The Project Gutenberg eBook of Anti-Slavery Poems 3., by John Greenleaf Whittier

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: Anti-Slavery Poems 3.

Subtitle: Part 3 From Volume III of The Works of John Greenleaf Whittier

Author: John Greenleaf Whittier

Release Date: December 1, 2005 [EBook #9577]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK ***

This eBook was produced by David Widger

ANTI-SLAVERY POEMS

SONGS OF LABOR AND REFORM

BY

JOHN GREENLEAF WHITTIER

CONTENTS:

DERNE A SABBATH SCENE IN THE EVIL DAY MOLOCH IN STATE STREET OFFICIAL PIETY THE RENDITION ARISEN AT LAST THE HASCHISH FOR RIGHTEOUSNESS' SAKE THE KANSAS EMIGRANTS LETTER FROM A MISSIONARY OF THE METHODIST EPISCOPAL CHURCH SOUTH, IN KANSAS, TO A DISTINGUISHED POLITICIAN BURIAL OF BARBER TO PENNSYLVANIA LE MARAIS DU CYGNE. THE PASS OF THE SIERRA A SONG FOR THE TIME WHAT OF THE DAY? A SONG, INSCRIBED TO THE FREMONT CLUBS THE PANORAMA ON A PRAYER-BOOK THE SUMMONS TO WILLIAM H. SEWARD

DERNE.

The storming of the city of Derne, in 1805, by General Eaton, at the head of nine Americans, forty Greeks, and a motley array of Turks and Arabs, was one of those feats of hardihood and daring which have in all ages attracted the admiration of the multitude. The higher and holier heroism of Christian self-denial and sacrifice, in the humble walks of private duty, is seldom so well appreciated.

NIGHT on the city of the Moor!

On mosque and tomb, and white-walled shore,

On sea-waves, to whose ceaseless knock

The narrow harbor-gates unlock,

On corsair's galley, carack tall,

And plundered Christian caraval!

The sounds of Moslem life are still;

No mule-bell tinkles down the hill;

Stretched in the broad court of the khan,

The dusty Bornou caravan

Lies heaped in slumber, beast and man;

The Sheik is dreaming in his tent,

His noisy Arab tongue o'erspent;

The kiosk's glimmering lights are gone,

The merchant with his wares withdrawn;

Rough pillowed on some pirate breast,

The dancing-girl has sunk to rest;

And, save where measured footsteps fall

Along the Bashaw's guarded wall,

Or where, like some bad dream, the Jew

Creeps stealthily his quarter through,

Or counts with fear his golden heaps,

The City of the Corsair sleeps.

But where yon prison long and low

Stands black against the pale star-glow,

Chafed by the ceaseless wash of waves,

There watch and pine the Christian slaves;

Rough-bearded men, whose far-off wives

Wear out with grief their lonely lives;

And youth, still flashing from his eyes

The clear blue of New England skies,

A treasured lock of whose soft hair

Now wakes some sorrowing mother's prayer;

Or, worn upon some maiden breast,

Stirs with the loving heart's unrest.

A bitter cup each life must drain,

The groaning earth is cursed with pain,

And, like the scroll the angel bore

The shuddering Hebrew seer before,

O'erwrit alike, without, within,

With all the woes which follow sin;

But, bitterest of the ills beneath

Whose load man totters down to death,

Is that which plucks the regal crown

Of Freedom from his forehead down,

And snatches from his powerless hand

The sceptred sign of self-command,

Effacing with the chain and rod

The image and the seal of God;

Till from his nature, day by day,

The manly virtues fall away,

And leave him naked, blind and mute,

The godlike merging in the brute!

Why mourn the quiet ones who die

Beneath affection's tender eye,

Unto their household and their kin

Like ripened corn-sheaves gathered in?

O weeper, from that tranquil sod,

That holy harvest-home of God,

Turn to the quick and suffering, shed

Thy tears upon the living dead

Thank God above thy dear ones' graves,

They sleep with Him, they are not slaves.

What dark mass, down the mountain-sides

Swift-pouring, like a stream divides?

A long, loose, straggling caravan,

Camel and horse and armed man.

The moon's low crescent, glimmering o'er

Its grave of waters to the shore,

Lights tip that mountain cavalcade,

And gleams from gun and spear and blade

Near and more near! now o'er them falls

The shadow of the city walls.

Hark to the sentry's challenge, drowned

In the fierce trumpet's charging sound!

The rush of men, the musket's peal,

The short, sharp clang of meeting steel!

Vain, Moslem, vain thy lifeblood poured

So freely on thy foeman's sword!

Not to the swift nor to the strong

The battles of the right belong;

For he who strikes for Freedom wears

The armor of the captive's prayers,

And Nature proffers to his cause

The strength of her eternal laws;

While he whose arm essays to bind

And herd with common brutes his kind

Strives evermore at fearful odds

With Nature and the jealous gods,

And dares the dread recoil which late

Or soon their right shall vindicate.

'T is done, the horned crescent falls

The star-flag flouts the broken walls

Joy to the captive husband! joy

To thy sick heart, O brown-locked boy!

In sullen wrath the conquered Moor

Wide open flings your dungeon-door,

And leaves ye free from cell and chain,

The owners of yourselves again.

Dark as his allies desert-born,

Soiled with the battle's stain, and worn

With the long marches of his band

Through hottest wastes of rock and sand,

Scorched by the sun and furnace-breath

Of the red desert's wind of death,

With welcome words and grasping hands,

The victor and deliverer stands!

The tale is one of distant skies;

The dust of half a century lies

Upon it; yet its hero's name

Still lingers on the lips of Fame.

Men speak the praise of him who gave

Deliverance to the Moorman's slave,

Yet dare to brand with shame and crime

The heroes of our land and time,—

The self-forgetful ones, who stake

Home, name, and life for Freedom's sake.

God mend his heart who cannot feel

The impulse of a holy zeal,

And sees not, with his sordid eyes,

The beauty of self-sacrifice

Though in the sacred place he stands,

Uplifting consecrated hands,

Unworthy are his lips to tell

Of Jesus' martyr-miracle,

Or name aright that dread embrace

Of suffering for a fallen race!

1850.

A SABBATH SCENE.

This poem finds its justification in the readiness with which, even in the North, clergymen urged the prompt execution of the Fugitive Slave Law as a Christian duty, and defended the system of slavery as a Bible institution.

SCARCE had the solemn Sabbath-bell

Ceased quivering in the steeple,

Scarce had the parson to his desk

Walked stately through his people,

When down the summer-shaded street

A wasted female figure,

With dusky brow and naked feet,

Came rushing wild and eager.

She saw the white spire through the trees,

She heard the sweet hymn swelling

O pitying Christ! a refuge give

That poor one in Thy dwelling!

Like a scared fawn before the hounds,

Right up the aisle she glided,

While close behind her, whip in hand,

A lank-haired hunter strided.

She raised a keen and bitter cry,

To Heaven and Earth appealing;

Were manhood's generous pulses dead?

Had woman's heart no feeling?

A score of stout hands rose between

The hunter and the flying:

Age clenched his staff, and maiden eyes

Flashed tearful, yet defying.

"Who dares profane this house and day?"

Cried out the angry pastor.

"Why, bless your soul, the wench's a slave,

And I'm her lord and master!

"I've law and gospel on my side,

And who shall dare refuse me?"

Down came the parson, bowing low,

"My good sir, pray excuse me!

"Of course I know your right divine

To own and work and whip her;

Quick, deacon, throw that Polyglott

Before the wench, and trip her!"

Plump dropped the holy tome, and o'er

Its sacred pages stumbling,

Bound hand and foot, a slave once more,

The hapless wretch lay trembling.

I saw the parson tie the knots,

The while his flock addressing,

The Scriptural claims of slavery

With text on text impressing.

"Although," said he, "on Sabbath day

All secular occupations

Are deadly sins, we must fulfil

Our moral obligations:

"And this commends itself as one

To every conscience tender;

As Paul sent back Onesimus,

My Christian friends, we send her!"

Shriek rose on shriek,—the Sabbath air

Her wild cries tore asunder;

I listened, with hushed breath, to hear

God answering with his thunder!

All still! the very altar's cloth

Had smothered down her shrieking,

And, dumb, she turned from face to face,

For human pity seeking!

I saw her dragged along the aisle,

Her shackles harshly clanking;

I heard the parson, over all,

The Lord devoutly thanking!

My brain took fire: "Is this," I cried,

"The end of prayer and preaching?

Then down with pulpit, down with priest,

And give us Nature's teaching!

"Foul shame and scorn be on ye all

Who turn the good to evil,

And steal the Bible, from the Lord,

To give it to the Devil!

"Than garbled text or parchment law

I own a statute higher;

And God is true, though every book

And every man's a liar!"

Just then I felt the deacon's hand

In wrath my coattail seize on;

I heard the priest cry, "Infidel!"

The lawyer mutter, "Treason!"

I started up,—where now were church,

Slave, master, priest, and people?

I only heard the supper-bell,

Instead of clanging steeple.

But, on the open window's sill,

O'er which the white blooms drifted,

The pages of a good old Book

The wind of summer lifted,

And flower and vine, like angel wings

Around the Holy Mother,

Waved softly there, as if God's truth

And Mercy kissed each other.

And freely from the cherry-bough

Above the casement swinging,

With golden bosom to the sun,

The oriole was singing.

As bird and flower made plain of old

The lesson of the Teacher,

So now I heard the written Word

Interpreted by Nature.

For to my ear methought the breeze

Bore Freedom's blessed word on;

Thus saith the Lord: Break every yoke,

Undo the heavy burden

1850.

IN THE EVIL DAYS.

This and the four following poems have special reference to that darkest hour in the aggression of slavery which preceded the dawn of a better day, when the conscience of the people was roused to action.

THE evil days have come, the poor

Are made a prey;

Bar up the hospitable door,

Put out the fire-lights, point no more

The wanderer's way.

For Pity now is crime; the chain

Which binds our States

Is melted at her hearth in twain,

Is rusted by her tears' soft rain

Close up her gates.

Our Union, like a glacier stirred

By voice below,

Or bell of kine, or wing of bird,

A beggar's crust, a kindly word

May overthrow!

Poor, whispering tremblers! yet we boast

Our blood and name;

Bursting its century-bolted frost,

Each gray cairn on the Northman's coast

Cries out for shame!

Oh for the open firmament,

The prairie free,

The desert hillside, cavern-rent,

The Pawnee's lodge, the Arab's tent,

The Bushman's tree!

Than web of Persian loom most rare,

Or soft divan,

Better the rough rock, bleak and bare,

Or hollow tree, which man may share

With suffering man.

I hear a voice: "Thus saith the Law,

Let Love be dumb;

Clasping her liberal hands in awe,

Let sweet-lipped Charity withdraw

From hearth and home."

I hear another voice: "The poor

Are thine to feed;

Turn not the outcast from thy door,

Nor give to bonds and wrong once more

Whom God hath freed."

Dear Lord! between that law and Thee

No choice remains;

Yet not untrue to man's decree,

Though spurning its rewards, is he

Who bears its pains.

Not mine Sedition's trumpet-blast

And threatening word;

I read the lesson of the Past,

That firm endurance wins at last

More than the sword.

O clear-eyed Faith, and Patience thou

So calm and strong!

Lend strength to weakness, teach us how

The sleepless eyes of God look through

This night of wrong

1850.

MOLOCH IN STATE STREET.

In a foot-note of the Report of the Senate of Massachusetts on the case of the arrest and return to bondage of the fugitive slave Thomas Sims it is stated that—"It would have been impossible for the U. S. marshal thus successfully to have resisted the law of the State, without the assistance of the municipal authorities of Boston, and the countenance and support of a numerous, wealthy, and powerful body of citizens. It was in evidence that 1500 of the most wealthy and respectable citizens-merchants, bankers, and others—volunteered their services to aid the marshal on this occasion. . . . No watch was kept upon the doings of the marshal, and while the State officers slept, after the moon had gone down, in the darkest hour before daybreak, the accused was taken out of our jurisdiction by the armed police of the city of Boston."

THE moon has set: while yet the dawn

Breaks cold and gray,

Between the midnight and the morn

Bear off your prey!

On, swift and still! the conscious street

Is panged and stirred;

Tread light! that fall of serried feet

The dead have heard!

The first drawn blood of Freedom's veins

Gushed where ye tread;

Lo! through the dusk the martyr-stains

Blush darkly red!

Beneath the slowly waning stars

And whitening day,

What stern and awful presence bars

That sacred way?

What faces frown upon ye, dark

With shame and pain?

Come these from Plymouth's Pilgrim bark?

Is that young Vane?

Who, dimly beckoning, speed ye on

With mocking cheer?

Lo! spectral Andros, Hutchinson,

And Gage are here!

For ready mart or favoring blast

Through Moloch's fire,

Flesh of his flesh, unsparing, passed

The Tyrian sire.

Ye make that ancient sacrifice

Of Mail to Gain,

Your traffic thrives, where Freedom dies,

Beneath the chain.

Ye sow to-day; your harvest, scorn

And hate, is near;

How think ye freemen, mountain-born,

The tale will hear?

Thank God! our mother State can yet

Her fame retrieve;

To you and to your children let

The scandal cleave.

Chain Hall and Pulpit, Court and Press,

Make gods of gold;

Let honor, truth, and manliness

Like wares be sold.

Your hoards are great, your walls are strong,

But God is just;

The gilded chambers built by wrong

Invite the rust.

What! know ye not the gains of Crime

Are dust and dross;

Its ventures on the waves of time

Foredoomed to loss!

And still the Pilgrim State remains

What she hath been;

Her inland hills, her seaward plains,

Still nurture men!

Nor wholly lost the fallen mart;

Her olden blood

Through many a free and generous heart

Still pours its flood.

That brave old blood, quick-flowing yet,

Shall know no check,

Till a free people's foot is set

On Slavery's neck.

Even now, the peal of bell and gun,

And hills aflame,

Tell of the first great triumph won

In Freedom's name. [10]

The long night dies: the welcome gray

Of dawn we see;

Speed up the heavens thy perfect day,

God of the free!

1851.

OFFICIAL PIETY.

Suggested by reading a state paper, wherein the higher law is invoked to sustain the lower one.

A Pious magistrate! sound his praise throughout

The wondering churches. Who shall henceforth doubt

That the long-wished millennium draweth nigh?

Sin in high places has become devout,

Tithes mint, goes painful-faced, and prays its lie

Straight up to Heaven, and calls it piety!

The pirate, watching from his bloody deck

The weltering galleon, heavy with the gold

Of Acapulco, holding death in check

While prayers are said, brows crossed, and beads are told;

The robber, kneeling where the wayside cross

On dark Abruzzo tells of life's dread loss

From his own carbine, glancing still abroad

For some new victim, offering thanks to God!

Rome, listening at her altars to the cry

Of midnight Murder, while her hounds of hell

Scour France, from baptized cannon and holy bell

And thousand-throated priesthood, loud and high,

Pealing Te Deums to the shuddering sky,

"Thanks to the Lord, who giveth victory!"

What prove these, but that crime was ne'er so black

As ghostly cheer and pious thanks to lack?

Satan is modest. At Heaven's door he lays

His evil offspring, and, in Scriptural phrase

And saintly posture, gives to God the praise

And honor of the monstrous progeny.

What marvel, then, in our own time to see

His old devices, smoothly acted o'er,—

Official piety, locking fast the door

Of Hope against three million soups of men,—

Brothers, God's children, Christ's redeemed,—and then,

With uprolled eyeballs and on bended knee,

Whining a prayer for help to hide the key!

1853.

THE RENDITION. On the 2d of June, 1854, Anthony Burns, a fugitive slave from Virginia, after being under arrest for ten days in the Boston Court House, was remanded to slavery under the Fugitive Slave Act, and taken down State Street to a steamer chartered by the United States Government, under guard of United States troops and artillery, Massachusetts militia and Boston police. Public excitement ran high, a futile attempt to rescue Burns having been made during his confinement, and the streets were crowded with tens of thousands of people, of whom many came from other towns and cities of the State to witness the humiliating spectacle.

I HEARD the train's shrill whistle call,

I saw an earnest look beseech,

And rather by that look than speech

My neighbor told me all.

And, as I thought of Liberty

Marched handcuffed down that sworded street,

The solid earth beneath my feet

Reeled fluid as the sea.

I felt a sense of bitter loss,—

Shame, tearless grief, and stifling wrath,

And loathing fear, as if my path

A serpent stretched across.

All love of home, all pride of place,

All generous confidence and trust,

Sank smothering in that deep disgust

And anguish of disgrace.

Down on my native hills of June,

And home's green quiet, hiding all,

Fell sudden darkness like the fall

Of midnight upon noon.

And Law, an unloosed maniac, strong,

Blood-drunken, through the blackness trod,

Hoarse-shouting in the ear of God

The blasphemy of wrong.

"O Mother, from thy memories proud,

Thy old renown, dear Commonwealth,

Lend this dead air a breeze of health,

And smite with stars this cloud.

"Mother of Freedom, wise and brave,

Rise awful in thy strength," I said;

Ah me! I spake but to the dead;

I stood upon her grave!

6th mo., 1854.

ARISEN AT LAST.

On the passage of the bill to protect the rights and liberties of the people of the State against the Fugitive Slave Act.

I SAID I stood upon thy grave,

My Mother State, when last the moon

Of blossoms clomb the skies of June.

And, scattering ashes on my head,

I wore, undreaming of relief,

The sackcloth of thy shame and grief.

Again that moon of blossoms shines

On leaf and flower and folded wing,

And thou hast risen with the spring!

Once more thy strong maternal arms

Are round about thy children flung,—

A lioness that guards her young!

No threat is on thy closed lips,

But in thine eye a power to smite

The mad wolf backward from its light.

Southward the baffled robber's track

Henceforth runs only; hereaway,

The fell lycanthrope finds no prey.

Henceforth, within thy sacred gates,

His first low howl shall downward draw

The thunder of thy righteous law.

Not mindless of thy trade and gain,

But, acting on the wiser plan,

Thou'rt grown conservative of man.

So shalt thou clothe with life the hope,

Dream-painted on the sightless eyes

Of him who sang of Paradise,—

The vision of a Christian man,

In virtue, as in stature great

Embodied in a Christian State.

And thou, amidst thy sisterhood

Forbearing long, yet standing fast,

Shalt win their grateful thanks at last;

When North and South shall strive no more,

And all their feuds and fears be lost

In Freedom's holy Pentecost.

6th mo., 1855.

THE HASCHISH.

OF all that Orient lands can vaunt

Of marvels with our own competing,

The strangest is the Haschish plant,

And what will follow on its eating.

What pictures to the taster rise,

Of Dervish or of Almeh dances!

Of Eblis, or of Paradise,

Set all aglow with Houri glances!

The poppy visions of Cathay,

The heavy beer-trance of the Suabian;

The wizard lights and demon play

Of nights Walpurgis and Arabian!

The Mollah and the Christian dog

Change place in mad metempsychosis;

The Muezzin climbs the synagogue,

The Rabbi shakes his beard at Moses!

The Arab by his desert well

Sits choosing from some Caliph's daughters,

And hears his single camel's bell

Sound welcome to his regal quarters.

The Koran's reader makes complaint

Of Shitan dancing on and off it;

The robber offers alms, the saint

Drinks Tokay and blasphemes the Prophet.

Such scenes that Eastern plant awakes;

But we have one ordained to beat it,

The Haschish of the West, which makes

Or fools or knaves of all who eat it.

The preacher eats, and straight appears

His Bible in a new translation;

Its angels negro overseers,

And Heaven itself a snug plantation!

The man of peace, about whose dreams

The sweet millennial angels cluster,

Tastes the mad weed, and plots and schemes,

A raving Cuban filibuster!

The noisiest Democrat, with ease,

It turns to Slavery's parish beadle;

The shrewdest statesman eats and sees

Due southward point the polar needle.

The Judge partakes, and sits erelong

Upon his bench a railing blackguard;

Decides off-hand that right is wrong,

And reads the ten commandments backward.

O potent plant! so rare a taste

Has never Turk or Gentoo gotten;

The hempen Haschish of the East

Is powerless to our Western Cotton!

1854.

FOR RIGHTEOUSNESS' SAKE.

Inscribed to friends under arrest for treason against the slave power.

THE age is dull and mean. Men creep,

Not walk; with blood too pale and tame

To pay the debt they owe to shame;

Buy cheap, sell dear; eat, drink, and sleep

Down-pillowed, deaf to moaning want;

Pay tithes for soul-insurance; keep

Six days to Mammon, one to Cant.

In such a time, give thanks to God,

That somewhat of the holy rage

With which the prophets in their age

On all its decent seemings trod,

Has set your feet upon the lie,

That man and ox and soul and clod

Are market stock to sell and buy!

The hot words from your lips, my own,

To caution trained, might not repeat;

But if some tares among the wheat

Of generous thought and deed were sown,

No common wrong provoked your zeal;

The silken gauntlet that is thrown

In such a quarrel rings like steel.

The brave old strife the fathers saw

For Freedom calls for men again

Like those who battled not in vain

For England's Charter, Alfred's law;

And right of speech and trial just

Wage in your name their ancient war

With venal courts and perjured trust.

God's ways seem dark, but, soon or late,

They touch the shining hills of day;

The evil cannot brook delay,

The good can well afford to wait.

Give ermined knaves their hour of crime;

Ye have the future grand and great,

The safe appeal of Truth to Time!

1855.

THE KANSAS EMIGRANTS.

This poem and the three following were called out by the popular movement of Free State men to occupy the territory of Kansas, and by the use of the great democratic weapon—an over-powering majority—to settle the conflict on that ground between Freedom and Slavery. The opponents of the movement used another kind of weapon.

WE cross the prairie as of old

The pilgrims crossed the sea,

To make the West, as they the East,

The homestead of the free!

We go to rear a wall of men

On Freedom's southern line,

And plant beside the cotton-tree

The rugged Northern pine!

We're flowing from our native hills

As our free rivers flow;

The blessing of our Mother-land

Is on us as we go.

We go to plant her common schools,

On distant prairie swells,

And give the Sabbaths of the wild

The music of her bells.

Upbearing, like the Ark of old,

The Bible in our van,

We go to test the truth of God

Against the fraud of man.

No pause, nor rest, save where the streams

That feed the Kansas run,

Save where our Pilgrim gonfalon

Shall flout the setting sun.

We'll tread the prairie as of old

Our fathers sailed the sea,

And make the West, as they the East,

The homestead of the free!

1854.

LETTER FROM A MISSIONARY OF THE METHODIST EPISCOPAL CHURCH SOUTH, IN KANSAS, TO A DISTINGUISHED POLITICIAN.

DOUGLAS MISSION, August, 1854,

LAST week—the Lord be praised for all His mercies

To His unworthy servant!—I arrived

Safe at the Mission, via Westport; where

I tarried over night, to aid in forming

A Vigilance Committee, to send back,

In shirts of tar, and feather-doublets quilted

With forty stripes save one, all Yankee comers,

Uncircumcised and Gentile, aliens from

The Commonwealth of Israel, who despise

The prize of the high calling of the saints,

Who plant amidst this heathen wilderness

Pure gospel institutions, sanctified

By patriarchal use. The meeting opened

With prayer, as was most fitting. Half an hour,

Or thereaway, I groaned, and strove, and wrestled,

As Jacob did at Penuel, till the power

Fell on the people, and they cried 'Amen!'

"Glory to God!" and stamped and clapped their hands;

And the rough river boatmen wiped their eyes;

"Go it, old hoss!" they cried, and cursed the niggers—

Fulfilling thus the word of prophecy,

"Cursed be Cannan." After prayer, the meeting

Chose a committee—good and pious men—

A Presbyterian Elder, Baptist deacon,

A local preacher, three or four class-leaders,

Anxious inquirers, and renewed backsliders,

A score in all—to watch the river ferry,

(As they of old did watch the fords of Jordan,)

And cut off all whose Yankee tongues refuse

The Shibboleth of the Nebraska bill.

And then, in answer to repeated calls,

I gave a brief account of what I saw

In Washington; and truly many hearts

Rejoiced to know the President, and you

And all the Cabinet regularly hear

The gospel message of a Sunday morning,

Drinking with thirsty souls of the sincere

Milk of the Word. Glory! Amen, and Selah!

Here, at the Mission, all things have gone well

The brother who, throughout my absence, acted

As overseer, assures me that the crops

Never were better. I have lost one negro,

A first-rate hand, but obstinate and sullen.

He ran away some time last spring, and hid

In the river timber. There my Indian converts

Found him, and treed and shot him. For the rest,

The heathens round about begin to feel

The influence of our pious ministrations

And works of love; and some of them already

Have purchased negroes, and are settling down

As sober Christians! Bless the Lord for this!

I know it will rejoice you. You, I hear,

Are on the eve of visiting Chicago,

To fight with the wild beasts of Ephesus,

Long John, and Dutch Free-Soilers. May your arm

Be clothed with strength, and on your tongue be found

The sweet oil of persuasion. So desires

Your brother and co-laborer. Amen!

P.S. All's lost. Even while I write these lines,

The Yankee abolitionists are coming

Upon us like a flood—grim, stalwart men,

Each face set like a flint of Plymouth Rock

Against our institutions—staking out

Their farm lots on the wooded Wakarusa,

Or squatting by the mellow-bottomed Kansas;

The pioneers of mightier multitudes,

The small rain-patter, ere the thunder shower

Drowns the dry prairies. Hope from man is not.

Oh, for a quiet berth at Washington,

Snug naval chaplaincy, or clerkship, where

These rumors of free labor and free soil

Might never meet me more. Better to be

Door-keeper in the White House, than to dwell

Amidst these Yankee tents, that, whitening, show

On the green prairie like a fleet becalmed.

Methinks I hear a voice come up the river

From those far bayous, where the alligators

Mount guard around the camping filibusters

"Shake off the dust of Kansas. Turn to Cuba—

(That golden orange just about to fall,

O'er-ripe, into the Democratic lap;)

Keep pace with Providence, or, as we say,

Manifest destiny. Go forth and follow

The message of our gospel, thither borne

Upon the point of Quitman's bowie-knife,

And the persuasive lips of Colt's revolvers.

There may'st thou, underneath thy vine and figtree,

Watch thy increase of sugar cane and negroes,

Calm as a patriarch in his eastern tent!"

Amen: So mote it be. So prays your friend.

BURIAL OF BARBER.

Thomas Barber was shot December 6, 1855, near Lawrence, Kansas.

BEAR him, comrades, to his grave;

Never over one more brave

Shall the prairie grasses weep,

In the ages yet to come,

When the millions in our room,

What we sow in tears, shall reap.

Bear him up the icy hill,

With the Kansas, frozen still

As his noble heart, below,

And the land he came to till

With a freeman's thews and will,

And his poor hut roofed with snow.

One more look of that dead face,

Of his murder's ghastly trace!

One more kiss, O widowed one

Lay your left hands on his brow,

Lift your right hands up, and vow

That his work shall yet be done.

Patience, friends! The eye of God

Every path by Murder trod

Watches, lidless, day and night;

And the dead man in his shroud,

And his widow weeping loud,

And our hearts, are in His sight.

Every deadly threat that swells

With the roar of gambling hells,

Every brutal jest and jeer,

Every wicked thought and plan

Of the cruel heart of man,

Though but whispered, He can hear!

We in suffering, they in crime,

Wait the just award of time,

Wait the vengeance that is due;

Not in vain a heart shall break,

Not a tear for Freedom's sake

Fall unheeded: God is true.

While the flag with stars bedecked

Threatens where it should protect,

And the Law shakes Hands with Crime,

What is left us but to wait,

Match our patience to our fate,

And abide the better time?

Patience, friends! The human heart

Everywhere shall take our part,

Everywhere for us shall pray;

On our side are nature's laws,

And God's life is in the cause

That we suffer for to-day.

Well to suffer is divine;

Pass the watchword down the line,

Pass the countersign: "Endure."

Not to him who rashly dares,

But to him who nobly bears,

Is the victor's garland sure.

Frozen earth to frozen breast,

Lay our slain one down to rest;

Lay him down in hope and faith,

And above the broken sod,

Once again, to Freedom's God,

Pledge ourselves for life or death,

That the State whose walls we lay,

In our blood and tears, to-day,

Shall be free from bonds of shame,

And our goodly land untrod

By the feet of Slavery, shod

With cursing as with flame!

Plant the Buckeye on his grave,

For the hunter of the slave

In its shadow cannot rest; I

And let martyr mound and tree

Be our pledge and guaranty

Of the freedom of the West!

1856.

TO PENNSYLVANIA.

O STATE prayer-founded! never hung

Such choice upon a people's tongue,

Such power to bless or ban,

As that which makes thy whisper Fate,

For which on thee the centuries wait,

And destinies of man!

Across thy Alleghanian chain,

With groanings from a land in pain,

The west-wind finds its way:

Wild-wailing from Missouri's flood

The crying of thy children's blood

Is in thy ears to-day!

And unto thee in Freedom's hour

Of sorest need God gives the power

To ruin or to save;

To wound or heal, to blight or bless

With fertile field or wilderness,

A free home or a grave!

Then let thy virtue match the crime,

Rise to a level with the time;

And, if a son of thine

Betray or tempt thee, Brutus-like

For Fatherland and Freedom strike

As Justice gives the sign.

Wake, sleeper, from thy dream of ease,

The great occasion's forelock seize;

And let the north-wind strong,

And golden leaves of autumn, be

Thy coronal of Victory

And thy triumphal song.

10th me., 1856.

LE MARAIS DU CYGNE.

The massacre of unarmed and unoffending men, in Southern Kansas, in May, 1858, took place near the Marais du Cygne of the French voyageurs.

A BLUSH as of roses

Where rose never grew!

Great drops on the bunch-grass,

But not of the dew!

A taint in the sweet air

For wild bees to shun!

A stain that shall never

Bleach out in the sun.

Back, steed of the prairies

Sweet song-bird, fly back!

Wheel hither, bald vulture!

Gray wolf, call thy pack!

The foul human vultures

Have feasted and fled;

The wolves of the Border

Have crept from the dead.

From the hearths of their cabins,

The fields of their corn,

Unwarned and unweaponed,

The victims were torn,—

By the whirlwind of murder

Swooped up and swept on

To the low, reedy fen-lands,

The Marsh of the Swan.

With a vain plea for mercy

No stout knee was crooked;

In the mouths of the rifles

Right manly they looked.

How paled the May sunshine,

O Marais du Cygne!

On death for the strong life,

On red grass for green!

In the homes of their rearing,

Yet warm with their lives,

Ye wait the dead only,

Poor children and wives!

Put out the red forge-fire,

The smith shall not come;

Unyoke the brown oxen,

The ploughman lies dumb.

Wind slow from the Swan's Marsh,

O dreary death-train,

With pressed lips as bloodless

As lips of the slain!

Kiss down the young eyelids,

Smooth down the gray hairs;

Let tears quench the curses

That burn through your prayers.

Strong man of the prairies,

Mourn bitter and wild!

Wail, desolate woman!

Weep, fatherless child!

But the grain of God springs up

From ashes beneath,

And the crown of his harvest

Is life out of death.

Not in vain on the dial

The shade moves along,

To point the great contrasts

Of right and of wrong:

Free homes and free altars,

Free prairie and flood,—

The reeds of the Swan's Marsh,

Whose bloom is of blood!

On the lintels of Kansas

That blood shall not dry;

Henceforth the Bad Angel

Shall harmless go by;

Henceforth to the sunset,

Unchecked on her way,

Shall Liberty follow

The march of the day.

THE PASS OF THE SIERRA.

ALL night above their rocky bed

They saw the stars march slow;

The wild Sierra overhead,

The desert's death below.

The Indian from his lodge of bark,

The gray bear from his den,

Beyond their camp-fire's wall of dark,

Glared on the mountain men.

Still upward turned, with anxious strain,

Their leader's sleepless eye,

Where splinters of the mountain chain

Stood black against the sky.

The night waned slow: at last, a glow,

A gleam of sudden fire,

Shot up behind the walls of snow,

And tipped each icy spire.

"Up, men!" he cried, "yon rocky cone,

To-day, please God, we'll pass,

And look from Winter's frozen throne

On Summer's flowers and grass!"

They set their faces to the blast,

They trod the eternal snow,

And faint, worn, bleeding, hailed at last

The promised land below.

Behind, they saw the snow-cloud tossed

By many an icy horn;

Before, warm valleys, wood-embossed,

And green with vines and corn.

They left the Winter at their backs

To flap his baffled wing,

And downward, with the cataracts,

Leaped to the lap of Spring.

Strong leader of that mountain band,

Another task remains,

To break from Slavery's desert land

A path to Freedom's plains.

The winds are wild, the way is drear,

Yet, flashing through the night,

Lo! icy ridge and rocky spear

Blaze out in morning light!

Rise up, Fremont! and go before;

The hour must have its Man;

Put on the hunting-shirt once more,

And lead in Freedom's van!

8th mo., 1856.

A SONG FOR THE TIME.

Written in the summer of 1856, during the political campaign of the Free

Soil party under the candidacy of John C. Fremont.

Up, laggards of Freedom!—our free flag is cast

To the blaze of the sun and the wings of the blast;

Will ye turn from a struggle so bravely begun,

From a foe that is breaking, a field that's half won?

Whoso loves not his kind, and who fears not the Lord,

Let him join that foe's service, accursed and abhorred

Let him do his base will, as the slave only can,—

Let him put on the bloodhound, and put off the Man!

Let him go where the cold blood that creeps in his veins

Shall stiffen the slave-whip, and rust on his chains;

Where the black slave shall laugh in his bonds, to behold

The White Slave beside him, self-fettered and sold!

But ye, who still boast of hearts beating and warm,

Rise, from lake shore and ocean's, like waves in a storm,

Come, throng round our banner in Liberty's name,

Like winds from your mountains, like prairies aflame!

Our foe, hidden long in his ambush of night,

Now, forced from his covert, stands black in the light.

Oh, the cruel to Man, and the hateful to God,

Smite him down to the earth, that is cursed where he trod!

For deeper than thunder of summer's loud shower,

On the dome of the sky God is striking the hour!

Shall we falter before what we've prayed for so long,

When the Wrong is so weak, and the Right is so strong?

Come forth all together! come old and come young,

Freedom's vote in each hand, and her song on each tongue;

Truth naked is stronger than Falsehood in mail;

The Wrong cannot prosper, the Right cannot fail.

Like leaves of the summer once numbered the foe,

But the hoar-frost is falling, the northern winds blow;

Like leaves of November erelong shall they fall,

For earth wearies of them, and God's over all!

WHAT OF THE DAY?

Written during the stirring weeks when the great political battle for Freedom under Fremont's leadership was permitting strong hope of success,—a hope overshadowed and solemnized by a sense of the magnitude of the barbaric evil, and a forecast of the unscrupulous and desperate use of all its powers in the last and decisive struggle.

A SOUND of tumult troubles all the air,

Like the low thunders of a sultry sky

Far-rolling ere the downright lightnings glare;

The hills blaze red with warnings; foes draw nigh,

Treading the dark with challenge and reply.

Behold the burden of the prophet's vision;

The gathering hosts,—the Valley of Decision,

Dusk with the wings of eagles wheeling o'er.

Day of the Lord, of darkness and not light!

It breaks in thunder and the whirlwind's roar

Even so, Father! Let Thy will be done;

Turn and o'erturn, end what Thou bast begun

In judgment or in mercy: as for me,

If but the least and frailest, let me be

Evermore numbered with the truly free

Who find Thy service perfect liberty!

I fain would thank Thee that my mortal life

Has reached the hour (albeit through care and pain)

When Good and Evil, as for final strife,

Close dim and vast on Armageddon's plain;

And Michael and his angels once again

Drive howling back the Spirits of the Night.

Oh for the faith to read the signs aright

And, from the angle of Thy perfect sight,

See Truth's white banner floating on before;

And the Good Cause, despite of venal friends,

And base expedients, move to noble ends;

See Peace with Freedom make to Time amends,

And, through its cloud of dust, the threshing-floor,

Flailed by the thunder, heaped with chaffless grain

1856.

A SONG, INSCRIBED TO THE FREMONT CLUBS. Written after the election in 1586, which showed the immense gains of the Free Soil party, and insured its success in 1860.

BENEATH thy skies, November!

Thy skies of cloud and rain,

Around our blazing camp-fires

We close our ranks again.

Then sound again the bugles,

Call the muster-roll anew;

If months have well-nigh won the field,

What may not four years do?

For God be praised! New England

Takes once more her ancient place;

Again the Pilgrim's banner

Leads the vanguard of the race.

Then sound again the bugles, etc.

Along the lordly Hudson,

A shout of triumph breaks;

The Empire State is speaking,

From the ocean to the lakes.

Then sound again the bugles, etc.

The Northern hills are blazing,

The Northern skies are bright;

And the fair young West is turning

Her forehead to the light!

Then sound again the bugles, etc.

Push every outpost nearer,

Press hard the hostile towers!

Another Balaklava,

And the Malakoff is ours!

Then sound again the bugles,

Call the muster-roll anew;

If months have well-nigh won the field,

What may not four years do?

THE PANORAMA.

"A! fredome is a nobill thing!

Fredome mayse man to haif liking.

Fredome all solace to man giffis;

He levys at ese that frely levys

A nobil hart may haif nane ese

Na ellvs nocht that may him plese

Gyff Fredome failythe."

ARCHDEACON BARBOUR.

THROUGH the long hall the shuttered windows shed

A dubious light on every upturned head;

On locks like those of Absalom the fair,

On the bald apex ringed with scanty hair,

On blank indifference and on curious stare;

On the pale Showman reading from his stage

The hieroglyphics of that facial page;

Half sad, half scornful, listening to the bruit

Of restless cane-tap and impatient foot,

And the shrill call, across the general din,

"Roll up your curtain! Let the show begin!"

At length a murmur like the winds that break

Into green waves the prairie's grassy lake,

Deepened and swelled to music clear and loud,

And, as the west-wind lifts a summer cloud,

The curtain rose, disclosing wide and far

A green land stretching to the evening star,

Fair rivers, skirted by primeval trees

And flowers hummed over by the desert bees,

Marked by tall bluffs whose slopes of greenness show

Fantastic outcrops of the rock below;

The slow result of patient Nature's pains,

And plastic fingering of her sun and rains;

Arch, tower, and gate, grotesquely windowed hall,

And long escarpment of half-crumbled wall,

Huger than those which, from steep hills of vine,

Stare through their loopholes on the travelled Rhine;

Suggesting vaguely to the gazer's mind

A fancy, idle as the prairie wind,

Of the land's dwellers in an age unguessed;

The unsung Jotuns of the mystic West.

Beyond, the prairie's sea-like swells surpass

The Tartar's marvels of his Land of Grass,

Vast as the sky against whose sunset shores

Wave after wave the billowy greenness pours;

And, onward still, like islands in that main

Loom the rough peaks of many a mountain chain,

Whence east and west a thousand waters run

From winter lingering under summer's sun.

And, still beyond, long lines of foam and sand

Tell where Pacific rolls his waves a-land,

From many a wide-lapped port and land-locked bay,

Opening with thunderous pomp the world's highway

To Indian isles of spice, and marts of far Cathay.

"Such," said the Showman, as the curtain fell,

"Is the new Canaan of our Israel;

The land of promise to the swarming North,

Which, hive-like, sends its annual surplus forth,

To the poor Southron on his worn-out soil,

Scathed by the curses of unnatural toil;

To Europe's exiles seeking home and rest,

And the lank nomads of the wandering West,

Who, asking neither, in their love of change

And the free bison's amplitude of range,

Rear the log-hut, for present shelter meant,

Not future comfort, like an Arab's tent."

Then spake a shrewd on-looker, "Sir," said he,

"I like your picture, but I fain would see

A sketch of what your promised land will be

When, with electric nerve, and fiery-brained,

With Nature's forces to its chariot chained,

The future grasping, by the past obeyed,

The twentieth century rounds a new decade."

Then said the Showman, sadly: "He who grieves

Over the scattering of the sibyl's leaves

Unwisely mourns. Suffice it, that we know

What needs must ripen from the seed we sow;

That present time is but the mould wherein

We cast the shapes of holiness and sin.

A painful watcher of the passing hour,

Its lust of gold, its strife for place and power;

Its lack of manhood, honor, reverence, truth,

Wise-thoughted age, and generous-hearted youth;

Nor yet unmindful of each better sign,

The low, far lights, which on th' horizon shine,

Like those which sometimes tremble on the rim

Of clouded skies when day is closing dim,

Flashing athwart the purple spears of rain

The hope of sunshine on the hills again

I need no prophet's word, nor shapes that pass

Like clouding shadows o'er a magic glass;

For now, as ever, passionless and cold,

Doth the dread angel of the future hold

Evil and good before us, with no voice

Or warning look to guide us in our choice;

With spectral hands outreaching through the gloom

The shadowy contrasts of the coming doom.

Transferred from these, it now remains to give

The sun and shade of Fate's alternative."

Then, with a burst of music, touching all

The keys of thrifty life,—the mill-stream's fall,

The engine's pant along its quivering rails,

The anvil's ring, the measured beat of flails,

The sweep of scythes, the reaper's whistled tune,

Answering the summons of the bells of noon,

The woodman's hail along the river shores,

The steamboat's signal, and the dip of oars

Slowly the curtain rose from off a land

Fair as God's garden. Broad on either hand

The golden wheat-fields glimmered in the sun,

And the tall maize its yellow tassels spun.

Smooth highways set with hedge-rows living green,

With steepled towns through shaded vistas seen,

The school-house murmuring with its hive-like swarm,

The brook-bank whitening in the grist-mill's storm,

The painted farm-house shining through the leaves

Of fruited orchards bending at its eaves,

Where live again, around the Western hearth,

The homely old-time virtues of the North;

Where the blithe housewife rises with the day,

And well-paid labor counts his task a play.

And, grateful tokens of a Bible free,

And the free Gospel of Humanity,

Of diverse-sects and differing names the shrines,

One in their faith, whate'er their outward signs,

Like varying strophes of the same sweet hymn

From many a prairie's swell and river's brim,

A thousand church-spires sanctify the air

Of the calm Sabbath, with their sign of prayer.

Like sudden nightfall over bloom and green

The curtain dropped: and, momently, between

The clank of fetter and the crack of thong,

Half sob, half laughter, music swept along;

A strange refrain, whose idle words and low,

Like drunken mourners, kept the time of woe;

As if the revellers at a masquerade

Heard in the distance funeral marches played.

Such music, dashing all his smiles with tears,

The thoughtful voyager on Ponchartrain hears,

Where, through the noonday dusk of wooded shores

The negro boatman, singing to his oars,

With a wild pathos borrowed of his wrong

Redeems the jargon of his senseless song.

"Look," said the Showman, sternly, as he rolled

His curtain upward. "Fate's reverse behold!"

A village straggling in loose disarray

Of vulgar newness, premature decay;

A tavern, crazy with its whiskey brawls,

With "Slaves at Auction!" garnishing its walls;

Without, surrounded by a motley crowd,

The shrewd-eyed salesman, garrulous and loud,

A squire or colonel in his pride of place,

Known at free fights, the caucus, and the race,

Prompt to proclaim his honor without blot,

And silence doubters with a ten-pace shot,

Mingling the negro-driving bully's rant

With pious phrase and democratic cant,

Yet never scrupling, with a filthy jest,

To sell the infant from its mother's breast,

Break through all ties of wedlock, home, and kin,

Yield shrinking girlhood up to graybeard sin;

Sell all the virtues with his human stock,

The Christian graces on his auction-block,

And coolly count on shrewdest bargains driven

In hearts regenerate, and in souls forgiven!

Look once again! The moving canvas shows

A slave plantation's slovenly repose,

Where, in rude cabins rotting midst their weeds,

The human chattel eats, and sleeps, and breeds;

And, held a brute, in practice, as in law,

Becomes in fact the thing he's taken for.

There, early summoned to the hemp and corn,

The nursing mother leaves her child new-born;

There haggard sickness, weak and deathly faint,

Crawls to his task, and fears to make complaint;

And sad-eyed Rachels, childless in decay,

Weep for their lost ones sold and torn away!

Of ampler size the master's dwelling stands,

In shabby keeping with his half-tilled lands;

The gates unhinged, the yard with weeds unclean,

The cracked veranda with a tipsy lean.

Without, loose-scattered like a wreck adrift,

Signs of misrule and tokens of unthrift;

Within, profusion to discomfort joined,

The listless body and the vacant mind;

The fear, the hate, the theft and falsehood, born

In menial hearts of toil, and stripes, and scorn

There, all the vices, which, like birds obscene,

Batten on slavery loathsome and unclean,

From the foul kitchen to the parlor rise,

Pollute the nursery where the child-heir lies,

Taint infant lips beyond all after cure,

With the fell poison of a breast impure;

Touch boyhood's passions with the breath of flame,

From girlhood's instincts steal the blush of shame.

So swells, from low to high, from weak to strong,

The tragic chorus of the baleful wrong;

Guilty or guiltless, all within its range

Feel the blind justice of its sure revenge.

Still scenes like these the moving chart reveals.

Up the long western steppes the blighting steals;

Down the Pacific slope the evil Fate

Glides like a shadow to the Golden Gate

From sea to sea the drear eclipse is thrown,

From sea to sea the Mauvaises Terres have grown,

A belt of curses on the New World's zone!

The curtain fell. All drew a freer breath,

As men are wont to do when mournful death

Is covered from their sight. The Showman stood

With drooping brow in sorrow's attitude

One moment, then with sudden gesture shook

His loose hair back, and with the air and look

Of one who felt, beyond the narrow stage

And listening group, the presence of the age,

And heard the footsteps of the things to be,

Poured out his soul in earnest words and free.

"O friends!" he said, "in this poor trick of paint

You see the semblance, incomplete and faint,

Of the two-fronted Future, which, to-day,

Stands dim and silent, waiting in your way.

To-day, your servant, subject to your will;

To-morrow, master, or for good or ill.

If the dark face of Slavery on you turns,

If the mad curse its paper barrier spurns,

If the world granary of the West is made

The last foul market of the slaver's trade,

Why rail at fate? The mischief is your own.

Why hate your neighbor? Blame yourselves

alone!

"Men of the North! The South you charge with wrong

Is weak and poor, while you are rich and strong.

If questions,—idle and absurd as those

The old-time monks and Paduan doctors chose,—

Mere ghosts of questions, tariffs, and dead banks,

And scarecrow pontiffs, never broke your ranks,

Your thews united could, at once, roll back

The jostled nation to its primal track.

Nay, were you simply steadfast, manly, just,

True to the faith your fathers left in trust,

If stainless honor outweighed in your scale

A codfish quintal or a factory bale,

Full many a noble heart, (and such remain

In all the South, like Lot in Siddim's plain,

Who watch and wait, and from the wrong's control

Keep white and pure their chastity of soul,)

Now sick to loathing of your weak complaints,

Your tricks as sinners, and your prayers as saints,

Would half-way meet the frankness of your tone,

And feel their pulses beating with your own.

"The North! the South! no geographic line

Can fix the boundary or the point define,

Since each with each so closely interblends,

Where Slavery rises, and where Freedom ends.

Beneath your rocks the roots, far-reaching, hide

Of the fell Upas on the Southern side;

The tree whose branches in your northwinds wave

Dropped its young blossoms on Mount Vernon's grave;

The nursling growth of Monticello's crest

Is now the glory of the free Northwest;

To the wise maxims of her olden school

Virginia listened from thy lips, Rantoul;

Seward's words of power, and Sumner's fresh renown,

Flow from the pen that Jefferson laid down!

And when, at length, her years of madness o'er,

Like the crowned grazer on Euphrates' shore,

From her long lapse to savagery, her mouth

Bitter with baneful herbage, turns the South,

Resumes her old attire, and seeks to smooth

Her unkempt tresses at the glass of truth,

Her early faith shall find a tongue again,

New Wythes and Pinckneys swell that old refrain,

Her sons with yours renew the ancient pact,

The myth of Union prove at last a fact!

Then, if one murmur mars the wide content,

Some Northern lip will drawl the last dissent,

Some Union-saving patriot of your own

Lament to find his occupation gone.

"Grant that the North 's insulted, scorned, betrayed,

O'erreached in bargains with her neighbor made,

When selfish thrift and party held the scales

For peddling dicker, not for honest sales,—

Whom shall we strike? Who most deserves our blame?

The braggart Southron, open in his aim,

And bold as wicked, crashing straight through all

That bars his purpose, like a cannon-ball?

Or the mean traitor, breathing northern air,

With nasal speech and puritanic hair,

Whose cant the loss of principle survives,

As the mud-turtle e'en its head outlives;

Who, caught, chin-buried in some foul offence,

Puts on a look of injured innocence,

And consecrates his baseness to the cause

Of constitution, union, and the laws?

"Praise to the place-man who can hold aloof

His still unpurchased manhood, office-proof;

Who on his round of duty walks erect,

And leaves it only rich in self-respect;

As More maintained his virtue's lofty port

In the Eighth Henry's base and bloody court.

But, if exceptions here and there are found,

Who tread thus safely on enchanted ground,

The normal type, the fitting symbol still

Of those who fatten at the public mill,

Is the chained dog beside his master's door,

Or Circe's victim, feeding on all four!

"Give me the heroes who, at tuck of drum,

Salute thy staff, immortal Quattlebum!

Or they who, doubly armed with vote and gun,

Following thy lead, illustrious Atchison,

Their drunken franchise shift from scene to scene,

As tile-beard Jourdan did his guillotine!

Rather than him who, born beneath our skies,

To Slavery's hand its supplest tool supplies;

The party felon whose unblushing face

Looks from the pillory of his bribe of place,

And coolly makes a merit of disgrace,

Points to the footmarks of indignant scorn,

Shows the deep scars of satire's tossing horn;

And passes to his credit side the sum

Of all that makes a scoundrel's martyrdom!

"Bane of the North, its canker and its moth!

These modern Esaus, bartering rights for broth!

Taxing our justice, with their double claim,

As fools for pity, and as knaves for blame;

Who, urged by party, sect, or trade, within

The fell embrace of Slavery's sphere of sin,

Part at the outset with their moral sense,

The watchful angel set for Truth's defence;

Confound all contrasts, good and ill; reverse

The poles of life, its blessing and its curse;

And lose thenceforth from their perverted sight

The eternal difference 'twixt the wrong and right;

To them the Law is but the iron span

That girds the ankles of imbruted man;

To them the Gospel has no higher aim

Than simple sanction of the master's claim,

Dragged in the slime of Slavery's loathsome trail,

Like Chalier's Bible at his ass's tail!

"Such are the men who, with instinctive dread,

Whenever Freedom lifts her drooping head,

Make prophet-tripods of their office-stools,

And scare the nurseries and the village schools

With dire presage of ruin grim and great,

A broken Union and a foundered State!

Such are the patriots, self-bound to the stake

Of office, martyrs for their country's sake

Who fill themselves the hungry jaws of Fate;

And by their loss of manhood save the State.

In the wide gulf themselves like Cortius throw,

And test the virtues of cohesive dough;

As tropic monkeys, linking heads and tails,

Bridge o'er some torrent of Ecuador's vales!

"Such are the men who in your churches rave

To swearing-point, at mention of the slave!

When some poor parson, haply unawares,

Stammers of freedom in his timid prayers;

Who, if some foot-sore negro through the town

Steals northward, volunteer to hunt him down.

Or, if some neighbor, flying from disease,

Courts the mild balsam of the Southern breeze,

With hue and cry pursue him on his track,

And write Free-soiler on the poor man's back.

Such are the men who leave the pedler's cart,

While faring South, to learn the driver's art,

Or, in white neckcloth, soothe with pious aim

The graceful sorrows of some languid dame,

Who, from the wreck of her bereavement, saves

The double charm of widowhood and slaves

Pliant and apt, they lose no chance to show

To what base depths apostasy can go;

Outdo the natives in their readiness

To roast a negro, or to mob a press;

Poise a tarred schoolmate on the lyncher's rail,

Or make a bonfire of their birthplace mail!

"So some poor wretch, whose lips no longer bear

The sacred burden of his mother's prayer,

By fear impelled, or lust of gold enticed,

Turns to the Crescent from the Cross of Christ,

And, over-acting in superfluous zeal,

Crawls prostrate where the faithful only kneel,

Out-howls the Dervish, hugs his rags to court

The squalid Santon's sanctity of dirt;

And, when beneath the city gateway's span

Files slow and long the Meccan caravan,

And through its midst, pursued by Islam's prayers,

The prophet's Word some favored camel bears,

The marked apostate has his place assigned

The Koran-bearer's sacred rump behind,

With brush and pitcher following, grave and mute,

In meek attendance on the holy brute!

"Men of the North! beneath your very eyes,

By hearth and home, your real danger lies.

Still day by day some hold of freedom falls

Through home-bred traitors fed within its walls.

Men whom yourselves with vote and purse sustain,

At posts of honor, influence, and gain;

The right of Slavery to your sons to teach,

And 'South-side' Gospels in your pulpits preach,

Transfix the Law to ancient freedom dear

On the sharp point of her subverted spear,

And imitate upon her cushion plump

The mad Missourian lynching from his stump;

Or, in your name, upon the Senate's floor

Yield up to Slavery all it asks, and more;

And, ere your dull eyes open to the cheat,

Sell your old homestead underneath your feet

While such as these your loftiest outlooks hold,

While truth and conscience with your wares are sold,

While grave-browed merchants band themselves to aid

An annual man-hunt for their Southern trade,

What moral power within your grasp remains

To stay the mischief on Nebraska's plains?

High as the tides of generous impulse flow,

As far rolls back the selfish undertow;

And all your brave resolves, though aimed as true

As the horse-pistol Balmawhapple drew,

To Slavery's bastions lend as slight a shock

As the poor trooper's shot to Stirling rock!

"Yet, while the need of Freedom's cause demands

The earnest efforts of your hearts and hands,

Urged by all motives that can prompt the heart

To prayer and toil and manhood's manliest part;

Though to the soul's deep tocsin Nature joins

The warning whisper of her Orphic pines,

The north-wind's anger, and the south-wind's sigh,

The midnight sword-dance of the northern sky,

And, to the ear that bends above the sod

Of the green grave-mounds in the Fields of God,

In low, deep murmurs of rebuke or cheer,

The land's dead fathers speak their hope or fear,

Yet let not Passion wrest from Reason's hand

The guiding rein and symbol of command.

Blame not the caution proffering to your zeal

A well-meant drag upon its hurrying wheel;

Nor chide the man whose honest doubt extends

To the means only, not the righteous ends;

Nor fail to weigh the scruples and the fears

Of milder natures and serener years.

In the long strife with evil which began

With the first lapse of new-created man,

Wisely and well has Providence assigned

To each his part,—some forward, some behind;

And they, too, serve who temper and restrain

The o'erwarm heart that sets on fire the brain.

True to yourselves, feed Freedom's altar-flame

With what you have; let others do the same.

"Spare timid doubters; set like flint your face

Against the self-sold knaves of gain and place

Pity the weak; but with unsparing hand

Cast out the traitors who infest the land;

From bar, press, pulpit, cast them everywhere,

By dint of fasting, if you fail by prayer.

And in their place bring men of antique mould,

Like the grave fathers of your Age of Gold;

Statesmen like those who sought the primal fount

Of righteous law, the Sermon on the Mount;

Lawyers who prize, like Quincy, (to our day

Still spared, Heaven bless him!) honor more than pay,

And Christian jurists, starry-pure, like Jay;

Preachers like Woolman, or like them who bore

The, faith of Wesley to our Western shore,

And held no convert genuine till he broke

Alike his servants' and the Devil's yoke;

And priests like him who Newport's market trod,

And o'er its slave-ships shook the bolts of God!

So shall your power, with a wise prudence used,

Strong but forbearing, firm but not abused,

In kindly keeping with the good of all,

The nobler maxims of the past recall,

Her natural home-born right to Freedom give,

And leave her foe his robber-right,—to live.

Live, as the snake does in his noisome fen!

Live, as the wolf does in his bone-strewn den!

Live, clothed with cursing like a robe of flame,

The focal point of million-fingered shame!

Live, till the Southron, who, with all his faults,

Has manly instincts, in his pride revolts,

Dashes from off him, midst the glad world's cheers,

The hideous nightmare of his dream of years,

And lifts, self-prompted, with his own right hand,

The vile encumbrance from his glorious land!

"So, wheresoe'er our destiny sends forth

Its widening circles to the South or North,

Where'er our banner flaunts beneath the stars

Its mimic splendors and its cloudlike bars,

There shall Free Labor's hardy children stand

The equal sovereigns of a slaveless land.

And when at last the hunted bison tires,

And dies o'ertaken by the squatter's fires;

And westward, wave on wave, the living flood

Breaks on the snow-line of majestic Hood;

And lonely Shasta listening hears the tread

Of Europe's fair-haired children, Hesper-led;

And, gazing downward through his boar-locks, sees

The tawny Asian climb his giant knees,

The Eastern sea shall hush his waves to hear

Pacific's surf-beat answer Freedom's cheer,

And one long rolling fire of triumph run

Between the sunrise and the sunset gun!"

. . . . . . . . . .

My task is done. The Showman and his show,

Themselves but shadows, into shadows go;

And, if no song of idlesse I have sung.

Nor tints of beauty on the canvas flung;

If the harsh numbers grate on tender ears,

And the rough picture overwrought appears,

With deeper coloring, with a sterner blast,

Before my soul a voice and vision passed,

Such as might Milton's jarring trump require,

Or glooms of Dante fringed with lurid fire.

Oh, not of choice, for themes of public wrong

I leave the green and pleasant paths of song,

The mild, sweet words which soften and adorn,

For sharp rebuke and bitter laugh of scorn.

More dear to me some song of private worth,

Some homely idyl of my native North,

Some summer pastoral of her inland vales,

Or, grim and weird, her winter fireside tales

Haunted by ghosts of unreturning sails,

Lost barks at parting hung from stem to helm

With prayers of love like dreams on Virgil's elm.

Nor private grief nor malice holds my pen;

I owe but kindness to my fellow-men;

And, South or North, wherever hearts of prayer

Their woes and weakness to our Father bear,

Wherever fruits of Christian love are found

In holy lives, to me is holy ground.

But the time passes. It were vain to crave

A late indulgence. What I had I gave.

Forget the poet, but his warning heed,

And shame his poor word with your nobler deed.

1856.

ON A PRAYER-BOOK,

WITH ITS FRONTISPIECE, ARY SCHEFFER'S "CHRISTUS CONSOLATOR," AMERICANIZED BY THE OMISSION OF THE BLACK MAN.

It is hardly to be credited, yet is true, that in the anxiety of the Northern merchant to conciliate his Southern customer, a publisher was found ready thus to mutilate Scheffer's picture. He intended his edition for use in the Southern States undoubtedly, but copies fell into the hands of those who believed literally in a gospel which was to preach liberty to the captive.

O ARY SCHEFFER! when beneath thine eye,

Touched with the light that cometh from above,

Grew the sweet picture of the dear Lord's love,

No dream hadst thou that Christian hands would tear

Therefrom the token of His equal care,

And make thy symbol of His truth a lie

The poor, dumb slave whose shackles fall away

In His compassionate gaze, grubbed smoothly out,

To mar no more the exercise devout

Of sleek oppression kneeling down to pray

Where the great oriel stains the Sabbath day!

Let whoso can before such praying-books

Kneel on his velvet cushion; I, for one,

Would sooner bow, a Parsee, to the sun,

Or tend a prayer-wheel in Thibetar brooks,

Or beat a drum on Yedo's temple-floor.

No falser idol man has bowed before,

In Indian groves or islands of the sea,

Than that which through the quaint-carved Gothic door

Looks forth,—a Church without humanity!

Patron of pride, and prejudice, and wrong,—

The rich man's charm and fetich of the strong,

The Eternal Fulness meted, clipped, and shorn,

The seamless robe of equal mercy torn,

The dear Christ hidden from His kindred flesh,

And, in His poor ones, crucified afresh!

Better the simple Lama scattering wide,

Where sweeps the storm Alechan's steppes along,

His paper horses for the lost to ride,

And wearying Buddha with his prayers to make

The figures living for the traveller's sake,

Than he who hopes with cheap praise to beguile

The ear of God, dishonoring man the while;

Who dreams the pearl gate's hinges, rusty grown,

Are moved by flattery's oil of tongue alone;

That in the scale Eternal Justice bears

The generous deed weighs less than selfish prayers,

And words intoned with graceful unction move

The Eternal Goodness more than lives of truth and love.

Alas, the Church! The reverend head of Jay,

Enhaloed with its saintly silvered hair,

Adorns no more the places of her prayer;

And brave young Tyng, too early called away,

Troubles the Haman of her courts no more

Like the just Hebrew at the Assyrian's door;

And her sweet ritual, beautiful but dead

As the dry husk from which the grain is shed,

And holy hymns from which the life devout

Of saints and martyrs has wellnigh gone out,

Like candles dying in exhausted air,

For Sabbath use in measured grists are ground;

And, ever while the spiritual mill goes round,

Between the upper and the nether stones,

Unseen, unheard, the wretched bondman groans,

And urges his vain plea, prayer-smothered, anthem-drowned!

O heart of mine, keep patience! Looking forth,

As from the Mount of Vision, I behold,

Pure, just, and free, the Church of Christ on earth;

The martyr's dream, the golden age foretold!

And found, at last, the mystic Graal I see,

Brimmed with His blessing, pass from lip to lip

In sacred pledge of human fellowship;

And over all the songs of angels hear;

Songs of the love that casteth out all fear;

Songs of the Gospel of Humanity!

Lo! in the midst, with the same look He wore,

Healing and blessing on Genesaret's shore,

Folding together, with the all-tender might

Of His great love, the dark bands and the white,

Stands the Consoler, soothing every pain,

Making all burdens light, and breaking every chain.

1859.

THE SUMMONS.

MY ear is full of summer sounds,

Of summer sights my languid eye;

Beyond the dusty village bounds

I loiter in my daily rounds,

And in the noon-time shadows lie.

I hear the wild bee wind his horn,

The bird swings on the ripened wheat,

The long green lances of the corn

Are tilting in the winds of morn,

The locust shrills his song of heat.

Another sound my spirit hears,

A deeper sound that drowns them all;

A voice of pleading choked with tears,

The call of human hopes and fears,

The Macedonian cry to Paul!

The storm-bell rings, the trumpet blows;

I know the word and countersign;

Wherever Freedom's vanguard goes,

Where stand or fall her friends or foes,

I know the place that should be mine.

Shamed be the hands that idly fold,

And lips that woo the reed's accord,

When laggard Time the hour has tolled

For true with false and new with old

To fight the battles of the Lord!

O brothers! blest by partial Fate

With power to match the will and deed,

To him your summons comes too late

Who sinks beneath his armor's weight,

And has no answer but God-speed!

1860.

TO WILLIAM H. SEWARD.

On the 12th of January, 1861, Mr. Seward delivered in the Senate chamber a speech on The State of the Union, in which he urged the paramount duty of preserving the Union, and went as far as it was possible to go, without surrender of principles, in concessions to the Southern party, concluding his argument with these words: "Having submitted my own opinions on this great crisis, it remains only to say, that I shall cheerfully lend to the government my best support in whatever prudent yet energetic efforts it shall make to preserve the public peace, and to maintain and preserve the Union; advising, only, that it practise, as far as possible, the utmost moderation, forbearance, and conciliation.

"This Union has not yet accomplished what good for mankind was manifestly designed by Him who appoints the seasons and prescribes the duties of states and empires. No; if it were cast down by faction to-day, it would rise again and re-appear in all its majestic proportions to-morrow. It is the only government that can stand here. Woe! woe! to the man that madly lifts his hand against it. It shall continue and endure; and men, in after times, shall declare that this generation, which saved the Union from such sudden and unlooked-for dangers, surpassed in magnanimity even that one which laid its foundations in the eternal principles of liberty, justice, and humanity."

STATESMAN, I thank thee! and, if yet dissent

Mingles, reluctant, with my large content,

I cannot censure what was nobly meant.

But, while constrained to hold even Union less

Than Liberty and Truth and Righteousness,

I thank thee in the sweet and holy name

Of peace, for wise calm words that put to shame

Passion and party. Courage may be shown

Not in defiance of the wrong alone;

He may be bravest who, unweaponed, bears

The olive branch, and, strong in justice, spares

The rash wrong-doer, giving widest scope,

To Christian charity and generous hope.

If, without damage to the sacred cause

Of Freedom and the safeguard of its laws—

If, without yielding that for which alone

We prize the Union, thou canst save it now

From a baptism of blood, upon thy brow

A wreath whose flowers no earthly soil have known;

Woven of the beatitudes, shall rest,

And the peacemaker be forever blest!

1861.

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Project Gutenberg eBook of Anti-Slavery Poems 3., by John Greenleaf Whittier

ANTI-SLAVERY POEMS

CONTENTS:

DERNE.

A SABBATH SCENE.

IN THE EVIL DAYS.

MOLOCH IN STATE STREET.

OFFICIAL PIETY.

ARISEN AT LAST.

THE HASCHISH.

FOR RIGHTEOUSNESS' SAKE.

THE KANSAS EMIGRANTS.

LETTER FROM A MISSIONARY OF THE METHODIST EPISCOPAL CHURCH SOUTH, IN KANSAS, TO A DISTINGUISHED POLITICIAN.

BURIAL OF BARBER.

LE MARAIS DU CYGNE.

THE PASS OF THE SIERRA.

A SONG FOR THE TIME.

WHAT OF THE DAY?

THE PANORAMA.

ON A PRAYER-BOOK,

THE SUMMONS.

TO WILLIAM H. SEWARD.

THE FULL PROJECT GUTENBERG LICENSE