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Title: A Song of the Open Road, and Other Verses

Author: Louis J. McQuilland

Release Date: November 17, 2019 [EBook #60716]

Language: English

Credits: Produced by Tim Lindell, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

*** START OF THIS PROJECT GUTENBERG EBOOK ***

CONTENTS

LIST OF ILLUSTRATIONS

A SONG OF THE OPEN ROAD

AND OTHER VERSES

A  SONG OF  THE

OPEN ROAD AND

OTHER    VERSES

By   Louis   J.   McQuilland

With a Proem in Verse by “G. K. C.”

A Preface by CECIL CHESTERTON

And   an  Impression   of  the  Author

and   Three   Decorative   Drawings  by

D A V I D   W I L S O N

HEATH CRANTON, LIMITED

FLEET LANE, LONDON

NOTE

Some of the poems in this volume appeared in the “Spectator,” “Vanity Fair,” “The New Witness,” “The Sketch” and “The Gypsy.” Several of the shorter verses were originally published in the “Daily News,” the “Sunday Pictorial” and the “Sunday Herald.” Messrs. Boosey & Co., 295 Regent Street, possess the sole musical rights of the lyric, “When I Sail to the Fortunate Islands.”

All rights reserved.

BALLADE TO AN IRISHMAN

To L. J. McQ.

TO verse and to the long ago,

The game we played at, pretty dears,

When some of us were clever (oh!)

And all of us were Modern (Cheers)

When, Pioneers, O Pioneers,

Stuck in the mud in various ways—

I drink to Ireland down the years,

To thine, and mine, and better days.

Even then, at least we did not go

With them that lent their lengthy ears,

To Pigott, Carson, nark and Co.,

Not then preferred the snivelling sneers

Of damned and putrid profiteers

(If I may be allowed the phrase),

To justice and the great arrears,

To thine and mine and better days.

And now St. George’s shield can show,

Not shamed, with them that were his peers,

And on us too such daybreak glow

As shows your dying Fusiliers,

Borne high above the breaking spears,

The Breast Plate of St. Patrick blaze,

Cry, for a cleaner England hears,

To thine and mine and better days.

L’ENVOI

PRINCE, trust me, even Mr. Squeers,

Will only pummel while it pays,

And Carsons look for no careers

To thine and mine and better days.

GILBERT K. CHESTERTON.

INTRODUCTION

THOUGH I have now known my friend Louis McQuilland for well over a dozen years I am only just beginning to understand him. It may be that he is only just beginning to understand himself. But I am not so sure; for he is an Irishman, and the Irish have, as compared with us, a remarkable capacity both for knowing themselves and for keeping to themselves what they know.

For what it is worth, my own interpretation of the earlier and the later McQuilland—they afford in some ways a startling contrast—is something like this. I conceive a young man, an Ulsterman of the Catholic Nationalist minority, the fiercest section of the Fighting Race, coming to London and finding himself among an alien people whose eyes were so different from his own, and, with the quick observation and adaptability of his people, saying to himself, “I must not talk about my country; for that is treason. I must not talk about my religion; for that is mediæval bigotry. Let us talk about Art.”

It is fair to Mr. McQuilland to say that he not only talked about Art but produced it. How well he did the sort of work that English poets were then trying to do, you may see in many poems of this volume, in “The House of the Strange Woman,” for instance. But even in playing with the Decadence there was always a sharp Irish edge to his execution. Read, for example, the little poem called “Fleet Street.” It is a novel of George Gissing’s in twelve lines. To the same period, though to a different mood, belongs, I think, the really very beautiful poem called “The Joyous Comrade.”

Nevertheless, when one turns to the poetry of a later date, and especially to the several poems evoked by the present war, there is a change in the very movement of the times which no one can miss. In spite of bitter blunders on both sides—but especially on our side—I cannot help feeling in that change a good omen for the future friendship of our two countries. For a common crusade in defence of that by which all Europeans live, if it has affected nothing else, has, I think, made Louis McQuilland feel that he can give himself away ever so little to the English. Even a little of him is an acceptable gift.

Among these later poems there is one which every Englishman ought to read in these times. It is called “The Song of the Flag.” It is a song of Internationalism by a Nationalist; and it may serve to emphasize the much needed truth that friendship between nations, no less than enmity, depends upon every nation remaining strictly individual and separate. Two strong men shaking hands, perhaps after good blows given and taken, is a fine sight. Briareus promiscuously shaking hands with himself—the Modern idea of Internationalism—is not.

CECIL CHESTERTON.

CONTENTS

PAGE

PROEM IN VERSE, BY G. K. C.

7

INTRODUCTION, BY CECIL CHESTERTON

9

A SONG OF THE OPEN ROAD

13

THE COUNTRY OF THE YOUNG

15

THE SONG OF FORGOTTEN HEROES

16

THE KING’S BRIDE

18

A GEORGIAN SNUFF-BOX

20

BALLADE OF FIGHT

22

TO THE NEW HELEN ON HER BIRTHDAY

23

“FOR ANY GOOD CAUSE AT ALL”: THE BALLAD OF SIR KEVIN O’KEANE

24

THE HOUSE OF THE STRANGE WOMAN

26

FLAMES

28

IN A LIBRARY

29

Château D’Espoir

31

THE SONG OF THE FLAG

32

Les Papillons

34

BALLADE OF ANGRY GALLERY FIRST-NIGHTERS

35

THE DIGGER

36

WHEN MY LOST LADY COMES AGAIN

37

WHITE ROSES

38

GLADYS IN THE WOODLAND

39

A SOCIAL FAVOURITE

40

THE JOYOUS COMRADE

42

TRUCE

43

ROMANCE AT REST

44

VOICES

45

SOME IMMORTALS AND A MORAL

46

THE LOST LAND

48

BALLADE OF ONE-AND-TWENTY

50

WHEN LONDON BURNS

51

WITH BERTHA UP THE RIVER

52

THE ISLAND OF A DREAM

53

BALLADE OF DEAD FAVOURITES

56

THE HORSEMAN

57

WHEN I SAIL TO THE FORTUNATE ISLANDS

58

LITTLE SONGS OF LONDON STREETS—

(1) FLEET STREET

59

(2) OXFORD STREET

59

QUEENS IN RED AND WHITE

61

MY LADY OF THE VIOLETS

62

OLD FRIENDS, OLD BOOKS, OLD WINES

63

THE POISONERS

65

PRINCESS FAR-AWAY

66

THE HUNS AT VERDUN

68

RESURGAM: IRELAND, 1916

69

IMMORTAL

71

LIST OF ILLUSTRATIONS

The King’s Bride

to face page 18

Truce

“      “    43

The Horseman

“      “    57

A SONG OF THE OPEN ROAD

THE old Earth-Mother calls us,

And we hearken unto her cry,

For we dare not question her bidding

Lest we sicken and droop and die.

The spirit of change is burning

As a fever in heart and brain.

In the ranks of the Free Companions

We must take to the road again.

We have lain in the tents of the Dwellers;

We have ta’en of their drink and food;

We, that were weary, have slumbered,

Have slumbered and found rest good.

We have kissed the lips of their maidens,

From their kin we have chosen our brides;

But the summons has come from the Mother,

And no one who hears it abides.

We do the will of the Mother,

We bow to the Word she sends,

Though we know not whither we journey,

Nor the goal where the journey ends.

On the quest of the Strange Adventure

We sally, hand-in-hand,

As the men of the days nomadic

When the Hunter was lord in the land.

The winds asweep through the forests

Shall brace our souls for the march,

The balm of the dews descending

Shall chasten the heats that parch.

Through vista of brakes entangled

The stars shall guide, in the night,

By day the sun shall quicken

The pulse of our life’s delight.

Ho! for the zest of travel,

The wayfarer’s romance,

The joy of the unexpected,

The hope of the noble chance.

We have girded our feet with sandals,

We carry the pilgrim’s load.

In the ranks of the Free Companions

We take to the Open Road.

THE COUNTRY OF THE YOUNG

TO H. A. MACC.

THERE is a kingdom cool and green,

Washed by the ever-moaning sea,

From whose wild surf, with furious mien,

Lir’s war-hounds struggle to be free.

The tempest breaks on tower and tree,

Exultantly proud winds are flung.

Joy in the storm the watchers see—

It is the country of the young.

There is a land that loved the green

Through all the sullen, bitter years,

The vengeance of the Tudor queen,

Swart Cromwell’s wrath, proud Strafford’s fears;

The Boyne’s despair and Limerick’s fears:

They fade, they die, as runes long sung.

Youth springs triumphant down the years—

It is the country of the young.

There is a land where hope is green.

Exultant in the eastern sky

Flashes a dawn whose golden sheen

Shall fall where Tone and Emmet lie.

The brave hearts sleep, they cannot die;

They speak to all with deathless tongue

Who serve the Cause with purpose high

Within the country of the young.

L’ENVOI

FAIR is your crown, Dark Rosaleen.

For you are silver joy-bells swung.

A nation comes to hail you queen,

All in the country of the young.

THE SONG OF FORGOTTEN HEROES

OUT of the furthest Eastward

A cry through the Gates of Dawn,

Borne to the ears of the dreamers

Ere the pallid stars have gone.

The song of forgotten heroes

Of unavailing fight,

Heard in the ghastly hush of sleep,

In the shadow of Death and Night.

The dead who died for honour,

Who sought not the victors’ bays,

Preferring the thorns of sacrifice

To the fruits of ignoble days.

The dead who died on the waters.

Ah, sound and sweet they sleep!

Who gave their lives for the love of men

And their souls to the God of the deep.

The dead who died in battle,

Trusted and true and tried,

Heading the ranks of a hope forlorn,

By a great cause sanctified.

The dead, the eager searchers,

With daring sails unfurled,

Whose blood is their seal and charter

In the far, waste ends of the world.

These are the men who sing it,

In the shadow of Death and Night,

This song of forgotten heroes

Of unavailing fight.

THE KING’S BRIDE

THIS is the King’s Bride,

Wonderful to behold,

Wearing in calm pride

Raiment of vair and gold.

Once in a thousand years,

Out of Eden Bower,

Her peerless like appears,

Fresh as a perfect flower.

Pale as the lily’s white,

Dark as the Mystic Rose,

Bloom of the world’s delight

In the King’s orchard close.

What shall I bring the Queen?

Strong men for her will;

Bucklers on which to lean,

Spears to harry and kill?

Jewels of ancient note

From East unto West,

Pearls for her columned throat,

A ruby for her breast?

Silks out of Samarcand,

Furs from the frozen deep,

Perfumes from champak-land—

Sighs of enchanted sleep?

To face p. 18.

I SHALL bring the Queen praise

Wrought into gracious song,

Sweet as the dawn’s amaze,

Loyal as years are long.

I shall give the Queen fame

When her treasures are rust,

Making her beauty flame

Out of the trodden dust.

A GEORGIAN SNUFF-BOX

THOUGH fallen from your high degree,

Once tapped by princely fingers,

You breathe of more than burnt rappee.

Round you a memory lingers

Of those wild days of wine and wit,

Of patch, peruke and passion,

When sprightly Oldfield ruled the Pit

And Hervey led the Fashion.

When Walpole trimmed the ship of State

To meet each Tory billow,

When Poet Pug lampooned the great,

When Pulteney played spadillo,

When Worthless Moll amused the Court

With philosophic chatter,

When Bolingbroke pledged deep in port

“The King across the water.”

When flashed the lightnings of the Dean

To blind the eyes of Stella,

When scoffing Congreve vowed with spleen

The wares of Gay prunella;

When, sated with the board’s delights—

For Georgian bucks were gluttons—

The town sparks sought the shades of White’s

Or tossed the dice at Button’s.

When tabinets were all the vogue

For feminine adorning,

When Irish Biddy raised her brogue

And clacked her pails at morning;

When long and loud the conflict raged

Betwixt the Maccaroni,

As each his diva’s cause engaged—

Faustina or Cuzzoni?

Old snuff-box could you thrill to speech,

In gossip none were greater,

Whose chronicles exceed the reach

Of Tatler or Spectator;

But ah! as dumb as dead Queen Anne,

You lie in peace unbroken,

A remnant of the Georgian span,

A Hanoverian token.

BALLADE OF FIGHT

To G. K. C.

WHEN slaves shall ride as their lords of yore

And kings in the gutter shall walk in shame,

When a knave shall borrow the statesman’s lore

And a charlatan the patriot’s fame,

When the praise of the past shall be as blame,

Out of Mancha shall ride a knight

With lance in rest for an outworn aim,

A stainless cause and a dauntless fight.

When a suppliant Peace shall still the roar

Of the battle thunders that burn and maim,

When fleets shall steal by a sullen shore

And squadrons wheel in a leaden game;

When the corporate voice has grown too tame

To raise a rally for God and Right,

He shall grace before squire and dame

A stainless cause with a dauntless fight.

When God leans out from the Ivory Door

And smites the dust of the worlds to flame

When up from the Pit the Great Shapes soar

Bearing Lucifer’s oriflamme,

Gay as a Gordon, proud as a Graham,

Though the Plains of Paradise invite,

He shall tilt for Our Lady’s name,

A stainless cause and a dauntless fight.

L’ENVOI

PRINCE, when the light of our days is o’er,

Solemnly, silently cometh night,

Grant us this passing flash, no more—

A stainless cause and a dauntless fight.

TO THE NEW HELEN ON HER BIRTHDAY

TO-DAY is the most perfect day

Of all the rose-crowned year,

For then the lady of my love

On earth did once appear,

From some hushed kingdom of Romance

Which held her presence dear.

Hers was the face that burned tall Troy

And launched a thousand ships.

Men fought and died because they craved,

The draught that blest love sips,

The fragrance of her perfumed hair,

The sweetness of her lips.

O Helen, goddess, woman, queen,

Bend down, bend down to me,

As once in storied Argolis

You bent to Paris’ plea;

Your hair shall seal the earth for me,

Your lips shall snare the sea.

“FOR ANY GOOD CAUSE AT ALL.”

THE BALLAD OF SIR KEVIN O’KEANE

To C. C.

SIR Kevin O’Keane was an Irish knight,

Who never felt sorry or sad.

He had dreams of delight by day and by night,

And his friends all thought him mad.

Kevin was born when Patrick came,

And for sixteen hundred years

The sound of his name was a roaring flame—

He’d a yell that would split your ears.

He had hair as red as a sunset bright

And a thirst not thin or small,

And his soul’s delight was a smashing fight

For any good cause at all.

He harried Sitric at Malahide,

And he drove him into the sea,

And he sighed, “Great Danes I could never abide:

They never agreed with me.”

For Grace O’Malley he grasped a skean,

And to Essex himself he said,

“My black colleen is a greater queen

Though she may not take your red.”

When Sarsfield swore by the Boyne’s red tide,

“Change kings and we’ll fight again,”

Sir Kevin replied, though his wounds were wide,

With an oath and a deep Amen!

At Gettysburgh’s fray he charged with Lee,

When Meagher he met with Meade.

“On the bars,” said he, “if we can’t agree,

We can strike for the stars at need.”

’Twas much the same in Paardeburg’s snare,

When he came on a Galway Blake,

“Though with Cronje I fare in his lion’s lair,

I spare you for Connaught’s sake.”

Sir Kevin O’Keane is in joyous mood,

And alive and strong to-day;

And “There never was good from Luther’s brood”

Is a thing that he’ll often say.

He is drinking deep of an old delight,

And the cry that the lost years call

Is ever the might of a smashing fight

For any good cause at all.

THE HOUSE OF THE STRANGE WOMAN

THE House of the Strange Woman

Whoso enters in,

Much shall he lose, but thereby

Much also shall he win.

The room is draped in velvet,

Sombre, funereal;

A grey, grey veil of silence

Enswathes it as a pall.

Her robes are of royal purple,

For ruler is she, I ween,

Exerting great dominion,

Captor and lure and queen.

Her form, blanched as the snowdrift,

So white, so white is it,

Recalleth some mystic cloister

Wherethrough do white bats flit.

Her hair drowns breasts and shoulders

In waves of bronze and gold,

Like the glint of brazen armour

In a battle picture of old.

Her eyes are dark with slumber,

Dark, dark are they as jet;

Her lips, so redly fashioned,

Whisper the word, “Forget!”

She mixes the cup nepenthe,

She sips of it, and then

She pledges the weakly sinning,

And the weaklings sin like men.

This is life’s wine audacious

That flameth in heart and brain.

In long, long draughts of the vintage

They pledge to her again.

The House of the Strange Woman

Whoso enters in,

Shall lose—but, ah, what matter

Beside what he shall win?

FLAMES

A FLAME shot out from the German line,

A flame shot up from Hell.

Satan spake, with a smile malign:

“Brothers, you have done well.”

A flame went up from the heart of France,

A flame from the sky down fell,

A Voice came out of Heaven’s expanse:

“Brothers, you have done well.”

IN A LIBRARY

[“The masterpieces of prose remain in the seclusion of the library. Occasionally quoted, they are rarely read.”—Literary Paper.]

UPON the shelves in solemn state,

Resplendent with morocco’s lustre,

Dull and disconsolate they wait

The flip of pert Belinda’s duster;

For long ago they learned the fact

That o’er their lore no bookworm muses,

These tomes which half the world collect,

And no one in the world peruses.

Resigned to dignified dry-rot,

Unscathed by dog’s-ears detrimental,

Iconoclastic hands shall not

Defile their tooling ornamental;

Yet can they feel with pensive pride,

Whilst indoors thus their charms are flouted,

By countless worshippers outside

Their claims to fame are proudly shouted.

Bowed with the learning of the years,

Blanched with the wisdom of the ages,

These greybeards in their lofty tiers

Seem like an Upper House of sages,

An Upper House too proud to bend

To popularity’s infliction,

Leaving the meed to those who tend

The lowly common-lands of Fiction.

Walton, great gun with hooks and flies,

Has grown too grave to care for angling,

Though Mandeville before his eyes

Some excellent fish tales is dangling.

Burton, who’s tête-à-tête with Pepys,

Muses with chastened melancholy,

While flippant Pepys betakes his steps

To paths of Restoration folly.

Rabelais jostles Verulam;

Sir Thomas Browne at Steele looks daggers;

Unmarred is Matchless Marlowe’s calm

As Mermaid Ben against him staggers;

Boccaccio pours in Chaucer’s ears

Some racy after-dinner stories;

Gibbon and Grote unite in tears

O’er Roman grandeurs, Grecian glories.

Thus while they shun the world’s delights,

Unmoved by mortal contemplation,

They pass laborious days and nights

Easing their woes by conversation.

In patience they possess their souls,

These hermits to decay devoted,

Knowing, while Lethe o’er them rolls,

That they’re occasionally quoted.

CHÂTEAU D’ESPOIR

IN my little Château of Bon Espoir

There is room enough for a score, I trow,

Of the friends I made in the days long syne,

Of the loves I loved in the long ago.

There is a chamber where music’s spell

Dulcetly on the ears shall fall

From the lips of quaint old instruments,

Spinet and viol and virginal.

There is a high-domed dancing hall,

Sacred once to the minuet,

Where now in the maze of the waltz’s whirl

The flying hours shall chase regret.

There is the snuggest of tabagies

Where a man may sit as among the gods,

And the world shall not have a word to say

If Lucullus drowses, if Homer nods.

With ripple of laughter and snatch of song

Its echoing corridors shall sound,

With rustle of delicate draperies

A subtle scent shall be cast around.

The wine of life shall frothe in the cup,

Its bread possess a celestial leaven,

This earth shall be paradise enow

To quench the thirst for a happier heaven.

In my little Château of Bon Espoir

There is room enough for a score, I trow,

Of the loves I loved in the days long syne,

Of the friends I made in the long ago.

THE SONG OF THE FLAG

THIS is the chant of the banner,

The song of the flag,

Raised for the doers and fighters,

The nations in panoplied battle.

The flag of St. George,

The great broad banner of England;

It has waved over Crecy and Poictiers,

It has flamed at Trafalgar.

The flag of the Fighting Race,

The green and gold of the Irish,

The men who have gone to death with a jest and a cheer

For the dear gold harp on an emerald field,

For the love and the honour of Ireland.

The red and yellow of Spain

Fluttering from the caravels of patient Columbus

Borne by arrogant Alva to cruel dishonour,

Rent and torn by the wind that swept the Armada,

Draping with tender pity the valiant shame of Cervera.

This is your boast, O Spain, proudest of nations,

Honour the flag!

The Tricolour of France,

Fierce heir of the Standard of Lilies,

Lo, ye, the Corsican bore it

Over the red bridge of Lodi;

Marengo and Austerlitz saw and rose to the pride of its eagles;

Over accursed Sedan it waned and it drooped.

Yet from disgrace, from despair, from contention, defilement,

It rises, the “Marseillaise” sounds; the Emperor lives.

Vivat to France and Napoleon! Vivat to the Flag!

The flag of undaunted Belgium,

Crucified Land of Sorrows,

Your sons shall ascend in glory.

The Mother of God bends down from her throne in Heaven

To weep for the martyred dead whose land shall arise from death.

The flag of the great Free States

With silver stars for their units,

Risen from conflict of blood

Never to sink again.

All is quiet to-night along the Potomac;

The Federal blue, the Confederate grey,

Coalesce in the fabric of history.

Antietam, Gettysburgh, Frederickburg,

The terrible battles of the wilderness.

All these agonies pass;

But the flag, the flag floats on.

Salutation Old Glory!

The flag of the Afric Dutch,

The farmer soldiers,

Fearless riders and trackers,

Dogged in a losing fight,

Tattered men with rifles,

Hailing the tattered Vierkleur:

We, too, hail it and greet it:

Honour the flag!

As long as the red blood runs,

As the red blood courses,

Chant we the chant of the banner,

Sing we the song of the flag.

LES PAPILLONS

BUTTERFLIES carmine-and-white

Wheel into human view.

Out of the womb of the night

Into the town and its light

Butterflies carmine-and-white

Flutter and flicker for you.

Butterflies crimson-and-black,

Splashes of blood on the dark—

What do the winged things lack—

Breaking, perchance, on a rack?

Butterflies crimson-and-black.

Butterflies powdered with gold—

(How should a butterfly sting?)

Butterflies, selling, and sold,

Wheeling and curling behold,

Butterflies powered with gold.

Butterflies bistre-and-blue

(How should a butterfly kiss?)

Sinister wings flitting through

The Pit and its dreadful abyss,

Butterflies bistre-and-blue.

Butterflies carmine-and-white

Flicker and flutter for you

Into the town and its light,

Out of the gloom of the night,

Butterflies carmine-and white

Flutter and flicker for you.

BALLADE OF ANGRY GALLERY FIRST-NIGHTERS

I WONDER in what quiet zone,

The Shades on high are not irate,

What Thespian temple, brick or stone,

Shrines Jupiters who will not slate

Pale authors still importunate,

And timid actors blenching grey

Beneath their grease-paints roseate—

Where are the gods of yesterday?

Where’s “Bravo, Hicks!” who held his own,

Sans hoot or shout or wild debate,

Declaiming in full, mellow tone

Heroic lines on virtue’s state?

Where’s comic Robson, Little-Great

(Great Little spoils the rhyme’s array),

Who ne’er incurred the High God’s hate?—

Sped with the gods of yesterday.

Where’s Poet Bunn, who roused no moan.

Or dreadful booh expostulate

By lyrics arduously thrown

To give an o’er-light opera weight?

Where does our Dion hibernate—

The Boucicault of once-a-day,

Master of his Hibernian fate?—

Gone with his gods of yesterday.

L’ENVOI

LET’S candidly commiserate

Playwrights and players turned to bay.

Let’s also freely objurgate

The gods who rule our latter day.

THE DIGGER

I DIG a grave from hour to hour,

A little house of dole and death,

A gruesome court, a ghastly bower,

For love that drew dishonoured breath.

I dig a grave from day to day,

Without a pang or any prayer,

Irreverently, clay to clay,

I lay my dead illusions there.

I dig a grave from year to year.

God wot it needs be wide and deep,

For hopes that mock the chance of fear,

For dreams beyond the sport of sleep!

WHEN MY LOST LADY COMES AGAIN

WHEN my Lost Lady comes again

With the glory of Old France,

Her sweet form will speak to me

Of the dames of dead romance.

Ninon, Diane, whence died a king,

In tourney, not in battle’s jar;

Marguerite the Valois’ pride,

Royal comrade of Navarre.

De Fontanges, De Montespan,

Ripe rose beauties such as these,

Lily too of Fleur-de-Lys,

Sad, frail, angel-eyed Louise.

All De Sabran’s swift allures,

All Du Barry’s silken wiles,

Sunlight of the Pompadour’s

When the Court said, “Lo, she smiles!”

I will kiss their gracious hands,

Kissing hers—for she will deign

To my homage, when, ah when,

My Lost Lady comes again!

WHITE ROSES

WHITE roses, white roses,

In Holyrood’s Hall,

On dainty, white bosoms,

The whitest of all.

White roses at Derby,

Ah! withered long since

In the bonnets of laddies

Who fought for the Prince.

A curse upon Cheshire,

Its cowardly fear,

That drew not a sword

For the Young Chevalier!

God prosper brave Lancashire,

Stalwart for aye!

Proud Preston may droop,

But her rose shall not die.

God’s rest to the clansmen,

The Jacobite dead,

Who sleep where Culloden’s

White roses are red!

GLADYS IN THE WOODLAND

THE birds of the woodland pause

As her footsteps pass:

Her song is as golden rain

In the singing grass.

Borne in the haunted air

By a fairy breeze,

Her song is as star-dust strewn

Through the laughing trees.

The song of the primal dawn

Of God’s sunrise,

The song Our Lady sings

By the Brook of Paradise.

A SOCIAL FAVOURITE

FROM Marble Arch to Holland Park,

They liked his gentle ways,

A youth who roused no rude remark,

But very often praise.

When paying calls at afternoon

A careful way he picked;

He let the cat ungallèd croon,

The poodle drowse unkicked.

He never screamed his hostess down,

Or raised a threatening arm,

When dining with his friends in town:

They marvelled at his charm.

When chatting with another guest

A pleasant word he’d pass,

Instead of growling, “Perfect pest!”

Or, “You’re a silly ass!”

If in the tango’s mazy whirl

A vagrant flounce he tore,

He suavely smiled, “My fault, dear girl,”

And never, “What a bore!”

When at the club the waiter gave

Him change for half-a-crown,

He did not dance, or rant, or rave,

And rarely knocked him down.

His life was calm and halcyon,

His manners so exact,

His friends proclaimed, “Dear Algernon

Has got such perfect tact.”

THE JOYOUS COMRADE

To J. K. P.

THE Joyous Comrade comes, and lo,

The silence thrills to a hidden song.

How changed the world from an hour ago!

In spite of man’s hate and the high gods’ wrong,

There has come a beautiful hour to me

With my belle dame avec merci.

Ah, she is gallant, debonnaire!

Some bold man spirit of her line

Charged at Edgehill, one may aver,

With dashing Rupert of the Rhine—

And the King still has his own, sans fear,

When smiles my Joyous Cavalier.

In hose of green and doublet brown

Through Arden’s forest she has strayed

(Arden that’s nigh to Stratford town)

In dainty, straight-limbed masquerade.

And still her fearless walk betrays

A Rosalind in city ways.

To-night we shall essay the Town

Whence Strand leads out from narrow Fleet.

Thence Westward, while dim stars look down,

We’ll quest Romance by square and street.

For, oh, Romance is never dead

By paths which joyous comrades tread.

To face p. 43.

TRUCE

SO still, so still they lie,

That neither the dew nor the sun

Can stir through the matted grasses

The men who strove by the gun.

So still, so still they lie.

An imperturbable pride

Crowns the day at its closing:

Yea; they are satisfied.

So still, so still they lie,

Stained clay on the blood-stained sod,

Sealing in placid covenant

The truce of Man and God.

ROMANCE AT REST

WHERE with shudder of surf and splash of spray

The surge to the curve of the cove advances

There lingers a memory all the day

Of his random fancies, his quaint romances.

The white waves murmur, the light winds moan,

The sea-birds call from the reef’s recesses,

With rustle of leaves strange scents are blown

From blooms half veiled by the trailers’ tresses.

Surely, indeed, he loved it well,

This lustrous speck in a waste of waters,

Where with shimmer of weed and sheen of shell

The great Pacific her bounty scatters.

Here Nature poured in his listening ear

Her secrets of earth and sea and skyland,

Till the far-off things of Earth seemed near

To Nature’s child in his Treasure Island.

Here, as foam-flakes hurled by the blast,

As burning sparks from the anvil beaten,

His aspirations found vent at last

In the bygone years by the locust eaten.

Still with shudder of surf and splash of spray,

The surge to the curve of the cove advances,

And the breeze still sighs to the isle from the bay

Of his tender fancies, his gay romances.

VOICES

THE scent of violets,

Subtle, fragrant and faint,

Breathing a reticence,

An unaustere restraint,

Finds a nook in my heart

And wakes an old-time woe—

Long, how long, do you ask?

Oh, centuries ago.

The keening of violins,

Tenuous, passionel,

Wailing of stark despairs,

A madness of farewell,

Shadows all my soul

With night of forgotten things,

Blood and a passion of tears,

The yoke of accursed kings.

The ring of a splendid phrase

Flung out in the teeth of might,

The call of a great lost cause

Sounds in my ears to-night,

Falls on my ears to-night,

And the anguish disappears,

Swept by exultant defeat

Into the night of the years.

SOME IMMORTALS AND A MORAL

[“If the Immortals were privileged to revisit the glimpses of the moon their reappearance on earth might cause many bitter disappointments.”—Literary Paper.]

IF from out the Happy Valley,

Leaving the Olympian Ballet,

The Immortals forth should sally,

Wings unfurled;

Kicking o’er their starry traces,

If they sought more mundane spaces,

Would they fill their old-time places

In the world?

Would the jeux d’esprit of “Sherry,”

Monstrous witty, wondrous merry,

To the “Vagabonds” seem very

Much a bore?

In the after-dinner Babel,

Flashing silver through their sable,

Would great “Titmarsh” set the table

In a roar?

Would the world be much indebted

To the Beau George Regent petted?

Would his garments be regretted,

Or the rage?

Would the Golden Sarah, sprightly,

Wear her laurel-crown as lightly

If the Grander Sarah nightly

Queened the stage?

Would the Dictionary Doctor,

Sulky as a College proctor.

By the “Savages” be mocked, or

Chaired in state?

Would the Commons be elated

If its bygone shades orated

(Say that Fox and Pitt debated),

Or irate?

Should th’ Immortals hither scurry

(Though they’ve got no cause to hurry)

Would they waken joy or worry?

Who can tell?

But they suffer no translation

From their sphere of elevation,

And, in view of complication,

It is well.

THE LOST LAND

HAUGH the light and the love and the laughter,

Half the fruit and the fulness of earth,

Have sunk in the gloom that hereafter

Will make mute all life’s music and mirth.

Lost land of Bohemia, we mourn you,

Despond and desire and deplore;

Thou the pride of the Philistine scorn you,

Lotos-land, what a glamour you bore!

Veiled visions of youth, when Love, breathless,

In the meshes he wove, was ensnared,

We adored you with vows that were deathless

While our last crust and penny we shared.

Then Fame was the phantom we followed,

And Gold was the gain we denied,

And Want was the monster that swallowed

The pleasure of Art and its pride.

Then we built in the air a cloud palace

From the gold that our fancy had spun,

And we poured our hearts’ blood in Love’s chalice

In the dreams of the days that are done.

Red lips that were curved to enslave us,

White arms that encircled and bound,

From your sway bitter-sweet who could save us

When love in Bohemia was crowned.

Old friends and old loves and old pleasures,

As spectres you surge through the mist

That envelops our past kingdom’s treasures,

That lies chill on the lips that we kissed.

Lost land of Bohemia, we mourn you,

Despond and desire and deplore;

Though the ease of the Philistine scorn you,

Lotos-land, what a glamour you bore!

BALLADE OF ONE-AND-TWENTY

TO toy with Amaryllis in the shade

Becomes a thing one ceases to enjoy,

To pat Nærea’s tresses (Clarkson-made)

As ecstasy admits of some alloy.

The fairy bloom forsakes the peach. The toy,

Stripped of its paint, mocks at delight’s long done.

The little duck results a dear decoy—

Oh! the brave days when we were twenty-one.

The World, the Flesh, the Devil all arrayed

In vain with gauds deck out their gross charoy.

Weary senility rejects the maid;

Gout lurks within the bubbles of “the Boy.”

Satan (in sulphur baths) we may employ—

A healing gift denied to Tomlinson

(Kipling as sponsor made Mephisto coy)—

Oh! the brave days when we were twenty-one.

Hazard’s the only game that now is played.

Death holds the Ace of Spades, so Clubs must cloy,

Hearts slower beat, Diamonds’ flashes fade.

Leaden despair succeeds the hopes that buoy.

Doomward the broken gamesters’ ranks deploy;

Le jeu est fait—the Table’s made its run.

Time’s croupier wields his rake but to destroy—

Oh! the brave days when we were twenty-one.

L’ENVOI

PRINCE, when the creeping shades of age annoy,

When Life’s kaleidoscope grows dark and dun,

Hearken our plaint ere Charon grounds his hoy—

Oh! the brave days when we were twenty-one.

WHEN LONDON BURNS

WHEN London burns, the Iron Duke

Will tremble ’neath his pall,

In dread of the Mailèd Fist’s rebuke

And the Huns’ red carnival.

When London burns, our Admiral High

Will drop from his pillar tall,

And the Death’s Head riders trampling by

Will mock him in his fall.

When London burns—in a madman’s brain

Such dreams alone befall;

But England flames on the land, on the main,

To the Duke and the Admiral’s call.

WITH BERTHA UP THE RIVER

THE day we rowed to Mortlake

The skies were all of blue;

The dainty house-boats mocked us,

But we didn’t care a sou;

For you had a new frock, pet,

And Bertha, I had you.

The eve we rowed from Mortlake

The air was all a-tune.

’Twas reaping time for kisses

Beneath the harvest moon,

And you were sweeter far, dear,

Than roses plucked in June.

The night we rowed from Mortlake

Is far away as Spain.

Brown fog is on the river,

And the wind beats up for rain;

But we shall row to Mortlake

When the summer comes again.

THE ISLAND OF A DREAM

To T., M. P.

THE street is dark and drear to-night,

The rain comes rushing down;

In gusty red the lamplight flares

Within a nimbus brown.

God pity now the homeless ones

Within the cruel town!

So dense the gloom, so dark the night,

So thick the driving rain,

No star compassionate can view

The city in its pain;

Yet, lulled within the firelight’s glow,

My vision comes again.

* * *

White sails across the harbour-bar

Speed, speed me fast to sea.

Know ye not in the Blessèd Isle

My comrades wait for me?

And I would greet in old, old tryst

The golden company.

O’er the great waters crystalline

So speedily we sail,

The red gold of the living sun,

The dead moon’s silvery pale,

Flash on mine eyes from hour to hour

Till lo! the Isle I hail.

I stand upon its shining sands,

My comrades round me press.

After the years of sordid care,

The cark of fate’s duress,

I come into my own again

In life’s young eagerness.

Once more I meet the men I loved

In the dear days long syne,

The tried and chosen brotherhood

Who once were kith of mine.

The oath of the old fraternity

Is still a pledge divine.

We talk again of ardent days,

The glow of sparkling nights,

Tourney of wits in revelry

And jousts of smiling fights,

Grasping with grave-eyed happiness

The zest of past delights.

Night blooms with many a myriad stars

Over the Blessèd Isle;

The haunting scent of its orange-groves

Exhales for mile on mile;

The sapphired pearl of its sleeping bay

Is rippled with a smile.

The feast is laid in the banquet-hall,

The guests are summoned there,

Joyous but low the minstrelsy

Thrills in the rose-tinged air;

The wine is red as the Flame of Life,

In the days when the world was fair.

With laughter and song we find again

The heart of the Secret Rose:

We rise to the toast of the Brotherhood:

The Gates of Pearl unclose.

* * *

The fire is out, the dawn has come,

How chill the morning blows!

BALLADE OF DEAD FAVOURITES

IN Egypt where the strange kings lie

The queens of love are queens no more;

Old Rome has seen white Eros die;

Bright Eros wings from Hellas’ shore.

Lutetias’s amorists deplore

Her siren voices spent and dumb;

By Thames the light ones’ reign is o’er—

To what complexion have they come?

Salome’s dance is ended night,

With all the witcheries she bore;

Faustina’s laugh gives no reply

To Christian’s wail or lion’s roar.

Aspasia with charms ten score,

Phryne with sins a countless sum,

Poor specks of dust ’neath heaven’s floor—

To what complexion have they come?

Naught can Du Barry’s kisses buy.

The golden-lilied Pompadour

Can shake no kingdom with a sigh,

For all the vows her lovers swore.

These ate kings’ bread in days of yore;

To-day they crave not bite nor crumb,

With frolic Nell and Mistress Shore—

To what complexion have they come?

L’ENVOI

LADIES, of frail degree and high,

When Mors turns down a callous thumb,

Sans charm, sans bloom, sans lustrous eye—

To this complexion must ye come.

To face p. 57.

THE HORSEMAN

A DOWN the silent street

Where burns no vigil light,

With thunder of flying feet

A horseman rides in the night.

A rider, whip in hand,

Beats on a sleeper’s door,

Warning, perchance command?

But this, and nothing more.

A dreamer awakes within,

Chilled with a vague affright.

Through a world of Fear and Sin

A horseman rides in the night.

WHEN I SAIL TO THE FORTUNATE ISLANDS

WHEN I sail to the Fortunate Islands

Over the Violet Sea,

May one friend, my soul’s friend,

Be there a-sail with me.

On the breast of the deep sweet waters,

In the arms of the white spray,

Sailing, sailing, sailing,

Till we come to Haven Bay.

In the peace of the Fortunate Islands,

By wood and hill and shore,

May one friend, my heart’s friend,

Abide with me evermore.

LITTLE SONGS OF LONDON STREETS

FLEET STREET

La Rue des Pas Perdus,

We hear the echoing feet,

Dragged by ghastly down-at-heels

Along the ghostly street.

The Street of Strange Shadows;

We see the shadows crawl,

Stumbling to the gutter,

Slinking to the wall.

The Street of the Dead Men.

Secure on Hades’ floor,

In sooth a gladder lot is ours,

For we return no more.

OXFORD STREET

IN Oxford Street the nights are long,

Lamp-flares in myriad jets repeat.

The traffic-surge crests stark and strong

In Oxford Street.

In Oxford Street the girls are tall.

Some trip, some lounge with leaden feet,

For prices rise and prices fall

In Oxford Street.

In Oxford Street the nights are sad.

Bodies and souls all incomplete

Will burn in Hell for feigning glad

In Oxford Street.

QUEENS IN RED AND WHITE

I SERVE two queens, a queen in white,

All virginal and exquisite,

With lips too cold for man’s delight

And eyes where cloistered shadows flit,

Like little nuns that softly pace

Twin cells and ever gaze upon

Glory of Mary Virgin’s grace,

Mayhap the Grail from earth withdrawn.

I serve two queens, in crimson guise

The other flaunts the sullen hours,

A splendid scorn in sinning eyes,

On lips like passion-tainted flowers;

Crowned with dull gold, an Eastern queen,

Her sceptred arm a world enfolds,

And I, the maddest worldling seen,

Within the strange mad court she holds.

I serve two queens, in white and red,

Pale icicle and lambent flame,

One’s kingdom holy as the dead,

One wielding empery of shame.

Ah, what a peasant slave am I!

For ever doomed, in woeful plight,

To mark divided years go by,

The fretted serf of red and white.

MY LADY OF THE VIOLETS

MY Lady of the Violets

Is pearl-and-ivory white;

She walks across the fields of day

As stars that tread the night;

Her wistful lips are tremulous

As leaves in autumn plight.

My Lady of the Violets

Has sorrowful cold eyes,

And ever in their shadow rests

A fathomless surprise,

As they would ask from Time and Death

The secret of the skies.

My Lady of the Violets

Has aureoled gold hair,

So like unto the pictured saints

The dim cathedrals wear;

But, oh, that she were woman-sweet,

Though she were not so fair!

OLD FRIENDS, OLD BOOKS, OLD WINES

IN the Halls of Silence

Faintly falls the tread

Of the ghostly footsteps

Of the dear remembered dead,

Comrades of a golden prime,

Years and years ago,

Friends, of Yule and summer-time

Ere the world swung slow,

And ever in my ear

A dying voice repines

For the broken trinity,

Old friends, old books, old wines.

There were aye romances

In the Kingdom of the Dead,

Knights who rode from out the sunset,

Lance in hand and helm on head,

Dames as beauteous as the morn-stars,

To the world they gazed upon

Scattering night’s silvern lilies,

Flaming roses of the dawn.—

Scott and Stevenson and Dumas

Filled the world with livelier spooks,

In the brave days, the gay days,

Old friends, old wines, old books.

When did e’er Hellenic nectar

Such Olympian thirst assuage

As the draughts in which our Helens

Of a modern Pagan age

Toasted we both late and early,

Beauties exquisite and rare,

Was it bubbling Hock or Hiedsieck,

Or discreet vin ordinaire?

Ah, I know not, and I care not

For one sadly drinks and dines,

Musing on the vanished memories,

Old friends, old books, old wines.

THE POISONERS

THEY poison the air above,

They poison the wells below,

They poison Pity and Love

With the fumes of Hate and Woe.

They poison the heaven’s clear,

They poison the sea’s swell:

Satan recoils in fear

Lest they should poison Hell.

PRINCESS FAR-AWAY

OVER the hills of Memory

And the seas of Long Ago,

A princess dwells in a lone land

Where quiet fountains flow;

A princess dwells in a grey land

Where harsh winds never blow,

Over the seas of Memory

In a kingdom of Long Ago.

There is peace in the quiet morning,

There is ease in the restful noon,

There is calm in the placid starlight

And the magic of the moon;

And ever a princess wanders

By poppied paths and sweet;

Dim lilies sway to her girdle,

Dream violets kiss her feet.

Her hair is crowned with the dawning,

Her arms enfold the day,

But the secret of the moonlight

Dwells in her eyes for aye.

Her soul is a sacred garden

Where mystical flowers uprise,

The violets of Eternity

And the lilies of Paradise.

Princess, our barques will never sail,

Our eyes will never know

The glory of your loveliness

In the land where the fair winds blow,

But ever you rule with a deathless love,

While the years drift to and fro,

Over the seas of Memory

In your kingdom of Long Ago.

THE HUNS AT VERDUN

BLOW after desperate blow,

Blood in rivers red.

Down to the Shades they go:

The Dead Man strikes them dead.

RESURGAM

IRELAND, 1916

FROM the jangle and clangour of creeds, from the bitterness born of division,

From the sorrow and shame and strife, dead shades of a bygone wrong,

A spirit shall rise with the national pride to turn the black past to derision,

And Tolerance, nurtured of Freedom, descend on a land that has waited its coming long.

Did you think, O partisan, this was the lesson that history taught you—

An eye for an eye, a tooth for a tooth, crude code of a barbarous age?

Did you think that the wisdom evolved from the cycles chaotic had brought you

To a time when our island page should be read as a gospel of hate on a blood-smeared page?

You boast that you follow ancient faiths, that you rally around a standard,

Under the shadow of which, for the cause they upheld, your ancestors freely and fearlessly died.

Blood will have blood; you demand an account of the numberless lives that were squandered;

For a section, a creed, and a party, the larger hope and the fuller life must be ruthlessly stultified.

Yet surely a time shall come when, out of disunion united,

Welded together as links of a chain that is strong to bind and endure,

Before the eyes of a wondering world a mighty pledge shall be plighted,

And a nation of nations shall rise of her sons allied, in her children’s love secure.

From the sound and the fury of sects, from the strife fratricidal,

From the fierce fanatic’s clamour, the slur of the bigot’s brand,

A spirit of love shall arise to join the hands of the North and South in a deathless bridal,

And a peace that surpasseth the knowledge of man descend on a storm-tossed land.

IMMORTAL

THE hanging gardens of Babylon,

The halls of Nineveh and Tyre,

The palaces of Naishapur

Are dead as Ashtaroth’s desire.

Marble and stone

Crumble and fall.

A Castle in Spain

Outlives them all.

Omar’s soul as a rose-leaf sings

In Persian gardens far remote;

Ronsard’s love as a draught of wine

Moistens many a Gallic throat.

Lover and poet

Pass away,

But the wine of their song

Is a rose to-day.

Butler & Tanner Frome and London

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Table of Contents

The Project Gutenberg eBook of A Song of the Open Road, and Other Verses, by Louis J. McQuilland

A SONG OF THE OPEN ROAD AND OTHER VERSES By Louis J. McQuilland

NOTE

BALLADE TO AN IRISHMAN To L. J. McQ.

INTRODUCTION

CONTENTS

LIST OF ILLUSTRATIONS

A SONG OF THE OPEN ROAD

THE COUNTRY OF THE YOUNG To H. A. MacC.

THE SONG OF FORGOTTEN HEROES

THE KING’S BRIDE

A GEORGIAN SNUFF-BOX

BALLADE OF FIGHT To G. K. C.

TO THE NEW HELEN ON HER BIRTHDAY

“FOR ANY GOOD CAUSE AT ALL.” The Ballad of Sir Kevin O’Keane To C. C.

THE HOUSE OF THE STRANGE WOMAN

FLAMES

IN A LIBRARY

CHÂTEAU D’ESPOIR

THE SONG OF THE FLAG

LES PAPILLONS

BALLADE OF ANGRY GALLERY FIRST-NIGHTERS

THE DIGGER

WHEN MY LOST LADY COMES AGAIN

WHITE ROSES

GLADYS IN THE WOODLAND

A SOCIAL FAVOURITE

THE JOYOUS COMRADE To J. K. P.

TRUCE

ROMANCE AT REST

VOICES

SOME IMMORTALS AND A MORAL

THE LOST LAND

BALLADE OF ONE-AND-TWENTY

WHEN LONDON BURNS

WITH BERTHA UP THE RIVER

THE ISLAND OF A DREAM To T., M. P.

BALLADE OF DEAD FAVOURITES

THE HORSEMAN

WHEN I SAIL TO THE FORTUNATE ISLANDS

LITTLE SONGS OF LONDON STREETS

FLEET STREET

OXFORD STREET

QUEENS IN RED AND WHITE

MY LADY OF THE VIOLETS

OLD FRIENDS, OLD BOOKS, OLD WINES

THE POISONERS

PRINCESS FAR-AWAY

THE HUNS AT VERDUN

RESURGAM Ireland, 1916

IMMORTAL

THE FULL PROJECT GUTENBERG LICENSE