The Project Gutenberg eBook of Poems of Paul Verlaine, by Paul Verlaine

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Title: Poems of Paul Verlaine

Author: Paul Verlaine

Release Date: July 1, 2005 [EBook #8426]

Language: English

Credits: Produced by Michael Castelluccio, and David Widger

*** START OF THIS PROJECT GUTENBERG EBOOK ***

POEMS OF PAUL VERLAINE

By Paul Verlaine

Translated by Gertrude Hall

Pictured by Henry McCarter

CONTENTS

Fêtes Galantes

CLAIR DE LUNE.

SUR L'HERBE.

L' ALLÉE.

A LA PROMENADE.

LE FAUNE.

MANDOLINE.

L'AMOUR PAR TERRE

EN SOURDINE

COLLOQUE SENTIMENTAL

SINCE SHADE RELENTS

BEFORE YOUR LIGHT QUITE FAIL

THE SCENE BEHIND THE CARRIAGE WINDOW-PANES

Ariettes Oubliées

Il pleut doucement sur la ville.—ARTHUR RIMBAUD

Son joyeux, importun, d'un clavecin sonore.—PÉTRUS BOREL

Paysages Belges

BRUXELLES

Birds in the Night

GREEN

STREETS

THE FALSE FAIR DAYS

GIVE EAR UNTO THE GENTLE LAY

I'VE SEEN AGAIN THE ONE CHILD: VERILY

SLEEP, DARKSOME, DEEP

THE SKY-BLUE SMILES ABOVE THE ROOF

Jadis et Naguère

Jadis

PROLOGUE

LANGUEUR

Naguère

PROLOGUE

Parallèlement

IMPRESSION FAUSSE

Poèmes Saturniens

PROLOGUE

Melancholia

NEVERMORE

Paysages Tristes

CHANSON D'AUTOMNE

IL BACIO

ÉPILOGUE

ILLUSTRATIONS

"Portrait of Paul Verlaine"

"Clair de Lune"

"En Sourdine"

"Avant Que Tu T'en Ailles."

"Le Piano Que Baise Une Main Frêle"

"Mon Dieu M'a Dit."

Le Ciel et Les Toits.

"Crépuscule Du Soir Mystique."

Fêtes Galantes

CLAIR DE LUNE.

Your soul is as a moonlit landscape fair,

Peopled with maskers delicate and dim,

That play on lutes and dance and have an air

Of being sad in their fantastic trim.

The while they celebrate in minor strain

Triumphant love, effective enterprise,

They have an air of knowing all is vain,—

And through the quiet moonlight their songs rise,

The melancholy moonlight, sweet and lone,

That makes to dream the birds upon the tree,

And in their polished basins of white stone

The fountains tall to sob with ecstasy.

SUR L'HERBE.

"The abbé rambles."—"You, marquis,

Have put your wig on all awry."—

"This wine of Cyprus kindles me

Less, my Camargo, than your eye!"

"My passion"—"Do, mi, sol, la, si."—

"Abbé, your villany lies bare."—

"Mesdames, I climb up yonder tree

And fetch a star down, I declare."

"Let each kiss his own lady, then

The others."—"Would that I were, too,

A lap-dog!"—"Softly, gentlemen!"—

"Do, mi."—"The moon!"—"Hey, how d'ye do?"

L' ALLÉE.

Powdered and rouged as in the sheepcotes' day,

Fragile 'mid her enormous ribbon bows,

Along the shaded alley, where green grows

The moss on the old seats, she wends her way

With mincing graces and affected airs,

Such as more oft a petted parrot wears.

Her long gown with the train is blue; the fan

She spreads between her jewelled fingers slim

Is merry with a love-scene, of so dim

Suggestion, her eyes smile the while they scan.

Blonde; dainty nose; plump, cherry lips, divine

With pride unconscious.—Subtler, certainly,

Than is the mouche there set to underline

The rather foolish brightness of the eye.

A LA PROMENADE.

The milky sky, the hazy, slender trees,

Seem smiling on the light costumes we wear,—

Our gauzy floating veils that have an air

Of wings, our satins fluttering in the breeze.

And in the marble bowl the ripples gleam,

And through the lindens of the avenue

The sifted golden sun comes to us blue

And dying, like the sunshine of a dream.

Exquisite triflers and deceivers rare,

Tender of heart, but little tied by vows,

Deliciously we dally 'neath the boughs,

And playfully the lovers plague the fair.

Receiving, should they overstep a point,

A buffet from a hand absurdly small,

At which upon a gallant knee they fall

To kiss the little finger's littlest joint.

And as this is a shocking liberty,

A frigid glance rewards the daring swain,—

Not quite o'erbalancing with its disdain

The red mouth's reassuring clemency.

LE FAUNE.

An ancient terra-cotta Faun,

A laughing note in 'mid the green,

Grins at us from the central lawn,

With secret and sarcastic mien.

It is that he foresees, perchance,

A bad end to the moments dear

That with gay music and light dance

Have led us, pensive pilgrims, here.

MANDOLINE.

The courtly serenaders,

The beauteous listeners,

Sit idling 'neath the branches

A balmy zephyr stirs.

It's Tircis and Aminta,

Clitandre,—ever there!—

Damis, of melting sonnets

To many a frosty fair.

Their trailing flowery dresses,

Their fine beflowered coats,

Their elegance and lightness,

And shadows blue,—all floats

And mingles,—circling, wreathing,

In moonlight opaline,

While through the zephyr's harping

Tinkles the mandoline.

L'AMOUR PAR TERRE

The wind the other night blew down the Love

That in the dimmest corner of the park

So subtly used to smile, bending his arc,

And sight of whom did us so deeply move

One day! The other night's wind blew him down!

The marble dust whirls in the morning breeze.

Oh, sad to view, o'erblotted by the trees,

There on the base, the name of great renown!

Oh, sad to view the empty pedestal!

And melancholy fancies come and go

Across my dream, whereon a day of woe

Foreshadowed is—I know what will befall!

Oh, sad!—And you are saddened also, Sweet,

Are not you, by this scene? although your eye

Pursues the gold and purple butterfly

That flutters o'er the wreck strewn at our feet.

EN SOURDINE

Tranquil in the twilight dense

By the spreading branches made,

Let us breathe the influence

Of the silence and the shade.

Let your heart melt into mine,

And your soul reach out to me,

'Mid the languors of the pine

And the sighing arbute-tree.

Close your eyes, your hands let be

Folded on your slumbering heart,

From whose hold all treachery

Drive forever, and all art.

Let us with the hour accord!

Let us let the gentle wind,

Rippling in the sunburnt sward,

Bring us to a patient mind!

And when Night across the air

Shall her solemn shadow fling,

Touching voice of our despair,

Long the nightingale shall sing.

COLLOQUE SENTIMENTAL

In the deserted park, silent and vast,

Erewhile two shadowy glimmering figures passed.

Their lips were colorless, and dead their eyes;

Their words were scarce more audible than sighs.

In the deserted park, silent and vast,

Two spectres conjured up the buried past.

"Our ancient ecstasy, do you recall?"

"Why, pray, should I remember it at all?"

"Does still your heart at mention of me glow?

Do still you see my soul in slumber?" "No!"

"Ah, blessed, blissful days when our lips met!

You loved me so!" "Quite likely,—I forget."

"How sweet was hope, the sky how blue and fair!"

"The sky grew black, the hope became despair."

Thus walked they 'mid the frozen weeds, these dead,

And Night alone o'erheard the things they said.

La Bonne Chanson

SINCE SHADE RELENTS

Since shade relents, since 'tis indeed the day,

Since hope I long had deemed forever flown,

Wings back to me that call on her and pray,

Since so much joy consents to be my own,—

The dark designs all I relinquish here,

And all the evil dreams. Ah, done am I

Above all with the narrowed lips, the sneer,

The heartless wit that laughed where one should sigh.

Away, clenched fist and bosom's angry swell,

That knave and fool at every turn abound.

Away, hard unforgivingness! Farewell,

Oblivion in a hated brewage found!

For I mean, now a Being of the Morn

Has shed across my night excelling rays

Of love at once immortal and newborn,—

By favor of her smile, her glance, her grace,

I mean by you upheld, O gentle hand,

Wherein mine trembles,—led, sweet eyes, by you,

To walk straight, lie the path o'er mossy land

Or barren waste that rocks and pebbles strew.

Yes, calm I mean to walk through life, and straight,

Patient of all, unanxious of the goal,

Void of all envy, violence, or hate

It shall be duty done with cheerful soul.

And as I may, to lighten the long way,

Go singing airs ingenuous and brave,

She'll listen to me graciously, I say,—

And, verily, no other heaven I crave.

BEFORE YOUR LIGHT QUITE FAIL

Before your light quite fail,

Already paling star,

(The quail

Sings in the thyme afar!)

Turn on the poet's eyes

That love makes overrun—

(See rise

The lark to meet the sun!)

Your glance, that presently

Must drown in the blue morn;

(What glee

Amid the rustling corn!)

Then flash my message true

Down yonder,—far away!—

(The dew

Lies sparkling on the hay.)

Across what visions seek

The Dear One slumbering still.

(Quick, quick!

The sun has reached the hill!)

O'ER THE WOOD'S BROW

O'er the wood's brow,

Pale, the moon stares;

In every bough

Wandering airs

Faintly suspire....

O heart's-desire!

Two willow-trees

Waver and weep,

One in the breeze,

One in the deep

Glass of the stream....

Dream we our dream!

An infinite

Resignedness

Rains where the white

Mists opalesce

In the moon-shower....

Stay, perfect hour!

THE SCENE BEHIND THE CARRIAGE WINDOW-PANES

The scene behind the carriage window-panes

Goes flitting past in furious flight; whole plains

With streams and harvest-fields and trees and blue

Are swallowed by the whirlpool, whereinto

The telegraph's slim pillars topple o'er,

Whose wires look strangely like a music-score.

A smell of smoke and steam, a horrid din

As of a thousand clanking chains that pin

A thousand giants that are whipped and howl,—

And, suddenly, long hoots as of an owl.

What is it all to me? Since in mine eyes

The vision lingers that beatifies,

Since still the soft voice murmurs in mine ear,

And since the Name, so sweet, so high, so dear,

Pure pivot of this madding whirl, prevails

Above the brutal clangor of the rails?

THE ROSY HEARTH, THE LAMPLIGHT'S NARROW BEAM

The rosy hearth, the lamplight's narrow beam,

The meditation that is rather dream,

With looks that lose themselves in cherished looks;

The hour of steaming tea and banished books;

The sweetness of the evening at an end,

The dear fatigue, and right to rest attained,

And worshipped expectation of the night,—

Oh, all these things, in unrelenting flight,

My dream pursues through all the vain delays,

Impatient of the weeks, mad at the days!

IT SHALL BE, THEN, UPON A SUMMER'S DAY

It shall be, then, upon a summer's day:

The sun, my joy's accomplice, bright shall shine,

And add, amid your silk and satin fine,

To your dear radiance still another ray;

The heavens, like a sumptuous canopy,

Shall shake out their blue folds to droop and trail

About our happy brows, that shall be pale

With so much gladness, such expectancy;

And when day closes, soft shall be the air

That in your snowy veils, caressing, plays,

And with soft-smiling eyes the stars shall gaze

Benignantly upon the wedded pair.

Romances sans Paroles

Ariettes Oubliées

Il pleut doucement sur la ville.—ARTHUR RIMBAUD

It weeps in my heart

As it rains on the town.

What is this dull smart

Possessing my heart?

Soft sound of the rain

On the ground and the roofs!

To a heart in pain,

O the song of the rain!

It weeps without cause

In my heart-sick heart.

In her faith, what? no flaws?

This grief has no cause.

'Tis sure the worst woe

To know not wherefore

My heart suffers so

Without joy or woe.

Son joyeux, importun, d'un clavecin sonore.—PÉTRUS BOREL

The keyboard, over which two slim hands float,

Shines vaguely in the twilight pink and gray,

Whilst with a sound like wings, note after note

Takes flight to form a pensive little lay

That strays, discreet and charming, faint, remote,

About the room where perfumes of Her stray.

What is this sudden quiet cradling me

To that dim ditty's dreamy rise and fall?

What do you want with me, pale melody?

What is it that you want, ghost musical

That fade toward the window waveringly

A little open on the garden small?

Oh, heavy, heavy my despair,

Because, because of One so fair.

My misery knows no allay,

Although my heart has come away.

Although my heart, although my soul,

Have fled the fatal One's control.

My misery knows no allay,

Although my heart has come away.

My heart, the too, too feeling one,

Says to my soul, "Can it be done,

"Can it be done, too feeling heart,

That we from her shall live apart?"

My soul says to my heart, "Know I

What this strange pitfall should imply,

"That we, though far from her, are near,

Yea, present, though in exile here?"

Le rossignol qui du haut d'une branche se regarde

dedans, croit être tombé dans la rivière. Il est au sommet

d'un chene, et toutefois il a peur de se noyer.

CYRANO DE BERGERAC.

The trees' reflection in the misty stream

Dies off in livid steam;

Whilst up among the actual boughs, forlorn,

The tender wood-doves mourn.

How wan the face, O traveller, this wan

Gray landscape looked upon;

And how forlornly in the high tree-tops

Lamented thy drowned hopes!

Paysages Belges

BRUXELLES

Hills and fences hurry by

Blent in greenish-rosy flight,

And the yellow carriage-light

Blurs all to the half-shut eye.

Slowly turns the gold to red

O'er the humble darkening vales;

Little trees that flatly spread,

Where some feeble birdling wails.

Scarcely sad, so mild and fair

This enfolding Autumn seems;

All my moody languor dreams,

Cradled by the gentle air.

Birds in the Night

I

You were not over-patient with me, dear;

This want of patience one must rightly rate:

You are so young! Youth ever was severe

And variable and inconsiderate!

You had not all the needful kindness, no;

Nor should one be amazed, unhappily:

You're very young, cold sister mine, and so

'Tis natural you should unfeeling be!

Behold me therefore ready to forgive;

Not gay, of course! but doing what I can

To bear up bravely,—deeply though I grieve

To be, through you, the most unhappy man.

II

But you will own that I was in the right

When in my downcast moods I used to say

That your sweet eyes, my hope, once, and delight!

Were come to look like eyes that will betray.

It was an evil lie, you used to swear,

And your glance, which was lying, dear, would flame,—

Poor fire, near out, one stirs to make it flare!—

And in your soft voice you would say, "Je t'aime!"

Alas! that one should clutch at happiness

In sense's, season's, everything's despite!—

But 'twas an hour of gleeful bitterness

When I became convinced that I was right!

III

And wherefore should I lay my heart-wounds bare?

You love me not,—an end there, lady mine;

And as I do not choose that one shall dare

To pity,—I must suffer without sign.

Yes, suffer! For I loved you well, did I,—

But like a loyal soldier will I stand

Till, hurt to death, he staggers off to die,

Still filled with love for an ungrateful land.

O you that were my Beauty and my Own,

Although from you derive all my mischance,

Are not you still my Home, then, you alone,

As young and mad and beautiful as France?

IV

Now I do not intend—what were the gain?—

To dwell with streaming eyes upon the past;

But yet my love which you may think lies slain,

Perhaps is only wide awake at last.

My love, perhaps,—which now is memory!—

Although beneath your blows it cringe and cry

And bleed to will, and must, as I foresee,

Still suffer long and much before it die,—

Judges you justly when it seems aware

Of some not all banal compunction,

And of your memory in its despair

Reproaching you, "Ah, fi! it was ill done!"

V

I see you still. I softly pushed the door—

As one o'erwhelmed with weariness you lay;

But O light body love should soon restore,

You bounded up, tearful at once and gay.

O what embraces, kisses sweet and wild!

Myself, from brimming eyes I laughed to you

Those moments, among all, O lovely child,

Shall be my saddest, but my sweetest, too.

I will remember your smile, your caress,

Your eyes, so kind that day,—exquisite snare!—

Yourself, in fine, whom else I might not bless,

Only as they appeared, not as they were.

VI

I see you still! Dressed in a summer dress,

Yellow and white, bestrewn with curtain-flowers;

But you had lost the glistening laughingness

Of our delirious former loving hours.

The eldest daughter and the little wife

Spoke plainly in your bearing's least detail,—

Already 'twas, alas! our altered life

That stared me from behind your dotted veil.

Forgiven be! And with no little pride

I treasure up,—and you, no doubt, see why,—

Remembrance of the lightning to one side

That used to flash from your indignant eye!

VII

Some moments, I'm the tempest-driven bark

That runs dismasted mid the hissing spray,

And seeing not Our Lady through the dark

Makes ready to be drowned, and kneels to pray.

Some moments, I'm the sinner at his end,

That knows his doom if he unshriven go,

And losing hope of any ghostly friend,

Sees Hell already gape, and feels it glow.

Oh, but! Some moments, I've the spirit stout

Of early Christians in the lion's care,

That smile to Jesus witnessing, without

A nerve's revolt, the turning of a hair!

Aquarelles

GREEN

See, blossoms, branches, fruit, leaves I have brought,

And then my heart that for you only sighs;

With those white hands of yours, oh, tear it not,

But let the poor gift prosper in your eyes.

The dew upon my hair is still undried,—

The morning wind strikes chilly where it fell.

Suffer my weariness here at your side

To dream the hour that shall it quite dispel.

Allow my head, that rings and echoes still

With your last kiss, to lie upon your breast,

Till it recover from the stormy thrill,—

And let me sleep a little, since you rest.

SPLEEN

The roses were so red, so red,

The ivies altogether black.

If you but merely turn your head,

Beloved, all my despairs come back!

The sky was over-sweet and blue,

Too melting green the sea did show.

I always fear,—if you but knew!—

From your dear hand some killing blow.

Weary am I of holly-tree

And shining box and waving grass

Upon the tame unending lea,—

And all and all but you, alas!

STREETS

Let's dance the jig!

Above all else I loved her eyes,

More clear than stars of cloudless skies,

And arch and mischievous and wise.

Let's dance the jig!

So skilfully would she proceed

To make a lover's bare heart bleed,

That it was beautiful indeed!

Let's dance the jig!

But keenlier have I relished

The kisses of her mouth so red

Since to my heart she has been dead.

Let's dance the jig!

The circumstances great and small,—

Words, moments... I recall, recall

It is my treasure among all.

Let's dance the jig!

Sagesse

WHAT SAYST THOU, TRAVELLER, OF ALL THOU SAW'ST AFAR?

What sayst thou, traveller, of all thou saw'st afar?

On every tree hangs boredom, ripening to its fall,

Didst gather it, thou smoking yon thy sad cigar,

Black, casting an incongruous shadow on the wall?

Thine eyes are just as dead as ever they have been,

Unchanged is thy grimace, thy dolefulness is one,

Thou mind'st one of the wan moon through the rigging seen,

The wrinkled sea beneath the golden morning sun,

The ancient graveyard with new gravestones every day,—

But, come, regale us with appropriate detail,

Those disillusions weeping at the fountains, say,

Those new disgusts, just like their brothers, littered stale,

Those women! Say the glare, the identical dismay

Of ugliness and evil, always, in all lands,

And say Love, too,—and Politics, moreover, say,

With ink-dishonored blood upon their shameless hands.

And then, above all else, neglect not to recite

Thy proper feats, thou dragging thy simplicity

Wherever people love, wherever people fight,

In such a sad and foolish kind, in verity!

Has that dull innocence been punished as it should?

What say'st thou? Man is hard,—but woman? And thy tears,

Who has been drinking? And into what ear so good

Dost pour thy woes for it to pour in other ears?

Ah, others! ah, thyself! Gulled with such curious ease,

That used to dream (Doth not the soul with laughter fill?)

One knows not what poetic, delicate decease,—

Thou sort of angel with the paralytic will!

But now what are thy plans, thine aims? Art thou of might?

Or has long shedding tears disqualified thy heart?

The tree is scarcely hardy, judging it at sight,

And by thy looks no topping conqueror thou art.

So awkward, too! With the additional offence

Of being now a sort of dazed idyllic bard

That poses in a window, contemplating thence

The silly noon-day sky with an impressed regard.

So totally the same in this extreme decay!

But in thy place a being with some sense, pardy,

Would wish at least to lead the dance, since he must pay

The fiddlers,—at some risk of flutt'ring passers-by!

Canst not, by rummaging within thy consciousness,

Find some bright vice to bare, as 't were a flashing sword?

Some gay, audacious vice, which wield with dexterousness,

And make to shine, and shoot red lightnings Heavenward!

Hast one, or more? If more, the better! And plunge in,

And bravely lay about thee, indiscriminate,

And wear that face of indolence that masks the grin

Of hate at once full-feasted and insatiate.

Not well to be a dupe in this good universe,

Where there is nothing to allure in happiness

Save in it wriggle aught of shameful and perverse,—

And not to be a dupe, one must be merciless!

—Ah, human wisdom, ah, new things have claimed mine eyes,

And of that past—of weary recollection!—

Thy voice described, for still more sinister advice,

All I remember is the evil I have done.

In all the curious movements of my sad career,

Of others and myself, the chequered road I trod,

Of my accounted sorrows, good and evil cheer,

I nothing have retained except the grace of God!

If I am punished, 'tis most fit I should be so;

Played to its end is mortal man's and woman's rôle,—

But steadfastly I hope I too one day shall know

The peace and pardon promised every Christian soul.

Well not to be a dupe in this world of a day,

But not to be one in the world that hath no end,

That which it doth behoove the soul to be and stay

Is merciful, not merciless,—deluded friend.

THE FALSE FAIR DAYS

The false fair days have flamed the livelong day,

And still they flicker in the brazen West.

Cast down thine eyes, poor soul, shut out the unblest:

A deadliest temptation. Come away.

All day they flashed in flakes of fire, that lay

The vintage low upon the hill's green breast,

The harvest low,—and o'er that faithfullest,

The blue sky ever beckoning, shed dismay.

Oh, clasp thy hands, grow pale, and turn again!

If all the future savoured of the past?

If the old insanity were on its way?

Those memories, must each anew be slain?

One fierce assault, the best, no doubt, the last!

Go pray against the gathering storm, go pray!

GIVE EAR UNTO THE GENTLE LAY

Give ear unto the gentle lay

That's only sad that it may please;

It is discreet, and light it is:

A whiff of wind o'er buds in May.

The voice was known to you (and dear?),

But it is muffled latterly

As is a widow,—still, as she

It doth its sorrow proudly bear,

And through the sweeping mourning veil

That in the gusts of Autumn blows,

Unto the heart that wonders, shows

Truth like a star now flash, now fail.

It says,—the voice you knew again!—

That kindness, goodness is our life,

And that of envy, hatred, strife,

When death is come, shall naught remain.

It says how glorious to be

Like children, without more delay,

The tender gladness it doth say

Of peace not bought with victory.

Accept the voice,—ah, hear the whole

Of its persistent, artless strain:

Naught so can soothe a soul's own pain,

As making glad another soul!

It pines in bonds but for a day,

The soul that without murmur bears....

How unperplexed, how free it fares!

Oh, listen to the gentle lay!

I'VE SEEN AGAIN THE ONE CHILD: VERILY

I've seen again the One child: verily,

I felt the last wound open in my breast,

The last, whose perfect torture doth attest

That on some happy day I too shall die!

Good icy arrow, piercing thoroughly!

Most timely came it from their dreams to wrest

The sluggish scruples laid too long to rest,—

And all my Christian blood hymned fervently.

I still hear, still I see! O worshipped rule

Of God! I know at last how comfortful

To hear and see! I see, I hear alway!

O innocence, O hope! Lowly and mild,

How I shall love you, sweet hands of my child,

Whose task shall be to close our eyes one day!

"SON, THOU MUST LOVE ME! SEE—" MY SAVIOUR SAID

"Son, thou must love me! See—" my Saviour said,

"My heart that glows and bleeds, my wounded side,

My hurt feet that the Magdalene, wet-eyed,

Clasps kneeling, and my tortured arms outspread

"To bear thy sins. Look on the cross, stained red!

The nails, the sponge, that, all, thy soul shall guide

To love on earth where flesh thrones in its pride,

My Body and Blood alone, thy Wine and Bread.

"Have I not loved thee even unto death,

O brother mine, son in the Holy Ghost?

Have I not suffered, as was writ I must,

"And with thine agony sobbed out my breath?

Hath not thy nightly sweat bedewed my brow,

O lamentable friend that seek'st me now?"

HOPE SHINES—AS IN A STABLE A WISP OF STRAW

Hope shines—as in a stable a wisp of straw.

Fear not the wasp drunk with his crazy flight!

Through some chink always, see, the moted light!

Propped on your hand, you dozed—But let me draw

Cool water from the well for you, at least,

Poor soul! There, drink! Then sleep. See, I remain,

And I will sing a slumberous refrain,

And you shall murmur like a child appeased.

Noon strikes. Approach not, Madam, pray, or call....

He sleeps. Strange how a woman's light footfall

Re-echoes through the brains of grief-worn men!

Noon strikes. I bade them sprinkle in the room.

Sleep on! Hope shines—a pebble in the gloom.

—When shall the Autumn rose re-blossom,—when?

SLEEP, DARKSOME, DEEP

Sleep, darksome, deep,

Doth on me fall:

Vain hopes all, sleep,

Sleep, yearnings all!

Lo, I grow blind!

Lo, right and wrong

Fade to my mind....

O sorry song!

A cradle, I,

Rocked in a grave:

Speak low, pass by,

Silence I crave!

THE SKY-BLUE SMILES ABOVE THE ROOF

The sky-blue smiles above the roof

Its tenderest;

A green tree rears above the roof

Its waving crest.

The church-bell in the windless sky

Peaceably rings,

A skylark soaring in the sky

Endlessly sings.

My God, my God, all life is there,

Simple and sweet;

The soothing bee-hive murmur there

Comes from the street!

What have you done, O you that weep

In the glad sun,—

Say, with your youth, you man that weep,

What have you done?

IT IS YOU

It is you, it is you, poor better thoughts!

The needful hope, shame for the ancient blots,

Heart's gentleness with mind's severity,

And vigilance, and calm, and constancy,

And all!—But slow as yet, though well awake;

Though sturdy, shy; scarce able yet to break

The spell of stifling night and heavy dreams.

One comes after the other, and each seems

Uncouther, and all fear the moonlight cold.

"Thus, sheep when first they issue from the fold,

Come,—one, then two, then three. The rest delay,

With lowered heads, in stupid, wondering way,

Waiting to do as does the one that leads.

He stops, they stop in turn, and lay their heads

Across his back, simply, not knowing why."*

Your shepherd, O my fair flock, is not I,—

It is a better, better far, who knows

The reasons, He that so long kept you close,

But timely with His own hand set you free.

Him follow,—light His staff. And I shall be,

Beneath his voice still raised to comfort you,

I shall be, I, His faithful dog, and true.

* Dante, Purgatorio.

'TIS THE FEAST OF CORN

'Tis the feast of corn, 'tis the feast of bread,

On the dear scene returned to, witnessed again!

So white is the light o'er the reapers shed

Their shadows fall pink on the level grain.

The stalked gold drops to the whistling flight

Of the scythes, whose lightning dives deep, leaps clear;

The plain, labor-strewn to the confines of sight,

Changes face at each instant, gay and severe.

All pants, all is effort and toil 'neath the sun,

The stolid old sun, tranquil ripener of wheat,

Who works o'er our haste imperturbably on

To swell the green grape yon, turning it sweet.

Work on, faithful sun, for the bread and the wine,

Feed man with the milk of the earth, and bestow

The frank glass wherein unconcern laughs divine,—

Ye harvesters, vintagers, work on, aglow!

For from the flour's fairest, and from the vine's best,

Fruit of man's strength spread to earth's uttermost,

God gathers and reaps, to His purposes blest,

The Flesh and the Blood for the chalice and host!

Jadis et Naguère

Jadis

PROLOGUE

Off, be off, now, graceless pack:

Get you gone, lost children mine:

Your release is earned in fine:

The Chimaera lends her back.

Huddling on her, go, God-sped,

As a dream-horde crowds and cowers

Mid the shadowy curtain-flowers

Round a sick man's haunted bed.

Hold! My hand, unfit before,

Feeble still, but feverless,

And which palpitates no more

Save with a desire to bless,

Blesses you, O little flies

Of my black suns and white nights.

Spread your rustling wings, arise,

Little griefs, little delights,

Hopes, despairs, dreams foul and fair,

All!—renounced since yesterday

By my heart that quests elsewhere....

Ite, aegri somnia!

LANGUEUR

I am the Empire in the last of its decline,

That sees the tall, fair-haired Barbarians pass,—the while

Composing indolent acrostics, in a style

Of gold, with languid sunshine dancing in each line.

The solitary soul is heart-sick with a vile

Ennui. Down yon, they say, War's torches bloody shine.

Alas, to be so faint of will, one must resign

The chance of brave adventure in the splendid file,—

Of death, perchance! Alas, so lagging in desire!

Ah, all is drunk! Bathyllus, hast done laughing, pray?

Ah, all is drunk,—all eaten! Nothing more to say!

Alone, a vapid verse one tosses in the fire;

Alone, a somewhat thievish slave neglecting one;

Alone, a vague disgust of all beneath the sun!

Naguère

PROLOGUE

Glimm'ring twilight things are these,

Visions of the end of night.

Truth, thou lightest them, I wis,

Only with a distant light,

Whitening through the hated shade

In such grudging dim degrees,

One must doubt if they be made

By the moon among the trees,

Or if these uncertain ghosts

Shall take body bye and bye,

And uniting with the hosts

Tented by the azure sky,

Framed by Nature's setting meet,—

Offer up in one accord

From the heart's ecstatic heat,

Incense to the living Lord!

Parallèlement

IMPRESSION FAUSSE

Dame mouse patters

Black against the shadow grey;

Dame mouse patters

Grey against the black.

Hear the bed-time bell!

Sleep forthwith, good prisoners;

Hear the bed-time bell!

You must go to sleep.

No disturbing dream!

Think of nothing but your loves:

No disturbing dream,

Of the fair ones think!

Moonlight clear and bright!

Some one of the neighbors snores;

Moonlight clear and bright—

He is troublesome.

Comes a pitchy cloud

Creeping o'er the faded moon;

Comes a pitchy cloud—

See the grey dawn creep!

Dame mouse patters

Pink across an azure ray;

Dame mouse patters....

Sluggards, up! 'tis day!

Poèmes Saturniens

PROLOGUE

The Sages of old time, well worth our own,

Believed—and it has been disproved by none—

That destinies in Heaven written are,

And every soul depends upon a star.

(Many have mocked, without remembering

That laughter oft is a misguiding thing,

This explanation of night's mystery.)

Now all that born beneath Saturnus be,—

Red planet, to the necromancer dear,—

Inherit, ancient magic-books make clear,

Good share of spleen, good share of wretchedness.

Imagination, wakeful, vigorless,

In them makes the resolves of reason vain.

The blood within them, subtle as a bane,

Burning as lava, scarce, flows ever fraught

With sad ideals that ever come to naught.

Such must Saturnians suffer, such must die,—

If so that death destruction doth imply,—

Their lives being ordered in this dismal sense

By logic of a malign Influence.

Melancholia

NEVERMORE

Remembrance, what wilt thou with me? The year

Declined; in the still air the thrush piped clear,

The languid sunshine did incurious peer

Among the thinned leaves of the forest sere.

We were alone, and pensively we strolled,

With straying locks and fancies, when, behold

Her turn to let her thrilling gaze enfold,

And ask me in her voice of living gold,

Her fresh young voice, "What was thy happiest day?"

I smiled discreetly for all answer, and

Devotedly I kissed her fair white hand.

—Ah, me! The earliest flowers, how sweet are they!

And in how exquisite a whisper slips

The earliest "Yes" from well-beloved lips!

APRÈS TROIS ANS

When I had pushed the narrow garden-door,

Once more I stood within the green retreat;

Softly the morning sunshine lighted it,

And every flow'r a humid spangle wore.

Nothing is changed. I see it all once more:

The vine-clad arbor with its rustic seat....

The waterjet still plashes silver sweet,

The ancient aspen rustles as of yore.

The roses throb as in a bygone day,

As they were wont, the tall proud lilies sway.

Each bird that lights and twitters is a friend.

I even found the Flora standing yet,

Whose plaster crumbles at the alley's end,

—Slim, 'mid the foolish scent of mignonette.

MON RÊVE FAMILIER

Oft do I dream this strange and penetrating dream:

An unknown woman, whom I love, who loves me well,

Who does not every time quite change, nor yet quite dwell

The same,—and loves me well, and knows me as I am.

For she knows me! My heart, clear as a crystal beam

To her alone, ceases to be inscrutable

To her alone, and she alone knows to dispel

My grief, cooling my brow with her tears' gentle stream.

Is she of favor dark or fair?—I do not know.

Her name? All I remember is that it doth flow

Softly, as do the names of them we loved and lost.

Her eyes are like the statues',—mild and grave and wide;

And for her voice she has as if it were the ghost

Of other voices,—well-loved voices that have died.

A UNE FEMME

To you these lines for the consoling grace

Of your great eyes wherein a soft dream shines,

For your pure soul, all-kind!—to you these lines

From the black deeps of mine unmatched distress.

'Tis that the hideous dream that doth oppress

My soul, alas! its sad prey ne'er resigns,

But like a pack of wolves down mad inclines

Goes gathering heat upon my reddened trace!

I suffer, oh, I suffer cruelly!

So that the first man's cry at Eden lost

Was but an eclogue surely to my cry!

And that the sorrows, Dear, that may have crossed

Your life, are but as swallows light that fly

—Dear!—in a golden warm September sky.

Paysages Tristes

CHANSON D'AUTOMNE

Leaf-strewing gales

Utter low wails

Like violins,—

Till on my soul

Their creeping dole

Stealthily wins....

Days long gone by!

In such hour, I,

Choking and pale,

Call you to mind,—

Then like the wind

Weep I and wail.

And, as by wind

Harsh and unkind,

Driven by grief,

Go I, here, there,

Recking not where,

Like the dead leaf.

LE ROSSIGNOL

Like to a swarm of birds, with jarring cries

Descend on me my swarming memories;

Light mid the yellow leaves, that shake and sigh,

Of the bowed alder—that is even I!—

Brooding its shadow in the violet

Unprofitable river of Regret.

They settle screaming—Then the evil sound,

By the moist wind's impatient hushing drowned,

Dies by degrees, till nothing more is heard

Save the lone singing of a single bird,

Save the clear voice—O singer, sweetly done!—

Warbling the praises of the Absent One....

And in the silence of a summer night

Sultry and splendid, by a late moon's light

That sad and sallow peers above the hill,

The humid hushing wind that ranges still

Rocks to a whispered sleepsong languidly

The bird lamenting and the shivering tree.

Caprices

IL BACIO

Kiss! Hollyhock in Love's luxuriant close!

Brisk music played on pearly little keys,

In tempo with the witching melodies

Love in the ardent heart repeating goes.

Sonorous, graceful Kiss, hail! Kiss divine!

Unequalled boon, unutterable bliss!

Man, bent o'er thine enthralling chalice, Kiss,

Grows drunken with a rapture only thine!

Thou comfortest as music does, and wine,

And grief dies smothered in thy purple fold.

Let one greater than I, Kiss, and more bold,

Rear thee a classic, monumental line.

Humble Parisian bard, this infantile

Bouquet of rhymes I tender half in fear....

Be gracious, and in guerdon, on the dear

Red lips of One I know, alight and smile!

ÉPILOGUE

I

The sun, less hot, looks from a sky more clear;

The roses in their sleepy loveliness

Nod to the cradling wind. The atmosphere

Enfolds us with a sister's tenderness.

For once hath Nature left the splendid throne

Of her indifference, and through the mild

Sun-gilded air of Autumn, clement grown,

Descends to man, her proud, revolted child.

She takes, to wipe the tears upon our face,

Her azure mantle sown with many a star;

And her eternal soul, her deathless grace,

Strengthen and calm the weak heart that we are.

The waving of the boughs, the lengthened line

Of the horizon, full of dreamy hues

And scattered songs, all,—sing it, sail, or shine!—

To-day consoles, delivers!—Let us muse.

II

So, then this book is closed. Dear Fancies mine,

That streaked my grey sky with your wings of light,

And passing fanned my burning brow, benign,—

Return, return to your blue Infinite!

Thou, ringing Rhyme, thou, Verse that smooth didst glide,

Ye, throbbing Rhythms, ye, musical Refrains,

And Memories, and Dreams, and ye beside

Fair Figures called to life with anxious pains,

We needs must part. Until the happier day

When Art, our Lord, his thralls shall re-unite,

Companions sweet, Farewell and Wellaway,

Fly home, ye may, to your blue Infinite!

And true it is, we spared not breath or force,

And our good pleasure, like foaming steed

Blind with the madness of his earliest course,

Of rest within the quiet shade hath need.

—For always have we held thee, Poesy,

To be our Goddess, mighty and august,

Our only passion,—Mother calling thee,

And holding Inspiration in mistrust.

III

Ah, Inspiration, splendid, dominant,

Egeria with the lightsome eyes profound,

Sudden Erato, Genius quick to grant,

Old picture Angel of the gilt background,

Muse,—ay, whose voice is powerful indeed,

Since in the first come brain it makes to grow

Thick as some dusty yellow roadside weed,

A gardenful of poems none did sow,—

Dove, Holy Ghost, Delirium, Sacred Fire,

Transporting Passion,—seasonable queen!—

Gabriel and lute, Latona's son and lyre,—

Ah, Inspiration, summoned at sixteen!

What we have need of, we, the Poets True,

That not believe in Gods, and yet revere,

That have no halo, hold no golden clue,

For whom no Beatrix leaves her radiant sphere,

We, that do chisel words like chalices,

And moving verses shape with unmoved mind,

Whom wandering in groups by evening seas,

In musical converse ye scarce shall find,—

What we need is, in midnight hours dim-lit,

Sleep daunted, knowledge earned,—more knowledge still!

Is Faust's brow, of the wood-cuts, sternly knit,

Is stubborn Perseverance, and is Will!

Is Will eternal, holy, absolute,

That grasps—as doth a noble bird of prey

The steaming flanks of the foredoomed brute,—

Its project, and with it,—skyward, away!

What we need, we, is fixedness intense,

Unequalled effort, strife that shall not cease,

Is night, the bitter night of labor, whence

Arises, sun-like, slow, the Master-piece!

Let our Inspired, hearts by an eye-shot tined,

Sway with the birch-tree to all winds that blow,

Poor things! Art knows not the divided mind—

Speak, Milo's Venus, is she stone or no?

We therefore, carve we with the chisel Thought

The pure block of the Beautiful, and gain

From out the marble cold where it was not,

Some starry-chitoned statue without stain,

That one far day, Posterity, new Morn,

Enkindling with a golden-rosy flame

Our Work, new Memnon, shall to ears unborn

Make quiver in the singing air our name!

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Table of Contents

The Project Gutenberg eBook of Poems of Paul Verlaine, by Paul Verlaine

POEMS OF PAUL VERLAINE

Translated by Gertrude Hall Pictured by Henry McCarter

Fêtes Galantes

CLAIR DE LUNE.

SUR L'HERBE.

L' ALLÉE.

A LA PROMENADE.

LE FAUNE.

MANDOLINE.

L'AMOUR PAR TERRE

EN SOURDINE

COLLOQUE SENTIMENTAL

SINCE SHADE RELENTS

BEFORE YOUR LIGHT QUITE FAIL

THE SCENE BEHIND THE CARRIAGE WINDOW-PANES

Ariettes Oubliées

Il pleut doucement sur la ville.—ARTHUR RIMBAUD

Son joyeux, importun, d'un clavecin sonore.—PÉTRUS BOREL

Paysages Belges

BRUXELLES

Birds in the Night

GREEN

STREETS

THE FALSE FAIR DAYS

GIVE EAR UNTO THE GENTLE LAY

I'VE SEEN AGAIN THE ONE CHILD: VERILY

SLEEP, DARKSOME, DEEP

THE SKY-BLUE SMILES ABOVE THE ROOF

Jadis et Naguère

Jadis

PROLOGUE

LANGUEUR

Naguère

PROLOGUE

Parallèlement

IMPRESSION FAUSSE

Poèmes Saturniens

PROLOGUE

Melancholia

NEVERMORE

Paysages Tristes

CHANSON D'AUTOMNE

IL BACIO

ÉPILOGUE

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