The Project Gutenberg eBook of Pictures by Gavarni, by Paul Gavarni

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: Pictures by Gavarni

Author: Paul Gavarni

Release Date: February 12, 2021 [EBook #64526]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK ***

HUMOROUS MASTERPIECES, NO. 2

PICTURES BY GAVARNI

CARSON & NICOL, PRINTERS, GLASGOW.

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT.

“Henri is very nice ... but I believe it is Charles I love best.”

“Then marry Henri.”

PICTURES

BY

G A V A R N I

GOWANS & GRAY, LTD.

35 LEICESTER SQUARE, LONDON, W.C.

58 CADOGAN STREET, GLASGOW

1906

THE following pictures are selected from the two volumes of Gavarni’s “Œuvres Choisies” published by Hetzel, Paris, 1846-8. In choosing them the publishers have been careful to exclude any illustrations likely to offend English taste or too local in interest for the allusions to be generally intelligible.

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

“How did you know, papa, that I loved Mr. Leon?”

“Because you always told me about Mr. Paul.”

My Dear Amédée,

My Beloved Henri,

This evening, about eight

o’clock, at the Boule Rouge,

dressed as a citizeness; be on

the lookout, do not keep me waiting,

Judge of my despair! I

have a frightful sore throat, it

will be quite impossible for me to

go out this evening. In fact, they

are thinking of applying twenty

leeches!!! Pity much and love

always your

Your Clara.

Clara.

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

To the first gentleman.—“Meet me this evening, from four to five o’clock, quai de l’Horloge du Palais.—Your Augustine.”

To the second gentleman.—“This evening, quai des Lunettes, between four and five o’clock.—Your Augustine.”

To the third gentleman.—“Quai des Morfondus, this evening, from four o’clock to five.—Your Augustine.”

To a fourth gentleman.—“I expect you this evening at four o’clock.—Your own Augustine.”

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

“You frank! you innocent! have confidence in you!... you!... why! you would blow your nose with your left hand only for the pleasure of deceiving your right hand if you could!”

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

“O, Henri! Henri! Mon Dieu, Mon Dieu!... To sacrifice oneself for so ungrateful a wretch!... Never see him again!... Never!... But will it ever be possible for me not to see my Henri again?...”

“Fortunately you have still got your Amédée.”

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

“What woman is there that would not be happy and proud to belong to you, my Jules?”

THE DECEITFULNESS OF WOMEN IN MATTERS OF SENTIMENT

“Wretched woman! you will be the shame of your own sex and the despair of mine!”

CLICHY

“Don’t make any payment to account! I tell you, the creditor who is not paid is only a creditor; the creditor who is paid is a tiger!”

CLICHY

“Why, old man, this is Sunday.”

“What does that matter to you?”

“Why! (on Sundays, one does not care a rap for the bailiff) it matters this much, that I could go for a walk if I could get out.”

CLICHY

“But how did you let yourself be caught like that?”

“Ask the wild ducks how they get caught!... He drew on me on March 1st, and I was arrested on April 5th: that’s how it happened.”

CLICHY

“You see, grief does not make me thin! and I will give a piece of advice to my creditors, in their own interest; if they want to take me out of here, they had better make haste, for they will soon not be able to get me through the door.”

PARIS BY NIGHT

“Do you see that swell coming in there?”

“Yes!”

“Do you know who he is?”

“Who?”

“Nobody at all.”

PARIS BY NIGHT

Two suspicions.

PARIS BY NIGHT

“Count Onnesaitki!...”

“Baron Gros-Jean!...”

PARIS BY NIGHT

“I was begging yesterday at the church doors: I got nothing.”

“I begged at the dancing halls: I did not badly.”

PARIS BY NIGHT

“Here’s a fine old chap, who is going to give us something to drink his health!... if he’s a good sort!... eh, old boy?”

PARIS BY NIGHT

Not much here!

TERRIBLE CHILDREN

“I’ve brought sweets for you, little chap; I’ll give you them when I go away.”

“Then give me them now and then go away.”

TERRIBLE CHILDREN

“Mamma, it’s Mr.... you know, the gentleman with the nose....”

TERRIBLE CHILDREN

“I’ll tell!... you’ve taken some more of the rouge mamma puts on, out of the little pot.”

TERRIBLE CHILDREN

“The rose you gave mamma?... Oh, yes, yes!... that you nearly broke your neck to get?... Why, cousin Anatole put it on Jacobin’s tail, Matthieu’s donkey.... Mamma did laugh!... Have you any more nuts?”

TERRIBLE CHILDREN

“I have seen cousin enough, mamma, are you coming home.”

TERRIBLE CHILDREN

“Oh! it is true! you have eyes like the lamps on your cab.... Well, Clémence was perfectly right, she was.”

TERRIBLE CHILDREN

“You don’t know your lesson, your aunt will come and you will be scolded!...”

“Oh, yes, aunt ... she is with the fat hair-woman.... You don’t know how long it takes to remove the stuff they put in aunt’s hair to make it black afterwards.”

TERRIBLE CHILDREN

“Adieu, madam, I shall call again soon, since you permit me to come to bore you like this sometimes.”

“Oh! you never bore me.”

“Yes, mamma, you said the other day he was a bore.”

“It is not true!... Mamma, George is telling lies again!... Mamma said he was stupid and a bore!... Now!”

LORETTES

“I am keeping a ticket for you, my dear Charles, for Chantereine; I am playing the ‘Maid of Honour.’ ”

“That will be funny!”

“ ...All my friends are coming.”

“The place will be full.”

ACTRESSES

AT HER LEVEE

1st Criticism.—“It is impossible to exhibit more wit, more gaiety, more cleverness than does Madame Polydor in the part of Suzette; it is impossible to be more refined and elegant.”

2nd Criticism.—“Decidedly, Madame Polydor shows herself more insignificant than ever in the part of Suzette.”

3rd Criticism.—“Etc., etc., etc., etc.”

ACTRESSES

THE PART

“See: the waves of the inhuman sea have left nothing for us on the sand. The blighting wind of the desert has passed over the traveller’s tree, and its branch, alas! is withered.... Alas! my eyes have sought in vain the life-giving seeds in the odorous grass that the tempest has levelled, and in the abandoned nests of the young birds of the shore!... O, mother!... mother!... I hunger!”

“Well, here is your coffee, Titine.”

ACTRESSES

STUDYING

“At last, then, you have come, oh monster, soiled with crime!”

ACTRESSES

“Oh, Lord! protect a Christian virgin.”

ACTRESSES

“We sup at Véry’s, Chozikof and I, with Mlle. Beaupertuis.... Will you come, my charmer?”

“Your proposal, Count, is of a nature likely to compromise gravely the interests of our faithful ally, England.... Nevertheless we shall consider it; but, whatever we resolve, we shall keep it secret from Russia; we give you, Count, our royal word.”

ACTRESSES

“Madame Charmant, you spoke the pavilion scene like an angel: it is perfect! but do not mount the stairs so quickly; you must leave Sir Arthur time to kill himself.”

PARIS BY MORNING

“Does Madame de Saint-Aiglemont live here, madam, if you please?”

“Yes ... M’ame Chiffet!... you’re wanted.”

PARIS BY MORNING

“Blow”

PARIS BY MORNING

“Come on! come on! will you ever have the yard swept this morning.... It is eight o’clock already!... and you have the middle flat’s boots to do yet and your piano to study....”

PARIS BY MORNING

“Why deprive oneself of the superfluous, when one can dispense with the necessary? With what a housekeeper costs, one has two stalls at the opera.”

THE STUDENTS OF PARIS

“Adieu, my good fellow, I leave you my pipe and my wife.... You will take great care of my pipe!...”

THE STUDENTS OF PARIS

ARTICLE 212 OF THE CIVIL CODE

“Husband and wife owe one another fidelity, succour, assistance.”

THE STUDENTS OF PARIS

“How much?”

“Guess....”

“Thirty francs?”

“Four francs!”

“Good heavens!”

THE STUDENTS OF PARIS

“It is I!” “It is I!” “She is making eyes at me.” “She is winking at me.” “You are mistaken, my boy.” “You are wrong, old man.” Both together, “Stop, stop, stop, we are both right ... she squints!”

THE STUDENTS OF PARIS

“And on Sunday, what do you do, my boy?”

“On Sunday, cousin, we walk in a garden called the Grande-Chaumière, where we hear sacred music.”

“After church?”

“After church, cousin....”

THE STUDENTS OF PARIS

“Ah, my dear fellow, don’t pity yourself! You will be doctor, I shall be a royal attorney: while you will be obliged to have talent, I will be compelled to have manners.”

“That will be hard!”

THE STUDENTS OF PARIS

Studying Law.

THE STUDENTS OF PARIS

“Confound it, nephew, it is good to be a hard worker, but one cannot always work, so, in the country, one amuses oneself: do like me.”

THE YOUNG MAN’S LIFE

“You haven’t given me the fifty francs you have been owing me for six months, you rascal!”

“Very well, godfather, that will stand for the interest on the three hundred you have given me.”

“How that?”

“Because it is fifteen days since I asked for them. Godfather, one ought to be exact!”

THE YOUNG MAN’S LIFE

“When people say you have a wife, that means a wife has you.”

THE YOUNG MAN’S LIFE

“How much does a suit like that cost?”

“I don’t know.”

“Heaven grant, my dear fellow, that you may never know.”

THE YOUNG MAN’S LIFE

“I wanted to tell you, uncle, ... that....”

“I know! don’t trouble: I have no money.”

THE YOUNG MAN’S LIFE

One has often need of a smaller than oneself.

THE YOUNG MAN’S LIFE

“Now you’re done for!... My dear fellow, your idiot of a groom has mistaken the bouquet: your letter for the niece has gone to the aunt.”

“Oh, the deuce!!! After all, what does it matter? Now that I think of it, I like the aunt better.”

THE YOUNG MAN’S LIFE

“You must make up your mind, let’s see!... marry Claire, with the Forest of Nangie, or take Clémence, you will have The Mills!... Do you wish the forest or the mills?” “Ah, godfather, I would like....” “The forest and the mills?” “Godfather, I would like Félicie, who has neither forest nor mills....” “You are a fool, godson.” “I am in love, godfather.” “You are a fool, godson.”

THE YOUNG MAN’S LIFE

“Do you pay much at your hotel?”

“A terrible lot: I don’t pay.”

THE YOUNG MAN’S LIFE

FUNERAL ORATION.

“Ah! her woman’s nature was a rich one! pretty, all heart! full of wit ... and so good!”

“Yes, that is true!... However, ... there are others.”

THE YOUNG MAN’S LIFE

“But at your age, rascal! I did not know what debts were....”

“Just what I was saying this morning, uncle, to my nephew, when I gave him fifteen sous: that scamp ruins me.”

THE YOUNG MAN’S LIFE

“Let’s see! if it is heads, I love Clara; if it is tails, I love Augustine.”

LES DÉBARDEURS

“That’s no business of yours, what are you interfering with? is her husband not there to thrash her?...”

LES DÉBARDEURS

“What a lot of women there are! what a lot!... And when you think that all these people eat every day God makes! It gives you a queer idea of man!”

LES DÉBARDEURS

“You are here, are you! that’s the way you have a headache?”

“That’s how you attend drill, is it?”

LES DÉBARDEURS

“And your wife?”

“She’s in the lock-up.... But I’ve lost my hat ... that’s a catastrophe!”

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Project Gutenberg eBook of Pictures by Gavarni, by Paul Gavarni

PICTURES BY G A V A R N I

THE FULL PROJECT GUTENBERG LICENSE