dance hall, could not understand that he had been knocked over by the slight girl he had led into the darkness, and when they heard his curses and groans and saw him reeling about, quite overcome by the second blow May had aimed at his head—combined with the liquor within—they imagined some man had come to May’s rescue. When they ran forward and saw May with the stick in her hand and swinging it wildly about they paid little attention to her but began at once looking for her companion. Two of them followed May as she ran along the beach and the others returned to the dance hall. A group of young farmers came crowding to the door and Cal Mosher hit one of them a swinging blow with his fist. “Get out of the way,” he cried, “we’re going to clean up this place.”

May ran like a frightened rabbit along the beach, stopping occasionally to listen. From the dance hall came an uproar and oaths and cries broke the silence of the night. At her heels two men ran, lumbering along slowly. The drink within had taken effect and one of them fell. As she ran May came presently into the place of huge stumps and logs, thrown up by the storms of winter, and saw Maud Welliver standing at the edge of the water with the grocer Hunt—who had his arm about Maud’s waist. The frightened woman ran so close to them that she might have touched Maud’s dress but they were unconscious of her presence and, as for May, she was in an odd way afraid of them also. She was afraid of everything human. “It all comes to something ugly and terrible,” she thought frantically.

May ran for nearly two miles, along the beach, among the tree stumps, the roots of which stuck up into the air like arms raised in supplication to the moon. Perhaps the dry withered old tree arms, sticking up thus, kept her physical fear alive, as it is not likely Sid Gould’s drunken companions followed her far. She ran clinging to Lillian Edgley’s hat—she had borrowed without permission—and that, I presume, seemed a thing of beauty to her. Something conscientious and fine in her made her cling desperately to the hat and she had held it in her left hand and safely out of harm’s way, even in the moment when she was belaboring Sid Gould with the stick of driftwood.

And now she ran, still clinging to the hat, and was afraid with a fear that was no longer physical. The new fear that swept in upon her comprehended something more than the grotesque masses of tree roots, that now appeared to dance madly in the moonlight, something more than Sid Gould, Cal Mosher and Jerome Hadley—that had become a fear of life itself, of all she had ever known of life, all she had ever been permitted to see of life—that fear was now heavy upon her.

Little May Edgley did not want to live any more. “Death is a kind and comforting thing to those who are through with life,” an old farm horse had seemed to say to a boy, who, a few days later, ran in terror from the sight of May Edgley’s dead body to lean trembling on the old horse’s manger.

What actually happened on that terrible night when May ran so madly was that she came in her flight to where a creek runs down into the bay. There are good fishing places off the mouth of the creek. At the creek’s mouth the water spreads itself out, so that the small stream looks, from a distance, like a strong river, but one coming along the beach—running along the beach, in the moonlight, let us say—from the west would run almost to the eastern bank in the shallow water, that came only to the shoe tops.

One would run thus, in the shallow water, and the clear white beach—east of the creek’s mouth—would seem but a few steps away, and then one would be plunged suddenly down into the narrow deep current, sweeping under the eastern bank, the current that carried the main body of the water of the stream.

And May Edgley plunged in there, still clinging to Lillian’s white hat—the white willow plume bobbing up and down in the swift current—and was swept into the bay. Her body, caught by an eddy was carried in and lodged among the submerged tree roots, where it stayed, lodged, until the farmer and his hired man accidentally found it and laid it tenderly on the boards beside the farmer’s barn.

The little hard fist clung to the hat, the white grotesque hat that Lil Edgley was in the habit of putting on when she wanted to look her best—when she wanted, I presume, to be beautiful.

May may have thought the hat was beautiful. She may have thought of it as the most beautiful thing she had ever seen in the actuality of her life.

Of that one cannot speak too definitely, and I only know that, if the hat ever had been beautiful, it had lost its beauty when, a few days later, it fell under the eyes of a boy who saw the bedraggled remains of it, clutched in the drowned woman’s hand.

A CHICAGO HAMLET

A CHICAGO HAMLET

THERE was one time in Tom’s life when he came near dying, came so close to it that for several days he held his own life in his hand, as a boy would hold a ball. He had only to open his fingers to let it drop.

How vividly I remember the night when he told me the story. We had gone to dine together at a little combined saloon and restaurant in what is now Wells Street in Chicago. It was a wet cold night in early October. In Chicago October and November are usually the most charming months of the year but that year the first weeks of October were cold and rainy. Everyone who lives in our industrial lake cities has a disease of the nasal passages and a week of such weather starts everyone coughing and sneezing. The warm little den into which Tom and I had got seemed cosy and comfortable. We had drinks of whiskey to drive the chill out of our bodies and then, after eating, Tom began to talk.

Something had come into the air of the place where we sat, a kind of weariness. At times all Chicagoans grow weary of the almost universal ugliness of Chicago and everyone sags. One feels it in the streets, in the stores, in the homes. The bodies of the people sag and a cry seems to go up out of a million throats,—“we are set down here in this continual noise, dirt and ugliness. Why did you put us down here? There is no rest. We are always being hurried about from place to place, to no end. Millions of us live on the vast Chicago West Side, where all streets are equally ugly and where the streets go on and on forever, out of nowhere into nothing. We are tired, tired! What is it all about? Why did you put us down here, mother of men?” All the moving bodies of the people in the streets seem to be saying something like the words set down above and some day, perhaps, that Chicago poet, Carl Sandburg, will sing a song about it. Oh, he will make you feel then the tired voices coming out of tired people. Then, it may be, we will all begin singing it and realizing something long forgotten among us.

But I grow too eloquent. I will return to Tom and the restaurant in Wells Street. Carl Sandburg works on a newspaper and sits at a desk writing about the movies in Wells Street, Chicago.

In the restaurant two men stood at the bar talking to the bartender. They were trying to hold a friendly conversation, but there was something in the air that made friendly conversations impossible. The bartender looked like pictures one sees of famous generals—he was the type—a red-faced, well-fed looking man, with a grey moustache.

The two men facing him and with their feet resting on the bar rail had got into a meaningless wrangle concerning the relationship of President McKinley and his friend Mark Hanna. Did Mark Hanna control McKinley or was McKinley only using Mark Hanna to his own ends. The discussion was of no special interest to the men engaged in it—they did not care. At that time the newspapers and political magazines of the country were always wrangling over the same subject. It filled space that had to be filled, I should say.

At any rate the two men had taken it up and were using it as a vehicle for their weariness and disgust with life. They spoke of McKinley and Hanna as Bill and Mark.

“Bill is a smooth one, I tell you what. He has Mark eating out of his hand.”

“Eating out of his hand, hell! Mark whistles and Bill comes running, like that, like a little dog.”

Meaningless vicious sentences, opinions thrown out by tired brains. One of the men grew sullenly angry. “Don’t look at me like that, I tell you. I’ll stand a good deal from a friend but not any such looks. I’m a fellow who loses his temper. Sometimes I bust someone on the jaw.”

The bartender was taking the situation in hand. He tried to change the subject. “Who’s going to lick that Fitzsimmons? How long they going to let that Australian strut around in this country? Ain’t they no guy can take him?” he asked, with pumped up enthusiasm.

I sat with my head in my hands. “Men jangling with men! Men and women in houses and apartments jangling! Tired people going home to Chicago’s West Side, going home from the factories! Children crying fretfully!”

Tom tapped me on the shoulder, and then tapped with his empty glass on the table. He laughed.

“Ladybug, ladybug, why do you roam?

Ladybug, ladybug, fly away home,”

he recited. When the whiskey had come he leaned forward and made one of the odd and truthful observations on life that were always coming out of him at unexpected moments. “I want you to notice something,” he began; “You have seen a lot of bartenders—well, if you’ll notice, there is a striking similarity in appearance between bartenders, great generals, diplomats, presidents and all such people. I just happened to think why it is. It’s because they are all up to the same game. They have to spend their lives handling weary dissatisfied people and they learn the trick of giving things just a little twist, out of one dull meaningless channel into another. That is their game and practising it makes them all look alike.”

I smiled sympathetically. Now that I come to write of my friend I find it somewhat difficult not to misrepresent him on the sentimental side. I forget times when I was with him and he was unspeakably dull, when he also talked often for hours of meaningless things. It was all foolishness, this trying to be anything but a dull business man, he sometimes said, and declared that both he and I were fools. Better for us both that we become more alert, more foxy, as he put it. But for the fact that we were both fools we would both join the Chicago Athletic Club, play golf, ride about in automobiles, pick up flashy young girls and take them out to road-houses to dinner, go home later and make up cock and bull stories to quiet our wives, go to church on Sunday, talk continuously of money making, woman and golf, and in general enjoy our lives. At times he half convinced me he thought the fellows he described led gay and cheerful lives.

And there were times, too, when he, as a physical being, seemed to fairly disintegrate before my eyes. His great bulk grew a little loose and flabby, he talked and talked, saying nothing.

And then, when I had quite made up my mind he had gone the same road I and all the men about me were no doubt going, the road of surrender to ugliness and to dreary meaningless living, something would happen. He would have talked thus, as I have just described, aimlessly, through a long evening, and then, when we parted for the night, he would scribble a few words on a bit of paper and push it awkwardly into my pocket. I watched his lumbering figure go away along a street and going to a street lamp read what he had written.

“I am very weary. I am not the silly ass I seem but I am as tired as a dog, trying to find out what I am,” were the words he had scrawled.

But to return to the evening in the place in Wells Street. When the whiskey came we drank it and sat looking at each other. Then he put his hand on the table and closing the fingers, so that they made a little cup, opened the hand slowly and listlessly. “Once I had life, like that, in my hand, my own life. I could have let go of it as easily as that. Just why I didn’t I’ve never quite figured out. I can’t think why I kept my fingers cupped, instead of opening my hand and letting go,” he said. If, a few minutes before, there had been no integrity in the man there was enough of it now.

He began telling the story of an evening and a night of his youth.

It was when he was still on his father’s farm, a little rented farm down in Southeastern Ohio, and when he was but eighteen years old. That would have been in the fall before he left home and started on his adventures in the world. I knew something of his history.

It was late October and he and his father had been digging potatoes in a field. I suppose they both wore torn shoes as, in telling the story, Tom made a point of the fact that their feet were cold, and that the black dirt had worked into their shoes and discolored their feet.

The day was cold and Tom wasn’t very well and was in a bitter mood. He and his father worked rather desperately and in silence. The father was tall, had a sallow complexion and wore a beard, and in the mental picture I have of him, he is always stopping—as he walks about the farmyard or works in the fields he stops and runs his fingers nervously through his beard.

As for Tom, one gets the notion of him as having been at that time rather nice, one having an inclination toward the nicer things of life without just knowing he had the feeling, and certainly without an opportunity to gratify it.

Tom had something the matter with him, a cold with a bit of fever perhaps and sometimes as he worked his body shook as with a chill and then, after a few minutes, he felt hot all over. The two men had been digging the potatoes all afternoon and as night began to fall over the field, they started to pick up. One picks up the potatoes in baskets and carries them to the ends of the rows where they are put into two-bushel grain bags.

Tom’s step-mother came to the kitchen door and called. “Supper,” she cried in her peculiarly colorless voice. Her husband was a little angry and fretful. Perhaps for a long time he had been feeling very deeply the enmity of his son. “All right,” he called back, “we’ll come pretty soon. We got to get done picking up.” There was something very like a whine in his voice. “You can keep the things hot for a time,” he shouted.

Tom and his father both worked with feverish haste, as though trying to outdo each other and every time Tom bent over to pick up a handful of the potatoes his head whirled and he thought he might fall. A kind of terrible pride had taken possession of him and with the whole strength of his being he was determined not to let his father—who, if ineffectual, was nevertheless sometimes very quick and accurate at tasks—get the better of him. They were picking up potatoes—that was the task before them at the moment—and the thing was to get all the potatoes picked up and in the bags before darkness came. Tom did not believe in his father and was he to let such an ineffectual man outdo him at any task, no matter how ill he might be?

That was somewhat the nature of Tom’s thoughts and feelings at the moment.

And then the darkness had come and the task was done. The filled sacks were set along a fence at the end of the field. It was to be a cold frosty night and now the moon was coming up and the filled sacks looked like grotesque human beings, standing there along the fence—standing with grey sagging bodies, such as Tom’s step-mother had—sagged bodies and dull eyes—standing and looking at the two men, so amazingly not in accord with each other.

As the two walked across the field Tom let his father go ahead. He was afraid he might stagger and did not want his father to see there was anything the matter with him. In a way boyish pride was involved too. “He might think he could wear me out working,” Tom thought. The moon coming up was a huge yellow ball in the distance. It was larger than the house towards which they were walking and the figure of Tom’s father seemed to walk directly across the yellow face of the moon.

When they got to the house the children Tom’s father had got—thrown in with the woman, as it were, when he made his second marriage—were standing about. After he left home Tom could never remember anything about the children except that they always had dirty faces and were clad in torn dirty dresses and that the youngest, a baby, wasn’t very well and was always crying fretfully.

When the two men came into the house the children, from having been fussing at their mother because the meal was delayed, grew silent. With the quick intuition of children they sensed something wrong between father and son. Tom walked directly across the small dining room and opening a door entered a stairway that led up to his bedroom. “Ain’t you going to eat any supper?” his father asked. It was the first word that had passed between father and son for hours.

“No,” Tom answered and went up the stairs. At the moment his mind was concentrated on the problem of not letting anyone in the house know he was ill and the father let him go without protest. No doubt the whole family were glad enough to have him out of the way.

He went upstairs and into his own room and got into bed without taking off his clothes, just pulled off the torn shoes and crawling in pulled the covers up over himself. There was an old quilt, not very clean.

His brain cleared a little and as the house was small he could hear everything going on down stairs. Now the family were all seated at the table and his father was doing a thing called “saying grace.” He always did that and sometimes, while the others waited, he prayed intermittently.

Tom was thinking, trying to think. What was it all about, his father’s praying that way? When he got at it the man seemed to forget everyone else in the world. There he was, alone with God, facing God alone and the people about him seemed to have no existence. He prayed a little about food, and then went on to speak with God, in a strange confidential way, about other things, his own frustrated desires mostly.

All his life he had wanted to be a Methodist minister but could not be ordained because he was uneducated, had never been to the schools or colleges. There was no chance at all for his becoming just the thing he wanted to be and still he went on and on praying about it, and in a way seemed to think there might be a possibility that God, feeling strongly the need of more Methodist ministers, would suddenly come down out of the sky, off the judgment seat as it were, and would go to the administrating board, or whatever one might call it, of the Methodist Church and say, “Here you, what are you up to? Make this man a Methodist minister and be quick about it. I don’t want any fooling around.”

Tom lay on the bed upstairs listening to his father praying down below. When he was a lad and his own mother was alive he had always been compelled to go with his father to the church on Sundays and to the prayer meetings on Wednesday evenings. His father always prayed, delivered sermons to the other sad-faced men and women sitting about, under the guise of prayers, and the son sat listening and no doubt it was then, in childhood, his hatred of his father was born. The man who was then the minister of the little country church, a tall, raw-boned young man, who was as yet unmarried, sometimes spoke of Tom’s father as one powerful in prayer.

And all the time there was something in Tom’s mind. Well he had seen a thing. One day when he was walking alone through a strip of wood, coming back barefooted from town to the farm he had seen—he never told anyone what he had seen. The minister was in the wood, sitting alone on a log. There was something. Some rather nice sense of life in Tom was deeply offended. He had crept away unseen.

And now he was lying on the bed in the half darkness upstairs in his father’s house, shaken with a chill, and downstairs his father was praying and there was one sentence always creeping into his prayers. “Give me the gift, O God, give me the great gift.” Tom thought he knew what that meant—“the gift of the gab and the opportunity to exercise it, eh?”

There was a door at the foot of Tom’s bed and beyond the door another room, at the front of the house upstairs. His father slept in there with the new woman he had married and the three children slept in a small room beside it. The baby slept with the man and woman. It was odd what terrible thoughts sometimes came into one’s head. The baby wasn’t very well and was always whining and crying. Chances were it would grow up to be a yellow-skinned thing, with dull eyes, like the mother. Suppose ... well suppose ... some night ... one did not voluntarily have such thoughts—suppose either the man or woman might, quite accidentally, roll over on the baby and crush it, smother it, rather.

Tom’s mind slipped a little out of his grasp. He was trying to hold on to something—what was it? Was it his own life? That was an odd thought. Now his father had stopped praying and downstairs the family were eating the evening meal. There was silence in the house. People, even dirty half-ill children, grew silent when they ate. That was a good thing. It was good to be silent sometimes.

And now Tom was in the wood, going barefooted through the wood and there was that man, the minister, sitting alone there on the log. Tom’s father wanted to be a minister, wanted God to arbitrarily make him a minister, wanted God to break the rules, bust up the regular order of things just to make him a minister. And he a man who could barely make a living on the farm, who did everything in a half slipshod way, who, when he felt he had to have a second wife, had gone off and got one with four sickly kids, one who couldn’t cook, who did the work of his house in a slovenly way.

Tom slipped off into unconsciousness and lay still for a long time. Perhaps he slept.

When he awoke—or came back into consciousness—there was his father’s voice still praying and Tom had thought the grace-saying was over. He lay still, listening. The voice was loud and insistent and now seemed near at hand. All of the rest of the house was silent. None of the children were crying.

Now there was a sound, the rattling of dishes downstairs in the kitchen and Tom sat up in bed and leaning far over looked through the open door into the room occupied by his father and his father’s new wife. His mind cleared.

After all, the evening meal was over and the children had been put to bed and now the woman downstairs had put the three older children into their bed and was washing the dishes at the kitchen stove. Tom’s father had come upstairs and had prepared for bed by taking off his clothes and putting on a long soiled white nightgown. Then he had gone to the open window at the front of the house and kneeling down had begun praying again.

A kind of cold fury took possession of Tom and without a moment’s hesitation he got silently out of bed. He did not feel ill now but very strong. At the foot of his bed, leaning against the wall, was a whippletree, a round piece of hard wood, shaped something like a baseball bat, but tapering at both ends. At each end there was an iron ring. The whippletree had been left there by his father who was always leaving things about, in odd unexpected places. He leaned a whippletree against the wall in his son’s bedroom and then, on the next day, when he was hitching a horse to a plow and wanted it, he spent hours going nervously about rubbing his fingers through his beard and looking.

Tom took the whippletree in his hand and crept barefooted through the open door into his father’s room. “He wants to be like that fellow in the woods—that’s what he’s always praying about.” There was in Tom’s mind some notion—from the beginning there must have been a great deal of the autocrat in him—well, you see, he wanted to crush out impotence and sloth.

He had quite made up his mind to kill his father with the whippletree and crept silently across the floor, gripping the hardwood stick firmly in his right hand. The sickly looking baby had already been put into the one bed in the room and was asleep. Its little face looked out from above another dirty quilt and the clear cold moonlight streamed into the room and fell upon the bed and upon the kneeling figure on the floor by the window.

Tom had got almost across the room when he noticed something—his father’s bare feet sticking out from beneath the white nightgown. The heels and the little balls of flesh below the toes were black with the dirt of the fields but in the centre of each foot there was a place. It was not black but yellowish white in the moonlight.

Tom crept silently back into his own room and closed softly the door between himself and his father. After all he did not want to kill anyone. His father had not thought it necessary to wash his feet before kneeling to pray to his God, and he had himself come upstairs and had got into bed without washing his own feet.

His hands were trembling now and his body shaking with the chill but he sat on the edge of the bed trying to think. When he was a child and went to church with his father and mother there was a story he had heard told. A man came into a feast, after walking a long time on dusty roads, and sat down at the feast. A woman came and washed his feet. Then she put precious ointments on them and later dried the feet with her hair.

The story had, when he heard it, no special meaning to the boy but now.... He sat on the bed smiling half foolishly. Could one make of one’s own hands a symbol of what the woman’s hands must have meant on that occasion, long ago, could not one make one’s own hands the humble servants to one’s soiled feet, to one’s soiled body?

It was a strange notion, this business of making oneself the keeper of the clean integrity of oneself. When one was ill one got things a little distorted. In Tom’s room there was a tin wash-basin, and a pail of water, he himself brought each morning from the cistern at the back of the house. He had always been one who fancied waiting on himself and perhaps, at that time, he had in him something he afterward lost, or only got hold of again at long intervals, the sense of the worth of his own young body, the feeling that his own body was a temple, as one might put it.

At any rate he must have had some such feeling on that night of his childhood and I shall never forget a kind of illusion I had concerning him that time in the Wells Street place when he told me the tale. At the moment something seemed to spring out of his great hulking body, something young hard clean and white.

But I must walk carefully. Perhaps I had better stick to my tale, try only to tell it simply, as he did.

Anyway he got off the bed, there in the upper room of that strangely disorganized and impotent household, and standing in the centre of the room took off his clothes. There was a towel hanging on a hook on the wall but it wasn’t very clean.

By chance he did have, however, a white nightgown that had not been worn and he now got it out of the drawer of a small rickety dresser that stood by the wall and recklessly tore off a part of it to serve as a washcloth. Then he stood up and with the tin washbasin on the floor at his feet washed himself carefully in the icy cold water.

No matter what illusions I may have had regarding him when he told me the tale, that night in Wells Street, surely on that night of his youth he must have been, as I have already described him, something young hard clean and white. Surely and at that moment his body was a temple.

As for the matter of his holding his own life in his hands—that came later, when he had got back into the bed, and that part of his tale I do not exactly understand. Perhaps he fumbled it in the telling and perhaps my own understanding fumbled.

I remember that he kept his hand lying on the table in the Wells Street place and that he kept opening and closing the fingers as though that would explain everything. It didn’t for me, not then at any rate. Perhaps it will for you who read.

“I got back into bed,” he said, “and taking my own life into my hand tried to decide whether I wanted to hold on to it or not. All that night I held it like that, my own life I mean,” he said.

There was some notion, he was evidently trying to explain, concerning other lives being things outside his own, things not to be touched, not to be fooled with. How much of that could have been in his mind that night of his youth, long ago, and how much came later I do not know and one takes it for granted he did not know either.

He seemed however to have had the notion that for some hours that night, after his father’s wife came upstairs and the two elder people got into bed and the house was silent, that there came certain hours when his own life belonged to him to hold or to drop as easily as one spreads out the fingers of a hand lying on a table in a saloon in Wells Street, Chicago.

“I had a fancy not to do it,” he said, “not to spread out my fingers, not to open my hand. You see, I couldn’t feel any very definite purpose in life, but there was something. There was a feeling I had as I stood naked in the cold washing my body. Perhaps I just wanted to have that feeling of washing myself again sometime. You know what I mean—I was really cleansing myself, there in the moonlight, that night.

“And so I got back into bed and kept my fingers closed, like this, like a cup. I held my own life in my hand and when I felt like opening my fingers and letting my life slip away I remembered myself washing myself in the moonlight.

“And so I didn’t open out my fingers. I kept my fingers closed like this, like a cup,” he said, again slowly drawing his fingers together.

PART TWO

FOR a good many years Tom wrote advertisements in an office in Chicago where I was also employed. He had grown middle-aged and was unmarried and in the evenings and on Sundays sat in his apartment reading or playing rather badly on a piano. Outside business hours he had few associates and although his youth and young manhood had been a time of hardship, he continually, in fancy, lived in the past.

He and I had been intimate, in a loose detached sort of way, for a good many years. Although I was a much younger man we often got half-drunk together.

Little fluttering tag-like ends of his personal history were always leaking out of him and, of all the men and women I have known, he gave me the most material for stories. His own talks, things remembered or imagined, were never quite completely told. They were fragments caught up, tossed in the air as by a wind and then abruptly dropped.

All during the late afternoon we had been standing together at a bar and drinking. We had talked of our work and as Tom grew more drunken he played with the notion of the importance of advertising writing. At that time his more mature point of view puzzled me a little. “I’ll tell you what, that lot of advertisements on which you are now at work is very important. Do put all your best self into your work. It is very important that the American house-wife buy Star laundry soap, rather than Arrow laundry soap. And there is something else—the daughter of the man who owns the soap factory, that is at present indirectly employing you, is a very pretty girl. I saw her once. She is nineteen now but soon she will be out of college and, if her father makes a great deal of money it will profoundly affect her life. The very man she is to marry may be decided by the success or failure of the advertisements you are now writing. In an obscure way you are fighting her battles. Like a knight of old you have tipped your lance, or shall I say typewriter, in her service. Today as I walked past your desk and saw you sitting there, scratching your head, and trying to think whether to say, “buy Star Laundry Soap—it’s best,” or whether to be a bit slangy and say, “Buy Star—You win!”—well, I say, my heart went out to you and to this fair young girl you have never seen, may never see. I tell you what, I was touched.” He hiccoughed and leaning forward tapped me affectionately on the shoulder. “I tell you what, young fellow,” he added smiling, “I thought of the middle ages and of the men, women and children who once set out toward the Holy Land in the service of the Virgin. They didn’t get as well paid as you do. I tell you what, we advertising men are too well paid. There would be more dignity in our profession if we went barefooted and walked about dressed in old ragged cloaks and carrying staffs. We might, with a good deal more dignity, carry beggar’s bowls, in our hands, eh!”

He was laughing heartily now, but suddenly stopped laughing. There was always an element of sadness in Tom’s mirth.

We walked out of the saloon, he going forward a little unsteadily for, even when he was quite sober, he was not too steady on his legs. Life did not express itself very definitely in his body and he rolled awkwardly about, his heavy body at times threatening to knock some passerby off the sidewalk.

For a time we stood at a corner, at La Salle and Lake Streets in Chicago, and about us surged the home-going crowds while over our heads rattled the elevated trains. Bits of newspaper and clouds of dust were picked up by a wind and blown in our faces and the dust got into our eyes. We laughed together, a little nervously.

At any rate for us the evening had just begun. We would walk and later dine together. He plunged again into the saloon out of which we had just come, and in a moment returned with a bottle of whiskey in his pocket.

“It is horrible stuff, this whiskey, eh, but after all this is a horrible town. One couldn’t drink wine here. Wine belongs to a sunny, laughing people and clime,” he said. He had a notion that drunkenness was necessary to men in such a modern industrial city as the one in which we lived. “You wait,” he said, “you’ll see what will happen. One of these days the reformers will manage to take whiskey away from us, and what then? We’ll sag down, you see. We’ll become like old women, who have had too many children. We’ll all sag spiritually and then you’ll see what’ll happen. Without whiskey no people can stand up against all this ugliness. It can’t be done, I say. We’ll become empty and bag-like—we will—all of us. We’ll be like old women who were never loved but who have had too many children.”

We had walked through many streets and had come to a bridge over a river. It was growing dark now and we stood for a time in the dusk and in the uncertain light the structures, built to the very edge of the stream, great warehouses and factories, began to take on strange shapes. The river ran through a canyon formed by the buildings, a few boats passed up and down, and over other bridges, in the distance, street-cars passed. They were like moving clusters of stars against the dark purple of the sky.

From time to time he sucked at the whiskey bottle and occasionally offered me a drink but often he forgot me and drank alone. When he had taken the bottle from his lips he held it before him and spoke to it softly, “Little mother,” he said, “I am always at your breast, eh? You cannot wean me, can you?”

He grew a little angry. “Well, then why did you drop me down here? Mothers should drop their children in places where men have learned a little to live. Here there is only a desert of buildings.”

He took another drink from the bottle and then held it for a moment against his cheek before passing it to me. “There is something feminine about a whiskey bottle,” he declared. “As long as it contains liquor one hates to part with it and passing it to a friend is a little like inviting a friend to go in to your wife. They do that, I’m told, in some of the Oriental countries—a rather delicate custom. Perhaps they are more civilized than ourselves, and then, you know, perhaps, it’s just possible, they have found out that the women sometimes like it too, eh?”

I tried to laugh but did not succeed very well. Now that I am writing of my friend, I find I am not making a very good likeness of him after all. It may be that I overdo the note of sadness I get into my account of him. There was always that element present but it was tempered in him, as I seem to be unable to temper it in my account of him.

For one thing he was not very clever and I seem to be making him out a rather clever fellow. On many evenings I have spent with him he was silent and positively dull and for hours walked awkwardly along, talking of some affair at the office. There was a long rambling story. He had been at Detroit with the president of the company and the two men had visited an advertiser. There was a long dull account of what had been said—of “he saids,” and, “I saids.”

Or again he told a story of some experience of his own, as a newspaper man, before he got into advertising. He had been on the copy desk in some Chicago newspaper, the Tribune, perhaps. One grew accustomed to a little peculiarity of his mind. It traveled sometimes in circles and there were certain oft-told tales always bobbing up. A man had come into the newspaper office, a cub reporter with an important piece of news, a great scoop in fact. No one would believe the reporter’s story. He was just a kid. There was a murderer, for whom the whole town was on the watchout, and the cub reporter had picked him up and had brought him into the office.

There he sat, the dangerous murderer. The cub reporter had found him in a saloon and going up to him had said, “You might as well give yourself up. They will get you anyway and it will go better with you if you come in voluntarily.”

And so the dangerous murderer had decided to come and the cub reporter had escorted him, not to the police station but to the newspaper office. It was a great scoop. In a moment now the forms would close, the newspaper would go to press. The dead line was growing close and the cub reporter ran about the room from one man to another. He kept pointing at the murderer, a mild-looking little man with blue eyes, sitting on a bench, waiting. The cub reporter was almost insane. He danced up and down and shouting “I tell you that’s Murdock, sitting there. Don’t be a lot of damn fools. I tell you that’s Murdock, sitting there.”

Now one of the editors has walked listlessly across the room and is speaking to the little man with blue eyes, and suddenly the whole tone of the newspaper office has changed. “My God! It’s the truth! Stop everything! Clear the front page! My God! It is Murdock! What a near thing! We almost let it go! My God! It’s Murdock!”

The incident in the newspaper office had stayed in my friend’s mind. It swam about in his mind as in a pool. At recurring times, perhaps once every six months, he told the story, using always the same words and the tenseness of that moment in the newspaper office was reproduced in him over and over. He grew excited. Now the men in the office were all gathering about the little blue-eyed Murdock. He had killed his wife, her lover and three children. Then he had run into the street and quite wantonly shot two men, innocently passing the house. He sat talking quietly and all the police of the city, and all the reporters for the other newspapers, were looking for him. There he sat talking, nervously telling his story. There wasn’t much to the story. “I did it. I just did it. I guess I was off my nut,” he kept saying.

“Well, the story will have to be stretched out.” The cub reporter who has brought him in walks about the office proudly. “I’ve done it! I’ve done it! I’ve proven myself the greatest newspaper man in the city.” The older men are laughing. “The fool! It’s fool’s luck. If he hadn’t been a fool he would never have done it. Why he walked right up. ‘Are you Murdock?’ He had gone about all over town, into saloons, asking men, ‘Are you Murdock?’ God is good to fools and drunkards!”

My friend told the story to me ten, twelve, fifteen times, and did not know it had grown to be an old story. When he had reproduced the scene in the newspaper office he made always the same comment. “It’s a good yarn, eh. Well it’s the truth. I was there. Someone ought to write it up for one of the magazines.”

I looked at him, watched him closely as he told the story and as I grew older and kept hearing the murderer’s story and certain others, he also told regularly without knowing he had told them before, an idea came to me. “He is a tale-teller who has had no audience,” I thought. “He is a stream dammed up. He is full of stories that whirl and circle about within him. Well, he is not a stream dammed up, he is a stream overfull.” As I walked beside him and heard again the story of the cub reporter and the murderer I remembered a creek back of my father’s house in an Ohio town. In the spring the water overflowed a field near our house and the brown muddy water ran round and round in crazy circles. One threw a stick into the water and it was carried far away but, after a time, it came whirling back to where one stood on a piece of high ground, watching.

What interested me was that the untold stories, or rather the uncompleted stories of my friend’s mind, did not seem to run in circles. When a story had attained form it had to be told about every so often, but the unformed fragments were satisfied to peep out at one and then retire, never to reappear.

It was a spring evening and he and I had gone for a walk in Jackson Park. We went on a street-car and when we were alighting the car started suddenly and my awkward friend was thrown to the ground and rolled over and over in the dusty street. The motorman, the conductor and several of the men passengers alighted and gathered about. No, he was not hurt and would not give his name and address to the anxious conductor. “I’m not hurt. I’m not going to sue the company. Damn it, man, I defy you to make me give my name and address if I do not care to do so.”

He assumed a look of outraged dignity. “Just suppose now that I happen to be some great man, traveling about the country—in foreign parts, incognito, as it were. Let us suppose I am a great prince or a dignitary of some sort. Look how big I am.” He pointed to his huge round paunch. “If I told who I was cheers might break forth. I do not care for that. With me, you see, it is different than with yourselves. I have had too much of that sort of thing already. I’m sick of it. If it happens that, in the process of my study of the customs of your charming country, I chose to fall off a street-car that is my own affair. I did not fall on anyone.”

We walked away leaving the conductor, the motorman and passengers somewhat mystified. “Ah, he’s a nut,” I heard one of the passengers say to another.

As for the fall, it had shaken something out of my friend. When later we were seated on a bench in the park one of the fragments, the little illuminating bits of his personal history, that sometimes came from him and that were his chief charm for me, seemed to have been shaken loose and fell from him as a ripe apple falls from a tree in a wind.

He began talking, a little hesitatingly, as though feeling his way in the darkness along the hallway of a strange house at night. It had happened I had never seen him with a woman and he seldom spoke of women, except with a witty and half scornful gesture, but now he began speaking of an experience with a woman.

The tale concerned an adventure of his young manhood and occurred after his mother had died and after his father married again, in fact after he had left home, not to return.

The enmity, that seemed always to have existed between himself and his father became while he continued living at home, more and more pronounced, but on the part of the son, my friend, it was never expressed in words and his dislike of his father took the form of contempt that he had made so bad a second marriage. The new woman in the house seemed such a poor stick. The house was always dirty and the children, some other man’s children, were always about under foot. When the two men who had been working in the fields came into the house to eat, the food was badly cooked.

The father’s desire to have God make him, in some mysterious way a Methodist minister continued and, as he grew older, the son had difficulty keeping back certain sharp comments upon life in the house, that wanted to be expressed. “What was a Methodist minister after all?” The son was filled with the intolerance of youth. His father was a laborer, a man who had never been to school. Did he think that God could suddenly make him something else and that without effort on his own part, by this interminable praying? If he had really wanted to be a minister why had he not prepared himself? He had chased off and got married and when his first wife died he could hardly wait until she was buried before making another marriage. And what a poor stick of a woman he had got.

The son looked across the table at his step-mother who was afraid of him. Their eyes met and the woman’s hands began to tremble. “Do you want anything?” she asked anxiously. “No,” he replied and began eating in silence.

One day in the spring, when he was working in the field with his father, he decided to start out into the world. He and his father were planting corn. They had no corn-planter and the father had marked out the rows with a home-made marker and now he was going along in his bare feet, dropping the grains of corn and the son, with a hoe in his hand, was following. The son drew earth over the corn and then patted the spot with the back of the hoe. That was to make the ground solid above so that the crows would not come down and find the corn before it had time to take root.

All morning the two worked in silence, and then at noon and when they came to the end of a row, they stopped to rest. The father went into a fence corner.

The son was nervous. He sat down and then got up and walked about. He did not want to look into the fence corner, where his father was no doubt kneeling and praying—he was always doing that at odd moments—but presently he did. Dread crept over him. His father was kneeling and praying in silence and the son could see again the bottoms of his two bare feet, sticking out from among low-growing bushes. Tom shuddered. Again he saw the heels and the cushions of the feet, the two ball-like cushions below the toes. They were black but the instep of each foot was white with an odd whiteness—not unlike the whiteness of the belly of a fish.

The reader will understand what was in Tom’s mind—a memory.

Without a word to his father or to his father’s wife, he walked across the fields to the house, packed a few belongings and left, saying good-bye to no one. The woman of the house saw him go but said nothing and after he had disappeared, about a bend in the road, she ran across the fields to her husband, who was still at his prayers, oblivious to what had happened. His wife also saw the bare feet sticking out of the bushes and ran toward them screaming. When her husband arose she began to cry hysterically. “I thought something dreadful had happened, Oh, I thought something dreadful had happened,” she sobbed.

“Why, what’s the matter,—what’s the matter?” asked her husband but she did not answer but ran and threw herself into his arms, and as the two stood thus, like two grotesque bags of grain, embracing in a black newly-plowed field under a grey sky, the son, who had stopped in a small clump of trees, saw them. He walked to the edge of a wood and stood for a moment and then went off along the road. Afterward he never saw or heard from them again.

About Tom’s woman adventure—he told it as I have told you the story of his departure from home, that is to say in a fragmentary way. The story, like the one I have just tried to tell, or rather perhaps give you a sense of, was told in broken sentences, dropped between long silences. As my friend talked I sat looking at him and I will admit I sometimes found myself thinking he must be the greatest man I would ever know. “He has felt more things, has by his capacity for silently feeling things, penetrated further into human life than any other man I am likely ever to know, perhaps than any other man who lives in my day,” I thought—deeply stirred.

And so he was on the road now and working his way slowly along afoot through Southern Ohio. He intended to make his way to some city and begin educating himself. In the winter, during boyhood, he had attended a country school, but there were certain things he wanted he could not find in the country, books, for one thing. “I knew then, as I know now, something of the importance of books, that is to say real books. There are only a few such books in the world and it takes a long time to find them out. Hardly anyone knows what they are and one of the reasons I have never married is because I did not want some woman coming between me and the search for the books that really have something to say,” he explained. He was forever breaking the thread of his stories with little comments of this kind.

All during that summer he worked on the farms, staying sometimes for two or three weeks and then moving on and in June he had got to a place, some twenty miles west of Cincinnati, where he went to work on the farm of a German, and where the adventure happened that he told me about that night on the park bench.

The farm on which he was at work belonged to a tall, solidly-built German of fifty, who had come to America twenty years before, and who, by hard work, had prospered and had acquired much land. Three years before he had made up his mind he had better marry and had written to a friend in Germany about getting him a wife. “I do not want one of these American girls, and I would like a young woman, not an old one,” he wrote. He explained that the American girls all had the idea in their heads that they could run their husbands and that most of them succeeded. “It’s getting so all they want is to ride around all dressed up or trot off to town,” he said. Even the older American women he employed as housekeepers were the same way; none of them would take hold, help about the farm, feed the stock and do things the wife of a European farmer expected to do. When he employed a housekeeper she did the housework and that was all.

Then she went to sit on the front porch, to sew or read a book. “What nonsense! You get me a good German girl, strong and pretty good-looking. I’ll send the money and she can come over here and be my wife,” he wrote.

The letter had been sent to a friend of his young manhood, now a small merchant in a German town and after talking the matter over with his wife the merchant decided to send his daughter, a woman of twenty-four. She had been engaged to marry a man who was taken sick and had died while he was serving his term in the army and her father decided she had been mooning about long enough. The merchant called the daughter into a room where he and his wife sat and told her of his decision and, for a long time she sat looking at the floor. Was she about to make a fuss? A prosperous American husband who owned a big farm was not to be sneezed at. The daughter put up her hand and fumbled with her black hair—there was a great mass of it. After all she was a big strong woman. Her husband wouldn’t be cheated. “Yes, I’ll go,” she said quietly, and getting up walked out of the room.

In America the woman had turned out all right but her husband thought her a little too silent. Even though the main purpose in life be to do the work of a house and farm, feed the stock and keep a man’s clothes in order, so that he is not always having to buy new ones, still there are times when something else is in order. As he worked in his fields the farmer sometimes muttered to himself. “Everything in its place. For everything there is a time and a place,” he told himself. One worked and then the time came when one played a little too. Now and then it was nice to have a few friends about, drink beer, eat a good deal of heavy food and then have some fun, in a kind of way. One did not go too far but if there were women in the party someone tickled one of them and she giggled. One made a remark about legs—nothing out of the way. “Legs is legs. On horses or women legs count a good deal.” Everyone laughed. One had a jolly evening, one had some fun.

Often, after his woman came, the farmer, working in his fields, tried to think what was the matter with her. She worked all the time and the house was in order. Well, she fed the stock so that he did not have to bother about that. What a good cook she was. She even made beer, in the old-fashioned German way, at home—and that was fine too.

The whole trouble lay in the fact that she was silent, too silent. When one spoke to her she answered nicely but she herself made no conversation and at night she lay in the bed silently. The German wondered if she would be showing signs of having a child pretty soon. “That might make a difference,” he thought. He stopped working and looked across the fields to where there was a meadow. His cattle were there feeding quietly. “Even cows, and surely cows were quiet and silent enough things, even cows had times. Sometimes the very devil got into a cow. You were leading her along a road or a lane and suddenly she went half insane. If one weren’t careful she would jam her head through fences, knock a man over, do almost anything. She wanted something insanely, with a riotous hunger. Even a cow wasn’t always just passive and quiet.” The German felt cheated. He thought of the friend in Germany who had sent his daughter. “Ugh, the deuce, he might have sent a livelier one,” he thought.

It was June when Tom came to the farm and the harvest was on. The German had planted several large fields to wheat and the yield was good. Another man had been employed to work on the farm all summer but Tom could be used too. He would have to sleep on the hay in the barn but that he did not mind. He went to work at once.

And anyone knowing Tom, and seeing his huge and rather ungainly body, must realize that, in his youth, he might have been unusually strong. For one thing he had not done so much thinking as he must have done later, nor had he been for years seated at a desk. He worked in the fields with the other two men and at the meal time came into the house with them to eat. He and the German’s wife must have been a good deal alike. Tom had in his mind certain things—thoughts concerning his boyhood—and he was thinking a good deal of the future. Well, there he was working his way westward and making a little money all the time as he went, and every cent he made he kept. He had not yet been into an American city, had purposely avoided such places as Springfield, Dayton and Cincinnati and had kept to the smaller places and the farms.

After a time he would have an accumulation of money and would go into cities, study, read books, live. He had then a kind of illusion about American cities. “A city was a great gathering of people who had grown tired of loneliness and isolation. They had come to realize that only by working together could they have the better things of life. Many hands working together might build wonderfully, many minds working together might think clearly, many impulses working together might channel all lives into an expression of something rather fine.”

I am making a mistake if I give you the impression that Tom, the boy from the Ohio farm, had any such definite notions. He had a feeling—of a sort. There was a dumb kind of hope in him. He had even then, I am quite sure, something else, that he later always retained, a kind of almost holy inner modesty. It was his chief attraction as a man but perhaps it stood in the way of his ever achieving the kind of outstanding and assertive manhood we Americans all seem to think we value so highly.

At any rate there he was, and there was that woman, the silent one, now twenty-seven years old. The three men sat at table eating and she waited on them. They ate in the farm kitchen, a large old-fashioned one, and she stood by the stove or went silently about putting more food on the table as it was consumed.

At night the men did not eat until late and sometimes darkness came as they sat at table and then she brought lighted lamps for them. Great winged insects flew violently against the screen door and a few moths, that had managed to get into the house, flew about the lamps. When the men had finished eating they sat at the table drinking beer and the woman washed the dishes.

The farm hand, employed for the summer, was a man of thirty-five, a large bony man with a drooping mustache. He and the German talked. Well, it was good, the German thought, to have the silence of his house broken. The two men spoke of the coming threshing time and of the hay harvest just completed. One of the cows would be calving next week. Her time was almost here. The man with the mustache took a drink of beer and wiped his mustache with the back of his hand, that was covered with long black hair.

Tom had drawn his chair back against the wall and sat in silence and, when the German was deeply engaged in conversation, he looked at the woman, who sometimes turned from her dish-washing to look at him.

There was something, a certain feeling he had sometimes—she, it might be, also had—but of the two men in the room that could not be said. It was too bad she spoke no English. Perhaps, however even though she spoke his language, he could not speak to her of the things he meant. But, pshaw, there wasn’t anything in his mind, nothing that could be said in words. Now and then her husband spoke to her in German and she replied quietly, and then the conversation between the two men was resumed in English. More beer was brought. The German felt expansive. How good to have talk in the house. He urged beer upon Tom who took it and drank. “You’re another close-mouthed one, eh?” he said laughing.

Tom’s adventure happened during the second week of his stay. All the people about the place had gone to sleep for the night but, as he could not sleep, he arose silently and came down out of the hay loft carrying his blanket. It was a silent hot soft night without a moon and he went to where there was a small grass plot that came down to the barn and spreading his blanket sat with his back to the wall of the barn.

That he could not sleep did not matter. He was young and strong. “If I do not sleep tonight I will sleep tomorrow night,” he thought. There was something in the air that he thought concerned only himself, and that made him want to be thus awake, sitting out of doors and looking at the dim distant trees in the apple orchard near the barn, at the stars in the sky, at the farm house, faintly seen some few hundred feet away. Now that he was out of doors he no longer felt restless. Perhaps it was only that he was nearer something that was like himself at the moment, just the night perhaps.

He became aware of something, of something moving, restlessly in the darkness. There was a fence between the farm yard and the orchard, with berry bushes growing beside it, and something was moving in the darkness along the berry bushes. Was it a cow that had got out of the stable or were the bushes moved by a wind? He did a trick known to country boys. Thrusting a finger into his mouth he stood up and put the wet finger out before him. A wind would dry one side of the warm wet finger quickly and that side would turn cold. Thus one told oneself something, not only of the strength of a wind but its direction. Well, there was no wind strong enough to move berry bushes—there was no wind at all. He had come down out of the barn loft in his bare feet and in moving about had made no sound and now he went and stood silently on the blanket with his back against the wall of the barn.

The movement among the bushes was growing more distinct but it wasn’t in the bushes. Something was moving along the fence, between him and the orchard. There was a place along the fence, an old rail one, where no bushes grew and now the silent moving thing was passing the open space.

It was the woman of the house, the German’s wife. What was up? Was she also trying dumbly to draw nearer something that was like herself, that she could understand, a little? Thoughts flitted through Tom’s head and a dumb kind of desire arose within him. He began hoping vaguely that the woman was in search of himself.

Later, when he told me of the happenings of that night, he was quite sure that the feeling that then possessed him was not physical desire for a woman. His own mother had died several years before and the woman his father had later married had seemed to him just a thing about the house, a not very competent thing, bones, a hank of hair, a body that did not do very well what one’s body was supposed to do. “I was intolerant as the devil, about all women. Maybe I always have been but then—I’m sure I was a queer kind of country bumpkin aristocrat. I thought myself something, a special thing in the world, and that woman, any women I had ever seen or known, the wives of a few neighbors as poor as my father, a few country girls—I had thought them all beneath my contempt, dirt under my feet.

“About that German’s wife I had not felt that way. I don’t know why. Perhaps because she had a habit of keeping her mouth shut as I did just at that time, a habit I have since lost.”

And so Tom stood there—waiting. The woman came slowly along the fence, keeping in the shadow of the bushes and then crossed an open space toward the barn.

Now she was walking slowly along the barn wall, directly toward the young man who stood in the heavy shadows holding his breath and waiting for her coming.

Afterwards, when he thought of what had happened, he could never quite make up his mind whether she was walking in sleep or was awake as she came slowly toward him. They did not speak the same language and they never saw each other after that night. Perhaps she had only been restless and had got out of the bed beside her husband and made her way out of the house, without any conscious knowledge of what she was doing.

She became conscious when she came to where he was standing however, conscious and frightened. He stepped out toward her and she stopped. Their faces were very close together and her eyes were large with alarm. “The pupils dilated,” he said in speaking of that moment. He insisted upon the eyes. “There was a fluttering something in them. I am sure I do not exaggerate when I say that at the moment I saw everything as clearly as though we had been standing together in the broad daylight. Perhaps something had happened to my own eyes, eh? That might be possible. I could not speak to her, reassure her—I could not say, ‘Do not be frightened, woman.’ I couldn’t say anything. My eyes I suppose had to do all the saying.”

Evidently there was something to be said. At any rate there my friend stood, on that remarkable night of his youth, and his face and the woman’s face drew nearer each other. Then their lips met and he took her into his arms and held her for a moment.

That was all. They stood together, the woman of twenty-seven and the young man of nineteen and he was a country boy and was afraid. That may be the explanation of the fact that nothing else happened.

I do not know as to that but in telling this tale I have an advantage you who read cannot have. I heard the tale told, brokenly, by the man—who had the experience I am trying to describe. Story-tellers of old times, who went from place to place telling their wonder tales, had an advantage we, who have come in the age of the printed word, do not have. They were both story tellers and actors. As they talked they modulated their voices, made gestures with their hands. Often they carried conviction simply by the power of their own conviction. All of our modern fussing with style in writing is an attempt to do the same thing.

And what I am trying to express now is a sense I had that night, as my friend talked to me in the park, of a union of two people that took place in the heavy shadows by a barn in Ohio, a union of two people that was not personal, that concerned their two bodies and at the same time did not concern their bodies. The thing has to be felt, not understood with the thinking mind.

Anyway they stood for a few minutes, five minutes perhaps, with their bodies pressed against the wall of the barn and their hands together, clasped together tightly. Now and then one of them stepped away from the barn and stood for a moment directly facing the other. One might say it was Europe facing America in the darkness by a barn. One might grow fancy and learned and say almost anything but all I am saying is that they stood as I am describing them, and oddly enough with their faces to the barn wall—instinctively turning from the house I presume—and that now and then one of them stepped out and stood for a moment facing the other. Their lips did not meet after the first moment.

The next step was taken. The German awoke in the house and began calling, and then he appeared at the kitchen door with a lantern in his hand. It was the lantern, his carrying of the lantern, that saved the situation for the wife and my friend. It made a little circle of light outside of which he could see nothing, but he kept calling his wife, whose name was Katherine, in a distracted frightened way. “Oh, Katherine. Where are you? Oh, Katherine,” he called.

My friend acted at once. Taking hold of the woman’s hand he ran—making no sound—along the shadows of the barn and across the open space between the barn and the fence. The two people were two dim shadows flitting along the dark wall of the barn, nothing more and at the place in the fence where there were no bushes he lifted her over and climbed over after her. Then he ran through the orchard and into the road before the house and putting his two hands on her shoulders shook her. As though understanding his wish, she answered her husband’s call and as the lantern came swinging down toward them my friend dodged back into the orchard.

The man and wife went toward the house, the German talking vigorously and the woman answering quietly, as she had always answered him. Tom was puzzled. Everything that happened to him that night puzzled him then and long afterward when he told me of it. Later he worked out a kind of explanation of it—as all men will do in such cases—but that is another story and the time to tell it is not now.

The point is that my friend had, at the moment, the feeling of having completely possessed the woman, and with that knowledge came also the knowledge that her husband would never possess her, could never by any chance possess her. A great tenderness swept over him and he had but one desire, to protect the woman, not to by any chance make the life she had yet to live any harder.

And so he ran quickly to the barn, secured the blanket and climbed silently up into the loft.

The farm hand with the drooping mustache was sleeping quietly on the hay and Tom lay down beside him and closed his eyes. As he expected the German came, almost at once, to the loft and flashed the lantern, not into the face of the older man but into Tom’s face. Then he went away and Tom lay awake smiling happily. He was young then and there was something proud and revengeful in him—in his attitude toward the German, at the moment. “Her husband knew, but at the same time did not know, that I had taken his woman from him,” he said to me when he told of the incident long afterward. “I don’t know why that made me so happy then, but it did. At the moment I thought I was happy only because we had both managed to escape, but now I know that wasn’t it.”

And it is quite sure my friend did have a sense of something. On the next morning when he went into the house the breakfast was on the table but the woman was not on hand to serve it. The food was on the table and the coffee on the stove and the three men ate in silence. And then Tom and the German stepped out of the house together, stepped, as by a prearranged plan into the barnyard. The German knew nothing—his wife had grown restless in the night and had got out of bed and walked out into the road and both the other men were asleep in the barn. He had never had any reason for suspecting her of anything at all and she was just the kind of woman he had wanted, never went trapsing off to town, didn’t spend a lot of money on clothes, was willing to do any kind of work, made no trouble. He wondered why he had taken such a sudden and violent dislike for his young employee.

Tom spoke first. “I think I’ll quit. I think I’d better be on my way,” he said. It was obvious his going, at just that time, would upset the plans the German had made for getting the work done at the rush time but he made no objection to Tom’s going and at once. Tom had arranged to work by the week and the German counted back to the Saturday before and tried to cheat a little. “I owe you for only one week, eh?” he said. One might as well get two days extra work out of the man without pay—if it were possible.

But Tom did not intend being defeated. “A week and four days,” he replied, purposely adding an extra day. “If you do not want to pay for the four days I’ll stay out the week.”

The German went into the house and got the money and Tom set off along the road.

When he had walked for two or three miles he stopped and went into a wood where he stayed all that day thinking of what had happened.

Perhaps he did not do much thinking. What he said, when he told the story that night in the Chicago park, was that all day there were certain figures marching through his mind and that he just sat down on a log and let them march. Did he have some notion that an impulse toward life in himself had come, and that it would not come again?

As he sat on the log there were the figures of his father and his dead mother and of several other people who had lived about the Ohio countryside where he had spent his boyhood. They kept doing things, saying things. It will be quite clear to my readers that I think my friend a story teller who for some reason has never been able to get his stories outside himself, as one might say, and that might of course explain the day in the wood. He himself thought he was in a sort of comatose state. He had not slept during the night before and, although he did not say as much, there was something a bit mysterious in the thing that had happened to him.

There was one thing he told me concerning that day of dreams that is curious. There appeared in his fancy, over and over again, the figure of a woman he had never seen in the flesh and has never seen since. At any rate it wasn’t the German’s wife, he declared.

“The figure was that of a woman but I could not tell her age,” he said. “She was walking away from me and was clad in a blue dress covered with black dots. Her figure was slender and looked strong but broken. That’s it. She was walking in a path in a country such as I had then never seen, have never seen, a country of very low hills and without trees. There was no grass either but only low bushes that came up to her knees. One might have thought it an Arctic country, where there is summer but for a few weeks each year. She had her sleeves rolled to her shoulders so that her slender arms showed, and had buried her face in the crook of her right arm. Her left arm hung like a broken thing, her legs were like broken things, her body was a broken thing.

“And yet, you see, she kept walking and walking, in the path, among the low bushes, over the barren little hills. She walked vigorously too. It seems impossible and a foolish thing to tell about but all day I sat in the woods on the stump and every time I closed my eyes I saw that woman walking thus, fairly rushing along, and yet, you see, she was all broken to pieces.”

THE MAN WHO BECAME A WOMAN

THE MAN WHO BECAME A WOMAN

MY father was a retail druggist in our town, out in Nebraska, which was so much like a thousand other towns I’ve been in since that there’s no use fooling around and taking up your time and mine trying to describe it.

Anyway I became a drug clerk and after father’s death the store was sold and mother took the money and went west, to her sister in California, giving me four hundred dollars with which to make my start in the world. I was only nineteen years old then.

I came to Chicago, where I worked as a drug clerk for a time, and then, as my health suddenly went back on me, perhaps because I was so sick of my lonely life in the city and of the sight and smell of the drug store, I decided to set out on what seemed to me then the great adventure and became for a time a tramp, working now and then, when I had no money, but spending all the time I could loafing around out of doors or riding up and down the land on freight trains and trying to see the world. I even did some stealing in lonely towns at night—once a pretty good suit of clothes that someone had left hanging out on a clothesline, and once some shoes out of a box in a freight car—but I was in constant terror of being caught and put into jail so realized that success as a thief was not for me.

The most delightful experience of that period of my life was when I once worked as a groom, or swipe, with race horses and it was during that time I met a young fellow of about my own age who has since become a writer of some prominence.

The young man of whom I now speak had gone into race track work as a groom, to bring a kind of flourish, a high spot, he used to say, into his life.

He was then unmarried and had not been successful as a writer. What I mean is he was free and I guess, with him as with me, there was something he liked about the people who hang about a race track, the touts, swipes, drivers, niggers and gamblers. You know what a gaudy undependable lot they are—if you’ve ever been around the tracks much—about the best liars I’ve ever seen, and not saving money or thinking about morals, like most druggists, drygoods merchants and the others who used to be my father’s friends in our Nebraska town—and not bending the knee much either, or kowtowing to people, they thought must be grander or richer or more powerful than themselves.

What I mean is, they were an independent, go-to-the-devil, come-have-a-drink-of-whisky, kind of a crew and when one of them won a bet, “knocked ’em off,” we called it, his money was just dirt to him while it lasted. No king or president or soap manufacturer—gone on a trip with his family to Europe—could throw on more dog than one of them, with his big diamond rings and the diamond horse-shoe stuck in his necktie and all.

I liked the whole blamed lot pretty well and he did too.

He was groom temporarily for a pacing gelding named Lumpy Joe owned by a tall black-mustached man named Alfred Kreymborg and trying the best he could to make the bluff to himself he was a real one. It happened that we were on the same circuit, doing the West Pennsylvania county fairs all that fall, and on fine evenings we spent a good deal of time walking and talking together.

Let us suppose it to be a Monday or Tuesday evening and our horses had been put away for the night. The racing didn’t start until later in the week, maybe Wednesday, usually. There was always a little place called a dining-hall, run mostly by the Woman’s Christian Temperance Associations of the towns, and we would go there to eat where we could get a pretty good meal for twenty-five cents. At least then we thought it pretty good.

I would manage it so that I sat beside this fellow, whose name was Tom Means and when we had got through eating we would go look at our two horses again and when we got there Lumpy Joe would be eating his hay in his box-stall and Alfred Kreymborg would be standing there, pulling his mustache and looking as sad as a sick crane.

But he wasn’t really sad. “You two boys want to go down-town to see the girls. I’m an old duffer and way past that myself. You go on along. I’ll be setting here anyway, and I’ll keep an eye on both the horses for you,” he would say.

So we would set off, going, not into the town to try to get in with some of the town girls, who might have taken up with us because we were strangers and race track fellows, but out into the country. Sometimes we got into a hilly country and there was a moon. The leaves were falling off the trees and lay in the road so that we kicked them up with the dust as we went along.

To tell the truth I suppose I got to love Tom Means, who was five years older than me, although I wouldn’t have dared say so, then. Americans are shy and timid about saying things like that and a man here don’t dare own up he loves another man, I’ve found out, and they are afraid to admit such feelings to themselves even. I guess they’re afraid it may be taken to mean something it don’t need to at all.

Anyway we walked along and some of the trees were already bare and looked like people standing solemnly beside the road and listening to what we had to say. Only I didn’t say much. Tom Means did most of the talking.

Sometimes we came back to the race track and it was late and the moon had gone down and it was dark. Then we often walked round and round the track, sometimes a dozen times, before we crawled into the hay to go to bed.

Tom talked always on two subjects, writing and race horses, but mostly about race horses. The quiet sounds about the race tracks and the smells of horses, and the things that go with horses, seemed to get him all excited. “Oh, hell, Herman Dudley,” he would burst out suddenly, “don’t go talking to me. I know what I think. I’ve been around more than you have and I’ve seen a world of people. There isn’t any man or woman, not even a fellow’s own mother, as fine as a horse, that is to say a thoroughbred horse.”

Sometimes he would go on like that a long time, speaking of people he had seen and their characteristics. He wanted to be a writer later and what he said was that when he came to be one he wanted to write the way a well bred horse runs or trots or paces. Whether he ever did it or not I can’t say. He has written a lot, but I’m not too good a judge of such things. Anyway I don’t think he has.

But when he got on the subject of horses he certainly was a darby. I would never have felt the way I finally got to feel about horses or enjoyed my stay among them half so much if it hadn’t been for him. Often he would go on talking for an hour maybe, speaking of horses’ bodies and of their minds and wills as though they were human beings. “Lord help us, Herman,” he would say, grabbing hold of my arm, “don’t it get you up in the throat? I say now, when a good one, like that Lumpy Joe I’m swiping, flattens himself at the head of the stretch and he’s coming, and you know he’s coming, and you know his heart’s sound, and he’s game, and you know he isn’t going to let himself get licked—don’t it get you Herman, don’t it get you like the old Harry?”

That’s the way he would talk, and then later, sometimes, he’d talk about writing and get himself all het up about that too. He had some notions about writing I’ve never got myself around to thinking much about but just the same maybe his talk, working in me, has led me to want to begin to write this story myself.

There was one experience of that time on the tracks that I am forced, by some feeling inside myself, to tell.

Well, I don’t know why but I’ve just got to. It will be kind of like confession is, I suppose, to a good Catholic, or maybe, better yet, like cleaning up the room you live in, if you are a bachelor, like I was for so long. The room gets pretty mussy and the bed not made some days and clothes and things thrown on the closet floor and maybe under the bed. And then you clean all up and put on new sheets, and then you take off all your clothes and get down on your hands and knees, and scrub the floor so clean you could eat bread off it, and then take a walk and come home after a while and your room smells sweet and you feel sweetened-up and better inside yourself too.

What I mean is, this story has been on my chest, and I’ve often dreamed about the happenings in it, even after I married Jessie and was happy. Sometimes I even screamed out at night and so I said to myself, “I’ll write the dang story,” and here goes.

Fall had come on and in the mornings now when we crept out of our blankets, spread out on the hay in the tiny lofts above the horse stalls, and put our heads out to look around, there was a white rime of frost on the ground. When we woke the horses woke too. You know how it is at the tracks—the little barn-like stalls with the tiny lofts above are all set along in a row and there are two doors to each stall, one coming up to a horse’s breast and then a top one, that is only closed at night and in bad weather.

In the mornings the upper door is swung open and fastened back and the horses put their heads out. There is the white rime on the grass over inside the grey oval the track makes. Usually there is some outfit that has six, ten or even twelve horses, and perhaps they have a negro cook who does his cooking at an open fire in the clear space before the row of stalls and he is at work now and the horses with their big fine eyes are looking about and whinnying, and a stallion looks out at the door of one of the stalls and sees a sweet-eyed mare looking at him and sends up his trumpet-call, and a man’s voice laughs, and there are no women anywhere in sight or no sign of one anywhere, and everyone feels like laughing and usually does.

It’s pretty fine but I didn’t know how fine it was until I got to know Tom Means and heard him talk about it all.

At the time the thing happened of which I am trying to tell now Tom was no longer with me. A week before his owner, Alfred Kreymborg, had taken his horse Lumpy Joe over into the Ohio Fair Circuit and I saw no more of Tom at the tracks.

There was a story going about the stalls that Lumpy Joe, a big rangy brown gelding, wasn’t really named Lumpy Joe at all, that he was a ringer who had made a fast record out in Iowa and up through the northwest country the year before, and that Kreymborg had picked him up and had kept him under wraps all winter and had brought him over into the Pennsylvania country under this new name and made a clean-up in the books.

I know nothing about that and never talked to Tom about it but anyway he, Lumpy Joe and Kreymborg were all gone now.

I suppose I’ll always remember those days, and Tom’s talk at night, and before that in the early September evenings how we sat around in front of the stalls, and Kreymborg sitting on an upturned feed box and pulling at his long black mustache and some times humming a little ditty one couldn’t catch the words of. It was something about a deep well and a little grey squirrel crawling up the sides of it, and he never laughed or smiled much but there was something in his solemn grey eyes, not quite a twinkle, something more delicate than that.

The others talked in low tones and Tom and I sat in silence. He never did his best talking except when he and I were alone.

For his sake—if he ever sees my story—I should mention that at the only big track we ever visited, at Readville, Pennsylvania, we saw old Pop Geers, the great racing driver, himself. His horses were at a place far away across the tracks from where we were stabled. I suppose a man like him was likely to get the choice of all the good places for his horses.

We went over there one evening and stood about and there was Geers himself, sitting before one of the stalls on a box tapping the ground with a riding whip. They called him, around the tracks, “The silent man from Tennessee” and he was silent—that night anyway. All we did was to stand and look at him for maybe a half hour and then we went away and that night Tom talked better than I had ever heard him. He said that the ambition of his life was to wait until Pop Geers died and then write a book about him, and to show in the book that there was at least one American who never went nutty about getting rich or owning a big factory of being any other kind of a hell of a fellow. “He’s satisfied I think to sit around like that and wait until the big moments of his life come, when he heads a fast one into the stretch and then, darn his soul, he can give all of himself to the thing right in front of him,” Tom said, and then he was so worked up he began to blubber. We were walking along the fence on the inside of the tracks and it was dusk and, in some trees nearby, some birds, just sparrows maybe, were making a chirping sound, and you could hear insects singing and, where there was a little light, off to the west between some trees, motes were dancing in the air. Tom said that about Pop Gears, although I think he was thinking most about something he wanted to be himself and wasn’t, and then he went and stood by the fence and sort of blubbered and I began to blubber too, although I didn’t know what about.

But perhaps I did know, after all. I suppose Tom wanted to feel, when he became a writer, like he thought old Pop must feel when his horse swung around the upper turn, and there lay the stretch before him, and if he was going to get his horse home in front he had to do it right then. What Tom said was that any man had something in him that understands about a thing like that but that no woman ever did except up in her brain. He often got off things like that about women but I notice he later married one of them just the same.

But to get back to my knitting. After Tom had left, the stable I was with kept drifting along through nice little Pennsylvania county seat towns. My owner, a strange excitable kind of a man from over in Ohio, who had lost a lot of money on horses but was always thinking he would maybe get it all back in some big killing, had been playing in pretty good luck that year. The horse I had, a tough little gelding, a five year old, had been getting home in front pretty regular and so he took some of his winnings and bought a three years old black pacing stallion named “O, My Man.” My gelding was called “Pick-it-boy” because when he was in a race and had got into the stretch my owner always got half wild with excitement and shouted so you could hear him a mile and a half. “Go, Pick-it-boy, Pick-it-boy, Pick-it-boy,” he kept shouting and so when he had got hold of this good little gelding he had named him that.

The gelding was a fast one, all right. As the boys at the tracks used to say, he “picked ’em up sharp and set ’em down clean,” and he was what we called a natural race horse, right up to all the speed he had, and didn’t require much training. “All you got to do is to drop him down on the track and he’ll go,” was what my owner was always saying to other men, when he was bragging about his horse.

And so you see, after Tom left, I hadn’t much to do evenings and then the new stallion, the three year old, came on with a negro swipe named Burt.

I liked him fine and he liked me but not the same as Tom and me. We got to be friends all right and I suppose Burt would have done things for me, and maybe me for him, that Tom and me wouldn’t have done for each other.

But with a negro you couldn’t be close friends like you can with another white man. There’s some reason you can’t understand but it’s true. There’s been too much talk about the difference between whites and blacks and you’re both shy, and anyway no use trying and I suppose Burt and I both knew it and so I was pretty lonesome.

Something happened to me that happened several times, when I was a young fellow, that I have never exactly understood. Sometimes now I think it was all because I had got to be almost a man and had never been with a woman. I don’t know what’s the matter with me. I can’t ask a woman. I’ve tried it a good many times in my life but every time I’ve tried the same thing happened.

Of course, with Jessie now, it’s different, but at the time of which I’m speaking Jessie was a long ways off and a good many things were to happen to me before I got to her.

Around a race track, as you may suppose, the fellows who are swipes and drivers and strangers in the towns do not go without women. They don’t have to. In any town there are always some fly girls will come around a place like that. I suppose they think they are fooling with men who lead romantic lives. Such girls will come along by the front of the stalls where the race horses are and, if you look all right to them, they will stop and make a fuss over your horse. They rub their little hands over the horse’s nose and then is the time for you—if you aren’t a fellow like me who can’t get up the nerve—then is the time for you to smile and say, “Hello, kid,” and make a date with one of them for that evening up town after supper. I couldn’t do that, although the Lord knows I tried hard enough, often enough. A girl would come along alone, and she would be a little thing and give me the eye, and I would try and try but couldn’t say anything. Both Tom, and Burt afterwards, used to laugh at me about it sometimes but what I think is that, had I been able to speak up to one of them and had managed to make a date with her, nothing would have come of it. We would probably have walked around the town and got off together in the dark somewhere, where the town came to an end, and then she would have had to knock me over with a club before it got any further.

And so there I was, having got used to Tom and our talks together, and Burt of course had his own friends among the black men. I got lazy and mopey and had a hard time doing my work.

It was like this. Sometimes I would be sitting, perhaps under a tree in the late afternoon when the races were over for the day and the crowds had gone away. There were always a lot of other men and boys who hadn’t any horses in the races that day and they would be standing or sitting about in front of the stalls and talking.

I would listen for a time to their talk and then their voices would seem to go far away. The things I was looking at would go far away too. Perhaps there would be a tree, not more than a hundred yards away, and it would just come out of the ground and float away like a thistle. It would get smaller and smaller, away off there in the sky, and then suddenly—bang, it would be back where it belonged, in the ground, and I would begin hearing the voices of the men talking again.

When Tom was with me that summer the nights were splendid. We usually walked about and talked until pretty late and then I crawled up into my hole and went to sleep. Always out of Tom’s talk I got something that stayed in my mind, after I was off by myself, curled up in my blanket. I suppose he had a way of making pictures as he talked and the pictures stayed by me as Burt was always saying pork chops did by him. “Give me the old pork chops, they stick to the ribs,” Burt was always saying and with the imagination it was always that way about Tom’s talks. He started something inside you that went on and on, and your mind played with it like walking about in a strange town and seeing the sights, and you slipped off to sleep and had splendid dreams and woke up in the morning feeling fine.

And then he was gone and it wasn’t that way any more and I got into the fix I have described. At night I kept seeing women’s bodies and women’s lips and things in my dreams, and woke up in the morning feeling like the old Harry.

Burt was pretty good to me. He always helped me cool Pick-it-boy out after a race and he did the things himself that take the most skill and quickness, like getting the bandages on a horse’s leg smooth, and seeing that every strap is setting just right, and every buckle drawn up to just the right hole, before your horse goes out on the track for a heat.

Burt knew there was something wrong with me and put himself out not to let the boss know. When the boss was around he was always bragging about me. “The brightest kid I’ve ever worked with around the tracks,” he would say and grin, and that at a time when I wasn’t worth my salt.

When you go out with the horses there is one job that always takes a lot of time. In the late afternoon, after your horse has been in a race and after you have washed him and rubbed him out, he has to be walked slowly, sometimes for hours and hours, so he’ll cool out slowly and won’t get muscle-bound. I got so I did that job for both our horses and Burt did the more important things. It left him free to go talk or shoot dice with the other niggers and I didn’t mind. I rather liked it and after a hard race even the stallion, O My Man, was tame enough, even when there were mares about.

You walk and walk and walk, around a little circle, and your horse’s head is right by your shoulder, and all around you the life of the place you are in is going on, and in a queer way you get so you aren’t really a part of it at all. Perhaps no one ever gets as I was then, except boys that aren’t quite men yet and who like me have never been with girls or women—to really be with them, up to the hilt, I mean. I used to wonder if young girls got that way too before they married or did what we used to call “go on the town.”

If I remember it right though, I didn’t do much thinking then. Often I would have forgotten supper if Burt hadn’t shouted at me and reminded me, and sometimes he forgot and went off to town with one of the other niggers and I did forget.

There I was with the horse, going slow slow slow, around a circle that way. The people were leaving the fair grounds now, some afoot, some driving away to the farms in wagons and fords. Clouds of dust floated in the air and over to the west, where the town was, maybe the sun was going down, a red ball of fire through the dust. Only a few hours before the crowd had been all filled with excitement and everyone shouting. Let us suppose my horse had been in a race that afternoon and I had stood in front of the grandstand with my horse blanket over my shoulder, alongside of Burt perhaps, and when they came into the stretch my owner began to call, in that queer high voice of his that seemed to float over the top of all the shouting up in the grandstand. And his voice was saying over and over, “Go, Pick-it-boy, Pick-it-boy, Pick-it-boy,” the way he always did, and my heart was thumping so I could hardly breathe, and Burt was leaning over and snapping his fingers and muttering, “Come, little sweet. Come on home. Your Mama wants you. Come get your ’lasses and bread, little Pick-it-boy.”

Well, all that was over now and the voices of the people left around were all low. And Pick-it-boy—I was leading him slowly around the little ring, to cool him out slowly, as I’ve said,—he was different too. Maybe he had pretty nearly broken his heart trying to get down to the wire in front, or getting down there in front, and now everything inside him was quiet and tired, as it was nearly all the time those days in me, except in me tired but not quiet.

You remember I’ve told you we always walked in a circle, round and round and round. I guess something inside me got to going round and round and round too. The sun did sometimes and the trees and the clouds of dust. I had to think sometimes about putting down my feet so they went down in the right place and I didn’t get to staggering like a drunken man.

And a funny feeling came that it is going to be hard to describe. It had something to do with the life in the horse and in me. Sometimes, these late years, I’ve thought maybe negroes would understand what I’m trying to talk about now better than any white man ever will. I mean something about men and animals, something between them, something that can perhaps only happen to a white man when he has slipped off his base a little, as I suppose I had then. I think maybe a lot of horsey people feel it sometimes though. It’s something like this, maybe—do you suppose it could be that something we whites have got, and think such a lot of, and are so proud about, isn’t much of any good after all?

It’s something in us that wants to be big and grand and important maybe and won’t let us just be, like a horse or a dog or a bird can. Let’s say Pick-it-boy had won his race that day. He did that pretty often that summer. Well, he was neither proud, like I would have been in his place, or mean in one part of the inside of him either. He was just himself, doing something with a kind of simplicity. That’s what Pick-it-boy was like and I got to feeling it in him as I walked with him slowly in the gathering darkness. I got inside him in some way I can’t explain and he got inside me. Often we would stop walking for no cause and he would put his nose up against my face.

I wished he was a girl sometimes or that I was a girl and he was a man. It’s an odd thing to say but it’s a fact. Being with him that way, so long, and in such a quiet way, cured something in me a little. Often after an evening like that I slept all right and did not have the kind of dreams I’ve spoken about.

But I wasn’t cured for very long and couldn’t get cured. My body seemed all right and just as good as ever but there wasn’t no pep in me.

Then the fall got later and later and we came to the last town we were going to make before my owner laid his horses up for the winter, in his home town over across the State line in Ohio, and the track was up on a hill, or rather in a kind of high plain above the town.

It wasn’t much of a place and the sheds were rather rickety and the track bad, especially at the turns. As soon as we got to the place and got stabled it began to rain and kept it up all week so the fair had to be put off.

As the purses weren’t very large a lot of the owners shipped right out but our owner stayed. The fair owners guaranteed expenses, whether the races were held the next week or not.

And all week there wasn’t much of anything for Burt and me to do but clean manure out of the stalls in the morning, watch for a chance when the rain let up a little to jog the horses around the track in the mud and then clean them off, blanket them and stick them back in their stalls.

It was the hardest time of all for me. Burt wasn’t so bad off as there were a dozen or two blacks around and in the evening they went off to town, got liquored-up a little and came home late, singing and talking, even in the cold rain.

And then one night I got mixed up in the thing I’m trying to tell you about.

It was a Saturday evening and when I look back at it now it seems to me everyone had left the tracks but just me. In the early evening swipe after swipe came over to my stall and asked me if I was going to stick around. When I said I was he would ask me to keep an eye out for him, that nothing happened to his horse. “Just take a stroll down that way now and then, eh, kid,” one of them would say, “I just want to run up to town for an hour or two.”

I would say “yes” to be sure, and so pretty soon it was dark as pitch up there in that little ruined fairground and nothing living anywhere around but the horses and me.

I stood it as long as I could, walking here and there in the mud and rain, and thinking all the time I wished I was someone else and not myself. “If I were someone else,” I thought, “I wouldn’t be here but down there in town with the others.” I saw myself going into saloons and having drinks and later going off to a house maybe and getting myself a woman.

I got to thinking so much that, as I went stumbling around up there in the darkness, it was as though what was in my mind was actually happening.

Only I wasn’t with some cheap woman, such as I would have found had I had the nerve to do what I wanted but with such a woman as I thought then I should never find in this world. She was slender and like a flower and with something in her like a race horse too, something in her like Pick-it-boy in the stretch, I guess.

And I thought about her and thought about her until I couldn’t stand thinking any more. “I’ll do something anyway,” I said to myself.

So, although I had told all the swipes I would stay and watch their horses, I went out of the fair grounds and down the hill a ways. I went down until I came to a little low saloon, not in the main part of the town itself but half way up the hillside. The saloon had once been a residence, a farmhouse perhaps, but if it was ever a farmhouse I’m sure the farmer who lived there and worked the land on that hillside hadn’t made out very well. The country didn’t look like a farming country, such as one sees all about the other county-seat towns we had been visiting all through the late summer and fall. Everywhere you looked there were stones sticking out of the ground and the trees mostly of the stubby, stunted kind. It looked wild and untidy and ragged, that’s what I mean. On the flat plain, up above, where the fairground was, there were a few fields and pastures, and there were some sheep raised and in the field right next to the tracks, on the furtherest side from town, on the back stretch side, there had once been a slaughter-house, the ruins of which were still standing. It hadn’t been used for quite some time but there were bones of animals lying all about in the field, and there was a smell coming out of the old building that would curl your hair.

The horses hated the place, just as we swipes did, and in the morning when we were jogging them around the track in the mud, to keep them in racing condition, Pick-it-boy and O My Man both raised old Ned every time we headed them up the back stretch and got near to where the old slaughter-house stood. They would rear and fight at the bit, and go off their stride and run until they got clear of the rotten smells, and neither Burt nor I could make them stop it. “It’s a hell of a town down there and this is a hell of a track for racing,” Burt kept saying. “If they ever have their danged old fair someone’s going to get spilled and maybe killed back here.” Whether they did or not I don’t know as I didn’t stay for the fair, for reasons I’ll tell you pretty soon, but Burt was speaking sense all right. A race horse isn’t like a human being. He won’t stand for it to have to do his work in any rotten ugly kind of a dump the way a man will, and he won’t stand for the smells a man will either.

But to get back to my story again. There I was, going down the hillside in the darkness and the cold soaking rain and breaking my word to all the others about staying up above and watching the horses. When I got to the little saloon I decided to stop and have a drink or two. I’d found out long before that about two drinks upset me so I was two-thirds piped and couldn’t walk straight, but on that night I didn’t care a tinker’s dam.

So I went up a kind of path, out of the road, toward the front door of the saloon. It was in what must have been the parlor of the place when it was a farmhouse and there was a little front porch.

I stopped before I opened the door and looked about a little. From where I stood I could look right down into the main street of the town, like being in a big city, like New York or Chicago, and looking down out of the fifteenth floor of an office building into the street.

The hillside was mighty steep and the road up had to wind and wind or no one could ever have come up out of the town to their plagued old fair at all.

It wasn’t much of a town I saw—a main street with a lot of saloons and a few stores, one or two dinky moving-picture places, a few fords, hardly any women or girls in sight and a raft of men. I tried to think of the girl I had been dreaming about, as I walked around in the mud and darkness up at the fair ground, living in the place but I couldn’t make it. It was like trying to think of Pick-it-boy getting himself worked up to the state I was in then, and going into the ugly dump I was going into. It couldn’t be done.

All the same I knew the town wasn’t all right there in sight. There must have been a good many of the kinds of houses Pennsylvania miners live in back in the hills, or around a turn in the valley in which the main street stood.

What I suppose is that, it being Saturday night and raining, the women and kids had all stayed at home and only the men were out, intending to get themselves liquored-up. I’ve been in some other mining towns since and if I was a miner and had to live in one of them, or in one of the houses they live in with their women and kids, I’d get out and liquor myself up too.

So there I stood looking, and as sick as a dog inside myself, and as wet and cold as a rat in a sewer pipe. I could see the mass of dark figures moving about down below, and beyond the main street there was a river that made a sound you could hear distinctly, even up where I was, and over beyond the river were some railroad tracks with switch engines going up and down. I suppose they had something to do with the mines in which the men of the town worked. Anyway, as I stood watching and listening there was, now and then, a sound like thunder rolling down the sky, and I suppose that was a lot of coal, maybe a whole carload, being let down plunk into a coal car.

And then besides there was, on the side of a hill far away, a long row of coke ovens. They had little doors, through which the light from the fire within leaked out and as they were set closely, side by side, they looked like the teeth of some big man-eating giant lying and waiting over there in the hills.

The sight of it all, even the sight of the kind of hellholes men are satisfied to go on living in, gave me the fantods and the shivers right down in my liver, and on that night I guess I had in me a kind of contempt for all men, including myself, that I’ve never had so thoroughly since. Come right down to it, I suppose women aren’t so much to blame as men. They aren’t running the show.

Then I pushed open the door and went into the saloon. There were about a dozen men, miners I suppose, playing cards at tables in a little long dirty room, with a bar at one side of it, and with a big red-faced man with a mustache standing back of the bar.

The place smelled, as such places do where men hang around who have worked and sweated in their clothes and perhaps slept in them too, and have never had them washed but have just kept on wearing them. I guess you know what I mean if you’ve ever been in a city. You smell that smell in a city, in street-cars on rainy nights when a lot of factory hands get on. I got pretty used to that smell when I was a tramp and pretty sick of it too.

And so I was in the place now, with a glass of whisky in my hand, and I thought all the miners were staring at me, which they weren’t at all, but I thought they were and so I felt just the same as though they had been. And then I looked up and saw my own face in the old cracked looking-glass back of the bar. If the miners had been staring, or laughing at me, I wouldn’t have wondered when I saw what I looked like.

It—I mean my own face—was white and pasty-looking, and for some reason, I can’t tell exactly why, it wasn’t my own face at all. It’s a funny business I’m trying to tell you about and I know what you may be thinking of me as well as you do, so you needn’t suppose I’m innocent or ashamed. I’m only wondering. I’ve thought about it a lot since and I can’t make it out. I know I was never that way before that night and I know I’ve never been that way since. Maybe it was lonesomeness, just lonesomeness, gone on in me too long. I’ve often wondered if women generally are lonesomer than men.

The point is that the face I saw in the looking-glass back of that bar, when I looked up from my glass of whisky that evening, wasn’t my own face at all but the face of a woman. It was a girl’s face, that’s what I mean. That’s what it was. It was a girl’s face, and a lonesome and scared girl too. She was just a kid at that.

When I saw that the glass of whisky came pretty near falling out of my hand but I gulped it down, put a dollar on the bar, and called for another. “I’ve got to be careful here—I’m up against something new,” I said to myself. “If any of these men in here get on to me there’s going to be trouble.” When I had got the second drink in me I called for a third and I thought, “When I get this third drink down I’ll get out of here and back up the hill to the fair ground before I make a fool of myself and begin to get drunk.”

And then, while I was thinking and drinking my third glass of whisky, the men in the room began to laugh and of course I thought they were laughing at me. But they weren’t. No one in the place had really paid any attention to me.

What they were laughing at was a man who had just come in at the door. I’d never seen such a fellow. He was a huge big man, with red hair, that stuck straight up like bristles out of his head, and he had a red-haired kid in his arms. The kid was just like himself, big, I mean, for his age, and with the same kind of stiff red hair.

He came and set the kid up on the bar, close beside me, and called for a glass of whisky for himself and all the men in the room began to shout and laugh at him and his kid. Only they didn’t shout and laugh when he was looking, so he could tell which ones did it, but did all their shouting and laughing when his head was turned the other way. They kept calling him “cracked.” “The crack is getting wider in the old tin pan,” someone sang and then they all laughed.

I’m puzzled you see, just how to make you feel as I felt that night. I suppose, having undertaken to write this story, that’s what I’m up against, trying to do that. I’m not claiming to be able to inform you or to do you any good. I’m just trying to make you understand some things about me, as I would like to understand some things about you, or anyone, if I had the chance. Anyway the whole blamed thing, the thing that went on I mean in that little saloon on that rainy Saturday night, wasn’t like anything quite real. I’ve already told you how I had looked into the glass back of the bar and had seen there, not my own face but the face of a scared young girl. Well, the men, the miners, sitting at the tables in the half dark room, the red-faced bartender, the unholy looking big man who had come in and his queer-looking kid, now sitting on the bar—all of them were like characters in some play, not like real people at all.

There was myself, that wasn’t myself—and I’m not any fairy. Anyone who has ever known me knows better than that.

And then there was the man who had come in. There was a feeling came out of him that wasn’t like the feeling you get from a man at all. It was more like the feeling you get maybe from a horse, only his eyes weren’t like a horse’s eyes. Horses’ eyes have a kind of calm something in them and his hadn’t. If you’ve ever carried a lantern through a wood at night, going along a path, and then suddenly you felt something funny in the air and stopped, and there ahead of you somewhere were the eyes of some little animal, gleaming out at you from a dead wall of darkness—The eyes shine big and quiet but there is a point right in the centre of each, where there is something dancing and wavering. You aren’t afraid the little animal will jump at you, you are afraid the little eyes will jump at you—that’s what’s the matter with you.

Only of course a horse, when you go into his stall at night, or a little animal you had disturbed in a wood that way, wouldn’t be talking and the big man who had come in there with his kid was talking. He kept talking all the time, saying something under his breath, as they say, and I could only understand now and then a few words. It was his talking made him kind of terrible. His eyes said one thing and his lips another. They didn’t seem to get together, as though they belonged to the same person.

For one thing the man was too big. There was about him an unnatural bigness. It was in his hands, his arms, his shoulders, his body, his head, a bigness like you might see in trees and bushes in a tropical country perhaps. I’ve never been in a tropical country but I’ve seen pictures. Only his eyes were small. In his big head they looked like the eyes of a bird. And I remember that his lips were thick, like negroes’ lips.

He paid no attention to me or to the others in the room but kept on muttering to himself, or to the kid sitting on the bar—I couldn’t tell to which.

First he had one drink and then, quick, another. I stood staring at him and thinking—a jumble of thoughts, I suppose.

What I must have been thinking was something like this. “Well he’s one of the kind you are always seeing about towns,” I thought. I meant he was one of the cracked kind. In almost any small town you go to you will find one, and sometimes two or three cracked people, walking around. They go through the street, muttering to themselves and people generally are cruel to them. Their own folks make a bluff at being kind, but they aren’t really, and the others in the town, men and boys, like to tease them. They send such a fellow, the mild silly kind, on some fool errand after a round square or a dozen post-holes or tie cards on his back saying “Kick me,” or something like that, and then carry on and laugh as though they had done something funny.

And so there was this cracked one in that saloon and I could see the men in there wanted to have some fun putting up some kind of horseplay on him, but they didn’t quite dare. He wasn’t one of the mild kind, that was a cinch. I kept looking at the man and at his kid, and then up at that strange unreal reflection of myself in the cracked looking-glass back of the bar. “Rats, rats, digging in the ground—miners are rats, little jack-rabbit,” I heard him say to his solemn-faced kid. I guess, after all, maybe he wasn’t so cracked.

The kid sitting on the bar kept blinking at his father, like an owl caught out in the daylight, and now the father was having another glass of whisky. He drank six glasses, one right after the other, and it was cheap ten-cent stuff. He must have had cast-iron insides all right.

Of the men in the room there were two or three (maybe they were really more scared than the others so had to put up a bluff of bravery by showing off) who kept laughing and making funny cracks about the big man and his kid and there was one fellow was the worst of the bunch. I’ll never forget that fellow because of his looks and what happened to him afterwards.

He was one of the showing-off kind all right, and he was the one that had started the song about the crack getting bigger in the old tin pan. He sang it two or three times, and then he grew bolder and got up and began walking up and down the room singing it over and over. He was a showy kind of man with a fancy vest, on which there were brown tobacco spots, and he wore glasses. Every time he made some crack he thought was funny, he winked at the others as though to say, “You see me. I’m not afraid of this big fellow,” and then the others laughed.

The proprietor of the place must have known what was going on, and the danger in it, because he kept leaning over the bar and saying, “Shush, now quit it,” to the showy-off man, but it didn’t do any good. The fellow kept prancing like a turkey-cock and he put his hat on one side of his head and stopped right back of the big man and sang that song about the crack in the old tin pan. He was one of the kind you can’t shush until they get their blocks knocked off, and it didn’t take him long to come to it that time anyhow.

Because the big fellow just kept on muttering to his kid and drinking his whisky, as though he hadn’t heard anything, and then suddenly he turned and his big hand flashed out and he grabbed, not the fellow who had been showing off, but me. With just a sweep of his arm he brought me up against his big body. Then he shoved me over with my breast jammed against the bar and looking right into his kid’s face and he said, “Now you watch him, and if you let him fall I’ll kill you,” in just quiet ordinary tones as though he was saying “good morning” to some neighbor.

Then the kid leaned over and threw his arms around my head, and in spite of that I did manage to screw my head around enough to see what happened.

It was a sight I’ll never forget. The big fellow had whirled around, and he had the showy-off man by the shoulder now, and the fellow’s face was a sight. The big man must have had some reputation as a bad man in the town, even though he was cracked for the man with the fancy vest had his mouth open now, and his hat had fallen off his head, and he was silent and scared. Once, when I was a tramp, I saw a kid killed by a train. The kid was walking on the rail and showing off before some other kids, by letting them see how close he could let an engine come to him before he got out of the way. And the engine was whistling and a woman, over on the porch of a house nearby, was jumping up and down and screaming, and the kid let the engine get nearer and nearer, wanting more and more to show off, and then he stumbled and fell. God, I’ll never forget the look on his face, in just the second before he got hit and killed, and now, there in that saloon, was the same terrible look on another face.

I closed my eyes for a moment and was sick all through me and then, when I opened my eyes, the big man’s fist was just coming down in the other man’s face. The one blow knocked him cold and he fell down like a beast hit with an axe.

And then the most terrible thing of all happened. The big man had on heavy boots, and he raised one of them and brought it down on the other man’s shoulder, as he lay white and groaning on the floor. I could hear the bones crunch and it made me so sick I could hardly stand up, but I had to stand up and hold on to that kid or I knew it would be my turn next.

Because the big fellow didn’t seem excited or anything, but kept on muttering to himself as he had been doing when he was standing peacefully by the bar drinking his whisky, and now he had raised his foot again, and maybe this time he would bring it down in the other man’s face and, “just eliminate his map for keeps,” as sports and prize-fighters sometimes say. I trembled, like I was having a chill, but thank God at that moment the kid, who had his arms around me and one hand clinging to my nose, so that there were the marks of his finger-nails on it the next morning, at that moment the kid, thank God, began to howl, and his father didn’t bother any more with the man on the floor but turned around, knocked me aside, and taking the kid in his arms tramped out of that place, muttering to himself as he had been doing ever since he came in.

I went out too but I didn’t prance out with any dignity, I’ll tell you that. I slunk out like a thief or a coward, which perhaps I am, partly anyhow.

And so there I was, outside there in the darkness, and it was as cold and wet and black and Godforsaken a night as any man ever saw. I was so sick at the thought of human beings that night I could have vomited to think of them at all. For a while I just stumbled along in the mud of the road, going up the hill, back to the fair ground, and then, almost before I knew where I was, I found myself in the stall with Pick-it-boy.

That was one of the best and sweetest feelings I’ve ever had in my whole life, being in that warm stall alone with that horse that night. I had told the other swipes that I would go up and down the row of stalls now and then and have an eye on the other horses, but I had altogether forgotten my promise now. I went and stood with my back against the side of the stall, thinking how mean and low and all balled-up and twisted-up human beings can become, and how the best of them are likely to get that way any time, just because they are human beings and not simple and clear in their minds, and inside themselves, as animals are, maybe.

Perhaps you know how a person feels at such a moment. There are things you think of, odd little things you had thought you had forgotten. Once, when you were a kid, you were with your father, and he was all dressed up, as for a funeral or Fourth of July, and was walking along a street holding your hand. And you were going past a railroad station, and there was a woman standing. She was a stranger in your town and was dressed as you had never seen a woman dressed before, and never thought you would see one, looking so nice. Long afterwards you knew that was because she had lovely taste in clothes, such as so few women have really, but then you thought she must be a queen. You had read about queens in fairy stories and the thoughts of them thrilled you. What lovely eyes the strange lady had and what beautiful rings she wore on her fingers.

Then your father came out, from being in the railroad station, maybe to set his watch by the station clock, and took you by the hand and he and the woman smiled at each other, in an embarrassed kind of way, and you kept looking longingly back at her, and when you were out of her hearing you asked your father if she really were a queen. And it may be that your father was one who wasn’t so very hot on democracy and a free country and talked-up bunk about a free citizenry, and he said he hoped she was a queen, and maybe, for all he knew, she was.

Or maybe, when you get jammed up as I was that night, and can’t get things clear about yourself or other people and why you are alive, or for that matter why anyone you can think about is alive, you think, not of people at all but of other things you have seen and felt—like walking along a road in the snow in the winter, perhaps out in Iowa, and hearing soft warm sounds in a barn close to the road, or of another time when you were on a hill and the sun was going down and the sky suddenly became a great soft-colored bowl, all glowing like a jewel-handled bowl, a great queen in some far away mighty kingdom might have put on a vast table out under the tree, once a year, when she invited all her loyal and loving subjects to come and dine with her.

I can’t, of course, figure out what you try to think about when you are as desolate as I was that night. Maybe you are like me and inclined to think of women, and maybe you are like a man I met once, on the road, who told me that when he was up against it he never thought of anything but grub and a big nice clean warm bed to sleep in. “I don’t care about anything else and I don’t ever let myself think of anything else,” he said. “If I was like you and went to thinking about women sometime I’d find myself hooked up to some skirt, and she’d have the old double cross on me, and the rest of my life maybe I’d be working in some factory for her and her kids.”

As I say, there I was anyway, up there alone with that horse in that warm stall in that dark lonesome fair ground and I had that feeling about being sick at the thought of human beings and what they could be like.

Well, suddenly I got again the queer feeling I’d had about him once or twice before, I mean the feeling about our understanding each other in some way I can’t explain.

So having it again I went over to where he stood and began running my hands all over his body, just because I loved the feel of him and as sometimes, to tell the plain truth, I’ve felt about touching with my hands the body of a woman I’ve seen and who I thought was lovely too. I ran my hands over his head and neck and then down over his hard firm round body and then over his flanks and down his legs. His flanks quivered a little I remember and once he turned his head and stuck his cold nose down along my neck and nipped my shoulder a little, in a soft playful way. It hurt a little but I didn’t care.

So then I crawled up through a hole into the loft above thinking that night was over anyway and glad of it, but it wasn’t, not by a long sight.

As my clothes were all soaking wet and as we race track swipes didn’t own any such things as night-gowns or pajamas I had to go to bed naked, of course.

But we had plenty of horse blankets and so I tucked myself in between a pile of them and tried not to think any more that night. The being with Pick-it-boy and having him close right under me that way made me feel a little better.

Then I was sound asleep and dreaming and—bang like being hit with a club by someone who has sneaked up behind you—I got another wallop.

What I suppose is that, being upset the way I was, I had forgotten to bolt the door to Pick-it-boy’s stall down below and two negro men had come in there, thinking they were in their own place, and had climbed up through the hole where I was. They were half lit up but not what you might call dead drunk, and I suppose they were up against something a couple of white swipes, who had some money in their pockets, wouldn’t have been up against.

What I mean is that a couple of white swipes, having liquored themselves up and being down there in the town on a bat, if they wanted a woman or a couple of women would have been able to find them. There is always a few women of that kind can be found around any town I’ve ever seen or heard of, and of course a bar tender would have given them the tip where to go.

But a negro, up there in that country, where there aren’t any, or anyway mighty few negro women, wouldn’t know what to do when he felt that way and would be up against it.

It’s so always. Burt and several other negroes I’ve known pretty well have talked to me about it, lots of times. You take now a young negro man—not a race track swipe or a tramp or any other low-down kind of a fellow—but, let us say, one who has been to college, and has behaved himself and tried to be a good man, the best he could, and be clean, as they say. He isn’t any better off, is he? If he has made himself some money and wants to go sit in a swell restaurant, or go to hear some good music, or see a good play at the theatre, he gets what we used to call on the tracks, “the messy end of the dung fork,” doesn’t he?

And even in such a low-down place as what people call a “bad house” it’s the same way. The white swipes and others can go into a place where they have negro women fast enough, and they do it too, but you let a negro swipe try it the other way around and see how he comes out.

You see, I can think this whole thing out fairly now, sitting here in my own house and writing, and with my wife Jessie in the kitchen making a pie or something, and I can show just how the two negro men who came into that loft, where I was asleep, were justified in what they did, and I can preach about how the negroes are up against it in this country, like a daisy, but I tell you what, I didn’t think things out that way that night.

For, you understand, what they thought, they being half liquored-up, and when one of them had jerked the blankets off me, was that I was a woman. One of them carried a lantern but it was smoky and dirty and didn’t give out much light. So they must have figured it out—my body being pretty white and slender then, like a young girl’s body I suppose—that some white swipe had brought me up there. The kind of girls around a town that will come with a swipe to a race track on a rainy night aren’t very fancy females but you’ll find that kind in the towns all right. I’ve seen many a one in my day.

And so, I figure, these two big buck niggers, being piped that way, just made up their minds they would snatch me away from the white swipe who had brought me out there, and who had left me lying carelessly around.

“Jes’ you lie still honey. We ain’t gwine hurt you none,” one of them said, with a little chuckling laugh that had something in it besides a laugh, too. It was the kind of laugh that gives you the shivers.

The devil of it was I couldn’t say anything, not even a word. Why I couldn’t yell out and say “What the hell,” and just kid them a little and shoo them out of there I don’t know, but I couldn’t. I tried and tried so that my throat hurt but I didn’t say a word. I just lay there staring at them.

It was a mixed-up night. I’ve never gone through another night like it.

Was I scared? Lord Almighty, I’ll tell you what, I was scared.

Because the two big black faces were leaning right over me now, and I could feel their liquored-up breaths on my cheeks, and their eyes were shining in the dim light from that smoky lantern, and right in the centre of their eyes was that dancing flickering light I’ve told you about your seeing in the eyes of wild animals, when you were carrying a lantern through the woods at night.

It was a puzzler! All my life, you see—me never having had any sisters, and at that time never having had a sweetheart either—I had been dreaming and thinking about women, and I suppose I’d always been dreaming about a pure innocent one, for myself, made for me by God, maybe. Men are that way. No matter how big they talk about “let the women go hang,” they’ve always got that notion tucked away inside themselves, somewhere. It’s a kind of chesty man’s notion, I suppose, but they’ve got it and the kind of up-and-coming women we have nowdays who are always saying, “I’m as good as a man and will do what the men do,” are on the wrong trail if they really ever want to, what you might say “hog-tie” a fellow of their own.

So I had invented a kind of princess, with black hair and a slender willowy body to dream about. And I thought of her as being shy and afraid to ever tell anything she really felt to anyone but just me. I suppose I fancied that if I ever found such a woman in the flesh I would be the strong sure one and she the timid shrinking one.

And now I was that woman, or something like her, myself.

I gave a kind of wriggle, like a fish, you have just taken off the hook. What I did next wasn’t a thought-out thing. I was caught and I squirmed, that’s all.

The two niggers both jumped at me but somehow—the lantern having been kicked over and having gone out the first move they made—well in some way, when they both lunged at me they missed.

As good luck would have it my feet found the hole, where you put hay down to the horse in the stall below, and through which we crawled up when it was time to go to bed in our blankets up in the hay, and down I slid, not bothering to try to find the ladder with my feet but just letting myself go.

In less than a second I was out of doors in the dark and the rain and the two blacks were down the hole and out the door of the stall after me.

How long or how far they really followed me I suppose I’ll never know. It was black dark and raining hard now and a roaring wind had begun to blow. Of course, my body being white, it must have made some kind of a faint streak in the darkness as I ran, and anyway I thought they could see me and I knew I couldn’t see them and that made my terror ten times worse. Every minute I thought they would grab me.

You know how it is when a person is all upset and full of terror as I was. I suppose maybe the two niggers followed me for a while, running across the muddy race track and into the grove of trees that grew in the oval inside the track, but likely enough, after just a few minutes, they gave up the chase and went back, found their own place and went to sleep. They were liquored-up, as I’ve said, and maybe partly funning too.

But I didn’t know that, if they were. As I ran I kept hearing sounds, sounds made by the rain coming down through the dead old leaves left on the trees and by the wind blowing, and it may be that the sound that scared me most of all was my own bare feet stepping on a dead branch and breaking it or something like that.

There was something strange and scary, a steady sound, like a heavy man running and breathing hard, right at my shoulder. It may have been my own breath, coming quick and fast. And I thought I heard that chuckling laugh I’d heard up in the loft, the laugh that sent the shivers right down through me. Of course every tree I came close to looked like a man standing there, ready to grab me, and I kept dodging and going—bang—into other trees. My shoulders kept knocking against trees in that way and the skin was all knocked off, and every time it happened I thought a big black hand had come down and clutched at me and was tearing my flesh.

How long it went on I don’t know, maybe an hour, maybe five minutes. But anyway the darkness didn’t let up, and the terror didn’t let up, and I couldn’t, to save my life, scream or make any sound.

Just why I couldn’t I don’t know. Could it be because at the time I was a woman, while at the same time I wasn’t a woman? It may be that I was too ashamed of having turned into a girl and being afraid of a man to make any sound. I don’t know about that. It’s over my head.

But anyway I couldn’t make a sound. I tried and tried and my throat hurt from trying and no sound came.

And then, after a long time, or what seemed like a long time, I got out from among the trees inside the track and was on the track itself again. I thought the two black men were still after me, you understand, and I ran like a madman.

Of course, running along the track that way, it must have been up the back stretch, I came after a time to where the old slaughter-house stood, in that field, beside the track. I knew it by its ungodly smell, scared as I was. Then, in some way, I managed to get over the high old fairground fence and was in the field, where the slaughter-house was.

All the time I was trying to yell or scream, or be sensible and tell those two black men that I was a man and not a woman, but I couldn’t make it. And then I heard a sound like a board cracking or breaking in the fence and thought they were still after me.

So I kept on running like a crazy man, in the field, and just then I stumbled and fell over something. I’ve told you how the old slaughter-house field was filled with bones, that had been lying there a long time and had all been washed white. There were heads of sheep and cows and all kinds of things.

And when I fell and pitched forward I fell right into the midst of something, still and cold and white.

It was probably the skeleton of a horse lying there. In small towns like that, they take an old worn-out horse, that has died, and haul him off to some field outside of town and skin him for the hide, that they can sell for a dollar or two. It doesn’t make any difference what the horse has been, that’s the way he usually ends up. Maybe even Pick-it-boy, or O My Man, or a lot of other good fast ones I’ve seen and known have ended that way by this time.

And so I think it was the bones of a horse lying there and he must have been lying on his back. The birds and wild animals had picked all his flesh away and the rain had washed his bones clean.

Anyway I fell and pitched forward and my side got cut pretty deep and my hands clutched at something. I had fallen right in between the ribs of the horse and they seemed to wrap themselves around me close. And my hands, clutching upwards, had got hold of the cheeks of that dead horse and the bones of his cheeks were cold as ice with the rain washing over them. White bones wrapped around me and white bones in my hands.

There was a new terror now that seemed to go down to the very bottom of me, to the bottom of the inside of me, I mean. It shook me like I have seen a rat in a barn shaken by a dog. It was a terror like a big wave that hits you when you are walking on a seashore, maybe. You see it coming and you try to run and get away but when you start to run inshore there is a stone cliff you can’t climb. So the wave comes high as a mountain, and there it is, right in front of you and nothing in all this world can stop it. And now it had knocked you down and rolled and tumbled you over and over and washed you clean, clean, but dead maybe.

And that’s the way I felt—I seemed to myself dead with blind terror, it was a feeling like the finger of God running down your back and burning you clean, I mean.

It burned all that silly nonsense about being a girl right out of me.

I screamed at last and the spell that was on me was broken. I’ll bet the scream I let out of me could have been heard a mile and a half.

Right away I felt better and crawled out from among the pile of bones, and then I stood on my own feet again and I wasn’t a woman, or a young girl any more but a man and my own self, and as far as I know I’ve been that way ever since. Even the black night seemed warm and alive now, like a mother might be to a kid in the dark.

Only I couldn’t go back to the race track because I was blubbering and crying and was ashamed of myself and of what a fool I had made of myself. Someone might see me and I couldn’t stand that, not at that moment.

So I went across the field, walking now, not running like a crazy man, and pretty soon I came to a fence and crawled over and got into another field, in which there was a straw stack, I just happened to find in the pitch darkness.

The straw stack had been there a long time and some sheep had nibbled away at it until they had made a pretty deep hole, like a cave, in the side of it. I found the hole and crawled in and there were some sheep in there, about a dozen of them.

When I came in, creeping on my hands and knees, they didn’t make much fuss, just stirred around a little and then settled down.

So I settled down amongst them too. They were warm and gentle and kind, like Pick-it-boy, and being in there with them made me feel better than I would have felt being with any human person I knew at that time.

So I settled down and slept after a while, and when I woke up it was daylight and not very cold and the rain was over. The clouds were breaking away from the sky now and maybe there would be a fair the next week but if there was I knew I wouldn’t be there to see it.

Because what I expected to happen did happen. I had to go back across the fields and the fairground to the place where my clothes were, right in the broad daylight, and me stark naked, and of course I knew someone would be up and would raise a shout, and every swipe and every driver would stick his head out and would whoop with laughter.

And there would be a thousand questions asked, and I would be too mad and too ashamed to answer, and would perhaps begin to blubber, and that would make me more ashamed than ever.

It all turned out just as I expected, except that when the noise and the shouts of laughter were going it the loudest, Burt came out of the stall where O My Man was kept, and when he saw me he didn’t know what was the matter but he knew something was up that wasn’t on the square and for which I wasn’t to blame.

So he got so all-fired mad he couldn’t speak for a minute, and then he grabbed a pitchfork and began prancing up and down before the other stalls, giving that gang of swipes and drivers such a royal old dressing-down as you never heard. You should have heard him sling language. It was grand to hear.

And while he was doing it I sneaked up into the loft, blubbering because I was so pleased and happy to hear him swear that way, and I got my wet clothes on quick and got down, and gave Pick-it-boy a good-bye kiss on the cheek and lit out.

The last I saw of all that part of my life was Burt, still going it, and yelling out for the man who had put up a trick on me to come out and get what was coming to him. He had the pitchfork in his hand and was swinging it around, and every now and then he would make a kind of lunge at a tree or something, he was so mad through, and there was no one else in sight at all. And Burt didn’t even see me cutting out along the fence through a gate and down the hill and out of the race horse and the tramp life for the rest of my days.

MILK BOTTLES

MILK BOTTLES

I LIVED, during that summer, in a large room on the top floor of an old house on the North Side in Chicago. It was August and the night was hot. Until after midnight I sat—the sweat trickling down my back—under a lamp, laboring to feel my way into the lives of the fanciful people who were trying also to live in the tale on which I was at work.

It was a hopeless affair.

I became involved in the efforts of the shadowy people and they in turn became involved in the fact of the hot uncomfortable room, in the fact that, although it was what the farmers of the Middle West call “good corn-growing weather” it was plain hell to be alive in Chicago. Hand in hand the shadowy people of my fanciful world and myself groped our way through a forest in which the leaves had all been burned off the trees. The hot ground burned the shoes off our feet. We were striving to make our way through the forest and into some cool beautiful city. The fact is, as you will clearly understand, I was a little off my head.

When I gave up the struggle and got to my feet the chairs in the room danced about. They also were running aimlessly through a burning land and striving to reach some mythical city. “I’d better get out of here and go for a walk or go jump into the lake and cool myself off,” I thought.

I went down out of my room and into the street. On a lower floor of the house lived two burlesque actresses who had just come in from their evening’s work and who now sat in their room talking. As I reached the street something heavy whirled past my head and broke on the stone pavement. A white liquid spurted over my clothes and the voice of one of the actresses could be heard coming from the one lighted room of the house. “Oh, hell! We live such damned lives, we do, and we work in such a town! A dog is better off! And now they are going to take booze away from us too! I come home from working in that hot theatre on a hot night like this and what do I see—a half-filled bottle of spoiled milk standing on a window sill!

“I won’t stand it! I got to smash everything!” she cried.

I walked eastward from my house. From the northwestern end of the city great hordes of men women and children had come to spend the night out of doors, by the shore of the lake. It was stifling hot there too and the air was heavy with a sense of struggle. On a few hundred acres of flat land, that had formerly been a swamp, some two million people were fighting for the peace and quiet of sleep and not getting it. Out of the half darkness, beyond the little strip of park land at the water’s edge, the huge empty houses of Chicago’s fashionable folk made a greyish-blue blot against the sky. “Thank the gods,” I thought, “there are some people who can get out of here, who can go to the mountains or the seashore or to Europe.” I stumbled in the half darkness over the legs of a woman who was lying and trying to sleep on the grass. A baby lay beside her and when she sat up it began to cry. I muttered an apology and stepped aside and as I did so my foot struck a half-filled milk bottle and I knocked it over, the milk running out on the grass. “Oh, I’m sorry. Please forgive me,” I cried. “Never mind,” the woman answered, “the milk is sour.”

He is a tall stoop-shouldered man with prematurely greyed hair and works as a copy writer in an advertising agency in Chicago—an agency where I also have sometimes been employed—and on that night in August I met him, walking with quick eager strides along the shore of the lake and past the tired petulant people. He did not see me at first and I wondered at the evidence of life in him when everyone else seemed half dead; but a street lamp hanging over a nearby roadway threw its light down upon my face and he pounced. “Here you, come up to my place,” he cried sharply. “I’ve got something to show you. I was on my way down to see you. That’s where I was going,” he lied as he hurried me along.

We went to his apartment on a street leading back from the lake and the park. German, Polish, Italian and Jewish families, equipped with soiled blankets and the ever-present half-filled bottles of milk, had come prepared to spend the night out of doors; but the American families in the crowd were giving up the struggle to find a cool spot and a little stream of them trickled along the sidewalks, going back to hot beds in the hot houses.

It was past one o’clock and my friend’s apartment was disorderly as well as hot. He explained that his wife, with their two children, had gone home to visit her mother on a farm near Springfield, Illinois.

We took off our coats and sat down. My friend’s thin cheeks were flushed and his eyes shone. “You know—well—you see,” he began and then hesitated and laughed like an embarrassed schoolboy. “Well now,” he began again, “I’ve long been wanting to write something real, something besides advertisements. I suppose I’m silly but that’s the way I am. It’s been my dream to write something stirring and big. I suppose it’s the dream of a lot of advertising writers, eh? Now look here—don’t you go laughing. I think I’ve done it.”

He explained that he had written something concerning Chicago, the capital and heart, as he said, of the whole Central West. He grew angry. “People come here from the East or from farms, or from little holes of towns like I came from and they think it smart to run Chicago into the ground,” he declared. “I thought I’d show ’em up,” he added, jumping up and walking nervously about the room.

He handed me many sheets of paper covered with hastily scrawled words, but I protested and asked him to read it aloud. He did, standing with his face turned away from me. There was a quiver in his voice. The thing he had written concerned some mythical town I had never seen. He called it Chicago, but in the same breath spoke of great streets flaming with color, ghostlike buildings flung up into night skies and a river, running down a path of gold into the boundless West. It was the city, I told myself, I and the people of my story had been trying to find earlier on that same evening, when because of the heat I went a little off my head and could not work any more. The people of the city, he had written about, were a cool-headed, brave people, marching forward to some spiritual triumph, the promise of which was inherent in the physical aspects of the town.

Now I am one who, by the careful cultivation of certain traits in my character, have succeeded in building up the more brutal side of my nature, but I cannot knock women and children down in order to get aboard Chicago street-cars, nor can I tell an author to his face that I think his work is rotten.

“You’re all right, Ed. You’re great. You’ve knocked out a regular soc-dolager of a masterpiece here. Why you sound as good as Henry Mencken writing about Chicago as the literary centre of America, and you’ve lived in Chicago and he never did. The only thing I can see you’ve missed is a little something about the stockyards, and you can put that in later,” I added and prepared to depart.

“What’s this?” I asked, picking up a half-dozen sheets of paper that lay on the floor by my chair. I read it eagerly. And when I had finished reading it he stammered and apologized and then, stepping across the room, jerked the sheets out of my hand and threw them out at an open window. “I wish you hadn’t seen that. It’s something else I wrote about Chicago,” he explained. He was flustered.

“You see the night was so hot, and, down at the office, I had to write a condensed-milk advertisement, just as I was sneaking away to come home and work on this other thing, and the street-car was so crowded and the people stank so, and when I finally got home here—the wife being gone—the place was a mess. Well, I couldn’t write and I was sore. It’s been my chance, you see, the wife and kids being gone and the house being quiet. I went for a walk. I think I went a little off my head. Then I came home and wrote that stuff I’ve just thrown out of the window.”

He grew cheerful again. “Oh, well—it’s all right. Writing that fool thing stirred me up and enabled me to write this other stuff, this real stuff I showed you first, about Chicago.”

And so I went home and to bed, having in this odd way stumbled upon another bit of the kind of writing that is—for better or worse—really presenting the lives of the people of these towns and cities—sometimes in prose, sometimes in stirring colorful song. It was the kind of thing Mr. Sandburg or Mr. Masters might have done after an evening’s walk on a hot night in, say West Congress Street in Chicago.

The thing I had read of Ed’s, centred about a half-filled bottle of spoiled milk standing dim in the moonlight on a window sill. There had been a moon earlier on that August evening, a new moon, a thin crescent golden streak in the sky. What had happened to my friend, the advertising writer, was something like this—I figured it all out as I lay sleepless in bed after our talk.

I am sure I do not know whether or not it is true that all advertising writers and newspaper men, want to do other kinds of writing, but Ed did all right. The August day that had preceded the hot night had been a hard one for him to get through. All day he had been wanting to be at home in his quiet apartment producing literature, rather than sitting in an office and writing advertisements. In the late afternoon, when he had thought his desk cleared for the day, the boss of the copy writers came and ordered him to write a page advertisement for the magazines on the subject of condensed milk. “We got a chance to get a new account if we can knock out some crackerjack stuff in a hurry,” he said. “I’m sorry to have to put it up to you on such a rotten hot day, Ed, but we’re up against it. Let’s see if you’ve got some of the old pep in you. Get down to hardpan now and knock out something snappy and unusual before you go home.”

Ed had tried. He put away the thoughts he had been having about the city beautiful—the glowing city of the plains—and got right down to business. He thought about milk, milk for little children, the Chicagoans of the future, milk that would produce a little cream to put in the coffee of advertising writers in the morning, sweet fresh milk to keep all his brother and sister Chicagoans robust and strong. What Ed really wanted was a long cool drink of something with a kick in it, but he tried to make himself think he wanted a drink of milk. He gave himself over to thoughts of milk, milk condensed and yellow, milk warm from the cows his father owned when he was a boy—his mind launched a little boat and he set out on a sea of milk.

Out of it all he got what is called an original advertisement. The sea of milk on which he sailed became a mountain of cans of condensed milk, and out of that fancy he got his idea. He made a crude sketch for a picture showing wide rolling green fields with white farm houses. Cows grazed on the green hills and at one side of the picture a barefooted boy was driving a herd of Jersey cows out of the sweet fair land and down a lane into a kind of funnel at the small end of which was a tin of the condensed milk. Over the picture he put a heading: “The health and freshness of a whole countryside is condensed into one can of Whitney-Wells Condensed Milk.” The head copy writer said it was a humdinger.

And then Ed went home. He wanted to begin writing about the city beautiful at once and so didn’t go out to dinner, but fished about in the ice chest and found some cold meat out of which he made himself a sandwich. Also, he poured himself a glass of milk, but it was sour. “Oh, damn!” he said and poured it into the kitchen sink.

As Ed explained to me later, he sat down and tried to begin writing his real stuff at once, but he couldn’t seem to get into it. The last hour in the office, the trip home in the hot smelly car, and the taste of the sour milk in his mouth had jangled his nerves. The truth is that Ed has a rather sensitive, finely balanced nature, and it had got mussed up.

He took a walk and tried to think, but his mind wouldn’t stay where he wanted it to. Ed is now a man of nearly forty and on that night his mind ran back to his young manhood in the city,—and stayed there. Like other boys who had become grown men in Chicago, he had come to the city from a farm at the edge of a prairie town, and like all such town and farm boys, he had come filled with vague dreams.

What things he had hungered to do and be in Chicago! What he had done you can fancy. For one thing he had got himself married and now lived in the apartment on the North Side. To give a real picture of his life during the twelve or fifteen years that had slipped away since he was a young man would involve writing a novel, and that is not my purpose.

Anyway, there he was in his room—come home from his walk—and it was hot and quiet and he could not manage to get into his masterpiece. How still it was in the apartment with the wife and children away! His mind stayed on the subject of his youth in the city.

He remembered a night of his young manhood when he had gone out to walk, just as he did on that August evening. Then his life wasn’t complicated by the fact of the wife and children and he lived alone in his room; but something had got on his nerves then, too. On that evening long ago he grew restless in his room and went out to walk. It was summer and first he went down by the river where ships were being loaded and then to a crowded park where girls and young fellows walked about.

He grew bold and spoke to a woman who sat alone on a park bench. She let him sit beside her and, because it was dark and she was silent, he began to talk. The night had made him sentimental. “Human beings are such hard things to get at. I wish I could get close to someone,” he said. “Oh, you go on! What you doing? You ain’t trying to kid someone?” asked the woman.

Ed jumped up and walked away. He went into a long street lined with dark silent buildings and then stopped and looked about. What he wanted was to believe that in the apartment buildings were people who lived intense eager lives, who had great dreams, who were capable of great adventures. “They are really only separated from me by the brick walls,” was what he told himself on that night.

It was then that the milk bottle theme first got hold of him. He went into an alleyway to look at the backs of the apartment buildings and, on that evening also, there was a moon. Its light fell upon a long row of half-filled bottles standing on window sills.

Something within him went a little sick and he hurried out of the alleyway and into the street. A man and woman walked past him and stopped before the entrance to one of the buildings. Hoping they might be lovers, he concealed himself in the entrance to another building to listen to their conversation.

The couple turned out to be a man and wife and they were quarreling. Ed heard the woman’s voice saying: “You come in here. You can’t put that over on me. You say you just want to take a walk, but I know you. You want to go out and blow in some money. What I’d like to know is why you don’t loosen up a little for me.”

That is the story of what happened to Ed, when, as a young man, he went to walk in the city in the evening, and when he had become a man of forty and went out of his house wanting to dream and to think of a city beautiful, much the same sort of thing happened again. Perhaps the writing of the condensed milk advertisement and the taste of the sour milk he had got out of the ice box had something to do with his mood; but, anyway, milk bottles, like a refrain in a song, got into his brain. They seemed to sit and mock at him from the windows of all the buildings in all the streets, and when he turned to look at people, he met the crowds from the West and the Northwest Sides going to the park and the lake. At the head of each little group of people marched a woman who carried a milk bottle in her hand.

And so, on that August night, Ed went home angry and disturbed, and in anger wrote of his city. Like the burlesque actress in my own house he wanted to smash something, and, as milk bottles were in his mind, he wanted to smash milk bottles. “I could grasp the neck of a milk bottle. It fits the hand so neatly. I could kill a man or woman with such a thing,” he thought desperately.

He wrote, you see, the five or six sheets I had read in that mood and then felt better. And after that he wrote about the ghostlike buildings flung into the sky by the hands of a brave adventurous people and about the river that runs down a path of gold, and into the boundless West.

As you have already concluded, the city he described in his masterpiece was lifeless, but the city he, in a queer way, expressed in what he wrote about the milk bottle could not be forgotten. It frightened you a little but there it was and in spite of his anger or perhaps because of it, a lovely singing quality had got into the thing. In those few scrawled pages the miracle had been worked. I was a fool not to have put the sheets into my pocket. When I went down out of his apartment that evening I did look for them in a dark alleyway, but they had become lost in a sea of rubbish that had leaked over the tops of a long row of tin ash cans that stood at the foot of a stairway leading from the back doors of the apartments above.

THE SAD HORN BLOWERS

THE SAD HORN BLOWERS

IT had been a disastrous year in Will’s family. The Appletons lived on one of the outlying streets of Bidwell and Will’s father was a house painter. In early February, when there was deep snow on the ground, and a cold bitter wind blew about the houses, Will’s mother suddenly died. He was seventeen years old then, and rather a big fellow for his age.

The mother’s death happened abruptly, without warning, as a sleepy man kills a fly with the hand in a warm room on a summer day. On one February day there she was coming in at the kitchen door of the Appleton’s house, from hanging the wash out on the line in the back yard, and warming her long hands, covered with blue veins, by holding them over the kitchen stove—and then looking about at the children with that half-hidden, shy smile of hers—there she was like that, as the three children had always known her, and then, but a week later, she was cold in death and lying in her coffin in the place vaguely spoken of in the family as “the other room.”

After that, and when summer came and the family was trying hard to adjust itself to the new conditions, there came another disaster. Up to the very moment when it happened it looked as though Tom Appleton, the house painter, was in for a prosperous season. The two boys, Fred and Will, were to be his assistants that year.

To be sure Fred was only fifteen, but he was one to lend a quick alert hand at almost any undertaking. For example, when there was a job of paper hanging to be done, he was the fellow to spread on the paste, helped by an occasional sharp word from his father.

Down off his step ladder Tom Appleton hopped and ran to the long board where the paper was spread out. He liked this business of having two assistants about. Well, you see, one had the feeling of being at the head of something, of managing affairs. He grabbed the paste brush out of Fred’s hand. “Don’t spare the paste,” he shouted. “Slap her on like this. Spread her out—so. Do be sure to catch all the edges.”

It was all very warm, and comfortable, and nice, working at paper-hanging jobs in the houses on the March and April days. When it was cold or rainy outside, stoves were set up in the new houses being built, and in houses already inhabited the folks moved out of the rooms to be papered, spread newspapers on the floors over the carpets and put sheets over the furniture left in the rooms. Outside it rained or snowed, but inside it was warm and cosy.

To the Appletons it seemed, at the time, as though the death of the mother had drawn them closer together. Both Will and Fred felt it, perhaps Will the more consciously. The family was rather in the hole financially—the mother’s funeral had cost a good deal of money, and Fred was being allowed to stay out of school. That pleased him. When they worked in a house where there were other children, they came home from school in the late afternoon and looked in through the door to where Fred was spreading paste over the sheets of wall paper. He made a slapping sound with the brush, but did not look at them. “Ah, go on, you kids,” he thought. This was a man’s business he was up to. Will and his father were on the step ladders, putting the sheets carefully into place on the ceilings and walls. “Does she match down there?” the father asked sharply. “Oh-kay, go ahead,” Will replied. When the sheet was in place Fred ran and rolled out the laps with a little wooden roller. How jealous the kids of the house were. It would be a long time before any of them could stay out of school and do a man’s work, as Fred was doing.

And then in the evening, walking homeward, it was nice, too. Will and Fred had been provided with suits of white overalls that were now covered with dried paste and spots of paint and looked really professional. They kept them on and drew their overcoats on over them. Their hands were stiff with paste, too. On Main Street the lights were lighted, and other men passing called to Tom Appleton. He was called Tony in the town. “Hello, Tony!” some storekeeper shouted. It was rather too bad, Will thought that his father hadn’t more dignity. He was too boyish. Young boys growing up and merging into manhood do not fancy fathers being too boyish. Tom Appleton played a cornet in the Bidwell Silver Cornet Band and didn’t do the job very well—rather made a mess of it, when there was a bit of solo work to be done—but was so well liked by the other members of the band that no one said anything. And then he talked so grandly about music, and about the lip of a cornet player, that everyone thought he must be all right. “He has an education. I tell you what, Tony Appleton knows a lot. He’s a smart one,” the other members of the band were always saying to each other.

“Well, the devil! A man should grow up after a time, perhaps. When a man’s wife had died but such a short time before, it was just as well to walk through Main Street with more dignity—for the time being, anyway.”

Tom Appleton had a way of winking at men he passed in the street, as though to say, “Well, now I’ve got my kids with me, and we won’t say anything, but didn’t you and I have the very hell of a time last Wednesday night, eh? Mum’s the word, old pal. Keep everything quiet. There are gay times ahead for you and me. We’ll cut loose, you bet, when you and me are out together next time.”

Will grew a little angry about something he couldn’t exactly understand. His father stopped in front of Jake Mann’s meat market. “You kids go along home. Tell Kate I am bringing a steak. I’ll be right on your heels,” he said.

He would get the steak and then he would go into Alf Geiger’s saloon and get a good, stiff drink of whisky. There would be no one now to bother about smelling it on his breath when he got home later. Not that his wife had ever said anything when he wanted a drink—but you know how a man feels when there’s a woman in the house. “Why, hello, Bildad Smith—how’s the old game leg? Come on, have a little nip with me. Were you on Main Street last band meeting night and did you hear us do that new gallop? It’s a humdinger. Turkey White did that trombone solo simply grand.”

Will and Fred had got beyond Main Street now, and Will took a small pipe with a curved stem out of his overcoat pocket and lighted it. “I’ll bet I could hang a ceiling without father there at all, if only some one would give me a chance,” he said. Now that his father was no longer present to embarrass him with his lack of dignity, he felt comfortable and happy. Also, it was something to be able to smoke a pipe without discomfiture. When mother was alive she was always kissing a fellow when he came home at night, and then one had to be mighty careful about smoking. Now it was different. One had become a man and one accepted manhood with its responsibilities. “Don’t it make you sick at all?” Fred asked. “Huh, naw!” Will answered contemptuously.

The new disaster to the family came late in August, just when the fall work was all ahead, and the prospects good too. A. P. Wrigley, the jeweler, had just built a big, new house and barn on a farm he had bought the year before. It was a mile out of town on the Turner pike.

That would be a job to set the Appletons up for the winter. The house was to have three coats outside, with all the work inside, and the barn was to have two coats—and the two boys were to work with their father and were to have regular wages.

And just to think of the work to be done inside that house made Tom Appleton’s mouth water. He talked of it all the time, and in the evenings liked to sit in a chair in the Appleton’s front yard, get some neighbor over, and then go on about it. How he slung house-painter’s lingo about! The doors and cupboards were to be grained in imitation of weathered oak, the front door was to be curly maple, and there was to be black walnut, too. Well, there wasn’t another painter in the town could imitate all the various kinds of wood as Tom could. Just show him the wood, or tell him—you didn’t have to show him anything. Name what you wanted—that was enough. To be sure a man had to have the right tools, but give him the tools and then just go off and leave everything to him. What the devil! When A. P. Wrigley gave him this new house to do, he showed he was a man who knew what he was doing.

As for the practical side of the matter, everyone in the family knew that the Wrigley job meant a safe winter. There wasn’t any speculation, as when taking work on the contract plan. All work was to be paid for by the day, and the boys were to have their wages, too. It meant new suits for the boys, a new dress and maybe a hat for Kate, the house rent paid all winter, potatoes in the cellar. It meant safety—that was the truth.

In the evenings, sometimes, Tom got out his tools and looked at them. Brushes and graining tools were spread out on the kitchen table, and Kate and the boys gathered about. It was Fred’s job to see that all brushes were kept clean and, one by one, Tom ran his fingers over them, and then worked them back and forth over the palm of his hand. “This is a camel’s hair,” he said, picking a soft fine-haired brush up and handing it to Will. “I paid four dollars and eighty cents for that.” Will also worked it back and forth over the palm of his hand, just as his father had done and then Kate picked it up and did the same thing. “It’s as soft as the cat’s back,” she said. Will thought that rather silly. He looked forward to the day when he would have brushes ladders and pots of his own, and could show them off before people and through his mind went words he had picked up from his father’s talk. One spoke of the “heel” and “toe” of a brush. The way to put on varnish was to “flow” it on. Will knew all the words of his trade now and didn’t have to talk like one of the kind of muts who just does, now and then, a jack job of house painting.

On the fatal evening a surprise party was held for Mr. and Mrs. Bardshare, who lived just across the road from the Appletons on Piety Hill. That was a chance for Tom Appleton. In any such affair he liked to have a hand in the arrangements. “Come on now, we’ll make her go with a bang. They’ll be setting in the house after supper, and Bill Bardshare will be in his stocking feet, and Ma Bardshare washing the dishes. They won’t be expecting nothing, and we’ll slip up, all dressed in our Sundey clothes, and let out a whoop. I’ll bring my cornet and let out a blast on that too. ‘What in Sam Hill is that?’ Say, I can just see Bill Bardshare jumping up and beginning to swear, thinking we’re a gang of kids come to bother him, like Hallowe’en, or something like that. You just get the grub, and I’ll make the coffee over to my house and bring it over hot. I’ll get ahold of two big pots and make a whooping lot of it.”

In the Appleton house all was in a flurry. Tom, Will and Fred were painting a barn, three miles out of town, but they knocked off work at four and Tom got the farmer’s son to drive them to town. He himself had to wash up, take a bath in a tub in the woodshed, shave and everything—just like Sunday. He looked more like a boy than a man when he got all dogged up.

And then the family had to have supper, over and done with, a little after six, and Tom didn’t dare go outside the house until dark. It wouldn’t do to have the Bardshares see him so fixed up. It was their wedding anniversary, and they might suspect something. He kept trotting about the house, and occasionally looked out of the front window toward the Bardshare house. “You kid, you,” Kate said, laughing. Sometimes she talked up to him like that, and after she said it he went upstairs, and getting out his cornet blew on it, so softly, you could hardly hear him downstairs. When he did that you couldn’t tell how badly he played, as when the band was going it on Main Street and he had to carry a passage right through alone. He sat in the room upstairs thinking. When Kate laughed at him it was like having his wife back, alive. There was the same shy sarcastic gleam in her eyes.

Well, it was the first time he had been out anywhere since his wife had died, and there might be some people think it would be better if he stayed at home now—look better, that is. When he had shaved he had cut his chin, and the blood had come. After a time he went downstairs and stood before the looking-glass, hung above the kitchen sink, and dabbed at the spot with the wet end of a towel.

Will and Fred stood about.

Will’s mind was working—perhaps Kate’s, too. “Was there—could it be?—well, at such a party—only older people invited—there were always two or three widow women thrown in for good measure, as it were.”

Kate didn’t want any woman fooling around her kitchen. She was twenty years old.

“And it was just as well not to have any monkey-shine talk about motherless children,” such as Tom might indulge in. Even Fred thought that. There was a little wave of resent against Tom in the house. It was a wave that didn’t make much noise, just crept, as it were softly, up a low sandy beach.

“Widow women went to such places, and then of course, people were always going home in couples.” Both Kate and Will had the same picture in mind. It was late at night and in fancy they were both peeking out at front upper windows of the Appleton house. There were all the people coming out at the front door of the Bardshare house, and Bill Bardshare was standing there and holding the door open. He had managed to sneak away during the evening, and got his Sunday clothes on all right.

And the couples were coming out. “There was that woman now, that widow, Mrs. Childers.” She had been married twice, both husbands dead now, and she lived away over Maumee Pike way. “What makes a woman of her age want to act silly like that? It is the very devil how a woman can keep looking young and handsome after she has buried two men. There are some who say that, even when her last husband was alive—”

“But whether that’s true or not, what makes her want to act and talk silly that way?” Now her face is turned to the light and she is saying to old Bill Bardshare, “Sleep light, sleep tight, sweet dreams to you tonight.”

“It’s only what one may expect when one’s father lacks a sense of dignity. There is that old fool Tom now, hopping out of the Bardshare house like a kid, and running right up to Mrs. Childers. ‘May I see you home?’ he is saying, while all the others are laughing and smiling knowingly. It makes one’s blood run cold to see such a thing.”

“Well, fill up the pots. Let’s get the old coffee pots started, Kate. The gang’ll be creeping along up the street pretty soon now,” Tom shouted self-consciously, skipping busily about and breaking the little circle of thoughts in the house.

What happened was that—just as darkness came and when all the people were in the front yard before the Appleton house—Tom went and got it into his head to try to carry his cornet and two big coffee pots at the same time. Why didn’t he leave the coffee until later? There the people were in the dusk outside the house, and there was that kind of low whispering and tittering that always goes on at such a time—and then Tom stuck his head out at the door and shouted, “Let her go!”

And then he must have gone quite crazy, for he ran back into the kitchen and grabbed both of the big coffee pots, hanging on to his cornet at the same time. Of course he stumbled in the darkness in the road outside and fell, and of course all of that boiling hot coffee had to spill right over him.

It was terrible. The flood of boiling hot coffee made steam under his thick clothes, and there he lay screaming with the pain of it. What a confusion! He just writhed and screamed, and the people ran ’round and ’round in the half darkness like crazy things. Was it some kind of joke the crazy fellow was up to at the last minute! Tom always was such a devil to think up things. “You should see him down at Alf Geigers, sometimes on Saturday nights, imitating the way Joe Douglas got out on a limb, and then sawed it off between himself and the tree, and the look on Joe’s face when the limb began to crack. It would make you laugh until you screamed to see him imitate that.”

“But what now? My God!” There was Kate Appleton trying to tear her father’s clothes off, and crying and whimpering, and young Will Appleton knocking people aside. “Say, the man’s hurt! What’s happened? My God! Run for the doctor, someone. He’s burnt, something awful!”

Early in October Will Appleton sat in the smoking car of a day train that runs between Cleveland and Buffalo. His destination was Erie, Pennsylvania, and he had got on the passenger train at Ashtabula, Ohio. Just why his destination was Erie he couldn’t very easily have explained. He was going there anyway, going to get a job in a factory or on the docks there. Perhaps it was just a quirk of the mind that had made him decide upon Erie. It wasn’t as big as Cleveland or Buffalo or Toledo or Chicago, or any one of a lot of other cities to which he might have gone, looking for work.

At Ashtabula he came into the car and slid into a seat beside a little old man. His own clothes were wet and wrinkled, and his hair, eyebrows and ears were black with coal dust.

At the moment, there was in him a kind of bitter dislike of his native town, Bidwell. “Sakes alive, a man couldn’t get any work there—not in the winter.” After the accident to his father, and the spoiling of all the family plans, he had managed to find employment during September on the farms. He worked for a time with a threshing crew, and then got work cutting corn. It was all right. “A man made a dollar a day and board, and as he wore overalls all the time, he didn’t wear out no clothes. Still and all, the time when a fellow could make any money in Bidwell was past now, and the burns on his father’s body had gone pretty deep, and he might be laid up for months.”

Will had just made up his mind one day, after he had tramped about all morning from farm to farm without finding work, and then he had gone home and told Kate. “Dang it all,” he hadn’t intended lighting out right away—had thought he would stay about for a week or two, maybe. Well, he would go up town in the evening, dressed up in his best clothes, and stand around. “Hello, Harry, what you going to do this winter? I thought I would run over to Erie, Pennsylvania. I got an offer in a factory over there. Well, so long—if I don’t see you again.”

Kate hadn’t seemed to understand, had seemed in an almighty hurry about getting him off. It was a shame she couldn’t have a little more heart. Still, Kate was all right—worried a good deal no doubt. After their talk she had just said, “Yes, I think that’s best, you had better go,” and had gone to change the bandages on Tom’s legs and back. The father was sitting among pillows in a rocking chair in the front room.

Will went up stairs and put his things, overalls and a few shirts, into a bundle. Then he went down stairs and took a walk—went out along a road that led into the country, and stopped on a bridge. It was near a place where he and other kids used to come swimming on summer afternoons. A thought had come into his head. There was a young fellow worked in Pawsey’s jewelry store came to see Kate sometimes on Sunday evenings and they went off to walk together. “Did Kate want to get married?” If she did his going away now might be for good. He hadn’t thought about that before. On that afternoon, and quite suddenly, all the world outside of Bidwell seemed huge and terrible to him and a few secret tears came into his eyes, but he managed to choke them back. For just a moment his mouth opened and closed queerly, like the mouth of a fish, when you take it out of the water and hold it in your hand.

When he returned to the house at supper time things were better. He had left his bundle on a chair in the kitchen and Kate had wrapped it more carefully, and had put in a number of things he had forgotten. His father called him into the front room. “It’s all right, Will. Every young fellow ought to take a whirl out in the world. I did it myself, at about your age,” Tom had said, a little pompously.

Then supper was served, and there was apple pie. That was a luxury the Appletons had perhaps better not have indulged in at that time, but Will knew Kate had baked it during the afternoon,—it might be as a way of showing him how she felt. Eating two large slices had rather set him up.

And then, before he realized how the time was slipping away, ten o’clock had come, and it was time for him to go. He was going to beat his way out of town on a freight train, and there was a local going toward Cleveland at ten o’clock. Fred had gone off to bed, and his father was asleep in the rocking chair in the front room. He had picked up his bundle, and Kate had put on her hat. “I’m going to see you off,” she had said.

Will and Kate had walked in silence along the streets to where he was to wait, in the shadow of Whaley’s Warehouse, until the freight came along. Later when he thought back over that evening he was glad, that although she was three years older, he was taller than Kate.

How vividly everything that happened later stayed in his mind. After the train came, and he had crawled into an empty coal car, he sat hunched up in a corner. Overhead he could see the sky, and when the train stopped at towns there was always the chance the car in which he was concealed would be shoved into a siding, and left. The brakemen walked along the tracks beside the car shouting to each other and their lanterns made little splashes of light in the darkness.

“How black the sky!” After a time it began to rain. “His suit would be in a pretty mess. After all a fellow couldn’t come right out and ask his sister if she intended to marry. If Kate married, then his father would also marry again. It was all right for a young woman like Kate, but for a man of forty to think of marriage—the devil! Why didn’t Tom Appleton have more dignity? After all, Fred was only a kid and a new woman coming in, to be his mother—that might be all right for a kid.”

All during that night on the freight train Will had thought a good deal about marriage—rather vague thoughts—coming and going like birds flying in and out of a bush. It was all a matter—this business of man and woman—that did not touch him very closely—not yet. The matter of having a home—that was something else. A home was something at a fellow’s back. When one went off to work all week at some farm, and at night maybe went into a strange room to sleep, there was always the Appleton house—floating as it were, like a picture at the back of the mind—the Appleton house, and Kate moving about. She had been up town, and now had come home and was going up the stairs. Tom Appleton was fussing about in the kitchen. He liked a bite before he went off to bed for the night but presently he would go up stairs and into his own room. He liked to smoke his pipe before he slept and sometimes he got out his cornet and blew two or three soft sad notes.

At Cleveland Will had crawled off of the freight train and had gone across the city in a street-car. Workingmen were just going to the factories and he passed among them unnoticed. If his clothes were crumpled and soiled, their clothes weren’t so fine. The workingmen were all silent, looking at the car floor, or out at the car windows. Long rows of factories stood along the streets through which the car moved.

He had been lucky, and had caught another freight out of a place called Collinswood at eight, but at Ashtabula had made up his mind it would be better to drop off the freight and take a passenger train. If he was to live in Erie it would be just as well to arrive, looking more like a gentleman and having paid his fare.

As he sat in the smoking car of the train he did not feel much like a gentleman. The coal dust had got into his hair and the rain had washed it in long dirty streaks down over his face. His clothes were badly soiled and wanted cleaning and brushing and the paper package, in which his overalls and shirts were tied, had become torn and dirty.

Outside the train window the sky was grey, and no doubt the night was going to turn cold. Perhaps there would be a cold rain.

It was an odd thing about the towns through which the train kept passing—all of the houses in all the towns looked cold and forbidding. “Dang it all.” In Bidwell, before the night when his father got so badly burned being such a fool about old Bill Bardshare’s party—all the houses had always seemed warm cozy places. When one was alone, one walked along the streets whistling. At night warm lights shone through the windows of the houses. “John Wyatt, the drayman, lives in that house. His wife has a wen on her neck. In that barn over there old Doctor Musgrave keeps his bony old white horse. The horse looks like the devil, but you bet he can go.”

Will squirmed about on the car seat. The old man who sat beside him was small, almost as small as Fred, and he wore a queer-looking suit. The pants were brown, and the coat checked, grey and black. There was a small leather case on the floor at his feet.

Long before the man spoke Will knew what would happen. It was bound to turn out that such a fellow played a cornet. He was a man, old in years, but there was no dignity in him. Will remembered his father’s marchings through the main street of Bidwell with the band. It was some great day, Fourth of July, perhaps, and all the people were assembled and there was Tony Appleton, making a show of blowing his cornet at a great rate. Did all the people along the street know how badly he played and was there a kind of conspiracy, that kept grown men from laughing at each other? In spite of the seriousness of his own situation a smile crept over Will’s face.

The little man at his side smiled in return.

“Well,” he began, not stopping for anything but plunging headlong into a tale concerning some dissatisfaction he felt with life, “well, you see before you a man who is up against it, young fellow.” The old man tried to laugh at his own words, but did not make much of a success of it. His lip trembled. “I got to go home like a dog, with my tail ’twixt my legs,” he declared abruptly.

The old man balanced back and forth between two impulses. He had met a young man on a train, and hungered for companionship and one got oneself in with others by being jolly, a little gay perhaps. When one met a stranger on a train one told a story—“By the way, Mister, I heard a new one the other day—perhaps you haven’t heard it? It’s about the miner up in Alaska who hadn’t seen a woman for years.” One began in that way, and then later perhaps, spoke of oneself, and one’s affairs.

But the old man wanted to plunge at once into his own story. He talked, saying sad discouraged words, while his eyes kept smiling with a peculiar appealing little smile. “If the words uttered by my lips annoy or bore you, do not pay any attention to them. I am really a jolly fellow although I am an old man, and not of much use any more,” the eyes were saying. The eyes were pale blue and watery. How strange to see them set in the head of an old man. They belonged in the head of a lost dog. The smile was not really a smile. “Don’t kick me, young fellow. If you can’t give me anything to eat, scratch my head. At least show you are a fellow of good intentions. I’ve been kicked about quite enough.” It was so very evident the eyes were speaking a language of their own.

Will found himself smiling sympathetically. It was true there was something dog-like in the little old man and Will was pleased with himself for having so quickly caught the sense of him. “One who can see things with his eyes will perhaps get along all right in the world, after all,” he thought. His thoughts wandered away from the old man. In Bidwell there was an old woman lived alone and owned a shepherd dog. Every summer she decided to cut away the dog’s coat, and then—at the last moment and after she had in fact started the job—she changed her mind. Well, she grasped a long pair of scissors firmly in her hand and started on the dog’s flanks. Her hand trembled a little. “Shall I go ahead, or shall I stop?” After two minutes she gave up the job. “It makes him look too ugly,” she thought, justifying her timidity.

Later the hot days came, the dog went about with his tongue hanging out and again the old woman took the scissors in her hand. The dog stood patiently waiting but, when she had cut a long wide furrow through the thick hair of his back, she stopped again. In a sense, and to her way of looking at the matter, cutting away his splendid coat was like cutting away a part of himself. She couldn’t go on. “Now there—that made him look worse than ever,” she declared to herself. With a determined air she put the scissors away, and all summer the dog went about looking a little puzzled and ashamed.

Will kept smiling and thinking of the old woman’s dog and then looked again at his companion of the train. The variegated suit the old man wore gave him something of the air of the half-sheared shepherd dog. Both had the same puzzled, ashamed air.

Now Will had begun using the old man for his own ends. There was something inside himself that wanted facing, he didn’t want to face—not yet. Ever since he had left home, in fact ever since that day when he had come home from the country and had told Kate of his intention to set out into the world, he had been dodging something. If one thought of the little old man, and of the half-sheared dog, one did not have to think of oneself.

One thought of Bidwell on a summer afternoon. There was the old woman, who owned the dog, standing on the porch of her house, and the dog had run down to the gate. In the winter, when his coat had again fully grown, the dog would bark and make a great fuss about a boy passing in the street but now he started to bark and growl, and then stopped. “I look like the devil, and I’m attracting unnecessary attention to myself,” the dog seemed to have decided suddenly. He ran furiously down to the gate, opened his mouth to bark, and then, quite abruptly, changed his mind and trotted back to the house with his tail between his legs.

Will kept smiling at his own thoughts. For the first time since he had left Bidwell he felt quite cheerful.

And now the old man was telling a story of himself and his life, but Will wasn’t listening. Within the young man a cross-current of impulses had been set up and he was like one standing silently in the hallway of a house, and listening to two voices, talking at a distance. The voices came from two widely separated rooms of the house and one couldn’t make up one’s mind to which voice to listen.

To be sure the old man was another cornet player like his father—he was a horn blower. That was his horn in the little worn leather case on the car floor.

And after he had reached middle age, and after his first wife had died, he had married again. He had a little property then and, in a foolish moment, went and made it all over to his second wife, who was fifteen years younger than himself. She took the money and bought a large house in the factory district of Erie, and then began taking in boarders.

There was the old man, feeling lost, of no account in his own house. It just came about. One had to think of the boarders—their wants had to be satisfied. His wife had two sons, almost fully grown now, both of whom worked in a factory.

Well, it was all right—everything on the square—the sons paid board all right. Their wants had to be thought of, too. He liked blowing his cornet a while in the evenings, before he went to bed, but it might disturb the others in the house. One got rather desperate going about saying nothing, keeping out of the way and he had tried getting work in a factory himself, but they wouldn’t have him. His grey hairs stood in his way, and so one night he had just got out, had gone to Cleveland, where he had hoped to get a job in a band, in a movie theatre perhaps. Anyway it hadn’t turned out and now he was going back to Erie and to his wife. He had written and she had told him to come on home.

“They didn’t turn me down back there in Cleveland because I’m old. It’s because my lip is no good any more,” he explained. His shrunken old lip trembled a little.

Will kept thinking of the old woman’s dog. In spite of himself, and when the old man’s lip trembled, his lip also trembled.

What was the matter with him?

He stood in the hallway of a house hearing two voices. Was he trying to close his ears to one of them? Did the second voice, the one he had been trying all day, and all the night before, not to hear, did that have something to do with the end of his life in the Appleton house at Bidwell? Was the voice trying to taunt him, trying to tell him that now he was a thing swinging in air, that there was no place to put down his feet? Was he afraid? Of what was he afraid? He had wanted so much to be a man, to stand on his own feet and now what was the matter with him? Was he afraid of manhood?

He was fighting desperately now. There were tears in the old man’s eyes, and Will also began crying silently and that was the one thing he felt he must not do.

The old man talked on and on, telling the tale of his troubles, but Will could not hear his words. The struggle within was becoming more and more definite. His mind clung to the life of his boyhood, to the life in the Appleton house in Bidwell.

There was Fred, standing in the field of his fancy now, with just the triumphant look in his eyes that came when other boys saw him doing a man’s work. A whole series of pictures floated up before Will’s mind. He and his father and Fred were painting a barn and two farmer boys had come along a road and stood looking at Fred, who was on a ladder, putting on paint. They shouted, but Fred wouldn’t answer. There was a certain air Fred had—he slapped on the paint, and then turning his head, spat on the ground. Tom Appleton’s eyes looked into Will’s and there was a smile playing about the corners of the father’s eyes and the son’s eyes too. The father and his oldest son were like two men, two workmen, having a delicious little secret between them. They were both looking lovingly at Fred. “Bless him! He thinks he’s a man already.”

And now Tom Appleton was standing in the kitchen of his house, and his brushes were laid out on the kitchen table. Kate was rubbing a brush back and forth over the palm of her hand. “It’s as soft as the cat’s back,” she was saying.

Something gripped at Will’s throat. As in a dream, he saw his sister Kate walking off along the street on Sunday evening with that young fellow who clerked in the jewelry store. They were going to church. Her being with him meant—well, it perhaps meant the beginning of a new home—it meant the end of the Appleton home.

Will started to climb out of the seat beside the old man in the smoking car of the train. It had grown almost dark in the car. The old man was still talking, telling his tale over and over. “I might as well not have any home at all,” he was saying. Was Will about to begin crying aloud on a train, in a strange place, before many strange men. He tried to speak, to make some commonplace remark, but his mouth only opened and closed like the mouth of a fish taken out of the water.

And now the train had run into a train shed, and it was quite dark. Will’s hand clutched convulsively into the darkness and alighted upon the old man’s shoulder.

Then suddenly, the train had stopped, and the two stood half embracing each other. The tears were quite evident in Will’s eyes, when a brakeman lighted the overhead lamps in the car, but the luckiest thing in the world had happened. The old man, who had seen Will’s tears, thought they were tears of sympathy for his own unfortunate position in life and a look of gratitude came into his blue watery eyes. Well, this was something new in life for him, too. In one of the pauses, when he had first begun telling his tale, Will had said he was going to Erie to try to get work in some factory and now, as they got off the train, the old man clung to Will’s arm. “You might as well come live at our house,” he said. A look of hope flared up in the old man’s eyes. If he could bring home with him, to his young wife, a new boarder, the gloom of his own home-coming would be somewhat lightened. “You come on. That’s the best thing to do. You just come on with me to our house,” he plead, clinging to Will.

Two weeks had passed and Will had, outwardly, and to the eyes of the people about him, settled into his new life as a factory hand at Erie, Pennsylvania.

Then suddenly, on a Saturday evening, the thing happened that he had unconsciously been expecting and dreading ever since the moment when he climbed aboard the freight train in the shadow of Whaley’s Warehouse at Bidwell. A letter, containing great news, had come from Kate.

At the moment of their parting, and before he settled himself down out of sight in a corner of the empty coal car, on that night of his leaving, he had leaned out for a last look at his sister. She had been standing silently in the shadows of the warehouse, but just as the train was about to start, stepped toward him and a light from a distant street lamp fell on her face.

Well, the face did not jump toward Will, but remained dimly outlined in the uncertain light.

Did her lips open and close, as though in an effort to say something to him, or was that an effect produced by the distant, uncertain and wavering light? In the families of working people the dramatic and vital moments of life are passed over in silence. Even in the moments of death and birth, little is said. A child is born to a laborer’s wife and he goes into the room. She is in bed with the little red bundle of new life beside her and her husband stands a moment, fumblingly, beside the bed. Neither he or his wife can look directly into each other’s eyes. “Take care of yourself, Ma. Have a good rest,” he says, and hurries out of the room.

In the darkness by the warehouse at Bidwell Kate had taken two or three steps toward Will, and then had stopped. There was a little strip of grass between the warehouse and the tracks, and she stood upon it. Was there a more final farewell trembling on her lips at the moment? A kind of dread had swept over Will, and no doubt Kate had felt the same thing. At the moment she had become altogether the mother, in the presence of her child, and the thing within that wanted utterance became submerged. There was a word to be said that she could not say. Her form seemed to sway a little in the darkness and, to Will’s eyes, she became a slender indistinct thing. “Goodbye,” he had whispered into the darkness, and perhaps her lips had formed the same words. Outwardly there had been only the silence, and in the silence she had stood as the train rumbled away.

And now, on the Saturday evening, Will had come home from the factory and had found Kate saying in the letter what she had been unable to say on the night of his departure. The factory closed at five on Saturday and he came home in his overalls and went to his room. He had found the letter on a little broken table under a spluttering oil lamp, by the front door, and had climbed the stairs carrying it in his hand. He read the letter anxiously, waiting as for a hand to come out of the blank wall of the room and strike.

His father was getting better. The deep burns that had taken such a long time to heal, were really healing now and the doctor had said the danger of infection had passed. Kate had found a new and soothing remedy. One took slippery elm and let it lie in milk until it became soft. This applied to the burns enabled Tom to sleep better at night.

As for Fred, Kate and her father had decided he might as well go back to school. It was really too bad for a young boy to miss the chance to get an education, and anyway there was no work to be had. Perhaps he could get a job, helping in some store on Saturday afternoons.

A woman from the Woman’s Relief Corps had had the nerve to come to the Appleton house and ask Kate if the family needed help. Well, Kate had managed to hold herself back, and had been polite but, had the woman known what was in her mind, her ears would have been itching for a month. The idea!

It had been fine of Will to send a postcard, as soon as he had got to Erie and got a job. As for his sending money home—of course the family would be glad to have anything he could spare—but he wasn’t to go depriving himself. “We’ve got good credit at the stores. We’ll get along all right,” Kate had said stoutly.

And then it was she had added the line, had said the thing she could not say that night when he was leaving. It concerned herself and her future plans. “That night when you were going away I wanted to tell you something, but I thought it was silly, talking too soon.” After all though, Will might as well know she was planning to be married in the spring. What she wanted was for Fred to come and live with her and her husband. He could keep on going to school, and perhaps they could manage so that he could go to college. Some one in the family ought to have a decent education. Now that Will had made his start in life, there was no point in waiting longer before making her own.

Will sat, in his tiny room at the top of the huge frame house, owned now by the wife of the old cornet player of the train, and held the letter in his hand. The room was on the third floor, under the roof, in a wing of the house, and beside it was another small room, occupied by the old man himself. Will had taken the room because it was to be had at a low price and he could manage the room and his meals, get his washing done, send three dollars a week to Kate, and still have left a dollar a week to spend. One could get a little tobacco, and now and then see a movie.

“Ugh!” Will’s lips made a little grunting noise as he read Kate’s words. He was sitting in a chair, in his oily overalls, and where his fingers gripped the white sheets of the letter there was a little oily smudge. Also his hand trembled a little. He got up, poured water out of a pitcher into a white bowl, and began washing his face and hands.

When he had partly dressed a visitor came. There was the shuffling sound of weary feet along a hallway, and the cornet player put his head timidly in at the door. The dog-like appealing look Will had noted on the train was still in his eyes. Now he was planning something, a kind of gentle revolt against his wife’s power in the house, and he wanted Will’s moral support.

For a week he had been coming for talk to Will’s room almost every evening. There were two things he wanted. In the evening sometimes, as he sat in his room, he wanted to blow upon his cornet, and he wanted a little money to jingle in his pockets.

And there was a sense in which Will, the newcomer in the house, was his property, did not belong to his wife. Often in the evenings he had talked to the weary and sleepy young workman, until Will’s eyes had closed and he snored gently. The old man sat on the one chair in the room, and Will sat on the edge of the bed, while old lips told the tale of a lost youth, boasted a little. When Will’s body had slumped down upon the bed the old man got to his feet and moved with cat-like steps about the room. One mustn’t raise the voice too loudly after all. Had Will gone to sleep? The cornet player threw his shoulders back and bold words came, in a halfwhisper, from his lips. To tell the truth, he had been a fool about the money he had made over to his wife and, if his wife had taken advantage of him, it wasn’t her fault. For his present position in life he had no one to blame but himself. What from the very beginning he had most lacked was boldness. It was a man’s duty to be a man and, for a long time, he had been thinking—well, the boarding house no doubt made a profit and he should have his share. His wife was a good girl all right, but when one came right down to it, all women seemed to lack a sense of a man’s position in life.

“I’ll have to speak to her—yes siree, I’m going to speak right up to her. I may have to be a little harsh but it’s my money runs this house, and I want my share of the profits. No foolishness now. Shell out, I tell you,” the old man whispered, peering out of the corners of his blue, watery eyes at the sleeping form of the young man on the bed.

And now again the old man stood at the door of the room, looking anxiously in. A bell called insistently, announcing that the evening meal was ready to be served, and they went below, Will leading the way. At a long table in the dining room several men had already gathered, and there was the sound of more footsteps on the stairs.

Two long rows of young workmen eating silently. Saturday night and two long rows of young workmen eating in silence.

After the eating, and on this particular night, there would be a swift flight of all these young men down into the town, down into the lighted parts of the town.

Will sat at his place gripping the sides of his chair.

There were things men did on Saturday nights. Work was at an end for the week and money jingled in pockets. Young workmen ate in silence and hurried away, one by one, down into the town.

Will’s sister Kate was going to be married in the spring. Her walking about with the young clerk from the jewelry store, in the streets of Bidwell, had come to something.

Young workmen employed in factories in Erie, Pennsylvania, dressed themselves in their best clothes and walked about in the lighted streets of Erie on Saturday evenings. They went into parks. Some stood talking to girls while others walked with girls through the streets. And there were still others who went into saloons and had drinks. Men stood talking together at a bar. “Dang that foreman of mine! I’ll bust him in the jaw if he gives me any of his lip.”

There was a young man from Bidwell, sitting at a table in a boarding house at Erie, Pennsylvania, and before him on a plate was a great pile of meat and potatoes. The room was not very well lighted. It was dark and gloomy, and there were black streaks on the grey wall paper. Shadows played on the walls. On all sides of the young man sat other young men—eating silently, hurriedly.

Will got abruptly up from the table and started for the door that led into the street but the others paid no attention to him. If he did not want to eat his meat and potatoes, it made no difference to them. The mistress of the house, the wife of the old cornet player, waited on table when the men ate, but now she had gone away to the kitchen. She was a silent grim-looking woman, dressed always in a black dress.

To the others in the room—except only the old cornet player—Will’s going or staying meant nothing at all. He was a young workman, and at such places young workmen were always going and coming.

A man with broad shoulders and a black mustache, a little older than most of the others, did glance up from his business of eating. He nudged his neighbor, and then made a jerky movement with his thumb over his shoulder. “The new guy has hooked up quickly, eh?” he said, smiling. “He can’t even wait to eat. Lordy, he’s got an early date—some skirt waiting for him.”

At his place, opposite where Will had been seated, the cornet player saw Will go, and his eyes followed, filled with alarm. He had counted on an evening of talk, of speaking to Will about his youth, boasting a little in his gentle hesitating way. Now Will had reached the door that led to the street, and in the old man’s eyes tears began to gather. Again his lip trembled. Tears were always gathering in the man’s eyes, and his lips trembled at the slightest provocation. It was no wonder he could no longer blow a cornet in a band.

And now Will was outside the house in the darkness and, for the cornet player, the evening was spoiled, the house a deserted empty place. He had intended being very plain in his evening’s talk with Will, and wanted particularly to speak of a new attitude, he hoped to assume toward his wife, in the matter of money. Talking the whole matter out with Will would give him new courage, make him bolder. Well, if his money had bought the house, that was now a boarding house, he should have some share in its profits. There must be profits. Why run a boarding house without profits? The woman he had married was no fool.

Even though a man were old he needed a little money in his pockets. Well, an old man, like himself, has a friend, a young fellow, and now and then he wanted to be able to say to his friend, “Come on friend, let’s have a glass of beer. I know a good place. Let’s have a glass of beer and go to the movies. This is on me.”

The cornet player could not eat his meat and potatoes. For a time he stared over the heads of the others, and then got up to go to his room. His wife followed into the little hallway at the foot of the stairs. “What’s the matter, dearie—are you sick?” she asked.

“No,” he answered, “I just didn’t want any supper.” He did not look at her, but tramped slowly and heavily up the stairs.

Will was walking hurriedly through streets but did not go down into the brightly lighted sections of town. The boarding house stood on a factory street and, turning northward, he crossed several railroad tracks and went toward the docks, along the shore of Lake Erie. There was something to be settled with himself, something to be faced. Could he manage the matter?

He walked along, hurriedly at first, and then more slowly. It was getting into late October now and there was a sharpness like frost in the air. The spaces between street lamps were long, and he plunged in and out of areas of darkness. Why was it that everything about him seemed suddenly strange and unreal? He had forgotten to bring his overcoat from Bidwell and would have to write Kate to send it.

Now he had almost reached the docks. Not only the night but his own body, the pavements under his feet, and the stars far away in the sky—even the solid factory buildings he was now passing—seemed strange and unreal. It was almost as though one could thrust out an arm and push a hand through the walls, as one might push his hand into a fog or a cloud of smoke. All the people Will passed seemed strange, and acted in a strange way. Dark figures surged toward him out of the darkness. By a factory wall there was a man standing—perfectly still, motionless. There was something almost unbelievable about the actions of such men and the strangeness of such hours as the one through which he was now passing. He walked within a few inches of the motionless man. Was it a man or a shadow on the wall? The life Will was now to lead alone, had become a strange, a vast terrifying thing. Perhaps all life was like that, a vastness and emptiness.

He came out into a place where ships were made fast to a dock and stood for a time, facing the high wall-like side of a vessel. It looked dark and deserted. When he turned his head he became aware of a man and a woman passing along a roadway. Their feet made no sound in the thick dust of the roadway, and he could not see or hear them, but knew they were there. Some part of a woman’s dress—something white—flashed faintly into view and the man’s figure was a dark mass against the dark mass of the night. “Oh, come on, don’t be afraid,” the man whispered, hoarsely. “There won’t anything happen to you.”

“Do shut up,” a woman’s voice answered, and there was a quick outburst of laughter. The figures fluttered away. “You don’t know what you are talking about,” the woman’s voice said again.

Now that he had got Kate’s letter, Will was no longer a boy. A boy is, quite naturally, and without his having anything to do with the matter, connected with something—and now that connection had been cut. He had been pushed out of the nest and that fact, the pushing of himself off the nest’s rim, was something accomplished. The difficulty was that, while he was no longer a boy, he had not yet become a man. He was a thing swinging in space. There was no place to put down his feet.

He stood in the darkness under the shadow of the ship making queer little wriggling motions with his shoulders, that had become now almost the shoulders of a man. No need now to think of evenings at the Appleton house with Kate and Fred standing about, and his father, Tom Appleton, spreading his paint brushes on the kitchen table, no need of thinking of the sound of Kate’s feet going up a stairway of the Appleton house, late at night when she had been out walking with her clerk. What was the good of trying to amuse oneself by thinking of a shepherd dog in an Ohio town, a dog made ridiculous by the trembling hand of a timid old woman?

One stood face to face with manhood now—one stood alone. If only one could get one’s feet down upon something, could get over this feeling of falling through space, through a vast emptiness.

“Manhood”—the word had a queer sound in the head. What did it mean?

Will tried to think of himself as a man, doing a man’s work in a factory. There was nothing in the factory, where he was now employed, upon which he could put down his feet. All day he stood at a machine and bored holes in pieces of iron. A boy brought to him the little, short, meaningless pieces of iron in a box-like truck and, one by one, he picked them up and placed them under the point of a drill. He pulled a lever and the drill came down and bit into the piece of iron. A little, smoke-like vapor arose, and then he squirted oil on the spot where the drill was working. Then the lever was thrown up again. The hole was drilled and now the meaningless piece of iron was thrown into another box-like truck. It had nothing to do with him. He had nothing to do with it.

At the noon hour, at the factory, one moved about a bit, stepped outside the factory door to stand for a moment in the sun. Inside, men were sitting along benches eating lunches out of dinner pails and some had washed their hands while others had not bothered about such a trivial matter. They were eating in silence. A tall man spat on the floor and then drew his foot across the spot. Nights came and one went home from the factory to eat, sitting with other silent men, and later a boastful old man came into one’s room to talk. One lay on a bed and tried to listen, but presently fell asleep. Men were like the pieces of iron in which holes had been bored—one pitched them aside into a box-like truck. One had nothing really to do with them. They had nothing to do with oneself. Life became a procession of days and perhaps all life was just like that—just a procession of days.

“Manhood.”

Did one go out of one place and into another? Were youth and manhood two houses, in which one lived during different periods in life? It was evident something of importance must be about to happen to his sister Kate. First, she had been a young woman, having two brothers and a father, living with them in a house at Bidwell, Ohio.

And then a day was to come when she became something else. She married and went to live in another house and had a husband. Perhaps children would be born to her. It was evident Kate had got hold of something, that her hands had reached out and had grasped something definite. Kate had swung herself off the rim of the home nest and, right away, her feet had landed on another limb of the tree of life—womanhood.

As he stood in the darkness something caught at Will’s throat. He was fighting again but what was he fighting? A fellow like himself did not move out of one house and into another. There was a house in which one lived, and then suddenly and unexpectedly, it fell apart. One stood on the rim of the nest and looked about, and a hand reached out from the warmth of the nest and pushed one off into space. There was no place for a fellow to put down his feet. He was one swinging in space.

What—a great fellow, nearly six feet tall now, and crying in the darkness, in the shadow of a ship, like a child! He walked, filled with determination, out of the darkness, along many streets of factories and came into a street of houses. He passed a store where groceries were sold and looking in saw, by a clock on the wall, that it was already ten o’clock. Two drunken men came out at the door of a house and stood on a little porch. One of them clung to a railing about the porch, and the other pulled at his arm. “Let me alone. It’s settled. I want you to let me alone,” grumbled the man clinging to the railing.

Will went to his boarding house and climbed the stairs wearily. The devil—one might face anything if one but knew what was to be faced!

He turned on a light and sat down in his room on the edge of the bed, and the old cornet player pounced upon him, pounced like a little animal, lying under a bush along a path in a forest, and waiting for food. He came into Will’s room carrying his cornet, and there was an almost bold look in his eyes. Standing firmly on his old legs in the centre of the room, he made a declaration. “I’m going to play it. I don’t care what she says, I’m going to play it,” he said.

He put the cornet to his lips and blew two or three notes—so softly that even Will, sitting so closely, could barely hear. Then his eyes wavered. “My lip’s no good,” he said. He thrust the cornet at Will. “You blow it,” he said.

Will sat on the edge of the bed and smiled. There was a notion floating in his mind now. Was there something, a thought in which one could find comfort. There was now, before him, standing before him in the room, a man who was after all not a man. He was a child as Will was too really, had always been such a child, would always be such a child. One need not be too afraid. Children were all about, everywhere. If one were a child and lost in a vast, empty space, one could at least talk to some other child. One could have conversations, understand perhaps something of the eternal childishness of oneself and others.

Will’s thoughts were not very definite. He only felt suddenly warm and comfortable in the little room at the top of the boarding house.

And now the man was again explaining himself. He wanted to assert his manhood. “I stay up here,” he explained, “and don’t go down there, to sleep in the room with my wife because I don’t want to. That’s the only reason. I could if I wanted to. She has the bronchitis—but don’t tell anyone. Women hate to have anyone told. She isn’t so bad. I can do what I please.”

He kept urging Will to put the cornet to his lips and blow. There was in him an intense eagerness. “You can’t really make any music—you don’t know how—but that don’t make any difference,” he said. “The thing to do is to make a noise, make a deuce of a racket, blow like the devil.”

Again Will felt like crying but the sense of vastness and loneliness, that had been in him since he got aboard the train that night at Bidwell, had gone. “Well, I can’t go on forever being a baby. Kate has a right to get married,” he thought, putting the cornet to his lips. He blew two or three notes, softly.

“No, I tell you, no! That isn’t the way! Blow on it! Don’t be afraid! I tell you I want you to do it. Make a deuce of a racket! I tell you what, I own this house. We don’t need to be afraid. We can do what we please. Go ahead! Make a deuce of a racket!” the old man kept pleading.

THE MAN’S STORY

THE MAN’S STORY

DURING his trial for murder and later, after he had been cleared through the confession of that queer little bald chap with the nervous hands, I watched him, fascinated by his continued effort to make something understood.

He was persistently interested in something, having nothing to do with the charge that he had murdered the woman. The matter of whether or not, and by due process of law, he was to be convicted of murder and hanged by the neck until he was dead didn’t seem to interest him. The law was something outside his life and he declined to have anything to do with the killing as one might decline a cigarette. “I thank you, I am not smoking at present. I made a bet with a fellow that I could go along without smoking cigarettes for a month.”

That is the sort of thing I mean. It was puzzling. Really, had he been guilty and trying to save his neck he couldn’t have taken a better line. You see, at first, everyone thought he had done the killing; we were all convinced of it, and then, just because of that magnificent air of indifference, everyone began wanting to save him. When news came of the confession of the crazy little stage-hand everyone broke out into cheers.

He was clear of the law after that but his manner in no way changed. There was, somewhere, a man or a woman who would understand just what he understood and it was important to find that person and talk things over. There was a time, during the trial and immediately afterward, when I saw a good deal of him, and I had this sharp sense of him, feeling about in the darkness trying to find something like a needle or a pin lost on the floor. Well, he was like an old man who cannot find his glasses. He feels in all his pockets and looks helplessly about.

There was a question in my own mind too, in everyone’s mind—“Can a man be wholly casual and brutal, in every outward way, at a moment when the one nearest and dearest to him is dying, and at the same time, and with quite another part of himself, be altogether tender and sensitive?”

Anyway it’s a story, and once in a while a man likes to tell a story straight out, without putting in any newspaper jargon about beautiful heiresses, coldblooded murderers and all that sort of tommyrot.

As I picked the story up the sense of it was something like this—

The man’s name was Wilson,—Edgar Wilson—and he had come to Chicago from some place to the westward, perhaps from the mountains. He might once have been a sheep herder or something of the sort in the far west, as he had the peculiar abstract air, acquired only by being a good deal alone. About himself and his past he told a good many conflicting stories and so, after being with him for a time, one instinctively discarded the past.

“The devil—it doesn’t matter—the man can’t tell the truth in that direction.—Let it go,” one said to oneself. What was known was that he had come to Chicago from a town in Kansas and that he had run away from the Kansas town with another man’s wife.

As to her story, I knew little enough of it. She had been at one time, I imagine, a rather handsome thing, in a big strong upstanding sort of way, but her life, until she met Wilson, had been rather messy. In those dead flat Kansas towns lives have a way of getting ugly and messy without anything very definite having happened to make them so. One can’t imagine the reasons—Let it go. It just is so and one can’t at all believe the writers of Western tales about the life out there.

To be a little more definite about this particular woman—in her young girlhood her father had got into trouble. He had been some sort of a small official, a travelling agent or something of the sort for an express company, and got arrested in connection with the disappearance of some money. And then, when he was in jail and before his trial, he shot and killed himself. The girl’s mother was already dead.

Within a year or two she married a man, an honest enough fellow but from all accounts rather uninteresting. He was a drug clerk and a frugal man and after a short time managed to buy a drug store of his own.

The woman, as I have said, had been strong and well-built but now grew thin and nervous. Still she carried herself well with a sort of air, as it were, and there was something about her that appealed strongly to men. Several men of the seedy little town were smitten by her and wrote her letters, trying to get her to creep out with them at night. You know how such things are done. The letters were unsigned. “You go to such and such a place on Friday evening. If you are willing to talk things over with me carry a book in your hand.”

Then the woman made a mistake and told her husband about the receipt of one of the letters and he grew angry and tramped off to the trysting place at night with a shotgun in his hand. When no one appeared he came home and fussed about. He said little mean tentative things. “You must have looked—in a certain way—at the man when he passed you on the street. A man don’t grow so bold with a married woman unless an opening has been given him.”

The man talked and talked after that, and life in the house must have been gay. She grew habitually silent, and when she was silent the house was silent. They had no children.

Then the man Edgar Wilson came along, going eastward, and stopped over in the town for two or three days. He had at that time a little money and stayed at a small workingmen’s boarding house, near the railroad station. One day he saw the woman walking in the street and followed her to her home and the neighbors saw them standing and talking together for an hour by the front gate and on the next day he came again.

That time they talked for two hours and then she went into the house; got a few belongings and walked to the railroad station with him. They took a train for Chicago and lived there together, apparently very happy, until she died—in a way I am about to try to tell you about. They of course could not be married and during the three years they lived in Chicago he did nothing toward earning their common living. As he had a very small amount of money when they came, barely enough to get them here from the Kansas town, they were miserably poor.

They lived, when I knew about them, over on the North side, in that section of old three- and four-story brick residences that were once the homes of what we call our nice people, but that had afterward gone to the bad. The section is having a kind of rebirth now but for a good many years it rather went to seed. There were these old residences, made into boarding houses, and with unbelievably dirty lace curtains at the windows, and now and then an utterly disreputable old tumble-down frame house—in one of which Wilson lived with his woman.

The place is a sight! Someone owns it, I suppose, who is shrewd enough to know that in a big city like Chicago no section gets neglected always. Such a fellow must have said to himself, “Well, I’ll let the place go. The ground on which the house stands will some day be very valuable but the house is worth nothing. I’ll let it go at a low rental and do nothing to fix it up. Perhaps I will get enough out of it to pay my taxes until prices come up.”

And so the house had stood there unpainted for years and the windows were out of line and the shingles nearly all off the roof. The second floor was reached by an outside stairway with a handrail that had become just the peculiar grey greasy black that wood can become in a soft-coal-burning city like Chicago or Pittsburgh. One’s hand became black when the railing was touched; and the rooms above were altogether cold and cheerless.

At the front there was a large room with a fireplace, from which many bricks had fallen, and back of that were two small sleeping rooms.

Wilson and his woman lived in the place, at the time when the thing happened I am to tell you about, and as they had taken it in May I presume they did not too much mind the cold barrenness of the large front room in which they lived. There was a sagging wooden bed with a leg broken off—the woman had tried to repair it with sticks from a packing box—a kitchen table, that was also used by Wilson as a writing desk, and two or three cheap kitchen chairs.

The woman had managed to get a place as wardrobe woman in a theatre in Randolph Street and they lived on her earnings. It was said she had got the job because some man connected with the theatre, or a company playing there, had a passion for her but one can always pick up stories of that sort about any woman who works about the theatre—from the scrubwoman to the star.

Anyway she worked there and had a reputation in the theatre of being quiet and efficient.

As for Wilson, he wrote poetry of a sort I’ve never seen before, although, like most newspaper men, I’ve taken a turn at verse making myself now and then—both of the rhymed kind and the newfangled vers libre sort. I rather go in for the classical stuff myself.

About Wilson’s verse—it was Greek to me. Well now, to get right down to hardpan in this matter, it was and it wasn’t.

The stuff made me feel just a little bit woozy when I took a whole sheaf of it and sat alone in my room reading it at night. It was all about walls, and deep wells, and great bowls with young trees standing erect in them—and trying to find their way to the light and air over the rim of the bowl.

Queer crazy stuff, every line of it, but fascinating too—in a way. One got into a new world with new values, which after all is I suppose what poetry is all about. There was the world of fact—we all know or think we know—the world of flat buildings and middle-western farms with wire fences about the fields and fordson tractors running up and down, and towns with high schools and advertising billboards, and everything that makes up life—or that we think makes up life.

There was this world, we all walk about in, and then there was this other world, that I have come to think of as Wilson’s world—a dim place to me at least—of far-away near places—things taking new and strange shapes, the insides of people coming out, the eyes seeing new things, the fingers feeling new and strange things.

It was a place of walls mainly. I got hold of the whole lot of Wilson’s verse by a piece of luck. It happened that I was the first newspaper man who got into the place on the night when the woman’s body was found, and there was all his stuff, carefully written out in a sort of child’s copy book, and two or three stupid policemen standing about. I just shoved the book under my coat, when they weren’t looking, and later, during Wilson’s trial, we published some of the more intelligible ones in the paper. It made pretty good newspaper stuff—the poet who killed his mistress,

“He did not wear his purple coat,

For blood and wine are red”—

and all that. Chicago loved it.

To get back to the poetry itself for a moment. I just wanted to explain that all through the book there ran this notion, that men had erected walls about themselves and that all men were perhaps destined to stand forever behind the walls—on which they constantly beat with their fists, or with whatever tools they could get hold of. Wanted to break through to something, you understand. One couldn’t quite make out whether there was just one great wall or many little individual walls. Sometimes Wilson put it one way, sometimes another. Men had themselves built the walls and now stood behind them, knowing dimly that beyond the walls there was warmth, light, air, beauty, life in fact—while at the same time, and because of a kind of madness in themselves, the walls were constantly being built higher and stronger.

The notion gives you the fantods a little, doesn’t it? Anyway it does me.

And then there was that notion about deep wells, men everywhere constantly digging and digging themselves down deeper and deeper into deep wells. They not wanting to do it, you understand, and no one wanting them to do it, but all the time the thing going on just the same, that is to say the wells getting constantly deeper and deeper, and the voices growing dimmer and dimmer in the distance—and again the light and the warmth of life going away and going away, because of a kind of blind refusal of people to try to understand each other, I suppose.

It was all very strange to me—Wilson’s poetry, I mean—when I came to it. Here is one of his things. It is not directly concerned with the walls, the bowl or the deep well theme, as you will see, but it is one we ran in the paper during the trial and a lot of folks rather liked it—as I’ll admit I do myself. Maybe putting it in here will give a kind of point to my story, by giving you some sense of the strangeness of the man who is the story’s hero. In the book it was called merely “Number Ninety-seven,” and it went as follows:

The firm grip of my fingers on the thin paper of this cigarette is a sign that I am very quiet now. Sometimes it is not so. When I am unquiet I am weak but when I am quiet, as I am now, I am very strong.

Just now I went along one of the streets of my city and in at a door and came up here, where I am now, lying on a bed and looking out at a window. Very suddenly and completely the knowledge has come to me that I could grip the sides of tall buildings as freely and as easily as I now grip this cigarette. I could hold the building between my fingers, put it to my lips and blow smoke through it. I could blow confusion away. I could blow a thousand people out through the roof of one tall building into the sky, into the unknown. Building after building I could consume, as I consume the cigarettes in this box. I could throw the burning ends of cities over my shoulder and out through a window.

It is not often I get in the state I am now in—so quiet and sure of myself. When the feeling comes over me there is a directness and simplicity in me that makes me love myself. To myself at such times I say strong sweet words.

I am on a couch by this window and I could ask a woman to come here to lie with me, or a man either for that matter.

I could take a row of houses standing on a street, tip them over, empty the people out of them, squeeze and compress all the people into one person and love that person.

Do you see this hand? Suppose it held a knife that could cut down through all the falseness in you. Suppose it could cut down through the sides of buildings and houses where thousands of people now lie asleep.

It would be something worth thinking about if the fingers of this hand gripped a knife that could cut and rip through all the ugly husks in which millions of lives are enclosed.

Well, there is the idea you see, a kind of power that could be tender too. I will quote you just one more of his things, a more gentle one. It is called in the book, “Number Eighty-three.”

I am a tree that grows beside the wall. I have been thrusting up and up. My body is covered with scars. My body is old but still I thrust upward, creeping toward the top of the wall.

It is my desire to drop blossoms and fruit over the wall.

I would moisten dry lips.

I would drop blossoms on the heads of children, over the top of the wall.

I would caress with falling blossoms the bodies of those who live on the further side of the wall.

My branches are creeping upward and new sap comes into me out of the dark ground under the wall.

My fruit shall not be my fruit until it drops from my arms, into the arms of the others, over the top of the wall.

And now as to the life led by the man and woman in the large upper room in that old frame house. By a stroke of luck I have recently got rather a line on that by a discovery I have made.

After they had moved into the house—it was only last spring—the theatre in which the woman was employed was dark for a long time and they were more than usually hard up, so the woman tried to pick up a little extra money—to help pay the rent I suppose—by sub-letting the two little back rooms of that place of theirs.

Various people lived in the dark tiny holes, just how I can’t make out as there was no furniture. Still there are places in Chicago called “flops” where one may sleep on the floor for five or ten cents and they are more patronized than respectable people know anything about.

What I did discover was a little woman—she wasn’t so young but she was hunchbacked and small and it is hard not to think of her as a girl—who once lived in one of the rooms for several weeks. She had a job as ironer in a small hand-laundry in the neighborhood and someone had given her a cheap folding cot. She was a curiously sentimental creature, with the kind of hurt eyes deformed people often have, and I have a fancy she had herself a romantic attachment of a sort for the man Wilson. Anyway I managed to find out a lot from her.

After the other woman’s death and after Wilson had been cleared on the murder charge, by the confession of the stage-hand, I used to go over to the house where he had lived, sometimes in the late afternoon after our paper had been put to bed for the day. Ours is an afternoon paper and after two o’clock most of us are free.

I found the hunchback girl standing in front of the house one day and began talking with her. She was a gold mine.

There was that look in her eyes I’ve told you of, the hurt sensitive look. I just spoke to her and we began talking of Wilson. She had lived in one of the rooms at the back. She told me of that at once.

On some days she found herself unable to work at the laundry because her strength suddenly gave out and so, on such days, she stayed in the room, lying on the cot. Blinding headaches came that lasted for hours during which she was almost entirely unconscious of everything going on about her. Then afterward she was quite conscious but for a long time very weak. She wasn’t one who is destined to live very long I suppose and I presume she didn’t much care.

Anyway, there she was in the room, in that weak state after the times of illness, and she grew curious about the two people in the front room, so she used to get off her couch and go softly in her stockinged feet to the door between the rooms and peek through the keyhole. She had to kneel on the dusty floor to do it.

The life in the room fascinated her from the beginning. Sometimes the man was in there alone, sitting at the kitchen table and writing the stuff he afterward put into the book I collared, and from which I have quoted; sometimes the woman was with him, and again sometimes he was in there alone but wasn’t writing. Then he was always walking and walking up and down.

When both people were in the room, and when the man was writing, the woman seldom moved but sat in a chair by one of the windows with her hands crossed. He would write a few lines and then walk up and down talking to himself or to her. When he spoke she did not answer except with her eyes, the crippled girl said. What I gathered of all this from her talk with me, and what is the product of my own imaginings, I confess I do not quite know.

Anyway what I got and what I am trying, in my own way, to transmit to you is a sense of a kind of strangeness in the relationship of the two. It wasn’t just a domestic household, a little down on its luck, by any means. He was trying to do something very difficult—with his poetry I presume—and she in her own way was trying to help him.

And of course, as I have no doubt you have gathered from what I have quoted of Wilson’s verse, the matter had something to do with the relationships between people—not necessarily between the particular man and woman who happened to be there in that room, but between all peoples.

The fellow had some half-mystic conception of all such things, and before he found his own woman had been going aimlessly about the world looking for a mate. Then he had found the woman in the Kansas town and—he at least thought—things had cleared, for him.

Well, he had the notion that no one in the world could think or feel anything alone, and that people only got into trouble and walled themselves in by trying it, or something of the sort. There was a discord. Things were jangled. Someone, it seems, had to strike a pitch that all voices could take up before the real song of life could begin. Mind you I’m not putting forth any notions of my own. What I am trying to do is to give you a sense of something I got from having read Wilson’s stuff, from having known him a little, and from having seen something of the effect of his personality upon others.

He felt, quite definitely, that no one in the world could feel or even think alone. And then there was the notion, that if one tried to think with the mind without taking the body into account, one got all balled-up. True conscious life built itself up like a pyramid. First the body and mind of a beloved one must come into one’s thinking and feeling and then, in some mystic way, the bodies and minds of all the other people in the world must come in, must come sweeping in like a great wind—or something of the sort.

Is all this a little tangled up to you, who read my story of Wilson? It may not be. It may be that your minds are more clear than my own and that what I take to be so difficult will be very simple to you.

However, I have to bring up to you just what I can find, after diving down into this sea of motives and impulses—I admit I don’t rightly understand.

The hunchback girl felt (or is it my own fancy coloring what she said?)—it doesn’t really matter. The thing to get at is what the man Edgar Wilson felt.

He felt, I fancy, that in the field of poetry he had something to express that could never be expressed until he had found a woman who could, in a peculiar and absolute way, give herself in the world of the flesh—and that then there was to be a marriage out of which beauty would come for all people. He had to find the woman who had that power, and the power had to be untainted by self-interest, I fancy. A profound egotist, you see—and he thought he had found what he needed in the wife of the Kansas druggist.

He had found her and had done something to her. What it was I can’t quite make out, except that she was absolutely and wholly happy with him, in a strangely inexpressive sort of way.

Trying to speak of him and his influence on others is rather like trying to walk on a tightrope stretched between two tall buildings above a crowded street. A cry from below, a laugh, the honk of an automobile horn, and down one goes into nothingness. One simply becomes ridiculous.

He wanted, it seems, to condense the flesh and the spirit of himself and his woman into his poems. You will remember that in one of the things of his I have quoted he speaks of condensing, of squeezing all the people of a city into one person and of loving that person.

One might think of him as a powerful person, almost hideously powerful. You will see, as you read, how he has got me in his power and is making me serve his purpose.

And he had caught and was holding the woman in his grip. He had wanted her—quite absolutely, and had taken her—as all men, perhaps, want to do with their women, and don’t quite dare. Perhaps too she was in her own way greedy and he was making actual love to her always day and night, when they were together and when they were apart.

I’ll admit I am confused about the whole matter myself. I am trying to express something I have felt, not in myself, nor in the words that came to me from the lips of the hunchback girl whom, you will remember, I left kneeling on the floor in that back room and peeking through a keyhole.

There she was, you see, the hunchback, and in the room before her were the man and woman and the hunchback girl also had fallen under the power of the man Wilson. She also was in love with him—there can be no doubt of that. The room in which she knelt was dark and dusty. There must have been a thick accumulation of dust on the floor.

What she said—or if she did not say the words what she made me feel was that the man Wilson worked in the room, or walked up and down in there before his woman, and that, while he did that, his woman sat in the chair, and that there was in her face, in her eyes, a look—

He was all the time making love to her, and his making love to her in just that abstract way, was a kind of love-making with all people? and that was possible because the woman was as purely physical as he was something else. If all this is meaningless to you, at least it wasn’t to the hunchback girl—who certainly was uneducated and never would have set herself up as having any special powers of understanding. She knelt in the dust, listening, and looking in at the keyhole, and in the end she came to feel that the man, in whose presence she had never been and whose person had never in any way touched her person, had made love to her also.

She had felt that and it had gratified her entire nature. One might say it had satisfied her. She was what she was and it had made life worth living for her.

Minor things happened in the room and one may speak of them.

For example, there was a day in June, a dark warm rainy day. The hunchback girl was in her room, kneeling on the floor, and Wilson and his woman were in their room.

Wilson’s woman had been doing a family washing, and as it could not be dried outdoors she had stretched ropes across the room and had hung the clothes inside.

When the clothes were all hung Wilson came from walking outside in the rain and going to the desk sat down and began to write.

He wrote for a few minutes and then got up and went about the room, and in walking a wet garment brushed against his face.

He kept right on walking and talking to the woman but as he walked and talked he gathered all the clothes in his arms and going to the little landing at the head of the stairs outside, threw them down into the muddy yard below. He did that and the woman sat without moving or saying anything until he had gone back to his desk, then she went down the stairs, got the clothes and washed them again—and it was only after she had done that and when she was again hanging them in the room above that he appeared to know what he had done.

While the clothes were being rewashed he went for another walk and when she heard his footsteps on the stairs the hunchback girl ran to the keyhole. As she knelt there, and as he came into the room, she could look directly into his face. “He was like a puzzled child for a moment and then, although he said nothing, the tears began to run down his cheeks,” she said. That happened and then the woman, who was at the moment re-hanging the clothes, turned and saw him. She had her arm filled with clothes but dropped them on the floor and ran to him. She half knelt, the hunchback girl said, and putting her arms about his body and looking up into his face pleaded with him. “Don’t. Don’t be hurt. Believe me I know everything. Please don’t be hurt,” was what she said.

And now as to the story of the woman’s death. It happened in the fall of that year.

In the place where she was sometimes employed—that is to say in the theatre—there was this other man, the little half-crazed stage-hand who shot her.

He had fallen in love with her and, like the men in the Kansas town from which she came, had written her several silly notes of which she said nothing to Wilson. The letters weren’t very nice and some of them, the most unpleasant ones, were by some twist of the fellow’s mind, signed with Wilson’s name. Two of them were afterwards found on her person and were brought in as evidence against Wilson during his trial.

And so the woman worked in the theatre and the summer had passed and on an evening in the fall there was to be a dress rehearsal at the theatre and the woman went there, taking Wilson with her. It was a fall day, such as we sometimes have in Chicago, cold and wet and with a heavy fog lying over the city.

The dress rehearsal did not come off. The star was ill, or something of the sort happened, and Wilson and his woman sat about, in the cold empty theatre, for an hour or two and then the woman was told she could go for the night.

She and Wilson walked across the city, stopping to get something to eat at a small restaurant. He was in one of the abstract silent moods common to him. No doubt he was thinking of the things he wanted to express in the poetry I have tried to tell you about. He went along, not seeing the woman beside him, not seeing the people drifting up to them and passing them in the streets. He went along in that way and she—

She was no doubt then as she always was in his presence—silent and satisfied with the fact that she was with him. There was nothing he could think or feel that did not take her into account. The very blood flowing up through his body was her blood too. He had made her feel that, and she was silent and satisfied as he went along, his body walking beside her but his fancy groping its way through the land of high walls and deep wells.

They had walked from the restaurant, in the Loop District, over a bridge to the North Side, and still no words passed between them.

When they had almost reached their own place the stage-hand, the small man with the nervous hands who had written the notes, appeared out of the fog, as though out of nowhere, and shot the woman.

That was all there was to it. It was as simple as that.

They were walking, as I have described them, when a head flashed up before the woman in the midst of the fog, a hand shot out, there was the quick abrupt sound of a pistol shot and then the absurd little stage-hand, he with the wrinkled impotent little old woman’s face—then he turned and ran away.

All that happened, just as I have written it and it made no impression at all on the mind of Wilson. He walked along as though nothing had happened and the woman, after half falling, gathered herself together and managed to continue walking beside him, still saying nothing.

They went thus, for perhaps two blocks, and had reached the foot of the outer stairs that led up to their place when a policeman came running, and the woman told him a lie. She told him some story about a struggle between two drunken men, and after a moment of talk the policeman went away, sent away by the woman in a direction opposite to the one taken by the fleeing stage-hand.

They were in the darkness and the fog now and the woman took her man’s arm while they climbed the stairs. He was as yet—as far as I will ever be able to explain logically—unaware of the shot, and of the fact that she was dying, although he had seen and heard everything. What the doctors said, who were put on the case afterwards, was that a cord or muscle, or something of the sort that controls the action of the heart, had been practically severed by the shot.

She was dead and alive at the same time, I should say.

Anyway the two people marched up the stairs, and into the room above, and then a really dramatic and lovely thing happened. One wishes that the scene, with just all its connotations, could be played out on a stage instead of having to be put down in words.

The two came into the room, the one dead but not ready to acknowledge death without a flash of something individual and lovely, that is to say, the one dead while still alive and the other alive but at the moment dead to what was going on.

The room into which they went was dark but, with the sure instinct of an animal, the woman walked across the room to the fireplace, while the man stopped and stood some ten feet from the door—thinking and thinking in his peculiarly abstract way. The fireplace was filled with an accumulation of waste matter, cigarette ends—the man was a hard smoker—bits of paper on which he had scribbled—the rubbishy accumulation that gathers about all such fellows as Wilson. There was all of this quickly combustible material, stuffed into the fireplace, on this—the first cold evening of the fall.

And so the woman went to it, and found a match somewhere in the darkness, and touched the pile off.

There is a picture that will remain with me always—just that—the barren room and the blind unseeing man standing there, and the woman kneeling and making a little flare of beauty at the last. Little flames leaped up. Lights crept and danced over the walls. Below, on the floor of the room, there was a deep well of darkness in which the man, blind with his own purpose, was standing.

The pile of burning papers must have made, for a moment, quite a glare of light in the room and the woman stood for a moment, beside the fireplace, just outside the glare of light.

And then, pale and wavering, she walked across the light, as across a lighted stage, going softly and silently toward him. Had she also something to say? No one will ever know. What happened was that she said nothing.

She walked across to him and, at the moment she reached him, fell down on the floor and died at his feet, and at the same moment the little fire of papers died. If she struggled before she died, there on the floor, she struggled in silence. There was no sound. She had fallen and lay between him and the door that led out to the stairway and to the street.

It was then Wilson became altogether inhuman—too much so for my understanding.

The fire had died and the woman he had loved had died.

And there he stood looking into nothingness, thinking—God knows—perhaps of nothingness.

He stood a minute, five minutes, perhaps ten. He was a man who, before he found the woman, had been sunk far down into a deep sea of doubt and questionings. Before he found the woman no expression had ever come from him. He had perhaps just wandered from place to place, looking at people’s faces, wondering about people, wanting to come close to others and not knowing how. The woman had been able to lift him up to the surface of the sea of life for a time, and with her he had floated on the surface of the sea, under the sky, in the sunlight. The woman’s warm body—given to him in love—had been as a boat in which he had floated on the surface of the sea, and now the boat had been wrecked and he was sinking again, back into the sea.

All of this had happened and he did not know—that is to say he did not know, and at the same time he did know.

He was a poet, I presume, and perhaps at the moment a new poem was forming itself in his mind.

At any rate he stood for a time, as I have said, and then he must have had a feeling that he should make some move, that he should if possible save himself from some disaster about to overtake him.

He had an impulse to go to the door, and by way of the stairway, to go down stairs and into the street—but the body of the woman was between him and the door.

What he did and what, when he later told of it, sounded so terribly cruel to others, was to treat the woman’s dead body as one might treat a fallen tree in the darkness in a forest. First he tried to push the body aside with his foot and then as that seemed impossible, he stepped awkwardly over it.

He stepped directly on the woman’s arm. The discolored mark where his heel landed was afterward found on the body.

He almost fell, and then his body righted itself and he went walking, marched down the rickety stairs and went walking in the streets.

By chance the night had cleared. It had grown colder and a cold wind had driven the fog away. He walked along, very nonchalantly, for several blocks. He walked along as calmly as you, the reader, might walk, after having had lunch with a friend.

As a matter of fact he even stopped to make a purchase at a store. I remember that the place was called “The Whip.” He went in, bought himself a package of cigarettes, lighted one and stood a moment, apparently listening to a conversation going on among several idlers in the place.

And then he strolled again, going along smoking the cigarette and thinking of his poem no doubt. Then he came to a moving-picture theatre.

That perhaps touched him off. He also was an old fireplace, stuffed with old thoughts, scraps of unwritten poems—God knows what rubbish! Often he had gone at night to the theatre, where the woman was employed, to walk home with her, and now the people were coming out of a small moving-picture house. They had been in there seeing a play called “The Light of the World.”

Wilson walked into the midst of the crowd, lost himself in the crowd, smoking his cigarette, and then he took off his hat, looked anxiously about for a moment, and suddenly began shouting in a loud voice.

He stood there, shouting and trying to tell the story of what had happened in a loud voice, and with the uncertain air of one trying to remember a dream. He did that for a moment and then, after running a little way along the pavement, stopped and began his story again. It was only after he had gone thus, in short rushes, back, along the street to the house and up the rickety stairway to where the woman was lying—the crowd following curiously at his heels—that a policeman came up and arrested him.

He seemed excited at first but was quiet afterwards and he laughed at the notion of insanity, when the lawyer who had been retained for him, tried to set up the plea in court.

As I have said his action, during his trial, was confusing to us all, as he seemed wholly uninterested in the murder and in his own fate. After the confession of the man who had fired the shot he seemed to feel no resentment toward him either. There was something he wanted, having nothing to do with what had happened.

There he had been, you see, before he found the woman, wandering about in the world, digging himself deeper and deeper into the deep wells he talked about in his poetry, building the wall between himself and all us others constantly higher and higher.

He knew what he was doing but he could not stop. That’s what he kept talking about, pleading with people about. The man had come up out of the sea of doubt, had grasped for a time the hand of the woman, and with her hand in his had floated for a time upon the surface of life—but now he felt himself again sinking down into the sea.

His talking and talking, stopping people in the street and talking, going into people’s houses and talking, was I presume but an effort, he was always afterward making, not to sink back forever into the sea, it was the struggle of a drowning man I dare say.

At any rate I have told you the man’s story—have been compelled to try to tell you his story. There was a kind of power in him, and the power has been exerted over me as it was exerted over the woman from Kansas and the unknown hunchback girl, kneeling on the floor in the dust and peering through a keyhole.

Ever since the woman died we have all been trying and trying to drag the man Wilson back out of the sea of doubt and dumbness into which we feel him sinking deeper and deeper—and to no avail.

It may be I have been impelled to tell his story in the hope that by writing of him I may myself understand. Is there not a possibility that with understanding would come also the strength to thrust an arm down into the sea and drag the man Wilson back to the surface again?

AN OHIO PAGAN

AN OHIO PAGAN

Chapter I

TOM EDWARDS was a Welshman, born in Northern Ohio, and a descendant of that Thomas Edwards, the Welsh poet, who was called, in his own time and country, Twn O’r Nant—which in our own tongue means “Tom of the dingle or vale.”

The first Thomas Edwards was a gigantic figure in the history of the spiritual life of the Welsh. Not only did he write many stirring interludes concerning life, death, earth, fire and water but as a man he was a true brother to the elements and to all the passions of his sturdy and musical race. He sang beautifully but he also played stoutly and beautifully the part of a man. There is a wonderful tale, told in Wales and written into a book by the poet himself, of how he, with a team of horses, once moved a great ship out of the land into the sea, after three hundred Welshmen had failed at the task. Also he taught Welsh woodsmen the secret of the crane and pulley for lifting great logs in the forests, and once he fought to the point of death the bully of the countryside, a man known over a great part of Wales as The Cruel Fighter. Tom Edwards, the descendant of this man was born in Ohio near my own native town of Bidwell. His name was not Edwards, but as his father was dead when he was born, his mother gave him the old poet’s name out of pride in having such blood in her veins. Then when the boy was six his mother died also and the man for whom both his mother and father had worked, a sporting farmer named Harry Whitehead, took the boy into his own house to live.

They were gigantic people, the Whiteheads. Harry himself weighed two hundred and seventy pounds and his wife twenty pounds more. About the time he took young Tom to live with him the farmer became interested in the racing of horses, moved off his farms, of which he had three, and came to live in our town.

In the town of Bidwell there was an old frame building, that had once been a factory for the making of barrel staves but that had stood for years vacant, staring with windowless eyes into the streets, and Harry bought it at a low price and transformed it into a splendid stable with a board floor and two long rows of box stalls. At a sale of blooded horses held in the city of Cleveland he bought twenty young colts, all of the trotting strain, and set up as a trainer of race horses.

Among the colts thus brought to our town was one great black fellow named Bucephalus. Harry got the name from John Telfer, our town poetry lover. “It was the name of the mighty horse of a mighty man,” Telfer said, and that satisfied Harry.

Young Tom was told off to be the special guardian and caretaker of Bucephalus, and the black stallion, who had in him the mighty blood of the Tennessee Patchens, quickly became the pride of the stables. He was in his nature a great ugly-tempered beast, as given to whims and notions as an opera star, and from the very first began to make trouble. Within a year no one but Harry Whitehead himself and the boy Tom dared go into his stall. The methods of the two people with the great horse were entirely different but equally effective. Once big Harry turned the stallion loose on the floor of the stable, closed all the doors, and with a cruel long whip in his hand, went in to conquer or to be conquered. He came out victorious and ever after the horse behaved when he was about.

The boy’s method was different. He loved Bucephalus and the wicked animal loved him. Tom slept on a cot in the barn and day or night, even when there were mares about, walked into Bucephalus’ box-stall without fear. When the stallion was in a temper he sometimes turned at the boy’s entrance and with a snort sent his iron-shod heels banging against the sides of the stall, but Tom laughed and putting a simple rope halter over the horse’s head led him forth to be cleaned or hitched to a cart for his morning’s jog on our town’s half-mile race track. A sight it was to see the boy with the blood of Twn O’r Nant in his veins leading by the nose Bucephalus of the royal blood of the Patchens.

When he was six years old the horse Bucephalus went forth to race and conquer at the great spring race meeting at Columbus, Ohio. He won two heats of the trotting free-for-all—the great race of the meeting—with heavy Harry in the sulky and then faltered. A gelding named “Light o’ the Orient” beat him in the next heat. Tom, then a lad of sixteen, was put into the sulky and the two of them, horse and boy, fought out a royal battle with the gelding and a little bay mare, that hadn’t been heard from before but that suddenly developed a whirlwind burst of speed.

The big stallion and the slender boy won. From amid a mob of cursing, shouting, whip-slashing men a black horse shot out and a pale boy, leaning far forward, called and murmured to him. “Go on, boy! Go boy! Go boy!” the lad’s voice had called over and over all through the race. Bucephalus got a record of 2.06¼ and Tom Edwards became a newspaper hero. His picture was in the Cleveland Leader and the Cincinnati Enquirer, and when he came back to Bidwell we other boys fairly wept in our envy of him.

Then it was however that Tom Edwards fell down from his high place. There he was, a tall boy, almost of man’s stature and, except for a few months during the winters when he lived on the Whitehead farms, and between his sixth and thirteenth years, when he had attended a country school and had learned to read and write and do sums, he was without education. And now, during that very fall of the year of his triumph at Columbus, the Bidwell truant officer, a thin man with white hair, who was also superintendent of the Baptist Sunday School, came one afternoon to the Whitehead stables and told him that if he did not begin going to school both he and his employer would get into serious trouble.

Harry Whitehead was furious and so was Tom. There he was, a great tall slender fellow who had been with race horses to the fairs all over Northern Ohio and Indiana, during that very fall, and who had just come home from the journey during which he had driven the winner in the free-for-all trot at a Grand Circuit meeting and had given Bucephalus a mark of 2.06¼.

Was such a fellow to go sit in a schoolroom, with a silly school book in his hand, reading of the affairs of the men who dealt in butter, eggs, potatoes and apples, and whose unnecessarily complicated business life the children were asked to unravel,—was such a fellow to go sit in a room, under the eyes of a woman teacher, and in the company of boys half his age and with none of his wide experience of life?

It was a hard thought and Tom took it hard. The law was all right, Harry Whitehead said, and was intended to keep noaccount kids off the streets but what it had to do with himself Tom couldn’t make out. When the truant officer had gone and Tom was left alone in the stable with his employer the man and boy stood for a long time glumly staring at each other. It was all right to be educated but Tom felt he had book education enough. He could read, write and do sums, and what other book-training did a horseman need? As for books, they were all right for rainy evenings when there were no men sitting by the stable door and talking of horses and races. And also when one went to the races in a strange town and arrived, perhaps on Sunday, and the races did not begin until the following Wednesday—it was all right then to have a book in the chest with the horse blankets. When the weather was fine and the work was all done on a fine fall afternoon, and the other swipes, both niggers and whites, had gone off to town, one could take a book out under a tree and read of life in far away places that was as strange and almost as fascinating as one’s own life. Tom had read “Robinson Crusoe,” “Uncle Tom’s Cabin” and “Tales from the Bible,” all of which he had found in the Whitehead house and Jacob Friedman, the school superintendent at Bidwell, who had a fancy for horses, had loaned him other books that he intended reading during the coming winter. They were in his chest—one called “Gulliver’s Travels” and the other “Moll Flanders.”

And now the law said he must give up being a horseman and go every day to a school and do little foolish sums, he who had already proven himself a man. What other schoolboy knew what he did about life? Had he not seen and spoken to several of the greatest men of this world, men who had driven horses to beat world records, and did they not respect him? When he became a driver of race horses such men as Pop Geers, Walter Cox, John Splan, Murphy and the others would not ask him what books he had read, or how many feet make a rod and how many rods in a mile. In the race at Columbus, where he had won his spurs as a driver, he had already proven that life had given him the kind of education he needed. The driver of the gelding “Light o’ the Orient” had tried to bluff him in that third heat and had not succeeded. He was a big man with a black mustache and had lost one eye so that he looked fierce and ugly, and when the two horses were fighting it out, neck and neck, up the back stretch, and when Tom was tooling Bucephalus smoothly and surely to the front, the older man turned in his sulky to glare at him. “You damned little whipper-snapper,” he yelled, “I’ll knock you out of your sulky if you don’t take back.”

He had yelled that at Tom and then had struck at the boy with the butt of his whip—not intending actually to hit him perhaps but just missing the boy’s head, and Tom had kept his eyes steadily on his own horse, had held him smoothly in his stride and at the upper turn, at just the right moment, had begun to pull out in front.

Later he hadn’t even told Harry Whitehead of the incident, and that fact too, he felt vaguely, had something to do with his qualifications as a man.

And now they were going to put him into a school with the kids. He was at work on the stable floor, rubbing the legs of a trim-looking colt, and Bucephalus was in his stall waiting to be taken to a late fall meeting at Indianapolis on the following Monday, when the blow fell. Harry Whitehead walked back and forth swearing at the two men who were loafing in chairs at the stable door. “Do you call that law, eh, robbing a kid of the chance Tom’s got?” he asked, shaking a riding whip under their noses. “I never see such a law. What I say is Dod blast such a law.”

Tom took the colt back to its place and went into Bucephalus’ box-stall. The stallion was in one of his gentle moods and turned to have his nose rubbed, but Tom went and buried his face against the great black neck and for a long time stood thus, trembling. He had thought perhaps Harry would let him drive Bucephalus in all his races another season and now that was all to come to an end and he was to be pitched back into childhood, to be made just a kid in school. “I won’t do it,” he decided suddenly and a dogged light came into his eyes. His future as a driver of race horses might have to be sacrificed but that didn’t matter so much as the humiliation of this other, and he decided he would say nothing to Harry Whitehead or his wife but would make his own move.

“I’ll get out of here. Before they get me into that school I’ll skip out of town,” he told himself as his hand crept up and fondled the soft nose of Bucephalus, the son royal of the Patchens.

Tom left Bidwell during the night, going east on a freight train, and no one there ever saw him again. During that winter he lived in the city of Cleveland, where he got work driving a milk wagon in a district where factory workers lived.

Then spring came again and with it the memory of other springs—of thunder-showers rolling over fields of wheat, just appearing, green and vivid, out of the black ground—of the sweet smell of new plowed fields, and most of all the smell and sound of animals about barns at the Whitehead farms north of Bidwell. How sharply he remembered those days on the farms and the days later when he lived in Bidwell, slept in the stables and went each morning to jog race horses and young colts round and round the half-mile race track at the fair grounds at Bidwell.

That was a life! Round and round the track they went, young colthood and young manhood together, not thinking but carrying life very keenly within themselves and feeling tremendously. The colt’s legs were to be hardened and their wind made sound and for the boy long hours were to be spent in a kind of dream world, and life lived in the company of something fine, courageous, filled with a terrible, waiting surge of life. At the fair ground, away at the town’s edge, tall grass grew in the enclosure inside the track and there were trees from which came the voices of squirrels, chattering and scolding, accompanied by the call of nesting birds and, down below on the ground, by the song of bees visiting early blossoms and of insects hidden away in the grass.

How different the life of the city streets in the springtime! To Tom it was in a way fetid and foul. For months he had been living in a boarding house with some six, and often eight or ten, other young fellows, in narrow rooms above a foul street. The young fellows were unmarried and made good wages, and on the winter evenings and on Sundays they dressed in good clothes and went forth, to return later, half drunk, to sit for long hours boasting and talking loudly in the rooms. Because he was shy, often lonely and sometimes startled and frightened by what he saw and heard in the city, the others would have nothing to do with Tom. They felt a kind of contempt for him, looked upon him as a “rube” and in the late afternoon when his work was done he often went for long walks alone in grim streets of workingmen’s houses, breathing the smoke-laden air and listening to the roar and clatter of machinery in great factories. At other times and immediately after the evening meal he went off to his room and to bed, half sick with fear and with some strange nameless dread of the life about him.

And so in the early summer of his seventeenth year Tom left the city and going back into his own Northern Ohio lake country found work with a man named John Bottsford who owned a threshing outfit and worked among the farmers of Erie County, Ohio. The slender boy, who had urged Bucephalus to his greatest victory and had driven him the fastest mile of his career, had become a tall strong fellow with heavy features, brown eyes, and big nerveless hands—but in spite of his apparent heaviness there was something tremendously alive in him. He now drove a team of plodding grey farm horses and it was his job to keep the threshing engine supplied with water and fuel and to haul the threshed grain out of the fields and into farmers’ barns.

The thresherman Bottsford was a broad-shouldered, powerful old man of sixty and had, besides Tom, three grown sons in his employ. He had been a farmer, working on rented land, all his life and had saved some money, with which he had bought the threshing outfit, and all day the five men worked like driven slaves and at night slept in the hay in the farmers’ barns. It was rainy that season in the lake country and at the beginning of the time of threshing things did not go very well for Bottsford.

The old thresherman was worried. The threshing venture had taken all of his money and he had a dread of going into debt and, as he was a deeply religious man, at night when he thought the others asleep, he crawled out of the hayloft and went down onto the barn floor to pray.

Something happened to Tom and for the first time in his life he began to think about life and its meaning. He was in the country, that he loved, in the yellow sunwashed fields, far from the dreaded noises and dirt of city life, and here was a man, of his own type, in some deep way a brother to himself, who was continuously crying out to some power outside himself, some power that was in the sun, in the clouds, in the roaring thunder that accompanied the summer rains—that was in these things and that at the same time controlled all these things.

The young threshing apprentice was impressed. Throughout the rainy days, when no work could be done, he wandered about and waited for night, and then, when they all had gone into the barn loft and the others prepared to sleep, he stayed awake to think and listen. He thought of God and of the possibilities of God’s part in the affairs of men. The thresherman’s youngest son, a fat jolly fellow, lay beside him and, for a time after they had crawled into the hay, the two boys whispered and laughed together. The fat boy’s skin was sensitive and the dry broken ends of grass stalks crept down under his clothes and tickled him. He giggled and twisted about, wriggling and kicking and Tom looked at him and laughed also. The thoughts of God went out of his mind.

In the barn all became quiet and when it rained a low drumming sound went on overhead. Tom could hear the horses and cattle, down below, moving about. The smells were all delicious smells. The smell of the cows in particular awoke something heady in him. It was as though he had been drinking strong wine. Every part of his body seemed alive. The two older boys, who like their father had serious natures, lay with their feet buried in the hay. They lay very still and a warm musty smell arose from their clothes, that were full of the sweat of toil. Presently the bearded old thresherman, who slept off by himself, arose cautiously and walked across the hay in his stockinged feet. He went down a ladder to the floor below, and Tom listened eagerly. The fat boy snored but he was quite sure that the older boys were awake like himself. Every sound from below was magnified. He heard a horse stamp on the barn floor and a cow rub her horns against a feed box. The old thresherman prayed fervently, calling on the name of Jesus to help him out of his difficulty. Tom could not hear all his words but some of them came to him quite clearly and one group of words ran like a refrain through the thresherman’s prayer. “Gentle Jesus,” he cried, “send the good days. Let the good days come quickly. Look out over the land. Send us the fair warm days.”

Came the warm fair days and Tom wondered. Late every morning, after the sun had marched far up into the sky and after the machines were set by a great pile of wheat bundles he drove his tank wagon off to be filled at some distant creek or at a pond. Sometimes he was compelled to drive two or three miles to the lake. Dust gathered in the roads and the horses plodded along. He passed through a grove of trees and went down a lane and into a small valley where there was a spring and he thought of the old man’s words, uttered in the silence and the darkness of the barns. He made himself a figure of Jesus as a young god walking about over the land. The young god went through the lanes and through the shaded covered places. The feet of the horses came down with a thump in the dust of the road and there was an echoing thump far away in the wood. Tom leaned forward and listened and his cheeks became a little pale. He was no longer the growing man but had become again the fine and sensitive boy who had driven Bucephalus through a mob of angry, determined men to victory. For the first time the blood of the old poet Twn O’r Nant awoke in him.

The water boy for the threshing crew rode the horse Pegasus down through the lanes back of the farm houses in Erie County, Ohio, to the creeks where the threshing tanks must be filled. Beside him on the soft earth in the forest walked the young god Jesus. At the creek Pegasus, born of the springs of Ocean, stamped on the ground. The plodding farm horses stopped. With a dazed look in his eyes Tom Edwards arose from the wagon seat and prepared his hose and pump for filling the tank. The god Jesus walked away over the land, and with a wave of his hand summoned the smiling days.

A light came into Tom Edwards’ eyes and grace seemed to come also into his heavy maturing body. New impulses came to him. As the threshing crew went about, over the roads and through the villages from farm to farm, women and young girls looked at the young man and smiled. Sometimes as he came from the fields to a farmer’s barn, with a load of wheat in bags on his wagon, the daughter of the farmer stepped out of the farm house and stood looking at him. Tom looked at the woman and hunger crept into his heart and, in the evenings while the thresherman and his sons sat on the ground by the barns and talked of their affairs, he walked nervously about. Making a motion to the fat boy, who was not really interested in the talk of his father and brothers, the two younger men went to walk in the nearby fields and on the roads. Sometimes they stumbled along a country road in the dusk of the evening and came into the lighted streets of a town. Under the store-lights young girls walked about. The two boys stood in the shadows by a building and watched and later, as they went homeward in the darkness, the fat boy expressed what they both felt. They passed through a dark place where the road wound through a wood. In silence the frogs croaked, and birds roosting in the trees were disturbed by their presence and fluttered about. The fat boy wore heavy overalls and his fat legs rubbed against each other. The rough cloth made a queer creaking sound. He spoke passionately. “I would like to hold a woman, tight, tight, tight,” he said.

One Sunday the thresherman took his entire crew with him to a church. They had been working near a village called Castalia, but did not go into the town but to a small white frame church that stood amid trees and by a stream at the side of a road, a mile north of the village. They went on Tom’s water wagon, from which they had lifted the tank and placed boards for seats. The boy drove the horses.

Many teams were tied in the shade under the trees in a little grove near the church, and strange men—farmers and their sons—stood about in little groups and talked of the season’s crops. Although it was hot, a breeze played among the leaves of the trees under which they stood, and back of the church and the grove the stream ran over stones and made a persistent soft murmuring noise that arose above the hum of voices.

In the church Tom sat beside the fat boy who stared at the country girls as they came in and who, after the sermon began, went to sleep while Tom listened eagerly to the sermon. The minister, an old man with a beard and a strong sturdy body, looked, he thought not unlike his employer Bottsford the thresherman.

The minister in the country church talked of that time when Mary Magdalene, the woman who had been taken in adultery, was being stoned by the crowd of men who had forgotten their own sins and when, in the tale the minister told, Jesus approached and rescued the woman Tom’s heart thumped with excitement. Then later the minister talked of how Jesus was tempted by the devil, as he stood on a high place in the mountain, but the boy did not listen. He leaned forward and looked out through a window across fields and the minister’s words came to him but in broken sentences. Tom took what was said concerning the temptation on the mountain to mean that Mary had followed Jesus and had offered her body to him, and that afternoon, when he had returned with the others to the farm where they were to begin threshing on the next morning, he called the fat boy aside and asked his opinion.

The two boys walked across a field of wheat-stubble and sat down on a log in a grove of trees. It had never occurred to Tom that a man could be tempted by a woman. It had always seemed to him that it must be the other way, that women must always be tempted by men. “I thought men always asked,” he said, “and now it seems that women sometimes do the asking. That would be a fine thing if it could happen to us. Don’t you think so?”

The two boys arose and walked under the trees and dark shadows began to form on the ground underfoot. Tom burst into words and continually asked questions and the fat boy, who had been often to church and for whom the figure of Jesus had lost most of its reality, felt a little embarrassed. He did not think the subject should be thus freely discussed and when Tom’s mind kept playing with the notion of Jesus, pursued and tempted by a woman, he grunted his disapproval. “Do you think he really refused?” Tom asked over and over. The fat boy tried to explain. “He had twelve disciples,” he said. “It couldn’t have happened. They were always about. Well, you see, she wouldn’t ever have had no chance. Wherever he went they went with him. They were men he was teaching to preach. One of them later betrayed him to soldiers who killed him.”

Tom wondered. “How did that come about? How could a man like that be betrayed?” he asked. “By a kiss,” the fat boy replied.

On the evening of the day when Tom Edwards—for the first and last time in his life—went into a church, there was a light shower, the only one that fell upon John Bottsford’s threshing crew during the last three months the Welsh boy was with them and the shower in no way interfered with their work. The shower came up suddenly and a few minutes was gone. As it was Sunday and as there was no work the men had all gathered in the barn and were looking out through the open barn doors. Two or three men from the farm house came and sat with them on boxes and barrels on the barn floor and, as is customary with country people, very little was said. The men took knives out of their pockets and finding little sticks among the rubbish on the barn floor began to whittle, while the old thresherman went restlessly about with his hands in his trouser pockets. Tom who sat near the door, where an occasional drop of rain was blown against his cheek, alternately looked from his employer to the open country where the rain played over the fields. One of the farmers remarked that a rainy time had come on and that there would be no good threshing weather for several days and, while the thresherman did not answer, Tom saw his lips move and his grey beard bob up and down. He thought the thresherman was protesting but did not want to protest in words.

As they had gone about the country many rains had passed to the north, south and east of the threshing crew and on some days the clouds hung over them all day, but no rain fell and when they had got to a new place they were told it had rained there three days before. Sometimes when they left a farm Tom stood up on the seat of his water wagon and looked back. He looked across fields to where they had been at work and then looked up into the sky. “The rain may come now. The threshing is done and the wheat is all in the barn. The rain can now do no harm to our labor,” he thought.

On the Sunday evening when he sat with the men on the floor of the barn Tom was sure that the shower that had now come would be but a passing affair. He thought his employer must be very close to Jesus, who controlled the affairs of the heavens, and that a long rain would not come because the thresherman did not want it. He fell into a deep reverie and John Bottsford came and stood close beside him. The thresherman put his hand against the door jamb and looked out and Tom could still see the grey beard moving. The man was praying and was so close to himself that his trouser leg touched Tom’s hand. Into the boy’s mind came the remembrance of how John Bottsford had prayed at night on the barn floor. On that very morning he had prayed. It was just as daylight came and the boy was awakened because, as he crept across the hay to descend the ladder, the old man’s foot had touched his hand.

As always Tom had been excited and wanted to hear every word said in the older man’s prayers. He lay tense, listening to every sound that came up from below. A faint glow of light came into the hayloft, through a crack in the side of the barn, a rooster crowed and some pigs, housed in a pen near the barn, grunted loudly. They had heard the thresherman moving about and wanted to be fed and their grunting, and the occasional restless movement of a horse or a cow in the stable below, prevented Tom’s hearing very distinctly. He, however, made out that his employer was thanking Jesus for the fine weather that had attended them and was protesting that he did not want to be selfish in asking it to continue. “Jesus,” he said, “send, if you wish, a little shower on this day when, because of our love for you, we do not work in the fields. Let it be fine tomorrow but today, after we have come back from the house of worship, let a shower freshen the land.”

As Tom sat on a box near the door of the barn and saw how aptly the words of his employer had been answered by Jesus he knew that the rain would not last. The man for whom he worked seemed to him so close to the throne of God that he raised the hand, that had been touched by John Bottsford’s trouser leg to his lips and secretly kissed it—and when he looked again out over the fields the clouds were being blown away by a wind and the evening sun was coming out. It seemed to him that the young and beautiful god Jesus must be right at hand, within hearing of his voice. “He is,” Tom told himself, “standing behind a tree in the orchard.” The rain stopped and he went silently out of the barn, towards a small apple orchard that lay beside the farm house, but when he came to a fence and was about to climb over he stopped. “If Jesus is there he will not want me to find him,” he thought. As he turned again toward the barn he could see, across a field, a low grass-covered hill. He decided that Jesus was not after all in the orchard. The long slanting rays of the evening sun fell on the crest of the hill and touched with light the grass stalks, heavy with drops of rain and for a moment the hill was crowned as with a crown of jewels. A million tiny drops of water, reflecting the light, made the hilltop sparkle as though set with gems. “Jesus is there,” muttered the boy. “He lies on his belly in the grass. He is looking at me over the edge of the hill.”

Chapter II

JOHN BOTTSFORD went with his threshing crew to work for a large farmer named Barton near the town of Sandusky. The threshing season was drawing near an end and the days remained clear, cool and beautiful. The country into which he now came made a deep impression on Tom’s mind and he never forgot the thoughts and experiences that came to him during the last weeks of that summer on the Barton farms.

The traction engine, puffing forth smoke and attracting the excited attention of dogs and children as it rumbled along and pulled the heavy red grain separator, had trailed slowly over miles of road and had come down almost to Lake Erie. Tom, with the fat Bottsford boy sitting beside him on the water wagon, followed the rumbling puffing engine, and when they came to the new place, where they were to stay for several days, he could see, from the wagon seat, the smoke of the factories in the town of Sandusky rising into the clear morning air.

The man for whom John Bottsford was threshing owned three farms, one on an island in the bay, where he lived, and two on the mainland, and the larger of the mainland farms had great stacks of wheat standing in a field near the barns. The farm was in a wide basin of land, very fertile, through which a creek flowed northward into Sandusky Bay and, besides the stacks of wheat in the basin, other stacks had been made in the upland fields beyond the creek, where a country of low hills began. From these latter fields the waters of the bay could be seen glistening in the bright fall sunlight and steamers went from Sandusky to a pleasure resort called Cedar Point. When the wind blew from the north or west and when the threshing machinery had been stopped at the noon hour the men, resting with their backs against a strawstack, could hear a band playing on one of the steamers.

Fall came on early that year and the leaves on the trees in the forests that grew along the roads that ran down through the low creek bottom lands began to turn yellow and red. In the afternoons when Tom went to the creek for water he walked beside his horses and the dry leaves crackled and snapped underfoot.

As the season had been a prosperous one Bottsford decided that his youngest son should attend school in town during the fall and winter. He had bought himself a machine for cutting firewood and with his two older sons intended to take up that work. “The logs will have to be hauled out of the wood lots to where we set up the saws,” he said to Tom. “You can come with us if you wish.”

The thresherman began to talk to Tom of the value of learning. “You’d better go to some town yourself this winter. It would be better for you to get into a school,” he said sharply. He grew excited and walked up and down beside the water wagon, on the seat of which Tom sat listening and said that God had given men both minds and bodies and it was wicked to let either decay because of neglect. “I have watched you,” he said. “You don’t talk very much but you do plenty of thinking, I guess. Go into the schools. Find out what the books have to say. You don’t have to believe when they say things that are lies.”

The Bottsford family lived in a rented house facing a stone road near the town of Bellevue, and the fat boy was to go to that town—a distance of some eighteen miles from where the men were at work—afoot, and on the evening before he set out he and Tom went out of the barns intending to have a last walk and talk together on the roads.

They went along in the dusk of the fall evening, each thinking his own thoughts, and coming to a bridge that led over the creek in the valley sat on the bridge rail. Tom had little to say but his companion wanted to talk about women and, when darkness came on, the embarrassment he felt regarding the subject went quite away and he talked boldly and freely. He said that in the town of Bellevue, where he was to live and attend school during the coming winter, he would be sure to get in with a woman. “I’m not going to be cheated out of that chance,” he declared. He explained that as his father would be away from home when he moved into town he would be free to pick his own place to board.

The fat boy’s imagination became inflamed and he told Tom his plans. “I won’t try to get in with any young girl,” he declared shrewdly. “That only gets a fellow in a fix. He might have to marry her. I’ll go live in a house with a widow, that’s what I’ll do. And in the evening the two of us will be there alone. We’ll begin to talk and I’ll keep touching her with my hands. That will get her excited.”

The fat boy jumped to his feet and walked back and forth on the bridge. He was nervous and a little ashamed and wanted to justify what he had said. The thing for which he hungered had he thought become a possibility—an act half achieved. Coming to stand before Tom he put a hand on his shoulder. “I’ll go into her room at night,” he declared. “I’ll not tell her I’m coming, but will creep in when she is asleep. Then I’ll get down on my knees by her bed and I’ll kiss her, hard, hard. I’ll hold her tight, so she can’t get away and I’ll kiss her mouth till she wants what I want. Then I’ll stay in her house all winter. No one will know. Even if she won’t have me I’ll only have to move, I’m sure to be safe. No one will believe what she says, if she tells on me. I’m not going to be like a boy any more, I’ll tell you what—I’m as big as a man and I’m going to do like men do, that’s what I am.”

The two young men went back to the barn where they were to sleep on the hay. The rich farmer for whom they were now at work had a large house and provided beds for the thresherman and his two older sons but the two younger men slept in the barn loft and on the night before had lain under one blanket. After the talk by the bridge however, Tom did not feel very comfortable and that stout exponent of manhood, the younger Bottsford, was also embarrassed. In the road the young man, whose name was Paul, walked a little ahead of his companion and when they got to the barn each sought a separate place in the loft. Each wanted to have thoughts into which he did not want the presence of the other to intrude.

For the first time Tom’s body burned with eager desire for a female. He lay where he could see out through a crack, in the side of the barn, and at first his thoughts were all about animals. He had brought a horse blanket up from the stable below and crawling under it lay on his side with his eyes close to the crack and thought about the love-making of horses and cattle. Things he had seen in the stables when he worked for Whitehead, the racing man, came back to his mind and a queer animal hunger ran through him so that his legs stiffened. He rolled restlessly about on the hay and for some reason, he did not understand, his lust took the form of anger and he hated the fat boy. He thought he would like to crawl over the hay and pound his companion’s face with his fists. Although he had not seen Paul Bottsford’s face, when he talked of the widow, he had sensed in him a flavor of triumph. “He thinks he has got the better of me,” young Edwards thought.

He rolled again to the crack and stared out into the night. There was a new moon and the fields were dimly outlined and clumps of trees, along the road that led into the town of Sandusky, looked like black clouds that had settled down over the land. For some reason the sight of the land, lying dim and quiet under the moon, took all of his anger away and he began to think, not of Paul Bottsford, with hot eager lust in his eyes, creeping into the room of the widow at Bellevue, but of the god Jesus, going up into a mountain with his woman, Mary.

His companion’s notion of going into a room where a woman lay sleeping and taking her, as it were unawares, now seemed to him entirely mean and the hot jealous feeling that had turned into anger and hatred went entirely away. He tried to think what the god, who had brought the beautiful days for the threshing, would do with a woman.

Tom’s body still burned with desire and his mind wanted to think lascivious thoughts. The moon that had been hidden behind clouds emerged and a wind began to blow. It was still early evening and in the town of Sandusky pleasure seekers were taking the boat to the resort over the bay and the wind brought to Tom’s ears the sound of music, blown over the waters of the bay and down the creek basin. In a grove near the barn the wind swayed gently the branches of young trees and black shadows ran here and there on the ground.

The younger Bottsford had gone to sleep in a distant part of the barn loft, and now began to snore loudly. The tenseness went out of Tom’s legs and he prepared to sleep but before sleeping he muttered, half timidly, certain words, that were half a prayer, half an appeal to some spirit of the night. “Jesus, bring me a woman,” he whispered.

Outside the barn, in the fields, the wind, becoming a little stronger, picked up bits of straw and blew them about among the hard up-standing stubble and there was a low gentle whispering sound as though the gods were answering his appeal.

Tom went to sleep with his arm under his head and with his eye close to the crack that gave him a view of the moonlit fields, and in his dream the cry from within repeated itself over and over. The mysterious god Jesus had heard and answered the needs of his employer John Bottsford and his own need would, he was quite sure, be understood and attended to. “Bring me a woman. I need her. Jesus, bring me a woman,” he kept whispering into the night, as consciousness left him and he slipped away into dreams.

After the youngest of the Bottsfords had departed a change took place in the nature of Tom’s work. The threshing crew had got now into a country of large farms where the wheat had all been brought in from the fields and stacked near the barns and where there was always plenty of water near at hand. Everything was simplified. The separator was pulled in close by the barn door and the threshed grain was carried directly to the bins from the separator. As it was not a part of Tom’s work to feed the bundles of grain into the whirling teeth of the separator—this work being done by John Bottsford’s two elder sons—there was little for the crew’s teamster to do. Sometimes John Bottsford, who was the engineer, departed, going to make arrangements for the next stop, and was gone for a half day, and at such times Tom, who had picked up some knowledge of the art, ran the engine.

On other days however there was nothing at all for him to do and his mind, unoccupied for long hours, began to play him tricks. In the morning, after his team had been fed and cleaned until the grey coats of the old farm horses shone like racers, he went out of the barn and into an orchard. Filling his pockets with ripe apples he went to a fence and leaned over. In a field young colts played about. As he held the apples and called softly they came timidly forward, stopping in alarm and then running a little forward, until one of them, bolder than the others, ate one of the apples out of his hand.

All through those bright warm clear fall days a restless feeling, it seemed to Tom ran through everything in nature. In the clumps of woodland still standing on the farms flaming red spread itself out along the limbs of trees and there was one grove of young maple trees, near a barn, that was like a troop of girls, young girls who had walked together down a sloping field, to stop in alarm at seeing the men at work in the barnyard. Tom stood looking at the trees. A slight breeze made them sway gently from side to side. Two horses standing among the trees drew near each other. One nipped the other’s neck. They rubbed their heads together.

The crew stopped at another large farm and it was to be their last stop for the season. “When we have finished this job we’ll go home and get our own fall work done,” Bottsford said. Saturday evening came and the thresherman and his sons took the horses and drove away, going to their own home for the Sunday, and leaving Tom alone. “We’ll be back early, on Monday morning,” the thresherman said as they drove away. Sunday alone among the strange farm people brought a sharp experience to Tom and when it had passed he decided he would not wait for the end of the threshing season but a few days off now—but would quit his job and go into the city and surrender to the schools. He remembered his employer’s words, “Find out what the books have to say. You don’t have to believe, when they say things that are lies.”

As he walked in lanes, across meadows and upon the hillsides of the farm, also on the shores of Sandusky Bay, that Sunday morning Tom thought almost constantly of his friend the fat fellow, young Paul Bottsford, who had gone to spend the fall and winter at Bellevue, and wondered what his life there might be like. He had himself lived in such a town, in Bidwell, but had rarely left Harry Whitehead’s stable. What went on in such a town? What happened at night in the houses of the towns? He remembered Paul’s plan for getting into a house alone with a widow and how he was to creep into her room at night, holding her tightly in his arms until she wanted what he wanted. “I wonder if he will have the nerve. Gee, I wonder if he will have the nerve,” he muttered.

For a long time, ever since Paul had gone away and he had no one with whom he could talk, things had taken on a new aspect in Tom’s mind. The rustle of dry leaves underfoot, as he walked in a forest—the playing of shadows over the open face of a field—the murmuring song of insects in the dry grass beside the fences in the lanes—and at night the hushed contented sounds made by the animals in the barns, were no longer so sweet to him. For him no more did the young god Jesus walk beside him, just out of sight behind low hills, or down the dry beds of streams. Something within himself, that had been sleeping was now awakening. When he returned from walking in the fields on the fall evenings and, thinking of Paul Bottsford alone in the house with the widow at Bellevue, half wishing he were in the same position, he felt ashamed in the presence of the gentle old thresherman, and afterward did not lie awake listening to the older man’s prayers. The men who had come from nearby farms to help with the threshing laughed and shouted to each other as they pitched the straw into great stacks or carried the filled bags of grain to the bins, and they had wives and daughters who had come with them and who were now at work in the farmhouse kitchen, from which also laughter came. Girls and women kept coming out at the kitchen door into the barnyard, tall awkward girls, plump red-cheeked girls, women with worn thin faces and sagging breasts. All men and women seemed made for each other.

They all laughed and talked together, understood one another. Only he was alone. He only had no one to whom he could feel warm and close, to whom he could draw close.

On the Sunday when the Bottsfords had all gone away Tom came in from walking all morning in the fields and ate his dinner with many other people in a big farmhouse dining room. In preparation for the threshing days ahead, and the feeding of many people, several women had come to spend the day and to help in preparing food. The farmer’s daughter, who was married and lived in Sandusky, came with her husband, and three other women, neighbors, came from farms in the neighborhood. Tom did not look at them but ate his dinner in silence and as soon as he could manage got out of the house and went to the barns. Going into a long shed he sat on the tongue of a wagon, that from long disuse was covered with dust. Swallows flew back and forth among the rafters overhead and, in an upper corner of the shed where they evidently had a nest, wasps buzzed in the semi-darkness.

The daughter of the farmer, who had come from town, came from the house with a babe in her arms. It was nursing time, and she wanted to escape from the crowded house and, without having seen Tom, she sat on a box near the shed door and opened her dress. Embarrassed and at the same time fascinated by the sight of a woman’s breasts, seen through cracks of the wagon box, Tom drew his legs up and his head down and remained concealed until the woman had gone back to the house. Then he went again to the fields and did not go back to the house for the evening meal.

As he walked on that Sunday afternoon the grandson of the Welsh poet experienced many new sensations. In a way he came to understand that the things Paul had talked of doing and that had, but a short time before, filled him with disgust were now possible to himself also. In the past when he had thought about women there had always been something healthy and animal-like in his lusts but now they took a new form. The passion that could not find expression through his body went up into his mind and he began to see visions. Women became to him something different than anything else in nature, more desirable than anything else in nature, and at the same time everything in nature became woman. The trees, in the apple orchard by the barn, were like the arms of women. The apples on the trees were round like the breasts of women. They were the breasts of women—and when he had got on to a low hill the contour of the fences that marked the confines of the fields fell into the forms of women’s bodies. Even the clouds in the sky did the same thing.

He walked down along a lane to a stream and crossed the stream by a wooden bridge. Then he climbed another hill, the highest place in all that part of the country, and there the fever that possessed him became more active. An odd lassitude crept over him and he lay down in the grass on the hilltop and closed his eyes. For a long time he remained in a hushed, half-sleeping, dreamless state and then opened his eyes again.

Again the forms of women floated before him. To his left the bay was ruffled by a gentle breeze and far over towards the city of Sandusky two sailboats were apparently engaged in a race. The masts of the boats were fully dressed but on the great stretch of water they seemed to stand still. The bay itself, in Tom’s eyes, had taken on the form and shape of a woman’s head and body and the two sailboats were the woman’s eyes looking at him.

The bay was a woman with her head lying where lay the city of Sandusky. Smoke arose from the stacks of steamers docked at the city’s wharves and the smoke formed itself into masses of black hair. Through the farm, where he had come to thresh, ran a stream. It swept down past the foot of the hill on which he lay. The stream was the arm of the woman. Her hand was thrust into the land and the lower part of her body was lost—far down to the north, where the bay became a part of Lake Erie—but her other arm could be seen. It was outlined in the further shore of the bay. Her other arm was drawn up and her hand was pressing against her face. Her form was distorted by pain but at the same time the giant woman smiled at the boy on the hill. There was something in the smile that was like the smile that had come unconsciously to the lips of the woman who had nursed her child in the shed.

Turning his face away from the bay Tom looked at the sky. A great white cloud that lay along the southern horizon formed itself into the giant head of a man. Tom watched as the cloud crept slowly across the sky. There was something noble and quieting about the giant’s face and his hair, pure white and as thick as wheat in a rich field in June, added to its nobility. Only the face appeared. Below the shoulders there was just a white shapeless mass of clouds.

And then this formless mass began also to change. The face of a giant woman appeared. It pressed upward toward the face of the man. Two arms formed themselves on the man’s shoulders and pressed the woman closely. The two faces merged. Something seemed to snap in Tom’s brain.

He sat upright and looked neither at the bay nor at the sky. Evening was coming on and soft shadows began to play over the land. Below him lay the farm with its barns and houses and in the field, below the hill on which he was lying, there were two smaller hills that became at once in his eyes the two full breasts of a woman. Two white sheep appeared and stood nibbling the grass on the woman’s breasts. They were like babes being suckled. The trees in the orchards near the barns were the woman’s hair. An arm of the stream that ran down to the bay, the stream he had crossed on the wooden bridge when he came to the hill, cut across a meadow beyond the two low hills. It widened into a pond and the pond made a mouth for the woman. Her eyes were two black hollows—low spots in a field where hogs had rooted the grass away, looking for roots. Black puddles of water lay in the hollows and they seemed eyes shining invitingly up at him.

This woman also smiled and her smile was now an invitation. Tom got to his feet and hurried away down the hill and going stealthily past the barns and the house got into a road. All night he walked under the stars thinking new thoughts. “I am obsessed with this idea of having a woman. I’d better go to the city and go to school and see if I can make myself fit to have a woman of my own,” he thought. “I won’t sleep tonight but will wait until tomorrow when Bottsford comes back and then I’ll quit and go into the city.” He walked, trying to make plans. Even a good man like John Bottsford, had a woman for himself. Could he do that?

The thought was exciting. At the moment it seemed to him that he had only to go into the city, and go to the schools for a time, to become beautiful and to have beautiful women love him. In his half ecstatic state he forgot the winter months he had spent in the city of Cleveland, and forgot also the grim streets, the long rows of dark prison-like factories and the loneliness of his life in the city. For the moment and as he walked in the dusty roads under the moon, he thought of American towns and cities as places for beautifully satisfying adventures, for all such fellows as himself.

THE END

PRINTED IN U.S.A.

- Transcriber’s Notes:

- Missing or obscured punctuation was silently corrected.

- Typographical errors were silently corrected.

- Inconsistent spelling and hyphenation were made consistent only when a predominant form was found in this book.

*** END OF THE PROJECT GUTENBERG EBOOK HORSES AND MEN: TALES, LONG AND SHORT, FROM OUR AMERICAN LIFE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- HORSES AND MEN
- FOREWORD
- DREISER
- TALES OF THE BOOK
- I’M A FOOL

- THE TRIUMPH OF A MODERN OR, SEND FOR THE LAWYER

- “UNUSED”
- Chapter I
- Chapter II
- Chapter III
- Chapter IV
- Chapter V
- A CHICAGO HAMLET
- PART TWO
- THE MAN WHO BECAME A WOMAN
- MILK BOTTLES
- THE SAD HORN BLOWERS
- THE MAN’S STORY
- Chapter I
- Chapter II
- THE FULL PROJECT GUTENBERG™ LICENSE