The Project Gutenberg eBook of A Deal in Wheat and Other Stories of the New and Old West, by Frank Norris

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at https://www.gutenberg.org/license. If you are not located in the United States, you’ll have to check the laws of the country where you are located before using this eBook.

Title: A Deal in Wheat and Other Stories of the New and Old West

Author: Frank Norris

Release Date: February 1, 2006 [EBook #9905]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK ***

Produced by Eric Eldred, Elaine Nash and the Online

Distributed Proofreading Team.

A DEAL IN WHEAT

And Other Stories Of The New And Old West

By FRANK NORRIS

Illustrated by Remington, Leyendecker, Hitchcock and Hooper

1903

[Illustration: "'Sell A Thousand May At One-Fifty,' Vociferated The Bear

Broker"]

CONTENTS

A Deal in Wheat

The Wife of Chino

A Bargain with Peg-Leg

The Passing of Cock-Eye Blacklock

A Memorandum of Sudden Death

Two Hearts That Beat as One

The Dual Personality of Slick Dick Nickerson

The Ship That Saw a Ghost

The Ghost in the Crosstrees

The Riding of Felipe

LIST OF ILLUSTRATIONS

"'Sell a Thousand May at One-Fifty,' Vociferated the Bear Broker"

Caught in the Circle. The last stand of three troopers and a scout overtaken by a band of hostile Indians.

"'Ere's 'Ell to Pay!"

"'My Curse Is on Her Who Next Kisses You'"

A DEAL IN WHEAT

I. THE BEAR—WHEAT AT SIXTY-TWO

As Sam Lewiston backed the horse into the shafts of his backboard and began hitching the tugs to the whiffletree, his wife came out from the kitchen door of the house and drew near, and stood for some time at the horse's head, her arms folded and her apron rolled around them. For a long moment neither spoke. They had talked over the situation so long and so comprehensively the night before that there seemed to be nothing more to say.

The time was late in the summer, the place a ranch in southwestern Kansas, and Lewiston and his wife were two of a vast population of farmers, wheat growers, who at that moment were passing through a crisis—a crisis that at any moment might culminate in tragedy. Wheat was down to sixty-six.

At length Emma Lewiston spoke.

"Well," she hazarded, looking vaguely out across the ranch toward the horizon, leagues distant; "well, Sam, there's always that offer of brother Joe's. We can quit—and go to Chicago—if the worst comes."

"And give up!" exclaimed Lewiston, running the lines through the torets.

"Leave the ranch! Give up! After all these years!"

His wife made no reply for the moment. Lewiston climbed into the buckboard and gathered up the lines. "Well, here goes for the last try, Emmie," he said. "Good-by, girl. Maybe things will look better in town to-day."

"Maybe," she said gravely. She kissed her husband good-by and stood for some time looking after the buckboard traveling toward the town in a moving pillar of dust.

"I don't know," she murmured at length; "I don't know just how we're going to make out."

When he reached town, Lewiston tied the horse to the iron railing in front of the Odd Fellows' Hall, the ground floor of which was occupied by the post-office, and went across the street and up the stairway of a building of brick and granite—quite the most pretentious structure of the town—and knocked at a door upon the first landing. The door was furnished with a pane of frosted glass, on which, in gold letters, was inscribed, "Bridges & Co., Grain Dealers."

Bridges himself, a middle-aged man who wore a velvet skull-cap and who was smoking a Pittsburg stogie, met the farmer at the counter and the two exchanged perfunctory greetings.

"Well," said Lewiston, tentatively, after awhile.

"Well, Lewiston," said the other, "I can't take that wheat of yours at any better than sixty-two."

"Sixty-two."

"It's the Chicago price that does it, Lewiston. Truslow is bearing the stuff for all he's worth. It's Truslow and the bear clique that stick the knife into us. The price broke again this morning. We've just got a wire."

"Good heavens," murmured Lewiston, looking vaguely from side to side. "That—that ruins me. I can't carry my grain any longer—what with storage charges and—and—Bridges, I don't see just how I'm going to make out. Sixty-two cents a bushel! Why, man, what with this and with that it's cost me nearly a dollar a bushel to raise that wheat, and now Truslow—"

He turned away abruptly with a quick gesture of infinite discouragement.

He went down the stairs, and making his way to where his buckboard was hitched, got in, and, with eyes vacant, the reins slipping and sliding in his limp, half-open hands, drove slowly back to the ranch. His wife had seen him coming, and met him as he drew up before the barn.

"Well?" she demanded.

"Emmie," he said as he got out of the buckboard, laying his arm across her shoulder, "Emmie, I guess we'll take up with Joe's offer. We'll go to Chicago. We're cleaned out!"

II. THE BULL—WHEAT AT A DOLLAR-TEN

…——and said Party of the Second Part further covenants and agrees to merchandise such wheat in foreign ports, it being understood and agreed between the Party of the First Part and the Party of the Second Part that the wheat hereinbefore mentioned is released and sold to the Party of the Second Part for export purposes only, and not for consumption or distribution within the boundaries of the United States of America or of Canada.

"Now, Mr. Gates, if you will sign for Mr. Truslow I guess that'll be all," remarked Hornung when he had finished reading.

Hornung affixed his signature to the two documents and passed them over to Gates, who signed for his principal and client, Truslow—or, as he had been called ever since he had gone into the fight against Hornung's corner—the Great Bear. Hornung's secretary was called in and witnessed the signatures, and Gates thrust the contract into his Gladstone bag and stood up, smoothing his hat.

"You will deliver the warehouse receipts for the grain," began Gates.

"I'll send a messenger to Truslow's office before noon," interrupted Hornung. "You can pay by certified check through the Illinois Trust people."

When the other had taken himself off, Hornung sat for some moments gazing abstractedly toward his office windows, thinking over the whole matter. He had just agreed to release to Truslow, at the rate of one dollar and ten cents per bushel, one hundred thousand out of the two million and odd bushels of wheat that he, Hornung, controlled, or actually owned. And for the moment he was wondering if, after all, he had done wisely in not goring the Great Bear to actual financial death. He had made him pay one hundred thousand dollars. Truslow was good for this amount. Would it not have been better to have put a prohibitive figure on the grain and forced the Bear into bankruptcy? True, Hornung would then be without his enemy's money, but Truslow would have been eliminated from the situation, and that—so Hornung told himself—was always a consummation most devoutly, strenuously and diligently to be striven for. Truslow once dead was dead, but the Bear was never more dangerous than when desperate.

"But so long as he can't get wheat," muttered Hornung at the end of his reflections, "he can't hurt me. And he can't get it. That I know."

For Hornung controlled the situation. So far back as the February of that year an "unknown bull" had been making his presence felt on the floor of the Board of Trade. By the middle of March the commercial reports of the daily press had begun to speak of "the powerful bull clique"; a few weeks later that legendary condition of affairs implied and epitomized in the magic words "Dollar Wheat" had been attained, and by the first of April, when the price had been boosted to one dollar and ten cents a bushel, Hornung had disclosed his hand, and in place of mere rumours, the definite and authoritative news that May wheat had been cornered in the Chicago pit went flashing around the world from Liverpool to Odessa and from Duluth to Buenos Ayres.

It was—so the veteran operators were persuaded—Truslow himself who had made Hornung's corner possible. The Great Bear had for once over-reached himself, and, believing himself all-powerful, had hammered the price just the fatal fraction too far down. Wheat had gone to sixty-two—for the time, and under the circumstances, an abnormal price.

When the reaction came it was tremendous. Hornung saw his chance, seized it, and in a few months had turned the tables, had cornered the product, and virtually driven the bear clique out of the pit.

On the same day that the delivery of the hundred thousand bushels was made to Truslow, Hornung met his broker at his lunch club.

"Well," said the latter, "I see you let go that line of stuff to

Truslow."

Hornung nodded; but the broker added:

"Remember, I was against it from the very beginning. I know we've cleared up over a hundred thou'. I would have fifty times preferred to have lost twice that and smashed Truslow dead. Bet you what you like he makes us pay for it somehow."

"Huh!" grunted his principal. "How about insurance, and warehouse charges, and carrying expenses on that lot? Guess we'd have had to pay those, too, if we'd held on."

But the other put up his chin, unwilling to be persuaded. "I won't sleep easy," he declared, "till Truslow is busted."

III. THE PIT

Just as Going mounted the steps on the edge of the pit the great gong struck, a roar of a hundred voices developed with the swiftness of successive explosions, the rush of a hundred men surging downward to the centre of the pit filled the air with the stamp and grind of feet, a hundred hands in eager strenuous gestures tossed upward from out the brown of the crowd, the official reporter in his cage on the margin of the pit leaned far forward with straining ear to catch the opening bid, and another day of battle was begun.

Since the sale of the hundred thousand bushels of wheat to Truslow the "Hornung crowd" had steadily shouldered the price higher until on this particular morning it stood at one dollar and a half. That was Hornung's price. No one else had any grain to sell.

But not ten minutes after the opening, Going was surprised out of all countenance to hear shouted from the other side of the pit these words:

"Sell May at one-fifty."

Going was for the moment touching elbows with Kimbark on one side and with Merriam on the other, all three belonging to the "Hornung crowd." Their answering challenge of "Sold" was as the voice of one man. They did not pause to reflect upon the strangeness of the circumstance. (That was for afterward.) Their response to the offer was as unconscious, as reflex action and almost as rapid, and before the pit was well aware of what had happened the transaction of one thousand bushels was down upon Going's trading-card and fifteen hundred dollars had changed hands. But here was a marvel—the whole available supply of wheat cornered, Hornung master of the situation, invincible, unassailable; yet behold a man willing to sell, a Bear bold enough to raise his head.

"That was Kennedy, wasn't it, who made that offer?" asked Kimbark, as

Going noted down the trade—"Kennedy, that new man?"

"Yes; who do you suppose he's selling for; who's willing to go short at this stage of the game?"

"Maybe he ain't short."

"Short! Great heavens, man; where'd he get the stuff?"

"Blamed if I know. We can account for every handful of May. Steady! Oh, there he goes again."

"Sell a thousand May at one-fifty," vociferated the bear-broker, throwing out his hand, one finger raised to indicate the number of "contracts" offered. This time it was evident that he was attacking the Hornung crowd deliberately, for, ignoring the jam of traders that swept toward him, he looked across the pit to where Going and Kimbark were shouting "Sold! Sold!" and nodded his head.

A second time Going made memoranda of the trade, and either the Hornung holdings were increased by two thousand bushels of May wheat or the Hornung bank account swelled by at least three thousand dollars of some unknown short's money.

Of late—so sure was the bull crowd of its position—no one had even thought of glancing at the inspection sheet on the bulletin board. But now one of Going's messengers hurried up to him with the announcement that this sheet showed receipts at Chicago for that morning of twenty-five thousand bushels, and not credited to Hornung. Some one had got hold of a line of wheat overlooked by the "clique" and was dumping it upon them.

"Wire the Chief," said Going over his shoulder to Merriam. This one struggled out of the crowd, and on a telegraph blank scribbled:

"Strong bear movement—New man—Kennedy—Selling in lots of five contracts—Chicago receipts twenty-five thousand."

The message was despatched, and in a few moments the answer came back, laconic, of military terseness:

"Support the market."

And Going obeyed, Merriam and Kimbark following, the new broker fairly throwing the wheat at them in thousand-bushel lots.

"Sell May at 'fifty; sell May; sell May." A moment's indecision, an instant's hesitation, the first faint suggestion of weakness, and the market would have broken under them. But for the better part of four hours they stood their ground, taking all that was offered, in constant communication with the Chief, and from time to time stimulated and steadied by his brief, unvarying command:

"Support the market."

At the close of the session they had bought in the twenty-five thousand bushels of May. Hornung's position was as stable as a rock, and the price closed even with the opening figure—one dollar and a half.

But the morning's work was the talk of all La Salle Street. Who was back of the raid?

What was the meaning of this unexpected selling? For weeks the pit trading had been merely nominal. Truslow, the Great Bear, from whom the most serious attack might have been expected, had gone to his country seat at Geneva Lake, in Wisconsin, declaring himself to be out of the market entirely. He went bass-fishing every day.

IV. THE BELT LINE

On a certain day toward the middle of the month, at a time when the mysterious Bear had unloaded some eighty thousand bushels upon Hornung, a conference was held in the library of Hornung's home. His broker attended it, and also a clean-faced, bright-eyed individual whose name of Cyrus Ryder might have been found upon the pay-roll of a rather well-known detective agency. For upward of half an hour after the conference began the detective spoke, the other two listening attentively, gravely.

"Then, last of all," concluded Ryder, "I made out I was a hobo, and began stealing rides on the Belt Line Railroad. Know the road? It just circles Chicago. Truslow owns it. Yes? Well, then I began to catch on. I noticed that cars of certain numbers—thirty-one nought thirty-four, thirty-two one ninety—well, the numbers don't matter, but anyhow, these cars were always switched onto the sidings by Mr. Truslow's main elevator D soon as they came in. The wheat was shunted in, and they were pulled out again. Well, I spotted one car and stole a ride on her. Say, look here, that car went right around the city on the Belt, and came back to D again, and the same wheat in her all the time. The grain was reinspected—it was raw, I tell you—and the warehouse receipts made out just as though the stuff had come in from Kansas or Iowa."

"The same wheat all the time!" interrupted Hornung.

"The same wheat—your wheat, that you sold to Truslow."

"Great snakes!" ejaculated Hornung's broker. "Truslow never took it abroad at all."

"Took it abroad! Say, he's just been running it around Chicago, like the supers in 'Shenandoah,' round an' round, so you'd think it was a new lot, an' selling it back to you again."

"No wonder we couldn't account for so much wheat."

"Bought it from us at one-ten, and made us buy it back—our own wheat—at one-fifty."

Hornung and his broker looked at each other in silence for a moment. Then all at once Hornung struck the arm of his chair with his fist and exploded in a roar of laughter. The broker stared for one bewildered moment, then followed his example.

"Sold! Sold!" shouted Hornung almost gleefully. "Upon my soul it's as good as a Gilbert and Sullivan show. And we—Oh, Lord! Billy, shake on it, and hats off to my distinguished friend, Truslow. He'll be President some day. Hey! What? Prosecute him? Not I."

"He's done us out of a neat hatful of dollars for all that," observed the broker, suddenly grave.

"Billy, it's worth the price."

"We've got to make it up somehow."

"Well, tell you what. We were going to boost the price to one seventy-five next week, and make that our settlement figure."

"Can't do it now. Can't afford it."

"No. Here; we'll let out a big link; we'll put wheat at two dollars, and let it go at that."

"Two it is, then," said the broker.

V. THE BREAD LINE

The street was very dark and absolutely deserted. It was a district on the "South Side," not far from the Chicago River, given up largely to wholesale stores, and after nightfall was empty of all life. The echoes slept but lightly hereabouts, and the slightest footfall, the faintest noise, woke them upon the instant and sent them clamouring up and down the length of the pavement between the iron shuttered fronts. The only light visible came from the side door of a certain "Vienna" bakery, where at one o'clock in the morning loaves of bread were given away to any who should ask. Every evening about nine o'clock the outcasts began to gather about the side door. The stragglers came in rapidly, and the line—the "bread line," as it was called—began to form. By midnight it was usually some hundred yards in length, stretching almost the entire length of the block.

Toward ten in the evening, his coat collar turned up against the fine drizzle that pervaded the air, his hands in his pockets, his elbows gripping his sides, Sam Lewiston came up and silently took his place at the end of the line.

Unable to conduct his farm upon a paying basis at the time when Truslow, the "Great Bear," had sent the price of grain down to sixty-two cents a bushel, Lewiston had turned over his entire property to his creditors, and, leaving Kansas for good, had abandoned farming, and had left his wife at her sister's boarding-house in Topeka with the understanding that she was to join him in Chicago so soon as he had found a steady job. Then he had come to Chicago and had turned workman. His brother Joe conducted a small hat factory on Archer Avenue, and for a time he found there a meager employment. But difficulties had occurred, times were bad, the hat factory was involved in debts, the repealing of a certain import duty on manufactured felt overcrowded the home market with cheap Belgian and French products, and in the end his brother had assigned and gone to Milwaukee.

Thrown out of work, Lewiston drifted aimlessly about Chicago, from pillar to post, working a little, earning here a dollar, there a dime, but always sinking, sinking, till at last the ooze of the lowest bottom dragged at his feet and the rush of the great ebb went over him and engulfed him and shut him out from the light, and a park bench became his home and the "bread line" his chief makeshift of subsistence.

He stood now in the enfolding drizzle, sodden, stupefied with fatigue. Before and behind stretched the line. There was no talking. There was no sound. The street was empty. It was so still that the passing of a cable-car in the adjoining thoroughfare grated like prolonged rolling explosions, beginning and ending at immeasurable distances. The drizzle descended incessantly. After a long time midnight struck.

There was something ominous and gravely impressive in this interminable line of dark figures, close-pressed, soundless; a crowd, yet absolutely still; a close-packed, silent file, waiting, waiting in the vast deserted night-ridden street; waiting without a word, without a movement, there under the night and under the slow-moving mists of rain.

Few in the crowd were professional beggars. Most of them were workmen, long since out of work, forced into idleness by long-continued "hard times," by ill luck, by sickness. To them the "bread line" was a godsend. At least they could not starve. Between jobs here in the end was something to hold them up—a small platform, as it were, above the sweep of black water, where for a moment they might pause and take breath before the plunge.

The period of waiting on this night of rain seemed endless to those silent, hungry men; but at length there was a stir. The line moved. The side door opened. Ah, at last! They were going to hand out the bread.

But instead of the usual white-aproned under-cook with his crowded hampers there now appeared in the doorway a new man—a young fellow who looked like a bookkeeper's assistant. He bore in his hand a placard, which he tacked to the outside of the door. Then he disappeared within the bakery, locking the door after him.

A shudder of poignant despair, an unformed, inarticulate sense of calamity, seemed to run from end to end of the line. What had happened? Those in the rear, unable to read the placard, surged forward, a sense of bitter disappointment clutching at their hearts.

The line broke up, disintegrated into a shapeless throng—a throng that crowded forward and collected in front of the shut door whereon the placard was affixed. Lewiston, with the others, pushed forward. On the placard he read these words:

"Owing to the fact that the price of grain has been increased to two dollars a bushel, there will be no distribution of bread from this bakery until further notice."

Lewiston turned away, dumb, bewildered. Till morning he walked the streets, going on without purpose, without direction. But now at last his luck had turned. Overnight the wheel of his fortunes had creaked and swung upon its axis, and before noon he had found a job in the street-cleaning brigade. In the course of time he rose to be first shift-boss, then deputy inspector, then inspector, promoted to the dignity of driving in a red wagon with rubber tires and drawing a salary instead of mere wages. The wife was sent for and a new start made.

But Lewiston never forgot. Dimly he began to see the significance of things. Caught once in the cogs and wheels of a great and terrible engine, he had seen—none better—its workings. Of all the men who had vainly stood in the "bread line" on that rainy night in early summer, he, perhaps, had been the only one who had struggled up to the surface again. How many others had gone down in the great ebb? Grim question; he dared not think how many.

He had seen the two ends of a great wheat operation—a battle between Bear and Bull. The stories (subsequently published in the city's press) of Truslow's countermove in selling Hornung his own wheat, supplied the unseen section. The farmer—he who raised the wheat—was ruined upon one hand; the working-man—he who consumed it—was ruined upon the other. But between the two, the great operators, who never saw the wheat they traded in, bought and sold the world's food, gambled in the nourishment of entire nations, practised their tricks, their chicanery and oblique shifty "deals," were reconciled in their differences, and went on through their appointed way, jovial, contented, enthroned, and unassailable.

THE WIFE OF CHINO

I. CHINO'S WIFE

On the back porch of the "office," young Lockwood—his boots, stained with the mud of the mines and with candle-drippings, on the rail—sat smoking his pipe and looking off down the cañon.

It was early in the evening. Lockwood, because he had heard the laughter and horseplay of the men of the night shift as they went down the cañon from the bunk-house to the tunnel-mouth, knew that it was a little after seven. It would not be necessary to go indoors and begin work on the columns of figures of his pay-roll for another hour yet. He knocked the ashes out of his pipe, refilled and lighted it—stoppering with his match-box—and shot a wavering blue wreath out over the porch railing. Then he resettled himself in his tilted chair, hooked his thumbs into his belt, and fetched a long breath.

For the last few moments he had been considering, in that comfortable spirit of relaxed attention that comes with the after-dinner tobacco, two subjects: first, the beauty of the evening; second, the temperament, character, and appearance of Felice Zavalla.

As for the evening, there could be no two opinions about that. It was charming. The Hand-over-fist Gravel Mine, though not in the higher Sierras, was sufficiently above the level of the mere foot-hills to be in the sphere of influence of the greater mountains. Also, it was remote, difficult of access. Iowa Hill, the nearest post-office, was a good eight miles distant, by trail, across the Indian River. It was sixteen miles by stage from Iowa Hill to Colfax, on the line of the Overland Railroad, and all of a hundred miles from Colfax to San Francisco.

To Lockwood's mind this isolation was in itself an attraction. Tucked away in this fold of the Sierras, forgotten, remote, the little community of a hundred souls that comprised the personnel of the Hand-over-fist lived out its life with the completeness of an independent State, having its own government, its own institutions and customs. Besides all this, it had its own dramas as well—little complications that developed with the swiftness of whirlpools, and that trended toward culmination with true Western directness. Lockwood, college-bred—he was a graduate of the Columbia School of Mines—found the life interesting.

On this particular evening he sat over his pipe rather longer than usual, seduced by the beauty of the scene and the moment. It was very quiet. The prolonged rumble of the mine's stamp-mill came to his ears in a ceaseless diapason, but the sound was so much a matter of course that Lockwood no longer heard it. The millions of pines and redwoods that covered the flanks of the mountains were absolutely still. No wind was stirring in their needles. But the chorus of tree-toads, dry, staccato, was as incessant as the pounding of the mill. Far-off—thousands of miles, it seemed—an owl was hooting, three velvet-soft notes at exact intervals. A cow in the stable near at hand lay down with a long breath, while from the back veranda of Chino Zavalla's cabin came the clear voice of Felice singing "The Spanish Cavalier" while she washed the dishes.

The twilight was fading; the glory that had blazed in cloudless vermilion and gold over the divide was dying down like receding music. The mountains were purple-black. From the cañon rose the night mist, pale blue, while above it stood the smoke from the mill, a motionless plume of sable, shot through by the last ruddiness of the afterglow.

The air was full of pleasant odours—the smell of wood fires from the cabins of the married men and from the ovens of the cookhouse, the ammoniacal whiffs from the stables, the smell of ripening apples from "Boston's" orchard—while over all and through all came the perfume of the witch-hazel and tar-weed from the forests and mountain sides, as pungent as myrrh, as aromatic as aloes.

"And if I should fall,

In vain I would call,"

sang Felice.

Lockwood took his pipe from his teeth and put back his head to listen. Felice had as good a voice as so pretty a young woman should have had. She was twenty-two or twenty-three years of age, and was incontestably the beauty of the camp. She was Mexican-Spanish, tall and very slender, black-haired, as lithe as a cat, with a cat's green eyes and with all of a cat's purring, ingratiating insinuation.

Lockwood could not have told exactly just how the first familiarity between him and Felice had arisen. It had grown by almost imperceptible degrees up to a certain point; now it was a chance meeting on the trail between the office and the mill, now a fragment of conversation apropos of a letter to be mailed, now a question as to some regulation of the camp, now a detail of repairs done to the cabin wherein Felice lived. As said above, up to a certain point the process of "getting acquainted" had been gradual, and on Lockwood's part unconscious; but beyond that point affairs had progressed rapidly.

At first Felice had been, for Lockwood, a pretty woman, neither more nor less; but by degrees she emerged from this vague classification: she became a very pretty woman. Then she became a personality; she occupied a place within the circle which Lockwood called his world, his life. For the past months this place had, perforce, to be enlarged. Lockwood allowed it to expand. To make room for Felice, he thrust aside, or allowed the idea of Felice to thrust aside, other objects which long had sat secure. The invasion of the woman into the sphere of his existence developed at the end into a thing veritably headlong. Deep-seated convictions, old-established beliefs and ideals, even the two landmarks right and wrong, were hustled and shouldered about as the invasion widened and penetrated. This state of affairs was further complicated by the fact that Felice was the wife of Chino Zavalla, shift-boss of No. 4 gang in the new workings.

II. MADNESS

It was quite possible that, though Lockwood could not have told when and how the acquaintance between him and Felice began and progressed, the young woman herself could. But this is guesswork. Felice being a woman, and part Spanish at that, was vastly more self-conscious, more disingenuous, than the man, the Anglo-Saxon. Also she had that fearlessness that very pretty women have. In her more refined and city-bred sisters this fearlessness would be called poise, or, at the most, "cheek."

And she was quite capable of making young Lockwood, the superintendent, her employer, and nominally the ruler of her little world, fall in love with her. It is only fair to Felice to say that she would not do this deliberately. She would be more conscious of the business than the man, than Lockwood; but in affairs such as this, involving women like Felice, there is a distinction between deliberately doing a thing and consciously doing it.

Admittedly this is complicated, but it must be understood that Felice herself was complex, and she could no more help attracting men to her than the magnet the steel filings. It made no difference whether the man was the "breed" boy who split logging down by the engine-house or the young superintendent with his college education, his white hands and dominating position; over each and all who came within range of her influence Felice, with her black hair and green eyes, her slim figure and her certain indefinite "cheek"—which must not by any manner of means be considered as "boldness"—cast the weird of her kind.

If one understood her kind, knew how to make allowances, knew just how seriously to take her eyes and her "cheek," no great harm was done. Otherwise, consequences were very apt to follow.

Hicks was one of those who from the very first had understood. Hicks was the manager of the mine, and Lockwood's chief—in a word, the boss. He was younger even than Lockwood, a boy virtually, but a wonderful boy—a boy such as only America, western America at that, could produce, masterful, self-controlled, incredibly capable, as taciturn as a sphinx, strong of mind and of muscle, and possessed of a cold gray eye that was as penetrating as chilled steel.

To this person, impersonal as force itself, Felice had once, by some mysterious feminine art, addressed, in all innocence, her little maneuver of fascination. One lift of the steady eyelid, one quiet glint of that terrible cold gray eye, that poniarded her every tissue of complexity, inconsistency, and coquetry, had been enough. Felice had fled the field from this young fellow, so much her junior, and then afterward, in a tremor of discomfiture and distress, had kept her distance.

Hicks understood Felice. Also the great majority of the miners—shift-bosses, chuck-tenders, bed-rock cleaners, and the like—understood. Lockwood did not.

It may appear difficult of belief that the men, the crude, simple workmen, knew how to take Felice Zavalla, while Lockwood, with all his education and superior intelligence, failed in his estimate of her. The explanation lies no doubt in the fact that in these man-and-woman affairs instinct is a surer guide than education and intelligence, unless, indeed, the intelligence is preternaturally keen. Lockwood's student life had benumbed the elemental instinct, which in the miners, the "men," yet remained vigorous and unblunted, and by means of which they assessed Felice and her harmless blandishments at their true worth. For all Lockwood's culture, his own chuck-tenders, unlettered fellows, cumbersome, slow-witted, "knew women"—at least, women of their own world, like Felice—better than he. On the other hand, his intelligence was no such perfected instrument as Hicks's, as exact as logarithms, as penetrating as a scalpel, as uncoloured by emotions as a steel trap.

Lockwood's life had been a narrow one. He had studied too hard at Columbia to see much of the outside world, and he had come straight from his graduation to take his first position. Since then his life had been spent virtually in the wilderness, now in Utah, now in Arizona, now in British Columbia, and now, at last, in Placer County, California. His lot was the common lot of young mining engineers. It might lead one day to great wealth, but meanwhile it was terribly isolated.

Living thus apart from the world, Lockwood very easily allowed his judgment to get, as it were, out of perspective. Class distinctions lost their sharpness, and one woman—as, for instance, Felice—was very like another—as, for instance, the girls his sisters knew "back home" in New York.

As a last result, the passions were strong.

Things were done "for all they were worth" in Placer County, California. When a man worked, he worked hard; when he slept, he slept soundly; when he hated, he hated with primeval intensity; and when he loved he grew reckless.

It was all one that Felice was Chino's wife. Lockwood swore between his teeth that she should be his wife. He had arrived at this conclusion on the night that he sat on the back porch of his office and watched the moon coming up over the Hog Back. He stood up at length and thrust his pipe into his pocket, and putting an arm across the porch pillar, leaned his forehead against it and looked out far in the purple shadows.

"It's madness," he muttered; "yet, I know it—sheer madness; but, by the

Lord! I am mad—and I don't care."

III. CHINO GOES TO TOWN

As time went on the matter became more involved. Hicks was away. Chino Zavalla, stolid, easy-going, came and went about his work on the night shift, always touching his cap to Lockwood when the two crossed each other's paths, always good-natured, always respectful, seeing nothing but his work.

Every evening, when not otherwise engaged, Lockwood threw a saddle over one of the horses and rode in to Iowa Hill for the mail, returning to the mine between ten and eleven. On one of these occasions, as he drew near to Chino's cabin, a slim figure came toward him down the road and paused at his horse's head. Then he was surprised to hear Felice's voice asking, "'Ave you a letter for me, then, Meester Lockwude?"

Felice made an excuse of asking thus for her mail each night that Lockwood came from town, and for a month they kept up appearances; but after that they dropped even that pretense, and as often as he met her Lockwood dismounted and walked by her side till the light in the cabin came into view through the chaparral.

At length Lockwood made a mighty effort. He knew how very far he had gone beyond the point where between the two landmarks called right and wrong a line is drawn. He contrived to keep away from Felice. He sent one of the men into town for the mail, and he found reasons to be in the mine itself whole half-days at a time. Whenever a moment's leisure impended, he took his shotgun and tramped the mine ditch for leagues, looking for quail and gray squirrels. For three weeks he so managed that he never once caught sight of Felice's black hair and green eyes, never once heard the sound of her singing.

But the madness was upon him none the less, and it rode and roweled him like a hag from dawn to dark and from dark to dawn again, till in his complete loneliness, in the isolation of that simple, primitive life, where no congenial mind relieved the monotony by so much as a word, morbid, hounded, tortured, the man grew desperate—was ready for anything that would solve the situation.

Once every two weeks Lockwood "cleaned up and amalgamated"—that is to say, the mill was stopped and the "ripples" where the gold was caught were scraped clean. Then the ore was sifted out, melted down, and poured into the mould, whence it emerged as the "brick," a dun-coloured rectangle, rough-edged, immensely heavy, which represented anywhere from two to six thousand dollars. This was sent down by express to the smelting-house.

But it was necessary to take the brick from the mine to the express office at Iowa Hill.

This duty devolved upon Lockwood and Chino Zavalla. Hicks had from the very first ordered that the Spaniard should accompany the superintendent upon this mission. Zavalla was absolutely trustworthy, as honest as the daylight, strong physically, cool-headed, discreet, and—to Hicks's mind a crowning recommendation—close-mouthed. For about the mine it was never known when the brick went to town or who took it. Hicks had impressed this fact upon Zavalla. He was to tell nobody that he was delegated to this duty. "Not even"—Hicks had leveled a forefinger at Chino, and the cold eyes drove home the injunction as the steam-hammer drives the rivet—"not even your wife." And Zavalla had promised. He would have trifled with dynamite sooner than with one of Hicks's orders.

So the fortnightly trips to town in company with Lockwood were explained in various fashions to Felice. She never knew that the mail-bag strapped to her husband's shoulders on those occasions carried some five thousand dollars' worth of bullion.

On a certain Friday in early June Lockwood had amalgamated, and the brick, duly stamped, lay in the safe in the office. The following night he and Chino, who was relieved from mine duty on these occasions, were to take it in to Iowa Hill.

Late Saturday afternoon, however, the engineer's boy brought word to Chino that the superintendent wanted him at once. Chino found Lockwood lying upon the old lounge in the middle room of the office, his foot in bandages.

"Here's luck, Chino," he exclaimed, as the Mexican paused on the threshold. "Come in and—shut the door," he added in a lower voice.

"Dios!" murmured Chino. "An accident?"

"Rather," growled Lockwood. "That fool boy, Davis's kid—the car-boy, you know—ran me down in the mine. I yelled at him. Somehow he couldn't stop. Two wheels went over my foot—and the car loaded, too."

Chino shuddered politely.

"Now here's the point," continued Lockwood. "Um—there's nobody round outside there? Take a look, Chino, by the window there. All clear, eh? Well, here's the point. That brick ought to go in to-night just the same, hey?"

"Oh—of a surety, of a surety." Chino spoke in Spanish.

"Now I don't want to let any one else take my place—you never can tell—the beggars will talk. Not all like you, Chino."

"Gracias, sigñor. It is an honour."

"Do you think you can manage alone? I guess you can, hey? No reason why you couldn't."

Chino shut his eyes tight and put up a palm. "Rest assured of that,

Sigñor Lockwude. Rest assured of that."

"Well, get around here about nine."

"It is understood, sigñor."

Lockwood, who had a passable knowledge of telegraphy, had wired to the Hill for the doctor. About suppertime one appeared, and Lockwood bore the pain of the setting with such fortitude as he could command. He had his supper served in the office. The doctor shared it with him and kept him company.

During the early hours of the evening Lockwood lay on the sofa trying to forget the pain. There was no easier way of doing this than by thinking of Felice. Inevitably his thoughts reverted to her. Now that he was helpless, he could secure no diversion by plunging into the tunnel, giving up his mind to his work. He could not now take down his gun and tramp the ditch. Now he was supine, and the longing to break through the mesh, wrestle free from the complication, gripped him and racked him with all its old-time force.

Promptly at nine o'clock the faithful Chino presented himself at the office. He had one of the two horses that were used by Lockwood as saddle animals, and as he entered he opened his coat and tapped the hilt of a pistol showing from his trousers pocket, with a wink and a grin. Lockwood took the brick from the safe, strapped it into the mail-bag, and Chino, swinging it across his shoulders, was gone, leaving Lockwood to hop back to the sofa, there to throw himself down and face once more his trouble.

IV. A DESPATCH FROM THE EXPRESS MESSENGER

What made it harder for Lockwood just now was that even on that very day, in spite of all precaution, in spite of all good resolutions, he had at last seen Felice. Doubtless the young woman herself had contrived it; but, be that as it may, Lockwood, returning from a tour of inspection along the ditch, came upon her not far from camp, but in a remote corner, and she had of course demanded why he kept away from her. What Lockwood said in response he could not now remember; nor, for that matter, was any part of the conversation very clear to his memory. The reason for this was that, just as he was leaving her, something of more importance than conversation had happened. Felice had looked at him.

And she had so timed her look, had so insinuated it into the little, brief, significant silences between their words, that its meaning had been very clear. Lockwood had left her with his brain dizzy, his teeth set, his feet stumbling and fumbling down the trail, for now he knew that Felice wanted him to know that she regretted the circumstance of her marriage to Chino Zavalla; he knew that she wanted him to know that the situation was as intolerable for her as for him.

All the rest of the day, even at this moment, in fact, this new phase of the affair intruded its pregnant suggestions upon his mind, to the exclusion of everything else. He felt the drift strong around him; he knew that in the end he would resign himself to it. At the same time he sensed the abyss, felt the nearness of some dreadful, nameless cataclysm, a thing of black shadow, bottomless, terrifying.

"Lord!" he murmured, as he drew his hand across his forehead, "Lord! I wonder where this thing is going to fetch up."

As he spoke, the telegraph key on his desk, near at hand, began all at once to click off his call. Groaning and grumbling, Lockwood heaved himself up, and, with his right leg bent, hobbled from chair-back to chair-back over to the desk. He rested his right knee on his desk chair, reached for his key, opened the circuit, and answered. There was an instant's pause, then the instrument began to click again. The message was from the express messenger at Iowa Hill.

Word by word Lockwood took it off as follows:

"Reno—Kid—will—attempt—hold-up—of— brick—on—trail-to-night—do—not—send— till—advised—at—this—end."_

Lockwood let go the key and jumped back from the desk, lips compressed, eyes alight, his fists clenched till the knuckles grew white. The whole figure of him stiffened as tense as drawn wire, braced rigid like a finely bred hound "making game."

Chino was already half an hour gone by the trail, and the Reno Kid was a desperado of the deadliest breed known to the West. How he came to turn up here there was no time to inquire. He was on hand, that was the point; and Reno Kid always "shot to kill." This would be no mere hold-up; it would be murder.

Just then, as Lockwood snatched open a certain drawer of his desk where he kept his revolver, he heard from down the road, in the direction of Chino's cabin, Felice's voice singing:

"To the war I must go,

To fight for my country and you, dear."

Lockwood stopped short, his arm at full stretch, still gripping tight the revolver that he had half pulled from the drawer—stopped short and listened.

The solution of everything had come.

He saw it in a flash. The knife hung poised over the knot—even at that moment was falling. Nothing was asked of him—nothing but inertia.

For an instant, alone there in that isolated mining-camp, high above the world, lost and forgotten in the gloom of the cañons and redwoods, Lockwood heard the crisis of his life come crashing through the air upon him like the onslaught of a whirlwind. For an instant, and no more, he considered. Then he cried aloud:

"No, no; I can't, I can't—not this way!" And with the words he threw the belt of the revolver about his hips and limped and scampered from the room, drawing the buckle close.

How he gained the stable he never knew, nor how he backed the horse from the building, nor how, hopping on one leg, he got the headstall on and drew the cinches tight.

But the wrench of pain in his foot as, swinging up at last, he tried to catch his off stirrup was reality enough to clear any confusion of spirit. Hanging on as best he might with his knees and one foot, Lockwood, threshing the horse's flanks with the stinging quirt that tapered from the reins of the bridle, shot from the camp in a swirl of clattering hoofs, flying pebbles and blinding clouds of dust.

V. THE TRAIL

The night was black dark under the redwoods, so impenetrable that he could not see his horse's head, and braced even as he was for greater perils it required all his courage to ride top-speed at this vast slab of black that like a wall he seemed to charge head down with every leap of his bronco's hoofs.

For the first half-hour the trail mounted steadily, then, by the old gravel-pits, it topped the divide and swung down over more open slopes, covered only with chaparral and second growths. Here it was lighter, and Lockwood uttered a fervent "Thank God!" when, a few moments later, the moon shouldered over the mountain crests ahead of him and melted the black shadows to silver-gray. Beyond the gravel-pits the trail turned and followed the flank of the slope, level here for nearly a mile. Lockwood set his teeth against the agony of his foot and gave the bronco the quirt with all his strength.

In another half-hour he had passed Cold Cañon, and twenty minutes after that had begun the descent into Indian River. He forded the river at a gallop, and, with the water dripping from his very hat-brim, drove labouring under the farther slope.

Then he drew rein with a cry of bewilderment and apprehension. The lights of Iowa Hill were not two hundred yards distant. He had covered the whole distance from the mine, and where was Chino?

There was but one answer: back there along the trail somewhere, at some point by which Lockwood had galloped headlong and unheeding, lying up there in the chaparral with Reno's bullets in his body.

There was no time now to go on to the Hill. Chino, if he was not past help, needed it without an instant's loss of time. Lockwood spun the horse about. Once more the ford, once more the cañon slopes, once more the sharp turn by Cold Cañon, once more the thick darkness under the redwoods. Steadily he galloped on, searching the roadside.

Then all at once he reined in sharply, bringing the horse to a standstill, one ear turned down the wind. The night's silence was broken by a multitude of sounds—the laboured breathing of the spent bronco, the saddle creaking as the dripping flanks rose and fell, the touch of wind in the tree-tops and the chorusing of the myriad tree-toads. But through all these, distinct, as precise as a clock-tick, Lockwood had heard, and yet distinguished, the click of a horse's hoof drawing near, and the horse was at a gallop: Reno at last.

Lockwood drew his pistol. He stood in thick shadow. Only some twenty yards in front of him was there any faintest break in the darkness; but at that point the blurred moonlight made a grayness across the trail, just a tone less deep than the redwoods' shadows.

With his revolver cocked and trained upon this patch of grayness,

Lockwood waited, holding his breath.

The gallop came blundering on, sounding in the night's silence as loud as the passage of an express train; and the echo of it, flung back from the cañon side, confused it and distorted it till, to Lockwood's morbid alertness, it seemed fraught with all the madness of flight, all the hurry of desperation.

Then the hoof-beats rose to a roar, and a shadow just darker than the darkness heaved against the grayness that Lockwood held covered with his pistol. Instantly he shouted aloud:

"Halt! Throw up your hands!"

His answer was a pistol shot.

He dug his heels to his horse, firing as the animal leaped forward. The horses crashed together, rearing, plunging, and Lockwood, as he felt the body of a man crush by him on the trail, clutched into the clothes of him, and, with the pistol pressed against the very flesh, fired again, crying out as he did so:

"Drop your gun, Reno! I know you. I'll kill you if you move again!"

And then it was that a wail rose into the night, a wail of agony and mortal apprehension:

"Sigñor Lockwude, Sigñor Lockwude, for the love of God, don't shoot!

'Tis I—Chino Zavalla."

VI. THE DISCOVERY OF FELICE

An hour later, Felice, roused from her sleep by loud knocking upon her door, threw a blanket about her slim body, serape fashion, and opened the cabin to two gaunt scarecrows, who, the one, half supported by the other, himself far spent and all but swooning, lurched by her across the threshold and brought up wavering and bloody in the midst of the cabin floor.

"Por Dios! Por Dios!" cried Felice. "Ah, love of God! what misfortune has befallen Chino!" Then in English, and with a swift leap of surprise and dismay: "Ah, Meester Lockwude, air you hurt? Eh, tell me-a! Ah, it is too draidful!"

"No, no," gasped Lockwood, as he dragged Chino's unconscious body to the bed Felice had just left. "No; I—I've shot him. We met—there on the trail." Then the nerves that had stood strain already surprisingly long snapped and crisped back upon themselves like broken harp-strings.

"I've shot him! I've shot him!" he cried. "Shot him, do you understand? Killed him, it may be. Get the doctor, quick! He's at the office. I passed Chino on the trail over to the Hill. He'd hid in the bushes as he heard me coming from behind, then when I came back I took him. Oh, I'll explain later. Get the doctor, quick."

Felice threw on such clothes as came to her hand and ran over to the office, returning with the doctor, half dressed and blinking in the lantern-light. He went in to the wounded man at once, and Lockwood, at the end of all strength, dropped into the hammock on the porch, stretching out his leg to ease the anguish of his broken foot. He leaned back and closed his eyes wearily, aware only of a hideous swirl of pain, of intolerable anxiety as to Chino's wound, and, most of all, of a mere blur of confusion wherein the sights and sounds of the last few hours tore through his brain with the plunge of a wild galloping such as seemed to have been in his ears for years and years.

But as he lay thus he heard a step at his side. Then came the touch of

Felice's long brown hand upon his face. He sat up, opening his eyes.

"You aisk me-a," she said, "eef I do onderstaind, eh? Yais, I onderstaind. You—" her voice was a whisper—"you shoot Chino, eh? I know. You do those thing' for me-a. I am note angri, no-a. You ver' sharp man, eh? All for love oaf Felice, eh? Now we be happi, maybe; now we git married soam day byne-by, eh? Ah, you one brave man, Sigñor Lockwude!"

She would have taken his hand, but Lockwood, the pain all forgot, the confusion all vanishing, was on his feet. It was as though a curtain that for months had hung between him and the blessed light of clear understanding had suddenly been rent in twain by her words. The woman stood revealed. All the baseness of her tribe, all the degraded savagery of a degenerate race, all the capabilities for wrong, for sordid treachery, that lay dormant in her, leaped to life at this unguarded moment, and in that new light, that now at last she had herself let in, stood pitilessly revealed, a loathsome thing, hateful as malevolence itself.

"What," shouted Lockwood, "you think—think that I—that I could—oh-h, it's monstrous—you——" He could find no words to voice his loathing. Swiftly he turned away from her, the last spark of an evil love dying down forever in his breast.

It was a transformation, a thing as sudden as a miracle, as conclusive as a miracle, and with all a miracle's sense of uplift and power. In a second of time the scales seemed to fall from the man's eyes, fetters from his limbs; he saw, and he was free.

At the door Lockwood met the doctor:

"Well?"

"He's all right; only a superficial wound. He'll recover. But you—how about you? All right? Well, that is a good hearing. You've had a lucky escape, my boy."

"I have had a lucky escape," shouted Lockwood. "You don't know just how lucky it was."

A BARGAIN WITH PEG-LEG

"Hey, youse!" shouted the car-boy. He brought his trundling, jolting, loose-jointed car to a halt by the face of the drift. "Hey, youse!" he shouted again.

Bunt shut off the Burly air-drill and nodded.

"Chaw," he remarked to me.

We clambered into the car, and, as the boy released the brake, rolled out into the main tunnel of the Big Dipple, and banged and bumped down the long incline that led to the mouth.

"Chaw" was dinner. It was one o'clock in the morning, and the men on the night shift were taking their midnight spell off. Bunt was back at his old occupation of miner, and I—the one loafer of all that little world of workers—had brought him a bottle of beer to go with the "chaw"; for Bunt and I were ancient friends.

As we emerged from the cool, cave-like dampness of the mine and ran out into the wonderful night air of the Sierra foothills, warm, dry, redolent of witch-hazel, the carboy began to cough, and, after we had climbed out of the car and had sat down on the embankment to eat and drink, Bunt observed:

"D'ye hear that bark? That kid's a one-lunger for fair. Which ain't no salubrious graft for him—this hiking cars about in the bowels of the earth, Some day he'll sure up an' quit. Ought to go down to Yuma a spell."

The engineer in the mill was starting the stamps. They got under way with broken, hiccoughing dislocations, bumping and stumbling like the hoofs of a group of horses on the cattle-deck in a gale. Then they jumped to a trot, then to a canter, and at last settled down to the prolonged roaring gallop that reverberated far off over the entire cañon.

"I knew a one-lunger once," Bunt continued, as he uncorked the bottle, "and the acquaintance was some distressful by reason of its bringing me into strained relations with a cow-rustlin', hair-liftin', only-one-born-in-captivity, man-eatin' brute of a one-legged Greaser which he was named Peg-leg Smith. He was shy a leg because of a shotgun that the other man thought wasn't loaded. And this here happens, lemme tell you, 'way down in the Panamint country, where they wasn't no doctor within twenty miles, and Peg-leg outs with his bowie and amputates that leg hisself, then later makes a wood stump outa a ole halter and a table-leg. I guess the whole jing-bang of it turned his head, for he goes bad and loco thereafter, and begins shootin' and r'arin' up an' down the hull Southwest, a-roarin' and a-bellerin' and a-takin' on amazin'. We dasn't say boo to a yaller pup while he's round. I never see such mean blood. Jus' let the boys know that Peg-leg was anyways adjacent an' you can gamble they walked chalk.

"Y'see, this Peg-leg lay it out as how he couldn't abide no cussin' an' swearin'. He said if there was any tall talkin' done he wanted to do it. And he sure could. I've seed him hold on for six minutes by the watch an' never repeat hisself once. An' shoot! Say, lemme tell you he did for two Greasers once in a barroom at La Paz, one in front o' him, t'other straight behind, him standing between with a gun in each hand, and shootin' both guns at the same time. Well, he was just a terror," declared Bunt, solemnly, "and when he was in real good form there wa'n't a man south o' Leadville dared to call his hand.

"Now, the way I met up with this skunkin' little dewdrop was this-like It was at Yuma, at a time when I was a kid of about nineteen. It was a Sunday mornin'; Peg-leg was in town. He was asleep on a lounge in the back room o' Bud Overick's Grand Transcontinental Hotel. (I used to guess Bud called it that by reason that it wa'n't grand, nor transcontinental, nor yet a hotel—it was a bar.) This was twenty year ago, and in those days I knowed a one-lunger in Yuma named Clarence. (He couldn't help that—he was a good kid—but his name was Clarence.) We got along first-rate. Yuma was a great consumptive place at that time. They used to come in on every train; yes, and go out, too—by freight.

"Well, findin' that they couldn't do much else than jes' sit around an' bark and keep their shawls tight, these 'ere chaps kinda drew together, and lay it out to meet every Sunday morning at Bud's to sorta talk it over and have a quiet game. One game they had that they played steady, an' when I drifted into Bud's that morning they was about a dozen of 'em at it—Clarence, too. When I came in, there they be, all sittin' in a circle round a table with a cigar box on it. They'd each put four bits into the box. That was the pot.

"A stranger wouldn't 'a' made nothin' very excitin' out of that game, nor yet would 'a' caught on to what it were. For them pore yaps jes' sat there, each with his little glass thermometer in his mouth, a-waitin' and a-waitin' and never sayin' a word. Then bime-by Bud, who's a-holdin' of the watch on 'em, sings out 'Time!' an' they all takes their thermometers out an' looks at 'em careful-like to see where they stand.

"'Mine's ninety-nine,' says one.

"An' another says:

"'Mine's a hundred.'

"An' Clarence pipes up—coughin' all the time:

"'Mine's a hundred 'n one 'n 'alf.'

"An', no one havin' a higher tempriture than that, Clarence captures the pot. It was a queer kind o' game.

"Well, on that particular Sunday morning they's some unpleasantness along o' one o' the other one-lungers layin' it out as how Clarence had done some monkey-business to make his tempriture so high. It was said as how Clarence had took and drunk some hot tea afore comin' into the game at Bud's. They all began to discuss that same p'int.

"Naturally, they don't go at it polite, and to make their remarks p'inted they says a cuss-word occasional, and Clarence, bein' a high-steppin' gent as takes nobody's dust, slings it back some forceful.

"Then all at once they hears Peg-leg beller from where's he layin' on the lounge (they ain't figured on his bein' so contiguous), and he gives it to be understood, does Peg-leg, as how the next one-lunger that indulges in whatsoever profanity will lose his voice abrupt.

"They all drops out at that, bar the chap who had the next highest tempriture to Clarence. Him having missed the pot by only a degree or so is considerable sore.

"'Why,' says he, 'I've had a reg'lar fever since yesterday afternoon, an' only just dodged a hem'rage by a squeak. I'm all legitimate, I am; an' if you-alls misdoubts as how my tempriture ain't normal you kin jes' ask the doctor. I don't take it easy that a strappin', healthy gesabe whose case ain't nowheres near the hopeless p'int yet steps in here with a scalded mouth and plays it low.'

"Clarence he r'ars right up at that an' forgits about Peg-leg an' expresses doubts, not to say convictions, about the one-lunger's chances of salvation. He puts it all into about three words, an' just as quick as look at it we hears ol' Peg-leg's wooden stump a-comin'. We stampedes considerable prompt, but Clarence falls over a chair, an' before he kin get up Peg-leg has him by the windpipe.

"Now I ain't billin' myself as a all-round star hero an' general grand-stand man. But I was sure took with Clarence, an' I'd 'a' been real disappointed if Peg-leg 'ud a-killed him that morning—which he sure was tryin' to do when I came in for a few chips.

"I don' draw on Peg-leg, him being down on his knees over Clarence, an' his back turned, but without sensin' very much what I'm a-doin' of I grabs holt o' the first part o' Peg-leg that comes handy, which, so help me, Bob, is his old wooden leg. I starts to pull him off o' Clarence, but instead o' that I pulls off the wooden leg an' goes a-staggerin' back agin the wall with the thing in my fist.

"Y'know how it is now with a fightin' pup if you pull his tail while he's a-chawin' up the other pup. Ye can bat him over the head till you're tired, or kick him till you w'ars your boot out, an' he'll go right on chawin' the harder. But monkey with his tail an' he's that sensitive an' techy about it that he'll take a interest right off.

"Well, it were just so with Peg-leg—though I never knew it. Just by accident I'd laid holt of him where he was tender; an' when he felt that leg go—say, lemme tell you, he was some excited. He forgits all about Clarence, and he lines out for me, a-clawin' the air. Lucky he'd left his gun in the other room.

"Well, sir, y'ought to have seen him, a-hoppin' on one foot, and banging agin the furniture, jes' naturally black in the face with rage, an' doin' his darnedest to lay his hands on me, roarin' all the whiles like a steer with a kinked tail.

"Well, I'm skeered, and I remarks that same without shame. I'm skeered. I don't want to come to no grapples with Peg-leg in his wrath, an' I knows that so long as he can't git his leg he can't take after me very fast. Bud's saloon backs right up agin the bluff over the river. So what do I do but heave that same wooden leg through one o' the back windows, an' down she goes (as I thought) mebbe seventy feet into the cañon o' the Colorado? And then, mister man, I skins out—fast.

"I takes me headlong flight by way o' the back room and on-root pitches Peg-leg's gun over into the cañon, too, an' then whips around the corner of the saloon an' fetches out ag'in by the street in front. With his gun gone an' his leg gone, Peg-leg—so long's y'ain't within arm's reach—is as harmless as a horned toad. So I kinda hangs 'round the neighbourhood jes' to see what-all mout turn up.

"Peg-leg, after hoppin' back to find that his gun was gone, to look for his leg, comes out by the front door, hoppin' from one chair to another, an' seein' me standin' there across the street makes remarks; an' he informs me that because of this same little turn-up this mornin' I ain't never goin' to live to grow hair on my face. His observations are that vigorous an' p'inted that I sure begin to see it that way, too, and I says to myself:

"'Now you, Bunt McBride, you've cut it out for yourself good and hard, an' the rest o' your life ain't goin' to be free from nervousness. Either y'ought to 'a' let this here hell-roarin' maverick alone or else you should 'a' put him clean out o' business when you had holt o' his shootin'-iron. An' I ain't a bit happy.' And then jes' at this stage o' the proceedings occurs what youse 'ud call a diversion.

"It seemed that that wood stump didn't go clean to the river as I first figured, but stuck three-fourths the way down. An' a-course there's a fool half-breed kid who's got to chase after it, thinkin' to do Peg-leg a good turn.

"I don't know nothin' about this, but jes' stand there talkin' back to Peg-leg, an' pre-tendin' I ain't got no misgivings, when I sees this kid comin' a-cavoortin' an' a-cayoodlin' down the street with the leg in his hands, hollerin' out:

"'Here's your leg, Mister Peg-leg! I went an' got it for you, Mister

Peg-leg!'

"It ain't so likely that Peg-leg could 'a' caught me even if he'd had his leg, but I wa'n't takin' no chances. An' as Peg-leg starts for the kid I start, too—with my heart knockin' agin my front teeth, you can bet.

"I never knew how fast a man could hop till that mornin', an', lookin' at Peg-leg with the tail o' my eye as I ran, it seemed to me as how he was a-goin' over the ground like a ole he-kangaroo. But somehow he gets off his balance and comes down all of a smash like a rickety table, an' I reaches the kid first an' takes the leg away from him.

"I guess Peg-leg must 'a' begun to lay it out by then that I held a straight flush to his ace high, for he sits down on the edge of the sidewalk an', being some winded, too, he just glares. Then byme-by he says:

"'You think you are some smart now, sonny, but I'm a-studyin' of your face so's I'll know who to look for when I git a new leg; an' believe me, I'll know it, m'son—yours and your friend's too' (he meant Clarence)—'an' I guess you'll both be kind o' sick afore I'm done with you. You!' he goes on, tremendous disgustful. 'You! an' them one-lungers a-swearin' an' a-cussin' an' bedamnin' an' bedevilin' one a-other. Ain't ye just ashamed o' yourselves ?' (he thought I was a one-lunger, too); 'ain't ye ashamed—befoulin' your mouths, and disturbin' the peace along of a quiet Sunday mornin', an' you-alls waist over in your graves? I'm fair sick o' my job,' he remarks, goin' kind o' thoughtful. 'Ten years now I've been range-ridin' all this yere ranch, a-doin' o' my little feeble, or'nary best to clean out the mouths o' you men an' purify the atmosphere o' God's own country, but I ain't made one convert. I've pounded 'em an' booted 'em, an' busted 'em an' shot 'em up, an' they go on cussin' each other out harder'n ever. I don't know w'at all to do an' I sometimes gets plumb discouraged-like.'

"Now, hearin' of him talk that-a-way, an' a-knowin' of his weakness, I gits a idea. It's a chanst and mebbee it don't pan out, but I puts it up as a bluff. I don't want, you see, to spend the rest o' my appointed time in this yere vale o' tears a-dodgin' o' Peg-leg Smith, an' in the end, after all, to git between the wind and a forty-eight caliber do-good, sure not. So I puts up a deal. Says I: 'Peg-leg, I'll make a bargint along o' you. You lays it out as how you ain't never converted nobody out o' his swearin' habits. Now if you wants, 'ere's a chanst. You gimmee your word as a gent and a good-man-an'-true, as how you won't never make no play to shoot me up, in nowise whatsoever, so long as we both do live, an' promise never to bust me, or otherwise, and promise never to rustle me or interfere with my life, liberty and pursuit o' happiness, an' thereunto you set your seal an' may Lord 'a' mercy on your soul—you promise that, an' I will agree an' covenant with the party o' the first part to abstain an' abjure, early or late, dry or drinkin', in liquor or out, out o' luck or in, rangin' or roundin', from all part an' parcel o' profanity, cuss-words, little or big, several and separate, bar none; this yere agreement to be considered as bindin' an' obligatory till the day o' your demise, decease or death. There!' says I, 'there's a fair bargint put up between man an' man, an' I puts it to you fair. You comes in with a strong ante an' you gets a genuine, guaranteed an' high-grade convert—the real article. You stays out, an' not only you loses a good chanst to cut off and dam up as vigorous a stream o' profanity as is found between here and Laredo, but you loses a handmade, copper-bound, steel-riveted, artificial limb—which in five minutes o' time,' says I, windin' up, 'will sure feed the fire. There's the bargint.'

"Well, the ol' man takes out time for about as long as a thirsty horse-rustler could put away half a dozen drinks an' he studies the proposition sideways and endways an' down side up. Then at last he ups and speaks out decided-like:

"'Son,' he says, 'son, it's a bargint. Gimmee my leg.'

"Somehow neither o' us misdoubts as how the other man won't keep his word; an' I gives him his stump, an' he straps her on joyful-like, just as if he'd got back a ole friend. Then later on he hikes out for Mojave and I don' see him no more for mebbee three years."

"And then?" I prompted.

"Well, I'll tell you," continued Bunt, between mouthfuls of pie, "I'll tell you. This yere prejudice agin profanity is the only thing about this yere Peg-leg that ain't pizen bad, an' that prejudice, you got to know, was just along o' his being loco on that one subjeck. 'Twa'n't as if he had any real principles or convictions about the thing. It was just a loco prejudice. Just as some gesabes has feelin's agin cats an' snakes, or agin seein' a speckled nigger. It was just on-reasonable. So what I'm aimin' to have you understand is the fact that it was extremely appropriate that Peg-leg should die, that it was a blame good thing, and somethin' to be celebrated by free drinks all round.

"You can say he treated me white, an' took my unsupported word. Well, so he did; but that was in spite o' what he really was hisself, 'way on the inside o' him. Inside o' him he was black-bad, an' it wa'n't a week after we had made our bargint that he did for a little Mojave kid in a way I don't like to think of.

"So when he took an' died like as how I'm a-going to tell you of, I was plumb joyful, not only because I could feel at liberty to relieve my mind when necessary in a manner as is approved of and rightful among gents—not only because o' that, but because they was one less bad egg in the cow-country.

"Now the manner o' Peg-leg's dying was sure hilarious-like. I didn't git over laughin' about it for a month o' Sundays—an' I ain't done yet. It was sure a joke on Peg-leg. The cutest joke that ever was played off on him.

"It was in Sonora—Sonora, Arizona, I mean. They'd a-been a kind o' gold excitement there, and all the boys had rounded up. The town was full—chock-a-block. Peg-leg he was there too, drunk all the time an' bullyin' everybody, an' slambangin' around in his same old way. That very day he'd used a friend o' his—his best friend—cruel hard: just mean and nasty, you know.

"Well, I'm sitting into a little game o' faro about twelve o'clock at night, me an' about a dozen o' the boys. We're good an' interested, and pretty much to the good o' the game, an' somebody's passin' drinks when all at once there's a sure big rumpus out in the street, an' a gent sticks his head thro' the door an' yells out:

"'Hi, there, they's a fire! The Golden West Hotel is on fire!'

"We draws the game as soon as convenient and hikes out, an', my word, you'd 'a' thought from the looks o' things as how the whole town was going. But it was only the hotel—the Golden West, where Peg-leg was stayin'; an' when we got up we could hear the ol' murderer bellerin' an' ragin', an' him drunk—of course.

"Well, I'm some excited. Lord love you, I'd as soon 'a' seen Peg-leg shot as I would eat, an' when I remembers the little Mojave kid I'm glad as how his time is at hand. Saved us the trouble o' lynchin' that sooner or later had to come.

"Peg-leg's room was in the front o' the house on the fourth floor, but the fire was all below, and what with the smoke comin' out the third-story winders he couldn't see down into the street, no more'n the boys could see him—only they just heard him bellerin'.

"Then some one of 'em sings out:

"'Hey, Peg-leg, jump! We got a blanket here.'

"An' sure enough he does jump!"

Here Bunt chuckled grimly, muttering, "Yes, sir, sure enough he did jump."

"I don't quite see," I observed, "where the laugh comes in. What was the joke of it?"

"The joke of it was," finished Bunt, "that they hadn't any blanket."

THE PASSING OF COCK-EYE BLACKLOCK

"Well, m'son," observed Bunt about half an hour after supper, "if your provender has shook down comfortable by now, we might as well jar loose and be moving along out yonder."

We left the fire and moved toward the hobbled ponies, Bunt complaining of the quality of the outfit's meals. "Down in the Panamint country," he growled, "we had a Chink that was a sure frying-pan expert; but this Dago—my word! That ain't victuals, that supper. That's just a' ingenious device for removing superfluous appetite. Next time I assimilate nutriment in this camp I'm sure going to take chloroform beforehand. Careful to draw your cinch tight on that pinto bronc' of yours. She always swells up same as a horned toad soon as you begin to saddle up."

We rode from the circle of the camp-fire's light and out upon the desert. It was Bunt's turn to ride the herd that night, and I had volunteered to bear him company.

Bunt was one of a fast-disappearing type. He knew his West as the cockney knows his Piccadilly. He had mined with and for Ralston, had soldiered with Crook, had turned cards in a faro game at Laredo, and had known the Apache Kid. He had fifteen separate and different times driven the herds from Texas to Dodge City, in the good old, rare old, wild old days when Dodge was the headquarters for the cattle trade, and as near to heaven as the cowboy cared to get. He had seen the end of gold and the end of the buffalo, the beginning of cattle, the beginning of wheat, and the spreading of the barbed-wire fence, that, in the end, will take from him his occupation and his revolver, his chaparejos and his usefulness, his lariat and his reason for being. He had seen the rise of a new period, the successive stages of which, singularly enough, tally exactly with the progress of our own world-civilization: first the nomad and hunter, then the herder, next and last the husband-man. He had passed the mid-mark of his life. His mustache was gray. He had four friends—his horse, his pistol, a teamster in the Indian Territory Panhandle named Skinny, and me.

The herd—I suppose all told there were some two thousand head—we found not far from the water-hole. We relieved the other watch and took up our night's vigil. It was about nine o'clock. The night was fine, calm.

There was no cloud. Toward the middle watches one could expect a moon. But the stars, the stars! In Idaho, on those lonely reaches of desert and range, where the shadow of the sun by day and the courses of the constellations by night are the only things that move, these stars are a different matter from those bleared pin-points of the city after dark, seen through dust and smoke and the glare of electrics and the hot haze of fire-signs. On such a night as that when I rode the herd with Bunt anything might have happened; one could have believed in fairies then, and in the buffalo-ghost, and in all the weirds of the craziest Apache "Messiah" that ever made medicine.

One remembered astronomy and the "measureless distances" and the showy problems, including the rapid moving of a ray of light and the long years of its travel between star and star, and smiled incredulously. Why, the stars were just above our heads, were not much higher than the flat-topped hills that barred the horizons. Venus was a yellow lamp hung in a tree; Mars a red lantern in a clock-tower.

One listened instinctively for the tramp of the constellations. Orion, Cassiopeia and Ursa Major marched to and fro on the vault like cohorts of legionaries, seemingly within call of our voices, and all without a sound.

But beneath these quiet heavens the earth disengaged multitudinous sounds—small sounds, minimized as it were by the muffling of the night. Now it was the yap of a coyote leagues away; now the snapping of a twig in the sage-brush; now the mysterious, indefinable stir of the heat-ridden land cooling under the night. But more often it was the confused murmur of the herd itself—the click of a horn, the friction of heavy bodies, the stamp of a hoof, with now and then the low, complaining note of a cow with a calf, or the subdued noise of a steer as it lay down, first lurching to the knees, then rolling clumsily upon the haunch, with a long, stertorous breath of satisfaction.

Slowly at Indian trot we encircle the herd. Earlier in the evening a prairie-wolf had pulled down a calf, and the beasts were still restless.

Little eddies of nervousness at long intervals developed here and there in the mass—eddies that not impossibly might widen at any time with perilous quickness to the maelstrom of a stampede. So as he rode Bunt sang to these great brutes, literally to put them to sleep—sang an old grandmother's song, with all the quaint modulations of sixty, seventy, a hundred years ago:

"With her ogling winks

And bobbling blinks,

Her quizzing glass,

Her one eye idle,

Oh, she loved a bold dragoon,

With his broadsword, saddle, bridle.

Whack, fol-de-rol!"

I remember that song. My grandmother—so they tell me—used to sing it in Carolina, in the thirties, accompanying herself on a harp, if you please:

"Oh, she loved a bold dragoon,

With his broadsword, saddle, bridle."

It was in Charleston, I remembered, and the slave-ships used to discharge there in those days. My grandmother had sung it then to her beaux; officers they were; no wonder she chose it—"Oh, she loved a bold dragoon"—and now I heard it sung on an Idaho cattle-range to quiet two thousand restless steers.

Our talk at first, after the cattle had quieted down, ran upon all manner of subjects. It is astonishing to note what strange things men will talk about at night and in a solitude. That night we covered religion, of course, astronomy, love affairs, horses, travel, history, poker, photography, basket-making, and the Darwinian theory. But at last inevitably we came back to cattle and the pleasures and dangers of riding the herd.

"I rode herd once in Nevada," remarked Bunt, "and I was caught into a blizzard, and I was sure freezing to death. Got to where I couldn't keep my eyes open, I was that sleepy. Tell you what I did. Had some eating-tobacco along, and I'd chew it a spell, then rub the juice into my eyes. Kept it up all night. Blame near blinded me, but I come through. Me and another man named Blacklock—Cock-eye Blacklock we called him, by reason of his having one eye that was some out of line. Cock-eye sure ought to have got it that night, for he went bad afterward, and did a heap of killing before he did get it. He was a bad man for sure, and the way he died is a story in itself."

There was a long pause. The ponies jogged on. Rounding on the herd, we turned southward.

"He did 'get it' finally, you say," I prompted.

"He certainly did," said Bunt, "and the story of it is what a man with a' imaginary mind like you ought to make into one of your friction tales."

"Is it about a treasure?" I asked with apprehension. For ever since I once made a tale (of friction) out of one of Bunt's stories of real life, he has been ambitious for me to write another, and is forever suggesting motifs which invariably—I say invariably—imply the discovery of great treasures. With him, fictitious literature must always turn upon the discovery of hidden wealth.

"No," said he, "it ain't about no treasure, but just about the origin, hist'ry and development—and subsequent decease—of as mean a Greaser as ever stole stock, which his name was Cock-eye Blacklock.

"You see, this same Blacklock went bad about two summers after our meet-up with the blizzard. He worked down Yuma way and over into New Mexico, where he picks up with a sure-thing gambler, and the two begin to devastate the population. They do say when he and his running mate got good and through with that part of the Land of the Brave, men used to go round trading guns for commissary, and clothes for ponies, and cigars for whisky and such. There just wasn't any money left anywhere. Those sharps had drawed the landscape clean. Some one found a dollar in a floor-crack in a saloon, and the barkeep' gave him a gallon of forty-rod for it, and used to keep it in a box for exhibition, and the crowd would get around it and paw it over and say: 'My! my! Whatever in the world is this extremely cu-roos coin?'

"Then Blacklock cuts loose from his running mate, and plays a lone hand through Arizona and Nevada, up as far as Reno again, and there he stacks up against a kid—a little tenderfoot kid so new he ain't cracked the green paint off him—and skins him. And the kid, being foolish and impulsive-like, pulls out a peashooter. It was a twenty-two," said Bunt, solemnly. "Yes, the kid was just that pore, pathetic kind to carry a dinky twenty-two, and with the tears runnin' down his cheeks begins to talk tall. Now what does that Cockeye do? Why, that pore kid that he had skinned couldn't 'a' hurt him with his pore little bric-à-brac. Does Cock-eye take his little parlour ornament away from him, and spank him, and tell him to go home? No, he never. The kid's little tin pop-shooter explodes right in his hand before he can crook his forefinger twice, and while he's a-wondering what-all has happened Cock-eye gets his two guns on him, slow and deliberate like, mind you, and throws forty-eights into him till he ain't worth shooting at no more. Murders him like the mud-eating, horse-thieving snake of a Greaser that he is; but being within the law, the kid drawing on him first, he don't stretch hemp the way he should.

"Well, fin'ly this Blacklock blows into a mining-camp in Placer County, California, where I'm chuck-tending on the night-shift. This here camp is maybe four miles across the divide from Iowa Hill, and it sure is named a cu-roos name, which it is Why-not. They is a barn contiguous, where the mine horses are kep', and, blame me! if there ain't a weathercock on top of that same—a golden trotting-horse—upside down. When the stranger an' pilgrim comes in, says he first off: 'Why'n snakes they got that weathercock horse upside down—why?' says he. 'Why-not,' says you, and the drinks is on the pilgrim.

"That all went very lovely till some gesabe opens up a placer drift on the far side the divide, starts a rival camp, an' names her Because. The Boss gets mad at that, and rights up the weathercock, and renames the camp Ophir, and you don't work no more pilgrims.

"Well, as I was saying, Cock-eye drifts into Why-not and begins diffusing trouble. He skins some of the boys in the hotel over in town, and a big row comes of it, and one of the bed-rock cleaners cuts loose with both guns. Nobody hurt but a quarter-breed, who loses a' eye. But the marshal don't stand for no short-card men, an' closes Cock-eye up some prompt. Him being forced to give the boys back their money is busted an' can't get away from camp. To raise some wind he begins depredating.

"He robs a pore half-breed of a cayuse, and shoots up a Chink who's panning tailings, and generally and variously becomes too pronounced, till he's run outen camp. He's sure stony-broke, not being able to turn a card because of the marshal. So he goes to live in a ole cabin up by the mine ditch, and sits there doing a heap o' thinking, and hatching trouble like a' ole he-hen.

"Well, now, with that deporting of Cock-eye comes his turn of bad luck, and it sure winds his clock up with a loud report. I've narrated special of the scope and range of this 'ere Blacklock, so as you'll understand why it was expedient and desirable that he should up an' die. You see, he always managed, with all his killings and robbings and general and sundry flimflamming, to be just within the law. And if anybody took a notion to shoot him up, why, his luck saw him through, and the other man's shooting-iron missed fire, or exploded, or threw wild, or such like, till it seemed as if he sure did bear a charmed life; and so he did till a pore yeller tamale of a fool dog did for him what the law of the land couldn't do. Yes, sir, a fool dog, a pup, a blame yeller pup named Sloppy Weather, did for Cock-eye Blacklock, sporting character, three-card-monte man, sure-thing sharp, killer, and general bedeviler.

"You see, it was this way. Over in American Cañon, some five miles maybe back of the mine, they was a creek called the American River, and it was sure chock-a-block full of trouts. The Boss used for to go over there with a dinky fish-pole like a buggy-whip about once a week, and scout that stream for fish and bring back a basketful. He was sure keen on it, and had bought some kind of privilege or other, so as he could keep other people off.

"Well, I used to go along with him to pack the truck, and one Saturday, about a month after Cock-eye had been run outen camp, we hiked up over the divide, and went for to round up a bunch o' trouts. When we got to the river there was a mess for your life. Say, that river was full of dead trouts, floating atop the water; and they was some even on the bank. Not a scratch on 'em; just dead. The Boss had the papsy-lals. I never did see a man so rip-r'aring, snorting mad. I hadn't a guess about what we were up against, but he knew, and he showed down. He said somebody had been shooting the river for fish to sell down Sacramento way to the market. A mean trick; kill more fish in one shoot than you can possibly pack.

"Well, we didn't do much fishing that day—couldn't get a bite, for that matter—and took on home about noon to talk it over. You see, the Boss, in buying the privileges or such for that creek, had made himself responsible to the Fish Commissioners of the State, and 'twasn't a week before they were after him, camping on his trail incessant, and wanting to know how about it. The Boss was some worried, because the fish were being killed right along, and the Commission was making him weary of living. Twicet afterward we prospected along that river and found the same lot of dead fish. We even put a guard there, but it didn't do no manner of good.

"It's the Boss who first suspicions Cock-eye. But it don't take no seventh daughter of no seventh daughter to trace trouble where Black-lock's about. He sudden shows up in town with a bunch of simoleons, buying bacon and tin cows [Footnote: Condensed milk.] and such provender, and generally giving it away that he's come into money. The Boss, who's watching his movements sharp, says to me one day:

"'Bunt, the storm-centre of this here low area is a man with a cock-eye, an' I'll back that play with a paint horse against a paper dime.'

"'No takers,' says I. 'Dirty work and a cock-eyed man are two heels of the same mule.'

"'Which it's a-kicking of me in the stummick frequent and painful,' he remarks, plenty wrathful.

"'On general principles,' I said, 'it's a royal flush to a pair of deuces as how this Blacklock bird ought to stop a heap of lead, and I know the man to throw it. He's the only brother of my sister, and tends chuck in a placer mine. How about if I take a day off and drop round to his cabin and interview him on the fleetin' and unstable nature of human life?'

"But the Boss wouldn't hear of that.

"'No,' says he; 'that's not the bluff to back in this game. You an' me an' 'Mary-go-round'—that was what we called the marshal, him being so much all over the country—'you an' me an' Mary-go-round will have to stock a sure-thing deck against that maverick.'

"So the three of us gets together an' has a talky-talk, an' we lays it out as how Cock-eye must be watched and caught red-handed.

"Well, let me tell you, keeping case on that Greaser sure did lack a certain indefinable charm. We tried him at sun-up, an' again at sundown, an' nights, too, laying in the chaparral an' tarweed, an' scouting up an' down that blame river, till we were sore. We built surreptitious a lot of shooting-boxes up in trees on the far side of the cañon, overlooking certain an' sundry pools in the river where Cock-eye would be likely to pursue operations, an' we took turns watching. I'll be a Chink if that bad egg didn't put it on us same as previous, an' we'd find new-killed fish all the time. I tell you we were fitchered; and it got on the Boss's nerves. The Commission began to talk of withdrawing the privilege, an' it was up to him to make good or pass the deal. We knew Blacklock was shooting the river, y' see, but we didn't have no evidence. Y' see, being shut off from card-sharping, he was up against it, and so took to pot-hunting to get along. It was as plain as red paint.

"Well, things went along sort of catch-as-catch-can like this for maybe three weeks, the Greaser shooting fish regular, an' the Boss b'iling with rage, and laying plans to call his hand, and getting bluffed out every deal.

"And right here I got to interrupt, to talk some about the pup dog, Sloppy Weather. If he hadn't got caught up into this Blacklock game, no one'd ever thought enough about him to so much as kick him. But after it was all over, we began to remember this same Sloppy an' to recall what he was; no big job. He was just a worthless fool pup, yeller at that, everybody's dog, that just hung round camp, grinning and giggling and playing the goat, as half-grown dogs will. He used to go along with the car-boys when they went swimmin' in the resevoy, an' dash along in an' yell an' splash round just to show off. He thought it was a keen stunt to get some gesabe to throw a stick in the resevoy so's he could paddle out after it. They'd trained him always to bring it back an' fetch it to whichever party throwed it. He'd give it up when he'd retrieved it, an' yell to have it throwed again. That was his idea of fun—just like a fool pup.

"Well, one day this Sloppy Weather is off chasing jack-rabbits an' don't come home. Nobody thinks anything about that, nor even notices it. But we afterward finds out that he'd met up with Blacklock that day, an' stopped to visit with him—sorry day for Cockeye. Now it was the very next day after this that Mary-go-round an' the Boss plans another scout. I'm to go, too. It was a Wednesday, an' we lay it out that the Cockeye would prob'ly shoot that day so's to get his fish down to the railroad Thursday, so they'd reach Sacramento Friday—fish day, see. It wasn't much to go by, but it was the high card in our hand, an' we allowed to draw to it.

"We left Why-not afore daybreak, an' worked over into the cañon about sun-up. They was one big pool we hadn't covered for some time, an' we made out we'd watch that. So we worked down to it, an' clumb up into our trees, an' set out to keep guard.

"In about an hour we heard a shoot some mile or so up the creek. They's no mistaking dynamite, leastways not to miners, an' we knew that shoot was dynamite an' nothing else. The Cock-eye was at work, an' we shook hands all round. Then pretty soon a fish or so began to go by—big fellows, some of 'em, dead an' floatin', with their eyes popped 'way out same as knobs—sure sign they'd been shot.

"The Boss took and grit his teeth when he see a three-pounder go by, an' made remarks about Blacklock.

"''Sh!' says Mary-go-round, sudden-like. 'Listen!'

"We turned ear down the wind, an' sure there was the sound of some one scrabbling along the boulders by the riverside. Then we heard a pup yap.

"'That's our man,' whispers the Boss.

"For a long time we thought Cock-eye had quit for the day an' had coppered us again, but byne-by we heard the manzanita crack on the far side the cañon, an' there at last we see Blacklock working down toward the pool, Sloppy Weather following an' yapping and cayoodling just as a fool dog will.

"Blacklock comes down to the edge of the water quiet-like. He lays his big scoop-net an' his sack—we can see it half full already—down behind a boulder, and takes a good squinting look all round, and listens maybe twenty minutes, he's that cute, same's a coyote stealing sheep. We lies low an' says nothing, fear he might see the leaves move.

"Then byne-by he takes his stick of dynamite out his hip pocket—he was just that reckless kind to carry it that way—an' ties it careful to a couple of stones he finds handy. Then he lights the fuse an' heaves her into the drink, an' just there's where Cock-eye makes the mistake of his life. He ain't tied the rocks tight enough, an' the loop slips off just as he swings back his arm, the stones drop straight down by his feet, and the stick of dynamite whirls out right enough into the pool.

"Then the funny business begins.

"Blacklock ain't made no note of Sloppy Weather, who's been sizing up the whole game an' watchin' for the stick. Soon as Cock-eye heaves the dynamite into the water, off goes the pup after it, just as he'd been taught to do by the car-boys.

"'Hey, you fool dog!' yells Blacklock.

"A lot that pup cares. He heads out for that stick of dynamite same as if for a veal cutlet, reaches it, grabs hold of it, an' starts back for shore, with the fuse sputterin' like hot grease. Blacklock heaves rocks at him like one possessed, capering an' dancing; but the pup comes right on. The Cock-eye can't stand it no longer, but lines out. But the pup's got to shore an' takes after him. Sure; why not? He think's it's all part of the game. Takes after Cock-eye, running to beat a' express, while we-all whoops and yells an' nearly falls out the trees for laffing. Hi! Cock-eye did scratch gravel for sure. But 'tain't no manner of use. He can't run through that rough ground like Sloppy Weather, an' that fool pup comes a-cavartin' along, jumpin' up against him, an' him a-kickin' him away, an' r'arin', an' dancin', an' shakin' his fists, an' the more he r'ars the more fun the pup thinks it is. But all at once something big happens, an' the whole bank of the cañon opens out like a big wave, and slops over into the pool, an' the air is full of trees an' rocks and cart-loads of dirt an' dogs and Blacklocks and rivers an' smoke an' fire generally. The Boss got a clod o' river-mud spang in the eye, an' went off his limb like's he was trying to bust a bucking bronc' an' couldn't; and ol' Mary-go-round was shooting off his gun on general principles, glarin' round wild-eyed an' like as if he saw a' Injun devil.

"When the smoke had cleared away an' the trees and rocks quit falling, we clumb down from our places an' started in to look for Black-lock. We found a good deal of him, but they wasn't hide nor hair left of Sloppy Weather. We didn't have to dig no grave, either. They was a big enough hole in the ground to bury a horse an' wagon, let alone Cock-eye. So we planted him there, an' put up a board, an' wrote on it:

Here lies most

of

C. BLACKLOCK,

who died of a'

entangling alliance with

a

stick of dynamite.

Moral: A hook and line is good enough

fish-tackle for any honest man.

"That there board lasted for two years, till the freshet of '82, when the American River—Hello, there's the sun!"

All in a minute the night seemed to have closed up like a great book. The East flamed roseate. The air was cold, nimble. Some of the sage-brush bore a thin rim of frost. The herd, aroused, the dew glistening on flank and horn, were chewing the first cud of the day, and in twos and threes moving toward the water-hole for the morning's drink. Far off toward the camp the breakfast fire sent a shaft of blue smoke straight into the moveless air. A jack-rabbit, with erect ears, limped from the sage-brush just out of pistol-shot and regarded us a moment, his nose wrinkling and trembling. By the time that Bunt and I, putting our ponies to a canter, had pulled up by the camp of the Bar-circle-Z outfit, another day had begun in Idaho.

A MEMORANDUM OF SUDDEN DEATH

The manuscript of the account that follows belongs to a harness-maker in Albuquerque, Juan Tejada by name, and he is welcome to whatever of advertisement this notice may bring him. He is a good fellow, and his patented martingale for stage horses may be recommended. I understand he got the manuscript from a man named Bass, or possibly Bass left it with him for safe-keeping. I know that Tejada has some things of Bass's now—things that Bass left with him last November: a mess-kit, a lantern and a broken theodolite—a whole saddle-box full of contraptions. I forgot to ask Tejada how Bass got the manuscript, and I wish I had done so now, for the finding of it might be a story itself. The probabilities are that Bass simply picked it up page by page off the desert, blown about the spot where the fight occurred and at some little distance from the bodies. Bass, I am told, is a bone-gatherer by profession, and one can easily understand how he would come across the scene of the encounter in one of his tours into western Arizona. My interest in the affair is impersonal, but none the less keen. Though I did not know young Karslake, I knew his stuff—as everybody still does, when you come to that. For the matter of that, the mere mention of his pen-name, "Anson Qualtraugh," recalls at once to thousands of the readers of a certain world-famous monthly magazine of New York articles and stories he wrote for it while he was alive; as, for instance, his admirable descriptive work called "Traces of the Aztecs on the Mogolon Mesa," in the October number of 1890. Also, in the January issue of 1892 there are two specimens of his work, one signed Anson Qualtraugh and the other Justin Blisset. Why he should have used the Blisset signature I do not know. It occurs only this once in all his writings. In this case it is signed to a very indifferent New Year's story. The Qualtraugh "stuff" of the same number is, so the editor writes to me, a much shortened transcript of a monograph on "Primitive Methods of Moki Irrigation," which are now in the archives of the Smithsonian. The admirable novel, "The Peculiar Treasure of Kings," is of course well known. Karslake wrote it in 1888-89, and the controversy that arose about the incident of the third chapter is still—sporadically and intermittently—continued.

The manuscript that follows now appears, of course, for the first time in print, and I acknowledge herewith my obligations to Karslake's father, Mr. Patterson Karslake, for permission to publish.

I have set the account down word for word, with all the hiatuses and breaks that by nature of the extraordinary circumstances under which it was written were bound to appear in it. I have allowed it to end precisely as Karslake was forced to end it, in the middle of a sentence. God knows the real end is plain enough and was not far off when the poor fellow began the last phrase that never was to be finished.

The value of the thing is self-apparent. Besides the narrative of incidents it is a simple setting forth of a young man's emotions in the very face of violent death. You will remember the distinguished victim of the guillotine, a lady who on the scaffold begged that she might be permitted to write out the great thoughts that began to throng her mind. She was not allowed to do so, and the record is lost. Here is a case where the record is preserved. But Karslake, being a young man not very much given to introspection, his work is more a picture of things seen than a transcription of things thought. However, one may read between the lines; the very breaks are eloquent, while the break at the end speaks with a significance that no words could attain.

The manuscript in itself is interesting. It is written partly in pencil, partly in ink (no doubt from a fountain pen), on sheets of manila paper torn from some sort of long and narrow account-book. In two or three places there are smudges where the powder-blackened finger and thumb held the sheets momentarily. I would give much to own it, but Tejada will not give it up without Bass's permission, and Bass has gone to the Klondike.

As to Karslake himself. He was born in Raleigh, in North Carolina, in 1868, studied law at the State University, and went to the Bahamas in 1885 with the members of a government coast survey commission. Gave up the practice of law and "went in" for fiction and the study of the ethnology of North America about 1887. He was unmarried.

The reasons for his enlisting have long been misunderstood. It was known that at the time of his death he was a member of B Troop of the Sixth Regiment of United States Cavalry, and it was assumed that because of this fact Karslake was in financial difficulties and not upon good terms with his family. All this, of course, is untrue, and I have every reason to believe that Karslake at this time was planning a novel of military life in the Southwest, and, wishing to get in closer touch with the milieu of the story, actually enlisted in order to be able to write authoritatively. He saw no active service until the time when his narrative begins. The year of his death is uncertain. It was in the spring probably of 1896, in the twenty-eighth year of his age.

There is no doubt he would have become in time a great writer. A young man of twenty-eight who had so lively a sense of the value of accurate observation, and so eager a desire to produce that in the very face of death he could faithfully set down a description of his surroundings, actually laying down the rifle to pick up the pen, certainly was possessed of extraordinary faculties.

"They came in sight early this morning just after we had had breakfast and had broken camp. The four of us—'Bunt,' 'Idaho,' Estorijo and myself—were jogging on to the southward and had just come up out of the dry bed of some water-hole—the alkali was white as snow in the crevices—when Idaho pointed them out to us, three to the rear, two on one side, one on the other and—very far away—two ahead. Five minutes before, the desert was as empty as the flat of my hand. They seemed literally to have grown out of the sage-brush. We took them in through my field-glasses and Bunt made sure they were an outlying band of Hunt-in-the-Morning's Bucks. I had thought, and so had all of us, that the rest of the boys had rounded up the whole of the old man's hostiles long since. We are at a loss to account for these fellows here. They seem to be well mounted.

"We held a council of war from the saddle without halting, but there seemed very little to be done—but to go right along and wait for developments. At about eleven we found water—just a pocket in the bed of a dried stream—and stopped to water the ponies. I am writing this during the halt.

"We have one hundred and sixteen rifle cartridges. Yesterday was Friday, and all day, as the newspapers say, 'the situation remained unchanged.' We expected surely that the night would see some rather radical change, but nothing happened, though we stood watch and watch till morning. Of yesterday's eight only six are in sight and we bring up reserves. We now have two to the front, one on each side, and two to the rear, all far out of rifle-range.

[The following paragraph is in an unsteady script and would appear to have been written in the saddle. The same peculiarity occurs from time to time in the narrative, and occasionally the writing is so broken as to be illegible.]

"On again after breakfast. It is about eight-fifteen. The other two have come back—without 'reserves,' thank God. Very possibly they did not go away at all, but were hidden by a dip in the ground. I cannot see that any of them are nearer. I have watched one to the left of us steadily for more than half an hour and I am sure that he has not shortened the distance between himself and us. What their plans are Hell only knows, but this silent, persistent escorting tells on the nerves. I do not think I am afraid—as yet. It does not seem possible but that we will ride into La Paz at the end of the fortnight exactly as we had planned, meet Greenock according to arrangements and take the stage on to the railroad. Then next month I shall be in San Antonio and report at headquarters. Of course, all this is to be, of course; and this business of to-day will make a good story to tell. It's an experience—good 'material.' Very naturally I cannot now see how I am going to get out of this" [the word "alive" has here been erased], "but of course I will. Why 'of course'? I don't know. Maybe I am trying to deceive myself. Frankly, it looks like a situation insoluble; but the solution will surely come right enough in good time.

"Eleven o'clock.—No change.

"Two-thirty P. M.—We are halted to tighten girths and to take a single swallow of the canteens. One of them rode in a wide circle from the rear to the flank, about ten minutes ago, conferred a moment with his fellow, then fell back to his old position. He wears some sort of red cloth or blanket. We reach no more water till day after to-morrow. But we have sufficient. Estorijo has been telling funny stories en route.

"Four o'clock P. M.—They have closed up perceptibly, and we have been debating about trying one of them with Idaho's Winchester. No use; better save the ammunition. It looks…." [the next words are undecipherable, but from the context they would appear to be "as if they would attack to-night"]"…we have come to know certain of them now by nicknames. We speak of the Red One, or the Little One, or the One with the Feather, and Idaho has named a short thickset fellow on our right 'Little Willie.' By God, I wish something would turn up—relief or fight. I don't care which. How Estorijo can cackle on, reeling off his senseless, pointless funny stories, is beyond me. Bunt is almost as bad. They understand the fix we are in, I know, but how they can take it so easily is the staggering surprise. I feel that I am as courageous as either of them, but levity seems horribly inappropriate. I could kill Estorijo joyfully.

"Sunday morning.—Still no developments. We were so sure of something turning up last night that none of us pretended to sleep. But nothing stirred. There is no sneaking out of the circle at night. The moon is full. A jack-rabbit could not have slipped by them unseen last night.

"Nine o'clock (in the saddle).—We had coffee and bacon as usual at sunrise; then on again to the southeast just as before. For half an hour after starting the Red One and two others were well within rifle-shot, nearer than ever before. They had worked in from the flank. But before Idaho could get a chance at them they dipped into a shallow arroyo, and when they came out on the other side were too far away to think of shooting.

"Ten o'clock.—All at once we find there are nine instead of eight; where and when this last one joined the band we cannot tell. He wears a sombrero and army trousers, but the upper part of his body is bare. Idaho calls him 'Half-and-half.' He is riding a—— They're coming.

"Later.—For a moment we thought it was the long-expected rush. The Red One—he had been in the front—wheeled quick as a flash and came straight for us, and the others followed suit. Great Heavens, how they rode! We could hear them yelling on every side of us. We jumped off our ponies and stood behind them, the rifles across the saddles. But at four hundred yards they all pivoted about and cantered off again leisurely. Now they followed us as before—three in the front, two in the rear and two on either side. I do not think I am going to be frightened when the rush does come. I watched myself just now. I was excited, and I remember Bunt saying to me, 'Keep your shirt on, m'son'; but I was not afraid of being killed. Thank God for that! It is something I've long wished to find out, and now that I know it I am proud of it. Neither side fired a shot. I was not afraid. It's glorious. Estorijo is all right.

"Sunday afternoon, one-thirty.—No change. It is unspeakably hot.

"Three-fifteen.—The One with the Feather is walking, leading his pony. It seems to be lame." [With this entry Karslake ended page five, and the next page of the manuscript is numbered seven. It is very probable, however, that he made a mistake in the numerical sequence of his pages, for the narrative is continuous, and, at this point at least, unbroken. There does not seem to be any sixth page.]

"Four o'clock.—Is it possible that we are to pass another night of suspense? They certainly show no signs of bringing on the crisis, and they surely would not attempt anything so late in the afternoon as this. It is a relief to feel that we have nothing to fear till morning, but the tension of watching all night long is fearful.

"Later.—Idaho has just killed the Little One.

"Later.—Still firing.

"Later.—Still at it.

"Later, about five.—A bullet struck within three feet of me.

"Five-ten.—Still firing.

"Seven-thirty P. M., in camp.—It happened so quickly that it was all over before I realized. We had our first interchange of shots with them late this afternoon. The Little One was riding from the front to the flank. Evidently he did not think he was in range—nor did any of us. All at once Idaho tossed up his rifle and let go without aiming—or so it seemed to me. The stock was not at his shoulder before the report came. About six seconds after the smoke had cleared away we could see the Little One begin to lean backward in the saddle, and Idaho said grimly, 'I guess I got you.' The Little One leaned farther and farther till suddenly his head dropped back between his shoulder-blades. He held to his pony's mane with both hands for a long time and then all at once went off feet first. His legs bent under him like putty as his feet touched the ground. The pony bolted.

"Just as soon as Idaho fired the others closed right up and began riding around us at top speed, firing as they went. Their aim was bad as a rule, but one bullet came very close to me. At about half-past five they drew off out of range again and we made camp right where we stood. Estorijo and I are both sure that Idaho hit the Red One, but Idaho himself is doubtful, and Bunt did not see the shot. I could swear that the Red One all but went off his pony. However, he seems active enough now.

"Monday morning.—Still another night without attack. I have not slept since Friday evening. The strain is terrific. At daybreak this morning, when one of our ponies snorted suddenly, I cried out at the top of my voice. I could no more have repressed it than I could have stopped my blood flowing; and for half an hour afterward I could feel my flesh crisping and pringling, and there was a sickening weakness at the pit of my stomach. At breakfast I had to force down my coffee. They are still in place, but now there are two on each side, two in the front, two in the rear. The killing of the Little One seems to have heartened us all wonderfully. I am sure we will get out—somehow. But oh! the suspense of it.

"Monday morning, nine-thirty.—Under way for over two hours. There is no new development. But Idaho has just said that they seem to be edging in. We hope to reach water to-day. Our supply is low, and the ponies are beginning to hang their heads. It promises to be a blazing hot day. There is alkali all to the west of us, and we just commence to see the rise of ground miles to the southward that Idaho says is the San Jacinto Mountains. Plenty of water there. The desert hereabout is vast and lonesome beyond words; leagues of sparse sage-brush, leagues of leper-white alkali, leagues of baking gray sand, empty, heat-ridden, the abomination of desolation; and always—in whichever direction I turn my eyes—always, in the midst of this pale-yellow blur, a single figure in the distance, blanketed, watchful, solitary, standing out sharp and distinct against the background of sage and sand.

"Monday, about eleven o'clock.—No change. The heat is appalling. There is just a——

"Later.—I was on the point of saying that there was just a mouthful of water left for each of us in our canteens when Estorijo and Idaho both at the same time cried out that they were moving in. It is true. They are within rifle range, but do not fire. We, as well, have decided to reserve our fire until something more positive happens.

"Noon.—The first shot—for to-day—from the Red One. We are halted. The shot struck low and to the left. We could see the sand spout up in a cloud just as though a bubble had burst on the surface of the ground.

"They have separated from each other, and the whole eight of them are now in a circle around us. Idaho believes the Red One fired as a signal. Estorijo is getting ready to take a shot at the One with the Feather. We have the ponies in a circle around us. It looks as if now at last this was the beginning of the real business.

Later, twelve-thirty-five.—Estorijo missed. Idaho will try with the Winchester as soon as the One with the Feather halts. He is galloping toward the Red One.

"All at once, about two o'clock, the fighting began. This is the first let-up. It is now—God knows what time. They closed up suddenly and began galloping about us in a circle, firing all the time. They rode like madmen. I would not have believed that Indian ponies could run so quickly. What with their yelling and the incessant crack of their rifles and the thud of their ponies' feet our horses at first became very restless, and at last Idaho's mustang bolted clean away. We all stood to it as hard as we could. For about the first fifteen minutes it was hot work. The Spotted One is hit. We are certain of that much, though we do not know whose gun did the work. My poor old horse is bleeding dreadfully from the mouth. He has two bullets in the stomach, and I do not believe he can stand much longer. They have let up for the last few moments, but are still riding around us, their guns at 'ready.' Every now and then one of us fires, but the heat shimmer has come up over the ground since noon and the range is extraordinarily deceiving.

"Three-ten.—Estorijo's horse is down, shot clean through the head. Mine has gone long since. We have made a rampart of the bodies.

"Three-twenty.—They are at it again, tearing around us incredibly fast, every now and then narrowing the circle. The bullets are striking everywhere now. I have no rifle, do what I can with my revolver, and try to watch what is going on in front of me and warn the others when they press in too close on my side." [Karslake nowhere accounts for the absence of his carbine. That a U. S. trooper should be without his gun while traversing a hostile country is a fact difficult to account for.]

"Three-thirty.—They have winged me—through the shoulder. Not bad, but it is bothersome. I sit up to fire, and Bunt gives me his knee on which to rest my right arm. When it hangs it is painful.

"Quarter to four.—It is horrible. Bunt is dying. He cannot speak, the ball having gone through the lower part of his face, but back, near the neck. It happened through his trying to catch his horse. The animal was struck in the breast and tried to bolt. He reared up, backing away, and as we had to keep him close to us to serve as a bulwark Bunt followed him out from the little circle that we formed, his gun in one hand, his other gripping the bridle. I suppose every one of the eight fired at him simultaneously, and down he went. The pony dragged him a little ways still clutching the bridle, then fell itself, its whole weight rolling on Bunt's chest. We have managed to get him in and secure his rifle, but he will not live. None of us knows him very well. He only joined us about a week ago, but we all liked him from the start. He never spoke of himself, so we cannot tell much about him. Idaho says he has a wife in Torreon, but that he has not lived with her for two years; they did not get along well together, it seems. This is the first violent death I have ever seen, and it astonishes me to note how unimportant it seems. How little anybody cares—after all. If I had been told of his death—the details of it, in a story or in the form of fiction—it is easily conceivable that it would have impressed me more with its importance than the actual scene has done. Possibly my mental vision is scaled to a larger field since Friday, and as the greater issues loom up one man more or less seems to be but a unit—more or less—in an eternal series. When he was hit he swung back against the horse, still holding by the rein. His feet slid from under him, and he cried out, 'My God!' just once. We divided his cartridges between us and Idaho passed me his carbine. The barrel was scorching hot.

"They have drawn off a little and for fifteen minutes, though they still circle us slowly, there has been no firing. Forty cartridges left. Bunt's body (I think he is dead now) lies just back of me, and already the gnats—I can't speak of it."

[Karslake evidently made the next few entries at successive intervals of time, but neglected in his excitement to note the exact hour as above. We may gather that "They" made another attack and then repeated the assault so quickly that he had no chance to record it properly. I transcribe the entries in exactly the disjointed manner in which they occur in the original. The reference to the "fire" is unexplainable.]

"I shall do my best to set down exactly what happened and what I do and think, and what I see.

"The heat-shimmer spoiled my aim, but I am quite sure that either

"This last rush was the nearest. I had started to say that though the heat-shimmer was bad, either Estorijo or myself wounded one of their ponies. We saw him stumble.

"Another rush——

"Our ammunition

"Only a few cartridges left.

"The Red One like a whirlwind only fifty yards away.

"We fire separately now as they sneak up under cover of our smoke.

"We put the fire out. Estorijo—" [It is possible that Karslake had begun here to chronicle the death of the Mexican.]

"I have killed the Spotted One. Just as he wheeled his horse I saw him in a line with the rifle-sights and let him have it squarely. It took him straight in the breast. I could feel that shot strike. He went down like a sack of lead weights. By God, it was superb!

"Later.—They have drawn off out of range again, and we are allowed a breathing-spell. Our ponies are either dead or dying, and we have dragged them around us to form a barricade. We lie on the ground behind the bodies and fire over them. There are twenty-seven cartridges left.

"It is now mid-afternoon. Our plan is to stand them off if we can till night and then to try an escape between them. But to what purpose? They would trail us so soon as it was light.

[Illustration: CAUGHT IN THE CIRCLE.

The last stand of three troopers and a scout overtaken by a band of hostile Indians

Drawn by Frederic Remington. Courtesy of Collier's Weekly.]

"We think now that they followed us without attacking for so long because they were waiting till the lay of the land suited them. They wanted—no doubt—an absolutely flat piece of country, with no depressions, no hills or stream-beds in which we could hide, but which should be high upon the edges, like an amphitheatre. They would get us in the centre and occupy the rim themselves. Roughly, this is the bit of desert which witnesses our 'last stand.' On three sides the ground swells a very little—the rise is not four feet. On the third side it is open, and so flat that even lying on the ground as we do we can see (leagues away) the San Jacinto hills—'from whence cometh no help.' It is all sand and sage, forever and forever. Even the sage is sparse—a bad place even for a coyote. The whole is flagellated with an intolerable heat and—now that the shooting is relaxed—oppressed with a benumbing, sodden silence—the silence of a primordial world. Such a silence as must have brooded over the Face of the Waters on the Eve of Creation—desolate, desolate, as though a colossal, invisible pillar—a pillar of the Infinitely Still, the pillar of Nirvana—rose forever into the empty blue, human life an atom of microscopic dust crushed under its basis, and at the summit God Himself. And I find time to ask myself why, at this of all moments of my tiny life-span, I am able to write as I do, registering impressions, keeping a finger upon the pulse of the spirit. But oh! if I had time now—time to write down the great thoughts that do throng the brain. They are there, I feel them, know them. No doubt the supreme exaltation of approaching death is the stimulus that one never experiences in the humdrum business of the day-to-day existence. Such mighty thoughts! Unintelligible, but if I had time I could spell them out, and how I could write then! I feel that the whole secret of Life is within my reach; I can almost grasp it; I seem to feel that in just another instant I can see it all plainly, as the archangels see it all the time, as the great minds of the world, the great philosophers, have seen it once or twice, vaguely—a glimpse here and there, after years of patient study. Seeing thus I should be the equal of the gods. But it is not meant to be. There is a sacrilege in it. I almost seem to understand why it is kept from us. But the very reason of this withholding is in itself a part of the secret. If I could only, only set it down!—for whose eyes? Those of a wandering hawk? God knows. But never mind. I should have spoken—once; should have said the great Word for which the World since the evening and the morning of the First Day has listened. God knows. God knows. What a whirl is this? Monstrous incongruity. Philosophy and fighting troopers. The Infinite and dead horses. There's humour for you. The Sublime takes off its hat to the Ridiculous. Send a cartridge clashing into the breech and speculate about the Absolute. Keep one eye on your sights and the other on Cosmos. Blow the reek of burned powder from before you so you may look over the edge of the abyss of the Great Primal Cause. Duck to the whistle of a bullet and commune with Schopenhauer. Perhaps I am a little mad. Perhaps I am supremely intelligent. But in either case I am not understandable to myself. How, then, be understandable to others? If these sheets of paper, this incoherence, is ever read, the others will understand it about as much as the investigating hawk. But none the less be it of record that I, Karslake, SAW. It reads like Revelations: 'I, John, saw.' It is just that. There is something apocalyptic in it all. I have seen a vision, but cannot—there is the pitch of anguish in the impotence—bear record. If time were allowed to order and arrange the words of description, this exaltation of spirit, in that very space of time, would relax, and the describer lapse back to the level of the average again before he could set down the things he saw, the things he thought. The machinery of the mind that could coin the great Word is automatic, and the very force that brings the die near the blank metal supplies the motor power of the reaction before the impression is made … I stopped for an instant, looking up from the page, and at once the great vague panorama faded. I lost it all. Cosmos has dwindled again to an amphitheatre of sage and sand, a vista of distant purple hills, the shimmer of scorching alkali, and in the middle distance there, those figures, blanketed, beaded, feathered, rifle in hand.

"But for a moment I stood on Patmos.

"The Ridiculous jostles the elbow of the Sublime and shoulders it from place as Idaho announces that he has found two more cartridges in Estorijo's pockets.

"They rushed again. Eight more cartridges gone. Twenty-one left. They rush in this manner—at first the circle, rapid beyond expression, one figure succeeding the other so swiftly that the dizzied vision loses count and instead of seven of them there appear to be seventy. Then suddenly, on some indistinguishable signal, they contract this circle, and through the jets of powder-smoke Idaho and I see them whirling past our rifle-sights not one hundred yards away. Then their fire suddenly slackens, the smoke drifts by, and we see them in the distance again, moving about us at a slow canter. Then the blessed breathing-spell, while we peer out to know if we have killed or not, and count our cartridges. We have laid the twenty-one loaded shells that remain in a row between us, and after our first glance outward to see if any of them are down, our next is inward at that ever-shrinking line of brass and lead. We do not talk much. This is the end. We know it now. All of a sudden the conviction that I am to die here has hardened within me. It is, all at once, absurd that I should ever have supposed that I was to reach La Paz, take the east-bound train and report at San Antonio. It seems to me that I knew, weeks ago, that our trip was to end thus. I knew it—somehow—in Sonora, while we were waiting orders, and I tell myself that if I had only stopped to really think of it I could have foreseen today's bloody business.

"Later.—The Red One got off his horse and bound up the creature's leg. One of us hit him, evidently. A little higher, it would have reached the heart. Our aim is ridiculously bad—the heat-shimmer——

"Later.—Idaho is wounded. This last time, for a moment, I was sure the end had come. They were within revolver range and we could feel the vibration of the ground under their ponies' hoofs. But suddenly they drew off. I have looked at my watch; it is four o'clock.

"Four o'clock.—Idaho's wound is bad—a long, raking furrow in the right forearm. I bind it up for him, but he is losing a great deal of blood and is very weak.

"They seem to know that we are only two by now, for with each rush they grow bolder. The slackening of our fire must tell them how scant is our ammunition.

"Later.—This last was magnificent. The Red One and one other with lines of blue paint across his cheek galloped right at us. Idaho had been lying with his head and shoulders propped against the neck of his dead pony. His eyes were shut, and I thought he had fainted. But as he heard them coming he struggled up, first to his knees and then to his feet—to his full height—dragging his revolver from his hip with his left hand. The whole right arm swung useless. He was so weak that he could only lift the revolver half way—could not get the muzzle up. But though it sagged and dropped in his grip, he would die fighting. When he fired the bullet threw up the sand not a yard from his feet, and then he fell on his face across the body of the horse. During the charge I fired as fast as I could, but evidently to no purpose. They must have thought that Idaho was dead, for as soon as they saw him getting to his feet they sheered their horses off and went by on either side of us. I have made Idaho comfortable. He is unconscious; have used the last of the water to give him a drink. He does not seem——

"They continue to circle us. Their fire is incessant, but very wild. So long as I keep my head down I am comparatively safe.

"Later.—I think Idaho is dying. It seems he was hit a second time when he stood up to fire. Estorijo is still breathing; I thought him dead long since.

"Four-ten.—Idaho gone. Twelve cartridges left. Am all alone now.

"Four-twenty-five.—I am very weak." [Karslake was evidently wounded sometime between ten and twenty-five minutes after four. His notes make no mention of the fact.] "Eight cartridges remain. I leave my library to my brother, Walter Patterson Karslake; all my personal effects to my parents, except the picture of myself taken in Baltimore in 1897, which I direct to be" [the next lines are undecipherable] "…at Washington, D. C., as soon as possible. I appoint as my literary—

"Four forty-five.—Seven cartridges. Very weak and unable to move lower part of my body. Am in no pain. They rode in very close. The Red One is—— An intolerable thirst——

"I appoint as my literary executor my brother, Patterson Karslake. The notes on 'Coronado in New Mexico' should be revised.

"My death occurred in western Arizona, April 15th, at the hands of a roving band of Hunt-in-the-Morning's bucks. They have——

"Five o'clock.—The last cartridge gone.

"Estorijo still breathing. I cover his face with my hat. Their fire is incessant. Am much weaker. Convey news of death to Patterson Karslake, care of Corn Exchange Bank, New York City.

"Five-fifteen—about.—They have ceased firing, and draw together in a bunch. I have four cartridges left" [see conflicting note dated five o'clock], "but am extremely weak. Idaho was the best friend I had in all the Southwest. I wish it to be known that he was a generous, open-hearted fellow, a kindly man, clean of speech, and absolutely unselfish. He may be known as follows: Sandy beard, long sandy hair, scar on forehead, about six feet one inch in height. His real name is James Monroe Herndon; his profession that of government scout. Notify Mrs. Herndon, Trinidad, New Mexico.

"The writer is Arthur Staples Karslake, dark hair, height five feet eleven, body will be found near that of Herndon.

"Luis Estorijo, Mexican——

"Later.—Two more cartridges.

"Five-thirty.—Estorijo dead.

"It is half-past five in the afternoon of April fifteenth. They followed us from the eleventh—Friday—till to-day. It will

[The MS. ends here.]

TWO HEARTS THAT BEAT AS ONE

"Which I puts it up as how you ain't never heard about that time that Hardenberg and Strokher—the Englisher—had a friendly go with bare knuckles—ten rounds it was—all along o' a feemale woman?"

It is a small world and I had just found out that my friend, Bunt McBride—horse-wrangler, miner, faro-dealer and bone-gatherer—whose world was the plains and ranges of the Great Southwest, was known of the Three Black Crows, Hardenberg, Strokher and Ally Bazan, and had even foregathered with them on more than one of their ventures for Cyrus Ryder's Exploitation Agency—ventures that had nothing of the desert in them, but that involved the sea, and the schooner, and the taste of the great-lunged canorous trades.

"Ye ain't never crossed the trail o' that mournful history?"

I professed my ignorance and said:

"They fought?"

"Mister Man," returned Bunt soberly, as one broaching a subject not to be trifled with, "They sure did. Friendly-like, y'know—like as how two high-steppin', sassy gents figures out to settle any little strained relations—friendly-like but considerable keen."

He took a pinch of tobacco from his pouch and a bit of paper and rolled a cigarette in the twinkling of an eye, using only one hand, in true Mexican style.

"Now," he said, as he drew the first long puff to the very bottom of the leathern valves he calls his lungs. "Now, I'm a-goin' for to relate that same painful proceedin' to you, just so as you kin get a line on the consumin' and devourin' foolishness o' male humans when they's a woman in the wind. Woman," said Bunt, wagging his head thoughtfully at the water, "woman is a weather-breeder. Mister Dixon, they is three things I'm skeered of. The last two I don't just rightly call to mind at this moment, but the first is woman. When I meets up with a feemale woman on my trail, I sheers off some prompt, Mr. Dixon; I sheers off. An' Hardenberg," he added irrelevantly, "would a-took an' married this woman, so he would. Yes, an' Strokher would, too."

"Was there another man?" I asked.

"No," said Bunt. Then he began to chuckle behind his mustaches. "Yes, they was." He smote a thigh. "They sure was another man for fair. Well, now, Mr. Man, lemmee tell you the whole 'how.'

"It began with me bein' took into a wild-eyed scheme that that maverick, Cy Ryder, had cooked up for the Three Crows. They was a row down Gortamalar way. Same gesabe named Palachi—Barreto Palachi—findin' times dull an' the boys some off their feed, ups an' says to hisself, 'Exercise is wot I needs. I will now take an' overthrow the blame Gover'ment.' Well, this same Palachi rounds up a bunch o' insurrectos an' begins pesterin' an' badgerin' an' hectorin' the Gover'ment; an' r'arin' round an' bellerin' an' makin' a procession of hisself, till he sure pervades the landscape; an' before you knows what, lo'n beholt, here's a reel live Revolution-Thing cayoodlin' in the scenery, an' the Gover'ment is plum bothered.

"They rounds up the gesabe at last at a place on the coast, but he escapes as easy as how-do-you-do. He can't, howsomever, git back to his insurrectos; the blame Gover'ment being in possession of all the trails leadin' into the hinterland; so says he, 'What for a game would it be for me to hyke up to 'Frisco an' git in touch with my financial backers an' conspirate to smuggle down a load o' arms?' Which the same he does, and there's where the Three Black Crows an' me begin to take a hand.

"Cy Ryder gives us the job o' taking the schooner down to a certain point on the Gortamalar coast and there delivering to the agent o' the gazabo three thousand stand o' forty-eight Winchesters.

"When we gits this far into the game Ryder ups and says:

"'Boys, here's where I cashes right in. You sets right to me for the schooner and the cargo. But you goes to Palachi's agent over 'crost the bay for instructions and directions.'

"'But,' says the Englisher, Strokher, 'this bettin' a blind play don't suit our hand. Why not' says he, 'make right up to Mister Palachi hisself?'

"'No,' says Ryder, 'No, boys. Ye can't. The Sigñor is lying as low as a toad in a wheeltrack these days, because o' the pryin' and meddlin' disposition o' the local authorities. No,' he says, 'ye must have your palaver with the agent which she is a woman,' an' thereon I groans low and despairin'.

"So soon as he mentions 'feemale' I knowed trouble was in the atmosphere. An' right there is where I sure looses my presence o' mind. What I should a-done was to say, 'Mister Ryder, Hardenberg and gents all: You're good boys an' you drinks and deals fair, an' I loves you all with a love that can never, never die for the terms o' your natural lives, an' may God have mercy on your souls; but I ain't keepin' case on this 'ere game no longer. Woman and me is mules an' music. We ain't never made to ride in the same go-cart Good-by.' That-all is wot I should ha' said. But I didn't. I walked right plum into the sloo, like the mudhead that I was, an' got mired for fair—jes as I might a-knowed I would.

"Well, Ryder gives us a address over across the bay an' we fair hykes over there all along o' as crool a rain as ever killed crops. We finds the place after awhile, a lodgin'-house all lorn and loony, set down all by itself in the middle o' some real estate extension like a tepee in a 'barren'—a crazy 'modern' house all gimcrack and woodwork and frostin', with never another place in so far as you could hear a coyote yelp.

"Well, we bucks right up an' asks o' the party at the door if the Sigñorita Esperanza Ulivarri—that was who Ryder had told us to ask for—might be concealed about the premises, an' we shows Cy Ryder's note. The party that opened the door was a Greaser, the worst looking I ever clapped eyes on—looked like the kind wot 'ud steal the coppers off his dead grandmother's eyes. Anyhow, he says to come in, gruff-like, an' to wait, poco tiempo.

"Well, we waited moucho tiempo—muy moucho, all a-settin' on the edge of the sofy, with our hats on our knees, like philly-loo birds on a rail, and a-countin' of the patterns in the wall-paper to pass the time along. An' Hardenberg, who's got to do the talkin', gets the fidgets byne-by; and because he's only restin' the toes o' his feet on the floor, his knees begin jiggerin'; an' along o' watchin' him, my knees begin to go, an' then Strokher's and then Ally Bazan's. An' there we sat all in a row and jiggered an' jiggered. Great snakes, it makes me sick to the stummick to think o' the idjeets we were.

"Then after a long time we hears a rustle o' silk petticoats, an' we all grabs holt o' one another an' looks scared-like, out from under our eyebrows. An' then—then, Mister Man, they walks into that bunk-house parlour the loveliest-lookin' young feemale woman that ever wore hair.

"She was lovelier than Mary Anderson; she was lovelier than Lotta. She was tall, an' black-haired, and had a eye … well, I dunno; when she gave you the littlest flicker o' that same eye, you felt it was about time to take an' lie right down an' say, 'I would esteem it, ma'am, a sure smart favour if you was to take an' wipe your boots on my waistcoat, jus' so's you could hear my heart a-beatin'. That's the kind o' feemale woman she was.

"Well, when Hardenberg had caught his second wind, we begins to talk business.

"'An' you're to take a passenger back with you,' says Esperanza after awhile.

"'What for a passenger might it be?' says Hardenberg.

"She fished out her calling-card at that and tore it in two an' gave

Hardenberg one-half.

"'It's the party,' she says, 'that'll come aboard off San Diego on your way down an' who will show up the other half o' the card—the half I have here an' which the same I'm goin' to mail to him. An' you be sure the halves fit before you let him come aboard. An' when that party comes aboard,' she says, 'he's to take over charge.'

"'Very good,' says Hardenberg, mincing an' silly like a chessy cat lappin' cream. 'Very good, ma'am; your orders shall be obeyed.' He sure said it just like that, as if he spoke out o' a story-book. An' I kicked him under the table for it.

"Then we palavers a whole lot an' settles the way the thing is to be run, an' fin'ly, when we'd got as far as could be that day, the Sigñorita stood up an' says:

"'Now me good fellows.' 'Twas Spanish she spoke. 'Now, me good fellows, you must drink a drink with me.' She herds us all up into the dining-room and fetches out—not whisky, mind you—but a great, fat, green-and-gold bottle o' champagne, an' when Ally Bazan has fired it off, she fills our glasses—dinky little flat glasses that looked like flower vases. Then she stands up there before us, fine an' tall, all in black silk, an' puts her glass up high an' sings out——

"'To the Revolution!'

"An' we all solemn-like says, 'To the Revolution,' an' crooks our elbows. When we-all comes to, about half an hour later, we're in the street outside, havin' jus' said good-by to the Sigñorita. We-all are some quiet the first block or so, and then Hardenberg says—stoppin' dead in his tracks:

"'I pauses to remark that when a certain young feemale party havin' black hair an' a killin' eye gets good an' ready to travel up the centre aisle of a church, I know the gent to show her the way, which he is six feet one in his stocking-feet, some freckled across the nose, an' shoots with both hands.'

"'Which the same observations,' speaks up Strokher, twirlin' his yeller lady-killer, 'which the same observations,' he says, 'has my hearty indorsement an' cooperation savin' in the particular of the description o' the gent. The gent is five foot eleven high, three feet thick, is the only son of my mother, an' has yeller mustaches and a buck tooth.'

"'He don't qualify,' puts in Hardenberg. 'First, because he's a Englisher, and second, because he's up again a American—and besides, he has a tooth that's bucked.'

"'Buck or no buck,' flares out Strokher, 'wot might be the meanin' o' that remark consernin' being a Englisher?'

"'The fact o' his bein' English,' says Hardenberg, 'is only half the hoe-handle. 'Tother half being the fact that the first-named gent is all American. No Yank ain't never took no dust from aft a Englisher, whether it were war, walkin'-matches, or women.'

"'But they's a Englisher,' sings out Strokher, 'not forty miles from here as can nick the nose o' a freckled Yank if so be occasion require.'

"Now ain't that plum foolish-like," observed Bunt, philosophically. "Ain't it plum foolish-like o' them two gesabes to go flyin' up in the air like two he-hens on a hot plate—for nothin' in the world but because a neat lookin' feemale woman has looked at 'em some soft?

"Well, naturally, we others—Ally Bazan an' me—we others throws it into 'em pretty strong about bein' more kinds of blame fools than a pup with a bug; an' they simmers down some, but along o' the way home I kin see as how they're a-glarin' at each other, an' a-drawin' theirselves up proud-like an' presumptchoous, an' I groans again, not loud but deep, as the Good Book says.

"We has two or three more palavers with the Sigñorita Esperanza and stacks the deck to beat the harbor police and the Customs people an' all, an' to nip down the coast with our contraband. An' each time we chins with the Sigñorita there's them two locoes steppin' and sidle'n' around her, actin' that silly-like that me and Ally Bazan takes an' beats our heads agin' the walls so soon as we're alone just because we're that pizen mortified.

"Fin'ly comes the last talky-talk an' we're to sail away next day an' mebbee snatch the little Joker through or be took an' hung by the Costa Guardas.

"An' 'Good-by,' says Hardenberg to Esperanza, in a faintin', die-away voice like a kitten with a cold. 'An' ain't we goin' to meet no more?'

"'I sure hopes as much,' puts in Strokher, smirkin' so's you'd think he was a he-milliner sellin' a bonnet. 'I hope,' says he, 'our delightful acquaintanceship ain't a-goin' for to end abrupt this-a-way.'

"'Oh, you nice, big Mister Men,' pipes up the Sigñorita in English, 'we will meet down there in Gortamalar soon again, yes, because I go down by the vapour carriages to-morrow.'

"'Unprotected, too,' says Hardenberg, waggin' his fool head. 'An' so young!'

"Holy Geronimo! I don't know what more fool drivelin' they had, but they fin'ly comes away. Ally Bazan and me rounds 'em up and conducts 'em to the boat an' puts 'em to bed like as if they was little—or drunk, an' the next day—or next night, rather—about one o'clock, we slips the heel ropes and hobbles o' the schooner quiet as a mountain-lion stalking a buck, and catches the out-tide through the gate o' the bay. Lord, we was some keyed up, lemmee tell you, an' Ally Bazan and Hardenberg was at the fore end o' the boat with their guns ready in case o' bein' asked impert'nent questions by the patrol-boats.

"Well, how-some-ever, we nips out with the little Jokers (they was writ in the manifest as minin' pumps) an' starts south. This 'ere pasear down to Gortamalar is the first time I goes a-gallying about on what the Three Crows calls 'blue water'; and when that schooner hit the bar I begins to remember that my stummick and inside arrangements ain't made o' no chilled steel, nor yet o' rawhide. First I gits plum sad, and shivery, and I feels as mean an' pore as a prairie-dog w'ich 'as eat a horned toad back'ards. I goes to Ally Bazan and gives it out as how I'm going for to die, an' I puts it up that I'm sure sad and depressed-like; an' don't care much about life nohow; an' that present surroundin's lack that certain undescribable charm. I tells him that I knows the ship is goin' to sink afore we git over the bar. Waves!—they was higher'n the masts; and I've rode some fair lively sun-fishers in my time, but I ain't never struck anythin' like the r'arin' and buckin' and high-an'-lofty tumblin' that that same boat went through with those first few hours after we had come out.

"But Ally Bazan tells me to go downstairs in the boat an' lie up quiet, an' byne-by I do feel better. By next day I kin sit up and take solid food again. An' then's when I takes special notice o' the everlastin' foolishness o' Strokner and Hardenberg.

"You'd a thought each one o' them two mush-heads was tryin' to act the part of a ole cow which has had her calf took. They goes a-moonin' about the boat that mournful it 'ud make you yell jus' out o' sheer nervousness. First one 'ud up an' hold his head on his hand an' lean on the fence-rail that ran around the boat, and sigh till he'd raise his pants clean outa the top o' his boots. An' then the other 'ud go off in another part o' the boat an' he'd sigh an' moon an' take on fit to sicken a coyote.

"But byne-by—we're mebbee six days to the good o' 'Frisco—byne-by they two gits kind o' sassy along o' each t'other, an' they has a heart-to-heart talk and puts it up as how either one o' 'em 'ud stand to win so only the t'other was out o' the game.

"'It's double or nothing,' says Hardenberg, who is somethin' o' a card sharp, 'for either you or me, Stroke; an' if you're agreeable I'll play you a round o' jacks for the chance at the Sigñorita—the loser to pull out o' the running for good an' all.'

"No, Strokher don't come in on no such game, he says. He wins her, he says, as a man, and not as no poker player. No, nor he won't throw no dice for the chance o' winnin' Esperanza, nor he won't flip no coin, nor yet 'rastle. 'But,' says he all of a sudden, 'I'll tell you which I'll do. You're a big, thick, strappin' hulk o' a two-fisted dray-horse, Hardie, an' I ain't no effete an' digenerate one-lunger myself. Here's wot I propose—that we-all takes an' lays out a sixteen-foot ring on the quarterdeck, an' that the raw-boned Yank and the stodgy Englisher strips to the waist, an' all-friendly-like, settles the question by Queensbury rules an' may the best man win.'

"Hardenberg looks him over.

"'An' wot might be your weight?' says he. 'I don't figure on hurtin' of you, if so be you're below my class.'

"'I fights at a hunder and seventy,' says Strokher.

"'An' me,' says Hardenberg, 'at a hunder an' seventy-five. We're matched.'

"'Is it a go?' inquires Strokher.

"'You bet your great-gran'mammy's tortis-shell chessy cat it's a go,' says Hardenberg, prompt as a hop-frog catching flies.

"We don't lose no time trying to reason with 'em, for they is sure keen on havin' the go. So we lays out a ring by the rear end o' the deck, an' runs the schooner in till we're in the lee o' the land, an' she ridin' steady on her pins.

"Then along o' about four o'clock on a fine still day we lays the boat to, as they say, an' folds up the sail, an' havin' scattered resin in the ring (which it ain't no ring, but a square o' ropes on posts), we says all is ready.

"Ally Bazan, he's referee, an' me, I'm the time-keeper which I has to ring the ship's bell every three minutes to let 'em know to quit an' that the round is over.

"We gets 'em into the ring, each in his own corner, squattin' on a bucket, the time-keeper bein' second to Hardenberg an' the referee being second to Strokher. An' then, after they has shuk hands, I climbs up on' the chicken-coop an' hollers 'Time' an' they begins.

"Mister Man, I've saw Tim Henan at his best, an' I've saw Sayres when he was a top-notcher, an' likewise several other irregler boxin' sharps that were sure tough tarriers. Also I've saw two short-horn bulls arguin' about a question o' leadership, but so help me Bob—the fight I saw that day made the others look like a young ladies' quadrille. Oh, I ain't goin' to tell o' that mill in detail, nor by rounds. Rounds! After the first five minutes they wa'n't no rounds. I rung the blame bell till I rung her loose an' Ally Bazan yells 'break-away' an' 'time's up' till he's black in the face, but you could no more separate them two than you could put the brakes on a blame earthquake.

"At about suppertime we pulled 'em apart. We could do it by then, they was both so gone; an' jammed each one o' 'em down in their corners. I rings my bell good an' plenty, an' Ally Bazan stands up on a bucket in the middle o' the ring an' says:

"'I declare this 'ere glove contest a draw.'

"An' draw it sure was. They fit for two hours stiddy an' never a one got no better o' the other. They give each other lick for lick as fast an' as steady as they could stand to it. 'Rastlin', borin' in, boxin'—all was alike. The one was just as good as t'other. An' both willin' to the very last.

"When Ally Bazan calls it a draw, they gits up and wobbles toward each other an' shakes hands, and Hardenberg he says:

"'Stroke, I thanks you a whole lot for as neat a go as ever I mixed in.'

"An' Strokher answers up:

"'Hardie, I loves you better'n ever. You'se the first man I've met up with which I couldn't do for—an' I've met up with some scraggy propositions in my time, too.'

"Well, they two is a sorry-lookin' pair o' birds by the time we runs into San Diego harbour next night. They was fine lookin' objects for fair, all bruises and bumps. You remember now we was to take on a party at San Diego who was to show t'other half o' Esperanza's card, an' thereafterward to boss the job.

"Well, we waits till nightfall an' then slides in an' lays to off a certain pile o' stone, an' shows two green lights and one white every three and a half minutes for half a hour—this being a signal.

"They is a moon, an' we kin see pretty well. After we'd signaled about a hour, mebbee, we gits the answer—a one-minute green flare, and thereafterward we makes out a rowboat putting out and comin' towards us. They is two people in the boat. One is the gesabe at the oars an' the other a party sitting in the hinder end.

"Ally Bazan an' me, an' Strokher an' Hardenberg, we's all leanin' over the fence a-watchin'; when all to once I ups an' groans some sad. The party in the hinder end o' the boat bein' feemale.

"'Ain't we never goin' to git shut of 'em?' says I; but the words ain't no more'n off my teeth when Strokher pipes up:

"'It's she,' says he, gaspin' as though shot hard.

"'Wot!' cries Hardenberg, sort of mystified, 'Oh, I'm sure a-dreamin'! he says, just that silly-like.

"'An' the mugs we've got!' says Strokher.

"An' they both sets to swearin' and cussin' to beat all I ever heard.

"'I can't let her see me so bunged up,' says Hardenberg, doleful-like,

'Oh, whatever is to be done?'

"'An' I look like a real genuine blown-in-the-bottle pug,' whimpers Strokher. 'Never mind,' says he, 'we must face the music. We'll tell her these are sure honourable scars, got because we fit for her.'

"Well, the boat comes up an' the feemale party jumps out and comes up the let-down stairway, onto the deck. Without sayin' a word she hands Hardenberg the half o' the card and he fishes out his half an' matches the two by the light o' a lantern.

"By this time the rowboat has gone a little ways off, an' then at last

Hardenberg says:

"'Welkum aboard, Sigñorita.'

"And Strokher cuts in with——

"'We thought it was to be a man that 'ud join us here to take command, but you,' he says—an' oh, butter wouldn't a-melted in his mouth—'But you he says, 'is always our mistress.

"'Very right, bueno. Me good fellows,' says the Sigñorita, 'but don't you be afraid that they's no man is at the head o' this business.' An' with that the party chucks off hat an' skirts, and I'll be Mexican if it wa'n't a man after all!

"'I'm the Sigñor Barreto Palachi, gentlemen,' says he. 'The gringo police who wanted for to arrest me made the disguise necessary. Gentlemen, I regret to have been obliged to deceive such gallant compadres; but war knows no law.'

"Hardenberg and Strokher gives one look at the Sigñor and another at their own spiled faces, then:

"'Come back here with the boat!' roars Hardenberg over the side, and with that—(upon me word you'd a-thought they two both were moved with the same spring)—over they goes into the water and strikes out hands over hands for the boat as hard as ever they kin lay to it. The boat meets 'em—Lord knows what the party at the oars thought—they climbs in an' the last I sees of 'em they was puttin' for shore—each havin' taken a oar from the boatman, an' they sure was makin' that boat hum.

"Well, we sails away eventually without 'em; an' a year or more afterward I crosses their trail again in Cy Ryder's office in 'Frisco."

"Did you ask them about it all?" said I.

"Mister Man," observed Bunt. "I'm several kinds of a fool; I know it. But sometimes I'm wise. I wishes for to live as long as I can, an' die when I can't help it. I does not, neither there, nor thereafterward, ever make no joke, nor yet no alloosion about, or concerning the Sigñorita Esperanza Palachi in the hearin' o' Hardenberg an' Strokher. I've seen—(ye remember)—both those boys use their fists—an' likewise Hardenberg, as he says hisself, shoots with both hands."

THE DUAL PERSONALITY OF SLICK DICK NICKERSON

I.

On a certain morning in the spring of the year, the three men who were known as the Three Black Crows called at the office of "The President of the Pacific and Oriental Flotation Company," situated in an obscure street near San Francisco's water-front. They were Strokher, the tall, blond, solemn, silent Englishman; Hardenberg, the American, dry of humour, shrewd, resourceful, who bargained like a Vermonter and sailed a schooner like a Gloucester cod-fisher; and in their company, as ever inseparable from the other two, came the little colonial, nicknamed, for occult reasons, "Ally Bazan," a small, wiry man, excitable, vociferous, who was without fear, without guile and without money.

When Hardenberg, who was always spokesman for the Three Crows, had sent in their names, they were admitted at once to the inner office of the "President." The President was an old man, bearded like a prophet, with a watery blue eye and a forehead wrinkled like an orang's. He spoke to the Three Crows in the manner of one speaking to friends he has not seen in some time.

"Well, Mr. Ryder," began Hardenberg. "We called around to see if you had anything fer us this morning. I don't mind telling you that we're at liberty jus' now. Anything doing?"

Ryder fingered his beard distressfully. "Very little, Joe; very little."

"Got any wrecks?"

"Not a wreck."

Hardenberg turned to a great map that hung on the wall by Ryder's desk. It was marked in places by red crosses, against which were written certain numbers and letters. Hardenberg put his finger on a small island south of the Marquesas group and demanded: "What might be H. 33, Mr. President?"

"Pearl Island," answered the President. "Davidson is on that job."

"Or H. 125?" Hardenberg indicated a point in the Gilbert group.

"Guano deposits. That's promised."

"Hallo! You're up in the Aleutians. I make out. 20 A.—what's that?"

"Old government telegraph wire—line abandoned—finest drawn-copper wire. I've had three boys at that for months."

"What's 301? This here, off the Mexican coast?"

The President, unable to remember, turned to his one clerk: "Hyers, what's 301? Isn't that Peterson?"

The clerk ran his finger down a column: "No, sir; 301 is the Whisky

Ship."

"Ah! So it is. I remember. You remember, too, Joe. Little schooner, the Tropic Bird—sixty days out from Callao—five hundred cases of whisky aboard—sunk in squall. It was thirty years ago. Think of five hundred cases of thirty-year-old whisky! There's money in that if I can lay my hands on the schooner. Suppose you try that, you boys—on a twenty per cent. basis. Come now, what do you say?"

"Not for five per cent.," declared Hardenberg. "How'd we raise her? How'd we know how deep she lies? Not for Joe. What's the matter with landing arms down here in Central America for Bocas and his gang?"

"I'm out o' that, Joe. Too much competition."

"What's doing here in Tahiti—No. 88? It ain't lettered."

Once more the President consulted his books.

"Ah!—88. Here we are. Cache o' illicit pearls. I had it looked up.

Nothing in it."

"Say, Cap'n!"—Hardenberg's eye had traveled to the upper edge of the map—"whatever did you strike up here in Alaska? At Point Barrow, s'elp me Bob! It's 48 B."

The President stirred uneasily in his place. "Well, I ain't quite worked that scheme out, Joe. But I smell the deal. There's a Russian post along there some'eres. Where they catch sea-otters. And the skins o' sea-otters are selling this very day for seventy dollars at any port in China."

"I s'y," piped up Ally Bazan, "I knows a bit about that gyme. They's a bally kind o' Lum-tums among them Chinese as sports those syme skins on their bally clothes—as a mark o' rank, d'ye see."

"Have you figured at all on the proposition, Cap'n?" inquired

Hardenberg.

"There's risk in it, Joe; big risk," declared the President nervously.

"But I'd only ask fifteen per cent."

"You have worked out the scheme, then."

"Well—ah—y'see, there's the risk, and—ah—" Suddenly Ryder leaned forward, his watery blue eyes glinting: "Boys, it's a jewel. It's just your kind. I'd a-sent for you, to try on this very scheme, if you hadn't shown up. You kin have the Bertha Millner—I've a year's charter o' her from Wilbur—and I'll only ask you fifteen per cent. of the net profits—net, mind you."

"I ain't buyin' no dead horse, Cap'n," returned Hardenberg, "but I'll say this: we pay no fifteen per cent."

"Banks and the Ruggles were daft to try it and give me twenty-five."

"An' where would Banks land the scheme? I know him. You put him on that German cipher-code job down Honolulu way, an' it cost you about a thousand before you could pull out. We'll give you seven an' a half."

"Ten," declared Ryder, "ten, Joe, at the very least. Why, how much do you suppose just the stores would cost me? And Point Barrow—why, Joe, that's right up in the Arctic. I got to run the risk o' you getting the Bertha smashed in the ice."

"What do we risk?" retorted Hardenberg; and it was the monosyllabic

Strokher who gave the answer:

"Chokee, by Jove!"

"Ten is fair. It's ten or nothing," answered Hardenberg.

"Gross, then, Joe. Ten on the gross—or I give the job to the Ruggles and Banks."

"Who's your bloomin' agent?" put in Ally Bazan.

"Nickerson. I sent him with Peterson on that Mary Archer wreck scheme. An' you know what Peterson says of him—didn't give him no trouble at all. One o' my best men, boys."

"There have been," observed Strokher stolidly, "certain stories told about Nickerson. Not that I wish to seem suspicious, but I put it to you as man to man."

"Ay," exclaimed Ally Bazan. "He was fair nutty once, they tell me. Threw some kind o' bally fit an' come aout all skew-jee'd in his mind. Forgot his nyme an' all. I s'y, how abaout him, anyw'y?"

"Boys," said Ryder, "I'll tell you. Nickerson—yes, I know the yarns about him. It was this way—y'see, I ain't keeping anything from you, boys. Two years ago he was a Methody preacher in Santa Clara. Well, he was what they call a revivalist, and he was holding forth one blazin' hot day out in the sun when all to once he goes down, flat, an' don't come round for the better part o' two days. When he wakes up he's another person; he'd forgot his name, forgot his job, forgot the whole blamed shooting-match. And he ain't never remembered them since. The doctors have names for that kind o' thing. It seems it does happen now and again. Well, he turned to an' began sailoring first off—soon as the hospitals and medicos were done with him—an' him not having any friends as you might say, he was let go his own gait. He got to be third mate of some kind o' dough-dish down Mexico way; and then I got hold o' him an' took him into the Comp'ny. He's been with me ever since. He ain't got the faintest kind o' recollection o' his Methody days, an' believes he's always been a sailorman. Well, that's his business, ain't it? If he takes my orders an' walks chalk, what do I care about his Methody game? There, boys, is the origin, history and development of Slick Dick Nickerson. If you take up this sea-otter deal and go to Point Barrow, naturally Nick has got to go as owner's agent and representative of the Comp'ny. But I couldn't send a easier fellow to get along with. Honest, now, I couldn't. Boys, you think over the proposition between now and tomorrow an' then come around and let me know."

And the upshot of the whole matter was that one month later the Bertha Millner, with Nickerson, Hardenberg, Strokher and Ally Bazan on board, cleared from San Francisco, bound—the papers were beautifully precise—for Seattle and Tacoma with a cargo of general merchandise.

As a matter of fact, the bulk of her cargo consisted of some odd hundreds of very fine lumps of rock—which as ballast is cheap by the ton—and some odd dozen cases of conspicuously labeled champagne.

The Pacific and Oriental Flotation Company made this champagne out of Rhine wine, effervescent salts, raisins, rock candy and alcohol. It was from the same stock of wine of which Ryder had sold some thousand cases to the Coreans the year before.

II

"Not that I care a curse," said Strokher, the Englishman. "But I put it to you squarely that this voyage lacks that certain indescribable charm."

The Bertha Millner was a fortnight out, and the four adventurers—or, rather, the three adventurers and Nickerson—were lame in every joint, red-eyed from lack of sleep, half-starved, wholly wet and unequivocally disgusted. They had had heavy weather from the day they bade farewell to the whistling buoy off San Francisco Bay until the moment when even patient, docile, taciturn Strokher had at last—in his own fashion—rebelled.

"Ain't I a dam' fool? Ain't I a proper lot? Gard strike me if I don't chuck fer fair after this. Wot'd I come to sea fer—an' this 'ere go is the worst I ever knew—a baoat no bigger'n a bally bath-tub, head seas, livin' gyles the clock 'round, wet food, wet clothes, wet bunks. Caold till, by cricky! I've lost the feel o' mee feet. An' wat for? For the bloomin' good chanst o' a slug in mee guts. That's wat for." At little intervals the little vociferous colonial, Ally Bazan—he was red-haired and speckled—capered with rage, shaking his fists.

But Hardenberg only shifted his cigar to the other corner of his mouth. He knew Ally Bazan, and knew that the little fellow would have jeered at the offer of a first-cabin passage back to San Francisco in the swiftest, surest, steadiest passenger steamer that ever wore paint. So he remarked: "I ain't ever billed this promenade as a Coney Island picnic, I guess."

Nickerson—Slick Dick, the supercargo—was all that Hardenberg, who captained the schooner, could expect. He never interfered, never questioned; never protested in the name or interests of the Company when Hardenberg "hung on" in the bleak, bitter squalls till the Bertha was rail under and the sails hard as iron.

If it was true that he had once been a Methody revivalist no one, to quote Alia Bazan, "could a' smelled it off'n him." He was a black-bearded, scrawling six-footer, with a voice like a steam siren and a fist like a sledge. He carried two revolvers, spoke of the Russians at Point Barrow as the "Boomskys," and boasted if it came to that he'd engage to account for two of them, would shove their heads into their boot-legs and give them the running scrag, by God so he would!

Slowly, laboriously, beset in blinding fogs, swept with, icy rains, buffeted and mauled and man-handled by the unending assaults of the sea, the Bertha Millner worked her way northward up that iron coast—till suddenly she entered an elysium.

Overnight she seemed to have run into it: it was a world of green, wooded islands, of smooth channels, of warm and steady winds, of cloudless skies. Coming on deck upon the morning of the Bertha's first day in this new region, Ally Bazan gazed open-mouthed. Then: "I s'y!" he yelled. "Hey! By crickey! Look!" He slapped his thighs. "S'trewth! This is 'eavenly."

Strokher was smoking his pipe on the hatch combings. "Rather," he observed. "An' I put it to you—we've deserved it."

In the main, however, the northward flitting was uneventful. Every fifth day Nickerson got drunk—on the Company's Corean champagne. Now that the weather had sweetened, the Three Black Crows had less to do in the way of handling and nursing the schooner. Their plans when the "Boomskys" should be reached were rehearsed over and over again. Then came spells of card and checker playing, story-telling, or hours of silent inertia when, man fashion, they brooded over pipes in a patch of sun, somnolent, the mind empty of all thought.

But at length the air took on a keener tang; there was a bite to the breeze, the sun lost his savour and the light of him lengthened till Hardenberg could read off logarithms at ten in the evening. Great-coats and sweaters were had from the chests, and it was no man's work to reef when the wind came down from out the north.

Each day now the schooner was drawing nearer the Arctic Circle. At length snow fell, and two days later they saw their first iceberg.

Hardenberg worked out their position on the chart and bore to the eastward till he made out the Alaskan coast—a smudge on the horizon. For another week he kept this in sight, the schooner dodging the bergs that by now drove by in squadrons, and even bumping and butling through drift and slush ice.

Seals were plentiful, and Hardenberg and Strokher promptly revived the quarrel of their respective nations. Once even they slew a mammoth bull walrus—astray from some northern herd—and played poker for the tusks. Then suddenly they pulled themselves sharply together, and, as it were, stood "attention."

For more than a week the schooner, following the trend of the far-distant coast, had headed eastward, and now at length, looming out of the snow and out of the mist, a somber bulwark, black, vast, ominous, rose the scarps and crags of that which they came so far to see—Point Barrow.

Hardenberg rounded the point, ran in under the lee of the land and brought out the chart which Ryder had given him. Then he shortened sail and moved west again till Barrow was "hull down" behind him. To the north was the Arctic, treacherous, nursing hurricanes, ice-sheathed; but close aboard, not a quarter of a mile off his counter, stretched a gray and gloomy land, barren, bleak as a dead planet, inhospitable as the moon.

For three days they crawled along the edge keeping their glasses trained

upon every bay, every inlet. Then at length, early one morning, Ally

Bazan, who had been posted at the bows, came scrambling aft to

Hardenberg at the wheel. He was gasping for breath in his excitement.

"Hi! There we are," he shouted. "O Lord! Oh, I s'y! Now we're in fer it. That's them! That's them! By the great jumpin' jimminy Christmas, that's them fer fair! Strike me blind for a bleedin' gutter-cat if it eyent. O Lord! S'y, I gotta to get drunk. S'y, what-all's the first jump in the bally game now?"

"Well, the first thing, little man," observed Hardenberg, "is for your mother's son to hang the monkey onto the safety-valve. Keep y'r steam and watch y'r uncle."

"Scrag the Boomskys," said Slick Dick encouragingly.

Strokher pulled the left end of his viking mustache with the fingers of his right hand.

"We must now talk," he said.

A last conference was held in the cabin, and the various parts of the comedy rehearsed. Also the three looked to their revolvers.

"Not that I expect a rupture of diplomatic relations," commented Strokher; "but if there's any shooting done, as between man and man, I choose to do it."

"All understood, then?" asked Hardenberg, looking from face to face.

"There won't be no chance to ask questions once we set foot ashore."

The others nodded.

It was not difficult to get in with the seven Russian sea-otter fishermen at the post. Certain of them spoke a macerated English, and through these Hardenberg, Ally Bazan and Nickerson—Strokher remained on board to look after the schooner—told to the "Boomskys" a lamentable tale of the reported wreck of a vessel, described by Hardenberg, with laborious precision, as a steam whaler from San Francisco—the Tiber by name, bark-rigged, seven hundred tons burden, Captain Henry Ward Beecher, mate Mr. James Boss Tweed. They, the visitors, were the officers of the relief-ship on the lookout for castaways and survivors.

But in the course of these preliminaries it became necessary to restrain Nickerson—not yet wholly recovered from a recent incursion into the store of Corean champagne. It presented itself to his consideration as facetious to indulge (when speaking to the Russians) in strange and elaborate distortions of speech.

"And she sunk-avitch in a hundred fathom o' water-owski."

"—All on board-erewski."

"—hell of dam' bad storm-onavna."

And he persisted in the idiocy till Hardenberg found an excuse for taking him aside and cursing him into a realization of his position.

In the end—inevitably—the schooner's company were invited to dine at the post.

It was a strange affair—a strange scene. The coast, flat, gray, dreary beyond all power of expression, lonesome as the interstellar space, and quite as cold, and in all that limitless vastness of the World's Edge, two specks—the hut, its three windows streaming with light, and the tiny schooner rocking in the offing. Over all flared the pallid incandescence of the auroras.

The Company drank steadily, and Strokher, listening from the schooner's quarterdeck, heard the shouting and the songs faintly above the wash and lapping under the counter. Two hours had passed since the moment he guessed that the feast had been laid. A third went by. He grew uneasy. There was no cessation of the noise of carousing. He even fancied he heard pistol shots. Then after a long time the noise by degrees wore down; a long silence followed. The hut seemed deserted; nothing stirred; another hour went by.

Then at length Strokher saw a figure emerge from the door of the hut and come down to the shore. It was Hardenberg. Strokher saw him wave his arm slowly, now to the left, now to the right, and he took down the wig-wag as follows: "Stand—in—closer—we—have—the—skins."

III

During the course of the next few days Strokher heard the different versions of the affair in the hut over and over again till he knew its smallest details. He learned how the "Boomskys" fell upon Ryder's champagne like wolves upon a wounded buck, how they drank it from "enameled-ware" coffee-cups, from tin dippers, from the bottles themselves; how at last they even dispensed with the tedium of removing the corks and knocked off the heads against the table-ledge and drank from the splintered bottoms; how they quarreled over the lees and dregs, how ever and always fresh supplies were forthcoming, and how at last Hardenberg, Ally Bazan and Slick Dick stood up from the table in the midst of the seven inert bodies; how they ransacked the place for the priceless furs; how they failed to locate them; how the conviction grew that this was the wrong place after all, and how at length Hardenberg discovered the trap-door that admitted to the cellar, where in the dim light of the uplifted lanterns they saw, corded in tiny bales and packages, the costliest furs known to commerce.

Ally Bazan had sobbed in his excitement over that vision and did not regain the power of articulate speech till the "loot" was safely stowed in the 'tween-decks and Hardenberg had given order to come about.

"Now," he had observed dryly, "now, lads, it's Hongkong—or bust."

The tackle had fouled aloft and the jib hung slatting over the sprit like a collapsed balloon.

"Cast off up there, Nick!" called Hardenberg from the wheel.

Nickerson swung himself into the rigging, crying out in a mincing voice as, holding to a rope's end, he swung around to face the receding hut: "By-bye-skevitch. We've had such a charming evening. Do hope-sky we'll be able to come again-off." And as he spoke the lurch of the Bertha twitched his grip from the rope. He fell some thirty feet to the deck, and his head carromed against an iron cleat with a resounding crack.

"Here's luck," observed Hardenberg, twelve hours later, when Slick Dick, sitting on the edge of his bunk, looked stolidly and with fishy eyes from face to face. "We wa'n't quite short-handed enough, it seems."

"Dotty for fair. Dotty for fair," exclaimed Ally Bazan; "clean off 'is nut. I s'y, Dick-ol'-chap, wyke-up, naow. Buck up. Buck up. 'Ave a drink."

But Nickerson could only nod his head and murmur: "A few more—consequently—and a good light——" Then his voice died down to unintelligible murmurs.

"We'll have to call at Juneau," decided Hardenberg two days later. "I don't figure on navigating this 'ere bath-tub to no Hongkong whatsoever, with three hands. We gotta pick up a couple o' A.B.'s in Juneau, if so be we can."

"How about the loot?" objected Strokher. "If one of those hands gets between decks he might smell—a sea-otter, now. I put it to you he might."

"My son," said Hardenberg, "I've handled A.B.'s before;" and that settled the question.

During the first part of the run down, Nickerson gloomed silently over the schooner, looking curiously about him, now at his comrades' faces, now at the tumbling gray-green seas, now—and this by the hour—at his own hands. He seemed perplexed, dazed, trying very hard to get his bearings. But by and by he appeared, little by little, to come to himself. One day he pointed to the rigging with an unsteady forefinger, then, laying the same finger doubtfully upon his lips, said to Strokher: "A ship?"

"Quite so, quite so, me boy."

"Yes," muttered Nickerson absently, "a ship—of course."

Hardenberg expected to make Juneau on a Thursday. Wednesday afternoon

Slick Dick came to him. He seemed never more master of himself. "How did

I come aboard?" he asked.

Hardenberg explained.

"What have we been doing?"

"Why, don't you remember?" continued Hardenberg. He outlined the voyage in detail. "Then you remember," he went on, "we got up there to Point Barrow and found where the Russian fellows had their post, where they caught sea-otters, and we went ashore and got 'em all full and lifted all the skins they had——"

"'Lifted'? You mean stole them."

"Come here," said the other. Encouraged by Nickerson's apparent convalescence, Hardenberg decided that the concrete evidence of things done would prove effective. He led him down into the 'tween-decks. "See now," he said. "See this packing-case"—he pried up a board—"see these 'ere skins. Take one in y'r hand. Remember how we found 'em all in the cellar and hyked 'em out while the beggars slept?"

"Stole them? You say we got—that is you did—got somebody intoxicated and stole their property, and now you are on your way to dispose of it."

"Oh, well, if you want to put it thataway. Sure we did."

"I understand——Well——Let's go back on deck. I want to think this out."

The Bertha Millner crept into the harbour of Juneau in a fog, with ships' bells tolling on every side, let go her anchor at last in desperation and lay up to wait for the lifting. When this came the Three Crows looked at one another wide-eyed. They made out the drenched town and the dripping hills behind it. The quays, the custom house, the one hotel, and the few ships in the harbour. There were a couple of whalers from 'Frisco, a white, showily painted passenger boat from the same port, a Norwegian bark, and a freighter from Seattle grimy with coal-dust. These, however, the Bertha's company ignored. Another boat claimed all their attention. In the fog they had let go not a pistol-shot from her anchorage. She lay practically beside them. She was the United States revenue cutter Bear.

"But so long as they can't smell sea-otter skin," remarked Hardenberg,

"I don't know that we're any the worse."

"All the syme," observed Ally Bazan, "I don't want to lose no bloomin' tyme a-pecking up aour bloomin' A.B.'s."

"I'll stay aboard and tend the baby," said Hardenberg with a wink. "You two move along ashore and get what you can—Scoovies for choice. Take Slick Dick with you. I reckon a change o' air might buck him up."

When the three had gone, Hardenberg, after writing up the painfully doctored log, set to work to finish a task on which the adventurers had been engaged in their leisure moments since leaving Point Barrow. This was the counting and sorting of the skins. The packing-case had been broken open, and the scanty but precious contents littered an improvised table in the hold. Pen in hand, Hardenberg counted and ciphered and counted again. He could not forbear a chuckle when the net result was reached. The lot of the skins—the pelt of the sea-otter is ridiculously small in proportion to its value—was no heavy load for the average man. But Hardenberg knew that once the "loot" was safely landed at the Hongkong pierhead the Three Crows would share between them close upon ten thousand dollars. Even—if they had luck, and could dispose of the skins singly or in small lots—that figure might be doubled.

"And I call it a neat turn," observed Hardenberg. He was aroused by the noise of hurried feet upon the deck, and there was that in their sound that brought him upright in a second, hand on hip. Then, after a second, he jumped out on deck to meet Ally Bazan and Strokher, who had just scrambled over the rail.

"Bust. B-u-s-t!" remarked the Englishman.

"'Ere's 'ell to pay," cried Ally Bazan in a hoarse whisper, glancing over at the revenue cutter.

"Where's Nickerson?" demanded Hardenberg.

"That's it," answered the colonial. "That's where it's 'ell. Listen naow. He goes ashore along o' us, quiet and peaceable like, never battin' a eye, we givin' him a bit o' jolly, y' know, to keep him chirked up as ye might s'y. But so soon as ever he sets foot on shore, abaout faice he gaoes, plumb into the Custom's orfice. I s'ys, 'Wot all naow, messmite? Come along aout o' that.' But he turns on me like a bloomin' babby an s'ys he: 'Hands orf, wretch!' Ay, them's just his words. Just like that, 'Hands orf, wretch!' And then he nips into the orfice an' marches fair up to the desk an' sy's like this—we heerd him, havin' followed on to the door—he s'ys, just like this:

"'Orfficer, I am a min'ster o' the gospel, o' the Methodis' denomineye-tion, an' I'm deteyined agin my will along o' a pirate ship which has robbed certain parties o' val-able goods. Which syme I'm pre-pared to attest afore a no'try publick, an' lodge informeye-tion o' crime. An',' s'ys he, 'I demand the protection o' the authorities an' arsk to be directed to the American consul.'

"S'y, we never wyted to hear no more, but hyked awye hot foot. S'y, wot all now. Oh, mee Gord! eyen't it a rum gao for fair? S'y, let's get aout o' here, Hardy, dear."

"Look there," said Hardenberg, jerking his head toward the cutter, "how far'd we get before the customs would 'a' passed the tip to her and she'd started to overhaul us? That's what they feed her for—to round up the likes o' us."

"We got to do something rather soon," put in Strokher. "Here comes the custom house dinghy now."

As a matter of fact, a boat was putting off from the dock. At her stern fluttered the custom house flag.

"Bitched—bitched for fair!" cried Ally Bazan.

[Illustration: "'ERE'S 'ELL TO PAY!"

From a drawing by Lucius Hitchcock Courtesy of Collier's Weekly.]

"Quick, now!" exclaimed Hardenberg. "On the jump! Overboard with that loot!—or no. Steady! That won't do. There's that dam' cutter. They'd see it go. Here!—into the galley. There's a fire in the stove. Get a move on!"

"Wot!" wailed Ally Bazan. "Burn the little joker. Gord, I can't,

Hardy, I can't. It's agin human nature."

"You can do time in San Quentin, then, for felony," retorted Strokher as he and Hardenberg dashed by him, their arms full of the skins. "You can do time in San Quentin else. Make your choice. I put it to you as between man and man."

With set teeth, and ever and again glancing over the rail at the oncoming boat, the two fed their fortune to the fire. The pelts, partially cured and still fatty, blazed like crude oil, the hair crisping, the hides melting into rivulets of grease. For a minute the schooner reeked of the smell and a stifling smoke poured from the galley stack. Then the embers of the fire guttered and a long whiff of sea wind blew away the reek. A single skin, fallen in the scramble, still remained on the floor of the galley. Hardenberg snatched it up, tossed it into the flames and clapped the door to. "Now, let him squeal," he declared. "You fellows, when that boat gets here, let me talk; keep your mouths shut or, by God, we'll all wear stripes."

The Three Crows watched the boat's approach in a silence broken only once by a long whimper from Ally Bazan. "An' it was a-workin' out as lovely as Billy-oh," he said, "till that syme underbred costermonger's swipe remembered he was Methody—an' him who, only a few d'ys back, went raound s'yin' 'scrag the "Boomskys"!' A couple o' thousand pounds gone as quick as look at it. Oh, I eyn't never goin' to git over this."

The boat came up and the Three Crows were puzzled to note that no brass-buttoned personage sat in the stern-sheets, no harbour police glowered at them from the bow, no officer of the law fixed them with the eye of suspicion. The boat was manned only by a couple of freight-handlers in woolen Jerseys, upon the breasts of which were affixed the two letters "C.H."

"Say," called one of the freight-handlers, "is this the Bertha

Millner?"

"Yes," answered Hardenberg, his voice at a growl. "An' what might you want with her, my friend?"

"Well, look here," said the other, "one of your hands came ashore mad as a coot and broke into the house of the American Consul, and resisted arrest and raised hell generally. The inspector says you got to send a provost guard or something ashore to take him off. There's been several mix-ups among ships' crews lately and the town——"

The tide drifted the boat out of hearing, and Hardenberg sat down on the capstan head, turning his back to his comrades. There was a long silence. Then he said:

"Boys, let's go home. I—I want to have a talk with President Ryder."

THE SHIP THAT SAW A GHOST

Very much of this story must remain untold, for the reason that if it were definitely known what business I had aboard the tramp steam-freighter Glarus, three hundred miles off the South American coast on a certain summer's day, some few years ago, I would very likely be obliged to answer a great many personal and direct questions put by fussy and impertinent experts in maritime law—who are paid to be inquisitive. Also, I would get "Ally Bazan," Strokher and Hardenberg into trouble.

Suppose on that certain summer's day, you had asked of Lloyds' agency where the Glarus was, and what was her destination and cargo. You would have been told that she was twenty days out from Callao, bound north to San Francisco in ballast; that she had been spoken by the bark Medea and the steamer Benevento; that she was reported to have blown out a cylinder head, but being manageable was proceeding on her way under sail.

That is what Lloyds would have answered.

If you know something of the ways of ships and what is expected of them, you will understand that the Glarus, to be some half a dozen hundred miles south of where Lloyds' would have her, and to be still going south, under full steam, was a scandal that would have made her brothers and sisters ostracize her finally and forever.

And that is curious, too. Humans may indulge in vagaries innumerable, and may go far afield in the way of lying; but a ship may not so much as quibble without suspicion. The least lapse of "regularity," the least difficulty in squaring performance with intuition, and behold she is on the black list, and her captain, owners, officers, agents and consignors, and even supercargoes, are asked to explain.

And the Glarus was already on the black list. From the beginning her stars had been malign. As the Breda, she had first lost her reputation, seduced into a filibustering escapade down the South American coast, where in the end a plain-clothes United States detective—that is to say, a revenue cutter—arrested her off Buenos Ayres and brought her home, a prodigal daughter, besmirched and disgraced.

After that she was in some dreadful black-birding business in a far quarter of the South Pacific; and after that—her name changed finally to the Glarus—poached seals for a syndicate of Dutchmen who lived in Tacoma, and who afterward built a club-house out of what she earned.

And after that we got her.

We got her, I say, through Ryder's South Pacific Exploitation Company. The "President" had picked out a lovely little deal for Hardenberg, Strokher and Ally Bazan (the Three Black Crows), which he swore would make them "independent rich" the rest of their respective lives. It is a promising deal (B. 300 it is on Ryder's map), and if you want to know more about it you may write to ask Ryder what B. 300 is. If he chooses to tell you, that is his affair.

For B. 300—let us confess it—is, as Hardenberg puts it, as crooked as a dog's hind leg. It is as risky as barratry. If you pull it off you may—after paying Ryder his share—divide sixty-five, or possibly sixty-seven, thousand dollars between you and your associates. If you fail, and you are perilously like to fail, you will be sure to have a man or two of your companions shot, maybe yourself obliged to pistol certain people, and in the end fetch up at Tahiti, prisoner in a French patrol-boat.

Observe that B. 300 is spoken of as still open. It is so, for the reason that the Three Black Crows did not pull it off. It still stands marked up in red ink on the map that hangs over Ryder's desk in the San Francisco office; and any one can have a chance at it who will meet Cyrus Ryder's terms. Only he can't get the Glarus for the attempt.

For the trip to the island after B. 300 was the last occasion on which the Glarus will smell blue water or taste the trades. She will never clear again. She is lumber.

And yet the Glarus on this very blessed day of 1902 is riding to her buoys off Sausalito in San Francisco Bay, complete in every detail (bar a broken propeller shaft), not a rope missing, not a screw loose, not a plank started—a perfectly equipped steam-freighter.

But you may go along the "Front" in San Francisco from Fisherman's Wharf to the China steamships' docks and shake your dollars under the seamen's noses, and if you so much as whisper Glarus they will edge suddenly off and look at you with scared suspicion, and then, as like as not, walk away without another word. No pilot will take the Glarus out; no captain will navigate her; no stoker will feed her fires; no sailor will walk her decks. The Glarus is suspect. She has seen a ghost.

* * * * *

It happened on our voyage to the island after this same B. 300. We had stood well off from shore for day after day, and Hardenberg had shaped our course so far from the track of navigation that since the Benevento had hulled down and vanished over the horizon no stitch of canvas nor smudge of smoke had we seen. We had passed the equator long since, and would fetch a long circuit to the southard, and bear up against the island by a circuitous route. This to avoid being spoken. It was tremendously essential that the Glarus should not be spoken.

I suppose, no doubt, that it was the knowledge of our isolation that impressed me with the dreadful remoteness of our position. Certainly the sea in itself looks no different at a thousand than at a hundred miles from shore. But as day after day I came out on deck at noon, after ascertaining our position on the chart (a mere pin-point in a reach of empty paper), the sight of the ocean weighed down upon me with an infinitely great awesomeness—and I was no new hand to the high seas even then.

But at such times the Glarus seemed to me to be threading a loneliness beyond all worlds and beyond all conception desolate. Even in more populous waters, when no sail notches the line of the horizon, the propinquity of one's kind is nevertheless a thing understood, and to an unappreciated degree comforting. Here, however, I knew we were out, far out in the desert. Never a keel for years upon years before us had parted these waters; never a sail had bellied to these winds. Perfunctorily, day in and day out we turned our eyes through long habit toward the horizon. But we knew, before the look, that the searching would be bootless. Forever and forever, under the pitiless sun and cold blue sky stretched the indigo of the ocean floor. The ether between the planets can be no less empty, no less void.

I never, till that moment, could have so much as conceived the imagination of such loneliness, such utter stagnant abomination of desolation. In an open boat, bereft of comrades, I should have gone mad in thirty minutes.

I remember to have approximated the impression of such empty immensity only once before, in my younger days, when I lay on my back on a treeless, bushless mountainside and stared up into the sky for the better part of an hour.

You probably know the trick. If you do not, you must understand that if you look up at the blue long enough, the flatness of the thing begins little by little to expand, to give here and there; and the eye travels on and on and up and up, till at length (well for you that it lasts but the fraction of a second), you all at once see space. You generally stop there and cry out, and—your hands over your eyes—are only too glad to grovel close to the good old solid earth again. Just as I, so often on short voyage, was glad to wrench my eyes away from that horrid vacancy, to fasten them upon our sailless masts and stack, or to lay my grip upon the sooty smudged taffrail of the only thing that stood between me and the Outer Dark.

For we had come at last to that region of the Great Seas where no ship goes, the silent sea of Coleridge and the Ancient One, the unplumbed, untracked, uncharted Dreadfulness, primordial, hushed, and we were as much alone as a grain of star-dust whirling in the empty space beyond Uranus and the ken of the greater telescopes.

So the Glarus plodded and churned her way onward. Every day and all day the same pale-blue sky and the unwinking sun bent over that moving speck. Every day and all day the same black-blue water-world, untouched by any known wind, smooth as a slab of syenite, colourful as an opal, stretched out and around and beyond and before and behind us, forever, illimitable, empty. Every day the smoke of our fires veiled the streaked whiteness of our wake. Every day Hardenberg (our skipper) at noon pricked a pin-hole in the chart that hung in the wheel-house, and that showed we were so much farther into the wilderness. Every day the world of men, of civilization, of newspapers, policemen and street-railways receded, and we steamed on alone, lost and forgotten in that silent sea.

"Jolly lot o' room to turn raound in," observed Ally Bazan, the colonial, "withaout steppin' on y'r neighbour's toes."

"We're clean, clean out o' the track o' navigation," Hardenberg told him. "An' a blessed good thing for us, too. Nobody ever comes down into these waters. Ye couldn't pick no course here. Everything leads to nowhere."

"Might as well be in a bally balloon," said Strokher.

I shall not tell of the nature of the venture on which the Glarus was bound, further than to say it was not legitimate. It had to do with an ill thing done more than two centuries ago. There was money in the venture, but it was not to be gained by a violation of metes and bounds which are better left intact.

The island toward which we were heading is associated in the minds of men with a Horror.

A ship had called there once, two hundred years in advance of the Glarus—a ship not much unlike the crank high-prowed caravel of Hudson, and her company had landed, and having accomplished the evil they had set out to do, made shift to sail away. And then, just after the palms of the island had sunk from sight below the water's edge, the unspeakable had happened. The Death that was not Death had arisen from out the sea and stood before the ship, and over it, and the blight of the thing lay along the decks like mould, and the ship sweated in the terror of that which is yet without a name.

Twenty men died in the first week, all but six in the second. These six, with the shadow of insanity upon them, made out to launch a boat, returned to the island and died there, after leaving a record of what had happened.

The six left the ship exactly as she was, sails all set, lanterns all lit—left her in the shadow of the Death that was not Death.

She stood there, becalmed, and watched them go. She was never heard of again.

Or was she—well, that's as may be.

But the main point of the whole affair, to my notion, has always been this. The ship was the last friend of those six poor wretches who made back for the island with their poor chests of plunder. She was their guardian, as it were, would have defended and befriended them to the last; and also we, the Three Black Crows and myself, had no right under heaven, nor before the law of men, to come prying and peeping into this business—into this affair of the dead and buried past. There was sacrilege in it. We were no better than body-snatchers.

* * * * *

When I heard the others complaining of the loneliness of our surroundings, I said nothing at first. I was no sailor man, and I was on board only by tolerance. But I looked again at the maddening sameness of the horizon—the same vacant, void horizon that we had seen now for sixteen days on end, and felt in my wits and in my nerves that same formless rebellion and protest such as comes when the same note is reiterated over and over again.

It may seem a little thing that the mere fact of meeting with no other ship should have ground down the edge of the spirit. But let the incredulous—bound upon such a hazard as ours—sail straight into nothingness for sixteen days on end, seeing nothing but the sun, hearing nothing but the thresh of his own screw, and then put the question.

And yet, of all things, we desired no company. Stealth was our one great aim. But I think there were moments—toward the last—when the Three Crows would have welcomed even a cruiser.

Besides, there was more cause for depression, after all, than mere isolation.

On the seventh day Hardenberg and I were forward by the cat-head, adjusting the grain with some half-formed intent of spearing the porpoises that of late had begun to appear under our bows, and Hardenberg had been computing the number of days we were yet to run.

"We are some five hundred odd miles off that island by now," he said, "and she's doing her thirteen knots handsome. All's well so far—but do you know, I'd just as soon raise that point o' land as soon as convenient."

"How so?" said I, bending on the line. "Expect some weather?"

"Mr. Dixon," said he, giving me a curious glance, "the sea is a queer proposition, put it any ways. I've been a seafarin' man since I was big as a minute, and I know the sea, and what's more, the Feel o' the sea. Now, look out yonder. Nothin', hey? Nothin' but the same ol' skyline we've watched all the way out. The glass is as steady as a steeple, and this ol' hooker, I reckon, is as sound as the day she went off the ways. But just the same if I were to home now, a-foolin' about Gloucester way in my little dough-dish—d'ye know what? I'd put into port. I sure would. Because why? Because I got the Feel o' the Sea, Mr. Dixon. I got the Feel o' the Sea."

I had heard old skippers say something of this before, and I cited to Hardenberg the experience of a skipper captain I once knew who had turned turtle in a calm sea off Trincomalee. I ask him what this Feel of the Sea was warning him against just now (for on the high sea any premonition is a premonition of evil, not of good). But he was not explicit.

"I don't know," he answered moodily, and as if in great perplexity, coiling the rope as he spoke. "I don't know. There's some blame thing or other close to us, I'll bet a hat. I don't know the name of it, but there's a big Bird in the air, just out of sight som'eres, and," he suddenly exclaimed, smacking his knee and leaning forward, "I—don't—like—it—one—dam'—bit."

The same thing came up in our talk in the cabin that night, after the dinner was taken off and we settled down to tobacco. Only, at this time, Hardenberg was on duty on the bridge. It was Ally Bazan who spoke instead.

"Seems to me," he hazarded, "as haow they's somethin' or other a-goin' to bump up pretty blyme soon. I shouldn't be surprised, naow, y'know, if we piled her up on some bally uncharted reef along o' to-night and went strite daown afore we'd had a bloomin' charnce to s'y 'So long, gen'lemen all.'"

He laughed as he spoke, but when, just at that moment, a pan clattered in the galley, he jumped suddenly with an oath, and looked hard about the cabin.

Then Strokher confessed to a sense of distress also. He'd been having it since day before yesterday, it seemed.

"And I put it to you the glass is lovely," he said, "so it's no blow. I guess," he continued, "we're all a bit seedy and ship-sore."

And whether or not this talk worked upon my own nerves, or whether in very truth the Feel of the Sea had found me also, I do not know; but I do know that after dinner that night, just before going to bed, a queer sense of apprehension came upon me, and that when I had come to my stateroom, after my turn upon deck, I became furiously angry with nobody in particular, because I could not at once find the matches. But here was a difference. The other man had been merely vaguely uncomfortable.

I could put a name to my uneasiness. I felt that we were being watched.

* * * * *

It was a strange ship's company we made after that. I speak only of the Crows and myself. We carried a scant crew of stokers, and there was also a chief engineer. But we saw so little of him that he did not count. The Crows and I gloomed on the quarterdeck from dawn to dark, silent, irritable, working upon each other's nerves till the creak of a block would make a man jump like cold steel laid to his flesh. We quarreled over absolute nothings, glowered at each other for half a word, and each one of us, at different times, was at some pains to declare that never in the course of his career had he been associated with such a disagreeable trio of brutes. Yet we were always together, and sought each other's company with painful insistence.

Only once were we all agreed, and that was when the cook, a Chinaman, spoiled a certain batch of biscuits. Unanimously we fell foul of the creature with so much vociferation as fishwives till he fled the cabin in actual fear of mishandling, leaving us suddenly seized with noisy hilarity—for the first time in a week. Hardenberg proposed a round of drinks from our single remaining case of beer. We stood up and formed an Elk's chain and then drained our glasses to each other's health with profound seriousness.

That same evening, I remember, we all sat on the quarterdeck till late and—oddly enough—related each one his life's history up to date; and then went down to the cabin for a game of euchre before turning in.

We had left Strokher on the bridge—it was his watch—and had forgotten all about him in the interest of the game, when—I suppose it was about one in the morning—I heard him whistle long and shrill. I laid down my cards and said:

"Hark!"

In the silence that followed we heard at first only the muffled lope of our engines, the cadenced snorting of the exhaust, and the ticking of Hardenberg's big watch in his waistcoat that he had hung by the arm-hole to the back of his chair. Then from the bridge, above our deck, prolonged, intoned—a wailing cry in the night—came Strokher's voice:

"Sail oh-h-h."

And the cards fell from our hands, and, like men turned to stone, we sat looking at each other across the soiled red cloth for what seemed an immeasurably long minute.

Then stumbling and swearing, in a hysteria of hurry, we gained the deck.

There was a moon, very low and reddish, but no wind. The sea beyond the taffrail was as smooth as lava, and so still that the swells from the cutwater of the Glarus did not break as they rolled away from the bows.

I remember that I stood staring and blinking at the empty ocean—where the moonlight lay like a painted stripe reaching to the horizon—stupid and frowning, till Hardenberg, who had gone on ahead, cried:

"Not here—on the bridge!"

We joined Strokher, and as I came up the others were asking:

"Where? Where?"

And there, before he had pointed, I saw—we all of us saw—And I heard Hardenberg's teeth come together like a spring trap, while Ally Bazan ducked as though to a blow, muttering:

"Gord 'a' mercy, what nyme do ye put to' a ship like that?"

And after that no one spoke for a long minute, and we stood there, moveless black shadows, huddled together for the sake of the blessed elbow touch that means so incalculably much, looking off over our port quarter.

For the ship that we saw there—oh, she was not a half-mile distant—was unlike any ship known to present day construction.

She was short, and high-pooped, and her stern, which was turned a little toward us, we could see, was set with curious windows, not unlike a house. And on either side of this stern were two great iron cressets such as once were used to burn signal-fires in. She had three masts with mighty yards swung 'thwart ship, but bare of all sails save a few rotting streamers. Here and there about her a tangled mass of rigging drooped and sagged.

And there she lay, in the red eye of the setting moon, in that solitary ocean, shadowy, antique, forlorn, a thing the most abandoned, the most sinister I ever remember to have seen.

Then Strokher began to explain volubly and with many repetitions.

"A derelict, of course. I was asleep; yes, I was asleep. Gross neglect of duty. I say I was asleep—on watch. And we worked up to her. When I woke, why—you see, when I woke, there she was," he gave a weak little laugh, "and—and now, why, there she is, you see. I turned around and saw her sudden like—when I woke up, that is."

He laughed again, and as he laughed the engines far below our feet gave a sudden hiccough. Something crashed and struck the ship's sides till we lurched as we stood. There was a shriek of steam, a shout—and then silence.

The noise of the machinery ceased; the Glarus slid through the still water, moving only by her own decreasing momentum.

Hardenberg sang, "Stand by!" and called down the tube to the engine-room.

"What's up?"

I was standing close enough to him to hear the answer in a small, faint voice:

"Shaft gone, sir."

"Broke?"

"Yes, sir."

Hardenberg faced about.

"Come below. We must talk." I do not think any of us cast a glance at the Other Ship again. Certainly I kept my eyes away from her. But as we started down the companion-way I laid my hand on Strokher's shoulder. The rest were ahead. I looked him straight between the eyes as I asked:

"Were you asleep? Is that why you saw her so suddenly?"

It is now five years since I asked the question. I am still waiting for

Strokher's answer.

Well, our shaft was broken. That was flat. We went down into the engine-room and saw the jagged fracture that was the symbol of our broken hopes. And in the course of the next five minutes' conversation with the chief we found that, as we had not provided against such a contingency, there was to be no mending of it. We said nothing about the mishap coinciding with the appearance of the Other Ship. But I know we did not consider the break with any degree of surprise after a few moments.

We came up from the engine-room and sat down to the cabin table.

"Now what?" said Hardenberg, by way of beginning.

Nobody answered at first.

It was by now three in the morning. I recall it all perfectly. The ports opposite where I sat were open and I could see. The moon was all but full set. The dawn was coming up with a copper murkiness over the edge of the world. All the stars were yet out. The sea, for all the red moon and copper dawn, was gray, and there, less than half a mile away, still lay our consort. I could see her through the portholes with each slow careening of the Glarus.

"I vote for the island," cried Ally Bazan, "shaft or no shaft. We rigs a bit o' syle, y'know——" and thereat the discussion began.

For upward of two hours it raged, with loud words and shaken forefingers, and great noisy bangings of the table, and how it would have ended I do not know, but at last—it was then maybe five in the morning—the lookout passed word down to the cabin:

"Will you come on deck, gentlemen?" It was the mate who spoke, and the man was shaken—I could see that—to the very vitals of him. We started and stared at one another, and I watched little Ally Bazan go slowly white to the lips. And even then no word of the ship, except as it might be this from Hardenberg:

"What is it? Good God Almighty, I'm no coward, but this thing is getting one too many for me."

Then without further speech he went on deck.

The air was cool. The sun was not yet up. It was that strange, queer mid-period between dark and dawn, when the night is over and the day not yet come, just the gray that is neither light nor dark, the dim dead blink as of the refracted light from extinct worlds.

We stood at the rail. We did not speak; we stood watching. It was so still that the drip of steam from some loosened pipe far below was plainly audible, and it sounded in that lifeless, silent grayness like—God knows what—a death tick.

"You see," said the mate, speaking just above a whisper, "there's no mistake about it. She is moving—this way."

"Oh, a current, of course," Strokher tried to say cheerfully, "sets her toward us."

Would the morning never come?

Ally Bazan—his parents were Catholic—began to mutter to himself.

Then Hardenberg spoke aloud.

"I particularly don't want—that—out—there—to cross our bows. I don't want it to come to that. We must get some sails on her."

"And I put it to you as man to man," said Strokher, "where might be your wind."

He was right. The Glarus floated in absolute calm. On all that slab of ocean nothing moved but the Dead Ship.

She came on slowly; her bows, the high, clumsy bows pointed toward us, the water turning from her forefoot. She came on; she was near at hand. We saw her plainly—saw the rotted planks, the crumbling rigging, the rust-corroded metal-work, the broken rail, the gaping deck, and I could imagine that the clean water broke away from her sides in refluent wavelets as though in recoil from a thing unclean. She made no sound. No single thing stirred aboard the hulk of her—but she moved.

We were helpless. The Glarus could stir no boat in any direction; we were chained to the spot. Nobody had thought to put out our lights, and they still burned on through the dawn, strangely out of place in their red-and-green garishness, like maskers surprised by daylight.

And in the silence of that empty ocean, in that queer half-light between dawn and day, at six o'clock, silent as the settling of the dead to the bottomless bottom of the ocean, gray as fog, lonely, blind, soulless, voiceless, the Dead Ship crossed our bows.

I do not know how long after this the Ship disappeared, or what was the time of day when we at last pulled ourselves together. But we came to some sort of decision at last. This was to go on—under sail. We were too close to the island now to turn back for—for a broken shaft.

The afternoon was spent fitting on the sails to her, and when after nightfall the wind at length came up fresh and favourable, I believe we all felt heartened and a deal more hardy—until the last canvas went aloft, and Hardenberg took the wheel.

We had drifted a good deal since the morning, and the bows of the Glarus were pointed homeward, but as soon as the breeze blew strong enough to get steerageway Hardenberg put the wheel over and, as the booms swung across the deck, headed for the island again.

We had not gone on this course half an hour—no, not twenty minutes—before the wind shifted a whole quarter of the compass and took the Glarus square in the teeth, so that there was nothing for it but to tack. And then the strangest thing befell.

I will make allowance for the fact that there was no centre-board nor keel to speak of to the Glarus. I will admit that the sails upon a nine-hundred-ton freighter are not calculated to speed her, nor steady her. I will even admit the possibility of a current that set from the island toward us. All this may be true, yet the Glarus should have advanced. We should have made a wake.

And instead of this, our stolid, steady, trusty old boat was—what shall

I say?

I will say that no man may thoroughly understand a ship—after all. I will say that new ships are cranky and unsteady; that old and seasoned ships have their little crochets, their little fussinesses that their skippers must learn and humour if they are to get anything out of them; that even the best ships may sulk at times, shirk their work, grow unstable, perverse, and refuse to answer helm and handling. And I will say that some ships that for years have sailed blue water as soberly and as docilely as a street-car horse has plodded the treadmill of the 'tween-tracks, have been known to balk, as stubbornly and as conclusively as any old Bay Billy that ever wore a bell. I know this has happened, because I have seen it. I saw, for instance, the Glarus do it.

Quite literally and truly we could do nothing with her. We will say, if you like, that that great jar and wrench when the shaft gave way shook her and crippled her. It is true, however, that whatever the cause may have been, we could not force her toward the island. Of course, we all said "current"; but why didn't the log-line trail?

For three days and three nights we tried it. And the Glarus heaved and plunged and shook herself just as you have seen a horse plunge and rear when his rider tries to force him at the steam-roller.

I tell you I could feel the fabric of her tremble and shudder from bow to stern-post, as though she were in a storm; I tell you she fell off from the wind, and broad-on drifted back from her course till the sensation of her shrinking was as plain as her own staring lights and a thing pitiful to see.

We roweled her, and we crowded sail upon her, and we coaxed and bullied and humoured her, till the Three Crows, their fortune only a plain sail two days ahead, raved and swore like insensate brutes, or shall we say like mahouts trying to drive their stricken elephant upon the tiger—and all to no purpose. "Damn the damned current and the damned luck and the damned shaft and all," Hardenberg would exclaim, as from the wheel he would catch the Glarus falling off. "Go on, you old hooker—you tub of junk! My God, you'd think she was scared!"

Perhaps the Glarus was scared, perhaps not; that point is debatable.

But it was beyond doubt of debate that Hardenberg was scared.

A ship that will not obey is only one degree less terrible than a mutinous crew. And we were in a fair way to have both. The stokers, whom we had impressed into duty as A.B.'s, were of course superstitious; and they knew how the Glarus was acting, and it was only a question of time before they got out of hand.

That was the end. We held a final conference in the cabin and decided that there was no help for it—we must turn back.

And back we accordingly turned, and at once the wind followed us, and the "current" helped us, and the water churned under the forefoot of the Glarus, and the wake whitened under her stern, and the log-line ran out from the trail and strained back as the ship worked homeward.

We had never a mishap from the time we finally swung her about; and, considering the circumstances, the voyage back to San Francisco was propitious.

But an incident happened just after we had started back. We were perhaps some five miles on the homeward track. It was early evening and Strokher had the watch. At about seven o'clock he called me up on the bridge.

"See her?" he said.

And there, far behind us, in the shadow of the twilight, loomed the Other Ship again, desolate, lonely beyond words. We were leaving her rapidly astern. Strokher and I stood looking at her till she dwindled to a dot. Then Strokher said:

"She's on post again."

And when months afterward we limped into the Golden Gate and cast anchor off the "Front" our crew went ashore as soon as discharged, and in half a dozen hours the legend was in every sailors' boarding-house and in every seaman's dive, from Barbary Coast to Black Tom's.

It is still there, and that is why no pilot will take the Glarus out, no captain will navigate her, no stoker feed her fires, no sailor walk her decks. The Glarus is suspect. She will never smell blue water again, nor taste the trades. She has seen a Ghost.

THE GHOST IN THE CROSSTREES

I

Cyrus Ryder, the President of the South Pacific Exploitation Company, had at last got hold of a "proposition"—all Ryder's schemes were, in his vernacular, "propositions"—that was not only profitable beyond precedent or belief, but that also was, wonderful to say, more or less legitimate. He had got an "island." He had not discovered it. Ryder had not felt a deck under his shoes for twenty years other than the promenade deck of the ferry-boat San Rafael, that takes him home to Berkeley every evening after "business hours." He had not discovered it, but "Old Rosemary," captain of the barkentine Scottish Chief, of Blyth, had done that very thing, and, dying before he was able to perfect the title, had made over his interest in it to his best friend and old comrade, Cyrus Ryder.

"Old Rosemary," I am told, first landed on the island—it is called

Paa—in the later '60's.

He established its location and took its latitude and longitude, but as minutes and degrees mean nothing to the lay reader, let it be said that the Island of Paa lies just below the equator, some 200 miles west of the Gilberts and 1,600 miles due east from Brisbane, in Australia. It is six miles long, three wide, and because of the prevailing winds and precipitous character of the coast can only be approached from the west during December and January.

"Old Rosemary" landed on the island, raised the American flag, had the crew witness the document by virtue of which he made himself the possessor, and then, returning to San Francisco, forwarded to the Secretary of State, at Washington, application for title. This was withheld till it could be shown that no other nation had a prior claim. While "Old Rosemary" was working out the proof, he died, and the whole matter was left in abeyance till Cyrus Ryder took it up. By then there was a new Secretary in Washington and times were changed, so that the Government of Ryder's native land was not so averse toward acquiring Eastern possessions. The Secretary of State wrote to Ryder to say that the application would be granted upon furnishing a bond for $50,000; and you may believe that the bond was forthcoming.

For in the first report upon Paa, "Old Rosemary" had used the magic word "guano."

He averred, and his crew attested over their sworn statements, that Paa was covered to an average depth of six feet with the stuff, so that this last and biggest of "Cy" Ryder's propositions was a vast slab of an extremely marketable product six feet thick, three miles wide and six miles long.

But no sooner had the title been granted when there came a dislocation in the proceedings that until then had been going forward so smoothly. Ryder called the Three Black Crows to him at this juncture, one certain afternoon in the month of April. They were his best agents. The plums that the "Company" had at its disposal generally went to the trio, and if any man could "put through" a dangerous and desperate piece of work, Strokher, Hardenberg and Ally Bazan were those men.

Of late they had been unlucky, and the affair of the contraband arms, which had ended in failure of cataclysmic proportions, yet rankled in Ryder's memory, but he had no one else to whom he could intrust the present proposition and he still believed Hardenberg to be the best boss on his list.

If Paa was to be fought for, Hardenberg, backed by Strokher and Ally Bazan, was the man of all men for the job, for it looked as though Ryder would not get the Island of Paa without a fight after all, and nitrate beds were worth fighting for.

"You see, boys, it's this way," Ryder explained to the three as they sat around the spavined table in the grimy back room of Ryder's "office." "It's this way. There's a scoovy after Paa, I'm told; he says he was there before 'Rosemary,' which is a lie, and that his Gov'ment has given him title. He's got a kind of dough-dish up Portland way and starts for Paa as soon as ever he kin fit out. He's got no title, in course, but if he gits there afore we do and takes possession it'll take fifty years o' lawing an' injunctioning to git him off. So hustle is the word for you from the word 'go.' We got a good start o' the scoovy. He can't put to sea within a week, while over yonder in Oakland Basin there's the Idaho Lass, as good a schooner, boys, as ever wore paint, all ready but to fit her new sails on her. Ye kin do it in less than no time. The stores will be goin' into her while ye're workin', and within the week I expect to see the Idaho Lass showing her heels to the Presidio. You see the point now, boys. If ye beat the scoovy—his name is Petersen, and his boat is called the Elftruda—we're to the wind'ard of a pretty pot o' money. If he gets away before you do—well, there's no telling; we prob'ly lose the island."

II

About ten days before the morning set for their departure I went over to the Oakland Basin to see how the Three Black Crows were getting on.

Hardenberg welcomed me as my boat bumped alongside, and extending a great tarry paw, hauled me over the rail. The schooner was a wilderness of confusion, with the sails covering, apparently, nine-tenths of the decks, the remaining tenth encumbered by spars, cordage, tangled rigging, chains, cables and the like, all helter-skeltered together in such a haze of entanglements that my heart misgave me as I looked on it. Surely order would not issue from this chaos in four days' time with only three men to speed the work.

But Hardenberg was reassuring, and little Ally Bazan, the colonial, told me they would "snatch her shipshape in the shorter end o' two days, if so be they must."

I stayed with the Three Crows all that day and shared their dinner with them on the quarterdeck when, wearied to death with the strain of wrestling with the slatting canvas and ponderous boom, they at last threw themselves upon the hamper of "cold snack" I had brought off with me and pledged the success of the venture in tin dippers full of Pilsener.

"And I'm thinking," said Ally Bazan, "as 'ow ye might as well turn in along o' us on board 'ere, instead o' hykin' back to town to-night. There's a fairish set o' currents up and daown 'ere about this time o' dye, and ye'd find it a stiff bit o' rowing."

"We'll sling a hammick for you on the quarterdeck, m'son," urged

Hardenberg.

And so it happened that I passed my first night aboard the Idaho Lass.

We turned in early. The Three Crows were very tired, and only Ally Bazan and I were left awake at the time when we saw the 8:30 ferryboat negotiating for her slip on the Oakland side. Then we also went to bed.

And now it becomes necessary, for a better understanding of what is to follow, to mention with some degree of particularization the places and manners in which my three friends elected to take their sleep, as well as the condition and berth of the schooner Idaho Lass.

Hardenberg slept upon the quarterdeck, rolled up in an army blanket and a tarpaulin. Strokher turned in below in the cabin upon the fixed lounge by the dining-table, while Ally Bazan stretched himself in one of the bunks in the fo'c's'le.

As for the location of the schooner, she lay out in the stream, some three or four cables' length off the yards and docks of a ship-building concern. No other ship or boat of any description was anchored nearer than at least 300 yards. She was a fine, roomy vessel, three-masted, about 150 feet in length overall. She lay head up stream, and from where I lay by Hardenberg on the quarterdeck I could see her tops sharply outlined against the sky above the Golden Gate before I went to sleep.

I suppose it was very early in the morning—nearer two than three—when I awoke. Some movement on the part of Hardenberg—as I afterward found out—had aroused me. But I lay inert for a long minute trying to find out why I was not in my own bed, in my own home, and to account for the rushing, rippling sound of the tide eddies sucking and chuckling around the Lass's rudder-post.

Then I became aware that Hardenberg was awake. I lay in my hammock, facing the stern of the schooner, and as Hardenberg had made up his bed between me and the wheel he was directly in my line of vision when I opened my eyes, and I could see him without any other movement than that of raising the eyelids. Just now, as I drifted more and more into wakefulness, I grew proportionately puzzled and perplexed to account for a singularly strange demeanour and conduct on the part of my friend.

He was sitting up in his place, his knees drawn up under the blanket, one arm thrown around both, the hand of the other arm resting on the neck and supporting the weight of his body. He was broad awake. I could see the green shine of our riding lantern in his wide-open eyes, and from time to time I could hear him muttering to himself, "What is it? What is it? What the devil is it, anyhow?" But it was not his attitude, nor the fact of his being so broad awake at the unseasonable hour, nor yet his unaccountable words, that puzzled me the most. It was the man's eyes and the direction in which they looked that startled me.

His gaze was directed not upon anything on the deck of the boat, nor upon the surface of the water near it, but upon something behind me and at a great height in the air. I was not long in getting myself broad awake.

III

I rolled out on the deck and crossed over to where Hardenberg sat huddled in his blankets.

"What the devil—" I began.

He jumped suddenly at the sound of my voice, then raised an arm and pointed toward the top of the foremast.

"D'ye see it?" he muttered. "Say, huh? D'ye see it? I thought I saw it last night, but I wasn't sure. But there's no mistake now. D'ye see it, Mr. Dixon?"

I looked where he pointed. The schooner was riding easily to anchor, the surface of the bay was calm, but overhead the high white sea-fog was rolling in. Against it the foremast stood out like the hand of an illuminated town clock, and not a detail of its rigging that was not as distinct as if etched against the sky.

And yet I saw nothing.

"Where?" I demanded, and again and again "where?"

"In the crosstrees," whispered Hardenberg. "Ah, look there."

He was right. Something was stirring there, something that I had mistaken for the furled tops'l. At first it was but a formless bundle, but as Hardenberg spoke it stretched itself, it grew upright, it assumed an erect attitude, it took the outlines of a human being. From head to heel a casing housed it in, a casing that might have been anything at that hour of the night and in that strange place—a shroud, if you like, a winding-sheet—anything; and it is without shame that I confess to a creep of the most disagreeable sensation I have ever known as I stood at Hardenberg's side on that still, foggy night and watched the stirring of that nameless, formless shape standing gaunt and tall and grisly and wrapped in its winding-sheet upon the crosstrees of the foremast of the Idaho Lass.

We watched and waited breathless for an instant. Then the creature on the foremast laid a hand upon the lashings of the tops'l and undid them. Then it turned, slid to the deck by I know not what strange process, and, still hooded, still shrouded, still lapped about by its mummy-wrappings, seized a rope's end. In an instant the jib was set and stood on hard and billowing against the night wind. The tops'l followed. Then the figure moved forward and passed behind the companionway of the fo'c's'le.

We looked for it to appear upon the other side, but looked in vain. We saw it no more that night.

What Hardenberg and I told each other between the time of the disappearing and the hour of breakfast I am now ashamed to recall. But at last we agreed to say nothing to the others—for the time being. Just after breakfast, however, we two had a few words by the wheel on the quarterdeck. Ally Bazan and Strokher were forward.

"The proper thing to do," said I—it was a glorious, exhilarating morning, and the sunlight was flooding every angle and corner of the schooner—"the proper thing to do is to sleep on deck by the foremast to-night with our pistols handy and interview the—party if it walks again."

"Oh, yes," cried Hardenberg heartily. "Oh, yes; that's the proper thing. Of course it is. No manner o' doubt about that, Mr. Dixon. Watch for the party—yes, with pistols. Of course it's the proper thing. But I know one man that ain't going to do no such thing."

"Well," I remember to have said reflectively, "well—I guess I know another."

But for all our resolutions to say nothing to the others about the night's occurrences, we forgot that the tops'l and jib were both set and both drawing.

"An' w'at might be the bloomin' notion o' setting the bloomin' kite and jib?" demanded Ally Bazan not half an hour after breakfast. Shamelessly Hardenberg, at a loss for an answer, feigned an interest in the grummets of the life-boat cover and left me to lie as best I might.

But it is not easy to explain why one should raise the sails of an anchored ship during the night, and Ally Bazan grew very suspicious. Strokher, too, had something to say, and in the end the whole matter came out.

Trust a sailor to give full value to anything savouring of the supernatural. Strokher promptly voted the ship a "queer old hooker anyhow, and about as seaworthy as a hen-coop." He held forth at great length upon the subject.

"You mark my words, now," he said. "There's been some fishy doin's in this 'ere vessel, and it's like somebody done to death crool hard, an' 'e wants to git away from the smell o' land, just like them as is killed on blue water. That's w'y 'e takes an' sets the sails between dark an' dawn."

But Ally Bazan was thoroughly and wholly upset, so much so that at first he could not speak. He went pale and paler while we stood talking it over, and crossed himself—he was a Catholic—furtively behind the water-butt.

"I ain't never 'a' been keen on ha'nts anyhow, Mr. Dixon," he told me aggrievedly at dinner that evening. "I got no use for 'em. I ain't never known any good to come o' anything with a ha'nt tagged to it, an' we're makin' a ill beginnin' o' this island business, Mr. Dixon—a blyme ill beginnin'. I mean to stye awyke to-night."

But if he was awake the little colonial was keeping close to his bunk at the time when Strokher and Hardenberg woke me at about three in the morning.

I rolled out and joined them on the quarterdeck and stood beside them watching. The same figure again towered, as before, gray and ominous in the crosstrees. As before, it set the tops'l; as before, it came down to the deck and raised the jib; as before, it passed out of sight amid the confusion of the forward deck.

But this time we all ran toward where we last had seen it, stumbling over the encumbered decks, jostling and tripping, but keeping wonderfully close together. It was not twenty seconds from the time the creature had disappeared before we stood panting upon the exact spot we had last seen it. We searched every corner of the forward deck in vain. We looked over the side. The moon was up. This night there was no fog. We could see for miles each side of us, but never a trace of a boat was visible, and it was impossible that any swimmer could have escaped the merciless scrutiny to which we subjected the waters of the bay in every direction.

Hardenberg and I dived down into the fo'c's'le. Ally Bazan was sound asleep in his bunk and woke stammering, blinking and bewildered by the lantern we carried.

"I sye," he cried, all at once scrambling up and clawing at our arms, "D'd the bally ha'nt show up agyne?" And as we nodded he went on more aggrievedly than ever—"Oh, I sye, y' know, I daon't like this. I eyen't shipping in no bloomin' 'ooker wot carries a ha'nt for supercargo. They waon't no good come o' this cruise—no, they waon't. It's a sign, that's wot it is. I eyen't goin' to buck again no signs—it eyen't human nature, no it eyen't. You mark my words, 'Bud' Hardenberg, we clear this port with a ship wot has a ha'nt an' we waon't never come back agyne, my hearty."

That night he berthed aft with us on the quarterdeck, but though we stood watch and watch till well into the dawn, nothing stirred about the foremast. So it was the next night, and so the night after that. When three successive days had passed without any manifestation the keen edge of the business became a little blunted and we declared that an end had been made.

Ally Bazan returned to his bunk in the fo'c's'le on the fourth night, and the rest of us slept the hours through unconcernedly.

But in the morning there were the jib and tops'l set and drawing as before.

IV

After this we began experimenting—on Ally Bazan. We bunked him forward and we bunked him aft, for some one had pointed out that the "ha'nt" walked only at the times when the colonial slept in the fo'c's'le. We found this to be true. Let the little fellow watch on the quarterdeck with us and the night passed without disturbance. As soon as he took up his quarters forward the haunting recommenced. Furthermore, it began to appear that the "ha'nt" carefully refrained from appearing to him. He of us all had never seen the thing. He of us all was spared the chills and the harrowings that laid hold upon the rest of us during these still gray hours after midnight when we huddled on the deck of the Idaho Lass and watched the sheeted apparition in the rigging; for by now there was no more charging forward in attempts to run the ghost down. We had passed that stage long since.

But so far from rejoicing in this immunity or drawing courage therefrom, Ally Bazan filled the air with his fears and expostulations. Just the fact that he was in some way differentiated from the others—that he was singled out, if only for exemption—worked upon him. And that he was unable to scale his terrors by actual sight of their object excited them all the more.

And there issued from this a curious consequence. He, the very one who had never seen the haunting, was also the very one to unsettle what little common sense yet remained to Hardenberg and Strokher. He never allowed the subject to be ignored—never lost an opportunity of referring to the doom that o'erhung the vessel. By the hour he poured into the ears of his friends lugubrious tales of ships, warned as this one was, that had cleared from port, never to be seen again. He recalled to their minds parallel incidents that they themselves had heard; he foretold the fate of the Idaho Lass when the land should lie behind and she should be alone in midocean with this horrid supercargo that took liberties with the rigging, and at last one particular morning, two days before that which was to witness the schooner's departure, he came out flatfooted to the effect that "Gaw-blyme him, he couldn't stand the gaff no longer, no he couldn't, so help him, that if the owners were wishful for to put to sea" (doomed to some unnamable destruction) "he for one wa'n't fit to die, an' was going to quit that blessed day." For the sake of appearances, Hardenberg and Strokher blustered and fumed, but I could hear the crack in Strokher's voice as plain as in a broken ship's bell. I was not surprised at what happened later in the day, when he told the others that he was a very sick man. A congenital stomach trouble, it seemed—or was it liver complaint—had found him out again. He had contracted it when a lad at Trincomalee, diving for pearls; it was acutely painful, it appeared. Why, gentlemen, even at that very moment, as he stood there talking—Hi, yi! O Lord !—talking, it was a-griping of him something uncommon, so it was. And no, it was no manner of use for him to think of going on this voyage; sorry he was, too, for he'd made up his mind, so he had, to find out just what was wrong with the foremast, etc.

And thereupon Hardenberg swore a great oath and threw down the capstan bar he held in his hand.

"Well, then," he cried wrathfully, "we might as well chuck up the whole business. No use going to sea with a sick man and a scared man."

"An' there's the first word o' sense," cried Ally Bazan, "I've heard this long day. 'Scared,' he says; aye, right ye are, me bully."

"It's Cy Rider's fault," the three declared after a two-hours' talk. "No business giving us a schooner with a ghost aboard. Scoovy or no scoovy, island or no island, guano or no guano, we don't go to sea in the haunted hooker called the Idaho Lass."

No more they did. On board the schooner they had faced the supernatural with some kind of courage born of the occasion. Once on shore, and no money could hire, no power force them to go aboard a second time.

The affair ended in a grand wrangle in Cy Rider's back office, and just twenty-four hours later the bark Elftruda, Captain Jens Petersen, cleared from Portland, bound for "a cruise to South Pacific ports—in ballast."

* * * * *

Two years after this I took Ally Bazan with me on a duck-shooting excursion in the "Toolies" back of Sacramento, for he is a handy man about a camp and can row a boat as softly as a drifting cloud.

We went about in a cabin cat of some thirty feet over all, the rowboat towing astern. Sometimes we did not go ashore to camp, but slept aboard. On the second night of this expedient I woke in my blankets on the floor of the cabin to see the square of gray light that stood for the cabin door darkened by—it gave me the same old start—a sheeted figure. It was going up the two steps to the deck. Beyond question it had been in the cabin. I started up and followed it. I was too frightened not to—if you can see what I mean. By the time I had got the blankets off and had thrust my head above the level of the cabin hatch the figure was already in the bows, and, as a matter of course, hoisting the jib.

I thought of calling Ally Bazan, who slept by me on the cabin floor, but it seemed to me at the time that if I did not keep that figure in sight it would elude me again, and, besides, if I went back in the cabin I was afraid that I would bolt the door and remain under the bedclothes till morning. I was afraid to go on with the adventure, but I was much more afraid to go back.

So I crept forward over the deck of the sloop. The "ha'nt" had its back toward me, fumbling with the ends of the jib halyards. I could hear the creak of new ropes as it undid the knot, and the sound was certainly substantial and commonplace. I was so close by now that I could see every outline of the shape. It was precisely as it had appeared on the crosstrees of the Idaho, only, seen without perspective, and brought down to the level of the eye, it lost its exaggerated height.

It had been kneeling upon the deck. Now, at last, it rose and turned about, the end of the halyards in its hand. The light of the earliest dawn fell squarely on the face and form, and I saw, if you please, Ally Bazan himself. His eyes were half shut, and through his open lips came the sound of his deep and regular breathing.

At breakfast the next morning I asked, "Ally Bazan, did you ever walk in your sleep."

"Aye," he answered, "years ago, when I was by wye o' being a lad, I used allus to wrap the bloomin' sheets around me. An' crysy things I'd do the times. But the 'abit left me when I grew old enough to tyke me whisky strite and have hair on me fyce."

I did not "explain away" the ghost in the crosstrees either to Ally Bazan or to the other two Black Crows. Furthermore, I do not now refer to the Island of Paa in the hearing of the trio. The claims and title of Norway to the island have long since been made good and conceded—even by the State Department at Washington—and I understand that Captain Petersen has made a very pretty fortune out of the affair.

THE RIDING OF FELIPE

I. FELIPE

As young Felipe Arillaga guided his pony out of the last intricacies of Pacheco Pass, he was thinking of Rubia Ytuerate and of the scene he had had with her a few days before. He reconstructed it now very vividly. Rubia had been royally angry, and as she had stood before him, her arms folded and her teeth set, he was forced to admit that she was as handsome a woman as could be found through all California.

There had been a time, three months past, when Felipe found no compulsion in the admission, for though betrothed to Buelna Martiarena he had abruptly conceived a violent infatuation for Rubia, and had remained a guest upon her rancho many weeks longer than he had intended.

For three months he had forgotten Buelna entirely. At the end of that time he had remembered her—had awakened to the fact that his infatuation for Rubia was infatuation, and had resolved to end the affair and go back to Buelna as soon as it was possible.

But Rubia was quick to notice the cooling of his passion. First she fixed him with oblique suspicion from under her long lashes, then avoided him, then kept him at her side for days together. Then at last—his defection unmistakable—turned on him with furious demands for the truth.

Felipe had snatched occasion with one hand and courage with the other.

"Well," he had said, "well, it is not my fault. Yes, it is the truth. It is played out."

He had not thought it necessary to speak of Buelna; but Rubia divined the other woman.

"So you think you are to throw me aside like that. Ah, it is played out, is it, Felipe Arillaga? You listen to me. Do not fancy for one moment you are going back to an old love, or on to a new one. You listen to me," she had cried, her fist over her head. "I do not know who she is, but my curse is on her, Felipe Arillaga. My curse is on her who next kisses you. May that kiss be a blight to her. From that moment may evil cling to her, bad luck follow her; may she love and not be loved; may friends desert her, enemies beset her, her sisters shame her, her brothers disown her, and those whom she has loved abandon her. May her body waste as your love for me has wasted; may her heart be broken as your promises to me have been broken; may her joy be as fleeting as your vows, and her beauty grow as dim as your memory of me. I have said it."

[Illustration: "'My Curse Is On Her Who Next Kisses You'"]

"So be it!" Felipe had retorted with vast nonchalance, and had flung out from her presence to saddle his pony and start back to Buelna.

But Felipe was superstitious. He half believed in curses, had seen two-headed calves born because of them, and sheep stampeded over cliffs for no other reason.

Now, as he drew out of Pacheco Pass and came down into the valley the idea of Rubia and her curse troubled him. At first, when yet three days' journey from Buelna, it had been easy to resolve to brave it out. But now he was already on the Rancho Martiarena (had been traveling over it for the last ten hours, in fact), and in a short time would be at the hacienda of Martiarena, uncle and guardian of Buelna. He would see Buelna, and she, believing always in his fidelity, would expect to kiss him.

"Well, this is to be thought about," murmured Felipe uneasily. He touched up the pony with one of his enormous spurs.

"Now I know what I will do," he thought. "I will go to San Juan Bautista and confess and be absolved, and will buy candles. Then afterward will go to Buelna."

He found the road that led to the Mission and turned into it, pushing forward at a canter. Then suddenly at a sharp turning reined up just in time to avoid colliding with a little cavalcade.

He uttered an exclamation under his breath.

At the head of the cavalcade rode old Martiarena himself, and behind him came a peon or two, then Manuela, the aged housekeeper and—after a fashion—duenna. Then at her side, on a saddle of red leather with silver bosses, which was cinched about the body of a very small white burro, Buelna herself.

She was just turned sixteen, and being of the best blood of the mother kingdom (the strain dating back to the Ostrogothic invasion), was fair. Her hair was blond, her eyes blue-gray, her eyebrows and lashes dark brown, and as he caught sight of her Felipe wondered how he ever could have believed the swarthy Rubia beautiful.

There was a jubilant meeting. Old Martiarena kissed both his cheeks, patting him on the back.

"Oh, ho!" he cried. "Once more back. We have just returned from the feast of the Santa Cruz at the Mission, and Buelna prayed for your safe return. Go to her, boy. She has waited long for this hour."

Felipe, his eyes upon those of his betrothed, advanced. She was looking at him and smiling. As he saw the unmistakable light in her blue eyes, the light he knew she had kept burning for him alone, Felipe could have abased himself to the very hoofs of her burro. Could it be possible he had ever forgotten her for such a one as Rubia—have been unfaithful to this dear girl for so much as the smallest fraction of a minute?

"You are welcome, Felipe," she said. "Oh, very, very welcome." She gave him her hand and turned her face to his. But it was her hand and not her face the young man kissed. Old Martiarena, who looked on, shook with laughter.

"Hoh! a timid lover this," he called. "We managed different when I was a lad. Her lips, Felipe. Must an old man teach a youngster gallantry?"

Buelna blushed and laughed, but yet did not withdraw her hand nor turn her face away.

There was a delicate expectancy in her manner that she nevertheless contrived to make compatible with her native modesty. Felipe had been her acknowledged lover ever since the two were children.

"Well?" cried Martiarena as Felipe hesitated.

Even then, if Felipe could have collected his wits, he might have saved the situation for himself. But no time had been allowed him to think. Confusion seized upon him. All that was clear in his mind were the last words of Rubia. It seemed to him that between his lips he carried a poison deadly to Buelna above all others. Stupidly, brutally he precipitated the catastrophe.

"No," he exclaimed seriously, abruptly drawing his hand from Buelna's, "no. It may not be. I cannot."

Martiarena stared. Then:

"Is this a jest, señor?" he demanded. "An ill-timed one, then."

"No," answered Felipe, "it is not a jest."

"But, Felipe," murmured Buelna. "But—why—I do not understand."

"I think I begin to," cried Martiarena. "Señor, you do not," protested Felipe. "It is not to be explained. I know what you believe. On my honour, I love Buelna."

"Your actions give you the lie, then, young man. Bah! Nonsense. What fool's play is all this? Kiss him, Buelna, and have done with it."

Felipe gnawed his nails.

"Believe me, oh, believe me, Señor Martiarena, it must not be."

"Then an explanation."

For a moment Felipe hesitated. But how could he tell them the truth—the truth that involved Rubia and his disloyalty, temporary though that was. They could neither understand nor forgive. Here, indeed, was an impasse. One thing only was to be said, and he said it. "I can give you no explanation," he murmured.

But Buelna suddenly interposed.

"Oh, please," she said, pushing by Felipe, "uncle, we have talked too long. Please let us go. There is only one explanation. Is it not enough already?"

"By God, it is not!" vociferated the old man, turning upon Felipe. "Tell me what it means. Tell me what this means."

"I cannot."

"Then I will tell you!" shouted the old fellow in Felipe's face. "It means that you are a liar and a rascal. That you have played with Buelna, and that you have deceived me, who have trusted you as a father would have trusted a son. I forbid you to answer me. For the sake of what you were I spare you now. But this I will do. Off of my rancho!" he cried. "Off my rancho, and in the future pray your God, or the devil, to whom you are sold, to keep you far from me."

"You do not understand, you do not understand," pleaded Felipe, the tears starting to his eyes. "Oh, believe me, I speak the truth. I love your niece. I love Buelna. Oh, never so truly, never so devoutly as now. Let me speak to her; she will believe me."

But Buelna, weeping, had ridden on.

II. UNZAR

A fortnight passed. Soon a month had gone by. Felipe gloomed about his rancho, solitary, taciturn, siding the sheep-walks and cattle-ranges for days and nights together, refusing all intercourse with his friends. It seemed as if he had lost Buelna for good and all. At times, as the certainty of this defined itself more clearly, Felipe would fling his hat upon the ground, beat his breast, and then, prone upon his face, his head buried in his folded arms, would lie for hours motionless, while his pony nibbled the sparse alfalfa, and the jack-rabbits limping from the sage peered at him, their noses wrinkling.

But about a month after the meeting and parting with Buelna, word went through all the ranches that a hide-roger had cast anchor in Monterey Bay. At once an abrupt access of activity seized upon the rancheros. Rodeos were held, sheep slaughtered, and the great tallow-pits began to fill up.

Felipe was not behind his neighbours, and, his tallow once in hand, sent it down to Monterey, and himself rode down to see about disposing of it.

On his return he stopped at the wine shop of one Lopez Catala, on the road between Monterey and his rancho.

It was late afternoon when he reached it, and the wine shop was deserted. Outside, the California August lay withering and suffocating over all the land. The far hills were burnt to dry, hay-like grass and brittle clods. The eucalyptus trees in front of the wine shop (the first trees Felipe had seen all that day) were coated with dust. The plains of sagebrush and the alkali flats shimmered and exhaled pallid mirages, glistening like inland seas. Over all blew the trade-wind; prolonged, insistent, harassing, swooping up the red dust of the road and the white powder of the alkali beds, and flinging it—white-and-red banners in a sky of burnt-out blue—here and there about the landscape.

The wine shop, which was also an inn, was isolated, lonely, but it was comfortable, and Felipe decided to lay over there that night, then in the morning reach his rancho by an easy stage.

He had his supper—an omelet, cheese, tortillas, and a glass of wine—and afterward sat outside on a bench smoking innumerable cigarettes and watching the sun set.

While he sat so a young man of about his own age rode up from the eastward with a great flourish, and giving over his horse to the muchacho, entered the wine shop and ordered dinner and a room for the night. Afterward he came out and stood in front of the inn and watched the muchacho cleaning his horse.

Felipe, looking at him, saw that he was of his own age and about his own build—that is to say, twenty-eight or thirty, and tall and lean. But in other respects the difference was great. The stranger was flamboyantly dressed: skin-tight pantaloons, fastened all up and down the leg with round silver buttons; yellow boots with heels high as a girl's, set off with silver spurs; a very short coat faced with galloons of gold, and a very broad-brimmed and very high-crowned sombrero, on which the silver braid alone was worth the price of a good horse. Even for a Spanish Mexican his face was dark. Swart it was, the cheeks hollow; a tiny, tight mustache with ends truculently pointed and erect helped out the belligerency of the tight-shut lips. The eyes were black as bitumen, and flashed continually under heavy brows.

"Perhaps," thought Felipe, "he is a toreador from Mexico."

The stranger followed his horse to the barn, but, returning in a few moments, stood before Felipe and said:

"Señor, I have taken the liberty to put my horse in the stall occupied by yours. Your beast the muchacho turned into the corrale. Mine is an animal of spirit, and in a corrale would fight with the other horses. I rely upon the señor's indulgence."

At ordinary times he would not have relied in vain. But Felipe's nerves were in a jangle these days, and his temper, since Buelna's dismissal of him, was bitter. His perception of offense was keen. He rose, his eyes upon the stranger's eyes.

"My horse is mine," he observed. "Only my friends permit themselves liberties with what is mine."

The other smiled scornfully and drew from his belt a little pouch of gold dust.

"What I take I pay for," he remarked, and, still smiling, tendered

Felipe a few grains of the gold.

Felipe struck the outstretched palm.

"Am I a peon?" he vociferated.

"Probably," retorted the other.

"I will take pay for that word," cried Felipe, his face blazing, "but not in your money, señor."

"In that case I may give you more than you ask."

"No, by God, for I shall take all you have."

But the other checked his retort. A sudden change came over him.

"I ask the señor's pardon," he said, with grave earnestness, "for provoking him. You may not fight with me nor I with you. I speak the truth. I have made oath not to fight till I have killed one whom now I seek."

"Very well; I, too, spoke without reflection. You seek an enemy, then, señor?"

"My sister's, who is therefore mine. An enemy truly. Listen, you shall judge. I am absent from my home a year, and when I return what do I find? My sister betrayed, deceived, flouted by a fellow, a nobody, whom she received a guest in her house, a fit return for kindness, for hospitality! Well, he answers to me for the dishonour."

"Wait. Stop!" interposed Felipe. "Your name, señor."

"Unzar Ytuerate, and my enemy is called Arillaga. Him I seek and——"

"Then you shall seek no farther!" shouted Felipe. "It is to Rubia Ytuerate, your sister, whom I owe all my unhappiness, all my suffering. She has hurt not me only, but one—but——Mother of God, we waste words!" he cried. "Knife to knife, Unzar Ytuerate. I am Felipe Arillaga, and may God be thanked for the chance that brings this quarrel to my hand."

"You! You!" gasped Unzar. Fury choked him; his hands clutched and unclutched—now fists, now claws. His teeth grated sharply while a quivering sensation as of a chill crisped his flesh. "Then the sooner the better," he muttered between his set teeth, and the knives flashed in the hands of the two men so suddenly that the gleam of one seemed only the reflection of the other.

Unzar held out his left wrist.

"Are you willing?" he demanded, with a significant glance.

"And ready," returned the other, baring his forearm.

Catala, keeper of the inn, was called.

"Love of the Virgin, not here, señors. My house—the alcalde—"

"You have a strap there." Unzar pointed to a bridle hanging from a peg by the doorway. "No words; quick; do as you are told."

The two men held out their left arms till wrist touched wrist, and

Catala, trembling and protesting, lashed them together with a strap.

"Tighter," commanded Felipe; "put all your strength to it."

The strap was drawn up to another hole.

"Now, Catala, stand back," commanded Unzar, "and count three slowly. At the word 'three,' Señor Arillaga, we begin. You understand."

"I understand."

"Ready…. Count."

"One."

Felipe and Unzar each put his right hand grasping the knife behind his back as etiquette demanded.

"Two."

They strained back from each other, the full length of their left arms, till the nails grew bloodless.

"Three!" called Lopez Catala in a shaking voice.

III. RUBIA

When Felipe regained consciousness he found that he lay in an upper chamber of Catala's inn upon a bed. His shoulder, the right one, was bandaged, and so was his head. He felt no pain, only a little weak, but there was a comfortable sense of brandy at his lips, an arm supported his head, and the voice of Rubia Ytuerate spoke his name. He sat up on a sudden.

"Rubia, you!" he cried. "What is it? What happened? Oh, I remember, Unzar—we fought. Oh, my God, how we fought! But you——What brought you here?"

"Thank Heaven," she murmured, "you are better. You are not so badly wounded. As he fell he must have dragged you with him, and your head struck the threshold of the doorway."

"Is he badly hurt? Will he recover?"

"I hope so. But you are safe."

"But what brought you here?"

"Love," she cried; "my love for you. What I suffered after you had gone! Felipe, I have fought, too. Pride was strong at first, and it was pride that made me send Unzar after you. I told him what had happened. I hounded him to hunt you down. Then when he had gone my battle began. Ah, dearest, dearest, it all came back, our days together, the life we led, knowing no other word but love, thinking no thoughts that were not of each other. And love conquered. Unzar was not a week gone before I followed him—to call him back, to shield you, to save you from his fury. I came all but too late, and found you both half dead. My brother and my lover, your body across his, your blood mingling with his own. But not too late to love you back to life again. Your life is mine now, Felipe. I love you, I love you." She clasped her hands together and pressed them to her cheek. "Ah, if you knew," she cried; "if you could only look into my heart. Pride is nothing; good name is nothing; friends are nothing. Oh, it is a glory to give them all for love, to give up everything; to surrender, to submit, to cry to one's heart: 'Take me; I am as wax. Take me; conquer me; lead me wherever you will. All is well lost so only that love remains.' And I have heard all that has happened—this other one, the Señorita Buelna, how that she for bade you her lands. Let her go; she is not worthy of your love, cold, selfish——"

"Stop!" cried Felipe, "you shall say no more evil of her. It is enough."

"Felipe, you love her yet?"

"And always, always will."

"She who has cast you off; she who disdains you, who will not suffer you on her lands? And have you come to be so low, so base and mean as that?"

"I have sunk no lower than a woman who could follow after a lover who had grown manifestly cold."

"Ah," she answered sadly, "if I could so forget my pride as to follow you, do not think your reproaches can touch me now." Then suddenly she sank at the bedside and clasped his hand in both of hers. Her beautiful hair, unbound, tumbled about her shoulders; her eyes, swimming with tears, were turned up to his; her lips trembled with the intensity of her passion. In a voice low, husky, sweet as a dove's, she addressed him. "Oh, dearest, come back to me; come back to me. Let me love you again. Don't you see my heart is breaking? There is only you in all the world for me. I was a proud woman once. See now what I have brought myself to. Don't let it all be in vain. If you fail me now, think how it will be for me afterward—to know that I—I, Rubia Ytuerate, have begged the love of a man and begged in vain. Do you think I could live knowing that?" Abruptly she lost control of herself. She caught him about the neck with both her arms. Almost incoherently her words rushed from her tight-shut teeth.

"Ah, I can make you love me. I can make you love me," she cried. "You shall come back to me. You are mine, and you cannot help but come back."

"Por Dios, Rubia," he ejaculated, "remember yourself. You are out of your head."

"Come back to me; love me."

"No, no."

"Come back to me."

"No."

"You cannot push me from you," she cried, for, one hand upon her shoulder, he had sought to disengage himself. "No, I shall not let you go. You shall not push me from you! Thrust me off and I will embrace you all the closer. Yes, strike me if you will, and I will kiss you."

And with the words she suddenly pressed her lips to his.

Abruptly Felipe freed himself. A new thought suddenly leaped to his brain.

"Let your own curse return upon you," he cried. "You yourself have freed me; you yourself have broken the barrier you raised between me and my betrothed. You cursed her whose lips should next touch mine, and you are poisoned with your own venom."

He sprang from off the bed, and catching up his serape, flung it about his shoulders.

"Felipe," she cried, "Felipe, where are you going?"

"Back to Buelna," he shouted, and with the words rushed from the room. Her strength seemed suddenly to leave her. She sank lower to the floor, burying her face deep upon the pillows that yet retained the impress of him she loved so deeply, so recklessly.

Footsteps in the passage and a knocking at the door aroused her. A woman, one of the escort who had accompanied her, entered hurriedly.

"Señorita," cried this one, "your brother, the Señor Unzar, he is dying."

Rubia hurried to an adjoining room, where upon a mattress on the floor lay her brother.

"Put that woman out," he gasped as his glance met hers. "I never sent for her," he went on. "You are no longer sister of mine. It was you who drove me to this quarrel, and when I have vindicated you what do you do? Your brother you leave to be tended by hirelings, while all your thought and care are lavished on your paramour. Go back to him. I know how to die alone, but as you go remember that in dying I hated and disowned you."

He fell back upon the pillows, livid, dead.

Rubia started forward with a cry.

"It is you who have killed him," cried the woman who had summoned her. The rest of Rubia's escort, vaqueros, peons, and the old alcalde of her native village, stood about with bared heads.

"That is true. That is true," they murmured. The old alcalde stepped forward.

"Who dishonours my friend dishonours me," he said. "From this day,

Señorita Ytuerate, you and I are strangers." He went out, and one by

one, with sullen looks and hostile demeanour, Rubia's escort followed.

Their manner was unmistakable; they were deserting her.

Rubia clasped her hands over her eyes.

"Madre de Dios, Madre de Dios," she moaned over and over again. Then in a low voice she repeated her own words: "May it be a blight to her. From that moment may evil cling to her, bad luck follow her; may she love and not be loved; may friends desert her, her sisters shame her, her brothers disown her——"

There was a clatter of horse's hoofs in the courtyard.

"It is your lover," said her woman coldly from the doorway. "He is riding away from you."

"——and those," added Rubia, "whom she has loved abandon her."

IV. BELUNA

Meanwhile Felipe, hatless, bloody, was galloping through the night, his pony's head turned toward the hacienda of Martiarena. The Rancho Martiarena lay between his own rancho and the inn where he had met Rubia, so that this distance was not great. He reached it in about an hour of vigorous spurring.

The place was dark though it was as yet early in the night, and an ominous gloom seemed to hang about the house. Felipe, his heart sinking, pounded at the door, and at last aroused the aged superintendent, who was also a sort of major-domo in the household, and who in Felipe's boyhood had often ridden him on his knee.

"Ah, it is you, Arillaga," he said very sadly, as the moonlight struck across Felipe's face. "I had hoped never to see you again."

"Buelna," demanded Felipe. "I have something to say to her, and to the padron."

"Too late, señor."

"My God, dead?"

"As good as dead."

"Rafael, tell me all. I have come to set everything straight again. On my honour, I have been misjudged. Is Buelna well?"

"Listen. You know your own heart best, señor. When you left her our little lady was as one half dead; her heart died within her. Ah, she loved you, Arillaga, far more than you deserved. She drooped swiftly, and one night all but passed away. Then it was that she made a vow that if God spared her life she would become the bride of the church—would forever renounce the world. Well, she recovered, became almost well again, but not the same as before. She never will be that. So soon as she was able to obtain Martiarena's consent she made all the preparations—signed away all her lands and possessions, and spent the days and nights in prayer and purifications. The Mother Superior of the Convent of Santa Teresa has been a guest at the hacienda this fortnight past. Only to-day the party—that is to say, Martiarena, the Mother Superior and Buelna—left for Santa Teresa, and at midnight of this very night Buelna takes the veil. You know your own heart, Señor Felipe. Go your way."

"But not till midnight!" cried Felipe.

"What? I do not understand."

"She will not take the veil till midnight."

"No, not till then."

"Rafael," cried Felipe, "ask me no questions now. Only believe me. I always have and always will love Buelna. I swear it. I can stop this yet; only once let me reach her in time. Trust me. Ah, for this once trust me, you who have known me since I was a lad."

He held out his hand. The other for a moment hesitated, then impulsively clasped it in his own.

"Bueno, I trust you then. Yet I warn you not to fool me twice."

"Good," returned Felipe. "And now adios. Unless I bring her back with me you'll never see me again."

"But, Felipe, lad, where away now?"

"To Santa Teresa."

"You are mad. Do you fancy you can reach it before midnight?" insisted the major-domo.

"I will, Rafael; I will."

"Then Heaven be with you."

But the old fellow's words were lost in a wild clatter of hoofs, as Felipe swung his pony around and drove home the spurs. Through the night came back a cry already faint:

"Adios, adios."

"Adios, Felipe," murmured the old man as he stood bewildered in the doorway, "and your good angel speed you now."

When Felipe began his ride it was already a little after nine. Could he reach Santa Teresa before midnight? The question loomed grim before him, but he answered only with the spur. Pépe was hardy, and, as Felipe well knew, of indomitable pluck. But what a task now lay before the little animal. He might do it, but oh! it was a chance!

In a quarter of a mile Pépe had settled to his stride, the dogged, even gallop that Felipe knew so well, and at half-past ten swung through the main street of Piedras Blancas—silent, somnolent, dark.

"Steady, little Pépe," said Felipe; "steady, little one. Soh, soh.

There."

The little horse flung back an ear, and Felipe could feel along the lines how he felt for the bit, trying to get a grip of it to ease the strain on his mouth.

The De Profundis bell was sounding from the church tower as Felipe galloped through San Anselmo, the next village, but by the time he raised the lights of Arcata it was black night in very earnest. He set his teeth. Terra Bella lay eight miles farther ahead, and here from the town-hall clock that looked down upon the plaza he would be able to know the time.

"Hoopa, Pépe; pronto!" he shouted.

The pony responded gallantly. His head was low; his ears in constant movement, twitched restlessly back and forth, now laid flat on his neck, now cocked to catch the rustle of the wind in the chaparral, the scurrying of a rabbit or ground-owl through the sage.

It grew darker, colder, the trade-wind lapsed away. Low in the sky upon the right a pale, dim belt foretold the rising of the moon. The incessant galloping of the pony was the only sound.

The convent toward which he rode was just outside the few scattered huts in the valley of the Rio Esparto that by charity had been invested with the name of Caliente. From Piedras Blancas to Caliente between twilight and midnight! What a riding! Could he do it? Would Pépe last under him?

"Steady, little one. Steady, Pépe."

Thus he spoke again and again, measuring the miles in his mind, husbanding the little fellow's strength.

Lights! Cart lanterns? No, Terra Bella. A great dog charged out at him from a dobe, filling the night with outcry; a hayrick loomed by like a ship careening through fog; there was a smell of chickens and farmyards. Then a paved street, an open square, a solitary pedestrian dodging just in time from under Pépe's hoofs. All flashed by. The open country again, unbroken darkness again, and solitude of the fields again. Terra Bella past.

But through the confusion Felipe retained one picture, that of the moon-faced clock with hands marking the hour of ten. On again with Pépe leaping from the touch of the spur. On again up the long, shallow slope that rose for miles to form the divide that overlooked the valley of the Esparto.

"Hold, there! Madman to ride thus. Mad or drunk. Only desperadoes gallop at night. Halt and speak!"

The pony had swerved barely in time, and behind him the Monterey stage lay all but ditched on the roadside, the driver fulminating oaths. But Felipe gave him but an instant's thought. Dobe huts once more abruptly ranged up on either side the roadway, staggering and dim under the night. Then a wine shop noisy with carousing peons darted by. Pavements again. A shop-front or two. A pig snoring in the gutter, a dog howling in a yard, a cat lamenting on a rooftop. Then the smell of fields again. Then darkness again. Then the solitude of the open country. Cadenassa past.

But now the country changed. The slope grew steeper; it was the last lift of land to the divide. The road was sown with stones and scored with ruts. Pépe began to blow; once he groaned. Perforce his speed diminished. The villages were no longer so thickly spread now. The crest of the divide was wild, desolate, forsaken. Felipe again and again searched the darkness for lights, but the night was black.

Then abruptly the moon rose. By that Felipe could guess the time. His heart sank. He halted, recinched the saddle, washed the pony's mouth with brandy from his flask, then mounted and spurred on.

Another half-hour went by. He could see that Pépe was in distress; his speed was by degrees slacking. Would he last! Would he last? Would the minutes that raced at his side win in that hard race?

Houses again. Plastered fronts. All dark and gray. No soul stirring. Sightless windows stared out upon emptiness. The plaza bared its desolation to the pitiless moonlight. Only from an unseen window a guitar hummed and tinkled. All vanished. Open country again. The solitude of the fields again; the moonlight sleeping on the vast sweep of the ranchos. Calpella past.

Felipe rose in his stirrups with a great shout.

At Calpella he knew he had crossed the divide. The valley lay beneath him, and the moon was turning to silver the winding courses of the Rio Esparto, now in plain sight.

It was between Calpella and Proberta that Pépe stumbled first. Felipe pulled him up and ceased to urge him to his topmost speed. But five hundred yards farther he stumbled again. The spume-flakes he tossed from the bit were bloody. His breath came in labouring gasps.

But by now Felipe could feel the rising valley-mists; he could hear the piping of the frogs in the marshes. The ground for miles had sloped downward. He was not far from the river, not far from Caliente, not far from the Convent of Santa Teresa and Buelna.

But the way to Caliente was roundabout, distant. If he should follow the road thither he would lose a long half-hour. By going directly across the country from where he now was, avoiding Proberta, he could save much distance and precious time. But in this case Pépe, exhausted, stumbling, weak, would have to swim the river. If he failed to do this Felipe would probably drown. If he succeeded, Caliente and the convent would be close at hand.

For a moment Felipe hesitated, then suddenly made up his mind. He wheeled Pépe from the road, and calling upon his last remaining strength, struck off across the country.

The sound of the river at last came to his ears.

"Now, then, Pépe," he cried.

For the last time the little horse leaped to the sound of his voice. Still at a gallop, Felipe cut the cinches of the heavy saddle, shook his feet clear of the stirrups, and let it fall to the ground; his coat, belt and boots followed. Bareback, with but the headstall and bridle left upon the pony, he rode at the river.

Before he was ready for it Pépe's hoofs splashed on the banks. Then the water swirled about his fetlocks; then it wet Felipe's bare ankles. In another moment Felipe could tell by the pony's motion that his feet had left the ground and that he was swimming in the middle of the current.

He was carried down the stream more than one hundred yards. Once Pépe's leg became entangled in a sunken root. Freed from that, his hoofs caught in grasses and thick weeds. Felipe's knee was cut against a rock; but at length the pony touched ground. He rose out of the river trembling, gasping and dripping. Felipe put him at the steep bank. He took it bravely, scrambled his way—almost on his knees—to the top, then stumbled badly and fell prone upon the ground. Felipe twisted from under him as he fell and regained his feet unhurt. He ran to the brave little fellow's head.

"Up, up, my Pépe. Soh, soh."

Suddenly he paused, listening. Across the level fields there came to his ears the sound of the bell of the convent of Santa Teresa tolling for midnight.

* * * * *

Upon the first stroke of midnight the procession of nuns entered the nave of the church. There were some thirty in the procession. The first ranks swung censers; those in the rear carried lighted candles. The Mother Superior and Buelna, the latter wearing a white veil, walked together. The youngest nun followed these two, carrying upon her outspread palms the black veil.

Arrived before the altar the procession divided into halves, fifteen upon the east side of the chancel, fifteen upon the west. The organ began to drone and murmur, the censers swung and smoked, the candle-flames flared and attracted the bats that lived among the rafters overhead. Buelna knelt before the Mother Superior. She was pale and a little thin from fasting and the seclusion of the cells. But, try as she would, she could not keep her thoughts upon the solemn office in which she was so important a figure. Other days came back to her. A little girl gay and free once more, she romped through the hallways and kitchen of the old hacienda Martiarena with her playmate, the young Felipe; a young schoolgirl, she rode with him to the Mission to the instruction of the padre; a young woman, she danced with him at the fête of All Saints at Monterey. Why had it not been possible that her romance should run its appointed course to a happy end? That last time she had seen him how strangely he had deported himself. Untrue to her! Felipe! Her Felipe; her more than brother! How vividly she recalled the day. They were returning from the Mission, where she had prayed for his safe and speedy return. Long before she had seen him she heard the gallop of a horse's hoofs around the turn of the road. Yes, she remembered that—the gallop of a horse. Ah! how he rode—how vivid it was in her fancy. Almost she heard the rhythmic beat of the hoofs. They came nearer, nearer. Fast, furiously fast hoof-beats. How swift he rode. Gallop, gallop—nearer, on they came. They were close by. They swept swiftly nearer, nearer. What—what was this? No fancy. Nearer, nearer. No fancy this. Nearer, nearer. These—ah, Mother of God—are real hoof-beats. They are coming; they are at hand; they are at the door of the church; they are here!

She sprang up, facing around. The ceremony was interrupted. The frightened nuns were gathering about the Mother Superior. The organ ceased, and in the stillness that followed all could hear that furious gallop. On it came, up the hill, into the courtyard. Then a shout, hurried footsteps, the door swung in, and Felipe Arillaga, ragged, dripping, half fainting, hatless and stained with mud, sprang toward Buelna. Forgetting all else, she ran to meet him, and, clasped in each other's arms, they kissed one another upon the lips again and again.

The bells of Santa Teresa that Felipe had heard that night on the blanks of the Esparto rang for a wedding the next day.

Two days after they tolled as passing bells. A beautiful woman had been found drowned in a river not far from the house of Lopez Catala, on the high road to Monterey.

THE END

*** END OF THIS PROJECT GUTENBERG EBOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Project Gutenberg eBook of A Deal in Wheat and Other Stories of the New and Old West, by Frank Norris

A DEAL IN WHEAT

CONTENTS

LIST OF ILLUSTRATIONS

A DEAL IN WHEAT

I. THE BEAR—WHEAT AT SIXTY-TWO

II. THE BULL—WHEAT AT A DOLLAR-TEN

III. THE PIT

IV. THE BELT LINE

V. THE BREAD LINE

THE WIFE OF CHINO

I. CHINO'S WIFE

II. MADNESS

III. CHINO GOES TO TOWN

IV. A DESPATCH FROM THE EXPRESS MESSENGER

V. THE TRAIL

VI. THE DISCOVERY OF FELICE

A BARGAIN WITH PEG-LEG

THE PASSING OF COCK-EYE BLACKLOCK

A MEMORANDUM OF SUDDEN DEATH

TWO HEARTS THAT BEAT AS ONE

THE DUAL PERSONALITY OF SLICK DICK NICKERSON

I.

II

III

THE SHIP THAT SAW A GHOST

THE GHOST IN THE CROSSTREES

I

II

III

IV

THE RIDING OF FELIPE

I. FELIPE

II. UNZAR

III. RUBIA

IV. BELUNA

THE END

THE FULL PROJECT GUTENBERG LICENSE