Einstein's planetoid
Author: C. M. Kornbluth; Robert W. Lowndes; Frederik Pohl
Date: 2024-03-16T00:00:00+00:00
Keywords: Science fiction; Interstellar travel -- Fiction; Asteroids -- Fiction

The Project Gutenberg eBook of Einstein's planetoid

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Einstein's planetoid

Author: C. M. Kornbluth

Robert W. Lowndes

Frederik Pohl

Illustrator: Chester Cohen

Damon Knight

Release date: March 16, 2024 [eBook #73173]

Language: English

Original publication: New York, NY: Columbia Publications, Inc, 1942

Other information and formats: www.gutenberg.org/ebooks/73173

Credits: Alex White, Greg Weeks, Mary Meehan & the online Distributed Proofreaders Canada team at https://www.pgdpcanada.net

*** START OF THE PROJECT GUTENBERG EBOOK EINSTEIN'S PLANETOID ***

EINSTEIN'S PLANETOID

An Engrossing Tale of An Incredible World
by PAUL DENNIS LAVOND

(Author of “Something from Beyond,” “A Prince of Pluto,” etc.)

Paul Dennis Lavond is a pseudonym known to be used by three different authors: C. M. Kornbluth, Robert A. W. Lowndes, and Frederick Pohl.

They were the heirs of space-flight: They planned to be the first humans to land on Alpha Centauri, but the original Hartnett expedition had been lost and they had to find it first. They followed the signals and found that they led to what looked like a one-way excursion to the screwiest planetoid in the galaxy!

[Transcriber's Note: This etext was produced from Science Fiction Quarterly Spring 1942.]

CHAPTER I
HEIRS OF SPACE FLIGHT

Nick Hartnett stepped off the upper lip of the thousand-foot shaft and floated gently downwards. When he had fallen about half the distance, he reached out for a stanchion, grasped it easily and pulled himself gracefully into the lounge-room of the Columbia.

What he saw there was precisely what he expected to see. There was Dorothy Gilbert, curled in a spring-hammock, reading a book. Nick was looking over’ her shoulder before she knew he had entered.

“Bodie’s ‘Parecliptic Orbits,’ ” he read aloud. “Dorothy, don’t you ever think of anything but your job?”

She looked up, smiling, brushing aside a lock of tousled hair that sought her eye. “Often, Nick. But where would we be if I didn’t check my courses against those plotted by a competent authority?”

“Just about where we’ll be if you do,” he guessed, tugging at his ear with long, knobby fingers. “You’re my idea of a competent authority yourself.”

“Thanks, Nick. How are the contracels holding out?”

“Wonderfully!” he grinned. “It seems as if my father did a fair job of inventing there—though maybe not quite good enough.” He knelt and touched a button inset in the floor; instantly the metallic luster of it dulled and clouded, then the clouds seemed to vanish as the floor became transparent. In an instant it appeared to have vanished entirely, revealing an immense sweep of blackness interspersed with white-hot, tiny specks of light that were stars and planets.

Nick stared out at them. The whole field of stars was moving, it seemed, though, in actuality, it was the ship itself that spun on its axis, providing them with the illusion of gravity they required. It was hard for Hartnett to realize that this view was almost brand-new to human eyes, that only twenty or thirty people could ever have seen stars and the solar system from this vantage point, outside the plane of the ecliptic. There were seven persons in the Columbia now, and there had been eighteen or twenty in its predecessor which had been reported lost some years before. Those two ships, the only ones in the System’s great armada to be equipped with the counter-acceleration devices that made it possible to venture out of the confines of the Solar System, were also the only ones to leave the plane of the ecliptic.

“Where’s Earth?” Nick asked absently without looking up.

Dorothy closed the book on a finger and leaned over the edge of the hammock to look. “It’s not in sight now,” she said. “Wait until we spin a little farther. Of course, I can’t guarantee you’ll be able to see it then, either, because the ship may hide it. But we’ll see. We’re looking out one side of the ship and Earth is directly in back of us.”

He snapped off the vision and the floor returned to normal. “As soon as we get the reports from the two goops,” he mused, “we can start making definite plans for the outing.”

“We heard you,” came a voice from just outside the lounge, and, a second later, Bob Vickers appeared, climbing hand-over-hand against the slight pull of the acceleration that managed to seep through the not-quite-perfect guard of the contracels. He pulled himself into the lounge and turned back, extending a hand to Fred Marquis, who followed him in.

The two glared at Nick with injured expressions. “So this,” stated Vickers sadly, “is how you refer to your loyal aides behind their backs.” He turned to Marquis: “Colleague, we may as well tear up that paper and save ourselves further humiliation.”

Dorothy Gilbert closed her book with a snap. “Far be it from me to poke my pretty nose into your little brawls, but haven’t you two been rather long in getting the data?”

Marquis made a sweeping bow. “Fair lady,” he replied softly, “I appeal to your innate sense of justice and fair play. Did or did not our noble captain, on two occasions, call us all away from our gruelling labor to strain our ears trying to hear an alleged distress signal?”

Dorothy laughed gaily, shaking her hair away from her forehead. “Indeed, our noble captain did. Not only was your invaluable time wasted, but mine as well. I was rechecking the course and had to start from scratch after the interruption.”

“My lady is as gracious as she is charming,” bowed Vickers. He faced Nick. “We will be generous, sir, and accept your apology.”

“The ship’s company,” sighed Nick, “is reminded that the original Hartnett expedition was not entirely lost. It is to be assumed that they are still trying to contact someone, us in particular. Thus the careful attention to what appeared to be distress signals.

“Now may I suggest that you save your precious time by letting me know what you found?”

“That,” murmured Marquis to Vickers, “is as close to an apology as he’ll ever get.”

Marquis unrolled a small chart, holding it so both Dorothy and Nick could see. “This,” he explained, “you can check at your leisure, though I’m a monkey’s uncle if you find anything wrong with it. To sum it up briefly, the Columbia is not only the largest space-ship ever made but also the fastest and most powerful.”

“Very nice,” replied Nick, “but that alone isn’t good enough. We can still be the fastest thing aspace and not be capable of a voyage to Alpha Centauri and back within the span of a lifetime.”

“If this is correct,” interrupted Dorothy, jabbing at an equation with her index finger, “then we can do it easily.”

“It’s too damn bad,” mused Nick, “that my father was so secretive about things. Whatever it is we have here, I’ll bet he had just as good—if not better—on the Orion ten years ago.”

“Didn’t he leave any notes?” asked Vickers.

“None. Apparently he feared their falling into the wrong hands in case anything happened to him. The only thing he did leave was wave n, the one he promised to use for communications. That’s what the contracel formula came over.”

Dorothy’s nose wrinkled in puzzlement. “I was under the impression,” she said, “that the contracel formula was radioed to Earth mysteriously—only it was badly garbled, just fractions coming through. And you, Nick, were the only one who could make anything out of it.”

“Partly true,” he admitted. “The ‘mysterious’ radio message however was something I cooked up to keep the newspapers satisfied. I wanted to let out the publicity that the Hartnett expedition wasn’t completely done in, but I didn’t want to draw attention to wave n. The fewer people who know it exists, the better. If I hadn’t thrown them offtrack with a little hocus-pocus, the secret might be out.”

Vickers blinked. “Excuse me,” he put in—“in this case, I guess I am a goop. But can you explain the contracel to me? I never really got it.”

“I’m no better off,” grinned Nick. “I managed to get enough data from the radio so as to know how to throw the thing together, but as to precisely what it does and why I can only guess . . . and I’d rather not get out on a limb on it.

“All I know is this: interstellar travel, to be anything at all, requires really tremendous speed. To get that speed you have to accelerate like hell. And human bodies aren’t equipped to take the acceleration required.

“Well, what Dad did was to figure out a counter-acceleration device, which he called the ‘contracel’ for short. All I know is that it blankets the effects of really terrific acceleration so far as our feeling it goes.”

“Have you any idea, Nick,” asked Dorothy Gilbert, suddenly serious, “where the Hartnett party is?”

He shook his head. “They were outward bound for Alpha Centauri, just as we’ll be after we get home and check these results. I’ve no idea how far they got, because I don’t know how to check distances by wave n. In fact, I don’t think it can be done; the damned thing doesn’t travel right.

“You, Dorothy, and Bob, Edgar, and I are all members of the family of the original Hartnett expedition. The reason I wanted you three was because I really expect to look for Dad and his friends on our way to Alph. You. Fred, and Grenville and Timbie aren’t exactly family members in our little circle, but you’re next thing to it. We’ll have to have a bigger crew for the outing, of course.”

Dorothy ran her fingers through her hair. “It’s been over twelve years since I last saw Harry,” she whispered. “I wonder what he looks like now?”

Joe Timbie was sucking laboriously on a water-tube as they pulled themselves into the control room. He laid it aside at their entrance, and wiped his face furiously.

“The interference is terrific,” he began, “but I sounded the alarm because I’m definitely getting something every now and then, although it’s hard to say what.”

“Any idea as to the source?”

“You know how wave n is. Edgar’s been cooped up in his cage for about seven hours now, and, if he survives, I damn well think he’ll have taken wave n to pieces and put it together again. Then we’ll know how to trace the signals.”

Dorothy Gilbert sat on a bench swinging her legs thoughtfully. “How’s the intensity, Joe?”

Timbie clutched his hair. “O gawd!” he groaned. “It just shouldn’t happen to a dog. This wave has the most unholy variations ever conceived by Lucifer. You remember how it was on Earth?”

“Yeah,” agreed Nick. “Pretty wavy to say the least.”

“Well it’s all of that here—only the little jigger has got itself another twist. Not only does the intensity vary according to no laws whatsoever, but every now and then, she comes through full blast, sans interference, backwards!”

“What!” There was a chorus on that.

“You heard rightly. I used to have a hobby back on Terra. Super-imposition of recordings. I’d take several records of music, and play them simultaneously, working in various others now and then and thus make a new recording. At times I’d run them in backwards, lyrics and all. So, after awhile, I got pretty accustomed to hearing common English words spoken backwards. And damned if some of the apparently garbled signals didn’t sound familiar until suddenly it struck me. I was just beginning to set them down when, whup! in comes the interference, then they’re straight again, but so faint I can’t make them out.”

“Joe,” called Dorothy softly, “are they always in reverse when they’re strong?”

“Why—yes, they are.”

“Does Edgar know that?”

“Nope.”

She slid off the table. “I think I’d better tell him before he wastes any more time.”

“Hold it a moment,” protested Nick. “I want to see if we can get anything. Is the power on, Joe?”

“Yeah. Apparently they stopped just an instant after I rang you.”

“Any idea when they might be on again?”

“Ought to be a few minutes, Nick. I’ve found that they apparently repeat each broadcast three times with a few hours interval between units of three.” He shoved a slip of paper over to Nick. “Here’s what I’ve managed to make out so far.”

Nick picked it up frowning. “Hmm—not much here—it reads ‘horribly warped by effects of motion’ . . . then there’s a blank—‘had to stay and one’—damn, another blank.”

“That’s where it either faded out or interference came in,” explained Joe.

“I see. This is where it reversed, eh? ‘Left and I am’ blank space ‘too slight to lift.’ That’s all.”

“Do you suppose,” asked Marquis, “that the phrase ‘left and I am’ might mean that the person sending the signals is the only one left and he’s about at his rope’s end?”

“Maybe,” suggested Bob Vickers, “something happened to the crew as a result of their acceleration. ‘Horribly warped by effects of motion’ sounds ominous. Perhaps the crew went bats and they had to land to save the ship. Then something happened to them on the planet so that they ‘had to stay and one’—well, maybe he’s telling about the ghastly fate of one of them.”

“What—what about ‘too slight to lift’?” reminded Fred.

“As I recall,” said Nick in hushed tones, “there was one outstanding bad point about Dad’s setup. The contracel controls were pretty heavy and it took a strong man to work them alone. If but one man were on the ship, and he sick, or weak from hunger, he couldn’t lift those levers.” He stared a moment, then added, “Particularly if the gravity on whatever planet the ship is were greater than that of Earth.”

“I thought the controls were automatic,” protested Dorothy.

“They were. But Dad had manual controls installed just in case.”

At this point a wild-eyed, disheveled figure burst in upon them. “I’ve found them,” he cried in a high, strained falsetto. “They’re in a tight little orbit around Proxima Centauri.”

Dorothy Gilbert took his arm. “Come with me,” she whispered. “I have some more data for you; you’ve done wonderfully.”

The two left the room, heads close together. An instant later a faint shriek reached the ears of those in the control room, followed by gibbering noises. Nick made a dive for the exit, to find Edgar cackling faintly to himself as Dorothy led him away. “There, there,” she soothed, “it wasn’t your fault. Now you just go and get a nice long rest, then we’ll help you with the new calculations. . . .”

CHAPTER II
INCREDIBLE WORLD

“Here it is,” exclaimed Dorothy wearily, planking down a sheaf of motors. “If you can follow through on this, Joe, we’ll find the missing. We keep on straight ahead, at right angles to Earth’s ecliptic.” She closed her eyes. “Did you know,” she murmured to no one in particular, “that Edgar’s secret ambition is to purr like a cat?”

“How is he?” asked Nick anxiously.

“In a drunken stupor. After all he’s been through I didn’t have the heart to say no to him. So he emptied an almost full bottle of the rocket blast.” She beamed at Nick. “Edgar has a special name for each grade of alcoholate we distill; this is the stiff one.”

“We’ll have to make some more of that,” declared Marquis. “Heigh ho, it’s back to the primitive. Y’know, scientists are pretty sure that savages spend most of their ingenuity in figuring out ways to make better and still better hooch. Disgusting, isn’t it?”

“Hang on to your stanchions,” yelled Timbie as he pressed a button which would send a warning signal throughout the ship, “we’re accelerating.” Instinctively they obeyed. Without the contracels, they would have been an obscene mass of mangled protoplasm in the seconds that followed; as it was, they experienced something like the feeling one obtains on the downward sweep of a stiff roller coaster.

“Keep a close check on the direction, Joe,” grated Nick.

The impact of acceleration did not last long, but it was some five minutes before they really felt normal again. Timbie bent over calculations, a frown working its way across his forehead. “I don’t like the way this is working out,” he muttered.

“Following Edgar’s equations?” asked Dorothy, picking up the sheet. She glanced over them quickly. “Nothing wrong here only—jeepers, you’re right, Joe! Stop the bus, quick!”

“What’s wrong?” demanded Nick.

“Nothing—except that we’ve passed them. They’re behind us now!”

Timbie’s hands flew over the controls rapidly. “Some day, after the contracel principle has really been perfected, we’re going to have ships that are practically without inertia so long as the power’s on. Ships that can stop dead like that without any terrifying results and go back the way they came as neat as the ancient’s trains on their tracks. But we have to decelerate slowly or we’re basket cases, if anybody ever finds us at all.”

“Wherever they are,” mused Nick, “it’s going to be one sweet job finding the planetoid in this space. It’ll be practically invisible because of the distance from the sun. We may go by it a couple of times.” He jabbed a call button sharply then spoke into a mike. “Grenville? What’s doing? Oh, you are!” He turned to the others. “Our chemical engineer is turning his inventive genius to a superior blend of the rocket blast. How lovely.”

“Noble pastime,” put in Dorothy. “The last batch was pretty raw—I think it would have dissolved my teeth if I hadn’t swallowed it quickly.”

“Listen,” yelped Nick. “Lay off the monkey business for a minute and attend. Hop down to the observation room and look for a small planetoid—I don’t know—could be any port. Use maximum magnification because it may be small—oh, big enough to hold a ship about this size perhaps. Possibly—quite probably dark. Signal us as soon as you see something.”

“If he’s been sampling his wares, he’s likely to see anything,” suggested Marquis.

“That being the case,” replied Nick, “you’d better go down and help him, all of you. It’s a tough job for one man in any condition.”

“Coming?” inquired Marquis of Dorothy. She shook her head.

“Yaaah!” he jibed. “Captain’s pet!”

Dorothy bit her lip. “When I think that we almost went right by it without suspecting. . . . almost missed it completely, I mean.”

Nick clasped her shoulder, his eyes fixed upon the almost invisible planetoid slowly growing before them. “Were you and your brother—very good friends?”

“I scarcely knew him,” she murmured. “He ran away from home when I was seven or eight, and we only saw him once in awhile after that. I think it was nearly six years after he first hit out before he came back. He was mature then and I was just a silly adolescent, but I idolized him because he was so famous.

“He spent nearly a whole month with me—with us, that is—about four years before he signed up with your father. But all that seems unreal now. If he’s—still alive, I’ll probably say ‘hello, Harry,’ and kiss him with sisterly affection and be glad he’s all right, but it won’t really mean much. What about your father, Nick?”

He frowned. “Dad and I were pretty close. Matter of fact, I never called him ‘dad’ until after he disappeared. It was always Steve. He preferred that; didn’t like his own name, though I didn’t know about it for a long time.

“I never could figure out the relationships between the other kids I knew and their parents. I always felt sorry for them; you see, Steve explained to me once—it’s amazing that I got it the first time—that ‘father’ or ‘dad’ or ‘pop’ was something I’d better call him when other people were around just for the sake of appearances. And, when I was in school, why he was ‘my father.’ But when we were alone together—or just the three of us, Steve, Mater, and I—we didn’t have to be formal at all. We were always the best of friends.”

She drew closer to him. “I’d like to meet—Steve.”

He looked at her as if it were the first time they were meeting. “Steve would like you, too,” he replied.

The alarm clanged for some time before they noticed it.

“Sorry!” exclaimed Timbie as he came into the room. “We’ve spotted it. It’s less than 500 miles in diameter.”

He eased himself into the control seat and started to shift them into the proper curve for landing. Fascinated, the three stared out the large port at the rapidly increasing globe before them. Unbroken in surface, it loomed before, a seemingly fantastic and impossible thing, a perfect sphere.

Slowly, prodigiously slow, they approached, coasting gracefully, for inertia or no, there was still the great mass of the ship to take into consideration. There was something wrong about this—somewhere—then, suddenly, the same thought struck all three of them.

“It isn’t a sphere!” voiced Nick. “It just looks that way because of its tremendous speed of rotation!”

Dorothy wheeled out the z-special camera and turned on the power, let it operate for a full minute. Quietly they waited for the automatic developing process, then cut the lights and flashed a projection on the panel in the rear of the room which was ideally suitable for a motion-picture screen. Eyes glued on the meters, Dorothy adapted the flow of film until the images of the planetoid on the panel corresponded to what they saw outside.

“What’s the period of rotation?”

“100 per minute. That, to put it mildly, is fast. It must be extremely dense to hang together at all—and even then, made of ultracohesive matter.”

As Joe put it some time later, the business of landing on Hastur (as the planetoid came to be known, Marquis first dubbed it that after some legendary, elemental wind-being; they found out later that Hastur wasn’t really the being Fred had in mind, but it stuck nonetheless) was roughly analogous to that of a fly lighting on a spinning top. There was Hastur looming before them in the deeps of space, gleaming like phosphor on black velvet, the pseudosphere of it slowly swelling before their eyes. And there was the Columbia, a great overgrown cylinder with a turret in the middle—a turret that completely encircled her, because she spun, too,—albeit slowly in comparison to the planetoid—gently curving in to try to light upon the little world’s surface.

What happened? They should have known, but they didn’t. The Columbia swooped down upon Hastur, like the proverbial falcon upon its prey. Only it wasn’t as simple as that, because the ship touched the outer fringe of that terrifically-accelerated rotating atmosphere and bounced off, ricocheted much like a smooth stone splatting across the surface of water.

They weren’t ready for that splat. It took them unaware and tumbled them all head-over. Luck was with them and no one slammed into anything sharp or deadly hard. Dorothy nursed Nick’s bloody nose and a cut over Marquis’ eye which just missed being serious.

The second time they tried it, it was with less elan and more caution. They figured that if they could cut in at a point, cut in at an angle so close to zero that they were virtually parallel to it, slip in like a hypodermic with the grain, so to speak, they might be able to make it. It was a nice idea but it didn’t work. They were knocked away again. Only this time all hands were prepared and no casualties followed.

At about then Edgar staggered in wanting to know what was. Briefly they told him. Edgar was amazed. He stood there gaping at them, at, he said, their innocence. Then he raised his hands. “Friends,” quoth Edgar, “like little children shall I lead you. Land at the pole.”

They made it.

“It’s odd, isn’t it?” mused Dorothy as Nick helped her up an escarpment.

“What’s odd?” Edgar wanted to know.

“That, despite the terrific rotation of Hastur, we just don’t notice it now that we’re here. I know why of course. Sheer relativity. But it’s still odd, no matter how well you explain it.”

“I know,” mused Edgar. “The most common way is that of picturing a caterpillar crawling down the vane of a fan toward the center. The fan is rotating at terrific speed; the fan is on an express liner which is zipping through Earth’s stratosphere like nobody’s business; the stratosphere is following Earth’s rotation, and so on. Yet our caterpillar isn’t conscious of any motion save his own.”

They stood silent for a moment, surveying the scene before them. Curving horizons could be seen on all sides, the uneven terrain before them now and then pierced by upcroppings of rock. Or perhaps metals. Above them no sky but space, dotted with luminaries. Far away a splotch of brightness—their sun. A world of twilight, this was.

Behind them lay their ship, a faintly gleaming cylinder, badly scraped and somewhat battered from landing. They’d prepared a sort of berth by splashing the terrain before them with blasts from the emergency rocket tubes, fore and aft, but the landing had still been rough, not the kind which would leave a ship in full dress paint.

Somewhere before them, precisely how far they could not know, was the lost Orion.

“I think,” mused Nick, “that the reason for the odd feeling is that we are so vitally aware of the planet’s rotation. After all, Earth is no laggard, either, but it’s so damned big in comparison to this, and so few people, relatively have been off it as yet. What I mean is: if your knowledge of Hastur’s rotation were strictly theoretical, or if you hadn’t seen it from space, the whole thing wouldn’t appear to you as it does now.”

The going was just a trifle more difficult than covering rocky ground would have been on Earth: Vickers had figured Hastur’s gravity as 125% that of Earth.

“Hold it,” called out Edgar, punctuating the exclamation by easing himself onto the asteroid’s surface. “Does anyone know where we’re going?”

“We’re off to find the Hartnetts,” said Dorothy.

“How nice. And where, pray, may they be?”

“Right here—somewhere.”

“Lovely,” drawled Edgar, “just lovely. Have any of you stopped to consider how many days and how many weary miles you can cover on this not-as-small-as-it-looks world without finding anything at all except blisters?”

“We tried to contact them,” cut in Nick, “but not a peep out of the radio at all. The thing just went dead.”

“I’ll have to admit,” continued Edgar, “that at the very moment I can’t think of any better procedure than just striking out in any direction at once. But I rest assured that there is a better way. Therefore, I move that we take it easy until we find one.”

“We could use the ship,” said Dorothy.

“Inadvisable,” objected Nick. “Something tells me we are going to have trouble getting away from this little fiend of a planetoid.”

“How about rocket cameras?” cut in Dorothy.

“Huh?”

“I can make them. We’ll use just enough fuel to send them up half a mile or so. They’ll take pictures, then glide down. We’ll keep an eye on them and see where they land; Edgar will also take calculations while they’re up—they’ll be sort of periscopic photos. Of course we’ll get our ship, but we may spot the other one.”

Nick tapped the rocky surface pondering. “Only thing wrong with that is: why didn’t we see the ship on the way down? We had a much bigger perspective.”

“Perhaps too big. Besides we were too well occupied otherwise.”

“Okay,” sighed Nick. “I can’t see any reason for not trying it.”

CHAPTER III
MENACE UNSEEN

Dorothy clasped Nick’s hand as firmly as hands can be clasped when swathed in space-mitts. “If the photo didn’t deceive us, the ship should be over this ridge.”

Nick nodded, shot an impatient glance at the others straggling up the slight incline. Together he and Dorothy mounted the acclivity, peered anxiously at the sweep below.

A little scream of delight came from Dorothy’s lips, “There, Nick!”

No doubt about it. The lost Orion lay, partly concealed by upcroppings of rock, less than a mile away. Hastily they made their way down the decline, ran in awkward, elephantine steps toward it. As they approached they could see how beaten and scarred it looked.

They bounded to the port and breathlessly clanged upon it. It was shut tightly. Impatiently they beat upon it until finally it swooshed open and they filed into the airlock. Imperturbably the outer door snapped close behind them, clamlike, and painfully slow the inner port dragged itself open.

The lost Orion!

The air was pure—that they noticed first of all when they had doffed cautiously their helmets. Pure and warm. Quickly they took off the clumsy suits and looked about them. No one was in sight; no greeting came to them.

“Hello!” yelled Nick.

No answer.

It was not as large as the Columbia, this ill-fated craft, but a big ship nonetheless. Hearts beating out ill omens, they searched room after room, finding no one.

“Hello! Hello!” cried Dorothy. Edgar grasped her arm. “Wait,” he murmured. “I think I heard an answer.”

Silently they followed him, as he led, to a small room. There was a bed, a set of controls—from this point the mechanisms for opening the double doors had been set in motion—a small heating unit, and a large armchair. As their eyes roved about the room, a figure arose unsteadily from the chair and faced them—a tall, gaunt man, white-haired, his eyes looking as if he had been lost for a thousand years.

Wordlessly he stared at them, as Nick stepped forward, his voice husky.

“Steve!”

The older man looked at him, a sort of dull bewilderment spreading across his face. “Hello, Nick,” he said softly. “I was sort of wondering when you’d come. Who are your friends?”

“I’m Dorothy Gilbert,” spoke up that person coming forward, “and I think I’d better fix something for you right away, Steve. You look as if you haven’t had a square meal since Sinbad went sailing.”

The older man grinned wanly. “Guess I haven’t been eating any too regularly. Haven’t had much company, you see since—”

“Tell us about it later,” interrupted Dorothy. “Edgar, break out the rations and help me with this thing. Looks like an old model.”

“Nothing to it,” murmured Vickers. “I’m Edgar Vickers,” he added in Hartnett’s direction; “my brother, Bob, is the slack-mouthed individual you see behind me. There’s three other fellows in the party, but they stayed back in the ship.”

Hartnett sat down on the bed, his eyes wandering from one to another. “Nice girl you have there, Nick,” he whispered. “You’re not letting any of these other lads get the jump on you, eh?”

“Not a chance,” replied Dorothy without looking up, “I’m after the Hartnett fortune because there’s no one else I know who is worth marrying, even for the kind of lab I want.”

“Did you write the book you always said you would if you were ever marooned, Steve?” asked Nick.

Hartnett nodded. “Guess that’s all that kept me from going nuts. All alone here—not strong enough to do much more than take care of myself, write, and send signals out. Didn’t go outside much after—”

Dorothy faced him, her eyes misty. “Don’t try to soften it Steve—I knew as soon as I came in the ship. Harry’s dead, isn’t he? Like all the others?”

Hartnett nodded. “Yes—like all the others.”

“There’s not much to tell,” said Hartnett slowly, after the meal had been finished. “We started out in the Orion much the same as you did in the Columbia, tested the contracels and decided everything was all right. We noticed this little world here and landed to investigate.

“Only we couldn’t get off.

“We’d been going virtually at the speed of light and that warped the fourth dimensional fields which were a basic part of the contracels. We found that the only way we had of getting off this planetoid was by rockets, and rockets weren’t enough. We just slid along the surface, battered up the ship, then stopped.

“Then we began to find out things about this world. Some of them were interesting, and some—” he broke off suddenly. “Nick, you or none of your party have been out without full suits have you?”

Nick shook his head.

“Good. Don’t. This little world is full of radiations, a good deal of which are undetectable, but nasty nonetheless. Seven of our party succumbed before we suspected anything was wrong, and five more died within the next fortnight from perfectly innocent things which must have acted as catalysts.

“So far as we know, an ordinary suit is protection, but we can’t be sure.”

“What happened to the others?” asked Bob Vickers.

Hartnett was silent for a moment. “When we landed, one of the rocket fuel tanks was ruptured. Not broken open, just cracked enough to let the stuff vaporize and escape. It started to flood the ship gradually, before we found out. We drew lots to see who would seal off the rooms where it had already penetrated, knowing that the chances were a hundred to one that everyone who went would be blown up. It was a suicide job, but those suicides could keep the entire ship from being blasted to free electrons.

“They did. If you’d come from the other side, you’d have seen the great gaping crater and the hole in the ship.”

“I don’t understand. . . .” started Dorothy.

“I do,” spoke up Nick. “When the Orion left, the only rocket fuel which was any good was HZ 7. It had one fault, however. Let any atmosphere get at it and it would vaporize and seep through practically every known substance, except wax. And that vapor was about ten times as touchy as nitro. When it went off you had a terrific explosion.

“What these fellows did, I take it, Steve, was to seal off the sections from the outside, leaving plenty of room for the vapor to explode, perhaps calculating on its drawing closer while they were at work. Then, they went to work on padding so that the concussion wouldn’t completely wreck the ship. Their only chance of escape was completing the job and getting off before the stuff lit up. And working around it was almost a positive guarantee of setting it off.”

Hartnett nodded. “That’s just about what happened. Three men were on the job of sealing off. That was the sure death assignment, because they would have to be practically entombed inside. Five others were on the padding job; they had a chance of not being smashed to pieces by the concussion if the blow held off long enough.

“But it didn’t—not quite long enough. They managed to get their work almost finished. It was just the sheerest luck that the thing didn’t fill the entire ship, or go off before some of us were out of the way. That was when we didn’t all wait to put on full suits—and it seemed all right outside. Well, the radiation got the ones who survived the blast.”

He buried his face in his hands. “It seems as if it happened ten years ago at times, then I feel, sometimes, as if it had happened yesterday.”

Dorothy slipped her arm around him. “It wasn’t your fault. Come, tell us more—about the things you found out about this planetoid.”

He raised his head, brow wrinkled in concentration. “There’s an odd effect at the horizon—maybe you haven’t noticed it yet, eh? The equator of the world seems to be moving, flowing along the ground.”

“Yow!” exclaimed Edgar. “Lorentz-Fitzgerald stuff!”

“Huh?”

“Simple,” he went on. “The speed of rotation of this planetoid at the equator approaches the speed of light, believe it or not. So the equator contracts. Its diameter remains the same, mind you, since it isn’t moving along the line of the diameter, but the circumference grows smaller. And that my friends,” he concluded, “makes the mathematical ‘pi’ a variable so far as Hastur is concerned. Geometry on this planet must be hot stuff—a veritable purgatory for mathematicians.”

“How the devil did you figure all that out?” exclaimed Hartnett, a note of awed admiration in his voice.

Edgar grinned. “I’m not staking my life on it,” he said, “but it’s the only explanation I can think of for the phenomenon you described.”

“Well, you may be right, and then again. . . . The important thing, now, is to get off Hastur. These radiations are what got most of us—doesn’t make too much difference with me, because I’m old. But I’m assuming,” he looked at Dorothy and Nick, “that you two will be wanting to pair off pretty soon. And I don’t think Dorothy would care to start knitting little sweaters with holes for three heads in them after she’d had x-rays taken.”

“We’ll get off,” declared Nick. “Our rockets are powerful enough, I think. We’ll take what we can from the Orion—and I suspect that you and your book, Steve, will be all—then scram away from here fast.”

He clasped Dorothy’s hand. “I only want a hole for one head in that little sweater.”

Joe Timbie turned to Hartnett and Nick with a despairing gesture. “See? All we do is slide along the ground. I’ve given her the best blasts we have and there’s the result.”

“A good thing they’ve found a new kind of rocket fuel in these last years.”

When Dorothy came in, Nick gripped her hands and clung to her. There was no need for words. Silently they looked out of the port onto the scene of their prison, grey twilight world with its sky of starlit black.

Finally he straightened up, reached out and pressed the call-button which would summon all hands to the control room.

“There is nothing wrong with the rocket tubes, or the fuel,” he said softly when all had come. “Everything is working as it should work. Our rockets just aren’t strong enough to get us off.”

“But the contracels?” burst out Marquis bewilderedly.

Hartnett shook his head. “No good here.”

Bob Vickers went over to the window and looked out, staring at the landscape as if there lay an answer to their problem. “Edgar,” he called after a moment, “are you sure about what you said about the equator?”

“No guarantees, but it could very easily be that way.”

“Then mightn’t an object at the equator be thrown off the planet by centrifugal force?”

Edgar turned to Nick. “It might—matter of fact, it should.”

Hartnett bit his lips. “It’s a long chance,” he said, “but still a chance. If the ship will hold together under the terrific punishment it would have to take, sliding along the ground on our rocket blasts, then we may be able to do it.”

“Okay,” declared Nick. “Everybody get into space suits, make sure the air-making apparatus is in order, and take your stations. We’ve got to have lookouts covering all sectors to spot any possible punctures of the hull. As soon as everybody’s checked from their posts, Joe, let her rip.”

CHAPTER IV
ORDEAL

They clung to the stanchions, watching the rocky surface of Hastur lurch by them, even in the protection of their suits horribly jolted by the choppy acceleration. They clung wondering how long the Columbia would stand up under a type of punishment for which it had never been designed.

“Something’s wrong,” complained Timbie. “The fire should take place so that, to my limited senses it seems continuous. It isn’t doing that at all.” He pressed a button. “I can sense a distinct interval between the release of the firing apparatus and the explosion, and another interval before the reaction shoves us ahead.”

“Look at the stars!” cried Bob Vickers.

They glanced in the direction of his pointing finger and gasped. Above them in the inky blackness were no longer the tiny pin-points that they had been seeing so far; they had become huge globes of multi-colored light. And there was one immense thing which visibly swam in the ether.

But it was more than just that. Way out beyond the globes, which looked like glowing baseballs, and basketballs, they caught a flashing something. It grew visibly as they watched, swelled until it seemed that it must batter its way through the mass of luminaries around them, send them in flaming ruin down the surface of the little world. Huger and more terrifying it grew, like a movie closeup, until it filled the entire vista of the heavens. The light should have been blinding; it should have burned out their brains, yet they could behold it without so much as being dazzled. Now the size of it was such that no longer could they see its full circle, but only a section of the titanic surface.

Abruptly the smooth aspect of it faded and sharp prominences began to appear. It was no perfect sphere, this body, but a roughly-circular mass, shot through with enormous cracks, riddled with holes, jagged with mountains. One spire-like protuberance seemed to be pointing directly at them, aiming itself at the ship.

Paralyzed with mingled amazement and terror they stood, bracing themselves for an impact which would destroy them utterly, volatilize them and the ship with such titanic swiftness that their consciousness would be obliterated before any sensations of it could reach them. They would see the destroyer almost upon them, and that would be all.

But they were wrong. It screamed down out of the night of space above them, not touching their ship, seemingly a good distance away. No concussion wave struck them, yet they saw the surface of Hastur cleft and crumpled before them, saw the monster bury itself in the planetoid. There was a flare of light which made them blink for an instant, and that was all.

“Veer away,” gasped Nick. “We don’t want to be tumbled into that chasm.”

Timbie’s fingers darted over the controls, and they were lurched side-wise as the Columbia went off at a tangent to their former course. The bewilderment of what they had just seen still lay upon them; their minds were numb with the incredibility of it.

Dorothy’s eyes met Nick’s. “Are we dead?” she whispered. “Were we all killed in that collision and is this but the last flickers of my consciousness?”

“I was wondering that, too,” came Nick’s voice over the space-phones. “But it couldn’t be so if it occurred to you, too. There’s some simple explanation for all this, but for the life of me, I can’t think what it is.”

“Oh-oh,” said Timbie. “More fireworks!”

Before them loomed a vast cliff wall, so high that they could not see its top. It had not been there an instant before. Somehow, they could not feel the horror of a few moments back, yet they braced themselves again for a shock.

A sudden jolt wrenched them away from the stanchions; the ship came to a stop as a warning light flickered ominously on the control board. Yet, as they picked themselves up, the cliff had disappeared; it was not behind them, and before them stretched the familiar surface of Hastur, above them the velvet of space, flecked with pinpricks of light.

“A puncture!” cried Nick. He grabbed the speaker.

“Nick,” came the voice of Marquis. “There’s a hole about the size of a soup plate in sector seven. Don’t worry; we’ll be sealing it off directly, and we’ve locked it off. Call you back when it’s done.”

“Okay, be careful.”

He turned to the others. “We’ll be on our way shortly. Anybody see that pit we turned off our course to avoid?”

“It’s gone, Nick,” said Hartnett, “but the show’s still on.” He nodded toward the port.

Something was coming over the horizon, something that looked partly like an arm, and partly like a molten river. It was both a flow and a wriggling, and, as they watched, another glowing thing snaked up from behind the distant ridges. This second thing went straight up into the sky, curving out as if looking for something upon which to swoop.

And now the main body of the thing began to be visible. It was vaguely conical, with the apex inverted, the arms of it issuing forth from the sides. A single glowing eye bulged from the top.

“It looks nasty,” said Nick, “but I don’t think it’s very powerful.”

“It might bang us up a bit, though,” added Timbie.

“The beastie is after something. Look at the way those three arms are swishing around.”

The thing was virtually monochrome except for the jet black of the single eye. The arms were flailing in the general direction of the ship, coming closer with each cast. But apparently it had not reached them yet.

“Do you suppose it can’t see well?” asked Dorothy.

Before anyone could answer her the creature had already acted. For caught now in one of the brilliant arms was a flattish many-legged thing, looking more like a centipede than anything else. It had a barbed tail like a scorpion, and was writhing and trying to spear the other desperately. But the hunter had calculated well and encircled its prey in such a manner that the barb could not reach it. Closer to the brilliant body the struggling thing was borne, then a slit appeared in the side of the victor, and a deep red orifice grew. The flattish creature was popped into this; the cavity closed with a snap and again the shell of brilliant cone-thing seemed to be unbroken.

Caught in the brilliant arms was a flattish thing that looked more like a centipede than anything else.

“Nice fauna here,” remarked Nick. “Did your party ever meet up with that beauty?”

Hartnett grinned. “In a way. But watch closely, now. There’s more to come.”

The bright cone rested motionless on the ridge, two of its three arms lying motionless. They couldn’t see the third, but supposed that it, too, was at rest. Unwinking, the huge eyes stared apparently upward.

But off in another direction what looked like a cloud was approaching. It drifted easily, dropping to the surface now and then and lazing along for a while, then rising up again. The size of it made them gasp. It seemed to be larger than the Columbia.

Now the cone-thing was aware of its approach and the bright arms was in play again. Like a fisherman casting after trout, the arms threw out. The cloud came on until it hovered over the cone-creature, then suddenly it dropped down enveloping it. An instant later it rose and the cone-creature was gone; the whitish cloud started to drift away.

But something was wrong. It didn’t move as easily as it had done before; it lurched in a distressed manner.

“What’s wrong with it?” murmured Nick.

“Look, it’s changing color,” cried Dorothy.

A rusty stain had suddenly appeared in the cloud. Before their eyes it grew rapidly, the core of it an angry red, the spreading stain rust. The cloud-thing rose up slowly, but the red spot grew. And as they watched, a bulge appeared in the red, grew like a blister and finally burst. From the cavity the brilliant arms of the cone-thing appeared, followed by the rest of the creature.

It lingered in the opening as the stricken cloud sank slowly to the surface of the planetoid. Now the red stain had almost completely blotted out the normal white of the cloud and they saw that the thing was beginning to crumble where the cone-creature had emerged. It dissolved into a sort of dust leaving the cone-thing in much the same position it had been in before, with the single great eye staring up at the stars.

“I’ll be damned,” murmured Nick. “It must have poisoned the cloud. But why did the cloud try to eat it, then?”

“These creatures haven’t any intelligence at all, apparently,” explained Hartnett. “I’ve seen that happen any number of times. I’d say offhand that the cloud-mass is attracted by something in the cone-creature—perhaps that scorpion-thing it just ate, because the clouds can envelope them without danger. But the cone-creature is rather well developed as you saw.”

The light on the control board winked. Timbie picked up the phone. “It’s Marquis,” he said. “They’ve got the patch on the puncture and we’ll be able to go ahead shortly.”

“Okay,” said Nick. “Tell them to wink when all’s ready.” He turned to the others. “It doesn’t look as if we’ll make the equator.”

Hartnett smiled grimly. “Well, if we can’t get off, we can at least gather some valuable data here on such things as the Doppler effect, the Lorentz-Fitzgerald contraction effect, the Einstein effect——”

“Hey!” burst in Dorothy, “did you say Einstein?”

“That’s right. This will be the first opportunity anyone’s ever had to get real observational data for primary sources.”

“Wait a minute,” she continued. “According to Einstein, there’s an increase in mass with an increase in speed, isn’t there?”

“Correct, but why get so excited about it?”

“Lots of reasons, Nick. We’re dopes, that’s why. There’s no sense in our going to the equator; our mass would be so terrific there that we could never get off.

“But, if there’s a point where the centrifugal force will throw us off, it’s between here and the equator.”

“She’s right!” screamed Edgar. “And I’m a seventh order moron not to have thought of it myself. If such a point exists, we must be pretty close to it now.”

The light flickered again. “All set,” said Joe. “Get ready; we’re moving.”

Again they grasped the stanchions, their hearts hammering in hopeful anticipation. Now the effect that Timbie had mentioned was painfully apparent. They saw him press the firing button, counted beneath their breath as they waited for the light which would indicate that the rocket had fired correctly—ordinarily, that light flicked so soon after the button was pressed that it appeared simultaneous—then braced themselves for a spurt ahead.

When it came the scene outside had altered again. Now the entire topography of Hastur seemed to be a vast concavity and they were climbing up the rim of the great cup. Ahead of them strange wrinkles appeared in the surface which became normal again as they approached nearer; behind them, the planetoid had become an incline sloping down to the edge where the great globes of stars wheeled in the abyss.

“Are we crazy—or is it Hastur?” burst out Bob Vickers.

Hartnett smiled. “These distortions are purely illusionary. It’s the effect of the rotation.”

Slowly, strangely slow, the Columbia dragged itself forward, sliding along the planetoid’s surface, more fantastically distorted to their eyes every instant. Now it seemed to shrink before them until it appeared that the entire world was smaller than their ship, that the Columbia was balancing precariously on the ridiculous little globe of it, and the first spurt from the rockets would send them off into space. Then Hastur was an incredible long, winding ribbon, lined with impassable mountains on either side, and they must travel along the millions of miles of it, as on a runway until at last they came to the rim. Then it was a geometrical nightmare, a riot of planes and angles which hurt their eyes to see; up from the surface reared hideously formed ridges and equally ghastly orifices yawned before them. And before them stretched leagues upon leagues of glassy surface. . . . then. . . .

The weird terrain was slipping away from them; they felt themselves buffeted as the entire ship was rocked violently. “We’ve hit it,” yelled Bob.

Below them Hastur was already a sphere, and, as Timbie’s fingers pressed buttons releasing full fire on the rockets, it became again the incredible globe they had seen when approaching it. They were free.

Dorothy raised her hand to her face to wipe away a tear that was streaming down her cheek, smiled despite herself when her mailed finger touched the glassite of her helmet.

“Goodbye, Harry,” she whispered.

“We have here,” declared Edgar, picking his nose, “a small list of the mysteries of Hastur. So far as I can see, the only way really to break them is to make up another expedition sometime.”

“Read ’em off, bucko,” said Dorothy.

“First of all—what is Hastur made of? Why, with the terrific speed of rotation, doesn’t it fly to pieces?”

“I devoted five pages to that in my book,” put in Hartnett. “To sum up briefly: there’s no reason I know why it should be, but it is. Therefore, there must be a reason.” They glared at him. “Good way of wasting time,” he protested.

“Then,” continued Edgar, “we have the matter of the reverse English radio reception. And I shall personally slay and dismember anyone who tries to pass it off merely as ‘Einstein effect’.” He looked up. “Well?”

Dorothy smiled. “We like living, Edgar.”

“Speaking of ‘Einstein effect’,” broke in Hartnett, “I presume you realize by now that all the weird things we saw were enormously distorted. The stars, for example, were never actually closer. That was easy to realize, because no more than the customary amount of light was visible, and no gravitational eccentricities were noted.”

“What about the thing that nearly wiped us out?” asked Bob Vickers.

“A meteor—and a very small one at that. It landed a little distance away from the ship. Had it hit us, it wouldn’t have blotted us out, but could have caused considerable damage nonetheless.”

“And the—creatures?”

“Microscopic. Had we been able to move at the time, we could have ploughed right through them. I’ve seen those illusions a number of times—we wasted quite a bit of ammunition on them before we got wise.

“And just imagine their consternation when they saw us, apparently microscopic, too, yet always out of grasp. That’s why the cone-creature was flailing away at nothing at all. It was trying to catch us.”

“Can you explain wave n?” burst in Edgar.

“I have seven pages on that in my book,” smiled Hartnett. “Summed up, I say: wave n was discovered while we were looking for something else. We played around with it until it began to sit up and say ‘uncle.’ We don’t know from nothing about it.”

Nick puzzled. “What kind of a book is this, Steve?”

Hartnett laughed. “A joke. A beautiful joke on the dear public. Three hundred pages of pompous drivel, harebrained speculations, pseudo-science, and what not.

“I made a solemn vow many years ago, Nick, that if I ever became an explorer, I would write a book to end all travel books, in retaliation for the ghastly piles of dung about which pedants rave so heartily and which are crammed down the throats of otherwise innocent schoolboys.

“Here on Hastur I had the time to do it—and it was a good way of keeping my spirits up. Oh yes—I worked on solid stuff, too—but that isn’t for public consumption; too deep.”

“But seriously,” broke in Edgar, “haven’t you any idea as to the reason for the signals in reverse English?”

“I don’t want to be personally slain and dismembered, Edgar. That tabu explanation very frankly is the only one I’ve found so far. The signals were warped—unless you want something utterly fantastic like their traveling around the universe, or being slipped through the continuum.”

“What does that mean?” asked Dorothy.

“Nothing. It’s a sort of gibberish which some people use to explain things otherwise inexplicable.” He paused as the familiar figure of Grenville, wreathed with beatific smiles, entered the room. “What’s in the bottle?”

“I have here,” sighed the chemical engineer, “the ne-plus-ultra of our own private rocket-blast. It’s smooth!”

“Yeah? What happened to your fingernails?”

“I got hungry!—Okay, if you don’t trust me, I’ll sample it first.” He uncorked the bottle and took a mighty quaff of the curiously-colored contents.

“If he starts rolling over on the floor, kicking feebly, we’ll know that it’s a good roach spray if nothing else,” observed Edgar.

Hastur was behind them now; soon the contracels would be flashing them back to Earth. Dorothy drew close to Nick, glad that the cumbersome suits were no longer necessary.

It would be a little blue sweater, she thought, just for luck.

*** END OF THE PROJECT GUTENBERG EBOOK EINSTEIN'S PLANETOID ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- EINSTEIN'S PLANETOID
- CHAPTER I HEIRS OF SPACE FLIGHT
- CHAPTER II INCREDIBLE WORLD
- CHAPTER III MENACE UNSEEN
- CHAPTER IV ORDEAL
- THE FULL PROJECT GUTENBERG™ LICENSE