Fragments from the Journal of a Solitary Man / (From: "The Doliver Romance and Other Pieces: Tales and Sketches")
Date: 2005-11-02T00:00:00+00:00
Keywords: Diary fiction

The Project Gutenberg eBook of Fragments from the Journal of a Solitary Man

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Fragments from the Journal of a Solitary Man

Author: Nathaniel Hawthorne

Release date: November 1, 2005 [eBook #9247]
Most recently updated: January 26, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/9247

Credits: Produced by David Widger and Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK FRAGMENTS FROM THE JOURNAL OF A SOLITARY MAN ***

THE DOLIVER ROMANCE AND OTHER PIECES

TALES AND SKETCHES

By Nathaniel Hawthorne

FRAGMENTS FROM THE JOURNAL OF A SOLITARY MAN

I.

My poor friend “Oberon”—[See the sketch or story entitled “The Devil in Manuscript,” in “The Snow-Image, and other Twice-Told Tales.”]—for let me be allowed to distinguish him by so quaint a name—sleeps with the silent ages. He died calmly. Though his disease was pulmonary, his life did not flicker out like a wasted lamp, sometimes shooting up into a strange temporary brightness; but the tide of being ebbed away, and the noon of his existence waned till, in the simple phraseology of Scripture, “he was not.” The last words he said to me were, “Burn my papers,—all that you can find in yonder escritoire; for I fear there are some there which you may be betrayed into publishing. I have published enough; as for the old disconnected journal in your possession—” But here my poor friend was checked in his utterance by that same hollow cough which would never let him alone. So he coughed himself tired, and sank to slumber. I watched from that midnight hour till high noon on the morrow for his waking. The chamber was dark; till, longing for light, I opened the window-shutter, and the broad day looked in on the marble features of the dead.

I religiously obeyed his instructions with regard to the papers in the escritoire, and burned them in a heap without looking into one, though sorely tempted. But the old journal I kept. Perhaps in strict conscience I ought also to have burned that; but casting my eye over some half-torn leaves the other day, I could not resist an impulse to give some fragments of it to the public. To do this satisfactorily, I am obliged to twist this thread, so as to string together into a semblance of order my Oberon’s “random pearls.”

If anybody that holds any commerce with his fellowmen can be called solitary, Oberon was a “solitary man.” He lived in a small village at some distance from the metropolis, and never came up to the city except once in three months for the purpose of looking into a bookstore, and of spending two hours and a half with me. In that space of time I would tell him all that I could remember of interest which had occurred in the interim of his visits. He would join very heartily in the conversation; but as soon as the time of his usual tarrying had elapsed, he would take up his hat and depart. He was unequivocally the most original person I ever knew. His style of composition was very charming. No tales that have ever appeared in our popular journals have been so generally admired as his. But a sadness was on his spirit; and this, added to the shrinking sensitiveness of his nature, rendered him not misanthropic, but singularly averse to social intercourse. Of the disease, which was slowly sapping the springs of his life, he first became fully conscious after one of those long abstractions in which he was wont to indulge. It is remarkable, however, that his first idea of this sort, instead of deepening his spirit with a more melancholy hue, restored him to a more natural state of mind.

He had evidently cherished a secret hope that some impulse would at length be given him, or that he would muster sufficient energy of will to return into the world, and act a wiser and happier part than his former one. But life never called the dreamer forth; it was Death that whispered him. It is to be regretted that this portion of his old journal contains so few passages relative to this interesting period; since the little which he has recorded, though melancholy enough, breathes the gentleness of a spirit newly restored to communion with its kind. If there be anything bitter in the following reflections, its source is in human sympathy, and its sole object is himself.

“It is hard to die without one’s happiness; to none more so than myself, whose early resolution it had been to partake largely of the joys of life, but never to be burdened with its cares. Vain philosophy! The very hardships of the poorest laborer, whose whole existence seems one long toil, has something preferable to my best pleasures.

“Merely skimming the surface of life, I know nothing, by my own experience, of its deep and warm realities. I have achieved none of those objects which the instinct of mankind especially prompts them to pursue, and the accomplishment of which must therefore beget a native satisfaction. The truly wise, after all their speculations, will be led into the common path, and, in homage to the human nature that pervades them, will gather gold, and till the earth, and set out trees, and build a house. But I have scorned such wisdom. I have rejected, also, the settled, sober, careful gladness of a man by his own fireside, with those around him whose welfare is committed to his trust and all their guidance to his fond authority. Without influence among serious affairs, my footsteps were not imprinted on the earth, but lost in air; and I shall leave no son to inherit my share of life, with a better sense of its privileges and duties, when his father should vanish like a bubble; so that few mortals, even the humblest and the weakest, have been such ineffectual shadows in the world, or die so utterly as I must. Even a young man’s bliss has not been mine. With a thousand vagrant fantasies, I have never truly loved, and perhaps shall be doomed to loneliness throughout the eternal future, because, here on earth, my soul has never married itself to the soul of woman.

“Such are the repinings of one who feels, too late, that the sympathies of his nature have avenged themselves upon him. They have prostrated, with a joyless life and the prospect of a reluctant death, my selfish purpose to keep aloof from mortal disquietudes, and be a pleasant idler among care-stricken and laborious men. I have other regrets, too, savoring more of my old spirit. The time has been when I meant to visit every region of the earth, except the poles and Central Africa. I had a strange longing to see the Pyramids. To Persia and Arabia, and all the gorgeous East, I owed a pilgrimage for the sake of their magic tales. And England, the land of my ancestors! Once I had fancied that my sleep would not be quiet in the grave unless I should return, as it were, to my home of past ages, and see the very cities, and castles, and battle-fields of history, and stand within the holy gloom of its cathedrals, and kneel at the shrines of its immortal poets, there asserting myself their hereditary countryman. This feeling lay among the deepest in my heart. Yet, with this homesickness for the father-land, and all these plans of remote travel,—which I yet believe that my peculiar instinct impelled me to form, and upbraided me for not accomplishing,—the utmost limit of my wanderings has been little more than six hundred miles from my native village. Thus, in whatever way I consider my life, or what must be termed such, I cannot feel as if I had lived at all.

“I am possessed, also, with the thought that I have never yet discovered the real secret of my powers; that there has been a mighty treasure within my reach, a mine of gold beneath my feet, worthless because I have never known how to seek for it; and for want of perhaps one fortunate idea, I am to die

‘Unwept, unhonored, and unsung.‘

“Once, amid the troubled and tumultuous enjoyment of my life, there was a dreamy thought that haunted me, the terrible necessity imposed on mortals to grow old, or die. I could not bear the idea of losing one youthful grace. True, I saw other men, who had once been young and now were old, enduring their age with equanimity, because each year reconciled them to its own added weight. But for myself, I felt that age would be not less miserable, creeping upon me slowly, than if it fell at once. I sometimes looked in the glass, and endeavored to fancy my cheeks yellow and interlaced with furrows, my forehead wrinkled deeply across, the top of my head bald and polished, my eyebrows and side-locks iron gray, and a grisly beard sprouting on my chin. Shuddering at the picture, I changed it for the dead face of a young mail, with dark locks clustering heavily round its pale beauty, which would decay, indeed, but not with years, nor in the sight of men. The latter visage shocked me least.

“Such a repugnance to the hard conditions of long life is common to all sensitive and thoughtful men, who minister to the luxury, the refinements, the gayety and lightsomeness, to anything, in short, but the real necessities of their fellow-creatures. He who has a part in the serious business of life, though it be only as a shoemaker, feels himself equally respectable in youth and in age, and therefore is content to live and look forward to wrinkles and decrepitude in their due season. It is far otherwise with the busy idlers of the world. I was particularly liable to this torment, being a meditative person in spite of my levity. The truth could not be concealed, nor the contemplation of it avoided. With deep inquietude I became aware that what was graceful now, and seemed appropriate enough to my age of flowers, would be ridiculous in middle life; and that the world, so indulgent to the fantastic youth, would scorn the bearded than, still telling love-tales, loftily ambitious of a maiden’s tears, and squeezing out, as it were, with his brawny strength, the essence of roses. And in his old age the sweet lyrics of Anacreon made the girls laugh at his white hairs the more. With such sentiments, conscious that my part in the drama of life was fit only for a youthful performer, I nourished a regretful desire to be summoned early from the scene. I set a limit to myself, the age of twenty-five, few years indeed, but too many to be thrown away. Scarcely had I thus fixed the term of my mortal pilgrimage, than the thought grew into a presentiment that, when the space should be completed, the world would have one butterfly the less, by my far flight.

“O, how fond I was of life, even while allotting, as my proper destiny, an early death! I loved the world, its cities, its villages, its grassy roadsides, its wild forests, its quiet scenes, its gay, warm, enlivening bustle; in every aspect, I loved the world so long as I could behold it with young eyes and dance through it with a young heart. The earth had been made so beautiful, that I longed for no brighter sphere, but only an ever-youthful eternity in this. I clung to earth as if my beginning and ending were to be there, unable to imagine any but an earthly happiness, and choosing such, with all its imperfections, rather than perfect bliss which might be alien from it. Alas! I had not wet known that weariness by which the soul proves itself ethereal.”

Turning over the old journal, I open, by chance, upon a passage which affords a signal instance of the morbid fancies to which Oberon frequently yielded himself. Dreams like the following were probably engendered by the deep gloom sometimes thrown over his mind by his reflections on death.

“I dreamed that one bright forenoon I was walking through Broadway, and seeking to cheer myself with the warm and busy life of that far-famed promenade. Here a coach thundered over the pavement, and there an unwieldy omnibus, with spruce gigs rattling past, and horsemen prancing through all the bustle. On the sidewalk people were looking at the rich display of goods, the plate and jewelry, or the latest caricature ill the bookseller’s windows; while fair ladies and whiskered gentlemen tripped gayly along, nodding mutual recognitions, or shrinking from some rough countryman or sturdy laborer whose contact might have ruffled their finery. I found myself in this animated scene, with a dim and misty idea that it was not my proper place, or that I had ventured into the crowd with some singularity of dress or aspect which made me ridiculous. Walking in the sunshine, I was yet cold as death. By degrees, too, I perceived myself the object of universal attention, and, as it seemed, of horror and affright. Every face grew pale; the laugh was hushed, and the voices died away in broken syllables; the people in the shops crowded to the doors with a ghastly stare, and the passengers oil all sides fled as from an embodied pestilence. The horses reared and snorted. An old beggar-woman sat before St. Paul’s Church, with her withered palm stretched out to all, but drew it back from me, and pointed to the graves and monuments in that populous churchyard. Three lovely girls whom I had formerly known, ran shrieking across the street. A personage in black, whom I was about to overtake, suddenly turned his head and showed the features of a long-lost friend. He gave me a look of horror and was gone.

“I passed not one step farther, but threw my eyes on a looking-glass which stood deep within the nearest shop. At first glimpse of my own figure I awoke, with a horrible sensation of self-terror and self-loathing. No wonder that the affrighted city fled! I had been promenading Broadway in my shroud!”

I should be doing injustice to my friend’s memory, were I to publish other extracts even nearer to insanity than this, front the scarcely legible papers before me. I gather from them—for I do not remember that he ever related to me the circumstances—that he once made a journey, chiefly on foot, to Niagara. Some conduct of the friends among whom he resided in his native village was constructed by him into oppression. These were the friends to whose care he had been committed by his parents, who died when Oberon was about twelve years of age. Though he had always been treated by them with the most uniform kindness, and though a favorite among the people of the village rather on account of the sympathy which they felt in his situation than from any merit of his own, such was the waywardness of his temper, that on a slight provocation he ran away from the home that sheltered him, expressing openly his determination to die sooner than return to the detested spot. A severe illness overtook him after he had been absent about four months. While ill, he felt how unsoothing were the kindest looks and tones of strangers. He rose from his sick-bed a better man, and determined upon a speedy self-atonement by returning to his native town. There he lived, solitary and sad, but forgiven and cherished by his friends, till the day he died. That part of the journal which contained a description of this journey is mostly destroyed. Here and there is a fragment. I cannot select, for the pages are very scanty; but I do not withhold the following fragments, because they indicate a better and more cheerful frame of mind than the foregoing.

“On reaching the ferry-house, a rude structure of boards at the foot of the cliff, I found several of those wretches devoid of poetry, and lost some of my own poetry by contact with them. The hut was crowded by a party of provincials,—a simple and merry set, who had spent the afternoon fishing near the Falls, and were bartering black and white bass and eels for the ferryman’s whiskey. A greyhound and three spaniels, brutes of much more grace and decorous demeanor than their masters, sat at the door. A few yards off, yet wholly unnoticed by the dogs, was a beautiful fox, whose countenance betokened all the sagacity attributed to him in ancient fable. He had a comfortable bed of straw in an old barrel, whither he retreated, flourishing his bushy tail as I made a step towards him, but soon came forth and surveyed me with a keen and intelligent eye. The Canadians bartered their fish and drank their whiskey, and were loquacious on trifling subjects, and merry at simple jests, with as little regard to the scenery as they could have to the flattest part of the Grand Canal. Nor was I entitled to despise them; for I amused myself with all those foolish matters of fishermen, and dogs, and fox, just as if Sublimity and Beauty were not married at that place and moment; as if their nuptial band were not the brightest of all rainbows on the opposite shore; as if the gray precipice were not frowning above my head and Niagara thundering around me.

“The grim ferryman, a black-whiskered giant, half drunk withal, now thrust the Canadians by main force out of his door, launched a boat, and bade me sit in the stern-sheets. Where we crossed the river was white with foam, yet did not offer much resistance to a straight passage, which brought us close to the outer edge of the American falls. The rainbow vanished as we neared its misty base, and when I leaped ashore, the sun had left all Niagara in shadow.”

“A sound of merriment, sweet voices and girlish laughter, came dancing through the solemn roar of waters. In old times, when the French, and afterwards the English, held garrisons near Niagara, it used to be deemed a feat worthy of a soldier, a frontier man, or an Indian, to cross the rapids to Goat Island. As the country became less rude and warlike, a long space intervened, in which it was but half believed, by a faint and doubtful tradition, that mortal foot bad never trod this wild spot of precipice and forest clinging between two cataracts. The island is no longer a tangled forest, but a grove of stately trees, with grassy intervals about their roots and woodland paths among their trunks.

“There was neither soldier nor Indian here now, but a vision of three lovely girls, running brief races through the broken sunshine of the grove, hiding behind the trees, and pelting each other with the cones of the pine. When their sport had brought them near me, it so happened that one of the party ran up and shook me by the band,—a greeting which I heartily returned, and would have done the same had it been tenderer. I had known this wild little black-eyed lass in my youth and her childhood, before I had commenced my rambles.

“We met on terms of freedom and kindness, which elder ladies might have thought unsuitable with a gentleman of my description. When I alluded to the two fair strangers, she shouted after them by their Christian names, at which summons, with grave dignity, they drew near, and honored me with a distant courtesy. They were from the upper part of Vermont. Whether sisters, or cousins, or at all related to each other, I cannot tell; but they are planted in my memory like ‘two twin roses on one stem,’ with the fresh dew in both their bosoms; and when I would have pure and pleasant thoughts, I think of them. Neither of them could have seen seventeen years. They both were of a height, and that a moderate one. The rose-bloom of their cheeks could hardly be called bright in her who was the rosiest, nor faint, though a shade less deep, in her companion. Both had delicate eyebrows, not strongly defined, yet somewhat darker than their hair; both had small sweet mouths, maiden mouths, of not so warns and deep a tint as ruby, but only red as the reddest rose; each had those gems, the rarest, the most precious, a pair of clear, soft bright blue eyes. Their style of dress was similar; one had on a black silk gown, with a stomacher of velvet, and scalloped cuffs of the same from the wrist to the elbow; the other wore cuffs and stomacher of the like pattern and material, over a gown of crimson silk. The dress was rather heavy for their slight figures, but suited to September. They and the darker beauty all carried their straw bonnets in their hands.”

I cannot better conclude these fragments than with poor Oberon’s description of his return to his native village after his slow recovery from his illness. How beautifully does he express his penitential emotions! A beautiful moral may be indeed drawn from the early death of a sensitive recluse, who had shunned the ordinary avenues of distinction, and with splendid abilities sank to rest into an early grave, almost unknown to mankind, and without any record save what my pen hastily leaves upon these tear-blotted pages.

II.

MY HOME RETURN.

When the stage-coach had gained the summit of the hill, I alighted to perform the small remainder of my journey on foot. There had not been a more delicious afternoon than this in all the train of summer, the air being a sunny perfume, made up of balm and warmth, and gentle brightness. The oak and walnut trees over my head retained their deep masses of foliage, and the grass, though for months the pasturage of stray cattle, had been revived with the freshness of early June by the autumnal rains of the preceding week. The garb of autumn, indeed, resembled that of spring. Dandelions and butterflies were sprinkled along the roadside like drops of brightest gold in greenest grass, and a star-shaped little flower of blue, with a golden centre. In a rocky spot, and rooted under the stone walk, there was one wild rose-bush bearing three roses very faintly tinted, but blessed with a spicy fragrance. The same tokens would have announced that the year was brightening into the glow of summer. There were violets too, though few and pale ones. But the breath of September was diffused through the mild air, and became perceptible, too thrillingly for my enfeebled frame, whenever a little breeze shook out the latent coolness.

“I was standing on the hill at the entrance of my native village, whence I had looked back to bid farewell, and forward to the pale mist-bow that overarched my path, and was the omen of my fortunes. How I had misinterpreted that augury, the ghost of hope, with none of hope’s bright hues! Nor could I deem that all its portents were yet accomplished, though from the same western sky the declining sun shone brightly in my face. But I was calm and not depressed. Turning to the village, so dim and dream-like at my last view, I saw the white houses and brick stores, the intermingled trees, the footpaths with their wide borders of grass, and the dusty road between; all a picture of peaceful gladness in the sunshine.

“‘Why have I never loved my home before?’ thought I, as my spirit reposed itself on the quiet beauty of the scene.

“On the side of the opposite hill was the graveyard, sloping towards the farther extremity of the village. The sun shone as cheerfully there as on the abodes of the living, and showed all the little hillocks and the burial-stones, white marble or slate, and here and there a tomb, with the pleasant grass about them all. A single tree was tinged with glory from the west, and threw a pensive shade behind. Not far from where it fell was the tomb of my parents, whom I had hardly thought of in bidding adieu to the village, but had remembered them more faithfully among the feelings that drew me homeward. At my departure their tomb had been hidden in the morning mist. Beholding it in the sunshine now, I felt a sensation through my frame as if a breeze had thrown the coolness of September over me, though not a leaf was stirred, nor did the thistle-down take flight. Was I to roam no more through this beautiful world, but only to the other end of the village? Then let me lie down near my parents, but not with them, because I love a green grave better than a tomb.

“Moving slowly forward, I heard shouts and laughter, and perceived a considerable throng of people, who came from behind the meeting-house and made a stand in front of it. Thither all the idlers in the village were congregated to witness the exercises of the engine company, this being the afternoon of their monthly practice. They deluged the roof of the meeting-house, till the water fell from the eaves in a broad cascade; then the stream beat against the dusty windows like a thunder-storm; and sometimes they flung it up beside the steeple, sparkling in an ascending shower about the weathercock. For variety’s sake the engineer made it undulate horizontally, like a great serpent flying over the earth. As his last effort, being roguishly inclined, he seemed to take aim at the sky, falling short rather of which, down came the fluid, transformed to drops of silver, on the thickest crowd of the spectators. Then ensued a prodigious rout and mirthful uproar, with no little wrath of the surly ones, whom this is an infallible method of distinguishing. The joke afforded infinite amusement to the ladies at the windows and some old people under the hay-scales. I also laughed at a distance, and was glad to find myself susceptible, as of old, to the simple mirth of such a scene.

“But the thoughts that it excited were not all mirthful. I had witnessed hundreds of such spectacles in my youth, and one precisely similar only a few days before my departure. And now, the aspect of the village being the same, and the crowd composed of my old acquaintances, I could hardly realize that years had passed, or even months, or that the very drops of water were not falling at this moment, which had been flung up then. But I pressed the conviction home, that, brief as the time appeared, it had been long enough for me to wander away and return again, with my fate accomplished, and little more hope in this world. The last throb of an adventurous and wayward spirit kept me from repining. I felt as if it were better, or not worse, to have compressed my enjoyments and sufferings into a few wild years, and then to rest myself in an early grave, than to have chosen the untroubled and ungladdened course of the crowd before me, whose days were all alike, and a long lifetime like each day. But the sentiment startled me. For a moment I doubted whether my dear-bought wisdom were anything but the incapacity to pursue fresh follies, and whether, if health and strength could be restored that night, I should be found in the village after to-morrow’s dawn.

“Among other novelties, I had noticed that the tavern was now designated as a Temperance House, in letters extending across the whole front, with a smaller sign promising Hot Coffee at all hours, and Spruce Beer to lodgers gratis. There were few new buildings, except a Methodist chapel and a printing-office, with a bookstore in the lower story. The golden mortar still ornamented the apothecary’s door, nor had the Indian Chief, with his gilded tobacco stalk, been relieved from doing sentinel’s duty before Dominicus Pike’s grocery. The gorgeous silks, though of later patterns, were still flaunting like a banner in front of Mr. Nightingale’s dry-goods store. Some of the signs introduced me to strangers, whose predecessors had failed, or emigrated to the West, or removed merely to the other end of the village, transferring their names from the sign-boards to slabs of marble or slate. But, on the whole, death and vicissitude had done very little. There were old men, scattered about the street, who had been old in my earliest reminiscences; and, as if their venerable forms were permanent parts of the creation, they appeared to be hale and hearty old men yet. The less elderly were more altered, having generally contracted a stoop, with hair wofully thinned and whitened. Some I could hardly recognize; at my last glance they had been boys and girls, but were young men and women when I looked again; and there were happy little things too, rolling about on the grass, whom God had made since my departure.

“But now, in my lingering course I had descended the bill, and began to consider, painfully enough, how I should meet my townspeople, and what reception they would give me. Of many an evil prophecy, doubtless, had I been the subject. And would they salute me with a roar of triumph or a low hiss of scorn, on beholding their worst anticipations more than accomplished?

“‘No,’ said I, ‘they will not triumph over me. And should they ask the cause of my return, I will tell f hem that a man may go far and tarry long away, if his health be good and his hopes high; but that when flesh and spirit begin to fail, he remembers his birthplace and the old burial-ground, and hears a voice calling him to cone home to his father and mother. They will know, by my wasted frame and feeble step, that I have heard the summons and obeyed. And, the first greetings over, they will let me walk among them unnoticed, and linger in the sunshine while I may, and steal into my grave in peace.’

“With these reflections I looked kindly at the crowd, and drew off my glove, ready to give my hand to the first that should put forth his. It occurred to me, also, that some youth among them, now at the crisis of his fate, might have felt his bosom thrill at my example, and be emulous of my wild life and worthless fame. But I would save him.

“‘He shall be taught,’ said I, ‘by my life, and by my death, that the world is a sad one for him who shrinks from its sober duties. My experience shall warn him to adopt some great and serious aim, such as manhood will cling to, that he may not feel himself, too late, a cumberer of this overladen earth, but a man among men. I will beseech him not to follow an eccentric path, nor, by stepping aside from the highway of human affairs, to relinquish his claim upon human sympathy. And often, as a text of deep and varied meaning, I will remind him that he is an American.’

“By this time I had drawn near the meeting-house, and perceived that the crowd were beginning to recognize me.”

These are the last words traced by his hand. Has not so chastened a spirit found true communion with the pure in Heaven? “Until of late, I never could believe that I was seriously ill: the past, I thought, could not extend its misery beyond itself; life was restored to me, and should not be missed again. I had day-dreams even of wedded happiness. Still, as the days wear on, a faintness creeps through my frame and spirit, recalling the consciousness that a very old man might as well nourish hope and young desire as I at twenty-four. Yet the consciousness of my situation does not always make me sad. Sometimes I look upon the world with a quiet interest, because it cannot, concern me personally, and a loving one for the same reason, because nothing selfish can interfere with the sense of brotherhood. Soon to be all spirit, I have already a spiritual sense of human nature, and see deeply into the hearts of mankind, discovering what is hidden from the wisest. The loves of young men and virgins are known to me, before the first kiss, before the whispered word, with the birth of the first sigh. My glance comprehends the crowd, and penetrates the breast of the solitary man. I think better of the world than formerly, more generously of its virtues, more mercifully of its faults, with a higher estimate of its present happiness, and brighter hopes of its destiny. My mind has put forth a second crop of blossoms, as the trees do in the Indian summer. No winter will destroy their beauty, for they are fanned by the breeze and freshened by the shower that breathes and falls in the gardens of Paradise!”

*** END OF THE PROJECT GUTENBERG EBOOK FRAGMENTS FROM THE JOURNAL OF A SOLITARY MAN ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE DOLIVER ROMANCE AND OTHER PIECES TALES AND SKETCHES

- FRAGMENTS FROM THE JOURNAL OF A SOLITARY MAN

- I.

- II. MY HOME RETURN.

- THE FULL PROJECT GUTENBERG™ LICENSE