The Story Without an End
Date: 2020-05-25T00:00:00+00:00
Keywords: Animals -- Juvenile fiction; Conduct of life -- Juvenile fiction; Children -- Conduct of life -- Juvenile fiction; Allegories; Natural history -- Juvenile fiction; Nature -- Juvenile fiction; Seasons -- Juvenile fiction

The Project Gutenberg eBook of The Story Without an End

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Story Without an End

Author: Friedrich Wilhelm Carové

Illustrator: William Harvey

Translator: Sarah Austin

Release date: May 25, 2020 [eBook #62229]
Most recently updated: October 18, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/62229

Credits: Produced by Charlene Taylor, David E. Brown, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE STORY WITHOUT AN END ***

THE STORY
WITHOUT AN END.

THE
STORY
WITHOUT AN END.

FROM THE GERMAN OF F. W. CAROVÉ,

By SARAH AUSTIN.

ILLUSTRATED BY WILLIAM HARVEY.

LONDON:
PUBLISHED BY
EFFINGHAM WILSON, ROYAL EXCHANGE.
1834.

TO MY DAUGHTER.

MY DEAR CHILD,

THE story you love so much in German, I dedicate to you in English. It was in compliance with your earnest wish that other children might share the delight it has so often afforded you, that I translated it; so that it is, in some sort, yours of right. Let us hope that your confident expectations of sympathy in your pleasure may not be disappointed; or that, if others think the story less beautiful than you do, they may find compensation in the graceful designs it has inspired.

You have often regretted that it left off so soon, and would, I believe, “have been glad to hear more and more, and for ever.” The continuation you have longed for lies in a wide and magnificent book, which contains more wonderful and glorious things than all our favourite fairy-tales put together. But to read in that book, so as to discover all its beautiful meanings, you must have pure, clear eyes, and a humble, loving heart; otherwise you will complain, as some do, that it is dim and puzzling; or, as others, that it is dull and monotonous.

May you continue to read in it with new curiosity, new delight, and new profit; and to find it, as long as you live, the untiring “Story without an End.”

Your affectionate Mother,

S. A.

London,
Nov. 16th, 1833.

THE STORY
WITHOUT AN END.

I.

THERE was once a Child who lived in a little hut, and in the hut there was nothing but a little bed and a looking-glass which hung in a dark corner. Now the Child cared nothing at all about the looking-glass; but as soon as the first sunbeam glided softly through the casement and kissed his sweet eyelids, and the finch and the linnet waked him merrily with their morning songs, he arose, and went out into the green meadow. And he begged flour of the primrose, and sugar of the violet, and butter of the butter-cup; he shook dew-drops from the cowslip into the cup of a harebell; spread out a large lime leaf, set his little breakfast upon it, and feasted daintily. Sometimes he invited a humming bee, oftener a gay butterfly, to partake his feast; but his favourite guest was the blue dragonfly. The bee murmured a great deal, in a solemn tone, about his riches: but the Child thought that if he were a bee heaps of treasure would not make him gay and happy; and that it must be much more delightful and glorious to float about in the free and fresh breezes of spring, and to hum joyously in the web of the sunbeams, than, with heavy feet and heavy heart, to stow the silver wax and the golden honey into cells.

To this the butterfly assented; and he told, how, once on a time, he too had been greedy and sordid; how he had thought of nothing but eating, and had never once turned his eyes upwards to the blue heavens. At length, however, a complete change had come over him; and instead of crawling spiritless about the dirty earth, half dreaming, he all at once awaked as out of a deep sleep. And now he would rise into the air;—and it was his greatest joy sometimes to play with the light, and to reflect the heavens in the bright eyes of his wings; sometimes to listen to the soft language of the flowers and catch their secrets. Such talk delighted the Child, and his breakfast was the sweeter to him, and the sunshine on leaf and flower seemed to him more bright and cheering.

But when the bee had flown off to beg from flower to flower, and the butterfly had fluttered away to his playfellows, the dragonfly still remained, poised on a blade of grass. Her slender and burnished body, more brightly and deeply blue than the deep blue sky, glistened in the sunbeam; and her net-like wings laughed at the flowers because they could not fly, but must stand still and abide the wind and the rain. The dragonfly sipped a little of the Child’s clear dew-drops and blue violet-honey, and then whispered her winged words. And the Child made an end of his repast, closed his dark blue eyes, bent down his beautiful head, and listened to the sweet prattle.

Then the dragonfly told much of the merry life in the green wood; how sometimes she played hide-and-seek with her playfellows under the broad leaves of the oak and the beech trees; or hunt-the-hare along the surface of the still waters; sometimes quietly watched the sunbeams, as they flew busily from moss to flower and from flower to bush, and shed life and warmth over all. But at night, she said, the moonbeams glided softly around the wood, and dropped dew into the mouths of all the thirsty plants; and when the dawn pelted the slumberers with the soft roses of heaven, some of the half drunken flowers looked up and smiled; but most of them could not so much as raise their heads for a long, long time.

Such stories did the dragonfly tell; and as the Child sat motionless with his eyes shut, and his head rested on his little hand, she thought he had fallen asleep;—so she poised her double wings and flew into the rustling wood.

II.

But the Child was only sunk into a dream of delight, and was wishing he were a sunbeam or a moonbeam; and he would have been glad to hear more and more, and for ever. But at last, as all was still, he opened his eyes and looked around for his dear guest; but she was flown far away; so he could not bear to sit there any longer alone, and he rose and went to the gurgling brook. It gushed and rolled so merrily, and tumbled so wildly along as it hurried to throw itself head-over-heels into the river, just as if the great, massy rock out of which it sprang, were close behind it, and could only be escaped by a break-neck leap.

Then the Child began to talk to the little waves, and asked them whence they came. They would not stay to give him an answer, but danced away, one over another; till at last, that the sweet Child might not be grieved, a drop of water stopped behind a piece of rock. From her the Child heard strange histories, but he could not understand them all, for she told him about her former life, and about the depths of the mountain.

“A long while ago,” said the drop of water, “I lived with my countless sisters in the great ocean, in peace and unity. We had all sorts of pastimes; sometimes we mounted up high into the air, and peeped at the stars; then we sank plump down deep below, and looked how the coral builders work till they are tired, that they may reach the light of day at last. But I was conceited, and thought myself much better than my sisters. And so one day when the sun rose out of the sea, I clung fast to one of his hot beams, and thought that now I should reach the stars, and become one of them. But I had not ascended far, when the sunbeam shook me off, and in spite of all I could say or do, let me fall into a dark cloud. And soon a flash of fire darted through the cloud, and now I thought I must surely die; but the whole cloud laid itself down softly upon the top of a mountain, and so I escaped with my fright, and a black eye. Now I thought I should remain hidden, when, all on a sudden, I slipped over a round pebble, fell from one stone to another, down into the depths of the mountain, till at last it was pitch dark, and I could neither see nor hear any thing. Then I found, indeed, that ‘pride goeth before a fall,’ resigned myself to my fate, and, as I had already laid aside all my unhappy pride in the cloud, my portion was now the salt of humility; and after undergoing many purifications from the hidden virtues of metals and minerals, I was at length permitted to come up once more into the free cheerful air; and now will I run back to my sisters, and there wait patiently till I am called to something better.”

But hardly had she done, when the root of a forget-me-not caught the drop of water by her hair and sucked her in, that she might become a floweret, and twinkle brightly as a blue star on the green firmament of earth.

III.

The Child did not very well know what to think of all this; he went thoughtfully home and laid himself on his little bed; and all night long he was wandering about on the ocean, and among the stars, and over the dark mountain. But the moon loved to look on the slumbering Child as he lay with his little head softly pillowed on his right arm. She lingered a long time before his little window, and went slowly away to lighten the dark chamber of some sick person.

As the moon’s soft light lay on the Child’s eyelids, he fancied he sat in a golden boat, on a great, great water; countless stars swam glittering on the dark mirror. He stretched out his hand to catch the nearest star, but it had vanished, and the water sprayed up against him. Then he saw clearly that these were not the real stars; he looked up to heaven, and wished he could fly thither.

But in the mean time the moon had wandered on her way; and now the Child was led in his dream into the clouds, and he thought he was sitting on a white sheep, and he saw many lambs grazing around him. He tried to catch a little lamb to play with, but it was all mist and vapour; and the Child was sorrowful, and wished himself down again in his own meadow, where his own lamb was sporting gaily about.

Meanwhile the moon was gone to sleep behind the mountains, and all around was dark. Then the Child dreamt that he fell down into the dark, gloomy caverns of the mountain, and at that he was so frightened, that he suddenly awoke, just as morning opened her clear eye over the nearest hill.

IV.

The Child started up, and, to recover himself from his fright, went into the little flower-garden behind his cottage, where the beds were surrounded by ancient palm-trees, and where he knew that all the flowers would nod kindly at him. But behold, the tulip turned up her nose, and the ranunculus held her head as stiffly as possible, that she might not bow good-morrow to him. The rose, with her fair round cheeks, smiled and greeted the Child lovingly; so he went up to her and kissed her fragrant mouth. And then the rose tenderly complained that he so seldom came into the garden, and that she gave out her bloom and her fragrance the live-long day in vain; for the other flowers either could not see her, because they were too low, or did not care to look at her, because they themselves were so rich in bloom and fragrance. But she was most delighted when she glowed in the blooming head of a child, and could pour out all her heart’s secrets to him in sweet odours. Among other things, the rose whispered in his ear that she was the Fulness of Beauty.

And in truth the Child, while looking at her beauty, seemed to have quite forgotten to go on; till the blue larkspur called to him, and asked whether he cared nothing more about his faithful friend; she said that she was unchanged, and that even in death she should look upon him with eyes of unfading blue.

The Child thanked her for her true-heartedness, and passed on to the hyacinth who stood near the puffy, full-cheeked, gaudy tulips. Even from a distance the hyacinth sent forth kisses to him, for she knew not how to express her love. Although she was not remarkable for her beauty, yet the Child felt himself wondrously attracted by her, for he thought no flower loved him so well. But the hyacinth poured out her full heart and wept bitterly, because she stood so lonely; the tulips indeed were her countrymen, but they were so cold and unfeeling that she was ashamed of them. The Child encouraged her, and told her he did not think things were so bad as she fancied. The tulips spoke their love in bright looks, while she uttered her’s in fragrant words; that these, indeed, were lovelier and more intelligible, but that the others were not to be despised.

Then the hyacinth was comforted, and said she would be content; and the Child went on to the powdered auricula, who, in her bashfulness, looked kindly up to him, and would gladly have given him more than kind looks, had she had more to give. But the Child was satisfied with her modest greeting; he felt that he was poor too, and he saw the deep, thoughtful colours that lay beneath her golden dust. But the humble flower of her own accord sent him to her neighbour, the lily, whom she willingly acknowledged as her queen. And when the Child came to the lily, the slender flower waved to and fro, and bowed her pale head with gentle pride and stately modesty, and sent forth a fragrant greeting to him. The Child knew not what had come to him: it reached his inmost heart, so that his eyes filled with soft tears. Then he marked how the lily gazed with a clear and steadfast eye upon the sun, and how the sun looked down again into her pure chalice, and how, amid this interchange of looks, the three golden threads united in the centre. And the Child heard how one scarlet lady-bird at the bottom of the cup, said to another, “knowest thou not that we dwell in the flower of heaven?” and the other replied, “yes, and now will the mystery be fulfilled.” And as the Child saw and heard all this, the dim image of his unknown parents, as it were veiled in a holy light, floated before his eyes: he strove to grasp it, but the light was gone, and the Child slipped, and would have fallen, had not the branch of a currant bush[A] caught and held him; and he took some of the bright berries for his morning’s meal, and went back to his hut and stripped the little branches.

[A] The red currant is called in Germany, Johannis-beere, St. John’s berry.

V.

But in the hut he staid not long, all was so gloomy, close, and silent within; and abroad every thing seemed to smile, and to exult in the clear and unbounded space. Therefore the Child went out into the green wood, of which the dragonfly had told him such pleasant stories. But he found every thing far more beautiful and lovely even than she had described it; for all about, wherever he went, the tender moss pressed his little feet, and the delicate grass embraced his knees, and the flowers kissed his hands, and even the branches stroked his cheeks with a kind and refreshing touch, and the high trees threw their fragrant shade around him.

There was no end to his delight. The little birds warbled and sang, and fluttered and hopped about, and the delicate wood-flowers gave out their beauty and their odours; and every sweet sound took a sweet odour by the hand, and thus walked through the open door of the Child’s heart, and held a joyous nuptial dance therein. But the nightingale and the lily of the valley led the dance; for the nightingale sang of nought but love, and the lily breathed of nought but innocence, and he was the bridegroom and she was the bride. And the nightingale was never weary of repeating the same thing a hundred times over, for the spring of love which gushed from his heart was ever new; and the lily bowed her head bashfully, that no one might see her glowing heart. And yet the one lived so solely and entirely in the other, that no one could see whether the notes of the nightingale were floating lilies, or the lilies visible notes, falling like dew-drops from the nightingale’s throat.

The Child’s heart was full of joy even to the brim. He set himself down, and he almost thought he should like to take root there, and live for ever among the sweet plants and flowers, and so become a true sharer in all their gentle pleasures. For he felt a deep delight in the still, secluded, twilight existence of the mosses and small herbs, which felt not the storm nor the frost, nor the scorching sunbeam; but dwelt quietly among their many friends and neighbours, feasting in peace and good fellowship on the dew and the cool shadows which the mighty trees shed upon them. To them it was a high festival when a sunbeam chanced to visit their lowly home; whilst the tops of the lofty trees could find joy and beauty only in the purple rays of morning or evening.

VI.

And as the Child sat there, a little mouse rustled from among the dry leaves of the former year, and a lizard half glided from a crevice in the rock, and both of them fixed their bright eyes upon the little stranger; and when they saw that he designed them no evil, they took courage and came nearer to him.

“I should like to live with you,” said the Child to the two little creatures, in a soft subdued voice, that he might not frighten them. “Your chambers are so snug, so warm, and yet so shaded, and the flowers grow in at your windows, and the birds sing you their morning song, and call you to table and to bed with their clear warblings.”

“Yes,” said the mouse, “it would be all very well if all the plants bore nuts and mast, instead of those silly flowers; and if I were not obliged to grub under ground in the spring, and gnaw the bitter roots, whilst they are dressing themselves in their fine flowers and flaunting it to the world, as if they had endless stores of honey in their cellars.”

“Hold your tongue,” interrupted the lizard pertly, “do you think, because you are grey, that other people must throw away their handsome clothes, or let them lie in the dark wardrobe under ground, and wear nothing but grey too? I am not so envious. The flowers may dress themselves as they like for me; they pay for it out of their own pockets, and they feed bees and beetles from their cups; but what I want to know is, of what use are birds in the world? Such a fluttering and chattering, truly, from morning early to evening late, that one is worried and stunned to death, and there is never a day’s peace for them. And they do nothing; only snap up the flies and the spiders out of the mouths of such as I. For my part, I should be perfectly satisfied, provided all the birds in the world were flies and beetles.”

The Child changed colour, and his heart was sick and saddened when he heard their evil tongues. He could not imagine how any body could speak ill of the beautiful flowers, or scoff at his beloved birds. He was waked out of a sweet dream, and the wood seemed to him lonely and desert, and he was ill at ease. He started up hastily, so that the mouse and the lizard shrank back alarmed, and did not look around them till they thought themselves safe out of the reach of the stranger with the large, severe eyes.

VII.

But the Child went away from the place; and as he hung down his head thoughtfully, he did not observe that he took the wrong path, nor see how the flowers on either side bowed their heads to welcome him, nor hear how the old birds from the boughs, and the young from the nests, cried aloud to him, “God bless thee, our dear little prince.” And he went on and on, farther and farther, into the deep wood; and he thought over the foolish and heartless talk of the two selfish chatterers, and could not understand it. He would fain have forgotten it, but he could not. And the more he pondered, the more it seemed to him as if a malicious spider had spun her web around him, and as if his eyes were weary with trying to look through it.

And suddenly he came to a still water, above which young beeches lovingly entwined their arms. He looked in the water, and his eyes were riveted to it as if by enchantment. He could not move, but stood and gazed in the soft, placid mirror, from the bosom of which the tender green foliage, with the deep blue heavens between, gleamed so wondrously upon him. His sorrow was all forgotten, and even the echo of the discord in his little heart was hushed. That heart was once more in his eyes; and fain would he have drunk in the soft beauty of the colours that lay beneath him, or have plunged into the lovely deep.

Then the breeze began to sigh among the tree-tops. The Child raised his eyes and saw overhead the quivering green, and the deep blue behind it, and he knew not whether he were waking or dreaming: which were the real leaves and the real heaven,—those in the depths above, or in the depths beneath? Long did the Child waver, and his thoughts floated in a delicious dreaminess from one to the other, till the dragonfly flew to him in affectionate haste, and with rustling wings greeted her kind host. The Child returned her greeting, and was glad to meet an acquaintance with whom he could share the rich feast of his joy. But first he asked the dragonfly if she could decide for him between the Upper and the Nether—the heighth and the depth? The dragonfly flew above, and beneath, and around; but the water spake: “The foliage and the sky above are not the true ones: the leaves wither and fall; the sky is often overcast, and sometimes quite dark.” Then the leaves and the sky said, “The water only apes us; it must change its pictures at our pleasure, and can retain none.” Then the dragonfly remarked, that the heighth and the depth existed only in the eyes of the Child, and that the leaves and the sky were true and real only in his thoughts; because in the mind alone the picture was permanent and enduring, and could be carried with him whithersoever he went.

This she said to the Child; but she immediately warned him to return, for the leaves were already beating the tattoo in the evening breeze, and the lights were disappearing one by one in every corner. Then the Child confessed to her with alarm that he knew not how he should find the way back, and that he feared the dark night would overtake him if he attempted to go home alone; so the dragonfly flew on before him, and shewed him a cave in the rock where he might pass the night. And the Child was well content; for he had often wished to try if he could sleep out of his accustomed bed.

VIII.

But the dragonfly was fleet, and gratitude strengthened her wings to pay her host the honour she owed him. And truly in the dim twilight good counsel and guidance were scarce. She flitted hither and thither without knowing rightly what was to be done; when, by the last vanishing sunbeam, she saw hanging on the edge of the cave some strawberries who had drunk so deep of the evening-red, that their heads were quite heavy. Then she flew up to a harebell who stood near, and whispered in her ear that the lord and king of all the flowers was in the wood, and ought to be received and welcomed as beseemed his dignity. Aglaia did not need that this should be repeated. She began to ring her sweet bells with all her might; and when her neighbour heard the sound, she rang hers also; and soon all the harebells, great and small, were in motion, and rang as if it had been for the nuptials of their mother earth herself, with the prince of the sun. The tone of the blue bells was deep and rich, and that of the white, high and clear, and all blended together in a delicious harmony.

But the birds were fast asleep in their high nests, and the ears of the other animals were not delicate enough, or were too much overgrown with hair, to hear them. The fireflies alone heard the joyous peal, for they were akin to the flowers, through their common ancestor, light. They inquired of their nearest relation, the lily of the valley, and from her they heard that a large flower had just passed along the foot-path more blooming than the loveliest rose, and with two stars more brilliant than those of the brightest firefly, and that it must needs be their king. Then all the fireflies flew up and down the foot path, and sought every where, till at length they came, as the dragonfly had hoped they would, to the cave.

And now, as they looked at the Child, and every one of them saw itself reflected in his clear eyes, they rejoiced exceedingly, and called all their fellows together, and alighted on the bushes all around; and soon it was so light in the cave, that herb and grass began to grow as if it had been broad day. Now, indeed, was the joy and triumph of the dragonfly complete. The Child was delighted with the merry and silvery tones of the bells, and with the many little bright-eyed companions around him, and with the deep red strawberries which bowed down their head to his touch.

IX.

And when he had eaten his fill, he sat down on the soft moss, crossed one little leg over the other, and began to gossip with the fireflies. And as he so often thought on his unknown parents, he asked them who were their parents. Then the one nearest to him gave him answer; and he told how that they were formerly flowers, but none of those who thrust their rooty hands greedily into the ground and draw nourishment from the dingy earth, only to make themselves fat and large withal; but that the light was dearer to them than any thing, even at night; and while the other flowers slept, they gazed unwearied on the light, and drank it in with eager adoration,—sun and moon and star light. And the light had so thoroughly purified them, that they had not sucked in poisonous juices like the yellow flowers of the earth, but sweet odours for sick and fainting hearts, and oil of potent, ethereal virtue for the weak and the wounded; and, at length, when their autumn came, they did not, like the others, wither and sink down, leaf and flower, to be swallowed up by the darksome earth, but shook off their earthly garment and mounted aloft into the clear air. But there it was so wondrously bright, that sight failed them; and when they came to themselves again, they were fireflies, each sitting on a withered flower-stalk.

And now the Child liked the bright-eyed flies better than ever; and he talked a little longer with them, and inquired why they shewed themselves so much more in spring. They did it, they said, in the hope that their gold-green radiance might allure their cousins, the flowers, to the pure love of light.

X.

During this conversation the dragonfly had been preparing a bed for her host. The moss upon which the Child sat had grown a foot high behind his back, out of pure joy; but the dragonfly and her sisters had so revelled upon it, that it was now laid at its length along the cave. The dragonfly had awakened every spider in the neighbourhood out of her sleep, and when they saw the brilliant light, they had set to work spinning so industriously that their web hung down like a curtain before the mouth of the cave. But as the Child saw the ant peeping up at him, he entreated the fireflies not to deprive themselves any longer of their merry games in the wood, on his account. And the dragonfly and her sisters raised the curtain till the Child had laid him down to rest, and then let it fall again, that the mischievous gnats might not get in to disturb his slumbers.

The Child laid himself down to sleep, for he was very tired; but he could not sleep, for his couch of moss was quite another thing than his little bed, and the cave was all strange to him. He turned himself on one side and then on the other, and as nothing would do, he raised himself and sat upright to wait till sleep might choose to come. But sleep would not come at all;—and the only wakeful eyes in the whole wood were the Child’s. For the harebells had rung themselves weary, and the fireflies had flown about till they were tired, and even the dragonfly, who would fain have kept watch in front of the cave, had dropped sound asleep.

The wood grew stiller and stiller: here and there fell a dry leaf which had been driven from its old dwelling place by a fresh one; here and there a young bird gave a soft chirp when its mother squeezed it in the nest;—and from time to time a gnat hummed for a minute or two in the curtain, till a spider crept on tip-toe along its web, and gave him such a gripe in the wind-pipe as soon spoiled his trumpeting.

And the deeper the silence became, the more intently did the Child listen, and at last the slightest sound thrilled him from head to foot. At length, all was still as death in the wood; and the world seemed as if it never would wake again. The Child bent forward to see whether it were as dark abroad as in the cave, but he saw nothing save the pitch dark night, who had wrapped every thing in her thick veil. Yet as he looked upwards his eyes met the friendly glance of two or three stars, and this was a most joyful surprise to him, for he felt himself no longer so entirely alone. The stars were, indeed, far, far away, but yet he knew them, and they knew him; for they looked into his eyes.

The Child’s whole soul was fixed in his gaze; and it seemed to him as if he must needs fly out of the darksome cave, thither where the stars were beaming with such pure and serene light; and he felt how poor and lowly he was, when he thought of their brilliancy; and how cramped and fettered, when he thought of their free, unbounded course along the heavens.

XI.

But the stars went on their course, and left their glittering picture only a little while before the Child’s eyes. Even this faded, and then vanished quite away. And he was beginning to feel tired, and to wish to lay himself down again, when a flickering will-o’-the-wisp appeared from behind a bush,—so that the Child thought, at first, one of the stars had wandered out of its way and had come to visit him, and to take him with it. And the Child breathed quick with joy and surprise, and then the will-o’-the-wisp came nearer and set himself down on a damp, mossy stone in front of the cave, and another fluttered quickly after him, and sat down over against him and sighed deeply, “Thank God, then, that I can rest at last!”

“Yes,” said the other, “for that you may thank the innocent Child who sleeps there within; it was his pure breath that freed us.”—“Are you then,” said the Child, hesitatingly, “not of yon stars which wander so brightly there above?”—“Oh, if we were stars,” replied the first, “we should pursue our tranquil path through the pure element, and should leave this wood and the whole darksome earth to itself.”—“And not,” said the other, “sit brooding on the face of the shallow pool.”

The Child was curious to know who these could be who shone so beautifully, and yet seemed so discontented. Then, the first began to relate how he had been a child too, and how, as he grew up, it had always been his greatest delight to deceive people and play them tricks, to show his wit and cleverness. He had always, he said, poured such a stream of smooth words over people, and encompassed himself with such a shining mist, that men had been attracted by it to their own hurt. But once on a time there appeared a plain man who only spoke two or three simple words, and suddenly the bright mist vanished, and left him naked and deformed, to the scorn and mockery of the whole world. But the man had turned away his face from him in pity, while he was almost dead with shame and anger. And when he came to himself again, he knew not what had befallen him, till, at length, he found that it was his fate to hover, without rest or change, over the surface of the bog as a will-o’-the-wisp.

“With me it fell out quite otherwise,” said the first: “Instead of giving light without warmth, as I now do, I burned without shining. When I was only a child, people gave way to me in every thing, so that I was intoxicated with self-love. If I saw any one shine, I longed to put out his light; and the more intensely I wished this, the more did my own small glimmering turn back upon myself, and inwardly burn fiercely, while all without was darker than ever. But if any one who shone more brightly would have kindly given me of his light, then did my inward flame burst forth to destroy him But the flame passed through the light and harmed it not; it shone only the more brightly, while I was withered and exhausted. And once upon a time I met a little smiling child, who played with a cross of palm branches, and wore a beamy coronet around his golden locks. He took me kindly by the hand and said, ‘My friend, you are now very gloomy and sad, but if you will become a child again, even as I am, you will have a bright circlet such as I have.’ When I heard that, I was so angry with myself and with the child, that I was scorched by my inward fire. Now would I fain fly up to the sun to fetch rays from him, but the rays drove me back with these words: ‘Return thither whence thou camest, thou dark fire of envy, for the sun lightens only in love; the greedy earth, indeed, sometimes turns his mild light into scorching fire. Fly back, then, for with thy like alone must thou dwell.’ I fell, and when I recovered myself, I was glimmering coldly above the stagnant waters.”

While they were talking, the Child had fallen asleep; for he knew nothing of the world nor of men, and he could make nothing of their stories. Weariness had spoken a more intelligible language to him—that he understood, and had fallen asleep.

XII.

Softly and soundly he slept till the rosy morning clouds stood upon the mountain, and announced the coming of their lord, the sun. But as soon as the tidings spread over field and wood, the thousand-voiced echo awoke, and sleep was no more to be thought of.

And soon did the royal sun himself arise; at first, his dazzling diadem alone appeared above the mountains; at length, he stood upon their summit in the full majesty of his beauty, in all the charms of eternal youth, bright and glorious, his kindly glance embracing every creature of earth, from the stately oak to the blade of grass bending under the foot of the wayfaring man.

Then arose from every breast, from every throat, the joyous song of praise; and it was as if the whole plain and wood were become a temple, whose roof was the heaven, whose altar the mountain, whose congregation all creatures, whose priest the sun.

But the Child walked forth and was glad, for the birds sang sweetly, and it seemed to him as if every thing sported and danced out of mere joy to be alive. Here flew two finches through the thicket, and, twittering, pursued each other; there, the young buds burst asunder, and the tender leaves peeped out and expanded themselves in the warm sun, as if they would abide in his glance for ever; here, a dewdrop trembled, sparkling and twinkling on a blade of grass, and knew not that beneath him stood a little moss who was thirsting after him; there, troops of flies flew aloft, as if they would soar far, far over the wood: and so all was life and motion, and the Child’s heart joyed to see it.

He sat down on a little smooth plot of turf, shaded by the branches of a nut-bush, and thought he should now sip the cup of his delight, drop by drop. And first he plucked down some brambles which threatened him with their prickles; then he bent aside some branches which concealed the view; then he removed the stones, so that he might stretch out his feet at full length on the soft turf; and when he had done all this, he bethought himself what was yet to do; and as he found nothing, he stood up to look for his acquaintance the dragonfly, and to beg her to guide him once more out of the wood into the open fields. About midway he met her, and she began to excuse herself for having fallen asleep in the night. The Child thought not of the past, were it even but a minute ago, so earnestly did he now wish to get out from among the thick and close trees; for his heart beat high, and he felt as if he should breathe freer in the open ground. The dragonfly flew on before and shewed him the way as far as the outermost verge of the wood, whence the Child could espy his own little hut, and then flew away to her playfellows.

XIII.

The Child walked forth alone upon the fresh, dewy corn-field. A thousand little suns glittered in his eyes, and a lark soared warbling above his head. And the lark proclaimed the joys of the coming year, and awakened endless hopes, while she soared circling higher and higher, till, at length, her song was like the soft whisper of an angel holding converse with the spring, under the blue arch of heaven. The Child had seen the earth-coloured little bird rise up before him, and it seemed to him as if the earth had sent her forth from her bosom as a messenger to carry her joy and her thanks up to the sun, because he had turned his beaming countenance again upon her in love and bounty. And the lark hung poised above the hope-giving field, and warbled her clear and joyous song.

She sang of the loveliness of the rosy dawn, and the fresh brilliancy of the earliest sunbeams; of the gladsome springing of the young flowers, and the vigorous shooting of the corn; and her song pleased the Child beyond measure.

But the lark wheeled in higher and higher circles, and her song sounded softer and sweeter.

And now she sang of the first delights of early love; of wanderings together on the sunny, fresh hill-tops, and of the sweet pictures and visions that arise out of the blue and misty distance. The Child understood not rightly what he heard, and fain would he have understood, for he thought that even in such visions must be wondrous delight. He gazed aloft after the unwearied bird, but she had disappeared in the morning mist.

Then the Child leaned his head on one shoulder to listen if he could no longer hear the little messenger of spring; and he could just catch the distant and quivering notes in which she sang of the fervent longing after the clear element of freedom; after the pure, all-present light; and of the blessed foretaste of this desired enfranchisement, of this blending in the sea of celestial happiness.

Yet longer did he listen; for the tones of her song carried him there, where, as yet, his thoughts had never reached, and he felt himself happier in this short and imperfect flight than ever he had felt before. But the lark now dropped suddenly to the earth, for her little body was too heavy for the ambient æther, and her wings were not large nor strong enough for the pure element.

Then the red corn-poppies laughed at the homely looking bird, and cried to one another and to the surrounding blades of corn, in a shrill voice, “Now, indeed, you may see what comes of flying so high, and striving and straining after mere air; people only lose their time, and bring back nothing but weary wings and an empty stomach. That vulgar-looking ill-dressed little creature would fain raise herself above us all, and has kept up a mighty noise. And now there she lies on the ground and can hardly breathe, while we have stood still where we are sure of a good meal, and have staid like people of sense where there is something substantial to be had; and in the time she has been fluttering and singing, we have grown a good deal taller and fatter.”

The other little red-caps chattered and screamed their assent so loud, that the Child’s ears tingled, and he wished he could chastise them for their spiteful jeers; when a cyane said, in a soft voice, to her younger playmates, “Dear friends, be not led astray by outward show, nor by discourse, which regards only outward show. The lark is, indeed, weary, and the space into which she has soared is void; but the void is not what the lark sought, nor is the seeker returned empty home. She strove after light and freedom, and light and freedom has she proclaimed. She left the earth and its enjoyments, but she has drunk of the pure air of heaven, and has seen that it is not the earth, but the sun that is steadfast. And if earth has called her back, it can keep nothing of her but what is its own. Her sweet voice and her soaring wings belong to the sun, and will enter into light and freedom, long after the foolish prater shall have sunk and been buried in the dark prison of the earth.”

And the lark heard her wise and friendly discourse, and with renewed strength, she sprang once more into the clear and beautiful blue.

Then the Child clapped his little hands for joy, that the sweet bird had flown up again, and that the red-caps must hold their tongues for shame.

XIV.

And the Child was become happy and joyful, and breathed freely again, and thought no more of returning to his hut, for he saw that nothing returned inwards, but rather that all strove outwards into the free air; the rosy apple blossoms from their narrow buds, and the gurgling notes from the narrow breast of the lark. The germs burst open the folding doors of the seeds, and broke through the heavy pressure of the earth in order to get at the light: the grasses tore asunder their bands, and their slender blades sprung upwards. Even the rocks were become gentle, and allowed little mosses to peep out from their sides, as a sign that they would not remain impenetrably closed for ever. And the flowers sent out colour and fragrance into the whole world, for they kept not their best for themselves, but would imitate the sun and the stars, which poured their warmth and radiance over the spring. And many a little gnat and beetle burst the narrow cell in which it was enclosed, and crept out slowly, and, half asleep, unfolded and shook its tender wings, and soon gained strength, and flew off to untried delights.

And as the butterflies came forth from their chrysalids in all their gaiety and splendour, so did every humbled and suppressed aspiration and hope free itself, and boldly launch into the open and flowing sea of spring.

LONDON:

Printed by Maurice & Co., Fenchurch Street.

MRS. AUSTIN’S BIBLE SELECTIONS.

In One Volume, 12mo., neatly bound, with a Frontispiece
from Flaxman, engraved by Moses, price 5s.,

SELECTIONS
FROM
THE OLD TESTAMENT;
OR
THE RELIGION, MORALITY, AND POETRY OF THE
HEBREW SCRIPTURES

ARRANGED UNDER HEADS.

By SARAH AUSTIN.

“My sole object has been to put together all that presented itself to my own heart and mind as most persuasive, consolatory, or elevating, in such a form and order as to be easy of reference, conveniently arranged and divided, and freed from matter either hard to be understood, unattractive, or unprofitable (to say the least) for young and pure eyes.”—Preface.

Critical Notices of the Work.

“This Selection is executed with judgment and taste. Religious parents will esteem themselves happy in having such a reading-book to put into the hands of their children; and if they themselves have not so familiarly used the Bible, that they cannot instantly lay their finger on the precise passage in accordance with their wants or feelings, they will be glad of so pleasant and so instructive a guide as these Selections. It may be called, without profanation, the beauties of the Bible; we may add, that no work under that title ever presented its extracts with less appearance of being fractured, or torn up violently from the parent mass.”—Spectator.

“Mrs. Austin has performed her humble but laborious task in a manner that reflects much credit on her heart and judgment. As a sacred lesson-book for children, we have seen none to be compared to this. The compiler is entitled to the best thanks of the religious world, and especially of every parent.”—Literary Gazette.

“There can be no doubt of the excellent intentions of the compiler of the work. It has been arranged with care, and an attentive perusal by young persons cannot fail to be morally serviceable. Nothing but a conviction of the utility of such a work could have induced her to undertake it, and we wish it success, acknowledging that it may be beneficially made a class school-book for young children.”—Athenæum.

“The object is an excellent one, and the mode of execution has our warmest approbation.”—Asiatic Journal.

“It appears to us that this work removes the only valid objection that can be urged against putting the Scriptures into the hands of the rising generation. We wish that we had sufficient space to do justice to this estimable undertaking. Every parent who has the eternal welfare of a family at heart will hail this lady as a friend and a benefactress.”—Metropolitan Magazine.

“The plan is very original, and, in our view of the matter, excellently adapted to its purpose. The labour of the compilation must have been long, serious, and severe, but it seems to have been employed to excellent purpose. In schools, and as a class and instruction book for children, it is admirably adapted. Mothers will adopt it, and we feel no doubt of its obtaining a wide and most useful circulation amongst all who desire to make Scripture truths the foundation of a religious and moral education. It presents, in fact, the Bible in a totally new, and therefore freshly interesting view, as a book of divine and moral truth.”—Norwich Mercury.

“Mrs. Austin has done her work well; and we recommend it to the attention of all those whose faith has not altogether usurped the place of their reason.”—Bell’s New Weekly Messenger.

“Selections, we believe, are now generally used in schools, but none that have fallen under our own notice at all equal the present attempt. It is not every one that can be intrusted with making these Selections. The present is made by Mrs. Austin, a lady distinguished for many accomplishments, and particularly for her singular power of not translating, but transmuting German books into English ones.”—United Kingdom.

“It seems to us, that illustrations better calculated to impress upon young persons clear and striking views of the Divine attributes, of the human condition, and of religious and moral obligations, could with difficulty have been extracted from such materials as the Old Testament offers.”—Times.

“With great taste has Mrs. Austin selected from these materials, and with sound judgment arranged her selections. Passages on the same topic are brought together from different places, and interwoven with great skill, so as to read continuously and fluently. These selections are, in fact, the spirit of the Old Testament, disengaged from local and temporary appendages; and we do not see why they might not be used in the pulpit as well as in schools.”—Monthly Repository.

NEW, USEFUL, AND VALUABLE
BOOKS,

PUBLISHED BY EFFINGHAM WILSON,
ROYAL EXCHANGE, LONDON.

FOR YOUTH AND SCHOOLS.

THE STORY WITHOUT AN END;
From the German of Friedrick Wilhelm Carové.

BY SARAH AUSTIN.

Embellished with beautiful Wood Engravings, from Designs by
Harvey.

Price 5s., elegantly bound.

RHYMES FOR YOUTHFUL HISTORIANS,

Designed to assist the Memory in Retaining the most Important Events
in Ancient and Modern History;

With Portraits of all the Sovereigns of England.

“You must not laugh at this, for chronologists do not pique themselves on their poetry; they make use of numbers and rhymes merely as assistants to memory, being so easily learned by heart.”—Mrs. Chapone.

Third Edition, Price 1s. 6d.

CHRISTIAN EDUCATION,
IN SPIRIT AND IN TRUTH:

A COURSE OF LECTURES, DELIVERED IN LONDON,
By DR. BIBER.

In One Vol. 8vo., Price 7s. 6d.

These Lectures afford an admirable Illustration of the Pestalozzian method of instruction, and are particularly desirable to heads of families and schools.

No. 4.

LECTIONES LATINÆ;

Or, LESSONS IN LATIN LITERATURE:

Being a choice Collection of Amusing and Instructive Pieces, in Prose and Verse, selected from the Writings of the most celebrated Latin Authors.

IN FOUR PARTS.

Part I.—An Interlinear, Literal, and Free Translation.

Part II.—A Poetic Translation, and a Literal one with an Ordo.

Part III.—An Ordo, with a Literal and Free Translation.

Part IV.—A Translation of the most difficult Words and Phrases.

Preceded by an Introductory Grammar, and interspersed with various Grammatical Notes, and other Explanations.

ADAPTED FOR SCHOOLS AND PRIVATE STUDENTS.

By J. ROWBOTHAM, F.R.A.S. London,

Author of German and French Lessons, a German and a French Grammar, Algebra
and Key, &c.

“This is an exceedingly clever work, and contains the best rudimental Latin Grammar we have seen, although it is modestly insinuated under another title. We have no hesitation in saying an intelligent boy would learn more from this book, in a week, than he possibly could in quadruple the period from any other we have seen.”—United Kingdom, May 27, 1832.

In One thick Vol. 12mo., Price 6s. 6d. neatly bound.

THE
IMPORTANCE OF PUNCTUALITY ENFORCED.
In Ornamental Lithography. On a Sheet, Price 1s.

A FRENCH GRAMMAR,
Divided into Four Parts.
The Pronunciation; the Accidence; the Syntax; and the Appendix.

By P. F. MERLET,
Teacher of the French Language at the University of London.

“All the rules we find arranged in this Grammar with the utmost simplicity and perspicuity, none occupying more than two lines, and arranged in so convenient a manner as to render references very easy. At the same time every rule is illustrated by a number of plain practical sentences, such as are wanted in the common intercourse of life, and are made familiar by exercises of a similar kind. The Tables of Declensions and Conjugations are also admirably clear. It is almost impossible to represent sound to the eye; yet the rules of Pronunciation laid down in this book are so systematic and precise as to render them a great help to those who have had some oral instruction. The Appendix, or a ‘Dictionary of Difficulties,’ which also sells separately, will be found an excellent book of reference to the more advanced student, more useful than French works of this kind, as it is evidently the work of a man who, by long practice, has made himself fully acquainted with all those points in his language which offer difficulties to the English learner.”—Monthly Review.

In One thick Vol. 12mo., Price 10s. boards, or 10s. 6d. bound.

New Editions of the separate Parts may be had at the following Prices:

Part I.—Treatise on Pronunciation. Price 2s. 6d. bound.

Part II.—The Accidence. Offering tabular views of all the Parts of Speech in the French Language, with brief and simple Explanations, Examples, and easy Exercises on each. Price 3s. bd.

Part III.—The Syntax. Containing the most necessary Rules, clearly and concisely explained. Price 3s. 6d. bound.

N. B. These Three Parts form a complete Grammar, bound in one vol. price 8s.

Part IV.—The Appendix; or Dictionary of Difficulties, Idioms, Synonymes, &c. of the French Language. Price 3s. 6d. bound.

LE TRADUCTEUR;

Or, HISTORICAL, DRAMATIC, AND MISCELLANEOUS
SELECTIONS,

From the best French Writers, on a plan calculated to render reading and translation peculiarly serviceable in acquiring the Speaking and Writing of the French Language; accompanied by Explanatory Notes, a Selection of Idioms, and concise Tables of the Parts of Speech, and of Verbs.

By P. F. MERLET,
Teacher of the French Language at the University of London.

In this Edition, the author has made every improvement in the selection of Pieces, as well as the Explanatory Notes, (both of which have been considerably increased,) which constant practice in teaching could suggest.

“We pretend to judge somewhat more accurately of the quality of this work than most of our neighbours; and we have no hesitation in recording our opinion to be, that it has deservedly reached a Second Edition, and that it ought to go through many more. It is decidedly the best work of the kind with which we have yet met, and ought to be in the hands of every one who is desirous of becoming acquainted with the structure, the idioms, and the niceties, of the French language.”—Morning Advertiser.

“The author has been careful to select such pieces only as are instructive and entertaining, and may be placed, without reserve, in the hands of youth of both sexes;—to embrace every possible variety in word, phrase, or sentence; and to afford a ready exemplification of the rules of grammar, by appropriate remarks and numerous notes on those peculiarities which form the most difficult parts of the French language.”—Gentleman’s Magazine.

“A judicious, instructive, and entertaining selection, free from every immoral or irreligious thought or expression which French language contains.”—Literary Panorama.

Second Edition, much improved, Price 5s. 6d. handsomely bound.

PETIT TABLEAU LITTÉRAIRE DE LA FRANCE;
Contenant un Essai sur la Littérature Française;

DEPUIS SON ORIGINE JUSQU ’EN 1832,

Et de nombreux extraits des meilleurs auteurs; suivis de notes sur
quelques Difficultés. Servant de Suite au “Traducteur.”

Par P. F. MERLET.

In a thick Volume, 12mo. Price 7s. 6d. handsomely bound.

SYNOPSIS OF THE FRENCH LANGUAGE.
By P. F. MERLET,
Teacher of the French Language in the University of London.

∵ To those who have already gone through the French Grammar, this little work will be of infinite service, as it will enable them, at one view, to refresh their memory, by means of Tables representing the verbs, and the most essential rules concisely expressed, and each accompanied by an example, so arranged as to make the whole a Tabular View of French Grammar.

12mo., Price 2s. 6d. bound in cloth.

∵ Such is the confidence of the Publisher in the decided superiority of the Works of Professor Merlet, which have already been adopted at the University of London, and many of the most respectable Seminaries of Education, that he offers to the Heads of Schools and to Teachers, who may become purchasers of them, to return the money for any of which they may not approve.

School Prize and Christmas Present.

TALES FROM CHAUCER, IN PROSE:

DESIGNED CHIEFLY FOR THE USE OF YOUNG PERSONS.

By CHARLES COWDEN CLARKE.

“Mr. Clarke may, we think, be assured of realizing the wish he has expressed in his preface, of adding to the number of those who read and relish Chaucer in the original. The book is altogether an extremely pretty and delightful one, and certainly far exceeds what our reminiscences of the Canterbury Tales would have given us reason to expect of Chaucer turned into prose.”—Atlas.

In One Vol. 12mo., illustrated with 14 Wood Engravings, designed and executed by Samuel Williams, handsomely bound in Cloth,

Price 7s. 6d.

L’ECHO DE PARIS:

A selection of Familiar Phrases, which a Pupil would daily hear said around him, if he were living among French People.

By Mons. A. P. LEPAGE,
PROFESSOR OF THE FRENCH LANGUAGE, LONDON.

“Judiciously arranged in seventy-eight progressive lessons, we have here a little volume, which, while it spares the teacher much irksome labour, will pleasantly facilitate the learner’s advance in the language.”—Court Journal.

In 12mo., Price 3s. 6d. bound in cloth.

PARLIAMENTARY SYSTEM OF SHORT HAND,
Simplified, Curtailed, and Improved, from the original Plans of
Mason and Gurney, after many years experience.

By THOMAS PARKER.

“These are brief, lucid, and sufficient rules, and, by practice, a readiness of writing from the lips of a speaker may be acquired in a time so short as to surprise the student.”—Atlas.

In 32mo., gilt edges. Price 1s. 6d.

FAMILY CALENDAR OF FASTS AND FESTIVALS.

A FAMILIAR

Analysis of the Calendar of the Church of England,

AND PERPETUAL GUIDE TO THE ALMANAC;

In the form of Question and Answer:

Illustrated with a variety of Anecdotes, and Descriptive Sketches of the Origin of Popular Customs at particular periods of the Year, and authenticated by references to Scriptural and other Authorities.

By THE REV. HUGH F. MARTYNDALE, A.M.

“This book is useful, as well as amusing, and will form a very convenient object of reference in families respecting topics of interest, which one time or other must come under their consideration.”—Monthly Review.

Price 5s., neatly bound.

UTILITY OF LATIN DISCUSSED,

For the Consideration of Parents, or those who have Influence in the Choice or Direction of Juvenile Education.

By JUSTIN BRENAN,
Author of “Composition and Punctuation,” &c.

In this little treatise, the important subject of classical utility is placed in an original and highly interesting point of view, and entirely free from the prejudices that are usually brought in aid of such discussions.

“We are happy in having another opportunity of complimenting the author of ‘Composition and Punctuation,’ on a work which, unlike many of the present day, contains multum in parvo, in which, in short, good sense and practical utility are in an immense ratio to its size and page.”—Edinburgh Literary Journal.

Price 2s. boards.

RECREATIONS IN SCIENCE,
OR,
A COMPLETE SERIES OF RATIONAL AMUSEMENT.
By the Author of “Endless Amusement.”

“A very valuable addition to popular science has just been made by this little publication. It possesses the singular advantage of only describing those experiments that can be performed with the aid of simple apparatus.”—Atlas.

In 18mo. Illustrated by numerous Engravings. Price 3s. 6d.

COMPOSITION AND PUNCTUATION
Familiarly Explained.
FOR THOSE WHO HAVE NEGLECTED THE STUDY OF GRAMMAR.

This popular work is now re-produced with very important attractions. Not only is every article revised with great attention, but so much has been added, that the present edition may be considered as almost a new work.

By JUSTIN BRENAN,
Author of “The Foreigner’s English Conjugator,” &c.

“We have read this little book with much satisfaction. Something of the kind has been long wanted, and the want is now very ingeniously supplied. ‘My object,’ says the author, ‘is to instruct those who know how to read and write, but who are unacquainted with grammar. I propose, strange as it may appear, to show such persons how they may compose sentences, of which they may not at least be ashamed, and how they may express their meaning intelligibly, without exciting a laugh at their expense.’ This object Mr. Brenan has attained in a simple and agreeable manner, and we, therefore, confidently recommend his book to those whose early education has been neglected, and who are now afraid to enter upon all the difficulties of grammar. We shall ourselves present copies of it to several mechanics and others, in whose progress we take an interest.”—Edinburgh Literary Journal.

Third Edition, considerably augmented, 18mo. Price 4s. boards.

Influence of Climate on the Constitution.
HISTORY AND TREATMENT OF COLDS AND COUGHS,
An Epitome of Precepts on Diet for Elderly People, &c. &c.

With Directions for the Management of Colds,—Regulation of the Sick Room,—The Selection and Use of Aperient and other Medicines, &c. &c.

By J. STEVENSON, M.D.
Royal 18mo., Price 3s. boards.

“Delicate Hands and Handsome Feet are indispensable to Female Beauty.”

ECONOMY OF THE HANDS AND FEET;
WHICH INCLUDES THE
PREVENTION, TREATMENT, AND CURE OF CORNS, BUNNIONS, AND DEFORMED NAILS,

The Removal of Excrescences, superfluous Hairs, Freckles, Pimples, Blotches, and other cutaneous Eruptions; with safe and certain methods of rendering the Skin white, soft, and delicate, without detriment to health.

By AN OLD ARMY SURGEON.

Third Edition, corrected and enlarged, in a neat Pocket Volume, royal 18mo., with a Frontispiece, Price 4s.

HEALTH WITHOUT PHYSIC,
OR,
CORDIALS FOR YOUTH, MANHOOD, AND OLD AGE:

Including Maxims Medical, Moral, and Facetious, for the Prevention of Disease, and the attainment of a long and vigorous Life.

By AN OLD PHYSICIAN.
With a beautiful Emblematical Frontispiece, designed by Richter.
In One Vol. 12mo., Price 7s. 6d.

THE PHENOMENA OF NATURE
Familiarly Explained.
A Book for Parents and Instructors, and especially adapted to Schools.
Translated from the German of WILHELM VON TÜRK.

“Its object is to bring before the young pupil, in a familiar manner, the different phenomena of nature. It presents a variety of subjects for the child’s consideration, the knowledge of which is useful, and besides admirably calculated to draw out his powers of observation.”—Journal of Education, No 1.

“This is the best and most practical lesson-book on Nature, in the language. We strongly recommend its introduction into schools, and all places of education, public and private. We would have the work made a school-room companion for three or four years, between the ages of eight and twelve, and, in the course of that time, mastered from end to end by the pupil.”—Spectator.

Price 4s. 6d. cloth.

NEW CAMBIST.

MANUAL OF FOREIGN EXCHANGES

In the direct, indirect, and cross operations of Bills of Exchange and Bullion; including an extensive Investigation of the Arbitrations of Exchange, according to the practice of the first British and Foreign Houses, with numerous Formulæ and Tables of the Weights and Measures of other Countries, compared with the Imperial Standards.

By WILLIAM TATE.

“This Manual ought to have a place in every Merchant’s Counting-house, and in every School where Youth is educated for mercantile pursuits. The author is a man of undoubted ability, and has been employed, we understand, to make the Bullion Calculations for the Royal Mint.”—Mercantile Journal.

In One Volume, 8vo. Price 8s. cloth.

BOOK-KEEPING.

A NEW CHECK JOURNAL

UPON THE PRINCIPLE OF DOUBLE ENTRY.

Which exhibits a continued, systematic, and self-verifying Record of Accounts of Individual and Partnership Concerns, and shews, at one view, the real state of a Merchant’s or Trader’s Affairs, by a Single Book only, even should a Ledger not have been kept. The whole familiarly explained, and forming a complete and Practical System of Book-Keeping by Single and Double Entry. To which is appended, a New and more Simple Method, or Double Entry by Single.

By GEORGE JACKSON,
Accountant.

Corrected, Enlarged, and greatly Improved; with copious Illustrations of Interest Accounts, Joint Adventures, and Joint Purchases.

“If simplicity, brevity, and clearness, may be esteemed important to the accurate record of commercial accounts, this work of Mr. Jackson’s will be found a valuable assistant to all men of business. It places all matters connected with the mercantile world in such a plain light, that the confusion attendant upon irregularity or ignorance may be avoided and prevented by a mere mechanical observance of the system he lays down. His plan is practical and conclusive, and the improvements he suggests upon the works of his predecessors are the evident results of long experience and consideration.”—Atlas.

Fourth Edition, in One Vol. 8vo., Price 6s.

VEGETABLE COOKERY;

With an Introduction, recommending Abstinence from Animal Food and Intoxicating Liquors.

By A LADY.

“The flesh of animals is not only unnecessary for the support of man, but a vegetable diet is more favourable to health, humanity, and religion.”—Vide Introduction.

“We may unhesitatingly recommend the book to all lovers of conserves, confections, &c., and indeed to every domestic individual, on account of the numerous family receipts it contains.”—Morning Post.

In a thick 12mo. Volume, Price 6s. Cloth.

THE YOUNG CRICKETER’S TUTOR;

Comprising full directions for the elegant and manly Game of Cricket; with a complete version of its Laws and Regulations:

By JOHN NYREN,
A Player in the celebrated Old Hambledon Club, and in the Mary-le-Bone Club.

To which is added “The Cricketers of My Time,” or Recollections of the most famous Old Players: By the same Author.

The whole Collected and Edited by CHARLES COWDEN CLARKE.

“A pocket volume of some hundred pages; it contains the whole history and science of cricket, and is a present which would at all times—but at none so much as in the present fine weather—be acceptable to juvenile cricketers and beginners.”—Brighton Guardian.

In 18mo., Price 2s. 6d., bound in cloth.

MRS. AUSTIN’S GOETHE.
In Three Volumes, Post Octavo, with Portraits, &c., Price 30s.,
CHARACTERISTICS OF GOETHE,
From the German of Falk, Von Muller, &c.
With Notes, Original and Translated, illustrative of German Literature.
By SARAH AUSTIN.

“We have here a mine of curious observation. Falk’s part is full of interest: we pass from one bold originality of fine thought to another, and each is a theme for reflection; it is well for us that Goethe had a friend in whose ear these jewels were treasured.”—Examiner.

“We are indebted to Mrs. Austin for one of the most elegant and complete translations which ever enriched the stores of the English language. You see the genius of a foreign language, but it does not appear in a rough or abrupt guise—the stranger appears as much at home as if he had lived with us all his life. The remarkable peculiarity of all that relates to Goethe, seems to be in this—your mind takes a leap after reading his works, or examining his character; nothing about him is common-place or vulgar; even his attachment to a courtier’s life is full of a certain intellectual poetry; he looked upon it as we look upon a play, in which the real actors are often but poor creatures, but in which the delusions which surround them are full of magic and of grace.”—New Monthly Magazine.

On a neat Coloured Card, Price 1s.
PRINTED IN GOLD, SILVER, AND BRONZE,
A LABYRINTH:
Formed of a variety of Trees, Shrubs, Water, &c.

Intended as an amusing puzzle for Young People. The object is the discovery of the Road to the Temple, by means of one of the numerous paths with which it is intersected. Whilst its intricacy excites in the explorer a spirit of emulation, it does not induce a propensity to gaming, which is inseparable from many of the amusements of youth.

THE GERMAN IN ENGLAND.
In 2 Vols. post 8vo. with a Portrait, Price 21s.
TOUR OF A GERMAN PRINCE.
TOUR IN GERMANY, HOLLAND, AND ENGLAND:

Forming the two concluding volumes of the Tour of a German Prince. Comprising, London,—The Nobility, and their Mansions, &c.-the Ascot, Newmarket, Doncaster, and York Races;—and Tour to the North of England, &c.

Also, price 18s. a New Edition of Vols. I. and II.;

Comprising the SOUTHERN and WESTERN PARTS of ENGLAND, WALES, IRELAND, and FRANCE.

“The Tour of a German Prince is a work of much interest to Englishmen, since it tells with truth and without ceremony, what an individual capable of judging, really thinks of our country and its people. The writer, indeed, appears to have carefully committed to paper the events of every day at its close; hence the impressions are most distinct, striking, and lively; so graphic and true, indeed, are his pictures, that we feel as if we were the companions of his journey, and the partakers of his adventures.”—Scotsman.

The Work complete in 4 Vols. Price 39s.

THE ITALIAN IN ENGLAND.

Observations of an Exile in England.

By COUNT PECCHIO.

“He is occasionally satirical, but he has not the asperity of Mirabeau, or the German Prince. Driven from his native land by a despotic government, the Count found in England a safe and agreeable asylum, and he has not shown himself ungrateful; the errors into which he has fallen are such as every Englishman will excuse in a foreigner, whose admiration of England and her people breaks out in almost every page of the work. We have been delighted with the good temper of this author, and refer our readers to the work as a most agreeable fire-side companion.”—Morning Chronicle.

“We scarcely know how to extract, where almost every sentence contains observations and remarks conceived and expressed in a manner most creditable to the moral feelings of the author.”—Quarterly Review.

“His observations are altogether the most intelligent, discriminating, and instructive that we have ever seen from the pen of a foreigner.”—Eclectic Review.

One Volume, Post 8vo., Price 10s. 6d.

THE FRENCHMAN IN ENGLAND.

Never before published in any Language.

MIRABEAU’S LETTERS
DURING HIS RESIDENCE IN ENGLAND.

With Anecdotes, Maxims, &c., now first translated from the original Manuscripts. To which is prefixed, an Introductory Notice of the Life, Writings, Conduct, and Character of the Author.

“The public are much indebted to the spirited publisher for the possession of these interesting letters, which, on the whole, set the character of Mirabeau in an advantageous light, and will be one of the literary pleasures of retrospective posterity.”—Bell’s New Weekly Messenger.

“These letters are a very valuable gift to the literary world. They contain the sentiments and observations of one of the most extraordinary characters in the most extraordinary epoch of modern times.”—Asiatic Journal.

In Two Vols. Post 8vo., with a Portrait, Price 21s.

MURAT’S EIGHT YEARS IN THE UNITED STATES.

North America; a Moral and Political Sketch.

By ACHILLE MURAT,
Son of the late King of Naples.

With a Note on Negro Slavery. By Junius Redivivus.

The United States have attracted very general attention of late: the conflicting opinions of recent travellers in this interesting quarter of the Globe are somewhat perplexing. In the Monthly Review is given an able analysis of the several writers, which concludes in these words:—“We think the volume of M. Murat by far the best. He is a much more able man than Mr. Stuart: his views are more enlarged, and his acquaintance with mankind much more intimate. His opinions are well expressed; the topics on which he writes are well selected and arranged, and we recommend his book to every one who is desirous of obtaining information relative to the Union.”

In One Vol., Post 8vo., Price 10s. 6d. Small Edition, foolscap, Price 7s. 6d. With a neat Coloured Map.

“Good Teeth, independent of their great utility, are essential to Female Beauty.”

ECONOMY OF THE TEETH, GUMS, AND INTERIOR OF THE MOUTH;

INCLUDING THE

Medical, Mechanical, and Moral Treatment of the most frequent Diseases and Accidents incidental to the Structure and Functions of those delicate Parts, with the Means of correcting and purifying the Breath, &c. &c.

By AN OLD ARMY SURGEON.
In a neat Pocket Volume, with a Frontispiece, Price 4s.

Blue Coat School,

With a List of the Governors, corrected for June, 1833, (for which alone One Guinea is charged at the School,) and the Mode of obtaining Presentation.

A BRIEF HISTORY OF CHRIST’S HOSPITAL IN LONDON,

FROM ITS FOUNDATION TO THE PRESENT TIME.

“This entertaining little volume is the production of a grateful scholar of this matchless and most extensively useful foundation. Every species of information that can reasonably be desired will be found in Mr. Wilson’s History.”—Gentleman’s Mag.

Fifth Edition, in 12mo., Price 5s. boards, with several Engravings.

A SUITABLE PRESENT FOR YOUTH.

TALES OF OTHER DAYS.

ILLUSTRATIVE OF HISTORY.

By J. Y. A.

WITH ENGRAVINGS, AFTER DESIGNS BY
GEORGE CRUIKSHANK.

“This is one of the most attractive publications we have lately seen; it consists of a series of remarkably well-written and interesting Tales of the olden time, with Illustrations by George Cruikshank. Of these Illustrations it is scarcely possible to speak in any other than terms of unqualified praise—they combine so much of the ludicrous and the terrible, and are so completely in Cruikshank’s best style, that we feel justified in expressing an opinion that this publication will even add to that unrivalled artist’s fame. The volume is altogether well got up—the printing is remarkably neat, and the Tales are of a pleasingly varied character.”—Weekly Dispatch.

See also Literary Gazette, Athenæum, La Belle Assemblée, Sunday Times, &c. &c.

In a handsome Post 8vo. Volume, Price 9s. cloth.

∵ A few Impressions of the Cuts are taken off on India Paper, Price 5s.

PRINTED BY MAURICE AND CO., FENCHURCH STREET.

TRANSCRIBER’S NOTES:

Obvious typographical errors have been corrected.

Inconsistencies in hyphenation have been standardized.

Archaic or alternate spelling has been retained from the original.

The cover image for this eBook was created by the transcriber and is entered into the public domain.

*** END OF THE PROJECT GUTENBERG EBOOK THE STORY WITHOUT AN END ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE STORY WITHOUT AN END.

- I.

- II.

- III.

- IV.

- V.

- VI.

- VII.

- VIII.

- IX.

- X.

- XI.

- XII.

- XIII.

- XIV.

- THE FULL PROJECT GUTENBERG™ LICENSE