The Miller and His Golden Dream
Date: 2020-07-27T00:00:00+00:00
Keywords: Children's poetry; Avarice -- Juvenile poetry

The Project Gutenberg eBook of The Miller and His Golden Dream

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Miller and His Golden Dream

Author: Eliza Lucy Leonard

Release date: July 27, 2020 [eBook #62767]
Most recently updated: October 18, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/62767

Credits: E-text prepared by Charlene Taylor and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)

*** START OF THE PROJECT GUTENBERG EBOOK THE MILLER AND HIS GOLDEN DREAM ***

The Project Gutenberg eBook, The Miller and his Golden Dream, by Eliza Lucy Leonard

Note:

Images of the original pages are available through Internet Archive. See https://archive.org/details/millerhisgoldend00leoniala

Transcriber’s Note: The illustrations have been moved to the end of the book to avoid disrupting the flow of the poem.

THE
MILLER
AND
HIS GOLDEN DREAM.

“With moderate blessings be content,
Nor idly grasp at every shade;
Peace, competence, a life well spent,
Are treasures that can never fade;
And he who weakly sighs for more—
—Augments his misery, not his store.”

BY THE AUTHOR OF
“THE RUBY RING,” &c.

WELLINGTON, SALOP:
PRINTED BY AND FOR F. HOULSTON AND SON,
And sold by Scatcherd and Co. Ave-Maria Lane, London.

1822.

[Entered at Stationers’ Hall.]

Advertisement.

In the construction of the following little Poem, the Author has declined the aids of Genii, &c.—the powerful auxiliaries of her two former works,—on the belief that a moral truth requires little of artificial embellishment to render it attractive. She presents therefore a simple unadorned tale to her young readers, as an experiment; not without hope that their reception and approval of it may be such, as to sanction future efforts, and to confirm her in the propriety of her present opinion.

THE
MILLER.

If, ’mid the passions of the breast,
There be one deadlier than the rest,
Whose poisonous influence would control
The generous purpose of the soul,
A cruel selfishness impart,
And harden, and contract the heart;
If such a passion be, the vice
Is unrelenting Avarice.
And would my youthful readers know
The features of this mortal foe,
The lineaments will hardly fail
To strike them in the following tale.

In England—but it matters not
That I precisely name the spot—
A Miller liv’d, and humble fame
Had grac’d with rustic praise his name.
For many a year his village neighbours
Felt and confess’d his useful labours;
Swift flew his hours, on busy wing
Revolving in their rosy ring:
His life, alternate toil and rest,
Nor cares annoy’d, nor want oppress’d.

Whang’s mill, beside a sparkling brook,
Stood shelter’d in a wooded nook:
The stream, the willow’s whispering trees,
The humming of the housing bees,
Swell’d with soft sounds the summer breeze;
Those simple sounds, that to the heart
A soothing influence impart,
And full on every sense convey
Th’ impression of a summer’s day.

A cot, with clustering ivy crown’d,
Smil’d from a gently sloping mound,
Whose sunny banks, profusely gay,
Gave to the view, in proud display,
The many colour’d buds of May;
Flowers, that spontaneous fringe the brink
Of sinuous Tame, and bend to drink.
My native River! at thy name
What mix’d emotions thrill my frame!
Through the dim vista of past years,
How shadowy soft thy scene appears!
With earliest recollections twin’d,
To thee still fondly turns my mind;
While Memory paints with faithful force
The grace of thy meandering course
’Neath bending boughs, whose mingling shade
Now hid, and now thy stream betray’d.—
Bright—though long distant from my view—
Rise all thy magic charms anew;
And on thy calm and shallowy shore
Again, in Fancy’s eye, I pore,
The steps retrace, our infant feet
So buoyant trod, and once more meet
Each object in my wandering gaze
That form’d the joys of “other days.”
All, all return, and with them bring
The “life of life,” its vivid spring.
The sun is bright, the flowers re-bloom,
Cold friends are kind, kind e’en the tomb:
For one brief moment ’tis forgot
There once were those, who now are not.
Eyes beam, and hearts as fondly beat,
Voices their wonted tones repeat—
But ’tis on Fancy’s ear alone—
I wake, alas! and all are gone!

Yet, Tame, the theme of childish praise,
For thee were fram’d my earliest lays;
Thy banks of all were deem’d the pride,
Thy flowers, by none to be outvied.
Those days are past—and sad I view
The time I bade thee, Tame, adieu:
Those days are gone, and I have seen
Full many a river’s margent green;
Full many a bursting bud display
The rich luxuriance of May—
But loveliest still thy flowers I deem,
And dearest thou, my native stream!

Thus clings around our early joys
A mystic charm no time destroys,
Endearing recollections more,
When all of real joy is o’er.

Forgive, Whang, this digressive strain;
The journey done, I’m yours again.
If for a simile I sought
Back through the distant tracks of thought,
The flowers I gather’d by the way
Upon your fabled banks I lay;
Where primrose groups were yearly seen
Peeping beneath their curtain green,
With aromatic mint beside,
And violets in purple pride.
In gay festoons, o’er hazles thrown,
Hung many a woodbine’s floral crown;
The brier-rose too, that woos the bee,
And thyme, that sighs its odours free.
The lark, the blackbird, and the thrush,
Hymn’d happiness from every bush:
The Eden to their lot assign’d
Fill’d with content the feather’d kind;
Example worthy him, I ween,
Who reign’d sole monarch of the scene—
The Miller.——“What!” you will enquire,
“Possess’d he not his soul’s desire?
Ah! could his wishes soar above
The calm of this untroubled grove?”
Alas! his frailty must be told—
Whang entertain’d a love for gold:
And none, whatever their demerit,
That did of wealth a store inherit,
But gain’d (so strong the dire dominion)
Whang’s reverence, and his best opinion.
“Gold, my dear spouse,” would cry his wife,
“Is call’d an evil of our life.”
“True,” Whang rejoin’d, “the only evil
Whose visits I consider civil;
But ’tis, alack!—the thought is grievous—
The evil most in haste to leave us.”

’Twere proper that my readers knew,
That, by degrees, this passion grew;
Not always was the silly elf
So craving, coveting of pelf,
Though he was ever prone to hold
In high esteem pound-notes and gold:
And circumstances sometimes root
Firm in the mind the feeblest shoot;
A truth, erewhile, this man of meal
By his example will reveal.

“True,” would he say, “I am not poor:
What then? may I not wish for more?
This paltry mill provides me food,
Keeps dame and I from famine—good!
Yet, mark the labour I endure,
A meagre living to secure.
’Tis lucky that I have my health,
Since this poor mill is all my wealth;
Though irksome, I confess, to toil
To catch Dame Fortune’s niggard smile,
When she so prodigal can be
To men of less desert than me,
Throwing her bounties in their lap,
Almost without their asking—slap!
’Twas but to-day that I was told,
With truth I’ll vouch, a pan of gold
Seen by a neighbour in a dream—
—Thrice dreamt on, though, as it should seem—
My neighbour dug for, as directed—
(Shame had such warning been neglected!)—
Dug for, and, better still, he found
A treasure hidden under ground,
In the same spot, or thereabout,
His happy dream had pointed out.
Such riches now his coffers fill,
No more he labours, let who will.
I wish with all my heart,” he cried,
“I wish such luck may me betide!”
So saying, from the bags he started,
While through his brain vague fancies darted,
And with a brisker air and gait
He left the mill to seek his Kate,
The golden vision to relate.
At eve, before the cottage-door,
They talk’d the wondrous story o’er;
And every time it was repeated,
With warmer hope Whang’s brain was heated.
Complacent to his bed he hies,
Certain, when sleep should close his eyes,
Like him to dream who gain’d the prize:
And doubtless might have dream’d the same;
But neither sleep nor vision came.
He toss’d and turn’d him all night long,
Tried all manœuvres—all were wrong.
“Had never known the like before,
Was us’d to sleep quite sound, and snore;
But now, when he desir’d it most,
The art to sleep seem’d wholly lost.”

When Hope (t’ indulge a short digression)
Gains of weak minds complete possession,
She buoys them up, like cork and sail,
’Gainst Disappointment’s heavy gale.
So Whang, with undishearten’d mind,
Trusting the future would be kind,
Rose from his dreamless bed next morn
Neither discourag’d nor forlorn:
With one idea fill’d, he sought
His mill, but little there he wrought.
Week follow’d week, and months the same,
Whang slept indeed, but could not dream;
Yet, prescient still of his success,
His industry grew less and less.
He thought it wrong in him to labour,
Who, by and by, might, like his neighbour,
Receive the happy wish’d-for warning,
And wake to thousands in the morning!
It was amusing to observe
His solemn pomp, his proud reserve,
His sad exchange of glee, for state,
That ill-beseem’d his rustic gait.
His temper open, far from vicious,
Chang’d too—for he was grown ambitious.
He, that so early erst was seen
With active step to cross the green,
Now slept, supinely slept away
The prime, the golden hours of day.
The sun shot down his highest beam
Upon th’ unprofitable stream;
Whang’s duty bade him sleep and dream.
I will not say but Whang was born
With sense enough to grind his corn,
Or on a market-day to tell
Whether ’twere good to buy or sell;
But since the store his neighbour found,
I dare not say his wits were sound.
In sad neglect the mill-wheel stood
That long supplied his daily food;
And marvelling neighbours shook the head,
Amaz’d the Miller’s glee was fled.
Some thought his conscience overcast
Was but a judgment for the past.
Old Robin with a wink could tell
That “Whang had manag’d matters well;
He shrewdly guess’d how things would end,
For gain, ill-gotten, would not spend.”
And Gammer Gabble now could prate
That her “last sack had wanted weight.”
She “knew the Miller long ago,
And wonder’d others did not know.”
So all most prudently prepare
To trust their grain to better care.
Thus, by degrees the stores declin’d,
Till Whang had scarce a batch to grind.
No matter! Hope still talk’d the more
About his unfound hidden store:
But inauspicious yet appear’d
His wish; no warning voice was heard.
Now Mistress Whang, of nature humble,
Had smil’d to hear her husband grumble,
And would admonish him, ’tis said,
To chase vain phantoms from his head.
She, more incredulous, insisted
His visions ought to be resisted;
Thought they had chang’d his very nature,
And sourly curl’d each homely feature:
She felt full dearly they bestood
Sad substitutes for wholesome food.

At issue long, as oft the case,
The war of words to peace gave place.
In truth the visionary Whang
Ceas’d now entirely to harangue
On this dear theme:—he hated doubt,
And Kate had many, staunch and stout:
And in a hostile muster, they
Gave her the better of the fray.
Though silent on his favourite theme,
He did resolve, when he should dream,
And find th’ anticipated pelf,
To keep the secret to himself;
For he averr’d it “quite vexatious
His wife should be so pertinacious.”
No passions vain her heart misled:
The path of humble peace to tread
Was her sole aim; of this secure,
She felt content, nor sigh’d for more.
She griev’d to find her counsels failing,
They were sincere, though unavailing;
And oft midst wishes, fears, and sighs,
’Twas thus she would soliloquise:—
“My pretty window! that commands
Those meadows green, and wooded lands,
So sunny, that the latest ray
Its panes receive of parting day.
O! with what joy, when near it plac’d,
I’ve watch’d my husband homeward haste!
Or heard, from fair returning late,
The welcome sounds of ‘Holla, Kate!’
Through it I trace on every hand
Beauties, would grace a fairy-land,
And think that, like a grateful eye,
It smiles on all beneath the sky.
There, too, my sweet geranium blows,
And mignionette, and crimson rose,
When all without is clad in snows.
I doubt me, if a princess feels
More joy than that which o’er me steals,
When light and morn my slumbers break,
And to this blissful scene I wake.
I cannot form a wish beside
What Heaven’s bounty has supplied,
Save that to Whang I could impart
The same content that fills my heart;
Yield him that thankful state of rest,
Or teach to prize the good possess’d.”

Good fortune seldom comes too late;
For lo! at last indulgent Fate
Smil’d on the importunate swain,
And eas’d at length his anxious pain.
Dreams—one,—two,—three,—th’ important number,
Omen’d him hence to quit his slumber,
With spade and mattock arm’d, to delve
Six feet—nay, I believe ’twas twelve,
Close by the long-forsaken mill—
He flies, the mission to fulfil!
The mattock rings, the spade descends,
The sturdy arm its vigour lends;
At such light labour who could sleep?
Whang is already three feet deep!
Upon the spade observe him smile:
What sees he?—what?—a broken tile;
The very tile his dream foretold,
A landmark to his pan of gold!
Upturns one token more—a bone!
And now, behold the broad flat stone!
A moment on its ample size
He gaz’d with wide distended eyes—
“Beneath that is the pan!” he cries.
“’Twas under such a stone as this
That neighbour Drowsypate found his.
So then, at last, my hopes are crown’d!

Come, then, let’s raise thee from the ground.”

But, ere to lift the stone he tries,
He shook his head, not over wise,
And, with a self-approving glance,
One foot a little in advance,
With nose and lip contemptuous curl’d,
That said, “A fig for all the world!”
He cried, “My wife, she, silly trot!
Shall never know the wealth I’ve got:
To punish her I made a vow;
The time is come, I’ll keep it now.
She could not dream, poor fool! not she;
Some trite old tale of ‘busy bee,’
Of saving pins, and pence, and groats,
For ever occupied her thoughts.
Besides, the hussey laugh’d outright
Whene’er I pass’d a dreamless night.
Yes, yes, I will requite her scorn;
She’ll rue it, sure as she is born!”——
Ah, bootless boast! the stone so great
Exceeds by far his strength in weight.
In vain he digs and delves the ground,
And clears away the rubbish round,
And gathering strength with his vexation,
Widens the fearful excavation.
He cannot move the stone for life;
So forc’d at last, he calls his wife,
Imparts the fact so long repress’d,
And glads, reluctantly, her breast.
The news he stated wak’d her fear;
What gave delight at first to hear,
One apprehension turn’d to pain—
She trembled for her husband’s brain.
“Can it be true?” cried she, misdeeming;
“Dear Whang, too surely thou art dreaming:
Try, recollect thyself, good man—”
“Tut, hussey! why, I’ll shew the pan:
Only a minute’s help I ask,
And thou shalt see’t—a trifling task
Just to remove, I know not what,
A stone, it may be, from the spot.
Come, come, thy hand.” They gain the door,
When, turning, Kate asks, “Are you sure?”
“Sure? yes,” vociferates her spouse.
This said, they issue from the house—
“I’m certain, as to all I’ve told,
As if e’en now I touch’d the gold:
Sure as that I no more will bear
This russet doublet now to wear:—
That I no more will condescend
To own Ralph Roughspeech for my friend,
Nor tolerate the pert monition
Of neighbours, in my chang’d condition:
Sure—but, ye Powers! what do I see?—
The mill! the mill!—Oh! woe is me!
My only stay, my certain aid,
All level with the earth is laid!——
Presumptuous! I have scorn’d my fate,
And wrought this mischief: all too late
The error of my life I see,
And misery my portion be.
Time, that no more I may recal,
By wise men priz’d, and dear to all,
How have I squander’d! how abus’d!
My friends, my neighbours, basely us’d!
How shall I bear, acquaintance meeting,
Scorn to behold where once was greeting?
Now comes their turn to treat the fool
With jeers, contempt, and ridicule.
Laugh’d at on all sides—and to know
And feel I have deserv’d the blow!
Undone by mine own discontent!—
But ah! too late I do repent.
Forc’d now in poverty to roam,
I soon must quit this quiet home;
And where with thee, poor Kate! to fly?—
Oh! I could lay me down and die!
Wretch that I am! Kate, Kate, forgive!”
“My pardon, dearest Whang, receive:
But ’twas not I who gave thee health,
Strength, talent to improve thy wealth;
Who cast thy lot in such fair land,
Or bless’d thee with such liberal hand.
O! turn to Him with thankful prayer
Who deigns e’en yet thy life to spare;
Implore His pardon—kneel with me;
This ruin might have cover’d thee.
But thou art spar’d, and yet remain
The means our livelihood to gain:
A heartfelt willing perseverance
Will mend our lot before a year hence.
Thou knowest well that neighbour Ralph
Each morn will spare an hour or half
To help us to repair the mill.”

“Doest think,” Whang blushing ask’d, “he will?”

“Yes, yes, I do believe so too,
He was a neighbour kind and true;
And if his counsels gave offence,
The fault was in my want of sense.
Yet, ideot! I”—“Enough!” cried Kate,
Exulting in her alter’d mate;
“To see our faults in their just light,
Is next akin to acting right.
But time no longer let us waste;
I’ll to friend Roughspeech quickly haste:
Own thou, meanwhile,” she smiling cried,
“To have a help-mate in thy bride
Is treasure perhaps of equal worth
With aught conceal’d beneath the earth.”
With look of conscious proud delight,

She caught the sound of, “Kate, thou’rt right;”

While a “small voice” responsive join’d

Applausive music in her mind.

Then turn’d she from the yawning ground,
And, eying Whang with thought profound,
Saw in his look, on her that bent,
A meaning most intelligent.
A wish defin’d she saw, and knelt;
Beside her soon his form she felt:
Then, with join’d hands uplift in air,
Burst from their lips the ardent prayer.
With brighter hopes from earth they rose,
Nor long (—for so the story goes)
In idle wailings spent the day:
Just then a neighbour pass’d that way.—
Whang turn’d his head; a crimson streak
Rush’d hastily across his cheek,
And Cath’rine’s palpitating breast
A momentary shame confess’d:
For well they knew, Old Robin’s tale
Soon through the village would prevail,
And bring a host about their ears,
With pity some, and some with jeers.
But guilt and folly must endure
The caustics that effect a cure.
Whang therefore strove, with patient heart,
To bear th’ anticipated smart;
Nor vainly strove: the threaten’d ill
Fell, he with patience met it still.
Few in the morning of his grief
Or gave, or proffer’d him relief.
Those who had counsell’d heretofore,
Excus’d themselves from doing more,
“Presuming nothing they could offer
Would meet acceptance from the scoffer.”
Others, meanwhile, of nature good,
Assisted, comforted, withstood
With honest scorn the worldling’s cant,
Nor shunn’d a neighbour, though in want.
To all, Whang bore an humble mien,
By all, his contrite spirit’s seen;
Till even they who smil’d at first,
When o’er his head the tempest burst,
Were forc’d, in justice, to declare
His penitence appear’d sincere.
“They trusted, nay, almost believ’d
His loss of character retriev’d:”
And, soften’d by his chang’d address,
“Good fortune wish’d, and happiness.”

And he was happy—“he was bless’d
Beyond desert,” he oft confessed,
By friends, by all the good caress’d.
A smiling garden, rescu’d mill,
His dear old cottage on the hill,
A faithful wife, a conscience clear,
Shed brightness on each coming year.

The church-yard stone, that bears his name,
Records his failing and his fame;
And, in his life and death, conveys
A moral truth to future days.

FINIS.

Burst from their lips the ardent prayer.

Page 28.

’Tis lucky that I have my health.

Since this poor mill is all my wealth:

Page 12.

At eve before the cottage-door.

They talk’d the wondrous story o’er;

Page 14.

My pretty window! that commands

Those meadows green and wooded lands.

Page 19.

One foot a little in advance.

With nose and lip contemptuous curl’d.

That said, “A fig for all the world!”

Page 22.

——ye Powers! what do I see?——

Page 24.

*** END OF THE PROJECT GUTENBERG EBOOK THE MILLER AND HIS GOLDEN DREAM ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE MILLER AND HIS GOLDEN DREAM.

- Advertisement.

- THE MILLER.

- THE FULL PROJECT GUTENBERG™ LICENSE