The Connoisseur
Date: 2019-12-22T00:00:00+00:00
Keywords: Science fiction; Short stories; Space ships -- Fiction; Bride price -- Fiction

The Project Gutenberg eBook of The Connoisseur

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Connoisseur

Author: Frank Banta

Release date: December 22, 2019 [eBook #60991]
Most recently updated: October 17, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/60991

Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE CONNOISSEUR ***

The Connoisseur

By FRANK BANTA

He said I was the biggest knuckle-head
he ever saw, but I didn't trust him.
Sooner or later I knew he'd insult me!

[Transcriber's Note: This etext was produced from
Worlds of If Science Fiction, May 1961.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

It is infinitely more satisfactory to purchase wives when they are young. They are vastly more respectful.

Twelve is a good purchasing age. Lisa was twelve when I bargained for her, and she is an illustrious argument for the system.

I recall her excellent father and I facing each other across his gleaming synthol marble table that day. On the table were small metal shells of sweet liquor. And beside the shells were the sedulously gathered treasures I was formally offering for Lisa: A control knob, and a folded painting of one of our Navigator's other-ship visions.

Lisa's father eagerly examined the mirror-bright, chrome surface of the control knob—which I had handed to him with a pretense of casualness—trying to still the trembling of his fingers.

"The last knob on the control board!" he said in an emotion-cracked voice. "How could you have broken it off? We've all been tugging at it for years."

I answered—I hope with no more than legitimate pride—"I managed to get a thin hacksaw blade between the knob and the control board. Then I sawed off the shaft."

He nodded approvingly. "With knuckle-headed men like you aboard ship we will certainly all go to Hell."

I bowed, but I did not let his flattery relax my caution. After all, we were bargaining for his prettiest daughter. What flattering words bear weight in the midst of a sale? He, of course, referred to the ringing sincerity of our Navigator's dying words: "If you knuckle-heads all want to go to Hell, just keep dismantling the ship!"

Swinging adroitly to my other item of barter, I mused aloud, "Our Navigator! What a strange, frantic creature he was. Full of the wild, lovely visions which effervesced from his books of fantasy. Imploring us not only to read the books but to believe them—and, failing that, drawing immortal paintings of the fantasies for us to see."

Therewith I opened the folded painting and handed it reverently to him. It showed a large globular ship with people living on the outside of it. The title of the painting was Planet.

Privately I had always thought the thing was wholly unnatural—a curious off-beat of the master's imagination. I was quite willing, despite its great beauty and its origin, to exchange it for something which to me was far more attractive at the moment. Namely a woman.

Lisa lay curled up on the narrow, in-wall couch, with her head propped up by a slim arm. She chewed her synthel-gum lazily and surveyed me with mild interest. She was a tender-featured girl, with shimmering black, shoulder-length hair. It was possible to forecast that she would some day be a lovely and gentle-hearted woman.

Her father, notwithstanding his habitually rigid integrity, saw my lively interest in her and tried to increase my generous bid for her by an artifice of delay.

Holding the painting of the master at arm's length, he grumbled critically, "A vision of Hell would have been more to my liking. Unhappily our Navigator did not paint one of his radiant visions of that ship. Now, why would he prefer Planet to Hell—particularly when he described Hell as warm and enclosed like our own ship?"

I did not answer his frivolous complaint, knowing full well it was only bartering talk.

He handled the immortal painting with crudely feigned indifference. He could not quite bring himself to let go of it. He was determined to own it, I knew, and he sensed also my resolve to offer no more for Lisa. Yet slyly he determined on an evil course.

For, incredibly, he turned to tranquil Lisa and asked: "What is your value, lovely child? Does he offer enough?"

And slowly lifting her candid eyes to him she shook her head NO!

"Shall I bargain with her then?" I asked my friend caustically. I will own I was vexed.

Shrewdly he nodded. "Whatever she accepts will be our bargain." Then, laughing at my undignified discomfiture, "It is manifest she is more aware of her value than I."

"Will you be serious? It is not kindly to banter with a woman-child in such an important matter as her future."

But greed now fully possessed him. "I do not joke. Whatever she demands shall be her price." He sipped his sweet wine, hiding his eyes from my displeasure.

Concealing my fury, I turned to Lisa, who now sat up straight on the narrow couch with her long, slender legs folded under her. In the pace of grievous mortification I was not bitter toward her. It was not her fault. For her I extended the tolerance due the innocent.

"What is your cost, child?" I asked. "This control knob and other-ship vision of our Navigator are sufficient to purchase any girl-woman. What will you have?"

Lisa chewed her gum slowly while she formed her serene thought. Then, shaking her oval head, she let fall in a dreamy, singsong voice, "Neither of these! Neither of these!"

Her father leaned forward anxiously. I told her, "There is a limit to your value. I will not give all of my treasures for you, lovely though you are. Choose what thing you will have, and if I can procure it, your father shall have it."

"I'll know it when I see it!" she said, smiling impudently.

There was nothing for me to do but go to my apartments and look for other treasures to show her. My thoughts were exceedingly bitter as I gathered the coveted articles one by one in my arms.

"Here." I displayed it to her when I had arrived back at her father's abode. "It is the steering wheel from the lifeboat. Feel its smooth texture, see its ebony luster. It is the only lifeboat steering wheel aboard ship. I had a terrible struggle with it until I broke off the shaft."

She seemed interested. I passed hurriedly on to another object. "Here is the handle of the atomic-pile damping rod. It was threaded inside. However, I have managed to grind the interior smooth."

She seemed definitely interested, but I did not linger. I unrolled the last treasure I had brought with me. At the sight of it her father burst into merry chuckles.

"Yes," I said, smiling with a hint of sadness. "It is the inscrutable message we found protruding from the mouth of a machine some years ago. The machine has the name Teletype engraved upon it. We cannot imagine who put the message inside the machine—if indeed it is a message. But listen to the poetry of its words! I shall read it to you as though it were properly set out on paper instead of being cramped into continuous, senseless lines:

"Colony ship, colony ship,
Turn around before it is too late.
You have left the Galaxy.
We are the last planetary system
You will encounter,
For ten thousand years."

Then, seeing her puzzlement, I said hastily, "But, of course, it is too adult for you, Lisa. Its mystery is for the scholar, its abstract beauty for the man of mature years. Come, let us turn back to these other treasures...."

It was not easy for her to choose, seemingly, with so much wealth about her. The control knob, the painting, the lifeboat steering wheel, the atomic-pile damping-rod handle, the inscrutable poetry—all claimed her interest. But in the end she chose as I wanted her to, and the bargain was struck.

Lisa went to live in the compartment of my concubines that day, and at maturity became a concubine of exotic beauty. She bore her dark-haired children well.

By the excellence of her father, he and I continued to be good friends. At least once a year I invite him to view the master's painting of Planet. We spend many contented hours together. Often through a porthole we watch the rapid movement of distant ships which our Navigator called stars, revolving in tiny circles at the side of the ship, making a complete circle in about two minutes. What prompts the behavior of these ships? It is all very curious, and I account myself fortunate that I have in my friend an intense capacity for speculation. Like myself, he is a scholar of honor, capable of long sustained discourse on lofty subjects which round out and deepen the mind. I forgive him his greed.

As I had intended, Lisa took the teletype nonsense message to be her value to her father. May I reiterate, it is infinitely more satisfactory to purchase wives when they are very young ladies? They are vastly more respectful. Admittedly they are saucy.

*** END OF THE PROJECT GUTENBERG EBOOK THE CONNOISSEUR ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- The Connoisseur

- THE FULL PROJECT GUTENBERG™ LICENSE