Hero From Yesterday
Author: Randall Garrett; Robert Silverberg
Date: 2021-05-02T00:00:00+00:00
Keywords: Science fiction; Short stories; Time travel -- Fiction; Criminals -- Fiction

The Project Gutenberg eBook of Hero From Yesterday

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Hero From Yesterday

Author: Randall Garrett

Robert Silverberg

Illustrator: Becker

Release date: May 1, 2021 [eBook #65218]
Most recently updated: October 18, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/65218

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK HERO FROM YESTERDAY ***

They were a peaceful people and somehow
couldn't stand the thought of executing their
only criminal. The answer was to discover a—

HERO FROM YESTERDAY

By Robert Randall

[Transcriber's Note: This etext was produced from
Imagination Stories of Science and Fantasy
December 1957
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

The day Lugert's criminals gunned down three citizens in a bold broad-daylight robbery, Domnas Karson, Third Speaker of the Council, said, "I think I've got the answer."

"Answer? To what?" asked Murgon Darell Fourth Speaker.

"To Lugert," said Karson. "The weapon we can use against that throwback who's terrorizing us all."

Darell sighed wearily. "There is no answer to Lugert, I'm afraid. We're peaceful people; he's a throwback to a more violent age. There's no way to cope with him. Would you want to be the one to shoot him down?"

Karson shuddered and said, "No, not me. Of course not. I'm no more capable of violence than anyone else. But Lugert can be stopped. We can get help."

"From where?"

"From the past," said Karson. "From the ugly crime-ridden world we've evolved out of. Dr. Lorence of the Science Council has developed a time-net which...."

"Of course!" Darell exclaimed. "Bring a man out of the past! A man who won't be inhibited by our innate hatred of violence, a man who'll be able to deal with Lugert as he deserves!" He rose and strode around the long councilroom in quick, nervous steps. "Call Lorence, Karson. Get him at work on the project at once. We can't waste any more time. There's no telling when Lugert might...."

The visiphone chimed three times. Karson crossed the room and depressed the receiving stud. On the screen the features of a thick-faced, stocky man appeared.

"Lugert! What do you want?"

"I'm pleased you recognize me so quickly, Speaker Karson," said the stocky man in a slow, deep voice. "My fame must be spreading, then."

"You didn't call to chat with us, Lugert. What is it you want?"

Lugert's face hardened slowly.

"You're right. I didn't call to chat. I called to tell you to get out."

"What's that?"

"I said, get out. Pack up your records and papers and clear out of the Government Building, Karson. You and all the rest of you. I'm taking over."

Karson paled. "Taking over—the government? How far do you think you can go, Lugert?"

Again the confident, cheerful, steel-hard grin that had become the Lugert trademark in such an astonishingly brief time. "How far? Why, Karson, I can go as far as I like. There isn't one of you who dares say No to anything I ask. And now I'm asking for the government. Go ahead; refuse. Get indignant. Threaten me. All this easy winning bores me, Karson."

Karson stared at the thick-featured face framed by the visiscreen. "You've won again," he said after a pause. "We can't fight you, Lugert. How much time do we have to evacuate the Government Building?"

"How much do you need?"

Karson thought for a moment. "A week, at least. Is that all right?"

"One week, no more," Lugert agreed. "My men and I will come up to take over things at noon on 7 September." He chuckled. "7 September, 2531. A day to go down in history, eh, Karson?"

He broke the contact.

Karson turned from the dead screen and looked at Speaker Darell. "Well, there's our ultimatum," he said. "One week to get out and then Lugert takes over."

"That means we'll have to move fast," said Darell. "You'd better call Dr. Lorence. Only a week...."

Karson was already busy punching out Lorence's code number on the visiphone. When the scientist appeared Karson quickly sketched out the situation as it stood. Lorence's eyes widened when Karson told of Lugert's threat. Then the Speaker went on to outline the part Lorence and his time-net would play in the attempt to defeat Lugert.

"I'll see what I can do," Lorence promised. "I'll try to find the man you're looking for."

"Can you do it in two days or less?"

"I hope so," Lorence said.

It took two days. Then Lorence rang the Office of the Council and told Karson, "It's worked!"

"The time-net? You've got the man?"

"I have. I'll bring him right over."

Lorence entered the council room a while later, followed by a tall, thin, lean-faced man dressed in archaic clothing. Karson's heart thumped excitedly; here was the man, he thought! Here was the hero from yesteryear who would put an end to the threat Lugert represented.

"This is Speaker Karson and Speaker Darell of our governing Council," Lorence said.

The man from the past nodded curtly. "You can call me Jack." His voice was cold, flat, with a curious twang of regional accent in it; the vowel-pronunciation was odd, as was to be expected.

Karson eyed the hard-faced stranger. He didn't seem to have an ounce of fat on him; he looked tough, uncompromising. "I think you'll do," he said after a moment's study. "You've got the stuff."

"Thanks," Jack said in a wry voice. "Suppose you line the program out for me now. Give me the picture; tell me what I'm here for."

Karson frowned. "You're here to help us, because we're helpless ourselves. Did Dr. Lorence tell you what the characteristics of this world are?"

"He said a few things. You fill me in."

"It's 300 years since we last had a war of any sort. Crime had been extinct 150 years—until Lugert.

"Lugert. I heard of him. Who is he?"

"He's the man you're going to kill for us," Karson said bluntly.

The man named Jack grinned. "Oh? A rub-out job?"

"I think that's the term," said Karson. "Lugert's a throwback—a man out of the past. A man out of your time, suddenly reborn in our era for God knows what reason. He's cold and hard and utterly ruthless. Nothing stops him; we're powerless. The compulsion against violence is too strong in us."

"Just a bunch of patsies," Jack said. "Lugert snaps the whip and you all lie down and play dead when he says so. That it?"

It took Karson a few moments to digest the strange idioms. Finally he said, "Right. He began small, with petty thefts and burglaries—he took anything he wanted. Then he began branching out. He compelled a scientist to create a serum for him that would instill absolute loyalty to him in anyone who took it; using that serum, he's built up a band of henchmen who shares his violent ways. Two days ago he decided to make the ultimate grab for power: he ordered us to evacuate the Government Building and let him take over."

"And you said yes," Jack remarked.

"What else could we do? But we have a weapon: you. You share Lugert's way of life; we don't. We can strike at him indirectly, through you."

"You want me to kill this Lugert. What's in it for me?"

"What?"

"I said, what's in it for me? What do I get out of it besides the risk of a punctured hide? I don't do these things for my health, Karson."

Karson thought about that for a moment. "Of course; there would have to be some reward, wouldn't there? Well, what would you want? We can supply virtually anything, if you'll do the job properly. Osmiridium? Sapphires? Books? Women?"

The man named Jack shook his head. "Gold," he said.

Karson was startled. "Gold? But why would you want—oh, very well. Gold was the reigning object of value in your day, wasn't it? Would 25 pounds be enough?"

The man from the past smiled unwarmly. "Quite enough," he said. "You got yourself a deal."

The man named Jack cautiously approached the big building that served as headquarters for Lugert until the time when he would move into the sprawling area of the Government Building.

Jack wore modern clothes; his own shabby ancient ones were carefully stored away in a laboratory closet. His hair was close-cropped in the current fashion.

But inside his skull was the mind of a 20th-century man. And hidden in the folds of his vest was a 20th-century automatic, a snubnosed .38 ready to spit death.

The day was 5 September 2531; he had been in this strange world of the future three days and if all went well he would return to his own time today. He had spent the three days studying the approach to Lugert's headquarters, familiarizing himself with the layout, readying himself for the killing that had to be done.

He was thinking, Funny old duck, that Karson. They all are. Imagine, letting someone like Lugert push them all over the place because all the fight's been bred out of them!

Well, in 600 years a lot could happen. He shrugged. It wasn't his business to worry about the doings of his remote descendants.

His business was to kill.

He knew that Lugert's personal suite was on the eighth floor of the building, that he was guarded by one man outside the door, one at the elevator entrance, and several in the lobby. He didn't have to worry about the ones in the lobby. He didn't really have to worry about any of them on the way in: they wouldn't be expecting anyone dangerous. The only dangerous people in this world were Lugert and his henchmen and they'd probably be off-guard when he came by.

His forearm itched where Lorence had inserted the sliver of metal. The old scientist had been very apologetic.

"I'm sorry, Jack, but we have to do this. We can't risk having another Lugert. This is to make sure you don't get delusions of power once you've finished off Lugert."

"What do you mean?"

"I mean we can control you hypnotically through this generator I'm embedding in your arm. Just in case you decide not to go back to your own time when you're through here."

"Don't worry. I wouldn't want to run this place."

But he couldn't blame them for being cautious. Not at all. They'd be even more helpless before him than they would be under Lugert, after all.

He drew near the big building. The guard in front said, "Who are you, and where are you going?"

Jack made his voice as subservient-sounding as he could. He said, "I'm from Speaker Karson. I'd like to see Lugert."

The guard frowned. "How come Karson didn't just phone the boss?"

"Beats me," Jack said. "Must be top-secret."

The guard frowned at Jack's strange language, shrugged, and sent him on in. He passed rapidly through the lobby and reached the elevator.

A guard inside the elevator wanted to know where he was going. "I'm from Speaker Karson," he said. "I have an urgent message to deliver to Lugert."

The guard held out his hand. "Let's have it. I'll take it up to him; the boss doesn't like to meet strangers."

Smiling coldly, Jack fumbled in his pocket and withdrew the .38. It fired once; the silencer muffled the sound down to a squirt! A neat hole appeared in the elevator operator's head.

Still smiling, Jack pressed Eight and waited for the door to close.

Three minutes and two killings later he stood outside the office of Lugert himself. The elevator was clear, now, and the floor was empty of henchmen. That would make the getaway easier, Jack thought.

He knocked.

"Who's there?" a voice growled.

"Mr. Lugert?"

"Yeah. Who's there and what do you want?"

"Urgent message from Speaker Karson, sir. Very important that I see you, Mr. Lugert."

After a considerable pause the door swung open. Lugert stood there, wearing a glittering plastic robe. He hadn't shaved; he was short and squat and fierce-looking. Jack smiled and drew the gun.

"Please step inside and keep your hands in the air," he said quietly. "And don't make a fuss. This gun happens to kill people when it goes off."

Lugert stepped back. Jack noticed the man didn't seem frightened and wondered whether it was because Lugert just didn't believe another man could possibly offer danger or because Lugert was without fear.

He said, "I've killed three of your henchmen. I'm figuring on killing you, now. Speaker Karson is paying me to do it, Lugert."

Quietly Lugert said, "Who are you? Where'd you come from?"

"You can call me Jack. You don't know me."

"I can see there's a toughness about you," Lugert said. "You're like me. I didn't think there were any others like me in the world. Where did Karson find you?"

"In the past, Lugert. In yesterday. He dredged me up from the 20th-Century. There were lots like you and me then, Lugert."

For the first time fear showed in Lugert's face. A driblet of perspiration snaked down the side of his fleshy jaw. Paler than he had been before, he said, "From the past? Then—then you can really kill me?"

Jack nodded. "I'm going to. Karson's paying me 25 pounds of gold for it."

"Gold? But that stuff's worthless! You can find it anywhere. What do you want gold for?"

"In my time," said Jack, "the stuff wasn't so common. It was worth plenty. Times change."

A crafty glint showed in Lugert's eyes. "You're just a hired killer, then. A man without conscience. Suppose I offer you 30 pounds of gold not to kill me. Fifty pounds? A hundred?"

The generator in Jack's arm twitched warningly. He knew Karson and Lorence were listening in. "No," he said. "There's no percentage in it. You don't have the time-net. You can't send me back to my own time. I'll stick with their offer."

"No! Look, we can be partners! You're the kind of man I can get to like, Jack. We'll work together, you and me. Fifty-fifty! An even split!"

Again the generator twitched. Jack sighed. "Sorry, Lugert. Can't do it. I made an agreement and I'm going to stick to it. I'm going to kill you."

Sweat streamed down Lugert's face. "It's not fair," he said. "I had this world under my thumb—and then they had to find you somewhere! Why? Why'd they have to mess everything up?"

"Sorry, Lugert. It's just a lousy break for you," Jack said emotionlessly. "This is the way it's gonna be."

"No!" Lugert yelled.

Jack raised the .38. Lugert threw up his hands as if to protect himself but Jack's finger tightened anyway. The gun went squirt!

Lugert toppled heavily to the floor. He lay there on the heavy-pile rug, his blood spilling out and staining the brown carpet a deep red.

Jack looked at him calmly. Then he turned and left the room.

The floor was still empty. Quietly he got into the untended elevator, rode it to the lobby, and stepped out into the street. The whole job had taken 10 minutes. Ten minutes and four killings, and he hadn't even raised a sweat.

Darell and Karson and Dr. Lorence were waiting for him in the councilroom of the Government Building when he got back.

"Great work," Karson said. He looked pale and shaken. "We watched the whole thing over the transmitter Lorence built into you. Every step. It—it was well done."

"Thanks," Jack said. "Is the gold ready?"

Lorence handed him a heavy satchel. "It's here. Twenty-five pounds. Plus five pounds extra for your cooperation."

"Thanks again," Jack said. "Glad to be of help." He didn't mention the moments when he wavered, when he had nearly gone over to Lugert's side—probably would have if it hadn't been for the generator planted in his arm.

He wondered briefly how it would have been, living here with all these quiet philosophical types.

He said, "I suppose you're going to send me back to my own time now."

Lorence nodded.

The four of them went to Lorence's office and Jack climbed back into the elaborate harness.

Lorence bustled around him, making adjustments carefully. "We want to gauge this thing to the minute, you know," he explained. "No mistakes."

"I appreciate the care," Jack said. He held tightly to his satchel.

"We owe you a tremendous debt of gratitude," Karson said. "A debt that no satchel of gold could ever repay. You've done us a great service. You're a hero, Jack. A savior of humanity. We'd never have beaten Lugert without you."

"Ready to go," Lorence said. He threw the switch.

Time began to swirl around the killer from the past. As 2531 started to fade away from him he grinned for the last time and said, "Imagine that. Me, a hero! I like that, Me, John Dillinger—a savior of humanity!"

And then he was gone.

*** END OF THE PROJECT GUTENBERG EBOOK HERO FROM YESTERDAY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- HERO FROM YESTERDAY

- THE FULL PROJECT GUTENBERG™ LICENSE