Homecoming
Date: 2019-10-17T00:00:00+00:00
Keywords: Science fiction; Short stories; Spouses -- Fiction; Apocalyptic fiction; Veterans -- United States -- Fiction

The Project Gutenberg eBook of Homecoming

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Homecoming

Author: Miguel Hidalgo

Illustrator: Ed Emshwiller

Release date: October 17, 2019 [eBook #60515]
Most recently updated: October 17, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/60515

Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK HOMECOMING ***

HOMECOMING

BY MIGUEL HIDALGO

What lasts forever? Does love?
Does death?... Nothing lasts
forever.... Not even forever

[Transcriber's Note: This etext was produced from
Worlds of If Science Fiction, April 1958.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

The large horse plodded slowly over the shifting sand.

The rider was of medium size, with huge, strong hands and seemingly hollow eyes. Strange eyes, alive and aflame. They had no place in the dust-caked, tired body, yet there they were, seeking, always seeking—searching the clear horizon, and never seeming to find what they sought.

The horse moved faster now. They were nearing a river; the water would be welcome on tired bodies and dry throats. He spurred his horse, and when they reached the water's edge, he dismounted and unsaddled the horse. Then both man and horse plunged headlong into the waiting torrent, deep into the cool embrace of the clear liquid. They soaked it into their pores and drank deeply of it, feeling life going once more through their veins. Satisfied, they lifted themselves from the water, and the man lay down on the yellow sand of the river bank to sleep.

When he awoke, the sun was almost setting. The bright shafts of red light spilled across the sky, making the mountains silent scarlet shadows on the face of the rippling water. Quickly he gathered driftwood, and built a small fire. From his pack he removed some of the coffee he had found in one of the ruined cities. He brought water from the river in the battered coffee-pot he had salvaged, and while he waited for it to boil, he went to his horse, Conqueror, stroking his mane and whispering in his ear. Then he led him silently to a grassy slope where he hobbled him and left him for the night.

In the fading light, he ate the hard beef jerky and drank the scalding coffee. Refreshed and momentarily content, he sat staring into the dying fire, seeing the bright glowing coals as living fingers clutching at the wood in consuming embrace, taking all and returning nothing but ashes.

Slowly his eyelids yielded. His body sagged, and blood seemed to fill his brain, bathing it in a gentle, warm flood.

He slept. His brain slept.

But the portion of his brain called memory stirred. It was all alone; all else was at rest. Images began to appear, drawn from inexhaustible files, wherein are kept all thoughts, past, present, and future....

It was the night before he was to go overseas. World War III had been declared, and he had enlisted, receiving his old rank of captain. He was with his wife in the living room of their home. They had put the children to bed—their sons—and now sat on the couch, watching the blazing fire. It was then that he had showed it to her.

"I've got something to tell you, and something to show you."

He had removed the box from his pocket and opened it. And heard her cry of surprised joy.

"Oh, a ring, and it's a diamond, too!" she cried in her rich, happy voice which always seemed to send a thrill through his body.

"It's for you; so long as you wear it, I'll come back, even from the dead, if need be. Read the inscription."

She held the ring up to the light and read aloud, "It is forever."

Then she had slipped the ring on her finger and her arms around him. He held her very close, feeling the warmth from her body flowing into his and making him oblivious to everything except that she was there in his arms and that he was sinking deep, deep into a familiar sea, where he had been many times before but each time found something new and unexplored, some vastly different emotion he could never quite explain.

"Wait!" she cried. "I've something for you, too."

She took off the locket she wore about her neck and held it up to the shimmering light, letting it spin at the end of its chain. It caught the shadows of the fire and reflected them, greatly magnified, over the room. It was in the shape of a star, encrusted with emeralds, with one large ruby in the center. When he opened it, he found a picture of her in one side, and in the other a picture of the children. He took her in his arms again, and loosened her long, black hair, burying his face in it for a moment. Then he kissed her, and instantly was drawn down into the abyss which seemed to have no beginning or any end.

The next morning had been bleak and gray. The mist clung to the wet, sodden ground, and the air was heavy in his lungs. He had driven off in the jeep the army had sent for him, watching her there on the porch until the mist swirled around her feet and she ran back into the house and slammed the door. His cold fingers found the locket, making a little bulge under his uniform, and the touch of it seemed to warm the blood in his veins.

Three days later they had landed in Spain, merged with another division, then crossed the Pyrenees into France, and finally to Paris where the fighting had begun. Already the city was a silent graveyard, littered with the rubble of towers and cathedrals which had once been great.

Three years later they were on the road to Moscow. Over a thousand miles lay behind, a dead man on every foot of those miles. Yet victory was near. The Russians had not yet used the H-bomb; the threat of annihilation by the retaliation forces had been too great.

He had done well in the war, and had been decorated many times for bravery in action. Now he felt the victory that seemed to be in the air, and he had wished it would come quickly, so that he might return to her. Home. The very feel of the word was everything a battle-weary soldier needed to make him fight harder and live longer.

Suddenly he had become aware of a droning, wooshing sound above him. It grew louder and louder until he knew what it was.

"Heavy bombers!" The alarm had sounded, and the men had headed for their foxholes.

But the planes had passed over, the sun glinting on their bellies, reflecting a blinding light. They were bound for bigger, more important targets. When the all-clear had sounded, the men clambered from their shelters. An icy wind swept the field, bringing with it clouds which covered the sun. A strange fear had gripped him then....

Across the Atlantic, over the pole, via Alaska, the great bombers flew. In cities, great and small, the air raid sirens sounded, high screaming noises which had jarred the people from sleep in time to die. The defending planes roared into the sky to intercept the on-rushing bombers. The horrendous battle split the universe. Many bombers fell, victims of fanatical suicide planes, or of missiles that streaked across the sky which none could escape.

But too many bombers got through, dropping their deadly cargo upon the helpless cities. And not all the prayers or entreaties to any God had stopped their carnage. First there had been the red flashes that melted buildings into molten streams, and then the great triple-mushroom cloud filled with the poisonous gases that the wind swept away to other cities, where men had not died quickly and mercifully, but had rotted away, leaving shreds of putrid flesh behind to mark the places where they had crawled.

The retaliatory forces had roared away to bomb the Russian cities. Few, if any, had returned. Too much blood and life were on their hands. Those who had remained alive had found a resting place on the crown of some distant mountain. Others had preferred the silent peaceful sea, where flesh stayed not long on bones, and only darting fishes and merciful beams of filtered light found their aluminum coffins.

The war had ended.

To no avail. Neither side had won. Most of the cities and the majority of the population of both countries had been destroyed. Even their governments had vanished, leaving a silent nothingness. The armies that remained were without leaders, without sources of supplies, save what they could forage and beg from an unfriendly people.

They were alone now, a group of tired, battered men, for whom life held nothing. Their families had long since died, their bodies turned to dust, their spirits fled on the winds to a new world.

Yet these remnants of an army must return—or at least try. Their exodus was just beginning. Somehow he had managed to hold together the few men left from his force. He had always nourished the hope that she might still be alive. And now that the war was over he had to return—had to know whether she was still waiting for him.

They had started the long trek. Throughout Europe anarchy reigned. He and his men were alone. All they could do now was fight. Finally they reached the seaport city of Calais. With what few men he had left, he had commandeered a small yacht, and they had taken to the sea.

After months of storms and bad luck, they had been shipwrecked somewhere off the coast of Mexico. He had managed to swim ashore, and had been found by a fisherman's family. Many months he had spent swimming and fishing, recovering his strength, inquiring about the United States. The Mexicans had spoken with fear of the land across the Rio Grande. All its great cities had been destroyed, and those that had been only partially destroyed were devoid of people. The land across the Rio Grande had become a land of shadows. The winds were poisoned, and the few people who might have survived, were crazed and maimed by the blasts. Few men had dared cross the Rio Grande into "El Mundo gris de Noviembre"—the November world. Those who had, had never returned.

In time he had traveled north until he reached the Rio Grande. He had waded into the muddy waters and somehow landed on the American side. In the November world.

It was rightly called. The deserts were long. All plant life had died, leaving to those once great fertile stretches, nothing but the sad, temporal beauty that comes with death. No people had he seen. Only the ruins of what had once been their cities. He had walked through them, and all that he had seen were the small mutant rodents, and all that he had heard was the occasional swish of the wind as it whisked along what might have been dead leaves, but wasn't.

He had been on the trail for a long time. His food was nearly exhausted. The mountains were just beginning, and he hoped to find food there. He had not found food, but his luck had been with him. He had found a horse. Not a normal horse, but a mutation. It was almost twice as large as a regular horse. Its skin seemed to shimmer and was like glassy steel to the touch. From the center of its forehead grew a horn, straight out, as the horn of a unicorn. But most startling of all were the animal's eyes which seemed to speak—a silent mental speech, which he could understand. The horse had looked up as he approached it and seemed to say: "Follow me."

And he had followed. Over a mountain, until they came to a pass, and finally to a narrow path which led to an old cabin. He had found it empty, but there were cans of food and a rifle and many shells. He had remained there a long time—how long he could not tell, for he could only measure time by the cycles of the sun and the moon. Finally he had taken the horse, the rifle and what food was left, and once again started the long journey home.

The farther north he went, the more life seemed to have survived. He had seen great herds of horses like his own, stampeding across the plains, and strange birds which he could not identify. Yet he had seen no human beings.

But he knew he was closer now. Closer to home. He recognized the land. How, he did not know, for it was much changed. A sensing, perhaps, of what it had once been. He could not be more than two days' ride away. Once he was through this desert, he would find her, he would be with her once again; all would be well, and his long journey would be over.

The images faded. Even memory slept in a flow of warm blood. Body and mind slept into the shadows of the dawn.

He awoke and stretched the cramped muscles of his body. At the edge of the water he removed his clothes and stared at himself in the rippling mirror. His muscles were lean and hard, evenly placed throughout the length of his frame. A deep ridge ran down the length of his torso, separating the muscles, making the chest broad. Well satisfied with his body, he plunged into the cold water, deep down, until he thought his lungs would burst; then swiftly returned to the clean air, tingling in every pore. He dried himself and dressed. Conqueror was eating the long grass near the stream. Quickly he saddled him. No time for breakfast. He would ride all day and the next night. And he would be home.

Still northward. The hours crawled slower than a dying man. The sun was a torch that pierced his skin, seeming to melt his bones into a burning stream within his body. But day at last gave way to night, and the sun to the moon. The torch became a white pock-marked goddess, with streaming hair called stars.

In the moonlight he had not seen the crater until he was at its very edge. Even then he might not have seen it had not the horse stopped suddenly. The wind swirled through its vast emptiness, slapping his face with dusty hands. For a moment he thought he heard voices—mournful, murmuring voices, echoing up from the misty depths. He turned quickly away and did not look back.

Night paled into day; day burned into night.

There were clouds in the sky now, and a gentle wind caressed the sweat from his tired body. He stopped. There it was! Barely discernible through the moonlight, he saw it. Home.

Quickly he dismounted and ran. Now he could see a small light in the window, and he knew they were there. His breath came in hard ragged gulps. At the window he peered in, and as his eyes became accustomed to the inner gloom, he saw how bare the room was. No matter. Now that he was home he would build new furniture, and the house would be even better than it had been before.

Then he saw her.

She was sitting motionless in a straight wooden chair beside the fireplace, the feeble light cast by the embers veiling her in mauve shadows. He waited, wondering if she were.... Presently she stirred like a restless child in sleep, then moved from the chair to the pile of wood near the hearth, and replenished the fire. The wood caught quickly, sending up long tongues of flame, and forming a bright pool of light around her.

His blood froze. The creature illuminated by the firelight was a monster. Large greasy scales covered its face and arms, and there was no hair on its head. Its gums were toothless cavities in a sunken, mumbling mouth. The eyes, turned momentarily toward the window, were empty of life.

"No, no!" he cried soundlessly.

This was not his house. In his delirium he had only imagined he had found it. He had been searching so long. He would go on searching. He was turning wearily away from the window when the movement of the creature beside the fire held his attention. It had taken a ring from one skeleton-like finger and stood, turning the ring slowly as if trying to decipher some inscription inside it.

He knew then. He had come home.

Slowly he moved toward the door. A great weakness was upon him. His feet were stones, reluctant to leave the earth. His body was a weed, shriveled by thirst. He grasped the doorknob and clung to it, looking up at the night sky and trying to draw strength from the wind that passed over him. It was no use. There was no strength. Only fear—a kind of fear he had never known.

He fumbled at his throat, his fingers crawling like cold worms around his neck until he found the locket and the clasp which had held it safely through endless nightmare days and nights. He slipped the clasp and the locket fell into his waiting hand. As one in a dream, he opened it, and stared at the pictures, now in the dim moonlight no longer faces of those he loved, but grey ghosts from the past. Even the ruby had lost its glow. What had once been living fire was now a dull glob of darkness.

"Nothing is forever!" He thought he had shouted the words, but only a thin sound, the sound of leaves ruffled by the wind, came back to him.

He closed the locket and fastened the clasp, and hung it on the doorknob. It moved slowly in the wind, back and forth, like a pendulum. "Forever—forever. Only death is forever." He could have sworn he heard the words.

He ran. Away from the house. To the large horse with a horn in the center of its forehead, like a unicorn. Once in the saddle, the spurt of strength left him. His shoulders slumped, his head dropped onto his chest.

Conqueror trotted away, the sound of his hooves echoing hollowly in the vast emptiness.

*** END OF THE PROJECT GUTENBERG EBOOK HOMECOMING ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- HOMECOMING

- THE FULL PROJECT GUTENBERG™ LICENSE